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Across the country, empty properties that could be homes | 0:00:02 | 0:00:05 | |
are just waiting to be brought back into use. | 0:00:05 | 0:00:08 | |
I'll be finding out why | 0:00:09 | 0:00:10 | |
and what you need to do to rescue a house for yourself. | 0:00:10 | 0:00:14 | |
And along the way I'll be doing some digging of my own to find out | 0:00:14 | 0:00:17 | |
more about our housing stock, our heritage and why we should be | 0:00:17 | 0:00:21 | |
both reinventing and preserving Britain's empty homes. | 0:00:21 | 0:00:24 | |
Renovating an empty home can be a great way of getting onto | 0:00:33 | 0:00:36 | |
the property ladder - that is, | 0:00:36 | 0:00:38 | |
if you're aware that these places can be fraught with problems. | 0:00:38 | 0:00:42 | |
But if you do your homework, you plan carefully | 0:00:42 | 0:00:45 | |
and you're determined, | 0:00:45 | 0:00:46 | |
then the benefit of transforming an empty home can be truly rewarding. | 0:00:46 | 0:00:51 | |
On today's show, | 0:00:52 | 0:00:53 | |
a couple who've come to the rescue of a Grade II listed cottage. | 0:00:53 | 0:00:57 | |
Matthew attempted to scrape off all this Artex and skim, | 0:00:57 | 0:01:02 | |
so he started and got really tired. | 0:01:02 | 0:01:05 | |
A town centre regeneration project transforming old council buildings | 0:01:05 | 0:01:09 | |
including a police station. | 0:01:09 | 0:01:11 | |
The space lends itself incredibly well and you see by the size | 0:01:11 | 0:01:15 | |
of the windows and structures that they work very well for conversion. | 0:01:15 | 0:01:18 | |
And we follow one of Britain's empty property officers | 0:01:18 | 0:01:21 | |
working to bring a building back to life. | 0:01:21 | 0:01:23 | |
It means that after five years, | 0:01:23 | 0:01:25 | |
this property is nearly back into use | 0:01:25 | 0:01:27 | |
creating seven units of accommodation. | 0:01:27 | 0:01:30 | |
Letchworth is the world's first garden city. | 0:01:31 | 0:01:35 | |
Created as a solution to the squalor of urban life | 0:01:35 | 0:01:38 | |
in the late 19th century. | 0:01:38 | 0:01:40 | |
And it was in these lush surroundings that Monelle | 0:01:40 | 0:01:43 | |
and Matthew came across this empty Grade II listed cottage. | 0:01:43 | 0:01:47 | |
When I first saw the house online, yeah, it's tiny, it's small, | 0:01:47 | 0:01:52 | |
but I knew that this was going to be our house. | 0:01:52 | 0:01:54 | |
I was a bit dubious because the condition the house is in. | 0:01:54 | 0:01:59 | |
Windows, they're rotting. We need new doors put in. | 0:01:59 | 0:02:03 | |
Everywhere needs replastering, rewiring, replumbing. | 0:02:03 | 0:02:07 | |
So everything needs doing! | 0:02:07 | 0:02:09 | |
I actually thought, well, don't buy this house, just buy another one and | 0:02:09 | 0:02:13 | |
we looked at several more houses but all the time Monelle really wanted | 0:02:13 | 0:02:17 | |
to live in this house. | 0:02:17 | 0:02:19 | |
I was fighting because I knew that this was the only house that | 0:02:19 | 0:02:22 | |
had the character that could justify the money being spent on it | 0:02:22 | 0:02:26 | |
and this had so much potential. | 0:02:26 | 0:02:28 | |
Houses like this rarely come on the market in Letchworth. | 0:02:28 | 0:02:32 | |
After lying empty for over nine months, it was repossessed | 0:02:32 | 0:02:35 | |
and put up for sale. | 0:02:35 | 0:02:37 | |
We were lucky enough that it was empty for a very long time, so | 0:02:37 | 0:02:40 | |
we were able to get a three-bedroom house at below market value. | 0:02:40 | 0:02:44 | |
Normally we'd like to have the house ready to live in | 0:02:44 | 0:02:47 | |
but it wasn't going to happen for under 200,000 in Letchworth. | 0:02:47 | 0:02:53 | |
The couple paid ?193,000 for the house, | 0:02:53 | 0:02:57 | |
5,000 over the asking price, which has eaten into the renovation funds. | 0:02:57 | 0:03:02 | |
We're doing everything on a very nominal budget. | 0:03:03 | 0:03:07 | |
?20,000, but that might change. | 0:03:07 | 0:03:11 | |
Yeah. | 0:03:11 | 0:03:12 | |
SHE LAUGHS | 0:03:12 | 0:03:14 | |
To make their challenge even bigger, their new home is listed | 0:03:14 | 0:03:18 | |
and it's also in a conservation area. | 0:03:18 | 0:03:20 | |
This means they'll be answerable to two separate governing bodies, | 0:03:20 | 0:03:24 | |
each with its own strict planning regulations. | 0:03:24 | 0:03:27 | |
We want to do a two-storey extension. | 0:03:27 | 0:03:30 | |
New kitchen with a dining area, a new bathroom upstairs, so | 0:03:30 | 0:03:35 | |
if we're unable to go upwards because we're in a conservation area, | 0:03:35 | 0:03:39 | |
how will we be able to get the bathroom upstairs? | 0:03:39 | 0:03:41 | |
That's the big question mark. | 0:03:41 | 0:03:43 | |
Monelle seems to be the driving force behind this project, | 0:03:43 | 0:03:47 | |
but just how realistic are their building plans? | 0:03:47 | 0:03:51 | |
We're meeting one-on-one to have a look at the house | 0:03:51 | 0:03:53 | |
and to think through the potential pitfalls that lie ahead. | 0:03:53 | 0:03:57 | |
This is very attractive. Tell me about this place. | 0:03:57 | 0:04:00 | |
This is a cottage built in 1902. OK. It was empty for about a year. | 0:04:00 | 0:04:05 | |
It needs everything doing to it, inside and out. Big challenge. | 0:04:05 | 0:04:09 | |
And the area, I mean, it is gorgeous. | 0:04:09 | 0:04:12 | |
Tranquil neighbourhood, lots of green space. | 0:04:12 | 0:04:14 | |
Yeah, lovely, and it's perfect for our first marital home. | 0:04:14 | 0:04:18 | |
That's what it is? It's your first home together? Yeah. | 0:04:18 | 0:04:20 | |
We were living at my mum's before so this is | 0:04:20 | 0:04:22 | |
our place where we're going to build a family and the green | 0:04:22 | 0:04:25 | |
is perfect for kids in the future, so it would be lovely here. | 0:04:25 | 0:04:28 | |
Gosh, you've thought of everything. | 0:04:28 | 0:04:30 | |
Well, this, Monelle, seems lovely. Really good condition. | 0:04:33 | 0:04:36 | |
Original floors. You got this great fireplace and everything. | 0:04:36 | 0:04:39 | |
That's the sort of stuff that attracted you to it? | 0:04:39 | 0:04:41 | |
Yeah, I love old things, so I just knew that this was our house. | 0:04:41 | 0:04:45 | |
And you were in London before, so why Letchworth Garden City? | 0:04:45 | 0:04:48 | |
It's got a nice country feel but we're not too far away from town. | 0:04:48 | 0:04:52 | |
Tell me about the place, is it, what, two bedrooms? | 0:04:52 | 0:04:54 | |
Three small, very compact bedrooms | 0:04:54 | 0:04:56 | |
but it's not got a traditional lay out, so it's a bit more of a blank canvas. | 0:04:56 | 0:05:00 | |
And what was it that attracted you to an empty property? I mean, what was the benefit for you? | 0:05:00 | 0:05:05 | |
The benefit was that we got it under market value and it was vacant, | 0:05:05 | 0:05:09 | |
there were no chains involved, which was perfect for us. | 0:05:09 | 0:05:12 | |
So you've just moved in? Yeah, we've just moved in. | 0:05:12 | 0:05:15 | |
I didn't want to move in. I wanted all the work to be done and then we move in | 0:05:15 | 0:05:18 | |
and it's all lovely and beautiful. | 0:05:18 | 0:05:20 | |
But Matthew was like, "No, we're going in." | 0:05:20 | 0:05:22 | |
So, we're going to be living on-site while the works are being done, | 0:05:22 | 0:05:26 | |
the rewire, the replumb, the knocking down walls. | 0:05:26 | 0:05:28 | |
And all the other dirty bits. | 0:05:28 | 0:05:30 | |
Fun. Yeah. Let's see some more, shall we? | 0:05:30 | 0:05:34 | |
This place clearly needs work, but a good renovation is | 0:05:37 | 0:05:40 | |
a balance between cutting costs without cutting corners. | 0:05:40 | 0:05:44 | |
This is the master bedroom. This is the master? OK. | 0:05:44 | 0:05:47 | |
Clearly some work has started in here. What's been going on? | 0:05:47 | 0:05:50 | |
Matthew attempted to scrape off all this Artex | 0:05:50 | 0:05:53 | |
and skim the ceiling, so he started and got really tired. | 0:05:53 | 0:05:58 | |
Yeah, it is tiring, isn't it? OK. Normally plastering is something | 0:05:58 | 0:06:01 | |
that people tend to get specialists in for. | 0:06:01 | 0:06:03 | |
Is this a budget decision, the fact you're giving it a go? | 0:06:03 | 0:06:06 | |
That's Matthew's decision. Matthew's decision? | 0:06:06 | 0:06:08 | |
Yeah, I got someone in and he was like, "Stop calling men in." | 0:06:08 | 0:06:11 | |
Erm, "I can try and do it." "I can I can handle this!" Yeah. | 0:06:11 | 0:06:14 | |
How do you think that's going? | 0:06:14 | 0:06:15 | |
So far, I think we need to get someone in. | 0:06:15 | 0:06:18 | |
THE LAUGH | 0:06:18 | 0:06:20 | |
This is one of the bedrooms. | 0:06:20 | 0:06:22 | |
There's another room there and another room there. | 0:06:22 | 0:06:24 | |
That's the guest room and this is like the cot room/study. | 0:06:24 | 0:06:28 | |
It will be an office. That's like a rectangle room. Rectangle room? Yeah. | 0:06:28 | 0:06:32 | |
You're specifically avoiding the term boxroom because it's incorrect? | 0:06:32 | 0:06:35 | |
Yeah, it's not a boxroom. It does have some space in there. | 0:06:35 | 0:06:38 | |
Someone suggested using it as a bathroom | 0:06:38 | 0:06:41 | |
and I really don't want to lose that room as a bedroom. | 0:06:41 | 0:06:44 | |
So your only bathroom at the moment is downstairs? | 0:06:44 | 0:06:46 | |
Yeah, that's why we came up with the double-storey extension. | 0:06:46 | 0:06:49 | |
So, you're the boss on this it sounds like, I mean, you kind of... | 0:06:49 | 0:06:52 | |
Yeah, I made myself project manager. Good. Matthew's happy. Is he? Yeah. | 0:06:52 | 0:06:56 | |
Monelle seems to have a very clear idea of what she wants | 0:06:58 | 0:07:01 | |
and I'm keen to know more about her ambitious plans | 0:07:01 | 0:07:03 | |
for the structure of the building. | 0:07:03 | 0:07:06 | |
Monelle, just tell me where the extension's going to go then. | 0:07:06 | 0:07:09 | |
It's going to come out into the garden, is it? | 0:07:09 | 0:07:11 | |
Yeah, we're going to bring all of this out | 0:07:11 | 0:07:13 | |
to about here for the kitchen diner | 0:07:13 | 0:07:16 | |
and build a dormer there, ideally, to put that bathroom upstairs. | 0:07:16 | 0:07:21 | |
Is there a chance you won't be able to do what you want to this house? | 0:07:21 | 0:07:24 | |
I'm worried they're going to say, | 0:07:24 | 0:07:25 | |
"Oh, no, you can't put a bathroom upstairs." Yeah. | 0:07:25 | 0:07:27 | |
That's probably the biggest concern. | 0:07:27 | 0:07:29 | |
Is there a precedent here for a double-storey extension on the back of one of these properties? | 0:07:29 | 0:07:33 | |
Our neighbour has... A single-storey one. | 0:07:33 | 0:07:36 | |
Yes, a single-storey one, but the end of terrace are double-storeys. Yeah. | 0:07:36 | 0:07:40 | |
Extensions, new windows, wet rooms, kitchen diners, | 0:07:40 | 0:07:43 | |
all the fixtures and fittings. | 0:07:43 | 0:07:45 | |
How much do you think it's going to cost? | 0:07:45 | 0:07:47 | |
We're hoping it doesn't go over 25 but Matthew, he's better with money. | 0:07:47 | 0:07:52 | |
OK. I don't really care too much about things like that. | 0:07:52 | 0:07:55 | |
I'm a bit more relaxed about things like that, | 0:07:55 | 0:07:58 | |
he's more of the logical, structured guy with the finances | 0:07:58 | 0:08:02 | |
and I'm kind of like, "We'll get it back" sort of thing. | 0:08:02 | 0:08:06 | |
We'll get the money back. | 0:08:06 | 0:08:07 | |
There's a balance there. So, he's the maths teacher, | 0:08:07 | 0:08:10 | |
going to be in charge of the purse, and you're | 0:08:10 | 0:08:12 | |
the project manager telling him he can't plaster. | 0:08:12 | 0:08:14 | |
Yeah, I'm the imaginative one. | 0:08:14 | 0:08:16 | |
OK. Yeah. The visionary? Yes. OK. Yeah, yeah. | 0:08:16 | 0:08:19 | |
Why 25? That's kind of what you've got that you can spend on it now. | 0:08:19 | 0:08:23 | |
Yeah. If it goes over, it means we have to borrow money. Right. | 0:08:23 | 0:08:25 | |
And because we had a bidding war initially, | 0:08:25 | 0:08:28 | |
we ate into our renovation budget anyway so Matthew | 0:08:28 | 0:08:32 | |
was blaming me for going over, but we had to secure the place. OK. | 0:08:32 | 0:08:36 | |
At this stage I think what's going to be really useful for you | 0:08:36 | 0:08:39 | |
is to see another property in many ways similar to this. | 0:08:39 | 0:08:42 | |
It's listed, it's in a conservation area, | 0:08:42 | 0:08:44 | |
so there's been lots of restrictions. | 0:08:44 | 0:08:46 | |
Meet the woman behind it | 0:08:46 | 0:08:48 | |
and she can tell you a bit more about how she's done it | 0:08:48 | 0:08:50 | |
and hopefully she'll have some great advice, how does that sound? | 0:08:50 | 0:08:53 | |
Yeah, that'll be very helpful. | 0:08:53 | 0:08:54 | |
Well, this really is a lovely little place. | 0:08:56 | 0:08:58 | |
I can see why Matthew and Monelle were so attracted to it | 0:08:58 | 0:09:01 | |
and the surrounding area. | 0:09:01 | 0:09:02 | |
But boy, there are some challenges ahead here. | 0:09:02 | 0:09:04 | |
The main thing is, it's listed and it's in a conservation zone | 0:09:04 | 0:09:07 | |
which is just going to throw up so many challenges. | 0:09:07 | 0:09:10 | |
So I think it's going to be really good for Monelle to meet | 0:09:10 | 0:09:13 | |
a lady who's been through this, who's taken on a similar historic | 0:09:13 | 0:09:16 | |
protected building, she knows about the restrictions, | 0:09:16 | 0:09:19 | |
and hopefully she'll give some great advice. | 0:09:19 | 0:09:22 | |
Whether you're sold on owning a commercial site | 0:09:22 | 0:09:25 | |
or you're praying for a vacant church, with a little imagination | 0:09:25 | 0:09:28 | |
and plenty of perseverance, the unlikeliest of places | 0:09:28 | 0:09:31 | |
can become your dream home. | 0:09:31 | 0:09:34 | |
In Hoylandswaine, West Yorkshire, Amanda Wills | 0:09:34 | 0:09:37 | |
and her husband Steve were looking close to home | 0:09:37 | 0:09:40 | |
when they focused on this Grade II listed barn on Amanda's family farm. | 0:09:40 | 0:09:44 | |
I spent most of my childhood in this barn. | 0:09:44 | 0:09:47 | |
My mum and dad had put in for planning years ago | 0:09:47 | 0:09:50 | |
so it was already passed to do up into a house. | 0:09:50 | 0:09:53 | |
We were staying initially in a static caravan parked in my mum's garden. | 0:09:53 | 0:09:59 | |
Two children, two cats, and a dog. | 0:09:59 | 0:10:03 | |
I think they just thought it would be a few months, not two years. | 0:10:03 | 0:10:06 | |
Having paid Amanda's parents ?100,000 for the large barn, Steve | 0:10:06 | 0:10:10 | |
was relishing the opportunity to create his own unique living space. | 0:10:10 | 0:10:14 | |
It was very, very difficult to imagine it as a home, because it was | 0:10:14 | 0:10:18 | |
so run down. There was no heating, there was no water. | 0:10:18 | 0:10:21 | |
It did get pretty stressful at times. | 0:10:21 | 0:10:23 | |
Obviously, full-time jobs. | 0:10:23 | 0:10:24 | |
And then on top of that you come home and things haven't been | 0:10:24 | 0:10:27 | |
done quite the way you were expecting them to be done. | 0:10:27 | 0:10:30 | |
We've ended up having to take the whole roof off. | 0:10:30 | 0:10:32 | |
Brand-new trusses all the way through. | 0:10:32 | 0:10:34 | |
Partially rebuild one full external wall as well | 0:10:34 | 0:10:37 | |
so it's been a fairly major undertaking. | 0:10:37 | 0:10:40 | |
And the Grade II listing presented plenty of challenges. | 0:10:40 | 0:10:43 | |
We don't want to try and do things that we're not allowed to do | 0:10:43 | 0:10:45 | |
and alter the character of the building too much | 0:10:45 | 0:10:48 | |
but when we feel like we've kind of done something very sympathetic, | 0:10:48 | 0:10:51 | |
but still something that is very fitting to what | 0:10:51 | 0:10:54 | |
we want to try and achieve and that gets rejected, that's frustrating. | 0:10:54 | 0:10:57 | |
We purposely didn't go for a typical barn conversion. | 0:10:57 | 0:11:00 | |
We wanted something quite modern and contemporary. | 0:11:00 | 0:11:02 | |
But not the kind of modern | 0:11:02 | 0:11:04 | |
and contemporary that you could find in a penthouse apartment somewhere. | 0:11:04 | 0:11:07 | |
We are in a barn, essentially. | 0:11:07 | 0:11:08 | |
And it needed to be that kind of honest modernity that | 0:11:08 | 0:11:12 | |
I was really trying to achieve. | 0:11:12 | 0:11:13 | |
It could have been an eight bedroom property if we wanted it to be. | 0:11:13 | 0:11:16 | |
Yeah. But we wanted some real moments of, you know... Wow factor. | 0:11:16 | 0:11:19 | |
Yeah, definitely. And some nice open space. | 0:11:19 | 0:11:22 | |
The biggest moment was | 0:11:23 | 0:11:24 | |
when the single-storey opening on the side of the building got | 0:11:24 | 0:11:28 | |
knocked out to a double height opening | 0:11:28 | 0:11:29 | |
and the natural light that flooded in was just absolutely amazing. | 0:11:29 | 0:11:33 | |
Yeah, because it was really dark. | 0:11:33 | 0:11:35 | |
I'm a bit more of a kind of brutal minimalist and Amanda's a bit | 0:11:35 | 0:11:39 | |
more of a...a bit more kind of home... | 0:11:39 | 0:11:41 | |
creature comforts a little bit. Yeah. | 0:11:41 | 0:11:43 | |
So getting that balance right was really critical. | 0:11:43 | 0:11:45 | |
I didn't want to live in an art gallery. | 0:11:45 | 0:11:47 | |
I wanted it to feel like a home | 0:11:47 | 0:11:49 | |
but at the same time, I didn't want it too homely either. | 0:11:49 | 0:11:52 | |
I don't want to go anywhere else. Other than Barbados, I can't really, | 0:11:52 | 0:11:55 | |
I can't really imagine a better place in fairness. | 0:11:55 | 0:11:58 | |
I mean, it's absolutely lovely. | 0:11:58 | 0:12:00 | |
Right in the countryside, we've got lovely views. | 0:12:00 | 0:12:02 | |
On a gorgeous sunny day, it's...perfect. | 0:12:02 | 0:12:05 | |
This is where I've grown-up, this is my home. | 0:12:05 | 0:12:08 | |
It's quite an emotional tie | 0:12:08 | 0:12:10 | |
and I don't think I'd want to be anywhere else. | 0:12:10 | 0:12:13 | |
Great Yarmouth is a seaside town known for its tourist industry. | 0:12:15 | 0:12:20 | |
But because of the economic climate, | 0:12:20 | 0:12:22 | |
many office buildings here sit empty. | 0:12:22 | 0:12:25 | |
According to the Government, | 0:12:25 | 0:12:27 | |
one in ten offices have been empty for at least six months. | 0:12:27 | 0:12:30 | |
Now, even if just a fraction of these were | 0:12:30 | 0:12:33 | |
converted into residential dwellings, it would create a | 0:12:33 | 0:12:36 | |
significant number of much-needed homes in town centres | 0:12:36 | 0:12:39 | |
and cities across the country. | 0:12:39 | 0:12:41 | |
That's exactly what the forward-thinking council | 0:12:41 | 0:12:44 | |
here in Great Yarmouth is targeting. | 0:12:44 | 0:12:46 | |
And helping them is the Saffron Housing Trust, which is taking on | 0:12:46 | 0:12:49 | |
centrally located ex-council offices ripe for refurbishment. | 0:12:49 | 0:12:53 | |
But renovating commercial spaces into family homes | 0:12:53 | 0:12:56 | |
brings its own set of challenges. | 0:12:56 | 0:12:58 | |
John Whitelock from the trust explains why. | 0:12:58 | 0:13:01 | |
Well, John, these buildings, they're extremely grand, what are they? | 0:13:01 | 0:13:05 | |
What we've got is, we've got | 0:13:05 | 0:13:06 | |
the original police station here which is this building here | 0:13:06 | 0:13:10 | |
and a bit further down there we've got the old fire station. | 0:13:10 | 0:13:13 | |
Both built around the 1900s. | 0:13:13 | 0:13:15 | |
We've also got this one here which was part of the old kind of | 0:13:15 | 0:13:19 | |
Town Hall complex that was in Great Yarmouth. I see. | 0:13:19 | 0:13:21 | |
And how is it you came to own these buildings? | 0:13:21 | 0:13:23 | |
They had been trying to sell them as offices | 0:13:23 | 0:13:25 | |
but hadn't managed to do that. | 0:13:25 | 0:13:27 | |
Costing them 100,000-ish a year, just to keep them sitting here | 0:13:27 | 0:13:31 | |
not really doing anything. | 0:13:31 | 0:13:32 | |
If you look down that way, there's a large office block that's | 0:13:32 | 0:13:35 | |
been sitting empty for even longer. | 0:13:35 | 0:13:37 | |
They're going to be much more valued as properties | 0:13:37 | 0:13:40 | |
and homes for people and families. Absolutely. | 0:13:40 | 0:13:43 | |
I mean, and that reflects when the borough council made the decision that it was going to | 0:13:43 | 0:13:46 | |
pass on the houses and they only passed them on to us | 0:13:46 | 0:13:50 | |
for a pound, which you can imagine created... A pound? | 0:13:50 | 0:13:52 | |
Yeah. That's because they need a load of work done to them. | 0:13:52 | 0:13:56 | |
And Saffron will be investing ?2 million into the build, which is a load of money. | 0:13:56 | 0:14:00 | |
Let's have a look inside, shall we? | 0:14:00 | 0:14:02 | |
Maintaining properties that have been left empty | 0:14:02 | 0:14:05 | |
cost the council money. | 0:14:05 | 0:14:07 | |
It hopes that by giving the housing trust a licence to create affordable | 0:14:07 | 0:14:10 | |
homes, it will both benefit the community and save public money. | 0:14:10 | 0:14:14 | |
John, tell me about where we are here? | 0:14:16 | 0:14:17 | |
We're in the old fire station. | 0:14:17 | 0:14:20 | |
These used to be the bays for the actual engines. Really? | 0:14:20 | 0:14:22 | |
Literally the kind of place where the engines pulled in. | 0:14:22 | 0:14:25 | |
You had the three engines across there. Fantastic. | 0:14:25 | 0:14:28 | |
So what is the plan, what are you hoping to create? | 0:14:28 | 0:14:30 | |
We're looking to get in 16 two-bedroom flats in here, | 0:14:30 | 0:14:33 | |
11 one-bedroom flats and then the two little properties | 0:14:33 | 0:14:37 | |
outside will be converted into a couple of cottages. | 0:14:37 | 0:14:40 | |
Is this typical of the sort of spaces | 0:14:40 | 0:14:42 | |
that you're trying to convert here? | 0:14:42 | 0:14:44 | |
Well, when you're doing a conversion of a building like this, | 0:14:44 | 0:14:46 | |
you look at how the building is laid out, | 0:14:46 | 0:14:49 | |
see what can work in here in terms of accommodation. | 0:14:49 | 0:14:52 | |
This doesn't necessarily show it very well in here, | 0:14:52 | 0:14:54 | |
but they are beautiful buildings. | 0:14:54 | 0:14:56 | |
It should feel quite light and airy. | 0:14:56 | 0:14:58 | |
They will feel magnificent, hopefully. | 0:14:58 | 0:15:01 | |
One of the things we will have to do is raise up the floor levels | 0:15:01 | 0:15:06 | |
because we are in a flood zone here. | 0:15:06 | 0:15:07 | |
So we've got to raise the floors by about a metre, | 0:15:07 | 0:15:10 | |
which is quite a significant area. | 0:15:10 | 0:15:12 | |
You've enough height to be able to do that? Yeah. | 0:15:12 | 0:15:14 | |
Thanks very much for showing me round. | 0:15:14 | 0:15:16 | |
Reviving both the fire station and the interconnecting police station | 0:15:16 | 0:15:19 | |
and turning them into new homes will preserve this unique architecture. | 0:15:19 | 0:15:23 | |
And it is hoped it will also give a much-needed boost | 0:15:23 | 0:15:26 | |
to the town's local economy. | 0:15:26 | 0:15:28 | |
Site manager Paul explains how they plan to unlock | 0:15:29 | 0:15:32 | |
the potential in this abandoned cop shop. | 0:15:32 | 0:15:34 | |
What we're standing in now was the cells to the police station. Ah. | 0:15:34 | 0:15:39 | |
As you can see, they look like you'd expect cells to look like. | 0:15:39 | 0:15:43 | |
They're turn of the century. | 0:15:43 | 0:15:44 | |
How tricky is it to convert these into flats, residential places? | 0:15:44 | 0:15:48 | |
Buildings of this ilk, they are quite simple to carve up | 0:15:48 | 0:15:51 | |
into flats as we've gone through the designs. | 0:15:51 | 0:15:53 | |
The space lends itself incredibly well. | 0:15:53 | 0:15:55 | |
You see with the size of the windows | 0:15:55 | 0:15:57 | |
and structure of the cells, they work very well for conversion. | 0:15:57 | 0:16:00 | |
Have you had experience of this history, this period? | 0:16:00 | 0:16:02 | |
Yeah, we've done three buildings of this ilk in Great Yarmouth, | 0:16:02 | 0:16:05 | |
which, funny enough, the same architect to design these buildings, | 0:16:05 | 0:16:08 | |
HA Cockerell, his features, as you've seen outside, the terracotta work, | 0:16:08 | 0:16:12 | |
is a feature of his and it does feature quite a bit through the town. | 0:16:12 | 0:16:15 | |
Do you really think it will make a difference | 0:16:15 | 0:16:18 | |
and could start to spark things off here? | 0:16:18 | 0:16:19 | |
Absolutely. With the business and to have this many people, | 0:16:19 | 0:16:22 | |
to have 29 households contributing to the local economy, | 0:16:22 | 0:16:25 | |
it will make a huge difference to the town, without a shadow of doubt. | 0:16:25 | 0:16:27 | |
I really think this project makes sense. | 0:16:29 | 0:16:31 | |
First of all, it's a crying shame to leave any buildings like this | 0:16:31 | 0:16:33 | |
sitting empty, but particularly in a town centre. | 0:16:33 | 0:16:36 | |
And this is all about affordable housing, | 0:16:36 | 0:16:38 | |
that's what Great Yarmouth needs. | 0:16:38 | 0:16:40 | |
And to that end I think there's really good vision here | 0:16:40 | 0:16:42 | |
from the council and Saffron Housing Trust. | 0:16:42 | 0:16:45 | |
Hopefully, when this project is complete, | 0:16:45 | 0:16:48 | |
it will help regenerate the town centre and this local area. | 0:16:48 | 0:16:51 | |
Across Britain, empty property officers employed by local councils | 0:16:54 | 0:16:57 | |
are constantly carrying out detective work on our | 0:16:57 | 0:17:00 | |
abandoned homes, working tirelessly to bring them back into use. | 0:17:00 | 0:17:04 | |
In South Kent, Iain Cobby does just that. | 0:17:06 | 0:17:09 | |
He's on his way to inspect work on the conversion of an office block | 0:17:09 | 0:17:12 | |
in Folkestone town centre that's been sitting empty | 0:17:12 | 0:17:15 | |
and unused for five years. | 0:17:15 | 0:17:18 | |
The property was previously an office accommodation block, purpose-built. | 0:17:18 | 0:17:24 | |
It has become empty. | 0:17:24 | 0:17:26 | |
The new owners bought the property about six months ago | 0:17:26 | 0:17:29 | |
and have got permission to turn it into seven self-contained units. | 0:17:29 | 0:17:34 | |
That'll mean that it will provide accommodation for people | 0:17:34 | 0:17:37 | |
on the council's housing list. | 0:17:37 | 0:17:40 | |
The new owner has been granted a five-year loan of ?236,000 | 0:17:42 | 0:17:47 | |
to be issued in stages. | 0:17:47 | 0:17:49 | |
The loan is through Kent County Council's No Use Empty scheme. | 0:17:49 | 0:17:52 | |
Today, Iain is meeting his colleague, Steve Grimshaw, | 0:17:52 | 0:17:56 | |
and the developer, Sirajul Islam, to check the progress on-site | 0:17:56 | 0:18:00 | |
and hopefully sign off the second stage of funding. | 0:18:00 | 0:18:03 | |
Good morning, gentlemen. Steve, how are you? | 0:18:03 | 0:18:06 | |
Good to see you again. | 0:18:06 | 0:18:08 | |
Shall we go in and have a look at the work so far? Yes. Thank you. | 0:18:08 | 0:18:12 | |
They'll only continue issuing the loan if the work completed | 0:18:14 | 0:18:17 | |
at this stage is done to the council's exacting standards. | 0:18:17 | 0:18:21 | |
This is the existing building | 0:18:21 | 0:18:23 | |
and this is changing to how it will be now. | 0:18:23 | 0:18:27 | |
How many flats in total, Mr Islam? | 0:18:27 | 0:18:30 | |
In total, seven. That's great. | 0:18:30 | 0:18:33 | |
First phase. Yes. | 0:18:33 | 0:18:35 | |
And then the architect will design for a second phase, | 0:18:35 | 0:18:38 | |
will be another four flats. | 0:18:38 | 0:18:40 | |
That's amazing. Can we see a little more then? Yes. | 0:18:40 | 0:18:43 | |
Iain and Steve need to be assured that the build | 0:18:45 | 0:18:48 | |
is progressing on schedule and within budget. | 0:18:48 | 0:18:51 | |
This is the bedroom. Yes. | 0:18:52 | 0:18:55 | |
Flat number six. Right, I'm with you, yes. | 0:18:55 | 0:18:59 | |
It looks, well, apart from the front of the building, | 0:18:59 | 0:19:01 | |
it looks nearly finished. Yes. | 0:19:01 | 0:19:03 | |
It would seem that there's been a lot of money spent on this. | 0:19:03 | 0:19:06 | |
Yes, already, yes. | 0:19:06 | 0:19:07 | |
We are just counting down to start from tomorrow. Brilliant. | 0:19:07 | 0:19:10 | |
To put the kitchen and the second fixing, which is skirtings. | 0:19:10 | 0:19:14 | |
Obviously they will do this coat and then they will start painting | 0:19:14 | 0:19:18 | |
and put the skirting in those. Great. | 0:19:18 | 0:19:21 | |
So, Mr Islam, there's still a lot of work being undertaken today. | 0:19:21 | 0:19:24 | |
Is it all going to plan in terms of project timescales? | 0:19:24 | 0:19:27 | |
Yes, everything is going well here. It will get done. | 0:19:27 | 0:19:30 | |
In terms of the overall budget, how are things going with that? | 0:19:30 | 0:19:33 | |
Good, going well. | 0:19:33 | 0:19:35 | |
Yeah. We are nearly there. | 0:19:35 | 0:19:37 | |
We are spending some from our own pocket | 0:19:37 | 0:19:40 | |
while we're waiting for the next lot. | 0:19:40 | 0:19:41 | |
So you've already exhausted | 0:19:41 | 0:19:43 | |
the first round of funding we've given you? Yes. | 0:19:43 | 0:19:45 | |
I think myself and Iain are very happy. Very much so. | 0:19:45 | 0:19:48 | |
I think Kent County Council's No Use Empty Scheme will be willing | 0:19:48 | 0:19:52 | |
to let you have the second part of the contract in order | 0:19:52 | 0:19:55 | |
to take the project forward to hopefully a satisfactory completion. | 0:19:55 | 0:19:59 | |
Yeah, thank you very much, yes. Thank you. | 0:19:59 | 0:20:01 | |
It's great news all round. | 0:20:03 | 0:20:05 | |
And with the loan signed off, the building is well on its way | 0:20:05 | 0:20:08 | |
to providing much-needed homes for local people. | 0:20:08 | 0:20:10 | |
Well, I'm really pleased at what's happened here today. | 0:20:13 | 0:20:17 | |
The work has been progressing fantastically. | 0:20:17 | 0:20:20 | |
I'm so pleased that Mr Islam has actually signed the contract. | 0:20:21 | 0:20:26 | |
It means that after five years, this property is nearly back into use, | 0:20:26 | 0:20:30 | |
creating seven units of accommodation. That is fantastic. | 0:20:30 | 0:20:35 | |
If you're interested in tracking down a disused house | 0:20:37 | 0:20:39 | |
to turn into a home, then your local empty property officer | 0:20:39 | 0:20:43 | |
should be one of your first ports of call. | 0:20:43 | 0:20:45 | |
Also ask around the local estate agents and keep your eyes peeled | 0:20:45 | 0:20:48 | |
for those tell-tale signs of abandoned buildings. | 0:20:48 | 0:20:51 | |
Back in the historic garden city of Letchworth, I'm with Monelle, | 0:20:53 | 0:20:57 | |
who, with her husband Matthew, has bought a listed cottage | 0:20:57 | 0:21:00 | |
in need of some serious TLC, set in a beautiful conservation area. | 0:21:00 | 0:21:05 | |
They have grand plans but a tight budget, so to help them | 0:21:05 | 0:21:09 | |
I'm going to introduce Monelle, the self-appointed project manager, | 0:21:09 | 0:21:12 | |
to a lady who has tackled a very similar renovation. | 0:21:12 | 0:21:16 | |
This is the place I want you to see. | 0:21:16 | 0:21:18 | |
It really is quite an extraordinary and, in my opinion, | 0:21:18 | 0:21:21 | |
a very beautiful house. I think it's lovely. | 0:21:21 | 0:21:24 | |
I've driven past and I've noticed the blue windows. | 0:21:24 | 0:21:27 | |
It's a very pretty country-looking house. | 0:21:27 | 0:21:29 | |
It's got quite a history to it, I'll let Sue explain the details. | 0:21:29 | 0:21:33 | |
But Sue has come across many of the same challenges | 0:21:33 | 0:21:35 | |
that you're about face. OK. | 0:21:35 | 0:21:37 | |
Let's go and say hello, shall we? Yes. | 0:21:37 | 0:21:39 | |
Sue Johnson had her eye on this place for a long time, | 0:21:41 | 0:21:43 | |
when it was put up for auction in 2009. | 0:21:43 | 0:21:47 | |
I'd been driving past it for 30 years plus thinking, | 0:21:47 | 0:21:51 | |
"Oh, I'd love a poke around there." | 0:21:51 | 0:21:53 | |
And then it came up for auction and I thought, "That has to be mine!" | 0:21:53 | 0:21:57 | |
Having been empty for year, | 0:21:57 | 0:22:00 | |
the building was completely uninhabitable | 0:22:00 | 0:22:02 | |
when Sue paid ?250,000 for it. | 0:22:02 | 0:22:05 | |
It was perfectly sound, | 0:22:05 | 0:22:07 | |
but inside it had fallen into complete disrepair. | 0:22:07 | 0:22:11 | |
I saw it at its absolute worst. | 0:22:11 | 0:22:13 | |
But I didn't notice. | 0:22:14 | 0:22:16 | |
It wasn't Sue's first renovation project | 0:22:17 | 0:22:19 | |
but it was certainly her largest. | 0:22:19 | 0:22:22 | |
It was the 10th house I'd renovated but none of the others | 0:22:22 | 0:22:26 | |
required the amount of work and input that this one did. | 0:22:26 | 0:22:31 | |
I really love renovating houses. | 0:22:31 | 0:22:33 | |
It was abandoned. | 0:22:33 | 0:22:35 | |
If we want such buildings to be preserved, | 0:22:35 | 0:22:38 | |
then we need people to take care of them. | 0:22:38 | 0:22:41 | |
It's like bringing something back to life. | 0:22:41 | 0:22:43 | |
It's a real privilege to be able to do that. | 0:22:43 | 0:22:47 | |
Sue, tell us a bit about the history of this building. | 0:22:47 | 0:22:50 | |
Well, it was built for the Cheap Cottages Competition | 0:22:50 | 0:22:53 | |
in Letchworth in 1905. | 0:22:53 | 0:22:55 | |
They could build houses out of wood, this one is made of concrete. | 0:22:55 | 0:22:59 | |
It was made in pieces in Liverpool. | 0:22:59 | 0:23:02 | |
It went up in 36 hours, like Lego. | 0:23:02 | 0:23:04 | |
It took me 15 months to renovate. | 0:23:04 | 0:23:07 | |
What sort of state was it in when you took it on? In a dreadful state. | 0:23:07 | 0:23:11 | |
It had never been plastered, it will still concrete, | 0:23:11 | 0:23:13 | |
the floors were concrete. The windows needed loads of attention. | 0:23:13 | 0:23:17 | |
You walked up to the front of the house, | 0:23:17 | 0:23:19 | |
you were struck by the blue windows, weren't you? Yes. | 0:23:19 | 0:23:21 | |
It's so striking and bright, it lifts up the street in a way. | 0:23:21 | 0:23:25 | |
The pale blue paint on the windows, it was pale blue in 1905, | 0:23:25 | 0:23:29 | |
which would have been really unusual then. | 0:23:29 | 0:23:31 | |
And this, I love. This is an old butcher's block. Yes. | 0:23:31 | 0:23:34 | |
That I bought in a junk shop in Letchworth. | 0:23:34 | 0:23:37 | |
You can save lots of money doing a renovation if you... That's good! | 0:23:37 | 0:23:41 | |
..if you buy some things that are not new. | 0:23:41 | 0:23:43 | |
Are you a fan of the older style, this kind of look | 0:23:43 | 0:23:46 | |
and the collection of antique furniture? | 0:23:46 | 0:23:48 | |
Yeah, I've always loved old furniture. | 0:23:48 | 0:23:50 | |
I often go to reclaim yards. | 0:23:50 | 0:23:52 | |
It's got a lovely country feel. It's an interesting lay out. | 0:23:52 | 0:23:56 | |
This was the kitchen in the original house, | 0:23:56 | 0:23:58 | |
but when I bought the house, I think it had been a living room. | 0:23:58 | 0:24:01 | |
I had a couple of architects and the first one said, | 0:24:01 | 0:24:04 | |
"This can't possibly be a kitchen, it's completely unsuitable." | 0:24:04 | 0:24:07 | |
Really? Hmm. | 0:24:07 | 0:24:08 | |
Right. You showed them, didn't you? | 0:24:08 | 0:24:12 | |
Probably of most interest to Monelle is seeing the extension, | 0:24:12 | 0:24:15 | |
and finding out just how Sue fared dealing with all the various | 0:24:15 | 0:24:19 | |
planning authorities in Letchworth. | 0:24:19 | 0:24:21 | |
This is the living room. | 0:24:21 | 0:24:22 | |
The original house ended there, this would have been the back door. | 0:24:22 | 0:24:25 | |
Fantastic. Wow. | 0:24:25 | 0:24:27 | |
Did you put the fireplace in? Yes. It's a false chimney. | 0:24:27 | 0:24:31 | |
All that character has been injected in the extension. | 0:24:31 | 0:24:33 | |
That's why I love what you've done, because the extension plans | 0:24:33 | 0:24:37 | |
that we have is to have a protruding bit of wall. | 0:24:37 | 0:24:39 | |
How difficult was it to get this extension? | 0:24:39 | 0:24:42 | |
It's a listed building, it's Grade II listed, am I right? | 0:24:42 | 0:24:44 | |
It's Grade II* listed. Grade II* listed, blimey! | 0:24:44 | 0:24:47 | |
I had to deal with English Heritage, the Letchworth Heritage Foundation | 0:24:47 | 0:24:51 | |
and the conservation officer from the council. | 0:24:51 | 0:24:54 | |
Many times they didn't agree with each other, never mind me! | 0:24:54 | 0:24:57 | |
But also, I think it's really important to get to know them. | 0:24:57 | 0:25:01 | |
Sue, in all the new build you've had here | 0:25:01 | 0:25:03 | |
and the things you've added on, any advice for Monelle on that? | 0:25:03 | 0:25:06 | |
I realise, for instance, there was | 0:25:06 | 0:25:07 | |
no way I was going to be allowed to extend upstairs. | 0:25:07 | 0:25:10 | |
How did you know that? Because they told me. That was very definite. | 0:25:10 | 0:25:13 | |
Did they say why? Yes. | 0:25:13 | 0:25:15 | |
If you have a listed building, they like to be able to see the original. | 0:25:15 | 0:25:20 | |
You can't cover it up and disguise it. That's the reason. | 0:25:20 | 0:25:25 | |
If I'd extended here, they wouldn't have been able to see | 0:25:25 | 0:25:28 | |
the back of the house, it would have completely changed it. | 0:25:28 | 0:25:31 | |
But you don't always have to take an absolute no for an answer, | 0:25:31 | 0:25:34 | |
there's room for negotiation sometimes. | 0:25:34 | 0:25:37 | |
What does it cost to put an extension on like this | 0:25:37 | 0:25:39 | |
and do a total renovation and modernisation of a house like this? | 0:25:39 | 0:25:42 | |
I bought the house for ?250,000. But it cost more than that to renovate. | 0:25:42 | 0:25:47 | |
That a different scale to the sort of budget you've got available. | 0:25:47 | 0:25:50 | |
It doesn't alarm me. | 0:25:50 | 0:25:52 | |
Stoic, that's good. Yeah. | 0:25:52 | 0:25:54 | |
But if Matthew was here, he doesn't have that mind of thinking. | 0:25:54 | 0:25:57 | |
What would he say, would he be worried that you would have | 0:25:57 | 0:25:59 | |
to borrow on top of your savings? | 0:25:59 | 0:26:01 | |
He's thinking that's probably going to have to be the case anyway. | 0:26:01 | 0:26:05 | |
OK, so that's becoming reality, that's adjusting. | 0:26:05 | 0:26:07 | |
Yeah, that's in our consciousness. | 0:26:07 | 0:26:10 | |
It's probably a good idea to find out why your house is listed. | 0:26:10 | 0:26:14 | |
This one, for instance, | 0:26:14 | 0:26:15 | |
hadn't got any wonderful features that had to be kept. | 0:26:15 | 0:26:19 | |
It's listed because it's one of the first prefabricated | 0:26:19 | 0:26:22 | |
buildings in the world, apparently. | 0:26:22 | 0:26:24 | |
The message you're also giving is you are somebody who is | 0:26:24 | 0:26:26 | |
really taking this seriously and wants to do it properly. | 0:26:26 | 0:26:29 | |
And once they've got that message, they do relax. | 0:26:29 | 0:26:32 | |
They are easier to deal with then. Well, that was my experience anyway. | 0:26:32 | 0:26:36 | |
It's quite a property, isn't it? | 0:26:39 | 0:26:41 | |
Sitting here in the lovely landscaped gardens around it, | 0:26:41 | 0:26:44 | |
what have you taken from today? I feel very inspired actually. | 0:26:44 | 0:26:49 | |
Just sitting out here, | 0:26:49 | 0:26:51 | |
thinking about why we moved to Letchworth in the first place. | 0:26:51 | 0:26:55 | |
Sue's journey here, | 0:26:55 | 0:26:56 | |
it's almost like that's going to be my little black book. | 0:26:56 | 0:26:59 | |
I will knock at Sue's and get some more links. | 0:26:59 | 0:27:02 | |
Sue is very clear on why this building is listed. | 0:27:02 | 0:27:05 | |
That was her advice as well - understand the history, | 0:27:05 | 0:27:08 | |
understand the heritage, that kind of discovery. | 0:27:08 | 0:27:10 | |
That was brilliant advice. | 0:27:10 | 0:27:12 | |
Because once we understand why it's listed, we can then find out what the | 0:27:12 | 0:27:16 | |
restrictions are and where they may be a little bit more lenient or not. | 0:27:16 | 0:27:22 | |
Do you believe you can do what you need to do | 0:27:22 | 0:27:24 | |
to your property for the budget you've got? | 0:27:24 | 0:27:26 | |
Personally, I don't think our plans are so ambitious. | 0:27:26 | 0:27:29 | |
Because we're going to be living there, it will be an ongoing process. | 0:27:29 | 0:27:33 | |
So money will be spent not instantly, it will be progressively. | 0:27:33 | 0:27:37 | |
It's an amazing little place you've got. | 0:27:37 | 0:27:39 | |
I know there's going to be some challenges ahead but, | 0:27:39 | 0:27:41 | |
boy, it'll be quite special when it's done. Definitely, yeah. | 0:27:41 | 0:27:43 | |
I'm really, really happy about what we've discovered | 0:27:43 | 0:27:47 | |
and the advice we've had today. | 0:27:47 | 0:27:48 | |
Good luck with it. Thank you. | 0:27:48 | 0:27:51 | |
These projects can be very tricky, especially when the building | 0:27:51 | 0:27:54 | |
is listed and certainly when it's in a conservation zone. | 0:27:54 | 0:27:57 | |
And there are many challenges, | 0:27:57 | 0:27:59 | |
but there aren't many that Sue hasn't faced at some point, | 0:27:59 | 0:28:01 | |
so it's great she's been able to pass some of that wisdom on, | 0:28:01 | 0:28:05 | |
so hopefully Monelle and Matthew | 0:28:05 | 0:28:07 | |
will very soon have their own dream home like this. | 0:28:07 | 0:28:10 | |
Subtitles by Red Bee Media Ltd | 0:28:13 | 0:28:16 |