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'Across the country, empty properties that could be homes | 0:00:02 | 0:00:05 | |
'are just waiting to be brought back into use.' | 0:00:05 | 0:00:08 | |
I'll be finding out why | 0:00:09 | 0:00:10 | |
and what you need to do to rescue a house for yourself. | 0:00:10 | 0:00:15 | |
Along the way, I'll be doing some digging of my own to find out more | 0:00:15 | 0:00:18 | |
about our housing stock, our heritage | 0:00:18 | 0:00:20 | |
and why we should be both reinventing | 0:00:20 | 0:00:22 | |
and preserving Britain's empty homes. | 0:00:22 | 0:00:24 | |
Renovating an empty home can be a life-changing experience. | 0:00:32 | 0:00:36 | |
You'll need the ability to visualise potential | 0:00:36 | 0:00:39 | |
where others only see problems, but if you can do that, | 0:00:39 | 0:00:42 | |
then taking on one of these buildings can be truly rewarding. | 0:00:42 | 0:00:46 | |
On today's show, a couple looking to jazz up an empty Methodist Chapel. | 0:00:47 | 0:00:51 | |
I've had to get used to a builder's idea of an early morning, | 0:00:51 | 0:00:54 | |
compared to what a jazz musician's idea of an early morning is. | 0:00:54 | 0:00:57 | |
In Greater Manchester, | 0:00:57 | 0:00:59 | |
a regeneration project creating new homes and new opportunities. | 0:00:59 | 0:01:03 | |
You get to learn what you've got to do on the outside world | 0:01:03 | 0:01:06 | |
instead of just being in a workshop all the time. | 0:01:06 | 0:01:08 | |
And we follow an empty property officer | 0:01:08 | 0:01:11 | |
on a mission to fix a home and a community. | 0:01:11 | 0:01:13 | |
One evening I came home and there were some youths | 0:01:13 | 0:01:16 | |
in the garden and they actually threatened me. | 0:01:16 | 0:01:19 | |
In Armley, Leeds, professional jazz musicians Simon and Kari | 0:01:21 | 0:01:25 | |
always dreamt of renovating a classic Yorkshire sandstone building. | 0:01:25 | 0:01:29 | |
And it was music to their ears | 0:01:29 | 0:01:31 | |
when this former Methodist chapel came on the market. | 0:01:31 | 0:01:34 | |
'We've been wanting to do something like this' | 0:01:34 | 0:01:36 | |
for as long as I can remember. | 0:01:36 | 0:01:38 | |
Yes. Somewhere where we can completely put our own stamp on it. | 0:01:38 | 0:01:41 | |
We always knew when we were looking at this property | 0:01:41 | 0:01:44 | |
we could clean it up and get that beautiful sandstone colour out again. | 0:01:44 | 0:01:47 | |
We were walking around saying, we can do this. | 0:01:47 | 0:01:50 | |
This is something we can take on. | 0:01:50 | 0:01:51 | |
But not everyone in their family had quite the same faith in the project. | 0:01:51 | 0:01:56 | |
My dad came to view it for the first time. He was absolutely horrified | 0:01:56 | 0:02:00 | |
and I think he just thought we were crazy. | 0:02:00 | 0:02:03 | |
Simon and Kari paid ?120,000 for the chapel | 0:02:03 | 0:02:07 | |
and they soon found out they got more than they bargained for. | 0:02:07 | 0:02:10 | |
We actually found a carrier coffin and various other, sort of... | 0:02:10 | 0:02:16 | |
Accessories. ..items. SHE LAUGHS | 0:02:16 | 0:02:18 | |
And we're not superstitious, | 0:02:18 | 0:02:19 | |
but Kari did enjoy coming up to the property without me knowing | 0:02:19 | 0:02:23 | |
and positioning the coffin | 0:02:23 | 0:02:25 | |
in the middle of the main room with a cross on top of it | 0:02:25 | 0:02:27 | |
and insisting that we go late at night to view the property, | 0:02:27 | 0:02:30 | |
so obviously I opened the door and had a bit of a shock. | 0:02:30 | 0:02:33 | |
Um... But other than that, we weren't too worried about it, were we? No. | 0:02:33 | 0:02:37 | |
SHE LAUGHS | 0:02:37 | 0:02:38 | |
But turning a former chapel into a comfortable home | 0:02:39 | 0:02:42 | |
is an ambitious and challenging feat. | 0:02:42 | 0:02:45 | |
With a building like this, you've got to keep | 0:02:45 | 0:02:48 | |
as many of the original features as you can, | 0:02:48 | 0:02:50 | |
but you've got to introduce new technologies, | 0:02:50 | 0:02:52 | |
to make it environmentally friendly and efficient. | 0:02:52 | 0:02:55 | |
Simon and Kari are hoping the ?80,000 set aside for renovation | 0:02:55 | 0:02:59 | |
will be enough to create their dream home. | 0:02:59 | 0:03:02 | |
Some days I come up here, look at the building | 0:03:02 | 0:03:04 | |
and I think we're getting nowhere. I really think, what are we doing? | 0:03:04 | 0:03:08 | |
And I actually really feel quite worried that | 0:03:08 | 0:03:11 | |
if we don't do it right, we've let this building down. Yes. | 0:03:11 | 0:03:14 | |
We're just trying to make sure that we do it as best we can. | 0:03:14 | 0:03:17 | |
Within our budget. Within our budget. | 0:03:17 | 0:03:20 | |
The couple have been working on this site for just under a year. | 0:03:21 | 0:03:25 | |
But they still have plenty to do and crucial decisions to make. | 0:03:25 | 0:03:30 | |
Nice to meet you. Nice to meet you. Simon, how are you doing? | 0:03:30 | 0:03:32 | |
Good, thanks. Tell me about your place. | 0:03:32 | 0:03:34 | |
Well, it was a Methodist chapel originally | 0:03:34 | 0:03:36 | |
and then it became some kind of working men's club | 0:03:36 | 0:03:39 | |
and before we took it over, it was a joiner's workshop. | 0:03:39 | 0:03:42 | |
It looks like a Methodist chapel, | 0:03:42 | 0:03:44 | |
it's got that lovely quite simple, plain look. Beautiful stone. | 0:03:44 | 0:03:47 | |
Have you started work? Yes. Big skip is a big clue. | 0:03:47 | 0:03:50 | |
Yes, that's actually skip number ten, I think. Number ten?! Yes. | 0:03:50 | 0:03:54 | |
Let's go inside, shall we, and see what you've been doing? Yes. Great. | 0:03:54 | 0:03:58 | |
It's an incredible space. | 0:04:03 | 0:04:04 | |
What was it like when you saw it for the first time? | 0:04:04 | 0:04:06 | |
Every bit of stonework you can see was covered with plaster | 0:04:06 | 0:04:09 | |
and it took months to get all that off on the entire building. | 0:04:09 | 0:04:12 | |
And these wood beams are incredible. | 0:04:12 | 0:04:14 | |
These were actually a bit of a hidden treasure | 0:04:14 | 0:04:16 | |
and when we uncovered them, we changed our plans. | 0:04:16 | 0:04:19 | |
We raised the height of the floor upstairs so these can be exposed, | 0:04:19 | 0:04:21 | |
so we'd be able to see them all the time. | 0:04:21 | 0:04:23 | |
There's real craftsmanship where they join. You've got this space, | 0:04:23 | 0:04:27 | |
what are you hoping to achieve? | 0:04:27 | 0:04:29 | |
Well, this is going to remain open plan as you see it now, pretty much. | 0:04:29 | 0:04:32 | |
OK. So, it's going to be kitchen, diner and living space all in one. | 0:04:32 | 0:04:36 | |
Nice. To the side, we've got we've got a small chapel arrest. | 0:04:36 | 0:04:39 | |
OK, what's it going to be? | 0:04:39 | 0:04:41 | |
Well, it's going to be Simon's resting place. My resting place. | 0:04:41 | 0:04:44 | |
It's going to be a music room for me, I'll have my games console and TV. | 0:04:44 | 0:04:48 | |
Little man pad? Yes. | 0:04:48 | 0:04:50 | |
Do you get your own room as well? How does this work? | 0:04:50 | 0:04:52 | |
Yes, I get a workroom upstairs. | 0:04:52 | 0:04:54 | |
There is a deadline, isn't there? There is, yes, | 0:04:54 | 0:04:57 | |
we're having a little one in November... Wow. | 0:04:57 | 0:04:59 | |
..so we're obviously hoping that it will be liveable by then. Yes. Yes. | 0:04:59 | 0:05:04 | |
Any other key discoveries as you've gone along? | 0:05:04 | 0:05:06 | |
We've discovered loads of things. I've got some here. | 0:05:06 | 0:05:09 | |
This is an old medical device. | 0:05:09 | 0:05:12 | |
I think it was some kind of electric shock therapy. | 0:05:12 | 0:05:14 | |
Goodness me! Different attachments. | 0:05:14 | 0:05:17 | |
And then sort of blue electricity would come out and... | 0:05:17 | 0:05:20 | |
Never seen anything like this! It's like film on the surface. | 0:05:20 | 0:05:23 | |
Oof! Look like they've been well used as well, don't they? | 0:05:23 | 0:05:27 | |
That's bizarre! | 0:05:27 | 0:05:29 | |
We've also got this, which is the old Leeds Yorkshire Mercury | 0:05:29 | 0:05:32 | |
and it's actually from Thursday, December the 12th. | 0:05:32 | 0:05:34 | |
December the 12th's my birthday. Gosh! Bit of a strange coincidence. | 0:05:34 | 0:05:37 | |
That is, isn't it? Incredible. Over 110 years old. Yeah. Yeah. | 0:05:37 | 0:05:41 | |
Fantastic! I'll give those back to you before I wreck them. | 0:05:41 | 0:05:45 | |
What do you want out of this property? | 0:05:45 | 0:05:47 | |
I think the main thing here is to let the beam work do the talking | 0:05:47 | 0:05:52 | |
and keep the decor quite simplistic. | 0:05:52 | 0:05:56 | |
'Although downstairs will be an open plan living space, upstairs, | 0:05:56 | 0:06:00 | |
'the couple are creating four unique bedrooms and two bathrooms.' | 0:06:00 | 0:06:03 | |
Where are we standing now? We're in the master bedroom now. | 0:06:03 | 0:06:07 | |
So what would that be there? An en suite? | 0:06:07 | 0:06:09 | |
Clearly, a lot of work's happened already. We've put new ceilings in, walls up | 0:06:09 | 0:06:13 | |
and we've had to replace every floor level in here. It was all on strange different levels | 0:06:13 | 0:06:17 | |
and different bits over the years that people had built. New roof? | 0:06:17 | 0:06:20 | |
When we first viewed the property, we could see daylight through the roof. | 0:06:20 | 0:06:23 | |
It was the original sandstone slate roof, so it was all worn out, | 0:06:23 | 0:06:27 | |
so we've had to have a new one. Your little baby's due in a few months. | 0:06:27 | 0:06:31 | |
What state would the building be in ideally at that point? | 0:06:31 | 0:06:33 | |
By no means does the entire property need to be completely finished for us to move in. | 0:06:33 | 0:06:39 | |
We need a functioning bathroom, bedroom spaces, obviously. | 0:06:39 | 0:06:42 | |
What's the budget? I think if we can finish around the 80,000 mark, we'll be fairly happy. | 0:06:42 | 0:06:47 | |
I think we're going to. | 0:06:47 | 0:06:49 | |
I guess you're both improvisers cos you're jazz musicians. | 0:06:49 | 0:06:52 | |
Does that feed into being creative about this project, in coming up with unusual ideas? | 0:06:52 | 0:06:57 | |
I've had to get used to what a builder's idea of an early morning | 0:06:57 | 0:07:00 | |
is compared to what a jazz musician's idea of an early morning is. | 0:07:00 | 0:07:03 | |
'Simon and Kari are adding a lot of insulation and are clearly | 0:07:03 | 0:07:06 | |
'taking the energy efficiency of this building very seriously.' | 0:07:06 | 0:07:10 | |
What is it that's still a concern at this stage? Obviously, the green element of the building, | 0:07:10 | 0:07:15 | |
so how we're going to heat it. The technology we're looking into isn't that commonly used in this country. | 0:07:15 | 0:07:21 | |
It's hard to know, completely independent advice and advice | 0:07:21 | 0:07:24 | |
that's being given because someone's trying to sell you something. Yeah. | 0:07:24 | 0:07:28 | |
This is the ideal moment to get a little inspiration from another property. | 0:07:28 | 0:07:31 | |
So I'm taking you to see a place that's also been many things in the | 0:07:31 | 0:07:36 | |
past and also the person involved has experience of green technology. | 0:07:36 | 0:07:39 | |
I think there'll be some really good advice and plenty to take away. | 0:07:39 | 0:07:43 | |
Does that sound like a good plan? Sounds great. | 0:07:43 | 0:07:45 | |
The big challenge now is to transform this building site | 0:07:48 | 0:07:51 | |
into a very personal family home, | 0:07:51 | 0:07:54 | |
while keeping a sense of the building's history and grandeur. | 0:07:54 | 0:07:58 | |
So it'll be great for them to see a property that has been completed, | 0:07:58 | 0:08:01 | |
so they can glean a bit of inspiration, | 0:08:01 | 0:08:04 | |
but also to get advice from a man who's been through all | 0:08:04 | 0:08:06 | |
this before and turned a house of God into a heavenly home. | 0:08:06 | 0:08:10 | |
Whether you're taking on a vacant church on a wing and a prayer, | 0:08:10 | 0:08:14 | |
or making hay with a barn conversion, with imagination | 0:08:14 | 0:08:17 | |
and perseverance, | 0:08:17 | 0:08:19 | |
even the most unlikely of dwellings can be turned into a new home. | 0:08:19 | 0:08:22 | |
In north Yorkshire, after selling his dental practice, | 0:08:25 | 0:08:28 | |
Ian Gordon and his wife Jane were looking for a renovation | 0:08:28 | 0:08:31 | |
project they could sink their teeth into. | 0:08:31 | 0:08:34 | |
We came to look at on my birthday and although it wasn't very | 0:08:34 | 0:08:38 | |
appealing, the plot was fantastic and I immediately thought, "Oh! | 0:08:38 | 0:08:42 | |
"I know what I want to do!" | 0:08:42 | 0:08:43 | |
I think the vision came together for Jane because she could see what it was going to | 0:08:43 | 0:08:48 | |
be like. I'm more pragmatic. I needed to actually see some bricks and mortar. | 0:08:48 | 0:08:51 | |
Ian and Jane bought the property for ?650,000, which is | 0:08:51 | 0:08:56 | |
a lot of money for what was effectively a giant cat litter tray. | 0:08:56 | 0:09:00 | |
The first thing that hit you was the odour, which took a little | 0:09:00 | 0:09:03 | |
while to identify, until you realised it used to be a cattery. | 0:09:03 | 0:09:07 | |
We wondered whether it was just a cat that had lost some of its bowel control! | 0:09:07 | 0:09:12 | |
But there was one problem not to be sniffed at. | 0:09:12 | 0:09:15 | |
The bungalow is overlooked by a conservation area, | 0:09:15 | 0:09:18 | |
meaning tight planning restrictions. Certain walls, we've had to keep. | 0:09:18 | 0:09:22 | |
They have no structural value, just pure political value. | 0:09:22 | 0:09:26 | |
I think the National Park get concerned about allowing | 0:09:26 | 0:09:29 | |
a demolition because that can set a precedent. | 0:09:29 | 0:09:32 | |
But with work well under way, the project froze. | 0:09:32 | 0:09:34 | |
December 2009, it started to snow. | 0:09:34 | 0:09:38 | |
Seriously deep snow. | 0:09:38 | 0:09:40 | |
We lost six weeks of work and we were still in rented accommodation. | 0:09:40 | 0:09:45 | |
We still had site huts and site equipment | 0:09:45 | 0:09:47 | |
and every day cost money, really. | 0:09:47 | 0:09:49 | |
One of the low points in the build. | 0:09:49 | 0:09:52 | |
It wasn't like you could say, "Look what we've got." We basically had a building site. Yeah. | 0:09:52 | 0:09:57 | |
Keeping costs down on a renovation of this size can be quite a challenge. | 0:09:57 | 0:10:02 | |
We'd set a budget of 300-350,000 and we got a builder round, | 0:10:02 | 0:10:06 | |
gave us a quote which just seemed absolutely ridiculous. | 0:10:06 | 0:10:09 | |
All I'll say without saying too much was he was a darn side nearer | 0:10:09 | 0:10:13 | |
what it ended up costing than anybody else had been! | 0:10:13 | 0:10:17 | |
With total build costs of around 700,000, the Gordons were | 0:10:17 | 0:10:21 | |
keen to stop paying rent on top and move in as soon as possible. | 0:10:21 | 0:10:24 | |
Because it wasn't finished when we moved in, | 0:10:24 | 0:10:28 | |
every day a new light fitting would arrive or a carpet would be | 0:10:28 | 0:10:31 | |
put down and so it just kept getting better and better. It was just brilliant. | 0:10:31 | 0:10:36 | |
We'd been working towards this dream for two years and although I could | 0:10:36 | 0:10:40 | |
visualise what it was going to be like, | 0:10:40 | 0:10:42 | |
actually living in it was just a dream come true. | 0:10:42 | 0:10:45 | |
The sedum roof makes it blend into the hillside | 0:10:45 | 0:10:49 | |
and then the upstairs is a very selfish use of space. | 0:10:49 | 0:10:52 | |
There's two bedrooms upstairs, but you could have put a whole multitude of rooms up there. | 0:10:52 | 0:10:56 | |
The open plan works very well, | 0:10:56 | 0:10:58 | |
although I occasionally find it not cosy enough, | 0:10:58 | 0:11:01 | |
so I would quite like a more snug room where you might retreat to. | 0:11:01 | 0:11:05 | |
That's one of my plans, to extend it. | 0:11:05 | 0:11:07 | |
Yeah, cos it's not quite big enough(!) | 0:11:07 | 0:11:10 | |
It's often the finishing off of a project which you just don't allow for. | 0:11:11 | 0:11:15 | |
We sort of finished things off over the next year. | 0:11:15 | 0:11:18 | |
We still haven't finished things. We've still got no doors on the study. | 0:11:18 | 0:11:22 | |
Shelves. I'm working on him! | 0:11:22 | 0:11:24 | |
SHE LAUGHS | 0:11:24 | 0:11:27 | |
There's always a project. | 0:11:27 | 0:11:29 | |
Large numbers of empty properties in one part of the city | 0:11:31 | 0:11:35 | |
or a specific area are often the result of a structural change, | 0:11:35 | 0:11:38 | |
a decline in local industry. | 0:11:38 | 0:11:41 | |
Manchester had a housing boom during the industrial revolution, but | 0:11:41 | 0:11:44 | |
now the area of Openshaw has empty properties dotted on virtually | 0:11:44 | 0:11:49 | |
every street. | 0:11:49 | 0:11:51 | |
To deal with this issue head on, the council and a local building | 0:11:51 | 0:11:55 | |
contractor united to try and kick this problem into touch. | 0:11:55 | 0:11:59 | |
With 27 properties to tackle, Steven Weir is determined that | 0:12:01 | 0:12:05 | |
families should live in these homes once again. | 0:12:05 | 0:12:08 | |
These 27 properties in Manchester fell into disrepair over | 0:12:10 | 0:12:13 | |
a number of years and we were approached by Manchester to | 0:12:13 | 0:12:16 | |
enter into a development agreement with them to bring them back into circulation. | 0:12:16 | 0:12:20 | |
The majority of the properties are derelict, infested with vermin, | 0:12:20 | 0:12:24 | |
evidence of drug use in a lot of them. Just in a very terrible state of repair. | 0:12:24 | 0:12:29 | |
Projects like this can have a kind of domino effect. It brings the whole area up. | 0:12:29 | 0:12:32 | |
What we're finding is that now we've started on these properties, | 0:12:32 | 0:12:35 | |
other local landlords are starting to realise | 0:12:35 | 0:12:38 | |
they need bringing their properties up to the standard that we are. | 0:12:38 | 0:12:42 | |
So it's a domino effect. | 0:12:42 | 0:12:44 | |
You're a construction company, but are you using local people? How does it all work? | 0:12:44 | 0:12:47 | |
We've also entered into another partnership with Manchester College, | 0:12:47 | 0:12:50 | |
so we're able to offer training opportunities to young people. | 0:12:50 | 0:12:53 | |
This is experience they can't get in a simulated environment in the classroom. | 0:12:53 | 0:12:57 | |
Shall we have a look inside? Sure. Yeah. Follow me. | 0:12:57 | 0:13:00 | |
We fully gutted this property, back to the bare structural walls. | 0:13:00 | 0:13:04 | |
This house now is ready for plastering. You've got some guys working here at the moment. | 0:13:04 | 0:13:09 | |
Yeah, we've got some apprentices upstairs. Can I go and say hello? Yeah, sure. | 0:13:09 | 0:13:13 | |
'To add greater social purpose, | 0:13:14 | 0:13:16 | |
'they're also working with the Manchester College, | 0:13:16 | 0:13:18 | |
'offering their students vital hands-on work experience.' | 0:13:18 | 0:13:22 | |
Hi, guys, how are you doing? Ashford. Hello, Ashford. | 0:13:22 | 0:13:25 | |
My name's Reece. Reece, I'm Joe. | 0:13:25 | 0:13:27 | |
Good to see you, so you guys are both apprentices or trainees? Yeah. | 0:13:27 | 0:13:32 | |
I'm a... I do, like, plastering at the college that I go to. | 0:13:32 | 0:13:36 | |
So these buildings give you a chance to work on real-life projects. | 0:13:36 | 0:13:40 | |
You get to learn what you've got to do in the outside world, instead of | 0:13:40 | 0:13:44 | |
being just in a workshop all the time. Yeah, and I suppose a certain discipline comes with | 0:13:44 | 0:13:48 | |
being on site, getting here on time | 0:13:48 | 0:13:50 | |
and working with other people around you as well. Yeah, teamwork. | 0:13:50 | 0:13:53 | |
Yeah, very good. So Ash is doing plastering. What's your specialism? | 0:13:53 | 0:13:58 | |
I'm doing joinery. So I'm keeping the insulation in. | 0:13:58 | 0:14:03 | |
What do you guys think about these properties sitting empty? | 0:14:03 | 0:14:06 | |
It seems a bit of a waste when no-one's here. | 0:14:06 | 0:14:08 | |
Especially when there's people living in the houses and there's just one house not being used. | 0:14:08 | 0:14:13 | |
Is it going to be good to see people back in here, living in these houses? | 0:14:13 | 0:14:16 | |
Yeah, it would. Yeah. And they can admire your plasterwork as well. | 0:14:16 | 0:14:20 | |
Yeah! Cheers. | 0:14:20 | 0:14:21 | |
Take care. Cheers. All the best. | 0:14:21 | 0:14:23 | |
I've seen the before photo and Steven is about to show me | 0:14:26 | 0:14:29 | |
what they look like now. | 0:14:29 | 0:14:31 | |
This is a recently completed three bedroom terrace. Ah, very nice. | 0:14:31 | 0:14:37 | |
This took, what, roughly ten weeks? Ten weeks from start to completion. | 0:14:37 | 0:14:41 | |
Amazing. Do you know roughly what a three bedroom house like this would go for in this area? | 0:14:41 | 0:14:46 | |
I would say probably in the region of ?70,000. | 0:14:46 | 0:14:49 | |
And so how soon do you think someone could be in here? | 0:14:49 | 0:14:51 | |
A matter of weeks. Really? Yeah. It's very spacious. | 0:14:51 | 0:14:55 | |
It's got high ceilings. Large rooms. It's ideal for a young family. | 0:14:55 | 0:14:58 | |
Originally, these were built for local working | 0:14:58 | 0:15:01 | |
people in Manchester, and that can now be the same. | 0:15:01 | 0:15:04 | |
You've preserved them for hopefully another 100 years. I'd like to think so. | 0:15:04 | 0:15:10 | |
The figures in this part of the country are truly staggering. | 0:15:10 | 0:15:13 | |
In Greater Manchester, there are 25,000 properties that have | 0:15:13 | 0:15:17 | |
been empty for a significant period of time. | 0:15:17 | 0:15:19 | |
Thankfully, this one is no longer on that list | 0:15:19 | 0:15:23 | |
and to think that this project, in the space of nine months, | 0:15:23 | 0:15:26 | |
will renovate 27 properties and get them | 0:15:26 | 0:15:29 | |
ready for local families to move into is just brilliant. | 0:15:29 | 0:15:32 | |
It really will boost this community. | 0:15:32 | 0:15:35 | |
Across Britain, | 0:15:35 | 0:15:37 | |
local councils are fighting to get families back into housing. | 0:15:37 | 0:15:41 | |
And it's the empty property officers who are carrying out detective work | 0:15:41 | 0:15:44 | |
on our abandoned homes and working to get them brought back into use. | 0:15:44 | 0:15:49 | |
In Erdington, Birmingham, Matt Smith is on his way to two half | 0:15:49 | 0:15:53 | |
finished houses that for several years have sat derelict, | 0:15:53 | 0:15:56 | |
attracting the wrong kind of attention. | 0:15:56 | 0:15:58 | |
The property that we're going to now, the current owner bought the house about five years ago | 0:15:58 | 0:16:03 | |
and got planning permission to develop two properties on the land. | 0:16:03 | 0:16:06 | |
He's run out of money and so he's done very little work. | 0:16:06 | 0:16:10 | |
It's been attracting theft and people are entering the property, | 0:16:10 | 0:16:13 | |
mainly due to the scaffolding allowing easy access into the house. | 0:16:13 | 0:16:16 | |
The property's also been subject to rats in and outside the house. | 0:16:16 | 0:16:21 | |
I had no choice but to use the council's enforcement powers | 0:16:21 | 0:16:24 | |
to threaten a compulsory purchase order. | 0:16:24 | 0:16:27 | |
After being told he could be forced to sell | 0:16:27 | 0:16:30 | |
the buildings by the council, one month ago, | 0:16:30 | 0:16:32 | |
the owner contacted them and agreed to finish the renovation work. | 0:16:32 | 0:16:36 | |
Matt is here to make sure the owner is being true to his word. | 0:16:36 | 0:16:40 | |
That's a good sign. | 0:16:40 | 0:16:42 | |
The gates are open, so I'm going to be able to get inside the property. | 0:16:42 | 0:16:46 | |
Slightly negative that it doesn't look | 0:16:47 | 0:16:49 | |
as if he's done half the work that I expected him to do. | 0:16:49 | 0:16:52 | |
He said it would be completed within a couple of months, but I just can't see that myself. | 0:16:52 | 0:16:56 | |
The landlord is not on site today but there is a builder, | 0:16:56 | 0:17:00 | |
so Matt takes the opportunity to see how the work is progressing. | 0:17:00 | 0:17:04 | |
Hello? Yes. | 0:17:04 | 0:17:05 | |
How are you doing? Matt Smith from Birmingham City Council. | 0:17:05 | 0:17:08 | |
Good to see you. Nice to see you, sir. How are you getting on? | 0:17:08 | 0:17:11 | |
It's OK. Do you want to show us some of the work you have been doing? | 0:17:11 | 0:17:15 | |
Let's go, I'll show you the bedrooms. | 0:17:15 | 0:17:18 | |
Only once Matt is inside the building | 0:17:18 | 0:17:20 | |
can he assess its true condition. | 0:17:20 | 0:17:22 | |
The bedroom, we try now the plasterboard. | 0:17:22 | 0:17:26 | |
And you've been doing some roof work as well? Yes. | 0:17:26 | 0:17:29 | |
The roof is complete now. That is pretty good. | 0:17:29 | 0:17:32 | |
Inside, there is so much work I can see being done. | 0:17:32 | 0:17:35 | |
From outside, you cannot see. How long is it going to be before you finish this house? | 0:17:35 | 0:17:40 | |
About four weeks. | 0:17:40 | 0:17:41 | |
Can you show us the roof in the other property as well? Yes, all right. | 0:17:41 | 0:17:45 | |
We have to go down. | 0:17:45 | 0:17:46 | |
The existing house is nearing completion and | 0:17:46 | 0:17:49 | |
although the new build next door is further off, work is well under way. | 0:17:49 | 0:17:53 | |
Where is the staircase? The stairs will be here. | 0:17:53 | 0:17:55 | |
You're going to put the stairs there, OK. | 0:17:55 | 0:17:58 | |
We will be going like this, all around, up. All the roof is done. | 0:17:58 | 0:18:01 | |
So you've had to put felt on it as well. Yes, it is all felted, yes. | 0:18:01 | 0:18:06 | |
That's really good work. Yes. It's going to be great. Yes, all right. | 0:18:06 | 0:18:10 | |
Brilliant, nice one. See you again. Bye. | 0:18:10 | 0:18:13 | |
That's actually been great. | 0:18:13 | 0:18:14 | |
First impressions when I turned up, I saw the scaffolding and I was really worried about | 0:18:14 | 0:18:18 | |
how much work had been done but now I've had a good look inside, lots of plaster work in progress, | 0:18:18 | 0:18:23 | |
it's really coming along more than I actually expected out of today. | 0:18:23 | 0:18:26 | |
And I think I've got such good news, I'm going to share it with | 0:18:26 | 0:18:29 | |
the immediate neighbour who's had to put up with all the problems. | 0:18:29 | 0:18:32 | |
Hi, Jane. How are you doing? Hello, Matt. Nice to see you again. | 0:18:32 | 0:18:35 | |
I've just been round to the house next door. | 0:18:35 | 0:18:38 | |
I think we've got some pretty good news. It's really moving on. | 0:18:38 | 0:18:41 | |
That's good. He's going to finish the first house probably just over a month or so's time, | 0:18:41 | 0:18:45 | |
which is great. Then the second house is gone to follow on from that, | 0:18:45 | 0:18:49 | |
probably a couple of months after that. So what will this mean to you, then? | 0:18:49 | 0:18:52 | |
That's just really good news. I'm really pleased to hear that. | 0:18:52 | 0:18:55 | |
It's been a real burden, to be honest. | 0:18:55 | 0:18:58 | |
The last six years, having to live next door to this empty property. | 0:18:58 | 0:19:01 | |
We've got three children, they haven't wanted to play outside | 0:19:01 | 0:19:04 | |
in the garden because we've had youths climbing on the scaffolding. | 0:19:04 | 0:19:07 | |
I had a bike stolen cos they'd had access through the fence | 0:19:07 | 0:19:11 | |
because it was such a state of disrepair, | 0:19:11 | 0:19:13 | |
and one evening I actually came home and there were some | 0:19:13 | 0:19:16 | |
youths in the garden and they actually threatened me. | 0:19:16 | 0:19:19 | |
They threatened to come over and do me! So we had to call the police. | 0:19:19 | 0:19:21 | |
And then we had to explain to our own children why the police were here. | 0:19:21 | 0:19:25 | |
That's going to be great, not just for your own family, the neighbourhood as well. | 0:19:25 | 0:19:29 | |
We might even have a garden party to celebrate. A great way to celebrate. | 0:19:29 | 0:19:32 | |
OK, great to see you again. OK, Mark. Take care. Good to see you. Bye-bye. | 0:19:32 | 0:19:37 | |
The property's been empty for five years. | 0:19:37 | 0:19:39 | |
Having now gone inside, it's superb to see work finally been carried out | 0:19:39 | 0:19:42 | |
and this is why I do this job, to see such a problematic house | 0:19:42 | 0:19:46 | |
finally coming back into use to the benefit of everybody. | 0:19:46 | 0:19:50 | |
If you're interested in tracking down a disused house to | 0:19:50 | 0:19:53 | |
turn into a home, then your local empty property officer | 0:19:53 | 0:19:56 | |
should be one of your first ports of call. | 0:19:56 | 0:19:59 | |
Also ask around the local estate agents and keep a lookout for signs of abandoned buildings. | 0:19:59 | 0:20:04 | |
Back in Leeds, I'm with Simon and Kari, who bought an old | 0:20:07 | 0:20:10 | |
Methodist chapel and are busy trying to turn it into a wonderful new home. | 0:20:10 | 0:20:15 | |
To help them, I've brought them to nearby York to introduce them | 0:20:15 | 0:20:18 | |
to a man who completed his own minor miracle, | 0:20:18 | 0:20:21 | |
turning an old chapel into an amazing house. | 0:20:21 | 0:20:24 | |
Right, guys. This is the property I've brought you to see. | 0:20:24 | 0:20:27 | |
I imagine you can tell what it is from the outside. What do you think? | 0:20:27 | 0:20:30 | |
Yeah, a chapel. Chapel, exactly. I love it. It's great. | 0:20:30 | 0:20:32 | |
The windows are fantastic. It's a bit younger than yours, it's 1900. | 0:20:32 | 0:20:36 | |
It's been taken on by a guy called Ben. | 0:20:36 | 0:20:38 | |
Before he had it, it stood empty for about two years. | 0:20:38 | 0:20:40 | |
It was a glaziers in there so it had an industrial use, | 0:20:40 | 0:20:42 | |
a bit like your chapel as well. | 0:20:42 | 0:20:44 | |
So let's go and say hello, shall we? | 0:20:44 | 0:20:46 | |
Engineer Ben Shaw was looking for a live-work space | 0:20:50 | 0:20:52 | |
when his attention was brought to this old Methodist chapel. | 0:20:52 | 0:20:56 | |
Being someone who likes to make things, I wanted to be able to | 0:20:56 | 0:21:00 | |
make things for a house that I was going to live in. | 0:21:00 | 0:21:02 | |
A friend of mine pointed it out with its workshop. | 0:21:02 | 0:21:04 | |
And my first impressions of the place when I walked in was fantastic, really. | 0:21:04 | 0:21:09 | |
It had a lot of space and I could see a huge amount of potential. | 0:21:09 | 0:21:13 | |
Yet it was completely uninhabitable and cost Ben ?250,000. | 0:21:13 | 0:21:18 | |
Because it was a commercial building, there was | 0:21:18 | 0:21:20 | |
nothing that really could remain beyond the bare walls. | 0:21:20 | 0:21:24 | |
We even had to take the roof off. | 0:21:24 | 0:21:26 | |
There was no insulation on the floor or the ceiling or the walls. | 0:21:26 | 0:21:30 | |
You know, when you look at change of use and building regs, | 0:21:30 | 0:21:33 | |
this all has to happen. You can't not do it. | 0:21:33 | 0:21:36 | |
The early days of this project were hardly plain sailing. | 0:21:36 | 0:21:39 | |
My relationship with the first builders degraded. | 0:21:39 | 0:21:41 | |
When you come back from a full day of work and you open the door | 0:21:41 | 0:21:44 | |
and you can see much progress, but you've got another bill in your hand, | 0:21:44 | 0:21:48 | |
it's, you know, you sit there thinking, God, is it going to end? | 0:21:48 | 0:21:51 | |
But with new builders in place, the project was back on track and Ben | 0:21:51 | 0:21:55 | |
could start to see his vision for an ecological sound home taking shape. | 0:21:55 | 0:21:59 | |
I like to be green where possible. | 0:21:59 | 0:22:01 | |
Rainwater harvesting and solar thermal, | 0:22:01 | 0:22:04 | |
they were both things that I was very keen on putting in. | 0:22:04 | 0:22:06 | |
I started getting excited about the property when you can actually | 0:22:06 | 0:22:09 | |
start to see some of the finished aspects of the room. | 0:22:09 | 0:22:12 | |
I love the luxury of walking around and having a lot of space. | 0:22:12 | 0:22:15 | |
And light as well. You know, there's a lot of light come in. | 0:22:15 | 0:22:19 | |
The roof terrace is just fantastic. | 0:22:19 | 0:22:21 | |
One thing that stuck in my mind was the saying, truth to materials. | 0:22:21 | 0:22:25 | |
Not to try and dress something up to be something that it isn't. | 0:22:25 | 0:22:30 | |
I like all the features that I've had a hand in, you know. | 0:22:30 | 0:22:33 | |
Whether it's design or actually building of the pieces. | 0:22:33 | 0:22:35 | |
It's all been pretty rewarding. | 0:22:35 | 0:22:37 | |
Oh, wow. So, have a good look around. There is plenty to take in. | 0:22:40 | 0:22:46 | |
Fantastic. Amazing. | 0:22:46 | 0:22:48 | |
Ben, maybe you could start us off by telling us | 0:22:48 | 0:22:50 | |
what this was like when you took it on? | 0:22:50 | 0:22:52 | |
It was actually in pretty good shape, you know. | 0:22:52 | 0:22:54 | |
I've think the Victorians put up a fairly good structure, you know. | 0:22:54 | 0:22:57 | |
The beans are all true and no rot or anything like that. Very good. | 0:22:57 | 0:23:00 | |
Because you got the clearly designated areas, | 0:23:00 | 0:23:03 | |
but it's still got an open feel to it, which is | 0:23:03 | 0:23:05 | |
something we're going to try and achieve with ours. | 0:23:05 | 0:23:08 | |
How did you want to configure it to | 0:23:08 | 0:23:09 | |
have exactly what you wanted in this space? | 0:23:09 | 0:23:11 | |
My primary goal has always been to have a big workshop. | 0:23:11 | 0:23:14 | |
And, you know, now I can have dinner and just walk two yards | 0:23:14 | 0:23:18 | |
and I'm in my workshop! | 0:23:18 | 0:23:19 | |
We've got chapel of rest off to the side, | 0:23:19 | 0:23:21 | |
that's going to be my music room. So, exactly the same for me. | 0:23:21 | 0:23:24 | |
You know, having a space just off the main living area where | 0:23:24 | 0:23:27 | |
I can go and work is going to be fantastic. | 0:23:27 | 0:23:29 | |
And you're going to be creating a kitchen from scratch. | 0:23:29 | 0:23:31 | |
I mean, what do you make of what you see there? | 0:23:31 | 0:23:33 | |
The concrete worktops are fantastic. | 0:23:33 | 0:23:35 | |
That's something we decided on early on, wasn't it? That we wanted. | 0:23:35 | 0:23:37 | |
But we thought that cost might make it impossible. | 0:23:37 | 0:23:40 | |
I made those ones myself, actually. I thought you might say that! It's not too difficult, | 0:23:40 | 0:23:44 | |
But it is time-consuming. Oh, really? You can cast little details. | 0:23:44 | 0:23:47 | |
You'll see that I've put keys from 1952 to do with the chapel. | 0:23:47 | 0:23:50 | |
There's one in each worktop. You know, if I'd have got someone to do that professionally, | 0:23:50 | 0:23:55 | |
I think it would have been over 10 or ?15,000. | 0:23:55 | 0:23:57 | |
I think you've been really clever because you've got the curve | 0:23:57 | 0:23:59 | |
of the kitchen floor matching the curve of the worktop there. | 0:23:59 | 0:24:02 | |
And it also distinguishes where the kitchen is and where it ends. | 0:24:02 | 0:24:05 | |
I can really see us doing that and it gives me | 0:24:05 | 0:24:07 | |
some ideas of how we're going to divide everything up. | 0:24:07 | 0:24:09 | |
We're looking at having underfloor heating. | 0:24:09 | 0:24:11 | |
Everybody that we've spoken to says it's better to have a concrete floor | 0:24:11 | 0:24:14 | |
screed in and then put a flooring over the top. | 0:24:14 | 0:24:16 | |
That's what I've done here, actually. Oh, OK. | 0:24:16 | 0:24:18 | |
These floorboards, they were thick, they're Victorian ones. | 0:24:18 | 0:24:21 | |
I ended up planing them down sort of underfloor thickness. | 0:24:21 | 0:24:24 | |
So it allows the heat through. Yeah. I suppose that's the other thing, | 0:24:24 | 0:24:27 | |
if your floor is actually quite thin. you're thinking it can't hold the weight, | 0:24:27 | 0:24:30 | |
it might be the right thickness to go on top of underfloor heating | 0:24:30 | 0:24:33 | |
once you've laid down everything else. Especially if we do | 0:24:33 | 0:24:35 | |
a different flooring for the kitchen section. Yeah. | 0:24:35 | 0:24:38 | |
We'd have enough to do the rest of it. | 0:24:38 | 0:24:39 | |
Yeah, and actually, that might be a very authentic way of keeping some of the history. | 0:24:39 | 0:24:43 | |
It's been difficult for me to visualise how we're going to | 0:24:43 | 0:24:45 | |
make that work, you know, combine the old and new. And making it a success. | 0:24:45 | 0:24:49 | |
But you can see straight away that it does work really well. | 0:24:49 | 0:24:52 | |
I'm curious to find out what this is, actually. | 0:24:52 | 0:24:54 | |
Yeah? Would you like to have a look? Yeah, definitely. | 0:24:54 | 0:24:57 | |
Extravagant toy! Incredible, isn't it? | 0:25:02 | 0:25:04 | |
And it's more than a few bottles of wine, as well! It holds 275 bottles. | 0:25:04 | 0:25:09 | |
I designed and built it with a friend of mine. | 0:25:09 | 0:25:13 | |
That's the point, I guess. | 0:25:13 | 0:25:15 | |
if you take an empty property, and if you're completely open-minded, | 0:25:15 | 0:25:17 | |
you can pretty much do anything. | 0:25:17 | 0:25:19 | |
Well, look, this is all a bit too tempting. | 0:25:19 | 0:25:21 | |
I suggest no glasses of wine at this point, | 0:25:21 | 0:25:24 | |
let's continue the tour, shall we? | 0:25:24 | 0:25:27 | |
Let me show you upstairs in the master bedroom. | 0:25:27 | 0:25:30 | |
Did you design these stairs yourself? | 0:25:30 | 0:25:33 | |
Yes, I had a friend helped me who does that for a living. | 0:25:33 | 0:25:37 | |
They look fantastic. | 0:25:37 | 0:25:40 | |
We can see up here, the ceiling, | 0:25:40 | 0:25:41 | |
the wood goes the whole length of the building. | 0:25:41 | 0:25:43 | |
And that's all original. | 0:25:43 | 0:25:44 | |
Yeah, it was one of the features that really stood out immediately I walked into the property. | 0:25:44 | 0:25:48 | |
It was covered in a dark varnish and the workshop was painted white. | 0:25:48 | 0:25:52 | |
But we wanted to sandblast them | 0:25:52 | 0:25:54 | |
and bring them back up to their natural colour. | 0:25:54 | 0:25:56 | |
You guys want to make your building as environmentally friendly as possible. | 0:25:56 | 0:26:00 | |
Is that an aim you had? Is that something you've managed to achieve? | 0:26:00 | 0:26:03 | |
Yeah, I've tried to put a lot of green emphasis into the build. | 0:26:03 | 0:26:07 | |
The entire roof system runs off into a large underground 5,000 litre tank. | 0:26:07 | 0:26:11 | |
Wow. We clean it and supply it back again to the house. | 0:26:11 | 0:26:14 | |
These guys are thinking about, you know, air source heat pumps. | 0:26:14 | 0:26:17 | |
How do you power this property, are you on gas? I am on gas, yeah. | 0:26:17 | 0:26:20 | |
I did do a lot of thinking about it. Being green is expensive these days. | 0:26:20 | 0:26:23 | |
Gas boilers are still very, very cheap, in comparison. | 0:26:23 | 0:26:26 | |
Everyone we spoke to gave us a different opinion on air source heat pumps. | 0:26:26 | 0:26:29 | |
Stuff I've read suggests that gas boilers can be | 0:26:29 | 0:26:32 | |
just as efficient as the air source heat pumps. I don't doubt it. | 0:26:32 | 0:26:35 | |
That's the same problem I had, is some sort of clarification. | 0:26:35 | 0:26:39 | |
Who do you trust? What information do you believe. | 0:26:39 | 0:26:41 | |
Sometimes when I'm up at the building site and looking at all | 0:26:41 | 0:26:43 | |
the jobs that need doing, it can become a bit overwhelming. | 0:26:43 | 0:26:46 | |
Even small details, you think they're going to take a week to do. | 0:26:46 | 0:26:49 | |
Is that something you found? | 0:26:49 | 0:26:51 | |
Did you try not to worry too much about the small details | 0:26:51 | 0:26:53 | |
and think that it would all take care of itself? | 0:26:53 | 0:26:55 | |
I think it's a project that never finishes! | 0:26:55 | 0:26:57 | |
You'll constantly be looking to do little bits and pieces. Yeah. | 0:26:57 | 0:27:00 | |
Brilliant, Well, look, it's amazing to see round. | 0:27:00 | 0:27:03 | |
And I think it's a very close match to what you're dealing with. | 0:27:03 | 0:27:05 | |
So I hope it's been really useful. | 0:27:05 | 0:27:07 | |
But thanks for your time and for your advice as well. My pleasure. Thanks very much. Thank you. | 0:27:07 | 0:27:11 | |
Has today been useful? Absolutely. Massively useful, yeah. | 0:27:12 | 0:27:15 | |
Just to see the old mixed with the new, really. Come to life. | 0:27:15 | 0:27:19 | |
For me, I think the wood here gives the property a particular warmth. | 0:27:19 | 0:27:22 | |
Yeah. Yes. If you can keep that wood floor, little things like that, | 0:27:22 | 0:27:25 | |
that might be worth considering, do you think? Yeah. Good luck with it. | 0:27:25 | 0:27:28 | |
It's a really unique property. Thank you. | 0:27:28 | 0:27:31 | |
The best bit is, I can see how excited you guys are with it. Yeah. | 0:27:31 | 0:27:33 | |
It's a good boost for us, isn't it? It's something really positive. | 0:27:33 | 0:27:36 | |
And, you know, especially the stage we're at. | 0:27:36 | 0:27:39 | |
We need that enthusiasm to keep going | 0:27:39 | 0:27:40 | |
and I think this has definitely been that for us. So, really useful. | 0:27:40 | 0:27:44 | |
Best of luck with it. Thank you. Thanks very much. | 0:27:44 | 0:27:46 | |
I'm really pleased that Simon and Kari could see this place today. | 0:27:46 | 0:27:50 | |
Yes, they're already well into their own project, | 0:27:50 | 0:27:52 | |
but it never hurts to have a bit more inspiration, to see | 0:27:52 | 0:27:55 | |
how someone else has used a space. | 0:27:55 | 0:27:57 | |
And also, I think it will really give them confidence to play with their ideas. | 0:27:57 | 0:28:02 | |
To be bold and to do everything they want to make it a very personal home for them. | 0:28:02 | 0:28:06 | |
So I know they've got a lot of work ahead of them. | 0:28:06 | 0:28:09 | |
But I've got a very good feeling they'll be finished in time, | 0:28:09 | 0:28:12 | |
so they've got a lovely home when the baby arrives. | 0:28:12 | 0:28:15 | |
Subtitles by Red Bee Media Ltd. | 0:28:16 | 0:28:19 | |
TENOR SINGS ROUSING ITALIAN SONG | 0:28:44 | 0:28:46 |