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Up and down the country, | 0:00:02 | 0:00:03 | |
there are empty properties just waiting to be brought back to life. | 0:00:03 | 0:00:06 | |
I'll be finding out why | 0:00:08 | 0:00:09 | |
and what you can do to rescue a home for yourself. | 0:00:09 | 0:00:12 | |
We'll be following the empty property officers, | 0:00:12 | 0:00:15 | |
whose job it is to track down the owners of forgotten houses | 0:00:15 | 0:00:19 | |
and get them back in to use. | 0:00:19 | 0:00:21 | |
And I'll be doing some digging of my own | 0:00:21 | 0:00:22 | |
to find out more about our housing stock, our history | 0:00:22 | 0:00:25 | |
and why we should be both preserving and reinventing | 0:00:25 | 0:00:29 | |
Britain's empty homes. | 0:00:29 | 0:00:30 | |
Renovating an empty home can be a life-changing experience. | 0:00:36 | 0:00:39 | |
It will push you to your limits and can be a major logistical challenge. | 0:00:39 | 0:00:43 | |
But the benefits can be truly rewarding. | 0:00:43 | 0:00:46 | |
You get to breathe new life back into a property | 0:00:46 | 0:00:49 | |
and tailor it to your tastes. | 0:00:49 | 0:00:51 | |
On today's show - | 0:00:53 | 0:00:55 | |
a couple who have taken an ambitious step | 0:00:55 | 0:00:57 | |
up the property ladder by purchasing an abandoned chapel | 0:00:57 | 0:01:00 | |
they plan to turn into a home for their young family... | 0:01:00 | 0:01:03 | |
Mike's very ambitious and he's a dreamer | 0:01:03 | 0:01:06 | |
but I have to rein him in a little bit. | 0:01:06 | 0:01:08 | |
..a project in Chichester | 0:01:08 | 0:01:09 | |
dedicated to regenerating a former hospital site | 0:01:09 | 0:01:12 | |
and creating a new community hub... | 0:01:12 | 0:01:15 | |
We've got, ultimately, | 0:01:15 | 0:01:16 | |
buildings that are going to be for community uses | 0:01:16 | 0:01:18 | |
so there's a community hall, there's the listed chapel. | 0:01:18 | 0:01:23 | |
So, yeah, there's a lot here. | 0:01:23 | 0:01:26 | |
..and one of Britain's empty property officers | 0:01:26 | 0:01:28 | |
who's on a mission to bring an abandoned period building in Kent | 0:01:28 | 0:01:31 | |
back into use. | 0:01:31 | 0:01:33 | |
That's an original feature, isn't it? It is, yeah. | 0:01:33 | 0:01:35 | |
This actually was the main staircase of the hotel. | 0:01:35 | 0:01:38 | |
And you can see the two big arch windows, here. | 0:01:38 | 0:01:40 | |
Mike and Angela Shepherd were in the market for a home | 0:01:44 | 0:01:47 | |
for them and their two children | 0:01:47 | 0:01:48 | |
that was close to their extended family, | 0:01:48 | 0:01:51 | |
where they'd grown up, in Lincoln. | 0:01:51 | 0:01:52 | |
ANGELA: We just came across this property. | 0:01:52 | 0:01:54 | |
We just had a look to see what we could get for our money in Lincoln | 0:01:54 | 0:01:57 | |
and we just instantly fell in love with it, didn't we? Yeah. | 0:01:57 | 0:02:01 | |
We drove up, well, I drove up here in the snow, | 0:02:01 | 0:02:03 | |
this really big snowdrift, just because it was like, | 0:02:03 | 0:02:06 | |
"Right, let's go and see this house," very on an impulse. | 0:02:06 | 0:02:09 | |
Yes, yeah. But good. | 0:02:09 | 0:02:11 | |
It felt right. | 0:02:11 | 0:02:13 | |
With total faith in the project, | 0:02:13 | 0:02:15 | |
Mike and Angela paid ?280,000 for two adjoining buildings - | 0:02:15 | 0:02:19 | |
a disused Baptist chapel | 0:02:19 | 0:02:21 | |
and the attached four-bedroom Victorian house. | 0:02:21 | 0:02:24 | |
I restore historic buildings for a living - | 0:02:24 | 0:02:26 | |
stone masonry and that sort of work. | 0:02:26 | 0:02:29 | |
So this type of project didn't faze us at all. | 0:02:29 | 0:02:33 | |
We knew that we wanted to take a renovation project on | 0:02:33 | 0:02:35 | |
in the long term. | 0:02:35 | 0:02:36 | |
Mike's very ambitious and has a lot of dreams. | 0:02:36 | 0:02:39 | |
He's a dreamer but there are going to be certain things | 0:02:39 | 0:02:42 | |
where I'm going to have to say, | 0:02:42 | 0:02:43 | |
"Look, you know, this needs doing first." | 0:02:43 | 0:02:45 | |
And just...you need to prioritise a bit, don't you? | 0:02:45 | 0:02:48 | |
Angela may take a more practical approach whilst Mike dreams big | 0:02:49 | 0:02:52 | |
but they're both focused on one goal - | 0:02:52 | 0:02:55 | |
to turn these abandoned buildings | 0:02:55 | 0:02:57 | |
into a sizeable home for their family. | 0:02:57 | 0:02:59 | |
My dream for the children was to have a nice garden | 0:02:59 | 0:03:02 | |
and just be able to let them be free | 0:03:02 | 0:03:05 | |
and obviously be close to the family. | 0:03:05 | 0:03:06 | |
I want the kids to get to know their cousins and things. | 0:03:06 | 0:03:09 | |
So it's ideal, really. | 0:03:09 | 0:03:11 | |
With a renovation budget of ?80,000 | 0:03:11 | 0:03:13 | |
and two large buildings to combine into one family home, | 0:03:13 | 0:03:17 | |
they certainly have a big challenge ahead. | 0:03:17 | 0:03:20 | |
We've got a huge space to deal with. | 0:03:20 | 0:03:22 | |
We're just toying with ideas, designwise. Aren't we? | 0:03:22 | 0:03:25 | |
I mean, we're in no rush. | 0:03:25 | 0:03:26 | |
The house is liveable and then this space, | 0:03:26 | 0:03:29 | |
which is obviously just redundant but, you know, | 0:03:29 | 0:03:31 | |
we could renovate this bit at the same time | 0:03:31 | 0:03:33 | |
and it not affect our family life. | 0:03:33 | 0:03:36 | |
With the chapel being one of the first things you see | 0:03:36 | 0:03:38 | |
as you enter the village, | 0:03:38 | 0:03:39 | |
local neighbours are pleased Mike and Angela | 0:03:39 | 0:03:41 | |
have plans to spruce it up. | 0:03:41 | 0:03:43 | |
It's nice to have new neighbours. | 0:03:43 | 0:03:45 | |
It's nice to have it renovated. | 0:03:45 | 0:03:48 | |
It will give a good entrance into the village, | 0:03:48 | 0:03:50 | |
as you come in from town. | 0:03:50 | 0:03:51 | |
It could be good. | 0:03:51 | 0:03:52 | |
Mike and Angela have already moved into the Victorian house | 0:03:53 | 0:03:56 | |
and they're raring to go to join it up with the chapel. | 0:03:56 | 0:03:59 | |
Hopefully, I can help them with the next stage of the process. | 0:03:59 | 0:04:02 | |
Good morning, I'm Joe. Good morning. Angela, how are you doing? Morning. | 0:04:02 | 0:04:05 | |
All right, good to see you. And you. Well, first of all, congratulations. | 0:04:05 | 0:04:08 | |
I understand it's just a couple of weeks ago you got this place? | 0:04:08 | 0:04:11 | |
Yeah, two weeks ago. Amazing. Yeah. How are you feeling? A bit nervous. | 0:04:11 | 0:04:15 | |
A bit nervous! Tell me about it, then. | 0:04:15 | 0:04:16 | |
It's quite an unusual building. What is it? | 0:04:16 | 0:04:19 | |
Yeah, it's a Baptist chapel. | 0:04:19 | 0:04:20 | |
Right. And then the church house, which is next to it. | 0:04:20 | 0:04:24 | |
And it's a fairly decent-sized space. It is a good size. | 0:04:24 | 0:04:28 | |
For what we got for our money, we were just... | 0:04:28 | 0:04:30 | |
It was a no-brainer, really. Really? Yeah. Why not? | 0:04:30 | 0:04:33 | |
Well, let's go and have a look what you did get for your money. | 0:04:33 | 0:04:35 | |
Shall we start in the chapel, as we're right here? | 0:04:35 | 0:04:38 | |
Yeah. Yeah, lovely. Great. | 0:04:38 | 0:04:39 | |
Goodness me, this is a tremendous space. Yeah. | 0:04:46 | 0:04:49 | |
It's absolutely huge, isn't it? It is, it is big. | 0:04:49 | 0:04:51 | |
It's got a lot of ceiling height, which is good. | 0:04:51 | 0:04:53 | |
Yes, it certainly has got that! | 0:04:53 | 0:04:55 | |
What did you think when you first saw this? | 0:04:55 | 0:04:57 | |
I just thought, "Wow, what a big space." You know? | 0:04:57 | 0:04:59 | |
Just imagined our kids running around in it and, you know, | 0:04:59 | 0:05:02 | |
it's everything we'd dreamed of, really. Yeah. | 0:05:02 | 0:05:05 | |
Yeah, it's plenty of room. | 0:05:05 | 0:05:06 | |
What are you dealing with here? | 0:05:06 | 0:05:07 | |
I mean, I can see some of the windows are broken. | 0:05:07 | 0:05:09 | |
What state is it in? How bad is it? | 0:05:09 | 0:05:11 | |
It's dry. It is dry. No, it is dry. | 0:05:11 | 0:05:13 | |
The construction of it is quite good, actually. | 0:05:13 | 0:05:16 | |
You know, they've not scrimped on things when they've built it. | 0:05:16 | 0:05:19 | |
So tell me the grand plan. How would you like it to be? | 0:05:19 | 0:05:21 | |
Hopefully we'll be stood in the kitchen, where we are now, | 0:05:21 | 0:05:24 | |
and then lounge, dining space, living space over the other side. | 0:05:24 | 0:05:29 | |
You know, full height, it's got a lot of potential, really, | 0:05:30 | 0:05:33 | |
for a first floor. We'll have some sort of mezzanine, | 0:05:33 | 0:05:36 | |
but we're not sure how we'll go about it yet. | 0:05:36 | 0:05:39 | |
We could just have it all open, but we'd be losing floor space. | 0:05:39 | 0:05:42 | |
It'd join to the house, so you could continue a first-floor across. | 0:05:42 | 0:05:45 | |
Exactly, yeah. And what about the features of the chapel? | 0:05:45 | 0:05:47 | |
I mean, you've got these great big windows. | 0:05:47 | 0:05:50 | |
I notice you're doing some digging here. What's going on? | 0:05:50 | 0:05:52 | |
Yeah, this is the baptismal font that I heard was here, | 0:05:52 | 0:05:56 | |
so I set about with a pick and a hammer | 0:05:56 | 0:05:59 | |
and started breaking it out at the weekend, wasn't it? | 0:05:59 | 0:06:02 | |
And, yeah, found the steps going down into it and the water in there, | 0:06:02 | 0:06:06 | |
and the original floor level with quarry tiles, | 0:06:06 | 0:06:09 | |
nothing out of the ordinary, you know, | 0:06:09 | 0:06:12 | |
but it's just great to find an original feature. | 0:06:12 | 0:06:14 | |
It's incredible. What a find. | 0:06:14 | 0:06:16 | |
It would be nice to see what's under that rubble. Yeah. | 0:06:16 | 0:06:19 | |
And so you would try and incorporate a feature like this? | 0:06:19 | 0:06:22 | |
You want to, don't you? Yeah. | 0:06:22 | 0:06:23 | |
'Mike and Angela are clearly taking on many challenges here, | 0:06:24 | 0:06:28 | |
'turning two buildings into one home, | 0:06:28 | 0:06:30 | |
'modernising the 19th century chapel, | 0:06:30 | 0:06:32 | |
'and deciding whether a mezzanine floor maximises the space. | 0:06:32 | 0:06:36 | |
'On top of this, I have a feeling | 0:06:36 | 0:06:37 | |
'Angela is finding it hard to visualise the end result.' | 0:06:37 | 0:06:41 | |
Very good. I mean, this is great, isn't it? | 0:06:41 | 0:06:44 | |
This is a fully kitted out, furnished house. | 0:06:44 | 0:06:46 | |
Must be very comfortable. This is ideal. | 0:06:46 | 0:06:48 | |
Exactly what you're looking for, bolted onto the chapel. BOTH: Yeah. | 0:06:48 | 0:06:51 | |
Definitely. A bit old-fashioned, not really to our taste at the moment. | 0:06:51 | 0:06:54 | |
There's the question of taste, | 0:06:54 | 0:06:55 | |
but it's in pretty good condition, isn't it? Oh, yeah, it's fine. | 0:06:55 | 0:06:58 | |
You can live with it for now. Yeah. Absolutely fine, yeah. | 0:06:58 | 0:07:01 | |
And upstairs, it's two, three bedrooms? Four bedrooms. Four? | 0:07:01 | 0:07:04 | |
Yeah, four double bedrooms. It's going to be big when it's all done, | 0:07:04 | 0:07:07 | |
with the chapel on the side. Yeah. It's quite big. | 0:07:07 | 0:07:09 | |
Who is going to do the work on this project? | 0:07:09 | 0:07:11 | |
Will you bring in professionals? Depends on money, doesn't it, really? | 0:07:11 | 0:07:14 | |
If we could just project manage it, then that would be ideal. Yeah. | 0:07:14 | 0:07:19 | |
But, you know, we will get our sleeves rolled up | 0:07:19 | 0:07:22 | |
and we'll get on it, you know? | 0:07:22 | 0:07:23 | |
'When Mike and Angela show me the garden, | 0:07:23 | 0:07:26 | |
'it's clear why they've fallen in love with the building | 0:07:26 | 0:07:28 | |
'and the outdoor space it gives the children.' | 0:07:28 | 0:07:31 | |
It's a great space, isn't it? | 0:07:31 | 0:07:32 | |
A really good size for your kids to run around and play in. | 0:07:32 | 0:07:34 | |
It's about right for us, I think. | 0:07:34 | 0:07:36 | |
I have to say, I find the stage you're at now so exciting, | 0:07:36 | 0:07:38 | |
because it's all possible, isn't it? It's all up for grabs. | 0:07:38 | 0:07:41 | |
You've just got to make your mind up and decide how you want it, | 0:07:41 | 0:07:44 | |
so you're open to inspiration, and because of that, | 0:07:44 | 0:07:46 | |
I think it'll be really good for you to see a property which, | 0:07:46 | 0:07:49 | |
I said at the beginning, isn't a chapel, | 0:07:49 | 0:07:51 | |
doesn't have a religious connection, but it does have some features | 0:07:51 | 0:07:54 | |
I think you'll find really interesting. OK. And besides, | 0:07:54 | 0:07:56 | |
you'll meet a couple who've been through a renovation like this. | 0:07:56 | 0:07:59 | |
They've faced so many of the challenges you'll face here, | 0:07:59 | 0:08:02 | |
so I think it would be a great opportunity to get some advice | 0:08:02 | 0:08:05 | |
and get some guidance alongside a bit of inspiration as well. | 0:08:05 | 0:08:08 | |
So that sounds good? Sounds very good. Yeah. | 0:08:08 | 0:08:10 | |
This is such a brilliant project. | 0:08:10 | 0:08:12 | |
This building that sat empty for so many years | 0:08:12 | 0:08:15 | |
is about to be given a new lease of life. | 0:08:15 | 0:08:16 | |
It's the first thing you see as you come into the village, | 0:08:16 | 0:08:19 | |
and it's going to be perfect to have people living here. | 0:08:19 | 0:08:21 | |
And for Mike and Angela, this is the most exciting moment, really, | 0:08:21 | 0:08:24 | |
because they're not quite sure how it's all going to work, | 0:08:24 | 0:08:28 | |
so it's the perfect time for them to see a property | 0:08:28 | 0:08:30 | |
that has been renovated, and they can speak to the people behind it | 0:08:30 | 0:08:34 | |
to get some advice, to get some guidance to help them on their way. | 0:08:34 | 0:08:38 | |
Restoring an abandoned chapel may not be everyone's idea of heaven, | 0:08:39 | 0:08:43 | |
but for those with imagination and dedication, | 0:08:43 | 0:08:46 | |
the rewards can be enormous. | 0:08:46 | 0:08:48 | |
In Winchester, Alice and Peter Dudgeon were living | 0:08:50 | 0:08:53 | |
in a building that was originally part of a larger manor house | 0:08:53 | 0:08:57 | |
that had been split in two in the 1950s. | 0:08:57 | 0:08:59 | |
When their neighbour in the adjoining house died, | 0:09:00 | 0:09:03 | |
it led the Dudgeons on an unexpected journey. | 0:09:03 | 0:09:06 | |
We'd been living in the major part of the house | 0:09:08 | 0:09:10 | |
for about seven years at that point, | 0:09:10 | 0:09:12 | |
and we weren't actually looking to move. | 0:09:12 | 0:09:16 | |
It was just because Nancy died, | 0:09:16 | 0:09:21 | |
and the house was going to go on the market, | 0:09:21 | 0:09:23 | |
and we were a bit concerned about what would happen to it. | 0:09:23 | 0:09:25 | |
And I guess, also, we did have an eye to downsize a bit, | 0:09:25 | 0:09:29 | |
this obviously being somewhat smaller | 0:09:29 | 0:09:31 | |
than the very large bit next door. | 0:09:31 | 0:09:33 | |
Are you saying we were getting old? Yes. | 0:09:33 | 0:09:35 | |
The house had sat empty for seven months before they decided | 0:09:37 | 0:09:41 | |
to downsize and buy it for ?700,000. | 0:09:41 | 0:09:44 | |
It had formerly been the servants' quarters for the Earl of Airlie, | 0:09:44 | 0:09:47 | |
and was built in 1856. It was very, very run down. | 0:09:47 | 0:09:52 | |
The fabric of the building was deteriorating greatly. | 0:09:52 | 0:09:56 | |
The roof was leaking, the guttering and the downpipes | 0:09:56 | 0:10:00 | |
were all very much leaking, rusty. | 0:10:00 | 0:10:02 | |
This was the first time that we'd actually used an architect | 0:10:02 | 0:10:06 | |
in doing a renovation, and it certainly was a revelation. | 0:10:06 | 0:10:09 | |
They came up with a lot of ideas that we wouldn't have done, | 0:10:09 | 0:10:12 | |
and as Alice was saying, | 0:10:12 | 0:10:13 | |
certainly incorporating the old cellar by using | 0:10:13 | 0:10:17 | |
the lightwell to build a creator, a living space down there, | 0:10:17 | 0:10:20 | |
and of course, my wine cellar. It was really a very good idea. | 0:10:20 | 0:10:23 | |
After months of negotiations with architects | 0:10:25 | 0:10:27 | |
and planning authorities, they finally got to work | 0:10:27 | 0:10:30 | |
on a modern glass extension to the rear, | 0:10:30 | 0:10:32 | |
and that was when the fun really started. | 0:10:32 | 0:10:35 | |
The big challenge was the glass structure. | 0:10:36 | 0:10:38 | |
They came with a big crane to install the ceiling panels, | 0:10:38 | 0:10:43 | |
and they said, "There's a bit of a problem. | 0:10:43 | 0:10:45 | |
"They've cut the ceiling panels six inches too short." | 0:10:45 | 0:10:49 | |
There they were. They've been busily installing these things, | 0:10:49 | 0:10:52 | |
and there was a six-inch gap at the top all the way along. | 0:10:52 | 0:10:55 | |
Next minute, I heard a very large crash. | 0:10:55 | 0:10:57 | |
One of the central beams, glass beams, collapsed. | 0:10:57 | 0:11:02 | |
Very lucky it didn't kill anybody, I suspect. | 0:11:02 | 0:11:05 | |
Instead of having a complete glass structure at the end of it, | 0:11:05 | 0:11:08 | |
we ended up with most of the ceiling panels in place, | 0:11:08 | 0:11:11 | |
all six inches too short, and a gaping gap in the middle | 0:11:11 | 0:11:14 | |
where the two panels were no longer there. | 0:11:14 | 0:11:17 | |
And then it rained that night. Yes. And we had a swimming pool. | 0:11:17 | 0:11:21 | |
And we had a swimming pool. That was very, very upsetting. | 0:11:21 | 0:11:23 | |
And it did delay the whole project by a good three or four months. | 0:11:23 | 0:11:27 | |
Alice and Peter went on to spend ?400,000 | 0:11:29 | 0:11:33 | |
and three years on the project, which has exceeded all expectations | 0:11:33 | 0:11:37 | |
and given them a truly unique place to live. | 0:11:37 | 0:11:40 | |
I think we are here for a while, hopefully. | 0:11:43 | 0:11:45 | |
We've done what we've done. | 0:11:45 | 0:11:47 | |
I can't see us moving anywhere, so as far as I'm concerned, | 0:11:47 | 0:11:51 | |
I think we are here for a while, aren't we? | 0:11:51 | 0:11:53 | |
I think another four or five renovations, | 0:11:53 | 0:11:55 | |
we might just about get it right! | 0:11:55 | 0:11:58 | |
And we think the building's fantastic. | 0:11:58 | 0:12:00 | |
It's a fantastic surprise. | 0:12:00 | 0:12:02 | |
You arrive in front of a traditional Victorian facade, | 0:12:02 | 0:12:05 | |
you open the door, and you open up this beautiful, big, high, | 0:12:05 | 0:12:08 | |
white glass interior, flowing through to the garden. | 0:12:08 | 0:12:12 | |
The glass staircase and the cathedral ceiling | 0:12:12 | 0:12:14 | |
and all the light there. | 0:12:14 | 0:12:16 | |
It's a great feeling when you walk through the door. | 0:12:16 | 0:12:19 | |
Restoring Britain's forgotten buildings and turning them | 0:12:19 | 0:12:23 | |
into housing stock is undoubtedly rewarding, | 0:12:23 | 0:12:25 | |
and importantly, can also revive our communities. | 0:12:25 | 0:12:28 | |
Across the south of England, three in every 100 homes lie empty | 0:12:29 | 0:12:33 | |
and unused. Here in Chichester, | 0:12:33 | 0:12:35 | |
over 20,000 families are currently on the housing waiting list. | 0:12:35 | 0:12:39 | |
I've come to see a substantial new development that's aiming | 0:12:39 | 0:12:42 | |
to create an entire community, and rescue some historic buildings. | 0:12:42 | 0:12:47 | |
This former hospital site in Chichester | 0:12:48 | 0:12:50 | |
sits on 34 hectares of conservation land, | 0:12:50 | 0:12:53 | |
and includes two Grade II listed buildings. | 0:12:53 | 0:12:56 | |
Construction first began here in 1894, | 0:12:56 | 0:12:59 | |
with the hospital finally closing its doors in 2001. | 0:12:59 | 0:13:03 | |
Three years ago, Linden Homes, | 0:13:03 | 0:13:05 | |
along with the Homes and Communities Agency and Affinity Sutton, | 0:13:05 | 0:13:08 | |
agreed to rejuvenate the site, creating new homes | 0:13:08 | 0:13:11 | |
and upgrading buildings to meet modern standards. | 0:13:11 | 0:13:14 | |
Peter Yule is part of the project. | 0:13:14 | 0:13:16 | |
I can see looking around a mixture of new build and old. | 0:13:16 | 0:13:19 | |
That's the point here, is it, to re-use some of the old buildings, | 0:13:19 | 0:13:22 | |
but also put new homes alongside them? Yeah. | 0:13:22 | 0:13:24 | |
Naturally, there are buildings on the site that | 0:13:24 | 0:13:27 | |
are listed and therefore obviously protected, | 0:13:27 | 0:13:29 | |
and there is the heart of the site that we are standing | 0:13:29 | 0:13:32 | |
on the fringe of, that it would have been a real shame | 0:13:32 | 0:13:35 | |
and a travesty to take those down. | 0:13:35 | 0:13:38 | |
The project will not only create much needed housing stock, | 0:13:38 | 0:13:42 | |
it'll also hopefully provide facilities for a whole new community. | 0:13:42 | 0:13:46 | |
We've got, ultimately, buildings that are going to be for community | 0:13:46 | 0:13:50 | |
use, so there's a community hall, there's the listed chapel, | 0:13:50 | 0:13:54 | |
which is already in use. | 0:13:54 | 0:13:56 | |
We've got some artists' studios, which Graylingwell | 0:13:56 | 0:13:59 | |
and Chichester particularly, from the local university, wanted us to | 0:13:59 | 0:14:02 | |
produce some artists' studios for them | 0:14:02 | 0:14:05 | |
to kick off their budding careers. | 0:14:05 | 0:14:07 | |
We've got some offices, we've got a pub planned. | 0:14:07 | 0:14:10 | |
There's a lot of different uses here. | 0:14:10 | 0:14:12 | |
And the homes themselves, a mixture of different bedrooms, | 0:14:12 | 0:14:15 | |
different sizes? Yeah, that's right. | 0:14:15 | 0:14:17 | |
There's refurbishment properties here. | 0:14:17 | 0:14:19 | |
We've got a lot of new-build houses, new-build apartments, | 0:14:19 | 0:14:22 | |
and 40% of the site is dedicated to affordable homes. | 0:14:22 | 0:14:26 | |
So, yeah, there's a lot here. Fantastic. | 0:14:26 | 0:14:30 | |
And this development is particularly notable for its attempt to | 0:14:30 | 0:14:34 | |
provide the best energy efficiency across all of the buildings here. | 0:14:34 | 0:14:38 | |
Tell me about this water tower. | 0:14:38 | 0:14:40 | |
It's a very splendid redbrick building. | 0:14:40 | 0:14:42 | |
Great to see that still standing. What's it being used for? | 0:14:42 | 0:14:46 | |
In essence, it provides a great flueing option for our energy centre. | 0:14:46 | 0:14:51 | |
We produced an energy centre here that will drive | 0:14:51 | 0:14:53 | |
all 800 homes on this development. | 0:14:53 | 0:14:55 | |
They get one feed for their hot water and central heating needs. | 0:14:55 | 0:14:58 | |
So all these homes, none of them have boilers. | 0:14:58 | 0:15:01 | |
They all get their hot water this way. That's right. | 0:15:01 | 0:15:03 | |
Instead of hundreds of boiler flames going all the time | 0:15:03 | 0:15:06 | |
you've just got one centre. That's right. Very impressive. | 0:15:06 | 0:15:08 | |
OK, shall we go and have a look inside? That'll be great. | 0:15:08 | 0:15:12 | |
Inside the hospital itself, work is about to start. | 0:15:12 | 0:15:15 | |
But renovating such an old building comes with its own set | 0:15:15 | 0:15:18 | |
of unique challenges. | 0:15:18 | 0:15:20 | |
Although the structure is here, it does actually cost us | 0:15:20 | 0:15:22 | |
more to develop and redevelop and convert old stock like this, | 0:15:22 | 0:15:27 | |
not only because it's not standard, | 0:15:27 | 0:15:29 | |
there are just risks inherent in these buildings that you | 0:15:29 | 0:15:32 | |
can't see from the outside - | 0:15:32 | 0:15:34 | |
damp, treatments to the reroofing and all sorts of structural issues | 0:15:34 | 0:15:37 | |
we've got to deal with. | 0:15:37 | 0:15:39 | |
Not that they weren't built very well, but we've got to | 0:15:39 | 0:15:42 | |
introduce new structures to divide them up into homes. | 0:15:42 | 0:15:45 | |
Yeah. I mean, these are big, high-ceilinged, long rooms. | 0:15:45 | 0:15:49 | |
Typical kind of hospital wards, aren't they? Yeah. | 0:15:49 | 0:15:52 | |
How do you divide them up? | 0:15:52 | 0:15:54 | |
Do you make apartments out of them, | 0:15:54 | 0:15:56 | |
do you cut across them to make houses...? We do a mix of both. | 0:15:56 | 0:16:00 | |
So we use architects, and they work out whether it's better to | 0:16:00 | 0:16:03 | |
vertically split the accommodation or horizontally split it. | 0:16:03 | 0:16:07 | |
Vertically will naturally produce houses | 0:16:07 | 0:16:09 | |
and there's the horizontal splits, where it'll be more apartment-led. | 0:16:09 | 0:16:14 | |
So this is very much the before state. | 0:16:14 | 0:16:16 | |
Are there some that have been completed and are ready to show? | 0:16:16 | 0:16:20 | |
Yeah, absolutely. We've converted several blocks already. | 0:16:20 | 0:16:24 | |
Great, let's take a look. Yeah. | 0:16:24 | 0:16:26 | |
Wow, look at this! | 0:16:30 | 0:16:32 | |
It's a bit different from the old hospital ward we saw. | 0:16:32 | 0:16:35 | |
Yeah, so here we go. Fully converted apartment. | 0:16:35 | 0:16:39 | |
This is a two-bedroom apartment, so, yeah, | 0:16:39 | 0:16:41 | |
pretty typical of what you'll get in the refurbished buildings. | 0:16:41 | 0:16:45 | |
I see, so talk me through this flat. It will be four rooms, will it? | 0:16:45 | 0:16:48 | |
So an open-plan kitchen-diner, sitting room. Two bedrooms... | 0:16:48 | 0:16:52 | |
A bathroom and en suite in the main bedroom. OK. | 0:16:52 | 0:16:56 | |
Yeah, as you can see, the high ceilings, new doors and windows, | 0:16:56 | 0:16:59 | |
all fully restored. | 0:16:59 | 0:17:02 | |
Very good, well, the best of luck with that. | 0:17:02 | 0:17:04 | |
I'm pleased to see these old buildings actually being used. | 0:17:04 | 0:17:07 | |
I think this is a really interesting project. | 0:17:07 | 0:17:10 | |
It's obviously going to come to fruition over many years ahead. | 0:17:10 | 0:17:13 | |
Essentially, what they are doing is taking these old dilapidated | 0:17:13 | 0:17:17 | |
buildings and sculpting, together with new-build, | 0:17:17 | 0:17:20 | |
a working, functioning community. | 0:17:20 | 0:17:22 | |
And I really like the communal focus here. | 0:17:22 | 0:17:25 | |
The emphasis on one shared source of power, which is very efficient. | 0:17:25 | 0:17:28 | |
It's going to make all these homes | 0:17:28 | 0:17:30 | |
as environmentally friendly as possible. | 0:17:30 | 0:17:32 | |
So hopefully at the end of it we will not just have a well preserved | 0:17:32 | 0:17:35 | |
redbrick heritage, but also new homes | 0:17:35 | 0:17:39 | |
and affordable housing where they are really needed. | 0:17:39 | 0:17:42 | |
Sadly, not all of Britain's forgotten buildings are found | 0:17:44 | 0:17:48 | |
and regenerated. | 0:17:48 | 0:17:49 | |
But luckily, local council Empty Property Officers are taking | 0:17:49 | 0:17:52 | |
action on behalf of communities. | 0:17:52 | 0:17:54 | |
In Folkestone, Kent, Ian Cobby is on his way to a building | 0:17:56 | 0:17:59 | |
he knows well. A former hotel, then bedsit, | 0:17:59 | 0:18:03 | |
the 15-room property was bought four years ago, but the owners | 0:18:03 | 0:18:06 | |
ran into financial difficulty and the council got involved. | 0:18:06 | 0:18:10 | |
This is the final stage in a long process for Ian | 0:18:10 | 0:18:13 | |
and he's hoping the building is close to being signed off. | 0:18:13 | 0:18:16 | |
Renovating this property hasn't been easy. | 0:18:18 | 0:18:21 | |
It's taken the owners at least three years to get this far, | 0:18:21 | 0:18:25 | |
with two loans, one from Kent County Council | 0:18:25 | 0:18:27 | |
and one from Shepway District Council. | 0:18:27 | 0:18:29 | |
So I'll be happy once it is completed. | 0:18:31 | 0:18:33 | |
Ian is meeting John Emmerson, | 0:18:36 | 0:18:38 | |
who's project-managing the renovation on behalf of the owner. | 0:18:38 | 0:18:41 | |
Ian has to make sure the loan has been used properly | 0:18:41 | 0:18:43 | |
and the project meets the council's high standards. | 0:18:43 | 0:18:47 | |
You'll notice the heat straightaway. Yes. | 0:18:47 | 0:18:50 | |
As you know, the services aren't on yet, | 0:18:50 | 0:18:52 | |
but we've got double glazing, which we had to fight for through | 0:18:52 | 0:18:56 | |
the conservation guy, because they just wanted us to put timber in. | 0:18:56 | 0:18:59 | |
And every external wall has been dot and dabbed, | 0:18:59 | 0:19:03 | |
stuck with plasterboard and 75mm Celotex. Wow. | 0:19:03 | 0:19:07 | |
And that's why you can feel this tremendous heat. | 0:19:07 | 0:19:10 | |
It's really, really warm. So if I can just show you the windows, Ian. | 0:19:10 | 0:19:14 | |
Certainly, John. | 0:19:14 | 0:19:15 | |
Remember when we originally started here, | 0:19:15 | 0:19:17 | |
the Conservation Officer just wanted us | 0:19:17 | 0:19:20 | |
to literally put new timber ones in or repair what we had, which was | 0:19:20 | 0:19:24 | |
impossible because when we opened it up | 0:19:24 | 0:19:26 | |
it was so rotten it was untrue. | 0:19:26 | 0:19:28 | |
So we got a company to make them up, but make them up | 0:19:28 | 0:19:31 | |
in the exact identical design looking from the outside. | 0:19:31 | 0:19:35 | |
Whoever buys these is going to reap the benefits... Really? | 0:19:35 | 0:19:38 | |
..because the heat retention is amazing. | 0:19:38 | 0:19:40 | |
It seems every effort has been made to restore the original | 0:19:40 | 0:19:44 | |
elements of the hotel. | 0:19:44 | 0:19:45 | |
This is one of the bedrooms. | 0:19:45 | 0:19:47 | |
This actually was the main staircase of the hotel. | 0:19:47 | 0:19:50 | |
And you can see the two big arch windows here. Yes. | 0:19:50 | 0:19:54 | |
That's an original feature. It is, yeah, and we couldn't change that. | 0:19:54 | 0:19:58 | |
But this is where we first started to expose, literally, | 0:19:58 | 0:20:01 | |
all the damage in the building, which was... | 0:20:01 | 0:20:04 | |
The rot in this building was from every single floor to every | 0:20:04 | 0:20:08 | |
single lintel in this property has been changed. I can imagine. | 0:20:08 | 0:20:13 | |
So there was roughly a ?75,000 bill on top, | 0:20:13 | 0:20:16 | |
and that's why the owner went back to get a second loan, | 0:20:16 | 0:20:19 | |
and that's why it's literally taken three years to get it to this stage. | 0:20:19 | 0:20:25 | |
For Ian, this lengthy project is hopefully close to providing | 0:20:27 | 0:20:30 | |
much-needed housing in the area, | 0:20:30 | 0:20:32 | |
as well as reviving this large building. | 0:20:32 | 0:20:35 | |
I feel that the internal works that I've seen | 0:20:35 | 0:20:38 | |
so far are exemplary, of a standard higher than I would expect. | 0:20:38 | 0:20:42 | |
My next visit will be when John calls me to come back | 0:20:42 | 0:20:46 | |
and have a look at it. Hopefully then the services will be in, | 0:20:46 | 0:20:49 | |
all the snagging will be finished and I'll be able to sign the job off. | 0:20:49 | 0:20:53 | |
If you've noticed abandoned buildings in your area | 0:20:55 | 0:20:58 | |
and fancy the challenge of taking one on, | 0:20:58 | 0:21:01 | |
then get in touch with your local Empty Property Officer, | 0:21:01 | 0:21:04 | |
or contact estate agents or neighbourhood watch groups | 0:21:04 | 0:21:06 | |
about derelict buildings you've seen. | 0:21:06 | 0:21:09 | |
Back in Lincoln, I am with Mike and Angela | 0:21:10 | 0:21:12 | |
who have taken on an abandoned chapel in the attached house | 0:21:12 | 0:21:16 | |
that they plan to combine and turn into a sizeable family home. | 0:21:16 | 0:21:19 | |
They're just starting to put plans together, | 0:21:19 | 0:21:22 | |
so I'm going to introduce them to a couple | 0:21:22 | 0:21:24 | |
who've done a large conversion | 0:21:24 | 0:21:26 | |
and can hopefully offer some useful advice. | 0:21:26 | 0:21:29 | |
All right, guys, this is the place I want you to see. | 0:21:29 | 0:21:31 | |
It's quite an unusual home in that | 0:21:32 | 0:21:35 | |
this was originally a collection of different buildings. | 0:21:35 | 0:21:38 | |
We are on the edge of a farm here. | 0:21:38 | 0:21:40 | |
You are about to meet Dean and Louise. | 0:21:40 | 0:21:42 | |
And this was a chicken shed, | 0:21:42 | 0:21:44 | |
it was stables, it was hay loft and a sort of pig shed. | 0:21:44 | 0:21:49 | |
So, it has been fully converted into their family home. | 0:21:50 | 0:21:54 | |
They finished at just over four years ago. | 0:21:54 | 0:21:56 | |
It was never designed to be lived in, and that's the challenge | 0:21:56 | 0:21:59 | |
we'll come across with the chapel. | 0:21:59 | 0:22:01 | |
So they've got a few good ideas. | 0:22:01 | 0:22:02 | |
You can see how they've done things. | 0:22:02 | 0:22:04 | |
And I hope it could be quite useful for you | 0:22:04 | 0:22:06 | |
at this ideas stage of your project. | 0:22:06 | 0:22:08 | |
Yeah. OK? Shall we go and say hello? Let's do it. Come on then. | 0:22:08 | 0:22:11 | |
Louise Carpenter's dream for her parents' out-buildings, | 0:22:14 | 0:22:17 | |
goes right back to childhood | 0:22:17 | 0:22:19 | |
when the residents of the barns were her treasured chickens. | 0:22:19 | 0:22:22 | |
Years later when she and husband Dean were planning a family, | 0:22:22 | 0:22:25 | |
Louise hatched a plan to turn the barns into her home. | 0:22:25 | 0:22:29 | |
Growing up here I always knew I wanted to renovate this property, | 0:22:29 | 0:22:32 | |
because I just knew the building was a great space and would make a fantastic home. | 0:22:32 | 0:22:36 | |
I was quite excited, to be honest. | 0:22:36 | 0:22:38 | |
I'm not a big chicken fan, | 0:22:38 | 0:22:40 | |
but I know Louise was very eager to do it, | 0:22:40 | 0:22:43 | |
and it was a good challenge. | 0:22:43 | 0:22:45 | |
If you take on a restoration project of any kind | 0:22:45 | 0:22:48 | |
you have got to be passionate about whatever it is you're doing. | 0:22:48 | 0:22:51 | |
It's got to be your dream that you want to see through to the end. | 0:22:51 | 0:22:55 | |
Having bought the barns from Louise's parents, | 0:22:55 | 0:22:57 | |
they immediately worked on the tricky plans for combining | 0:22:57 | 0:23:01 | |
the buildings into one family home. | 0:23:01 | 0:23:04 | |
To actually turn what was a chicken shed | 0:23:04 | 0:23:08 | |
along with past-use stables for horses and pigs - | 0:23:08 | 0:23:11 | |
to turn that into a home, | 0:23:11 | 0:23:13 | |
you had to have a real good vision of what you wanted it to look like | 0:23:13 | 0:23:18 | |
before we even started the process. | 0:23:18 | 0:23:20 | |
Having never housed people before, the barns were uninhabitable, | 0:23:20 | 0:23:24 | |
but with a renovation budget of ?260,000, | 0:23:24 | 0:23:27 | |
and some careful planning, | 0:23:27 | 0:23:29 | |
they turned the chicken sheds into a modern home. | 0:23:29 | 0:23:32 | |
The biggest issues that we came across when doing this project, | 0:23:32 | 0:23:35 | |
was the planning application. | 0:23:35 | 0:23:37 | |
We had such an issue with what we actually wanted, | 0:23:37 | 0:23:41 | |
and what we were allowed from the planning office. | 0:23:41 | 0:23:43 | |
There were obviously lots of things that we had to go back and think about again. | 0:23:43 | 0:23:47 | |
Our first ideas didn't come to fruition. | 0:23:47 | 0:23:51 | |
I love the fact that we now live in | 0:23:51 | 0:23:53 | |
what was a shed that housed our chickens, | 0:23:53 | 0:23:56 | |
and I think the chickens are really pleased | 0:23:56 | 0:23:58 | |
because they've got a brand-new palace. | 0:23:58 | 0:24:01 | |
We still hear them every morning. Yeah. | 0:24:01 | 0:24:04 | |
Hello? | 0:24:04 | 0:24:05 | |
Hiya. Hi. How are you? | 0:24:08 | 0:24:10 | |
Come on in. Thank you very much. | 0:24:10 | 0:24:12 | |
I'm confident this barn renovation will give Mike and Angela some ideas | 0:24:12 | 0:24:16 | |
and extra knowledge when it comes to tackling their chapel conversion. | 0:24:16 | 0:24:20 | |
Very good! This is quite impressive, isn't it? Yeah, it's lovely. | 0:24:20 | 0:24:24 | |
I think there's a clue why we brought you here. | 0:24:24 | 0:24:27 | |
Any ideas? Mezzanine. Yeah, mezzanine? | 0:24:27 | 0:24:29 | |
Mezzanine. What's your first impressions? | 0:24:29 | 0:24:32 | |
It's gorgeous. Yeah, I really like it. Absolutely. | 0:24:32 | 0:24:35 | |
Well, we wanted to keep this room, which was the original barn. | 0:24:35 | 0:24:38 | |
We wanted to keep the height in this room. | 0:24:38 | 0:24:41 | |
And we also needed to get up there into the bedrooms, | 0:24:41 | 0:24:43 | |
and it was the easiest way. | 0:24:43 | 0:24:45 | |
And the ceiling would have been very low in here | 0:24:45 | 0:24:47 | |
if we'd had a room on top. | 0:24:47 | 0:24:51 | |
OK. And you chose to go with glass? Deliberate? | 0:24:51 | 0:24:55 | |
It was, because we struggled with light in this room. | 0:24:55 | 0:24:59 | |
We liked the look of the wood as well. | 0:24:59 | 0:25:00 | |
We just thought it worked really well, it was quite in keeping. | 0:25:00 | 0:25:03 | |
ANGELA: Yeah, if it was...a chrome banister or something, | 0:25:03 | 0:25:06 | |
it wouldn't have the same feel. | 0:25:06 | 0:25:08 | |
It's contemporary, but it's traditional at the same time. | 0:25:08 | 0:25:11 | |
I wouldn't have thought of glass either. And it does work really well. | 0:25:11 | 0:25:14 | |
When you do start from scratch, | 0:25:14 | 0:25:16 | |
like you have - and these guys are too, with a chapel - | 0:25:16 | 0:25:18 | |
what decisions did you have about heating? | 0:25:18 | 0:25:21 | |
It's all underfloor heating. | 0:25:21 | 0:25:23 | |
It's absolutely great for us, | 0:25:23 | 0:25:25 | |
because the heat rises. When you've got big spaces to fill, | 0:25:25 | 0:25:29 | |
they're not draughty, at all, because the whole of the floor is heated. | 0:25:29 | 0:25:33 | |
You've obviously built that chimney breast in? | 0:25:33 | 0:25:35 | |
That's right, we have. | 0:25:35 | 0:25:37 | |
That's not original, obviously. | 0:25:37 | 0:25:39 | |
And we needed a double skin of bricks, so that's why we opted for that. | 0:25:39 | 0:25:44 | |
Would you like something similar? | 0:25:44 | 0:25:47 | |
Are you thinking a wood burner...? Yes. Yes. | 0:25:47 | 0:25:50 | |
How happy are you with it? Now it's done, | 0:25:50 | 0:25:53 | |
do you look at it and think, "Yeah, that's just right." Yeah. | 0:25:53 | 0:25:56 | |
All the time. Love it. | 0:25:56 | 0:25:57 | |
Of an evening, when I sat down, I always look round | 0:25:57 | 0:26:00 | |
and can't believe we've done it, really. | 0:26:00 | 0:26:02 | |
Yeah. Great, let's see some more, shall we? | 0:26:02 | 0:26:04 | |
It's clear from the stunning layout downstairs | 0:26:07 | 0:26:10 | |
that Louise and Dean took real care during the planning phase to utilise | 0:26:10 | 0:26:14 | |
the space and ceiling height. | 0:26:14 | 0:26:16 | |
And the same thought and care went into the children's room upstairs as well. | 0:26:16 | 0:26:20 | |
So this is clearly your very open-plan kitchen-diner. | 0:26:22 | 0:26:27 | |
And you wanted this spectacle, looking out on your garden, | 0:26:27 | 0:26:30 | |
and getting that light in as well. | 0:26:30 | 0:26:32 | |
We knew with it being so short of light in the living room area, | 0:26:32 | 0:26:36 | |
we knew that, coming in here, we pretty much needed it all glass. | 0:26:36 | 0:26:40 | |
That was what we were aiming for. | 0:26:40 | 0:26:42 | |
Well, guys, thank you for your time. It's been amazing to see your place. | 0:26:42 | 0:26:45 | |
And it is quite incredible what you can do with a chicken barn. | 0:26:45 | 0:26:48 | |
So, congratulations, and thanks for your advice, as well. | 0:26:48 | 0:26:52 | |
So, guys, how have you found it looking around here today? | 0:26:55 | 0:26:57 | |
It is obviously not a chapel, but the are quite a few similarities. | 0:26:57 | 0:27:01 | |
Yeah. I've certainly got a bit more inspiration than I had before. | 0:27:01 | 0:27:04 | |
Yeah, brilliant. I have really enjoyed it, actually. | 0:27:04 | 0:27:07 | |
It's nice to chat to people and get ideas. Yes, it's been really good. | 0:27:07 | 0:27:11 | |
Because I suspect you are all very much into structure, | 0:27:11 | 0:27:14 | |
and you can see how this pieces together. | 0:27:14 | 0:27:16 | |
And maybe you were struggling a bit. | 0:27:16 | 0:27:18 | |
Especially the finishing touches. | 0:27:18 | 0:27:19 | |
It's so far away, it's difficult to visualise. | 0:27:19 | 0:27:22 | |
Has this helped with that? It's helped. | 0:27:22 | 0:27:25 | |
I still struggle to imagine it like that, | 0:27:25 | 0:27:27 | |
but, you know, that is the sort of finish I'm looking for. | 0:27:27 | 0:27:30 | |
So I can certainly imagine it a bit more now, I think. | 0:27:30 | 0:27:33 | |
Good, well there's a lot of looking and things to do. | 0:27:33 | 0:27:35 | |
You've got a busy few months ahead of you. | 0:27:35 | 0:27:37 | |
But hopefully this helps, hopefully it unifies the vision a little bit, | 0:27:37 | 0:27:41 | |
or gives you a few ideas to try out on paper. | 0:27:41 | 0:27:44 | |
And good luck with it. | 0:27:44 | 0:27:46 | |
I think today has worked out really well. | 0:27:48 | 0:27:50 | |
Clearly Mike and Angela are hungry for ideas, | 0:27:50 | 0:27:53 | |
and there's inspiration aplenty here. | 0:27:53 | 0:27:55 | |
This style of the mezzanine, the use of space, | 0:27:55 | 0:27:58 | |
the open-plan living - there's lots to take away. | 0:27:58 | 0:28:02 | |
And quite frankly, yes, they've got a lot of work ahead of them | 0:28:02 | 0:28:05 | |
but they have a truly spectacular property. | 0:28:05 | 0:28:07 | |
And I have a feeling they'll make of great job of it | 0:28:07 | 0:28:10 | |
and have a very special family home before too long. | 0:28:10 | 0:28:15 | |
Subtitles by Red Bee Media Ltd | 0:28:15 | 0:28:18 |