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We're here for a couple who've dedicated their lives | 0:00:04 | 0:00:07 | |
to caring for others. | 0:00:07 | 0:00:09 | |
For a dad who's been struck down in a moment of tragedy. | 0:00:09 | 0:00:12 | |
They left here one day happy, excited, | 0:00:12 | 0:00:17 | |
and he came back and he wasn't the same fella at all. | 0:00:17 | 0:00:21 | |
I wish that no-one will experience what I have. | 0:00:22 | 0:00:26 | |
The children have lost the dad they once knew, | 0:00:26 | 0:00:29 | |
and their mum has been cut off from her husband. | 0:00:29 | 0:00:33 | |
And he was so great to the patients, he looked after them so well, | 0:00:33 | 0:00:36 | |
and now he's in this situation where he has to be washed | 0:00:36 | 0:00:39 | |
and cared for like a baby, it's so, you know, heart-breaking to see this. | 0:00:39 | 0:00:42 | |
It's a cruel twist of fate for a man who once helped the ill and infirm, | 0:00:42 | 0:00:47 | |
and now needs help himself. | 0:00:47 | 0:00:49 | |
And I miss him. | 0:00:49 | 0:00:51 | |
So we're here to rebuild a home and give something back to people | 0:00:53 | 0:00:56 | |
who've asked for little, yet given so much. | 0:00:56 | 0:00:59 | |
But our skills are going to be tested to the limit. | 0:01:03 | 0:01:06 | |
What is going on? | 0:01:06 | 0:01:07 | |
My heart rate has just gone right up, seriously, what's going on? | 0:01:07 | 0:01:10 | |
And we can't do it alone. | 0:01:10 | 0:01:11 | |
It's going to take a whole community to brave the wintry weather | 0:01:11 | 0:01:15 | |
to get the job done. | 0:01:15 | 0:01:16 | |
We've been waiting all day for this. | 0:01:16 | 0:01:19 | |
Yes, yes, yes, here they all are, this is DIY SOS The Big Build! | 0:01:23 | 0:01:26 | |
Orpington, south-east London, is home to health care worker Jason, | 0:01:42 | 0:01:46 | |
his wife Effie - a highly trained cardiac nurse - | 0:01:46 | 0:01:49 | |
and their two children - | 0:01:49 | 0:01:51 | |
five-year-old AJ and 18-month-old Isabella. | 0:01:51 | 0:01:54 | |
They saved hard and bought this three-bedroomed terrace | 0:01:54 | 0:01:57 | |
soon after five-year-old AJ was born. | 0:01:57 | 0:01:59 | |
They've always been a close family, | 0:01:59 | 0:02:01 | |
juggling shift work at the hospital with days out. | 0:02:01 | 0:02:04 | |
We like going out eating, you know, having a meal outside, | 0:02:06 | 0:02:10 | |
we enjoyed taking AJ to parks. | 0:02:10 | 0:02:15 | |
Jason and AJ are very close. | 0:02:15 | 0:02:18 | |
But that closeness has been shattered by one tragic moment. | 0:02:19 | 0:02:23 | |
18 months ago, whilst on a trip to the Philippines | 0:02:23 | 0:02:26 | |
to introduce newly born Isabella to their family for the first time, | 0:02:26 | 0:02:29 | |
Jason had a scooter accident. | 0:02:29 | 0:02:32 | |
He suffered a massive brain haemorrhage | 0:02:32 | 0:02:34 | |
and was in a coma for 18 days. It didn't look good. | 0:02:34 | 0:02:38 | |
Doctors said he wouldn't pull through. | 0:02:38 | 0:02:40 | |
He says it's going to be the last, you know, days. | 0:02:42 | 0:02:46 | |
I know that I'm not getting him back. | 0:02:46 | 0:02:48 | |
Remarkably, Jason survived. | 0:02:51 | 0:02:54 | |
The accident has left him completely paralysed down his right side, | 0:02:54 | 0:02:59 | |
and partially sighted. | 0:02:59 | 0:03:00 | |
The neurosurgeon told me, | 0:03:02 | 0:03:03 | |
"This is not like a film - within two hours he's going to walk - | 0:03:03 | 0:03:07 | |
"this is years, | 0:03:07 | 0:03:10 | |
"you need your patience, your effort, cos now you are a single mum." | 0:03:10 | 0:03:16 | |
Jason has had to learn the most basic of tasks all over again and, | 0:03:16 | 0:03:19 | |
although he is making slow progress, Effie's life has changed for ever. | 0:03:19 | 0:03:24 | |
I lost my friend, I lost my husband, I lost the father of my kids, | 0:03:24 | 0:03:29 | |
I miss his cuddle. | 0:03:29 | 0:03:31 | |
I cuddle him, I kiss him, there's no emotion... | 0:03:32 | 0:03:34 | |
..and I really miss that. | 0:03:36 | 0:03:37 | |
I normally call him on the bus, "I'm on my way..." | 0:03:39 | 0:03:42 | |
..and sometimes I still hold my phone and wish I can call him. | 0:03:44 | 0:03:47 | |
I miss those things, but I'm just, you know, hoping still. | 0:03:49 | 0:03:55 | |
Jason is stuck in the house, | 0:03:57 | 0:03:59 | |
and can't get up the stairs to the family's only bathroom | 0:03:59 | 0:04:02 | |
without two people helping, | 0:04:02 | 0:04:03 | |
so they've had to create this makeshift washing area and commode | 0:04:03 | 0:04:07 | |
built from an old wheelchair in the corner of the kitchen. | 0:04:07 | 0:04:11 | |
Jason washed and cared for people at the hospital | 0:04:12 | 0:04:15 | |
and, in a tragic role reversal, | 0:04:15 | 0:04:18 | |
he's the one who now needs the same care. | 0:04:18 | 0:04:20 | |
I feel sorry for Jason, he's losing his confidence, | 0:04:24 | 0:04:28 | |
he's losing his dignity. | 0:04:28 | 0:04:29 | |
My kids are running around | 0:04:31 | 0:04:32 | |
and they see Jason's doing his toilet | 0:04:32 | 0:04:35 | |
which is hard to explain it to the kids. | 0:04:35 | 0:04:38 | |
The children are struggling to understand what has happened | 0:04:38 | 0:04:41 | |
to their dad, the fact made worse because the extreme damage | 0:04:41 | 0:04:45 | |
to Jason's brain has prevented him from speaking properly. | 0:04:45 | 0:04:49 | |
Bizarrely what few words he can mutter are in broken Spanish, | 0:04:50 | 0:04:56 | |
a language he hasn't spoken since childhood. | 0:04:56 | 0:04:58 | |
This is particularly hard for five-year-old AJ who is autistic | 0:05:00 | 0:05:03 | |
and can no longer understand his dad and is missing him terribly. | 0:05:03 | 0:05:08 | |
It's very difficult to explain it to him | 0:05:08 | 0:05:11 | |
that Dad cannot play with him any more. | 0:05:11 | 0:05:15 | |
To makes matters worse, | 0:05:19 | 0:05:20 | |
Jason now has to use an orthopaedic hospital bed, | 0:05:20 | 0:05:23 | |
so Effie is forced to sleep on the floor beside him with the children. | 0:05:23 | 0:05:27 | |
And she's all but given up the idea of sleeping in the same bed | 0:05:29 | 0:05:31 | |
with her husband again. | 0:05:31 | 0:05:34 | |
Oh, his big bad claws. | 0:05:34 | 0:05:35 | |
The family are now stuck living like this | 0:05:36 | 0:05:39 | |
and it's down to Effie to try and hold everything together. | 0:05:39 | 0:05:43 | |
A few agencies advised me - give up work, | 0:05:43 | 0:05:47 | |
look after your husband full-time, | 0:05:47 | 0:05:49 | |
sell your house, go to the council house | 0:05:49 | 0:05:52 | |
and then you'll be entitled with benefits. | 0:05:52 | 0:05:56 | |
I am not going to claim benefits. | 0:05:56 | 0:05:59 | |
I love my job, I love being a nurse. | 0:05:59 | 0:06:03 | |
It's honourable that Effie wants to continue in the job she loves, | 0:06:03 | 0:06:06 | |
and to provide for her family herself. | 0:06:06 | 0:06:09 | |
So there was just no way we could not step in | 0:06:10 | 0:06:13 | |
and help a family who've suffered such a tragic ordeal, | 0:06:13 | 0:06:16 | |
and have done so much to help other people. | 0:06:16 | 0:06:20 | |
What is it that you need us to do to this house | 0:06:20 | 0:06:24 | |
-to make it better for you, Jason? -Toilet. | 0:06:24 | 0:06:27 | |
A toilet would be important, and downstairs, yes? | 0:06:27 | 0:06:31 | |
Downstairs. | 0:06:31 | 0:06:32 | |
Or walk-in shower. | 0:06:32 | 0:06:34 | |
-If possible. -AJ... | 0:06:34 | 0:06:36 | |
AJ and you...that you can play. | 0:06:37 | 0:06:40 | |
What's the difficulty with that? | 0:06:40 | 0:06:42 | |
Oh, sweetheart, I know it's been very tough, hasn't it? | 0:06:44 | 0:06:47 | |
They were very close before. | 0:06:47 | 0:06:50 | |
And you miss your time playing with AJ? | 0:06:50 | 0:06:53 | |
And with the English. | 0:06:53 | 0:06:55 | |
He forgot English, | 0:06:55 | 0:06:57 | |
so when they talk, AJ doesn't understand what he's trying to say. | 0:06:57 | 0:07:02 | |
It's extraordinary, isn't it? | 0:07:02 | 0:07:04 | |
And so this...this has caused a barrier between you and AJ, | 0:07:04 | 0:07:07 | |
so we need to create a space where AJ and Jason can play | 0:07:07 | 0:07:12 | |
and interact together more. | 0:07:12 | 0:07:13 | |
-Yes, please, if that's possible but... -Well, we'll do our best. | 0:07:13 | 0:07:17 | |
I notice the difficulties with the steps as well, | 0:07:17 | 0:07:19 | |
very difficult to get in and out of the house. | 0:07:19 | 0:07:21 | |
-Yes, we just live with it. -Just live with it. | 0:07:21 | 0:07:25 | |
I will make you a promise, | 0:07:25 | 0:07:26 | |
when you come back to this house, you will have better mobility, | 0:07:26 | 0:07:30 | |
he'll be safer, | 0:07:30 | 0:07:33 | |
and you will have space to be able to bond with AJ, OK? I promise. | 0:07:33 | 0:07:38 | |
-Thank you. -Thank you. -Gracias. | 0:07:38 | 0:07:41 | |
Gracias. It's OK, we can still work in Spanish, it's OK. | 0:07:41 | 0:07:46 | |
Thank you. | 0:07:46 | 0:07:48 | |
This is our chance to give the family | 0:07:49 | 0:07:52 | |
a house which will help rather than hinder them in the future. | 0:07:52 | 0:07:55 | |
-Come over, guys, come and say hello. -Hello! | 0:07:55 | 0:07:58 | |
And if you don't mind leaving your house in the hands of, er... | 0:07:58 | 0:08:01 | |
Don't worry! | 0:08:01 | 0:08:04 | |
We're going to do a good job on it, | 0:08:04 | 0:08:06 | |
we're going to turn things around and make life a lot easier for you, | 0:08:06 | 0:08:09 | |
make sure you get out more than once a month, | 0:08:09 | 0:08:11 | |
-and that you can move around the house, yeah? -Thank you. | 0:08:11 | 0:08:15 | |
-BILLY: -You haven't seen it yet! | 0:08:15 | 0:08:17 | |
On behalf of everyone, sorry. | 0:08:19 | 0:08:20 | |
Last night there was a blizzard and today it's absolutely freezing, | 0:08:22 | 0:08:26 | |
and yet the trades people of Orpington have not let us down, | 0:08:26 | 0:08:28 | |
they're here in their droves, | 0:08:28 | 0:08:30 | |
determined to make a difference for this lovely family. | 0:08:30 | 0:08:33 | |
And this family can actually have a bit of dignity, | 0:08:33 | 0:08:35 | |
-that's what we're doing, we up for that? -Yeah. | 0:08:35 | 0:08:38 | |
OK, let's go to it, thanks very much, gentlemen. | 0:08:38 | 0:08:41 | |
There's not a moment to lose, let's get to work, | 0:08:41 | 0:08:43 | |
Chris is straight in organising the team downstairs. | 0:08:43 | 0:08:47 | |
So if you want to organise your lads to rip this kitchen out... | 0:08:47 | 0:08:50 | |
Everybody here knows the family story and it's galvanised them, | 0:08:50 | 0:08:54 | |
they're working flat-out already. | 0:08:54 | 0:08:56 | |
Billy has a cunning plan for the electrical work. | 0:08:56 | 0:08:58 | |
I'm going to hand it over to Jeff to organise everything, | 0:08:58 | 0:09:02 | |
and I'll just be a labourer, how's that? | 0:09:02 | 0:09:04 | |
No pressure there then, is there? | 0:09:04 | 0:09:06 | |
No pressure, but much safer for us. | 0:09:06 | 0:09:08 | |
As ever, Mark's in charge - or thinks he is - | 0:09:08 | 0:09:10 | |
and he's assigned Jules a very special project. | 0:09:10 | 0:09:13 | |
We've cleared away last night's snow | 0:09:13 | 0:09:16 | |
cos we've got to install a wheelchair lift for Jason out front. | 0:09:16 | 0:09:20 | |
It's a complicated business, but a project like this | 0:09:20 | 0:09:23 | |
should be a doddle for a builder of Jules' calibre. | 0:09:23 | 0:09:26 | |
I've got every faith in him. | 0:09:26 | 0:09:28 | |
All I've been given is that, build a set of steps for a specialist lift | 0:09:29 | 0:09:34 | |
that's coming from Denmark and being fitted by a group from Belfast. | 0:09:34 | 0:09:40 | |
So I think I drew the short straw this week with that little job. | 0:09:41 | 0:09:45 | |
Yeah, he's called Mark. | 0:09:45 | 0:09:47 | |
We're only a couple of hours in | 0:09:47 | 0:09:48 | |
and we've already demolished half the house. | 0:09:48 | 0:09:50 | |
Well, you can't hang around, can you? | 0:09:50 | 0:09:52 | |
With a blank canvas, we can start to see the scale of the task ahead. | 0:09:52 | 0:09:56 | |
It's going to be a massive challenge | 0:09:56 | 0:09:58 | |
to get the house working better for the family in just nine days. | 0:09:58 | 0:10:01 | |
And that's down to our designer Gabrielle Blackman, | 0:10:01 | 0:10:03 | |
who's back for more, a glutton for punishment obviously. | 0:10:03 | 0:10:07 | |
Look what all these lovely builders have done - | 0:10:07 | 0:10:10 | |
they've created a bit of space. | 0:10:10 | 0:10:12 | |
So what is your plan? | 0:10:12 | 0:10:13 | |
We've got to make this whole ground floor accessible to Jason. | 0:10:13 | 0:10:16 | |
At the moment he's....he's in that classic thing | 0:10:16 | 0:10:18 | |
that happens with people with disabilities - | 0:10:18 | 0:10:21 | |
he's just trapped in one tiny bit of the house, | 0:10:21 | 0:10:24 | |
and he's also having to wash in the kitchen, | 0:10:24 | 0:10:27 | |
which is really horrible for Jason and incredibly upsetting for AJ. | 0:10:27 | 0:10:32 | |
It's, again, it's a small house with a lot to put in it. | 0:10:32 | 0:10:34 | |
I don't want it to look like a disability adaptation. | 0:10:34 | 0:10:38 | |
I want it to be a house that Effie is really proud of, | 0:10:38 | 0:10:40 | |
cos she's a sociable person, she works incredibly hard. | 0:10:40 | 0:10:43 | |
I want her to be able to have all her friends back here | 0:10:43 | 0:10:46 | |
and be really proud of it, and for it to look like a beautiful home. | 0:10:46 | 0:10:49 | |
Gabby's got some big plans for this three-bedroom terrace. | 0:10:50 | 0:10:53 | |
Her design means we're ripping out the old kitchen | 0:10:53 | 0:10:55 | |
and building a new timber-frame extension to the rear | 0:10:55 | 0:10:58 | |
to create a large open plan kitchen, dining and living area | 0:10:58 | 0:11:01 | |
that the whole family can use together. | 0:11:01 | 0:11:04 | |
We're creating an all-important wet room and downstairs bedroom | 0:11:04 | 0:11:07 | |
for the couple, | 0:11:07 | 0:11:08 | |
giving them a space of their own for the first time since the accident. | 0:11:08 | 0:11:11 | |
The whole downstairs is also going to be levelled, | 0:11:11 | 0:11:14 | |
so Jason has independent access throughout. | 0:11:14 | 0:11:16 | |
Upstairs, we're giving AJ a custom built bed, | 0:11:16 | 0:11:19 | |
with reading area underneath. | 0:11:19 | 0:11:20 | |
Isabella will have a nursery of her own | 0:11:20 | 0:11:22 | |
and the other bedroom, used by Effie's sister and brother-in-law | 0:11:22 | 0:11:25 | |
while they care for Jason, is going to get a lick of paint. | 0:11:25 | 0:11:27 | |
Out front, we're putting in a new wide front door | 0:11:27 | 0:11:30 | |
and specialist wheelchair lift | 0:11:30 | 0:11:32 | |
so Jason will have independent access in and out of the house. | 0:11:32 | 0:11:35 | |
It's a lot of work in just nine days, | 0:11:35 | 0:11:37 | |
especially in such a small space, and with freezing weather. | 0:11:37 | 0:11:40 | |
Too much actually. We've already had a team on site for over a week, | 0:11:40 | 0:11:44 | |
prepping everything for us. | 0:11:44 | 0:11:46 | |
Without these guys putting in long hours before we arrived, | 0:11:46 | 0:11:48 | |
we'd never get the job done. | 0:11:48 | 0:11:50 | |
It's a deceptively big job and it's been tough from the start. | 0:11:50 | 0:11:54 | |
Along with everything else, the house was riddled with asbestos | 0:11:54 | 0:11:57 | |
which had to be removed. | 0:11:57 | 0:11:59 | |
With the concrete foundations now in position, | 0:11:59 | 0:12:01 | |
we are ready for the timber frame extension which needs to go up today | 0:12:01 | 0:12:05 | |
to keep the build on track. | 0:12:05 | 0:12:07 | |
It's time to dance for joy. | 0:12:07 | 0:12:09 | |
Just testing it for... | 0:12:09 | 0:12:11 | |
-A lot of weight on it now, ain't there? -Yeah. | 0:12:11 | 0:12:13 | |
And the thing is, could do with a building here today. | 0:12:13 | 0:12:16 | |
I'm not sure where the building is. | 0:12:17 | 0:12:20 | |
Really? Ohhh... | 0:12:20 | 0:12:22 | |
I didn't really want to say cos I know how emotional you get, | 0:12:22 | 0:12:25 | |
but, erm... | 0:12:25 | 0:12:27 | |
No, I've lost interest now. There's a vapour trail up in the sky. | 0:12:27 | 0:12:30 | |
That is going to somewhere hot like Barbados or... | 0:12:30 | 0:12:33 | |
-There was supposed to be a building turn up on the back of an articulated lorry... -..or Africa... | 0:12:33 | 0:12:37 | |
'It's nice to drift off into the sunshine for the moment.' | 0:12:37 | 0:12:40 | |
OK, relax, come off the beach, come back and join... | 0:12:41 | 0:12:44 | |
I'm back... | 0:12:44 | 0:12:45 | |
-Put down your Pina Colada. -Where's the building? | 0:12:45 | 0:12:48 | |
It got stuck on the M20 last night in the snow. | 0:12:48 | 0:12:51 | |
This is rather bad news. | 0:12:53 | 0:12:54 | |
The delay with the extension means we are already three hours behind. | 0:12:54 | 0:12:57 | |
How are we supposed to get this work done in nine days, | 0:12:57 | 0:13:00 | |
when we're already playing catch-up? | 0:13:00 | 0:13:02 | |
We'd better smash something up - it's builder's therapy. | 0:13:03 | 0:13:06 | |
At least out front, we're in good hands. | 0:13:06 | 0:13:08 | |
-We've got Rodney... -Plonker. -..Plonker, Rachel, and Sydney. | 0:13:10 | 0:13:14 | |
-The A Team. -Yeah! | 0:13:14 | 0:13:16 | |
Julian and the A Team seem to be making some headway | 0:13:16 | 0:13:19 | |
with the stairs for the specialist lift. | 0:13:19 | 0:13:21 | |
Have you worked out all those complicated, erm, like design things | 0:13:21 | 0:13:25 | |
-that you had on that piece of paper? -Not entirely, no. | 0:13:25 | 0:13:29 | |
-But you don't think that matters in terms of building it? -Not really. | 0:13:29 | 0:13:34 | |
I like things to grow, you know, evolve, as you're doing it, | 0:13:34 | 0:13:37 | |
-that's the Devon way of doing things. -Is it? | 0:13:37 | 0:13:40 | |
So you don't start with plans as much as a thought? | 0:13:40 | 0:13:43 | |
That's right, you work on the thought... | 0:13:43 | 0:13:45 | |
-And see how...it evolves as you go along. -Yeah, like evolution. | 0:13:45 | 0:13:49 | |
Trouble is that evolution took millions of years, | 0:13:49 | 0:13:52 | |
and we've only got nine days, well, eight-and-a-half days now, actually. | 0:13:52 | 0:13:56 | |
Our timber frame extension finally shows up | 0:13:58 | 0:14:01 | |
after being stuck on the motorway in the snow overnight. | 0:14:01 | 0:14:04 | |
-Where do you want them put? -Yeah, just stack them anywhere. | 0:14:04 | 0:14:08 | |
It's now six hours late, time we just can't afford to lose. | 0:14:08 | 0:14:11 | |
-Are you the boss? -Yeah. -You're the big cheese, are you? | 0:14:14 | 0:14:16 | |
-I'm the Technical Director. -Oh, right, Technical Director! | 0:14:16 | 0:14:18 | |
Why haven't we got a Technical Director on this? Can I be Technical Director? | 0:14:18 | 0:14:22 | |
-Do you have to have qualifications to be a Technical Director? -It helps. -I can't be, then. | 0:14:22 | 0:14:26 | |
-That's it, is it? That's the whole thing? -That's the kit, yeah. | 0:14:26 | 0:14:29 | |
It doesn't look enough really to make an extension the size we want. | 0:14:29 | 0:14:32 | |
Oh, yeah, you've got enough there. | 0:14:32 | 0:14:33 | |
And how long do you reckon, then? End of today? | 0:14:33 | 0:14:36 | |
They'd have it up in a day. | 0:14:36 | 0:14:38 | |
Of course, the kit's no good without the vital instruction manual. | 0:14:38 | 0:14:43 | |
All right, well, look after those in the normal way we do as builders. | 0:14:43 | 0:14:46 | |
No problem, boss. | 0:14:46 | 0:14:49 | |
Yeah, perhaps we'd better leave it to the specialists, eh, Mark? | 0:14:49 | 0:14:52 | |
So what's the ceiling height going to be under that beam? | 0:14:54 | 0:14:57 | |
With a half a day delay, there's only one thing for it. | 0:14:57 | 0:14:59 | |
It's about time we ALL started to get on with it. | 0:14:59 | 0:15:02 | |
This house is not going to build itself. | 0:15:02 | 0:15:05 | |
Whilst you've been talking, they've built an extension. | 0:15:08 | 0:15:11 | |
No, whilst YOU have been talking... | 0:15:11 | 0:15:12 | |
No, whilst I've been helping carry a steel up, you mean, | 0:15:12 | 0:15:15 | |
whilst I've been laying a track in order to actually... | 0:15:15 | 0:15:18 | |
for the workmen.... Who... C'mon. ..helped carry the steel up? | 0:15:18 | 0:15:22 | |
-Who laid the track for the wheelbarrow? -No...no... | 0:15:22 | 0:15:25 | |
Thank you very much. Who helped to unload your extension? | 0:15:25 | 0:15:28 | |
Where have you been? Nowhere! | 0:15:28 | 0:15:29 | |
-Don't do that... -Nowhere. -He's a grafter. | 0:15:29 | 0:15:34 | |
-Oh, no! What...?! -What! | 0:15:34 | 0:15:37 | |
Nick "Grafter" Knowles, that's me. | 0:15:37 | 0:15:39 | |
Everyone here is grafting, well, except Mark and Gabby obviously. | 0:15:39 | 0:15:42 | |
We've been waiting all day for this. | 0:15:42 | 0:15:44 | |
We're chipping into the time we've lost | 0:15:44 | 0:15:46 | |
and, thankfully, everything is starting to go according to plan. | 0:15:46 | 0:15:49 | |
Well, for those who are using one, that is. | 0:15:51 | 0:15:52 | |
And Julian's stairs for his wheelchair lift is still evolving, the Devonian way. | 0:15:52 | 0:15:56 | |
It will just be one big solid mass of concrete block and concrete, | 0:15:59 | 0:16:03 | |
very, very good for the environment. | 0:16:03 | 0:16:06 | |
We're very eco, us boys, in our building techniques, | 0:16:07 | 0:16:10 | |
just loads of concrete, fire it in - job done. | 0:16:10 | 0:16:14 | |
Just chuck it all in. | 0:16:14 | 0:16:16 | |
I love all of you. | 0:16:16 | 0:16:17 | |
All this work is for a family | 0:16:17 | 0:16:19 | |
whose lives have been ripped apart by a tragic accident. | 0:16:19 | 0:16:22 | |
That's my boys. | 0:16:22 | 0:16:24 | |
Yet Effie has refused to give up hope and, through it all, | 0:16:24 | 0:16:28 | |
she's not only kept the family together, | 0:16:28 | 0:16:30 | |
but continues her work as a nurse | 0:16:30 | 0:16:32 | |
in the cardiac unit of her local hospital in Orpington. | 0:16:32 | 0:16:35 | |
So tell us about Effie, | 0:16:36 | 0:16:38 | |
what sort of person is she cos I've met with her and chatted to her? | 0:16:38 | 0:16:43 | |
Effie's great, she's a real delight, absolutely lovely. | 0:16:43 | 0:16:47 | |
She's like a ray of sunshine when she comes in. | 0:16:47 | 0:16:50 | |
You'd never think she had problems. | 0:16:50 | 0:16:51 | |
How well...? You lot actually went over to the Philippines | 0:16:51 | 0:16:54 | |
to help them come home after the accident. | 0:16:54 | 0:16:56 | |
When this happened, it was just unbelievable, | 0:16:56 | 0:16:59 | |
we just couldn't believe what had happened. | 0:16:59 | 0:17:01 | |
It's a tragedy cos I also know Jason. I worked with him in one ward, | 0:17:01 | 0:17:05 | |
and the little old ladies said to me, | 0:17:05 | 0:17:07 | |
"We don't want you to wash us or anything, we want Jason." | 0:17:07 | 0:17:10 | |
And now he's in this situation where he has to be washed | 0:17:10 | 0:17:13 | |
and cared for like a baby. It's so you know heart-breaking to see this. | 0:17:13 | 0:17:17 | |
I know he's suffering, and, for Effie to see this, she's just pushing on | 0:17:17 | 0:17:20 | |
and, you know, trying her level best to do everything and...yeah. | 0:17:20 | 0:17:24 | |
It must be... It must have pushed her right to the edge | 0:17:27 | 0:17:29 | |
and, as you say, she seems incredibly bright all the time. | 0:17:29 | 0:17:32 | |
She's got terrific strength, Effie, terrific strength. | 0:17:32 | 0:17:35 | |
Have you heard the story about when Jason had the accident initially? | 0:17:35 | 0:17:40 | |
She got him to the hospital and then the neurosurgeon was not available, | 0:17:40 | 0:17:43 | |
he was in another island doing another operation. | 0:17:43 | 0:17:46 | |
She rang him up and said, "You've got to come," | 0:17:46 | 0:17:48 | |
and he said, "OK, yes, I will come," | 0:17:48 | 0:17:50 | |
and then gave Effie a list of equipment and medicines | 0:17:50 | 0:17:55 | |
that she had to go and buy at the local shops for the operation. | 0:17:55 | 0:17:58 | |
Jason could have died really if it wasn't for her. | 0:17:58 | 0:18:02 | |
Back at the site, it's getting dark. | 0:18:02 | 0:18:05 | |
People say builders go home when it gets dark - it's not true you know. | 0:18:05 | 0:18:08 | |
7pm and this lot are still hard at it. | 0:18:08 | 0:18:10 | |
-Mark, you're in charge. -I thought you were going to pick me. | 0:18:10 | 0:18:14 | |
LAUGHTER | 0:18:14 | 0:18:18 | |
It's been a cracking first day, a lot's happened up here - | 0:18:23 | 0:18:25 | |
we've stripped this room out, | 0:18:25 | 0:18:27 | |
there's been a lot of electrics done, | 0:18:27 | 0:18:28 | |
in fact, Bill is still working away down there | 0:18:28 | 0:18:31 | |
and so are his mates around the building. | 0:18:31 | 0:18:33 | |
The interesting thing here is that the bathroom's gone | 0:18:33 | 0:18:35 | |
and so have the walls that surrounded it, | 0:18:35 | 0:18:37 | |
new stud walls already going in, that room's been stripped, | 0:18:37 | 0:18:40 | |
but it's downstairs the big change has happened. | 0:18:40 | 0:18:43 | |
Julian's in the front room on his own, but it's nearly dinner time | 0:18:43 | 0:18:45 | |
and he tends to get a bit tetchy, so we leave him alone. | 0:18:45 | 0:18:48 | |
Look at the change in here, actually got an extension - | 0:18:48 | 0:18:51 | |
no roof on yet that will happen - steel, though, has already gone in. | 0:18:51 | 0:18:54 | |
Come through the forest of acrow props | 0:18:54 | 0:18:56 | |
and meet the amazing people who did this! Top effort, lads. | 0:18:56 | 0:19:00 | |
Really, really good. What a fantastic day | 0:19:00 | 0:19:02 | |
and what a massive change, and there'll be more of this tomorrow. | 0:19:02 | 0:19:05 | |
-In the meantime, dinner? -Yes. -Let's go. | 0:19:05 | 0:19:07 | |
Morning, morning, morning, | 0:19:10 | 0:19:11 | |
just look at the scale of the task we've undertaken! | 0:19:11 | 0:19:14 | |
We have produced an enormous amount of rubble on this job, | 0:19:14 | 0:19:17 | |
starting there and running all the way down here, | 0:19:17 | 0:19:19 | |
and this lovely gentleman has turned up with his grabber to take it all away. | 0:19:19 | 0:19:23 | |
We must have had 40 blokes in here yesterday | 0:19:23 | 0:19:26 | |
and about the same again today, | 0:19:26 | 0:19:27 | |
all chipping in and donating their time. | 0:19:27 | 0:19:29 | |
You know, people help me out, so what comes around goes around. | 0:19:29 | 0:19:33 | |
Do you know, I'm a big believer in that, the sort of pass-it-on thing, | 0:19:33 | 0:19:36 | |
just help each other out and it'll come back round to you. | 0:19:36 | 0:19:38 | |
How is it working with Bill? | 0:19:38 | 0:19:41 | |
Pretty helpful actually I have to say. | 0:19:41 | 0:19:43 | |
Is he really? Look at his little face all smiling. | 0:19:43 | 0:19:47 | |
Bit more snow, darling. OK. | 0:19:47 | 0:19:50 | |
We work in any conditions. | 0:19:50 | 0:19:53 | |
We've already had enough real snow, | 0:19:53 | 0:19:55 | |
and it didn't stop us the first time. | 0:19:55 | 0:19:58 | |
This lot are dedicated. Everyone wants to give Effie | 0:19:58 | 0:20:00 | |
and Jason the chance for a better future. | 0:20:00 | 0:20:04 | |
Despite everything, Effie hasn't given up hope, | 0:20:04 | 0:20:06 | |
she goes to every one of Jason's appointments | 0:20:06 | 0:20:09 | |
to learn all she can to make him better, | 0:20:09 | 0:20:11 | |
and this time they've allowed me to come along and watch too. | 0:20:11 | 0:20:16 | |
A little bit more, bring your arm across, that's it. | 0:20:16 | 0:20:18 | |
He comes here about once a week, but he needs to do things at home | 0:20:18 | 0:20:22 | |
to maintain his range of movement and the muscle length | 0:20:22 | 0:20:25 | |
and, so, Effie is really important for doing that at home. | 0:20:25 | 0:20:28 | |
But when you think how... How bad was Jason when you first left the Philippines? You were having to... | 0:20:28 | 0:20:33 | |
Everything, we have to lift him, | 0:20:33 | 0:20:35 | |
four people to put him in shower and everything. | 0:20:35 | 0:20:38 | |
He can't move, he can't...not even roll, not even sit... | 0:20:38 | 0:20:44 | |
-So a massive change then since you started? -Oh, definitely, yeah. | 0:20:44 | 0:20:48 | |
This is odd, sometimes, because it feels, Jason, | 0:20:48 | 0:20:50 | |
as if we are talking about you as if you're not here, | 0:20:50 | 0:20:53 | |
but, of course, you are but... | 0:20:53 | 0:20:54 | |
Effie almost speaks for you at the moment, doesn't she? | 0:20:54 | 0:20:58 | |
-How far can he go? -That's a very difficult one to answer. | 0:20:58 | 0:21:01 | |
How long is a piece of string, isn't it? | 0:21:01 | 0:21:03 | |
We make small goals and try and achieve them one by one | 0:21:03 | 0:21:06 | |
and keep moving forward. | 0:21:06 | 0:21:08 | |
I think you're determined, aren't you, Jason? | 0:21:08 | 0:21:10 | |
Absolutely determined to get better and to spend...to be more mobile... | 0:21:10 | 0:21:14 | |
-Mm-mh. -More mobile and spend more time with... | 0:21:14 | 0:21:18 | |
-AJ and Isabella... -Yeah. -How about me? | 0:21:18 | 0:21:22 | |
He knows he has no chance of getting away from you! | 0:21:23 | 0:21:26 | |
That's because Effie is dedicated to pushing Jason forward | 0:21:27 | 0:21:31 | |
as she longs for the life they used to have together. | 0:21:31 | 0:21:34 | |
Well done. Good. | 0:21:34 | 0:21:36 | |
But she's had to accept things are different for them now. | 0:21:36 | 0:21:41 | |
What's been the hardest thing for you | 0:21:41 | 0:21:43 | |
about having Jason with this injury? | 0:21:43 | 0:21:45 | |
Someone to talk with. | 0:21:48 | 0:21:50 | |
I just really miss talking to him. | 0:21:52 | 0:21:54 | |
I miss his real voice, this is not Jason's real voice. | 0:21:54 | 0:21:58 | |
I miss that so much. | 0:22:00 | 0:22:02 | |
-You miss him? -And I miss him. | 0:22:04 | 0:22:07 | |
-It's a lot to have to deal with, who keeps you going? -God. | 0:22:11 | 0:22:16 | |
I believe in God, that he's always there, he never left me. | 0:22:18 | 0:22:22 | |
Although, with the accident, | 0:22:22 | 0:22:24 | |
when they told me that Jason had 72 hours left... | 0:22:24 | 0:22:27 | |
..I told him, "Give me the miracle, show it to me now, this is the time." | 0:22:29 | 0:22:33 | |
The doctor told us he will live only if there is miracle. | 0:22:33 | 0:22:37 | |
Effie, that miracle is a lot to do with you | 0:22:37 | 0:22:39 | |
making them take him into hospital, | 0:22:39 | 0:22:41 | |
making the hospital put him into intensive care, | 0:22:41 | 0:22:44 | |
buying the drugs on the way to the hospital | 0:22:44 | 0:22:46 | |
that actually helped to relieve the clotting. | 0:22:46 | 0:22:49 | |
You are his miracle. | 0:22:49 | 0:22:51 | |
When you close your eyes at night, Effie, | 0:22:51 | 0:22:54 | |
and wish for something, what is it you wish for? | 0:22:54 | 0:22:57 | |
I wish that...no-one will experience what I have. | 0:23:00 | 0:23:05 | |
I just wish that God please do not give this to other family, | 0:23:08 | 0:23:13 | |
leave it with me. | 0:23:13 | 0:23:15 | |
And wishing one day that Jason will be able to walk again. | 0:23:19 | 0:23:23 | |
Are you angry about what's happened? | 0:23:23 | 0:23:25 | |
No, I cannot look back, that is the past. | 0:23:25 | 0:23:30 | |
I have to deal with the present and think about the future. | 0:23:30 | 0:23:34 | |
You're an amazing woman, Effie, an amazing woman. | 0:23:35 | 0:23:39 | |
I think if anybody can succeed at it, you will. | 0:23:39 | 0:23:41 | |
If the new house can equip Effie | 0:23:43 | 0:23:45 | |
with the tools she needs to keep driving Jason forward, | 0:23:45 | 0:23:48 | |
it gives her a chance for a future | 0:23:48 | 0:23:50 | |
rather than just existing day to day. | 0:23:50 | 0:23:53 | |
To do this, we've got to maximise every square inch of living space, | 0:23:53 | 0:23:57 | |
we're even taking out the old chimney. | 0:23:57 | 0:24:00 | |
The whole reason why we've got to get the chimney stack down | 0:24:00 | 0:24:03 | |
is so that we can turn the wheelchair in the room down below. | 0:24:03 | 0:24:07 | |
Along with creating space, | 0:24:07 | 0:24:09 | |
we've got to make sure everything is flush for Jason, | 0:24:09 | 0:24:12 | |
particularly around the front door so he can have easy access | 0:24:12 | 0:24:15 | |
to his new specialist lift in his wheelchair. | 0:24:15 | 0:24:18 | |
The trouble is Julian's just spotted the floor level inside | 0:24:19 | 0:24:21 | |
is a different height than out front. | 0:24:21 | 0:24:24 | |
Shouldn't we be working this platform to come out at...? | 0:24:24 | 0:24:28 | |
Yes, this needs to be level with that. | 0:24:28 | 0:24:30 | |
Yeah, well, it hasn't been worked out to be. | 0:24:30 | 0:24:32 | |
All the dimensions are from this hard point and this. | 0:24:32 | 0:24:35 | |
-Where the platform lands, it really wants to land at floor level. -Yep. | 0:24:38 | 0:24:42 | |
When I looked at it yesterday, | 0:24:42 | 0:24:43 | |
I thought, "It's going to be a nightmare, that is." | 0:24:43 | 0:24:46 | |
Everybody just says, "Oh, yes, just drop a set of steps in, | 0:24:46 | 0:24:49 | |
"put up a specialist lift that's coming from Denmark." | 0:24:49 | 0:24:52 | |
I've never done one before in my life. | 0:24:52 | 0:24:54 | |
Sounds so simple, but really it isn't. | 0:24:54 | 0:24:57 | |
Let's go and have a brew and ponder and, er, evolve and organinate. | 0:24:57 | 0:25:02 | |
You've got to admire him, he's so creative with the language. | 0:25:02 | 0:25:06 | |
"Organinate" - what kind of word is that? | 0:25:06 | 0:25:08 | |
He's a hell of a builder and a poet, didn't you know it? | 0:25:08 | 0:25:11 | |
With the build moving on at this speed, decisions have to be made | 0:25:11 | 0:25:14 | |
and made fast and, in my book, that means made by me predominantly. | 0:25:14 | 0:25:19 | |
We decided this wall was causing more problems than benefits, | 0:25:19 | 0:25:22 | |
the bath is 1,700 wide, the gap in here is exactly 1,700 wide. | 0:25:22 | 0:25:25 | |
That means it's too tight because, | 0:25:25 | 0:25:27 | |
by the time you've plastered or done anything to it, it's too tight, | 0:25:27 | 0:25:30 | |
-so better to take it down as it's only a single skin, yes? -Yes. | 0:25:30 | 0:25:34 | |
-Then re-build it a little bit further... -Just a smidge this way. | 0:25:34 | 0:25:38 | |
A little this way. | 0:25:38 | 0:25:40 | |
A bit more demolition but, you know, | 0:25:40 | 0:25:42 | |
we haven't quite finished knocking things down yet, | 0:25:42 | 0:25:45 | |
we need to start building things soon, don't we? | 0:25:45 | 0:25:48 | |
With the timescale as tight as this, | 0:25:48 | 0:25:49 | |
I haven't got time to go running to Gabby | 0:25:49 | 0:25:51 | |
whenever we make a minor change to her precious design layout. | 0:25:51 | 0:25:55 | |
I'm sure she won't make a fuss anyway. | 0:25:55 | 0:25:58 | |
What's going on? What is going on! | 0:25:58 | 0:26:02 | |
My heart rate has just gone right... Seriously, what's going on? | 0:26:02 | 0:26:05 | |
We took the wall out because it was a bit wobbly. | 0:26:05 | 0:26:08 | |
Plus the bath was too tight, the wall was only 1,700 wide, | 0:26:08 | 0:26:10 | |
the bath was 1,700 wide, it's too tight... | 0:26:10 | 0:26:12 | |
No, the bath was... I've ordered a special sized bath. | 0:26:12 | 0:26:14 | |
What size of bath did you order? | 0:26:14 | 0:26:16 | |
We ordered a 1,600 bath. | 0:26:16 | 0:26:19 | |
LAUGHTER | 0:26:19 | 0:26:21 | |
Unbelievable. You told us it was a 1,700 bath. | 0:26:21 | 0:26:24 | |
We just needed to borrow 20mm off of here | 0:26:24 | 0:26:26 | |
and you could have had a proper full-sized bath. | 0:26:26 | 0:26:29 | |
The wall was going to stay cos, as far as I knew, it was sound, | 0:26:29 | 0:26:32 | |
and we would just get a slightly smaller bath. | 0:26:32 | 0:26:35 | |
We'll put the wall back up where you want it, | 0:26:35 | 0:26:37 | |
we'll make sure there's enough room for a 1,700 bath | 0:26:37 | 0:26:39 | |
so that grown-ups can have a bath in it, happy now? | 0:26:39 | 0:26:41 | |
-Now, can you just stop interfering though, really? -Helping. | 0:26:41 | 0:26:45 | |
-No, no, you're really irritating me. -Helping...blue sky thinking. | 0:26:45 | 0:26:48 | |
OK, fair's fair. I admit this may have been a case | 0:26:48 | 0:26:50 | |
where it MIGHT have been better to ask Gabby before I went steaming in. | 0:26:50 | 0:26:54 | |
Out front, it's a different story, no-one's steaming in there. | 0:26:54 | 0:26:57 | |
In fact, work has all but ground to a halt on Jules' special lift. | 0:26:57 | 0:27:02 | |
-How's your hole going, Julian? -Got rubble in it. | 0:27:02 | 0:27:04 | |
-Little bit of a problem, we're working the increments of the stairs out. -Right. -Any good at maths? | 0:27:04 | 0:27:10 | |
No, I had a mate who was a mathematician. He got constipation, | 0:27:10 | 0:27:13 | |
-in the end worked it out with a pencil. -Yeah, yeah. | 0:27:13 | 0:27:16 | |
Have you ever made any stairs, Millar? | 0:27:17 | 0:27:20 | |
-Yeah, I've done stairs. -Well, you come here then. | 0:27:20 | 0:27:22 | |
Oh, don't put him in it. How is this going to improve things? | 0:27:22 | 0:27:25 | |
He's made stairs. | 0:27:25 | 0:27:27 | |
-We need to work out from that point where that orange brick is. -Yes. | 0:27:27 | 0:27:32 | |
Welcome to stair talk, | 0:27:32 | 0:27:35 | |
a weekly programme where people get together to talk about risers. | 0:27:35 | 0:27:39 | |
-..910. Divided by -6. You've got another step here, remember. | 0:27:41 | 0:27:44 | |
Look at them, look at them, look at them all, look. | 0:27:44 | 0:27:46 | |
Come up 90, come up 90. | 0:27:46 | 0:27:48 | |
That makes six of them and they're trying to divide 191 by 6, | 0:27:48 | 0:27:51 | |
what they could do is go and get a load of Smarties and just hand them out one at a time to each other | 0:27:51 | 0:27:55 | |
until they've worked it out. | 0:27:55 | 0:27:57 | |
If we've got six steps at 90mm increments, | 0:27:57 | 0:27:59 | |
that's 540 plus a top step... | 0:27:59 | 0:28:02 | |
You what! | 0:28:04 | 0:28:05 | |
-He's a genius. -Couldn't make it up, could you? | 0:28:07 | 0:28:10 | |
-Seriously. -Oh, my God, yeah, I don't understand it. | 0:28:10 | 0:28:13 | |
Did you notice it got dark during the time of that conversation? | 0:28:13 | 0:28:17 | |
That's how long it took. | 0:28:17 | 0:28:19 | |
Despite everything, we are making progress. | 0:28:23 | 0:28:25 | |
Time to do some roofing. That will keep the weather out. | 0:28:25 | 0:28:27 | |
My name's Clive, this is Brian, and this is Dave. | 0:28:30 | 0:28:33 | |
What I like most is you're all wearing collars, look. | 0:28:33 | 0:28:37 | |
-We're smart, aren't we? -The smartest roofers in town. | 0:28:37 | 0:28:40 | |
-We're the posh gang. -Is that right? -Yeah. | 0:28:40 | 0:28:42 | |
We've a landscaping team coming in today to look at the back garden. | 0:28:42 | 0:28:45 | |
So, in preparation, we've used it as a junk yard | 0:28:45 | 0:28:47 | |
and main access for 60 builders and materials. | 0:28:47 | 0:28:50 | |
This, if I'm not mistaken, is a gardening team, a landscaper... | 0:28:52 | 0:28:56 | |
-Oh, hello. -Allegedly. -What's your name? -Tony. | 0:28:56 | 0:28:58 | |
-Tony, and who have you got here? -I'm Daniel. -Daniel... -And I'm Ed. | 0:28:58 | 0:29:02 | |
-Do you like what we did with the place for you? -Lovely start. | 0:29:02 | 0:29:04 | |
-Ain't it? -Lovely start, like the Somme when I arrived this morning. | 0:29:04 | 0:29:08 | |
It's not going to get any better, | 0:29:08 | 0:29:09 | |
it's going to rain for the next two days and be freezing cold. | 0:29:09 | 0:29:12 | |
Why don't you cheer me up? | 0:29:12 | 0:29:13 | |
The key thing for us is mobility and access. | 0:29:13 | 0:29:16 | |
He can't lift his feet more than about 20mm with his walking, | 0:29:16 | 0:29:20 | |
but we do want him to be able to get in and out of his own accord, | 0:29:20 | 0:29:24 | |
-so everything's got to be flush and easy access. -Yes, it will be. | 0:29:24 | 0:29:28 | |
The garden is going to be completely redesigned with a large patio area | 0:29:29 | 0:29:33 | |
which will be flush with the ground floor for easy access. | 0:29:33 | 0:29:37 | |
Along with this, we're creating a wheelchair-friendly pathway | 0:29:37 | 0:29:40 | |
so Jason can move around the whole area. | 0:29:40 | 0:29:43 | |
We're turfing the rest and putting a shed in and a water feature for AJ. | 0:29:43 | 0:29:47 | |
Is that our lovely wet room thing? | 0:29:47 | 0:29:51 | |
-Yep. -Oh, fantastic. | 0:29:51 | 0:29:53 | |
Inside the electrics are almost in. | 0:29:53 | 0:29:54 | |
Two... | 0:29:54 | 0:29:56 | |
four... | 0:29:56 | 0:29:57 | |
..six... | 0:29:58 | 0:29:59 | |
eight. | 0:29:59 | 0:30:01 | |
He's used superglue instead of underarm deodorant again, hasn't he? | 0:30:01 | 0:30:04 | |
-We need nine. -Oh, I was only one out. | 0:30:04 | 0:30:08 | |
Now Chris and his vast team of plasterers can start boarding | 0:30:08 | 0:30:11 | |
out and plastering the downstairs. | 0:30:11 | 0:30:14 | |
And after a night of head scratching, | 0:30:14 | 0:30:16 | |
Julian's once seemingly simple task is finally coming together, | 0:30:16 | 0:30:21 | |
and he's just got a bit of finishing up to do, | 0:30:21 | 0:30:23 | |
but he's feeling rather lonely this morning without his mates. | 0:30:23 | 0:30:27 | |
-Have you got any friends working with you today? How many? -17. | 0:30:27 | 0:30:32 | |
Well, could you not spare one to come out | 0:30:32 | 0:30:34 | |
and stand with me or something? | 0:30:34 | 0:30:36 | |
They're all busy, unfortunately. OK, mate, see you later. | 0:30:36 | 0:30:40 | |
That wasn't very caring, was it? | 0:30:41 | 0:30:43 | |
The place is abuzz with activity today, | 0:30:43 | 0:30:45 | |
well apart from Jules' area, admittedly. | 0:30:45 | 0:30:48 | |
Look. One room down, seven to go. | 0:30:48 | 0:30:52 | |
Chris is in his element. You can't move for plasterers. | 0:30:53 | 0:30:56 | |
-This is Pat and his boys. Say hello! -Hello. | 0:30:57 | 0:31:01 | |
-That's good news, isn't it? -What's that? | 0:31:01 | 0:31:04 | |
I just got another plasterer for Chris. | 0:31:04 | 0:31:06 | |
You quite happy working with Chris? | 0:31:06 | 0:31:07 | |
Great, he's got 17 mates in there, so you can be his 18th. | 0:31:07 | 0:31:10 | |
We're good together. We're good together. | 0:31:12 | 0:31:14 | |
Oh, poor old Jules. He's going to get a complex. | 0:31:16 | 0:31:18 | |
How's Billy-No-Mates out there, all right? | 0:31:18 | 0:31:21 | |
It's unbelievable this is. | 0:31:21 | 0:31:23 | |
Yeah, that's going to help, Billy, thanks a lot. | 0:31:24 | 0:31:27 | |
On a busy site like this, where often up to 50 trades | 0:31:27 | 0:31:30 | |
a day are turning up, not to mention the deliveries and noise, | 0:31:30 | 0:31:33 | |
we rely so much on the goodwill of the local community | 0:31:33 | 0:31:37 | |
-and their cakes. -Ooooh! | 0:31:37 | 0:31:39 | |
Thank you very much. | 0:31:39 | 0:31:41 | |
He does look like a 1970s anchor-man, newsreader, | 0:31:41 | 0:31:43 | |
-don't you think? -Thank you very much. | 0:31:43 | 0:31:45 | |
Thanks, princess, that's gorgeous. | 0:31:45 | 0:31:48 | |
Go on, Gabby, lick my face. | 0:31:48 | 0:31:49 | |
Neighbours Bob and Jean have been here 40 years and knew Effie | 0:31:49 | 0:31:53 | |
and Jason before the accident. | 0:31:53 | 0:31:55 | |
Sorry about all the noise and mess going on and toing and froing | 0:31:55 | 0:31:58 | |
with vans and lorries, we're not disturbing you too much, are we? | 0:31:58 | 0:32:01 | |
-No, not at all. -Sure? -Yeah. | 0:32:01 | 0:32:03 | |
Tell us about Jason before he had the accident? | 0:32:03 | 0:32:06 | |
-Lovely, lovely man. -Is he? -Mm. -It seems that Jason | 0:32:06 | 0:32:10 | |
and Effie are properly loved by people around here. | 0:32:10 | 0:32:12 | |
-They are, they are. -People have no reason not to like them, | 0:32:12 | 0:32:16 | |
because they are lovely people. | 0:32:16 | 0:32:18 | |
Well, they all work up the hospital, | 0:32:18 | 0:32:20 | |
the whole family work up the hospital. | 0:32:20 | 0:32:22 | |
-They deserve it, you know. -That's really nice, thank you very much. | 0:32:22 | 0:32:25 | |
Because everything is against them | 0:32:25 | 0:32:27 | |
including getting from their front door up there. | 0:32:27 | 0:32:30 | |
I mean, if you'd seen what was going on trying to get him up there, | 0:32:30 | 0:32:34 | |
you know, and then they've tried to walk him round, and he can't do it. | 0:32:34 | 0:32:39 | |
It's so great that Bob and Jean, | 0:32:39 | 0:32:41 | |
along with everybody around here has been so supportive, | 0:32:41 | 0:32:44 | |
just as well given the scale of the job outside in the back garden. | 0:32:44 | 0:32:48 | |
How long would you normally spend doing a job like this? | 0:32:48 | 0:32:51 | |
Two and a half weeks. | 0:32:51 | 0:32:52 | |
Two and a half weeks and you've got about four or five days to do it in. | 0:32:52 | 0:32:55 | |
We have and we'll get it done as long as it doesn't pour with | 0:32:55 | 0:32:59 | |
rain every day. | 0:32:59 | 0:33:01 | |
This is England. Of course it's going to rain. | 0:33:03 | 0:33:07 | |
There we go, see, what did I say? | 0:33:11 | 0:33:13 | |
This is the last thing we need. The garden team are literally up | 0:33:13 | 0:33:17 | |
to their knees in mud. | 0:33:17 | 0:33:18 | |
It's like Glastonbury without the music. | 0:33:18 | 0:33:21 | |
It's not the weather to be doing this. | 0:33:21 | 0:33:25 | |
And inside, the wet weather is causing problems too. | 0:33:25 | 0:33:29 | |
All the rooms done upstairs last night bar | 0:33:29 | 0:33:30 | |
a couple of walls in the hallway, which is brilliant, but nothing | 0:33:30 | 0:33:34 | |
dried, absolutely nothing dried. It's just completely soaking wet. | 0:33:34 | 0:33:37 | |
At this stage, we should be putting paint in the house and stuff. | 0:33:37 | 0:33:40 | |
There's no-one to blame, it's just the nature of the game, | 0:33:40 | 0:33:43 | |
you know, the weather is against us. | 0:33:43 | 0:33:45 | |
I can genuinely say we're behind. | 0:33:45 | 0:33:48 | |
With the clock ticking, the garden team are going to have to | 0:33:48 | 0:33:51 | |
carry on despite the weather. | 0:33:51 | 0:33:53 | |
Jules even has a special tent to keep his beloved steps dry. | 0:33:53 | 0:33:56 | |
The Orpington trades are giving it everything they've got to get | 0:33:58 | 0:34:02 | |
the house finished for the family, but really and honestly, with | 0:34:02 | 0:34:05 | |
only a couple of days left, it's starting to become a real worry. | 0:34:05 | 0:34:09 | |
Before the accident, both AJ and is dad were inseparable | 0:34:11 | 0:34:14 | |
and would love to spend time going out to theme parks together. | 0:34:14 | 0:34:18 | |
-Shall we go and see the lions now? -Yeah, we're going now. | 0:34:18 | 0:34:22 | |
Life with a child on the autistic spectrum like AJ is | 0:34:22 | 0:34:26 | |
challenging enough. | 0:34:26 | 0:34:28 | |
AJ needs constant attention | 0:34:30 | 0:34:31 | |
and it's been up to Effie to do this alone since the tragedy. | 0:34:31 | 0:34:35 | |
The thing is that's why they've got the glass and the fence, AJ. | 0:34:35 | 0:34:38 | |
-We're not allowed there AJ. -Look, AJ. | 0:34:38 | 0:34:41 | |
Oh, look, oh, look. | 0:34:41 | 0:34:43 | |
That means that days out as a family just don't happen anymore. | 0:34:43 | 0:34:47 | |
Well done, AJ, come on. | 0:34:47 | 0:34:50 | |
So, today, Billy has come along to help Effie with Jason and AJ. | 0:34:50 | 0:34:54 | |
-Which boat do you want to go, which one? The red one? -Yeah. | 0:34:55 | 0:34:59 | |
You've picked a very lucky boat here, the Titanic. | 0:34:59 | 0:35:03 | |
Got to hold on tight, you ready. | 0:35:03 | 0:35:05 | |
All those things that AJ and Jason did together as father and son | 0:35:05 | 0:35:09 | |
have been taken away, and their relationship has been torn apart. | 0:35:09 | 0:35:14 | |
AJ's autism meant he had a devastating reaction | 0:35:14 | 0:35:16 | |
to Jason's accident. | 0:35:16 | 0:35:18 | |
AJ stopped talking. Two weeks not a single word, not even "Mum", | 0:35:18 | 0:35:24 | |
not even "Yes", not even "No." | 0:35:24 | 0:35:26 | |
One night he started screaming... | 0:35:26 | 0:35:30 | |
and he was just screaming for three weeks. | 0:35:30 | 0:35:33 | |
Today AJ is still coming to terms with what has happened | 0:35:34 | 0:35:37 | |
to his dad, and it's not helped by the fact Jason's | 0:35:37 | 0:35:40 | |
brain haemorrhage has prevented him from talking to his son | 0:35:40 | 0:35:43 | |
like he used to. | 0:35:43 | 0:35:45 | |
Hi! | 0:35:45 | 0:35:47 | |
Bye! | 0:35:47 | 0:35:49 | |
So four years you've been coming here. | 0:35:49 | 0:35:53 | |
What does it feel like now seeing AJ back here? | 0:35:53 | 0:35:56 | |
Good. Good. | 0:35:56 | 0:35:58 | |
Do you remember much of Chessington Zoo? | 0:35:58 | 0:36:01 | |
Just a little bit? Well, hopefully some of what we're doing today will | 0:36:01 | 0:36:04 | |
just rekindle some of the thoughts of you and AJ and Effie, | 0:36:04 | 0:36:08 | |
and with us doing the house and everything for you | 0:36:08 | 0:36:12 | |
it will take a lot of stress away from you, and then you can have | 0:36:12 | 0:36:15 | |
more time with the family. | 0:36:15 | 0:36:17 | |
I mean, Effie's doing the rides with AJ and when Isabella gets older | 0:36:17 | 0:36:23 | |
hopefully you'll be back on the rides with them. | 0:36:23 | 0:36:26 | |
Does Effie like cooking? | 0:36:26 | 0:36:28 | |
Cooking, hmm. | 0:36:28 | 0:36:29 | |
What we'll do, Effie can cook a meal and I'll bring my wife down | 0:36:29 | 0:36:32 | |
and we'll have a nice meal. | 0:36:32 | 0:36:34 | |
It's a nice kitchen, but that's our secret, | 0:36:34 | 0:36:37 | |
-I'm not telling you anything else. -No, no. | 0:36:37 | 0:36:40 | |
Anyway, we're here to do our best for you, | 0:36:40 | 0:36:42 | |
and it's a privilege to be here doing it for you. | 0:36:42 | 0:36:45 | |
And now I'm getting emotional, you lovely man. | 0:36:45 | 0:36:49 | |
Thank you. | 0:36:50 | 0:36:51 | |
Oh, it's a pleasure. It's a pleasure. | 0:36:51 | 0:36:55 | |
You know, it's a difficult balance for Gabby to design a house | 0:37:02 | 0:37:05 | |
which meets both AJ and Jason's particular needs, | 0:37:05 | 0:37:08 | |
but she's determined to get it right, which is why she's involved | 0:37:08 | 0:37:11 | |
some specialist help. | 0:37:11 | 0:37:13 | |
-This lady has come along from the... -Kent Association for the Blind. | 0:37:13 | 0:37:16 | |
..to give us an idea of what it is that Jason's able to see. | 0:37:16 | 0:37:20 | |
Gail's brought along a pair of glasses which simulates how | 0:37:20 | 0:37:23 | |
Jason currently sees the world. As a result of the accident, | 0:37:23 | 0:37:26 | |
Jason has lost a significant amount of his eyesight | 0:37:26 | 0:37:29 | |
and he now suffers from acute tunnel vision. | 0:37:29 | 0:37:32 | |
Yeah, you have to be really precise, don't you, | 0:37:32 | 0:37:35 | |
to actually find something and do something. | 0:37:35 | 0:37:37 | |
You think that you're looking in front all the time, | 0:37:37 | 0:37:39 | |
but in actual fact you're taking so much information around you | 0:37:39 | 0:37:42 | |
to avoid things when you're walking and things like that. | 0:37:42 | 0:37:45 | |
-I found that a bit of a shock. -How do you think you'd manage | 0:37:45 | 0:37:48 | |
on a sort of day-to-day basis like that? | 0:37:48 | 0:37:49 | |
Just couldn't do half the stuff, could you, really, even less. | 0:37:49 | 0:37:53 | |
We certainly couldn't do what we do work-wise. | 0:37:53 | 0:37:56 | |
I wouldn't like to go through life like that. | 0:37:56 | 0:37:58 | |
No, it's extraordinary, isn't it? Absolutely extraordinary. | 0:37:58 | 0:38:01 | |
On top of having tunnel vision, the biggest single challenge | 0:38:01 | 0:38:04 | |
Jason faces to his independence is having to wash | 0:38:04 | 0:38:07 | |
and use a makeshift commode in the corner of the kitchen. | 0:38:07 | 0:38:10 | |
But the new ground floor wet room is going to change all that. | 0:38:10 | 0:38:14 | |
Basically, it's an all singing all dancing. | 0:38:14 | 0:38:16 | |
It will wash and dry at the same time. | 0:38:16 | 0:38:19 | |
Expensive, these bits of kit? | 0:38:19 | 0:38:21 | |
Relative to the cost of a carer, not very. | 0:38:22 | 0:38:26 | |
That's a very good point, actually. | 0:38:26 | 0:38:28 | |
-That's going to make a huge difference, isn't it? -Sure is. | 0:38:28 | 0:38:31 | |
I think it gets BBC Four as well(!) | 0:38:31 | 0:38:32 | |
Does it really?! | 0:38:32 | 0:38:35 | |
And talking of wet rooms, there's a great big one out the back, | 0:38:35 | 0:38:38 | |
but unfortunately this one hasn't got a plughole. | 0:38:38 | 0:38:42 | |
What we're going to have to do is lay a scaffold board across, | 0:38:42 | 0:38:46 | |
walk it and keep rolling the board down to push the water off, | 0:38:46 | 0:38:50 | |
-hopefully. -Right. | 0:38:50 | 0:38:51 | |
But that's the only way we're going to get rid of it, | 0:38:51 | 0:38:53 | |
it can't say like that and just sit in the holes. | 0:38:53 | 0:38:57 | |
Believe it or not, this mud patch needs to be a garden, | 0:38:57 | 0:38:59 | |
and we only have a day left to do it. | 0:38:59 | 0:39:02 | |
It's the final day and as ever it's over to the wonderful Gabrielle | 0:39:11 | 0:39:14 | |
to get everything in and finished. | 0:39:14 | 0:39:16 | |
It's lovely in here. I think you've done an amazing job | 0:39:19 | 0:39:22 | |
and your choice of colours are incredible, | 0:39:22 | 0:39:24 | |
but then you're always very good at this kind of thing, aren't you, | 0:39:24 | 0:39:26 | |
and especially on the last day where you really come into your own | 0:39:26 | 0:39:29 | |
and just drive the thing through to an amazing finish. | 0:39:29 | 0:39:32 | |
I'm braced for an insult now. | 0:39:34 | 0:39:35 | |
No. Tell you what, | 0:39:35 | 0:39:37 | |
if you do well you can have one by the end of the day, all right? | 0:39:37 | 0:39:41 | |
A classic case of carrot and stick motivational technique there, | 0:39:41 | 0:39:45 | |
I think you'll agree. Textbook. | 0:39:45 | 0:39:48 | |
Jules' wheelchair lift is really starting to look the business now, | 0:39:48 | 0:39:51 | |
and after probably the most confusing week he's ever had | 0:39:51 | 0:39:53 | |
it's almost done. | 0:39:53 | 0:39:55 | |
And it's time for the inaugural christening of his creation. | 0:39:55 | 0:39:58 | |
As a reward... | 0:39:58 | 0:39:59 | |
Here he comes. ..he gets to test it first. | 0:39:59 | 0:40:01 | |
Look at that. Very lovely. | 0:40:01 | 0:40:05 | |
-Am I allowed, Howard? -Please, carry on. | 0:40:05 | 0:40:08 | |
That's it, thank you very much, I'm glad... | 0:40:08 | 0:40:10 | |
Look at his little face! | 0:40:12 | 0:40:14 | |
I know what's going through his head. He's going, | 0:40:16 | 0:40:18 | |
"I wonder whether I could install this at my house." | 0:40:18 | 0:40:22 | |
Howard, look, we really appreciate you getting involved | 0:40:22 | 0:40:24 | |
and helping us out with this, and he did all right, did he, our Julian? | 0:40:24 | 0:40:27 | |
Fantastic. The boys have been great. | 0:40:27 | 0:40:30 | |
It's a miracle, but it's not the only one that's happened around | 0:40:30 | 0:40:33 | |
here, the team in the garden have been walking on water this week. | 0:40:33 | 0:40:37 | |
As long as it doesn't rain too heavy later today, | 0:40:37 | 0:40:40 | |
these boys are in danger of actually pulling this off, | 0:40:40 | 0:40:43 | |
which would be something of a small miracle. | 0:40:43 | 0:40:46 | |
Got to love them, haven't you? | 0:40:46 | 0:40:48 | |
Unstoppable. | 0:40:48 | 0:40:50 | |
At this stage it's impossible to imagine the house as it | 0:40:50 | 0:40:53 | |
was before, which is great for us, | 0:40:53 | 0:40:55 | |
but for Effie's son AJ who's been diagnosed with | 0:40:55 | 0:40:58 | |
autistic spectrum disorder this kind of extreme change can be | 0:40:58 | 0:41:02 | |
incredibly distressing. | 0:41:02 | 0:41:03 | |
We just don't know how he's going to react to the new house, | 0:41:03 | 0:41:06 | |
so Gabby's hoping to try and smooth this difficult transition. | 0:41:06 | 0:41:10 | |
So, AJ, whose house do you think that is? | 0:41:10 | 0:41:12 | |
AJ's. | 0:41:12 | 0:41:14 | |
What do you think's happening there? | 0:41:14 | 0:41:16 | |
Erm... It's all dirty. | 0:41:16 | 0:41:20 | |
At the moment it looks a bit dirty, | 0:41:20 | 0:41:22 | |
but we're going to make it look really shiny and new. | 0:41:22 | 0:41:25 | |
AJ's behaviour has been up and down since the accident, so the more | 0:41:25 | 0:41:28 | |
we can make the house a safe stable place for him the better. | 0:41:28 | 0:41:32 | |
I mean, at the moment we're going through a bit of a bad patch | 0:41:32 | 0:41:34 | |
with him. You know, I said that he wasn't hitting himself, | 0:41:34 | 0:41:38 | |
hitting his head, but he does have these tantrums back again, | 0:41:38 | 0:41:41 | |
so hopefully once that place becomes a home again and settled | 0:41:41 | 0:41:47 | |
then we'll have an AJ who's willing to work in the classroom. | 0:41:47 | 0:41:51 | |
He's on the autistic spectrum, but he's doing incredibly well. | 0:41:51 | 0:41:55 | |
Oh, very well. He's coping with change, as long as he's had the... | 0:41:55 | 0:42:00 | |
what we've talked about, the preparation and the pre-warning. | 0:42:00 | 0:42:04 | |
Brilliant. So what is AJ into at the moment? | 0:42:04 | 0:42:07 | |
He still likes his trains, he always has had liked trains. | 0:42:07 | 0:42:10 | |
And books, loves books. | 0:42:10 | 0:42:12 | |
Although his house that he loved is going to be very different, | 0:42:12 | 0:42:16 | |
but hopefully in a way that he will be excited about. | 0:42:16 | 0:42:19 | |
I am worried, and it's such a lot of change so quickly. | 0:42:19 | 0:42:22 | |
And this change is happening before our eyes. | 0:42:24 | 0:42:26 | |
The trades of Orpington have overcome every obstacle that's | 0:42:26 | 0:42:29 | |
been thrown at them this week, and they're still going strong. | 0:42:29 | 0:42:32 | |
It's the final push and at this stage you can start to see | 0:42:34 | 0:42:36 | |
the results of all this hard work. Incredible. | 0:42:36 | 0:42:39 | |
One of the best experiences I've had. | 0:42:41 | 0:42:43 | |
-Really? -Yeah, definitely. It's brilliant. | 0:42:43 | 0:42:46 | |
That's a thumbs up, then. | 0:42:46 | 0:42:48 | |
Don't sound so surprised. | 0:42:48 | 0:42:50 | |
I must say, Gabby is staying remarkably calm today. | 0:42:52 | 0:42:54 | |
SHE GROANS | 0:42:56 | 0:42:57 | |
Yeah, that's more like it. | 0:42:57 | 0:42:59 | |
If it's not a TV I don't want it. | 0:43:00 | 0:43:02 | |
No, it looks like a glass table. | 0:43:02 | 0:43:04 | |
So someone has mistaken the black shiny table for a black shiny TV. | 0:43:04 | 0:43:09 | |
And as evening falls on the final day, everything's really starting | 0:43:11 | 0:43:15 | |
to look lovely. What a transformation. | 0:43:15 | 0:43:18 | |
I cannot believe you've pulled this off, in this weather this week. | 0:43:18 | 0:43:21 | |
Incredible. | 0:43:21 | 0:43:23 | |
If I was to stand in the middle of that lawn I'd sink, wouldn't I? | 0:43:23 | 0:43:26 | |
By about eight inches, probably. | 0:43:26 | 0:43:28 | |
It's literally like a skin on a rice pudding, | 0:43:28 | 0:43:31 | |
but it will dry out fine, won't it? | 0:43:31 | 0:43:33 | |
It will. It'll be quite quick as long as we get the good spring weather. | 0:43:33 | 0:43:36 | |
I'm chuffed to bits and in awe of you and your team | 0:43:36 | 0:43:38 | |
that you've managed to keep going through the terrible weather | 0:43:38 | 0:43:41 | |
and the terrible conditions to create this. | 0:43:41 | 0:43:43 | |
-It's been a pleasure. -A very cold, wet pleasure. -Yes. | 0:43:43 | 0:43:47 | |
Just nine days ago we arrived to find a family in crisis. | 0:43:50 | 0:43:54 | |
I wish that no-one will experience what I have. | 0:43:54 | 0:43:58 | |
Jason's tragic accident has left cardiac nurse Effie and her family | 0:43:58 | 0:44:02 | |
facing a future in a house totally ill-equipped for their needs. | 0:44:02 | 0:44:07 | |
It's a situation we could never have solved on our own, | 0:44:07 | 0:44:11 | |
and it's only with the monumental help of the Orpington trades | 0:44:11 | 0:44:15 | |
and suppliers we've managed to do it. | 0:44:15 | 0:44:17 | |
We've knocked through and completely opened up the downstairs | 0:44:17 | 0:44:20 | |
to create this open plan kitchen/diner living space | 0:44:20 | 0:44:23 | |
which the whole family can use together. | 0:44:23 | 0:44:26 | |
The dark coloured flooring, door surrounds | 0:44:26 | 0:44:28 | |
and kitchen surfaces contrast with the white units and walls | 0:44:28 | 0:44:31 | |
which not only gives the whole space a contemporary feel, | 0:44:31 | 0:44:35 | |
it helps Jason see the different parts of the room more clearly. | 0:44:35 | 0:44:39 | |
The level floor throughout the downstairs continues out to the | 0:44:39 | 0:44:43 | |
front where Jason has access to his new specialist wheelchair lift. | 0:44:43 | 0:44:48 | |
And out to the rear through these beautiful bi-fold doors into the new | 0:44:48 | 0:44:53 | |
garden, which has been completely redesigned for wheelchair use. | 0:44:53 | 0:44:57 | |
Above all else the aim of this build was to solve | 0:44:57 | 0:45:00 | |
the problem of Jason having to wash in the kitchen, to give him | 0:45:00 | 0:45:04 | |
back some dignity. To do this, we've created a stunning wet room | 0:45:04 | 0:45:07 | |
with the all singing all dancing loo. | 0:45:07 | 0:45:09 | |
And off it a ground floor master bedroom suite, | 0:45:10 | 0:45:13 | |
so the couple can be together again. | 0:45:13 | 0:45:16 | |
Upstairs, AJ's room is a calming space with his handmade bed | 0:45:16 | 0:45:20 | |
and reading area underneath where he can retreat to | 0:45:20 | 0:45:23 | |
if things get too much for him. | 0:45:23 | 0:45:26 | |
Isabella now has her own nursery, | 0:45:26 | 0:45:29 | |
and we've spruced up the third bedroom where Effie's sister stays | 0:45:29 | 0:45:33 | |
when she helps out with Jason. | 0:45:33 | 0:45:34 | |
The old bathroom and toilet have been transformed | 0:45:36 | 0:45:38 | |
with stunning tiling throughout. | 0:45:38 | 0:45:41 | |
You know, the real challenge of this build was to give the family | 0:45:41 | 0:45:44 | |
a house in which Jason could do more himself, which in turn, hopefully, | 0:45:44 | 0:45:49 | |
will help start AJ to re-build his relationship with his dad. | 0:45:49 | 0:45:53 | |
Above all, I'm really hoping the new house will equip Effie | 0:45:53 | 0:45:57 | |
with the tools she needs to give her family a better future. | 0:45:57 | 0:46:01 | |
Right. Open your eyes. | 0:46:02 | 0:46:05 | |
Oh! | 0:46:08 | 0:46:10 | |
Oh, my God! | 0:46:10 | 0:46:13 | |
This is our house! | 0:46:15 | 0:46:17 | |
Thanks. | 0:46:20 | 0:46:22 | |
Ohh! | 0:46:22 | 0:46:24 | |
-Pretty cool, huh? -It's beautiful. | 0:46:32 | 0:46:35 | |
But the main thing is that the surface here is all the same. | 0:46:35 | 0:46:39 | |
Yeah, it's all one level. | 0:46:39 | 0:46:40 | |
And it's the same all the way through the ground floor. | 0:46:40 | 0:46:43 | |
Oh, wow. | 0:46:43 | 0:46:45 | |
No excuse now for you. | 0:46:46 | 0:46:49 | |
It doesn't look the same house. | 0:46:49 | 0:46:51 | |
OK, this is your new living room area. | 0:46:53 | 0:46:55 | |
OK, wow! | 0:46:55 | 0:46:57 | |
With your television there is now a games console that has | 0:46:57 | 0:47:00 | |
hand-held controllers, so you can sit here with AJ | 0:47:00 | 0:47:04 | |
and with your good hand you can play these games. | 0:47:04 | 0:47:08 | |
Thank you. | 0:47:09 | 0:47:10 | |
Now there is one other thing I'd like to show you whilst we're here | 0:47:10 | 0:47:13 | |
in the ground floor piece, which Jason has already seen, | 0:47:13 | 0:47:17 | |
but will be a bit of a surprise for you. Come with me a second. | 0:47:17 | 0:47:21 | |
We've actually created a new access point here, | 0:47:21 | 0:47:24 | |
which is really important because of what's outside, | 0:47:24 | 0:47:27 | |
so I'm just going to open the doors and let you take a look. | 0:47:27 | 0:47:30 | |
Oh, my God. | 0:47:31 | 0:47:33 | |
Pretty cool, huh? | 0:47:33 | 0:47:36 | |
-Is that a....? -Yeah. | 0:47:38 | 0:47:41 | |
It's cool, huh? | 0:47:46 | 0:47:48 | |
You can go out now, love. It's amazing. | 0:47:48 | 0:47:52 | |
Oh, thank you for giving back his life. | 0:47:55 | 0:47:58 | |
You'll be safe now. | 0:48:00 | 0:48:02 | |
It's too much. | 0:48:04 | 0:48:06 | |
But that's only about half of it, we have more to show you. | 0:48:07 | 0:48:10 | |
Oh... | 0:48:14 | 0:48:15 | |
Double bed... for you and me. | 0:48:22 | 0:48:26 | |
This is beautiful. | 0:48:34 | 0:48:36 | |
How much does this really mean to be able to actually have a bed | 0:48:36 | 0:48:39 | |
back together that you can actually sleep in? | 0:48:39 | 0:48:42 | |
It's a dream. | 0:48:42 | 0:48:46 | |
I start dreaming to sleep with him again | 0:48:46 | 0:48:49 | |
on our ten years wedding anniversary. | 0:48:49 | 0:48:51 | |
A friend of mine gave us a one night hotel | 0:48:51 | 0:48:57 | |
with a disabled access, | 0:48:57 | 0:49:00 | |
and that's the first time I hugged him again for such a long time. | 0:49:00 | 0:49:05 | |
You said to me the other day that you miss him. | 0:49:05 | 0:49:09 | |
I really, really miss him. | 0:49:09 | 0:49:10 | |
That stuck with me, so now... now you can cuddle up again. | 0:49:10 | 0:49:15 | |
This is your new bathroom. | 0:49:15 | 0:49:18 | |
Oh, my God. Oh, my goodness! | 0:49:20 | 0:49:25 | |
Shower! | 0:49:27 | 0:49:29 | |
Wow, love, look. | 0:49:31 | 0:49:33 | |
Essentially, what this is is a toilet that you can get to yourself | 0:49:34 | 0:49:38 | |
and be left on. At the point that you're finished, | 0:49:38 | 0:49:42 | |
it will wash you and will dry you. | 0:49:42 | 0:49:46 | |
Oh, my God. | 0:49:46 | 0:49:48 | |
It's important for your self-respect and dignity that you actually | 0:49:48 | 0:49:51 | |
were back in control of this part of your life. | 0:49:51 | 0:49:54 | |
-It's good? -Good. | 0:49:54 | 0:49:56 | |
You can say it in Spanish if you want | 0:49:56 | 0:49:58 | |
Gracias. | 0:50:00 | 0:50:02 | |
You guys just gave us times one million more than we asked. | 0:50:02 | 0:50:07 | |
We only asked shower and toilet downstairs, and look, we've got | 0:50:07 | 0:50:12 | |
shower, we've got toilet, we've got bedroom, we've got everything. | 0:50:12 | 0:50:15 | |
There's only one rule... no selling it. | 0:50:15 | 0:50:19 | |
Oh, no. Not in a million years. | 0:50:19 | 0:50:22 | |
We will get old here with our grandkids, I promise. | 0:50:22 | 0:50:26 | |
It's built with love and care | 0:50:26 | 0:50:28 | |
and that's the most important in this world. It's priceless. | 0:50:28 | 0:50:32 | |
Do you want to see upstairs? | 0:50:33 | 0:50:36 | |
You will never need to go up there again because you are independent | 0:50:36 | 0:50:40 | |
downstairs, but do you want to go upstairs to see them this one time? | 0:50:40 | 0:50:44 | |
In which case I will have to help you on the stairs to get you | 0:50:44 | 0:50:47 | |
up there, is that OK? | 0:50:47 | 0:50:49 | |
One, two, three up. Good. | 0:50:49 | 0:50:51 | |
I've got you. And one, two, three, up we come. Good. | 0:50:51 | 0:50:56 | |
OK, this is AJ's room | 0:50:57 | 0:50:59 | |
Oh, my goodness... | 0:51:00 | 0:51:03 | |
Oh, AJ. | 0:51:05 | 0:51:07 | |
This is AJ. This is him - water, train, books. | 0:51:10 | 0:51:16 | |
Yeah. | 0:51:16 | 0:51:17 | |
He is going to sit here and just read all those books. | 0:51:17 | 0:51:22 | |
This is perfect, love. | 0:51:22 | 0:51:26 | |
It's beautiful, he won't come out | 0:51:26 | 0:51:27 | |
from this room. Once we hand over it now we're going to struggle. | 0:51:27 | 0:51:33 | |
Shall we go and see Isabella's room? | 0:51:33 | 0:51:34 | |
Yes, please. Yes, please, yes, please. | 0:51:34 | 0:51:38 | |
Oh! | 0:51:40 | 0:51:42 | |
Oh, my! | 0:51:42 | 0:51:45 | |
Birds! | 0:51:49 | 0:51:51 | |
You all right? | 0:51:57 | 0:52:00 | |
I was actually dreaming that | 0:52:00 | 0:52:01 | |
because I got a girl, I'm going to make her a girlie room, | 0:52:01 | 0:52:05 | |
when we come back from that holiday, | 0:52:05 | 0:52:10 | |
and then it didn't happen. | 0:52:10 | 0:52:12 | |
Remember, we were planning to make her a room. | 0:52:12 | 0:52:16 | |
So has Gabrielle got it right? | 0:52:20 | 0:52:22 | |
She did a great job in this, in the whole house. | 0:52:22 | 0:52:27 | |
The design - wow. | 0:52:27 | 0:52:30 | |
How did she know that Isabella loves birds? | 0:52:30 | 0:52:34 | |
Wow. | 0:52:39 | 0:52:41 | |
Oh, wow. | 0:52:45 | 0:52:47 | |
Is this what you needed? This house? | 0:52:57 | 0:52:59 | |
It's more than I needed. It's actually like a fairy tale house. | 0:52:59 | 0:53:04 | |
You see, I still believe in fairy tales. | 0:53:05 | 0:53:07 | |
I think I can understand why you wouldn't after what's gone on, | 0:53:07 | 0:53:10 | |
but you know, good things can happen. | 0:53:10 | 0:53:14 | |
There's still good people around, and you wouldn't expect. | 0:53:14 | 0:53:18 | |
Yeah, but that's the thing, you see, | 0:53:18 | 0:53:19 | |
you two are both good people who looked after people and took care | 0:53:19 | 0:53:22 | |
of people, and that's why people want to help now that you need help. | 0:53:22 | 0:53:27 | |
There's lots of amazing people that have done this, | 0:53:27 | 0:53:29 | |
you get a chance to meet them in a little while. | 0:53:29 | 0:53:32 | |
-Amazing. -Right, children, so, what are they going to think | 0:53:32 | 0:53:34 | |
when they see their rooms? | 0:53:34 | 0:53:36 | |
-Oh, AJ is going to be... -Happy. | 0:53:36 | 0:53:39 | |
-You think? -Sure. | 0:53:39 | 0:53:41 | |
-Knock-knock. -Wow! | 0:53:41 | 0:53:43 | |
All mine! What a surprise! | 0:53:43 | 0:53:47 | |
Wow! | 0:53:47 | 0:53:50 | |
That's your new bed. | 0:53:50 | 0:53:51 | |
Yeah! Ooh! What's this? AJ! | 0:53:51 | 0:53:55 | |
-Yeah, AJ. -AJ's house. | 0:53:55 | 0:53:59 | |
Oh, wow! Look! This is Isabella's room. | 0:54:01 | 0:54:06 | |
Right, we've got one more part to show you. | 0:54:06 | 0:54:08 | |
So we need to get everyone downstairs. | 0:54:08 | 0:54:11 | |
Oh, my God! | 0:54:23 | 0:54:26 | |
-What do you think? -Good. | 0:54:28 | 0:54:30 | |
Yes. | 0:54:30 | 0:54:31 | |
-He likes the water feature, look. -Yeah, he loves water. | 0:54:33 | 0:54:36 | |
Shall I bring in your sister and brother-in-law just to help out | 0:54:36 | 0:54:39 | |
inside for a little while and keep AJ busy and happy and... | 0:54:39 | 0:54:42 | |
If it's all right with you, I'll get you to come outside and meet | 0:54:42 | 0:54:45 | |
with some of the builders that have been doing the work. | 0:54:45 | 0:54:47 | |
-We would love to. -You happy, Jason? | 0:54:47 | 0:54:50 | |
Is the house OK? | 0:54:50 | 0:54:51 | |
SHE CRIES | 0:55:04 | 0:55:07 | |
Would you explain to everybody here why that was | 0:55:34 | 0:55:36 | |
so emotional seeing Jason use the lift. | 0:55:36 | 0:55:40 | |
We always struggle to go out, | 0:55:40 | 0:55:43 | |
and we always wanted to go out as a family... | 0:55:43 | 0:55:46 | |
..but it's so hard with Jason and me, I can't lift him all the time. | 0:55:48 | 0:55:54 | |
Guys, thank you so much for making this possible. | 0:55:57 | 0:56:02 | |
AJ, obviously, like, there are moments when he's excited | 0:56:10 | 0:56:14 | |
about something and it's very difficult to deflect him in his way | 0:56:14 | 0:56:16 | |
of thinking. | 0:56:16 | 0:56:18 | |
Plainly he's got something inside there that's exciting him | 0:56:18 | 0:56:20 | |
a great deal. He's just not interested in coming out, | 0:56:20 | 0:56:24 | |
he wants to stay in his bedroom. What does he think of his bedroom? | 0:56:24 | 0:56:28 | |
Guys, that is AJ. Gabby, thank you so much. | 0:56:28 | 0:56:34 | |
And Isabella, who loves birds, | 0:56:35 | 0:56:37 | |
she wants to know how you knew that she loves birds because... | 0:56:37 | 0:56:39 | |
How did you know that she loves birds? | 0:56:39 | 0:56:41 | |
-You told me, my darling, you told me. -Oh, did I? I forgot. | 0:56:41 | 0:56:44 | |
The key thing, of course, for us was for Jason. | 0:56:46 | 0:56:48 | |
He wanted to have a space where he could re-bond with his son, | 0:56:48 | 0:56:51 | |
and Isabella, too of, course, cos he felt since the accident that they'd | 0:56:51 | 0:56:55 | |
become separated, so by having a flat walk-through whole downstairs | 0:56:55 | 0:57:01 | |
he can move around himself and he can re-engage with the family. | 0:57:01 | 0:57:04 | |
-Is it a good house? -Good house. | 0:57:04 | 0:57:08 | |
-You happy? -Happy. | 0:57:08 | 0:57:10 | |
Thank you so much. | 0:57:11 | 0:57:13 | |
APPLAUSE | 0:57:13 | 0:57:16 | |
Everybody, here's AJ. | 0:57:28 | 0:57:31 | |
Effie said the most extraordinary thing to me when I was chatting | 0:57:37 | 0:57:40 | |
to her in the middle of the week. She said "I miss him," | 0:57:40 | 0:57:43 | |
which is strange considering Jason is, of course, still there | 0:57:43 | 0:57:45 | |
but because of the brain injury | 0:57:45 | 0:57:48 | |
they don't even speak the same language anymore. | 0:57:48 | 0:57:51 | |
He can't move around the house, he can't interact with AJ, his son, | 0:57:51 | 0:57:55 | |
which means so much to him, and they can't even sleep in the | 0:57:55 | 0:57:58 | |
same bed together. | 0:57:58 | 0:57:59 | |
Or rather, they couldn't, because that's all changed now. | 0:57:59 | 0:58:03 | |
Thanks to these people he can now assume those responsibilities as | 0:58:03 | 0:58:07 | |
a father that mean so much to him, and finally as a couple they can | 0:58:07 | 0:58:11 | |
get back in the same bed and sleep together and cuddle up at night. | 0:58:11 | 0:58:14 | |
That's what's happened here, that's what a community can do. | 0:58:14 | 0:58:18 | |
That's what you could do for somebody. | 0:58:18 | 0:58:20 | |
Maybe you know somebody who needs your help. | 0:58:20 | 0:58:23 |