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Across the country, empty properties that could be homes are just | 0:00:02 | 0:00:06 | |
waiting to be brought back into use. | 0:00:06 | 0:00:09 | |
I'll be finding out why, | 0:00:09 | 0:00:11 | |
and what you need to do to rescue a house for yourself. | 0:00:11 | 0:00:14 | |
Along the way, I'll be doing some digging of my own to find out | 0:00:14 | 0:00:18 | |
more about our housing stock, our heritage and why | 0:00:18 | 0:00:21 | |
we should be both reinventing and preserving Britain's empty homes. | 0:00:21 | 0:00:25 | |
On today's show, a young couple who, with the help of parents, | 0:00:31 | 0:00:35 | |
have taken on an abandoned cottage in the Lake District that they | 0:00:35 | 0:00:38 | |
hope to turn into their first home. Plan is to open up into a big space. | 0:00:38 | 0:00:46 | |
The whole of the downstairs? Yeah. | 0:00:46 | 0:00:47 | |
A regeneration project in the Northeast dedicated to | 0:00:47 | 0:00:50 | |
reviving forgotten buildings from our industrial heritage. | 0:00:50 | 0:00:54 | |
1913 it was built, is that right? Yes. It's the centenary this year. | 0:00:54 | 0:00:57 | |
This year? Quite a special time to bring it back to life. | 0:00:57 | 0:01:00 | |
And one of Britain's empty property officers, on a mission to | 0:01:00 | 0:01:04 | |
bring Birmingham's abandoned buildings back into use. | 0:01:04 | 0:01:07 | |
Pieces of the... | 0:01:07 | 0:01:09 | |
As you can see which has nearly fallen on top of me, parts of the | 0:01:09 | 0:01:13 | |
porch are actually still falling off so that's really dangerous still. | 0:01:13 | 0:01:17 | |
Luke Antin and his girlfriend Elizabeth had long aspired | 0:01:19 | 0:01:22 | |
to buy a home in the beautiful | 0:01:22 | 0:01:24 | |
Cumbria countryside. We like the area | 0:01:24 | 0:01:26 | |
because we can go into the Lake District. | 0:01:26 | 0:01:30 | |
We can do climbing and sailing | 0:01:30 | 0:01:32 | |
and walking. We like the fact that it's open space. | 0:01:32 | 0:01:36 | |
Around here, everything is hundreds and hundreds of thousands, | 0:01:36 | 0:01:40 | |
going up into the millions which is just not possible for us. | 0:01:40 | 0:01:45 | |
So, when Luke's dad John, a joiner by trade, suggested | 0:01:45 | 0:01:49 | |
he help them financially, Luke and Elizabeth jumped at the chance | 0:01:49 | 0:01:52 | |
and immediately decided they would search for an abandoned | 0:01:52 | 0:01:55 | |
building they could bring back to life. | 0:01:55 | 0:01:57 | |
I told Luke the best way to get on the property ladder would be | 0:01:57 | 0:02:01 | |
to buy a property in need of modernisation. | 0:02:01 | 0:02:07 | |
Elizabeth found this place. | 0:02:07 | 0:02:10 | |
The trio snapped up this deserted three-bedroom semi-detached | 0:02:10 | 0:02:14 | |
house at auction for ?96,500. | 0:02:14 | 0:02:17 | |
Without my dad, we couldn't have possibly done this | 0:02:17 | 0:02:20 | |
because the house is unmortgageable in its current state. | 0:02:20 | 0:02:24 | |
The first impression of this house is that it's falling down | 0:02:24 | 0:02:27 | |
and it's very scary. | 0:02:27 | 0:02:28 | |
It's not something I would normally go anywhere near, but I have | 0:02:28 | 0:02:32 | |
been assured that it will remain standing and it will turn out OK. | 0:02:32 | 0:02:36 | |
That is until I start doing work on it. This is true. | 0:02:36 | 0:02:40 | |
While Elizabeth will stay in her current home with her young | 0:02:41 | 0:02:45 | |
daughter, Luke plans to take on the lion's | 0:02:45 | 0:02:47 | |
share of the work in a bid to keep renovation costs down. | 0:02:47 | 0:02:51 | |
I have helped my dad on occasions, shifting rubble, mixing cement | 0:02:51 | 0:02:57 | |
but I've never done any plastering or brickwork. | 0:02:57 | 0:03:03 | |
I will be looking to him to teach me how to do some of these jobs. | 0:03:03 | 0:03:09 | |
So, with very little experience Luke is | 0:03:09 | 0:03:12 | |
completely reliant on his dad's skills, which will be essential | 0:03:12 | 0:03:15 | |
if they are to complete the overhaul themselves. | 0:03:15 | 0:03:18 | |
I think my dad is really itching to get his hand stuck in | 0:03:18 | 0:03:24 | |
and he's going to have to be here for quite a bit of it to | 0:03:24 | 0:03:28 | |
pass on his skills and show me what I need to do. | 0:03:28 | 0:03:32 | |
Luke is a novice renovator, and although his dad is not a full-time | 0:03:32 | 0:03:36 | |
builder, Luke is still lucky he'll be there to guide the renovation. | 0:03:36 | 0:03:39 | |
But working with family often brings its own set of issues. | 0:03:39 | 0:03:43 | |
I think one of the challenges possibly will be me and my dad. | 0:03:43 | 0:03:47 | |
We are very similar to each other. More than we possibly care to admit. | 0:03:47 | 0:03:52 | |
To some degree, it's like having two South Poles trying to connect together. | 0:03:52 | 0:03:57 | |
And I'm always right. | 0:03:57 | 0:03:59 | |
LAUGHTER | 0:03:59 | 0:04:01 | |
'This is all very new. | 0:04:03 | 0:04:05 | |
'Luke and Elizabeth have only just signed the contract for the house | 0:04:05 | 0:04:08 | |
'and they're rearing to go.' | 0:04:08 | 0:04:10 | |
I'm Joe. How you doing? Nice to meet you. | 0:04:10 | 0:04:13 | |
This is your place. | 0:04:13 | 0:04:15 | |
Am I right in thinking your first place together? That's right. | 0:04:15 | 0:04:18 | |
Our first one. How does that feel? Really exciting. | 0:04:18 | 0:04:22 | |
THEY LAUGH | 0:04:22 | 0:04:23 | |
Were you open-minded, Elizabeth? | 0:04:23 | 0:04:25 | |
Were you open to anything you saw in terms of taking on quite | 0:04:25 | 0:04:27 | |
a big project? I quite liked the idea of a house you could just move into. | 0:04:27 | 0:04:32 | |
But that's miles out of our budget. Let's have a look inside. | 0:04:32 | 0:04:37 | |
Luke and Elizabeth are yet to pin down any plans, | 0:04:39 | 0:04:42 | |
but they'll need to be mindful, as they have a tight renovation budget | 0:04:42 | 0:04:45 | |
of ?25,000, with Luke's dad estimating the cost closer to 40,000. | 0:04:45 | 0:04:51 | |
Look at this. You've got some holes in your front room. Yeah. | 0:04:51 | 0:04:55 | |
What's going on? | 0:04:55 | 0:04:57 | |
These holes were put in to check the structure of the property. | 0:04:57 | 0:05:01 | |
The surveyors have done this? Yeah. | 0:05:01 | 0:05:03 | |
They were looking for subsidence in the walls | 0:05:03 | 0:05:07 | |
because it's evident on this wall. | 0:05:07 | 0:05:10 | |
They were trying to see if it extended anywhere else. | 0:05:10 | 0:05:14 | |
This is a supporting wall for the whole building, is it, in the middle? | 0:05:14 | 0:05:17 | |
At the moment, yeah. It's keeping the roof and the first floor up. | 0:05:17 | 0:05:21 | |
It's quite vital. So what is the plan? | 0:05:21 | 0:05:24 | |
This is clearly a sitting room. The main living space. | 0:05:24 | 0:05:28 | |
Tell me how the house is laid out and what you want to do with it. | 0:05:28 | 0:05:32 | |
The plan is to open up into a big space. | 0:05:32 | 0:05:36 | |
The whole of the downstairs? Yeah. | 0:05:36 | 0:05:38 | |
How does that suit the way you want to live? You've got a young girl. | 0:05:38 | 0:05:41 | |
Do you like that feel where the children are around you | 0:05:41 | 0:05:44 | |
and you can always see what she's doing? Yes. | 0:05:44 | 0:05:47 | |
Very important to know where she is. | 0:05:47 | 0:05:50 | |
I suppose that's a big challenge if you're going to take out a wall, | 0:05:50 | 0:05:54 | |
and this wall is the main supporting wall in the middle of the house. | 0:05:54 | 0:05:58 | |
We're talking big structural work. Yup. | 0:05:58 | 0:06:01 | |
No, we don't reckon that it will be, actually. Yeah, time will tell. OK. | 0:06:01 | 0:06:09 | |
If you're going to take it out, you need to put something else in there. | 0:06:09 | 0:06:12 | |
Steel joists, that kind of stuff. Yeah. | 0:06:12 | 0:06:14 | |
Am I right in thinking your dad can't be here all the time? He's got a business to run. | 0:06:14 | 0:06:18 | |
That's right. So you guys will be the ones who are always here. | 0:06:18 | 0:06:22 | |
Is that fair? Yeah. That's a responsibility. | 0:06:22 | 0:06:26 | |
He's already told me that I'm going to be building the support | 0:06:26 | 0:06:30 | |
pillars for the steel beams so that's quite a vital point. | 0:06:30 | 0:06:33 | |
If it falls down, it's his fault. | 0:06:33 | 0:06:36 | |
Where are you guys going to be living when this is going on? | 0:06:36 | 0:06:40 | |
I'm going to be camping outside. | 0:06:40 | 0:06:43 | |
And then try and get some of it into a liveable state, and move in | 0:06:43 | 0:06:49 | |
and slum it really. I see. You're going to be here. | 0:06:49 | 0:06:53 | |
Are you prepared for that? It's all very well on a lovely sunny day. | 0:06:53 | 0:06:58 | |
That's not always how it is, is it? No. It's fine. | 0:06:58 | 0:07:02 | |
As long as we're not going to get minus 30 degree snowstorms, | 0:07:02 | 0:07:08 | |
I'll live. | 0:07:08 | 0:07:10 | |
Well, let's see a bit more of the house. | 0:07:10 | 0:07:13 | |
'This house had been abandoned for quite some time | 0:07:15 | 0:07:18 | |
'before Luke and Elizabeth snapped it up. | 0:07:18 | 0:07:20 | |
'As a result, the three bedrooms upstairs and the bathroom | 0:07:20 | 0:07:24 | |
'are in desperate need of some serious work. | 0:07:24 | 0:07:27 | |
'Back downstairs, there are the remnants of a tiny kitchen, | 0:07:27 | 0:07:30 | |
'but outside reveals the real jewel in the crown of this property.' | 0:07:30 | 0:07:35 | |
So out in the garden, it's absolutely lovely. | 0:07:35 | 0:07:37 | |
This was one of the main attractions for the property. Yup. | 0:07:37 | 0:07:40 | |
For my little girl. How important is it to have this space? Really important. | 0:07:40 | 0:07:45 | |
Somewhere for her to run around. | 0:07:45 | 0:07:46 | |
What kind of things concern you at this point? It's all ahead of you. | 0:07:46 | 0:07:50 | |
What do you know? What don't you know? It's quite early on. | 0:07:50 | 0:07:55 | |
We're undecided on quite a bit of it. But we are kind of... | 0:07:55 | 0:08:00 | |
We've got lots of ideas. | 0:08:00 | 0:08:02 | |
We haven't decided which ones we want. | 0:08:02 | 0:08:05 | |
So everything is at a fluid stage. | 0:08:05 | 0:08:08 | |
You've got the keys, and you know you've got to sort out the structure | 0:08:08 | 0:08:11 | |
but after that, who knows? | 0:08:11 | 0:08:14 | |
I think what will be useful is to see another property in this area. | 0:08:14 | 0:08:18 | |
One that's been fully renovated. | 0:08:18 | 0:08:21 | |
I think there will be a lot of inspiration there. | 0:08:21 | 0:08:23 | |
It'll also be good to meet the people behind it. | 0:08:23 | 0:08:25 | |
They've been through the renovation. It's your first renovation. I know you've got your dad's help | 0:08:25 | 0:08:30 | |
but it would be great to get some practical advice, tips, | 0:08:30 | 0:08:33 | |
any things they wouldn't do again to help guide you on your way. | 0:08:33 | 0:08:38 | |
Hopefully that could be useful for the stage you're at now. | 0:08:38 | 0:08:40 | |
How does that sound? Yup, sounds good. Sounds very good. Excellent. | 0:08:40 | 0:08:44 | |
I think it's going to be a lovely first family home for Luke and Elizabeth. | 0:08:53 | 0:08:56 | |
They've got their head round the big problems here, | 0:08:56 | 0:08:58 | |
the structural issues. | 0:08:58 | 0:09:00 | |
But I don't think, because it's so early in the project, they've got to grips with some of the details. | 0:09:00 | 0:09:04 | |
The little things that will make this from just another | 0:09:04 | 0:09:07 | |
renovation project into their perfect home. | 0:09:07 | 0:09:10 | |
It will be good for them to see another property that IS | 0:09:10 | 0:09:13 | |
fully finished, they can take some inspiration from that. | 0:09:13 | 0:09:15 | |
But also there'll be some good help and advice to get them started. | 0:09:15 | 0:09:19 | |
Across the UK, there are many abandoned buildings like | 0:09:19 | 0:09:23 | |
Luke and Elizabeth's that could be restored to use. | 0:09:23 | 0:09:26 | |
With some imagination, the results can be surprising, | 0:09:26 | 0:09:29 | |
as architect Elspeth Beard has proved. | 0:09:29 | 0:09:32 | |
She was in the market for an unusual building in Surrey that she | 0:09:32 | 0:09:35 | |
could breathe life into and turn into her home. | 0:09:35 | 0:09:38 | |
I was looking to buy a property that hadn't been originally | 0:09:38 | 0:09:43 | |
designed as a house. | 0:09:43 | 0:09:45 | |
I wanted somewhere where I could convert and | 0:09:45 | 0:09:49 | |
design the internal spaces as I wanted to. | 0:09:49 | 0:09:52 | |
A friend of mine saw this and he told me about it. | 0:09:52 | 0:09:56 | |
The minute I saw it, I decided, literally, | 0:09:56 | 0:09:58 | |
straight away that I wanted it. | 0:09:58 | 0:10:01 | |
It's just such a beautiful building, and in the fact that inside was just | 0:10:01 | 0:10:05 | |
a huge empty space I could do whatever I wanted to with. | 0:10:05 | 0:10:09 | |
So Elspeth bravely paid ?121,000 for it at auction. | 0:10:09 | 0:10:13 | |
The tower, built in 1898, reaches 130 feet high, | 0:10:13 | 0:10:18 | |
and had supplied water to the local villages for 70 years. | 0:10:18 | 0:10:22 | |
In the mid-19th century, these water towers were a focal point of UK | 0:10:22 | 0:10:25 | |
towns and cities, but now many are disused and abandoned. | 0:10:25 | 0:10:29 | |
It had been empty for 20 years when I bought it. | 0:10:29 | 0:10:33 | |
It was full of pigeons and doves. | 0:10:33 | 0:10:37 | |
I spent six months shovelling out the bird poo. | 0:10:37 | 0:10:43 | |
I managed to get an entire skipload. | 0:10:43 | 0:10:47 | |
And that was just the beginning. | 0:10:47 | 0:10:50 | |
Elspeth spent a year securing planning permission to turn | 0:10:50 | 0:10:53 | |
the tower into a home. | 0:10:53 | 0:10:55 | |
Ironically, one of her biggest jobs was making the six-level | 0:10:55 | 0:10:59 | |
water tower waterproof. | 0:10:59 | 0:11:01 | |
We spent nine months doing all the brickwork repairs, | 0:11:01 | 0:11:05 | |
64 new windows, a new roof, put in the lantern light on the top floor. | 0:11:05 | 0:11:11 | |
So after three years, I basically had a waterproof shell and | 0:11:11 | 0:11:18 | |
the planning and listed building consent. | 0:11:18 | 0:11:20 | |
Elspeth went on to spend a further four years | 0:11:20 | 0:11:23 | |
and ?220,000 on the renovation. | 0:11:23 | 0:11:26 | |
When I moved to the tower, it was very much still a building site. | 0:11:26 | 0:11:29 | |
It didn't have a kitchen, a bath or a toilet. | 0:11:29 | 0:11:34 | |
For the first three or four years, I managed to keep my spirits up. | 0:11:34 | 0:11:39 | |
When I got into year four, five and six, I'd had enough of it. | 0:11:39 | 0:11:45 | |
But despite these trying times, Elspeth has created a unique | 0:11:45 | 0:11:49 | |
and totally bespoke home. | 0:11:49 | 0:11:50 | |
What I love about the building is, once you enter the front door, | 0:11:50 | 0:11:57 | |
I feel as if I'm in my own space. | 0:11:57 | 0:12:00 | |
Everything in this building was designed by me | 0:12:00 | 0:12:03 | |
and a lot of it was built by me. | 0:12:03 | 0:12:06 | |
I just wanted to have one large room on each floor | 0:12:06 | 0:12:09 | |
and I didn't want any rooms within rooms, which is why, | 0:12:09 | 0:12:13 | |
in the bedrooms, the bathrooms are open to the main bedroom space. | 0:12:13 | 0:12:18 | |
There are a lot of stairs in the building. | 0:12:18 | 0:12:21 | |
It's 89 stairs to my kitchen, 116 to my living room | 0:12:21 | 0:12:26 | |
and 141 to the roof terrace. | 0:12:26 | 0:12:29 | |
For Elspeth, creating an amazing home from this historic water tower | 0:12:30 | 0:12:34 | |
wasn't her only motivation. | 0:12:34 | 0:12:37 | |
Somebody needed to save this building for the future | 0:12:37 | 0:12:41 | |
so I was very pleased I was able to do that. | 0:12:41 | 0:12:45 | |
The project may have dominated her life | 0:12:45 | 0:12:48 | |
and bank balance for seven years, | 0:12:48 | 0:12:49 | |
but having seen the renovation through, Elspeth has no regrets. | 0:12:49 | 0:12:54 | |
It was definitely worth it. I love living here. It's a great building, | 0:12:54 | 0:12:58 | |
it's a great space. And I certainly worked for it. | 0:12:58 | 0:13:01 | |
And I feel I've certainly earned it. | 0:13:01 | 0:13:04 | |
Restoring Britain's forgotten working buildings | 0:13:06 | 0:13:09 | |
and turning them into housing stock is undoubtedly rewarding | 0:13:09 | 0:13:12 | |
and also helps keep our industrial past alive. | 0:13:12 | 0:13:15 | |
Britain's role as the workshop of the world | 0:13:15 | 0:13:17 | |
and the pioneer of the Industrial Revolution has left its own | 0:13:17 | 0:13:20 | |
legacy in terms of property here in the UK. | 0:13:20 | 0:13:23 | |
Thousands of mills, factories and old mine | 0:13:23 | 0:13:26 | |
buildings lie dotted around the country, | 0:13:26 | 0:13:28 | |
often empty and forgotten. | 0:13:28 | 0:13:31 | |
That is particularly the case here in the Northeast, which was once | 0:13:31 | 0:13:34 | |
the heartlands of our coal industry. | 0:13:34 | 0:13:36 | |
'I'm at the abandoned Bowes Railway site near Newcastle. | 0:13:38 | 0:13:41 | |
'Built in 1825, it was once a thriving industrial hub. | 0:13:41 | 0:13:46 | |
'But since its closure in 1979, it's fallen into disrepair | 0:13:46 | 0:13:50 | |
'and its buildings have been declared at risk due to vandalism. | 0:13:50 | 0:13:54 | |
'Leading the campaign to change its fortunes is | 0:13:54 | 0:13:56 | |
'Martin Holst from the Tyne and Wear Building Preservation Trust.' | 0:13:56 | 0:14:00 | |
How are you doing? I'm Joe. | 0:14:00 | 0:14:01 | |
A very intriguing backdrop here. | 0:14:01 | 0:14:03 | |
Tell me about the history of the site. This is Bowes Railway. | 0:14:03 | 0:14:07 | |
It was a rope-hauled railway system which moved | 0:14:07 | 0:14:10 | |
coal from coalfields to Jarrow. What do we mean by rope-hauled? | 0:14:10 | 0:14:15 | |
So, the majority of the movement of the trucks was done by ropes | 0:14:15 | 0:14:18 | |
pulling trucks. Where does the power for this come from? | 0:14:18 | 0:14:21 | |
There would've been a number of static engines along the line, | 0:14:21 | 0:14:25 | |
and gravity, because of the inclines, they could use gravity to move. | 0:14:25 | 0:14:28 | |
So the idea was to link the coal mines here with the river and the transport. | 0:14:28 | 0:14:32 | |
How long would this rope-hauled railway have been at its height? | 0:14:32 | 0:14:34 | |
The system was about 15 miles. There's about three miles of that track left. | 0:14:34 | 0:14:39 | |
How important is it now that we remember this? | 0:14:39 | 0:14:43 | |
This is a scheduled monument, so it's of national significance | 0:14:43 | 0:14:47 | |
because of the track, the buildings and the trucks. | 0:14:47 | 0:14:51 | |
There is so much surviving fabric. Tell me about your trust. | 0:14:51 | 0:14:54 | |
It's not so much about railways, it's specifically about buildings | 0:14:54 | 0:14:57 | |
and bringing them back into good use. | 0:14:57 | 0:14:59 | |
We run across Tyne and Wear, and we're looking for buildings | 0:14:59 | 0:15:02 | |
of historical interest that we can bring back into use. | 0:15:02 | 0:15:04 | |
And you've seen something here you think can do just that? | 0:15:04 | 0:15:07 | |
Yes, I've been working here for a number of years | 0:15:07 | 0:15:10 | |
and it's got potential. | 0:15:10 | 0:15:11 | |
Fantastic. Let's go and take a look. | 0:15:11 | 0:15:14 | |
Black Fell House was one of the essential engine rooms on this | 0:15:14 | 0:15:18 | |
railway, used to power the rope system that pulled the coal | 0:15:18 | 0:15:21 | |
trucks along. Now the preservation trust want it to be someone's home. | 0:15:21 | 0:15:26 | |
But it's a long way from that point. | 0:15:26 | 0:15:28 | |
The driver would have been in the door there | 0:15:28 | 0:15:31 | |
looking down the incline, controlling the engine. | 0:15:31 | 0:15:34 | |
It looks very well built. Can this be used? It's still standing now. | 0:15:34 | 0:15:39 | |
It's extremely solid. The machinery is very heavy. | 0:15:39 | 0:15:43 | |
OK. Shall we try and have a look in? | 0:15:43 | 0:15:46 | |
So it's been attracting a bit of attention, has it? | 0:15:48 | 0:15:50 | |
Yeah, the building's been empty for 20 years. You come to expect it. | 0:15:50 | 0:15:54 | |
They've been climbing through here, stealing parts of the machinery. | 0:15:54 | 0:15:59 | |
The metal. They've wrecked the machinery. So what is the plan? | 0:15:59 | 0:16:03 | |
It's a big building, it's a good space. What can you do with this? | 0:16:03 | 0:16:08 | |
The idea is for a live-work unit. | 0:16:08 | 0:16:10 | |
So we'd put a pod up in the roof for someone to live. | 0:16:10 | 0:16:14 | |
Probably an artist or a carpenter or joiner. | 0:16:14 | 0:16:17 | |
So they'd be able to live over their workshop. | 0:16:17 | 0:16:20 | |
So it's definitely going ahead? You've got funding...? | 0:16:20 | 0:16:23 | |
We've got ?200,000 of funding | 0:16:23 | 0:16:25 | |
so far from the Andrew Lloyd Webber Foundation and English Heritage. | 0:16:25 | 0:16:29 | |
That's most of the money that we'll need. 1913 it was built? | 0:16:29 | 0:16:33 | |
It's the centenary this year. | 0:16:33 | 0:16:35 | |
Quite a special time to bring it back to life. | 0:16:35 | 0:16:38 | |
It seems fitting that you've managed to secure its future on the centenary. | 0:16:38 | 0:16:43 | |
Yes. It should all click into place now. | 0:16:43 | 0:16:46 | |
Fantastic. Best of luck with it. Thanks. | 0:16:46 | 0:16:48 | |
I think what's happening here is a really good compromise. | 0:16:53 | 0:16:56 | |
Sadly, some of the fabric inside the building has been lost over | 0:16:56 | 0:16:59 | |
the years so you can't really preserve this as a museum piece. | 0:16:59 | 0:17:03 | |
The next best thing is to find a way of celebrating its industrial past. | 0:17:03 | 0:17:08 | |
And so to make this into a workshop or a studio is just perfect, | 0:17:08 | 0:17:13 | |
and then to also have someone living here is ideal. | 0:17:13 | 0:17:18 | |
It means the site will be secure, and that person can effectively | 0:17:18 | 0:17:22 | |
act as a guardian to look after this building for many years to come. | 0:17:22 | 0:17:26 | |
Sadly, not all of Britain's forgotten buildings are rescued | 0:17:28 | 0:17:31 | |
and brought back to life. | 0:17:31 | 0:17:33 | |
But local councils ARE taking action, | 0:17:33 | 0:17:35 | |
and it's the job of empty property officers to track these | 0:17:35 | 0:17:38 | |
buildings down and work on bringing them back into the community. | 0:17:38 | 0:17:42 | |
In Birmingham, Matt Smith does just that, and he's on his way to | 0:17:43 | 0:17:46 | |
a house that's been on his radar for six months. | 0:17:46 | 0:17:50 | |
Since the owner died, his family have had trouble maintaining | 0:17:50 | 0:17:53 | |
the house, and Matt has been responding to complaints. | 0:17:53 | 0:17:57 | |
A few months ago, the front porch to the property collapsed | 0:17:57 | 0:18:00 | |
and it was in a really dangerous condition. | 0:18:00 | 0:18:02 | |
I contacted the homeowner to get a skip to the property, to start | 0:18:02 | 0:18:07 | |
putting some of the dangerous debris into the skip. | 0:18:07 | 0:18:11 | |
Having spoken to the neighbour, | 0:18:11 | 0:18:12 | |
it seems that some of the dangerous work to the porch hasn't been done. | 0:18:12 | 0:18:16 | |
It looks like we've got a car on the drive this time. | 0:18:18 | 0:18:21 | |
I'm wondering whether there's somebody in. | 0:18:21 | 0:18:23 | |
HE RATTLES LETTER BOX | 0:18:27 | 0:18:29 | |
But the presence of the car is misleading. | 0:18:30 | 0:18:33 | |
The porch is full of unopened post, which suggests there is no-one home. | 0:18:33 | 0:18:37 | |
Disappointed really because I asked him to do... | 0:18:37 | 0:18:41 | |
There is a porch here that was part of the garage that was totally | 0:18:41 | 0:18:44 | |
falling down. He's done part of the work. | 0:18:44 | 0:18:48 | |
We've got potentially really dangerous wires... | 0:18:48 | 0:18:51 | |
I'm not going to touch them to see | 0:18:51 | 0:18:52 | |
whether they are live, but there is always the potential that they are. | 0:18:52 | 0:18:55 | |
Totally dangerous pieces of glass, which aren't very safe, | 0:18:55 | 0:19:00 | |
and pieces of the... | 0:19:00 | 0:19:02 | |
As you can see, which has nearly fallen on top of me. | 0:19:03 | 0:19:06 | |
Parts of the porch are still falling off so that's really dangerous still. | 0:19:06 | 0:19:10 | |
It's just one of these things with empty houses, | 0:19:10 | 0:19:13 | |
you never know what you're going to find when you're there. | 0:19:13 | 0:19:15 | |
Like many streets with empty properties, | 0:19:15 | 0:19:17 | |
it's often the neighbours who bear the burden of | 0:19:17 | 0:19:20 | |
an unsightly building and the antisocial behaviour it attracts. | 0:19:20 | 0:19:24 | |
So Matt wants to check in with them to give them an update. | 0:19:24 | 0:19:27 | |
Hello there. Matthew Smith from Birmingham City Council Empty Property Team. | 0:19:27 | 0:19:31 | |
It's about the empty house across the way. | 0:19:31 | 0:19:33 | |
Have you seen anybody working on the house recently? | 0:19:33 | 0:19:36 | |
I saw him probably about two weeks ago. OK. | 0:19:36 | 0:19:40 | |
He was mainly clearing out the garage and everything. | 0:19:40 | 0:19:43 | |
Have you got kids? I haven't got any young kids. | 0:19:43 | 0:19:47 | |
The next-door neighbour's got young kids, | 0:19:47 | 0:19:49 | |
there's young kids over the road. | 0:19:49 | 0:19:51 | |
Just if you can talk to the neighbours in terms of the safety element | 0:19:51 | 0:19:54 | |
and make sure that they don't visit - | 0:19:54 | 0:19:57 | |
with the glass, | 0:19:57 | 0:19:58 | |
who knows what they're treading on! | 0:19:58 | 0:20:00 | |
Thanks very much for your time, and obviously any problems | 0:20:00 | 0:20:03 | |
give me a shout. | 0:20:03 | 0:20:04 | |
Will do. Cheers. | 0:20:04 | 0:20:06 | |
Before Matt wraps up at the house, he puts in a call to the | 0:20:08 | 0:20:10 | |
owner, to inform him of the work that still needs to be carried out. | 0:20:10 | 0:20:15 | |
Slightly concerned that there's dangerous elements to the porch. | 0:20:15 | 0:20:18 | |
There's jagged pieces of wood and nails hanging down. | 0:20:18 | 0:20:21 | |
You need to ensure this work is done. | 0:20:21 | 0:20:24 | |
OK, so I've spoken to the owner. | 0:20:24 | 0:20:26 | |
I'm going to write to him formally now, asking him | 0:20:26 | 0:20:29 | |
to do certain safety work to the porch again. | 0:20:29 | 0:20:32 | |
Cut down the garden, try and make the place look a bit more presentable. | 0:20:32 | 0:20:35 | |
At least we've got to speak with the neighbours | 0:20:35 | 0:20:38 | |
and speak to the owner, and things look like they should move forward now. | 0:20:38 | 0:20:42 | |
If you've noticed abandoned properties in your area | 0:20:44 | 0:20:47 | |
and fancy the challenge of taking one on, | 0:20:47 | 0:20:49 | |
contact local estate agents, neighbourhood watch groups and | 0:20:49 | 0:20:52 | |
local shop owners and traders, and see if they have any information. | 0:20:52 | 0:20:56 | |
Or get in touch with your local empty property officer. | 0:20:56 | 0:21:00 | |
'Back in the Lake District, I'm with Luke and Elizabeth who, | 0:21:01 | 0:21:05 | |
'with the help of Luke's dad, | 0:21:05 | 0:21:06 | |
'have taken on an abandoned house they can turn into a family home. | 0:21:06 | 0:21:10 | |
'They're at the very beginning of the project, with plans | 0:21:10 | 0:21:12 | |
'still up in the air, so they've lots of questions. | 0:21:12 | 0:21:15 | |
'I'm going to introduce them to a couple who've done something | 0:21:15 | 0:21:18 | |
'very similar.' | 0:21:18 | 0:21:20 | |
Here we are. This is the place I want you to see. | 0:21:20 | 0:21:22 | |
The reason I brought you here is it used to be in a similar state | 0:21:22 | 0:21:25 | |
to yours. It had structural problems, | 0:21:25 | 0:21:27 | |
it needed a complete overhaul, and this is what they've come up with. | 0:21:27 | 0:21:30 | |
Hopefully, they'll be able to show us around and there'll be some advice. | 0:21:30 | 0:21:33 | |
Shall we say hello? Yeah. Come on. | 0:21:33 | 0:21:35 | |
Like Luke and Elizabeth, Stephen | 0:21:37 | 0:21:39 | |
and Marguerite loved the beauty of the Lake District and were desperate | 0:21:39 | 0:21:43 | |
to get on the property ladder here by restoring a local building. | 0:21:43 | 0:21:47 | |
We'd always fancied having a property up here but they are so expensive | 0:21:47 | 0:21:50 | |
in the Lake District, so we had to find something we could renovate. | 0:21:50 | 0:21:55 | |
It was a bit strange because we'd got here, and it was literally | 0:21:55 | 0:21:58 | |
falling to bits. We'd look through the windows and I think that was it. | 0:21:58 | 0:22:03 | |
It was love at first sight, wasn't it? Yeah. | 0:22:03 | 0:22:06 | |
But once they became the proud owners of the 100-year-old cottage, | 0:22:06 | 0:22:10 | |
the enormity of the project crept up on them. | 0:22:10 | 0:22:13 | |
When we first bought it | 0:22:13 | 0:22:14 | |
I remember we went to a little bar down the road and sat in it and thought, "What have we done?!" | 0:22:14 | 0:22:18 | |
We were both very quiet, which is unusual, and | 0:22:18 | 0:22:21 | |
we looked at each other and I said, "I don't think I can do this." | 0:22:21 | 0:22:24 | |
But we managed to get through that after the initial panic. | 0:22:24 | 0:22:28 | |
The house had only been empty for four months | 0:22:28 | 0:22:30 | |
when they bought it for ?280,000. | 0:22:30 | 0:22:33 | |
But it had been left completely exposed to the elements | 0:22:33 | 0:22:36 | |
and was declared uninhabitable by the local council. | 0:22:36 | 0:22:39 | |
There was a lot of damp all through the house. | 0:22:39 | 0:22:43 | |
And there was no central heating. All the electrics needed changing. | 0:22:43 | 0:22:47 | |
We basically had to gut it. We decided to turn it upside down. | 0:22:47 | 0:22:53 | |
Because of where it is in the Lake District, you get the views upstairs | 0:22:53 | 0:22:56 | |
in this house, and so we thought to have the living area upstairs | 0:22:56 | 0:23:00 | |
and move the bedrooms downstairs. | 0:23:00 | 0:23:02 | |
Stephen and Marguerite clearly planned out this renovation | 0:23:02 | 0:23:06 | |
with great care, and now they're reaping the rewards. | 0:23:06 | 0:23:09 | |
When we walk through the door after a week at work, it's just | 0:23:09 | 0:23:13 | |
a feeling of... We're completely chilled. | 0:23:13 | 0:23:17 | |
And that's a big thing for us. | 0:23:17 | 0:23:19 | |
'I'm in no doubt that this beautiful cottage will not only inspire | 0:23:20 | 0:23:24 | |
'Luke and Elizabeth, | 0:23:24 | 0:23:25 | |
'but will also focus their minds on the reality of what's ahead.' | 0:23:25 | 0:23:29 | |
What do you think? We're straight into the sitting room. | 0:23:29 | 0:23:32 | |
Yeah, it's very, very nice. | 0:23:32 | 0:23:34 | |
You were talking about liking a modern look and feel. | 0:23:34 | 0:23:37 | |
Yeah, definitely. Is this what you were meaning? | 0:23:37 | 0:23:39 | |
Yeah. Lots of light spaces as well. | 0:23:39 | 0:23:42 | |
Gorgeous. Well, look - start us at the beginning. | 0:23:42 | 0:23:45 | |
When you took on this project, what condition was this building in? | 0:23:45 | 0:23:50 | |
The walls were up but that was about it. The roofs were coming down. It was a real mess. | 0:23:50 | 0:23:58 | |
How long did it take you to do it? Well, we bought it in October 2010. | 0:23:58 | 0:24:04 | |
It took us till May the following year before we started work on it. | 0:24:04 | 0:24:08 | |
So in the end, from getting the keys to starting work, | 0:24:08 | 0:24:11 | |
you had seven months of planning. I know that wasn't always your choice, | 0:24:11 | 0:24:15 | |
but you made good use of that time. | 0:24:15 | 0:24:17 | |
It was good because it gave Marguerite the time for all | 0:24:17 | 0:24:20 | |
the design flair to come in and decide exactly what you want to do. | 0:24:20 | 0:24:24 | |
You need to think about things. | 0:24:24 | 0:24:25 | |
To play devil's advocate, these guys want to get going. | 0:24:25 | 0:24:28 | |
They want to knock down the wall. | 0:24:28 | 0:24:31 | |
Surely they can plan the rest of it later. What do you say to that? | 0:24:31 | 0:24:33 | |
Plan, plan, plan and plan. Yeah. | 0:24:33 | 0:24:36 | |
Think it through. Cos one day you might think it's a fabulous idea | 0:24:36 | 0:24:39 | |
and the next, you think, "That was really stupid." | 0:24:39 | 0:24:43 | |
I think we're going to get our notebook out, cos both of us | 0:24:43 | 0:24:46 | |
keep notebooks about everything else but we haven't started one, have we? | 0:24:46 | 0:24:49 | |
No, not for the house. One of the biggest things about it is, enjoy it while you're doing it. | 0:24:49 | 0:24:54 | |
Yeah. Just have fun. Don't put yourself under time constraints. | 0:24:54 | 0:24:59 | |
That's just giving yourself another stress that you don't need. | 0:24:59 | 0:25:02 | |
OK. Loads of advice there. Plan, plan, plan. Don't put yourself under time | 0:25:02 | 0:25:06 | |
constraints...despite your Christmas deadline. LAUGHTER | 0:25:06 | 0:25:10 | |
It's a target, not a deadline. | 0:25:10 | 0:25:12 | |
Well, this is lovely. Let's go and see a bit more. | 0:25:12 | 0:25:15 | |
Lead the way. | 0:25:15 | 0:25:17 | |
'It's clear Stephen and Marguerite's planning efforts have paid off, | 0:25:18 | 0:25:22 | |
'and they've designed this three-bedroom cottage to match their needs and surroundings.' | 0:25:22 | 0:25:26 | |
This is very interesting. | 0:25:26 | 0:25:28 | |
You've got your dining room here, and then stairs | 0:25:28 | 0:25:30 | |
and kitchen on the other side. | 0:25:30 | 0:25:32 | |
Is that how it was originally laid out? No. | 0:25:32 | 0:25:35 | |
This was a bedroom, and that was a bedroom as well. | 0:25:35 | 0:25:39 | |
Because we've got the views from the upstairs of the property, | 0:25:39 | 0:25:43 | |
we thought this needed to be the living area | 0:25:43 | 0:25:46 | |
so we've flipped the whole thing upside down. | 0:25:46 | 0:25:49 | |
In terms of the budget and how much this cost, just give us | 0:25:49 | 0:25:52 | |
a sense of what you thought it would cost and what it ended up costing. | 0:25:52 | 0:25:55 | |
It was about on budget. Yeah. | 0:25:55 | 0:25:58 | |
We'd planned to spend about 100,000 altogether including | 0:25:58 | 0:26:02 | |
the extension and that sort of thing, and it came in around that. | 0:26:02 | 0:26:05 | |
What are your top tips for trying to stretch a budget? | 0:26:05 | 0:26:09 | |
I think probably weigh things up, really. | 0:26:10 | 0:26:15 | |
The internet as well. Yeah. | 0:26:15 | 0:26:18 | |
And when you say weighing things up, you mean prioritising - | 0:26:18 | 0:26:20 | |
what you really must have and what's a luxury. | 0:26:20 | 0:26:23 | |
Also mix-matching, with expensive stuff and things that aren't. | 0:26:23 | 0:26:27 | |
If you were to start over again, what is it that you would change? | 0:26:27 | 0:26:32 | |
I don't think there is, is there? | 0:26:32 | 0:26:34 | |
I guess that is the biggest testament to planning, then - | 0:26:34 | 0:26:37 | |
if you come through this and think, "We've got it all." | 0:26:37 | 0:26:41 | |
It's really inspiring the way you've moved the house round to | 0:26:41 | 0:26:45 | |
fit your needs, and you've got such a great result and some lovely advice. | 0:26:45 | 0:26:49 | |
We'll take planning away from this. Thank you very much for your time. | 0:26:49 | 0:26:53 | |
Thank you. Thank you. | 0:26:53 | 0:26:54 | |
Cheers. | 0:26:54 | 0:26:55 | |
Having had a good look round and heard lots of advice, how are you feeling? | 0:27:01 | 0:27:04 | |
What are you going to take away from today? Planning. | 0:27:04 | 0:27:07 | |
Yeah, take planning a bit more seriously, and as we're going about | 0:27:07 | 0:27:13 | |
just pick up anything we like the look of, and try and see how we could work it into our house. | 0:27:13 | 0:27:20 | |
And looking forward, you've got everything ahead of you. Are you excited? | 0:27:20 | 0:27:24 | |
Definitely. Yeah. Give us a hammer! | 0:27:24 | 0:27:26 | |
Well, guys, you have a wonderful property. It's in a gorgeous location. | 0:27:26 | 0:27:30 | |
It's going to make the perfect first family home for you. | 0:27:30 | 0:27:33 | |
So I really do wish you the best of luck - | 0:27:33 | 0:27:35 | |
keep planning, work hard - and I'm sure you'll be there very soon. BOTH: Thank you. | 0:27:35 | 0:27:39 | |
I think today's been really useful for Luke and Elizabeth. | 0:27:46 | 0:27:49 | |
Sometimes, when you're a first-time renovator | 0:27:49 | 0:27:51 | |
the instinct is just to get stuck in, knock walls down | 0:27:51 | 0:27:55 | |
but actually, it really pays to stand back and make sure you've got | 0:27:55 | 0:27:58 | |
a proper plan, and that's the advice I think they've taken on board from today. | 0:27:58 | 0:28:03 | |
Yes, by all means keep that energy - but also have a really complete vision for the home. | 0:28:03 | 0:28:08 | |
And if they do that, | 0:28:08 | 0:28:09 | |
I'm sure they'll have their dream place in no time at all. | 0:28:09 | 0:28:13 | |
Subtitles by Red Bee Media Ltd | 0:28:31 | 0:28:33 |