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Up and down the country, | 0:00:01 | 0:00:03 | |
there are empty properties just waiting to be brought back to life. | 0:00:03 | 0:00:06 | |
I'll be finding out why | 0:00:08 | 0:00:09 | |
and what you can do to rescue a home for yourself. | 0:00:09 | 0:00:13 | |
We'll be following the empty property officers whose job it is to | 0:00:13 | 0:00:16 | |
track down the owners of forgotten houses and get them back into use. | 0:00:16 | 0:00:20 | |
And I'll be doing some digging of my own to find out | 0:00:20 | 0:00:23 | |
more about our housing stock, our history, and why | 0:00:23 | 0:00:26 | |
we should be both preserving and reinventing Britain's empty homes. | 0:00:26 | 0:00:30 | |
In remote parts of the countryside, | 0:00:34 | 0:00:36 | |
empty properties can end up unloved and abandoned for many years. | 0:00:36 | 0:00:40 | |
And if you can find one, well, that's only the job half-done | 0:00:40 | 0:00:44 | |
because doing up an empty home can be a genuine labour of love. | 0:00:44 | 0:00:48 | |
On today's show, a family come together to rescue a derelict | 0:00:49 | 0:00:52 | |
Victorian cottage in Herefordshire. | 0:00:52 | 0:00:55 | |
I had a phone call from Dan on Valentine's Day and he just said, | 0:00:55 | 0:00:58 | |
"We've bought a house." | 0:00:58 | 0:01:00 | |
A spectacular 16th century manor house in Portsmouth is being | 0:01:00 | 0:01:04 | |
turned into homes after being empty for eight years. | 0:01:04 | 0:01:07 | |
First impressions were, "It's not too bad, it's OK." | 0:01:07 | 0:01:10 | |
But the more we discover about it, the more difficult the challenge is. | 0:01:10 | 0:01:14 | |
And one of Britain's empty property officers who's on a mission | 0:01:14 | 0:01:18 | |
to bring abandoned buildings in Enfield back into use. | 0:01:18 | 0:01:21 | |
It's believed that there may be rats living there, foxes... | 0:01:21 | 0:01:25 | |
The neighbours just want to see a resolution, | 0:01:25 | 0:01:27 | |
they want to see the house occupied again. | 0:01:27 | 0:01:30 | |
Head teacher Clare Kelly has worked in Dubai for | 0:01:31 | 0:01:34 | |
the last three years, but is looking for a home in the UK. | 0:01:34 | 0:01:38 | |
Her younger brother, Dan, and mum, Jenny, started | 0:01:38 | 0:01:40 | |
looking for a renovation project near their homes in Herefordshire. | 0:01:40 | 0:01:45 | |
And when they discovered a derelict Victorian cottage, they knew | 0:01:45 | 0:01:48 | |
it would make a perfect home for Clare, but it came with a bonus. | 0:01:48 | 0:01:52 | |
I had a phone call from Dan on Valentine's Day and he just said, | 0:01:52 | 0:01:57 | |
"We've bought a house | 0:01:57 | 0:01:58 | |
"and guess what? You've got a chapel as well!" | 0:01:58 | 0:02:00 | |
The family bought the cottage and chapel for ?183,000. | 0:02:02 | 0:02:08 | |
They cleverly plan to renovate both | 0:02:08 | 0:02:09 | |
and use the money from the sale of the finished chapel to fund | 0:02:09 | 0:02:13 | |
Clare's cottage and, hopefully, make a profit too. | 0:02:13 | 0:02:16 | |
The Methodist chapel was built in the 1860s by two sisters, | 0:02:16 | 0:02:21 | |
who owned the cottage at the time. | 0:02:21 | 0:02:23 | |
Um, the chapel, in my understanding, | 0:02:23 | 0:02:25 | |
has fell into disuse in the 1950s. | 0:02:25 | 0:02:28 | |
'It's a family affair. | 0:02:28 | 0:02:30 | |
'Clare's mum, Jenny, will be overseeing the budget, | 0:02:30 | 0:02:33 | |
'whilst brother Dan and father Jim, both experienced renovators, | 0:02:33 | 0:02:37 | |
'will be getting hands-on with the project.' | 0:02:37 | 0:02:39 | |
Dad and Dan will do all the work on the house and then, hopefully, | 0:02:39 | 0:02:42 | |
we'll be able to use the chapel to sort of offset their input. | 0:02:42 | 0:02:46 | |
I'm obviously sat in sunny Dubai with my feet up, | 0:02:46 | 0:02:49 | |
whilst they're in the cold British winter doing all the hard work, | 0:02:49 | 0:02:53 | |
so I'd really like there to be something for them | 0:02:53 | 0:02:55 | |
to get out of it at the end as well. | 0:02:55 | 0:02:57 | |
'They plan to extend the cottage, | 0:02:57 | 0:03:00 | |
'to create a three-bedroom detached house.' | 0:03:00 | 0:03:02 | |
The front aspect of the property will be retained almost | 0:03:02 | 0:03:08 | |
exactly how it is now, because I think it is absolutely charming. | 0:03:08 | 0:03:12 | |
'It will be a team effort to get Clare into the cottage on schedule | 0:03:12 | 0:03:16 | |
'and Dan, who's also a teacher, is expecting some challenges ahead.' | 0:03:16 | 0:03:21 | |
There's going to be disagreements. There will be. | 0:03:21 | 0:03:24 | |
You know, that's just sort of human nature, | 0:03:24 | 0:03:26 | |
but, I mean, we didn't go into this with our eyes shut, you know? | 0:03:26 | 0:03:29 | |
They were firmly open in terms of that we would work together. | 0:03:29 | 0:03:32 | |
I think that we're all excited about it. | 0:03:32 | 0:03:34 | |
I'm really hoping that next summer when I come home, I'll be able | 0:03:34 | 0:03:38 | |
to say to friends, "Come and stay in my new house." That's the plan. | 0:03:38 | 0:03:41 | |
We're not a particularly patient family... | 0:03:41 | 0:03:43 | |
I'm probably more patient than you. | 0:03:43 | 0:03:45 | |
Yeah, on this one you're going to have to be as well, because, you | 0:03:45 | 0:03:47 | |
know, when I say 12 months, | 0:03:47 | 0:03:49 | |
you know, it could be a little bit longer. | 0:03:49 | 0:03:51 | |
Clare, her brother, Dan, and mum, Jenny, are going to tell me | 0:03:54 | 0:03:57 | |
more about their joint venture. | 0:03:57 | 0:04:00 | |
Morning, I'm Joe. Hi, Jenny. Clare. Dan, how are you? | 0:04:00 | 0:04:04 | |
Now, this is a slightly unusual situation, | 0:04:04 | 0:04:07 | |
a bit of a family effort going on. | 0:04:07 | 0:04:08 | |
Um...whose house is this? | 0:04:08 | 0:04:11 | |
Um, I suppose it's mine. | 0:04:11 | 0:04:14 | |
What's that over there? | 0:04:14 | 0:04:15 | |
That's an old Methodist chapel which was bought as one lot, | 0:04:15 | 0:04:18 | |
so the plan is possibly to do something with | 0:04:18 | 0:04:21 | |
that in the future after we've sorted my sister's house out. | 0:04:21 | 0:04:25 | |
Goodness! OK, well, look, it's a cute little thing from the outside. | 0:04:25 | 0:04:28 | |
Shall we go and have a look inside and see what you're going to do? | 0:04:28 | 0:04:31 | |
It won't take long. It's not very big! | 0:04:31 | 0:04:33 | |
Like many period cottages, | 0:04:34 | 0:04:36 | |
this tiny one-bed home is not generous in size. | 0:04:36 | 0:04:40 | |
Clare is concerned whether | 0:04:40 | 0:04:42 | |
she can make the space work as a modern home. | 0:04:42 | 0:04:44 | |
What were your first impressions when you came here? | 0:04:44 | 0:04:47 | |
Actually, it's small, but it's in a pretty good state, isn't it? | 0:04:47 | 0:04:49 | |
Yes, it was in better condition than I expected it to be, | 0:04:49 | 0:04:53 | |
but it was much, much smaller and I was just like... | 0:04:53 | 0:04:56 | |
"Wow!" | 0:04:56 | 0:04:58 | |
This is classified as what? A one bedroom? One bedroom. | 0:04:58 | 0:05:01 | |
You've got this room, exactly the same upstairs - which is | 0:05:01 | 0:05:04 | |
essentially the bedroom - and then through there, a small kitchen. | 0:05:04 | 0:05:07 | |
Stairs upstairs to the bathroom. | 0:05:07 | 0:05:09 | |
And what is the plan? You're going to extend at the back, are you? | 0:05:09 | 0:05:12 | |
Yes, it's going... These walls will come out. | 0:05:12 | 0:05:14 | |
It's not going exactly mirrored. It's sort of, um, a slight L shape. | 0:05:14 | 0:05:17 | |
And upstairs then, you're going to have a big master bedroom | 0:05:17 | 0:05:20 | |
and a couple of guest bedrooms, that's the idea? | 0:05:20 | 0:05:22 | |
There's three bedrooms, they're all of reasonable size, but | 0:05:22 | 0:05:25 | |
none of them are massive. OK, well, there's not a lot to look round, | 0:05:25 | 0:05:28 | |
but shall we just poke our heads through this way? | 0:05:28 | 0:05:30 | |
The interesting challenge here is how to create a double-storey | 0:05:31 | 0:05:35 | |
extension whilst retaining the character of the cottage. | 0:05:35 | 0:05:39 | |
Here we are in what is effectively the master bedroom, | 0:05:39 | 0:05:41 | |
but also the only bedroom. Uh, and things like the roof and | 0:05:41 | 0:05:44 | |
the wooden beams, are they going to be staying, ideally? | 0:05:44 | 0:05:46 | |
We'll keep as much of it as we can in terms of the timber. | 0:05:46 | 0:05:49 | |
A little bit of character is good. | 0:05:49 | 0:05:51 | |
Yeah, I mean, some of the woodwork is actually very good. | 0:05:51 | 0:05:54 | |
Now, a lot of work ahead. | 0:05:54 | 0:05:56 | |
Who's going to be doing the lion's share of it? | 0:05:56 | 0:06:00 | |
Mostly Dan and his dad. | 0:06:00 | 0:06:02 | |
Right. Obviously, specialist jobs, we'll get people in. | 0:06:02 | 0:06:05 | |
But you're a teacher, so you can't be spending the next year... No. | 0:06:05 | 0:06:08 | |
..doing this project. How does that work then? | 0:06:08 | 0:06:11 | |
Your dad takes over, or...? | 0:06:11 | 0:06:12 | |
No, it'll literally be weekends, evenings, | 0:06:12 | 0:06:15 | |
so we've sort of given ourselves 12 months to get this | 0:06:15 | 0:06:19 | |
finished from once the planning comes through. | 0:06:19 | 0:06:22 | |
Right, so 12 months for the cottage. Yeah. | 0:06:22 | 0:06:24 | |
And then the chapel, that's the idea at the moment? Yeah. | 0:06:24 | 0:06:27 | |
It seems the family has the extension | 0:06:27 | 0:06:29 | |
and modernisation all planned out, | 0:06:29 | 0:06:31 | |
but with Dan taking on these two properties | 0:06:31 | 0:06:33 | |
and juggling a full-time job, has he bitten off more than he can chew? | 0:06:33 | 0:06:37 | |
As a family, you've got some experience of renovations | 0:06:37 | 0:06:40 | |
and even sort of building your own house, Dan. | 0:06:40 | 0:06:43 | |
What's the challenge here? How is this different? | 0:06:43 | 0:06:46 | |
It's different on a couple of levels, really. | 0:06:46 | 0:06:48 | |
Um, I had a huge amount of help in terms of building my own house, | 0:06:48 | 0:06:51 | |
you know, and it was just getting a bit of a taste for it. | 0:06:51 | 0:06:54 | |
Um, I'll be more involved in a way in building Clare's house, | 0:06:54 | 0:06:57 | |
but also the chapel in the grounds, that's going to be an unknown, | 0:06:57 | 0:07:01 | |
really, so we're not sure in terms of what hidden dangers | 0:07:01 | 0:07:04 | |
and pitfalls there are in terms of that, but that's the excitement. | 0:07:04 | 0:07:07 | |
That's the difference, really. What I think is going to be useful | 0:07:07 | 0:07:10 | |
is to take you to meet a couple who've been through this before. | 0:07:10 | 0:07:13 | |
It'll be interesting to get some advice from them | 0:07:13 | 0:07:15 | |
on how they managed, but also the property, | 0:07:15 | 0:07:17 | |
like here, was a very small cottage | 0:07:17 | 0:07:19 | |
and very difficult to live in and was extended. | 0:07:19 | 0:07:21 | |
So, lots of similarities there and hopefully some inspiration as well. | 0:07:21 | 0:07:25 | |
So, does that sound useful? Yeah. Yes, it does. Perfect. | 0:07:25 | 0:07:28 | |
I think this is quite a tricky project. | 0:07:32 | 0:07:34 | |
First of all, there are two properties here, not just one, | 0:07:34 | 0:07:37 | |
but also, doing a lot of the work themselves, | 0:07:37 | 0:07:40 | |
it could be difficult for Dan to find the time, given he's got | 0:07:40 | 0:07:43 | |
a full-time job and a young family, | 0:07:43 | 0:07:45 | |
to make sure this cottage is finished within 12 months. | 0:07:45 | 0:07:48 | |
It's going to be really good for them to meet a couple who've done | 0:07:48 | 0:07:51 | |
just that, who've taken on a small agricultural worker's cottage | 0:07:51 | 0:07:55 | |
and transformed it into a modern home. | 0:07:55 | 0:07:57 | |
Sadly, not all of Britain's forgotten buildings are rescued | 0:08:00 | 0:08:03 | |
and brought back to life, but local councils are taking action | 0:08:03 | 0:08:07 | |
and it's the job of empty property officers to track these | 0:08:07 | 0:08:10 | |
buildings down and work to bring them back into the community. | 0:08:10 | 0:08:13 | |
In his 12 years of experience in Enfield, Dave Carter | 0:08:13 | 0:08:18 | |
has brought over 600 abandoned abodes back into use. | 0:08:18 | 0:08:22 | |
I'm on my way to visit a property which is in one of the more | 0:08:22 | 0:08:26 | |
affluent areas of Enfield. | 0:08:26 | 0:08:28 | |
I've received several complaints about the state of the overgrown | 0:08:28 | 0:08:32 | |
garden, and the neighbours generally are not happy with | 0:08:32 | 0:08:35 | |
the state of the property. Um, they just want to see a resolution. | 0:08:35 | 0:08:39 | |
They want to see the house occupied again. | 0:08:39 | 0:08:41 | |
Dave wants to deal with these complaints, | 0:08:41 | 0:08:44 | |
but first he has to track down the owner. | 0:08:44 | 0:08:46 | |
However, he has no idea where they are. | 0:08:46 | 0:08:50 | |
I came here a few weeks ago and immediately what strikes me is, | 0:08:50 | 0:08:56 | |
obviously, the car on the drive. | 0:08:56 | 0:08:59 | |
Um, I'm wondering whether... | 0:08:59 | 0:09:02 | |
somebody might be here. It's quite a new car. | 0:09:02 | 0:09:05 | |
Anyway, I think I'd better check if there's anybody in first of all. | 0:09:10 | 0:09:13 | |
Hm. Well, that's interesting as well. | 0:09:18 | 0:09:21 | |
That lock looks as if it's been changed recently. | 0:09:21 | 0:09:25 | |
It's...unscratched, still sparkling. | 0:09:25 | 0:09:28 | |
It seems that someone may have visited this house recently. | 0:09:30 | 0:09:34 | |
Dave goes round the back to see if the garden's been tended to. Ah! | 0:09:34 | 0:09:37 | |
Well, that's a fox's heaven in here. | 0:09:39 | 0:09:42 | |
It's just a complete mess. | 0:09:42 | 0:09:45 | |
Well, I'm not going to go hunting for any foxes, | 0:09:45 | 0:09:47 | |
because if they are there I won't disturb them. | 0:09:47 | 0:09:49 | |
I'm more concerned today with trying to find the owner. | 0:09:49 | 0:09:52 | |
I'll call it a day at this end of the property. | 0:09:52 | 0:09:55 | |
Dave canvasses the neighbourhood to see if anyone can tell him | 0:09:56 | 0:10:00 | |
about the owner or the car in the driveway. | 0:10:00 | 0:10:02 | |
Hello! | 0:10:04 | 0:10:06 | |
I'm trying to...um... | 0:10:06 | 0:10:08 | |
investigate the house a couple of doors along. | 0:10:08 | 0:10:10 | |
The lady who lived there, did you know her? | 0:10:10 | 0:10:13 | |
I knew her, she used to walk around and everything. | 0:10:13 | 0:10:16 | |
Um, and then she was taken into a home. | 0:10:16 | 0:10:19 | |
Unfortunately, you know, I haven't seen or heard from her since. Right. | 0:10:19 | 0:10:24 | |
Sorry to have bothered you. Oh, that's OK. | 0:10:24 | 0:10:27 | |
Thanks for the information. No problem. Take care. | 0:10:27 | 0:10:29 | |
Dave carries on knocking on doors, but there are no more leads. | 0:10:29 | 0:10:33 | |
I have heard she was in a home. Right. | 0:10:33 | 0:10:35 | |
And we've lived here a long, long time, but I've never seen her. | 0:10:35 | 0:10:38 | |
All right, well, it's been... I can't help you. | 0:10:38 | 0:10:40 | |
..interesting speaking to you. OK, all right. Bye-bye. Thank you, bye. | 0:10:40 | 0:10:43 | |
It's a dead end, until the next-door neighbour comes to talk to Dave. | 0:10:43 | 0:10:48 | |
Hiya, I'm Dave Carter from Enfield Council. | 0:10:48 | 0:10:51 | |
It turns out that the neighbour's daughter has been using | 0:10:51 | 0:10:54 | |
the empty driveway to park her car, but that's not all. | 0:10:54 | 0:10:59 | |
I did come and visit the property about a month ago. | 0:10:59 | 0:11:02 | |
Have you noticed any activity recently? | 0:11:02 | 0:11:04 | |
I get the feeling the locks may have been changed? | 0:11:04 | 0:11:06 | |
Yeah, I think we came home about three weeks ago | 0:11:06 | 0:11:09 | |
and Barnet Council were here. | 0:11:09 | 0:11:11 | |
Three weeks ago? | 0:11:11 | 0:11:13 | |
About three weeks ago, because she is in a home in Barnet. | 0:11:13 | 0:11:16 | |
Right, cos I...that's another thing you've covered for me then. | 0:11:16 | 0:11:20 | |
Do you know...the address or the name of the care home? No, not at all. | 0:11:20 | 0:11:25 | |
Not known, right. | 0:11:25 | 0:11:26 | |
I just want to find out who is responsible for this house. Yeah. | 0:11:26 | 0:11:30 | |
You've been very, very helpful. Thank you. Nice to meet you. | 0:11:30 | 0:11:33 | |
Hopefully I'll get to the bottom of it. Yeah. | 0:11:33 | 0:11:35 | |
I think today's visit has been very successful indeed. | 0:11:35 | 0:11:37 | |
I've gleaned that the owner is alive, that she's in a care home, | 0:11:37 | 0:11:41 | |
so I know I can go down that angle. | 0:11:41 | 0:11:44 | |
There's been activity at the house. Someone's changed the locks. Who? | 0:11:44 | 0:11:48 | |
I don't know, but somebody is involved. | 0:11:48 | 0:11:51 | |
So, I'm confident that it shouldn't be too long before | 0:11:51 | 0:11:54 | |
I can solve this mystery. | 0:11:54 | 0:11:55 | |
And since filming, Dave has located the owner and is working | 0:11:55 | 0:11:59 | |
alongside Barnet Council to bring the house back into use. | 0:11:59 | 0:12:04 | |
If you've noticed abandoned properties in your area | 0:12:04 | 0:12:07 | |
and fancy the challenge of taking one on, | 0:12:07 | 0:12:09 | |
contact local estate agents, neighbourhood watch groups | 0:12:09 | 0:12:12 | |
and local shop-owners to see if they have any information, | 0:12:12 | 0:12:16 | |
or get in touch with your local empty property officer. | 0:12:16 | 0:12:19 | |
In East London, Richard and Helen Portchmouth | 0:12:22 | 0:12:25 | |
were lucky enough to find an old garage for sale | 0:12:25 | 0:12:27 | |
and set about transforming it into an amazing modern home. | 0:12:27 | 0:12:32 | |
In 2000, Richard and Helen were searching in London | 0:12:32 | 0:12:35 | |
for a property to house their growing family. | 0:12:35 | 0:12:38 | |
Unable to afford their ideal home, | 0:12:38 | 0:12:40 | |
they were looking for a site they could adapt. | 0:12:40 | 0:12:42 | |
We had been looking, uh... | 0:12:42 | 0:12:45 | |
for probably over two years for a site. | 0:12:45 | 0:12:47 | |
They're very hard to find and, on this occasion, | 0:12:47 | 0:12:50 | |
I'd been out all Saturday afternoon. | 0:12:50 | 0:12:52 | |
The weather was very sort of showery, | 0:12:52 | 0:12:54 | |
big thunderstorms around, | 0:12:54 | 0:12:55 | |
so I was cycling as quick as I could to get back home and then, | 0:12:55 | 0:12:59 | |
out of the corner of my eye, I saw this name-board on site | 0:12:59 | 0:13:03 | |
and I was just completely mesmerised. | 0:13:03 | 0:13:05 | |
He came all the way back, soaking wet on his bike and, you know, | 0:13:05 | 0:13:08 | |
we drove straight out there. | 0:13:08 | 0:13:11 | |
I couldn't believe he spotted it. | 0:13:11 | 0:13:12 | |
Two disused garages formerly used by market stall traders to store | 0:13:12 | 0:13:17 | |
fruit and veg... | 0:13:17 | 0:13:18 | |
they now form a stunning contemporary residence. | 0:13:18 | 0:13:21 | |
The whole place was, um, very, very rundown | 0:13:21 | 0:13:25 | |
and decrepit and, um... | 0:13:25 | 0:13:27 | |
very, very sort of basic whitewashed walls, brickwork downstairs | 0:13:27 | 0:13:32 | |
and, uh, the roof timbers were half sort of rotten | 0:13:32 | 0:13:35 | |
and an old corrugated iron roof on the top, but, also, | 0:13:35 | 0:13:40 | |
they had a sort of character about it. | 0:13:40 | 0:13:43 | |
Richard knew he would create their ideal family home, | 0:13:43 | 0:13:47 | |
but, initially, Helen had doubts. | 0:13:47 | 0:13:50 | |
To start off with, I was a bit, um... | 0:13:50 | 0:13:53 | |
uneasy about the scale of the project cos I knew it would | 0:13:53 | 0:13:57 | |
be a huge undertaking and we were expecting a baby, | 0:13:57 | 0:14:00 | |
but we started getting very excited about the whole project. | 0:14:00 | 0:14:04 | |
Richard and Helen bought both units for ?75,000 and spent | 0:14:04 | 0:14:09 | |
approximately ?100,000 on renovating one unit into a three-bedroom home. | 0:14:09 | 0:14:14 | |
The build wasn't without its challenges. | 0:14:14 | 0:14:17 | |
The real problem was time. | 0:14:17 | 0:14:19 | |
Richard was...was absolutely always either at work or on the site, so, | 0:14:19 | 0:14:24 | |
you know, Richard didn't get to see much of our daughter | 0:14:24 | 0:14:27 | |
for about...uh, two or three years, really. | 0:14:27 | 0:14:30 | |
Yeah, when I look back on it, I think...yes, | 0:14:30 | 0:14:33 | |
I'm not quite sure how we did it, but we did it. | 0:14:33 | 0:14:36 | |
The family moved into the property in 2003, | 0:14:36 | 0:14:40 | |
but it took them a further two years to finish it. | 0:14:40 | 0:14:43 | |
The eye-popping exterior is a folded sheet of galvanised steel | 0:14:43 | 0:14:47 | |
and has made the house a local landmark. | 0:14:47 | 0:14:50 | |
Not a sort of pretty, little mews, | 0:14:50 | 0:14:52 | |
it's actually quite a tough, working mews | 0:14:52 | 0:14:55 | |
and we thought the materiality should reflect that | 0:14:55 | 0:14:58 | |
and that's why were interested in using the metal cladding. | 0:14:58 | 0:15:02 | |
So we can just refer to it as the metal house on the corner. | 0:15:02 | 0:15:05 | |
The build was... It took two years and then we moved in. | 0:15:07 | 0:15:10 | |
We couldn't live on the ground floor when we first moved in, | 0:15:10 | 0:15:13 | |
actually, cos it was still boarded up | 0:15:13 | 0:15:15 | |
and the downstairs was effectively a workshop. | 0:15:15 | 0:15:18 | |
Despite their challenging journey, Helen and Richard couldn't be | 0:15:18 | 0:15:22 | |
happier they took a risk on such an unusual space. | 0:15:22 | 0:15:25 | |
This site and the house, everything rolled into one, really. | 0:15:25 | 0:15:30 | |
It offers us so much, I couldn't quite picture us anywhere else. | 0:15:30 | 0:15:33 | |
Resuscitating old buildings and bringing them | 0:15:36 | 0:15:39 | |
back into use isn't just a way of creating new homes. | 0:15:39 | 0:15:43 | |
Restoring a period property is a way of preserving our past | 0:15:43 | 0:15:47 | |
and taking care of our heritage for generations to come. | 0:15:47 | 0:15:51 | |
The South-east of England has the second largest number of empty | 0:15:51 | 0:15:54 | |
properties in the whole country, and here in Portsmouth | 0:15:54 | 0:15:57 | |
there are 4,500 properties that have lain empty for six months or more. | 0:15:57 | 0:16:02 | |
Well, I've come to see one in particular, | 0:16:02 | 0:16:04 | |
one with a very grand yet supposedly spooky history. | 0:16:04 | 0:16:09 | |
In the middle of a 1960s' housing estate sits | 0:16:11 | 0:16:14 | |
Wymering Manor House, a grade-two listed stately home. | 0:16:14 | 0:16:17 | |
Locals have banded together forming a trust to save | 0:16:17 | 0:16:22 | |
it from dereliction, bring it into community use, and create new homes. | 0:16:22 | 0:16:27 | |
'Andy Mason is involved in the project | 0:16:27 | 0:16:29 | |
'and has agreed to give me a tour.' How are you? | 0:16:29 | 0:16:32 | |
Andy, this is somewhat an unexpected surprise. | 0:16:32 | 0:16:35 | |
It's not what you'd expect to find walking around here. | 0:16:35 | 0:16:37 | |
What are we looking at? Well, absolutely, no. | 0:16:37 | 0:16:40 | |
We have a house of 1581 with Victorian additions, | 0:16:40 | 0:16:43 | |
um, in the middle of a housing estate. | 0:16:43 | 0:16:47 | |
1581, I mean, that makes it, what, Tudor? Elizabethan? | 0:16:47 | 0:16:50 | |
That must be one of the oldest houses around here. It is indeed. | 0:16:50 | 0:16:54 | |
It's the oldest domestic building in Portsmouth. Wow. Yes. | 0:16:54 | 0:16:57 | |
It's looking a bit sorry for itself. How long has it been empty for? | 0:16:57 | 0:17:00 | |
It's been empty for about eight years. About eight years?! | 0:17:00 | 0:17:03 | |
It was a youth hostel before that. Oh, I see. | 0:17:03 | 0:17:05 | |
All right, let's go and have a look inside, shall we? Yes. | 0:17:05 | 0:17:07 | |
There you are. Very grand. | 0:17:12 | 0:17:14 | |
What do we have here, then? | 0:17:17 | 0:17:19 | |
Well, this, we think, is the original front door to the house. | 0:17:19 | 0:17:22 | |
That's a significant front door, isn't it?! | 0:17:22 | 0:17:24 | |
It's a fairly heavy-duty door, yes. | 0:17:24 | 0:17:26 | |
So, first of all, tell me about the trust. | 0:17:26 | 0:17:28 | |
We were founded in January this year. | 0:17:28 | 0:17:30 | |
Our sole focus is Wymering Manor, to conserve what we have here | 0:17:30 | 0:17:35 | |
and bring it back into sustainable use. | 0:17:35 | 0:17:37 | |
But how concerned were you when you first saw this? | 0:17:37 | 0:17:40 | |
I mean, it can't be that far from being unsaveable. | 0:17:40 | 0:17:43 | |
I'm actually more concerned now than I was | 0:17:43 | 0:17:45 | |
when I walked in through the front door. Oh, really? | 0:17:45 | 0:17:48 | |
Our first impressions were, "It's not too bad, it's OK." But the more | 0:17:48 | 0:17:51 | |
we discover about it, the more difficult the challenge is. | 0:17:51 | 0:17:55 | |
Structurally, we have the problem in the beam where the house has moved. | 0:17:55 | 0:17:59 | |
The 18th century saw a lot of work done where the house was | 0:17:59 | 0:18:02 | |
refaced in brick | 0:18:02 | 0:18:03 | |
and the knock-on effect of putting the skin of brick on has been | 0:18:03 | 0:18:06 | |
that it's created the perfect environment for deathwatch beetle, | 0:18:06 | 0:18:10 | |
which has thrived in this house. | 0:18:10 | 0:18:11 | |
Oh, really? So, deathwatch beetle eats into woodwork, is that right? | 0:18:11 | 0:18:15 | |
It eats the heartwood of the oak frame. | 0:18:15 | 0:18:17 | |
And this building is an oak-framed building. | 0:18:17 | 0:18:19 | |
It is, yes, what's left of it! | 0:18:19 | 0:18:22 | |
Now, it's been empty for seven or eight years. Yes. | 0:18:22 | 0:18:25 | |
That comes with the slight caveat in that there's supposed to be | 0:18:25 | 0:18:28 | |
a little bit of a presence here. | 0:18:28 | 0:18:29 | |
Yes, we are quite well known for the supernatural presence that's here. | 0:18:29 | 0:18:35 | |
What are the supposed occurrences here? | 0:18:35 | 0:18:38 | |
There's a nun up in the roof, apparently. | 0:18:38 | 0:18:41 | |
There's a choir of nuns that's alleged to | 0:18:41 | 0:18:43 | |
walk across the grand hall at midnight. | 0:18:43 | 0:18:45 | |
And have you had any personal experience | 0:18:45 | 0:18:47 | |
with any of these apparitions? | 0:18:47 | 0:18:49 | |
I've not, personally. Right. | 0:18:49 | 0:18:51 | |
I've not, but there are many who claim to have done so. | 0:18:51 | 0:18:55 | |
Ghosts aside, what are the plans for humans? | 0:18:55 | 0:18:58 | |
How would this space be used down here? | 0:18:58 | 0:19:01 | |
Well, we're very keen to bring the community into the house. | 0:19:01 | 0:19:06 | |
I think that's going to be the primary use for the downstairs. | 0:19:06 | 0:19:09 | |
Uh, we're looking at education, perhaps training | 0:19:09 | 0:19:13 | |
and general community uses. | 0:19:13 | 0:19:14 | |
What difference would it make for the area then | 0:19:14 | 0:19:16 | |
if this can be a community space? I hope it'll reinvigorate the area. | 0:19:16 | 0:19:20 | |
The area needs money spending on it, it needs the provision | 0:19:20 | 0:19:23 | |
of facilities and if we can start here, hopefully more will follow. | 0:19:23 | 0:19:27 | |
Plans for the upper levels of the manor are still in the early | 0:19:29 | 0:19:32 | |
stages of development, but the hope is they'll eventually be | 0:19:32 | 0:19:35 | |
turned into flats that will fund the renovation. | 0:19:35 | 0:19:38 | |
It's a bit of a rabbit warren up here, isn't it? | 0:19:41 | 0:19:43 | |
It certainly is, very easy to get lost in. | 0:19:43 | 0:19:46 | |
So, how would you use this space? | 0:19:46 | 0:19:48 | |
This is totally different to the big open rooms downstairs. | 0:19:48 | 0:19:52 | |
I think some sort of residential accommodation up here would be ideal. | 0:19:52 | 0:19:55 | |
Yeah, has it served that purpose in the past? | 0:19:55 | 0:19:57 | |
I can see sort of en suite things... | 0:19:57 | 0:19:59 | |
It has indeed, it's been the caretaker's flat. | 0:19:59 | 0:20:01 | |
So, what is the projected cost of this project? | 0:20:01 | 0:20:05 | |
I mean, there's a lot of work to do. | 0:20:05 | 0:20:07 | |
I'd say we're looking at, at least 2 million, possibly 3, | 0:20:07 | 0:20:10 | |
maybe even more. Wow. Yes. | 0:20:10 | 0:20:14 | |
Forget the hauntings, that would turn you white as a sheet | 0:20:14 | 0:20:16 | |
those kind of figures! | 0:20:16 | 0:20:17 | |
Um, that's a HUGE amount of money. | 0:20:17 | 0:20:20 | |
Is that going to be raised through grants or...? | 0:20:20 | 0:20:22 | |
Where is that kind of money going to come from? | 0:20:22 | 0:20:24 | |
We're principally looking at grants. It is an incredibly complex project. | 0:20:24 | 0:20:29 | |
I can see why so many other people were scared off, | 0:20:29 | 0:20:31 | |
but if anyone's going to make it work, it's the Wymering Manor Trust, | 0:20:31 | 0:20:34 | |
so I really do wish you the best of luck with it. Thank you. | 0:20:34 | 0:20:37 | |
You're very kind. | 0:20:37 | 0:20:39 | |
I suppose, over time, | 0:20:45 | 0:20:46 | |
this grand old manor house has been somewhat marooned, | 0:20:46 | 0:20:49 | |
its land gradually sold off around it until, for the last seven | 0:20:49 | 0:20:53 | |
or eight years, it's just been sat here, empty and forgotten. | 0:20:53 | 0:20:58 | |
But it can't be allowed to rot and disintegrate, | 0:20:58 | 0:21:00 | |
it needs to be saved and that's what the trust is all about - | 0:21:00 | 0:21:04 | |
preserving the building and celebrating its heritage. | 0:21:04 | 0:21:07 | |
And it's not just about the building. | 0:21:07 | 0:21:09 | |
The fact is, this is going to be a community space, which is | 0:21:09 | 0:21:12 | |
so important because it means finally the Manor House | 0:21:12 | 0:21:15 | |
will once again relate back to the local area. | 0:21:15 | 0:21:19 | |
I'm with the Kellys in Herefordshire. | 0:21:21 | 0:21:24 | |
They're renovating an empty Victorian cottage so sister Clare | 0:21:24 | 0:21:27 | |
can have a home near her family. I'm going to introduce them | 0:21:27 | 0:21:31 | |
to a couple who've done something very similar. | 0:21:31 | 0:21:34 | |
Right, here we are. This is the place we want you to see. | 0:21:35 | 0:21:38 | |
First impressions? | 0:21:38 | 0:21:40 | |
Similar in size. It looks bigger. It is a little bit bigger. | 0:21:40 | 0:21:43 | |
Possibly a bit bigger, yeah. | 0:21:43 | 0:21:45 | |
It's been taken on by Tim and Susan and they've made it into a very | 0:21:45 | 0:21:48 | |
sort of workable living space, so, shall we go and say hello? | 0:21:48 | 0:21:51 | |
Yeah, absolutely. That's a good idea. Great. | 0:21:51 | 0:21:53 | |
When Tim and Susan Organ found this cottage nestled in the heart of | 0:21:55 | 0:21:59 | |
the Brecon Beacons, they knew they could create a very special home. | 0:21:59 | 0:22:04 | |
We'd been living in France for ten years | 0:22:05 | 0:22:08 | |
and we decided that we'd like to move back to the UK - | 0:22:08 | 0:22:12 | |
grandchildren are arriving and we'd be closer to the family. | 0:22:12 | 0:22:15 | |
And this is the area that I personally have always wanted to live | 0:22:15 | 0:22:19 | |
in, because of my childhood and the lovely times I used to spend here. | 0:22:19 | 0:22:24 | |
I suppose it was a bit of a dream. | 0:22:24 | 0:22:27 | |
And here we are. | 0:22:27 | 0:22:29 | |
When Tim discovered the cottage, it had been empty for the best | 0:22:29 | 0:22:32 | |
part of a year and was in need of complete renovation. | 0:22:32 | 0:22:35 | |
The building here was used in conjunction with the house | 0:22:35 | 0:22:39 | |
next door as the place where their guests would stay, | 0:22:39 | 0:22:42 | |
but it had minimal, um, sanitary fittings, um, | 0:22:42 | 0:22:48 | |
it didn't have a kitchen, um, | 0:22:48 | 0:22:51 | |
it wasn't a home in itself. | 0:22:51 | 0:22:53 | |
The entire renovation cost ?100,000 and has taken five years to | 0:22:53 | 0:22:59 | |
create a stunning cottage with a contemporary extension that's | 0:22:59 | 0:23:03 | |
doubled the size of their home. | 0:23:03 | 0:23:05 | |
Our approach was always that the little cottage should be | 0:23:05 | 0:23:08 | |
the anchor of the site, it should be, in effect, | 0:23:08 | 0:23:12 | |
the dominant element in the composition of the buildings here. | 0:23:12 | 0:23:16 | |
Like the Kellys, Tim and Susan also got their family on board to help. | 0:23:16 | 0:23:20 | |
We're lucky because, of course, Sam is very practical - | 0:23:20 | 0:23:23 | |
he's the youngest one - | 0:23:23 | 0:23:25 | |
and he did quite a bit of the work here. | 0:23:25 | 0:23:28 | |
And then my eldest son, Charlie, um, | 0:23:28 | 0:23:30 | |
he came and built the, er, the new bit. | 0:23:30 | 0:23:34 | |
The build process has never been difficult, it's been great fun. | 0:23:34 | 0:23:40 | |
It's everything about it. | 0:23:41 | 0:23:43 | |
The light, especially the light, I think. | 0:23:43 | 0:23:47 | |
Tim's passionate about bringing light into buildings. | 0:23:47 | 0:23:50 | |
This room provides sunshine all day. | 0:23:50 | 0:23:55 | |
We see it rise in the morning over the top of the Brecon Beacons | 0:23:55 | 0:23:59 | |
and we see it go down over the hills of the west. | 0:23:59 | 0:24:02 | |
So, we're very lucky in connecting with | 0:24:02 | 0:24:06 | |
the landscape all day. | 0:24:06 | 0:24:08 | |
I'm hoping Tim and Susan's home will show the Kellys what can be | 0:24:11 | 0:24:15 | |
achieved with a small space. | 0:24:15 | 0:24:17 | |
Lovely to be here and thank you for having us in. | 0:24:19 | 0:24:21 | |
It is quite a small cottage. Tell me about it. | 0:24:21 | 0:24:23 | |
What have you done to it since you took it on, | 0:24:23 | 0:24:26 | |
how have you made it suitable for your needs? | 0:24:26 | 0:24:29 | |
Well, the important thing is to maximise the use of every | 0:24:29 | 0:24:33 | |
square inch and, uh, | 0:24:33 | 0:24:34 | |
it's what I call caravan architecture, where you actually | 0:24:34 | 0:24:38 | |
squeeze in everything that's important to you in one space. | 0:24:38 | 0:24:42 | |
Does it encourage you that actually this size can be made to | 0:24:42 | 0:24:46 | |
feel pretty spacious, actually, pretty light. It does, yeah. | 0:24:46 | 0:24:49 | |
It's very similar in size | 0:24:49 | 0:24:50 | |
and it's quite nice to see, it feels quite spacious compared to... | 0:24:50 | 0:24:53 | |
You go into the cottage at the moment... | 0:24:53 | 0:24:55 | |
But I think it's the light | 0:24:55 | 0:24:57 | |
and that's what I think has been done so well here, | 0:24:57 | 0:24:59 | |
which we're going to have to be quite careful with, I think, | 0:24:59 | 0:25:01 | |
is making sure we get enough light into the house. Yeah. | 0:25:01 | 0:25:04 | |
You can use top light as we did here at the top of the stairs, so that | 0:25:04 | 0:25:08 | |
acts as a south light, it penetrates down to the kitchen, even. | 0:25:08 | 0:25:11 | |
But that's a good point, cos it's double-storey in that | 0:25:11 | 0:25:14 | |
little sort of well there, OK. | 0:25:14 | 0:25:15 | |
Well, as you say, it is lovely and light in here. | 0:25:15 | 0:25:17 | |
Shall we see a bit more? Yeah. | 0:25:17 | 0:25:18 | |
They've cleverly married period features with contemporary design, | 0:25:23 | 0:25:27 | |
but it took time to get the balance right. | 0:25:27 | 0:25:30 | |
What were your biggest challenges here? | 0:25:31 | 0:25:34 | |
Patience. | 0:25:34 | 0:25:35 | |
Patience! Patience and planning - the Ps. Yeah. | 0:25:35 | 0:25:38 | |
Patience overall, you know, as they say, doing it, um, the right way. | 0:25:38 | 0:25:43 | |
I mean, we did do one or two things twice. | 0:25:43 | 0:25:46 | |
Is there any advice you could give these guys to stop them | 0:25:46 | 0:25:48 | |
doing something twice? | 0:25:48 | 0:25:50 | |
You know, give yourself a break every now and again | 0:25:50 | 0:25:53 | |
so you can come back to it anew. | 0:25:53 | 0:25:56 | |
Uh, you can immerse yourself in it to such an extent that it becomes | 0:25:56 | 0:25:59 | |
a burden and it should never be that, I mean, | 0:25:59 | 0:26:02 | |
if you've got the enthusiasm and you make the time. | 0:26:02 | 0:26:06 | |
That sounds like very important advice. | 0:26:06 | 0:26:08 | |
Take a step back and maybe, Clare, that can be your role | 0:26:08 | 0:26:11 | |
from afar to be reminding your brother to take a day off. | 0:26:11 | 0:26:14 | |
Yeah, I think Dan sometimes does need to be told to just sort of, | 0:26:14 | 0:26:18 | |
like, stop, take a step back. You know? | 0:26:18 | 0:26:21 | |
Because he does get involved and gives 100 percent | 0:26:21 | 0:26:24 | |
and he gets completely, sort of, | 0:26:24 | 0:26:26 | |
engrossed in what he is doing and, you know, | 0:26:26 | 0:26:29 | |
sometimes you just need to take a step back. | 0:26:29 | 0:26:31 | |
Well, guys, thank you so much for showing us round. Yes, thank you. | 0:26:31 | 0:26:34 | |
It really is quite a unique place and it's been lovely to see | 0:26:34 | 0:26:37 | |
it today and thank you very much for your time, yeah. | 0:26:37 | 0:26:39 | |
Brilliant, thanks very much. Thanks very much. | 0:26:39 | 0:26:42 | |
I loved Tim and Susan's calm and stress-free approach to renovation | 0:26:43 | 0:26:47 | |
and I hope today has given the Kelly family some food for thought. | 0:26:47 | 0:26:51 | |
Has today been useful? | 0:26:51 | 0:26:52 | |
I mean, seeing a cottage of similar size | 0:26:52 | 0:26:54 | |
and seeing how it's been transformed? | 0:26:54 | 0:26:56 | |
Walking into their kitchen-dining area today and having the light | 0:26:56 | 0:27:00 | |
and sort of clean lines and finish, | 0:27:00 | 0:27:02 | |
it just gives me a little bit of hope that we can achieve that. | 0:27:02 | 0:27:05 | |
And, finally, I think, you've done it before, you've been there, | 0:27:05 | 0:27:08 | |
you've done renovation programmes, | 0:27:08 | 0:27:10 | |
but it doesn't hurt to have someone saying, | 0:27:10 | 0:27:12 | |
"Step back every now and again, take a little bit of time to yourself." | 0:27:12 | 0:27:15 | |
No, I think that advice is good advice. | 0:27:15 | 0:27:16 | |
There were times where the mistakes I made in my place was | 0:27:16 | 0:27:19 | |
because I was tired and it was a case of just, | 0:27:19 | 0:27:21 | |
"I need to finish this." | 0:27:21 | 0:27:22 | |
Where as it would have been better just to take a couple of days off | 0:27:22 | 0:27:25 | |
and just, you know, just sit back and relax and just think, "It will | 0:27:25 | 0:27:29 | |
"be better done next week," rather than making sure it's done today. | 0:27:29 | 0:27:32 | |
Well, guys, you're clearly on the same hymn sheet. | 0:27:32 | 0:27:34 | |
You make a great team as a family, you know | 0:27:34 | 0:27:36 | |
what to expect from each other and you have two wonderful and actually | 0:27:36 | 0:27:39 | |
very unique properties, so I really do wish you the best of luck. | 0:27:39 | 0:27:43 | |
Thank you. Thanks. I hope it goes well. | 0:27:43 | 0:27:45 | |
Every empty property presents a different challenge | 0:27:48 | 0:27:51 | |
when the decision is taken to restore it, | 0:27:51 | 0:27:53 | |
and yet they all require drive, determination, ambition | 0:27:53 | 0:27:58 | |
and teamwork, and that's what I think this family has in abundance. | 0:27:58 | 0:28:02 | |
It is going to be difficult, but I'm sure, before long, they will | 0:28:02 | 0:28:06 | |
together create the perfect little country cottage for Clare. | 0:28:06 | 0:28:10 | |
Subtitles by Red Bee Media Ltd | 0:28:25 | 0:28:28 |