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No matter how tough life gets, | 0:00:03 | 0:00:06 | |
family is everything. | 0:00:06 | 0:00:08 | |
Your lives are so entwined together, you know. | 0:00:08 | 0:00:11 | |
Me and him, our lives are like that, you know. | 0:00:11 | 0:00:14 | |
Without him I don't function, really. | 0:00:14 | 0:00:16 | |
I wouldn't be the person I am without Charlie. | 0:00:16 | 0:00:18 | |
But this family face the nightmare of being torn apart, | 0:00:18 | 0:00:21 | |
and their youngest son going into a residential home. | 0:00:21 | 0:00:25 | |
We can't face putting him into care. | 0:00:26 | 0:00:28 | |
We're a tight-knit family, and we're sticking together as a family, | 0:00:28 | 0:00:31 | |
and we'll carry on fighting as a family. | 0:00:31 | 0:00:34 | |
Love and that fighting spirit have kept them together up till now, | 0:00:34 | 0:00:37 | |
but with a totally inadequate house and a growing teenager, | 0:00:37 | 0:00:41 | |
that dilemma gets closer every day. | 0:00:41 | 0:00:43 | |
I know at this moment of time | 0:00:45 | 0:00:46 | |
that carrying Charlie up and down the stairs hurts him. | 0:00:46 | 0:00:49 | |
There's so much at stake. | 0:00:49 | 0:00:52 | |
If Charlie ever left our side, it would destroy her, I think. | 0:00:52 | 0:00:55 | |
It really would. | 0:00:55 | 0:00:57 | |
Which is why we're here. | 0:01:00 | 0:01:01 | |
We're going to build them a home to keep them together under one roof. | 0:01:01 | 0:01:06 | |
But it's going to push us to our limit. | 0:01:07 | 0:01:10 | |
Argh! | 0:01:10 | 0:01:12 | |
Keep it coming, boy. | 0:01:12 | 0:01:14 | |
As usual we have just nine days | 0:01:18 | 0:01:20 | |
and this is the biggest build we've ever undertaken. | 0:01:20 | 0:01:22 | |
Don't worry, we have Jules, we have Chris, we have Billy, | 0:01:22 | 0:01:24 | |
we have Naomi, our designer. Where's Mark, by the way? | 0:01:24 | 0:01:27 | |
Oh, right, thanks very much. | 0:01:27 | 0:01:28 | |
So where are we going to find a giant army | 0:01:28 | 0:01:31 | |
-to do this biggest ever build? -ALL: Over here! | 0:01:31 | 0:01:34 | |
-CHEERING -Hey! This is DIY SOS: The Big Build! | 0:01:34 | 0:01:40 | |
Whoo, whoo! | 0:01:48 | 0:01:50 | |
Jenny Whatts and Scott Russell from Kent met 22 years ago | 0:01:50 | 0:01:54 | |
when they were both still in their teens. | 0:01:54 | 0:01:57 | |
It was love at first sight. | 0:01:57 | 0:01:59 | |
He was my first serious boyfriend. | 0:01:59 | 0:02:02 | |
And my last! THEY LAUGH | 0:02:02 | 0:02:05 | |
We met when we were 15, and then we had our first child | 0:02:05 | 0:02:09 | |
-when I was still only 16. -16. | 0:02:09 | 0:02:12 | |
Now they're a family of five with three teenage boys. | 0:02:14 | 0:02:17 | |
The older boys, Bradley and Danny, | 0:02:18 | 0:02:20 | |
work with Dad refurbishing alloy wheels. | 0:02:20 | 0:02:23 | |
But life is very different for their youngest, 13-year-old Charlie. | 0:02:23 | 0:02:28 | |
He's got spastic quadriplegic cerebral palsy, | 0:02:28 | 0:02:31 | |
which means it affects all of the limbs in his body. | 0:02:31 | 0:02:33 | |
He's registered as blind, he's got global developmental delay | 0:02:33 | 0:02:37 | |
which means he's got brain damage, and he's also epileptic. | 0:02:37 | 0:02:42 | |
I could list more, but that would be his main diagnoses. | 0:02:42 | 0:02:46 | |
Jenny has given up work to be his full-time carer. | 0:02:48 | 0:02:51 | |
Even though Charlie's needs are huge, | 0:02:51 | 0:02:53 | |
these guys always make room for family life. | 0:02:53 | 0:02:56 | |
Everyone thinks with a special needs child, | 0:02:58 | 0:03:00 | |
you have to handle Charlie with kid gloves. | 0:03:00 | 0:03:03 | |
He's got two older brothers, | 0:03:03 | 0:03:04 | |
-he like rough and tumble. -Yeah, he... -He's got a naughty sense of humour. | 0:03:04 | 0:03:09 | |
He might look slightly different, but he's just a little boy. | 0:03:10 | 0:03:14 | |
That's it, go on. | 0:03:16 | 0:03:18 | |
He just likes all the sounds and all of the touchy-feely kind of stuff, | 0:03:18 | 0:03:22 | |
because he's got quite a lot of movement in his hands only. | 0:03:22 | 0:03:25 | |
So obviously most of his sensories is through his hands. | 0:03:25 | 0:03:28 | |
I will never see Charlie as someone different. | 0:03:28 | 0:03:32 | |
I always see him as my brother, | 0:03:32 | 0:03:33 | |
that's the only thing I'll see him as. | 0:03:33 | 0:03:35 | |
He comes out and he smiles every day at us, | 0:03:35 | 0:03:38 | |
he gives us a giggle every day, so we can't moan. | 0:03:38 | 0:03:42 | |
If he can go through all that he's gone through and keep fighting. | 0:03:42 | 0:03:46 | |
And he has been a fighter since day one. | 0:03:48 | 0:03:50 | |
I had a normal pregnancy, it was only until the last... | 0:03:50 | 0:03:53 | |
last bit when he was born premature. | 0:03:53 | 0:03:55 | |
Because he was born so early, | 0:03:57 | 0:03:59 | |
and he was actually born pronounced dead so they had to revive him. | 0:03:59 | 0:04:03 | |
I saw them take away this tiny little bundle that was blue | 0:04:05 | 0:04:09 | |
and I just... My head was gone, I was fuzzy. | 0:04:09 | 0:04:11 | |
I didn't know what to think. | 0:04:11 | 0:04:13 | |
He had a bleed in his brain. | 0:04:13 | 0:04:16 | |
So we knew there was always going to be problems. | 0:04:16 | 0:04:19 | |
For us, it was just a case of just keep him here, keep him with us. | 0:04:19 | 0:04:25 | |
Yeah. He was alive and we can work on that. | 0:04:25 | 0:04:28 | |
And that was all that mattered, | 0:04:28 | 0:04:30 | |
because Jenny and Scott had already faced the worst nightmare | 0:04:30 | 0:04:33 | |
any parent could imagine. | 0:04:33 | 0:04:34 | |
Tragically, six years earlier, they lost their baby daughter Sophie. | 0:04:34 | 0:04:40 | |
She only survived for three and a half weeks. | 0:04:40 | 0:04:42 | |
Just difficult to talk about sometimes. | 0:04:48 | 0:04:51 | |
It would have been devastation if we'd have lost Charlie as well. | 0:04:56 | 0:05:00 | |
It was a case of, it didn't matter what was wrong, | 0:05:00 | 0:05:02 | |
as long as he was still here. | 0:05:02 | 0:05:04 | |
It's not hard to understand | 0:05:05 | 0:05:07 | |
why Jenny and Scott are so protective over Charlie. | 0:05:07 | 0:05:10 | |
But their home is not right to look after him, | 0:05:10 | 0:05:13 | |
and now they face losing him into care. | 0:05:13 | 0:05:16 | |
I love my house, I love where I live, | 0:05:16 | 0:05:18 | |
I love my neighbours, but our house has been fighting us. | 0:05:18 | 0:05:22 | |
Charlie can swallow his tongue in the night | 0:05:22 | 0:05:24 | |
so he needs constant supervision. | 0:05:24 | 0:05:27 | |
With no bedrooms on the ground floor, | 0:05:27 | 0:05:29 | |
they've got no choice but to sleep upstairs, | 0:05:29 | 0:05:31 | |
and it's getting tougher by the day. | 0:05:31 | 0:05:34 | |
Carrying a 13-year-old up the stairs, | 0:05:34 | 0:05:37 | |
weighing 35 kilos, it... it takes a toll on you. | 0:05:37 | 0:05:41 | |
It's a worry as well, if you fell on them stairs. | 0:05:42 | 0:05:45 | |
It's not just the staircase. The house is cramped, | 0:05:46 | 0:05:50 | |
and getting around with a wheelchair is a real struggle. | 0:05:50 | 0:05:53 | |
With no storage space, medical supplies are scattered everywhere. | 0:05:55 | 0:05:59 | |
Wheelchair access in and out is a three-man job. | 0:06:01 | 0:06:05 | |
And bath time is also a back-breaking task | 0:06:05 | 0:06:08 | |
for the whole family. | 0:06:08 | 0:06:10 | |
I see my mum struggle quite a bit now with her back problems as well, | 0:06:11 | 0:06:15 | |
lifting him so often. | 0:06:15 | 0:06:16 | |
She never really talks about it, but you can see it in her face | 0:06:16 | 0:06:19 | |
when she lifts him up. It's not a nice thing to see, really. | 0:06:19 | 0:06:23 | |
I'd carry on looking after Charlie this way | 0:06:23 | 0:06:26 | |
if I knew it didn't affect Charlie now, but it actually hurts him | 0:06:26 | 0:06:30 | |
to carry him around the way we do now because of the size he is. | 0:06:30 | 0:06:33 | |
This family simply can't continue like this. | 0:06:35 | 0:06:39 | |
We can't face putting him into care. | 0:06:39 | 0:06:42 | |
I'm a mum and the bond we've got... is very strong. | 0:06:43 | 0:06:48 | |
And I don't think anyone else could... | 0:06:48 | 0:06:51 | |
nobody else could fill them boots. | 0:06:51 | 0:06:53 | |
TEARFULLY: Sorry... | 0:06:53 | 0:06:55 | |
I wouldn't give my son up for the world. | 0:06:58 | 0:07:01 | |
That would be how it would feel. | 0:07:03 | 0:07:04 | |
It would be complete devastation, it would be defeat. | 0:07:04 | 0:07:08 | |
Right, this is where we come in with an army to build a home | 0:07:10 | 0:07:14 | |
big enough to keep this family together. | 0:07:14 | 0:07:17 | |
That's interesting, a round of applause for getting out of a house! | 0:07:22 | 0:07:26 | |
You can see the struggle. That was ridiculous, wasn't it? | 0:07:26 | 0:07:29 | |
And that's what it's been like all the time. So... | 0:07:29 | 0:07:31 | |
What exactly do you need in the house? | 0:07:31 | 0:07:33 | |
A downstairs bedroom for Charlie, with a bathroom next to the bedroom, | 0:07:33 | 0:07:38 | |
and a bedroom for us that's next to Charlie | 0:07:38 | 0:07:41 | |
so we can see to him through the night. | 0:07:41 | 0:07:43 | |
OK. So how long is it since you've had a proper night's sleep, then? | 0:07:43 | 0:07:46 | |
How old are you now, Charlie? THEY LAUGH | 0:07:46 | 0:07:48 | |
-13. -13 years. | 0:07:48 | 0:07:50 | |
And I asked the question, you could actually put him | 0:07:50 | 0:07:53 | |
into a hospice, and he could get care in a hospice. | 0:07:53 | 0:07:56 | |
It wouldn't happen, no. He's part of our family, he's our son. | 0:07:56 | 0:08:00 | |
And you...you don't give up on your children, never. | 0:08:00 | 0:08:03 | |
-OK. -He's going nowhere. | 0:08:03 | 0:08:05 | |
Take care, guys. | 0:08:05 | 0:08:07 | |
Well then, we've got a massive task on our hands to build a house | 0:08:10 | 0:08:12 | |
that's fit for this family. | 0:08:12 | 0:08:14 | |
Effectively, we're building a bungalow on the side. | 0:08:14 | 0:08:17 | |
It is the biggest domestic property we've done. | 0:08:20 | 0:08:23 | |
This is a massive extension on this house when you look at it. | 0:08:23 | 0:08:25 | |
All of this, and round the corner here as well. | 0:08:25 | 0:08:28 | |
As usual, we've just got nine days to finish this. | 0:08:28 | 0:08:31 | |
It's essential, if we are going to finish it, | 0:08:31 | 0:08:33 | |
that everything sticks to schedule. | 0:08:33 | 0:08:35 | |
Thankfully these builders, all 100 of them, | 0:08:35 | 0:08:38 | |
in a house that can barely fit five, are wasting no time at all. | 0:08:38 | 0:08:42 | |
All the floors are coming up, all the ceilings are coming down. | 0:08:42 | 0:08:45 | |
Then we've got to take that wall out, | 0:08:45 | 0:08:47 | |
that's first order of business today. | 0:08:47 | 0:08:49 | |
And upstairs, we're smashing up the walls to replace the insulation. | 0:08:51 | 0:08:55 | |
-It's a lovely view from up here, isn't it? -I don't know. | 0:08:55 | 0:08:58 | |
Very historic area this, as well. | 0:08:58 | 0:08:59 | |
I remember when this all used to be fields. | 0:08:59 | 0:09:02 | |
-You remember when this was all fields? -Yeah. | 0:09:02 | 0:09:04 | |
So you are older than this house? | 0:09:04 | 0:09:05 | |
No, when I come up here ten minutes ago. | 0:09:05 | 0:09:08 | |
It's all fields, isn't it? | 0:09:08 | 0:09:10 | |
Tough crowd, really. | 0:09:12 | 0:09:14 | |
What do you think of it so far, lads? | 0:09:14 | 0:09:16 | |
-ALL CHEER -That's more like it! | 0:09:16 | 0:09:18 | |
Innit manic? I tell you what, secret...I think this is massive. | 0:09:18 | 0:09:24 | |
Going to be hard work and overtime. | 0:09:24 | 0:09:27 | |
Ha-ha-ha! Joking about the overtime. | 0:09:27 | 0:09:29 | |
It's true, cos we don't pay at all let alone overtime! | 0:09:29 | 0:09:33 | |
Our award winning designer Naomi Cleaver is back | 0:09:33 | 0:09:36 | |
and she's got big plans to transform this small house. | 0:09:36 | 0:09:39 | |
You've come back on probably our biggest ever build, | 0:09:39 | 0:09:42 | |
so what is your overarching theme other than getting it finished? | 0:09:42 | 0:09:45 | |
It's cottagey, Nick. | 0:09:45 | 0:09:47 | |
-What? -Cottagey. Contemporary cottage. | 0:09:47 | 0:09:50 | |
Jenny is a real homebody. | 0:09:50 | 0:09:53 | |
What we've done is designed something that's just very sweet, | 0:09:53 | 0:09:56 | |
and pretty, and fresh and modern but still homely. | 0:09:56 | 0:10:01 | |
Not twee? | 0:10:01 | 0:10:03 | |
No, we're trying to avoid twee, we shall see how that goes. | 0:10:03 | 0:10:07 | |
We're tip-toeing on the shore of the sea of twee. | 0:10:07 | 0:10:10 | |
On the sea of twee. | 0:10:10 | 0:10:11 | |
The look may be quaint, cosy cottage, | 0:10:13 | 0:10:15 | |
but we're not letting that fool us. | 0:10:15 | 0:10:17 | |
This is our biggest house build ever, | 0:10:17 | 0:10:19 | |
because we're more than doubling the footprint with | 0:10:19 | 0:10:22 | |
a huge wraparound extension creating four brand-new rooms, there it is. | 0:10:22 | 0:10:27 | |
A living room area gives the family a place they can relax together. | 0:10:27 | 0:10:30 | |
Charlie will never again have to tackle the stairs | 0:10:30 | 0:10:33 | |
as he'll have a bedroom on the ground floor | 0:10:33 | 0:10:35 | |
with an adjoining wet room. | 0:10:35 | 0:10:37 | |
Jenny and Scott's room will be right next to him | 0:10:38 | 0:10:41 | |
so they're always on hand through the night. | 0:10:41 | 0:10:43 | |
Removing the wall between the old kitchen and living room | 0:10:43 | 0:10:46 | |
will make a large kitchen/diner where Charlie can move freely. | 0:10:46 | 0:10:49 | |
Right, let's go upstairs, | 0:10:49 | 0:10:51 | |
because the two older boys will finally get the space they need. | 0:10:51 | 0:10:54 | |
Scott and Jenny's old room will become Danny's. | 0:10:54 | 0:10:58 | |
Charlie's room will be a bathroom, | 0:11:00 | 0:11:02 | |
and in the loft, the partition wall will be knocked out | 0:11:02 | 0:11:04 | |
to give Bradley his own space to hang out in. | 0:11:04 | 0:11:08 | |
Just outside the extension, a decked living area will be built | 0:11:08 | 0:11:12 | |
with a ramp to help get Charlie in and out of the house, | 0:11:12 | 0:11:14 | |
and there'll even be a lift down to the garden below. | 0:11:14 | 0:11:17 | |
It's big. | 0:11:17 | 0:11:18 | |
Whoo whoo! Chugga-chugga! | 0:11:21 | 0:11:23 | |
It's full steam ahead. Inside, everyone's getting mucky. | 0:11:23 | 0:11:26 | |
And outside, Jules is in charge of one project, | 0:11:29 | 0:11:32 | |
the lift to make the garden accessible for Charlie. | 0:11:32 | 0:11:36 | |
The way he's going on, though, | 0:11:36 | 0:11:37 | |
you would think he was building the Eiffel Tower! | 0:11:37 | 0:11:40 | |
I'm probably over-confident there's not going to be any problems because | 0:11:42 | 0:11:46 | |
it's been thought about and worked out to within an inch of its life. | 0:11:46 | 0:11:51 | |
The atmosphere on-site is electric. | 0:11:51 | 0:11:54 | |
The story has touched people from all over Kent. | 0:11:54 | 0:11:57 | |
You see couples like this who struggle, what's a few days off? | 0:11:57 | 0:12:01 | |
It's absolutely fantastic. | 0:12:01 | 0:12:04 | |
The manpower is really paying dividends. | 0:12:07 | 0:12:09 | |
If this carries on, we could have the extension up by the end of the day. | 0:12:09 | 0:12:12 | |
While walls go up on the outside, they've all come down on the inside. | 0:12:16 | 0:12:20 | |
We need to get some steel in, | 0:12:20 | 0:12:22 | |
because the whole house is currently being held up on props. | 0:12:22 | 0:12:24 | |
Bang on schedule, they arrive. | 0:12:26 | 0:12:29 | |
It's a monster. | 0:12:34 | 0:12:35 | |
We're worried that it's a bit bigger than we were expecting. | 0:12:35 | 0:12:38 | |
We need four metres, 950. | 0:12:38 | 0:12:41 | |
We'll have to cut that here on-site. | 0:12:41 | 0:12:42 | |
Drag it off and cut it to length. | 0:12:42 | 0:12:44 | |
-We've got you a junior hacksaw. -OK. | 0:12:46 | 0:12:48 | |
Cutting it down will eat into our time | 0:12:48 | 0:12:51 | |
but the measurements have to be exactly right - 4.95 metres. | 0:12:51 | 0:12:55 | |
Maths isn't Mark's strongest point, | 0:12:55 | 0:12:57 | |
so there's no harm in double-checking. | 0:12:57 | 0:13:00 | |
Plus 1.50, 4,950. Lovely, thank you. | 0:13:01 | 0:13:04 | |
-4,970. -We're just double-checking. | 0:13:04 | 0:13:06 | |
You don't need to double-check. | 0:13:06 | 0:13:08 | |
I do need to double-check cos you always measure 100mm too short. | 0:13:08 | 0:13:12 | |
4,970 right. | 0:13:12 | 0:13:15 | |
-Is that correct? -Yeah. | 0:13:15 | 0:13:17 | |
'No, it's not, it's 4.95! | 0:13:17 | 0:13:19 | |
'20 millimetres might make all the difference. | 0:13:19 | 0:13:22 | |
'And this particular large saw can't get to the middle of it. | 0:13:22 | 0:13:25 | |
'Queue smaller tool. Mark, in actual fact.' | 0:13:25 | 0:13:28 | |
Wow! That was a tool, wasn't it?! Whose tool is that? | 0:13:28 | 0:13:34 | |
A round of applause, there. | 0:13:34 | 0:13:36 | |
It's half a tonne of steel. | 0:13:37 | 0:13:39 | |
How are we going to shift that into the house? | 0:13:39 | 0:13:42 | |
'Yes, it's the usual way. You might have noticed | 0:13:43 | 0:13:45 | |
'I'm avoiding the heavy lifting but offering something more valuable.' | 0:13:45 | 0:13:49 | |
Can you gently manoeuvre yourselves around? | 0:13:51 | 0:13:54 | |
'You can't buy this kind of leadership.' | 0:13:54 | 0:13:56 | |
There's a lot of chiefs here and a lot of cooks | 0:13:59 | 0:14:02 | |
and you know what happens then. | 0:14:02 | 0:14:03 | |
Right, I suggest that we do is we take it in as far as the blocks | 0:14:03 | 0:14:06 | |
and leave it there, then have a lift and in, yes? | 0:14:06 | 0:14:09 | |
It doesn't have to be this complicated. | 0:14:09 | 0:14:12 | |
'Oh, but it does. I think it does, Chris. | 0:14:12 | 0:14:14 | |
'If I hadn't taken this in hand, we'd have lost loads more time.' | 0:14:14 | 0:14:18 | |
Same again, lift and move - stop. | 0:14:18 | 0:14:22 | |
Yeah, drop it, that'll do until we acrow. | 0:14:24 | 0:14:28 | |
That went quite well, didn't it? | 0:14:29 | 0:14:31 | |
And now you can gaze through the open space that is | 0:14:31 | 0:14:34 | |
the downstairs of the house into the wide open spaces of the night. | 0:14:34 | 0:14:38 | |
And look, if you peer through there, you can see the extension | 0:14:38 | 0:14:41 | |
which doesn't have a roof on, but is the shape of an extension, | 0:14:41 | 0:14:45 | |
so very chuffed with that. | 0:14:45 | 0:14:46 | |
-It's a good day, that, weren't it? -Yeah. -Yeah, good day. | 0:14:46 | 0:14:50 | |
'Yeah, I think he looked impressed, didn't he? | 0:14:50 | 0:14:53 | |
'night-night.' | 0:14:53 | 0:14:55 | |
Yesterday we put the timber frame up for the extension. | 0:14:58 | 0:15:01 | |
Today it needs a roof, or a lid, as they say in the trade. | 0:15:01 | 0:15:04 | |
And it goes...just like that. | 0:15:08 | 0:15:11 | |
Inside the house, it's electric wire a gogo, | 0:15:12 | 0:15:16 | |
but the sheer scale of the job is getting to one of our boys. | 0:15:16 | 0:15:19 | |
Bless! | 0:15:19 | 0:15:21 | |
-Billy's in a state. -Yes, I know about that. | 0:15:21 | 0:15:23 | |
-He's in a right mess. -He does get emotional about the whole thing. | 0:15:23 | 0:15:26 | |
He gets worried and it gets him worked up into a bit of a stress. | 0:15:26 | 0:15:29 | |
-That is going to be a door there? -According to that, yeah. | 0:15:29 | 0:15:31 | |
It's harder than usual, let's put it that way. | 0:15:31 | 0:15:35 | |
Especially on a super build, it is a super build, this is. | 0:15:35 | 0:15:38 | |
There's so much going on that my head is spinning. | 0:15:40 | 0:15:44 | |
Aw! But there is a lot to do, to be fair to him. | 0:15:44 | 0:15:47 | |
And we are on schedule. | 0:15:47 | 0:15:48 | |
In some places, even the windows are being fitted, | 0:15:48 | 0:15:51 | |
and that's something I want to bend Naomi's ear about. | 0:15:51 | 0:15:54 | |
-Parent's bedroom. -Yep. | 0:15:54 | 0:15:57 | |
My big worry is that when you look through at this area, | 0:15:57 | 0:15:59 | |
-that's where your kitchen is. -Yeah. | 0:15:59 | 0:16:01 | |
So that's going to be a very, very dark kitchen | 0:16:01 | 0:16:03 | |
cos it's going to be a room in the middle of the house. | 0:16:03 | 0:16:05 | |
-Oh, you say that though, Nick. -Well, I do. | 0:16:05 | 0:16:08 | |
-I have a cunning plan. -You do? -Yeah. | 0:16:08 | 0:16:10 | |
We have found this incredible mirrored sort of light wells, | 0:16:10 | 0:16:14 | |
so it will be almost like having an atrium in this section here. | 0:16:14 | 0:16:19 | |
-Is it a modern oculus? Is it? -SHE LAUGHS | 0:16:19 | 0:16:24 | |
I like that, I think... I don't know! | 0:16:24 | 0:16:26 | |
-But let's call it a modern oculus. -I think so. | 0:16:26 | 0:16:28 | |
We're making great progress | 0:16:28 | 0:16:31 | |
and it's purely down to the spirit of the local builders. | 0:16:31 | 0:16:35 | |
What's your motivation for getting involved? | 0:16:35 | 0:16:37 | |
Personally, even yesterday, when we got to see Charlie | 0:16:37 | 0:16:41 | |
and building the ramp as well, | 0:16:41 | 0:16:42 | |
cos we all saw the trouble, he was trying to get out of the house, | 0:16:42 | 0:16:45 | |
so it'll be wonderful now to know that he can come in and out | 0:16:45 | 0:16:48 | |
as much as he wants, it's freedom, isn't it? | 0:16:48 | 0:16:50 | |
-So it's not just a building job? -No, no, there's a lot of pride in it. | 0:16:50 | 0:16:53 | |
There's a real commitment to getting this job right for Charlie | 0:16:53 | 0:16:57 | |
and his whole family. | 0:16:57 | 0:16:59 | |
I want to find out how the older boys are dealing with home life. | 0:16:59 | 0:17:03 | |
I think it's amazing how as a family | 0:17:07 | 0:17:09 | |
you guys have all pulled together on it. | 0:17:09 | 0:17:11 | |
What do you reckon is the toughest time for you all as a family? | 0:17:11 | 0:17:14 | |
Charlie getting at his sickest points when he's in hospital | 0:17:14 | 0:17:17 | |
and you don't know if he's going to come back or anything. | 0:17:17 | 0:17:19 | |
We don't see Mum, Dad's at work, | 0:17:19 | 0:17:21 | |
we're just at home waiting for someone to come back, really. | 0:17:21 | 0:17:24 | |
I've thought many times of losing Charlie. | 0:17:26 | 0:17:29 | |
It's not a nice feeling at all. | 0:17:29 | 0:17:32 | |
It was getting to the point where he couldn't actually nearly breathe, | 0:17:32 | 0:17:35 | |
he was struggling big-time, and that's when they said obviously | 0:17:35 | 0:17:38 | |
where it's being quite an old house, there is too much dust, | 0:17:38 | 0:17:41 | |
too much dirt around the whole area and it was either | 0:17:41 | 0:17:43 | |
having to completely refurbish the whole house | 0:17:43 | 0:17:46 | |
or possibly, like, having to give Charlie away | 0:17:46 | 0:17:49 | |
cos it's too much work for Mum to do. | 0:17:49 | 0:17:51 | |
Given the circumstances that you live in, and have grown up in, | 0:17:52 | 0:17:56 | |
do you consider yourselves lucky or unlucky? | 0:17:56 | 0:17:59 | |
I wouldn't consider us unlucky. | 0:17:59 | 0:18:01 | |
That's our family, that's what we've gone through. | 0:18:01 | 0:18:04 | |
Every family's gone through different stuff, that's just our thing. | 0:18:04 | 0:18:09 | |
Yeah, I'd consider ourselves more lucky I'd say, | 0:18:09 | 0:18:11 | |
because I wouldn't be the person I am without Charlie. | 0:18:11 | 0:18:13 | |
You wouldn't either, would you? | 0:18:13 | 0:18:16 | |
I think it's taught me to respect life a lot more, value your life. | 0:18:16 | 0:18:23 | |
-Tell us about Mum and Dad, what are they like as parents? -Great parents. | 0:18:23 | 0:18:26 | |
Unstoppable, get anything thrown at them, they will do it. | 0:18:26 | 0:18:29 | |
My mum is a very good fighter, never gives up. | 0:18:31 | 0:18:35 | |
All she thinks about is Charlie 24/7, | 0:18:35 | 0:18:38 | |
she doesn't think about herself enough. | 0:18:38 | 0:18:40 | |
Dad is a very hard-working man, | 0:18:42 | 0:18:44 | |
he'd do anything for our family, absolutely anything. | 0:18:44 | 0:18:47 | |
Work 13 hours a day just to get us through what we go through. | 0:18:47 | 0:18:51 | |
And just still ends up with a smile, always laughing with us. | 0:18:51 | 0:18:54 | |
They will do whatever they can in their power to help Charlie. | 0:18:55 | 0:18:59 | |
Throughout the whole of their life, they've always hit brick walls, | 0:18:59 | 0:19:04 | |
but they've always come through somehow. | 0:19:04 | 0:19:06 | |
-Wouldn't know how but somehow. -No, don't know how. | 0:19:06 | 0:19:09 | |
With insight beyond their years, | 0:19:11 | 0:19:13 | |
those boys are a real credit to their parents. | 0:19:13 | 0:19:17 | |
You know, they used to share this loft. | 0:19:17 | 0:19:19 | |
Not any more. It will be just for Bradley. | 0:19:19 | 0:19:22 | |
These are proper plasterers as well. | 0:19:22 | 0:19:24 | |
-You can tell because of the trouser... -And socks. | 0:19:24 | 0:19:27 | |
Look at the socks and the trouser going on there. | 0:19:27 | 0:19:29 | |
Explain to me why the tracksuit bottom | 0:19:29 | 0:19:31 | |
is the trouser of choice for a plasterer. | 0:19:31 | 0:19:33 | |
Movability, because you're all day long you're stretching | 0:19:33 | 0:19:37 | |
and it just... WHISTLING: ..area. | 0:19:37 | 0:19:39 | |
-Just for some movement, yeah. -Is it... | 0:19:39 | 0:19:41 | |
-Cos that's a look, innit. -Oh, yeah. | 0:19:41 | 0:19:44 | |
Almost like gymnasts. | 0:19:44 | 0:19:46 | |
I can see that, yeah. Very athletic, I can see. | 0:19:46 | 0:19:49 | |
They're all athletes of life. | 0:19:49 | 0:19:51 | |
You know, if we're to hit the deadline, | 0:19:53 | 0:19:55 | |
we have to get the downstairs floor laid tonight. | 0:19:55 | 0:19:58 | |
We've got to put all the insulation in to bring the floor levels up, | 0:19:59 | 0:20:04 | |
and then 75 mil of screed over the top in that room, | 0:20:04 | 0:20:09 | |
out into the extension, right through the extension, | 0:20:09 | 0:20:13 | |
and in that room... | 0:20:13 | 0:20:14 | |
up to there. | 0:20:14 | 0:20:15 | |
HE SINGS | 0:20:17 | 0:20:19 | |
Jules! | 0:20:19 | 0:20:20 | |
'No time for singing - hard work calls, Jules. | 0:20:20 | 0:20:23 | |
'There's another cement delivery that needs immediate attention - | 0:20:23 | 0:20:26 | |
'Four tonnes of concrete for your lift base.' | 0:20:26 | 0:20:28 | |
Whoo! | 0:20:29 | 0:20:31 | |
'He's like a pig in... | 0:20:31 | 0:20:33 | |
'Well, you know what I'm saying!' | 0:20:33 | 0:20:35 | |
I love it, I love concrete. | 0:20:35 | 0:20:36 | |
'He does.' | 0:20:36 | 0:20:37 | |
We're going to make a steel frame which gets bolted down to our | 0:20:37 | 0:20:41 | |
concrete pad, so the concrete has to be quite substantial. | 0:20:41 | 0:20:45 | |
'Substantial? Blimey, Jules, it's like the Hoover Dam.' | 0:20:45 | 0:20:48 | |
INDISTINCT CHAT | 0:20:52 | 0:20:54 | |
That's perfect. | 0:20:54 | 0:20:55 | |
The thing is we've gone a bit wider than we need to, | 0:20:55 | 0:20:58 | |
so we've got a little bit of leeway anyway, | 0:20:58 | 0:21:01 | |
just, you know, | 0:21:01 | 0:21:03 | |
cos we could. | 0:21:03 | 0:21:05 | |
I've sort of been around concrete pretty much all my life, really, | 0:21:05 | 0:21:08 | |
so, er, I think this is possibly my most natural environment, really. | 0:21:08 | 0:21:13 | |
'Really? I thought it was the Bay Horse down in Devon. | 0:21:14 | 0:21:17 | |
'Now, you know I'm a stickler for Health and Safety, I've come up with | 0:21:19 | 0:21:22 | |
'a genius idea that will keep our roofers light on their feet | 0:21:22 | 0:21:26 | |
'and stop them falling off.' | 0:21:26 | 0:21:27 | |
As you can see what I have done is taken the standard roofer, Dave, | 0:21:28 | 0:21:32 | |
and attached a...! | 0:21:32 | 0:21:34 | |
-This is the prototype, obviously. -Right, yeah. | 0:21:34 | 0:21:37 | |
And Mark is holding onto him to make sure he doesn't take off. | 0:21:37 | 0:21:40 | |
Now, I think I've calculated it right, | 0:21:40 | 0:21:43 | |
so when we release him he should become weightless... | 0:21:43 | 0:21:46 | |
-Right. -..and able to move around on the roof. | 0:21:46 | 0:21:48 | |
-You must hold onto him, though, ready? -I've got it, I've got it. | 0:21:48 | 0:21:51 | |
-Got it? -Yeah. -And I'll hold you just in case. | 0:21:51 | 0:21:54 | |
OK, three, two, one, release the builder. | 0:21:54 | 0:21:56 | |
-All right, so you're not taking off. -I feel weightless. | 0:21:59 | 0:22:02 | |
Yes, and I should, therefore, with great ease, be able to | 0:22:02 | 0:22:04 | |
lift you off the, erm... | 0:22:04 | 0:22:06 | |
HE GROANS | 0:22:06 | 0:22:09 | |
Nearly, nearly! | 0:22:09 | 0:22:11 | |
I think it's going to take more than a few more balloons | 0:22:11 | 0:22:13 | |
to get Dave off the ground, mate. | 0:22:13 | 0:22:15 | |
Look at the size of the roofer you've picked. | 0:22:15 | 0:22:17 | |
Surely you should have picked somebody slightly smaller. | 0:22:17 | 0:22:21 | |
We're standard size. | 0:22:21 | 0:22:22 | |
You are not standard size. | 0:22:22 | 0:22:23 | |
We're standard size roofers. | 0:22:23 | 0:22:25 | |
If this was the Dragons' Den and I was pitching this to you... | 0:22:25 | 0:22:28 | |
-Yeah. -..how would it go? | 0:22:28 | 0:22:29 | |
I'm out. | 0:22:29 | 0:22:31 | |
'They laughed at the Wright brothers, | 0:22:31 | 0:22:33 | |
'but after a few alterations, who's laughing now?' | 0:22:33 | 0:22:36 | |
Genius! | 0:22:36 | 0:22:37 | |
'I told everyone it would work.' | 0:22:37 | 0:22:39 | |
Genius! | 0:22:39 | 0:22:40 | |
'Yes, if you take away the balloons and make a helium filled body suit, | 0:22:40 | 0:22:44 | |
'it will work a treat. | 0:22:44 | 0:22:46 | |
'This build seems to be bringing the inventor out in all of us. | 0:22:46 | 0:22:49 | |
'Let's get back to Naomi's plan to bring some more light | 0:22:49 | 0:22:51 | |
'into the kitchen and the people who are going to realise that for her.' | 0:22:51 | 0:22:55 | |
-So, explain, cos we've got a hole in the roof here. -Yeah. | 0:22:55 | 0:22:59 | |
And a window effectively here, | 0:22:59 | 0:23:00 | |
cos this isn't a window that you can see through. | 0:23:00 | 0:23:03 | |
It's a blocked window. | 0:23:03 | 0:23:04 | |
Yeah, exactly, so what we've got is basically it's like a periscope, | 0:23:04 | 0:23:07 | |
so we take the light down, it comes down square, and then the angles | 0:23:07 | 0:23:10 | |
are all carefully worked out so that the sunlight hits it, whatever | 0:23:10 | 0:23:13 | |
angle the light hits the mirror, and it comes off at the same angle. | 0:23:13 | 0:23:16 | |
So you're stood there doing the washing up now looking at this wall, | 0:23:16 | 0:23:19 | |
what are you looking at, a big bright white light in your face? | 0:23:19 | 0:23:22 | |
No, you're looking at the sky. | 0:23:22 | 0:23:23 | |
So it's like having a television screen of the sky? | 0:23:23 | 0:23:26 | |
It's bizarre, you stand here and you're looking at the clouds. | 0:23:26 | 0:23:29 | |
-So you're almost like creators? -Yeah, we are. | 0:23:29 | 0:23:32 | |
You're givers of light. | 0:23:32 | 0:23:34 | |
'I shall look forward to seeing that. | 0:23:34 | 0:23:36 | |
'Anyway, for now, our light-givers have to clear out | 0:23:36 | 0:23:38 | |
'as the screed has arrived for the extension floors. | 0:23:38 | 0:23:41 | |
'It's a sand and cement mix that will create a rock-solid base - | 0:23:41 | 0:23:44 | |
'well, it should do anyway. | 0:23:44 | 0:23:45 | |
'As we're so short of time an accelerator is added to the mix | 0:23:45 | 0:23:48 | |
'to speed the drying process up by ten times, | 0:23:48 | 0:23:51 | |
'so that the floors should be dry by tomorrow morning - | 0:23:51 | 0:23:55 | |
'well, to keep us on schedule, see.' | 0:23:55 | 0:23:57 | |
The floors are finished, we're pretty much where... | 0:23:57 | 0:24:00 | |
as far as we can go cos we obviously can't get back on the floors. | 0:24:00 | 0:24:03 | |
We're in a good place. Bring on tomorrow. | 0:24:03 | 0:24:06 | |
'Yes, we're all feeling very, very, very positive. | 0:24:06 | 0:24:09 | |
'What could possibly go wrong?' | 0:24:09 | 0:24:11 | |
'Commuters may be only just on their way into the office but we're | 0:24:14 | 0:24:18 | |
'already clocked on and Mark's come to see how the floor's doing.' | 0:24:18 | 0:24:21 | |
HE TAPS FLOOR | 0:24:21 | 0:24:23 | |
It hasn't gone off at all. | 0:24:25 | 0:24:26 | |
My God, it's soaking wet, absolutely soaking wet. | 0:24:26 | 0:24:29 | |
I'm going to have to close this all off. Nobody can get into there. | 0:24:33 | 0:24:36 | |
I don't know what's gone wrong. Hold on. | 0:24:36 | 0:24:39 | |
'Of all the builds in all the world, | 0:24:39 | 0:24:41 | |
'this is one we didn't want to mess up on.' | 0:24:41 | 0:24:43 | |
There is no accelerator in there. | 0:24:45 | 0:24:47 | |
You're joking! | 0:24:47 | 0:24:49 | |
We could lose the extension on that. | 0:24:50 | 0:24:53 | |
Got bathrooms, wet room floors to put in, got all the disability stuff, | 0:24:57 | 0:25:01 | |
nothing can happen in that building, absolutely nothing. | 0:25:01 | 0:25:04 | |
That has seriously shafted us. | 0:25:04 | 0:25:08 | |
Oh, my God, we're really in it. | 0:25:08 | 0:25:10 | |
A millimetre an hour? | 0:25:10 | 0:25:11 | |
And it's, what, 75 mil screed? | 0:25:12 | 0:25:14 | |
OK, so, from half six last night I've got 75 hours. | 0:25:16 | 0:25:20 | |
'Instead of overnight it's going to take three days | 0:25:20 | 0:25:22 | |
'for the extension floors to set. | 0:25:22 | 0:25:25 | |
'Fans might cut that down a bit, | 0:25:25 | 0:25:27 | |
'but our schedule's been blown out of the water.' | 0:25:27 | 0:25:30 | |
I've got eight plasterers stood up doing nothing, | 0:25:32 | 0:25:34 | |
and I don't know where to put 'em, I don't know what to do with them. | 0:25:34 | 0:25:38 | |
'It is our worst nightmare | 0:25:38 | 0:25:39 | |
'to have people just stood around doing nothing. | 0:25:39 | 0:25:41 | |
'With the whole extension out of bounds | 0:25:41 | 0:25:43 | |
'half the build has come to a standstill.' | 0:25:43 | 0:25:45 | |
You can pull back minutes, you can pull back hours, | 0:25:47 | 0:25:50 | |
you can't pull a day back when there's only three days left. | 0:25:50 | 0:25:53 | |
'So we're in a bit of a corner, really. | 0:25:53 | 0:25:55 | |
'We just have to sit and watch a floor dry, | 0:25:55 | 0:25:57 | |
'which is about as exciting as... | 0:25:57 | 0:25:59 | |
'watching a floor dry. | 0:25:59 | 0:26:01 | |
'We have to get on with whatever we can. | 0:26:02 | 0:26:04 | |
'The fact is we've made a start boarding Charlie's ramp, | 0:26:04 | 0:26:07 | |
'the extension walls are coming along, | 0:26:07 | 0:26:09 | |
'and Chris is taking out his frustration on the back wall, | 0:26:09 | 0:26:12 | |
'but the truth of the matter is we are really worried. | 0:26:12 | 0:26:16 | |
'With everything so far behind the focus has turned upstairs to | 0:26:16 | 0:26:19 | |
'the older boys' bedrooms | 0:26:19 | 0:26:20 | |
'and Naomi has decided to take them out to get some | 0:26:20 | 0:26:24 | |
'inspiration for the decor. | 0:26:24 | 0:26:26 | |
'You see, Danny and Bradley both work | 0:26:26 | 0:26:27 | |
'at their dad's alloy wheel shop, | 0:26:27 | 0:26:29 | |
'and she wants to reflect their love of machines in her design. | 0:26:29 | 0:26:32 | |
'So she's taken them shopping... | 0:26:32 | 0:26:34 | |
'In a scrapyard. | 0:26:36 | 0:26:37 | |
'Yes, it's a far cry from the West End, darling.' | 0:26:38 | 0:26:42 | |
I feel like I've brought you to the right place | 0:26:42 | 0:26:44 | |
cos I had an idea to find some really lovely car parts. | 0:26:44 | 0:26:50 | |
There's probably not many people other than us three who... | 0:26:50 | 0:26:53 | |
who think car parts could look lovely, | 0:26:53 | 0:26:56 | |
but you think they can look lovely, right? | 0:26:56 | 0:26:58 | |
And I think they could look lovely, | 0:26:58 | 0:27:00 | |
so that's what we'd like to do, | 0:27:00 | 0:27:02 | |
and create something decorative to go in one or both of your bedrooms. | 0:27:02 | 0:27:08 | |
'Designers, eh? | 0:27:08 | 0:27:09 | |
'Different planet.' | 0:27:10 | 0:27:11 | |
I mean, there's loads of stuff here but I think what we need is | 0:27:13 | 0:27:15 | |
something that we don't need to do too much to. | 0:27:15 | 0:27:18 | |
Nice alloy wheels there. | 0:27:18 | 0:27:20 | |
That's quite interesting. | 0:27:23 | 0:27:24 | |
People would pay good money for that, you know. | 0:27:26 | 0:27:29 | |
And that. Those are quiet nice, actually. | 0:27:29 | 0:27:32 | |
Put that in the Tate Gallery, you'd make a fortune. | 0:27:34 | 0:27:37 | |
'I wouldn't pay any money for that.' | 0:27:37 | 0:27:38 | |
I love these brake discs here. | 0:27:38 | 0:27:40 | |
What do you think? Brake pads. | 0:27:40 | 0:27:41 | |
What do you call them? Pads? Discs? | 0:27:41 | 0:27:43 | |
-That's quite cool. -Discs, yeah, they're brake discs. | 0:27:43 | 0:27:46 | |
I think that... I mean, just that as a picture looks really nice, | 0:27:46 | 0:27:49 | |
so how about we take a few of these as they are | 0:27:49 | 0:27:53 | |
and, you know, put them on the wall. | 0:27:53 | 0:27:55 | |
-Put them on the wall and stuff. -Dart them around, yeah. | 0:27:55 | 0:27:58 | |
-Likey? -Yeah, no worries. | 0:27:58 | 0:27:59 | |
Now, where can you get a shopping trolley here? | 0:28:02 | 0:28:04 | |
Shall we go and look for one? | 0:28:04 | 0:28:06 | |
'You know, I'm not sure it's going to work, | 0:28:06 | 0:28:08 | |
'but the jury's still out on this one. | 0:28:08 | 0:28:10 | |
'Let's see later, shall we? | 0:28:10 | 0:28:12 | |
'Back at the house, the older boys' bedrooms and the kitchen/diner | 0:28:12 | 0:28:15 | |
'are the only places inside that we've been able to get to. | 0:28:15 | 0:28:19 | |
'The ground floor has been off limits all day, | 0:28:19 | 0:28:21 | |
'and the floor still isn't dry. | 0:28:21 | 0:28:24 | |
'Mark looks set for a sleepless night. | 0:28:24 | 0:28:26 | |
'Not just him, all of us, | 0:28:26 | 0:28:27 | |
'cos we can't get at the flipping thing. | 0:28:27 | 0:28:30 | |
'I'm not sure I want to be around him in the morning if it hasn't dried.' | 0:28:30 | 0:28:33 | |
'Well, it's a new day and a new day of expectation and hope. | 0:28:36 | 0:28:39 | |
'Before we open the doors let's all join hands and hope that it's OK.' | 0:28:39 | 0:28:43 | |
You going to come in with me in case I burst into tears? | 0:28:43 | 0:28:46 | |
Yeah, I'll come in. | 0:28:46 | 0:28:47 | |
'It is the moment of truth.' | 0:28:47 | 0:28:49 | |
-Gone there, ain't it? -It's gone there. | 0:28:52 | 0:28:54 | |
-It's gone there. -It still looks... | 0:28:56 | 0:28:58 | |
Yeah, it's getting wetter as you go in, I can feel it. Spongy. | 0:28:58 | 0:29:02 | |
It's... Oh, it's really soft in here. | 0:29:06 | 0:29:09 | |
HE YELLS ANGRILY | 0:29:09 | 0:29:11 | |
BLEEP, BLEEP! | 0:29:12 | 0:29:14 | |
What a pile of BLEEP! | 0:29:14 | 0:29:15 | |
He's coming at five o'clock for this. | 0:29:20 | 0:29:22 | |
-To lay this floor? -Yeah. | 0:29:22 | 0:29:24 | |
'Well, that's not going to happen, is it? | 0:29:24 | 0:29:26 | |
'At times like this I usually have a dig at Mark's expense, | 0:29:26 | 0:29:28 | |
'but to be honest this really is a disaster so I'll let it go. | 0:29:28 | 0:29:32 | |
'Four of our seven rooms are still off-limits. | 0:29:32 | 0:29:35 | |
'If we're to have any chance of completing this job, | 0:29:35 | 0:29:38 | |
'we need to get ahead everywhere else, | 0:29:38 | 0:29:40 | |
'and it means doubling up on jobs.' | 0:29:40 | 0:29:42 | |
You've got probably 14 people, the only work that can be done is | 0:29:45 | 0:29:48 | |
in the kitchen area, so you've got 14 people all queuing up, | 0:29:48 | 0:29:51 | |
standing, leaning over each other, doing what they can to keep busy. | 0:29:51 | 0:29:56 | |
D'you ever put a brand-new kitchen in with a plasterer | 0:29:57 | 0:30:00 | |
plastering over your head? | 0:30:00 | 0:30:02 | |
First time we've ever had this before. | 0:30:02 | 0:30:05 | |
-It's a different scenario. -It certainly is. | 0:30:05 | 0:30:07 | |
'But truth is no matter how on the ropes we are everybody is | 0:30:07 | 0:30:11 | |
'determined to make this work because it's for a very special boy | 0:30:11 | 0:30:14 | |
'who's fought much tougher battles than this.' | 0:30:14 | 0:30:16 | |
Among all the considerations, | 0:30:18 | 0:30:20 | |
not putting your child into care | 0:30:20 | 0:30:23 | |
is at the top of the list. | 0:30:23 | 0:30:25 | |
To put Charlie in care was not an option. | 0:30:25 | 0:30:28 | |
You know, we, we would not give up on one of our sons, | 0:30:28 | 0:30:31 | |
cos that would, that would finish Jen off. | 0:30:31 | 0:30:34 | |
It would. | 0:30:34 | 0:30:35 | |
And to see her eyes, to see it in her eyes... | 0:30:35 | 0:30:38 | |
..if Charlie ever left her side, | 0:30:40 | 0:30:42 | |
it would destroy her, I think, it really would. | 0:30:42 | 0:30:45 | |
It would be a very sad and emotional time for her, | 0:30:45 | 0:30:48 | |
and for me, but I've got to be strong for Jen, you know, | 0:30:48 | 0:30:51 | |
I've got to be the rock here. | 0:30:51 | 0:30:52 | |
There is not a cure for what Charlie's got, | 0:30:54 | 0:30:56 | |
so you've just got to make the best of what you can for him now. | 0:30:56 | 0:31:01 | |
He's a great lad, and if I could swap places with Charlie, | 0:31:01 | 0:31:03 | |
I'd do it, I'd do it. | 0:31:03 | 0:31:05 | |
I would love Charlie to see the world through my eyes. | 0:31:05 | 0:31:08 | |
The difficulty is you couldn't continue to look after him safely | 0:31:08 | 0:31:12 | |
-at home but you were hitting that crisis point. -Things were tough... | 0:31:12 | 0:31:15 | |
And as hard as you were working to get towards making that change, | 0:31:15 | 0:31:18 | |
it weren't going to happen, was it? | 0:31:18 | 0:31:20 | |
No, we still was a long way away. | 0:31:20 | 0:31:23 | |
I'd done so much work to the house myself, | 0:31:23 | 0:31:25 | |
I wanted to carry on that. | 0:31:25 | 0:31:27 | |
Do you love me? I love you too. | 0:31:27 | 0:31:30 | |
You want to look after your family and see them all right. | 0:31:30 | 0:31:33 | |
But it's too big. You couldn't do this on your own? | 0:31:33 | 0:31:35 | |
It was, yeah. | 0:31:35 | 0:31:37 | |
I felt I'd failed as a father. | 0:31:37 | 0:31:39 | |
It's my responsibility. I want to provide for my family, | 0:31:39 | 0:31:42 | |
and now I'm asking for help, which I find quite difficult. | 0:31:42 | 0:31:45 | |
So what do you think was the toughest moment | 0:31:45 | 0:31:47 | |
over the last few years? | 0:31:47 | 0:31:48 | |
Watching Jen struggle. | 0:31:48 | 0:31:50 | |
That, that affects me, | 0:31:50 | 0:31:51 | |
that upsets me a lot. | 0:31:51 | 0:31:53 | |
Watching her do the stuff she does, | 0:31:53 | 0:31:57 | |
and she...she never, ever complains, ever. | 0:31:57 | 0:32:00 | |
She's such an angel, she really is, she's my angel, | 0:32:00 | 0:32:04 | |
and, erm... | 0:32:04 | 0:32:06 | |
..and she really is solid for the family, she's, really, really good, | 0:32:08 | 0:32:12 | |
she's tough, she's a tough girl, and I'm really proud of her. | 0:32:12 | 0:32:16 | |
So why haven't you married her? | 0:32:16 | 0:32:18 | |
I thought you'd get me on this! | 0:32:19 | 0:32:22 | |
Well, that's the next thing, that's the next thing. | 0:32:22 | 0:32:25 | |
Now we've come to a point where Charlie's... Charlie's hopefully going to be happy, | 0:32:25 | 0:32:30 | |
it's the next step. | 0:32:30 | 0:32:31 | |
'Well, for Scott and Jenny it's always been about Charlie. | 0:32:35 | 0:32:38 | |
'They won't even consider getting married until he's safe. | 0:32:38 | 0:32:40 | |
'The way things are going on-site, | 0:32:40 | 0:32:42 | |
'we may not be able to set this right in time.' | 0:32:42 | 0:32:45 | |
This is the most important part of this build. | 0:32:46 | 0:32:49 | |
You know, we're finishing the old house off for the family, | 0:32:49 | 0:32:52 | |
but this is really, really important. | 0:32:52 | 0:32:55 | |
This is all about the boy. | 0:32:55 | 0:32:57 | |
This whole building is about the boy, | 0:32:57 | 0:33:00 | |
and everybody cares about it so much. | 0:33:00 | 0:33:03 | |
To be perfectly honest with you, I feel really emotional about it. | 0:33:04 | 0:33:08 | |
You wouldn't think you'd want to cry over a building site but I... | 0:33:08 | 0:33:11 | |
I would like to have a wee cry about this building because it's so sad. | 0:33:11 | 0:33:15 | |
'It's kind of knocked the stuffing out of all of us. | 0:33:17 | 0:33:19 | |
'We need something to pick us up, | 0:33:19 | 0:33:20 | |
'and here is the light literally at the end of the tunnel. | 0:33:20 | 0:33:24 | |
'Naomi's futuristic lighting feature needs to be fitted, | 0:33:24 | 0:33:27 | |
'but it means they've got to get in to Jenny and Scott's bedroom. | 0:33:27 | 0:33:30 | |
'And with the floor still damp, they've laid down some boards, | 0:33:30 | 0:33:34 | |
'but they'll need to be quick and careful.' | 0:33:34 | 0:33:36 | |
How we looking, how we looking? | 0:33:40 | 0:33:42 | |
-Oh, my God! -LAUGHTER | 0:33:46 | 0:33:49 | |
-Ooh, that's frightening, Chris. -Flipping heck. | 0:33:49 | 0:33:52 | |
'It's kind of space-age, isn't it? | 0:33:55 | 0:33:57 | |
'This colossal job just keeps getting bigger. | 0:33:57 | 0:34:00 | |
'1,000 linear metres of decking has just arrived | 0:34:00 | 0:34:03 | |
'for the outside living area, which will transform | 0:34:03 | 0:34:06 | |
'Charlie's access to his home if we can get it down in time. | 0:34:06 | 0:34:09 | |
'From day one it's Billy who's found the scale of this job difficult, | 0:34:09 | 0:34:13 | |
'but I've got just the tonic.' | 0:34:13 | 0:34:16 | |
Bill! I'm glad I've found you. | 0:34:16 | 0:34:17 | |
Listen, I know how you like to help out on these kind of things | 0:34:17 | 0:34:20 | |
so I've signed you up for a charity walk this evening. | 0:34:20 | 0:34:23 | |
-Is that all right? -That's lovely. | 0:34:23 | 0:34:24 | |
I like a nice long walk in the evenings. | 0:34:24 | 0:34:26 | |
This is actually quite a short walk in actual fact, | 0:34:26 | 0:34:28 | |
shouldn't take you very long at all. | 0:34:28 | 0:34:30 | |
-Oh, that's even better, I can get back to work. -Yeah. | 0:34:30 | 0:34:32 | |
But it's turning a bit nasty and cold, will I be all right? | 0:34:32 | 0:34:35 | |
Do I need to wrap up? | 0:34:35 | 0:34:36 | |
-Bill, I think I can safely say you'll be plenty warm enough. -Oh. | 0:34:36 | 0:34:40 | |
'Yes, all right, we're setting something up for later, | 0:34:40 | 0:34:43 | |
'you'll see in a short while. | 0:34:43 | 0:34:45 | |
'It's been two days now since we laid those floors. | 0:34:45 | 0:34:47 | |
'Please let there be some good news!' | 0:34:47 | 0:34:50 | |
Good floor, that. | 0:34:55 | 0:34:57 | |
'Yes, the floors are finally dry | 0:34:57 | 0:34:59 | |
'and ready to be topped off with a latex coating! Whoo-hoo!' | 0:34:59 | 0:35:03 | |
HE HOOTS | 0:35:06 | 0:35:08 | |
'And as the night owls remind us...' | 0:35:08 | 0:35:11 | |
Night-night, Jules. | 0:35:11 | 0:35:12 | |
'..that the night is closing in, we can all relax a bit | 0:35:12 | 0:35:15 | |
'knowing the floors are going to be ready in the morning. | 0:35:15 | 0:35:18 | |
'It's a relief, and we know tomorrow there's a lot of catching-up to do, | 0:35:18 | 0:35:22 | |
'but for now it's time for Billy to unwind with his evening stroll. | 0:35:22 | 0:35:24 | |
'I told you we'd set it up for later.' | 0:35:24 | 0:35:26 | |
This is nice, Bill, innit? Nice little charity walk for you. | 0:35:26 | 0:35:29 | |
-Yeah, Knowlsey said it ain't too long. -No, short one. | 0:35:29 | 0:35:32 | |
There you go, mate, there's your walk. | 0:35:32 | 0:35:35 | |
Yeah, all right, yeah. | 0:35:35 | 0:35:37 | |
No, seriously you've got to walk along them ashes. | 0:35:37 | 0:35:39 | |
D'you remember that time you went swimming with the sharks? | 0:35:39 | 0:35:43 | |
Yeah, it was lovely, lovely. No fear, no fear. | 0:35:43 | 0:35:46 | |
That's the same attitude you've got to have here, | 0:35:46 | 0:35:48 | |
but without your shoes and socks on. You'll be fine. | 0:35:48 | 0:35:51 | |
'There's no getting out of this. | 0:35:51 | 0:35:53 | |
The family are here to cheer you on.' | 0:35:53 | 0:35:54 | |
Have you done it before? | 0:35:54 | 0:35:56 | |
I've done it for charity, yeah, yeah, I've done it, | 0:35:56 | 0:35:58 | |
and it's, er, yeah, it's really good, you'll enjoy it. | 0:35:58 | 0:36:00 | |
-It's empowering. -Yeah, it's empowering. | 0:36:00 | 0:36:02 | |
-Have you done it, Jenny? -I've done it. | 0:36:02 | 0:36:04 | |
-And who else is going to do this with me? -We all are. | 0:36:04 | 0:36:06 | |
Oh, lovely, lovely. | 0:36:06 | 0:36:08 | |
We're doing this for Charlie, yeah? | 0:36:08 | 0:36:10 | |
'Now, you can't do this without some kind of special instruction, Bill, | 0:36:10 | 0:36:14 | |
'and who better than world record holding fire-walker, Scott Bell. | 0:36:14 | 0:36:18 | |
'Look at Billy's face!' | 0:36:18 | 0:36:19 | |
Are you ready to go fire walking? | 0:36:21 | 0:36:23 | |
'This is all a case of mind over matter - | 0:36:23 | 0:36:26 | |
'thankfully we've got one of the finest minds in the country.' | 0:36:26 | 0:36:29 | |
It's 682 centigrade, that's six times boiling point. | 0:36:29 | 0:36:34 | |
Yeah, nearly seven times hotter than boiling water. | 0:36:34 | 0:36:37 | |
-Go on, Byrnsey! -C'mon, son! | 0:36:40 | 0:36:42 | |
BILLY BREATHES DEEPLY | 0:36:42 | 0:36:45 | |
-Go on, just do it. -Go on, son! Go on, Billy. | 0:36:45 | 0:36:48 | |
CHEERING AND APPLAUSE | 0:36:48 | 0:36:49 | |
'Whoo-hoo! Byrne by name, burn by... | 0:36:49 | 0:36:52 | |
'I think I'll stop there.' | 0:36:52 | 0:36:54 | |
-Charlie, was that good? -Oh, he missed it. | 0:36:55 | 0:36:59 | |
-Did you see that? -Can you do it again? | 0:36:59 | 0:37:02 | |
'Go on, Dad, go on. | 0:37:03 | 0:37:05 | |
'Oh, very casual. | 0:37:05 | 0:37:06 | |
'In fact the whole family seem to be pulling it off without all the drama | 0:37:08 | 0:37:12 | |
'that Bill was throwing into the mix. | 0:37:12 | 0:37:14 | |
'They're showing him up a bit. | 0:37:14 | 0:37:15 | |
'But when you think what this family has been through, | 0:37:15 | 0:37:18 | |
'walking on hot coals is the least of the things they've had to face.' | 0:37:18 | 0:37:21 | |
Gosh... | 0:37:23 | 0:37:24 | |
Positive thinking, don't fear. Do you know, that's amazing. | 0:37:24 | 0:37:27 | |
'It looks such a peaceful morning, doesn't it? | 0:37:32 | 0:37:34 | |
'But that couldn't be further from the truth, we are miles behind | 0:37:34 | 0:37:37 | |
'on our biggest home build ever.' | 0:37:37 | 0:37:39 | |
We've essentially built another entire house on the side, | 0:37:41 | 0:37:44 | |
and then the decking and, erm, and, er, disability ramp, | 0:37:44 | 0:37:48 | |
which you can see being filled in here, is the size of another house. | 0:37:48 | 0:37:52 | |
It's just vast. | 0:37:52 | 0:37:54 | |
'This is a house of two halves - | 0:37:54 | 0:37:56 | |
'if you look upstairs we're on the home straight. | 0:37:56 | 0:37:59 | |
'But downside it's turmoil and we've only got two days left.' | 0:37:59 | 0:38:03 | |
I just can't believe the size of this thing - | 0:38:08 | 0:38:10 | |
it's so huge it's ridiculous. | 0:38:10 | 0:38:12 | |
This has been very nearly beyond us, this one, | 0:38:12 | 0:38:14 | |
but it's amazing, | 0:38:14 | 0:38:15 | |
just more and more people keep turning up to do the work. | 0:38:15 | 0:38:18 | |
'And it's not just the builders | 0:38:18 | 0:38:20 | |
'producing the goods, let me tell you.' | 0:38:20 | 0:38:22 | |
-Oh, Sue. -I've brought some cakes. | 0:38:22 | 0:38:24 | |
-So this is Sue... -Hello, Sue. -Hi. | 0:38:24 | 0:38:26 | |
..who has taken a week off work to bake for us. | 0:38:26 | 0:38:28 | |
'There are eight attached cottages | 0:38:28 | 0:38:30 | |
'in this little community out in the countryside, | 0:38:30 | 0:38:32 | |
'and all the neighbours like Sue have acted like a life support | 0:38:32 | 0:38:35 | |
'for the family - literally.' | 0:38:35 | 0:38:38 | |
First Christmas, Christmas Day, erm, he stopped breathing, | 0:38:38 | 0:38:42 | |
and Jenny came running up and just said, | 0:38:42 | 0:38:45 | |
"Help me, he's stopped breathing." | 0:38:45 | 0:38:47 | |
And I just put First Aid training into play | 0:38:47 | 0:38:51 | |
and gladly we got him back but, erm, yeah, he's still here today, | 0:38:51 | 0:38:54 | |
and that's down to the family. | 0:38:54 | 0:38:55 | |
They are just so close. | 0:38:55 | 0:38:56 | |
-And a little bit down to you. -And you. | 0:38:56 | 0:38:59 | |
Well, I just did, I just did what I had to do on the day and... | 0:38:59 | 0:39:02 | |
And now do what you have to do here as well with the cakes. | 0:39:02 | 0:39:05 | |
And it's far nicer baking cakes for builders. | 0:39:05 | 0:39:07 | |
Go and feed your 5,000. | 0:39:07 | 0:39:08 | |
80 is bad enough. | 0:39:08 | 0:39:10 | |
Thank you, Sue. | 0:39:10 | 0:39:12 | |
'The energy is definitely up on-site - | 0:39:12 | 0:39:14 | |
'maybe it's the sugar in all those cakes. | 0:39:14 | 0:39:16 | |
'But we're at that wonderful stage where Naomi's design ideas | 0:39:16 | 0:39:19 | |
'are taking shape. | 0:39:19 | 0:39:20 | |
'Danny's getting a stylized map of Kent on his wall, | 0:39:20 | 0:39:23 | |
'and Bradley's room has an urban vibe with reclaimed floorboards | 0:39:23 | 0:39:27 | |
'and those car parts dotted about the place.' | 0:39:27 | 0:39:29 | |
I like the sort of industrial feel to it, almost like warehouse... | 0:39:32 | 0:39:36 | |
-Yeah, lofty. It's a lofty loft. -Yeah. | 0:39:36 | 0:39:38 | |
'Down in the extension, things are finally moving quickly, | 0:39:40 | 0:39:43 | |
'the plasterers are in, | 0:39:43 | 0:39:45 | |
'and a waterproof coating is going down in the wet room.' | 0:39:45 | 0:39:49 | |
Two hours' time and all of this will be finished. | 0:39:51 | 0:39:54 | |
'D'you know what? I'm starting to believe him. | 0:39:54 | 0:39:56 | |
'We feel like having let this build get away from us | 0:39:56 | 0:39:59 | |
'we're gaining on it fast, we can almost smell the finish line. | 0:39:59 | 0:40:03 | |
'All this is for Charlie, | 0:40:03 | 0:40:05 | |
'but will he understand the changes that have been made?' | 0:40:05 | 0:40:09 | |
Forgive me for asking, | 0:40:09 | 0:40:10 | |
but how much is Charlie aware of everything going on around him? | 0:40:10 | 0:40:13 | |
Sometimes he can be quite unresponsive and quite sleepy | 0:40:13 | 0:40:17 | |
and you don't get much from him, but there's big windows | 0:40:17 | 0:40:20 | |
where if you're looking, if you really see him, | 0:40:20 | 0:40:22 | |
when you see into his little soul that he's just a delight, | 0:40:22 | 0:40:25 | |
he's just, he's everything. | 0:40:25 | 0:40:28 | |
So you genuinely feel blessed to have Charlie? | 0:40:28 | 0:40:31 | |
I do, yeah, he's taught me much more than I've ever taught him. | 0:40:31 | 0:40:35 | |
-Really? -Yeah, definitely. | 0:40:35 | 0:40:37 | |
'He doesn't judge anyone, he doesn't expect anything, | 0:40:39 | 0:40:43 | |
'he...he's so innocent, isn't he?' | 0:40:43 | 0:40:45 | |
He is pure innocence. | 0:40:45 | 0:40:48 | |
We should all take a leaf out of his book, shouldn't we? | 0:40:48 | 0:40:52 | |
I mean, there is enormous difficulty that comes with | 0:40:52 | 0:40:55 | |
having a child with the disabilities that Charlie has. | 0:40:55 | 0:40:58 | |
I don't see it that way. | 0:40:58 | 0:41:00 | |
-You don't at all? -No. | 0:41:00 | 0:41:02 | |
Our first child, Sophie, she didn't make it. | 0:41:02 | 0:41:05 | |
She was only three-and-a-half weeks when she died. | 0:41:05 | 0:41:08 | |
You know, if you lose a parent, you're an orphan, | 0:41:08 | 0:41:12 | |
but when you lose a child there's no name to it. | 0:41:12 | 0:41:15 | |
It's one of the hardest things. | 0:41:15 | 0:41:16 | |
That's what made me accept, because a lot of people struggle | 0:41:18 | 0:41:21 | |
with the, you know, oh, you expected the normal baby, | 0:41:21 | 0:41:23 | |
expected, you know, the same as my boys, | 0:41:23 | 0:41:26 | |
you know, they're going to meet all these milestones | 0:41:26 | 0:41:28 | |
and they're going to do this and they're going to do that... | 0:41:28 | 0:41:31 | |
Having already lost Sophie, it didn't matter for Charlie | 0:41:31 | 0:41:35 | |
not to do things like that because he was here still, | 0:41:35 | 0:41:38 | |
and knowing he might not have been | 0:41:38 | 0:41:40 | |
and I could have had to have gone through that again, | 0:41:40 | 0:41:43 | |
them things don't matter any more. | 0:41:43 | 0:41:45 | |
You look past them, you judge your successes | 0:41:45 | 0:41:49 | |
and your life in a different way once you have a special needs child, | 0:41:49 | 0:41:52 | |
and you're looking more at the person and the soul | 0:41:52 | 0:41:55 | |
than if he walks, if he talks. | 0:41:55 | 0:41:57 | |
Them things, it doesn't matter any more. | 0:41:57 | 0:41:59 | |
When you go to sleep at night what do you wish for? | 0:42:01 | 0:42:04 | |
That he's there in the morning. | 0:42:04 | 0:42:06 | |
Really? It's that much of a pressing issue, is it? | 0:42:07 | 0:42:11 | |
Yeah. | 0:42:11 | 0:42:12 | |
That he might not be here for ever, | 0:42:14 | 0:42:17 | |
more than likely won't be, | 0:42:17 | 0:42:19 | |
but it's living with that fear, and not knowing when he's ill | 0:42:19 | 0:42:24 | |
cos he can't talk or anything, | 0:42:24 | 0:42:27 | |
that you can't always make things better. | 0:42:27 | 0:42:30 | |
I'm not sure how long anybody could live with that pressure. | 0:42:30 | 0:42:33 | |
You don't get any other choice. | 0:42:33 | 0:42:35 | |
So how much was the house getting in the way of family? | 0:42:41 | 0:42:44 | |
It was fighting against us to the point that we did get desperate. | 0:42:44 | 0:42:48 | |
You realised you had to make a decision about having to put | 0:42:48 | 0:42:51 | |
Charlie into care for his safety and security. | 0:42:51 | 0:42:55 | |
No, I could never have done that. | 0:42:55 | 0:42:57 | |
You couldn't have done it? | 0:42:57 | 0:42:59 | |
But you might have had to have done? | 0:42:59 | 0:43:01 | |
That's the scary bit, that's the point I got to, you know... | 0:43:01 | 0:43:04 | |
If no-one helps, what do we do? | 0:43:04 | 0:43:06 | |
It was getting to there. | 0:43:07 | 0:43:09 | |
So for you guys to come in means a lot. | 0:43:10 | 0:43:12 | |
We can carry on being a family, | 0:43:12 | 0:43:14 | |
and that means everything. | 0:43:14 | 0:43:16 | |
'That's why it's so important, | 0:43:21 | 0:43:23 | |
'not just to make a family's life easier, | 0:43:23 | 0:43:25 | |
'but to keep them together. | 0:43:25 | 0:43:27 | |
'But it's going down to the wire, it really is. | 0:43:27 | 0:43:29 | |
'Catching up in the extension is the real problem, | 0:43:29 | 0:43:32 | |
'and the floorers can't get in till everyone else has left - | 0:43:32 | 0:43:35 | |
'so they were here till very, very late.' | 0:43:35 | 0:43:37 | |
'Now, with hours to go, the equipment that will make such a difference | 0:43:39 | 0:43:42 | |
'to Charlie's life is finally being installed inside and out.' | 0:43:42 | 0:43:46 | |
Look at this! | 0:43:49 | 0:43:50 | |
-Good ain't it? -Yeah! | 0:43:51 | 0:43:54 | |
Wow! | 0:43:54 | 0:43:55 | |
-Hello. -Hello. Steve. | 0:43:55 | 0:43:56 | |
So this is the lift. | 0:43:56 | 0:43:58 | |
Basically you've got a cantilevered cabin that goes up to this level. | 0:43:58 | 0:44:01 | |
You've got to love a cantilever, haven't you? Haven't you? | 0:44:01 | 0:44:04 | |
How high does that go? | 0:44:04 | 0:44:05 | |
To level with this floor here. | 0:44:07 | 0:44:08 | |
That's not going to work, is it? | 0:44:11 | 0:44:14 | |
You pilchard! You haven't measured it, have you? | 0:44:14 | 0:44:17 | |
We need to move the... | 0:44:17 | 0:44:18 | |
We need to have the lift slightly further this way. | 0:44:18 | 0:44:21 | |
Well, we can't, can we? | 0:44:21 | 0:44:22 | |
You should have put the concrete a little bit that way, shouldn't you? | 0:44:22 | 0:44:26 | |
Well, no, that was the whole idea was to come from this deck level | 0:44:26 | 0:44:29 | |
up to that deck level. | 0:44:29 | 0:44:31 | |
Cos now we've got to start cutting holes in the roof. | 0:44:31 | 0:44:34 | |
'Better crack on, then, Jules, we're running out of time. | 0:44:34 | 0:44:37 | |
'It's the final push and there's a real buzz on-site. | 0:44:37 | 0:44:39 | |
'Well, it's the buzz of power tools, to be honest, drills, | 0:44:39 | 0:44:42 | |
'and cutting holes in the roof. | 0:44:42 | 0:44:43 | |
'We're making things pretty, Jules is righting his wrongs, | 0:44:44 | 0:44:48 | |
'it's a race against time, | 0:44:48 | 0:44:49 | |
'and we're all a little bit delirious to be fair.' | 0:44:49 | 0:44:52 | |
-It's actually very nice. -Happy? | 0:44:55 | 0:44:58 | |
'You can see how rarely she is happy by his face, can't you? | 0:44:58 | 0:45:00 | |
'The garden is really taking shape with lovely flat turf going down, | 0:45:00 | 0:45:04 | |
'which is ideal for wheelchair use. | 0:45:04 | 0:45:06 | |
'What are you doing, gentlemen? | 0:45:09 | 0:45:12 | |
'The windows get its finishing touches | 0:45:12 | 0:45:14 | |
'so all the sunlight can stream in, it's lovely. | 0:45:14 | 0:45:16 | |
'And we've cut the right hole. | 0:45:16 | 0:45:17 | |
'Yeah, a bit emotional. | 0:45:20 | 0:45:22 | |
'Nine days ago we met a family whose home threatened to tear them apart.' | 0:45:25 | 0:45:30 | |
We did get desperate. It was hard. | 0:45:32 | 0:45:35 | |
Carrying a 13-year-old up the stairs weighing 35 kilos... | 0:45:35 | 0:45:38 | |
It takes a toll on you. | 0:45:39 | 0:45:41 | |
But throughout this time they've always stayed positive. | 0:45:41 | 0:45:45 | |
It's pick yourself up. | 0:45:45 | 0:45:46 | |
Pick yourself up, dust yourself off. | 0:45:46 | 0:45:48 | |
-Carry on. -And fight. | 0:45:48 | 0:45:50 | |
My parents put on a brave face through it all | 0:45:50 | 0:45:52 | |
but, I think, deep down inside, they are struggling quite a bit. | 0:45:52 | 0:45:56 | |
'Putting Charlie into care and splitting the family up | 0:45:56 | 0:45:58 | |
'just wasn't an option.' | 0:45:58 | 0:46:00 | |
He's our son, and you...you don't give up on your children. Never. | 0:46:00 | 0:46:05 | |
'But for dad Scott reaching out for help did not come easy.' | 0:46:05 | 0:46:08 | |
It's my responsibility. | 0:46:09 | 0:46:11 | |
I want to provide for my family, | 0:46:11 | 0:46:12 | |
and now I'm asking for help which I find quite difficult. | 0:46:12 | 0:46:16 | |
'But when he did ask we called in the troops. | 0:46:16 | 0:46:19 | |
'Now Scott and his family can look forward to a better future.' | 0:46:19 | 0:46:22 | |
'Wow, wow, just look at the size of this. | 0:46:26 | 0:46:30 | |
'In the kitchen we've removed the wall to the living room | 0:46:30 | 0:46:33 | |
'to create a massive open space that Charlie can move around freely. | 0:46:33 | 0:46:37 | |
'A large dining table and seating area has been added | 0:46:38 | 0:46:41 | |
'so that he can join the family for mealtimes. | 0:46:41 | 0:46:44 | |
'A special window feature boosts the natural light into every corner | 0:46:46 | 0:46:49 | |
'and some of the old features of the house have been integrated into | 0:46:49 | 0:46:52 | |
'the new to keep that cottagey vibe which was all-important to Jenny. | 0:46:52 | 0:46:56 | |
'Creating four new rooms has made a relaxing living area which | 0:46:57 | 0:47:01 | |
'all the family can enjoy together. | 0:47:01 | 0:47:03 | |
'Charlie has a new bedroom on the ground floor | 0:47:03 | 0:47:06 | |
'meaning those dangerous stairs are a thing of the past, | 0:47:06 | 0:47:09 | |
'with an en-suite wet room and hoist system. | 0:47:09 | 0:47:12 | |
'Bath time will no longer be a back-breaking family affair. | 0:47:12 | 0:47:16 | |
'Scott and Jenny's new bedroom is right next to Charlie, | 0:47:18 | 0:47:21 | |
'so they can be on hand throughout the night, | 0:47:21 | 0:47:24 | |
'and it will be a haven for them to unwind. | 0:47:24 | 0:47:27 | |
'Upstairs the two boys who never asked for anything | 0:47:29 | 0:47:32 | |
'finally have the space they deserve. | 0:47:32 | 0:47:35 | |
'Now for the first time Danny can stand tall in his own room, | 0:47:35 | 0:47:38 | |
'and Bradley has finally got a bedroom fit for a young man. | 0:47:38 | 0:47:42 | |
'Look how beautiful a loft room this is! | 0:47:44 | 0:47:46 | |
'Outside a huge living area has been built with a side ramp | 0:47:49 | 0:47:53 | |
'to give Charlie access in and out of the house. | 0:47:53 | 0:47:57 | |
'And so that he can enjoy the entire garden | 0:47:57 | 0:48:00 | |
'a lift has been added too. | 0:48:00 | 0:48:02 | |
'But let's start inside - | 0:48:03 | 0:48:04 | |
'I wonder if after all they've been through | 0:48:04 | 0:48:07 | |
'Mum and Dad will believe what they see?' | 0:48:07 | 0:48:10 | |
If you're ready, open your eyes. | 0:48:10 | 0:48:12 | |
You can go first. | 0:48:12 | 0:48:14 | |
Oh, my God! | 0:48:14 | 0:48:16 | |
It's beautiful. | 0:48:18 | 0:48:20 | |
I can't work out where I am. | 0:48:20 | 0:48:22 | |
We've got no walls left. | 0:48:22 | 0:48:24 | |
-No! -No walls! | 0:48:24 | 0:48:26 | |
Words can't express... | 0:48:28 | 0:48:29 | |
-We have space! -Space! | 0:48:29 | 0:48:32 | |
JENNY SOBS | 0:48:34 | 0:48:36 | |
-Its flow and accessibility... -It feels so big. | 0:48:41 | 0:48:44 | |
It does, doesn't it, and airy? That kitchen is lovely. | 0:48:45 | 0:48:48 | |
Go and have a look at it, it's your kitchen. | 0:48:48 | 0:48:51 | |
-I'm coming with you. -Plenty of space to move around, | 0:48:51 | 0:48:54 | |
and the floor is flat all the way through, which is important. | 0:48:54 | 0:48:57 | |
We've never had the space, I just want to run around with my arms out. | 0:48:57 | 0:49:01 | |
Walking around chairs and tables | 0:49:01 | 0:49:02 | |
-and banging into each other and... -Yeah. | 0:49:02 | 0:49:05 | |
-And it still feels cottagey, that's what I love. -It does. | 0:49:05 | 0:49:08 | |
-Was that important to you? -Yeah, well, you know, it is a cottage. | 0:49:08 | 0:49:12 | |
The view out over the fields, | 0:49:14 | 0:49:16 | |
except it isn't a view out over the fields, is it? | 0:49:16 | 0:49:18 | |
If you look at it, you're looking directly up at the sky, | 0:49:18 | 0:49:20 | |
-so to bring the light in... -It's an optical illusion. | 0:49:20 | 0:49:23 | |
-..we've created a window. -Oh, my God. | 0:49:23 | 0:49:25 | |
-That's clever. -That is very clever, yeah. | 0:49:25 | 0:49:28 | |
-Heavens above. -Literally. | 0:49:28 | 0:49:31 | |
Yeah, it is heavens above! | 0:49:31 | 0:49:33 | |
-This is all new. -Oh! | 0:49:36 | 0:49:39 | |
This wasn't part of our house before. | 0:49:39 | 0:49:41 | |
Yeah, this is new, so that kitchen-diner, | 0:49:41 | 0:49:43 | |
-that was your whole... -That was the whole house before. -Yeah. | 0:49:43 | 0:49:46 | |
So we can actually all sit down. | 0:49:46 | 0:49:48 | |
Sit down together, yeah. | 0:49:48 | 0:49:50 | |
How can you possibly get this done in nine days? | 0:49:50 | 0:49:52 | |
It's not possible. | 0:49:52 | 0:49:54 | |
So we leave the living room, | 0:49:54 | 0:49:55 | |
and there's a connecting corridor that comes to this door, | 0:49:55 | 0:49:58 | |
which is your access now, so we've put a bit of a ramp up outside, | 0:49:58 | 0:50:03 | |
so when he comes in his front door here, | 0:50:03 | 0:50:05 | |
he'll either go into the living room and family area that way, | 0:50:05 | 0:50:08 | |
or he goes this way into his bedroom. Do you want...? | 0:50:08 | 0:50:11 | |
No, I don't, I'm going to go already. | 0:50:11 | 0:50:13 | |
-This is kind of the big area of it, isn't it? -This is what we needed. | 0:50:15 | 0:50:18 | |
SHE SOBS | 0:50:19 | 0:50:22 | |
-Sorry. -It's all right. | 0:50:22 | 0:50:23 | |
The whole house, it wasn't about us, | 0:50:28 | 0:50:30 | |
it was about what we needed for Charlie, | 0:50:30 | 0:50:32 | |
and to know that I've got that without even seeing it... | 0:50:32 | 0:50:35 | |
It just means so much. | 0:50:35 | 0:50:37 | |
Speechless. | 0:50:49 | 0:50:50 | |
-We haven't got to carry him upstairs -any more. No, I know. | 0:50:54 | 0:50:57 | |
That is fantastic. | 0:51:00 | 0:51:01 | |
A mechanically controlled bed, you know all about these, | 0:51:03 | 0:51:05 | |
electronic beds that you can move and shape and so forth. | 0:51:05 | 0:51:08 | |
It's a proper little grown-up boy's room as well, isn't it? | 0:51:08 | 0:51:11 | |
It kind of is, innit? | 0:51:11 | 0:51:12 | |
Is it all right? | 0:51:12 | 0:51:14 | |
It's more than all right, it's perfect. | 0:51:14 | 0:51:16 | |
It's fantastic, I love it. | 0:51:18 | 0:51:19 | |
-We've got a hoist. -Yeah, the hoist, that's the other... | 0:51:19 | 0:51:22 | |
Obviously, this hoist will help him | 0:51:22 | 0:51:23 | |
to get through to the other key room here. | 0:51:23 | 0:51:26 | |
-Bathroom. -Yeah. | 0:51:26 | 0:51:28 | |
Would you like to, erm...? | 0:51:28 | 0:51:29 | |
And I'll drag the hoist through with me. | 0:51:31 | 0:51:33 | |
-It's amazing. -Wet room/bathroom. | 0:51:35 | 0:51:37 | |
And this was the hardest bit for us. | 0:51:38 | 0:51:40 | |
This is what made life tough, trying to get him out of the bath. | 0:51:42 | 0:51:45 | |
-It took three of us. -This is a special bath as well. | 0:51:45 | 0:51:48 | |
Thermal in two ways. One, you can set the temperature to make sure | 0:51:48 | 0:51:51 | |
the temperature is always absolutely right, | 0:51:51 | 0:51:53 | |
also double thermally insulated so that it gets colder slower, | 0:51:53 | 0:51:58 | |
cos I know with the body temperature regulation is kind of difficult. | 0:51:58 | 0:52:01 | |
His own bedroom and bathroom, I mean... | 0:52:01 | 0:52:03 | |
we could only but dream of stuff like this. | 0:52:03 | 0:52:05 | |
-Secret hideaway room. -Oh, wow. | 0:52:10 | 0:52:13 | |
Look at that. | 0:52:13 | 0:52:15 | |
We wanted to give you some sort of glitz and glam so it felt like, | 0:52:15 | 0:52:17 | |
when you're in here it's like a boutique hotel room. | 0:52:17 | 0:52:20 | |
-It is. -I can just jump out of bed and run next door. | 0:52:20 | 0:52:22 | |
And none of this having to run around in the middle of the night | 0:52:22 | 0:52:25 | |
trying to scrabble round to get to him. | 0:52:25 | 0:52:27 | |
You're right next door, he's right next to the wet room/bathroom. | 0:52:27 | 0:52:31 | |
At the end of the day we only asked for a bedroom, | 0:52:32 | 0:52:35 | |
and you've done so much more than that. | 0:52:35 | 0:52:37 | |
I'm going to go again...! SHE LAUGHS THROUGH TEARS | 0:52:37 | 0:52:40 | |
Sorry. | 0:52:40 | 0:52:41 | |
Looking down... Step forward, look up. | 0:52:43 | 0:52:46 | |
-OK, that's a bit more than a ramp. -Oh! | 0:52:49 | 0:52:52 | |
Not only is the house huge... | 0:52:52 | 0:52:54 | |
-Oh. -Look at this. -That's clever. | 0:52:54 | 0:52:57 | |
You've got a seating area so the lads can be out here | 0:52:59 | 0:53:02 | |
with their friends and it's a cool place to be. | 0:53:02 | 0:53:04 | |
Hello! | 0:53:07 | 0:53:08 | |
-Charlie! -Wow, look. | 0:53:09 | 0:53:11 | |
I think this is a family moment so I'm going to keep out of the way. | 0:53:12 | 0:53:16 | |
Why don't you guys show the family round the house? | 0:53:16 | 0:53:19 | |
C'mon on then. | 0:53:19 | 0:53:21 | |
Charlie's bedroom. | 0:53:21 | 0:53:22 | |
This is Charlie's bedroom. | 0:53:24 | 0:53:27 | |
-Unbelievable. -Can't comprehend, can you? -Absolutely unbelievable. | 0:53:27 | 0:53:31 | |
Are you coming to have a look in here? | 0:53:31 | 0:53:33 | |
Look, it's your bedroom, eh? | 0:53:33 | 0:53:35 | |
'The boys said this was all about Charlie, | 0:53:39 | 0:53:41 | |
'but now's the time for them to see their rooms.' | 0:53:41 | 0:53:44 | |
BOYS LAUGH | 0:53:44 | 0:53:46 | |
No. Check that out. | 0:53:48 | 0:53:50 | |
Is this really my room? | 0:53:53 | 0:53:55 | |
Yeah. It is, yeah. | 0:53:55 | 0:53:57 | |
Your own self-contained flat, reclaimed timber, | 0:53:57 | 0:54:00 | |
brick wall, little bit industrial. | 0:54:00 | 0:54:02 | |
-Yeah. -Your clutch plates from the scrapyard | 0:54:02 | 0:54:04 | |
-when you went on tour with Naomi. -Yeah, I see them there. | 0:54:04 | 0:54:06 | |
Which kind of look cool. | 0:54:06 | 0:54:08 | |
Yeah, they kind of fit in with the rustic.. | 0:54:08 | 0:54:10 | |
It goes together with the wall and the wood. | 0:54:10 | 0:54:12 | |
I can't take it all in, I really can't. | 0:54:12 | 0:54:15 | |
You deserve this. You know, you're a great lad and... | 0:54:15 | 0:54:19 | |
Oh, wow! | 0:54:28 | 0:54:30 | |
And this is your bedroom! | 0:54:30 | 0:54:32 | |
-It's cool, ain't it? -This is awesome. | 0:54:34 | 0:54:36 | |
It's massive. | 0:54:38 | 0:54:40 | |
-You deserve it. -I can't believe it. | 0:54:40 | 0:54:42 | |
We are really proud of you, | 0:54:43 | 0:54:45 | |
and we really appreciate all that you've done for us. | 0:54:45 | 0:54:48 | |
I'll do it anytime. | 0:54:50 | 0:54:51 | |
Love you. | 0:54:52 | 0:54:53 | |
Sorry! SHE CRIES | 0:54:56 | 0:54:58 | |
You never asked for anything ever. | 0:55:00 | 0:55:03 | |
Didn't have to. | 0:55:03 | 0:55:05 | |
I know, but you deserve it, Dan. | 0:55:05 | 0:55:07 | |
Shall we go and meet the builders? | 0:55:10 | 0:55:11 | |
CHEERING AND APPLAUSE | 0:55:11 | 0:55:13 | |
In nine days you've created a miracle. | 0:55:29 | 0:55:33 | |
Your families have gone without just for you guys to provide for us, | 0:55:33 | 0:55:36 | |
and that for me and for my family is incredible, | 0:55:36 | 0:55:39 | |
and I thank you so, so much. | 0:55:39 | 0:55:42 | |
What you all did for us is returned a house into a home, | 0:55:42 | 0:55:46 | |
we can be a family. | 0:55:46 | 0:55:47 | |
You didn't just change Charlie's life, | 0:55:49 | 0:55:51 | |
you've changed all of our lives. | 0:55:51 | 0:55:52 | |
And I can't thank you enough for that. | 0:55:54 | 0:55:57 | |
It's been a long time trying to get to this point... | 0:55:57 | 0:56:00 | |
Sorry...! SHE CRIES | 0:56:00 | 0:56:02 | |
But I'm glad we've done it cos I wouldn't have known half the people | 0:56:03 | 0:56:06 | |
we've met along this journey without you. | 0:56:06 | 0:56:09 | |
And I hope you all stay in our futures too | 0:56:09 | 0:56:12 | |
cos you're part of us now. | 0:56:12 | 0:56:13 | |
APPLAUSE | 0:56:13 | 0:56:15 | |
Sorry, I'm going on a bit, but some of you probably know us | 0:56:20 | 0:56:23 | |
very well, obviously, and, erm, | 0:56:23 | 0:56:25 | |
throughout the 22 years that me and Jen have been together | 0:56:25 | 0:56:28 | |
we've never actually got married, erm, | 0:56:28 | 0:56:31 | |
and she hounds me day and night about getting married, | 0:56:31 | 0:56:35 | |
and, er, I think it's got to the point now where, er, | 0:56:35 | 0:56:38 | |
you know, things are going to change and things are going to move on, | 0:56:38 | 0:56:42 | |
and I believe it's time to sort of maybe ask the question, erm... | 0:56:42 | 0:56:48 | |
and, er, jump in and, er, Jen... | 0:56:48 | 0:56:51 | |
-Jenny, will you marry me? -No, I'm washing me hair! | 0:56:51 | 0:56:54 | |
LAUGHTER | 0:56:54 | 0:56:56 | |
She's washing her hair! | 0:56:58 | 0:56:59 | |
Bradley and Dan say their mum and dad are amazing because | 0:57:08 | 0:57:11 | |
throughout Charlie's life Mum and Dad have kept on having to | 0:57:11 | 0:57:14 | |
run through walls. No matter what's put in front of them, | 0:57:14 | 0:57:16 | |
they just keep on going, but of course this wall was | 0:57:16 | 0:57:19 | |
just too big to run through on their own. So what do you do? | 0:57:19 | 0:57:22 | |
Well, it's tough to ask for help, | 0:57:22 | 0:57:23 | |
but when you finally work up the courage to do it, | 0:57:23 | 0:57:27 | |
people come and knock them down for you, literally. | 0:57:27 | 0:57:30 | |
That's what these people have done, changed their future, | 0:57:30 | 0:57:33 | |
helped them run through walls. | 0:57:33 | 0:57:34 | |
Maybe you know somebody who needs your help. | 0:57:34 | 0:57:37 |