Browse content similar to Tim and Deborah Dovey. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'Up and down the country, there are empty properties | 0:00:02 | 0:00:05 | |
'just waiting to be brought back to life.' | 0:00:05 | 0:00:08 | |
I'll be finding out what you can do | 0:00:08 | 0:00:11 | |
to rescue a home for yourself. | 0:00:11 | 0:00:13 | |
We follow the Empty Property Officers | 0:00:13 | 0:00:16 | |
who find the owners of forgotten houses and get them back into use | 0:00:16 | 0:00:21 | |
and I'll be finding out more about our housing stock, | 0:00:21 | 0:00:25 | |
our history and why we should be both preserving | 0:00:25 | 0:00:28 | |
and reinventing Britain's empty homes. | 0:00:28 | 0:00:31 | |
Taking on an empty house can be the best way of making it truly yours - | 0:00:36 | 0:00:40 | |
there'll be many highs and lows and it will be a challenging journey, | 0:00:40 | 0:00:45 | |
but the motivation is you're not just rescuing an abandoned house, | 0:00:45 | 0:00:50 | |
you're also creating your dream home. | 0:00:50 | 0:00:53 | |
'Today - a couple who bought a house in Shropshire on a whim,...' | 0:00:53 | 0:00:58 | |
Masses of work to do, totally inexperienced, clueless, | 0:00:58 | 0:01:02 | |
but an eternal optimist. | 0:01:02 | 0:01:04 | |
'..a regeneration project in Stoke-on-Trent | 0:01:04 | 0:01:07 | |
'inspired by the revival of the UK's oldest pottery factory...' | 0:01:07 | 0:01:12 | |
This area hasn't had a lot of investment for many years | 0:01:12 | 0:01:15 | |
and something like this is a catalyst - it brings hope. | 0:01:15 | 0:01:18 | |
'..and an Empty Property Officer in Kent | 0:01:18 | 0:01:21 | |
'who's on the case of a house that's been abandoned for eight years.' | 0:01:21 | 0:01:24 | |
It's like the Mary Celeste. | 0:01:24 | 0:01:27 | |
They were here and then left. | 0:01:27 | 0:01:29 | |
'Tim and Deborah Dovey from Shropshire | 0:01:32 | 0:01:35 | |
'weren't on the lookout for a new home, | 0:01:35 | 0:01:38 | |
'but when Tim passed this abandoned building, | 0:01:38 | 0:01:40 | |
'he knew it was something special.' | 0:01:40 | 0:01:43 | |
Never been here before, I came across this property | 0:01:43 | 0:01:46 | |
and I thought "I love this idyllic spot", | 0:01:46 | 0:01:49 | |
beautiful sunny day, nothing but animals in the fields - | 0:01:49 | 0:01:53 | |
it strikes me as great. | 0:01:53 | 0:01:55 | |
Tim was really keen, I thought I'd go and have a look - | 0:01:55 | 0:01:59 | |
I didn't think much, to be honest. I was quite shocked. | 0:01:59 | 0:02:03 | |
'Tim convinced Deborah they should buy it to renovate and sell on, | 0:02:03 | 0:02:09 | |
'so they paid ?201,000 for it in a sealed bid.' | 0:02:09 | 0:02:13 | |
I thought "That'll keep him busy for the next 12 months." | 0:02:13 | 0:02:16 | |
Out of your hair. Yeah, out of my hair. | 0:02:16 | 0:02:18 | |
But then, as time went on, he said "How about us moving over here?", | 0:02:18 | 0:02:23 | |
which, to be honest, I did take some persuading | 0:02:23 | 0:02:26 | |
and Tim did say "I won't force you to move." | 0:02:26 | 0:02:29 | |
But, if I didn't, I'd be thinking "What if?", | 0:02:29 | 0:02:32 | |
so we're going for it. | 0:02:32 | 0:02:34 | |
'Tim will take on the lion's share of managing the renovation | 0:02:34 | 0:02:38 | |
'and what he lacks in experience he makes up for in enthusiasm.' | 0:02:38 | 0:02:43 | |
I have no idea whatsoever in respect of what I'm taking on | 0:02:43 | 0:02:47 | |
and what's involved, especially a project of this magnitude. | 0:02:47 | 0:02:51 | |
The fact that it is falling down is actually a plus for me | 0:02:51 | 0:02:55 | |
because it allows us to do literally whatever. | 0:02:55 | 0:02:58 | |
'They estimate it will take six to eight months to complete, | 0:02:58 | 0:03:02 | |
'but they have concerns that the ?250,000 budget won't be enough | 0:03:02 | 0:03:06 | |
'to turn this dilapidated cottage into a modern home.' | 0:03:06 | 0:03:11 | |
The financial side of it is completed on my shoulders. | 0:03:11 | 0:03:14 | |
The last thing I'd want to do is find ourselves in a situation | 0:03:14 | 0:03:18 | |
where we have to compromise on our dream home | 0:03:18 | 0:03:21 | |
because we've run out of money - | 0:03:21 | 0:03:23 | |
for me, it will feel like a little bit of a failure. | 0:03:23 | 0:03:27 | |
Doom and gloom. I don't think it is, but you've got to consider it. | 0:03:27 | 0:03:30 | |
I think you've got to be optimistic and try and enjoy the whole thing, | 0:03:30 | 0:03:35 | |
as opposed to looking at all the negatives. | 0:03:35 | 0:03:38 | |
For me, it's seeing the end result in a beautiful location, | 0:03:38 | 0:03:42 | |
with the house of our dreams, | 0:03:42 | 0:03:44 | |
relaxing and looking back | 0:03:44 | 0:03:46 | |
and thinking "I'm glad we did this." | 0:03:46 | 0:03:48 | |
I can't wait to see the first wall coming down | 0:03:48 | 0:03:51 | |
as long as the rest of the building doesn't come down with it! | 0:03:51 | 0:03:55 | |
'They've completed on the house | 0:03:55 | 0:03:58 | |
'and they're now deciding on the style and layout.' | 0:03:58 | 0:04:01 | |
'Hopefully, I can help them with the next step in the process.' | 0:04:01 | 0:04:05 | |
Deborah. Morning, Joe. Tim. Tim, how are you doing? | 0:04:05 | 0:04:09 | |
Tell me about this place. It's looking sorry for itself. | 0:04:09 | 0:04:12 | |
It's been unoccupied for 16 years, | 0:04:12 | 0:04:15 | |
it was part of the nearby farm buildings, occupied by farm workers. | 0:04:15 | 0:04:19 | |
At one point in time, there was up to 14 people living here, | 0:04:19 | 0:04:23 | |
which you'll see - goodness knows how that was happening. | 0:04:23 | 0:04:27 | |
All right, let's go and have a look inside. | 0:04:27 | 0:04:30 | |
'This 18th-century cottage sits on a quarter of an acre of land | 0:04:30 | 0:04:34 | |
'and isn't a listed building.' | 0:04:34 | 0:04:36 | |
'Tim believes his budget of ?250,000 will go furthest | 0:04:36 | 0:04:40 | |
'if he uses it to expand the existing property | 0:04:40 | 0:04:43 | |
'by an impressive 110 per cent, | 0:04:43 | 0:04:46 | |
'rather than pull it down and start again.' | 0:04:46 | 0:04:49 | |
Wow, look at this. What was your first impression? | 0:04:49 | 0:04:52 | |
Masses of work to do, totally inexperienced, clueless, | 0:04:52 | 0:04:55 | |
but an eternal optimist. | 0:04:55 | 0:04:58 | |
I think it's going to turn out fantastic. | 0:04:58 | 0:05:00 | |
I just thought "Oh, my God, what have we bought?" | 0:05:00 | 0:05:04 | |
Really? Yeah. What won you over? | 0:05:04 | 0:05:06 | |
I just think it's the lifestyle change | 0:05:06 | 0:05:09 | |
and if we don't do it, we'll probably regret it, so... | 0:05:09 | 0:05:13 | |
Got to try. Yes, definitely. | 0:05:13 | 0:05:16 | |
Very brave. Well, what is the plan? What do you want to do here? | 0:05:16 | 0:05:20 | |
We've basically taken the existing footprint of this shell | 0:05:20 | 0:05:25 | |
and we're going to double the size of the house. | 0:05:25 | 0:05:28 | |
That will remain the front door, | 0:05:28 | 0:05:30 | |
this will be the hall and then you would be walking through a door | 0:05:30 | 0:05:34 | |
into the large kitchen-dining area, | 0:05:34 | 0:05:36 | |
looking out the back with a view across the fields. | 0:05:36 | 0:05:39 | |
So very open-plan. What's the final look and feel going to be? | 0:05:39 | 0:05:43 | |
Are the beams going to stay? I want to create a modern feel inside. | 0:05:43 | 0:05:47 | |
We're still having discussions | 0:05:47 | 0:05:49 | |
because Deb is keen to retain some of the old features. | 0:05:49 | 0:05:52 | |
Yeah, I saw you sigh, Deborah, | 0:05:52 | 0:05:54 | |
when he said "modern stuff". | 0:05:54 | 0:05:56 | |
No, I do like modern, I just think that, because it's so old, | 0:05:56 | 0:06:00 | |
it would be nice to retain some character... There's a compromise. | 0:06:00 | 0:06:05 | |
This is positive. I've no doubt that we'll reach it. | 0:06:05 | 0:06:08 | |
We'll have to. Are those beams in your plans? Not at the moment. | 0:06:08 | 0:06:12 | |
This big beam is where the stairs are going to go. | 0:06:12 | 0:06:15 | |
You've got stairs where the beams were - you can't keep the beams. | 0:06:15 | 0:06:19 | |
I'll let you discuss the rest. | 0:06:19 | 0:06:21 | |
I think that's a discussion for later! | 0:06:21 | 0:06:23 | |
Well, let's see a bit more. Shall we pop upstairs? Sure. | 0:06:23 | 0:06:27 | |
'The first floor needs a complete overhaul | 0:06:30 | 0:06:33 | |
'and will be expanded from three bedrooms to four, | 0:06:33 | 0:06:36 | |
'with two ensuites.' | 0:06:36 | 0:06:38 | |
This will be the guest bedroom. So it's a good-size room. | 0:06:38 | 0:06:42 | |
So this will be a total renovation - rewiring, replumbing - | 0:06:42 | 0:06:46 | |
it's a shell you'll add to. What do you want to do yourselves? | 0:06:46 | 0:06:50 | |
The novelty value may bring me down here every day | 0:06:50 | 0:06:53 | |
until I get fed up with it. | 0:06:53 | 0:06:55 | |
Have you got a contractor in place? | 0:06:55 | 0:06:57 | |
We've got some close friends that have a building company | 0:06:57 | 0:07:00 | |
and we're able to use them literally as a one-stop shop. | 0:07:00 | 0:07:05 | |
If something goes wrong, I've only got one person to go to | 0:07:05 | 0:07:08 | |
to say "It needs fixing." | 0:07:08 | 0:07:10 | |
It's clear where responsibility lies. And where will you be living? | 0:07:10 | 0:07:14 | |
Are you keeping the family home? When we get consent for the build, | 0:07:14 | 0:07:18 | |
we'll put our existing house up for sale - | 0:07:18 | 0:07:21 | |
it gives us time to not need to take the first offer, | 0:07:21 | 0:07:24 | |
but if someone comes along in a couple of weeks | 0:07:24 | 0:07:28 | |
and says "I love your house", we'd be homeless. | 0:07:28 | 0:07:32 | |
Are you uneasy about this, Deborah? Yeah, I'm not moving into a caravan. | 0:07:32 | 0:07:36 | |
The family can move into the mobile home and I'll go to a hotel. | 0:07:36 | 0:07:40 | |
Do you worry about your lack of experience? Is it exciting? | 0:07:40 | 0:07:45 | |
Or daunting because you don't know how it'll work? I like a challenge. | 0:07:45 | 0:07:49 | |
As soon as this is complete, I'll have to think about what to do next. | 0:07:49 | 0:07:53 | |
Oh, dear. Mm. Ominous, isn't it? | 0:07:53 | 0:07:56 | |
'Clearly, Tim is incredibly ambitious.' | 0:07:58 | 0:08:01 | |
'But, with very little experience, | 0:08:01 | 0:08:04 | |
'he needs as much input as possible before work starts.' | 0:08:04 | 0:08:08 | |
You're both up for this challenge? | 0:08:08 | 0:08:10 | |
Yep, just have to stay optimistic. | 0:08:10 | 0:08:12 | |
What'll be useful at this stage | 0:08:12 | 0:08:15 | |
is to see another building that's also in an agricultural setting | 0:08:15 | 0:08:18 | |
and it has been thoroughly transformed for modern living, | 0:08:18 | 0:08:23 | |
which is what you face here, plus you'll meet the guy who's done it | 0:08:23 | 0:08:27 | |
and tell you how it was. Does that sound helpful? Very. Sounds great. | 0:08:27 | 0:08:32 | |
As challenges go, this place is right up there, | 0:08:34 | 0:08:37 | |
especially given that they haven't taken on anything like this before. | 0:08:37 | 0:08:41 | |
There are still a few points they're unsure of, | 0:08:41 | 0:08:45 | |
particularly the final look and feel of the house, | 0:08:45 | 0:08:47 | |
so it'll be good to see a place that's been renovated | 0:08:47 | 0:08:50 | |
and thoroughly modernised | 0:08:50 | 0:08:53 | |
just to help them visualise how their future home is going to be. | 0:08:53 | 0:08:58 | |
'In the UK, there are many abandoned houses like Tim and Deborah's | 0:09:00 | 0:09:04 | |
'that could be restored to use and, with imagination and hard work, | 0:09:04 | 0:09:09 | |
'the results can be surprising.' | 0:09:09 | 0:09:11 | |
'In Gloucestershire, Matt and Amanda Aitkenhead | 0:09:11 | 0:09:14 | |
'wanted to take on a house in a rural setting, | 0:09:14 | 0:09:17 | |
'so when they found this vicarage, originally built in 1856, | 0:09:17 | 0:09:21 | |
'they knew they'd found their new home.' | 0:09:21 | 0:09:24 | |
All of our family and all of our friends said "You must be mad", | 0:09:24 | 0:09:28 | |
but we both knew, from our first viewing, that we wanted it. | 0:09:28 | 0:09:32 | |
'So Matt and Amanda took a gamble | 0:09:32 | 0:09:35 | |
'and paid ?750,000 for the old vicarage | 0:09:35 | 0:09:38 | |
'that had lain empty for three years.' | 0:09:38 | 0:09:41 | |
It's a building that deserved a second lease of life | 0:09:41 | 0:09:45 | |
and it wasn't so far gone that it was beyond our budget to do that. | 0:09:45 | 0:09:49 | |
We knew there was money to be spent, | 0:09:49 | 0:09:51 | |
but it would be money well invested. | 0:09:51 | 0:09:54 | |
'In a bid to keep costs down, | 0:09:54 | 0:09:56 | |
'Matt, a builder by trade, carried out a lot of the work himself, | 0:09:56 | 0:10:00 | |
'but the reality of such a big project came as a shock to Amanda.' | 0:10:00 | 0:10:04 | |
I had got no history whatsoever of buying a property, | 0:10:04 | 0:10:08 | |
an empty one at that, and doing it up, | 0:10:08 | 0:10:11 | |
so I was very naive. | 0:10:11 | 0:10:13 | |
I had no idea that Matt would be leaving at five in the morning | 0:10:13 | 0:10:18 | |
to come and start the project going | 0:10:18 | 0:10:20 | |
and then, after work, he would be back at the house. | 0:10:20 | 0:10:23 | |
At that point, I realised what we'd taken on | 0:10:23 | 0:10:26 | |
was having a massive life impact. | 0:10:26 | 0:10:29 | |
Do you remember those bad times that you had | 0:10:29 | 0:10:32 | |
when you thought you'd taken too much on? | 0:10:32 | 0:10:34 | |
Yeah, there were some dark moments, I accept that, | 0:10:34 | 0:10:38 | |
and, if I may step in, | 0:10:38 | 0:10:40 | |
the point at which we started talking about finishes | 0:10:40 | 0:10:44 | |
and you became more heavily involved in those decisions, | 0:10:44 | 0:10:47 | |
that made it feel a more combined effort, not just a building project. | 0:10:47 | 0:10:51 | |
When it was talk of floor finishes, kitchens, detail, | 0:10:51 | 0:10:54 | |
that was when you came into your own. | 0:10:54 | 0:10:57 | |
It wasn't that I made the decisions and you chose the paint colours! | 0:10:57 | 0:11:01 | |
But you did! That's not true. | 0:11:01 | 0:11:04 | |
I'm a builder and I know the impact these things have on people | 0:11:04 | 0:11:08 | |
because I see the stress that it gives other couples, | 0:11:08 | 0:11:11 | |
so there's no excuse for me feeling battered by it, but I was. | 0:11:11 | 0:11:15 | |
It was very demanding, both physically and mentally. | 0:11:15 | 0:11:19 | |
'But, despite these trying times, | 0:11:19 | 0:11:21 | |
'Matt and Amanda have created a unique and luxurious home.' | 0:11:21 | 0:11:26 | |
The house has a lovely, lived-in feel now the children are here. | 0:11:26 | 0:11:31 | |
I really feel the house has come back to life again. | 0:11:31 | 0:11:34 | |
We've had family weddings here - we've got a big lawn space, | 0:11:34 | 0:11:38 | |
so we've had marquees up. | 0:11:38 | 0:11:40 | |
The church fete - they have that here, as the old vicarage. | 0:11:40 | 0:11:43 | |
It's a lovely link to the village. | 0:11:43 | 0:11:46 | |
There were tough times for us both, | 0:11:46 | 0:11:49 | |
but it was a good experience. | 0:11:49 | 0:11:51 | |
It was absolutely worth it. | 0:11:51 | 0:11:53 | |
I'm really happy here. I love the family that we have created in here, | 0:11:53 | 0:11:58 | |
I love Matt for doing it | 0:11:58 | 0:12:00 | |
and I really don't want to do it again, thanks. | 0:12:00 | 0:12:03 | |
'Restoring Britain's forgotten buildings | 0:12:06 | 0:12:08 | |
'and turning them into family homes is undoubtedly rewarding | 0:12:08 | 0:12:12 | |
'and in some areas can even inspire a community regeneration.' | 0:12:12 | 0:12:16 | |
Empty homes and economic decline often go hand in hand, | 0:12:16 | 0:12:20 | |
as is the case in Stoke-on-Trent. | 0:12:20 | 0:12:23 | |
Traditionally, the city was reliant on pottery and ceramic industries, | 0:12:23 | 0:12:27 | |
but when they hit hard times, so too did the local area, | 0:12:27 | 0:12:31 | |
resulting in row upon row of these abandoned terrace houses. | 0:12:31 | 0:12:35 | |
'Indeed, Stoke-on-Trent has the highest percentage of empty houses | 0:12:35 | 0:12:39 | |
'in the West Midlands, | 0:12:39 | 0:12:40 | |
'but, thanks to investment from the Prince's Regeneration Trust, | 0:12:40 | 0:12:45 | |
'that's hopefully going to change.' | 0:12:45 | 0:12:46 | |
'The UK's last working Victorian pottery factory, Middleport Pottery, | 0:12:46 | 0:12:51 | |
'is being revived | 0:12:51 | 0:12:53 | |
'and so too are the rows of houses that surround it.' | 0:12:53 | 0:12:56 | |
'Teresa Fox-Wells is involved with the project.' | 0:12:56 | 0:12:59 | |
Teresa, tell me about Middleport Pottery - | 0:12:59 | 0:13:02 | |
how long's it been operating on pottery on this site? | 0:13:02 | 0:13:06 | |
Well, the building was built in 1888 | 0:13:06 | 0:13:08 | |
and Burleigh, the manufacturers, have been producing here since then. | 0:13:08 | 0:13:12 | |
What is the state of these buildings today? A bit on the sad side. | 0:13:12 | 0:13:17 | |
They were all in a bad way, they'd been left in disrepair for years, | 0:13:17 | 0:13:22 | |
so there was a lot of work to get them watertight and up to standard. | 0:13:22 | 0:13:26 | |
This has caught my imagination. I was expecting automatic processes, | 0:13:26 | 0:13:30 | |
but it's very labour intensive. | 0:13:30 | 0:13:32 | |
There are some machines on site, but even those are 1930s, 1940s, | 0:13:32 | 0:13:37 | |
but these are traditional techniques by skilled work people | 0:13:37 | 0:13:40 | |
and people do love to see what's happening here. | 0:13:40 | 0:13:43 | |
What's the local area like now? | 0:13:43 | 0:13:45 | |
It hasn't had a lot of investment for many years | 0:13:45 | 0:13:48 | |
and something like this is a catalyst, it brings in investment, | 0:13:48 | 0:13:52 | |
it brings hope. | 0:13:52 | 0:13:53 | |
It's not just the buildings, there's an increase in jobs and tourism. | 0:13:53 | 0:13:57 | |
So it just needed that kick-start. | 0:13:57 | 0:13:59 | |
It's a lot of money - how much are we talking? 8.5 million. | 0:13:59 | 0:14:03 | |
It's quite a lot of money, but in future, | 0:14:03 | 0:14:06 | |
the building will bring in its own income from rent, events, | 0:14:06 | 0:14:09 | |
from all sorts of things that'll be happening here. | 0:14:09 | 0:14:12 | |
'Just outside the factory, | 0:14:12 | 0:14:15 | |
'the housing phase of the regeneration is underway.' | 0:14:15 | 0:14:18 | |
'A partnership involving the council, Empty Homes charity | 0:14:18 | 0:14:21 | |
'and a local housing association | 0:14:21 | 0:14:23 | |
'is offering a 25 per-cent stake in a house for just ?1.' | 0:14:23 | 0:14:27 | |
'The remaining 75 per cent and responsibility for the renovation | 0:14:27 | 0:14:31 | |
'will be taken on by the housing association.' | 0:14:31 | 0:14:34 | |
'Ruth Rosenau is the city council cabinet member for regeneration.' | 0:14:34 | 0:14:38 | |
Ruth, there's a row of empty properties here, | 0:14:38 | 0:14:41 | |
next to the Middleport Pottery site - what were they originally? | 0:14:41 | 0:14:45 | |
These would originally have been for the workers from the pottery. | 0:14:45 | 0:14:49 | |
Why are so many empty now? What sort of change has happened locally? | 0:14:49 | 0:14:53 | |
A lot of it is where industries have been decimated | 0:14:53 | 0:14:56 | |
and people have moved away. | 0:14:56 | 0:14:58 | |
People trapped in those houses that wanted to move out couldn't. | 0:14:58 | 0:15:02 | |
Nobody wanted to buy in a row that's half empty. That's right. | 0:15:02 | 0:15:06 | |
So it was about finding innovative ways of bringing them back into use. | 0:15:06 | 0:15:11 | |
How much work needs to be done here? | 0:15:11 | 0:15:13 | |
They'll need a different amount of structural work. | 0:15:13 | 0:15:16 | |
Some will need underpinning because of the pottery waste underneath | 0:15:16 | 0:15:20 | |
and there are some mineshafts. | 0:15:20 | 0:15:22 | |
You've got to be careful | 0:15:22 | 0:15:25 | |
that people don't see an opportunity to just flip a property. | 0:15:25 | 0:15:27 | |
That's why we've said people have to live here for five years, | 0:15:27 | 0:15:30 | |
they have to commit to the area. | 0:15:30 | 0:15:32 | |
How important is that site for regenerating the area? | 0:15:32 | 0:15:35 | |
Very important. It's made people realise that the industry is alive | 0:15:35 | 0:15:40 | |
and it's brought focus - people are aware it's a tourist attraction. | 0:15:40 | 0:15:45 | |
And that can spill out onto these streets. It can. | 0:15:45 | 0:15:48 | |
It's brought so much focus into this area, it's been a step forward. | 0:15:48 | 0:15:53 | |
'As well as affordable housing, | 0:15:53 | 0:15:55 | |
'work is underway on nearby streets | 0:15:55 | 0:15:58 | |
'to create two- and four-bedroom houses for the private market.' | 0:15:58 | 0:16:01 | |
Hey, look at this. So historical architectural features outside - | 0:16:01 | 0:16:07 | |
lovely brickwork and the same style sash windows have gone back in. | 0:16:07 | 0:16:11 | |
We've tried to keep the original features, or replicate them. | 0:16:11 | 0:16:16 | |
So here you'll have people who own the buildings outright - | 0:16:16 | 0:16:19 | |
round the corner, people who have a stake in the building. | 0:16:19 | 0:16:22 | |
But the stake is what's important. Some sense of ownership. | 0:16:22 | 0:16:26 | |
That's right. It's about creating that community | 0:16:26 | 0:16:30 | |
that's an established community that was somewhat fragmented, | 0:16:30 | 0:16:33 | |
but is now beginning to be rebuilt. | 0:16:33 | 0:16:36 | |
A turnaround for the area. Very much so. | 0:16:36 | 0:16:39 | |
It's great to see Stoke-on-Trent taking advantage of the momentum | 0:16:41 | 0:16:44 | |
generated by the rescue of the Middleport Pottery site - | 0:16:44 | 0:16:48 | |
hopefully it'll be a catalyst for change | 0:16:48 | 0:16:51 | |
as row upon row of these terraced houses are regenerated. | 0:16:51 | 0:16:54 | |
That's the buildings taken care of - fingers crossed the people follow, | 0:16:54 | 0:16:58 | |
a community will grow here | 0:16:58 | 0:17:00 | |
and families will once again be living in these houses. | 0:17:00 | 0:17:04 | |
'Sadly, not all of Britain's forgotten buildings are rescued.' | 0:17:05 | 0:17:10 | |
'But, behind the scenes, | 0:17:10 | 0:17:12 | |
'local-council Empty Property Officers are hard at work | 0:17:12 | 0:17:15 | |
'tracking down these buildings and restoring them into housing stock.' | 0:17:15 | 0:17:19 | |
'In Folkestone, Kent, Iain Cobby does just that | 0:17:19 | 0:17:23 | |
'and he's on his way to one of the more mysterious cases on his books.' | 0:17:23 | 0:17:27 | |
'The owners abandoned this house and vanished eight years ago.' | 0:17:27 | 0:17:32 | |
'Numerous complaints had been made by neighbours over the years | 0:17:32 | 0:17:35 | |
'and the most recent was just last week.' | 0:17:35 | 0:17:38 | |
I've been told by a member of the public that it may be being squatted | 0:17:38 | 0:17:42 | |
so I'm going to check that the property is secure. | 0:17:42 | 0:17:46 | |
Well, it certainly looks overgrown, to say the least. | 0:17:46 | 0:17:50 | |
'As of today, ensuring the safety and upkeep of the house | 0:17:50 | 0:17:53 | |
'is legally the council's job | 0:17:53 | 0:17:55 | |
'as a court order has handed them ownership of the building.' | 0:17:55 | 0:17:59 | |
And in we go. | 0:17:59 | 0:18:01 | |
It's quite dark because the back of the property's been boarded up. | 0:18:01 | 0:18:05 | |
I wouldn't do the front because it says "Hello, this is empty." | 0:18:05 | 0:18:10 | |
The rear stops anyone that's likely to break into the property. | 0:18:10 | 0:18:14 | |
Doesn't seem to be any evidence of any forced entry at all. | 0:18:16 | 0:18:20 | |
It looks, for all intents and purpose, like somebody lives here. | 0:18:20 | 0:18:24 | |
There's videos, ornaments | 0:18:24 | 0:18:27 | |
and calendar on the wall | 0:18:27 | 0:18:29 | |
from 19... 93. | 0:18:29 | 0:18:32 | |
'Iain looks for signs of squatters, | 0:18:32 | 0:18:34 | |
'but it seems the possessions are from the original owners, | 0:18:34 | 0:18:37 | |
'who disappeared.' | 0:18:37 | 0:18:39 | |
I've had the rear boarded up. | 0:18:39 | 0:18:41 | |
It was previously used to gain entry by burglars, so we've cut that off. | 0:18:41 | 0:18:46 | |
I still can't find any signs of any squatters. | 0:18:46 | 0:18:50 | |
It's almost like the Mary Celeste. | 0:18:50 | 0:18:52 | |
Somebody looks like they were here and then left. | 0:18:52 | 0:18:56 | |
'The council plan to sell the house in its current state at auction | 0:18:56 | 0:19:00 | |
'to recoup its costs.' | 0:19:00 | 0:19:02 | |
'With downstairs clear of break-ins, | 0:19:02 | 0:19:04 | |
'Iain needs to make sure upstairs is secure too.' | 0:19:04 | 0:19:07 | |
Anyone about? | 0:19:07 | 0:19:10 | |
Amy's room. | 0:19:10 | 0:19:12 | |
There we are. Look at this. | 0:19:15 | 0:19:17 | |
Somebody left in a hurry. | 0:19:17 | 0:19:19 | |
If we look out into the garden, | 0:19:19 | 0:19:21 | |
the weeds are as high as the house now. | 0:19:21 | 0:19:24 | |
This is just like it's a time warp. | 0:19:24 | 0:19:27 | |
Unfortunately, time hasn't been that kind to this property. | 0:19:27 | 0:19:31 | |
This seems like the main bedroom. | 0:19:31 | 0:19:34 | |
The effects that are in here | 0:19:34 | 0:19:36 | |
will have to be stored for the person. | 0:19:36 | 0:19:39 | |
I've never had a case where we have to put property into storage | 0:19:39 | 0:19:44 | |
for an indefinite amount of time. | 0:19:44 | 0:19:46 | |
'The boarding and security measures Iain put in place | 0:19:46 | 0:19:49 | |
'have kept squatters away | 0:19:49 | 0:19:52 | |
'and finally he can give neighbours some good news about the building.' | 0:19:52 | 0:19:56 | |
Good morning, sir. I'm Shepway Council's Empty Homes Officer. | 0:19:57 | 0:20:02 | |
A neighbour has reported seeing people going into the property. | 0:20:02 | 0:20:06 | |
Can you tell me if you've seen anything? | 0:20:06 | 0:20:09 | |
I did see a van turn up under suspicious circumstances | 0:20:09 | 0:20:12 | |
and some young people were hanging around and we got worried. | 0:20:12 | 0:20:16 | |
We eventually saw the van move away, | 0:20:16 | 0:20:19 | |
but I think it was after one neighbour called the police. | 0:20:19 | 0:20:22 | |
The only real occupants are foxes coming in and out | 0:20:22 | 0:20:25 | |
and there may be vermin. | 0:20:25 | 0:20:27 | |
The property is now owned by Shepway District Council | 0:20:27 | 0:20:32 | |
and we will be selling the property, hopefully at auction. | 0:20:32 | 0:20:36 | |
I'd like to attend the auction as I've lived next door for three years | 0:20:36 | 0:20:41 | |
and having weeds and other problems because it's not looked after. | 0:20:41 | 0:20:46 | |
So I look forward to the auction. | 0:20:46 | 0:20:48 | |
Thank you. Goodbye. | 0:20:48 | 0:20:50 | |
Never, ever come across a case like this before - | 0:20:50 | 0:20:54 | |
the property has been a blight on the neighbourhood | 0:20:54 | 0:20:57 | |
and such a waste. | 0:20:57 | 0:20:59 | |
I'm really pleased now that this is going to be a family home. | 0:20:59 | 0:21:05 | |
'If you've noticed abandoned properties in your area | 0:21:05 | 0:21:09 | |
'and fancy taking one on, | 0:21:09 | 0:21:11 | |
'contact estate agents, neighbourhood-watch groups | 0:21:11 | 0:21:14 | |
'and local traders for information | 0:21:14 | 0:21:16 | |
'or get in touch with your local Empty Property Officer.' | 0:21:16 | 0:21:20 | |
'In the West Midlands, I'm with Tim and Deborah, | 0:21:21 | 0:21:24 | |
'who've taken on a derelict house they intend to renovate completely.' | 0:21:24 | 0:21:29 | |
'I've brought them to Staffordshire to a similar project | 0:21:29 | 0:21:33 | |
'in the hope that the owner can shine some light | 0:21:33 | 0:21:36 | |
'on the realities of what's ahead.' | 0:21:36 | 0:21:40 | |
Right, this is the place. It is a lot different, isn't it? | 0:21:40 | 0:21:43 | |
Very different. But I can see it's been renovated, certainly. | 0:21:43 | 0:21:47 | |
This was originally a ramshackle collection of barns and add-ons | 0:21:47 | 0:21:51 | |
that's been unified into one home by Kit, who you'll meet. | 0:21:51 | 0:21:55 | |
The point is it's had to be renovated and modernised | 0:21:55 | 0:21:59 | |
for 21st-century living. Yep. | 0:21:59 | 0:22:01 | |
I think Kit will have some really good advice | 0:22:01 | 0:22:05 | |
and also little touches here, despite the differences, | 0:22:05 | 0:22:08 | |
that you can use in your own home. OK. Great. Let's go and say hello. | 0:22:08 | 0:22:12 | |
'Kit Whiteman took on the challenge of converting a barn | 0:22:13 | 0:22:17 | |
'that had sat empty on his parents' farm for the last 30 years.' | 0:22:17 | 0:22:21 | |
The building was in a pretty poor state. | 0:22:21 | 0:22:24 | |
The interior was very ugly | 0:22:24 | 0:22:26 | |
and it was all concrete-lined - | 0:22:26 | 0:22:28 | |
you couldn't have tarted it up and moved in. It was a full rebuild. | 0:22:28 | 0:22:33 | |
'Once Kit took it over from his parents, | 0:22:33 | 0:22:36 | |
'he discovered that the barn had no concrete foundations | 0:22:36 | 0:22:40 | |
'and to fix it without breaking the budget, he needed to get creative.' | 0:22:40 | 0:22:44 | |
I was advised originally to do underpinning, | 0:22:44 | 0:22:47 | |
which was a huge amount of money. | 0:22:47 | 0:22:49 | |
It had been specified that an internal wall be load-bearing, | 0:22:49 | 0:22:54 | |
so we thought that that would sit on a proper foundation | 0:22:54 | 0:22:57 | |
and the old foundations would be tied to that and halve the cost. | 0:22:57 | 0:23:02 | |
'And the issues went right to the top of the barn as well.' | 0:23:02 | 0:23:07 | |
The roof had to come off - that was quite a big job | 0:23:07 | 0:23:10 | |
and getting the big oak trusses into position was a lot of manpower. | 0:23:10 | 0:23:15 | |
They were really quite heavy. | 0:23:15 | 0:23:17 | |
I did a lot of the work myself to save money. | 0:23:17 | 0:23:20 | |
I spent many a night working till 12 o'clock and later sometimes | 0:23:20 | 0:23:24 | |
just to get projects finished. | 0:23:24 | 0:23:27 | |
When it did get tough, I really had to focus on the end result. | 0:23:27 | 0:23:32 | |
Going into a space that you've created and designed - | 0:23:32 | 0:23:35 | |
it is a nice feeling. | 0:23:35 | 0:23:38 | |
The oak beams are a favourite of mine. | 0:23:38 | 0:23:40 | |
That was something I was really keen to go in | 0:23:40 | 0:23:44 | |
and gave it a lot of thought how to light them | 0:23:44 | 0:23:48 | |
and make a feature of them. | 0:23:48 | 0:23:50 | |
It's a real relief to see everything in place as I imagined it. | 0:23:50 | 0:23:55 | |
All the little features and design areas that I've concentrated on | 0:23:55 | 0:23:59 | |
have come off and I'm pleased with how it's turned out. | 0:23:59 | 0:24:02 | |
I'd be mad to take on something like this with no experience, | 0:24:02 | 0:24:07 | |
which, luckily, I am. | 0:24:07 | 0:24:09 | |
'I'm confident this barn will not only inspire Tim and Deborah, | 0:24:10 | 0:24:15 | |
'but also give them food for thought on issues they're yet to agree on.' | 0:24:15 | 0:24:19 | |
What do you think, guys? Fantastic. Lovely. | 0:24:19 | 0:24:22 | |
This is almost identical space to what we're proposing having. | 0:24:22 | 0:24:26 | |
I like it. Can you imagine yourself here? Definitely. | 0:24:26 | 0:24:29 | |
Kit, what advice would you give about dividing up the space? | 0:24:29 | 0:24:33 | |
I was keen that you could stand in the kitchen and cook, | 0:24:33 | 0:24:36 | |
but still mingle with your guests and entertain, | 0:24:36 | 0:24:39 | |
so it was quite a big part of the build. | 0:24:39 | 0:24:42 | |
What do you think of this wood? There's contention in your household | 0:24:42 | 0:24:46 | |
whether you keep beams on show or not. This is great. It works. | 0:24:46 | 0:24:51 | |
It doesn't look overly old to me. | 0:24:51 | 0:24:53 | |
Yeah, it is quite new. | 0:24:53 | 0:24:55 | |
The big oak beams with the steel pegs makes it quite contemporary. | 0:24:55 | 0:24:59 | |
If you had it, you'd want clean lines? Yeah, personally. | 0:24:59 | 0:25:03 | |
Whereas you don't mind it looking like it's old wood? | 0:25:03 | 0:25:06 | |
I do like the rustic look, but now I'm seeing more of it, | 0:25:06 | 0:25:09 | |
I do kind of like this! | 0:25:09 | 0:25:12 | |
Oh, good! | 0:25:12 | 0:25:14 | |
We're thinking of having bi-folding doors. Would you recommend? | 0:25:14 | 0:25:18 | |
Absolutely. It's a great way of getting the light in. | 0:25:18 | 0:25:22 | |
On the ones I've installed, | 0:25:22 | 0:25:24 | |
it's amazing to open all that up | 0:25:24 | 0:25:26 | |
and it makes the whole room feel like you're outside. | 0:25:26 | 0:25:30 | |
You'd've struggled with the bedroom, getting enough light in. | 0:25:30 | 0:25:33 | |
These guys have got their plans on paper, waiting for approval - | 0:25:33 | 0:25:38 | |
did you tweak your plans much from that point onwards? | 0:25:38 | 0:25:41 | |
Yeah, I probably ended up on the tenth plan or something like that | 0:25:41 | 0:25:45 | |
by the time we finished. | 0:25:45 | 0:25:48 | |
The end the bedrooms are in, | 0:25:48 | 0:25:50 | |
I decided the night before the builders started | 0:25:50 | 0:25:53 | |
to have ensuites in every room. | 0:25:53 | 0:25:55 | |
Did the builders turn up unsure what they'd be facing? | 0:25:55 | 0:25:59 | |
Sometimes, yeah. But I'd try and be on site to explain it | 0:25:59 | 0:26:04 | |
and if you do get the opportunity, get involved with the project. | 0:26:04 | 0:26:08 | |
You will appreciate the outcome. | 0:26:08 | 0:26:10 | |
'Throughout the barn, Kit has taken care | 0:26:10 | 0:26:14 | |
'to combine features to fit with the history and style of the building | 0:26:14 | 0:26:18 | |
'with more modern additions.' | 0:26:18 | 0:26:20 | |
So this is the master bedroom. | 0:26:22 | 0:26:25 | |
Lovely. You've got the doors opening onto... The courtyard, yeah. | 0:26:25 | 0:26:30 | |
The doors are lovely too. Yeah, I love those. | 0:26:30 | 0:26:32 | |
I was quite keen to keep the character of the house. | 0:26:32 | 0:26:36 | |
Kit, what was the budget for this project? 150. | 0:26:36 | 0:26:39 | |
But we did go over budget. | 0:26:39 | 0:26:41 | |
A lot of that was in the finishings. | 0:26:41 | 0:26:44 | |
I've put in a 10 per-cent overrun. But that doesn't take into account | 0:26:44 | 0:26:48 | |
things such as the lovely tiles we've seen here | 0:26:48 | 0:26:51 | |
and those types of finishes that give it that extra wow factor. | 0:26:51 | 0:26:56 | |
To give it that extra edge, 10 per cent probably won't be enough. | 0:26:56 | 0:27:00 | |
Anything you'd've done differently? | 0:27:00 | 0:27:02 | |
I would've liked to have planned the budget in more detail, | 0:27:02 | 0:27:05 | |
but, on your first project, anything can happen. | 0:27:05 | 0:27:08 | |
What would be your parting advice? You need to know in advance | 0:27:08 | 0:27:12 | |
exactly what's happening. | 0:27:12 | 0:27:14 | |
And make sure you understand the plans as much as the builder. | 0:27:14 | 0:27:17 | |
It's been great to see your place. It's amazing! | 0:27:17 | 0:27:20 | |
And thanks for your advice. It's a pleasure. Fantastic, thanks. | 0:27:20 | 0:27:23 | |
There's been a lot here for you to think about, right? | 0:27:26 | 0:27:30 | |
It's been really beneficial. Potential pitfalls we talked about, | 0:27:30 | 0:27:34 | |
gave us loads of ideas - certainly you've picked up, Deb. Definitely. | 0:27:34 | 0:27:38 | |
Has it helped you visualise the space more? A lot more. | 0:27:38 | 0:27:41 | |
You're warming into your project now, aren't you? Yes, I am. | 0:27:41 | 0:27:44 | |
You're doubling your place in size, it'll be quite some family home. | 0:27:44 | 0:27:48 | |
We certainly hope so. Best of luck with it. Thank you. Thank you. | 0:27:48 | 0:27:53 | |
There's loads of ideas here for Tim and Deborah to take away with them, | 0:27:53 | 0:27:57 | |
but perhaps more important than that is the advice on offer. | 0:27:57 | 0:28:01 | |
Money can't buy experience | 0:28:01 | 0:28:03 | |
and the next best thing is hearing from someone who's been through it. | 0:28:03 | 0:28:07 | |
Hopefully, with all that, they can go back to their empty shell, | 0:28:07 | 0:28:11 | |
their project, and soon create their own wonderful home. | 0:28:11 | 0:28:15 | |
Subtitles by Red Bee Media Ltd | 0:28:37 | 0:28:40 |