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We all have plans when we retire, don't we? | 0:00:02 | 0:00:04 | |
Pay your dues all your life, then you can spend time | 0:00:04 | 0:00:07 | |
with the one you love, doing the things you always dreamed of. | 0:00:07 | 0:00:10 | |
Unfortunately it doesn't always pan out that way. | 0:00:10 | 0:00:14 | |
How much did they give you? | 0:00:15 | 0:00:17 | |
Well, she's going to die, isn't she? I didn't marry June to watch her die. | 0:00:17 | 0:00:21 | |
I married June because she's June. | 0:00:21 | 0:00:24 | |
When she was first in hospital, she was really bad. | 0:00:24 | 0:00:29 | |
She was wishing that she would die. | 0:00:29 | 0:00:31 | |
We're here to help a woman who was struck down with a rare condition, | 0:00:35 | 0:00:39 | |
who's left sleeping in their small kitchen with no washing facilities. | 0:00:39 | 0:00:43 | |
Everyone should be able to use the bathroom in privacy. | 0:00:43 | 0:00:47 | |
She hasn't had that for four years. | 0:00:47 | 0:00:49 | |
You worked all your life and you get to this point | 0:00:49 | 0:00:52 | |
and you deserve a bit of help, you deserve a break. | 0:00:52 | 0:00:54 | |
It's difficult for a man like yourself to accept help, I imagine. | 0:00:54 | 0:00:57 | |
I think the answer is clear and that's where we come in, | 0:00:59 | 0:01:02 | |
to turn things around for June and her devoted and loving husband John. | 0:01:02 | 0:01:07 | |
We have with us all the usual suspects of course | 0:01:08 | 0:01:11 | |
but it's going to need the whole community to come together | 0:01:11 | 0:01:14 | |
if we're going to pull this off in just nine days. Are you up for it? | 0:01:14 | 0:01:18 | |
THEY CHEER | 0:01:18 | 0:01:19 | |
This is DIY SOS The Big Build! | 0:01:19 | 0:01:21 | |
Meet John and June Finlay. | 0:01:33 | 0:01:36 | |
They live in Houghton-le-Spring just outside of Sunderland | 0:01:36 | 0:01:39 | |
in this two-bedroom, 1960s, semidetached house. | 0:01:39 | 0:01:42 | |
They moved in here after they married | 0:01:42 | 0:01:45 | |
and haven't lived anywhere else. | 0:01:45 | 0:01:47 | |
They raised their daughter Heather here. | 0:01:47 | 0:01:50 | |
It's a home that gave them so much happiness. | 0:01:50 | 0:01:53 | |
Never argued. Never a wrong word in 35 years. | 0:01:53 | 0:01:57 | |
After working down the mines from the age of 14, | 0:01:57 | 0:02:01 | |
John was looking forward to spending his retirement with June, | 0:02:01 | 0:02:04 | |
except life took a devastating turn for the worse. | 0:02:04 | 0:02:08 | |
Four years ago, John and June had just come back from a summer holiday | 0:02:09 | 0:02:13 | |
when June was struck down suddenly with a terrible rare disease. | 0:02:13 | 0:02:18 | |
She's now left as a prisoner in her home. | 0:02:18 | 0:02:21 | |
Just before October she came back from Majorca fit and well. | 0:02:21 | 0:02:25 | |
She started to feel a little bit tired | 0:02:25 | 0:02:27 | |
and after that she deteriorated. | 0:02:27 | 0:02:31 | |
By January she couldn't speak, walk, use her hands and was incontinent. | 0:02:31 | 0:02:37 | |
They couldn't diagnose what it was and they diagnosed pneumonia. | 0:02:37 | 0:02:42 | |
I think the pneumonia has gone from her lungs onto her brain | 0:02:42 | 0:02:48 | |
because it was diagnosed after a brain biopsy | 0:02:48 | 0:02:51 | |
as inflammation of the brain which is now called CLIPPERS. | 0:02:51 | 0:02:56 | |
CLIPPERS is an inflammatory central nervous system disorder. | 0:02:56 | 0:03:01 | |
It's a very rare condition the doctors are still researching. | 0:03:01 | 0:03:04 | |
It means June's left trapped in her own home, | 0:03:04 | 0:03:07 | |
living on an old hospital bed in her tiny kitchen | 0:03:07 | 0:03:10 | |
and with nowhere to go to the toilet. | 0:03:10 | 0:03:12 | |
You know, it's really hard. Mum gets really frustrated. | 0:03:13 | 0:03:18 | |
When she was first in hospital, | 0:03:22 | 0:03:25 | |
she was really bad and she was wishing that she would die. | 0:03:25 | 0:03:30 | |
That was the worst day because, you know, it was so horrible | 0:03:39 | 0:03:45 | |
to see your mum lying there wishing that that would happen. | 0:03:45 | 0:03:49 | |
One, two, three. | 0:03:50 | 0:03:52 | |
John, however, would not accept that this was the end for his wife. | 0:03:52 | 0:03:57 | |
He wasn't having any of it. | 0:03:57 | 0:03:59 | |
Despite being 69, he's thrown himself into the role | 0:03:59 | 0:04:02 | |
of full-time physio and carer, | 0:04:02 | 0:04:05 | |
spending all day attending to June's every need. | 0:04:05 | 0:04:09 | |
And if sleeping downstairs wasn't bad enough, | 0:04:09 | 0:04:12 | |
she now has to go to the toilet on a commode in the middle of the living room. | 0:04:12 | 0:04:16 | |
A separate toilet is the ideal situation to go to the toilet. | 0:04:16 | 0:04:22 | |
In the middle of the room, it's not nice. | 0:04:22 | 0:04:24 | |
Dignity-wise for June, it's out of the window. | 0:04:26 | 0:04:29 | |
-Are you very frustrated, June? -Yes. | 0:04:30 | 0:04:32 | |
And I... | 0:04:35 | 0:04:37 | |
Who cleans in here? | 0:04:37 | 0:04:40 | |
Like to clear up and polish, wouldn't you? | 0:04:40 | 0:04:43 | |
-And get me bottles of beer out of the fridge? -Yes. | 0:04:43 | 0:04:47 | |
And taking the tops off! | 0:04:47 | 0:04:49 | |
Doctors said June would never walk, talk or use her hands again | 0:04:50 | 0:04:54 | |
but thanks to John's hard work, June is making slow progress. | 0:04:54 | 0:04:58 | |
He takes her to the local swimming baths twice a week for some hydrotherapy. | 0:04:58 | 0:05:03 | |
He also gives her a proper shower there, | 0:05:03 | 0:05:05 | |
something she can't have at home. | 0:05:05 | 0:05:08 | |
His sheer determination to get June better again is simply amazing. | 0:05:09 | 0:05:14 | |
Somebody in June's life has got to say, "You're in with a chance." | 0:05:14 | 0:05:19 | |
And she's getting better. | 0:05:19 | 0:05:21 | |
Improvements are there but they're very, very slow. But it's not a race. | 0:05:21 | 0:05:25 | |
Dad just keeps pressing on all the time. | 0:05:25 | 0:05:27 | |
If it wasn't for Dad, she wouldn't be here. | 0:05:27 | 0:05:29 | |
This devoted husband is desperately trying to do everything for his wife | 0:05:31 | 0:05:36 | |
but needs our help so she can stop living in these terrible conditions. | 0:05:36 | 0:05:41 | |
Right, the boys are on their way | 0:05:48 | 0:05:49 | |
and we've got some people in early to help out. | 0:05:49 | 0:05:52 | |
I like what you've done to the place! | 0:05:54 | 0:05:57 | |
To be fair, our lot have been in and already started because we need to make a start | 0:05:57 | 0:06:01 | |
and they've semi-destroyed your house already to give us a head start. | 0:06:01 | 0:06:06 | |
To be fair, you've been living pretty much in this room we're in now, haven't you? | 0:06:06 | 0:06:10 | |
That's not an easy way to live. How long has that been going on for? | 0:06:10 | 0:06:15 | |
-About three and a half or four years now. -Yes. | 0:06:15 | 0:06:19 | |
Apart from all the difficulties that you're facing, | 0:06:19 | 0:06:23 | |
the dignity issue is a big deal, isn't it? | 0:06:23 | 0:06:25 | |
Imagine now, you want to go to the toilet. | 0:06:25 | 0:06:29 | |
In the middle of the room and you've got company. | 0:06:29 | 0:06:32 | |
-It's not very nice, is it? -No. | 0:06:33 | 0:06:35 | |
See, June's a lady. | 0:06:35 | 0:06:38 | |
Well, she's a lady, a proper lady, and it's not right. | 0:06:39 | 0:06:43 | |
This is why I want this. | 0:06:43 | 0:06:45 | |
If anything happens to me, they'll banish her into a home. | 0:06:45 | 0:06:49 | |
But if I get the bedroom sorted out | 0:06:51 | 0:06:54 | |
and washing facilities sorted out, June can stop here with carers. | 0:06:54 | 0:06:58 | |
That's it. Simples. | 0:06:59 | 0:07:02 | |
But you deserve a break. | 0:07:02 | 0:07:04 | |
You worked all your life and you get to this point... You know. | 0:07:04 | 0:07:08 | |
You deserve a bit of help. You deserve a break. | 0:07:08 | 0:07:11 | |
It is difficult for a man like yourself to accept help, I imagine. | 0:07:11 | 0:07:14 | |
You know, it's actually very easy to get people to support | 0:07:17 | 0:07:20 | |
a hard-working, proud man like John. | 0:07:20 | 0:07:23 | |
Over 70 of the local trades have turned up to make this house right again for June | 0:07:23 | 0:07:28 | |
and they're itching to get started. | 0:07:28 | 0:07:30 | |
I'm pleased on this occasion that we're working for an older couple. | 0:07:30 | 0:07:33 | |
Too many people go all their lives working hard and get sod all back at the end of it. | 0:07:33 | 0:07:37 | |
He said to me just now before we came out, | 0:07:37 | 0:07:40 | |
"My worry is I'm going to keel over and die | 0:07:40 | 0:07:42 | |
"and she'll go into a home and everyone will forget about her." | 0:07:42 | 0:07:45 | |
If he can get the house sorted he said, "I know if anything happens to me, she'll be safe | 0:07:45 | 0:07:49 | |
"and my daughter can look after her and carers can help." | 0:07:49 | 0:07:51 | |
It's a big thing we're doing today and it will make a massive difference to a family | 0:07:51 | 0:07:55 | |
who have worked hard all their lives and deserve it. | 0:07:55 | 0:07:58 | |
That's enough talk. Let's get on with it. | 0:07:58 | 0:07:59 | |
We're going to double the footprint of the whole ground floor | 0:08:03 | 0:08:06 | |
and decorate upstairs and as usual have just nine days | 0:08:06 | 0:08:10 | |
before we give it back to June and John done. | 0:08:10 | 0:08:12 | |
This is it. This is what it's all about. | 0:08:15 | 0:08:18 | |
This is our one-storey extension to wrap around the building. | 0:08:18 | 0:08:20 | |
A little bit of trussed roof there. | 0:08:20 | 0:08:24 | |
They do both ends and then a cut roof in the middle. It's fantastic. | 0:08:24 | 0:08:28 | |
Should be millimetre perfect. | 0:08:28 | 0:08:30 | |
Of course, we need it to look nice | 0:08:30 | 0:08:32 | |
and guess who's back to handle all the design? Yes, it's Oliver Heath. | 0:08:32 | 0:08:36 | |
In the past me and the boys haven't seen eye to eye with Oliver. | 0:08:36 | 0:08:39 | |
-Just keep out of there. -I don't want these to get damaged outside. | 0:08:39 | 0:08:42 | |
Everybody has problems. Keep out of the room. Everybody means everybody! | 0:08:42 | 0:08:48 | |
I must admit, it did get tense for a while | 0:08:48 | 0:08:51 | |
but I'm going to be more civil this time, I promise. | 0:08:51 | 0:08:54 | |
I thought we would chat about your overall plan. | 0:08:54 | 0:08:56 | |
There's an enormous amount of design work going on here | 0:08:56 | 0:09:00 | |
but what underpins all of this work is the design concept for this building, which is biophilia. | 0:09:00 | 0:09:07 | |
-Biophilia means nature loving. -OK. | 0:09:07 | 0:09:10 | |
It's all about connecting the house and people in it with nature. | 0:09:10 | 0:09:14 | |
-There's not much nature out there, to be honest. -Look at it now, it's carnage. | 0:09:14 | 0:09:19 | |
What we're going to do... There are three key parts to biophilia. | 0:09:19 | 0:09:22 | |
-Tell us all three of them. -OK. | 0:09:22 | 0:09:24 | |
Firstly it's about looking out onto nature and light windows | 0:09:24 | 0:09:29 | |
and natural light is obviously good for vitamin D and good for your circadian rhythm, | 0:09:29 | 0:09:33 | |
-so it helps regulate sleep patterns. -What? | 0:09:33 | 0:09:36 | |
Circadian rhythm, your daily rhythmic cycles | 0:09:36 | 0:09:40 | |
that help to level out your sleep | 0:09:40 | 0:09:43 | |
-and your hormone imbalances and stuff like that. -OK. | 0:09:43 | 0:09:47 | |
-The second part of biophilia... -We're only at the first part? | 0:09:47 | 0:09:50 | |
That was the first part. | 0:09:50 | 0:09:52 | |
The second part is having somewhere to back into. So come in here. | 0:09:52 | 0:09:57 | |
The second part is having safe spaces to back into. | 0:09:57 | 0:10:01 | |
This lounge is really important for us to create that safe space. | 0:10:01 | 0:10:05 | |
We're going to take out this chimney breast | 0:10:05 | 0:10:07 | |
and have an L-shaped sofa in here. | 0:10:07 | 0:10:09 | |
This is the space where you huddle up in the winter and you can back up into here. | 0:10:09 | 0:10:13 | |
Lastly it's about natural materials, textures and patterns. | 0:10:13 | 0:10:17 | |
Would it be fair, to sum it up, to say we're going to have windows, | 0:10:17 | 0:10:20 | |
a lounge and some nice patterns inside? | 0:10:20 | 0:10:23 | |
No, that is completely destroying the whole biophilic design concept. | 0:10:23 | 0:10:27 | |
You're reducing it and you're losing out on the poetry. | 0:10:27 | 0:10:32 | |
We've only got an hour on the programme and I'm slightly worried! | 0:10:32 | 0:10:35 | |
You're losing the poetry and the beauty of the fact... | 0:10:35 | 0:10:40 | |
This is an ordinary house but we can still create a design concept that is fundamentally better | 0:10:40 | 0:10:45 | |
and healthier and happier for them and that's what I want to do. | 0:10:45 | 0:10:48 | |
I think I lost the will to live in the middle of that. | 0:10:48 | 0:10:50 | |
The point is June and John desperately need more space. | 0:10:50 | 0:10:54 | |
Oliver's design means the garage will have to make way | 0:10:54 | 0:10:57 | |
for a massive extension going down the whole side of the house. | 0:10:57 | 0:11:00 | |
This will create a study at the front, a wet room in the middle, | 0:11:00 | 0:11:03 | |
and finally a downstairs bedroom for June at the rear. | 0:11:03 | 0:11:07 | |
We'll be ripping out the old kitchen to create a new kitchen-dining area | 0:11:07 | 0:11:11 | |
for the whole family to enjoy together. | 0:11:11 | 0:11:14 | |
The whole ground floor, including the newly-designed garden, | 0:11:14 | 0:11:18 | |
will all be on one level | 0:11:18 | 0:11:19 | |
and all the door openings widened for easy wheelchair access. | 0:11:19 | 0:11:23 | |
Upstairs we're keeping the original layout | 0:11:23 | 0:11:26 | |
but that doesn't mean it's going to be left alone. | 0:11:26 | 0:11:28 | |
We will be renovating the two bedrooms | 0:11:28 | 0:11:30 | |
and family bathroom to create fresh, comfortable spaces. | 0:11:30 | 0:11:33 | |
It might be a little house but it's a huge extension | 0:11:34 | 0:11:37 | |
and there's a lot to do. | 0:11:37 | 0:11:38 | |
And there is no time for standing around. | 0:11:39 | 0:11:42 | |
Have you heard about Oliver's plan for this? Biophilia. | 0:11:42 | 0:11:46 | |
-What does that mean? -It's easy, isn't it? It's the love of nature. | 0:11:46 | 0:11:51 | |
-Blatantly. -Well bio is both ways, isn't it? | 0:11:51 | 0:11:55 | |
No, that's bi. Bio means nature. | 0:11:55 | 0:12:00 | |
And philia means love, so love of nature. | 0:12:00 | 0:12:03 | |
THEY SNIGGER | 0:12:03 | 0:12:04 | |
He's gone, hasn't he? | 0:12:04 | 0:12:07 | |
Bi means both ways! Quite right, Bill, but not in this instance. | 0:12:08 | 0:12:13 | |
-Biofuel? So biofuel goes both ways, does it? -I thought... | 0:12:13 | 0:12:18 | |
You thought that was horizontal and that was vertical. | 0:12:18 | 0:12:23 | |
Someone told me vertical is when you're dead. | 0:12:23 | 0:12:26 | |
That's horizontal. Horizontal. | 0:12:26 | 0:12:30 | |
And he's in charge of electrics. Frightening, isn't it? | 0:12:30 | 0:12:34 | |
It's all going on. There's a timber frame buzzing in. | 0:12:38 | 0:12:42 | |
We've got a bit of a problem with space because we've got to get a timber frame in. | 0:12:42 | 0:12:46 | |
Got to get the plate down, this here, | 0:12:46 | 0:12:47 | |
which is what all the timber frame is going to stand on. | 0:12:47 | 0:12:50 | |
We've got to get scaffold up so we can actually work on it to first-floor height. | 0:12:50 | 0:12:53 | |
All of that at the back, all that rubble, needs to come out, | 0:12:53 | 0:12:56 | |
which is why we have so many people trying to get it out. | 0:12:56 | 0:13:00 | |
It's one of those things really. This is DIY SOS Big Build all over. | 0:13:00 | 0:13:03 | |
A million different trades all working on top of each other. | 0:13:03 | 0:13:06 | |
You don't see this very often. | 0:13:06 | 0:13:08 | |
Scaffolding going up in amongst people doing gardening. | 0:13:08 | 0:13:12 | |
There's something else you don't see that often, | 0:13:12 | 0:13:15 | |
a designer getting his hands dirty. | 0:13:15 | 0:13:17 | |
On the first day of any build, this is where you will generally see me, | 0:13:19 | 0:13:23 | |
filling a skip properly. It's a real bugbear of mine. | 0:13:23 | 0:13:26 | |
Look, there's a barrel in there completely empty. | 0:13:26 | 0:13:29 | |
It's the expense. You're paying all this money for a skip. | 0:13:31 | 0:13:35 | |
-They're really expensive these days. £150 a go? -320. | 0:13:35 | 0:13:40 | |
Is that what they do now? 320? And all this space. | 0:13:40 | 0:13:45 | |
You're looking at probably 20 quid's worth of space. | 0:13:45 | 0:13:49 | |
Knowlesy opening up holes in the skip. He's hole mad, that boy. | 0:13:51 | 0:13:55 | |
Look at him filling the little holes. | 0:13:59 | 0:14:01 | |
One brick at a time. Not having that. There's a hole in there. | 0:14:02 | 0:14:06 | |
Watch, this is how you do it. Get in there. That's it. | 0:14:06 | 0:14:10 | |
Shove it in nice and tight. | 0:14:10 | 0:14:11 | |
It's like Blue Peter. He's got a very wide spread of knowledge, Mr Knowles. | 0:14:13 | 0:14:18 | |
Mostly rubbish. | 0:14:21 | 0:14:23 | |
There's quite a bit of space in this skip. | 0:14:23 | 0:14:25 | |
Just about enough room for an Irishman. | 0:14:25 | 0:14:27 | |
Usually you don't see the kitchen fitter here on day one of the build | 0:14:27 | 0:14:30 | |
but because of super-quick turnaround, | 0:14:30 | 0:14:32 | |
he has been given a risky task to measure up the glass splashback | 0:14:32 | 0:14:35 | |
before it's even been plastered. | 0:14:35 | 0:14:38 | |
-Morning, Paul. -Morning. -He looks a worried man. | 0:14:39 | 0:14:41 | |
-Paul came here yesterday. -Just a bit stressed. | 0:14:41 | 0:14:44 | |
-He's got a glass back splash to put on this wall. -Splashback. | 0:14:44 | 0:14:49 | |
-What did I say? -Back splash. Shall we try that again? | 0:14:49 | 0:14:53 | |
That's when you have a wee, isn't it? You get back splash. | 0:14:53 | 0:14:57 | |
-You put in the... -Splashback. -Splashback. | 0:14:57 | 0:15:00 | |
Glass splashback on the wall and you've got to be exact. | 0:15:00 | 0:15:04 | |
Within millimetres. | 0:15:04 | 0:15:06 | |
Normally this would get done once the kitchen has been installed | 0:15:06 | 0:15:09 | |
but with the timescale we have to measure up for the splashback | 0:15:09 | 0:15:14 | |
before the kitchen goes in and before you plaster it. | 0:15:14 | 0:15:18 | |
So wherever these sockets are now, they can't move. That's it. | 0:15:18 | 0:15:23 | |
Whatever I tell you we're putting on the walls, | 0:15:23 | 0:15:25 | |
-it can't be any bigger, any thinner, that's it. -To the millimetre. | 0:15:25 | 0:15:29 | |
Well, best of luck, Paul. With all the will in the world... | 0:15:29 | 0:15:33 | |
It's not going to work. | 0:15:33 | 0:15:34 | |
Yeah, positivity, Bill! | 0:15:34 | 0:15:36 | |
You know, DIY SOS is all about precision building. | 0:15:36 | 0:15:39 | |
I'd better get cracking then. Get a move on. | 0:15:39 | 0:15:41 | |
And I have every confidence in the man. | 0:15:41 | 0:15:44 | |
Now to get that extra space in the living room, | 0:15:44 | 0:15:47 | |
we have to take the chimney down but that has opened up a can of worms. | 0:15:47 | 0:15:51 | |
-How bad is it? -That's pretty bad. | 0:15:52 | 0:15:54 | |
That's the neighbour's fireplace coming through there. | 0:15:54 | 0:15:57 | |
The chimney hasn't been lined and there's a gap there. | 0:15:57 | 0:16:00 | |
We haven't seen this before when we've taken a chimney out. | 0:16:00 | 0:16:03 | |
This was the chimney that came into this side. | 0:16:03 | 0:16:05 | |
Unfortunately you might notice the second chimney next to it | 0:16:05 | 0:16:09 | |
which doesn't come into this room at all. It goes into next door. | 0:16:09 | 0:16:12 | |
That's next door's chimney, which is a bit of an issue. | 0:16:12 | 0:16:15 | |
-How bad is that hole? -That hole is that bad. Four fingers. | 0:16:15 | 0:16:21 | |
I'd better check next door that they haven't got a fire connected in there. | 0:16:22 | 0:16:27 | |
Let's peer through their window and see what's going on next door. | 0:16:27 | 0:16:31 | |
Hello. How are you? | 0:16:31 | 0:16:32 | |
-We've made a weird discovery. Knocked out the chimney next door... -Right. | 0:16:34 | 0:16:38 | |
-..to find your chimney. We found your chimney flue. -Yes, it's a metal one. | 0:16:38 | 0:16:42 | |
-No, there's no sleeve in it. -That's been there years. | 0:16:42 | 0:16:47 | |
-You know what I mean? -We'll get your fire lined, | 0:16:47 | 0:16:50 | |
so we'll get a proper liner put in for you. | 0:16:50 | 0:16:53 | |
It won't disturb anything in the room. | 0:16:53 | 0:16:55 | |
All it is, inside you get a liner in. It makes yours safe as well. | 0:16:55 | 0:16:59 | |
It means you've got no leaking into next door as well. | 0:16:59 | 0:17:01 | |
It's very good of you. You're taking it very well, given that we've just uncovered it. | 0:17:01 | 0:17:06 | |
We're happy to get it done for John and June. Absolutely. | 0:17:06 | 0:17:11 | |
They're amazing, aren't they? John is just an unstoppable force, isn't he? | 0:17:11 | 0:17:15 | |
He has dedicated his life to her, hasn't he? | 0:17:15 | 0:17:19 | |
He's been really brilliant. A brick, an absolute brick. | 0:17:19 | 0:17:22 | |
A lot of the doctors said, "Oh, no, she'll never be able to do this, never be able to do that." | 0:17:22 | 0:17:26 | |
-He's got her doing it. -He's got her doing a lot of things | 0:17:26 | 0:17:29 | |
that they just would have given up on. The hospital just gave up on her. | 0:17:29 | 0:17:32 | |
By the time we finish, they'll have more room and freedom to move around. | 0:17:32 | 0:17:36 | |
It does mean we're going to make a lot of noise for the next few days. | 0:17:36 | 0:17:39 | |
-We don't mind. -Really? -No. | 0:17:39 | 0:17:42 | |
Lovely people. | 0:17:42 | 0:17:43 | |
-Shame they had to come into contact with the likes of us, isn't it? -It is true. | 0:17:43 | 0:17:47 | |
All over the site, people are getting up to all kinds of things. | 0:17:53 | 0:17:56 | |
Smashing, digging, plastering and welding. | 0:17:56 | 0:17:58 | |
Welding? What's happening here? | 0:17:58 | 0:18:00 | |
MUSIC: "What A Feeling" by Irene Cara | 0:18:00 | 0:18:03 | |
Who's behind the mask? | 0:18:03 | 0:18:04 | |
It's Oliver! I was hoping for Flashdance. | 0:18:08 | 0:18:10 | |
-All right? -Why are you welding concrete reinforcement? -Why? | 0:18:11 | 0:18:16 | |
Because I got this helmet and I thought I really needed to use it in some way | 0:18:16 | 0:18:20 | |
that's going to be useful to the house. | 0:18:20 | 0:18:22 | |
It makes you look like a Power Ranger. | 0:18:22 | 0:18:24 | |
-That's a beautiful thing that you've made there. -It so is, isn't it? | 0:18:24 | 0:18:28 | |
This is so like you to come in and go, | 0:18:28 | 0:18:31 | |
"Right, this is my opinion of what you've made, | 0:18:31 | 0:18:33 | |
"although it's half finished and we haven't seen the whole lot." | 0:18:33 | 0:18:36 | |
-So you're somewhat dissing it. -No, we're not dissing it. | 0:18:36 | 0:18:40 | |
No, don't think for a moment that we're dissing it. | 0:18:40 | 0:18:43 | |
-Were taking an interest, Oliver. -We are. A lot of people wouldn't. | 0:18:43 | 0:18:46 | |
This is a green wall that's going to sit outside June's room. | 0:18:46 | 0:18:50 | |
Imagine in the morning, you wake up and you have lovely plants outside and there's dew on the leaves | 0:18:50 | 0:18:55 | |
and spider webs on things and the sunlight comes through | 0:18:55 | 0:18:58 | |
and bounces off into the window. You can have these magical moments. | 0:18:58 | 0:19:02 | |
From June's room she can lie in bed and see this vision of plants | 0:19:02 | 0:19:06 | |
and dew drops and sunlight sparkling off. I think it will be beautiful. | 0:19:06 | 0:19:12 | |
What's it like inside your head? It must be weird, like a kaleidoscope. | 0:19:12 | 0:19:17 | |
It's lovely. I'd welcome you in but you might mess it up a bit. | 0:19:17 | 0:19:21 | |
What sort of medication do you think he's on? | 0:19:24 | 0:19:27 | |
They don't like to give you an easy time, do they? | 0:19:27 | 0:19:29 | |
It's going to be beautiful though. Trust me. I'm a designer. | 0:19:29 | 0:19:33 | |
We can all live in hope, I suppose. | 0:19:33 | 0:19:35 | |
June's illness has affected the whole family. | 0:19:36 | 0:19:38 | |
Daughter Heather was so worried about her parents | 0:19:38 | 0:19:41 | |
that she moved back home and is now living in her childhood bedroom. | 0:19:41 | 0:19:45 | |
When I had my flat I could do what I wanted. | 0:19:46 | 0:19:50 | |
You know, my social life, my friends around, | 0:19:50 | 0:19:53 | |
just doing what I wanted when I wanted. Just have my own space. | 0:19:53 | 0:19:57 | |
I mean, I'm 28. | 0:19:57 | 0:19:59 | |
Living at home with your parents is a bit naff for a 28-year-old. | 0:19:59 | 0:20:04 | |
A bit sad. But hey-ho. It's what you have to do, isn't it? | 0:20:04 | 0:20:08 | |
We wanted to try to give something back to Heather | 0:20:08 | 0:20:10 | |
for the sacrifice she's made - an adult bedroom she can relax in. | 0:20:10 | 0:20:14 | |
Hopefully this will go some way to making her life more bearable. | 0:20:14 | 0:20:18 | |
You've moved back into the house now and sacrificed part of your life to help out. | 0:20:18 | 0:20:22 | |
Yeah. Well, I came home one day | 0:20:22 | 0:20:24 | |
and I found Dad slumped at the bottom of the stairs sweating. | 0:20:24 | 0:20:28 | |
Mum had fallen. He picked her up himself. He was shattered. | 0:20:29 | 0:20:32 | |
I said, "That's it, I'm coming home. I cannot leave you like this." | 0:20:32 | 0:20:36 | |
Anything could happen. So I gave the flat up. | 0:20:36 | 0:20:40 | |
I had a lovely flat but at the end of the day, | 0:20:40 | 0:20:42 | |
my mum and dad are much more important than that. | 0:20:42 | 0:20:45 | |
You seem very worried about your dad. Why is that? | 0:20:45 | 0:20:47 | |
He seems such a strong character. | 0:20:47 | 0:20:50 | |
Yeah, I mean Dad just does everything. He holds everybody together. | 0:20:50 | 0:20:54 | |
He's had a heart attack previously so I really worry about his health. | 0:20:54 | 0:21:00 | |
I just think if anything happened to Dad, what would happen to me and my mum? | 0:21:00 | 0:21:04 | |
He's gone from being a husband to a carer as well, hasn't he? | 0:21:04 | 0:21:10 | |
-And there isn't anything he doesn't do for her. -No. It's his wife. | 0:21:10 | 0:21:15 | |
He just does it, no questions asked. Never questioned it. | 0:21:15 | 0:21:18 | |
-Always just got on with it. -He never falters? -Never ever. | 0:21:18 | 0:21:22 | |
It's all about Mum. Everything is to make sure my mum's all right. | 0:21:22 | 0:21:26 | |
He's not bothered about himself. He doesn't care. | 0:21:26 | 0:21:28 | |
June's condition is pushing John to his absolute limit | 0:21:28 | 0:21:32 | |
and with his history of heart attacks it's even more crucial we fix this house. | 0:21:32 | 0:21:36 | |
Back on site, the timber frame extension is going up all around us. | 0:21:41 | 0:21:44 | |
It's so fast. | 0:21:44 | 0:21:46 | |
These modern methods of construction are brilliant. | 0:21:46 | 0:21:49 | |
Without them, we'd never be able to complete this build in just nine days. | 0:21:49 | 0:21:53 | |
To give us a fighting chance of completing this build on time, | 0:21:54 | 0:21:58 | |
these kind builders came in a few days earlier to lay the foundations | 0:21:58 | 0:22:02 | |
so we don't waste any time getting the house rebuilt. | 0:22:02 | 0:22:05 | |
You seem very motivated. Times aren't easy and you aren't earning anything. | 0:22:05 | 0:22:09 | |
You could be somewhere else. | 0:22:09 | 0:22:11 | |
The way we look at it is a week and a half of our time is costing us nothing but it's priceless to them, | 0:22:11 | 0:22:15 | |
what they're going to get at the end of it. | 0:22:15 | 0:22:18 | |
Her quality of life, that's what it's all about. | 0:22:18 | 0:22:20 | |
I'd hate it to happen to my mother or anyone in my family. | 0:22:20 | 0:22:23 | |
So we're more than pleased to help. | 0:22:23 | 0:22:26 | |
Have you been surprised by what you've seen today? | 0:22:26 | 0:22:28 | |
The work done today is unbelievable. Everybody's just chipped in. | 0:22:28 | 0:22:32 | |
It's been good. | 0:22:32 | 0:22:33 | |
Yep, it truly is, but it's thanks to all these amazing trades | 0:22:34 | 0:22:38 | |
that we can even attempt something so ambitious. | 0:22:38 | 0:22:41 | |
It's been a very productive day. | 0:22:43 | 0:22:45 | |
There's tonnes of earth taken out, brand-new fencing put in the garden, | 0:22:45 | 0:22:48 | |
a new opening has appeared here because this is part of the extension. | 0:22:48 | 0:22:51 | |
Pan round and look at that. This extension is enormous. | 0:22:51 | 0:22:55 | |
It runs all the way down the side of the building. | 0:22:55 | 0:22:57 | |
In the kitchen we've taken out another big opening | 0:22:57 | 0:23:00 | |
because we need to get in and out of that section | 0:23:00 | 0:23:02 | |
and we've put in electrics and plumbing. | 0:23:02 | 0:23:04 | |
As you move further down the building, upstairs has all been ripped out, too. | 0:23:04 | 0:23:08 | |
Here in what's the living room area, the chimney has gone. | 0:23:08 | 0:23:12 | |
Electrics and plumbing all in here too. | 0:23:12 | 0:23:14 | |
Back outside again and you can meet me in the new front porch. | 0:23:14 | 0:23:18 | |
See the size of it. It's vast. And we've got a roof on. | 0:23:18 | 0:23:21 | |
All we need is decent weather tomorrow. | 0:23:21 | 0:23:24 | |
And we're in luck. The weather is good and spirits are high. | 0:23:36 | 0:23:40 | |
-Morning! -Morning, Oliver. Morning, Chris. Morning, Jules. | 0:23:41 | 0:23:45 | |
After knocking through into the new extension yesterday, | 0:23:45 | 0:23:48 | |
something needs to keep the house standing so the steels have to go in. | 0:23:48 | 0:23:51 | |
Slide it up. Up and over. All right. | 0:23:51 | 0:23:54 | |
Also the exterior walls need to go up and it's a massive job | 0:23:54 | 0:23:57 | |
so it's a bit of luck that we have ten bricklayers on site today. | 0:23:57 | 0:24:00 | |
Everyone is working hard to break the back of this build. | 0:24:03 | 0:24:06 | |
Well, nearly everyone. Actually, not Billy. | 0:24:06 | 0:24:08 | |
I used to be a stand-in for the Mexicans | 0:24:08 | 0:24:11 | |
when they used to do all the filming round Elstree Studios. | 0:24:11 | 0:24:15 | |
-I used to jump on a horse and that was me. -Galloping proper flat-out? | 0:24:15 | 0:24:20 | |
-Oh, yeah. -Really? -The only reason why I'm not a jockey is just...too built. | 0:24:20 | 0:24:25 | |
You're the right height but the wrong weight. | 0:24:25 | 0:24:29 | |
Yeah, you could put it that way. Yeah. | 0:24:29 | 0:24:31 | |
-Any extra work they needed someone to ride a horse, it was me. -Really? | 0:24:31 | 0:24:36 | |
You think you know someone, eh? | 0:24:36 | 0:24:38 | |
Billy on a horse? That I have to see. He's full of surprises, that man. None of them good. | 0:24:38 | 0:24:44 | |
Upstairs the plasterers have started work as the whole house needs to be re-plastered. | 0:24:44 | 0:24:49 | |
We never get a lot of chat out of plasterers, do we? | 0:24:49 | 0:24:52 | |
Because they concentrate. They're somewhere else. | 0:24:52 | 0:24:55 | |
I bet you that man is not thinking about what he's doing. | 0:24:55 | 0:24:57 | |
I bet he's thinking about what he's having for his tea tonight, | 0:24:57 | 0:25:00 | |
what he's going to say to the missus when he gets home, | 0:25:00 | 0:25:03 | |
what he's going to say to his mates about being on DIY SOS. | 0:25:03 | 0:25:06 | |
He's not thinking about what he's doing. Very repetitious. | 0:25:06 | 0:25:09 | |
But you're quiet because you're thinking of other things. | 0:25:09 | 0:25:12 | |
-In a way it's a form of meditation and therapy. -Yes. | 0:25:12 | 0:25:15 | |
-That's why I'm so calm. -Is that right? | 0:25:15 | 0:25:19 | |
Ha-ha! Let's test the theory. | 0:25:19 | 0:25:23 | |
What are you thinking about while you're plastering? | 0:25:23 | 0:25:26 | |
-Um... -What were you thinking? | 0:25:28 | 0:25:30 | |
My wife because it's my ten-year anniversary on Friday | 0:25:30 | 0:25:36 | |
and I'm going to be here. That's what I was thinking. | 0:25:36 | 0:25:38 | |
-You're going to be here for the 10th anniversary? -Absolutely. I'm here on Friday, yes. -No! | 0:25:38 | 0:25:42 | |
-We can't do that. What's her name? -Leanne. -What? | 0:25:42 | 0:25:45 | |
-Leanne. -Leanne. And how lovely is Leanne? -Really lovely. | 0:25:45 | 0:25:49 | |
-Is she? -Yes. -Still in love and everything? -Yes. | 0:25:49 | 0:25:52 | |
-Is she the most beautiful, wonderful wife in the world? -Most definitely. | 0:25:52 | 0:25:56 | |
-I think you got away with it. -Cheers! | 0:25:58 | 0:26:00 | |
Commitment is of course key for any successful marriage | 0:26:01 | 0:26:04 | |
and John is a testament to that. | 0:26:04 | 0:26:07 | |
I caught up with him at the site of the pit he used to work at for a bit of a chat. | 0:26:07 | 0:26:10 | |
With a man and a woman, there's like a veil that we never step through. | 0:26:12 | 0:26:16 | |
How a woman does her hair, her make-up. | 0:26:16 | 0:26:18 | |
-You've had to go through that to look after June in a way that blokes just don't really do. -No. | 0:26:18 | 0:26:24 | |
You do things that you would never ever think about doing, | 0:26:24 | 0:26:28 | |
like the toilet, because you've got to do it. | 0:26:28 | 0:26:32 | |
She can't do it herself at the moment. You know June's ambition? | 0:26:32 | 0:26:36 | |
One of her biggest ambitions? It's daft. It's to wipe her own backside. | 0:26:36 | 0:26:40 | |
-You know? -To be able to use the loo on her own? -That's basic, isn't it? | 0:26:41 | 0:26:45 | |
But it's not basic if you haven't got it. | 0:26:45 | 0:26:47 | |
It must be very hard for you mentally, John. How do you keep going at it? | 0:26:47 | 0:26:51 | |
If I was to give in, right, June's going to die, isn't she? | 0:26:51 | 0:26:58 | |
That's not the game. I didn't marry June to watch her die. | 0:26:58 | 0:27:01 | |
I married June because she's June. | 0:27:01 | 0:27:05 | |
I saw June when she was young, vibrant, we grew up together. | 0:27:05 | 0:27:09 | |
I've seen her decline down. She couldn't speak, she couldn't do... | 0:27:09 | 0:27:14 | |
People were right once. She couldn't do these things but now I see that she can do them. | 0:27:14 | 0:27:19 | |
So I'm looking for that extra yard, extra two yards, maybe extra mile. | 0:27:19 | 0:27:25 | |
-I think June will get there. -Will she walk again? -Yes. I've seen her walk. | 0:27:25 | 0:27:30 | |
-Will she be able to talk again? -Yep. | 0:27:30 | 0:27:33 | |
I don't think I've ever seen | 0:27:34 | 0:27:37 | |
-a more honest representation of two people being in love. -Aye. | 0:27:37 | 0:27:42 | |
You know, you're a tough Geordie fellow | 0:27:44 | 0:27:48 | |
but there's no doubt there's an amazing love story going on here. | 0:27:48 | 0:27:52 | |
See, I met June when I was about 35 and we've been a couple ever since | 0:27:52 | 0:27:57 | |
who have had holidays, family. It's been like a team. | 0:27:57 | 0:28:01 | |
I've had 30 years of absolute brilliant marriage. | 0:28:01 | 0:28:05 | |
Four years bad. What's to say I'm not going to get another 20 years good? | 0:28:06 | 0:28:10 | |
OK, three days in and the plasterers are speeding ahead. | 0:28:17 | 0:28:21 | |
In fact, all the trades are. | 0:28:21 | 0:28:22 | |
I always like to muck in where I can | 0:28:22 | 0:28:24 | |
but some people think I should stand back these days and just supervise. | 0:28:24 | 0:28:28 | |
-Two lines, surely? -There's only one bloke at the end. | 0:28:28 | 0:28:31 | |
-That's not working. There's only one bloke at the end. -Come on, lads. | 0:28:31 | 0:28:35 | |
-We need to go quicker. Get the man on the camera! -Hold on. | 0:28:35 | 0:28:37 | |
What are you doing? | 0:28:37 | 0:28:39 | |
THEY JEER! | 0:28:39 | 0:28:42 | |
-He's broke a nail! -He's snapped the chain. | 0:28:42 | 0:28:45 | |
I'm not going to pretend that didn't hurt. That really hurts. | 0:28:45 | 0:28:49 | |
Oh, come on! | 0:28:49 | 0:28:50 | |
That really hurts. | 0:28:50 | 0:28:52 | |
Actually, my finger was more serious than first thought | 0:28:56 | 0:28:59 | |
and I decided I should go to hospital to check it out. | 0:28:59 | 0:29:02 | |
I thought I would just slip away quietly so as not to affect morale. | 0:29:02 | 0:29:06 | |
THEY HUM A CIRCUS SONG | 0:29:08 | 0:29:10 | |
No worries, then. Yeah. | 0:29:12 | 0:29:14 | |
-You heard about Knowlesy? -What happened? | 0:29:14 | 0:29:16 | |
-He's took all the enamel off one of his nails. -Oh, dear. | 0:29:16 | 0:29:18 | |
-He's gone to hospital? -Well, he's probably gone to a nail bar. | 0:29:18 | 0:29:22 | |
-Of course, he's one of them guitar players. -Yeah, he is. | 0:29:22 | 0:29:27 | |
And it's a great show because he stands on his little podium | 0:29:27 | 0:29:30 | |
and flicks his nails and stuff. | 0:29:30 | 0:29:32 | |
-On the up side he's not interfering here, is he? -No. | 0:29:32 | 0:29:35 | |
Good chance to get the job finished then. | 0:29:35 | 0:29:37 | |
See, that's what I love about the boys. | 0:29:37 | 0:29:39 | |
They care so much and they're so supportive. | 0:29:39 | 0:29:41 | |
-I miss him a bit, mind, don't you? -Who? | 0:29:41 | 0:29:44 | |
-Can't remember. -Not really. | 0:29:44 | 0:29:47 | |
Charming. Does no-one care? I thought we were all mates. | 0:29:47 | 0:29:50 | |
That's showbiz. Here today, chip wrapping tomorrow. | 0:29:50 | 0:29:54 | |
We're at the halfway stage now, and it's chaos, | 0:29:58 | 0:30:00 | |
but organised chaos, | 0:30:00 | 0:30:02 | |
I think. By the way, my finger is still very hurty. | 0:30:02 | 0:30:05 | |
I'm going to come back and mention it just a little bit later. | 0:30:05 | 0:30:08 | |
Inside, things are coming along nicely. | 0:30:08 | 0:30:10 | |
The brickies are blocking up the chimney, | 0:30:10 | 0:30:12 | |
as we've now repaired next door's, by putting in a new flue. | 0:30:12 | 0:30:15 | |
I'm glad that's all sorted. Very nice people. | 0:30:15 | 0:30:17 | |
Billy and his marvellous team are busy rewiring the whole house | 0:30:18 | 0:30:21 | |
and the first stage of the plumbing is almost done. | 0:30:21 | 0:30:24 | |
Not a drop spilt. Eh?! HE LAUGHS | 0:30:24 | 0:30:27 | |
That's a happy plumber. | 0:30:27 | 0:30:29 | |
Extension walls are nearly finished and, once the roof has been tiled, | 0:30:29 | 0:30:32 | |
we will have a watertight exterior and that can't happen fast enough | 0:30:32 | 0:30:36 | |
as we all know the British weather can turn at any minute. | 0:30:36 | 0:30:38 | |
Look at the vans on the street. We've had a proper turnout today. | 0:30:38 | 0:30:41 | |
All the way up round the corner and in the street running down that way. | 0:30:41 | 0:30:45 | |
Loads of them. We've got 45 on-site. | 0:30:45 | 0:30:47 | |
We nearly had, um, 57 at one point. | 0:30:47 | 0:30:51 | |
But I had to send a load of them away, | 0:30:51 | 0:30:52 | |
cos we couldn't actually get everybody in the house itself. | 0:30:52 | 0:30:55 | |
Any chance of an apology now? | 0:30:55 | 0:30:57 | |
What for? | 0:30:57 | 0:30:58 | |
-What's wrong with it? -Well, it's broken. | 0:31:00 | 0:31:03 | |
After all of you giving me gyp yesterday, saying, | 0:31:03 | 0:31:05 | |
"Stick a plaster on it," | 0:31:05 | 0:31:07 | |
-I went to hospital last night. -No, we meant stick a plaster on it. | 0:31:07 | 0:31:10 | |
-Oh, I see. -Yeah! -Stop talking about it? -Yeah, stop talking about it! | 0:31:10 | 0:31:13 | |
If you think I'll stop talking about it now I know it's broken... | 0:31:13 | 0:31:16 | |
-So it's broken? -Want to see the X-ray? | 0:31:16 | 0:31:17 | |
There's the end of my squashed bone. Like a cauliflower, innit? | 0:31:17 | 0:31:21 | |
Can you see it? | 0:31:21 | 0:31:23 | |
Look, squashed. | 0:31:23 | 0:31:24 | |
HE YAWNS: I know. | 0:31:24 | 0:31:26 | |
Marvellous, innit? | 0:31:27 | 0:31:29 | |
Inside, the extension is really taking shape and the roof lights | 0:31:29 | 0:31:32 | |
are really letting the light flood into this new space. | 0:31:32 | 0:31:34 | |
Maybe there is something to Oliver's bio-thingy after all. | 0:31:34 | 0:31:38 | |
Well, it's all about connecting people's lives with nature | 0:31:39 | 0:31:42 | |
and, you know, views out onto gardens, that's one of it. | 0:31:42 | 0:31:46 | |
Having little safe spaces to retreat back into, like the shed, | 0:31:46 | 0:31:49 | |
you know, letting light flood into houses. | 0:31:49 | 0:31:52 | |
It's obviously really important. Natural light. Vitamin D! | 0:31:52 | 0:31:56 | |
People have been proven to get better more quickly | 0:31:56 | 0:31:59 | |
-with less medication, so less stress! -'They've all gone. | 0:31:59 | 0:32:02 | |
-'They've gone, Oliver.' -Got that? -'Give it up!' | 0:32:02 | 0:32:04 | |
-Right. -'There's no-one there.' -I think they've got that. | 0:32:04 | 0:32:07 | |
'No, there's no-one there, look! There's no-one there!' | 0:32:07 | 0:32:09 | |
It's not due to a lack of interest in his concept, | 0:32:09 | 0:32:12 | |
everyone is just very busy. Well, you know... Ha-ha! | 0:32:12 | 0:32:14 | |
Anyway, the internal walls are going up. | 0:32:14 | 0:32:17 | |
This here is our proper doorframes, which are going in. | 0:32:17 | 0:32:19 | |
These will be plasterboarded off and closed in. | 0:32:19 | 0:32:22 | |
And then, our door'll slide in and out of this, | 0:32:22 | 0:32:26 | |
so, basically, um, June will have proper room in her wheelchair. | 0:32:26 | 0:32:29 | |
It means she can come forward in the wheelchair, | 0:32:29 | 0:32:32 | |
turn sideways and slide the door open. | 0:32:32 | 0:32:34 | |
'Ooh, tea's up!' | 0:32:34 | 0:32:35 | |
If she got to here in the wheelchair, and she was on her own, | 0:32:35 | 0:32:38 | |
and tried to open the door... | 0:32:38 | 0:32:39 | |
'Yeah, all right, Mark, we all know about doors and how they work! | 0:32:39 | 0:32:42 | |
-'Anybody for a cup of tea?' -..or like that. | 0:32:42 | 0:32:44 | |
Since June's illness, the Finlays rarely get to go out together. | 0:32:47 | 0:32:50 | |
Horses have always been a big part of the family's lives. | 0:32:50 | 0:32:54 | |
And I hear Billy is no stranger to a horse. | 0:32:54 | 0:32:57 | |
You can tell where this is going. | 0:32:57 | 0:32:58 | |
There you go, Billy. That one's about your size. | 0:32:58 | 0:33:02 | |
Hi, June. Take my hat off to a lady. | 0:33:02 | 0:33:05 | |
-Mwah! Hi, John. -Hiya. -How you feeling? All right? | 0:33:05 | 0:33:09 | |
I like the cowboy outfit. LAUGHTER | 0:33:09 | 0:33:12 | |
-Well, you go off and get ready. -Well, this one's 18 hands. | 0:33:12 | 0:33:14 | |
-What do you reckon? -Look at that! -He's got lovely brown eyes! | 0:33:14 | 0:33:18 | |
LAUGHTER | 0:33:18 | 0:33:19 | |
-Well, you go and get him ready. -Right. | 0:33:19 | 0:33:21 | |
-Then we'll see what he can do. -Brilliant. Come on, then. -OK. | 0:33:21 | 0:33:23 | |
I've got your gear. | 0:33:23 | 0:33:25 | |
You've got the gear, but I've got no idea. | 0:33:25 | 0:33:27 | |
'Hold on, Billy, you were giving it large recently saying | 0:33:27 | 0:33:30 | |
'that you used to ride horses up at Elstree Studios.' | 0:33:30 | 0:33:32 | |
Very difficult question for a father to answer, | 0:33:32 | 0:33:35 | |
but to summarise Heather up as a daughter, how would you, um...? | 0:33:35 | 0:33:38 | |
Well, she's no bother. She's a nice kid. She helps me out with June. | 0:33:38 | 0:33:42 | |
-Er, I've told her not to go too far, not to spoil her life. -Yes. | 0:33:42 | 0:33:47 | |
-But, er, if I wanted a hand... -She's there? -She's there. -Yeah. | 0:33:47 | 0:33:51 | |
-And that's the way it's worked. -Brilliant. | 0:33:51 | 0:33:52 | |
But a lot of people have thought she could possibly do more. | 0:33:52 | 0:33:55 | |
-But what more can she do? She's 28 year old. -Yeah. | 0:33:55 | 0:33:58 | |
-She's got a life to live. -Yeah. | 0:33:58 | 0:34:00 | |
Stick with her mum and dad in the house? | 0:34:00 | 0:34:02 | |
-That's no use, is it? -No. | 0:34:02 | 0:34:03 | |
BILL: We've got a choice of horses? | 0:34:03 | 0:34:05 | |
-Yeah, we've got a few to choose from. -Lovely. | 0:34:05 | 0:34:07 | |
-I can hear him. Shall we have a look? -Yeah. | 0:34:07 | 0:34:10 | |
BILL CHATTERS, THEY LAUGH | 0:34:10 | 0:34:12 | |
-Where's he gone?! -LAUGHTER | 0:34:12 | 0:34:15 | |
You've shrunk! You look little! You look really dinky! | 0:34:15 | 0:34:19 | |
What are you trying to say? I think that looks good. Dapper, darling! | 0:34:19 | 0:34:22 | |
LAUGHTER | 0:34:22 | 0:34:25 | |
Ooh, I'll go out like this tonight, then, won't we? Go out tonight. | 0:34:25 | 0:34:29 | |
Get yourself a monocle, you could go out with Chris Eubanks! | 0:34:29 | 0:34:32 | |
What do I look like, June? | 0:34:32 | 0:34:34 | |
You look awful! | 0:34:34 | 0:34:36 | |
LAUGHTER | 0:34:36 | 0:34:38 | |
One, two, three... | 0:34:39 | 0:34:41 | |
LAUGHTER | 0:34:43 | 0:34:45 | |
I'm there! | 0:34:50 | 0:34:52 | |
You're a natural(!) | 0:34:52 | 0:34:54 | |
Is it all coming back, Bill? | 0:34:54 | 0:34:55 | |
Is that the horse or me? HE SNIFFS | 0:34:55 | 0:34:57 | |
Oh, here, it's me! LAUGHTER | 0:34:57 | 0:34:59 | |
It's you! | 0:34:59 | 0:35:00 | |
He's stirred me! | 0:35:00 | 0:35:01 | |
OK, don't laugh! You'd think we were having fun! | 0:35:03 | 0:35:07 | |
MUSIC: Theme from "Black Beauty" | 0:35:07 | 0:35:09 | |
Look at him go, look. | 0:35:09 | 0:35:11 | |
-Can't see many stunts out there. -No! He's... | 0:35:11 | 0:35:13 | |
-I thought he was going to do, "Wee-ee!" -He's looking a bit tense. | 0:35:13 | 0:35:16 | |
LAUGHTER, BILL GROANS | 0:35:16 | 0:35:18 | |
Go on, son! | 0:35:20 | 0:35:22 | |
I've been telling him to stop... | 0:35:22 | 0:35:24 | |
HE GASPS | 0:35:24 | 0:35:25 | |
I've got to take some pictures of that! | 0:35:29 | 0:35:31 | |
LAUGHTER CONTINUES | 0:35:31 | 0:35:34 | |
His... His body's not doing what his legs are! | 0:35:40 | 0:35:44 | |
Oh, dear! | 0:35:50 | 0:35:52 | |
'Oh, you all right there, Billy? | 0:35:52 | 0:35:54 | |
'I don't think you'll be walking right for days!' | 0:35:54 | 0:35:56 | |
LAUGHTER | 0:35:56 | 0:35:58 | |
'And we've got just three days before we hand this house | 0:35:58 | 0:36:01 | |
'back to June and John and things haven't started well. | 0:36:01 | 0:36:04 | |
'And to add insult to injury, Mark has decided to sing about it.' | 0:36:04 | 0:36:07 | |
# We've had a delay and what can I say? | 0:36:07 | 0:36:09 | |
# Oh, la-la-la, la! Let's just pray! | 0:36:09 | 0:36:13 | |
# That the floor dries before tomorrow morning... # | 0:36:13 | 0:36:16 | |
He's not right, is he? It's a delay we could do without, | 0:36:16 | 0:36:19 | |
but there's plenty to be getting on with. | 0:36:19 | 0:36:21 | |
Chris has still to finish plastering the extension. | 0:36:21 | 0:36:24 | |
My boys. Look, they're in, on it! | 0:36:24 | 0:36:26 | |
We have the brand-new kitchen going in today. | 0:36:26 | 0:36:28 | |
That might sound like good news, but with everything still having | 0:36:28 | 0:36:31 | |
to go through the house to get to the garden, it could slow us down. | 0:36:31 | 0:36:34 | |
Coming through, lads. | 0:36:34 | 0:36:36 | |
But luckily, Alan Carr has dropped in to give us a hand. | 0:36:36 | 0:36:39 | |
You can't walk up to someone and call him Alan Carr. | 0:36:39 | 0:36:42 | |
Upstairs, though, things are coming along very nicely | 0:36:42 | 0:36:44 | |
and the decorating is well under way. | 0:36:44 | 0:36:46 | |
What's this called? What colour's this? | 0:36:47 | 0:36:50 | |
-Ice Storm 2. -Who?! | 0:36:50 | 0:36:52 | |
Looks like battleship grey to me, but that's Oliver for you. | 0:36:52 | 0:36:55 | |
Look, there's properly good stuff in there that could've been used. | 0:36:57 | 0:37:00 | |
-Like what? -Well, all kinds of stuff. | 0:37:00 | 0:37:02 | |
-I can't actually look. -Where's that step ladder we made for you? | 0:37:02 | 0:37:05 | |
-That special step ladder? -Well... | 0:37:05 | 0:37:07 | |
-I think Chris went off to get it or something. -Here you are, look. | 0:37:07 | 0:37:10 | |
I took the initiative, so you'll never forget it, never lose it, | 0:37:10 | 0:37:14 | |
you've always got yourself a set of steps. | 0:37:14 | 0:37:17 | |
-And they double up, and then... -Give it a go. So put it down. | 0:37:17 | 0:37:21 | |
All right, you've just taken it off, put it down and then step up. | 0:37:21 | 0:37:23 | |
-That's just brilliant, man! -Right, you can join in now. | 0:37:25 | 0:37:27 | |
Join in the conversation. Never feel left out again. | 0:37:27 | 0:37:31 | |
I can do those higher jobs. Get the magazines off the shelf. | 0:37:31 | 0:37:34 | |
-Beautiful. -Lads, thanks. | 0:37:34 | 0:37:36 | |
-Well, that's all his work. -Thanks, mate. | 0:37:36 | 0:37:38 | |
Here we go, let's sit you up on it. Here we go. | 0:37:38 | 0:37:40 | |
There you go. Off you go. Any time you need a ladder, there you go. | 0:37:40 | 0:37:44 | |
All right. See you later. | 0:37:44 | 0:37:47 | |
Look at that. # Heigh-ho! # | 0:37:47 | 0:37:49 | |
-# Heigh-ho! Heigh-ho... # -Off to work we go, look. | 0:37:49 | 0:37:52 | |
# ..off to work we go DWARFS WHISTLE | 0:37:52 | 0:37:54 | |
# Heigh-ho! Heigh-ho! Heigh-ho! Heigh-ho! Heigh-ho! | 0:37:54 | 0:37:58 | |
# All seven in a row | 0:37:58 | 0:38:00 | |
# You positively can't go wrong with a heigh, heigh-ho. # | 0:38:00 | 0:38:05 | |
Just two days left and we can see light at the end of that long tunnel | 0:38:08 | 0:38:11 | |
and on the horizon and there's good news about the wet room. | 0:38:11 | 0:38:15 | |
Yeah, we're in today. The floor's gone off. | 0:38:15 | 0:38:18 | |
-And we're having a wet room party today, aren't we? -Yeah. | 0:38:18 | 0:38:21 | |
So we've just bordered it and now we're going to skim it. | 0:38:21 | 0:38:26 | |
It's going well today. | 0:38:29 | 0:38:30 | |
I don't want anyone to hear, but it's gone quite well. | 0:38:30 | 0:38:32 | |
The scaffolders have arrived and we're going to take scaffolding down | 0:38:32 | 0:38:35 | |
and the carpet fitters are here | 0:38:35 | 0:38:37 | |
and we're going to be putting some carpet down upstairs. | 0:38:37 | 0:38:40 | |
Um... | 0:38:40 | 0:38:41 | |
The decorating's going well. | 0:38:41 | 0:38:44 | |
The kitchen's fitted. | 0:38:44 | 0:38:45 | |
And we'll be putting an oak floor down later on as well. | 0:38:47 | 0:38:49 | |
Looking pretty good. | 0:38:51 | 0:38:52 | |
But I don't want to tell anybody. | 0:38:54 | 0:38:56 | |
I want to keep them all in suspense. | 0:38:56 | 0:38:59 | |
He's a proper nutter, isn't he? | 0:39:01 | 0:39:03 | |
And this is the last bit of plastering. | 0:39:04 | 0:39:07 | |
Then that's it. There is no more. Complete-oh! | 0:39:07 | 0:39:10 | |
Well, I think this room is going to be almost the main room | 0:39:11 | 0:39:16 | |
of the house, isn't it? Cos that's the main thing he was saying, | 0:39:16 | 0:39:19 | |
-that he's struggling with, is the wet room. -That's right. | 0:39:19 | 0:39:22 | |
I think this room alone is going to make a massive difference. | 0:39:22 | 0:39:27 | |
'Absolutely right, Jules. | 0:39:27 | 0:39:28 | |
'And one couple who knows exactly what a difference it will | 0:39:28 | 0:39:31 | |
'make to June is best friend Kathleen and husband Colin.' | 0:39:31 | 0:39:34 | |
So what do you make of the fact that the house will be changed? | 0:39:34 | 0:39:36 | |
To the extent she'll be able to move around, use all the downstairs, | 0:39:36 | 0:39:39 | |
she'll have a bedroom and bathroom and all kinds of things, | 0:39:39 | 0:39:42 | |
just access to everywhere, the garden and everything. | 0:39:42 | 0:39:44 | |
It will make life easier for John, being her principal carer. | 0:39:44 | 0:39:48 | |
Obviously, it's going to be easier for him, but the main thing is... | 0:39:48 | 0:39:51 | |
..June's going to have some dignity back. | 0:39:53 | 0:39:55 | |
Everyone should be able to use... the bathroom...in privacy. | 0:39:55 | 0:40:01 | |
Everyone should be able to shut the bedroom door | 0:40:01 | 0:40:04 | |
and just have some peace. | 0:40:04 | 0:40:06 | |
She hasn't had that for four years. | 0:40:06 | 0:40:08 | |
-Mm-hm. -Every personal moment is done in the kitchen. | 0:40:08 | 0:40:14 | |
Everything happens in the kitchen, where she sleeps, she washes, | 0:40:14 | 0:40:18 | |
which is the place where all the cooking's done, the laundry's done, | 0:40:18 | 0:40:21 | |
everything goes on in the kitchen, doesn't it? | 0:40:21 | 0:40:23 | |
Well, tomorrow, June will have access to the whole downstairs | 0:40:24 | 0:40:28 | |
and the garden. We're now on the home straight. | 0:40:28 | 0:40:30 | |
It's amazing how much has been done in just eight days. | 0:40:30 | 0:40:34 | |
In the kitchen, it's the moment of truth for Paul the kitchen fitter, | 0:40:36 | 0:40:40 | |
with his back splash, or splashback, or whatever. | 0:40:40 | 0:40:44 | |
Will it fit? | 0:40:44 | 0:40:46 | |
Er... I'm actually shaking at the moment. | 0:40:46 | 0:40:48 | |
LAUGHTER | 0:40:48 | 0:40:50 | |
It's going to look great, if it comes off, isn't it? | 0:40:50 | 0:40:53 | |
Yeah, it's just the fact that, if it didn't work, what, you know... | 0:40:53 | 0:40:58 | |
-What are we going to do? -Yeah, that's it. | 0:40:58 | 0:41:00 | |
If it doesn't work, I can't cut new ones | 0:41:00 | 0:41:02 | |
-and bring them back this afternoon. -There's just no time. -Um, so... | 0:41:02 | 0:41:05 | |
-Yeah, so it's a one shot. -DRILLING > | 0:41:06 | 0:41:09 | |
-Well, they have just stuck that panel on. -Yeah. | 0:41:09 | 0:41:12 | |
-So, I think there's a, you know... -Thank you. | 0:41:12 | 0:41:15 | |
Ooh, you have actually just got a wet hand! | 0:41:15 | 0:41:18 | |
-No, no, it's fine. -Is it all right? -It's good. | 0:41:19 | 0:41:22 | |
Come over here and give this man a hug. It's all right, it's fine. | 0:41:23 | 0:41:27 | |
-See, I told you! -Aw, gosh! HE LAUGHS | 0:41:27 | 0:41:31 | |
'Oliver's vision is slowly coming together. | 0:41:31 | 0:41:34 | |
'But why isn't he inside helping?' | 0:41:34 | 0:41:36 | |
What are you doing, Oliver? | 0:41:36 | 0:41:38 | |
-Biophilia. You remember? You know what I said? -Yeah. | 0:41:38 | 0:41:41 | |
-There are three tenets to it, OK? -No, let's not... -One of them... | 0:41:41 | 0:41:44 | |
-Not again! -No, it's all... I've got to be consistent. | 0:41:44 | 0:41:47 | |
-One of them is about materials, texture and pattern. -Right. -Yeah? | 0:41:47 | 0:41:51 | |
OK, so you've got a lovely bit of wood | 0:41:51 | 0:41:53 | |
and what you're going to do is burn it to bring out the grain? | 0:41:53 | 0:41:56 | |
-Yes? -Burn it and wire brush it, so the softwood gets burnt away | 0:41:56 | 0:41:59 | |
and you get left with all the sort of textural grain. | 0:41:59 | 0:42:02 | |
-Brilliant. -So it's a tactile table, so, at the moment, it's all smooth, | 0:42:02 | 0:42:05 | |
-but we're going to just make it... -You don't think a hand blowtorch? | 0:42:05 | 0:42:08 | |
Maybe going over the top with a small tactical nuclear weapon? | 0:42:08 | 0:42:10 | |
-# I am the god of hellfire! # -Just give it a go, shall we? | 0:42:10 | 0:42:13 | |
# And I bring you... | 0:42:13 | 0:42:15 | |
-# Fire! # -Ooh! | 0:42:15 | 0:42:16 | |
-HE LAUGHS: -That was bad timing. -# ..I'll take you to burn! # | 0:42:16 | 0:42:19 | |
I won't do that again in a hurry. | 0:42:19 | 0:42:21 | |
BLOWTORCH HISSES, HE MOUTHS | 0:42:21 | 0:42:24 | |
Hold! Whoa! Whoa! | 0:42:26 | 0:42:28 | |
It's OK. | 0:42:31 | 0:42:33 | |
-Nothing to see here. -Nothing to see here! | 0:42:33 | 0:42:35 | |
Under no circumstances attempt this at home. We... | 0:42:35 | 0:42:38 | |
Well, we should be using trained professionals, but we've got Oliver | 0:42:38 | 0:42:41 | |
-and we can afford to lose him. -Hey! I'm a trained fire eater! | 0:42:41 | 0:42:44 | |
-Are you? Open your mouth! -Tell you what, open your mouth. | 0:42:44 | 0:42:46 | |
-No! -LAUGHTER | 0:42:46 | 0:42:48 | |
-Breather, then! I'll breathe fire! -Get on with it. -Let's see it done! | 0:42:49 | 0:42:53 | |
# Fire! | 0:42:53 | 0:42:56 | |
# Take you to burn! | 0:42:56 | 0:42:57 | |
# Fire! # | 0:43:00 | 0:43:01 | |
-He's gone too far now. -Oh, now he's gone too far! | 0:43:01 | 0:43:04 | |
-Oh, yeah! -No, that's... No, that's lovely the way you... | 0:43:04 | 0:43:07 | |
-Yeah, good! -Hang on, bring him up there. | 0:43:07 | 0:43:08 | |
Look at the lovely way he's brought the grain out in that. Look at that. | 0:43:08 | 0:43:12 | |
-LAUGHTER -Charcoal! Charcoal effect! | 0:43:12 | 0:43:14 | |
-What have you done to that? -What's that like? | 0:43:14 | 0:43:15 | |
I said I'll set it on fire and I'm setting it on fire. Now stand back! | 0:43:15 | 0:43:19 | |
It's like a burnt railway sleeper! | 0:43:19 | 0:43:21 | |
-That's what we've got to do to the whole lot! -Like that? -Stand back! | 0:43:21 | 0:43:25 | |
'What is it with Oliver and fire? One minute he's welding things, | 0:43:25 | 0:43:28 | |
'the next he's burning tables! Has he got a thing about fire? | 0:43:28 | 0:43:31 | |
'Or is it that he likes wearing masks? | 0:43:31 | 0:43:34 | |
'Mmm! | 0:43:34 | 0:43:35 | |
'Either way, I'm not sure the boys are that impressed. | 0:43:35 | 0:43:38 | |
'Maybe that's because there is still an awful lot to do inside. | 0:43:38 | 0:43:41 | |
'But then, there's an awful lot of people doing it, | 0:43:41 | 0:43:44 | |
'so we should be all right, I think. | 0:43:44 | 0:43:46 | |
'Look at that, the building site's going to be beautiful too.' | 0:43:46 | 0:43:49 | |
Just nine days ago, we arrived at a family home | 0:43:55 | 0:43:58 | |
that was simply no longer fit for purpose. | 0:43:58 | 0:44:00 | |
We found a loving wife and mother who was a prisoner in her own home. | 0:44:03 | 0:44:08 | |
Unable to get upstairs, she was stuck living in their tiny kitchen | 0:44:08 | 0:44:13 | |
on an old hospital bed. | 0:44:13 | 0:44:14 | |
You know, it's really hard. | 0:44:15 | 0:44:18 | |
Cos Mum gets really frustrated. | 0:44:18 | 0:44:20 | |
With no access to any washing facilities, | 0:44:25 | 0:44:27 | |
her husband John even had to take her | 0:44:27 | 0:44:29 | |
to the local swimming baths just to have a shower. | 0:44:29 | 0:44:33 | |
Not only that, but every time June needed to go to the toilet, | 0:44:33 | 0:44:36 | |
it was in the middle of the living room. | 0:44:36 | 0:44:39 | |
Not nice. | 0:44:39 | 0:44:40 | |
Dignity wise, for June, is out of the window. | 0:44:41 | 0:44:44 | |
It was a house they felt trapped in. | 0:44:44 | 0:44:46 | |
-See, June's a lady, she's a proper lady. -Yeah. | 0:44:46 | 0:44:50 | |
And it's not right. | 0:44:50 | 0:44:51 | |
Little did they realise, | 0:44:51 | 0:44:53 | |
an army of local trades were ready to help, | 0:44:53 | 0:44:55 | |
and amazingly, in just over one week, | 0:44:55 | 0:44:58 | |
we have completely transformed this house... | 0:44:58 | 0:45:00 | |
..into a home that John and June can once again enjoy. | 0:45:02 | 0:45:06 | |
The kitchen no longer doubles as June's bedroom | 0:45:08 | 0:45:10 | |
and is now a bright and airy space | 0:45:10 | 0:45:13 | |
with Oliver's biophilia theme running throughout. | 0:45:13 | 0:45:17 | |
It's twice the size and comes complete with a dining table | 0:45:17 | 0:45:20 | |
that the whole family can sit around. | 0:45:20 | 0:45:23 | |
This table was scorched to within an inch of its life, | 0:45:23 | 0:45:26 | |
but I take my hat off to Oliver, it kind of works. | 0:45:26 | 0:45:29 | |
The kitchen will now be the heart of family life, | 0:45:31 | 0:45:35 | |
for them all to enjoy. | 0:45:35 | 0:45:37 | |
For four years, John and June struggled with no washing | 0:45:37 | 0:45:40 | |
or toilet facilities downstairs. | 0:45:40 | 0:45:42 | |
Now, they have a beautiful and practical wet room | 0:45:42 | 0:45:45 | |
where June can finally shower in her own home, | 0:45:45 | 0:45:48 | |
go to the toilet in private and regain her dignity. | 0:45:48 | 0:45:51 | |
June has finally got her own bedroom downstairs at the back of the house. | 0:45:54 | 0:45:59 | |
It is a stunning area that reflects her love of plants | 0:45:59 | 0:46:03 | |
and has masses of natural light flooding in from all angles. | 0:46:03 | 0:46:08 | |
The garden has been transformed into a beautifully decked area | 0:46:10 | 0:46:14 | |
that is low-maintenance and will allow June to get back outside. | 0:46:14 | 0:46:18 | |
Oliver's green wall will be just the right thing | 0:46:18 | 0:46:21 | |
to help June to rediscover her love of gardening. | 0:46:21 | 0:46:25 | |
The living room has been completely redesigned - | 0:46:27 | 0:46:29 | |
we've taking out the old fireplace and reconfigured the space. | 0:46:29 | 0:46:33 | |
With a sofa tucked into the corner, | 0:46:33 | 0:46:35 | |
it makes the whole room more inviting and spacious. | 0:46:35 | 0:46:38 | |
It's a place where they can comfortably sit together | 0:46:38 | 0:46:41 | |
as a family. | 0:46:41 | 0:46:43 | |
Leading off the living room, we've created a wonderful study area. | 0:46:45 | 0:46:50 | |
See how the nature theme continues throughout? | 0:46:50 | 0:46:53 | |
Now, if that doesn't bring the outside in, I don't know what does. | 0:46:53 | 0:46:58 | |
We've widened all the doorways | 0:46:58 | 0:47:00 | |
to make the whole of the downstairs wheelchair-friendly, | 0:47:00 | 0:47:03 | |
so June can become more independent | 0:47:03 | 0:47:04 | |
and no longer will be stuck in one room. | 0:47:04 | 0:47:07 | |
Heather's room hadn't changed since she was a teenager | 0:47:07 | 0:47:09 | |
and no longer works for a 28-year-old woman. | 0:47:09 | 0:47:12 | |
Now, well, it's a room that any grown-up would love. | 0:47:12 | 0:47:16 | |
It has a contemporary, comfortable feel | 0:47:16 | 0:47:19 | |
and, of course, we couldn't forget her love of horses. | 0:47:19 | 0:47:22 | |
John's bedroom was unloved and cluttered. | 0:47:24 | 0:47:27 | |
We've transformed it into a simple and unfussy room. | 0:47:27 | 0:47:31 | |
Somewhere he can retire to for some well-deserved rest | 0:47:31 | 0:47:35 | |
after a long day caring for the woman he loves. | 0:47:35 | 0:47:38 | |
This house is now a beautiful and functional home, | 0:47:43 | 0:47:46 | |
which will help John and June face the challenges ahead | 0:47:46 | 0:47:49 | |
on the long road to recovery. | 0:47:49 | 0:47:51 | |
-Welcome to your new home. -Yeah. -Wow. | 0:47:54 | 0:47:56 | |
-Oh, hey, June! -Yeah! | 0:47:58 | 0:48:00 | |
This is like... | 0:48:02 | 0:48:03 | |
It's lovely. | 0:48:08 | 0:48:11 | |
-Beautiful living room area. -Oh, this is absolutely unbelievable. | 0:48:11 | 0:48:16 | |
-Unbelievable. -Yeah. | 0:48:16 | 0:48:17 | |
So, plenty of room for the family all to be together round here. | 0:48:17 | 0:48:20 | |
-That's good. -Yes, brilliant. -Isn't it? | 0:48:20 | 0:48:23 | |
The next bit, I think is really important, | 0:48:23 | 0:48:25 | |
because the next bit is the room that you've always kind of come | 0:48:25 | 0:48:29 | |
-to hate, really, because you've been sort of locked in the kitchen. -Yeah. | 0:48:29 | 0:48:33 | |
And we wanted to make it bright and new, | 0:48:33 | 0:48:35 | |
so that you can forget all that's happened in there in the past | 0:48:35 | 0:48:38 | |
and start again in a real, family space, yes? | 0:48:38 | 0:48:41 | |
-OK, so have a wander through. -Yeah. | 0:48:41 | 0:48:44 | |
-Wow, your bed's gone, June. -Yeah. | 0:48:49 | 0:48:52 | |
-This is absolutely superb. -Isn't it? It's lovely. | 0:48:55 | 0:48:59 | |
There's a new kitchen for you, so you can start cooking and give me a rest. | 0:49:01 | 0:49:06 | |
-Look at that. Absolutely superb. -Isn't it? -This is... | 0:49:06 | 0:49:11 | |
Nah. | 0:49:14 | 0:49:15 | |
Absolutely... | 0:49:18 | 0:49:20 | |
-I mean, it's pretty. -Aye. | 0:49:20 | 0:49:21 | |
-It's pretty, but the more important... -It's functional. | 0:49:21 | 0:49:24 | |
It's functional. It'll do everything you need it to do. | 0:49:24 | 0:49:27 | |
This is... This is the first time we've had a table for four years. | 0:49:27 | 0:49:31 | |
Come and have a look, because what we did was we took an old table | 0:49:31 | 0:49:34 | |
and we cut the underside away, | 0:49:34 | 0:49:36 | |
-so that you'll find that you can get your legs under here. -Yeah. | 0:49:36 | 0:49:40 | |
Come round, let me just make sure that's all going to work. | 0:49:40 | 0:49:42 | |
-Yeah. -Do you like it? -Yes, I do. | 0:49:44 | 0:49:47 | |
-It's a lovely texture, isn't it? -Isn't it? | 0:49:49 | 0:49:51 | |
This is called biophilia, | 0:49:51 | 0:49:52 | |
-and Oliver's gone on about it all week. -Lovely. | 0:49:52 | 0:49:55 | |
You bring the outside in, you create comfortable spaces to be in, | 0:49:55 | 0:49:59 | |
and then you have texture. | 0:49:59 | 0:50:00 | |
So I'm really pleased that when you came in, you started feeling, | 0:50:00 | 0:50:03 | |
-cos it feels different, this table, doesn't it? -Mm-hm. | 0:50:03 | 0:50:06 | |
It's to make you feel more in touch with nature, | 0:50:06 | 0:50:08 | |
and it's supposed to be relaxing and calming, | 0:50:08 | 0:50:11 | |
and, at the same time, you know, inspiring. | 0:50:11 | 0:50:14 | |
-This is unbelievable, June, eh? -Isn't it? | 0:50:14 | 0:50:17 | |
-You like it? -Yeah. -Good. | 0:50:17 | 0:50:19 | |
-Well, let's see how we've done on the wet room, shall we? -Yeah. -Ready? | 0:50:19 | 0:50:23 | |
-Hey, June! -Hey! | 0:50:25 | 0:50:27 | |
This is... | 0:50:28 | 0:50:30 | |
It's what? | 0:50:33 | 0:50:34 | |
-Gorgeous. -Isn't it? Absolutely un... | 0:50:36 | 0:50:39 | |
You know, I just can't... | 0:50:42 | 0:50:44 | |
Seeing this, I just can't believe what you've done. | 0:50:44 | 0:50:48 | |
So, look, a couple of things. | 0:50:48 | 0:50:50 | |
There is a chair here that you can actually use for the shower. | 0:50:50 | 0:50:54 | |
But it also fits over the toilet, | 0:50:54 | 0:50:56 | |
but the toilet is an automatic system you can use yourself. | 0:50:56 | 0:50:59 | |
So, once you've been through a bit of training, | 0:50:59 | 0:51:01 | |
there's a little hand thing on the top there - | 0:51:01 | 0:51:04 | |
the weight activates it, | 0:51:04 | 0:51:05 | |
you can press different buttons and make things happen. | 0:51:05 | 0:51:07 | |
Basically, you get to go to the toilet on your own and... | 0:51:07 | 0:51:10 | |
Proper toilet for the first time in four years. | 0:51:10 | 0:51:13 | |
-Yeah. -So, did we do all right in the bathroom? -Absolutely brilliant. | 0:51:13 | 0:51:17 | |
-Happy with it, June? -Mm. | 0:51:17 | 0:51:19 | |
Absolutely brilliant. | 0:51:19 | 0:51:20 | |
Let's bring you out here and we'll show you part two. | 0:51:20 | 0:51:23 | |
-On you go. In you go. -Oh! | 0:51:23 | 0:51:25 | |
-Wow! -Into... | 0:51:26 | 0:51:28 | |
-..your bedroom. -And what's that, June? -What? | 0:51:30 | 0:51:34 | |
That's your bed. | 0:51:34 | 0:51:35 | |
It is the most beautiful bed | 0:51:35 | 0:51:37 | |
and, more importantly, not only is it a beautiful bed, June, | 0:51:37 | 0:51:40 | |
but it's also one of those beds that moves in all directions. | 0:51:40 | 0:51:44 | |
-Thank you. -Cos I know that if you're lying in the same position | 0:51:44 | 0:51:47 | |
it can get very uncomfortable and you can get sore and things. | 0:51:47 | 0:51:49 | |
This is going to make sure that doesn't happen. | 0:51:49 | 0:51:52 | |
Keep you moving around. | 0:51:52 | 0:51:53 | |
-And you're not stuck in the kitchen, June. -No. -And this is... | 0:51:53 | 0:51:57 | |
Look how beautiful it is with the sun coming in here. | 0:51:57 | 0:52:00 | |
What a beautiful place to lie in bed and pull the curtains back and... | 0:52:00 | 0:52:03 | |
I can sit out there on a nice, summer night, June, | 0:52:03 | 0:52:05 | |
-with a few bottles of Brown Ale... -Yeah. | 0:52:05 | 0:52:07 | |
..and you can be sitting there watching us drink. | 0:52:07 | 0:52:11 | |
-It's going to be so... -Throwing things at him! | 0:52:11 | 0:52:13 | |
Would you like to pop out into your new garden? | 0:52:15 | 0:52:19 | |
There you are, June, there's your new garden. | 0:52:19 | 0:52:21 | |
Mm-hm. Oh, it's lovely. | 0:52:21 | 0:52:25 | |
Once you've had a few Brown Ales, | 0:52:28 | 0:52:29 | |
don't forget there's a water feature in the middle. | 0:52:29 | 0:52:31 | |
-Yeah, I'll probably be... -That's why we put some plants around it. | 0:52:31 | 0:52:34 | |
-Don't want you going straight over that. -This is... | 0:52:34 | 0:52:37 | |
Beautiful area that you can actually have people come out here. | 0:52:37 | 0:52:40 | |
This wall over here, | 0:52:40 | 0:52:42 | |
this is your area to work on plants and flowers and so on and so forth. | 0:52:42 | 0:52:47 | |
-Absolutely... -It's lovely! -Absolutely brilliant, isn't it? | 0:52:47 | 0:52:50 | |
I couldn't have built this for you, June, I couldn't, honest. | 0:52:50 | 0:52:53 | |
I'd have tried, but I couldn't build it. | 0:52:53 | 0:52:56 | |
Yeah, but what you're doing is more important, isn't it? | 0:52:56 | 0:52:58 | |
I understand that the house is important | 0:52:58 | 0:53:00 | |
and it makes a big difference, but all we're really doing | 0:53:00 | 0:53:03 | |
is just giving you the tools to carry on doing the great work | 0:53:03 | 0:53:06 | |
that you're doing and for you to battle your way back. | 0:53:06 | 0:53:09 | |
And I know it's been massively frustrating, | 0:53:09 | 0:53:11 | |
massively frustrating over the last four years at times, | 0:53:11 | 0:53:14 | |
where you've got really frustrated with it. | 0:53:14 | 0:53:16 | |
If I can come outside with June, she's not left in the house, | 0:53:16 | 0:53:21 | |
I can potter in the garden and get my fresh air. | 0:53:21 | 0:53:25 | |
-And she can come out with us. -Yeah. | 0:53:25 | 0:53:27 | |
These last couple of years, she's been left in the house | 0:53:27 | 0:53:31 | |
and got as far as the patio door to look out and... | 0:53:31 | 0:53:34 | |
-Absolutely beautiful. -Yeah. -I can lie there, sunbathing. | 0:53:36 | 0:53:40 | |
-I just can't believe it, June, can you? -No. | 0:53:42 | 0:53:45 | |
-What we left and what we got, unbelievable. -Yeah. | 0:53:45 | 0:53:48 | |
All this wouldn't have happened | 0:53:51 | 0:53:52 | |
if it wasn't for daughter Heather who wrote in asking for help. | 0:53:52 | 0:53:56 | |
It's lovely. | 0:54:02 | 0:54:03 | |
Isn't it? | 0:54:05 | 0:54:07 | |
-You've done well. -Yeah. | 0:54:10 | 0:54:13 | |
It's perfect, isn't it? You've done well, kid. | 0:54:13 | 0:54:16 | |
It's beautiful. The garden. | 0:54:18 | 0:54:21 | |
-It's absolutely brilliant, isn't it? -Yeah. | 0:54:21 | 0:54:24 | |
-Absolutely brilliant. -Oh, it's beautiful out there. | 0:54:24 | 0:54:27 | |
-Your new bedroom. -Wow. | 0:54:36 | 0:54:39 | |
-I absolutely love the colours. -Do you? -I love pinks and purples. | 0:54:43 | 0:54:46 | |
We were determined to give you something nice, because, you know, | 0:54:46 | 0:54:49 | |
-you gave up your flat to come home and help out with the family. -Yeah. | 0:54:49 | 0:54:52 | |
It's a big deal. | 0:54:52 | 0:54:54 | |
So, they've gone with a whole sort of boutiquey hotel feel, | 0:54:54 | 0:54:57 | |
-so it feels like you're away in a posh hotel room. -It's really nice. | 0:54:57 | 0:55:00 | |
-It's gorgeous. -Of course, we couldn't do it | 0:55:00 | 0:55:02 | |
-without a horse motif. -Well, that's it. | 0:55:02 | 0:55:05 | |
-All the way round the top. -Perfect. Just what I wanted. It's great. | 0:55:05 | 0:55:10 | |
The chair here and the chair downstairs are both made | 0:55:10 | 0:55:13 | |
by a local craftsman chair maker who knocked them up in about five days | 0:55:13 | 0:55:16 | |
and bunged them in here for us for free. | 0:55:16 | 0:55:19 | |
Some lovely people. You'll get to meet some of these people. | 0:55:19 | 0:55:22 | |
-Yeah, can't wait. -All these people I've never met before, | 0:55:22 | 0:55:26 | |
and probably not meet again, to do all this for us. For what? For nowt. | 0:55:26 | 0:55:33 | |
Because they knew it wasn't right. | 0:55:33 | 0:55:34 | |
Cos they knew it wasn't right the way that things had gone for you | 0:55:34 | 0:55:37 | |
and for June and wanted to make a difference. | 0:55:37 | 0:55:40 | |
This is what she needs, she needs somebody... | 0:55:41 | 0:55:45 | |
to take care of her. | 0:55:45 | 0:55:46 | |
You said you were worried before we came that | 0:55:49 | 0:55:51 | |
-if anything happened to you... -I'm not worried now. No. | 0:55:51 | 0:55:56 | |
A brand-new start now. | 0:55:56 | 0:55:58 | |
This is a brand-new start, and I cannot really guarantee, | 0:55:58 | 0:56:02 | |
but we'll have a little wager. | 0:56:02 | 0:56:05 | |
Come back in a year's time... | 0:56:05 | 0:56:07 | |
she'll be... She'll be walking. | 0:56:07 | 0:56:10 | |
Do you know what? If you say so. | 0:56:12 | 0:56:14 | |
I believe you. | 0:56:14 | 0:56:16 | |
I had a bet on with the cameraman that I wouldn't cry. | 0:56:16 | 0:56:19 | |
-You've lost that. -He's just won. | 0:56:19 | 0:56:21 | |
He's just won. | 0:56:24 | 0:56:26 | |
Here we go. | 0:56:26 | 0:56:29 | |
APPLAUSE | 0:56:29 | 0:56:33 | |
I'm looking round and I can't recognise anybody that I know. | 0:56:52 | 0:56:56 | |
You're like complete strangers, but you've done this for us. | 0:56:58 | 0:57:02 | |
You know, it's... | 0:57:02 | 0:57:04 | |
It's amazing. | 0:57:04 | 0:57:05 | |
Heather, you wrote to us because you were worried | 0:57:05 | 0:57:08 | |
-not only about your mum, but about your dad, too. -Yeah. | 0:57:08 | 0:57:11 | |
What do you make of what all these people have done? | 0:57:11 | 0:57:14 | |
I just want to thank every single one of you. | 0:57:14 | 0:57:17 | |
It's unbelievable that all of these people come together to help us. | 0:57:18 | 0:57:23 | |
It's going to make a huge, huge difference to my mum and dad's life. | 0:57:23 | 0:57:26 | |
It's going to give them their lives back. | 0:57:26 | 0:57:29 | |
And make it home again, instead of a prison. It's just amazing. | 0:57:29 | 0:57:33 | |
Thank you. | 0:57:33 | 0:57:35 | |
APPLAUSE | 0:57:35 | 0:57:37 | |
When you think about it, this is actually a love story. | 0:57:42 | 0:57:44 | |
Not a fairy tale love story or a Hollywood love story, | 0:57:44 | 0:57:47 | |
this is a down-in-the-trenches love story. | 0:57:47 | 0:57:49 | |
John just simply would not give up on June. | 0:57:49 | 0:57:52 | |
When the doctor said that she wouldn't be able to speak | 0:57:52 | 0:57:55 | |
or move her hands, he just wasn't going to have that. | 0:57:55 | 0:57:58 | |
And he fought for her, even when he had to clean her | 0:57:58 | 0:58:01 | |
and help her use the toilet in the kitchen. | 0:58:01 | 0:58:05 | |
That's just not right and these people thought that just isn't right | 0:58:05 | 0:58:09 | |
and came to do something about it. | 0:58:09 | 0:58:11 | |
Now this love story has a happy ending. | 0:58:11 | 0:58:14 | |
Only you know somebody you can help out. | 0:58:14 | 0:58:16 | |
Cheers. Thanks. | 0:58:18 | 0:58:21 | |
You don't know what you've done, really, it's absolutely brilliant. | 0:58:21 | 0:58:24 | |
My personal plumber? | 0:58:25 | 0:58:28 | |
How you doing? | 0:58:28 | 0:58:29 | |
-Thank you so much. -You're welcome. | 0:58:39 | 0:58:41 | |
-It's just a dream, isn't it? Isn't it? -Yeah. -Just a dream, isn't it? | 0:58:45 | 0:58:49 |