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He's had a lot of his life taken away from him. | 0:00:02 | 0:00:05 | |
We want to give him back as much as we possibly can, | 0:00:05 | 0:00:08 | |
not stuck in a bed in a care home all his life. | 0:00:08 | 0:00:12 | |
We're here to help a family get their son back home. | 0:00:12 | 0:00:15 | |
'I can look after him better.' | 0:00:16 | 0:00:18 | |
I can take him out in the chair. | 0:00:18 | 0:00:21 | |
We can't do - we just go and see him. | 0:00:21 | 0:00:24 | |
'From praying for him to be alive...' | 0:00:24 | 0:00:26 | |
..we now want him home. | 0:00:28 | 0:00:30 | |
To care for a son who's been robbed of his future. | 0:00:30 | 0:00:33 | |
'He's 36, he's only a young man. | 0:00:33 | 0:00:35 | |
'He's still got the same heart.' | 0:00:35 | 0:00:37 | |
It's just that his body | 0:00:37 | 0:00:38 | |
doesn't function in the same way as it used to. | 0:00:38 | 0:00:41 | |
This is a family that desperately needs to heal before it's too late. | 0:00:41 | 0:00:45 | |
'I think people...' | 0:00:46 | 0:00:48 | |
..people on the outside don't see | 0:00:49 | 0:00:51 | |
how it's affected both my parents, but especially my father. | 0:00:51 | 0:00:55 | |
'I don't cry in front of Mark. | 0:00:55 | 0:00:57 | |
'I know he knows that I do cry,' | 0:00:57 | 0:01:00 | |
but I don't like him to see it. | 0:01:00 | 0:01:02 | |
I can look after him better. | 0:01:02 | 0:01:05 | |
Cos I'm his dad. | 0:01:05 | 0:01:07 | |
And it's my job. | 0:01:07 | 0:01:08 | |
We're in Wigan to build a home that brings this family back together. | 0:01:12 | 0:01:16 | |
With a flamboyant designer and just nine days, | 0:01:20 | 0:01:23 | |
we don't expect an easy ride. | 0:01:23 | 0:01:26 | |
It's not just an issue of coverage, is it, Laurence? | 0:01:26 | 0:01:29 | |
It's an issue of authorship, Nicholas. | 0:01:29 | 0:01:31 | |
We need the usual suspects of course, and we need a small army. | 0:01:32 | 0:01:36 | |
We need a small army! | 0:01:38 | 0:01:39 | |
-Mate, they're over there. -Ah! | 0:01:39 | 0:01:41 | |
Are you up to do a job that's almost impossible? | 0:01:43 | 0:01:45 | |
ALL: Yes! | 0:01:45 | 0:01:47 | |
This is DIY SOS: The Big Build! | 0:01:47 | 0:01:50 | |
CHEERING | 0:01:50 | 0:01:52 | |
Wigan, near Manchester, is home to the Burrows family. | 0:02:04 | 0:02:09 | |
That's retired scaffolder, Frank, and Christine. | 0:02:09 | 0:02:12 | |
They've been happily married for nearly 40 years. | 0:02:12 | 0:02:15 | |
They have two grown-up children - | 0:02:18 | 0:02:20 | |
Michelle, who's expecting her first child, and their son, Mark. | 0:02:20 | 0:02:25 | |
Mark was a bit of a jack-the-lad, weren't he? | 0:02:25 | 0:02:28 | |
He was a nightclub manager, and he loved his job. | 0:02:28 | 0:02:33 | |
And he loved the outdoor. Absolutely adored the outdoor. | 0:02:33 | 0:02:37 | |
Fishing and camping - that was his whole summer. | 0:02:37 | 0:02:41 | |
He was a very loving son. | 0:02:42 | 0:02:44 | |
I was so proud of him. | 0:02:44 | 0:02:47 | |
Mark moved back in with Frank and Christine in 2011, | 0:02:47 | 0:02:50 | |
in their small two-bedroom bungalow, when he lost his job. | 0:02:50 | 0:02:55 | |
The garage became his storage, and he moved in the bedroom there. | 0:02:55 | 0:02:59 | |
And, um... | 0:03:00 | 0:03:03 | |
life was good, because the prodigal son had returned home, | 0:03:03 | 0:03:06 | |
if you like. | 0:03:06 | 0:03:07 | |
I got Mark a job working for my company as a scaffolder. | 0:03:07 | 0:03:11 | |
-It was a turning point, yeah. -It was good. | 0:03:11 | 0:03:15 | |
He was happy, yeah. | 0:03:15 | 0:03:16 | |
A month later, Mark's life was to change for ever. | 0:03:19 | 0:03:22 | |
In the April of 2012, Mark went to Sheffield for a night out. | 0:03:24 | 0:03:28 | |
He got into an argument with three football supporters. | 0:03:29 | 0:03:33 | |
A single punch was thrown, and Mark fell badly, | 0:03:34 | 0:03:38 | |
hitting his head on the pavement. | 0:03:38 | 0:03:41 | |
He was rushed to hospital. | 0:03:41 | 0:03:43 | |
AMBULANCE RADIO TRAFFIC | 0:03:43 | 0:03:45 | |
The fall caused massive brain injuries. | 0:03:47 | 0:03:50 | |
Frank and Christine drove the hour and a half to Sheffield | 0:03:50 | 0:03:53 | |
whilst doctors battled to save him. | 0:03:53 | 0:03:56 | |
Longest journey of my life, and we didn't know much then. | 0:03:59 | 0:04:02 | |
It was made quite clear, 7:00 in the morning, | 0:04:05 | 0:04:08 | |
that they came to us and said, | 0:04:08 | 0:04:11 | |
"Your son is alive, but he is utterly and totally different now, | 0:04:11 | 0:04:15 | |
"and he will be for the rest of his life." | 0:04:15 | 0:04:18 | |
There he was, this lean, fit young man with a tan, | 0:04:19 | 0:04:24 | |
cos he'd been on holiday, and he looked normal, natural, | 0:04:24 | 0:04:29 | |
apart from everything else, and we looked at him, and... | 0:04:29 | 0:04:32 | |
(Come on, love.) | 0:04:35 | 0:04:36 | |
I've had my heart ripped out. | 0:04:39 | 0:04:40 | |
That's what I feel like. | 0:04:41 | 0:04:43 | |
That someone's just taken him away. | 0:04:43 | 0:04:47 | |
And I keep kicking myself as to why. | 0:04:49 | 0:04:51 | |
As healthy as he was. | 0:04:53 | 0:04:55 | |
Why it had to happen to him... | 0:04:57 | 0:04:59 | |
..and not me. | 0:05:00 | 0:05:01 | |
I miss him so much. | 0:05:03 | 0:05:04 | |
Mark is now severely brain damaged. | 0:05:07 | 0:05:09 | |
Although he shows signs he understands instructions, | 0:05:09 | 0:05:12 | |
he can't speak or move, and is reliant on carers 24 hours a day. | 0:05:12 | 0:05:17 | |
As soon as he left hospital, Mark went to live in a care home. | 0:05:21 | 0:05:24 | |
He recognises family when they visit, | 0:05:24 | 0:05:26 | |
but he's had to remain in a home ever since his incident. | 0:05:26 | 0:05:31 | |
We see him every single day, we are his main stimulation. | 0:05:32 | 0:05:36 | |
He relates to us. | 0:05:36 | 0:05:38 | |
Now, don't get me wrong, they are doing a marvellous job. | 0:05:38 | 0:05:41 | |
But we are his family, and we want him home to live with us, | 0:05:41 | 0:05:45 | |
not stuck in a bed in a care home all his life. | 0:05:45 | 0:05:47 | |
Frank and Christine live in a modest bungalow, | 0:05:49 | 0:05:52 | |
but having been made redundant, | 0:05:52 | 0:05:53 | |
they're struggling to raise the funds they need | 0:05:53 | 0:05:56 | |
to convert their home for Mark's needs, so he has to remain in care. | 0:05:56 | 0:06:00 | |
It doesn't work for a disabled person. | 0:06:02 | 0:06:04 | |
We can't get him through the door. | 0:06:06 | 0:06:08 | |
If you do manage to get him to the bedroom, | 0:06:08 | 0:06:10 | |
there is nothing at all that we have to lift him onto the bed, | 0:06:10 | 0:06:13 | |
there is nowhere for him to have a shower, | 0:06:13 | 0:06:16 | |
there is nowhere for him to have a bath. | 0:06:16 | 0:06:18 | |
He means everything to us. | 0:06:18 | 0:06:20 | |
He is our son, he's a part of this family. | 0:06:20 | 0:06:24 | |
He's had a lot of his life taken away from him, | 0:06:24 | 0:06:27 | |
and we want him home to live with us. | 0:06:27 | 0:06:29 | |
I can look after him better. | 0:06:29 | 0:06:32 | |
Cos I'm his dad. | 0:06:32 | 0:06:33 | |
And it's my job. | 0:06:33 | 0:06:35 | |
Sorry. | 0:06:40 | 0:06:41 | |
It's almost like you need us | 0:06:43 | 0:06:45 | |
-to build a little extra house on the side rather than... -Yes. | 0:06:45 | 0:06:48 | |
..do anything, really, with this part of the house. | 0:06:48 | 0:06:50 | |
That was the idea - he needs to live independently from us, | 0:06:50 | 0:06:54 | |
although he... he will only be next door. | 0:06:54 | 0:06:57 | |
And a communal area so we can all kind of meet together in the middle. | 0:06:57 | 0:07:01 | |
-Right. -And spend time together as a family, | 0:07:01 | 0:07:03 | |
but he can also have his independence. | 0:07:03 | 0:07:06 | |
So with us building this sort of interconnected living space, | 0:07:06 | 0:07:10 | |
is not just about him having space, | 0:07:10 | 0:07:12 | |
-it's about a potential for recovery, you think? -Of course. | 0:07:12 | 0:07:16 | |
It's finding the roots and the ways that he can improve. | 0:07:16 | 0:07:21 | |
We want him to live the most fulfilled life he can, | 0:07:21 | 0:07:24 | |
and that's our ultimate goal. | 0:07:24 | 0:07:26 | |
All right, we'll do our best and we'll try and... You know, we're going to have to take away | 0:07:26 | 0:07:30 | |
a large chunk of your garden and a large chunk of the side of the house. | 0:07:30 | 0:07:33 | |
-OK. -And it's going to look very different when you come back. | 0:07:33 | 0:07:37 | |
'This family are determined to get their boy out of the care home | 0:07:37 | 0:07:40 | |
'and living with them, | 0:07:40 | 0:07:41 | |
'and it might be a bit of a shock, but we're not doing it alone.' | 0:07:41 | 0:07:45 | |
-Ooh! -Hey! | 0:07:45 | 0:07:47 | |
'Yeah, we've got the manpower, but what we don't have is much time, | 0:07:47 | 0:07:50 | |
'so it's bye-bye, family...' | 0:07:50 | 0:07:51 | |
-Hello. -Hello, Michelle, hi.. | 0:07:53 | 0:07:55 | |
Nice to see you, take care, Frank, catch up with you later in the week. | 0:07:55 | 0:07:59 | |
'..and hello new workmates.' | 0:07:59 | 0:08:01 | |
Would you like to explain who the designer is on this, as well? | 0:08:01 | 0:08:04 | |
He wafts about a bit, and he's quite fragrant. | 0:08:04 | 0:08:06 | |
CHAMBER MUSIC PLAYS | 0:08:06 | 0:08:10 | |
But he's a decent bloke. | 0:08:10 | 0:08:11 | |
So who's the designer that you're most worried | 0:08:14 | 0:08:16 | |
that we might turn up with? | 0:08:16 | 0:08:18 | |
ALL: Laurence. | 0:08:18 | 0:08:20 | |
THEY LAUGH | 0:08:20 | 0:08:23 | |
Er...yeah, this looks like it, driver, | 0:08:23 | 0:08:25 | |
just drop me here, that's fine. | 0:08:25 | 0:08:27 | |
Yes, that's exactly who's turning up. | 0:08:27 | 0:08:29 | |
THEY LAUGH | 0:08:29 | 0:08:31 | |
It is actually. Laurence is coming, look. | 0:08:31 | 0:08:33 | |
'But the builders are mistaken - he is a man of the people. | 0:08:33 | 0:08:36 | |
'He's arrived by bus, although that's more to do | 0:08:36 | 0:08:38 | |
'with the budget we've got these days, to be honest. | 0:08:38 | 0:08:41 | |
'And he's got off about three stops early. | 0:08:41 | 0:08:43 | |
'Still, it will give us time to get on with the job.' | 0:08:43 | 0:08:45 | |
-Name? -Stu. -Stuart. | 0:08:45 | 0:08:48 | |
'We're a site of highly trained individuals. | 0:08:48 | 0:08:51 | |
'And Mark.' | 0:08:51 | 0:08:53 | |
DOG BARKS | 0:08:54 | 0:08:55 | |
'That's funny. That's very funny! | 0:08:57 | 0:09:00 | |
'Make sure you pack that skip properly - I want it airtight.' | 0:09:00 | 0:09:03 | |
It's a big, big, big, big concrete pad, isn't it? | 0:09:04 | 0:09:06 | |
It's a big concrete slab. | 0:09:06 | 0:09:08 | |
Also, there was a big building here as well. | 0:09:08 | 0:09:10 | |
'Yes, we've had to do some prep, so we pulled down the old garage, | 0:09:10 | 0:09:13 | |
'and poured the concrete so it set in time for our building works. | 0:09:13 | 0:09:16 | |
'Which we need to happen... | 0:09:16 | 0:09:18 | |
'well, almost immediately actually, because the designer is now here. | 0:09:18 | 0:09:23 | |
'Despite looking very much like the Italian love child | 0:09:23 | 0:09:26 | |
'of Shakespeare and Cher, I am of course very much looking forward | 0:09:26 | 0:09:29 | |
'to working with the man, and indeed his highly pruned facial hair.' | 0:09:29 | 0:09:34 | |
What's your overarching theme with this house? | 0:09:35 | 0:09:38 | |
Well, obviously the big thing we've got to do | 0:09:38 | 0:09:41 | |
is to unite the generations, cos you've got the parents, | 0:09:41 | 0:09:44 | |
who've got a very, very specific take on taste, | 0:09:44 | 0:09:47 | |
and we're not touching their zone, if you like, | 0:09:47 | 0:09:49 | |
we've got Mark, but we've got that transitional space between the two, | 0:09:49 | 0:09:53 | |
which they will share. | 0:09:53 | 0:09:54 | |
'Laurence has designed both his hair and the home in two halves. | 0:09:54 | 0:09:59 | |
'We're not touching Frank and Christine's side. | 0:09:59 | 0:10:02 | |
'Instead, the old garage will become Mark's apartment. | 0:10:02 | 0:10:05 | |
'We'll be extending the original footprint to create a carer's area | 0:10:05 | 0:10:09 | |
'with pull-out bed and a kitchenette, | 0:10:09 | 0:10:11 | |
'and at the back, we'll build Mark's bedroom and wet room. | 0:10:11 | 0:10:15 | |
'The old guest bedroom gets a Laurence-like styling makeover, | 0:10:15 | 0:10:19 | |
'as does the old dining room, | 0:10:19 | 0:10:21 | |
'but we'll also make it wheelchair accessible, | 0:10:21 | 0:10:23 | |
'and we'll be constructing a brand-new communal lounge, | 0:10:23 | 0:10:26 | |
'accessible from both sides of the bungalow.' | 0:10:26 | 0:10:30 | |
I want my vision of Mark's space, which is going to be very youthful, | 0:10:31 | 0:10:36 | |
very energetic, quite... | 0:10:36 | 0:10:37 | |
It sounds a funny word to use, but sort of slightly Mediterranean, | 0:10:37 | 0:10:40 | |
and I like this kind of Ibiza look that's around a lot at the moment. | 0:10:40 | 0:10:43 | |
A little bit industrial. | 0:10:43 | 0:10:45 | |
So wish me luck, Mr Knowles. | 0:10:45 | 0:10:48 | |
-Good luck(!) -LAURENCE LAUGHS | 0:10:48 | 0:10:50 | |
'Yeah, the jury's out on that one, to be honest. | 0:10:50 | 0:10:52 | |
'Not that it matters, | 0:10:52 | 0:10:53 | |
'because the unstoppable force that is a Big Build has begun.' | 0:10:53 | 0:10:58 | |
So that beeping is our delivery, | 0:10:58 | 0:11:00 | |
so that means materials are coming in | 0:11:00 | 0:11:01 | |
for us to build the building with. | 0:11:01 | 0:11:03 | |
And all the noises coming from this side | 0:11:05 | 0:11:07 | |
means there's a bit of demolition going on, | 0:11:07 | 0:11:09 | |
so that gives me a happy face. | 0:11:09 | 0:11:11 | |
See? | 0:11:13 | 0:11:14 | |
'That's terrifying, isn't it? | 0:11:14 | 0:11:16 | |
'And he's not the only one, because there are 50 people | 0:11:16 | 0:11:18 | |
'on site today, all happy to give up their time to come and help out.' | 0:11:18 | 0:11:23 | |
Where you off to? | 0:11:23 | 0:11:24 | |
Electricians. | 0:11:26 | 0:11:29 | |
Where you going? | 0:11:29 | 0:11:30 | |
We've got to sort the drawing out, | 0:11:31 | 0:11:33 | |
there's a few things we need to discuss. | 0:11:33 | 0:11:36 | |
'Unbelievable, they're actually going to a cafe | 0:11:37 | 0:11:39 | |
just to talk about plans. | 0:11:39 | 0:11:41 | |
'At least the other trades are cracking on with it. | 0:11:42 | 0:11:44 | |
'We've got just nine days to do a build that would ordinarily take about three months, | 0:11:44 | 0:11:48 | |
'so it's going to be a tight squeeze. | 0:11:48 | 0:11:49 | |
'Frank and Christine's old garage | 0:11:49 | 0:11:51 | |
'left a very narrow strip for us to build, in between their bungalow | 0:11:51 | 0:11:55 | |
'and the neighbour's garage wall, there on the left. | 0:11:55 | 0:11:57 | |
'None of which should be a problem, | 0:11:57 | 0:11:59 | |
'because Mark's already been out ahead of us and measured up. | 0:11:59 | 0:12:02 | |
'I am of course being ironic, | 0:12:02 | 0:12:04 | |
'because he is a fool and always measures wrong. | 0:12:04 | 0:12:06 | |
'He can't even reach. Look at that - it's embarrassing. | 0:12:06 | 0:12:09 | |
'We've got just three hours to construct the skeleton of the extension, | 0:12:09 | 0:12:12 | |
'so we're using pre-constructed timber-framed panels to get ahead, | 0:12:12 | 0:12:15 | |
'but at the speed of continental drift, | 0:12:15 | 0:12:17 | |
'our compact Irish colleague has spotted a thinness issue.' | 0:12:17 | 0:12:22 | |
Just step into the hole there for me for a second, will you? | 0:12:23 | 0:12:27 | |
Not much room for building a wall, is there? | 0:12:27 | 0:12:30 | |
Hold on... | 0:12:30 | 0:12:31 | |
-Argh! -Would you get in there to be able to fix some brick slabs? -No! | 0:12:32 | 0:12:36 | |
-Ohh! -Oh, you nearly burst. -Nearly popped. | 0:12:37 | 0:12:41 | |
THEY LAUGH | 0:12:41 | 0:12:45 | |
He'd be your boy. He's a bit skinnier, isn't he? | 0:12:45 | 0:12:48 | |
That's true, actually. | 0:12:48 | 0:12:50 | |
But to be honest, you couldn't get a tool in there. | 0:12:50 | 0:12:52 | |
-He is a tool. -He is a tool! | 0:12:52 | 0:12:54 | |
-Hey! -THEY LAUGH | 0:12:54 | 0:12:56 | |
'So how do we get our rendering tool in there?' | 0:12:56 | 0:12:59 | |
I've got a suggestion. | 0:12:59 | 0:13:01 | |
That's the neighbour's garage - | 0:13:01 | 0:13:02 | |
I was thinking of asking the neighbour if we could prop his garage up on acrow props... | 0:13:02 | 0:13:06 | |
-And take his wall out. -..and take the wall out. | 0:13:06 | 0:13:08 | |
That's a good idea. | 0:13:08 | 0:13:09 | |
'Yeah, it might sound daft, but it's the only way we're going to be able to save this build, | 0:13:09 | 0:13:13 | |
'because without a friendly neighbour, we can't make the exterior waterproof. | 0:13:13 | 0:13:16 | |
'Not that that's stopping the guys from building it. | 0:13:16 | 0:13:19 | |
'They're ahead of schedule, and, by Jove, they're not stopping for anyone. | 0:13:19 | 0:13:22 | |
'Ooh, it's a bit tight, isn't it? It really is. | 0:13:22 | 0:13:26 | |
'So all I have to do now is track down the neighbour, | 0:13:26 | 0:13:28 | |
'who's out at work, and get them to let us knock down their wall. | 0:13:28 | 0:13:33 | |
'Hmm. | 0:13:33 | 0:13:35 | |
'The front is throwing up a few problems, | 0:13:35 | 0:13:37 | |
'but the back isn't exactly a walk in the park either.' | 0:13:37 | 0:13:39 | |
What about the garden, then, cos it's a weird old space, isn't it? | 0:13:40 | 0:13:43 | |
Actually, in design terms, I quite like this. | 0:13:43 | 0:13:46 | |
The house is so much higher, | 0:13:46 | 0:13:47 | |
it means you're going to be looking down onto the garden, | 0:13:47 | 0:13:50 | |
and I want to, I want to use... | 0:13:50 | 0:13:52 | |
I want to make a very bold kind of swirl shape in the middle of it, | 0:13:52 | 0:13:56 | |
and then have the planting either side. | 0:13:56 | 0:13:58 | |
'Laurence wants to make a big feature of the garden, | 0:13:59 | 0:14:03 | |
'so we're going to create an elongated, | 0:14:03 | 0:14:05 | |
'wheelchair-friendly resin descent. | 0:14:05 | 0:14:07 | |
'But with 50,000 tonnes of soil | 0:14:07 | 0:14:09 | |
'and 30,000 tonnes of hard material to remove, | 0:14:09 | 0:14:12 | |
'it's not going to be easy.' | 0:14:12 | 0:14:14 | |
Also, I think circles is going to work very well here. | 0:14:17 | 0:14:20 | |
'I don't look convinced, do I? | 0:14:21 | 0:14:23 | |
'Or moisturised, or attractive.' | 0:14:23 | 0:14:26 | |
When in doubt, get the guns out! | 0:14:27 | 0:14:30 | |
'Yes, and we're going to need those guns and many more like them, | 0:14:30 | 0:14:32 | |
'because unfortunately we can't get a digger in, | 0:14:32 | 0:14:35 | |
'so everything has to be broken and removed by hand. | 0:14:35 | 0:14:38 | |
'And, of course, they're not doing this just for the love of it - | 0:14:38 | 0:14:41 | |
'they're doing it for Mark. | 0:14:41 | 0:14:43 | |
'The hope is that by bringing him home, | 0:14:43 | 0:14:45 | |
'it will stimulate him and improve his condition.' | 0:14:45 | 0:14:48 | |
Let's go outside, buddy, go and get some sunshine. | 0:14:48 | 0:14:50 | |
-Get out in the sunshine, yeah - it's a lovely day for it. -Yeah, it's gorgeous. | 0:14:50 | 0:14:53 | |
One of Mark's favourite pastimes is coming outside. | 0:14:53 | 0:14:57 | |
'He's been in a care home now for two years. | 0:14:57 | 0:15:00 | |
'I've travelled the 20 miles Frank and Christine do every day | 0:15:02 | 0:15:06 | |
'to visit him and meet his carer, Dave.' | 0:15:06 | 0:15:08 | |
What's your main interest, Mark, you still interested in music? | 0:15:09 | 0:15:12 | |
Yeah, loves his music. House music, rave music, things like that. Yeah? | 0:15:12 | 0:15:17 | |
Well into that, aren't we, mate? | 0:15:17 | 0:15:19 | |
It's not the big things for Mark, it's the little things, | 0:15:19 | 0:15:21 | |
you know? Things that most people take for granted. | 0:15:21 | 0:15:24 | |
It's the small things that make Mark's day. | 0:15:24 | 0:15:26 | |
When his mum and his dad and his sister | 0:15:27 | 0:15:29 | |
and people like that come into his life, his smile, you know, | 0:15:29 | 0:15:34 | |
his eyes light up, | 0:15:34 | 0:15:36 | |
that's when you realise that there's still somebody there, | 0:15:36 | 0:15:38 | |
you know, there's still somebody within this body that's trapped. | 0:15:38 | 0:15:43 | |
For Mark to move home, it's going to be absolutely massive for him, | 0:15:43 | 0:15:47 | |
it's going to make so much difference to Mark's life as a whole. | 0:15:47 | 0:15:51 | |
There's no denying that Mark's receiving amazing care | 0:15:53 | 0:15:56 | |
at the centre - it's just not home. | 0:15:56 | 0:15:58 | |
This is, or at least it will be, if we can get it done. | 0:16:00 | 0:16:03 | |
We're pushing on with the build. We'll need to reconfigure | 0:16:06 | 0:16:09 | |
the space on the bungalow side which means taking down a wall | 0:16:09 | 0:16:12 | |
to make enough space for a new carer's area, | 0:16:12 | 0:16:14 | |
kitchen, bedroom and wet room. | 0:16:14 | 0:16:17 | |
Many hands make light work. | 0:16:19 | 0:16:20 | |
Should play for the England cricket team(!) | 0:16:24 | 0:16:27 | |
Well, this really big space is the new building for Mark | 0:16:27 | 0:16:29 | |
and, as we've said, the trick is to build a new bungalow | 0:16:29 | 0:16:32 | |
alongside the old bungalow and weave the two together which is | 0:16:32 | 0:16:35 | |
what this hole is all about here. Once the steels are in here, | 0:16:35 | 0:16:38 | |
we get to make this space become part of this space and it's all | 0:16:38 | 0:16:41 | |
woven together despite being, essentially, | 0:16:41 | 0:16:43 | |
two different buildings. Quite cool, don't you think? | 0:16:43 | 0:16:46 | |
Taking the neighbour's wall down is a real issue. | 0:16:49 | 0:16:52 | |
We actually can't complete our build without doing it. | 0:16:52 | 0:16:56 | |
So this is the man we've been looking for, Karl. | 0:16:56 | 0:16:58 | |
This is his house, which he's moving into on...? | 0:16:58 | 0:17:01 | |
Sometime over the weekend. | 0:17:01 | 0:17:02 | |
-Three days. -But there's a bigger issue, isn't there? | 0:17:02 | 0:17:06 | |
-There is. -In that we need to take down a wall of your garage. | 0:17:06 | 0:17:09 | |
So hopefully our plan of attack is we'll get in there, we'll clear | 0:17:09 | 0:17:12 | |
all the stuff out of your garage and we'll support the roof. | 0:17:12 | 0:17:15 | |
-Yeah. -Take all that out and do it all brand-new again. | 0:17:15 | 0:17:17 | |
-That's good. -Yeah? -Yeah, that's fine, I'm good with that. | 0:17:17 | 0:17:20 | |
Are you a man who likes a man-hug or are you not really...? | 0:17:20 | 0:17:23 | |
Oh, yeah, I'm always up for a man-hug. | 0:17:23 | 0:17:25 | |
Thank you very much. Watch out. | 0:17:25 | 0:17:27 | |
Not you. | 0:17:28 | 0:17:30 | |
Yeah, I wasn't quick enough to stop that, was I? | 0:17:30 | 0:17:32 | |
Wouldn't you like neighbours like that? | 0:17:32 | 0:17:34 | |
People who just say, "Yes, by all means, knock down our garage." | 0:17:34 | 0:17:36 | |
Which is exactly what we start to do. | 0:17:36 | 0:17:38 | |
Of course, there's a real goal here | 0:17:42 | 0:17:44 | |
and that's to bring this family back together. | 0:17:44 | 0:17:47 | |
They've always been close and, although Mark's sister Michelle | 0:17:47 | 0:17:50 | |
no longer lives at home, it was her that contacted us | 0:17:50 | 0:17:54 | |
and asked for our help. | 0:17:54 | 0:17:56 | |
How are you dealing with it all? Because, as brother and sister, | 0:17:56 | 0:17:59 | |
you were very close. | 0:17:59 | 0:18:00 | |
Yeah, we were, we still are and it's hard cos sometimes | 0:18:00 | 0:18:04 | |
I still go to ring him and forget, erm, that I can't ring him. | 0:18:04 | 0:18:10 | |
He was always the life and soul of the party, so I still miss him. | 0:18:10 | 0:18:14 | |
Can you still see Mark in there? Do you know what I mean? | 0:18:14 | 0:18:17 | |
Yeah, he's still there and he's still the same person. | 0:18:17 | 0:18:20 | |
He just struggles to communicate, cos he is, he's still | 0:18:20 | 0:18:22 | |
an individual person, he's still got the same personality, | 0:18:22 | 0:18:25 | |
he's still got the same heart, | 0:18:25 | 0:18:27 | |
everything about him is still the same, it's just | 0:18:27 | 0:18:29 | |
that his body doesn't function in the same way as it used to. | 0:18:29 | 0:18:33 | |
It's been a disastrous couple of years, hasn't it? | 0:18:33 | 0:18:35 | |
Yeah. | 0:18:35 | 0:18:36 | |
Sorry. | 0:18:38 | 0:18:39 | |
We all have good days and bad days but... | 0:18:43 | 0:18:46 | |
people on the outside don't see | 0:18:46 | 0:18:48 | |
how it's affected, erm, both my parents. They don't see | 0:18:48 | 0:18:52 | |
the hurt that they go through every day, especially my dad. | 0:18:52 | 0:18:55 | |
He's really... He's really struggled to cope with it | 0:18:55 | 0:18:58 | |
cos, in a way, as a family | 0:18:58 | 0:18:59 | |
we've grieved but you're grieving for somebody that's still there. | 0:18:59 | 0:19:03 | |
When you go to sleep at night and these things go over in your | 0:19:03 | 0:19:06 | |
head, what is it that you wish for? What's the endgame for you? | 0:19:06 | 0:19:10 | |
Just for Mark to be happy, it's all about him being independent | 0:19:10 | 0:19:15 | |
and...and setting up a structure and a life for him that he needs | 0:19:15 | 0:19:20 | |
in able to grow. He's 36, he's only a young man and he needs to be | 0:19:20 | 0:19:26 | |
able to develop and grow and he'll have his own place, | 0:19:26 | 0:19:28 | |
he'll have people that love to be around him | 0:19:28 | 0:19:32 | |
and he'll just have a good life and be happy. | 0:19:32 | 0:19:35 | |
It's a new day in a new town and a new van for Billy. | 0:19:41 | 0:19:45 | |
Seatbelt! | 0:19:46 | 0:19:50 | |
-Right. -How long have you been driving? -Since 1967. | 0:19:50 | 0:19:54 | |
Did you pass your test? | 0:19:54 | 0:19:55 | |
# I've been driving in my car... # | 0:19:57 | 0:20:01 | |
-Right, don't...? -What's that? HORN TOOTS ONCE | 0:20:01 | 0:20:05 | |
-Those people are just saying hello. -No, that's two toots. -Yeah. | 0:20:05 | 0:20:08 | |
Right, that's friendly. One toot's not friendly. | 0:20:08 | 0:20:11 | |
-You make me laugh. -All right. | 0:20:11 | 0:20:13 | |
You should have a warning sign, you know. | 0:20:21 | 0:20:23 | |
YOU should have a warning sign. | 0:20:23 | 0:20:25 | |
In fact, we're thinking of posting warning signs around every town | 0:20:25 | 0:20:28 | |
and village that we go to in future. | 0:20:28 | 0:20:30 | |
At the house, the sparks have started without Billy. No problem, | 0:20:33 | 0:20:36 | |
they're just getting on with it, as they do. | 0:20:36 | 0:20:38 | |
But what they are concerned about is Laurence's design reputation. | 0:20:38 | 0:20:42 | |
Just see how it's going, OK? Good. | 0:20:42 | 0:20:44 | |
What would your first natural question be | 0:20:44 | 0:20:46 | |
to Laurence about the design that's coming up? | 0:20:46 | 0:20:48 | |
Me? What would mine? No, I can't repeat it. | 0:20:48 | 0:20:51 | |
-Come on! Ask him, no, ask him! -Spit it out, I'm man enough. | 0:20:51 | 0:20:55 | |
I mean, a lot of it, for me, is... | 0:20:55 | 0:20:58 | |
Some of the designs, to me, | 0:20:58 | 0:21:00 | |
go over the top, you know, I suppose I'm just a simple lad. | 0:21:00 | 0:21:03 | |
Light in the middle and the light down there. | 0:21:03 | 0:21:06 | |
Well, the nice thing is that there is always | 0:21:06 | 0:21:08 | |
room on the planet for simple lads such as yourself. | 0:21:08 | 0:21:10 | |
It sounds like a strange thing to say | 0:21:10 | 0:21:12 | |
but I want to use a very visible track because he's got | 0:21:12 | 0:21:14 | |
the track that takes him into the bathroom which I, you know, | 0:21:14 | 0:21:17 | |
I don't want that to be just an isolated... | 0:21:17 | 0:21:19 | |
We've got to work round it, | 0:21:19 | 0:21:21 | |
I want it to be part of the design scheme, I want it to be reflected | 0:21:21 | 0:21:25 | |
in what we do, so we're going to be doing a lot of track lighting. | 0:21:25 | 0:21:27 | |
It's quite 1980s, which I like. The 1980s is a slight theme there. | 0:21:27 | 0:21:31 | |
-Do you remember the '80s? -Oh, just. -Yeah, you see... | 0:21:31 | 0:21:33 | |
Only a young lad, me. | 0:21:33 | 0:21:35 | |
You obviously weren't doing them properly if you remember them. | 0:21:35 | 0:21:38 | |
So are your fears allayed? Or have I made them worse? | 0:21:38 | 0:21:41 | |
Rub salt into that wound. | 0:21:41 | 0:21:43 | |
No, no, no, we'll just do whatever you want. | 0:21:43 | 0:21:45 | |
You can see where they're coming from, can't you? | 0:21:45 | 0:21:47 | |
Laurence isn't exactly known for his conservative design palette | 0:21:47 | 0:21:50 | |
but then Mark, who we're building it for, was never that conservative. | 0:21:50 | 0:21:53 | |
Of course, he loves his music so I can understand. | 0:21:53 | 0:21:56 | |
So the Ibiza thing, is this...? | 0:21:56 | 0:21:57 | |
I've really sprung off on the Ibiza thing, | 0:21:57 | 0:21:59 | |
and I... As you know, I always think it's really, really important | 0:21:59 | 0:22:02 | |
with all of these schemes that they are sensational design schemes. | 0:22:02 | 0:22:05 | |
You know, it's a very sensitive issue for me | 0:22:05 | 0:22:07 | |
because my mother was disabled. She, you know, | 0:22:07 | 0:22:10 | |
she spent most of her life in a wheelchair | 0:22:10 | 0:22:12 | |
and one of my big missions in this kind of context is the fact that | 0:22:12 | 0:22:16 | |
too often it's all just about need, | 0:22:16 | 0:22:18 | |
so there's no room for that wonderful... | 0:22:18 | 0:22:21 | |
..help that actually something looking nice can give you as well. | 0:22:22 | 0:22:26 | |
Yes, he might be wearing more lacquer than a French dresser | 0:22:26 | 0:22:30 | |
but Laurence has a point. | 0:22:30 | 0:22:31 | |
This family deserves some good fortune, | 0:22:31 | 0:22:34 | |
even if it means we have to dig deep. | 0:22:34 | 0:22:35 | |
Just a second. | 0:22:35 | 0:22:36 | |
Get my bicep up! | 0:22:38 | 0:22:39 | |
When it's finished, it's going to be a big apartment, which means | 0:22:41 | 0:22:44 | |
there's space for friends | 0:22:44 | 0:22:45 | |
and that's something I'm sure Mark will benefit from. | 0:22:45 | 0:22:49 | |
You're a friend of Mark's? | 0:22:49 | 0:22:51 | |
Yes, we've been friends for years, it was just fun 24-7. | 0:22:51 | 0:22:55 | |
He was always up to mischief, always playing games, stupid things, | 0:22:55 | 0:22:59 | |
we were always having parties with him | 0:22:59 | 0:23:01 | |
and... So he was just a really, really genuine, caring guy. | 0:23:01 | 0:23:05 | |
How has it been for all of his friends since the accident? | 0:23:05 | 0:23:08 | |
To go to the hospital and see him in a totally different state, | 0:23:08 | 0:23:11 | |
it wasn't Mark, and to not be able to help him | 0:23:11 | 0:23:15 | |
and to see him just lying there doing nothing, it has been hard. | 0:23:15 | 0:23:19 | |
Tough on the family as well. | 0:23:19 | 0:23:20 | |
Really tough, yeah, they've been torn apart through it all, really bad. | 0:23:20 | 0:23:24 | |
To bring him home I think he'll come on in leaps and bounds, | 0:23:24 | 0:23:27 | |
cos when he's around his family, you can see the old Mark coming back. | 0:23:27 | 0:23:32 | |
Well, that's exactly what we're hoping for. | 0:23:32 | 0:23:35 | |
Having made a great big hole in the bungalow, the steel's arrived, | 0:23:37 | 0:23:40 | |
so we can start to patch it up again. | 0:23:40 | 0:23:43 | |
3,960. | 0:23:43 | 0:23:46 | |
Yeah, that'll do, 3,960. | 0:23:46 | 0:23:48 | |
Don't let him measure stuff! | 0:23:48 | 0:23:50 | |
A quick cut down to size and it should go in a treat. | 0:23:50 | 0:23:53 | |
In at the end...lovely. | 0:23:56 | 0:23:59 | |
Something that Michelle, Mark's sister, said when I saw her | 0:24:01 | 0:24:04 | |
stuck with me. | 0:24:04 | 0:24:06 | |
Christine and Frank have been married for 39 years | 0:24:06 | 0:24:08 | |
but the last two have really tested them. | 0:24:08 | 0:24:11 | |
And I wondered how Christine has coped. | 0:24:11 | 0:24:14 | |
Do you find yourself running through the events that night? | 0:24:16 | 0:24:19 | |
I think it... | 0:24:19 | 0:24:21 | |
it just hits you every now and again, | 0:24:21 | 0:24:23 | |
it just sort of, like, comes over you in a big wave. | 0:24:23 | 0:24:26 | |
How do you feel now? | 0:24:26 | 0:24:28 | |
Just that it's unfair. So, so unfair. | 0:24:28 | 0:24:31 | |
Mark's had a life taken away from him | 0:24:32 | 0:24:34 | |
but I'm more angry for my husband because he's a broken man. | 0:24:34 | 0:24:38 | |
He... | 0:24:40 | 0:24:42 | |
He'd only just come out of hospital when it happened, | 0:24:42 | 0:24:46 | |
for secondary cancer and I thought | 0:24:46 | 0:24:48 | |
I was going to lose him at one point. And I knew what would be | 0:24:48 | 0:24:51 | |
going through his mind would be, | 0:24:51 | 0:24:53 | |
"They should have taken me instead of him." | 0:24:53 | 0:24:55 | |
You're worried about Frank, aren't you? | 0:24:56 | 0:24:59 | |
Very much so. | 0:24:59 | 0:25:00 | |
He's angry for his son every time he sees him. | 0:25:00 | 0:25:03 | |
He can't cope at the minute. | 0:25:03 | 0:25:04 | |
We're together, we're a team and I would say that we've done OK | 0:25:06 | 0:25:11 | |
but it's been really, really hard. | 0:25:11 | 0:25:13 | |
So maybe this is the corner turn. | 0:25:13 | 0:25:16 | |
This is definitely the corner turn, Frank will definitely benefit | 0:25:16 | 0:25:20 | |
when Mark's home and Mark will be home with his family where | 0:25:20 | 0:25:25 | |
he's loved and he's cared for. | 0:25:25 | 0:25:26 | |
He'll be out of one single room that he's been in for two years | 0:25:26 | 0:25:31 | |
in various hospital organisations and he'll... | 0:25:31 | 0:25:35 | |
He'll be free. That's how I see it, he'll be free. | 0:25:35 | 0:25:39 | |
That's what I want. | 0:25:41 | 0:25:42 | |
It's clear getting Mark home won't benefit just him but all the family. | 0:25:46 | 0:25:50 | |
We're 800 man hours into the build | 0:25:51 | 0:25:53 | |
and you can start to see real progress. | 0:25:53 | 0:25:56 | |
So by the end of play today I can actually call | 0:25:56 | 0:25:58 | |
-the roofers in to start getting this felted and battened. -Yeah. | 0:25:58 | 0:26:02 | |
-And the flat room sorted. -Yup. -Brilliant. | 0:26:02 | 0:26:06 | |
What's not so brilliant is clearing up after Billy | 0:26:06 | 0:26:08 | |
but at least the boys aren't moaning about it. | 0:26:08 | 0:26:10 | |
I'll be mostly patching the ceiling today. | 0:26:17 | 0:26:19 | |
Putting these bits of wood up then we can put | 0:26:21 | 0:26:23 | |
bits of plasterboard in, then we can over-skim the whole ceiling. | 0:26:23 | 0:26:26 | |
It's taken a long, long time but my friend, colleague and best buddy | 0:26:28 | 0:26:33 | |
jumped in to join me. Doesn't say a lot but he's a nice boy. | 0:26:33 | 0:26:37 | |
There are all sorts of nice people helping out... | 0:26:39 | 0:26:42 | |
..and with good reason. | 0:26:43 | 0:26:44 | |
If my daughter was in the same position and I didn't have | 0:26:44 | 0:26:48 | |
the funds to have this kind of work done, you'd want someone to | 0:26:48 | 0:26:52 | |
chip in, give you a lift | 0:26:52 | 0:26:54 | |
and it's all for a good cause, so why not help? | 0:26:54 | 0:26:58 | |
-Have you got any kids? -I've not, no, not yet. | 0:26:58 | 0:27:01 | |
-Are you married? -Not yet. | 0:27:01 | 0:27:02 | |
Got a girlfriend? | 0:27:02 | 0:27:04 | |
He did have, did have. | 0:27:04 | 0:27:06 | |
Wait for it, ladies, good-looking lad there, on the market, | 0:27:06 | 0:27:09 | |
free and available if you're interested. | 0:27:09 | 0:27:12 | |
-What's the name? -Brian. | 0:27:12 | 0:27:14 | |
-Brian - look at that. -Oh, God, you can't. | 0:27:14 | 0:27:16 | |
Bless. | 0:27:19 | 0:27:20 | |
Our third day in, and once again our trades haven't disappointed us. | 0:27:37 | 0:27:41 | |
We've got just three hours to dig our curl-shaped trenches | 0:27:48 | 0:27:51 | |
before the concrete arrives and Laurence turns up to inspect. | 0:27:51 | 0:27:56 | |
I can't believe it. | 0:27:56 | 0:27:57 | |
Look at them go. It's incredible, isn't it? | 0:27:57 | 0:28:00 | |
Like a machine. | 0:28:00 | 0:28:02 | |
What's also incredible is how much enthusiasm Chris still | 0:28:02 | 0:28:05 | |
has for plastering. | 0:28:05 | 0:28:06 | |
17 spreads... | 0:28:06 | 0:28:08 | |
Guess what? The plasterers have turned up today... | 0:28:08 | 0:28:11 | |
-..17 spreads. -..and they're everywhere, | 0:28:11 | 0:28:13 | |
they're all over the place... | 0:28:13 | 0:28:14 | |
-Come and have a look. -..and guess who's really happy. -17 spreads. | 0:28:14 | 0:28:17 | |
Yup, the inside is packed with skilled workmen. | 0:28:18 | 0:28:22 | |
-Well, sort of. -GERMAN ACCENT: What is your name? | 0:28:22 | 0:28:24 | |
We have ways and means of making you talk! | 0:28:24 | 0:28:27 | |
Hell, no! | 0:28:27 | 0:28:28 | |
And around the back... | 0:28:34 | 0:28:36 | |
..Laurence has turned up to pontificate on his swirls. | 0:28:38 | 0:28:43 | |
They're just not right. | 0:28:43 | 0:28:44 | |
I think I might have just arrived more or less just in time. | 0:28:44 | 0:28:48 | |
What do you mean, Laurence? | 0:28:48 | 0:28:50 | |
Although I have this frightful reputation of being deeply | 0:28:50 | 0:28:53 | |
impractical, actually I do think that mowing this tiny little... | 0:28:53 | 0:28:56 | |
I don't know, what would you call it? ..Brazilian grass | 0:28:56 | 0:29:00 | |
would be rather complicated. Someone got some spray? | 0:29:00 | 0:29:04 | |
I was going to say, "Well, mind the suit," | 0:29:10 | 0:29:12 | |
but, to be honest, it can only improve it, can't it? | 0:29:12 | 0:29:14 | |
That's a bit wide. | 0:29:14 | 0:29:16 | |
Lord Swirly is, as it turns out, very particular about the curl. | 0:29:16 | 0:29:20 | |
Mm, OK, fine. | 0:29:20 | 0:29:21 | |
Well, it's going to look great from the roof, isn't it? | 0:29:21 | 0:29:24 | |
We've doubled the original area of that roof, | 0:29:24 | 0:29:27 | |
so it's hard graft for these boys ahead. | 0:29:27 | 0:29:29 | |
Although it's tough work, the build part of the project | 0:29:34 | 0:29:37 | |
is coming along nicely. | 0:29:37 | 0:29:38 | |
-We've got two days to do this so... -We'll be done tomorrow. | 0:29:40 | 0:29:43 | |
The concrete has arrived which means the guys have been busy | 0:29:47 | 0:29:50 | |
shovelling it into trenches in the garden in accordance with | 0:29:50 | 0:29:53 | |
Lord Swirly's grand plan. | 0:29:53 | 0:29:54 | |
I think with relatively small suburban gardens like this, | 0:29:57 | 0:30:00 | |
people are often a little bit unimaginative about the shapes | 0:30:00 | 0:30:03 | |
they put in them, so I wanted to use big spirals to make the whole | 0:30:03 | 0:30:09 | |
thing feel more exciting, to make it feel much more like a journey. | 0:30:09 | 0:30:13 | |
OK, go on. | 0:30:13 | 0:30:14 | |
You know, nature comes in curls and curves and sort of big bosomy | 0:30:14 | 0:30:19 | |
swags, but the problem is it's really difficult, as you can see | 0:30:19 | 0:30:22 | |
here, we're having to make a giant compass now to get the curve right. | 0:30:22 | 0:30:26 | |
Yeah, it's a minor detail but the concrete's already in the trenches. | 0:30:26 | 0:30:31 | |
But Laurence feels, again, they didn't quite hit the mark. | 0:30:31 | 0:30:34 | |
The thing is, the time pressure is to obviously get the concrete out | 0:30:34 | 0:30:37 | |
before it sets and then move it so that it's in the right place, | 0:30:37 | 0:30:41 | |
so it was a very timely visit. | 0:30:41 | 0:30:43 | |
Look at them go. | 0:30:45 | 0:30:48 | |
Yes, now I'm worried. | 0:30:48 | 0:30:50 | |
-TO FIRESTARTER BY THE PRODIGY: -I wanted to use curls and curls | 0:30:50 | 0:30:52 | |
and big spirals, big bosomy swags. | 0:30:52 | 0:30:55 | |
I know exactly what it's going to look like. | 0:30:58 | 0:30:59 | |
I know exactly what it's going to look like when it's all done. | 0:30:59 | 0:31:02 | |
Nobody else does. | 0:31:02 | 0:31:04 | |
Bricks, bricks, bricks, bricks, got to like bricks to hang out here. | 0:31:04 | 0:31:08 | |
Ah, the garden of Eden was nothing like this. | 0:31:10 | 0:31:14 | |
I'm very impressed, I don't impress easily. | 0:31:14 | 0:31:17 | |
Well, that was kind of weird, wasn't it? I think | 0:31:17 | 0:31:19 | |
the editor's gone for a lie down. | 0:31:19 | 0:31:21 | |
And so ends another busy day on a Big Build. | 0:31:22 | 0:31:25 | |
We're coming up to the halfway point to the build | 0:31:30 | 0:31:32 | |
and although we've made a good start, we need to keep on pushing. | 0:31:32 | 0:31:35 | |
With our extension side all nicely waterproofed, it's time to build | 0:31:39 | 0:31:42 | |
the neighbour's wall up again. | 0:31:42 | 0:31:44 | |
In about an hour's time it'll all be done. | 0:31:46 | 0:31:48 | |
Let's get it done and let's get him moved in. That's what I think, yeah. | 0:31:48 | 0:31:52 | |
Of course, everything changed for Mark one spring night in 2012 | 0:31:57 | 0:32:01 | |
but life changed for Frank too. | 0:32:01 | 0:32:03 | |
I'm a dad myself and my heart goes out to him | 0:32:03 | 0:32:06 | |
and everything he's been through. | 0:32:06 | 0:32:09 | |
-It hasn't got any easier for you, has it? -No. | 0:32:09 | 0:32:13 | |
No, erm, the reliving of what happened to Mark... | 0:32:15 | 0:32:19 | |
..it's just huge for us. | 0:32:21 | 0:32:23 | |
70% of the people who this sort of thing happens to | 0:32:23 | 0:32:28 | |
end up getting divorced. And I said, | 0:32:28 | 0:32:30 | |
"Well, it won't happen to me and Christine." | 0:32:30 | 0:32:32 | |
But, lo and behold, we have been through some | 0:32:32 | 0:32:34 | |
terrible days and times and we seem to argue over the least thing. | 0:32:34 | 0:32:41 | |
It just... I'm thinking, "Well, why is this like this? | 0:32:41 | 0:32:45 | |
-"This can't be right." -It's the anger inside you, isn't it? | 0:32:45 | 0:32:48 | |
-Well, probably it is, yeah. -And her too, I imagine. | 0:32:48 | 0:32:50 | |
Oh, good God, yeah. | 0:32:50 | 0:32:52 | |
Have you found it hard because, as a dad, | 0:32:52 | 0:32:54 | |
our job is to protect, isn't it? | 0:32:54 | 0:32:57 | |
Extremely, because I can't, | 0:32:57 | 0:32:59 | |
I can't protect him any more than what he's getting now, | 0:32:59 | 0:33:02 | |
and I felt as though I was letting everybody down then. | 0:33:02 | 0:33:04 | |
Where he is now, | 0:33:04 | 0:33:05 | |
I feel as though me hands are tied, there's very little I can do. | 0:33:05 | 0:33:09 | |
My son was very close to me. | 0:33:09 | 0:33:12 | |
We were very close and, er... | 0:33:12 | 0:33:15 | |
..I miss him...so much. | 0:33:18 | 0:33:21 | |
He's... | 0:33:24 | 0:33:26 | |
He's lost an awful lot in his life. | 0:33:27 | 0:33:31 | |
If there was a God up there, he made him not get married | 0:33:31 | 0:33:35 | |
or have children... | 0:33:35 | 0:33:36 | |
..cos I don't know how I would have coped with that as well. | 0:33:37 | 0:33:39 | |
And, yeah, me heart is broken. | 0:33:44 | 0:33:46 | |
Do you think you've turned a corner with this house being sorted out? | 0:33:49 | 0:33:53 | |
I've got a purpose in life now. It's to look after Mark | 0:33:53 | 0:33:57 | |
and I've not got to worry about what's gone, the past is the past | 0:33:57 | 0:34:03 | |
now, Mark's got a future which we didn't think he had before | 0:34:03 | 0:34:06 | |
and I'm going to make sure that that future is fulfilled, | 0:34:06 | 0:34:10 | |
my son's coming home. | 0:34:10 | 0:34:12 | |
Do you think now that Mark's coming home, now the house is sorted out, | 0:34:12 | 0:34:15 | |
do you think you and Christine will be able to... | 0:34:15 | 0:34:18 | |
rekindle your relationship? | 0:34:18 | 0:34:22 | |
I've no doubt whatsoever because that's all she ever wanted. | 0:34:22 | 0:34:25 | |
She'll get the family back. | 0:34:25 | 0:34:27 | |
39 years and I've never stopped loving her. | 0:34:27 | 0:34:29 | |
Apart from one person drinking tea, back on the site | 0:34:37 | 0:34:40 | |
we've picked up the pace. | 0:34:40 | 0:34:41 | |
Do a 15-second roundup. I'll count. One... | 0:34:44 | 0:34:48 | |
It's just gone... Hang on, we'll do it again | 0:34:49 | 0:34:52 | |
cos you started counting too early. | 0:34:52 | 0:34:54 | |
-When the camera comes round, count. -All right then. | 0:34:54 | 0:34:57 | |
-One... -Ah, there you are. | 0:34:59 | 0:35:01 | |
It's Saturday afternoon. Just to put you up to speed, | 0:35:01 | 0:35:03 | |
the floor's going down in the back rooms. | 0:35:03 | 0:35:06 | |
The plastering is finished. | 0:35:06 | 0:35:08 | |
The kitchen is going into the middle bit of the new extension. | 0:35:09 | 0:35:13 | |
It's absolutely kick-arse in there. It's happening. | 0:35:13 | 0:35:16 | |
Can't mention arses. | 0:35:16 | 0:35:18 | |
I wouldn't get a lot of work, would I? | 0:35:18 | 0:35:20 | |
You wouldn't get a lot of work. | 0:35:20 | 0:35:22 | |
Come on. Let's go and plasterboard that wall. We can do that. | 0:35:23 | 0:35:25 | |
I thought it was a good effort, | 0:35:26 | 0:35:28 | |
although I won't be looking over my shoulder | 0:35:28 | 0:35:30 | |
with trepidation any time soon. | 0:35:30 | 0:35:32 | |
Inside, we're cutting and fitting the carer's area. | 0:35:32 | 0:35:35 | |
Laurence has made it his personal mission to ensure | 0:35:35 | 0:35:38 | |
this space is functional but beautiful, | 0:35:38 | 0:35:40 | |
so he's personally arranged for a bespoke splashback | 0:35:40 | 0:35:43 | |
with Ibiza print made of glass. | 0:35:43 | 0:35:45 | |
Once the glass has been toughened and tempered... | 0:35:46 | 0:35:49 | |
-Yes. -..that means it cannot be cut. | 0:35:49 | 0:35:52 | |
That is correct, yes. It then becomes safety glass | 0:35:52 | 0:35:54 | |
which means it shatters into pieces that are safe to handle | 0:35:54 | 0:35:58 | |
-once they've broken. -Right. | 0:35:58 | 0:36:01 | |
So that means if it doesn't fit, it can't be altered. | 0:36:01 | 0:36:04 | |
It can't be altered, no. | 0:36:04 | 0:36:05 | |
Whoever gave them the measurement for the glass has measured it wrong. | 0:36:05 | 0:36:09 | |
They've not allowed for the ply on the wall, so it doesn't fit. | 0:36:09 | 0:36:15 | |
Mark Millar! | 0:36:16 | 0:36:17 | |
HE WHINES AND HOWLS | 0:36:17 | 0:36:19 | |
Yeah, that's not a happy face. | 0:36:21 | 0:36:22 | |
But luckily for him, these guys are professionals. | 0:36:22 | 0:36:25 | |
We're going to cut a piece out of the wall there, | 0:36:25 | 0:36:29 | |
slide it into that side, cut a piece out of that side, | 0:36:29 | 0:36:32 | |
slide it that side, even it out, job will be fixed. | 0:36:32 | 0:36:36 | |
See we don't need problems, we need answers | 0:36:41 | 0:36:43 | |
and that's just what they've given. | 0:36:43 | 0:36:45 | |
Moving on, at least the middle rooms are coming along nicely. | 0:36:45 | 0:36:47 | |
Funnily enough, though, the panelling has gone in upside down | 0:36:49 | 0:36:52 | |
but there we are. I'm not sure I don't quite like that. | 0:36:52 | 0:36:54 | |
Erm, it's one of those things that at this stage in the game, | 0:36:54 | 0:36:57 | |
you think, "Right, OK, well, that's a... | 0:36:57 | 0:37:00 | |
"That's a lucky accident, cos it looks so much more modern | 0:37:00 | 0:37:03 | |
"being upside down." | 0:37:03 | 0:37:04 | |
-NICK LAUGHS -That's the spirit. | 0:37:05 | 0:37:07 | |
We're also looking on the bright side in the garden, | 0:37:07 | 0:37:10 | |
22 tonnes of topsoil coming in on foot. | 0:37:10 | 0:37:13 | |
-I love that. You see that? -Yeah, "No negativity allowed." | 0:37:14 | 0:37:17 | |
Yeah. That's brilliant, ain't it? | 0:37:17 | 0:37:20 | |
By end of play today, resin will be in, lawn will be in, | 0:37:20 | 0:37:23 | |
brickwork will be done. | 0:37:23 | 0:37:25 | |
-We're finished, aren't we? -Yeah. | 0:37:25 | 0:37:27 | |
We're also starting to see the light on the inside. | 0:37:30 | 0:37:34 | |
And if you look up there, there's a good-looking fella. Hello, son. | 0:37:34 | 0:37:37 | |
With the panelling in the two centre rooms complete, | 0:37:39 | 0:37:42 | |
the paint is out... Oh, white. | 0:37:42 | 0:37:44 | |
That doesn't look too bad, I suppose. | 0:37:44 | 0:37:46 | |
Yeah, it's very Laurence. Very bright. | 0:37:47 | 0:37:50 | |
-Flamboyant, shall we say? -Mm... Yeah, I'm not sure. | 0:37:50 | 0:37:53 | |
We're also installing the hoists. | 0:37:53 | 0:37:55 | |
It's these kind of changes we hope | 0:37:55 | 0:37:56 | |
will change Mark's future for the better. | 0:37:56 | 0:37:59 | |
As a young man, Mark loved the outdoors and the Scouts. | 0:38:02 | 0:38:05 | |
Frank is still an active leader, | 0:38:07 | 0:38:08 | |
so with the help of friends, I've organised a day out. | 0:38:08 | 0:38:11 | |
Nice to be out in the open air. | 0:38:14 | 0:38:15 | |
Oh, it's beautiful. Absolutely beautiful. | 0:38:15 | 0:38:17 | |
-Well, I've brought Billy and Chris and Jules down... -Right. | 0:38:17 | 0:38:21 | |
..to join Frank to go dragon boat racing. | 0:38:21 | 0:38:24 | |
-Oh, good. -SHE LAUGHS | 0:38:24 | 0:38:26 | |
Those people getting on that boat | 0:38:26 | 0:38:27 | |
don't realise what they're getting into. | 0:38:27 | 0:38:30 | |
HE YELLS | 0:38:30 | 0:38:32 | |
Hello. | 0:38:33 | 0:38:34 | |
I'm not sure having Frank on the drum is a particularly good idea. | 0:38:34 | 0:38:37 | |
-You all right? -Argh! | 0:38:37 | 0:38:40 | |
I'm not sure. | 0:38:40 | 0:38:41 | |
Go on, son. You'll be fine. Cock your leg over it. Get on. | 0:38:41 | 0:38:44 | |
-There you are, look. -Whoa! -You're all right. Just hold on. | 0:38:44 | 0:38:48 | |
How am I going to beat the drum if I'm holding on? | 0:38:48 | 0:38:50 | |
THEY CHEER | 0:38:50 | 0:38:53 | |
Is he known for his athletic ability, Frank? | 0:38:53 | 0:38:56 | |
He used to run marathons, yeah. He ran marathons. | 0:38:56 | 0:38:58 | |
What, the chocolate bar? | 0:38:58 | 0:39:00 | |
-SHE LAUGHS -Chocolate bar! | 0:39:00 | 0:39:03 | |
Stand by. One, two, three... | 0:39:03 | 0:39:06 | |
WHISTLE SOUNDS | 0:39:06 | 0:39:08 | |
Look how out of sync they are on the one on the left. | 0:39:12 | 0:39:15 | |
It's like a drunk spider's legs. | 0:39:16 | 0:39:19 | |
Come on, Frank! | 0:39:19 | 0:39:20 | |
Come on, Frank! | 0:39:24 | 0:39:26 | |
-ALL: -One! Two! One! | 0:39:26 | 0:39:29 | |
Oh, no. I think Julian's got this. | 0:39:29 | 0:39:31 | |
I think Julian's got it. | 0:39:31 | 0:39:33 | |
-CHEERING -Win for Julian. | 0:39:33 | 0:39:35 | |
You know, a bit of fun like that shows us that this family | 0:39:42 | 0:39:44 | |
still have a real chance of putting the past behind them. | 0:39:44 | 0:39:47 | |
Having started this job, we hit a few snags, | 0:39:51 | 0:39:54 | |
but with the help of new friends, we've just about overcome them all. | 0:39:54 | 0:39:58 | |
That looks absolutely lovely. | 0:39:58 | 0:39:59 | |
Erm, by the look of it, it wasn't an easy installation! | 0:39:59 | 0:40:02 | |
No, it wasn't an easy installation. | 0:40:02 | 0:40:04 | |
By the way that you've chewed out that wall, | 0:40:04 | 0:40:06 | |
obviously with your own teeth. | 0:40:06 | 0:40:08 | |
Yeah! The neighbour's wall | 0:40:08 | 0:40:10 | |
that was flush to our extension has now been re-built. | 0:40:10 | 0:40:13 | |
That's grand. Job done! | 0:40:13 | 0:40:15 | |
And the trades are just about managing | 0:40:15 | 0:40:18 | |
to stay on top of Laurence's demands. | 0:40:18 | 0:40:20 | |
Have you got enough work on at the moment? | 0:40:22 | 0:40:24 | |
It looks like there's an enormous amount of chipping in. | 0:40:24 | 0:40:27 | |
Oh, we're busy. There's a lot to do. | 0:40:27 | 0:40:29 | |
Experience tells me this is usually the place | 0:40:31 | 0:40:33 | |
where the design starts to make sense. | 0:40:33 | 0:40:36 | |
But I'm struggling, and I'm not the only one, to be honest. | 0:40:37 | 0:40:40 | |
Erm, what is it? What are they supposed to be? | 0:40:40 | 0:40:43 | |
Are they gremlins? Are they...what? Are they sperm? | 0:40:43 | 0:40:47 | |
What do you think it is? | 0:40:47 | 0:40:49 | |
It looks like one of them lava lamps, doesn't it? | 0:40:49 | 0:40:52 | |
Oh, that could be right, yeah. A lava lamp, | 0:40:52 | 0:40:54 | |
that's what it looks like. Not sperm at all, really, is it? | 0:40:54 | 0:40:57 | |
HE LAUGHS | 0:40:57 | 0:40:59 | |
It reminds me of being in a room of lava lamps. What about you, Karl? | 0:40:59 | 0:41:03 | |
There are going to be things that happen which seem really weird, | 0:41:04 | 0:41:08 | |
but all of those things are part of a very finely balanced, | 0:41:08 | 0:41:12 | |
symphonic approach to design. | 0:41:12 | 0:41:15 | |
-Very tranquil, isn't it? -Yeah, it's very therapeutic. | 0:41:18 | 0:41:21 | |
Yup, jellyfish. | 0:41:23 | 0:41:25 | |
We might have started with nine precious days, | 0:41:25 | 0:41:28 | |
now we have just hours left, so it's a rush | 0:41:28 | 0:41:30 | |
to get the plants into the garden - all 2,500 of them. | 0:41:30 | 0:41:34 | |
Colour in the garden is brilliant. I love colour, | 0:41:34 | 0:41:36 | |
but Laurence can take it too far. | 0:41:36 | 0:41:39 | |
He wants to paint a seat blue, and it's fine as it is! | 0:41:39 | 0:41:42 | |
We cannot stop the inestimable surge of design like this, | 0:41:44 | 0:41:49 | |
we cannot hold it back, we cannot Canute it. | 0:41:49 | 0:41:51 | |
But a big blue blob in the corner of the garden.... | 0:41:51 | 0:41:54 | |
Which is absolutely what we need. | 0:41:54 | 0:41:56 | |
Oh, you - I said to everybody, don't find any brushes! | 0:41:56 | 0:42:00 | |
-Oh, man. -Yeah, you're losing, man. | 0:42:00 | 0:42:03 | |
You're losing. | 0:42:03 | 0:42:05 | |
-Look! Well, the bad news is, we're so doing this. -No, but we're not. No. | 0:42:05 | 0:42:09 | |
-We are. Look, it's perfect. -But it's not just an issue of coverage, is it, Laurence? | 0:42:09 | 0:42:13 | |
It's an issue of authorship, Nicholas. | 0:42:13 | 0:42:16 | |
Design is now in charge. | 0:42:16 | 0:42:19 | |
Hang on, let me see this from a distance. | 0:42:21 | 0:42:23 | |
Honestly and truly, why is it blue? Nothing else in this garden is blue. | 0:42:26 | 0:42:30 | |
Apart from that pot, that pot over there, most of the planting. | 0:42:30 | 0:42:33 | |
It's a lot to do with the fact that, actually, | 0:42:33 | 0:42:36 | |
when you look from Mark's bedroom - our accent is all blue - | 0:42:36 | 0:42:40 | |
this is going to be the first thing you see. | 0:42:40 | 0:42:42 | |
As you absolutely rightly point out, it will stick out like a sore thumb, but that's the whole point of it. | 0:42:42 | 0:42:46 | |
And bearing in mind that Mark's going to be spending | 0:42:46 | 0:42:49 | |
a lot of time in there in bed, he will be able to see this, | 0:42:49 | 0:42:52 | |
and this suddenly, this corner of the garden, | 0:42:52 | 0:42:54 | |
becomes more about being part of his bedroom | 0:42:54 | 0:42:56 | |
than being segregated as an experience from being outside. | 0:42:56 | 0:43:01 | |
I'm giving that a round of applause. | 0:43:01 | 0:43:03 | |
Yeah, all right, he won that, yes, yes. | 0:43:06 | 0:43:09 | |
We've got a last-minute rush on to get the big items in, | 0:43:09 | 0:43:11 | |
and, of course, it's a busy time for Lord Swirly | 0:43:11 | 0:43:14 | |
and his cushion cuddling. | 0:43:14 | 0:43:16 | |
But all in all, he's gone and pulled a blinder, really, hasn't he? | 0:43:16 | 0:43:20 | |
He's very good. | 0:43:21 | 0:43:23 | |
Well, that's it, pretty much. All we've got to do is to have a bit of a sweep up and clean up | 0:43:24 | 0:43:28 | |
out here in the garden and hang a couple of picture inside, and we're done. | 0:43:28 | 0:43:31 | |
Nine days of sterling effort and it looks amazing. | 0:43:31 | 0:43:34 | |
You can't look at this stage, can you? Go on, quickly. | 0:43:34 | 0:43:38 | |
I know! It's amazing, isn't it? | 0:43:38 | 0:43:41 | |
In April 2012, a single punch to the head | 0:43:50 | 0:43:54 | |
left Mark fighting for his life. | 0:43:54 | 0:43:56 | |
They came to us and said, | 0:43:56 | 0:43:59 | |
"Your son is alive but he is utterly and totally different now." | 0:43:59 | 0:44:03 | |
His injuries left him totally dependent on carers. | 0:44:03 | 0:44:07 | |
With a home that wasn't built for his needs, | 0:44:09 | 0:44:12 | |
Mark went into care. | 0:44:12 | 0:44:14 | |
He means everything to us. He is our son. | 0:44:14 | 0:44:16 | |
Where he is down there, they're doing a marvellous job, | 0:44:16 | 0:44:19 | |
but we are his family and we want him home to live with us, | 0:44:19 | 0:44:24 | |
not stuck in a bed in a care home all his life. | 0:44:24 | 0:44:27 | |
We arrived nine days ago to find a family crumbling | 0:44:27 | 0:44:30 | |
and desperate to get their son home. | 0:44:30 | 0:44:33 | |
He's been in for two years in various hospital organisations | 0:44:33 | 0:44:37 | |
and he'll be free. | 0:44:37 | 0:44:41 | |
That's how I see it, he'll be free. | 0:44:41 | 0:44:43 | |
But with no savings or space to make it happen, | 0:44:45 | 0:44:48 | |
they were powerless to change things. | 0:44:48 | 0:44:50 | |
We couldn't have afforded to get him home. | 0:44:50 | 0:44:53 | |
No, we couldn't. | 0:44:54 | 0:44:56 | |
-We want him at home. -We want him home. -We want him home. | 0:44:56 | 0:45:01 | |
It was an impossible situation, | 0:45:01 | 0:45:03 | |
and it would have stayed that way indefinitely | 0:45:03 | 0:45:06 | |
if it weren't for these guys. | 0:45:06 | 0:45:08 | |
Just nine days ago this was a tiny two-bedroom bungalow | 0:45:14 | 0:45:18 | |
with a side garage. | 0:45:18 | 0:45:20 | |
Now, finally, Mark can call it home. | 0:45:20 | 0:45:23 | |
We've built a big self-contained flat | 0:45:25 | 0:45:27 | |
that runs alongside Frank and Christine's home. | 0:45:27 | 0:45:30 | |
Widened doors and a wheelchair ramp mean that for the first time | 0:45:32 | 0:45:36 | |
since his injury, Mark can come home and live alongside his family. | 0:45:36 | 0:45:41 | |
Inside has been transformed from an old dusty garage | 0:45:42 | 0:45:46 | |
to a brand-new apartment for assisted living, | 0:45:46 | 0:45:50 | |
giving Mark the independence | 0:45:50 | 0:45:51 | |
his family so desperately wanted for him. | 0:45:51 | 0:45:54 | |
At the front there's a carer's room, | 0:45:56 | 0:45:58 | |
complete with fold-away bed and a kitchenette. | 0:45:58 | 0:46:01 | |
Laurence's design draws on Mark's love of club music, | 0:46:03 | 0:46:06 | |
and it looks stunning. | 0:46:06 | 0:46:08 | |
The bold Ibiza vibe flows effortlessly throughout, | 0:46:09 | 0:46:12 | |
and incorporates all the medical equipment | 0:46:12 | 0:46:15 | |
and facilities Mark needs, from the bed in his bedroom, | 0:46:15 | 0:46:20 | |
to the hoist that runs through to the wet room. | 0:46:20 | 0:46:23 | |
It's functional without looking clinical. | 0:46:23 | 0:46:26 | |
All the floors have been levelled and the doors widened | 0:46:28 | 0:46:31 | |
so that Mark can move between different areas. | 0:46:31 | 0:46:34 | |
We've provided space for his family so they can begin to move on. | 0:46:34 | 0:46:39 | |
The old dining room has been transformed - | 0:46:41 | 0:46:43 | |
it now has a fresh colonial look, and is wheelchair accessible. | 0:46:43 | 0:46:48 | |
And we've built an entirely new lounge, | 0:46:48 | 0:46:50 | |
meaning there is finally an area | 0:46:50 | 0:46:52 | |
for talking and spending time with one another. | 0:46:52 | 0:46:56 | |
We've also refreshed the guest room so that Michelle can finally | 0:46:56 | 0:47:00 | |
spend comfortable time at home with Mum and Dad and brother. | 0:47:00 | 0:47:03 | |
The outside has had a major overhaul. | 0:47:05 | 0:47:08 | |
There are no more steps. | 0:47:08 | 0:47:10 | |
There are swirls - one gigantic one, in fact - | 0:47:10 | 0:47:13 | |
so that now the great outdoors can be used by everyone, including Mark. | 0:47:13 | 0:47:17 | |
You know, I even like the blue. | 0:47:19 | 0:47:22 | |
We've talked about the fact that the last two years have been dreadful, | 0:47:23 | 0:47:27 | |
and you were both saying that you were looking for a turning point. | 0:47:27 | 0:47:31 | |
There've been a lot of people come in | 0:47:31 | 0:47:33 | |
to try and turn things around for you. | 0:47:33 | 0:47:35 | |
We hope this is that turning point you've been looking for. | 0:47:35 | 0:47:39 | |
Open your eyes. | 0:47:39 | 0:47:40 | |
Oh, my goodness, it's beautiful. | 0:47:42 | 0:47:45 | |
-It's beautiful. -My word. | 0:47:50 | 0:47:54 | |
What a difference. | 0:47:54 | 0:47:55 | |
How fantastic is that? | 0:47:57 | 0:47:59 | |
Wow. | 0:48:03 | 0:48:06 | |
This place is amazing. | 0:48:06 | 0:48:09 | |
To be honest, the bit you're really interested in | 0:48:09 | 0:48:11 | |
-is Mark's room, aren't you? -Yeah, | 0:48:11 | 0:48:13 | |
-I'm excited to see that part. -Yeah, of course. | 0:48:13 | 0:48:17 | |
HE GASPS | 0:48:22 | 0:48:24 | |
Oh! | 0:48:27 | 0:48:28 | |
CRYING: He'll love this. | 0:48:29 | 0:48:32 | |
He will absolutely love this. | 0:48:32 | 0:48:35 | |
Amazing. | 0:48:37 | 0:48:38 | |
I could have never imagined this. Never in a million years. | 0:48:42 | 0:48:46 | |
Thank you so much. | 0:49:02 | 0:49:04 | |
Words fail me, for once. | 0:49:05 | 0:49:08 | |
Nice bright colours in here, | 0:49:08 | 0:49:09 | |
and of course the all-important track, | 0:49:09 | 0:49:12 | |
which means he can come from the bed directly to the bathroom, | 0:49:12 | 0:49:15 | |
-that leads all the way through into the wet room and shower. -Yeah. | 0:49:15 | 0:49:18 | |
Oh! Wow. | 0:49:18 | 0:49:21 | |
How good is this? | 0:49:24 | 0:49:25 | |
-What a superb place. -Mark will absolutely love it. | 0:49:27 | 0:49:32 | |
So this is kind of a clubland bathroom. | 0:49:32 | 0:49:36 | |
I can't believe it. | 0:49:36 | 0:49:38 | |
I can't believe you've captured my son. | 0:49:41 | 0:49:43 | |
This is him. | 0:49:46 | 0:49:48 | |
Right, we've got some more to show you, we haven't finished yet. Come outside. | 0:49:49 | 0:49:53 | |
So here we go - as you keep on going down, | 0:50:00 | 0:50:02 | |
there's a bit of an Ibiza night-light thing going on here, | 0:50:02 | 0:50:06 | |
new radiator, kitchenette. | 0:50:06 | 0:50:08 | |
The picture, by the way, is Ibiza old town. | 0:50:08 | 0:50:11 | |
I can't believe the space. | 0:50:11 | 0:50:14 | |
This is the carer's room. | 0:50:14 | 0:50:15 | |
-This here is a fold-out bed so you take the cushions off. -Oh, is it? -Oh, yeah! | 0:50:15 | 0:50:19 | |
The idea is to keep the eye busy, keep the mind fired up. | 0:50:19 | 0:50:21 | |
Exactly. Exactly, and that's what he's in need of. | 0:50:21 | 0:50:25 | |
Stimulation will be just exactly what he needs now, isn't it? | 0:50:25 | 0:50:30 | |
I've got some more things to show you, we haven't finished yet. | 0:50:30 | 0:50:33 | |
And again, where have you got the space from? | 0:50:40 | 0:50:43 | |
As much as you wanted your son back home, | 0:50:43 | 0:50:46 | |
Michelle wanted her brother again. | 0:50:46 | 0:50:48 | |
You're definitely right there. | 0:50:48 | 0:50:49 | |
So this is the extra room, so that Michelle can come and be here | 0:50:49 | 0:50:54 | |
and spend time with Mark as well. | 0:50:54 | 0:50:56 | |
It's beautiful. | 0:50:56 | 0:50:58 | |
It's so beautiful. I don't know how to thank you. | 0:51:00 | 0:51:03 | |
It's been a long, long time for Mark, being cooped up, | 0:51:03 | 0:51:07 | |
and we can't wait to show him around now, | 0:51:07 | 0:51:10 | |
because he will love this, absolutely love what they've done for him. | 0:51:10 | 0:51:14 | |
Right, come on, I've got one more thing to show you. | 0:51:14 | 0:51:17 | |
-Wow! -Oh, my goodness. It's gorgeous! | 0:51:24 | 0:51:29 | |
Never, ever in a million years | 0:51:29 | 0:51:31 | |
did I think that this would be anything like this. | 0:51:31 | 0:51:35 | |
And it's all accessible. | 0:51:37 | 0:51:40 | |
You would not believe the effort that has gone into this. | 0:51:40 | 0:51:43 | |
-I would, I would. -Certainly can! | 0:51:43 | 0:51:45 | |
Come on, have a stroll down and take the route that Mark | 0:51:45 | 0:51:48 | |
will be taking whenever he comes out into the garden here. | 0:51:48 | 0:51:51 | |
I can't keep my eyes still, there's so much to look at. | 0:51:51 | 0:51:53 | |
There is so much to look at, definitely. | 0:51:53 | 0:51:56 | |
This is truly fantastic. | 0:51:59 | 0:52:01 | |
I'm overwhelmed by everybody's generosity. | 0:52:02 | 0:52:05 | |
Well, after two and a half years, time to bring your boy home. | 0:52:06 | 0:52:10 | |
Oh, yes, yes, yes. | 0:52:12 | 0:52:13 | |
-You ready? -Yes. -Yeah. -We are, yeah. | 0:52:14 | 0:52:17 | |
-Yes, please. -Come on. | 0:52:19 | 0:52:22 | |
It's amazing, isn't it? | 0:52:52 | 0:52:54 | |
APPLAUSE DROWNS SPEECH | 0:52:58 | 0:53:00 | |
This is absolutely amazing. | 0:53:06 | 0:53:08 | |
-Hiya! -Hiya, son. -Hi, darling. | 0:53:22 | 0:53:25 | |
Welcome home, son. | 0:53:25 | 0:53:27 | |
-Welcome home. -Yeah. | 0:53:28 | 0:53:31 | |
See? You're home, Mark. | 0:53:31 | 0:53:35 | |
You're home, son. | 0:53:35 | 0:53:37 | |
Eh? | 0:53:39 | 0:53:40 | |
It's all right. You'll be fine. | 0:53:42 | 0:53:45 | |
You will be fine. You can't wait to see in there. | 0:53:45 | 0:53:49 | |
Oh, he's crying. | 0:53:51 | 0:53:52 | |
All these people out here have done so much for your house. | 0:53:54 | 0:53:58 | |
MARK CRIES I know. | 0:53:58 | 0:54:02 | |
So, so much for you. | 0:54:02 | 0:54:04 | |
-Guys, why don't you take Mark in and show him his new home? -OK. | 0:54:04 | 0:54:10 | |
Will do. Come on, son. | 0:54:10 | 0:54:12 | |
There you go, mate, welcome home. There you go. | 0:54:14 | 0:54:17 | |
Now then, Mark, | 0:54:19 | 0:54:21 | |
this is your carer's room, right? | 0:54:21 | 0:54:25 | |
Look at all this. Look at this! | 0:54:25 | 0:54:28 | |
-They're jellyfish, Mark. -Jellyfish! | 0:54:28 | 0:54:31 | |
You can't catch them with your rod, can you? | 0:54:31 | 0:54:33 | |
Isn't it fab? | 0:54:33 | 0:54:36 | |
Isn't that lovely? I knew you'd love that. | 0:54:36 | 0:54:39 | |
Let's go further, son. Come on, then. | 0:54:39 | 0:54:42 | |
Remember this? This used to be our garage, didn't it? | 0:54:42 | 0:54:46 | |
Now then, Mark, this is your bedroom. | 0:54:46 | 0:54:50 | |
-Eh? -Look at your bed. | 0:54:50 | 0:54:53 | |
-Look at your bed. -It's amazing. | 0:54:53 | 0:54:56 | |
Wow. | 0:55:01 | 0:55:02 | |
This is all for you. I think you like it, don't you? | 0:55:05 | 0:55:08 | |
It's all quite overwhelming. | 0:55:13 | 0:55:15 | |
This is all for you, Mark, from all them good people outside. | 0:55:21 | 0:55:25 | |
This day's the start of the rest of your life, | 0:55:25 | 0:55:28 | |
and we're going to be beside you all the way. | 0:55:28 | 0:55:32 | |
Aren't we, eh? | 0:55:32 | 0:55:35 | |
-Eh? -Eh? | 0:55:35 | 0:55:38 | |
It's important the whole family | 0:55:39 | 0:55:42 | |
are involved with Mark's care - now they can be. | 0:55:42 | 0:55:46 | |
It's beautiful. | 0:55:49 | 0:55:50 | |
Not to have this room would mean that I couldn't come and stay here. | 0:55:50 | 0:55:53 | |
You can see from the minute he walked in, | 0:55:53 | 0:55:56 | |
he had a little smile on his face. | 0:55:56 | 0:55:58 | |
You can just see that he loves it. | 0:55:58 | 0:56:01 | |
He's definitely going to have such a fulfilled life, | 0:56:01 | 0:56:03 | |
and so are we, all together as a family. | 0:56:03 | 0:56:05 | |
APPLAUSE | 0:56:14 | 0:56:16 | |
Sorry about the weather. LAUGHTER | 0:56:26 | 0:56:29 | |
And I'm sorry to keep you out here so long. | 0:56:29 | 0:56:31 | |
I think "thank you" is so inadequate for what you've done. | 0:56:31 | 0:56:36 | |
This has just changed our lives completely, | 0:56:36 | 0:56:40 | |
and Mark's life will be, by far, much better | 0:56:40 | 0:56:44 | |
for what you have done for him. | 0:56:44 | 0:56:46 | |
None of you knew Mark, | 0:56:46 | 0:56:49 | |
but I'm sure deep down | 0:56:49 | 0:56:51 | |
he knows what you've done for him, | 0:56:51 | 0:56:54 | |
and we certainly do. Thank you so much. | 0:56:54 | 0:56:58 | |
APPLAUSE | 0:56:58 | 0:57:00 | |
Can I just say something from my heart, as a mum, to all of you? | 0:57:08 | 0:57:13 | |
Each and every one of you are our heroes. | 0:57:13 | 0:57:16 | |
You have pulled us from the brink of despair. | 0:57:16 | 0:57:21 | |
Thank you to each and every one of you. | 0:57:21 | 0:57:24 | |
Top man. Got your boy home. | 0:57:38 | 0:57:40 | |
Hello! | 0:57:42 | 0:57:43 | |
CROWD NOISE DROWNS SPEECH | 0:57:44 | 0:57:47 | |
-We did your roof. -Oh, OK. -This roof and the flat roof at the back. | 0:57:47 | 0:57:50 | |
-At the back as well? You've been busy, haven't you? -Yeah, we have. | 0:57:50 | 0:57:53 | |
There's a saying - you can choose your friends | 0:57:54 | 0:57:57 | |
but you can't choose your family. | 0:57:57 | 0:57:59 | |
But given the choice, Mark couldn't have done better, really. | 0:57:59 | 0:58:02 | |
They couldn't get past that final hurdle, | 0:58:02 | 0:58:04 | |
but these new friends did that for them. | 0:58:04 | 0:58:07 | |
They came together and gave them a new future. | 0:58:07 | 0:58:10 | |
That's an extraordinary thing, don't you think? | 0:58:10 | 0:58:13 | |
Maybe you know somebody who needs your help. | 0:58:13 | 0:58:16 |