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Across the country, empty properties that could be homes are just | 0:00:04 | 0:00:08 | |
waiting to be brought back into use. | 0:00:08 | 0:00:11 | |
I will be finding out why and what you need to do to rescue | 0:00:11 | 0:00:14 | |
a house for yourself. And along the way, | 0:00:14 | 0:00:17 | |
I'll be doing some digging of my own to find out | 0:00:17 | 0:00:20 | |
more about our housing stock, our heritage and why | 0:00:20 | 0:00:22 | |
we should be both reinventing and preserving Britain's empty homes. | 0:00:22 | 0:00:27 | |
We are all familiar with the telltale signs of empty properties - | 0:00:32 | 0:00:35 | |
boarded-up windows, overgrown gardens, | 0:00:35 | 0:00:37 | |
peeling paintwork... | 0:00:37 | 0:00:38 | |
But for people with energy, determination and ambition, | 0:00:38 | 0:00:42 | |
these buildings have enormous potential. | 0:00:42 | 0:00:45 | |
And for first-time buyers, they can provide that all-important | 0:00:45 | 0:00:48 | |
opportunity to get on the property ladder for the first time. | 0:00:48 | 0:00:52 | |
On today's show... | 0:00:53 | 0:00:54 | |
a couple renovating their first flat together. | 0:00:54 | 0:00:57 | |
The budget is quite tight. | 0:00:57 | 0:00:59 | |
A colossal regeneration scheme battling to convert this | 0:00:59 | 0:01:03 | |
abandoned military site into nearly 4,000 new dwellings. | 0:01:03 | 0:01:07 | |
It's incredible, isn't it? It's a really iconic building. | 0:01:07 | 0:01:10 | |
And we follow an empty property officer who's trying to save | 0:01:10 | 0:01:14 | |
this neglected period cottage. | 0:01:14 | 0:01:16 | |
You can see the terrible state of the house. | 0:01:16 | 0:01:19 | |
Despite there being over 700,000 empty buildings across the UK, | 0:01:19 | 0:01:24 | |
the percentage of us | 0:01:24 | 0:01:26 | |
who own our own homes has dropped to its lowest level since the 1980s. | 0:01:26 | 0:01:30 | |
Even with the recession, house prices are still sky-high, | 0:01:30 | 0:01:34 | |
making it hard for people to get onto the property ladder. | 0:01:34 | 0:01:37 | |
Physiotherapist Rebecca Rowland and finance worker Anthony Smith | 0:01:37 | 0:01:40 | |
are struggling with all the dilemmas first-time buyers face, | 0:01:40 | 0:01:43 | |
having bought this ex-council one-bed flat in Hove, | 0:01:43 | 0:01:46 | |
East Sussex, for ?155,000. | 0:01:46 | 0:01:50 | |
One of the things that did put us off initially, | 0:01:50 | 0:01:52 | |
when we first viewed it, was the exterior. | 0:01:52 | 0:01:55 | |
It looked dated. It didn't look very nice. | 0:01:55 | 0:01:58 | |
I didn't feel that connected to it at first because I do feel that | 0:01:58 | 0:02:02 | |
purpose-built properties do lack a bit of character. | 0:02:02 | 0:02:06 | |
With a full renovation needed, trying to create their dream home | 0:02:06 | 0:02:11 | |
with modest finances makes every decision crucial. | 0:02:11 | 0:02:14 | |
We have a very tight budget of ?10,000. | 0:02:14 | 0:02:17 | |
And we really, for ourselves, | 0:02:17 | 0:02:21 | |
we need to prove to ourselves that we can bring this in | 0:02:21 | 0:02:24 | |
on budget. | 0:02:24 | 0:02:26 | |
By doing much of the work themselves, they are hoping | 0:02:26 | 0:02:29 | |
they can make this neglected diamond in the rough really shine. | 0:02:29 | 0:02:32 | |
Even though it looks dated, it actually...it ticks all the boxes. | 0:02:32 | 0:02:37 | |
The rooms are big. And the dimensions are good. | 0:02:37 | 0:02:40 | |
So I wanted to make it feel as vintage and country as possible, | 0:02:40 | 0:02:43 | |
as much as you can do in a one-bedroom flat in Hove. | 0:02:43 | 0:02:46 | |
Morning, guys. I'm Joe. Morning. Rebecca, how are you doing? Hi. | 0:02:46 | 0:02:49 | |
Anthony. Lovely to meet you, Joe. Nice to meet you. | 0:02:49 | 0:02:52 | |
So tell me about your flat then. It's really exciting. | 0:02:52 | 0:02:54 | |
Beautiful location, one block from the sea, nice, | 0:02:54 | 0:02:57 | |
well-maintained communal areas. | 0:02:57 | 0:02:59 | |
And, yeah, we are looking forward to moving in. | 0:02:59 | 0:03:02 | |
The neighbours must be pretty pleased that someone is taking this | 0:03:02 | 0:03:05 | |
on and is going to sort of make it into a proper home again. | 0:03:05 | 0:03:07 | |
We believe it was a rental for a very long time. | 0:03:07 | 0:03:10 | |
And then it sat empty for at least six to nine months, we believe. | 0:03:10 | 0:03:14 | |
And then, of course, six months on completion, | 0:03:14 | 0:03:17 | |
so it has been empty for a long time. | 0:03:17 | 0:03:19 | |
So it needed some...it certainly needed some love and attention. | 0:03:19 | 0:03:22 | |
Shall we have a look inside? Yeah, let's. | 0:03:22 | 0:03:25 | |
Hey, well, this is lovely. Nice and bright. | 0:03:30 | 0:03:33 | |
What were your first impressions when you came into this space? | 0:03:33 | 0:03:36 | |
What was it like? | 0:03:36 | 0:03:37 | |
So, really good-sized rooms was the first thing. | 0:03:37 | 0:03:40 | |
Even though it is a one-bedroom, we can fit a dining table in here. | 0:03:40 | 0:03:43 | |
Did you just know then? Had you seen many places? | 0:03:43 | 0:03:45 | |
Were you very, very sure that this was right for you guys? | 0:03:45 | 0:03:49 | |
This, for the price and the location, it was a great choice. | 0:03:49 | 0:03:52 | |
Cos it has always been built as a one-bed flat, whereas you get | 0:03:52 | 0:03:55 | |
a compromise if you were dividing up a period property into flats. | 0:03:55 | 0:03:57 | |
It might not actually suit the property, | 0:03:57 | 0:03:59 | |
whereas this, hopefully, is going to feel very natural to live in. | 0:03:59 | 0:04:02 | |
Yeah, this is spot-on. | 0:04:02 | 0:04:04 | |
You want to make this a lovely place for the two of you to really | 0:04:04 | 0:04:07 | |
enjoy your time here. | 0:04:07 | 0:04:08 | |
But this has been your way onto the property ladder together. | 0:04:08 | 0:04:11 | |
Really, the primary objective was getting a home together. Yeah. | 0:04:11 | 0:04:15 | |
And living together. So this, for the price and the location, | 0:04:15 | 0:04:18 | |
was just...is just a great...it was a great choice. | 0:04:18 | 0:04:22 | |
And we have certainly got some ideas for it. So, what is the plan then? | 0:04:22 | 0:04:27 | |
I mean, this is going to be, as you said, your sitting room. | 0:04:27 | 0:04:29 | |
How do you see the sort of layout of the flat? | 0:04:29 | 0:04:31 | |
Do you know it all yet? | 0:04:31 | 0:04:33 | |
One of the initial things we did think of was to knock through | 0:04:33 | 0:04:37 | |
the wall to the kitchen to open it up. | 0:04:37 | 0:04:39 | |
The kitchen is just next door here? Yeah. OK. | 0:04:39 | 0:04:41 | |
So we thought to ourselves... | 0:04:41 | 0:04:43 | |
Well, we had seen so many one-bed flats that had open plan | 0:04:43 | 0:04:46 | |
we thought, "Oh, actually, if we made this open plan, | 0:04:46 | 0:04:48 | |
"we may be able to add value," and that sort of thing. | 0:04:48 | 0:04:51 | |
But we could take advice on that. | 0:04:51 | 0:04:53 | |
So, it is how to make your best use of space | 0:04:53 | 0:04:55 | |
and do you open it up or not or do you keep it separate. | 0:04:55 | 0:04:58 | |
Yeah. It is a difficult one. And the old kitchen is gone, is it? Yeah. | 0:04:58 | 0:05:02 | |
The old kitchen is gone, yeah. What was that? There was a look there. | 0:05:02 | 0:05:06 | |
So, yeah, the old kitchen went, sort of...relatively unbeknown to me. | 0:05:06 | 0:05:11 | |
Anthony has this habit of just sort of demolishing things | 0:05:11 | 0:05:14 | |
and sending me picture messages when I can't react cos I'm at work. | 0:05:14 | 0:05:18 | |
So, I think that was probably the plan. It gave me time to cool off. | 0:05:18 | 0:05:21 | |
To be fair, I think if we hadn't have ripped it out now, | 0:05:21 | 0:05:25 | |
I think in a year's time, you'd still see the same kitchen. | 0:05:25 | 0:05:28 | |
I don't think we'd have got round to it. I think that is so true. | 0:05:28 | 0:05:31 | |
You've forgiven him, basically, is what you are saying. | 0:05:31 | 0:05:34 | |
I've forgiven him, of course. | 0:05:34 | 0:05:35 | |
I've only seen the sitting room, let's have a look at a bit more, | 0:05:35 | 0:05:38 | |
shall we? Yep. Great. After you. | 0:05:38 | 0:05:39 | |
So this is going to be the bedroom. That's right. | 0:05:43 | 0:05:46 | |
It's a very similar shape and size, isn't it? | 0:05:46 | 0:05:48 | |
There's a good proportion to these rooms. | 0:05:48 | 0:05:50 | |
Now, I know you have already had a bit of fun ripping | 0:05:50 | 0:05:53 | |
the kitchen out with no notice. Does that make you quite handy? | 0:05:53 | 0:05:56 | |
Are you going to do a lot of this work yourself? | 0:05:56 | 0:05:58 | |
The budget is quite tight. So I have been getting stuck in where I can. | 0:05:58 | 0:06:03 | |
And I must admit, I've learned a few things along the way | 0:06:03 | 0:06:06 | |
and I've made a few mistakes. And it really does add up. | 0:06:06 | 0:06:09 | |
And then we realised, well, you know, | 0:06:09 | 0:06:11 | |
why aren't we shopping around online? | 0:06:11 | 0:06:13 | |
So the majority of, you know, the things that we've bought | 0:06:13 | 0:06:18 | |
for the flat to refurb it have been online. | 0:06:18 | 0:06:21 | |
Clearly, it's important here to make your money go as far as possible | 0:06:21 | 0:06:24 | |
and to get this work done as soon as possible. | 0:06:24 | 0:06:27 | |
Any other concerns when you are thinking about this project? | 0:06:27 | 0:06:29 | |
Anything you can't quite visualise? | 0:06:29 | 0:06:31 | |
I think for me it's been about my patience levels, cos I've... | 0:06:31 | 0:06:35 | |
because it's taken so long to complete on the flat | 0:06:35 | 0:06:37 | |
and now it's been sort of six weeks of not really seeing it move on, | 0:06:37 | 0:06:42 | |
you know, just seeing more and more destruction and mess | 0:06:42 | 0:06:45 | |
and not much sort of happening in terms of moving forward. | 0:06:45 | 0:06:49 | |
I think I've been quite impatient and wanting to rush decisions, | 0:06:49 | 0:06:52 | |
whereas you measure me a bit more in that. | 0:06:52 | 0:06:55 | |
It's the first time you've taken on a project like this. | 0:06:55 | 0:06:57 | |
The experience isn't there, you're learning as you go along. | 0:06:57 | 0:07:00 | |
That's always going to be tricky and it's not going to be as quick | 0:07:00 | 0:07:02 | |
as you'd hope. Maybe to help speed things up it would be really good | 0:07:02 | 0:07:05 | |
to meet a woman who has been through this, who has actually | 0:07:05 | 0:07:08 | |
taken on lots of flats like this and has done several renovations. | 0:07:08 | 0:07:11 | |
She really does know her stuff. | 0:07:11 | 0:07:13 | |
And I think she would be able to give you some really good advice. | 0:07:13 | 0:07:16 | |
Plus, we'll see another one-bedroom flat that she renovated | 0:07:16 | 0:07:19 | |
and maybe there will be a few ideas there as well. | 0:07:19 | 0:07:21 | |
How does that sound? Great. I hope to get a lot more ideas. | 0:07:21 | 0:07:23 | |
With house prices doubling in the last decade and mortgages | 0:07:23 | 0:07:27 | |
hard to come by, many requiring large deposits, | 0:07:27 | 0:07:29 | |
these two have done extremely well in a tough climate. | 0:07:29 | 0:07:33 | |
They have purchased an empty home | 0:07:33 | 0:07:35 | |
and plan to be scrupulous with their renovation budget. | 0:07:35 | 0:07:38 | |
But they are inexperienced and will need all the help they can get | 0:07:38 | 0:07:41 | |
to make this project a success. | 0:07:41 | 0:07:44 | |
Whether your budget is large or small, renovating an empty home | 0:07:45 | 0:07:48 | |
can be the best way of getting real bang for your buck. | 0:07:48 | 0:07:51 | |
When Bob and Bernie Owens viewed this derelict farmhouse | 0:07:52 | 0:07:56 | |
in the Wirral, they were amazed at the hidden gem which | 0:07:56 | 0:07:59 | |
had been right in front of their eyes. | 0:07:59 | 0:08:01 | |
We'd driven past this place for 15 years. | 0:08:01 | 0:08:05 | |
Didn't even know it existed. | 0:08:05 | 0:08:07 | |
And then one day, when we were seeing the estate agent, | 0:08:07 | 0:08:09 | |
we came and did a drive-by and stopped and looked and we went, | 0:08:09 | 0:08:13 | |
"Wow!" No idea this was here. | 0:08:13 | 0:08:15 | |
And no idea that we could ever afford anything like this. | 0:08:15 | 0:08:19 | |
It was just... I think it was meant to be. | 0:08:19 | 0:08:21 | |
Having spent ?485,000 on the house, | 0:08:21 | 0:08:25 | |
the couple were aware it was a long way off being their dream home. | 0:08:25 | 0:08:29 | |
There was nothing here when we bought it. | 0:08:29 | 0:08:31 | |
It was just a small, little four-bedroom, square box. | 0:08:31 | 0:08:35 | |
It needed some love, didn't it? | 0:08:35 | 0:08:37 | |
Right from the door, the stairs hit you. | 0:08:37 | 0:08:40 | |
There was no windows on one side of the building. | 0:08:40 | 0:08:43 | |
It was small, it was dark inside. It was horrendous. | 0:08:43 | 0:08:47 | |
I'd sit down there, look down the field and think, "Oh, this is nice." | 0:08:47 | 0:08:50 | |
Then I'd look back at the house and think, "Oh!" | 0:08:50 | 0:08:52 | |
I'd get a shock every time I saw it. | 0:08:52 | 0:08:54 | |
Keen to extend, they took a pretty big gamble | 0:08:54 | 0:08:56 | |
when they bought the building without any planning permission. | 0:08:56 | 0:09:00 | |
We bought this wanting to extend it. | 0:09:00 | 0:09:02 | |
As the house stood, it would have been... | 0:09:02 | 0:09:05 | |
It wouldn't have been right for us. No good. | 0:09:05 | 0:09:07 | |
I would never have been happy. And it paid off. | 0:09:07 | 0:09:10 | |
Maybe we didn't sit and think too often about it | 0:09:10 | 0:09:13 | |
because if we hadn't have got planning permission, | 0:09:13 | 0:09:16 | |
it would have been a disaster. You wouldn't have been sitting here now. | 0:09:16 | 0:09:20 | |
Renovation projects like this often live or die | 0:09:20 | 0:09:22 | |
by the quality of the professionals involved. | 0:09:22 | 0:09:24 | |
I mean, we have got to take our hats off to the architect. | 0:09:24 | 0:09:28 | |
Cos the architect is the guy that got what we wanted. | 0:09:28 | 0:09:31 | |
And it was important to the couple that the work done | 0:09:31 | 0:09:33 | |
was in keeping with the original design of the building. | 0:09:33 | 0:09:36 | |
It's in green belt | 0:09:36 | 0:09:37 | |
and it's a beautiful place where we live, and it was so important. | 0:09:37 | 0:09:41 | |
That was our boundaries really, how...the materials we had to use. | 0:09:41 | 0:09:45 | |
And it had to look like it had always been here. | 0:09:45 | 0:09:47 | |
You know, it was a lot of money, | 0:09:47 | 0:09:49 | |
because we spent a lot of money on the windows and the doors, | 0:09:49 | 0:09:52 | |
to make it look like it was original. 30,000-odd reclaimed bricks, | 0:09:52 | 0:09:57 | |
all from Liverpool, you know, all from my old stomping ground. | 0:09:57 | 0:10:01 | |
But it wouldn't have looked right if it was done with modern bricks. | 0:10:01 | 0:10:07 | |
For much less than buying a place already transformed, | 0:10:07 | 0:10:11 | |
Bob and Bernie have turned this once rundown residence into a truly | 0:10:11 | 0:10:14 | |
stunning home. | 0:10:14 | 0:10:16 | |
This is... I shouldn't be here. | 0:10:16 | 0:10:19 | |
This is not me. This is not what I would've anticipated ever. | 0:10:19 | 0:10:23 | |
Get a hold of, never mind afford. | 0:10:23 | 0:10:25 | |
I think it's a combination of lots of things, but I absolutely love | 0:10:25 | 0:10:28 | |
the house. I didn't think it would turn out as nice as it did. | 0:10:28 | 0:10:31 | |
It is a beautiful, bright home. Mm. | 0:10:31 | 0:10:33 | |
What we set out to do, we've done it, I think. Yeah. Yeah. | 0:10:33 | 0:10:38 | |
In fact, it's probably better than what I thought. | 0:10:38 | 0:10:40 | |
In fact, I was down the field the other day with the dog | 0:10:40 | 0:10:44 | |
and I looked back and I thought, "Look at that, that's unbelievable." | 0:10:44 | 0:10:47 | |
With the population of the UK growing year on year, | 0:10:49 | 0:10:53 | |
the need to restore and develop abandoned dwellings | 0:10:53 | 0:10:56 | |
becomes more important by the day. | 0:10:56 | 0:10:58 | |
There are 61,000 hectares of brownfield sites in the UK, | 0:10:58 | 0:11:03 | |
and more than half are made up of vacant and derelict buildings. | 0:11:03 | 0:11:06 | |
But with careful planning, | 0:11:06 | 0:11:08 | |
not only can these properties themselves be saved, but | 0:11:08 | 0:11:10 | |
they can also provide much-needed residential accommodation. | 0:11:10 | 0:11:14 | |
Aldershot, in Hampshire, is often referred to as the home | 0:11:14 | 0:11:18 | |
of the British military because of this huge site built in the 1850s | 0:11:18 | 0:11:23 | |
that turned Aldershot from a small village into a town. | 0:11:23 | 0:11:27 | |
The site was closed in 1996 due to the high cost | 0:11:27 | 0:11:30 | |
of running the old buildings. | 0:11:30 | 0:11:33 | |
Now these former military properties are being saved and developed, | 0:11:33 | 0:11:38 | |
restoring some of Aldershot's military heritage | 0:11:38 | 0:11:40 | |
while meeting the local need for housing for many years to come. | 0:11:40 | 0:11:44 | |
John Beresford is the development director of this gigantic | 0:11:46 | 0:11:50 | |
and exciting project, pretty much making a new town from scratch. | 0:11:50 | 0:11:54 | |
What is the vision for this site? It's a huge site, isn't it? | 0:11:54 | 0:11:57 | |
Oh, it's massive. I mean, this thing is going to be sort of... | 0:11:57 | 0:11:59 | |
We're remodelling it as a new community, a new town. | 0:11:59 | 0:12:01 | |
And, you know, you've seen all the sort of...the old, | 0:12:01 | 0:12:04 | |
redundant Army buildings, which have just sat there, decaying. | 0:12:04 | 0:12:07 | |
And we are going to be sort of knocking some of them down, | 0:12:07 | 0:12:10 | |
we are going to be reusing others and creating something that will, | 0:12:10 | 0:12:13 | |
hopefully, you know, in 100 years' time, | 0:12:13 | 0:12:14 | |
look as good as it was when it was built. | 0:12:14 | 0:12:16 | |
What sort of buildings are we looking to build or to renew there? | 0:12:16 | 0:12:20 | |
What is going to be here? How many homes? | 0:12:20 | 0:12:22 | |
It's 3,850 new homes, but there is associated social infrastructure, | 0:12:22 | 0:12:26 | |
such as the schools, the community centres. | 0:12:26 | 0:12:29 | |
We've got two primary schools. | 0:12:29 | 0:12:30 | |
We've got recycling centres, pubs, cafes etc, | 0:12:30 | 0:12:33 | |
things that you'd normally expect to be | 0:12:33 | 0:12:35 | |
sort of designed into a well-thought-out new community. | 0:12:35 | 0:12:38 | |
So a mix of new build but also refurbishing historic buildings, | 0:12:38 | 0:12:41 | |
and presumably a proportion of that will be affordable housing. | 0:12:41 | 0:12:44 | |
Yeah, there's a lot of affordable housing. | 0:12:44 | 0:12:46 | |
35% will be affordable. | 0:12:46 | 0:12:48 | |
When you do a site of this scale, | 0:12:48 | 0:12:49 | |
can it work in terms of infrastructure? | 0:12:49 | 0:12:51 | |
I mean, you're looking at, what, 10,000 new people here, | 0:12:51 | 0:12:54 | |
all the cars, the roads, the power, the lighting, | 0:12:54 | 0:12:57 | |
everything associated with it. Can that work? | 0:12:57 | 0:12:59 | |
It's extremely complicated, | 0:12:59 | 0:13:01 | |
and that is one of the things that sort of takes so long to work out. | 0:13:01 | 0:13:05 | |
It is the utilities. It is making sure, you know, | 0:13:05 | 0:13:08 | |
every child that is going to be born on this site or live on this site | 0:13:08 | 0:13:11 | |
has the school to go to. | 0:13:11 | 0:13:13 | |
This is the plan of what is going to be built. | 0:13:13 | 0:13:16 | |
Does this happen in phases then? | 0:13:16 | 0:13:18 | |
Do you start with a certain area and try and get people living in it | 0:13:18 | 0:13:21 | |
and then sort of spread outwards? Yeah. | 0:13:21 | 0:13:23 | |
So this will be the first phase, | 0:13:23 | 0:13:25 | |
followed by the refurbishment of the Cambridge Military Hospital. | 0:13:25 | 0:13:28 | |
It is very important for us to get that back into use. | 0:13:28 | 0:13:31 | |
You know, it is an iconic sort of building. | 0:13:31 | 0:13:33 | |
And, you know, it's on the tipping point of decay. | 0:13:33 | 0:13:35 | |
So we're going to bring that back into use. | 0:13:35 | 0:13:37 | |
And that first stage, how long to bring the Victorian hospital | 0:13:37 | 0:13:40 | |
back to life and the surrounding area? | 0:13:40 | 0:13:42 | |
Well, we are working on that at the moment. | 0:13:42 | 0:13:44 | |
It will probably be brought forward in the next | 0:13:44 | 0:13:46 | |
sort of, like, one to three years. | 0:13:46 | 0:13:47 | |
As well as all the new build and commercial structures, | 0:13:47 | 0:13:51 | |
I'm really excited to hear the plans for the historic buildings. | 0:13:51 | 0:13:55 | |
Alan Chitson is the site manager charged with nursing this old | 0:13:56 | 0:14:00 | |
military hospital back to full health. | 0:14:00 | 0:14:02 | |
It's incredible, isn't it? It's a really iconic building. | 0:14:02 | 0:14:05 | |
Just how big is it? | 0:14:05 | 0:14:06 | |
I can see wings of it disappearing over that way. | 0:14:06 | 0:14:08 | |
Well, it measures in length over 250 metres. Really?! | 0:14:08 | 0:14:11 | |
It's a huge building, yes. A quarter of a kilometre. Very much so. | 0:14:11 | 0:14:14 | |
It has been added onto over the years, but not significantly. | 0:14:14 | 0:14:16 | |
Really attractive, isn't it, when you look at it from the front? | 0:14:16 | 0:14:19 | |
A very, very proud building. Fantastic, yes. | 0:14:19 | 0:14:22 | |
It's got lots of features there. | 0:14:22 | 0:14:23 | |
You've got the arches above the windows on the ground floor, | 0:14:23 | 0:14:26 | |
the stonework. | 0:14:26 | 0:14:28 | |
It would have treated military patients during the First World War? | 0:14:28 | 0:14:31 | |
It was the first UK hospital to treat battle injuries | 0:14:31 | 0:14:33 | |
from the First World War. | 0:14:33 | 0:14:35 | |
Well, look, are we able to see inside? What sort of state is it in? | 0:14:35 | 0:14:38 | |
It is not in a great state, bless it, because, obviously, | 0:14:38 | 0:14:40 | |
it has been vacated for 16 years now. | 0:14:40 | 0:14:42 | |
But we can look at part of it. Fantastic, let's do that. Thank you. | 0:14:42 | 0:14:46 | |
This building alone is over 90,000 square feet in size | 0:14:46 | 0:14:50 | |
and will provide about 75 new homes. | 0:14:50 | 0:14:54 | |
You'll see the staircases here | 0:14:54 | 0:14:56 | |
with the low risers and the longer treads. | 0:14:56 | 0:14:58 | |
And they were designed to help the nurses who had the very long | 0:14:58 | 0:15:01 | |
dresses at the time, the uniform. Go up and down the stairs. Exactly. | 0:15:01 | 0:15:05 | |
And this is now the main spine corridor - 250 metres in length. | 0:15:07 | 0:15:11 | |
Goodness! It's huge, isn't it? | 0:15:11 | 0:15:12 | |
And that would link all the wards and the wings together? Exactly. | 0:15:12 | 0:15:15 | |
That is what it is here for. | 0:15:15 | 0:15:17 | |
This is fantastic, isn't it? | 0:15:17 | 0:15:19 | |
You are instantly struck by all the light that comes in. | 0:15:19 | 0:15:21 | |
Very much so. | 0:15:21 | 0:15:22 | |
It is a typical ward that's here - very high ceilings, | 0:15:22 | 0:15:25 | |
very high sash windows to allow the fresh air to flow through. | 0:15:25 | 0:15:27 | |
You can still see the frames, obviously, from where all | 0:15:27 | 0:15:30 | |
the beds were originally, before the hospital closed down. | 0:15:30 | 0:15:32 | |
Looking here to either convert these into townhouses or could be flats. | 0:15:32 | 0:15:36 | |
To keep this height, this light? | 0:15:36 | 0:15:38 | |
That's one of the challenges we've got here. | 0:15:38 | 0:15:40 | |
Ideally, you do want to keep the features with the tall windows. | 0:15:40 | 0:15:43 | |
And it is just probably under the height to create mezzanine floors. | 0:15:43 | 0:15:47 | |
It really is an unusual space, isn't it? | 0:15:47 | 0:15:49 | |
It's at a very exciting stage and lots of plans ahead. | 0:15:49 | 0:15:52 | |
Very much so, yes. We've got a lot of work still to do. | 0:15:52 | 0:15:55 | |
It is a very interesting scheme. | 0:15:55 | 0:15:57 | |
The potential of this site and this project is absolutely huge. | 0:15:57 | 0:16:00 | |
If everything goes ahead as planned, it could add a third | 0:16:00 | 0:16:03 | |
to the population of Aldershot. | 0:16:03 | 0:16:06 | |
And at the heart of it, this iconic building. | 0:16:06 | 0:16:08 | |
Fantastic Victorian architecture. | 0:16:08 | 0:16:11 | |
It's not hard to see beyond the peeling paintwork here. | 0:16:11 | 0:16:14 | |
And it is going to be fantastic to see this building alive | 0:16:14 | 0:16:17 | |
and being fully used once again. | 0:16:17 | 0:16:19 | |
Repairing an empty property takes time, energy and money, | 0:16:21 | 0:16:24 | |
but it can be rewarding in so many ways. | 0:16:24 | 0:16:27 | |
There is that feeling of accomplishment | 0:16:27 | 0:16:29 | |
but also the knowledge that you have transformed a derelict | 0:16:29 | 0:16:32 | |
building into a comfortable new home. | 0:16:32 | 0:16:34 | |
Hundreds of thousands of buildings right across the UK are left unused | 0:16:34 | 0:16:39 | |
and forgotten, wasting away while the housing shortage continues. | 0:16:39 | 0:16:43 | |
The people whose job it is to seek out these buildings and breathe | 0:16:43 | 0:16:46 | |
life back into them are local council empty property officers. | 0:16:46 | 0:16:50 | |
In Amber Valley, Derbyshire, Sue Lee is visiting a cottage | 0:16:50 | 0:16:54 | |
that's sat empty for over six years. | 0:16:54 | 0:16:56 | |
It's an old stone cottage in a really quaint little village. | 0:16:56 | 0:17:00 | |
This village is also one of our really high-value areas. | 0:17:00 | 0:17:03 | |
Now, people who pass by this cottage often contact me to see | 0:17:03 | 0:17:07 | |
how they can find the owner and buy the property. | 0:17:07 | 0:17:11 | |
The elderly owner has health issues and is now in council accommodation. | 0:17:12 | 0:17:16 | |
Despite his family's desire to sell the house, the owner has not | 0:17:16 | 0:17:20 | |
so far put it on the market. | 0:17:20 | 0:17:21 | |
So the council may have to enforce a sale themselves. | 0:17:21 | 0:17:24 | |
I'm going today to check whether or not the property is on the market. | 0:17:24 | 0:17:29 | |
Otherwise, I've got no choice | 0:17:29 | 0:17:32 | |
but to continue and make the compulsory purchase order. | 0:17:32 | 0:17:36 | |
Being in such a desirable area and with limited housing stock locally, | 0:17:36 | 0:17:40 | |
Sue is aware what a terrible waste it is for this home to sit empty. | 0:17:40 | 0:17:44 | |
Fingers crossed, there is going to be a wonderful, | 0:17:44 | 0:17:47 | |
big for sale sign outside the property | 0:17:47 | 0:17:49 | |
and the owner's representative has managed to persuade him | 0:17:49 | 0:17:52 | |
of what his best interests really are. | 0:17:52 | 0:17:55 | |
Yeah, unsurprisingly, there is no for sale sign. | 0:17:59 | 0:18:03 | |
Sue needs to get a closer look to assess the level of neglect | 0:18:03 | 0:18:06 | |
and see if there are any urgent issues she needs to deal with. | 0:18:06 | 0:18:09 | |
You can see the terrible state of the house. | 0:18:09 | 0:18:13 | |
You know, the windows with the crack in it, the door... | 0:18:13 | 0:18:17 | |
I don't think that crack has got any worse. | 0:18:17 | 0:18:21 | |
It looks very similar to what I've got here, so, um, I'm really | 0:18:21 | 0:18:28 | |
quite pleased that there is nothing further for us to be concerned about. | 0:18:28 | 0:18:33 | |
Sue needs to do some detective work to find out | 0:18:33 | 0:18:36 | |
if the owner is genuinely making an effort to sell the cottage. | 0:18:36 | 0:18:40 | |
I was just wondering if you'd seen any activity, any agents | 0:18:40 | 0:18:43 | |
measuring up or any potential buyers that might have been...? | 0:18:43 | 0:18:47 | |
No, no, there's been no-one around there for probably | 0:18:47 | 0:18:51 | |
six or seven months. I think the last people to come along | 0:18:51 | 0:18:53 | |
were the council, and they met the owner. Right. Some time ago. Yeah. | 0:18:53 | 0:18:57 | |
Have you seen any estate agents or anyone measuring up? | 0:18:57 | 0:19:01 | |
Not at all, no. | 0:19:01 | 0:19:02 | |
Well, I wasn't able to establish that the property's up for sale. | 0:19:02 | 0:19:05 | |
And I've spoken to a couple of the local residents | 0:19:05 | 0:19:09 | |
and they haven't seen any activity either. | 0:19:09 | 0:19:11 | |
No agents, no potential buyers. | 0:19:11 | 0:19:14 | |
So, quite disappointingly, we'll have to continue with the CPO. | 0:19:14 | 0:19:18 | |
If you've always dreamed of rescuing an empty property, | 0:19:18 | 0:19:22 | |
there are many ways to pick one up. | 0:19:22 | 0:19:23 | |
Talk with local estate agents and auctioneers, ask around friends | 0:19:23 | 0:19:27 | |
and family members or get in contact | 0:19:27 | 0:19:29 | |
with your local empty property officer. | 0:19:29 | 0:19:31 | |
Back in Hove, I'm with first-time buyers Rebecca | 0:19:33 | 0:19:36 | |
and Anthony, who bought a modest one-bed flat. | 0:19:36 | 0:19:38 | |
To help them maximise potential, I'm going to introduce them | 0:19:38 | 0:19:42 | |
to a small-time developer who did a similar job making the most | 0:19:42 | 0:19:45 | |
out of limited space. | 0:19:45 | 0:19:46 | |
Right, guys, this is the property I want you to see. | 0:19:47 | 0:19:50 | |
It is a little bit hidden under scaffolding at the moment. | 0:19:50 | 0:19:53 | |
It's just having its paintwork done on the outside. | 0:19:53 | 0:19:55 | |
But it has been divided into flats. | 0:19:55 | 0:19:58 | |
It's your typical Brighton and Hove villa, absolutely beautiful. | 0:19:58 | 0:20:02 | |
We looked at a few one-beds in this exact road when we were looking. | 0:20:02 | 0:20:06 | |
In this road? Yeah. So it'll be interesting. | 0:20:06 | 0:20:08 | |
You probably know the sort of thing we're dealing with here. | 0:20:08 | 0:20:10 | |
Let's see what you make of the renovation and say hello to Sue. | 0:20:10 | 0:20:13 | |
Brilliant, thank you. | 0:20:13 | 0:20:14 | |
Sue Jackson is one of those people who's truly got the renovation bug. | 0:20:14 | 0:20:19 | |
The most rewarding bit of doing a renovation to me | 0:20:19 | 0:20:23 | |
is taking what is fundamentally a beautiful property to start with, | 0:20:23 | 0:20:28 | |
which has just been dated or left to sort of lose its sparkle, | 0:20:28 | 0:20:32 | |
and then bringing it back to life. | 0:20:32 | 0:20:35 | |
And she is not afraid to rough it to cut costs. | 0:20:35 | 0:20:37 | |
The pros of living in the building while you're doing the project | 0:20:37 | 0:20:41 | |
are that you can keep an eye on the builders | 0:20:41 | 0:20:44 | |
and be right on top of things, deliveries etc, | 0:20:44 | 0:20:47 | |
so that you can be very organised. | 0:20:47 | 0:20:50 | |
The cons of that is that at five o'clock or four o'clock | 0:20:50 | 0:20:54 | |
when the builders leave, | 0:20:54 | 0:20:55 | |
you've then got to stay in amongst all the dirt and muck and cold, | 0:20:55 | 0:21:01 | |
especially when the heating system has not been done yet. | 0:21:01 | 0:21:03 | |
Or you haven't got a toilet. | 0:21:03 | 0:21:05 | |
Sue bought the flat for ?190,000 and managed to transform it | 0:21:05 | 0:21:09 | |
with a budget of 20,000, and can now enjoy the fruits of her labour. | 0:21:09 | 0:21:13 | |
I get most of my pleasure in my flat in my bedroom. | 0:21:13 | 0:21:18 | |
It is my little haven, my boudoir. | 0:21:18 | 0:21:21 | |
I absolutely adore the ceiling rose and the chandelier. | 0:21:21 | 0:21:26 | |
And the sun comes in this room in the morning. | 0:21:26 | 0:21:29 | |
It's beautiful and light. | 0:21:29 | 0:21:31 | |
But I can safely say that I love all my rooms in my flat. | 0:21:31 | 0:21:36 | |
The bathroom is fantastic. | 0:21:36 | 0:21:38 | |
And then, the front room, it's got more atmosphere | 0:21:38 | 0:21:41 | |
cos it's the darker side of the building. | 0:21:41 | 0:21:44 | |
And then that only leaves the kitchen, and, of course, | 0:21:44 | 0:21:46 | |
I love my kitchen cos I love cooking. | 0:21:46 | 0:21:48 | |
And you can open the back doors onto the garden, | 0:21:48 | 0:21:51 | |
so you get all the fresh air and the lovely noise - | 0:21:51 | 0:21:54 | |
the sea and the seagulls. I love it all. Every room is lovely. | 0:21:54 | 0:21:58 | |
I'm hoping seeing what Sue has achieved here will help | 0:22:00 | 0:22:03 | |
inspire Rebecca and Anthony | 0:22:03 | 0:22:05 | |
and steer these first-time buyers in the right direction. | 0:22:05 | 0:22:08 | |
Very nice. So beautiful. Yeah, first impressions? Amazing. | 0:22:08 | 0:22:13 | |
What were the biggest challenges of taking on a project | 0:22:13 | 0:22:15 | |
like this and renovating it and trying to make it your own, | 0:22:15 | 0:22:19 | |
your own style and your own feel? | 0:22:19 | 0:22:21 | |
My biggest challenge on this one was the fact that | 0:22:21 | 0:22:24 | |
I was new to Brighton, so it was a case of finding the workmen | 0:22:24 | 0:22:28 | |
and the people to do the major work. | 0:22:28 | 0:22:30 | |
How did you go about that then? What sort of tips did you have? | 0:22:30 | 0:22:33 | |
Find the people that you are looking for. If it is plumbers, | 0:22:33 | 0:22:35 | |
electricians, builders, whatever you need, | 0:22:35 | 0:22:38 | |
find at least half a dozen. | 0:22:38 | 0:22:40 | |
Skim it down to maybe three | 0:22:40 | 0:22:42 | |
and then actually get hold of the people that they've worked for. | 0:22:42 | 0:22:46 | |
OK. Actually say, "Look, | 0:22:46 | 0:22:48 | |
"this guy says he has done this for you, can you tell me how good he is? | 0:22:48 | 0:22:52 | |
"Was he reasonably priced?" Ask all the questions. That's interesting. | 0:22:52 | 0:22:55 | |
Have you got to the stage where you're looking at any | 0:22:55 | 0:22:57 | |
builders or contractors to come in? Um, yeah, we have. | 0:22:57 | 0:23:00 | |
I think we have more or less found a builder and, again, | 0:23:00 | 0:23:03 | |
that was through a contact, someone who knew him. | 0:23:03 | 0:23:06 | |
So it was a recommendation. | 0:23:06 | 0:23:07 | |
If you go and speak to people, which is what you are saying, | 0:23:07 | 0:23:10 | |
and say, "How were they? Were they on time? | 0:23:10 | 0:23:12 | |
"Did they stick to schedule and budget?" | 0:23:12 | 0:23:14 | |
People don't mind giving that information. | 0:23:14 | 0:23:16 | |
That is a really good idea to go to their previous customers. | 0:23:16 | 0:23:18 | |
Yeah, if you can, I think it is worth it. | 0:23:18 | 0:23:20 | |
I suppose the more you do this, | 0:23:20 | 0:23:22 | |
the more you have an awareness of schedules | 0:23:22 | 0:23:24 | |
and things in terms of getting electricians and plumbers in first. | 0:23:24 | 0:23:27 | |
When the sort of fundamentals are in, then I can move to plastering, | 0:23:27 | 0:23:30 | |
then I can move to decorat... | 0:23:30 | 0:23:31 | |
You kind of get this order, don't you? | 0:23:31 | 0:23:33 | |
Yeah, it's working out the right system, how it all goes | 0:23:33 | 0:23:35 | |
together, what you've got to do first, as you say, second and third. | 0:23:35 | 0:23:38 | |
It's like timing. | 0:23:38 | 0:23:39 | |
So putting your carpets | 0:23:39 | 0:23:40 | |
in first before the kitchen goes in is a bad idea? | 0:23:40 | 0:23:43 | |
Yeah, bad idea. OK. We've got, uh... We've got to make some calls. | 0:23:43 | 0:23:47 | |
We've got to shift a few things around. | 0:23:47 | 0:23:50 | |
This is a wonderful sitting room. | 0:23:50 | 0:23:52 | |
Shall we go through and see a bit more as well? Yep. Lead the way. OK. | 0:23:52 | 0:23:55 | |
The kitchen is one of the rooms where you really need to watch the | 0:23:55 | 0:23:59 | |
budget, so it is vital Rebecca and Anthony get it right first time. | 0:23:59 | 0:24:03 | |
This is the kitchen. Very nice! | 0:24:03 | 0:24:05 | |
Now, your kitchen is a bit smaller than this, but it strikes me | 0:24:05 | 0:24:08 | |
it's a sort of similar shape. | 0:24:08 | 0:24:09 | |
And you are going to have units all the way along two of the walls? | 0:24:09 | 0:24:12 | |
Is it this kind of look you are going for? | 0:24:12 | 0:24:14 | |
Like an L-shape I think we're going to have to go for. Yeah, OK. | 0:24:14 | 0:24:18 | |
In terms of budget, we've got a very tight budget. | 0:24:18 | 0:24:20 | |
How much, sort of, of that budget should | 0:24:20 | 0:24:22 | |
we be really spending on a kitchen? | 0:24:22 | 0:24:24 | |
It's not necessary that you have | 0:24:24 | 0:24:26 | |
to spend a load of money to make it look really, really good. | 0:24:26 | 0:24:29 | |
The best advice is research. Research, research, research. | 0:24:29 | 0:24:32 | |
You can save lots of money - ?50, ?100. | 0:24:32 | 0:24:35 | |
It all adds up at the end of the day | 0:24:35 | 0:24:36 | |
and it means you've got more to play with, | 0:24:36 | 0:24:39 | |
especially contingencies, when things might not go to plan. | 0:24:39 | 0:24:42 | |
You don't necessarily have to go and pay through the nose at a retailer. | 0:24:42 | 0:24:47 | |
Look on the internet. | 0:24:47 | 0:24:48 | |
Then you can maybe think to sort of add something. | 0:24:48 | 0:24:51 | |
That must be reassuring, | 0:24:51 | 0:24:52 | |
that's what you said you were doing earlier. | 0:24:52 | 0:24:54 | |
That's nice to sort of know that you're working along the same lines. | 0:24:54 | 0:24:57 | |
Yeah, yeah. One thing I want to talk about is | 0:24:57 | 0:24:59 | |
the similarity between your two flats. | 0:24:59 | 0:25:01 | |
Both have two main spaces and a separate kitchen. | 0:25:01 | 0:25:04 | |
What was your thinking, Sue? | 0:25:04 | 0:25:06 | |
Were you ever tempted to knock this wall down | 0:25:06 | 0:25:08 | |
and make a big kitchen diner? | 0:25:08 | 0:25:10 | |
I personally felt in this respect that it was better to | 0:25:10 | 0:25:13 | |
have my separate kitchen and then to keep the lovely size | 0:25:13 | 0:25:16 | |
and shape of the rooms | 0:25:16 | 0:25:18 | |
and the integrity of the room | 0:25:18 | 0:25:20 | |
and the flat itself intact rather than chopping and changing. | 0:25:20 | 0:25:25 | |
Because then you are into the trap of so many flats | 0:25:25 | 0:25:28 | |
in Hove where they have made two-bedroom flats | 0:25:28 | 0:25:31 | |
and squeezed two very small rooms in. | 0:25:31 | 0:25:33 | |
Exactly. And actually... | 0:25:33 | 0:25:35 | |
And when we were looking, we saw a few flats where they had | 0:25:35 | 0:25:40 | |
converted or knocked down a wall, but they had done a really bad job. | 0:25:40 | 0:25:44 | |
So it was obvious and it was... | 0:25:44 | 0:25:46 | |
They didn't really finish it properly. | 0:25:46 | 0:25:49 | |
And, yeah, I guess that's... | 0:25:49 | 0:25:52 | |
I think there's lots of things you can do before you get that drastic. | 0:25:52 | 0:25:56 | |
And I'm not sure whether in terms of say resale, for example, | 0:25:56 | 0:26:01 | |
that you are adding value, | 0:26:01 | 0:26:04 | |
when you might get another bedroom and that might be | 0:26:04 | 0:26:08 | |
a case of two-bedroom flats usually go for more money, but | 0:26:08 | 0:26:12 | |
when you're sacrificing a beautiful space and the aesthetics | 0:26:12 | 0:26:17 | |
of that space, I don't believe that is the right option. | 0:26:17 | 0:26:22 | |
Well, look, Sue, really good advice, | 0:26:22 | 0:26:24 | |
and I'm pleased it's worked out so well for you. It is a lovely flat. | 0:26:24 | 0:26:27 | |
It doesn't feel like a one-bed. | 0:26:27 | 0:26:28 | |
You've really used the space extremely well. | 0:26:28 | 0:26:30 | |
So congratulations and thanks for your time today. | 0:26:30 | 0:26:33 | |
So, guys, having had a good look around and heard Sue's | 0:26:33 | 0:26:36 | |
words of advice, how are you feeling about your project? | 0:26:36 | 0:26:39 | |
Really confident. With Sue's advice, it's going | 0:26:39 | 0:26:41 | |
to stop us from making some really fundamental mistakes. | 0:26:41 | 0:26:44 | |
There are a couple of things we were about to embark on, | 0:26:44 | 0:26:47 | |
and without talking to Sue first, I think we would have | 0:26:47 | 0:26:50 | |
gone down a very costly route with a couple of things. | 0:26:50 | 0:26:52 | |
So, yeah, really, really pleased that we managed to get some | 0:26:52 | 0:26:57 | |
time and advice from Sue to help us on this journey. | 0:26:57 | 0:27:00 | |
And we are really excited about, you know, getting in there | 0:27:00 | 0:27:04 | |
and, you know, taking a step back and not rushing | 0:27:04 | 0:27:07 | |
some of those decisions. Yeah. | 0:27:07 | 0:27:09 | |
I know you said earlier you don't like to be rushed in decisions. | 0:27:09 | 0:27:12 | |
And the idea of just taking a bit more time, | 0:27:12 | 0:27:14 | |
making sure you really plan it carefully, | 0:27:14 | 0:27:17 | |
it might mean another month or two's rent, | 0:27:17 | 0:27:19 | |
but if you get the place you want the way you want it, it is | 0:27:19 | 0:27:21 | |
surely worth it, isn't it? Yeah, definitely. | 0:27:21 | 0:27:24 | |
And I think, you know, we can do most of the big things | 0:27:24 | 0:27:28 | |
that need to be done before we move in now. | 0:27:28 | 0:27:31 | |
And then maybe not rush things like furniture choices, | 0:27:31 | 0:27:33 | |
cos the interior look is really important to me. | 0:27:33 | 0:27:36 | |
Even if it means having our clothes on clothes rails | 0:27:36 | 0:27:38 | |
for a few more weeks while I wait to get the pieces | 0:27:38 | 0:27:41 | |
of furniture that I really love | 0:27:41 | 0:27:42 | |
rather than the first thing that I see, | 0:27:42 | 0:27:44 | |
would be a better decision, really. | 0:27:44 | 0:27:46 | |
Well, I think today has been really useful cos, quite frankly, | 0:27:49 | 0:27:51 | |
when you are a first-time renovator, you need all the help you can get. | 0:27:51 | 0:27:55 | |
And Sue has been through this seven times now. | 0:27:55 | 0:27:57 | |
So there's been plenty of advice on hand today - | 0:27:57 | 0:27:59 | |
how to stretch the budget, | 0:27:59 | 0:28:01 | |
how to get the place the way you want it, | 0:28:01 | 0:28:03 | |
how to maximise the use of space - all brilliant things | 0:28:03 | 0:28:06 | |
that have come just at the right time for Anthony and Rebecca. | 0:28:06 | 0:28:09 | |
So I'm sure they'll take that back with them | 0:28:09 | 0:28:11 | |
and very soon have their ideal place. | 0:28:11 | 0:28:13 | |
Subtitles by Red Bee Media Ltd | 0:28:13 | 0:28:16 |