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This is a story about a family staying strong for each other. | 0:00:02 | 0:00:06 | |
I stay positive about this | 0:00:06 | 0:00:07 | |
because there's no point looking at life as a downside | 0:00:07 | 0:00:13 | |
because you only live once, and I may as well live happily. | 0:00:13 | 0:00:18 | |
But they've endured 14 tough years | 0:00:18 | 0:00:21 | |
because of a rare and debilitating condition. | 0:00:21 | 0:00:24 | |
It's the hardest thing in the world when your child asks you, | 0:00:25 | 0:00:28 | |
"Am I going to come round after the op? | 0:00:28 | 0:00:30 | |
"Please don't let me die, Mum." | 0:00:30 | 0:00:32 | |
It absolutely destroys you. | 0:00:32 | 0:00:34 | |
Their home is totally unsuitable for a disabled teenager, | 0:00:34 | 0:00:38 | |
and it's adding to the pressure. | 0:00:38 | 0:00:40 | |
Most of the time, he's never seen me falling apart, | 0:00:41 | 0:00:44 | |
but the times when you shut the door and you have a good cry | 0:00:44 | 0:00:48 | |
and you do think to yourself, "Do you know what? Why me? Why Jack?" | 0:00:48 | 0:00:52 | |
And I don't know, "Why Jack?" | 0:00:53 | 0:00:55 | |
And that still kills me, to think, "Why Jack?" | 0:00:55 | 0:00:59 | |
Cos no child deserves what he's been through. | 0:00:59 | 0:01:04 | |
We've got nine days to give them the house they need. | 0:01:08 | 0:01:11 | |
It's not going to be easy. | 0:01:11 | 0:01:12 | |
Mark? The walls are just crumbling to bits up here. | 0:01:14 | 0:01:17 | |
We're nearly at finish. We don't need that, | 0:01:17 | 0:01:19 | |
we don't need that to happen now. | 0:01:19 | 0:01:21 | |
TOOL BUZZES | 0:01:21 | 0:01:23 | |
We're in Swansea, described by Dylan Thomas as "An ugly, lovely town". | 0:01:23 | 0:01:27 | |
All the usual suspects are here, and that's taken care of the ugly, | 0:01:29 | 0:01:32 | |
and our designer this week is the fragrant Gabrielle, but | 0:01:32 | 0:01:34 | |
we need an army of lovely people. Where are we going to find them? | 0:01:34 | 0:01:37 | |
How about this lot? | 0:01:37 | 0:01:38 | |
-Yeah, they look good. -ALL: -Yay! | 0:01:38 | 0:01:41 | |
-Up for helping us out? -ALL: -Yes! | 0:01:41 | 0:01:43 | |
Yes, it's DIY SOS: The Big Build! | 0:01:43 | 0:01:45 | |
CHEERING | 0:01:45 | 0:01:46 | |
So we're here to help single mother Helen Morris and her two boys, | 0:02:01 | 0:02:04 | |
21-year-old Daniel and 14-year-old Jack. | 0:02:04 | 0:02:08 | |
They live in this three-bedroomed semi, which has been | 0:02:08 | 0:02:11 | |
the family home for 26 years. | 0:02:11 | 0:02:13 | |
Helen works part-time at the local Job Centre | 0:02:15 | 0:02:17 | |
while son Daniel is a full-time administrator. | 0:02:17 | 0:02:21 | |
Daniel's the first grandson in the family. | 0:02:21 | 0:02:23 | |
A lot of girls in our family, my sister had two daughters, | 0:02:23 | 0:02:27 | |
ten girl cousins, so Daniel was very spoilt | 0:02:27 | 0:02:29 | |
and we were thrilled to have him | 0:02:29 | 0:02:31 | |
so when I was found out I was having another one | 0:02:31 | 0:02:33 | |
everybody was absolutely delighted as well. | 0:02:33 | 0:02:36 | |
Just wanted a lovely, beautiful, young man | 0:02:36 | 0:02:39 | |
like I had the first time around. | 0:02:39 | 0:02:41 | |
But soon after her second son Jack was born, | 0:02:41 | 0:02:44 | |
Helen noticed something was wrong. | 0:02:44 | 0:02:46 | |
He didn't sit up like a normal child or crawl like a normal child. | 0:02:48 | 0:02:53 | |
And as a mum, you do know. And I did. | 0:02:53 | 0:02:56 | |
And I pushed and pushed with the doctors, and then finally somebody | 0:02:56 | 0:03:01 | |
listened to him, and within a week he was referred to a consultant. | 0:03:01 | 0:03:07 | |
Tests revealed that Jack's hips were out of their sockets. | 0:03:07 | 0:03:10 | |
He was put in traction and he was upside-down in a cot | 0:03:10 | 0:03:15 | |
and both his legs were attached to a rope, and every day | 0:03:15 | 0:03:18 | |
they sort of stretched the rope a little bit | 0:03:18 | 0:03:20 | |
until after the ten days then his hips had stretched enough | 0:03:20 | 0:03:23 | |
ready for the operation. | 0:03:23 | 0:03:24 | |
You think at the time that was quite a difficult time | 0:03:24 | 0:03:28 | |
but as time has gone on it's like he's been through a lot worse, | 0:03:28 | 0:03:31 | |
a lot worse. | 0:03:31 | 0:03:33 | |
Doctors discovered that Jack was suffering with a rare form | 0:03:33 | 0:03:37 | |
of muscular dystrophy, | 0:03:37 | 0:03:39 | |
so rare it only affects one in a million people. | 0:03:39 | 0:03:41 | |
The condition makes the muscles in the top of the legs, hips | 0:03:43 | 0:03:46 | |
and back really weak, and in severe cases | 0:03:46 | 0:03:48 | |
causes scoliosis, or curvature of the spine. | 0:03:48 | 0:03:51 | |
By the age of seven, his curve in the spine was 37 degrees, and | 0:03:52 | 0:03:57 | |
within three months it went to 90, so basically his spine collapsed. | 0:03:57 | 0:04:03 | |
Jack has had 19 operations in his short life, | 0:04:03 | 0:04:06 | |
but the biggest operation came just 12 months ago, when he was fitted | 0:04:06 | 0:04:10 | |
with halo and pelvic traction, in an attempt to straighten his spine. | 0:04:10 | 0:04:15 | |
I couldn't move then from my neck to my hips. | 0:04:15 | 0:04:19 | |
I was staying stuck in one position. | 0:04:19 | 0:04:22 | |
Every time I had to stand up you could feel the pins moving in me. | 0:04:22 | 0:04:26 | |
It was really painful and I was getting infection after infection. | 0:04:26 | 0:04:29 | |
He used to say to me, "Oh, Mam, please just get the doctor | 0:04:31 | 0:04:33 | |
"and just tell him to get it off me." | 0:04:33 | 0:04:35 | |
And Jack's never been a quitter in his life, | 0:04:35 | 0:04:37 | |
but he was in so much pain. | 0:04:37 | 0:04:38 | |
And there was times when we were in hospital, | 0:04:38 | 0:04:41 | |
he looked at me as if he hated me. | 0:04:41 | 0:04:42 | |
I do hope one day he realises that I've done it | 0:04:42 | 0:04:47 | |
for all the right reasons, just to give him the best chance in life. | 0:04:47 | 0:04:52 | |
After nine months in traction, Jack had a final operation | 0:04:53 | 0:04:57 | |
to permanently fuse the vertebrae of his spine together. | 0:04:57 | 0:05:00 | |
Every operation is life-threatening for Jack | 0:05:03 | 0:05:05 | |
because his condition makes him an anaesthetic risk. | 0:05:05 | 0:05:09 | |
Well, for the last two years he knows what's coming, | 0:05:10 | 0:05:14 | |
and that's the hardest thing in the world | 0:05:14 | 0:05:16 | |
when your child is asking you | 0:05:16 | 0:05:18 | |
"Am I going to come round after the op? | 0:05:18 | 0:05:20 | |
"Please don't let me die, Mam." Absolutely destroys you. | 0:05:20 | 0:05:23 | |
Surgeons have stabilised Jack's condition, | 0:05:26 | 0:05:30 | |
but he is unable to walk on his own. | 0:05:30 | 0:05:32 | |
Now the house is hampering his recovery. | 0:05:32 | 0:05:35 | |
Morning, Jack, time for school. | 0:05:37 | 0:05:40 | |
He's been forced to sleep in the lounge | 0:05:40 | 0:05:43 | |
and hasn't been able to use his front door for years. | 0:05:43 | 0:05:45 | |
Jack is very reliant on me at the moment. | 0:05:48 | 0:05:52 | |
And it's not ideal, he's frustrated. | 0:05:52 | 0:05:54 | |
I mean, he can't get up the stairs, can't go into his own bedroom. | 0:05:54 | 0:05:58 | |
As soon as I get out of bed, my mum gives me a wash, | 0:05:58 | 0:06:01 | |
cos it's hard for me to walk into the bathroom, | 0:06:01 | 0:06:05 | |
and as I can't sit as low as a normal toilet, | 0:06:05 | 0:06:08 | |
I have to have a commode in there, so that takes up even more room. | 0:06:08 | 0:06:13 | |
You don't want your mum bathing you, you don't want your mum taking you | 0:06:14 | 0:06:18 | |
to the toilet, you don't want your mum helping you clean your teeth. | 0:06:18 | 0:06:21 | |
It's something that needs to be done and I'm sure most mums would do it. | 0:06:21 | 0:06:24 | |
Big brother Daniel has witnessed Jack's struggle first-hand. | 0:06:26 | 0:06:30 | |
I think that Jack feels that sometimes that he'd love to be able | 0:06:30 | 0:06:33 | |
to do things himself rather than ask my mum, just to give | 0:06:33 | 0:06:36 | |
her a bit of a break. | 0:06:36 | 0:06:37 | |
He knows that there are certain things he can and can't do | 0:06:37 | 0:06:39 | |
and the things he can't do, he's always reliant on my mother. | 0:06:39 | 0:06:42 | |
And with Jack's bed and equipment taking up most of the living area, | 0:06:44 | 0:06:47 | |
Daniel is spending more time away from the family home. | 0:06:47 | 0:06:51 | |
Since Jack has had to move all his stuff downstairs with his bed | 0:06:52 | 0:06:55 | |
and everything, now there isn't much room for my mates to come round | 0:06:55 | 0:06:58 | |
at all, so at the moment these days we either tend to go out | 0:06:58 | 0:07:02 | |
to one of my mates' houses or just go out all together. | 0:07:02 | 0:07:05 | |
Nobody really comes round here any more. | 0:07:05 | 0:07:08 | |
Daniel is, of course, very understanding of his brother, | 0:07:08 | 0:07:10 | |
but the situation with the house is pushing them apart | 0:07:10 | 0:07:13 | |
and it's taking its toll on Helen, too. | 0:07:13 | 0:07:17 | |
Most of the time he's never seen me falling apart, | 0:07:17 | 0:07:19 | |
but the times when you shut the door and you have a good cry | 0:07:19 | 0:07:23 | |
and you do think to yourself, "Do you know what, why me? Why Jack?" | 0:07:23 | 0:07:26 | |
And I don't know why Jack? | 0:07:27 | 0:07:30 | |
And that still kills me to think, "Why Jack?" | 0:07:30 | 0:07:33 | |
Cos no child | 0:07:33 | 0:07:37 | |
deserves what he's been through. | 0:07:37 | 0:07:39 | |
It's going to take a very big build to bring this family back together. | 0:07:41 | 0:07:44 | |
So what do you fancy, then, Jack? What are we going to do in there? | 0:07:44 | 0:07:47 | |
I'd like it to be accessible for me really downstairs | 0:07:47 | 0:07:51 | |
so I'll be able to move around freely in my frame. | 0:07:51 | 0:07:54 | |
And what about a bit of space maybe for you and your brother | 0:07:54 | 0:07:57 | |
to spend some time together? | 0:07:57 | 0:07:59 | |
Yeah, we haven't really been able to spend time together | 0:07:59 | 0:08:01 | |
because the bed has been in the dining room, so it would be nice | 0:08:01 | 0:08:04 | |
to have like a family meal together on our dining table. | 0:08:04 | 0:08:08 | |
Dan spends time in his room, as well, and it would be nice | 0:08:08 | 0:08:11 | |
if we can all sit together. | 0:08:11 | 0:08:13 | |
That's the difficulty, though. With Jack living in the lounge it hasn't been a home for you at all? | 0:08:13 | 0:08:17 | |
No, it has been really hard. I mean, we can't really use | 0:08:17 | 0:08:19 | |
the living room as much as we wanted to. | 0:08:19 | 0:08:21 | |
Jack's got so much equipment and everything there's no room to do anything. | 0:08:21 | 0:08:25 | |
Are you surprised, pleased, nervous about everybody turning up | 0:08:25 | 0:08:28 | |
and getting involved? | 0:08:28 | 0:08:29 | |
Absolutely, just like a dream come true, honestly. | 0:08:29 | 0:08:32 | |
It doesn't happen to people like us. | 0:08:32 | 0:08:34 | |
We're still really shellshocked. | 0:08:34 | 0:08:36 | |
As usual the family are moving out and handing over their keys | 0:08:37 | 0:08:40 | |
and precious home to us, | 0:08:40 | 0:08:42 | |
and who wouldn't entrust their home to this beautiful bunch(?) | 0:08:42 | 0:08:46 | |
We thought it might be nice for you to meet the family. | 0:08:46 | 0:08:49 | |
-This is Jack, and Daniel and Helen. -How are you doing? | 0:08:49 | 0:08:53 | |
These are the guys that we're working for this week. What do you need us to do? | 0:08:53 | 0:08:56 | |
Anything at all, we'd be very grateful and thank you all very much. | 0:08:56 | 0:09:00 | |
It's going to be totally life-changing for us. | 0:09:00 | 0:09:03 | |
Well, wait and see what they do first, they might be rubbish. | 0:09:03 | 0:09:06 | |
I wouldn't even mind if was painting the walls, honestly. | 0:09:06 | 0:09:09 | |
I think we'll do a bit more than paint the walls. | 0:09:09 | 0:09:12 | |
So if you'd like to make your way off. | 0:09:12 | 0:09:14 | |
-We'll catch-up with you later. Thanks very much, guys. -Thank you everyone, ta-ra. | 0:09:14 | 0:09:17 | |
So here we go, then. It's day one of the build | 0:09:20 | 0:09:22 | |
and we have, in the next few days, to build a large single-storey | 0:09:22 | 0:09:25 | |
extension and totally renovate the house and garden. | 0:09:25 | 0:09:28 | |
That's all right, then. | 0:09:28 | 0:09:29 | |
A bit more ventilation, boys. | 0:09:29 | 0:09:31 | |
Which is always nice when you've got a lot of sweaty builders in a small room. | 0:09:31 | 0:09:35 | |
And don't think I'm being disparaging, this thing only | 0:09:35 | 0:09:37 | |
works if we all pull together and work as a team and do it my way. | 0:09:37 | 0:09:41 | |
When we do a big extension like this we have to put | 0:09:41 | 0:09:43 | |
the pad down early, so there's a week and a half's work gone on here | 0:09:43 | 0:09:47 | |
and, as a result, there's a huge amount of earth banked up at the back there, | 0:09:47 | 0:09:50 | |
which now needs to be got out, about 20 tonne, we reckon. | 0:09:50 | 0:09:53 | |
You'll find there's plasterers, chippies and electricians | 0:09:53 | 0:09:56 | |
and all kinds of people in there trying to barrow the stuff out. | 0:09:56 | 0:09:59 | |
Is it looking good, boys? | 0:10:02 | 0:10:03 | |
-It's looking marvellous. -Looking lovely. Tidy! -Marvellous, isn't it? | 0:10:03 | 0:10:08 | |
Lovely Welsh accents, lovely Welsh accents. | 0:10:08 | 0:10:10 | |
-WELSH ACCENT: -Lovely! | 0:10:10 | 0:10:12 | |
I'm allowed to do that. I grew up around Merthyr. There's something not so lovely waiting outside. | 0:10:12 | 0:10:16 | |
-I've got a little test for you. -Oh, yeah? | 0:10:16 | 0:10:19 | |
I want you to close your eyes and feel something. | 0:10:19 | 0:10:21 | |
You've tried that once, I'm not doing that again. | 0:10:21 | 0:10:23 | |
No, no, it's nothing rude, I want you to feel something | 0:10:23 | 0:10:25 | |
-and you tell me what it is. -OK. | 0:10:25 | 0:10:27 | |
Oh! That is something rude. | 0:10:30 | 0:10:32 | |
Oh! | 0:10:32 | 0:10:34 | |
Urgh! What's going on? | 0:10:34 | 0:10:36 | |
-Ooh! -I slipped over and I think I've cracked a bone. | 0:10:36 | 0:10:38 | |
-It's started coming up a bit. -Show me your other elbow for comparison. | 0:10:38 | 0:10:42 | |
Oh, it's all blobby, isn't it? It's all... Oh! | 0:10:42 | 0:10:44 | |
I think it needs an X-ray to find out what's erm... | 0:10:44 | 0:10:47 | |
What's causing it. | 0:10:47 | 0:10:48 | |
Or maybe some insect has planted eggs in there and it's currently growing. | 0:10:48 | 0:10:51 | |
-You toddle off cos I'm feeling... -Would you mind if I shoot off? | 0:10:51 | 0:10:54 | |
-No, you go to hospital as soon as possible. -I feel sick now looking at that. | 0:10:54 | 0:10:57 | |
Man down already, that wasn't part of the plan. | 0:10:57 | 0:10:59 | |
Talking of which, does anyone know the plan? | 0:10:59 | 0:11:02 | |
Ah, this woman looks like she might know what she's talking about. | 0:11:02 | 0:11:06 | |
Yes, it's the flame-haired lovely with a flair for design | 0:11:06 | 0:11:09 | |
and a passion for all things great. It's Gabrielle Blackman. | 0:11:09 | 0:11:12 | |
So what's this about the three business going through this house? | 0:11:13 | 0:11:16 | |
Well, Jack's now 14 so before you know it you're going to have three | 0:11:16 | 0:11:19 | |
adults living in this house and the most important thing is getting | 0:11:19 | 0:11:24 | |
enough social space for them because at the moment they have none. | 0:11:24 | 0:11:27 | |
Both individually and together. | 0:11:27 | 0:11:31 | |
Thank you, Nick. | 0:11:31 | 0:11:33 | |
-It would have been lovely with slightly less sarcasm. -No, I'm... | 0:11:33 | 0:11:36 | |
-Why do you hate this bit so much? -I don't hate this bit, this is important. | 0:11:36 | 0:11:39 | |
-I'm just... -This is important to translate your vision to the viewer | 0:11:39 | 0:11:43 | |
cos she writes to me every now and again and tells she doesn't get it. | 0:11:43 | 0:11:48 | |
So let me explain Gabrielle's design, | 0:11:48 | 0:11:50 | |
it's all about independence for Jack and space for the family. | 0:11:50 | 0:11:53 | |
We demolish the old kitchen and bathroom to make way | 0:11:53 | 0:11:56 | |
for a large single-storey extension. | 0:11:56 | 0:11:59 | |
There it goes. | 0:11:59 | 0:12:01 | |
This will house the first of three shared spaces, | 0:12:01 | 0:12:04 | |
a large open-plan kitchen-diner. | 0:12:04 | 0:12:06 | |
Then there will also be a bedroom for Jack with en suite | 0:12:06 | 0:12:09 | |
wet room, giving him independence and space to grow into a man. | 0:12:09 | 0:12:12 | |
The old living space is being subtly reconfigured to create | 0:12:12 | 0:12:16 | |
two further shared spaces, cosy lounge and an adjoining study. | 0:12:16 | 0:12:20 | |
The hallway and doors will be widened | 0:12:20 | 0:12:23 | |
and an all-new wheelchair ramp at the front of the house | 0:12:23 | 0:12:25 | |
will give Jack access via his front door for the first time in years! | 0:12:25 | 0:12:29 | |
Let's move upstairs. | 0:12:30 | 0:12:31 | |
Jack's old bedroom will become a new family bathroom | 0:12:31 | 0:12:34 | |
and there are bedrooms for Helen and Daniel. | 0:12:34 | 0:12:37 | |
One of the things I find most touching about talking to Jack | 0:12:39 | 0:12:43 | |
is that he's so aware the impact of his condition | 0:12:43 | 0:12:46 | |
on everybody around him, and he's got such a... | 0:12:46 | 0:12:49 | |
And again it's going back to this burden and this guilt | 0:12:49 | 0:12:52 | |
that he feels for the sacrifices everybody is making for him. | 0:12:52 | 0:12:55 | |
And that relationship with his mum has been very close | 0:12:55 | 0:12:57 | |
but he is going to want space on his own as he gets older. | 0:12:57 | 0:13:00 | |
He's worried about his mum, he's worried about his mum's back. | 0:13:00 | 0:13:03 | |
She's been physically carrying him around for all these years. | 0:13:03 | 0:13:05 | |
We're giving her her own bathroom, it's going to be really beautiful. | 0:13:05 | 0:13:08 | |
-I understand that's quite important to a woman. -It is very important. | 0:13:08 | 0:13:12 | |
What is it about the bathing moment that is such a big deal? | 0:13:12 | 0:13:16 | |
It's just, frankly, an excuse to be on your own for five minutes. | 0:13:16 | 0:13:19 | |
-Oh, is that what it is? -Yeah. | 0:13:19 | 0:13:21 | |
Is that a bit like when I go and sit on the throne for 20 minutes, | 0:13:21 | 0:13:24 | |
it's that time on your own. | 0:13:24 | 0:13:26 | |
Do you see what I mean? | 0:13:26 | 0:13:27 | |
Every woman now is saying it's so we don't have to listen to that | 0:13:27 | 0:13:30 | |
for about an hour. That's why you go into a nice bath. | 0:13:30 | 0:13:32 | |
You've got to love the Welsh sense of community. | 0:13:34 | 0:13:37 | |
We've got 80 tradespeople here today, all just mucking in together. | 0:13:37 | 0:13:40 | |
Of course, I'm part Welsh, you know. | 0:13:40 | 0:13:41 | |
All right, Auntie Sheila and Uncle Fred? | 0:13:41 | 0:13:43 | |
I'll be up to see you later on. | 0:13:43 | 0:13:45 | |
Isn't it? | 0:13:45 | 0:13:46 | |
Do you know any Welsh? | 0:13:46 | 0:13:48 | |
I just did it - "isn't it?" | 0:13:48 | 0:13:50 | |
Oh! | 0:13:50 | 0:13:51 | |
-That's my full Welsh repertoire. -Oh, all right. | 0:13:52 | 0:13:54 | |
Is it? Isn't it? Is it? Isn't it? | 0:13:55 | 0:13:58 | |
Thinking about it, I probably should work on my Welsh repertoire. | 0:13:58 | 0:14:01 | |
Meanwhile, I think Gabrielle needs to work on her decision making. | 0:14:01 | 0:14:05 | |
What's happened to the porch way? | 0:14:05 | 0:14:06 | |
Well, we took it down because it wasn't working at all | 0:14:06 | 0:14:09 | |
and now we're making a new one. | 0:14:09 | 0:14:11 | |
-Hang on, you took down a perfectly good porch... -It wasn't perfectly good. | 0:14:12 | 0:14:17 | |
..because you didn't like having the porch and when you took it off you realised you wanted one? | 0:14:17 | 0:14:21 | |
No, it wasn't I didn't like having a porch, I didn't like having that specific one. | 0:14:21 | 0:14:26 | |
It's going to be exactly the same, isn't it? | 0:14:26 | 0:14:28 | |
I need to think about it because it's someone house. | 0:14:28 | 0:14:30 | |
If I make thoughtless, thought-free decisions. | 0:14:30 | 0:14:33 | |
Surely they could also be described as incisive decisions? | 0:14:33 | 0:14:36 | |
Well, not if they're the wrong ones. | 0:14:36 | 0:14:38 | |
I need to think. I need two flipping minutes to think whether it's the wrong or the right decision. | 0:14:38 | 0:14:42 | |
Do you want me to try and draw something? | 0:14:42 | 0:14:44 | |
No, and you're not allowed anywhere near any of this. | 0:14:44 | 0:14:46 | |
She's getting quite tense, isn't she? | 0:14:48 | 0:14:50 | |
So we're a man down without Chris, and Gabrielle is making extra work | 0:14:50 | 0:14:52 | |
for us but at least we've shifted the 20 tonnes of soil from the | 0:14:52 | 0:14:56 | |
back of the house and we're ready to start work on the landscaping. | 0:14:56 | 0:15:00 | |
Gabrielle has mirrored her plan of creating | 0:15:00 | 0:15:02 | |
three social spaces in the garden, too. | 0:15:02 | 0:15:04 | |
Low-threshold double doors from the kitchen-diner | 0:15:04 | 0:15:07 | |
and Jack's bedroom lead out onto a paved terrace. | 0:15:07 | 0:15:10 | |
An access ramp then heads to a larger space | 0:15:10 | 0:15:12 | |
for entertaining family and friends. | 0:15:12 | 0:15:14 | |
Finally we're creating a garden room for Jack and Daniel, | 0:15:14 | 0:15:17 | |
an all-weather space for them to hang out as brothers, | 0:15:17 | 0:15:20 | |
giving Helen some respite. | 0:15:20 | 0:15:22 | |
If this works it's going to be brilliant. | 0:15:22 | 0:15:25 | |
But even the best-laid plans can come unstuck. | 0:15:28 | 0:15:30 | |
Nobody accounted for this tree stump exactly where the garden room | 0:15:30 | 0:15:34 | |
needs to go and it's not shifting for man or machine. | 0:15:34 | 0:15:36 | |
What I'm really stressed about is the garden room takes up the whole of this length. | 0:15:39 | 0:15:42 | |
Yeah, what's wrong with that? | 0:15:42 | 0:15:44 | |
And we've got a flipping massive great big stump here. | 0:15:44 | 0:15:47 | |
The best thing to do with that is a stump grinder. | 0:15:47 | 0:15:49 | |
-Have you ever seen a stump grinder at work? -I haven't. | 0:15:49 | 0:15:52 | |
-It's a proper big boy's toy. -It makes a bit of a mess. | 0:15:52 | 0:15:54 | |
-Lovely, isn't it? -So does it just...? | 0:15:54 | 0:15:57 | |
It just grinds it and flicks the sawdust all over the place. | 0:15:57 | 0:16:01 | |
Hang on a second, I know we know we need a stump grinder, | 0:16:01 | 0:16:04 | |
but where are we going to find one that's the point? | 0:16:04 | 0:16:07 | |
It's a specialist bit of kit and we need it today | 0:16:07 | 0:16:10 | |
if we stand a chance of building the garden room for Jack and Daniel on time. | 0:16:10 | 0:16:14 | |
It is a crucial space, it's where the boys will be able | 0:16:14 | 0:16:17 | |
to hang out together as brothers and that's important. | 0:16:17 | 0:16:20 | |
Tell me about your relationship with your brother? | 0:16:20 | 0:16:22 | |
My brother is like a best friend to me. | 0:16:22 | 0:16:25 | |
He just tries his best to help me. | 0:16:25 | 0:16:28 | |
He helps me with my work. | 0:16:28 | 0:16:30 | |
He plays me on the Xbox. | 0:16:30 | 0:16:33 | |
Erm, we spend time in the living room together | 0:16:33 | 0:16:36 | |
but because he plays... He's very sporty and I'm not. | 0:16:36 | 0:16:40 | |
I can't play football with him so I'm just stuck watching him, really. | 0:16:40 | 0:16:44 | |
Where do you think you get that sort of strength from cos not everybody deals with it so well? | 0:16:44 | 0:16:48 | |
My mother's really strong and she's always there next to me. | 0:16:48 | 0:16:52 | |
I think the genes have come from her to be strong-hearted, really. | 0:16:52 | 0:16:56 | |
That's very cool. | 0:16:57 | 0:16:59 | |
She's a fighter ,your mum, isn't she? | 0:16:59 | 0:17:01 | |
And you've a very close relationship? | 0:17:01 | 0:17:03 | |
I think it is closer than many other people because | 0:17:03 | 0:17:05 | |
the amount of time I've spent in hospital over the last years | 0:17:05 | 0:17:08 | |
and she's always been there next to me | 0:17:08 | 0:17:11 | |
and she didn't really miss a night, really. | 0:17:11 | 0:17:13 | |
And I know over that we have made a really big bond. | 0:17:15 | 0:17:20 | |
It is really bad the way... | 0:17:20 | 0:17:23 | |
the way it affects them because they all have to really spend | 0:17:23 | 0:17:27 | |
their time around me, and Mum | 0:17:27 | 0:17:30 | |
has spent most of her time around me and | 0:17:30 | 0:17:33 | |
might have pushed Dan out a little bit | 0:17:33 | 0:17:35 | |
but Dan has got on with that brilliantly. | 0:17:35 | 0:17:37 | |
It's clear that Jack and Daniel love each other very much | 0:17:37 | 0:17:40 | |
but the situation with the house is getting in the way of them | 0:17:40 | 0:17:43 | |
enjoying quality time together as brothers. | 0:17:43 | 0:17:47 | |
Back at the building, things are looking up. | 0:17:50 | 0:17:52 | |
The walls of the timber frame extension are up | 0:17:52 | 0:17:54 | |
and our injured soldier has returned. | 0:17:54 | 0:17:56 | |
Here he is, he's back. | 0:17:56 | 0:17:58 | |
-Oh, it's still there. -It's still there exactly the same. | 0:18:00 | 0:18:03 | |
Apparently it's not angry. | 0:18:03 | 0:18:04 | |
Will you hold that, please. | 0:18:04 | 0:18:06 | |
Did it turn out to be a hernia that had gone a very long way? | 0:18:06 | 0:18:10 | |
Apparently... | 0:18:10 | 0:18:12 | |
Have you broken something. | 0:18:12 | 0:18:14 | |
I've got student's elbow, check me out. | 0:18:14 | 0:18:17 | |
-You've got student's elbow. -Yeah. | 0:18:17 | 0:18:19 | |
How does that work, then? | 0:18:19 | 0:18:21 | |
-What's student's elbow? -That. | 0:18:21 | 0:18:23 | |
That's mainly from doing that all day, isn't it? | 0:18:23 | 0:18:25 | |
"I'm feeling sad about myself, I haven't got a girlfriend." | 0:18:25 | 0:18:28 | |
Did they laugh at you when they told you you had student's elbow? | 0:18:28 | 0:18:31 | |
-A little bit. -You haven't been a student in your life! -That's what I said to her. | 0:18:31 | 0:18:35 | |
-But he is a student of life. -Yes. -I see. | 0:18:35 | 0:18:37 | |
See, we're very supportive, which is just as well because Gabrielle is breaking the house. | 0:18:37 | 0:18:41 | |
Mark! The walls are just crumbling to bits up here. | 0:18:41 | 0:18:45 | |
This is his supportive face. | 0:18:45 | 0:18:47 | |
Where is she? What's the problem? | 0:18:47 | 0:18:49 | |
Well, it's all just coming off, my darling. | 0:18:49 | 0:18:52 | |
It's coming off the walls like that. I know I'm incredibly strong but... | 0:18:52 | 0:18:56 | |
Right, we're going to have to rip all the walls out. We can't do anything with that. | 0:18:56 | 0:19:00 | |
Are you all right on that? Get these walls stripped. | 0:19:00 | 0:19:02 | |
If the studs are rubbish, we'll build new studs. | 0:19:02 | 0:19:04 | |
I'd quite like us to stop finding new things to do. | 0:19:04 | 0:19:07 | |
We're going to need more man power and woman power, in actual fact. | 0:19:07 | 0:19:10 | |
Go to it, our Titian strawberry blonde buddy. | 0:19:10 | 0:19:13 | |
Now surely something is going to go right today, | 0:19:14 | 0:19:17 | |
I can feel it in me waters. | 0:19:17 | 0:19:19 | |
We have a stump grinder! | 0:19:23 | 0:19:26 | |
What a bit of kit. | 0:19:26 | 0:19:28 | |
Whoo-hoo! | 0:19:28 | 0:19:29 | |
And, as I expected, Gabrielle is duly impressed with the grinding. | 0:19:30 | 0:19:34 | |
Look at that, very happy. | 0:19:34 | 0:19:36 | |
Oh, a lovely bit of kit that, ain't it? | 0:19:37 | 0:19:40 | |
Proper savage piece of equipment. | 0:19:40 | 0:19:42 | |
-Who me? -Yes, you. | 0:19:42 | 0:19:43 | |
So were you grinding somewhere else when we called you? | 0:19:43 | 0:19:47 | |
Yeah, yeah, we've abandoned a job for this... | 0:19:47 | 0:19:50 | |
-For this project. -Was it a big stump, was it? | 0:19:50 | 0:19:53 | |
-Erm, it was bigger than that. -Is it? | 0:19:54 | 0:19:56 | |
It's about that size now but it was that size when we started. | 0:19:56 | 0:19:59 | |
Do you know what? He's just one of many who've given up paid work to come and help. | 0:19:59 | 0:20:03 | |
Lovely, lovely people... So why do they do it? | 0:20:03 | 0:20:06 | |
We've all got families. I've got a 14-year-old boy the same age as Jack. | 0:20:08 | 0:20:11 | |
When I heard the story that really did sort of hit home | 0:20:11 | 0:20:14 | |
because you realise how fortunate you are with your own kids | 0:20:14 | 0:20:17 | |
and for what's Jack's been through, and meeting him the other day, | 0:20:17 | 0:20:20 | |
and the smile that he's got on his face, | 0:20:20 | 0:20:21 | |
there's no questions as to why we're doing it. | 0:20:21 | 0:20:24 | |
Are you looking forward to when the family come back and see this? | 0:20:27 | 0:20:30 | |
Yes, yes, really am, yes. | 0:20:30 | 0:20:31 | |
Will you be emotional, do you think? | 0:20:31 | 0:20:33 | |
Are you an emotional man? | 0:20:33 | 0:20:35 | |
Are you a man who has a little cry? | 0:20:35 | 0:20:36 | |
Not in public but I do have a little...now and again. | 0:20:36 | 0:20:39 | |
-Do you? -Yeah. -A few man hugs maybe at the end of the week, or is that going too far? | 0:20:39 | 0:20:43 | |
No, no, I do like a man hug now and again but not in public. | 0:20:43 | 0:20:46 | |
Oh, right. Do you want a man hug now, or not? | 0:20:47 | 0:20:49 | |
-Do you need to turn the camera away for this? -No, let's go for it. | 0:20:49 | 0:20:52 | |
That's what we call in Wales a cwtch. | 0:20:54 | 0:20:56 | |
-A cwtch, is that what they call it? -Yeah, yeah. -Nice. | 0:20:56 | 0:20:59 | |
There's another one for my Welsh repertoire, a cwtch. | 0:20:59 | 0:21:02 | |
Well, as we look through the house a new stud wall built in here, | 0:21:04 | 0:21:07 | |
this is going to be the study area | 0:21:07 | 0:21:09 | |
and then we move through into what will be the living room area | 0:21:09 | 0:21:12 | |
where we've made a lot of dust in the air at the moment and | 0:21:12 | 0:21:15 | |
the ceiling's down, the electrics in, plumbing in etc, etc. | 0:21:15 | 0:21:17 | |
Come through into the new building. | 0:21:17 | 0:21:19 | |
Cos, as you can see, it's extraordinary large. | 0:21:19 | 0:21:21 | |
This is going to be kitchen and bedroom and then wet room. | 0:21:21 | 0:21:25 | |
If you look out here over the top of my lovely friends here, | 0:21:25 | 0:21:28 | |
even the garden' been made a start on. So quite a good day, don't you think? | 0:21:28 | 0:21:31 | |
-We've done a very good day. -It's been lovely. -Absolutely brilliant. | 0:21:31 | 0:21:35 | |
It's been that good let's go and have some dinner. | 0:21:35 | 0:21:37 | |
That's a very good idea, all right. | 0:21:37 | 0:21:38 | |
-Salad, obviously. -See you in the morning. | 0:21:38 | 0:21:41 | |
Well, another day and we've got 80 trades on site this morning again. | 0:21:52 | 0:21:56 | |
Even the local bobbies are rolling up their sleeves to help. | 0:21:56 | 0:21:59 | |
You've got to pull them over when they're with the wheelbarrow and go, | 0:22:00 | 0:22:03 | |
"What speed do you think you're doing?" | 0:22:03 | 0:22:05 | |
Why have you and your mate decided to come in and join in | 0:22:05 | 0:22:08 | |
and throw yourselves at this particular project? | 0:22:08 | 0:22:10 | |
It's just nice to go and help into the community | 0:22:10 | 0:22:13 | |
like, you know, help a boy who needs a bit of help. | 0:22:13 | 0:22:15 | |
It's just enjoyable, you know, something to do nice, like. | 0:22:15 | 0:22:18 | |
-Have you got kids yourself? -I've got four. | 0:22:18 | 0:22:20 | |
-Have you? -Yeah. | 0:22:20 | 0:22:21 | |
Inside the plumbers are flying through the house but it appears | 0:22:21 | 0:22:25 | |
that someone has amended Gabrielle's plan without consulting her. | 0:22:25 | 0:22:30 | |
There's a pipe in the way and I've got to redesign the furniture. | 0:22:30 | 0:22:33 | |
You've got to have gas in here, | 0:22:33 | 0:22:35 | |
got to have gas, got to have heat, got to have warmth. | 0:22:35 | 0:22:37 | |
No, but it would be nice if someone could say, | 0:22:37 | 0:22:39 | |
"Gabbers, we're about to put a flipping great big pipe in..." | 0:22:39 | 0:22:42 | |
We couldn't do that cos we had to get the scaffolders in. | 0:22:42 | 0:22:44 | |
-We had to get the plumber in so the scaffolders... -I'm right here! | 0:22:44 | 0:22:47 | |
I was probably over there when this happened. | 0:22:47 | 0:22:49 | |
Yes, but you were dealing with what shape you wanted the garden wall to be. | 0:22:49 | 0:22:52 | |
You can't deal with everything, you're not omnipresent. | 0:22:52 | 0:22:55 | |
Well, I'm just bimbling about. | 0:22:55 | 0:22:57 | |
If people would say, "Do you mind if we ruin your design in this room, | 0:22:57 | 0:23:00 | |
"just as we ruined it in that room?" | 0:23:00 | 0:23:03 | |
In which case we better consult her before we drop | 0:23:03 | 0:23:05 | |
the ceiling height in that room. | 0:23:05 | 0:23:08 | |
It's purely aesthetic but I thought it would be nice to hide this step in the corner. | 0:23:08 | 0:23:12 | |
Do you want this ceiling reduced, or not? | 0:23:12 | 0:23:15 | |
I'm thinking it through, I can't just, you know. | 0:23:15 | 0:23:17 | |
-I don't know if I want to lose the ceiling height or not... -Be reckless. | 0:23:17 | 0:23:20 | |
-I don't think we can. -I think you should lose the ceiling height. | 0:23:20 | 0:23:23 | |
I don't think we can. Look how high the window's coming up. | 0:23:23 | 0:23:26 | |
-I don't think you can. -Yeah, it would look stupid. | 0:23:26 | 0:23:28 | |
-How about some nice curves. -No, no, no way. | 0:23:28 | 0:23:31 | |
And then you can mimic it in that corner over there, | 0:23:31 | 0:23:34 | |
-so you get like a... -Oh, oh, oh! | 0:23:34 | 0:23:35 | |
You could have four of them in each corner. | 0:23:35 | 0:23:38 | |
Please! I'm actually going to be physically sick | 0:23:38 | 0:23:41 | |
if anyone does any curvy ceilings. | 0:23:41 | 0:23:43 | |
And then a nice ceiling rose in the middle, mimicking the four corners. | 0:23:43 | 0:23:47 | |
Just let me actually think it through. | 0:23:47 | 0:23:49 | |
-Well, when can we expect a decision on that one? -Well, I mean... | 0:23:49 | 0:23:52 | |
This is why we don't consult you. | 0:23:52 | 0:23:54 | |
I need to give her some time. | 0:23:56 | 0:23:58 | |
Maybe an hour, or a day, or a year. | 0:23:58 | 0:24:01 | |
I can use the time to go off and have a chat with Daniel, | 0:24:01 | 0:24:03 | |
who you'll remember Jack described as his best friend. | 0:24:03 | 0:24:07 | |
You were seven when Jack came along | 0:24:09 | 0:24:11 | |
and so you've lived with this your whole life. | 0:24:11 | 0:24:14 | |
Has that been difficult? | 0:24:14 | 0:24:15 | |
When Jack came and, obviously, he had his disability | 0:24:15 | 0:24:17 | |
I wasn't having as much attention as most kids of my age would have had | 0:24:17 | 0:24:21 | |
but it's something that...Jack needed our help and I understood that | 0:24:21 | 0:24:24 | |
and my mother did everything, not only for Jack | 0:24:24 | 0:24:26 | |
but she did try and spend and do as much stuff with me. | 0:24:26 | 0:24:29 | |
It's something you seem to get on with and you start to live with then. | 0:24:29 | 0:24:32 | |
Do you find it difficult, as a brother, | 0:24:32 | 0:24:34 | |
knowing there are things that Jack can't join in with? | 0:24:34 | 0:24:36 | |
Well, I do feel really sympathetic for him. | 0:24:36 | 0:24:38 | |
I mean, well, knowing that, he's already told me how hard | 0:24:38 | 0:24:42 | |
he find things, watching everyone do what basically he can't do but, | 0:24:42 | 0:24:46 | |
I mean, with Jack he's got a really big heart and he just gets on with it | 0:24:46 | 0:24:49 | |
and he's happy for everyone else even though he knows he can't do it. | 0:24:49 | 0:24:53 | |
He's a teenage boy and he's growing into his teenage years | 0:24:53 | 0:24:56 | |
and, I guess, what he really wants is independence. | 0:24:56 | 0:24:59 | |
I think he does feel a bit guilty sometimes, like he has to | 0:24:59 | 0:25:02 | |
ask my mother mostly and then me for some things that he can't do, | 0:25:02 | 0:25:06 | |
but I mean he tries, he just wants things to be as normal as possible | 0:25:06 | 0:25:09 | |
for himself, to be honest with you. | 0:25:09 | 0:25:11 | |
So the more independence we can give him the better. | 0:25:11 | 0:25:13 | |
Yeah, definitely, and he'd really enjoy that, as well, knowing | 0:25:13 | 0:25:16 | |
that he wouldn't have to ask me and my mum for so much any more. | 0:25:16 | 0:25:18 | |
Yep, it seems Jack's independence IS key to giving this family | 0:25:18 | 0:25:22 | |
the quality of life they deserve. | 0:25:22 | 0:25:25 | |
Time to get back to site and there's been a change. | 0:25:25 | 0:25:28 | |
Look at the outside of the house, it's been rendered all over | 0:25:28 | 0:25:31 | |
and is looking very, very pretty. | 0:25:31 | 0:25:33 | |
Although, I may have forgotten to consult Gabby on something. | 0:25:33 | 0:25:37 | |
Well, I've just overheard by pure chance somebody ordering | 0:25:37 | 0:25:40 | |
-decking for the garden. -That's right. -Why? | 0:25:40 | 0:25:43 | |
Because we have to raise to a level of the patio doors | 0:25:43 | 0:25:48 | |
and you've got flush exit/entry patio doors. | 0:25:48 | 0:25:52 | |
Yeah, low threshold, yeah. | 0:25:52 | 0:25:54 | |
And when we actually bring the pipe, the concrete down to this edge | 0:25:54 | 0:25:57 | |
and the ramp at the far end, it leaves this area in here | 0:25:57 | 0:26:00 | |
-and so if we put a wood decking down here... -No, no, no! | 0:26:00 | 0:26:03 | |
-Stop. -With a retaining wall. -Nick. Nicholas, seriously, just stop. | 0:26:03 | 0:26:06 | |
You said...I mean nobody even talked to me about this | 0:26:06 | 0:26:09 | |
and the one thing the family asked me for is no decking. | 0:26:09 | 0:26:12 | |
I can't have decisions like that made without even asking me. | 0:26:12 | 0:26:15 | |
We did. We talked about it together, didn't we? | 0:26:16 | 0:26:18 | |
We talked about it, Nick, yeah. It's the part end problem, you know, with the level threshold. | 0:26:18 | 0:26:22 | |
No, no! Argh! I'm completely aware of the level threshold. | 0:26:22 | 0:26:26 | |
This is just not a discussion I'm going to have. | 0:26:26 | 0:26:28 | |
If I said sorry would it help? | 0:26:28 | 0:26:29 | |
Sorry would help and not being so patronising would really help. | 0:26:29 | 0:26:32 | |
I'm really sorry and I'll try to be less patronising. I don't mean to be patronising at all. | 0:26:32 | 0:26:36 | |
Well, you can't help it. It is just your demeanour, to be fair, you do it to everyone, doesn't he, Chris? | 0:26:36 | 0:26:40 | |
-Have I been patronising to you? -No, not to me, no. | 0:26:40 | 0:26:43 | |
You said that in a really condescending way. | 0:26:43 | 0:26:46 | |
-Now I feel bad. -Good. | 0:26:46 | 0:26:49 | |
I do, I really do feel bad. I was only trying to help. | 0:26:49 | 0:26:53 | |
We're still waiting on a decision for the porch, or the ceiling in the lounge. | 0:26:53 | 0:26:57 | |
Things are cracking on with the access ramp for Jack, | 0:26:57 | 0:26:59 | |
such a simple thing being able to use your own front door. | 0:26:59 | 0:27:03 | |
It's an absolutely sweltering hot day, too, | 0:27:03 | 0:27:06 | |
so the tops are coming off all over the place, | 0:27:06 | 0:27:08 | |
including Jules with his special builder's tan. | 0:27:08 | 0:27:11 | |
It's stuck to me. | 0:27:11 | 0:27:12 | |
-When I was young and fit and working on the building site. -Yeah. | 0:27:12 | 0:27:16 | |
-I burnt my shoulders a bit, cos I was walking around topless. -Yeah. | 0:27:16 | 0:27:19 | |
I burnt my shoulders, so I got a T-shirt and I cut it off there. | 0:27:19 | 0:27:23 | |
-You went crop top? -I went crop top. | 0:27:23 | 0:27:26 | |
What were you thinking, Perryman! | 0:27:26 | 0:27:27 | |
-Well, I was just trying to protect my shoulders. -But what(?) | 0:27:27 | 0:27:30 | |
And I was just walking up Modbury high street | 0:27:30 | 0:27:33 | |
and I was getting wolf whistles from men and women. | 0:27:33 | 0:27:35 | |
It was a bit scary. | 0:27:35 | 0:27:37 | |
And I promise we did not spray tan his head. | 0:27:37 | 0:27:39 | |
-Are you all right? -Yes, sweetie, going well. | 0:27:40 | 0:27:42 | |
It's like Jodrell Bank up here. This is the bit that scares me. I don't like electricity. | 0:27:42 | 0:27:46 | |
I feel like I'm a puppet on strings. | 0:27:46 | 0:27:49 | |
I was going to ask you a question, what's your favourite job | 0:27:49 | 0:27:51 | |
you've ever had, obviously, other than DIY SOS? | 0:27:51 | 0:27:54 | |
Saudi Arabia, Nicaragua... | 0:27:54 | 0:27:58 | |
New York... | 0:27:58 | 0:28:00 | |
I reckon, I had a few years in the fairgrounds. | 0:28:00 | 0:28:04 | |
That doesn't surprise me at all, to be honest. | 0:28:04 | 0:28:07 | |
Well, it's true cos there's a... | 0:28:07 | 0:28:09 | |
-There's a bit of everything in me, you know that. -Yes. | 0:28:09 | 0:28:12 | |
So which stall did you run? | 0:28:12 | 0:28:14 | |
The strange thing was I was pretty good at shooting. | 0:28:14 | 0:28:16 | |
So you reckon you're a bit of a sharp-eyed shooter? | 0:28:16 | 0:28:19 | |
Well, the trouble is I was losing a lot of money from pundits | 0:28:19 | 0:28:22 | |
coming up and bang, bang, bang. | 0:28:22 | 0:28:23 | |
In the end they said, "You've got to beat Billy." | 0:28:23 | 0:28:25 | |
They used to call me Billy The Shot Bull's-eye Byrne. | 0:28:25 | 0:28:28 | |
Did anyone ever beat you? | 0:28:28 | 0:28:30 | |
-No-one beat me. -How long? | 0:28:30 | 0:28:32 | |
38 years. | 0:28:32 | 0:28:33 | |
38 years, man and boy. | 0:28:33 | 0:28:34 | |
And they called you what was it again? | 0:28:34 | 0:28:36 | |
Billy The Shot Bull's-eye Byrne. | 0:28:36 | 0:28:38 | |
-Did they? -Yeah, I've never missed. -Never missed. -No. | 0:28:38 | 0:28:43 | |
Now you know that that's a bit of a set-up. | 0:28:43 | 0:28:46 | |
I know, but play along with us cos it's going to be very entertaining. | 0:28:46 | 0:28:49 | |
He's off to meet the boys because I've suddenly realised that | 0:28:49 | 0:28:52 | |
shooting is something they can all do together. | 0:28:52 | 0:28:54 | |
-Go on, tell your brother what you're doing. -We're going shooting. | 0:28:54 | 0:28:57 | |
Brilliant, that's something we can do together. | 0:28:57 | 0:28:59 | |
That's the point and we've invited Billy, our best shot. | 0:28:59 | 0:29:02 | |
He's supposed to have been here by now. Where is he? | 0:29:02 | 0:29:04 | |
Come on, then, boys, let's get to it. | 0:29:04 | 0:29:07 | |
What have you come as? | 0:29:07 | 0:29:09 | |
This is what we used to wear when we used to go shooting. | 0:29:09 | 0:29:11 | |
-What, to sneak up on people? -You don't want them to see you, do you? | 0:29:11 | 0:29:15 | |
You're not a sniper, we're just doing some friendly shooting. | 0:29:15 | 0:29:17 | |
Look, I'm going to go over there and do some sunbathing, | 0:29:17 | 0:29:20 | |
the shooting is through that way. Off you go. | 0:29:20 | 0:29:22 | |
Jack, Danny, come on, let me show you how good I am. | 0:29:22 | 0:29:25 | |
Suffering the usual lack of confidence, | 0:29:25 | 0:29:26 | |
our flip-flop assassin is heading off to take on the boys | 0:29:26 | 0:29:31 | |
and I bet he won't make any excuses. | 0:29:31 | 0:29:33 | |
Oh, I haven't done this for a couple of years, I promise you. | 0:29:33 | 0:29:36 | |
Maybe one or two excuses. | 0:29:36 | 0:29:38 | |
OK, right, so, Jack, we just need to put that cross | 0:29:38 | 0:29:41 | |
on what you want to hit and then just slowly squeeze the trigger. | 0:29:41 | 0:29:43 | |
Now a funny thing happens here, | 0:29:43 | 0:29:45 | |
it turns out Jack is a bit good at this. | 0:29:45 | 0:29:48 | |
-You got him! Yes, downed it! -I got that, it was mine. | 0:29:48 | 0:29:50 | |
-No, it wasn't. -It was. | 0:29:50 | 0:29:52 | |
And so is Daniel. | 0:29:53 | 0:29:55 | |
In fact, in no time, they're knocking down target after target. | 0:29:55 | 0:30:02 | |
So push that into the left so that it slides. | 0:30:02 | 0:30:05 | |
Whilst Billy still hasn't worked out how to switch the thing on. | 0:30:05 | 0:30:08 | |
Oh, that one? I see. | 0:30:08 | 0:30:10 | |
I'm going to go for that little rat. | 0:30:10 | 0:30:13 | |
You dirty rat, you killed my brother. | 0:30:13 | 0:30:15 | |
Yes, impressions of people from 1936! | 0:30:15 | 0:30:20 | |
Oh, I didn't load it. | 0:30:21 | 0:30:23 | |
Meanwhile, Jack... | 0:30:23 | 0:30:24 | |
Oh, yeah, that was a great hit. | 0:30:24 | 0:30:26 | |
..and Daniel... | 0:30:26 | 0:30:28 | |
Good shot. | 0:30:28 | 0:30:29 | |
..are doing amazingly well. | 0:30:29 | 0:30:30 | |
Oh, another one. You're really showing Billy how to do it, he's missing every shot next-door here. | 0:30:30 | 0:30:35 | |
Yeah, couldn't hit a barn door. | 0:30:35 | 0:30:37 | |
-Oh, no. -It moved. | 0:30:37 | 0:30:38 | |
-It moved. -It was the wind. | 0:30:38 | 0:30:41 | |
Making ugly eyes at me. | 0:30:41 | 0:30:43 | |
Nothing! | 0:30:46 | 0:30:47 | |
Getting further away each time now, Billy. | 0:30:47 | 0:30:49 | |
Did you know, I could split a matchstick from 300 yards? | 0:30:49 | 0:30:53 | |
OK, Jack, when you're ready, go for the pyros on what | 0:30:56 | 0:30:58 | |
we call the tombstone, then you'll be in for a big surprise. | 0:30:58 | 0:31:01 | |
So to prove he's really good, look at this. | 0:31:01 | 0:31:04 | |
Yes, brilliant stuff, excellent. | 0:31:09 | 0:31:11 | |
That was a genuine shot and so is this. | 0:31:11 | 0:31:13 | |
Come on, Bill, you can do it. | 0:31:16 | 0:31:18 | |
Argh! | 0:31:20 | 0:31:22 | |
That's on a different course altogether. | 0:31:22 | 0:31:25 | |
I think there's something wrong with your eyesight there, Bill. | 0:31:25 | 0:31:28 | |
I'm the best shot there is, Billy The Shot Bull's-eye Byrne. | 0:31:28 | 0:31:32 | |
Do you know what I mean? | 0:31:32 | 0:31:34 | |
I don't know about bull's-eye. Bull something. | 0:31:34 | 0:31:36 | |
What a cracking day for the boys, though, I really enjoyed that. | 0:31:36 | 0:31:41 | |
So we're at the halfway stage and things are starting to take shape. | 0:31:41 | 0:31:44 | |
Gabrielle eventually decided to drop the ceiling height in the lounge, | 0:31:44 | 0:31:48 | |
and now the plasterers are cracking on with the boarding and skimming | 0:31:48 | 0:31:51 | |
and it's at this point I think building sites turn into real houses once the plaster goes on. | 0:31:51 | 0:31:55 | |
The tiles are going on the walls in Jack's wet room | 0:31:55 | 0:31:58 | |
and the kitchen is being installed. | 0:31:58 | 0:32:00 | |
Outside the house is being transformed with a new render | 0:32:00 | 0:32:03 | |
and beautiful sash windows and work on the garden room is under way | 0:32:03 | 0:32:06 | |
and they've started on the drainage and paving. | 0:32:06 | 0:32:09 | |
I have to admit Gabrielle's Plan A was the correct plan. | 0:32:09 | 0:32:12 | |
Still no news on the porch, though, | 0:32:12 | 0:32:14 | |
and there is a still a long way to go. | 0:32:14 | 0:32:16 | |
Oh! | 0:32:16 | 0:32:18 | |
And it seems we've hit a problem with Jack's wet room floor. | 0:32:18 | 0:32:21 | |
The water from the shower runs back towards Jack's bedroom door. | 0:32:23 | 0:32:26 | |
ON PHONE: Oh, my God, right. | 0:32:26 | 0:32:29 | |
So we need to take that beautiful floor you've just laid, | 0:32:29 | 0:32:34 | |
take that... Is that glued down? | 0:32:34 | 0:32:37 | |
'Yes, it's fully bonded, yes. | 0:32:40 | 0:32:42 | |
'You can run a knife round the base of the cork where the radius hits the flat.' | 0:32:42 | 0:32:46 | |
-And peel that floor out and get it prepped for you to come back and lay a new floor? -'Yeah.' | 0:32:46 | 0:32:51 | |
All right, Phil, thanks for your help, mate, | 0:32:51 | 0:32:54 | |
I'll speak to you later on. Cheers. | 0:32:54 | 0:32:56 | |
'OK, ta-ra.' | 0:32:56 | 0:32:58 | |
That room has to work perfectly for Jack so that he can go in | 0:32:58 | 0:33:03 | |
and have a shower, that the whole room is perfect for him | 0:33:03 | 0:33:06 | |
and we're nearly at finish. We don't need that, we don't need that to happen now. | 0:33:06 | 0:33:10 | |
So we've got to be positive, be positive and get it sorted out. | 0:33:10 | 0:33:15 | |
What he means is the water is running towards the doorway | 0:33:15 | 0:33:18 | |
not towards the plughole as it should. | 0:33:18 | 0:33:20 | |
So whilst they're sorting that out, I'm going to pop round to have a chat with Mum. | 0:33:20 | 0:33:23 | |
What do you think people would not understand about having to | 0:33:23 | 0:33:26 | |
deal with all the things you've dealt with? | 0:33:26 | 0:33:28 | |
It is difficult bringing up the boys and working and being a mum | 0:33:28 | 0:33:33 | |
and Jack, as Jack's been on... with Jack 24/7 but... | 0:33:33 | 0:33:37 | |
What can you say? There are, like, I don't know, | 0:33:40 | 0:33:44 | |
a lot of people going through what I'm going through. | 0:33:44 | 0:33:46 | |
Would it be fair to say that the hardest thing is | 0:33:46 | 0:33:48 | |
the fact that is just doesn't ever stop? | 0:33:48 | 0:33:51 | |
Yeah, erm... | 0:33:51 | 0:33:52 | |
It has been constant for the last, well, since he's been born. | 0:33:53 | 0:33:56 | |
I mean, he had his first operation at nine months so just.. | 0:33:56 | 0:34:01 | |
-Just worn out? -Mmm. | 0:34:01 | 0:34:04 | |
And what really hurt me is when I was coming home from hospital, | 0:34:04 | 0:34:07 | |
the nurse practitioner phoned Social Services to see if there was any help available | 0:34:07 | 0:34:12 | |
and the comment that was made was, | 0:34:12 | 0:34:14 | |
"Yeah, we could help if she was having a nervous breakdown" | 0:34:14 | 0:34:17 | |
and they were like, "Are you having a nervous breakdown?" | 0:34:17 | 0:34:20 | |
Then it goes through my head then and if I... | 0:34:20 | 0:34:22 | |
Daft things go through your head. I said, "Well, if I admit to them | 0:34:22 | 0:34:25 | |
"I'm having a nervous breakdown they may take my kids off me." | 0:34:25 | 0:34:28 | |
Do you know? Like, silly things go... | 0:34:28 | 0:34:29 | |
So I just felt as soon as I came out of hospital | 0:34:29 | 0:34:32 | |
you're just very much on your own and you've got to get on with it. | 0:34:32 | 0:34:35 | |
You wonder where Jack gets his strength from. To me it's very clear. | 0:34:35 | 0:34:38 | |
So where do you get your strength from? | 0:34:38 | 0:34:41 | |
Cos Jack's strong, Jack makes me strong | 0:34:41 | 0:34:44 | |
and, you know, he needs me | 0:34:44 | 0:34:47 | |
and at one time for five months he needed me 24/7 | 0:34:47 | 0:34:50 | |
and that was a hard time, so... | 0:34:50 | 0:34:52 | |
He's in pain and he gets on with it so I think, | 0:34:52 | 0:34:55 | |
"What am I moaning about?" You know, he's the one that's struggling | 0:34:55 | 0:34:58 | |
and I'm... That's where I get my strength, from it's from Jack. | 0:34:58 | 0:35:01 | |
It's very clear that they get their strength from each other. | 0:35:01 | 0:35:04 | |
They lean on each other, they support each other. | 0:35:04 | 0:35:07 | |
It's a very lovely family, isn't it? | 0:35:07 | 0:35:10 | |
Well, it's the last day and there's a long way still to go. | 0:35:10 | 0:35:13 | |
The wet room floor is being re-latexed to make the water run towards the drain, | 0:35:13 | 0:35:17 | |
but it still isn't right. | 0:35:17 | 0:35:19 | |
It's been bulked up to an extent but it, | 0:35:19 | 0:35:22 | |
they've built-up this area here but this area here is still... | 0:35:22 | 0:35:26 | |
-Still low? -Yeah. | 0:35:26 | 0:35:28 | |
If we bring another coat of latex now to that height, | 0:35:28 | 0:35:32 | |
it's still only just giving you a fall. | 0:35:32 | 0:35:36 | |
We're at the point now when we have to start bringing a lip up and | 0:35:36 | 0:35:39 | |
-then that gives us the difficulty of wheelchair access. -Yeah. | 0:35:39 | 0:35:42 | |
-We're going to have to build it up. -Yeah. | 0:35:42 | 0:35:45 | |
-This pushes you back again, doesn't it? -Yeah. | 0:35:45 | 0:35:48 | |
Definitely cos he's been in here for three days now. | 0:35:48 | 0:35:50 | |
Do you want a cwtch? | 0:35:53 | 0:35:54 | |
Correct use of the word cwtch there, you see. | 0:35:54 | 0:35:56 | |
I need a cwtch, too, at the moment. | 0:35:56 | 0:35:58 | |
Things aren't just going wrong in the wet room. | 0:35:58 | 0:36:01 | |
These bespoke shelves are beautifully built in Jack's bedroom | 0:36:01 | 0:36:04 | |
but they're in the wrong place. | 0:36:04 | 0:36:06 | |
The guys, in their haste, checked this dimension. | 0:36:06 | 0:36:10 | |
Off of the reveal when they should have done it from the wall. | 0:36:10 | 0:36:13 | |
And this is the important dimension, obviously, his bed. | 0:36:13 | 0:36:16 | |
And how is it on the bed? | 0:36:16 | 0:36:18 | |
So we need 1050 and we've got 960 | 0:36:18 | 0:36:22 | |
which would be fine for a standard single but this is our hospital bed. | 0:36:22 | 0:36:26 | |
So... | 0:36:29 | 0:36:30 | |
So it's all got to come off and move over. | 0:36:30 | 0:36:32 | |
Yes, and this has taken a really, really long time, | 0:36:32 | 0:36:35 | |
and we've got wires and pipes | 0:36:35 | 0:36:37 | |
and, you know, if we'd plied it, it would not be a problem. | 0:36:37 | 0:36:42 | |
-But we didn't? -No. -There's no point in talking about what we could have done. -I know, I know. | 0:36:42 | 0:36:46 | |
See, this is what makes me wrinkly, | 0:36:46 | 0:36:48 | |
and the garden's got a lot to do too. | 0:36:48 | 0:36:50 | |
This is the last day, we've got to nail this. | 0:36:50 | 0:36:53 | |
-You've got a bit left to do down there. -Yeah, about an hour left down there. | 0:36:53 | 0:36:56 | |
Can we reduce the amount of paving we can do up here | 0:36:56 | 0:36:58 | |
and make a path through so that you can get from the top of the ramp | 0:36:58 | 0:37:01 | |
into the shed and onto the garden, and just gravel this section here? | 0:37:01 | 0:37:04 | |
Yeah, yeah, that's no problem. | 0:37:04 | 0:37:07 | |
We're going to have to put pressure on you to try and get this out | 0:37:07 | 0:37:10 | |
so we can get all the bodies off this bit so we can get this down | 0:37:10 | 0:37:13 | |
-cos we don't want to be here at midnight tonight laying slabs. -That's it. | 0:37:13 | 0:37:16 | |
We've only just starting building this 1,800-brick sidewall. | 0:37:16 | 0:37:21 | |
What do you reckon, five of them on this wall? | 0:37:23 | 0:37:26 | |
We reckon there's going to be five tubs of this on the wall. | 0:37:26 | 0:37:29 | |
You know this lot are not going to be beaten, | 0:37:29 | 0:37:31 | |
they have turned out in their droves and are working like Trojans. | 0:37:31 | 0:37:34 | |
Strike that, they're not working like Trojans, | 0:37:34 | 0:37:37 | |
they're working like Welsh people from the Swansea area, which is | 0:37:37 | 0:37:40 | |
exactly what they are, these people are going to make a difference. | 0:37:40 | 0:37:43 | |
One person who knows just how much it means is Jack's | 0:37:43 | 0:37:46 | |
play specialist from the hospital, Jane. | 0:37:46 | 0:37:49 | |
You nominated the family, Jane, and you've worked with him | 0:37:49 | 0:37:53 | |
as he's gone through all of his various operations? | 0:37:53 | 0:37:56 | |
How tough has the process been for him in what he's gone through? | 0:37:56 | 0:38:00 | |
Gruelling. | 0:38:00 | 0:38:01 | |
He has scoliosis correction seven years ago and rods put in, | 0:38:01 | 0:38:06 | |
but because he was still only seven then | 0:38:06 | 0:38:09 | |
the rods have a growing system, so it's a bit like an expandable shower curtain rail. | 0:38:09 | 0:38:14 | |
Every six months he'd come in and have the rods extended | 0:38:14 | 0:38:17 | |
and people think because, you know, these children have been in before, | 0:38:17 | 0:38:21 | |
had the treatment before, it gets easier. Well, sometimes it doesn't. | 0:38:21 | 0:38:24 | |
As they get older it gets harder and harder to come in and have those ops done. | 0:38:24 | 0:38:27 | |
His last day was particularly tough, wasn't it? | 0:38:27 | 0:38:30 | |
I know Helen was very emotional about it. | 0:38:30 | 0:38:32 | |
Yeah, for that last visit Helen got quite upset | 0:38:32 | 0:38:36 | |
when he was going up to theatre. | 0:38:36 | 0:38:38 | |
So I went in with Jack and as he's going off to sleep | 0:38:38 | 0:38:41 | |
for the anaesthetic he said, | 0:38:41 | 0:38:43 | |
"Oh, Jane, will you make sure my mum's OK?" | 0:38:43 | 0:38:45 | |
You know, even when he's going through all that, he was still | 0:38:45 | 0:38:47 | |
worried about his mum and they are just such a close, | 0:38:47 | 0:38:51 | |
loving family, you know. It's wonderful to watch it, really. | 0:38:51 | 0:38:54 | |
That's why they deserve it, they never complain, they never ask for anything... | 0:38:54 | 0:38:57 | |
-No, just get on with it... -She still goes to work. -Yeah. | 0:38:57 | 0:39:00 | |
-You know it's amazing really. -She's never lived off benefit, she's you know, she's... | 0:39:00 | 0:39:04 | |
And she's just got on with life. | 0:39:04 | 0:39:06 | |
It seems that this family's story has touched so many people | 0:39:08 | 0:39:11 | |
and motivated many more to turn out and help. | 0:39:11 | 0:39:13 | |
I've got a 14-year-old grandson of my own. | 0:39:15 | 0:39:17 | |
Erm... | 0:39:17 | 0:39:18 | |
I think this young lad just needs all the help we can give him. | 0:39:18 | 0:39:22 | |
Erm, I'm in the position to do it and I'm glad to do it. | 0:39:22 | 0:39:25 | |
And it's not just people from the local community. | 0:39:25 | 0:39:27 | |
Laurence here has brought his team all the way from Exeter. | 0:39:27 | 0:39:31 | |
It's the second time in three years that you've joined in with us | 0:39:31 | 0:39:33 | |
and the same reason, I can imagine. | 0:39:33 | 0:39:35 | |
It is, I think having a daughter who's got special needs | 0:39:35 | 0:39:39 | |
I know the quality of life that the children will get | 0:39:39 | 0:39:42 | |
from having this building. I don't need to question it. | 0:39:42 | 0:39:45 | |
And Tony's been working nights in a care home before coming | 0:39:45 | 0:39:49 | |
to help out here every day. | 0:39:49 | 0:39:51 | |
Well, I had a niece who was disabled | 0:39:51 | 0:39:54 | |
and she had a similar facility put in. | 0:39:54 | 0:39:57 | |
She had a bedroom and a wet room downstairs | 0:39:57 | 0:40:00 | |
and it makes a world of difference. | 0:40:00 | 0:40:02 | |
Just a little bit of going without sleep for me and it's not a long time. | 0:40:02 | 0:40:07 | |
A fantastic feeling, you can't buy that. | 0:40:07 | 0:40:09 | |
People have come from all walks of life to help out, you know. | 0:40:09 | 0:40:13 | |
It's been great, ain't it? We've had a lot of local heroes on this job. | 0:40:13 | 0:40:16 | |
And the most famous tiler in Wales. | 0:40:16 | 0:40:19 | |
# Turn around... | 0:40:19 | 0:40:21 | |
# Every now and then I get a little bit lonely. # | 0:40:21 | 0:40:24 | |
SHE LAUGHS CHEERING | 0:40:24 | 0:40:26 | |
Bonnie Tyler in the house! | 0:40:26 | 0:40:28 | |
Doing the tiling, literally. | 0:40:28 | 0:40:30 | |
LAUGHTER | 0:40:30 | 0:40:32 | |
OK, so she wasn't really doing the tiling, | 0:40:32 | 0:40:35 | |
but she certainly got everyone fired up for the final push. | 0:40:35 | 0:40:38 | |
Look at this lot go. | 0:40:38 | 0:40:40 | |
Go on, Bonnie! | 0:40:40 | 0:40:42 | |
I think we've even cracked the wet room floor. | 0:40:46 | 0:40:48 | |
So we need to start up here by the door jamb. | 0:40:48 | 0:40:52 | |
-There we go. -There she goes. -Woo-hoo! | 0:40:52 | 0:40:54 | |
That's what you call a Rory McIlroy. | 0:40:58 | 0:41:00 | |
Gabrielle's bespoke porch is a triumph. A triumphal arch, if you like. | 0:41:00 | 0:41:04 | |
Shame she's not here to see it | 0:41:04 | 0:41:05 | |
as she's doing some portrait shots of the dog. | 0:41:05 | 0:41:08 | |
Have you thought this through? Why is everything grey? | 0:41:08 | 0:41:11 | |
I hate tongue and groove. | 0:41:11 | 0:41:12 | |
That's Nick Knowles. NICK LAUGHS | 0:41:12 | 0:41:15 | |
It wasn't bad actually, was it? | 0:41:15 | 0:41:17 | |
Do you know what else isn't bad, the finishing touches on the house. | 0:41:17 | 0:41:20 | |
Look at 'em go! They are proper heroes one and all! | 0:41:20 | 0:41:25 | |
MUSIC: I Need A Hero by Bonnie Tyler | 0:41:25 | 0:41:28 | |
Nine days ago, this tired, old house | 0:41:29 | 0:41:32 | |
fell a long way short of meeting the family's needs. | 0:41:32 | 0:41:35 | |
Jacks' mobility meant that he was left stranded in his own living room | 0:41:35 | 0:41:38 | |
and totally reliant on his mum, Helen, to do the simplest of tasks. | 0:41:38 | 0:41:42 | |
In the middle of the night, if I need anything, | 0:41:42 | 0:41:45 | |
to go to the toilet or something like that, | 0:41:45 | 0:41:48 | |
I'd have to call my mum to come downstairs. | 0:41:48 | 0:41:51 | |
And I really don't like doing that because, as my mother's tired doing everything for me in the day, | 0:41:51 | 0:41:57 | |
I like for her to have a good night's sleep. So I just wait until the morning. | 0:41:57 | 0:42:02 | |
But mum stayed strong for Jack even when she was struggling inside. | 0:42:02 | 0:42:06 | |
Most of the time he's never seen me falling apart, | 0:42:06 | 0:42:10 | |
but there are times when you shut the door and you have a good cry | 0:42:10 | 0:42:13 | |
and you do think to yourself, "Do you know what, why me, why Jack?" | 0:42:13 | 0:42:17 | |
And I don't know why Jack. | 0:42:18 | 0:42:21 | |
And that still kills me to think, "Why Jack?" | 0:42:21 | 0:42:24 | |
Cos no child...deserves what he's been through. | 0:42:24 | 0:42:30 | |
The lack of space meant that Helen's only retreat was her bedroom, | 0:42:30 | 0:42:34 | |
and brother Daniel couldn't spend quality time with Jack as he once did. | 0:42:34 | 0:42:38 | |
Jack's bed is in the one half of the living room | 0:42:38 | 0:42:40 | |
and then he's got his big chair in the other half. | 0:42:40 | 0:42:43 | |
So, it's really hard for everyone to sit down there as a family and spend time together. | 0:42:43 | 0:42:46 | |
The local community and those from further afield | 0:42:46 | 0:42:50 | |
have given it their all to complete this build on time. | 0:42:50 | 0:42:53 | |
And they've done an incredible job. | 0:42:53 | 0:42:56 | |
The outside of the property has been totally transformed | 0:42:58 | 0:43:00 | |
with a white, bright render and beautiful sash windows. | 0:43:00 | 0:43:03 | |
Gabrielle's bespoke porch with Welsh slate tiles and this stylish front door | 0:43:03 | 0:43:08 | |
welcome family and friends into the home. | 0:43:08 | 0:43:11 | |
And, you know, it's the new access ramp at the front that's such a big deal, | 0:43:13 | 0:43:16 | |
a wider hallway and doors will allow Jack | 0:43:16 | 0:43:19 | |
to use his front door for the first time since he was a very small child. | 0:43:19 | 0:43:23 | |
Gabrielle has utilised every millimetre of the old living space | 0:43:25 | 0:43:29 | |
where Jack once slept to create two defined but accessible spaces. | 0:43:29 | 0:43:33 | |
A practical study with a bespoke desk gives Jack a place to revise for his GCSEs, | 0:43:33 | 0:43:38 | |
whilst Helen relaxes nearby in this cosy lounge. | 0:43:38 | 0:43:42 | |
Double doors lead through into the new extension, | 0:43:43 | 0:43:45 | |
which is home to the large kitchen-diner, | 0:43:45 | 0:43:47 | |
a space where the family can enjoy meals around the table together once again. | 0:43:47 | 0:43:52 | |
At the rear of the extension | 0:43:55 | 0:43:57 | |
is a bedroom for Jack with en suite wet room. | 0:43:57 | 0:44:00 | |
Filled with gadgets, it's a space that gives him | 0:44:00 | 0:44:02 | |
privacy and independence as he grows into a young man. | 0:44:02 | 0:44:07 | |
Upstairs there's a double bedroom for Daniel, | 0:44:08 | 0:44:10 | |
so he can spend more time at home. | 0:44:10 | 0:44:13 | |
And we've refreshed Helen's bedroom | 0:44:16 | 0:44:18 | |
to create a tranquil and calm retreat. | 0:44:18 | 0:44:21 | |
You know Jack's old bedroom has been given a spruce up too, | 0:44:22 | 0:44:25 | |
it's become a modern but luxurious bathroom, | 0:44:25 | 0:44:28 | |
a space for Helen to relax and pamper herself. | 0:44:28 | 0:44:32 | |
Right, let's nip outside. The garden has been completely overhauled | 0:44:34 | 0:44:37 | |
to make it wheelchair accessible. | 0:44:37 | 0:44:39 | |
We've created three zones to meet the needs of every occasion. | 0:44:39 | 0:44:43 | |
Double doors from the kitchen-diner and Jack's bedroom lead out onto this beautiful paved terrace, | 0:44:43 | 0:44:49 | |
a place where Helen can enjoy a glass of wine with friends. | 0:44:49 | 0:44:53 | |
A nice little subtle access ramp leads to this low-maintenance entertaining space for parties. | 0:44:53 | 0:44:59 | |
And, finally, this garden room is a man-only hang-out for Jack and Daniel | 0:44:59 | 0:45:03 | |
to enjoy quality time as brothers. | 0:45:03 | 0:45:06 | |
This is a home for three people to enjoy independence and privacy, | 0:45:07 | 0:45:11 | |
but also be together as the strong family they are. | 0:45:11 | 0:45:15 | |
It's time for them to come home. | 0:45:15 | 0:45:18 | |
OK, the house needed to change to make your life better, | 0:45:20 | 0:45:26 | |
Jack's life better, Daniel's life better. | 0:45:26 | 0:45:29 | |
We hope we've given you what you need. | 0:45:29 | 0:45:32 | |
Open your eyes. | 0:45:32 | 0:45:34 | |
-Oh, my gosh! -SHE SOBS | 0:45:34 | 0:45:36 | |
SHE SOBS | 0:45:38 | 0:45:40 | |
Oh, my God! | 0:45:43 | 0:45:45 | |
God! It's amazing! | 0:45:49 | 0:45:51 | |
Oh, it's fantastic! | 0:45:53 | 0:45:55 | |
I don't know what to say! | 0:45:59 | 0:46:01 | |
The chair, which has been in the middle of the room and causing problems, | 0:46:02 | 0:46:05 | |
now has its proper place and it's somewhere that you can get around, | 0:46:05 | 0:46:09 | |
but it's part of a whole sofa area where you can all sit together. | 0:46:09 | 0:46:13 | |
It's beyond my wildest dreams. | 0:46:14 | 0:46:17 | |
-Oh, look at that for Jack! -Yeah. | 0:46:19 | 0:46:22 | |
-Come on. I've got more to show you. -OK. | 0:46:23 | 0:46:26 | |
Oh! | 0:46:31 | 0:46:33 | |
Oh, gosh! | 0:46:34 | 0:46:36 | |
Oh! | 0:46:36 | 0:46:38 | |
Oh! | 0:46:38 | 0:46:40 | |
Oh, it's absolutely beautiful! | 0:46:40 | 0:46:43 | |
It really is! | 0:46:43 | 0:46:46 | |
Oh, table and chairs! | 0:46:46 | 0:46:48 | |
That's all I've ever dreamed of is a table and chairs. | 0:46:51 | 0:46:54 | |
Why is a table and chairs so important? | 0:46:54 | 0:46:57 | |
Because we've... For the last year, we've never sat around the table together. | 0:46:57 | 0:47:01 | |
And we've just missed it. We're always living off trays, sitting in the lounge, | 0:47:01 | 0:47:05 | |
so this is just going to be absolutely amazing. | 0:47:05 | 0:47:07 | |
And now we've got a wide door now to get Jack through, | 0:47:07 | 0:47:10 | |
we just can all sit round the table together. | 0:47:10 | 0:47:13 | |
It's...absolutely fantastic! | 0:47:13 | 0:47:16 | |
What a house! | 0:47:16 | 0:47:18 | |
What a home! | 0:47:18 | 0:47:20 | |
-Go on. -SHE GASPS | 0:47:25 | 0:47:27 | |
Oh! | 0:47:29 | 0:47:31 | |
Oh, look at this! | 0:47:33 | 0:47:36 | |
Oh, love him! | 0:47:36 | 0:47:38 | |
SHE SIGHS | 0:47:39 | 0:47:41 | |
Oh, he's going to love this. He'll love it. | 0:47:41 | 0:47:44 | |
Independence...key. | 0:47:46 | 0:47:48 | |
Oh! | 0:47:50 | 0:47:51 | |
Oh, look at this! | 0:47:53 | 0:47:55 | |
He can wheel himself in here or walk in here, whatever. | 0:47:57 | 0:48:01 | |
Wet room shower room. Now if I just push this button here. | 0:48:01 | 0:48:04 | |
Remote control system. It has sensors on it, it knows when it's being sat on. | 0:48:04 | 0:48:09 | |
It flushes for him, it cleans him, it dries him. | 0:48:09 | 0:48:13 | |
-Wow! -He can do all this himself. | 0:48:13 | 0:48:16 | |
He's going to be absolutely over the moon. | 0:48:16 | 0:48:18 | |
-I know. -Now, you said to me the other day | 0:48:18 | 0:48:21 | |
-you hadn't had a bath in a year. -No. | 0:48:21 | 0:48:23 | |
-And we didn't want to say anything, obviously, cos it's... -SHE LAUGHS | 0:48:23 | 0:48:26 | |
-I have had a shower. -BOTH LAUGH | 0:48:26 | 0:48:29 | |
Let's go and have a look upstairs. | 0:48:29 | 0:48:30 | |
Oh! Look at this! | 0:48:33 | 0:48:35 | |
-SHE SOBS -Oh! | 0:48:39 | 0:48:41 | |
So at the end of a long day, | 0:48:41 | 0:48:44 | |
you can leave them down in their area. | 0:48:44 | 0:48:46 | |
If you want to get away, come up here, have a nice, long bath. | 0:48:47 | 0:48:53 | |
Oh, it's absolutely lovely! | 0:48:53 | 0:48:55 | |
-Look at it all! -Come on, we haven't finished yet. | 0:48:55 | 0:48:58 | |
This way. | 0:48:58 | 0:49:00 | |
SHE SIGHS | 0:49:06 | 0:49:07 | |
Will this do? | 0:49:09 | 0:49:10 | |
Oh! | 0:49:10 | 0:49:12 | |
It's fantastic! | 0:49:13 | 0:49:15 | |
I asked you the other day | 0:49:18 | 0:49:20 | |
if you could imagine family life being different and you said no. | 0:49:20 | 0:49:25 | |
-What about now? -Oh, gosh! | 0:49:27 | 0:49:30 | |
This is totally life-changing for us, honestly. | 0:49:31 | 0:49:35 | |
-Are you excited to see the boys see it? -Oh, yeah. | 0:49:35 | 0:49:38 | |
Oh, gosh, yeah. They're just going to be blown away. | 0:49:38 | 0:49:41 | |
They're just coming down the road. Do you want to come and meet them? | 0:49:41 | 0:49:44 | |
-We'll meet 'em out the front. -Hmm. -Come on. -I'd love too. | 0:49:44 | 0:49:46 | |
Whose house are we at? | 0:49:48 | 0:49:50 | |
SHE SOBS | 0:49:50 | 0:49:52 | |
-All right? -Yeah. | 0:49:58 | 0:50:00 | |
-Doesn't even look like the same house. -No, it's not, trust me. | 0:50:05 | 0:50:09 | |
And now finally, for the first time in years, | 0:50:09 | 0:50:12 | |
Jack gets to go in his own front door. | 0:50:12 | 0:50:15 | |
-God! -God! | 0:50:15 | 0:50:16 | |
-Oh, my God! -Oh, my God! | 0:50:16 | 0:50:19 | |
-Oh, wow! -This is amazing! | 0:50:21 | 0:50:24 | |
It's out of this world! | 0:50:24 | 0:50:26 | |
Oh, my God! | 0:50:29 | 0:50:31 | |
Unbelievable! | 0:50:34 | 0:50:36 | |
-Look at the photos on the wall, Jack. -Oh. -Oh! Oh, my God! -SHE LAUGHS | 0:50:36 | 0:50:40 | |
-Aren't they're lovely? -They're lush! | 0:50:42 | 0:50:45 | |
ALL LAUGH | 0:50:45 | 0:50:47 | |
-Your bedroom, Jack. -Oh, my God! | 0:50:47 | 0:50:50 | |
-Wow! -Oh! | 0:50:53 | 0:50:54 | |
What do you think? | 0:50:54 | 0:50:56 | |
-Erm...I'm speechless. -That's no good for us. -No, I know. It's nice. | 0:50:56 | 0:51:01 | |
OK, a few key things. Bed...so that if you get uncomfortable, | 0:51:01 | 0:51:05 | |
sitting up, turning, rolling over, | 0:51:05 | 0:51:07 | |
you can do all that from the remote control. And this is cool, too. | 0:51:07 | 0:51:11 | |
When you go to sleep at night, press this one. | 0:51:11 | 0:51:14 | |
-MOTOR WHIRS QUIETLY -Oh, flipping 'ell! | 0:51:14 | 0:51:17 | |
-He's never going to get up again. -I'll never come out of this room. | 0:51:17 | 0:51:19 | |
And when you get up in the morning... | 0:51:19 | 0:51:22 | |
JACK LAUGHS | 0:51:22 | 0:51:24 | |
-There's a door at the end. -It's a cupboard, is it? | 0:51:24 | 0:51:27 | |
-You're going to have to go and see, aren't you? -I think so. -Go on, then. | 0:51:27 | 0:51:30 | |
-Oh, my God! -What do you reckon, then? | 0:51:35 | 0:51:38 | |
It's...brilliant. | 0:51:38 | 0:51:40 | |
Mirror up there links to your Bluetooth on your phone, | 0:51:40 | 0:51:44 | |
it'll play all the music on your phone when you come into the bathroom. | 0:51:44 | 0:51:47 | |
And it puts on a bit of a light show as well. | 0:51:47 | 0:51:50 | |
-I can have a party in my bathroom. -LAUGHTER | 0:51:50 | 0:51:52 | |
Shower. Low-level shower, high-level shower. | 0:51:54 | 0:51:57 | |
So all you do is press the button here and then it starts. | 0:51:57 | 0:52:01 | |
Wet room by the way, so the water just runs on the floor. | 0:52:01 | 0:52:05 | |
Oh, it's...great! | 0:52:05 | 0:52:08 | |
We wanted to give you somewhere where you | 0:52:08 | 0:52:10 | |
could have your own independence as you go through your teenage years, | 0:52:10 | 0:52:14 | |
-this is kind of it. -Great! | 0:52:14 | 0:52:16 | |
Wow! | 0:52:22 | 0:52:23 | |
It's absolutely amazing! | 0:52:25 | 0:52:28 | |
Incredible! | 0:52:28 | 0:52:30 | |
Jack deserves everything...he got, | 0:52:30 | 0:52:31 | |
he's been through hell for the last few years, but so do you as well. | 0:52:31 | 0:52:35 | |
Thank you. | 0:52:35 | 0:52:38 | |
They don't even know we've touched the garden. | 0:52:43 | 0:52:45 | |
Out you come. | 0:52:47 | 0:52:48 | |
-Oh! -God! | 0:52:48 | 0:52:51 | |
I didn't see that. | 0:52:51 | 0:52:52 | |
-Wow! -This is Mum's place. | 0:52:55 | 0:52:57 | |
Cup of tea here, obviously, but I'm sure that's going to suddenly change into a glass of wine. | 0:52:57 | 0:53:01 | |
Chance for you to sit down here. This is your area down here. | 0:53:01 | 0:53:04 | |
Oh, wow! | 0:53:04 | 0:53:06 | |
This, boys, up here is your area. | 0:53:09 | 0:53:12 | |
That's not just a garden shed. | 0:53:14 | 0:53:17 | |
Make your way towards that. | 0:53:17 | 0:53:18 | |
Oh! | 0:53:20 | 0:53:21 | |
This is nice. | 0:53:23 | 0:53:25 | |
-LAUGHTER -Yeah. The drums are set up there. Make all the noise you like, | 0:53:25 | 0:53:29 | |
because once you close the window and door...soundproof. | 0:53:29 | 0:53:32 | |
-Oh, wow! -When the football's on...48" screen. | 0:53:32 | 0:53:37 | |
If you've got that independence, are we going to be able to get the brothers back together? | 0:53:37 | 0:53:41 | |
-100%. -Yeah. -Not going to get rid of him now. | 0:53:41 | 0:53:44 | |
LAUGHTER | 0:53:44 | 0:53:46 | |
Thank you. | 0:53:46 | 0:53:47 | |
It's like a brand-new build, isn't it? | 0:53:57 | 0:53:59 | |
Is that all right? Cos obviously, you know, it was your home, | 0:53:59 | 0:54:02 | |
-it was where you lived and this is kind of... -Oh, this is better. | 0:54:02 | 0:54:04 | |
LAUGHTER | 0:54:04 | 0:54:06 | |
-You like it? -I love it. | 0:54:08 | 0:54:11 | |
-Happy to invite your mates round somewhere like this? -Oh, yeah definitely. 100%. | 0:54:11 | 0:54:15 | |
You'll find that the floor is flat all the way from the front door, | 0:54:15 | 0:54:17 | |
so you can get up the ramp, in through the front door, all the way through the house right to the back. | 0:54:17 | 0:54:22 | |
-Awesome. We haven't been able to do that before, have we? -No. That's what we were saying, | 0:54:22 | 0:54:26 | |
when was the last time you came through the front door, lovely? | 0:54:26 | 0:54:29 | |
We haven't since you've had that wheelchair. | 0:54:29 | 0:54:31 | |
-Jack...listen to me... -JACK SOBS | 0:54:32 | 0:54:36 | |
..you deserve all this for everything you've been through. | 0:54:36 | 0:54:41 | |
-JACK SOBS -What did you tell me last night? | 0:54:42 | 0:54:45 | |
New beginnings, yeah? | 0:54:45 | 0:54:47 | |
-You all right? -Yeah. -Ready for the next bit? -No. | 0:54:49 | 0:54:52 | |
LAUGHTER | 0:54:52 | 0:54:53 | |
CHEERING AND APPLAUSE | 0:54:55 | 0:54:56 | |
Thank you will never...ever be enough, | 0:55:24 | 0:55:27 | |
it's so life-changing for us. | 0:55:27 | 0:55:29 | |
We've had a really tough few years, especially my little hero here. | 0:55:29 | 0:55:34 | |
I'll never forget any of you, I'll always remember you. | 0:55:34 | 0:55:39 | |
And I'm very, very proud to be part of this community. | 0:55:39 | 0:55:42 | |
-And you're all welcome to visit, but not together. -LAUGHTER | 0:55:42 | 0:55:46 | |
A few weeks ago, I was sleeping in the middle of the lounge | 0:55:48 | 0:55:51 | |
and I had no space to move at all. | 0:55:51 | 0:55:53 | |
And looking at the house now...I'm just speechless. | 0:55:53 | 0:55:57 | |
So I just want to say thank you, all of you, | 0:55:57 | 0:56:00 | |
and I wish...I wish whoever you help next has the same. | 0:56:00 | 0:56:06 | |
-APPLAUSE MAN: -Well done, Jack. | 0:56:06 | 0:56:09 | |
Emotional. I don't know how he can do it. | 0:56:21 | 0:56:24 | |
I've got a little tear. But at the end of the day, like I said before, I would do it again in a heartbeat. | 0:56:24 | 0:56:30 | |
-I'm Dean. This is Dai. -Hiya. | 0:56:30 | 0:56:32 | |
-BOTH: -We done the ramp for you. -Sweet. | 0:56:32 | 0:56:34 | |
Really emotional. | 0:56:34 | 0:56:37 | |
-And the sense of togetherness to me is absolutely amazing. -Oh, yeah. | 0:56:37 | 0:56:41 | |
You know, strangely this family remind me of a three-legged stool, | 0:56:46 | 0:56:49 | |
they kind of lean on each other, they support each other, they hold each other up in bad times. | 0:56:49 | 0:56:54 | |
And the house bears that analogy as well, cos a three-legged stool is the minimum you possibly need. | 0:56:54 | 0:56:58 | |
And you can't live life like that. So these guys decided to change it and they have. | 0:56:58 | 0:57:03 | |
Now a mum, who's faced an uphill battle of 14 years, | 0:57:03 | 0:57:06 | |
gets some respite, somewhere to recharge her batteries. | 0:57:06 | 0:57:10 | |
Eldest son Daniel gets his little brother back, | 0:57:10 | 0:57:13 | |
and gets to be at home, and they've got space to be together. | 0:57:13 | 0:57:16 | |
And Jack himself, going through his teenage years, he gets independence, | 0:57:16 | 0:57:20 | |
dignity and a very cool place to have his mates round. | 0:57:20 | 0:57:24 | |
Maybe you know somebody who needs your help. | 0:57:25 | 0:57:28 | |
We're always looking for people to help, | 0:57:30 | 0:57:33 | |
but we're especially eager to hear from elderly people | 0:57:33 | 0:57:35 | |
who desperately need a big build. | 0:57:35 | 0:57:37 | |
You can contact us at... | 0:57:37 | 0:57:39 | |
-MAN: -Every single one of 'em. -CHATTER | 0:57:45 | 0:57:47 | |
-Oh, no, amazing. Thank you so much. -I'm so pleased for you. | 0:57:47 | 0:57:50 | |
-Thank you very much. -It's been an absolute pleasure. | 0:57:50 | 0:57:53 | |
I'm Tony. I did a lot of the painting. | 0:57:53 | 0:57:56 | |
-Is that good? -Oh, thank you. -Yeah? -That's really good. -All right. | 0:57:58 | 0:58:02 | |
LAUGHTER | 0:58:02 | 0:58:04 | |
-You OK, madam? -I don't know what to say. | 0:58:05 | 0:58:08 |