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It breaks your heart that he's fighting this illness | 0:00:03 | 0:00:06 | |
that he had no control over, | 0:00:06 | 0:00:08 | |
but yet, in himself, he's still a lovely, bubbly little boy. | 0:00:08 | 0:00:12 | |
But it only takes one really strong seizure, | 0:00:12 | 0:00:16 | |
which could kill him. | 0:00:16 | 0:00:17 | |
We're here to help a boy battling with a cruel condition. | 0:00:17 | 0:00:22 | |
He doesn't have a day where he could just be like any other child. | 0:00:22 | 0:00:29 | |
This family are struggling to give him as normal a life as possible | 0:00:29 | 0:00:33 | |
in a house that doesn't serve their needs. | 0:00:33 | 0:00:36 | |
The ground floor is no good for Brandon, there's all, like, | 0:00:36 | 0:00:38 | |
sharp edges, he can bang his head and hurt himself quite dangerously. | 0:00:38 | 0:00:43 | |
We're going to pull out all the stops to give them | 0:00:43 | 0:00:45 | |
what they need, but will it be enough? | 0:00:45 | 0:00:49 | |
Do you know what? I think this is the biggest mistake we've ever made, | 0:00:49 | 0:00:52 | |
to find that the bed doesn't fit the room. | 0:00:52 | 0:00:55 | |
We've got just nine days, but all the usual suspects are here | 0:00:55 | 0:00:58 | |
including Naomi, our new designer, it's her first time. | 0:00:58 | 0:01:01 | |
Of course, we need a small army to help out. | 0:01:01 | 0:01:03 | |
Anybody who's prepared to help us out take one step forward! | 0:01:03 | 0:01:07 | |
Anybody who is prepared to work with Billy, take two steps forward! | 0:01:07 | 0:01:10 | |
Yeah, I'm afraid you've had it, Bill. | 0:01:10 | 0:01:12 | |
This is DIY SOS - The Big Build! | 0:01:12 | 0:01:15 | |
CHEERING | 0:01:15 | 0:01:17 | |
Basildon, Essex, is home to Jenny and Steve | 0:01:31 | 0:01:34 | |
and their three kids, five-month-old Rosie, Katie, who's five years old, | 0:01:34 | 0:01:39 | |
and Brandon, who's nine. | 0:01:39 | 0:01:41 | |
Steve and Jenny met seven years ago, when Brandon was just a toddler. | 0:01:42 | 0:01:47 | |
Brandon's condition started, really, | 0:01:47 | 0:01:50 | |
when he was about two-and-a-half months old. | 0:01:50 | 0:01:53 | |
The pregnancy was normal, the birth was normal, | 0:01:53 | 0:01:55 | |
and then, just one day, he was just holding his breath | 0:01:55 | 0:01:58 | |
and rolling his eyes, and obviously that's not normal for a baby to do. | 0:01:58 | 0:02:03 | |
This was a worrying time for Jenny, | 0:02:04 | 0:02:06 | |
but a course of medication helped stabilise Brandon, | 0:02:06 | 0:02:09 | |
and for a while they seemed to have his condition under control. | 0:02:09 | 0:02:14 | |
About 19 months old he started dropping to the floor... | 0:02:14 | 0:02:18 | |
..and, erm... | 0:02:19 | 0:02:20 | |
he started dropping to the floor, and then they diagnosed him | 0:02:24 | 0:02:27 | |
with epilepsy, and then he, like, he's got worse. | 0:02:27 | 0:02:32 | |
Brandon has a very rare and severe form of epilepsy. | 0:02:35 | 0:02:39 | |
It has no specific triggers | 0:02:39 | 0:02:41 | |
and crippling seizures can come at any time, without warning. | 0:02:41 | 0:02:45 | |
Sometimes with epilepsy, it can be sort of localised on the brain, | 0:02:45 | 0:02:50 | |
but with Brandon's it is literally on spots all over the brain. | 0:02:50 | 0:02:54 | |
So Brandon's having a seizure | 0:02:56 | 0:02:58 | |
and his body can, like, jump, and with every seizure that Brandon has | 0:02:58 | 0:03:03 | |
we don't know what it's going to lead into, so | 0:03:03 | 0:03:07 | |
him being sick, his whole body shaking violently, but at any point | 0:03:07 | 0:03:14 | |
it could end up with him needing his emergency medication. | 0:03:14 | 0:03:17 | |
Brandon can have between 20 and 30 seizures a day, | 0:03:19 | 0:03:23 | |
and despite trying various medication | 0:03:23 | 0:03:26 | |
and even brain surgery, nothing has helped. | 0:03:26 | 0:03:29 | |
We feel like the epilepsy has stolen him, | 0:03:30 | 0:03:33 | |
just cos, there's not even, like, a let-up, | 0:03:33 | 0:03:36 | |
he doesn't have a day where he could just be like any other child. | 0:03:36 | 0:03:43 | |
With Steve at work all day, Jenny is under enormous pressure, | 0:03:45 | 0:03:48 | |
dealing with Brandon and her other children. | 0:03:48 | 0:03:52 | |
Juggling Rosie and Katie and Brandon together, | 0:03:52 | 0:03:54 | |
when I'm on my own, it's really hard, | 0:03:54 | 0:03:56 | |
because Brandon could stand on her or fall on her, | 0:03:56 | 0:03:59 | |
I'm constantly having to watch to see if he's going to have a seizure. | 0:03:59 | 0:04:02 | |
ROSIE GRIZZLES | 0:04:05 | 0:04:06 | |
Not now he's started his seizure, I can't leave him completely, | 0:04:06 | 0:04:09 | |
so I can't get Rosie's dummy. | 0:04:09 | 0:04:11 | |
ROSIE CRIES | 0:04:11 | 0:04:12 | |
Katie, she's a big help as well, and she has done from a young age. | 0:04:15 | 0:04:19 | |
When Katie was three and even at two years old she knew how to deal with | 0:04:19 | 0:04:24 | |
Brandon, and so she's just like another little mum. | 0:04:24 | 0:04:28 | |
Brandon's mental age is like a six-month-old to one-year-old, | 0:04:28 | 0:04:31 | |
but, like, obviously he's in a nine-year-old's body. | 0:04:31 | 0:04:34 | |
He's got no spatial awareness, no sense of danger. | 0:04:34 | 0:04:38 | |
The unpredictability of his seizures, coupled with | 0:04:38 | 0:04:41 | |
his total lack of awareness, means that Brandon is a constant danger | 0:04:41 | 0:04:45 | |
to himself and his sisters. | 0:04:45 | 0:04:48 | |
The house is not safe for him, or practical for Jenny. | 0:04:48 | 0:04:51 | |
Consequently, he spends most of his time on the sofa, | 0:04:51 | 0:04:54 | |
or in a wheelchair. | 0:04:54 | 0:04:56 | |
His condition's deteriorated a lot quicker than we were thinking | 0:04:56 | 0:05:00 | |
it was going to, so it's now being a case that we have to adapt | 0:05:00 | 0:05:04 | |
the property to try and meet his needs. | 0:05:04 | 0:05:06 | |
He can bang his head and hurt himself quite dangerously. | 0:05:08 | 0:05:11 | |
The ground floor is just sort of like no good for Brandon, | 0:05:11 | 0:05:14 | |
there's all like sharp edges, just tripping over the slightest thing. | 0:05:14 | 0:05:18 | |
Obviously, I can't let him out in the kitchen | 0:05:18 | 0:05:21 | |
because it's just too dangerous for him. | 0:05:21 | 0:05:23 | |
Brandon's seizures continue through the night, | 0:05:25 | 0:05:28 | |
so Jenny or Steve take turns to sleep with him downstairs | 0:05:28 | 0:05:31 | |
as he's too heavy to carry upstairs. | 0:05:31 | 0:05:34 | |
Brandon used to be able to go to bed, | 0:05:34 | 0:05:36 | |
and we could, like, leave him, but his seizures have got worse, so he | 0:05:36 | 0:05:39 | |
now has to sleep downstairs on the sofa, and we have to sleep with him. | 0:05:39 | 0:05:43 | |
Brandon's always with me or Steve, he's never without one of us. | 0:05:43 | 0:05:46 | |
He can't be left. | 0:05:46 | 0:05:48 | |
Jenny and Steve are utterly devoted parents, | 0:05:51 | 0:05:54 | |
but they're struggling to cope in a house | 0:05:54 | 0:05:56 | |
which is not suitable for dealing with Brandon's condition. | 0:05:56 | 0:06:00 | |
They need a place where he can be safe, | 0:06:00 | 0:06:02 | |
a place where this young family can grow | 0:06:02 | 0:06:05 | |
and fight this terrible condition together. | 0:06:05 | 0:06:07 | |
And that's why we're here. | 0:06:07 | 0:06:09 | |
How do you keep going? | 0:06:11 | 0:06:12 | |
-Time, just running. -Just have to, you know? | 0:06:12 | 0:06:14 | |
We're his parents, there's no-one else. | 0:06:16 | 0:06:18 | |
If we don't function, he don't function. | 0:06:18 | 0:06:20 | |
Yeah, but like, 24 hours a day! | 0:06:20 | 0:06:22 | |
It is really tiring but at the end of the day, Brandon, | 0:06:22 | 0:06:26 | |
he can't help this, it's not his fault so that's what we just, | 0:06:26 | 0:06:30 | |
you know, we have in our minds all the time it's not his fault | 0:06:30 | 0:06:34 | |
and we're not going to leave him, we're his mum and dad | 0:06:34 | 0:06:36 | |
and that's what we've got, so we carry on. | 0:06:36 | 0:06:41 | |
It's just how best we can manage that | 0:06:41 | 0:06:43 | |
and, you know, having you guys come in and actually do make a space | 0:06:43 | 0:06:47 | |
will take so much pressure off us. | 0:06:47 | 0:06:49 | |
You had enough already, Rosie? | 0:06:49 | 0:06:52 | |
Time to go and do something else. | 0:06:52 | 0:06:54 | |
Your contribution. | 0:06:54 | 0:06:56 | |
Yeah? | 0:06:56 | 0:06:57 | |
THEY LAUGH | 0:06:57 | 0:06:58 | |
Everyone's a critic, aren't they? | 0:07:00 | 0:07:01 | |
Once again, we have only nine days to complete this build, | 0:07:01 | 0:07:04 | |
so let's get on with it. | 0:07:04 | 0:07:05 | |
The Essex trades are out in force. | 0:07:07 | 0:07:09 | |
Before we got here, a team of guys knocked down the old shed, | 0:07:09 | 0:07:12 | |
put in the foundations and put up a scaffold, with a roof. | 0:07:12 | 0:07:15 | |
Inside, it's a hive of activity with the boys in the middle of it all. | 0:07:18 | 0:07:22 | |
Morning, gentlemen! | 0:07:22 | 0:07:24 | |
Brains. We're the brains of the operation. | 0:07:24 | 0:07:27 | |
Are you? | 0:07:27 | 0:07:29 | |
You're the brains? YOU'RE the brains? | 0:07:29 | 0:07:31 | |
-We're in deep trouble! -LAUGHTER | 0:07:31 | 0:07:34 | |
Yes, we certainly are in deep trouble | 0:07:34 | 0:07:35 | |
if they're the brains of the outfit! | 0:07:35 | 0:07:37 | |
Now the real brains behind this build is our new designer, | 0:07:37 | 0:07:40 | |
the award-winning Naomi Cleaver. | 0:07:40 | 0:07:42 | |
Want to meet her? | 0:07:42 | 0:07:44 | |
So come and see the joy that is a DIY SOS Big Build. A lot of people. | 0:07:44 | 0:07:49 | |
It's quite intense, isn't it? | 0:07:49 | 0:07:50 | |
Yes, it is, come and have a look! | 0:07:50 | 0:07:52 | |
She has no idea. | 0:07:52 | 0:07:53 | |
Over the last 20 years, she's been building and designing | 0:07:53 | 0:07:57 | |
houses and holiday villas all over the world, | 0:07:57 | 0:07:59 | |
but is she ready for a DIY SOS Big Build site? | 0:07:59 | 0:08:03 | |
So the plan is presumably to open all this out, is it? | 0:08:03 | 0:08:06 | |
Cos this was the kitchen and that was the dining room. | 0:08:06 | 0:08:08 | |
One of the very interesting things about this project | 0:08:08 | 0:08:11 | |
is we've got to open it all out, but then we also have to | 0:08:11 | 0:08:13 | |
kind of close it up a bit as well, | 0:08:13 | 0:08:15 | |
so it's getting a balance between letting Jenny keep an eye on Brandon | 0:08:15 | 0:08:19 | |
but also protecting Brandon and enclosing him at the same time, | 0:08:19 | 0:08:22 | |
so that is the theme of this whole project. | 0:08:22 | 0:08:25 | |
She looks and sounds like a designer, doesn't she? | 0:08:25 | 0:08:28 | |
Right, to achieve this balance, | 0:08:28 | 0:08:30 | |
we're putting in a single-storey extension | 0:08:30 | 0:08:32 | |
which will give this family more space, | 0:08:32 | 0:08:35 | |
which they desperately need. | 0:08:35 | 0:08:37 | |
This will become the new kitchen | 0:08:37 | 0:08:39 | |
and a playroom. | 0:08:39 | 0:08:40 | |
Half-height doors will enable | 0:08:40 | 0:08:42 | |
Jenny to keep a close eye on Brandon | 0:08:42 | 0:08:44 | |
at the same time as giving him a safe space to play. | 0:08:44 | 0:08:47 | |
Leading from the kitchen will be | 0:08:49 | 0:08:51 | |
the re-designed living room, | 0:08:51 | 0:08:53 | |
again with half-height doors, | 0:08:53 | 0:08:54 | |
separating the two rooms. | 0:08:54 | 0:08:56 | |
We're also putting in a downstairs wet room | 0:08:57 | 0:08:59 | |
and a bedroom for Brandon, so he can stop sleeping on the sofa | 0:08:59 | 0:09:02 | |
and where Jenny and Steve can keep | 0:09:02 | 0:09:04 | |
a constant watch over him. | 0:09:04 | 0:09:06 | |
Upstairs, we're not touching | 0:09:07 | 0:09:09 | |
the bathroom or the baby's room, | 0:09:09 | 0:09:11 | |
and only decorating Katie's room | 0:09:11 | 0:09:13 | |
and Jenny and Steve's bedroom. | 0:09:13 | 0:09:15 | |
Other than that all we have to do is to change a few light fittings | 0:09:15 | 0:09:18 | |
up here, but Billy assures me that shouldn't be too much work. | 0:09:18 | 0:09:21 | |
-Today it's all about the extension and creating more space downstairs. | 0:09:21 | 0:09:24 | |
We need to gut the inside, then take the back off the house | 0:09:24 | 0:09:27 | |
and get the extension and roof up. | 0:09:27 | 0:09:29 | |
It all needs to be done by tonight, the steels come tomorrow, | 0:09:29 | 0:09:32 | |
and we've got a tight schedule to keep to. | 0:09:32 | 0:09:34 | |
So this is a fairly tight squeeze, as you can see, | 0:09:34 | 0:09:37 | |
getting these panels in, just enough room. | 0:09:37 | 0:09:39 | |
I think one or two of the larger panels will be a bit more difficult. | 0:09:39 | 0:09:41 | |
Fortunately, Jenny's neighbour has let us come through | 0:09:44 | 0:09:47 | |
her back garden, and our access problem is solved. | 0:09:47 | 0:09:50 | |
Give us a wave! | 0:09:50 | 0:09:52 | |
Now that's really, really helpful, so thank you very much. | 0:09:52 | 0:09:56 | |
She's a bit shy. | 0:09:57 | 0:09:59 | |
Yeah, quick, to get inside away from you, I think! | 0:09:59 | 0:10:01 | |
I love it when a plan comes together. | 0:10:01 | 0:10:03 | |
Well, the local trades work so fast, | 0:10:03 | 0:10:06 | |
I feel like I'm standing still. | 0:10:06 | 0:10:08 | |
Well, I am, to be honest. | 0:10:08 | 0:10:09 | |
Hoo-hoo! Nice trick, eh? | 0:10:13 | 0:10:14 | |
All the trades are committed to helping this family, | 0:10:14 | 0:10:16 | |
and Steve's best friend Stuart knows | 0:10:16 | 0:10:18 | |
just how much of a difference it will make. | 0:10:18 | 0:10:21 | |
-How long have you known Steve, then? | 0:10:21 | 0:10:22 | |
I've known Steve for 21-22 years now. | 0:10:22 | 0:10:25 | |
-Really? -So a long old time. | 0:10:25 | 0:10:27 | |
He's some lad, ain't he? | 0:10:27 | 0:10:28 | |
He would do anything for anyone and everyone. | 0:10:28 | 0:10:31 | |
Most guys run a mile when they meet up with a woman | 0:10:31 | 0:10:34 | |
and then find out she's got a kid. | 0:10:34 | 0:10:36 | |
And to find out that she's got a kid and then he's got disabilities, | 0:10:36 | 0:10:40 | |
nine out of ten of them would definitely run. | 0:10:40 | 0:10:42 | |
He didn't, he stayed there through thick, thin, | 0:10:42 | 0:10:45 | |
sleepless nights, hospitals, you name it. | 0:10:45 | 0:10:48 | |
And he's fantastic with Brandon, isn't he? | 0:10:48 | 0:10:50 | |
He is, he is. | 0:10:50 | 0:10:52 | |
He absolutely besots over him, | 0:10:52 | 0:10:53 | |
he would do anything for that boy, absolutely anything. | 0:10:53 | 0:10:57 | |
So what do you make of this then now, 85 builders turned up, | 0:10:57 | 0:10:59 | |
descended on their house with cameras and things? | 0:10:59 | 0:11:02 | |
Yeah, Steve and Jen are really excited about it | 0:11:02 | 0:11:04 | |
and obviously it will change their lives massively. | 0:11:04 | 0:11:07 | |
Same with the kids, so Brandon, it will give him a new lease of life, | 0:11:07 | 0:11:10 | |
it will give him a much bigger area to play in, | 0:11:10 | 0:11:13 | |
a bedroom he can use properly. | 0:11:13 | 0:11:15 | |
And then Katie, obviously, opens up space for her to play as well, | 0:11:15 | 0:11:18 | |
so it will be really good for all of them. | 0:11:18 | 0:11:20 | |
He explains the conundrum very well. | 0:11:21 | 0:11:23 | |
Brandon's condition is so extreme and his needs so contradictory | 0:11:23 | 0:11:27 | |
that making the house work for all of them is a huge design challenge. | 0:11:27 | 0:11:31 | |
Brandon has no special awareness. | 0:11:32 | 0:11:33 | |
You know, if the little girls were playing with Brandon, | 0:11:33 | 0:11:36 | |
he would probably tread on them, | 0:11:36 | 0:11:37 | |
so we have to create a space where he can play and be safe, and equally, | 0:11:37 | 0:11:42 | |
where they can play and be safe, but we don't have that much space. | 0:11:42 | 0:11:46 | |
So we are making it open-plan but then enclosing it again | 0:11:47 | 0:11:51 | |
but enclosing it using chiefly half-height doors. | 0:11:51 | 0:11:55 | |
Presumably because of his illness | 0:11:55 | 0:11:57 | |
-and being sick quite a lot... -Yes. | 0:11:57 | 0:11:59 | |
..presumably everything has to be cleanable, | 0:11:59 | 0:12:01 | |
so you can't put soft furnishings in there. | 0:12:01 | 0:12:03 | |
No soft furnishings. | 0:12:03 | 0:12:05 | |
Well, soft furnishings that can be wiped clean, | 0:12:05 | 0:12:07 | |
so we've found a couple of those, but mostly | 0:12:07 | 0:12:10 | |
we've got to use vinyl, and ordinarily | 0:12:10 | 0:12:11 | |
you'd think, "Vinyl, yuck!" But we've managed to find | 0:12:11 | 0:12:14 | |
some really nice ones, so it's going to look gorgeous | 0:12:14 | 0:12:17 | |
but it's got to be wipe-clean, which is quite a challenge. | 0:12:17 | 0:12:19 | |
It's also got to be robust, so Brandon's not actually going to | 0:12:19 | 0:12:23 | |
damage the space, but equally, he's not going to be damaged himself, | 0:12:23 | 0:12:27 | |
so it's got to be strong but soft, hard but soft. | 0:12:27 | 0:12:30 | |
Exciting or terrifying? | 0:12:30 | 0:12:32 | |
Bit of both! | 0:12:32 | 0:12:33 | |
As it always is. | 0:12:33 | 0:12:35 | |
Naomi's got a lot to juggle with this design, | 0:12:35 | 0:12:37 | |
and there's a lot of work to do downstairs. | 0:12:37 | 0:12:39 | |
Thankfully we aren't doing any major work upstairs, | 0:12:39 | 0:12:43 | |
only a little bit of decorating, I was told. | 0:12:43 | 0:12:44 | |
What's going on? We're supposed to be | 0:12:49 | 0:12:51 | |
not doing anything up here at all! | 0:12:51 | 0:12:52 | |
Look at the state of the place! There's no floor left. | 0:12:52 | 0:12:54 | |
Millar? Millar! | 0:12:54 | 0:12:56 | |
Ah, the very man I was looking for. | 0:12:58 | 0:13:00 | |
Ah, Mr Knowles. | 0:13:00 | 0:13:02 | |
You said, "It's going to be an easy one, cos we're not | 0:13:02 | 0:13:04 | |
-"touching upstairs at all." -No, we're not. | 0:13:04 | 0:13:06 | |
It looks like a small nuclear weapon has gone off up there. | 0:13:06 | 0:13:08 | |
Yeah, Billy went up to change a bulb. | 0:13:08 | 0:13:11 | |
He's destroyed it up there! | 0:13:11 | 0:13:13 | |
He's absolutely wrecked it. | 0:13:13 | 0:13:14 | |
But the best bit was, right, I said to Billy, | 0:13:14 | 0:13:16 | |
"Billy, is it OK If I put all those floorboards down up the stairs now?" | 0:13:16 | 0:13:20 | |
He said "No! No! We've got to put all the lights in downstairs!" | 0:13:20 | 0:13:24 | |
I said, "We've taken all the ceilings down for you to do that." | 0:13:24 | 0:13:27 | |
-"Have you?" -He hadn't noticed? | 0:13:27 | 0:13:28 | |
No, he hasn't noticed we took the ceilings down. | 0:13:28 | 0:13:31 | |
So, I blame Billy completely. | 0:13:31 | 0:13:33 | |
Right, let's go and have a word with Bill, then. | 0:13:33 | 0:13:35 | |
I'm glad you joined me here for a minute. | 0:13:37 | 0:13:39 | |
We weren't supposed to be touching the upstairs. | 0:13:39 | 0:13:42 | |
It's, it's a mess. | 0:13:42 | 0:13:43 | |
I know. It happens, when you start undoing, untangling the can of worms, | 0:13:43 | 0:13:48 | |
the worms get larger, | 0:13:48 | 0:13:49 | |
so, what we found, it's easier to take everything out, but you have | 0:13:49 | 0:13:54 | |
to be very good up there, cos there's all lots of floorboards up. | 0:13:54 | 0:13:57 | |
I know, that's what I've come to tell you about! | 0:13:57 | 0:13:59 | |
There's lots of floorboards up, there's holes in the walls. | 0:13:59 | 0:14:02 | |
Now we've got an extra two days of patching up to do. | 0:14:02 | 0:14:04 | |
That's not my fault, is it, that? | 0:14:04 | 0:14:06 | |
You'd have to talk to the "designers". | 0:14:06 | 0:14:08 | |
They're the ones that decide what goes in and what comes out. | 0:14:08 | 0:14:11 | |
Why is "that" a sign for designers? | 0:14:11 | 0:14:15 | |
Well, it's like the "special trades" we get as well. | 0:14:15 | 0:14:17 | |
What's that? | 0:14:17 | 0:14:19 | |
-They're brackets, aren't they? Inverted brackets? -No, that's that. | 0:14:19 | 0:14:23 | |
No, it's not. | 0:14:23 | 0:14:24 | |
See? Two, two on each end, quotation marks. | 0:14:24 | 0:14:26 | |
That, I don't know what that is. | 0:14:26 | 0:14:28 | |
Oh, no wonder people don't understand the way I talk! | 0:14:28 | 0:14:31 | |
I thought it was that in brackets, open and shut brackets. | 0:14:31 | 0:14:34 | |
-No, it's quotation marks! -Oh! | 0:14:34 | 0:14:38 | |
So I should, I can't do that, if I do that, then. | 0:14:38 | 0:14:41 | |
I can't do it. | 0:14:42 | 0:14:43 | |
I'm still worried about the can of worms | 0:14:44 | 0:14:47 | |
and giant worms getting bigger when they get untangled. | 0:14:47 | 0:14:50 | |
Inside, the new extension is up and the roof trusses are going in. | 0:14:52 | 0:14:55 | |
Unbelievably, we're on schedule, with no major problems | 0:14:55 | 0:14:58 | |
apart from the destruction upstairs. | 0:14:58 | 0:15:00 | |
-That's fantastic. -It's the full package really, isn't it? | 0:15:03 | 0:15:06 | |
Timber frame up, get it in, in a day, | 0:15:06 | 0:15:07 | |
-roof on the next day, bricklayers in. -Yes. | 0:15:07 | 0:15:10 | |
When you've got nine days to build a house, that's what you need, isn't it? | 0:15:10 | 0:15:13 | |
Thank you very much. You're a top man. Thank you. | 0:15:13 | 0:15:16 | |
That was meant to be an interview. | 0:15:16 | 0:15:17 | |
It was mainly Mark talking, to be honest. | 0:15:17 | 0:15:20 | |
Sky's gone a bit pink, which means it's the end of the day | 0:15:25 | 0:15:27 | |
and a very productive day it's been. Have you enjoyed your first day? | 0:15:27 | 0:15:30 | |
Brilliant. Really, really good fun. Everyone's having a laugh, but working really hard as well. | 0:15:30 | 0:15:34 | |
There's something about it, it really gets your juices flowing | 0:15:34 | 0:15:37 | |
every time I come on one of these, because it's pizzazz, it's oomph... | 0:15:37 | 0:15:41 | |
-What is it they're showing? -It's grit. -Grit. -It's grit, Nick. | 0:15:41 | 0:15:45 | |
That's what it is. There'll be more grit tomorrow in the tea, the lunch | 0:15:45 | 0:15:48 | |
and shown on site. | 0:15:48 | 0:15:50 | |
-Fancy a bit of dinner? -Yes. -Right. | 0:15:50 | 0:15:52 | |
Yesterday, we smashed the house up and talked a load of rimmidge. | 0:15:59 | 0:16:03 | |
Today we're putting it back together and making sense, I hope. | 0:16:03 | 0:16:06 | |
Starting with the steel. | 0:16:06 | 0:16:08 | |
Yeah, we're getting on all right. | 0:16:09 | 0:16:11 | |
Going to, um, cut the steels to length, | 0:16:11 | 0:16:14 | |
get them in, we've got all these pins holding the wall up, | 0:16:14 | 0:16:17 | |
that they're going to be in the way a little bit. | 0:16:17 | 0:16:20 | |
But we've got plenty of men, | 0:16:20 | 0:16:21 | |
plenty of pairs of hands and loads of enthusiasm. | 0:16:21 | 0:16:25 | |
He's very butch, isn't he? I love it when Julian takes control. | 0:16:25 | 0:16:28 | |
He's a real leader of men when he wants to be, | 0:16:28 | 0:16:30 | |
leading form the front, one of the boys, he knows everyone's name. | 0:16:30 | 0:16:34 | |
-What do you call the fella with the orange vest behind you? -Bob. | 0:16:34 | 0:16:38 | |
-What about the fella to the right of him doing the steels? -Ricky. | 0:16:38 | 0:16:41 | |
-Ricky. What about Ricky's mate behind him, what's he called? -Fred. -Fred. | 0:16:41 | 0:16:44 | |
-What do you call that fella over there, the electrician on the left? -Sidney. | 0:16:44 | 0:16:48 | |
-What is your name, mate? -Andy. -And what's your name? | 0:16:48 | 0:16:51 | |
-Martin. -What's your name, mate? -Bob. | 0:16:51 | 0:16:53 | |
I knew there was a Bob somewhere! LAUGHTER | 0:16:53 | 0:16:56 | |
I knew there was a Bob. HE LAUGHS | 0:16:56 | 0:16:58 | |
Two B's, one hole, can't get it wrong. | 0:16:58 | 0:17:00 | |
HE LAUGHS | 0:17:00 | 0:17:01 | |
I know how to spell that as well. | 0:17:01 | 0:17:03 | |
LAUGHTER | 0:17:03 | 0:17:05 | |
All right, maybe names aren't his strong point. | 0:17:05 | 0:17:07 | |
Names aren't important, it's the muscle that counts. | 0:17:07 | 0:17:10 | |
-Just got to blow the holes up with the bolts. -All right. | 0:17:12 | 0:17:15 | |
Now that the house is less likely to fall down, | 0:17:15 | 0:17:18 | |
we can turn our attention to the garden. | 0:17:18 | 0:17:20 | |
Like the house, we need to make it into a safe place for Brandon. | 0:17:20 | 0:17:23 | |
And thankfully, Adam the garden designer has a plan. | 0:17:23 | 0:17:26 | |
What are we going to do in here? I noticed there's an awful lot of hard landscaping going on. | 0:17:26 | 0:17:30 | |
We've got a large circle of artificial lawn for the middle, | 0:17:30 | 0:17:35 | |
and then across the back is going to be a large, | 0:17:35 | 0:17:37 | |
timber-raised flower bed, | 0:17:37 | 0:17:39 | |
two-tiered so that Brandon can't get to them | 0:17:39 | 0:17:42 | |
and there's going to be a timber area for Brandon as well, | 0:17:42 | 0:17:45 | |
which is going to be covered in an outdoor carpet. | 0:17:45 | 0:17:48 | |
An outdoor carpet and we're using that same carpet inside the playroom, | 0:17:48 | 0:17:51 | |
which is adjacent to that area, so when the French doors are open, | 0:17:51 | 0:17:55 | |
you'll get that lovely inside-outside. | 0:17:55 | 0:17:57 | |
-And how are you finding it to work on? Nerve-racking. Is it really? -Yeah. -Why's that? | 0:17:57 | 0:18:01 | |
Because I normally get six weeks to do this. | 0:18:01 | 0:18:03 | |
NICK LAUGHS | 0:18:03 | 0:18:04 | |
Not six days. | 0:18:04 | 0:18:06 | |
'He may be nervous, but I have faith in him. | 0:18:06 | 0:18:08 | |
'As long as it doesn't rain, he'll be fine.' | 0:18:08 | 0:18:11 | |
You know what's going to happen next, don't you? | 0:18:11 | 0:18:13 | |
The roof trusses went up yesterday and now we have to fit the skylights | 0:18:13 | 0:18:16 | |
to get daylight into Jenny's new kitchen. | 0:18:16 | 0:18:18 | |
Yeah, is there a narrower one than the 600? | 0:18:19 | 0:18:23 | |
Right, we've got a problem here. | 0:18:23 | 0:18:24 | |
The roof windows that we've got are too wide for these trusses. | 0:18:24 | 0:18:28 | |
The only thing I can say is that we take the whole thing out | 0:18:28 | 0:18:31 | |
-and move them all out as we go along, yeah? -Yeah. | 0:18:31 | 0:18:34 | |
-Cos I can't get smaller windows. -No. | 0:18:34 | 0:18:36 | |
Time is tight on these builds, as you know, | 0:18:36 | 0:18:39 | |
and the last thing we need is to move these trusses | 0:18:39 | 0:18:41 | |
that we put in yesterday. | 0:18:41 | 0:18:42 | |
I blame whoever measured the skylights. | 0:18:42 | 0:18:45 | |
I bet it was Mark. | 0:18:45 | 0:18:46 | |
We call him 100 miller, you know. Because he's always 100 mill out. | 0:18:46 | 0:18:49 | |
Got a new tape measure as well. | 0:18:49 | 0:18:52 | |
-Give me the tape measure. -No! -Give me the tape measure. -No! | 0:18:54 | 0:18:56 | |
Someone else, someone else measure. You are not... Argh! | 0:18:56 | 0:19:00 | |
He's biting! | 0:19:00 | 0:19:01 | |
He's biting! | 0:19:01 | 0:19:03 | |
Argh! Argh! | 0:19:03 | 0:19:05 | |
'He's a fierce little fella. | 0:19:05 | 0:19:07 | |
'Maybe he's just hungry.' | 0:19:07 | 0:19:08 | |
As well as making this house work for Brandon | 0:19:08 | 0:19:11 | |
and his complex needs, we also need to make it into a home, | 0:19:11 | 0:19:15 | |
so Naomi has gone to spend time with Jenny and the kids | 0:19:15 | 0:19:18 | |
to get a feel for them as a family, | 0:19:18 | 0:19:20 | |
and maybe do a hand painting for the playroom. | 0:19:20 | 0:19:23 | |
That's like an Eskimo kiss, isn't it? Do you rub noses? | 0:19:23 | 0:19:26 | |
BRANDON MAKES GRUNTING NOISES | 0:19:26 | 0:19:28 | |
Eskimo kiss. | 0:19:30 | 0:19:31 | |
That's an Eskimo kiss. | 0:19:31 | 0:19:33 | |
-Do it again. -Yeah... | 0:19:33 | 0:19:34 | |
-BRANDON LAUGHS -I know! Go on, then. | 0:19:34 | 0:19:38 | |
Shall we do some painting now? | 0:19:38 | 0:19:40 | |
What we do is take some paint | 0:19:40 | 0:19:43 | |
and then put it on this hand, | 0:19:43 | 0:19:45 | |
and then put it on that hand | 0:19:45 | 0:19:47 | |
and then when your hands are covered in paint, | 0:19:47 | 0:19:49 | |
you can play with my hair again. | 0:19:49 | 0:19:51 | |
-That will be fun, won't it? -That will be interesting. | 0:19:51 | 0:19:54 | |
THEY LAUGH | 0:19:54 | 0:19:56 | |
OK, I think yellow would be really cool, don't you? | 0:20:02 | 0:20:05 | |
We'll do it all on yellow. | 0:20:05 | 0:20:06 | |
Good boy, well done. | 0:20:09 | 0:20:11 | |
Press, press, press. And up. | 0:20:11 | 0:20:13 | |
Oh brilliant, brilliant, brilliant. OK. | 0:20:13 | 0:20:17 | |
Fantastic. So, you know the score, Katie. | 0:20:17 | 0:20:20 | |
Put your left hand in. OK, good. | 0:20:20 | 0:20:24 | |
-And press, press, press. Ta-da! -All done. -Fantastic. | 0:20:24 | 0:20:27 | |
So, you've got your house being re-done at the moment, haven't you? | 0:20:29 | 0:20:33 | |
-Are you excited? -I think it's cool. | 0:20:33 | 0:20:35 | |
And what's your favourite part of the house at the moment? | 0:20:35 | 0:20:39 | |
My bedroom. | 0:20:39 | 0:20:40 | |
Your bedroom. | 0:20:40 | 0:20:42 | |
So is it a good thing that we're going to be redecorating it, | 0:20:42 | 0:20:44 | |
or not such a good thing? | 0:20:44 | 0:20:46 | |
-Good thing. -A good thing. | 0:20:46 | 0:20:48 | |
As long as we do princesses and we do pink. | 0:20:48 | 0:20:50 | |
THEY LAUGH | 0:20:50 | 0:20:51 | |
What if we don't do princesses and pink? | 0:20:51 | 0:20:54 | |
Would that be a problem? | 0:20:54 | 0:20:56 | |
NAOMI LAUGHS | 0:20:56 | 0:20:58 | |
You've got a brother, Brandon. Do you help your mummy? | 0:20:58 | 0:21:01 | |
Do you? What do you do to help your mummy? | 0:21:01 | 0:21:03 | |
I help Brandon get, I help mummy get the bowl for Brandon, | 0:21:03 | 0:21:07 | |
cos she can't get the bowl for Brandon | 0:21:07 | 0:21:10 | |
in case he be sick. | 0:21:10 | 0:21:12 | |
BRANDON RETCHES It's all right, Brandon. | 0:21:12 | 0:21:14 | |
I hold his head. | 0:21:14 | 0:21:16 | |
-Do you? -Like, when he looks, like that way and that way. | 0:21:16 | 0:21:20 | |
Does he like that? | 0:21:22 | 0:21:24 | |
Does it calm him down a little bit? | 0:21:24 | 0:21:27 | |
Brandon likes playing with my hair, he does. | 0:21:27 | 0:21:31 | |
So he likes playing with your hair? | 0:21:31 | 0:21:34 | |
And what about your baby sister? | 0:21:34 | 0:21:36 | |
She tries to scratch me. | 0:21:36 | 0:21:38 | |
NAOMI LAUGHS | 0:21:38 | 0:21:40 | |
So, one's pulling your hair and the other's scratching you?! | 0:21:40 | 0:21:43 | |
It's difficult being the middle one, isn't it, sometimes? | 0:21:43 | 0:21:47 | |
It is difficult. | 0:21:47 | 0:21:48 | |
Right, and now, Rosie, oh, look at these gorgeous hands you've got. | 0:21:51 | 0:21:56 | |
-Just put your little hand out. -I'll let you do it. | 0:21:56 | 0:22:00 | |
There we are. And we press, press, press. | 0:22:00 | 0:22:02 | |
Ooh! So good. Up, up, up. | 0:22:02 | 0:22:06 | |
-There we go. -Ah. | 0:22:06 | 0:22:07 | |
Clever you. | 0:22:07 | 0:22:09 | |
You know, at just five years old, | 0:22:10 | 0:22:12 | |
Katie has had so much to deal with, | 0:22:12 | 0:22:14 | |
but she is a real help to Jennie. | 0:22:14 | 0:22:17 | |
I think at the very least | 0:22:17 | 0:22:18 | |
she deserves that pink princess bedroom | 0:22:18 | 0:22:21 | |
and everyone on-site is working hard | 0:22:21 | 0:22:23 | |
to ensure this house works for her and the whole family. | 0:22:23 | 0:22:26 | |
INDISTINCT VOICES | 0:22:31 | 0:22:33 | |
Morning! I intimated it would rain and true enough, it has. | 0:22:33 | 0:22:36 | |
Shame the roof doesn't cover the entire garden. | 0:22:36 | 0:22:38 | |
The good news is that Billy has finished destroying | 0:22:38 | 0:22:41 | |
everything upstairs, which means we can get in and make good, | 0:22:41 | 0:22:44 | |
which also means it's Chris' time to shine with his team. | 0:22:44 | 0:22:48 | |
We've got three spreads upstairs patching, | 0:22:48 | 0:22:51 | |
so it will release the rooms upstairs for the decorators. | 0:22:51 | 0:22:53 | |
Floor's going to go down in here, then we can start insulating the ceiling and start tacking. | 0:22:53 | 0:22:57 | |
There's 21 plasterers coming tomorrow. I'm in a good place. | 0:22:57 | 0:23:01 | |
Happy bunny, thank you. | 0:23:01 | 0:23:02 | |
'To help Jenny and Steve | 0:23:02 | 0:23:04 | |
'keep an eye on Brandon, Naomi wants to install CCTV, | 0:23:04 | 0:23:07 | |
'but to do that she needs sockets and cables, | 0:23:07 | 0:23:10 | |
'and that's a job for Billy. | 0:23:10 | 0:23:11 | |
'Now, bear in mind we've been metric since the '60s.' | 0:23:11 | 0:23:14 | |
-OK, so... -17... | 0:23:14 | 0:23:16 | |
-1750. -What's that, in English? | 0:23:16 | 0:23:19 | |
-NAOMI LAUGHS -It's 1750 mill. | 0:23:19 | 0:23:22 | |
-Yes, what's it in English? -175 centimetres. Oh, in inches? You're not doing inches. | 0:23:22 | 0:23:27 | |
-I'm imperial, sausage. -Imperial sausage? | 0:23:27 | 0:23:31 | |
Naomi, are you getting on all right with that Billy? | 0:23:31 | 0:23:34 | |
If you'd rather change Billys, we can sort that out for you as well. | 0:23:34 | 0:23:36 | |
I can, I can change Billys? | 0:23:36 | 0:23:38 | |
We have a selection of them over here, | 0:23:38 | 0:23:40 | |
a taller one, a thinner one, | 0:23:40 | 0:23:42 | |
-a much better-looking one. -That's really scary. | 0:23:42 | 0:23:45 | |
Go and stand over there, Bill. Go on, have a look. | 0:23:45 | 0:23:47 | |
You look more like me than I do. | 0:23:47 | 0:23:50 | |
-LAUGHTER -We've got the smile. | 0:23:50 | 0:23:53 | |
The masks are actually, really quite scary, aren't they? | 0:23:53 | 0:23:57 | |
-No, that one's the real one. The third one's the real one. -NAOMI LAUGHS | 0:23:57 | 0:24:00 | |
That's not a mask, that's the real one over there. | 0:24:00 | 0:24:02 | |
The thing is, I think with an electrician | 0:24:02 | 0:24:04 | |
a bit of height is quite useful, so I'd go for the taller one. | 0:24:04 | 0:24:07 | |
-You'd go for the taller Billy? -Yeah. -That would make sense. | 0:24:07 | 0:24:10 | |
And slightly younger, better figure. | 0:24:10 | 0:24:12 | |
What about the smaller version? Oh, I am the small version! | 0:24:12 | 0:24:15 | |
LAUGHTER | 0:24:15 | 0:24:16 | |
Tell you what, we could make some money at Halloween with that, couldn't we? | 0:24:16 | 0:24:19 | |
LAUGHTER | 0:24:19 | 0:24:21 | |
Fear not, under those masks are real electricians. | 0:24:24 | 0:24:27 | |
I don't think the world is ready for another three Billys. | 0:24:27 | 0:24:30 | |
Horrible... | 0:24:30 | 0:24:31 | |
That..gorgeous. | 0:24:31 | 0:24:33 | |
Where do you want these sockets? | 0:24:33 | 0:24:36 | |
Not where you're thinking of putting 'em! | 0:24:36 | 0:24:38 | |
Outside the rain has stopped which is handy as we've | 0:24:38 | 0:24:40 | |
tonnes of soil to barrow in, not that it would have stopped this lot. | 0:24:40 | 0:24:44 | |
The gaps for the skylight have been sorted | 0:24:44 | 0:24:48 | |
and now the roof tiles are going on. | 0:24:48 | 0:24:50 | |
Moving quick, isn't it? | 0:24:50 | 0:24:52 | |
The challenge with this build is to give Jenny more space | 0:24:52 | 0:24:55 | |
at the same time as creating safe areas where | 0:24:55 | 0:24:58 | |
she can leave Brandon but still keep an eye on him. | 0:24:58 | 0:25:01 | |
So throughout the downstairs we're making half height sliding doors. | 0:25:01 | 0:25:05 | |
-Nick, you're the man who solves all problems. -Yeah. | 0:25:07 | 0:25:09 | |
Right we've got a sliding door, how long is a sliding door? | 0:25:09 | 0:25:13 | |
Well it's going to be as wide as that, plus about this much, I guess. | 0:25:13 | 0:25:16 | |
So how do we get it in once this is all built? | 0:25:16 | 0:25:18 | |
-How do we get it in once it's built? -That's a good, good question, Bill. | 0:25:22 | 0:25:25 | |
We do actually have to get a door into that. | 0:25:25 | 0:25:27 | |
Those blocks are removable from the top, | 0:25:27 | 0:25:30 | |
so we drop the door in, the blocks go back on | 0:25:30 | 0:25:32 | |
and then the tracks get fitted above, so the door will need | 0:25:32 | 0:25:35 | |
to be a bit smaller in order to get in and fit the track system. | 0:25:35 | 0:25:38 | |
Ah, simple really, or is it? | 0:25:38 | 0:25:40 | |
What's the height of the door, Mark? | 0:25:40 | 0:25:42 | |
The height of the door is 1,200, I believe. | 0:25:42 | 0:25:45 | |
So we've got a metre here. | 0:25:45 | 0:25:47 | |
Can we do an origami door? | 0:25:50 | 0:25:53 | |
So, essentially, it's too big | 0:25:53 | 0:25:54 | |
and it won't go through the top either. | 0:25:54 | 0:25:57 | |
Fortunately there are enough skilled trades on site to solve that little | 0:25:57 | 0:26:01 | |
problem and I'm going to leave them to it and go and meet Steve. | 0:26:01 | 0:26:04 | |
While we're doing the build, he's been staying with the rest | 0:26:04 | 0:26:08 | |
of the family at Little Haven's Children's Hospice. | 0:26:08 | 0:26:10 | |
They come here several times a year to get a break | 0:26:10 | 0:26:13 | |
from Brandon's 24-hour care routine. | 0:26:13 | 0:26:17 | |
This place that you come must be a massive relief to you | 0:26:17 | 0:26:20 | |
because, given the conditions in the house, | 0:26:20 | 0:26:23 | |
it's a nice house but not set up for your needs. | 0:26:23 | 0:26:27 | |
No, that's right. | 0:26:27 | 0:26:28 | |
The house has a little bit of space | 0:26:28 | 0:26:31 | |
but it doesn't work in terms of, because Brandon's | 0:26:31 | 0:26:33 | |
condition has deteriorated even for the short time | 0:26:33 | 0:26:37 | |
that we've been at the house. | 0:26:37 | 0:26:39 | |
You know, it would just cost too much and money that we don't have | 0:26:39 | 0:26:44 | |
to be able to change it to how would be best suited for him. | 0:26:44 | 0:26:48 | |
-But also you chose to take this on. -Yeah. | 0:26:48 | 0:26:51 | |
Because you came into Brandon's life when he was two. | 0:26:51 | 0:26:54 | |
-It's never crossed my mind in that sort of respect. -Because? | 0:26:54 | 0:26:57 | |
Because the love that he gives you, you know, | 0:26:57 | 0:27:01 | |
and the way that he is, you know, when he's not having his seizures | 0:27:01 | 0:27:05 | |
when he's not really bad, you know, it's just unconditional. | 0:27:05 | 0:27:09 | |
Anyone that meets him, you know, it just...it breaks your heart | 0:27:09 | 0:27:13 | |
when you see what he has to go through on a daily basis | 0:27:13 | 0:27:16 | |
and you think, "Well, actually, all our problems | 0:27:16 | 0:27:19 | |
"in context are nothing compared with what he's doing on a daily basis." | 0:27:19 | 0:27:24 | |
You know, he's fighting this illness that he had no control over, | 0:27:24 | 0:27:28 | |
but, yet, in himself he's still a lovely little bubbly little boy. | 0:27:28 | 0:27:33 | |
What do you think has been the toughest time? | 0:27:33 | 0:27:36 | |
I'd probably have to say when he had his brain surgery | 0:27:36 | 0:27:41 | |
because, you know, you're making life or death decisions | 0:27:41 | 0:27:46 | |
because you know the risks that are involved with the operation. | 0:27:46 | 0:27:51 | |
There was a glimmer of hope in the very start | 0:27:51 | 0:27:55 | |
but it just all fell back into place | 0:27:55 | 0:27:58 | |
and the epilepsy continued. | 0:27:58 | 0:28:00 | |
-That must have been heart-breaking? -Mmm. | 0:28:00 | 0:28:03 | |
To know that you've put him through that operation | 0:28:03 | 0:28:07 | |
and potentially have made that decision... | 0:28:07 | 0:28:09 | |
..which could have gone either way, but then | 0:28:11 | 0:28:14 | |
these are the decisions we have to make, you have to live with it. | 0:28:14 | 0:28:19 | |
How much do you worry about Katie and Rosie missing out on things | 0:28:19 | 0:28:22 | |
because so much of your attention is bound up with looking after Brandon? | 0:28:22 | 0:28:26 | |
A lot, you know, we always try to do what we can. | 0:28:26 | 0:28:29 | |
You know, we do see that we have to give them time as well, | 0:28:29 | 0:28:34 | |
erm, but it's horrible, it's a horrible feeling because you do | 0:28:34 | 0:28:39 | |
feel in some respects sort of guilty because she's like every | 0:28:39 | 0:28:41 | |
five-year-old, you know, she wants attention from both of us | 0:28:41 | 0:28:45 | |
and, as much as we try to give it to her, | 0:28:45 | 0:28:48 | |
then it's not always possible. Brandon comes first and | 0:28:48 | 0:28:52 | |
it only take one very strong seizure, which could kill him. | 0:28:52 | 0:28:57 | |
There's no disillusion about that, | 0:28:57 | 0:29:01 | |
that is the reality of it | 0:29:01 | 0:29:03 | |
and you don't dwell on that too much | 0:29:03 | 0:29:06 | |
because otherwise you wouldn't keep that strength up for him | 0:29:06 | 0:29:11 | |
and that's what he needs and what the family needs. | 0:29:11 | 0:29:14 | |
Man, that's hard. | 0:29:14 | 0:29:16 | |
Having a child with a life-limiting condition affects the whole family | 0:29:17 | 0:29:20 | |
and I want to make sure we make their house a home for all of them, | 0:29:20 | 0:29:24 | |
somewhere safe and fun for Katie and Rosie to play and grow up. | 0:29:24 | 0:29:28 | |
Back on-site, plasterboard is being put up ready for the morning | 0:29:31 | 0:29:35 | |
when 21 plasterers will descend on the house. | 0:29:35 | 0:29:37 | |
What do you think, boys, are we going to have this room done tonight? | 0:29:37 | 0:29:41 | |
-Yeah, easily. -Easy, yeah. | 0:29:41 | 0:29:43 | |
My hair used to be just like that. | 0:29:43 | 0:29:46 | |
Hey, if I actually did do my hair like that, | 0:29:47 | 0:29:50 | |
I'd end up looking much taller, wouldn't I? | 0:29:50 | 0:29:52 | |
I'd be that much taller. | 0:29:52 | 0:29:54 | |
He's not right, is he, to be fair? | 0:29:56 | 0:29:58 | |
Morning, sun is shining, | 0:30:02 | 0:30:04 | |
I've got a cup of coffee in my hand, ready for anything today. | 0:30:04 | 0:30:07 | |
As long as it includes coffee. | 0:30:07 | 0:30:10 | |
This weather is perfect for plastering an entire house | 0:30:10 | 0:30:12 | |
and just look at them all, we've got 21 here today. | 0:30:12 | 0:30:16 | |
Chris is in his element. | 0:30:16 | 0:30:19 | |
It's not so good if you're stuck under the stairs, of course, like this poor bloke. | 0:30:19 | 0:30:23 | |
The biggest guy on the site and they put him in a tiny, little cupboard. | 0:30:23 | 0:30:26 | |
-Are you all right, buddy? -Not too bad. | 0:30:28 | 0:30:29 | |
How are you getting on? It looks a bit hot in there. | 0:30:29 | 0:30:32 | |
A bit cramped, I just need an owl and I'd feel like Harry Potter. | 0:30:32 | 0:30:34 | |
The sunny weather has brought a bit of magic to the outside, as well. | 0:30:36 | 0:30:41 | |
Oh! | 0:30:41 | 0:30:42 | |
Really getting there, aren't we? | 0:30:42 | 0:30:45 | |
-You superstars, you're going to be done tonight. -Yep. | 0:30:45 | 0:30:49 | |
Yes! | 0:30:49 | 0:30:50 | |
That means we can get the roof finished tomorrow, | 0:30:50 | 0:30:54 | |
we get the scaffolding down and we can start | 0:30:54 | 0:30:57 | |
the outside of the building, which is going to be very exciting cos | 0:30:57 | 0:31:00 | |
we can get all the stuff in that we need to do and stuff. | 0:31:00 | 0:31:03 | |
All you need is a wee bit of sunshine. | 0:31:03 | 0:31:06 | |
And, of course, the great British builder. | 0:31:07 | 0:31:09 | |
He's right, the good weather has meant the garden designers | 0:31:09 | 0:31:12 | |
have stepped up the pace and are busy laying artificial grass | 0:31:12 | 0:31:16 | |
to turn the garden into a space the kids can use all the year round, | 0:31:16 | 0:31:18 | |
whatever the British weather throws at them. | 0:31:18 | 0:31:22 | |
Because of Brandon's condition, Katie rarely gets to have friends | 0:31:22 | 0:31:25 | |
round to her house, so her weekly ballet class is one of the few | 0:31:25 | 0:31:28 | |
opportunities to see friends outside of school. | 0:31:28 | 0:31:31 | |
It's the perfect place for her to make two new friends. | 0:31:31 | 0:31:34 | |
-Hello. -Hiya. | 0:31:36 | 0:31:38 | |
Girls, we've got some new boys joining our class today. | 0:31:38 | 0:31:40 | |
-You don't mind, do you? -No. | 0:31:40 | 0:31:43 | |
OK, shall we start our class? | 0:31:44 | 0:31:47 | |
We're going to do some knee bends, so our plies. | 0:31:47 | 0:31:49 | |
We're going to go bend and stretch. | 0:31:49 | 0:31:53 | |
Now do beautiful fairy arms, | 0:31:53 | 0:31:54 | |
beautiful, where's our big smiles? | 0:31:54 | 0:31:57 | |
-Stretch and bend and stretch. -Cor, pain! | 0:31:57 | 0:32:01 | |
Bend and stretch. One and two and three... | 0:32:01 | 0:32:03 | |
I'm finding this slightly disturbing. | 0:32:03 | 0:32:06 | |
They are surprisingly light on their feet, though. | 0:32:06 | 0:32:08 | |
Up on your tippy toes, run, run, run. Stop there... | 0:32:08 | 0:32:10 | |
..and balance. | 0:32:10 | 0:32:12 | |
He's surprisingly graceful. | 0:32:12 | 0:32:14 | |
Oh, that was excellent balancing. | 0:32:14 | 0:32:16 | |
Ready and run, run, run | 0:32:17 | 0:32:20 | |
and balance. | 0:32:20 | 0:32:21 | |
Yeah, I don't know if the boys will ever make it | 0:32:23 | 0:32:25 | |
as ballet dancers, but Katie's having a great time. | 0:32:25 | 0:32:27 | |
We're going to step to the side, girls, and curtsy | 0:32:27 | 0:32:31 | |
and step, feet together and bow. | 0:32:31 | 0:32:35 | |
And can you give everybody a big clap. | 0:32:35 | 0:32:37 | |
Thank you for letting us enjoy your ballet lesson. | 0:32:40 | 0:32:42 | |
Thank you. | 0:32:42 | 0:32:44 | |
There are no words to describe what I've just seen. | 0:32:46 | 0:32:49 | |
Despite having to look after Brandon 24 hours a day, | 0:32:51 | 0:32:54 | |
Jenny still finds time to take Katie to ballet, | 0:32:54 | 0:32:56 | |
that's the kind of mum she is, | 0:32:56 | 0:32:58 | |
and that's why former social worker, Abi, | 0:32:58 | 0:33:00 | |
and Brandon's former carer, Amy, contacted us. | 0:33:00 | 0:33:04 | |
Who was it applied, one of you did, didn't you? | 0:33:04 | 0:33:06 | |
I applied because when I worked with the family, | 0:33:06 | 0:33:10 | |
I saw the struggle that they had and being in the position I was in, | 0:33:10 | 0:33:14 | |
I also saw the fight that they had to have to get Brandon | 0:33:14 | 0:33:18 | |
just the smallest of changes that would make a massive difference | 0:33:18 | 0:33:21 | |
to their quality of life. | 0:33:21 | 0:33:23 | |
And recently they set up a fundraiser and Jenny was | 0:33:23 | 0:33:27 | |
all about getting some money together so that they could take on this | 0:33:27 | 0:33:30 | |
by themselves and it fell through and it didn't happen, | 0:33:30 | 0:33:34 | |
and I just... I felt kind of crushed for them | 0:33:34 | 0:33:36 | |
that they keep trying to fund raise, | 0:33:36 | 0:33:38 | |
keep trying to do events, keep trying to get money together, | 0:33:38 | 0:33:41 | |
keep trying to raise their profile so they can increase Brandon's quality of life | 0:33:41 | 0:33:45 | |
and it never happens and they... | 0:33:45 | 0:33:48 | |
..they so deserve, it they really do. | 0:33:48 | 0:33:50 | |
Having worked in the same area and you know about children | 0:33:50 | 0:33:54 | |
with the difficulties that Brandon has, | 0:33:54 | 0:33:56 | |
how much strain is Jenny under just dealing with Brandon, | 0:33:56 | 0:33:59 | |
let alone the other children? | 0:33:59 | 0:34:01 | |
She's under an immense strain, because... | 0:34:01 | 0:34:04 | |
I mean, for us, we dip in and we dip out, don't we? | 0:34:04 | 0:34:07 | |
We have the children for a certain amount of hours each day. | 0:34:07 | 0:34:10 | |
For a parent it's 24/7. | 0:34:10 | 0:34:13 | |
You cannot leave him on his own for a minute, | 0:34:13 | 0:34:16 | |
you have to have a pair of eyes on him at all times | 0:34:16 | 0:34:19 | |
because he doesn't always give a sign that he's going | 0:34:19 | 0:34:21 | |
to have a fit, so he can drop and have one with no warning. | 0:34:21 | 0:34:25 | |
And through the night, although he's asleep, | 0:34:25 | 0:34:27 | |
they have to be next to him because he will just start having fits | 0:34:27 | 0:34:31 | |
in his sleep and he can vomit with them, which is an obvious danger | 0:34:31 | 0:34:35 | |
when he's laying down asleep, so it's 24/7. | 0:34:35 | 0:34:38 | |
It must wear them out, though, mustn't it? | 0:34:38 | 0:34:41 | |
Won't they just burn out? | 0:34:41 | 0:34:42 | |
Her way of coping with things is just that she keeps | 0:34:42 | 0:34:45 | |
going and keeps going and keeps going. | 0:34:45 | 0:34:47 | |
-Cos if she stops she'd never get started again. -Yeah. | 0:34:47 | 0:34:50 | |
Thankfully the build is going remarkably well, | 0:34:57 | 0:34:59 | |
just two days left before we give the house back. | 0:34:59 | 0:35:03 | |
Oh, look at this how this has changed, look at this! | 0:35:03 | 0:35:07 | |
It's come to life, hasn't it? | 0:35:07 | 0:35:08 | |
That's completely changed. It looked like we weren't getting anywhere | 0:35:08 | 0:35:11 | |
with it and, suddenly, it's come to life. | 0:35:11 | 0:35:13 | |
We got on, got loads done. | 0:35:13 | 0:35:14 | |
Today we'll get loads done, as well. | 0:35:14 | 0:35:17 | |
-Tomorrow, we should be good to go. -Lovely planting tomorrow? | 0:35:17 | 0:35:20 | |
Yep. | 0:35:20 | 0:35:21 | |
-All the pretty stuff, yeah? -Yeah. -Lovely thank you. | 0:35:21 | 0:35:24 | |
He was nervous, now he's calm, | 0:35:24 | 0:35:26 | |
unlike the kitchen. | 0:35:26 | 0:35:28 | |
Now look at this, look at this, look at this. Isn't it ridiculous? | 0:35:29 | 0:35:32 | |
All the ugly ones leave. | 0:35:32 | 0:35:34 | |
Actually, to be honest, we still need one or two in the room, | 0:35:34 | 0:35:37 | |
-so, no, stay, but... -NICK CHUCKLES | 0:35:37 | 0:35:40 | |
They aren't ugly at all, they're beautiful, talented, hardworking... | 0:35:45 | 0:35:48 | |
Have I said enough yet? | 0:35:48 | 0:35:50 | |
They've even solved the problem of the sliding pocket door. | 0:35:50 | 0:35:53 | |
In the end, we were forced to take the whole wall apart | 0:35:53 | 0:35:56 | |
because of the radiator, because there wasn't enough space to get | 0:35:56 | 0:36:00 | |
-a wheelchair actually through the door. -Oh, what, between this end here...? | 0:36:00 | 0:36:03 | |
Between this end here and the radiator here? | 0:36:03 | 0:36:05 | |
-So that's why you've cut the end off of this. -Yeah. | 0:36:05 | 0:36:08 | |
Then that in turn made it easier to actually get this door in. | 0:36:08 | 0:36:11 | |
-By ripping the wall off? -Yeah. | 0:36:11 | 0:36:14 | |
-We've still got the electrics all attached as well. -Oh, yeah, | 0:36:14 | 0:36:16 | |
we're going to put it back in, look. | 0:36:16 | 0:36:18 | |
-That is genius, isn't it? -Look at that. | 0:36:18 | 0:36:21 | |
Well that's good. Well done, lads, that'll work nicely for them. | 0:36:21 | 0:36:25 | |
Every single one of them a genius in their own right. | 0:36:25 | 0:36:29 | |
Giving Brandon a safe space to sleep at night was | 0:36:29 | 0:36:31 | |
one of the family's priorities, | 0:36:31 | 0:36:33 | |
so we've had a bed specially made with cushion walls, | 0:36:33 | 0:36:36 | |
which means it's very big and someone has put the bedroom door | 0:36:36 | 0:36:40 | |
in the wrong place. | 0:36:40 | 0:36:42 | |
Right, we've got a little bit of a problem. | 0:36:42 | 0:36:44 | |
We've got the bed, which is very beautiful, which comes out to here, | 0:36:44 | 0:36:47 | |
but we need that full width to get a wheelchair through here. | 0:36:47 | 0:36:52 | |
Can we really quickly redesign this room? | 0:36:52 | 0:36:57 | |
Do you think? | 0:36:58 | 0:37:00 | |
Anything for you, Mark. | 0:37:01 | 0:37:03 | |
I understand there's an issue about the bed. | 0:37:03 | 0:37:06 | |
-It's only a tiny little issue. -No, it's fine. | 0:37:06 | 0:37:08 | |
Is this the bed we measured cos we needed to set the walls exactly, | 0:37:08 | 0:37:11 | |
-and you measured it three times? -No, I didn't measure this bit. | 0:37:11 | 0:37:14 | |
-Yes, you did. -No, no, I didn't design... | 0:37:14 | 0:37:16 | |
I held the other end whilst you measured it. | 0:37:16 | 0:37:18 | |
That way, yes, we've got the width, the width is fine. | 0:37:18 | 0:37:21 | |
-It's always the length with you, ain't it? -It's the length. | 0:37:21 | 0:37:23 | |
-It's always with the length. -So we've got our length wrong. | 0:37:23 | 0:37:26 | |
-So can the bed... -Yeah. | 0:37:26 | 0:37:29 | |
-..turn this way? -Yes, let's see, let's see. | 0:37:29 | 0:37:33 | |
Yes but have you got enough between the end corner here and here? | 0:37:33 | 0:37:36 | |
That wall, that box when you get to it, where's that? | 0:37:37 | 0:37:40 | |
The corner's there. | 0:37:40 | 0:37:41 | |
That's still tight, isn't it? | 0:37:41 | 0:37:43 | |
If we lose that wall completely, you can come straight through... | 0:37:43 | 0:37:46 | |
-And round. -But we can't do that cos we've got the radiator | 0:37:46 | 0:37:48 | |
-and we've got all the... -Let's look at that. | 0:37:48 | 0:37:50 | |
All the central heating running through it. | 0:37:50 | 0:37:52 | |
If you took the wall out, take that back to the wall and just... | 0:37:52 | 0:37:55 | |
-We could do. -..have a tap off and put one radiator in there, | 0:37:55 | 0:37:57 | |
you don't need the radiator that side... | 0:37:57 | 0:37:59 | |
-What, remove the wall completely? -Yeah, take it out. | 0:37:59 | 0:38:01 | |
-That means you've got no changing area then. -Don't forgot, there's steels in here. | 0:38:01 | 0:38:05 | |
-Which cuts across that wall there. -Yeah. | 0:38:05 | 0:38:07 | |
D'you know what? I actually think... I think I can honestly say | 0:38:09 | 0:38:12 | |
this is the biggest mistake we've ever made... | 0:38:12 | 0:38:14 | |
on a DIY SOS Big Build. | 0:38:14 | 0:38:16 | |
To get to this stage where we're actually... | 0:38:16 | 0:38:19 | |
When we've only got - what, a day, two days to work it out? | 0:38:19 | 0:38:22 | |
To find that the bed - that is specifically built | 0:38:22 | 0:38:24 | |
for the young lad we've come here to help - doesn't fit the room, | 0:38:24 | 0:38:27 | |
is actually something of a disaster. | 0:38:27 | 0:38:30 | |
It's an old-fashioned thought, but in future, | 0:38:30 | 0:38:33 | |
why don't we measure things | 0:38:33 | 0:38:35 | |
and work them out on a plan beforehand | 0:38:35 | 0:38:37 | |
and maybe put doorways in the right place, what about that as an idea? | 0:38:37 | 0:38:40 | |
We actually do try and do that, you know? | 0:38:40 | 0:38:41 | |
While you're down the nail bar, we are trying very hard | 0:38:41 | 0:38:44 | |
in the backroom to do that, you know? | 0:38:44 | 0:38:45 | |
How many times did I come in here and measure this and say, | 0:38:45 | 0:38:48 | |
"Are the walls in the right place? Is it in the right place...?" | 0:38:48 | 0:38:50 | |
-Oh, so you admit you measured it, YOU measured it! -You measured it! | 0:38:50 | 0:38:53 | |
-Yeah. -Oh! -Did you measure this, did you? So it's...YOUR fault! | 0:38:53 | 0:38:57 | |
How is it... How is it my fault | 0:38:57 | 0:38:59 | |
when I haven't designed it or built the bed, | 0:38:59 | 0:39:01 | |
or in fact done any work at all? | 0:39:01 | 0:39:03 | |
How could it be my fault? | 0:39:03 | 0:39:05 | |
That's the one absolute surety is | 0:39:05 | 0:39:06 | |
cos I do so little, it can't be my fault. | 0:39:06 | 0:39:08 | |
But it all starts with the measuring, doesn't it, Mark? | 0:39:08 | 0:39:11 | |
-Doesn't it, Mark? -It's his fault, really, isn't it? It does, yeah. | 0:39:11 | 0:39:14 | |
I'm gobsmacked that you could actually even begin | 0:39:14 | 0:39:16 | |
to pass the blame. | 0:39:16 | 0:39:17 | |
THEY LAUGH | 0:39:17 | 0:39:19 | |
'They are literally shifting the blame from themselves when it's their fault!' | 0:39:19 | 0:39:23 | |
'You know, it's very late in the day to start knocking down walls | 0:39:25 | 0:39:27 | |
'and rearranging the plumbing and electrics, | 0:39:27 | 0:39:30 | |
'but once we've said the word and that's what needs to be done, | 0:39:30 | 0:39:32 | |
'it's like a well-oiled machine kicks in... | 0:39:32 | 0:39:35 | |
'When I say well-oiled, not "down the pub" well-oiled, | 0:39:35 | 0:39:37 | |
'I mean like a proper machine. | 0:39:37 | 0:39:39 | |
'And the boys start kicking into it to make it happen - why? | 0:39:39 | 0:39:42 | |
'Because they know they're going to make a brighter future | 0:39:42 | 0:39:46 | |
'for a little boy who needs it. | 0:39:46 | 0:39:47 | |
'And it's that commitment which has really touched the family.' | 0:39:47 | 0:39:51 | |
Is that a bit weird, all this? | 0:39:52 | 0:39:53 | |
Yeah, it's really surreal. We just feel really lucky. | 0:39:53 | 0:39:57 | |
Like why... You know, something that we've wished for for ages | 0:39:57 | 0:40:01 | |
or like just for Brandon to have a bedroom and wet room, | 0:40:01 | 0:40:04 | |
and the fact that... everyone is there doing it | 0:40:04 | 0:40:08 | |
and it's more than we ever could do ourselves or imagine. | 0:40:08 | 0:40:13 | |
But you must have, at times, felt desperately unlucky? | 0:40:13 | 0:40:16 | |
Oh, yeah. You know, Brandon was born fine, | 0:40:16 | 0:40:19 | |
there was nothing wrong with him... | 0:40:19 | 0:40:22 | |
And then for him to be as ill as he is | 0:40:22 | 0:40:26 | |
and deteriorate as quick as he has, like, I do feel unlucky for that. | 0:40:26 | 0:40:31 | |
It's now like the quality of life... | 0:40:31 | 0:40:34 | |
You know, he is nine years old and I want him to see the days, | 0:40:34 | 0:40:38 | |
I don't want him to be asleep. | 0:40:38 | 0:40:41 | |
You know, he still needs to see that daylight. | 0:40:41 | 0:40:44 | |
I don't want him on a drug | 0:40:44 | 0:40:45 | |
that not necessarily is helping his seizures, | 0:40:45 | 0:40:48 | |
but he'll just be asleep | 0:40:48 | 0:40:50 | |
so that we're not having to deal with it physically, | 0:40:50 | 0:40:54 | |
that's not a life... | 0:40:54 | 0:40:57 | |
You know, he needs to see the world, like, every day... | 0:40:57 | 0:41:01 | |
and the changes, and us grow. | 0:41:01 | 0:41:04 | |
You've had enough putting him through procedures and... | 0:41:05 | 0:41:09 | |
Yeah, and the side effects of medicines, you know, | 0:41:09 | 0:41:12 | |
they can make him angry and not the boy that he is, | 0:41:12 | 0:41:18 | |
and that's not fair to him. | 0:41:18 | 0:41:20 | |
It's not fair, and they don't have any help with his seizures. | 0:41:20 | 0:41:24 | |
My way of getting him through life now is I'll be there, | 0:41:24 | 0:41:29 | |
you know, I'm his mum. | 0:41:29 | 0:41:30 | |
And it's just that little boy, it's just... | 0:41:32 | 0:41:37 | |
He's in there, but the epilepsy has got him... | 0:41:37 | 0:41:41 | |
..but we'll keep hold of him. | 0:41:44 | 0:41:46 | |
It is tough for us to see the little boy inside. | 0:41:46 | 0:41:48 | |
-(But he's inside.) -He's there. | 0:41:50 | 0:41:52 | |
(He's there.) And that's the hardest thing. | 0:41:52 | 0:41:55 | |
-(Sorry!) -It's all right. C'mon, c'mon. | 0:42:03 | 0:42:05 | |
We can't change that, | 0:42:12 | 0:42:13 | |
but you can maybe make tomorrow a slightly better day. | 0:42:13 | 0:42:17 | |
'I've nothing but admiration for Jenny.' | 0:42:24 | 0:42:27 | |
'She won't give up on Brandon, no matter what the future holds. | 0:42:28 | 0:42:31 | |
'Her resilience is inspirational, | 0:42:31 | 0:42:34 | |
'and that's why every one of these trades | 0:42:34 | 0:42:36 | |
'is determined to do their best to help Jenny and her family.' | 0:42:36 | 0:42:39 | |
'After our earlier measuring issues, Brandon's bed is up | 0:42:41 | 0:42:44 | |
'and is going to make the world of difference.' | 0:42:44 | 0:42:47 | |
That's... Well, it's five hours since we made the decision | 0:42:47 | 0:42:49 | |
to take that wall out and correct it all - amazing! | 0:42:49 | 0:42:53 | |
'It is so incredible that I've been buoyed with confidence | 0:42:53 | 0:42:56 | |
'and I'm ready to ask a designer the question I should never ask.' | 0:42:56 | 0:42:59 | |
-Can I ask you a question? -Yes. | 0:42:59 | 0:43:01 | |
-It's a design-based question. -No, no, definitely not. No, go on. | 0:43:01 | 0:43:04 | |
Come over here. Come here. | 0:43:04 | 0:43:05 | |
That design feature wall was probably the most difficult thing | 0:43:05 | 0:43:09 | |
-that our plasterers have ever attempted, and... -Surely not. | 0:43:09 | 0:43:11 | |
..one or two of them had to go outside and breathe heavily during the creation of that. | 0:43:11 | 0:43:15 | |
I mean, what are you displaying in shelves that thin? | 0:43:15 | 0:43:17 | |
The best we can come up with is that one of 'em likes raisins | 0:43:17 | 0:43:20 | |
and it's for displaying raisins. | 0:43:20 | 0:43:22 | |
-And nuts. -And nuts. | 0:43:22 | 0:43:23 | |
-Nuts and raisins. -Oh, well, it's not completely, fair enough. -No. | 0:43:23 | 0:43:26 | |
Ain't going to get a vase on there, are we? | 0:43:26 | 0:43:28 | |
No, see, all the builders are asking the same question - | 0:43:28 | 0:43:30 | |
what are you going to put on there? | 0:43:30 | 0:43:32 | |
Well, good... Ask... | 0:43:33 | 0:43:35 | |
That's good, you want a sense of mystery, a bit of jeopardy. | 0:43:35 | 0:43:38 | |
What is going in those recesses? Who knows?! We'll find out. | 0:43:38 | 0:43:42 | |
All right then. | 0:43:42 | 0:43:44 | |
'In other words, they're making it up as they go along. | 0:43:45 | 0:43:48 | |
'What I always suspected with designers. | 0:43:48 | 0:43:50 | |
'We've suffered numerous problems and setbacks on this build, | 0:43:50 | 0:43:53 | |
'but we've solved them all, and now we can begin | 0:43:53 | 0:43:56 | |
'the finishing touches | 0:43:56 | 0:43:57 | |
'before handing the house back in the morning.' | 0:43:57 | 0:43:59 | |
'And, yes, it is going to be a beautiful day.' | 0:44:03 | 0:44:06 | |
'Nine days ago, we found Jenny and Steve exhausted | 0:44:11 | 0:44:14 | |
'and on the edge, struggling to cope with Brandon's seizures | 0:44:14 | 0:44:18 | |
'whilst juggling the needs of a young family.' | 0:44:18 | 0:44:21 | |
Not now he's started his seizure, I can't leave him completely... | 0:44:21 | 0:44:24 | |
-to run and get Rosie's dummy. -ROSIE WAILS | 0:44:24 | 0:44:27 | |
'Their house was a dangerous obstacle course | 0:44:27 | 0:44:30 | |
'and Brandon spent most of his time in the living room, | 0:44:30 | 0:44:32 | |
'even sleeping there at night.' | 0:44:32 | 0:44:35 | |
Brandon's always with me or Steve, | 0:44:35 | 0:44:38 | |
he's never without one of us, but he can't be left. | 0:44:38 | 0:44:41 | |
'We sent out a real DIY SOS to the people of Essex, | 0:44:41 | 0:44:45 | |
'and this is what they achieved.' | 0:44:45 | 0:44:47 | |
'We've done away with the old cramped playroom | 0:44:49 | 0:44:52 | |
'and kitchen with its sharp corners | 0:44:52 | 0:44:54 | |
'and created a big open-plan kitchen/diner.' | 0:44:54 | 0:44:58 | |
'The whole design has been geared towards Brandon's safety...' | 0:44:59 | 0:45:02 | |
'..with the rounded corners and soft edges on all the work surfaces.' | 0:45:04 | 0:45:08 | |
'Half-height walls and sliding doors mean Jenny can see Brandon | 0:45:09 | 0:45:14 | |
'while keeping him safe in another room.' | 0:45:14 | 0:45:16 | |
'We've put in a playroom with a ball pit, | 0:45:18 | 0:45:20 | |
'and padded storage space to keep all the toys off the floor.' | 0:45:20 | 0:45:24 | |
'The living room has been transformed | 0:45:26 | 0:45:27 | |
'into a practical and stylish space | 0:45:27 | 0:45:29 | |
'with washable flooring and padded cupboards in case Brandon falls.' | 0:45:29 | 0:45:34 | |
'Of prime importance in this build was a separate space | 0:45:36 | 0:45:39 | |
'for Brandon to wash and sleep. | 0:45:39 | 0:45:41 | |
'Somewhere he could recover from his seizures | 0:45:41 | 0:45:44 | |
'where he wouldn't be disturbed by the rest of the family. | 0:45:44 | 0:45:47 | |
'And so we've turned the old living room into a wet room and a bedroom.' | 0:45:47 | 0:45:51 | |
'Upstairs, Katie's room doubled up | 0:45:52 | 0:45:54 | |
'as a storage space for Brandon's bed. | 0:45:54 | 0:45:57 | |
'We've decluttered it and created a tasteful pink bedroom | 0:45:57 | 0:46:00 | |
'fit for a princess.' | 0:46:00 | 0:46:02 | |
'Across the hall, we've turned Jenny and Steve's bedroom | 0:46:04 | 0:46:06 | |
'into a peaceful oasis of calm, | 0:46:06 | 0:46:09 | |
'where they can get some well-deserved rest.' | 0:46:09 | 0:46:12 | |
'At the front of the house, we've made access easier | 0:46:15 | 0:46:17 | |
'with a permanent ramp and a new wider front door.' | 0:46:17 | 0:46:21 | |
'And in the back, the garden team has worked a minor miracle, | 0:46:23 | 0:46:27 | |
'turning the waterlogged back garden | 0:46:27 | 0:46:29 | |
'into a beautiful, easily accessible space, | 0:46:29 | 0:46:33 | |
'complete with water feature and safe play area for Brandon, | 0:46:33 | 0:46:37 | |
'which leads into the playroom.' | 0:46:37 | 0:46:39 | |
It's been a tough time trying to get the things you need. | 0:46:43 | 0:46:46 | |
We hope that what your community has come and done for you... | 0:46:47 | 0:46:51 | |
..will do the job for you. | 0:46:52 | 0:46:53 | |
If you're ready, open your eyes. | 0:46:54 | 0:46:56 | |
Oh, my God. Wow! | 0:46:58 | 0:47:01 | |
-I was not expecting that. -Oh, wow! | 0:47:01 | 0:47:05 | |
This ain't our house, this is not our house! | 0:47:05 | 0:47:08 | |
(Oh, my God.) | 0:47:08 | 0:47:10 | |
-Your house used to stop by that wall. -Amazing. | 0:47:10 | 0:47:13 | |
Not beyond our wildest dreams, would I have imagined this! | 0:47:13 | 0:47:15 | |
-Even... -It's lovely. | 0:47:15 | 0:47:17 | |
Yeah, this is...stunning. It is absolutely fantastic! | 0:47:17 | 0:47:22 | |
Oh, we've got a table. | 0:47:22 | 0:47:24 | |
-And we can actually sit and have... -Yeah! | 0:47:24 | 0:47:26 | |
-..dinner together as a family, that's... -Family time! | 0:47:26 | 0:47:28 | |
(Oh, wow.) | 0:47:28 | 0:47:30 | |
One of the weirder things about the design | 0:47:30 | 0:47:32 | |
is the half-height walls all the way around, | 0:47:32 | 0:47:33 | |
but there's a good reason for that. | 0:47:33 | 0:47:35 | |
Have a look through here, because you've got a play area here. | 0:47:35 | 0:47:38 | |
Oh, he's got a ball pool! He'll love that. | 0:47:38 | 0:47:40 | |
-Oh, yeah, we won't get him out of there. -I love it, I love it. | 0:47:40 | 0:47:43 | |
So, it's a safe, soft area, | 0:47:43 | 0:47:46 | |
but the point being that in order that you know that he's safe | 0:47:46 | 0:47:50 | |
and that he won't go off and fall anywhere else. | 0:47:50 | 0:47:52 | |
-Oh, wow. -You've got half-height doors... | 0:47:53 | 0:47:56 | |
-so that you know that he's going to be staying in one area. -Oh, wow. | 0:47:56 | 0:47:59 | |
Oh, wow. | 0:47:59 | 0:48:00 | |
The other thing is, come over, | 0:48:00 | 0:48:01 | |
just come over here come through, open your doors and... | 0:48:01 | 0:48:04 | |
Oh, wow, you've given us a living room. | 0:48:07 | 0:48:09 | |
The fact that you've managed to, obviously, give us | 0:48:09 | 0:48:11 | |
somewhere that's homely but safe, you know... | 0:48:11 | 0:48:13 | |
-For Brandon. -..for Brandon, that's beyond our dreams. | 0:48:13 | 0:48:17 | |
You can't keep an eye on Brandon when he's in the bedroom and sit in the living room, can you? | 0:48:17 | 0:48:21 | |
-No. -But you can now because what you've | 0:48:21 | 0:48:23 | |
got there is a camera that's looking into Brandon's bed. | 0:48:23 | 0:48:25 | |
Good. | 0:48:25 | 0:48:27 | |
So you can sit in here and keep an eye on him | 0:48:27 | 0:48:28 | |
if you want to, you can read a book, you can play with the kids, | 0:48:28 | 0:48:31 | |
but you can still keep an eye on him. | 0:48:31 | 0:48:33 | |
That is also... relays via an app onto your phones or onto a tablet... | 0:48:33 | 0:48:37 | |
-Does it really? -Oh, wow. | 0:48:37 | 0:48:38 | |
..you can carry that around wherever you want to be. | 0:48:38 | 0:48:40 | |
-Wow. -That's so much better, yeah. | 0:48:40 | 0:48:43 | |
That is going to change our life that and make it | 0:48:43 | 0:48:45 | |
so much easier. | 0:48:45 | 0:48:47 | |
So, what is it that you've been fighting for, most, all this time? | 0:48:47 | 0:48:50 | |
-His bedroom and wet room. -The bedroom and wet room. | 0:48:50 | 0:48:53 | |
OK, for that we need to go through there. | 0:48:53 | 0:48:55 | |
Oh, wow. | 0:49:03 | 0:49:05 | |
-That is fantastic. -He's got a wet room as well. | 0:49:05 | 0:49:08 | |
Well, yeah the wet room, obviously, you know what | 0:49:08 | 0:49:10 | |
you needed there, and the toilet and the shower. | 0:49:10 | 0:49:12 | |
-This is, obviously, a changing table. -He's got a bed. -Oh, look at that. | 0:49:12 | 0:49:15 | |
Well, obviously, it's a medical bed | 0:49:15 | 0:49:17 | |
so it goes up, down and all the various other things. | 0:49:17 | 0:49:19 | |
The idea of building the framework around with all the soft furnishings | 0:49:19 | 0:49:22 | |
-around the outside means that he can't hurt himself. -No. | 0:49:22 | 0:49:26 | |
And it's wide enough, obviously, cos | 0:49:26 | 0:49:28 | |
I know that one of you guys stays here with him, so... | 0:49:28 | 0:49:30 | |
It will fit us in as well. | 0:49:30 | 0:49:32 | |
He won't want to get out. | 0:49:32 | 0:49:34 | |
STEVE LAUGHS | 0:49:34 | 0:49:35 | |
It's really lovely. | 0:49:35 | 0:49:37 | |
Yeah, but it means also that when he's sleeping | 0:49:37 | 0:49:40 | |
in there, if you get him to sleep, then you can close up the doors | 0:49:40 | 0:49:43 | |
and then go and take a rest and sit down or play with Katie or Rosie | 0:49:43 | 0:49:47 | |
in the other room with the monitor which will keep an eye on him. | 0:49:47 | 0:49:50 | |
-We've never had that. -No, | 0:49:50 | 0:49:52 | |
and it's just them little things that make such a big difference to us. | 0:49:52 | 0:49:56 | |
It's going to make it so much easier, so much easier. | 0:49:56 | 0:49:59 | |
Yeah, we can actually start to live! | 0:49:59 | 0:50:01 | |
And enjoy coming home and not being isolated in different places, it's... | 0:50:01 | 0:50:07 | |
We can just | 0:50:07 | 0:50:08 | |
be like the family that we are and that we, that we always want to be. | 0:50:08 | 0:50:12 | |
Brilliant, it's just everything that we could have | 0:50:16 | 0:50:19 | |
dreamed of for a wet room and a bedroom for him, it's... | 0:50:19 | 0:50:22 | |
That is... | 0:50:22 | 0:50:24 | |
And we haven't finished yet, there's more. | 0:50:24 | 0:50:26 | |
-More? -There's more, yeah. | 0:50:26 | 0:50:28 | |
-Shall we go and have a look around the rest of the house? -Yeah, love to! -C'mon. | 0:50:28 | 0:50:32 | |
Oh, my God, she'll love it. | 0:50:41 | 0:50:44 | |
Yeah, Katie's room. | 0:50:44 | 0:50:46 | |
Oh, wow... oh, she'll love this. | 0:50:46 | 0:50:49 | |
She is going to, ain't she? | 0:50:49 | 0:50:51 | |
Such a little princess room. She's going to love it. | 0:50:51 | 0:50:54 | |
-The butterflies on the wall. -Yeah. | 0:50:54 | 0:50:56 | |
And it's still pink. | 0:50:56 | 0:50:57 | |
It's still pink, you kept the pink. | 0:50:57 | 0:50:59 | |
Something you said when we were talking the other day | 0:50:59 | 0:51:01 | |
that she's had to grow up almost too fast, so we wanted to make sure that | 0:51:01 | 0:51:05 | |
the room, for her, was as spectacular as the room for Brandon, you know. | 0:51:05 | 0:51:11 | |
It's beautiful. | 0:51:11 | 0:51:13 | |
I think it's just knowing, like, all what Katie puts up with | 0:51:14 | 0:51:18 | |
and she's such a good girl and we depend on her, and it's beautiful. | 0:51:18 | 0:51:24 | |
There are three things that we've left the same. | 0:51:24 | 0:51:27 | |
We've left the stairs where they were in the house. | 0:51:27 | 0:51:29 | |
Pretty much everything else has changed. | 0:51:29 | 0:51:32 | |
Your bathroom is as it was, because you had a lovely bathroom up here, | 0:51:32 | 0:51:35 | |
that you've worked very hard to make... | 0:51:35 | 0:51:38 | |
COUPLE LAUGH | 0:51:38 | 0:51:39 | |
..and baby's room and we're not going to go messing around with people's baby rooms, | 0:51:39 | 0:51:43 | |
and you decided how you want Rosie's room, so that's how it is. | 0:51:43 | 0:51:45 | |
We're still missing one thing, really, aren't we? Come and have a look at this. | 0:51:45 | 0:51:49 | |
Oh... | 0:51:52 | 0:51:54 | |
SHE CHUCKLES | 0:51:54 | 0:51:55 | |
-Oh. -Wow, we've actually got a finished bedroom. | 0:51:55 | 0:52:00 | |
I know, it's finished. | 0:52:00 | 0:52:02 | |
That's amazing. | 0:52:02 | 0:52:04 | |
What do you think, is this the space you needed? | 0:52:04 | 0:52:07 | |
Yeah, we can come up here and just... | 0:52:07 | 0:52:09 | |
I'm just speechless still. | 0:52:09 | 0:52:10 | |
..just relax and... | 0:52:10 | 0:52:12 | |
We're in awe of how much work has actually gone in to do this. | 0:52:12 | 0:52:15 | |
Everyone that's come in and changed our life, | 0:52:15 | 0:52:19 | |
all for the good, we've got a home to live in. | 0:52:19 | 0:52:21 | |
-Yeah. -You look slightly in shock. | 0:52:21 | 0:52:23 | |
Yeah, shocked cos we've got a home, we've got a home. | 0:52:23 | 0:52:26 | |
We've waited so long to have, well... | 0:52:26 | 0:52:31 | |
nothing as close as this, just to have a home, | 0:52:31 | 0:52:34 | |
to have this done it's... | 0:52:34 | 0:52:38 | |
And he's not a separate, Brandon is not a separate and, | 0:52:38 | 0:52:41 | |
we can all live, like, in here and, we've got a home, | 0:52:41 | 0:52:44 | |
finally it feels like home. | 0:52:44 | 0:52:47 | |
Beautiful. | 0:52:48 | 0:52:50 | |
That's a surprise, isn't it? What do you think? | 0:52:56 | 0:52:59 | |
Do you like it? | 0:52:59 | 0:53:00 | |
JENNY LAUGHS | 0:53:00 | 0:53:02 | |
This is your new room! | 0:53:02 | 0:53:04 | |
Do you want to sit on your bed? Look... and butterflies, | 0:53:04 | 0:53:07 | |
your favourite, aren't they? | 0:53:07 | 0:53:10 | |
What do you think? | 0:53:10 | 0:53:11 | |
I love it. | 0:53:11 | 0:53:13 | |
I think all your friends are going to be really, really envious of you. | 0:53:13 | 0:53:16 | |
Do you think they'll be jealous, do you? | 0:53:16 | 0:53:18 | |
-Can they come over? -I think they can. | 0:53:18 | 0:53:21 | |
ALL LAUGH | 0:53:21 | 0:53:23 | |
Because you help Mummy and Daddy | 0:53:23 | 0:53:24 | |
so much with Brandon that we thought that you deserved something back. | 0:53:24 | 0:53:30 | |
Can I have a cuddle? | 0:53:30 | 0:53:31 | |
Look, Brandon. | 0:53:40 | 0:53:43 | |
Brandon, you've got a bedroom. Good boy. | 0:53:43 | 0:53:50 | |
Shall we show you your bed? | 0:53:50 | 0:53:52 | |
It's your bed, look, your own bed now, | 0:53:54 | 0:53:57 | |
and your own bathroom, a big boy. | 0:53:57 | 0:54:01 | |
Is it a weight off your shoulders? | 0:54:03 | 0:54:05 | |
Yeah, it's over now, like, he's got a bed, | 0:54:05 | 0:54:07 | |
he's got the wet room, we can see him and we've still got a home | 0:54:07 | 0:54:11 | |
and that's what we wanted as well, a home. | 0:54:11 | 0:54:13 | |
I'm so overwhelmed that you've...you've managed to get it | 0:54:13 | 0:54:17 | |
all in and you've got... and it's, like you say, it still feels like a home. | 0:54:17 | 0:54:22 | |
Got one more thing to show you. | 0:54:22 | 0:54:23 | |
-Oh! -Oh, wow! | 0:54:27 | 0:54:29 | |
Oh, my God, wow. | 0:54:31 | 0:54:34 | |
Look, look, somewhere he can actually stay and play in. | 0:54:34 | 0:54:36 | |
Because he loves so much to be outside. | 0:54:36 | 0:54:38 | |
What do you think, Brandon? Do you like it? | 0:54:38 | 0:54:40 | |
-We can come out here, yeah. -Yeah! | 0:54:40 | 0:54:43 | |
We can come out here. | 0:54:43 | 0:54:45 | |
We'll have to be out here all the time. | 0:54:47 | 0:54:49 | |
-So, will it change things for you now? -Massively. | 0:54:50 | 0:54:53 | |
Beyond belief. | 0:54:53 | 0:54:55 | |
It's not sunk in that it's actually ours, | 0:54:55 | 0:54:57 | |
and, it's like I said before, like it's done, we haven't... | 0:54:57 | 0:55:00 | |
we're not going to walk back in and need to do anything, it's done, it's done! | 0:55:00 | 0:55:07 | |
This is your community that's done this. | 0:55:07 | 0:55:08 | |
I don't know how we're going to, like, be able to say thank you enough. | 0:55:08 | 0:55:12 | |
Do you think you might be able to find a few words | 0:55:12 | 0:55:14 | |
and tell them, cos they're all starting to gather out | 0:55:14 | 0:55:16 | |
-the front of the house, and they're really nice people. -Yeah. | 0:55:16 | 0:55:20 | |
Thank you so much. | 0:55:42 | 0:55:44 | |
You've made a difference to our life, like, loads. | 0:55:44 | 0:55:47 | |
I don't think we're going to be able to say | 0:55:47 | 0:55:50 | |
the words or, you know, thank you enough for what you've done, | 0:55:50 | 0:55:53 | |
you know, the time and effort that you guys have put in to | 0:55:53 | 0:55:56 | |
make our life just that bit easier, it's... | 0:55:56 | 0:56:00 | |
just fantastic, you know. | 0:56:00 | 0:56:02 | |
The things that we've always, like, just dreamed for him, | 0:56:02 | 0:56:05 | |
isn't it? That we've always wanted but we just, | 0:56:05 | 0:56:08 | |
it was always going to be a long goal to try and achieve, | 0:56:08 | 0:56:11 | |
but you've done that in just days, it's beyond belief. | 0:56:11 | 0:56:15 | |
It's overwhelming and we're in shock! | 0:56:15 | 0:56:18 | |
But we haven't got a battle any more. | 0:56:18 | 0:56:20 | |
It's done, it's over, it's finished! | 0:56:20 | 0:56:24 | |
-Thank you. -It's over. -Thank you so much. | 0:56:24 | 0:56:27 | |
APPLAUSE | 0:56:27 | 0:56:29 | |
BRANDON SHRIEKS | 0:56:32 | 0:56:33 | |
That's how excited Brandon is. | 0:56:33 | 0:56:35 | |
LAUGHTER | 0:56:35 | 0:56:37 | |
Thank you. | 0:56:45 | 0:56:47 | |
I know, I know, it's like it's not our house. | 0:56:47 | 0:56:50 | |
-Thank you. -A pleasure. | 0:56:53 | 0:56:55 | |
We've talked about this a lot, | 0:56:59 | 0:57:01 | |
the difference between a house and a home. | 0:57:01 | 0:57:04 | |
A home is somewhere where you can get a proper night's rest, | 0:57:04 | 0:57:07 | |
it's a place that you look forward to going to, | 0:57:07 | 0:57:10 | |
you don't feel trapped in, | 0:57:10 | 0:57:12 | |
and it's somewhere where a family can be together | 0:57:12 | 0:57:14 | |
but when they need space apart... they can find it. | 0:57:14 | 0:57:18 | |
And this family now have that and they desperately needed it, | 0:57:18 | 0:57:22 | |
and they've got it because of this lot. Isn't that amazing? | 0:57:22 | 0:57:26 | |
Maybe you know somebody who needs your help... | 0:57:26 | 0:57:28 | |
That's amazing. Are you flirting again? | 0:57:34 | 0:57:37 | |
Nice to meet you. | 0:57:37 | 0:57:39 | |
Are you all right? | 0:57:51 | 0:57:53 | |
Pleased to be involved. | 0:57:59 | 0:58:00 |