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On DIY SOS, we know the amazing power of the volunteer | 0:00:04 | 0:00:09 | |
because we've seen that volunteering can change lives. | 0:00:09 | 0:00:13 | |
You guys have joined hands and caught me. | 0:00:13 | 0:00:17 | |
We're only able to come to the aid of families across the UK thanks | 0:00:17 | 0:00:20 | |
to the generosity of all of the people who selflessly give their time. | 0:00:20 | 0:00:24 | |
-Do you think we can get her a bedroom? -ALL: Yes! | 0:00:24 | 0:00:27 | |
Some come for a few hours, some stay the whole build. | 0:00:27 | 0:00:30 | |
All, in my eyes, are heroes. | 0:00:30 | 0:00:32 | |
It's the best thing I've done. Brilliant. | 0:00:32 | 0:00:34 | |
Now we're here in Shropshire with an army of fresh volunteers | 0:00:34 | 0:00:37 | |
ready to lift a family out of the darkness. | 0:00:37 | 0:00:40 | |
I didn't move to Shropshire to bury my wife. | 0:00:40 | 0:00:42 | |
I moved to Shropshire to live here. | 0:00:42 | 0:00:44 | |
This show proves you're never too old to lend a hand, | 0:00:44 | 0:00:47 | |
even though our volunteers are pushing themselves to the limit... | 0:00:47 | 0:00:50 | |
-Do I look worried? -Yeah. -Yeah. -THEY LAUGH | 0:00:52 | 0:00:54 | |
..to transform this nightmare into a dream. | 0:00:55 | 0:00:58 | |
It's a proper home now. | 0:01:00 | 0:01:01 | |
We do not know what to say. | 0:01:01 | 0:01:03 | |
Walk tall, because you have saved somebody's life. | 0:01:04 | 0:01:07 | |
APPLAUSE | 0:01:07 | 0:01:09 | |
We're celebrating volunteering. And why not? | 0:01:14 | 0:01:16 | |
Over the years, we've worked with over 20,000 volunteer builders | 0:01:16 | 0:01:20 | |
and we've got another couple of hundred here. | 0:01:20 | 0:01:23 | |
We've even got our very own Silver Army. | 0:01:23 | 0:01:26 | |
This is DIY SOS - The Big Build! CHEERING | 0:01:26 | 0:01:31 | |
# Home again | 0:01:42 | 0:01:44 | |
# Home again. # | 0:01:44 | 0:01:45 | |
Joe Grafton and Jess married in 2007. | 0:01:46 | 0:01:50 | |
He was a fireman, she became a teacher. | 0:01:50 | 0:01:52 | |
The young couple soon had a baby girl, Lucy. | 0:01:52 | 0:01:55 | |
-LAUGHING: -Look at your little face! | 0:01:57 | 0:02:00 | |
They thought they'd found the home of their dreams | 0:02:01 | 0:02:03 | |
and moved from London to a cottage in the Shropshire Hills. | 0:02:03 | 0:02:07 | |
Jess absolutely fell in love with it. | 0:02:07 | 0:02:09 | |
It's very quiet and peaceful and you can hear the birds singing | 0:02:09 | 0:02:12 | |
and the river going, and it's just beautiful, isn't it? | 0:02:12 | 0:02:15 | |
So we moved in 2011. | 0:02:15 | 0:02:18 | |
But with the first winter came a dawning reality. | 0:02:18 | 0:02:22 | |
A lot of the damp started to show through the walls, condensation | 0:02:23 | 0:02:27 | |
on the windows, on the inside and through the winter, that froze. | 0:02:27 | 0:02:31 | |
Their problems were compounded by injuries firefighter Joe | 0:02:31 | 0:02:34 | |
had sustained tackling a blaze. | 0:02:34 | 0:02:37 | |
A staircase collapsed underneath me and I went down it. | 0:02:37 | 0:02:42 | |
I landed on the bottom step quite badly, | 0:02:42 | 0:02:45 | |
right across the bottom of my back, and prolapsed a disc. | 0:02:45 | 0:02:48 | |
Yeah, this wasn't part of the script, I'm afraid. | 0:02:48 | 0:02:51 | |
In February 2014, a collision in his fire engine left Joe's back | 0:02:51 | 0:02:55 | |
so damaged, he's been unable to work since. | 0:02:55 | 0:02:58 | |
Then, with the house already a burden, | 0:02:58 | 0:03:01 | |
life's trap door truly fell open. | 0:03:01 | 0:03:04 | |
Jess came home from the school she taught at complaining of exhaustion. | 0:03:04 | 0:03:08 | |
She always used to come home like that at the end of the term, | 0:03:08 | 0:03:11 | |
say, "Oh, I'm absolutely shattered, I'm going to go to bed." All right, OK, not a problem. | 0:03:11 | 0:03:15 | |
So I didn't think anything of it. | 0:03:15 | 0:03:17 | |
But she didn't get any better. | 0:03:17 | 0:03:19 | |
Within days, she was in hospital fighting for her life. | 0:03:19 | 0:03:24 | |
So they said, "She's got acute leukaemia." OK. | 0:03:24 | 0:03:29 | |
And then they said, "She's also got a septicaemia infection as well." | 0:03:29 | 0:03:33 | |
I said, "What are you telling me here?" | 0:03:33 | 0:03:35 | |
And they said, "Well, you know, she might die." | 0:03:35 | 0:03:37 | |
Joe couldn't get hold of Jess's family. | 0:03:39 | 0:03:41 | |
He had to rush home, but time had run out. | 0:03:41 | 0:03:45 | |
The phone rang and I thought it might be her mum. | 0:03:45 | 0:03:48 | |
But it wasn't, it was the hospital | 0:03:48 | 0:03:50 | |
and they said, "You better get back here, quick." | 0:03:50 | 0:03:53 | |
We got into the intensive care ward and Jess sat up | 0:03:54 | 0:04:00 | |
and looked at us both, and then laid back down and shut her eyes... | 0:04:00 | 0:04:04 | |
And that was the last time we saw her conscious. | 0:04:05 | 0:04:08 | |
Just two hours later, Jess died. | 0:04:11 | 0:04:15 | |
How do you tell a five-year-old, "Your mum's dead"? | 0:04:15 | 0:04:19 | |
The most difficult thing I've ever had to do. | 0:04:19 | 0:04:22 | |
I sat her on my knee and I said, "You know Mummy wasn't well?" | 0:04:22 | 0:04:26 | |
She said, "Yeah." I said, "Well, you know... | 0:04:26 | 0:04:29 | |
"Mummy's gone to heaven now." | 0:04:29 | 0:04:31 | |
And then she looked at me and said, "Is she coming back?" | 0:04:32 | 0:04:35 | |
I said, "No, babes, she's not coming back. She's not coming back." | 0:04:36 | 0:04:40 | |
And she just burst out crying and... | 0:04:41 | 0:04:44 | |
Tough. Tough. | 0:04:45 | 0:04:47 | |
The thing that really, really, really broke me, | 0:04:50 | 0:04:55 | |
was the fact that they, Jess and Lucy, | 0:04:55 | 0:04:57 | |
they loved each other so much. | 0:04:57 | 0:04:59 | |
There's not a day goes by without me thinking, | 0:05:00 | 0:05:03 | |
"I wish that we could swap places," | 0:05:03 | 0:05:06 | |
so that Jess could be with her little girl. | 0:05:06 | 0:05:08 | |
I mean, it's a difficult thing to handle. | 0:05:10 | 0:05:12 | |
Jess was buried just across the valley from the home they'd loved so much. | 0:05:15 | 0:05:20 | |
Joe committed to finish the house in her memory. | 0:05:20 | 0:05:23 | |
I didn't move to Shropshire to bury my wife. | 0:05:25 | 0:05:28 | |
I moved to Shropshire to live here. | 0:05:28 | 0:05:30 | |
And at the time I thought, "I WILL get this house fixed." | 0:05:31 | 0:05:36 | |
He and Lucy moved into a caravan so that work could begin. | 0:05:36 | 0:05:40 | |
It was a lot to ask of Lucy. | 0:05:40 | 0:05:43 | |
It's small. | 0:05:43 | 0:05:44 | |
And most of my favourite things aren't here. | 0:05:44 | 0:05:49 | |
Six months in, things were unravelling badly. | 0:05:50 | 0:05:54 | |
You know, I'd set some money by, because every time you | 0:05:54 | 0:05:57 | |
renovate a property, there's always something that's unexpected. | 0:05:57 | 0:06:01 | |
But these unexpected things just kept cropping up. | 0:06:01 | 0:06:05 | |
The more he tried, the worse it got. | 0:06:05 | 0:06:08 | |
Flooding threatened to wash the house away. | 0:06:08 | 0:06:10 | |
He uncovered another waterway under the living room. | 0:06:10 | 0:06:13 | |
With his money gone fixing that, the house was left uninhabitable. | 0:06:13 | 0:06:17 | |
And that's when it all started to get bad | 0:06:18 | 0:06:21 | |
and the caravan started to get smaller and smaller. | 0:06:21 | 0:06:23 | |
It was meant as a temporary solution. | 0:06:23 | 0:06:26 | |
A year later, the caravan's become their only home. | 0:06:26 | 0:06:29 | |
The final blow in a tragic trilogy. | 0:06:29 | 0:06:32 | |
After everything else that's happened - losing my job, losing my wife - | 0:06:32 | 0:06:38 | |
and now we haven't got a home to go back into. | 0:06:38 | 0:06:40 | |
Now is the first time that I've been really, really scared. | 0:06:40 | 0:06:43 | |
Without help, Joe and Lucy will be stuck in the cramped caravan indefinitely. | 0:06:43 | 0:06:47 | |
So that's why we've called for volunteers to step forwards. | 0:06:47 | 0:06:51 | |
This is a lovely house you live in. SHE LAUGHS | 0:06:51 | 0:06:54 | |
So what do your friends think about the fact that this is going on? Have you told them? What do they reckon? | 0:06:54 | 0:06:59 | |
-Is it a good thing or do they think we're going to make a mess of the house? -It's a good thing. | 0:06:59 | 0:07:02 | |
What does it need before you can move in? | 0:07:02 | 0:07:05 | |
Beds and furniture and carpets and electricity. | 0:07:05 | 0:07:08 | |
-What's the bit you're most looking forward to when you come back? -My bedroom. -Your bedroom? | 0:07:08 | 0:07:12 | |
Never mind the rest of it, as long as your bedroom's all right? SHE LAUGHS | 0:07:12 | 0:07:16 | |
To be fair to you, you've got new windows and doors in the place. | 0:07:16 | 0:07:19 | |
-Mm-hm. -You've done quite a lot of boarding already. -Yeah, so we got it this far, | 0:07:19 | 0:07:22 | |
-so we stripped it right back to the stone wall to start again. -Right. | 0:07:22 | 0:07:27 | |
-And then, you know, it was a money sink. -Yeah. | 0:07:27 | 0:07:30 | |
You know, this was my wife's home as well and she wouldn't have wanted us to move. | 0:07:30 | 0:07:34 | |
That's all you need to tell us, I understand that. We're in awe of what firemen do for us | 0:07:34 | 0:07:37 | |
and you spent your time looking after the community. | 0:07:37 | 0:07:40 | |
-Time for the community to look after you, I think. -Thanks, mate. | 0:07:40 | 0:07:42 | |
And we need to make it as nice as possible, yes? | 0:07:42 | 0:07:44 | |
Do you want to come outside and meet some of the guys? | 0:07:44 | 0:07:47 | |
They're nice people! SHE LAUGHS | 0:07:47 | 0:07:48 | |
Right, standby to witness the power of the volunteer. | 0:07:48 | 0:07:51 | |
We've got around 100 trades here, all eager to help a good cause. | 0:07:54 | 0:07:58 | |
Together, they're an unstoppable force of nature. | 0:07:58 | 0:08:00 | |
-Looking forward to it? Yeah? -Do you think we can get her a bedroom? | 0:08:02 | 0:08:05 | |
ALL: Yeah! | 0:08:05 | 0:08:07 | |
-You've got to go school now. -It's half-term here. | 0:08:07 | 0:08:09 | |
-It isn't half-term! -In England it is. -We are in England! | 0:08:09 | 0:08:13 | |
-We're not in Wales? -We're not on your planet! LAUGHTER | 0:08:13 | 0:08:16 | |
I thought we was in Wales! | 0:08:16 | 0:08:18 | |
'Whilst Billy gets his bearings, we need to get the caravan' | 0:08:20 | 0:08:23 | |
Joe and Lucy have called home off the site. | 0:08:23 | 0:08:26 | |
Three, two, one... | 0:08:26 | 0:08:28 | |
-See you later! -Bye, Lucy! | 0:08:28 | 0:08:31 | |
Just one more thing before the main event. | 0:08:33 | 0:08:36 | |
Our guest designer. | 0:08:36 | 0:08:38 | |
Can you spot the designer? | 0:08:38 | 0:08:39 | |
There you go. Our designer this week is Gabrielle Blackman. | 0:08:39 | 0:08:42 | |
She's the only one with the blue helmet. Is that right? | 0:08:42 | 0:08:44 | |
Who's that at the back there? | 0:08:44 | 0:08:46 | |
Obviously there are two blue helmets and that could be confusing. | 0:08:46 | 0:08:49 | |
Basically, one's got a slight beard | 0:08:49 | 0:08:50 | |
and the other one's only got whiskers. | 0:08:50 | 0:08:53 | |
-Yeah. -LAUGHTER | 0:08:53 | 0:08:55 | |
With all Joe's early work, it may look like we've got a head start. | 0:08:57 | 0:09:00 | |
But there's still a huge amount to do to be able to call this a home | 0:09:00 | 0:09:04 | |
and something very strange is going on for day one. | 0:09:04 | 0:09:08 | |
They're plastering! | 0:09:08 | 0:09:10 | |
It's all happening. I've only been here ten minutes. | 0:09:10 | 0:09:13 | |
There's 20 plasterers up there going, "What are we doing? What are we doing?" | 0:09:13 | 0:09:16 | |
It's normally, like, three days into the build before the spreaders turn up. | 0:09:16 | 0:09:20 | |
Isn't it? | 0:09:20 | 0:09:22 | |
# Spread it like... # | 0:09:22 | 0:09:25 | |
Look at that! Isn't that a beautiful sight? | 0:09:25 | 0:09:27 | |
Go on, hit it with a hammer! Go on, hit it! | 0:09:27 | 0:09:29 | |
One of the interesting things about this, | 0:09:31 | 0:09:33 | |
if you look at where I'm standing and then look outside, | 0:09:33 | 0:09:36 | |
can you see how much higher the road is than where we're standing? | 0:09:36 | 0:09:39 | |
So essentially, you could fill this up with water, it would be a swimming pool. | 0:09:39 | 0:09:42 | |
It'd be very difficult to make this a homey place | 0:09:42 | 0:09:45 | |
-and get the lighting and... -This is the trouble. | 0:09:45 | 0:09:47 | |
This whole build is... The brief is really simple, | 0:09:47 | 0:09:50 | |
but the house is fighting us. You know, everything is compromised. | 0:09:50 | 0:09:53 | |
-Yeah. -The kitchen's half underground, the ceilings are too low. | 0:09:53 | 0:09:57 | |
We've got a six-foot Joe to fit in here. | 0:09:57 | 0:09:59 | |
It's just... It's a tough house. | 0:09:59 | 0:10:03 | |
But make no mistake. Gabby is equal to the task, | 0:10:03 | 0:10:07 | |
making this home warm and dry without destroying | 0:10:07 | 0:10:09 | |
the features that make it a beautiful cottage. | 0:10:09 | 0:10:12 | |
Let's start in the living room, where a false chimney breast | 0:10:12 | 0:10:15 | |
will make the most of the wood burner Joe's already installed. | 0:10:15 | 0:10:18 | |
The central space will be a social dining area. | 0:10:18 | 0:10:22 | |
In the half-underground kitchen, abundant work surfaces will | 0:10:22 | 0:10:25 | |
provide a beautiful place for Joe to cook whilst Lucy does her homework. | 0:10:25 | 0:10:31 | |
Upstairs, Lucy will get the bedroom she so longs for, with the bespoke | 0:10:31 | 0:10:35 | |
raised bed. An en-suite shower room will be vital for a growing girl. | 0:10:35 | 0:10:39 | |
We're adding a new wall to create this family bathroom. | 0:10:39 | 0:10:42 | |
There will be a spare room for the guests | 0:10:42 | 0:10:45 | |
and Joe will finally have the bedroom he and Jess dreamed of, | 0:10:45 | 0:10:49 | |
with bifold doors opening on to a spectacular vista. | 0:10:49 | 0:10:53 | |
Everyone's busy. So, what can I bring to the party? | 0:10:53 | 0:10:56 | |
Well, that's a question I keep on asking myself | 0:10:56 | 0:10:59 | |
and I still don't have an answer. | 0:10:59 | 0:11:00 | |
See, that's not necessary, is it? | 0:11:00 | 0:11:03 | |
With loads going on inside and out, we've got our work cut out. | 0:11:03 | 0:11:06 | |
The countryside is beautiful, but when it rains, | 0:11:06 | 0:11:09 | |
it means one thing - mud. Look at it! Huh-hoo! | 0:11:09 | 0:11:13 | |
This is what it takes to get a DIY SOS out the ground. | 0:11:17 | 0:11:20 | |
Here's mud in your eye! | 0:11:20 | 0:11:22 | |
You're never too old to volunteer, you know? | 0:11:22 | 0:11:24 | |
And to prove it, we've drafted in some retired | 0:11:24 | 0:11:27 | |
gents from an organisation called Menshed. | 0:11:27 | 0:11:29 | |
It's a place where they can just hang out together. | 0:11:29 | 0:11:31 | |
Now they're hanging out with us and have a very important task. | 0:11:31 | 0:11:35 | |
So, what have we got you doing for us today? | 0:11:35 | 0:11:37 | |
We're building the Wendy house. | 0:11:37 | 0:11:40 | |
Well, it's a treehouse, but not in a tree. | 0:11:40 | 0:11:42 | |
Let's have a look at it. | 0:11:42 | 0:11:44 | |
That's not a treehouse, that's a shed on a stick. | 0:11:44 | 0:11:48 | |
-That's a shed lolly! Look at it! -We was going to use that stump, | 0:11:48 | 0:11:51 | |
but it's a little bit too close to the edge of the river. | 0:11:51 | 0:11:54 | |
So what we're going to do is build the platform over there, | 0:11:54 | 0:11:58 | |
until we can see exactly what it looks like, | 0:11:58 | 0:12:00 | |
and then we'll add the legs and the rest of it. | 0:12:00 | 0:12:03 | |
We asked you guys to come in because you | 0:12:03 | 0:12:05 | |
essentially are also a volunteer force, aren't you? | 0:12:05 | 0:12:08 | |
Well, we provide a centre for people to come to, | 0:12:08 | 0:12:10 | |
so that they're not isolated and lonely, | 0:12:10 | 0:12:12 | |
and we're dealing with loneliness in older chaps. | 0:12:12 | 0:12:15 | |
If the Shed wants to go out and do something, we'll do it. | 0:12:15 | 0:12:18 | |
-So there's a pool of skills there. -Yeah, yeah. | 0:12:18 | 0:12:21 | |
If somebody comes to us, "I want a new garden shed making," | 0:12:21 | 0:12:24 | |
or they want a garden seat, for instance, | 0:12:24 | 0:12:26 | |
-we would make it in our shed. -Very excited to have you on board | 0:12:26 | 0:12:29 | |
and show these youngsters a thing or two. | 0:12:29 | 0:12:31 | |
-Right. -It's going to be organic. | 0:12:31 | 0:12:34 | |
You'll notice they're smiling. | 0:12:34 | 0:12:36 | |
That happens a lot when people join in on DIY SOS. | 0:12:36 | 0:12:38 | |
It's a volunteering thing. | 0:12:38 | 0:12:40 | |
The shed will be the icing on the cake of a low-maintenance | 0:12:40 | 0:12:43 | |
garden with dry-stone walls, a new bridge and unique ornaments. | 0:12:43 | 0:12:48 | |
I could do with a rod. | 0:12:48 | 0:12:51 | |
And a little red hat. | 0:12:51 | 0:12:53 | |
Ha-ha! And a little red hat! | 0:12:54 | 0:12:56 | |
Oh, I'm on fire this morning. | 0:12:56 | 0:12:58 | |
Thou shalt not pass. | 0:13:01 | 0:13:03 | |
But I'm Billy Goat Gruff. I shall. | 0:13:04 | 0:13:07 | |
Oof! | 0:13:07 | 0:13:09 | |
I was going for Arthur and Robin Hood, Little John, | 0:13:09 | 0:13:12 | |
and you suddenly went for Billy Goat Gruff. | 0:13:12 | 0:13:14 | |
And the troll was underneath. | 0:13:14 | 0:13:16 | |
-Yeah. -The troll's come up top! | 0:13:16 | 0:13:18 | |
Boom-boom! | 0:13:19 | 0:13:21 | |
You got me. | 0:13:21 | 0:13:23 | |
After all these years. | 0:13:23 | 0:13:24 | |
YOU got me. | 0:13:24 | 0:13:27 | |
Water is the reason Joe's money ran out, flooding and drainage are still | 0:13:27 | 0:13:30 | |
huge issues on this property and that's not all we need to deal with. | 0:13:30 | 0:13:34 | |
We'll be covering the whole culvert up here. | 0:13:34 | 0:13:37 | |
This whole area will become a parking area. | 0:13:37 | 0:13:40 | |
Joe can get in here, park in here, | 0:13:40 | 0:13:42 | |
and then we're going to put a bridge over the river. | 0:13:42 | 0:13:44 | |
-Bridge Over The River Clun. -Yeah, Bridge Over The River Clun! | 0:13:44 | 0:13:47 | |
-LAUGHTER -And then over here, | 0:13:47 | 0:13:50 | |
these ladies and gentlemen are looking after the waste water. | 0:13:50 | 0:13:53 | |
-When we say waste water, what do we mean? -We'll be taking | 0:13:53 | 0:13:56 | |
the bathroom, the shower, the sink, the washing machine. | 0:13:56 | 0:13:59 | |
He doesn't want to say poo. That's what it is. | 0:13:59 | 0:14:02 | |
Joe and Lucy relied on a well for all their water. | 0:14:02 | 0:14:05 | |
When we had the quality tested, it was found wanting. | 0:14:05 | 0:14:08 | |
So the local water company have come to the rescue. | 0:14:08 | 0:14:11 | |
They're here to connect Joe's house | 0:14:11 | 0:14:12 | |
and his neighbour's to the mains for the first time ever. | 0:14:12 | 0:14:16 | |
And it's a long, long way. | 0:14:16 | 0:14:18 | |
How long would the process normally be to get the mains, | 0:14:18 | 0:14:21 | |
300m away, to here? | 0:14:21 | 0:14:22 | |
Obviously, there's lots of permits to get for road closures | 0:14:22 | 0:14:25 | |
and we had to get access over the field from the field owner, | 0:14:25 | 0:14:28 | |
but everyone's really rallied together and given us | 0:14:28 | 0:14:30 | |
everything we want really quickly. | 0:14:30 | 0:14:32 | |
We wouldn't normally put that in, but we've done this | 0:14:32 | 0:14:34 | |
obviously as a special job and just felt like the right thing to do. | 0:14:34 | 0:14:38 | |
To do it in the time, they've brought a digger. | 0:14:38 | 0:14:41 | |
And where there's diggers, there's a Jules. | 0:14:41 | 0:14:44 | |
-That's an amazing bit of kit, isn't it? -It's a purpose-made trencher. | 0:14:44 | 0:14:48 | |
That thing there just literally trenches a little trench that wide, | 0:14:48 | 0:14:52 | |
wide enough to feed the pipe in. | 0:14:52 | 0:14:54 | |
-Look at that! -Yeah. -It's like some kind of dinosaur head! LAUGHTER | 0:14:56 | 0:15:00 | |
We love working on old houses. | 0:15:01 | 0:15:04 | |
Like Billy, they have character. | 0:15:04 | 0:15:06 | |
But they constantly throw up new challenges. | 0:15:06 | 0:15:09 | |
We knew we'd need to finish the wiring, | 0:15:09 | 0:15:11 | |
the plumbing and the plastering. | 0:15:11 | 0:15:13 | |
But half the old roof is rotten, so off it comes. | 0:15:13 | 0:15:17 | |
Yeah, we're taking the roof off. | 0:15:17 | 0:15:19 | |
So we're going to re-snip, felt and batten these two roofs. | 0:15:19 | 0:15:22 | |
They said they'll have them stripped, re-felted and battened by tonight. | 0:15:22 | 0:15:26 | |
All Joe and Lucy want is somewhere warm and dry. | 0:15:26 | 0:15:30 | |
They couldn't manage it on their own | 0:15:30 | 0:15:32 | |
and had to abandon the unfinished house. | 0:15:32 | 0:15:34 | |
Joe's story is so desperate, some of those that started the work | 0:15:34 | 0:15:38 | |
have chosen to come back and finish the job for free. | 0:15:38 | 0:15:41 | |
-Did you... Have you just done this? -Yes. -What, since this morning? -Yeah. | 0:15:41 | 0:15:45 | |
Put a new fire in and put a chimney in and put the framework round it? | 0:15:45 | 0:15:48 | |
-We don't muck about in Shropshire, you see. -Plainly not. | 0:15:48 | 0:15:51 | |
So this is a wood burner? | 0:15:51 | 0:15:53 | |
-So you came and fitted this for Joe before? -Yep. | 0:15:53 | 0:15:56 | |
-And then they were going to finish it... -Yeah? | 0:15:56 | 0:15:58 | |
-..but then, now we've come to finish it for him. -Nice. | 0:15:58 | 0:16:00 | |
There's people that work at the office who knew his wife, | 0:16:00 | 0:16:04 | |
-so we felt that we should come and do our bit locally. -Very nice of you. | 0:16:04 | 0:16:07 | |
Because it would be very easy just to chase the profit and | 0:16:07 | 0:16:10 | |
get on with life, rather than come down here and join in and help out. | 0:16:10 | 0:16:13 | |
-Oh, well, that's the plan for tomorrow. -NICK LAUGHS | 0:16:13 | 0:16:16 | |
-Go and make some money tomorrow! -THEY LAUGH | 0:16:16 | 0:16:18 | |
See, that's how it works. He's done something great. | 0:16:18 | 0:16:20 | |
In fact, all the workers here have done something great. | 0:16:20 | 0:16:23 | |
We've taken a massive step towards turning Joe's dream into a reality. | 0:16:23 | 0:16:27 | |
Come and have a look at how higgledy-piggledy this is though, look. | 0:16:27 | 0:16:30 | |
Loads of work has been done in here. Loads of stud work all over the place. | 0:16:30 | 0:16:33 | |
Look at this, this is incredible. And here's my favourite bit, right. | 0:16:33 | 0:16:36 | |
This beam here, one piece of wood. One tree, one tree, one tree... | 0:16:36 | 0:16:39 | |
Tree takes a bend at the end, | 0:16:39 | 0:16:41 | |
so they just built it into the wall as it tails off! | 0:16:41 | 0:16:44 | |
Isn't that fantastic? | 0:16:44 | 0:16:46 | |
I mean, you won't see that in modern buildings. I just love it. | 0:16:46 | 0:16:48 | |
Really love it. | 0:16:48 | 0:16:50 | |
But there's a long way to go and things never run smoothly. | 0:16:50 | 0:16:54 | |
And that's a sweeping statement. | 0:16:54 | 0:16:56 | |
MUSIC: Goldfinger by John Barry | 0:17:00 | 0:17:03 | |
We've gone big with the music this morning! | 0:17:03 | 0:17:06 | |
I'll tell you why in a moment. | 0:17:06 | 0:17:07 | |
Whoo! | 0:17:07 | 0:17:09 | |
That is amazing, darling. | 0:17:09 | 0:17:11 | |
I've got to say something. | 0:17:11 | 0:17:14 | |
And I thought that you would look incredible | 0:17:14 | 0:17:18 | |
-as our gold-topped designer. -Aw! | 0:17:18 | 0:17:20 | |
# Goldhelmet! | 0:17:20 | 0:17:22 | |
# She's the girl with the golden touch! # | 0:17:22 | 0:17:26 | |
-Do I look like a massive doorknob? -Yeah. | 0:17:26 | 0:17:29 | |
UPBEAT MUSIC PLAYS | 0:17:29 | 0:17:32 | |
Dance along at home. | 0:17:33 | 0:17:34 | |
Across the field, | 0:17:36 | 0:17:37 | |
the waterboard must have broken some sort of record. | 0:17:37 | 0:17:40 | |
There's the build-up there and this is the water pipe. | 0:17:40 | 0:17:42 | |
They've taken it all the way down this field, all the way along here, | 0:17:42 | 0:17:46 | |
and we're going to take it all the way down there. | 0:17:46 | 0:17:49 | |
See right down at the end, where that guy's standing? | 0:17:49 | 0:17:52 | |
It's a long way for a drink of water, isn't it? | 0:17:52 | 0:17:55 | |
On every build, we find people that have very different reasons for joining in. | 0:17:55 | 0:17:59 | |
Some volunteer because the family story strikes close to home. | 0:17:59 | 0:18:04 | |
The story is quite personal to me, because when I was... | 0:18:04 | 0:18:07 | |
My daughter, when she was eight, she lost her mother. | 0:18:07 | 0:18:11 | |
And I know what it's like to bring, you know... | 0:18:12 | 0:18:15 | |
I can sympathise with Joe. | 0:18:15 | 0:18:16 | |
And all my team are compassionate. | 0:18:16 | 0:18:20 | |
That's why we're all here, you know? | 0:18:20 | 0:18:22 | |
Hopefully, we'll create a fantastic garden for him and that's the plan. | 0:18:22 | 0:18:27 | |
These trades are an example to us all. | 0:18:27 | 0:18:29 | |
What they're doing will transform the lives | 0:18:29 | 0:18:32 | |
of Joe and his little girl, Lucy. | 0:18:32 | 0:18:34 | |
Oh, she's magnificent. | 0:18:36 | 0:18:38 | |
She's been magnificent, well, ever since her mum died. | 0:18:38 | 0:18:42 | |
She is a happy child. | 0:18:42 | 0:18:43 | |
She's always got a smile on her face, | 0:18:43 | 0:18:45 | |
she always looks out for other people, she's been my hero. | 0:18:45 | 0:18:49 | |
That car's meant to be dark red! | 0:18:51 | 0:18:54 | |
-Oh! -LUCY LAUGHS | 0:18:54 | 0:18:56 | |
You colour it in. | 0:18:56 | 0:18:57 | |
Lucy was just five when she lost her mum. | 0:18:59 | 0:19:02 | |
As if things weren't bad enough, | 0:19:02 | 0:19:03 | |
she's had to face a life stuck in a tiny caravan. | 0:19:03 | 0:19:07 | |
As the walls closed in, she escaped into the fantastical world | 0:19:07 | 0:19:10 | |
of a Viking called Hiccup and his pet dragon. | 0:19:10 | 0:19:13 | |
Tell me about all these dragons, then. | 0:19:13 | 0:19:16 | |
I just watched it at the cinema and I was like, | 0:19:16 | 0:19:19 | |
"That's going to be my favourite thing!" | 0:19:19 | 0:19:21 | |
GABRIELLE LAUGHS | 0:19:21 | 0:19:23 | |
-Do you think you're going to miss living in a caravan? -No. | 0:19:23 | 0:19:27 | |
It's not very good, because my dad keeps shouting because | 0:19:27 | 0:19:30 | |
-it's so small. -What was it like in the house when it was empty? | 0:19:30 | 0:19:33 | |
It wasn't very good and I don't like going in there, because it was so dusty. | 0:19:33 | 0:19:37 | |
And my bedroom was the coldest and I didn't like my bedroom. | 0:19:37 | 0:19:41 | |
What about your dad? What do you think your dad's most excited about? | 0:19:41 | 0:19:45 | |
He'll get a kitchen, because he likes cooking. | 0:19:45 | 0:19:48 | |
And what would be the best thing about being back in the house? | 0:19:48 | 0:19:51 | |
My bedroom. | 0:19:51 | 0:19:52 | |
-Do you think you're going to get friends round for sleep overs and make lots of noise? -Mmm! | 0:19:52 | 0:19:56 | |
What she doesn't know is, back on site, | 0:19:58 | 0:20:00 | |
we've already started on that very special bed. | 0:20:00 | 0:20:03 | |
She's going to love it. | 0:20:03 | 0:20:05 | |
And why it's so important and so lovely that you guys are doing | 0:20:05 | 0:20:08 | |
-this, is that this is the first time... This is her space. -Yeah. | 0:20:08 | 0:20:11 | |
When you think where they were living before was the same size | 0:20:11 | 0:20:14 | |
as this room and that was for her, her dad, the bathroom, kitchen, | 0:20:14 | 0:20:17 | |
everything, and this is now going to be her little zone for her mates. | 0:20:17 | 0:20:20 | |
I mean, she's just going to be over the moon about this. | 0:20:20 | 0:20:23 | |
It'll look nice when it's all done. | 0:20:23 | 0:20:26 | |
A little girl's dream is coming true. | 0:20:26 | 0:20:29 | |
And if that isn't doing something great, I don't know what is. | 0:20:29 | 0:20:32 | |
These lovely volunteers are determined to build Joe and Lucy | 0:20:34 | 0:20:36 | |
the future they deserve, in a home that's rooted in a fascinating past. | 0:20:36 | 0:20:40 | |
-Is that a yew? -That's me! -No, that's a yew. -No, this is me. | 0:20:42 | 0:20:47 | |
NICK LAUGHS | 0:20:47 | 0:20:49 | |
Yes. A yew tree that size has got to be very old indeed. | 0:20:49 | 0:20:52 | |
So the building it's wrapped its roots around must be even older. | 0:20:52 | 0:20:55 | |
-What is it? -I have no idea. | 0:20:55 | 0:20:57 | |
-Do you know what? It's got a seat in it as well. -It's got a seat in it? | 0:20:57 | 0:21:00 | |
-A stone seat. -What... What are you doing? | 0:21:00 | 0:21:02 | |
It's an actual loo! It's a his-and-hers loo. | 0:21:02 | 0:21:06 | |
-Is it really a loo? -Yeah, look. | 0:21:06 | 0:21:09 | |
One there, one there. There's two loos. | 0:21:09 | 0:21:11 | |
It's actually what you would call a garderobe. | 0:21:11 | 0:21:13 | |
It's basically a seat with a drop and it drops into the stream | 0:21:13 | 0:21:17 | |
running past, and the stream takes away the effluent. | 0:21:17 | 0:21:20 | |
It's like you would have it on a castle, you'd have it hanging over the side of the moat. | 0:21:20 | 0:21:23 | |
It's a poop chute. People are trying to have a bit of privacy. | 0:21:23 | 0:21:26 | |
All a bit embarrassing that, isn't it? | 0:21:26 | 0:21:29 | |
Oh, there's no loo roll! Knowlesy, throw me some loo roll! | 0:21:29 | 0:21:32 | |
In your dreams! Inside insulation will help transform | 0:21:32 | 0:21:35 | |
the house into a warm, modern living space. | 0:21:35 | 0:21:37 | |
But Gabby is determined to find ways to keep the character of the place. | 0:21:37 | 0:21:41 | |
-What news... -Well, I want to... -..Goldmember? | 0:21:41 | 0:21:44 | |
SHE LAUGHS | 0:21:44 | 0:21:45 | |
MUSIC: Goldfinger by John Barry | 0:21:45 | 0:21:47 | |
I want to raise the ceiling in one of the bathrooms. | 0:21:47 | 0:21:50 | |
Generally, as a unit? We just need to raise the ceiling a little, | 0:21:50 | 0:21:53 | |
get a bit more effort all round? | 0:21:53 | 0:21:55 | |
Yes... No, I just want to pop one of the ceilings up there. | 0:21:55 | 0:21:57 | |
-Oh, actually raise the ceiling? -It's a brilliant idea. | 0:21:57 | 0:22:00 | |
Will it involve taking the ceiling joists out and putting them back in again? | 0:22:00 | 0:22:03 | |
Yes. The guys can do it, I just need to check with Mark. | 0:22:03 | 0:22:07 | |
Looks like it might be a bit late for that, | 0:22:07 | 0:22:09 | |
-so he'd better be happy. -I don't want anyone to be really, really cross, | 0:22:09 | 0:22:13 | |
but I was having a discussion about wouldn't it look lovely if we took | 0:22:13 | 0:22:17 | |
the ceiling down and then I went to check with you, but you were busy, | 0:22:17 | 0:22:20 | |
and then Ed and Gerry started taking the ceiling down anyway. | 0:22:20 | 0:22:23 | |
So what are you saying then, Gabbers? | 0:22:23 | 0:22:25 | |
Can we take the ceiling down? And we've already done it. | 0:22:25 | 0:22:28 | |
I think there are certain reasons why it might not be a good idea. | 0:22:28 | 0:22:31 | |
Yes, well, one of the reasons that I was thinking about was would we cause roof spread? | 0:22:31 | 0:22:35 | |
So you've got a tight beam up here, which holds the roofs together. | 0:22:35 | 0:22:38 | |
The only problem is we might have to fiddle about with the wiring a bit. | 0:22:38 | 0:22:41 | |
I mean, obviously, I thoroughly checked all of that before crashing in. | 0:22:41 | 0:22:44 | |
It's a brilliant job. Obviously, if Ed and Gerry was here, | 0:22:44 | 0:22:46 | |
you would have thought it through properly. | 0:22:46 | 0:22:48 | |
-You just come up with the design idea... -I've just... -..and they've done all the practical side of it. | 0:22:48 | 0:22:53 | |
-Don't try and undermine her. -All right, OK... What sort of thing should I say to her? | 0:22:53 | 0:22:57 | |
"Well done. Well done. Great idea." | 0:22:57 | 0:22:59 | |
He can't say those words. | 0:22:59 | 0:23:01 | |
-It's going to make him ill. He's retching slightly. -No go. | 0:23:01 | 0:23:04 | |
-Can't get it out. Can't get it out. -THEY LAUGH | 0:23:04 | 0:23:07 | |
-RAPIDLY: -Well done, it's a great idea! | 0:23:07 | 0:23:09 | |
Come back! Say it properly! | 0:23:09 | 0:23:11 | |
MUSIC: Rather Be by Clean Bandit featuring Jess Glynne | 0:23:11 | 0:23:14 | |
The next day brings a fresh challenge. | 0:23:14 | 0:23:17 | |
Frost. I don't know why this music means frost, | 0:23:17 | 0:23:19 | |
but it seems to be working all right. | 0:23:19 | 0:23:21 | |
-Nice day, lads! Isn't it beautiful? -Lovely! | 0:23:21 | 0:23:23 | |
What's quite good about it is, it's frozen all the mud as well. | 0:23:24 | 0:23:28 | |
But the stream, the cause of all the flooding that was damaging the house, | 0:23:28 | 0:23:32 | |
is still flowing, of course. | 0:23:32 | 0:23:34 | |
This runs for four miles down to the River Clun, which is that way. | 0:23:34 | 0:23:38 | |
We've done some local research and we've found out that | 0:23:38 | 0:23:40 | |
the cause of it narrowing here, it pushes the water back up here | 0:23:40 | 0:23:44 | |
and threatens flooding the house again. | 0:23:44 | 0:23:46 | |
So we're going to take a third of that tree off and we're going to | 0:23:46 | 0:23:49 | |
make the river slightly wider at that point | 0:23:49 | 0:23:51 | |
and we'll have a full flow then, so the river won't be able to back up. | 0:23:51 | 0:23:54 | |
We don't want to finish all of this and then have a really bad winter | 0:23:54 | 0:23:57 | |
and flood the house again. | 0:23:57 | 0:23:59 | |
Look at that! No sooner said than done! | 0:24:01 | 0:24:03 | |
That's the beauty of a site where everyone's a volunteer. | 0:24:03 | 0:24:05 | |
They are all willing to just muck in. | 0:24:05 | 0:24:07 | |
Mind you, it takes a bit of getting used to. Just ask the sparks. | 0:24:07 | 0:24:11 | |
I said to Ben, "We've got to keep going, we've got to keep up with it, | 0:24:12 | 0:24:16 | |
"because things change, things change." | 0:24:16 | 0:24:18 | |
And he's relaxed and he's like, "Yeah, OK, OK." | 0:24:18 | 0:24:21 | |
Yesterday, he said, "Everything is going so fast, isn't it?" | 0:24:21 | 0:24:24 | |
THEY LAUGH | 0:24:24 | 0:24:26 | |
Kind of does, yeah. That's the trouble, you turn your back and something's being plastered | 0:24:26 | 0:24:30 | |
and you go, "Hang on a second! I haven't gone in there yet!" | 0:24:30 | 0:24:32 | |
The trick is to find a happy balance between speed and saving what made this cottage special. | 0:24:32 | 0:24:37 | |
-You all right, mate? -So we're making the most of the rafters in here? | 0:24:37 | 0:24:40 | |
-Yeah, yeah, yeah. We wanted to keep them as a feature. -Right. | 0:24:40 | 0:24:43 | |
It's a very frustratingly vast room between the beams. | 0:24:43 | 0:24:46 | |
Cor, it's fiddly that, isn't it? | 0:24:46 | 0:24:48 | |
Now, plasterers don't just plaster. They have to finish off the outside too. | 0:24:48 | 0:24:51 | |
I'm going to make this look like that. In render. | 0:24:51 | 0:24:55 | |
And we've got a porch to do round the front. A bit of creative rendering. | 0:24:55 | 0:24:58 | |
-That's clever. -Well, I haven't done it yet. | 0:24:58 | 0:25:01 | |
-No, but if you can pull it off, mate... -That's right. | 0:25:01 | 0:25:03 | |
-That's what I was thinking. -Yeah. | 0:25:03 | 0:25:05 | |
I wasn't doubting you, honest! | 0:25:05 | 0:25:07 | |
If you want proof that volunteering helps keep a spring in your step, | 0:25:07 | 0:25:10 | |
look no further than our Silver Shirts - | 0:25:10 | 0:25:12 | |
they've unleashed their inner beast to crack on with Lucy's treehouse. | 0:25:12 | 0:25:17 | |
When you consider we have, like, 60, 70, 80 people on site every day, | 0:25:17 | 0:25:21 | |
they all volunteered, the majority of the materials | 0:25:21 | 0:25:24 | |
is donated from different companies... Good, isn't it? | 0:25:24 | 0:25:26 | |
-It's a good thing, yeah. -Yeah. | 0:25:26 | 0:25:28 | |
-There's a lot of goodwill out there, isn't there? -There is. | 0:25:28 | 0:25:30 | |
So what are you waiting for? | 0:25:30 | 0:25:31 | |
Get out there and do something great. | 0:25:31 | 0:25:34 | |
Gary, we're a little bit up against it, aren't we? | 0:25:34 | 0:25:36 | |
-Just a little bit, yeah. -I said to you earlier, | 0:25:36 | 0:25:38 | |
"Do you want to get another stonemason in to help you?" | 0:25:38 | 0:25:40 | |
And you said, "No!" | 0:25:40 | 0:25:42 | |
You get different people on there, you have different styles of laying. | 0:25:42 | 0:25:45 | |
We can see that in a wall, you'll see a difference, | 0:25:45 | 0:25:47 | |
and it just doesn't look right. | 0:25:47 | 0:25:48 | |
So we just want to try and keep the continuity of our work, | 0:25:48 | 0:25:51 | |
-and that's it. -So it's like your signature? -Pretty much, yeah. | 0:25:51 | 0:25:54 | |
Make no mistake, people take real pride in the quality of work | 0:25:54 | 0:25:58 | |
they do here. Everything has to be perfect. | 0:25:58 | 0:26:01 | |
Because what they're building is a future. | 0:26:01 | 0:26:04 | |
Jess's family fell in love with this area | 0:26:04 | 0:26:06 | |
when Jess was the same age as Lucy is now. | 0:26:06 | 0:26:09 | |
Jess's mum and sister are in the next village, | 0:26:09 | 0:26:12 | |
so I've popped over to see them. | 0:26:12 | 0:26:15 | |
Jess is often on their minds. | 0:26:15 | 0:26:17 | |
-We came here when Jess was about six and you were eight. -Yeah. | 0:26:18 | 0:26:24 | |
We came camping a couple of times a year, | 0:26:24 | 0:26:27 | |
just a couple of miles along the valley here, where they played. | 0:26:27 | 0:26:31 | |
-So they had a grand time. -Obviously, they fell in love with the area, | 0:26:31 | 0:26:35 | |
but it was Jess that wanted to live here. | 0:26:35 | 0:26:37 | |
I think she was the one who chose it. | 0:26:37 | 0:26:39 | |
She informed Joe that she'd found the house | 0:26:39 | 0:26:43 | |
and he came up and agreed with her. | 0:26:43 | 0:26:46 | |
-Which may be why he can't bring himself to move away. -Mm-hm. | 0:26:46 | 0:26:49 | |
Cos I think he sees Jess as being there, | 0:26:49 | 0:26:52 | |
and it being important for Lucy that she grows up where... | 0:26:52 | 0:26:54 | |
Yes, that's very strong in his thinking. | 0:26:54 | 0:26:56 | |
-..where Mum was. -Yeah. | 0:26:56 | 0:26:58 | |
And is, really. I mean, she's only across in the churchyard, isn't she? | 0:26:58 | 0:27:01 | |
Yes. | 0:27:01 | 0:27:02 | |
It's little things, isn't it? | 0:27:02 | 0:27:05 | |
You see a car. "Oh, Jessica had one of those." | 0:27:05 | 0:27:09 | |
You know, just hits you out of the blue. | 0:27:10 | 0:27:13 | |
Would she have taken some comfort | 0:27:15 | 0:27:17 | |
knowing that the community was coming together | 0:27:17 | 0:27:19 | |
to make sure Lucy had somewhere warm, safe, secure | 0:27:19 | 0:27:21 | |
-and out of that caravan? -Without a doubt. -Yes. | 0:27:21 | 0:27:23 | |
Where she can just move, can't she? I mean, in the caravan, | 0:27:23 | 0:27:28 | |
you just sit in one place all the time, don't you? It's so tiny. | 0:27:28 | 0:27:32 | |
-She's so excited about getting her own room. -Is she? -Yeah. | 0:27:32 | 0:27:37 | |
Yeah, she is. And to be able to have her friends over. | 0:27:37 | 0:27:40 | |
-It's all of that, isn't it? -Mm. | 0:27:40 | 0:27:42 | |
It's back to just a proper childhood. | 0:27:42 | 0:27:45 | |
You know, this is what it should be. | 0:27:45 | 0:27:48 | |
And Lucy will get that childhood now, | 0:27:48 | 0:27:50 | |
thanks to everybody who's joined in | 0:27:50 | 0:27:52 | |
and volunteered their time and materials. | 0:27:52 | 0:27:55 | |
But why should people work for no money? What do they get out of it? | 0:27:55 | 0:27:59 | |
You don't need any financial reward for this, it's just the fact | 0:27:59 | 0:28:02 | |
that when you've done it, you can say, "I've done a good deed today." | 0:28:02 | 0:28:07 | |
And it's not just what you see here on site - oh, no. | 0:28:07 | 0:28:10 | |
There's much more to it than that. | 0:28:10 | 0:28:13 | |
We dry-laid the floor in the local village hall, | 0:28:13 | 0:28:16 | |
we sanded it and prefinished it, ready to bring it here, finished. | 0:28:16 | 0:28:19 | |
You just haven't turned up today, | 0:28:19 | 0:28:21 | |
you've actually been in the background doing it already. | 0:28:21 | 0:28:23 | |
We have, we have. Just like a lot of other people, to be honest. | 0:28:23 | 0:28:26 | |
A good group of guys too. | 0:28:26 | 0:28:28 | |
Incredible, isn't it? People do it for people they don't know. | 0:28:28 | 0:28:31 | |
What a brilliant country we live in. | 0:28:31 | 0:28:32 | |
Yep, a country where nothing is too much trouble | 0:28:32 | 0:28:35 | |
and volunteers walk ten-feet tall, | 0:28:35 | 0:28:36 | |
apart from Mark who's 4'6". | 0:28:36 | 0:28:38 | |
As we pass the halfway mark, these glorious trades have already | 0:28:41 | 0:28:44 | |
finished the roof, got the mains water ready, | 0:28:44 | 0:28:47 | |
painted the outside of the house | 0:28:47 | 0:28:49 | |
and started fitting the kitchen. | 0:28:49 | 0:28:51 | |
It's not like a normal site, is it? | 0:28:51 | 0:28:53 | |
No. Not at all, you don't have, like, 30, 35 tradesmen in one room. | 0:28:53 | 0:28:58 | |
-They'd fall out, wouldn't they? -Oh, 100%, yeah. | 0:28:58 | 0:29:00 | |
-And then you'd get free food. -NICK LAUGHS | 0:29:00 | 0:29:02 | |
-What's not to like? -Yeah. And my wife don't... | 0:29:02 | 0:29:05 | |
-My wife can't cook anyway, so... -No, no! | 0:29:05 | 0:29:08 | |
No! What he meant was, erm, cos he's never home, | 0:29:08 | 0:29:11 | |
she can't cook for you because you're hardly ever home, | 0:29:11 | 0:29:14 | |
-cos you're working... -No, she can't cook. -She's a great cook. | 0:29:14 | 0:29:16 | |
No, she ain't. | 0:29:16 | 0:29:18 | |
There's no helping some people, is there? | 0:29:18 | 0:29:20 | |
The mood on site is incredible, but outside, I wonder | 0:29:21 | 0:29:24 | |
if we've bitten off a bit more than we could chew this time. | 0:29:24 | 0:29:28 | |
Look at the size of the garden. It's massive. | 0:29:28 | 0:29:31 | |
We've got stonework going on, | 0:29:31 | 0:29:33 | |
flood prevention, we've put in new sewage, | 0:29:33 | 0:29:35 | |
we've put a new water main in. | 0:29:35 | 0:29:37 | |
Have we actually got to the stage now | 0:29:37 | 0:29:39 | |
where we're putting flowerbeds in? | 0:29:39 | 0:29:41 | |
We are making a start ready to put the topsoil. | 0:29:41 | 0:29:43 | |
This will be a flowerbed more or less right the way up. | 0:29:43 | 0:29:46 | |
Obviously, because of his back, try keep it low-maintenance, | 0:29:46 | 0:29:49 | |
-easy for him. -How long would you normally come in | 0:29:49 | 0:29:51 | |
and tackle a job like this in? | 0:29:51 | 0:29:53 | |
Probably looking at about five or six weeks... | 0:29:53 | 0:29:56 | |
with all this. | 0:29:56 | 0:29:57 | |
-And how long have you got? -Ten days. | 0:29:57 | 0:30:00 | |
-THEY LAUGH -So... | 0:30:00 | 0:30:02 | |
yeah, bit of a push but, you know, we've got a good team | 0:30:02 | 0:30:05 | |
of everybody working together, so it's great. | 0:30:05 | 0:30:07 | |
And this will give them a lift. With the scaffolding down, | 0:30:10 | 0:30:12 | |
everyone can see the home Joe and Jess dreamt of | 0:30:12 | 0:30:15 | |
emerging from our chaos. | 0:30:15 | 0:30:18 | |
A seven-year-old needs space to run around in | 0:30:18 | 0:30:20 | |
and so the garden's vital, | 0:30:20 | 0:30:22 | |
which makes the arrival of our bridge over the River Clun | 0:30:22 | 0:30:25 | |
a real landmark. | 0:30:25 | 0:30:26 | |
Once this bridge goes in now, then everything then | 0:30:27 | 0:30:29 | |
can be sort of built around it and then... | 0:30:29 | 0:30:32 | |
It's the pathway into the garden, isn't it? | 0:30:32 | 0:30:34 | |
OK. | 0:30:34 | 0:30:35 | |
MUSIC: Bridge On The River Kwai Theme | 0:30:35 | 0:30:39 | |
Going to take the bridge out for a quick walk, | 0:30:41 | 0:30:43 | |
it's been in the van all day. Come on, boy. | 0:30:43 | 0:30:45 | |
HE WHISTLES | 0:30:45 | 0:30:46 | |
Come by. Come by. | 0:30:46 | 0:30:48 | |
-Do you feel like a Royal Engineer? -I do, actually. | 0:30:48 | 0:30:51 | |
Come on, bridge! Bridgey! | 0:30:51 | 0:30:54 | |
So we've got to take the bridge onto that pad, are we? | 0:30:56 | 0:30:59 | |
Watch the timber. Watch the timber. | 0:30:59 | 0:31:01 | |
-Yeah? Go in! -Go on, Mr P! | 0:31:05 | 0:31:08 | |
Who's the daddy? | 0:31:09 | 0:31:11 | |
Did you see that? | 0:31:11 | 0:31:12 | |
Hey? HE LAUGHS | 0:31:12 | 0:31:14 | |
Did you see that? Mr P! | 0:31:14 | 0:31:16 | |
What a digger driver, eh? | 0:31:16 | 0:31:18 | |
HE LAUGHS | 0:31:18 | 0:31:20 | |
The beauty of taking part is | 0:31:22 | 0:31:23 | |
everyone gets to feel good about themselves. | 0:31:23 | 0:31:26 | |
-Have you enjoyed yourself? -You mightn't believe it, | 0:31:26 | 0:31:28 | |
but this is as much fun as I've had | 0:31:28 | 0:31:30 | |
with my clothes on for about 20 years. | 0:31:30 | 0:31:32 | |
THEY LAUGH | 0:31:32 | 0:31:34 | |
Brilliant, I didn't really want to know that! | 0:31:35 | 0:31:37 | |
THEY LAUGH | 0:31:37 | 0:31:39 | |
It's all passing along nicely, isn't it? | 0:31:39 | 0:31:41 | |
Where do they all come from? Where do people live? | 0:31:41 | 0:31:43 | |
There's nowhere to live. Look at it. It's like, it's hills and trees. | 0:31:43 | 0:31:46 | |
Do you think they live in burrows and stuff round here? | 0:31:46 | 0:31:48 | |
Some of them are travelling, two-and-a-quarter hours. | 0:31:48 | 0:31:51 | |
Some of them have put themselves up in bed-and-breakfasts | 0:31:51 | 0:31:53 | |
to stay here to help us. It's amazing, isn't it? | 0:31:53 | 0:31:56 | |
-It is amazing. -Ain't that incredible? | 0:31:56 | 0:31:58 | |
And most of the volunteers on site have never even met Joe. | 0:31:59 | 0:32:02 | |
But some are neighbours from the village, like CJ. | 0:32:02 | 0:32:05 | |
How tough has it been for him over the last couple of years? | 0:32:05 | 0:32:07 | |
Well, you imagine in a caravan, you know, especially the cold, you know. | 0:32:07 | 0:32:12 | |
It's a real confined space. | 0:32:12 | 0:32:14 | |
Yeah. It's not like he hasn't tried it with the house. | 0:32:14 | 0:32:17 | |
-He's been really working. -He's tried, yeah, he really tried. | 0:32:17 | 0:32:20 | |
And he's done his best, fair play to him. He's done well. | 0:32:20 | 0:32:25 | |
And he's done well with young Lucy as well. | 0:32:25 | 0:32:27 | |
CJ and his wife Annie live just down the lane. | 0:32:29 | 0:32:32 | |
They've opened their home to Joe and Lucy | 0:32:32 | 0:32:34 | |
as a temporary escape from the cramped caravan. | 0:32:34 | 0:32:36 | |
In return, they found a new friend. | 0:32:36 | 0:32:39 | |
He comes here a hell of a lot! Yeah. | 0:32:41 | 0:32:45 | |
Yeah, he's here at least four times a week. | 0:32:45 | 0:32:48 | |
He socialises with us and Lucy comes here all the time, really. | 0:32:48 | 0:32:52 | |
She plays with my little grandson and they're really, really close. | 0:32:52 | 0:32:55 | |
Whenever you talk about them, you look at the end of the table. | 0:32:55 | 0:32:58 | |
Yeah, cos that's where he always sits. That's Joe's chair. | 0:32:58 | 0:33:01 | |
Do you think being stuck in a caravan | 0:33:01 | 0:33:03 | |
-has made the grieving go on longer? -Yeah. | 0:33:03 | 0:33:06 | |
I don't think he's been able to grieve properly, really, truthfully. | 0:33:06 | 0:33:10 | |
I can't really tell you how important | 0:33:10 | 0:33:12 | |
it is for them, as a family, to be able to move on, | 0:33:12 | 0:33:16 | |
because they've been stuck in such a small space | 0:33:16 | 0:33:20 | |
for such a long, long time. | 0:33:20 | 0:33:21 | |
It's not easy to sit for an hour, never mind days and days and days. | 0:33:21 | 0:33:25 | |
So, you see this not just as a house, but actually a new beginning? | 0:33:25 | 0:33:28 | |
Definitely. He's such a lovable character himself. You know. | 0:33:28 | 0:33:31 | |
-He's just... Makes me... -SHE SOBS | 0:33:31 | 0:33:33 | |
He's just so lovely. He is such a lovely person. | 0:33:33 | 0:33:38 | |
And I feel desperately, desperately sorry for them both. | 0:33:38 | 0:33:42 | |
I'm sorry. | 0:33:43 | 0:33:45 | |
Fantastic, though, that you and your husband opened your house to them. | 0:33:46 | 0:33:49 | |
We just love their company. | 0:33:49 | 0:33:51 | |
To see them be able to fly again would just be wonderful. | 0:33:51 | 0:33:55 | |
With the days running out, | 0:34:00 | 0:34:01 | |
we're going to need a lot of positive energy. | 0:34:01 | 0:34:03 | |
-How are we looking? -We've got a lot to do today. | 0:34:03 | 0:34:05 | |
We've got a lot to do tomorrow as well. | 0:34:05 | 0:34:07 | |
Yeah, but we're going to pull it in. Not a problem. | 0:34:07 | 0:34:09 | |
-Do I look worried? -Yeah. -Yeah. | 0:34:09 | 0:34:12 | |
Good news! Jules has brought reinforcements, | 0:34:14 | 0:34:16 | |
although they're even smaller than Mark. | 0:34:16 | 0:34:19 | |
-They're not related to you, are they? -They're my daughters. | 0:34:19 | 0:34:22 | |
Oh, my diddly goodness! Hiya, girls! | 0:34:22 | 0:34:25 | |
It's the Perryman family. Let's go sort the job out now. | 0:34:26 | 0:34:30 | |
This is, in fact, a crucial stage. | 0:34:31 | 0:34:33 | |
Outside, we still have the shed to finish, walls to build, | 0:34:33 | 0:34:36 | |
beds to plant and the ground to prepare for turfing. | 0:34:36 | 0:34:39 | |
All that will only happen if we don't waste time dithering. | 0:34:39 | 0:34:43 | |
-What's going on? -We've had no problems in there whatsoever. | 0:34:43 | 0:34:47 | |
We've come to paint this fence, | 0:34:47 | 0:34:49 | |
and now they're not sure on the colour scheme. | 0:34:49 | 0:34:51 | |
Get on with it, make a decision! | 0:34:51 | 0:34:53 | |
-Shush! -Stop poncing about. -Just ignore him. | 0:34:53 | 0:34:55 | |
We're thinking, Team Decorating. Just don't look at him. | 0:34:55 | 0:34:57 | |
Just paint it! I don't care whether it's the dark one on the left, | 0:34:57 | 0:35:00 | |
or the light one on the right. Who cares? | 0:35:00 | 0:35:02 | |
I care. And this is just... | 0:35:02 | 0:35:04 | |
How long have we been talking here? Two minutes! Just be quiet. | 0:35:04 | 0:35:07 | |
Here she comes, look at her. | 0:35:07 | 0:35:09 | |
-I think that's a decision. -50-50. | 0:35:09 | 0:35:11 | |
What? Halfway between the two colours? | 0:35:11 | 0:35:13 | |
-Doesn't matter! -What do you mean? It's a whole wall. | 0:35:13 | 0:35:16 | |
-Yes. -It's really important. I don't know why | 0:35:16 | 0:35:18 | |
everyone's shouting at me through mouthfuls of sausage roll, | 0:35:18 | 0:35:20 | |
through the undergrowth, when I'm just making a simple decision. | 0:35:20 | 0:35:23 | |
MUMBLES: No idea what she's talking about! | 0:35:23 | 0:35:26 | |
Moving swiftly on to another important wall. | 0:35:28 | 0:35:30 | |
After 30 years, Chris has finally mastered the art | 0:35:30 | 0:35:32 | |
of being a rubbish plasterer. | 0:35:32 | 0:35:33 | |
When we were laying this on, all of us were in tears laughing, | 0:35:35 | 0:35:38 | |
cos it's just not how you render houses. | 0:35:38 | 0:35:41 | |
You can't learn this. It's a gift! | 0:35:41 | 0:35:43 | |
You can't learn it cos it's rubbish! | 0:35:44 | 0:35:46 | |
But it's the right rubbish, it's character and that's what we're all about here. | 0:35:46 | 0:35:50 | |
In the bathroom, Gabby's vaulted ceiling looks fantastic. | 0:35:50 | 0:35:53 | |
But it means loads more tiling. | 0:35:53 | 0:35:54 | |
I could see it, when we met, you had a look of fear in your eyes. | 0:35:54 | 0:35:57 | |
I've still got that fear. | 0:35:57 | 0:35:59 | |
It's going to look so stunning when it's finished. | 0:35:59 | 0:36:01 | |
The good news is the bath has arrived. | 0:36:01 | 0:36:03 | |
The bad news is, it's a bit big. | 0:36:03 | 0:36:06 | |
We can't get the bath up the stairs. | 0:36:07 | 0:36:10 | |
Right, lads, pay attention a sec. | 0:36:10 | 0:36:12 | |
I want you to do this properly. I hope there's no cowboys on the job. | 0:36:12 | 0:36:15 | |
Up, up, up, pull it up, pull it up. Pull it over. | 0:36:18 | 0:36:21 | |
It's such a small house, Gabby's adding storage wherever she can. | 0:36:23 | 0:36:27 | |
Argh! | 0:36:27 | 0:36:28 | |
He can't get his legs out of there. | 0:36:30 | 0:36:32 | |
There we go. How to screw it together from the back. | 0:36:32 | 0:36:34 | |
-There's another two lads in there! -LAUGHTER | 0:36:34 | 0:36:36 | |
Now, you'll notice there's a lovely kitchen going in, | 0:36:36 | 0:36:39 | |
but we don't mention the trade name. | 0:36:39 | 0:36:41 | |
So, why would people want to volunteer and join in? | 0:36:41 | 0:36:44 | |
One of the guys at the factory, he used to be a retained firefighter. | 0:36:44 | 0:36:47 | |
And, so, you know, gave him the story as well, | 0:36:47 | 0:36:49 | |
told him all about it. | 0:36:49 | 0:36:50 | |
I said to him, "We've got to be part of this." | 0:36:50 | 0:36:52 | |
It's local. It's seeing everybody all together. | 0:36:52 | 0:36:55 | |
-It's fantastic. -Kind of corny. -Yeah, fantastic. | 0:36:55 | 0:36:58 | |
Lovely, thank you very much, beautiful, really beautiful. | 0:36:58 | 0:37:01 | |
Most of our volunteers are specialists with specialist skills. | 0:37:01 | 0:37:04 | |
But you don't have to have skills to join in. | 0:37:04 | 0:37:06 | |
Some of the people from Jess's school have come along. | 0:37:06 | 0:37:08 | |
It's their way of showing how much Jess meant to them. | 0:37:08 | 0:37:11 | |
You've been inside, what do you think of the quality? | 0:37:12 | 0:37:15 | |
Oh, it's absolutely beautiful. | 0:37:15 | 0:37:16 | |
I know Jess will be looking down and be absolutely delighted. | 0:37:16 | 0:37:19 | |
It's cracking, it really is. | 0:37:19 | 0:37:21 | |
Of all the people helping here, | 0:37:21 | 0:37:23 | |
you are the people who actually knew Jessica? | 0:37:23 | 0:37:25 | |
Yeah. We have memories of her dancing to a film that we made. | 0:37:25 | 0:37:29 | |
There she was dancing up and down the corridor. | 0:37:29 | 0:37:32 | |
It is kind of nice, the idea. | 0:37:32 | 0:37:33 | |
She obviously had a dream when she came here that | 0:37:33 | 0:37:35 | |
this would be the place to be together. Plainly that can happen. | 0:37:35 | 0:37:38 | |
But I think we've got a good chance of them being able to live | 0:37:38 | 0:37:41 | |
-a really comfortable, positive life in this environment. -I know. | 0:37:41 | 0:37:44 | |
And she had a desire to live here and renovate the house. | 0:37:44 | 0:37:47 | |
And it's wonderful that you have carried on her dream | 0:37:47 | 0:37:49 | |
and finished it off for Lucy and Joe. | 0:37:49 | 0:37:51 | |
Well, we're the catalyst. | 0:37:51 | 0:37:53 | |
The community of traders and suppliers does the rest. | 0:37:53 | 0:37:57 | |
48 hours to go, so I'm off to meet Joe | 0:37:57 | 0:37:59 | |
in the storage shed that holds all his worldly possessions. | 0:37:59 | 0:38:03 | |
Since Jess's death, he and Lucy | 0:38:03 | 0:38:05 | |
have been left to rely on each other. | 0:38:05 | 0:38:07 | |
Amazing, really, that it's your job as a father, to look after her, | 0:38:09 | 0:38:12 | |
and yet, here's you getting strength from your seven-year-old. | 0:38:12 | 0:38:15 | |
She has been my hero. | 0:38:15 | 0:38:18 | |
October last year, I just hit a brick wall, hit a brick wall. | 0:38:18 | 0:38:23 | |
I can remember sitting there, I was like that, just shaking, | 0:38:23 | 0:38:26 | |
crying, shaking. | 0:38:26 | 0:38:28 | |
It's difficult to deal with your own demons | 0:38:28 | 0:38:30 | |
-because you have Lucy to look after. -Yeah, absolutely. | 0:38:30 | 0:38:32 | |
And that is the only reason I'm still here. | 0:38:32 | 0:38:35 | |
You look like you're a great little unit now, the two of you. | 0:38:38 | 0:38:41 | |
Yeah, you know, we're all right now. | 0:38:41 | 0:38:44 | |
And the house will help. | 0:38:44 | 0:38:46 | |
I cannot tell you how much that will help us. | 0:38:46 | 0:38:50 | |
This is exactly what Jess would have wanted. | 0:38:50 | 0:38:52 | |
Before anything happened, we had this conversation. | 0:38:52 | 0:38:56 | |
If anything happened to one of us, | 0:38:56 | 0:38:58 | |
we'd want the other one to stay there and make a life. | 0:38:58 | 0:39:01 | |
That's why they're doing it. | 0:39:01 | 0:39:03 | |
And how fantastic is it to do something for someone | 0:39:03 | 0:39:06 | |
and know you've made a difference? | 0:39:06 | 0:39:08 | |
They're going to make a massive difference, | 0:39:08 | 0:39:10 | |
they're going to make a massive difference. | 0:39:10 | 0:39:12 | |
You see, that's what happens when you join in and do something great. | 0:39:14 | 0:39:18 | |
You make a difference. | 0:39:18 | 0:39:20 | |
Back on site, tomorrow's the last day. | 0:39:22 | 0:39:24 | |
The building work is finishing and fluffy stuff is flooding the house. | 0:39:24 | 0:39:28 | |
But we still have loads to do outside | 0:39:28 | 0:39:31 | |
and the forecast is horrendous. | 0:39:31 | 0:39:33 | |
If it rains tomorrow, it's going to be a massive problem. | 0:39:33 | 0:39:37 | |
The worst bit is going to be levelling the topsoil out | 0:39:37 | 0:39:40 | |
for the turf. That's going to be the horrible bit. | 0:39:40 | 0:39:43 | |
The thing is, you've just got to think positive | 0:39:43 | 0:39:45 | |
and think, "It's not going to rain tomorrow," | 0:39:45 | 0:39:48 | |
and it's not going to be an issue, and I'm sure it won't. | 0:39:48 | 0:39:54 | |
It is not going to rain tomorrow. | 0:39:55 | 0:39:58 | |
THUNDER RUMBLES | 0:39:58 | 0:40:00 | |
Don't look at me, I can't control the weather. | 0:40:02 | 0:40:04 | |
It was just merely putting it in a positive form | 0:40:04 | 0:40:06 | |
just to make everybody feel happy but, you know, hey-ho! | 0:40:06 | 0:40:10 | |
LAUGHTER | 0:40:11 | 0:40:12 | |
Raring to go. | 0:40:12 | 0:40:13 | |
This rain is not what we need on the final day! | 0:40:13 | 0:40:17 | |
Are we going to be able to do this, | 0:40:17 | 0:40:18 | |
or is it just too wet and muddy and horrible? | 0:40:18 | 0:40:20 | |
We can't come back next week, so it's a case of | 0:40:20 | 0:40:22 | |
having to put up with it and do the best we can, | 0:40:22 | 0:40:24 | |
-that's what we're going to do. -That's the spirit, isn't it? | 0:40:24 | 0:40:27 | |
He's exactly right. There are so many reasons to join in. | 0:40:27 | 0:40:30 | |
Little Dave is here because he wants to give something back. | 0:40:30 | 0:40:34 | |
So, when did you get into this gardening landscape business? | 0:40:34 | 0:40:37 | |
Er, about eight days ago! | 0:40:37 | 0:40:39 | |
LAUGHTER | 0:40:39 | 0:40:41 | |
-This is not your bread and butter, then? -No, no. | 0:40:41 | 0:40:44 | |
I plan weddings. | 0:40:44 | 0:40:47 | |
I do all the fluffy stuff. | 0:40:47 | 0:40:48 | |
-So, eight days ago, you took up a bit of landscaping? -I did, yes. | 0:40:48 | 0:40:51 | |
Why on Earth are you here? | 0:40:51 | 0:40:53 | |
Um, well, mainly it was a personal thing with me, | 0:40:53 | 0:40:56 | |
because I had a nervous breakdown nine years ago | 0:40:56 | 0:40:59 | |
and I was helped out by The Prince's Trust to start my own business. | 0:40:59 | 0:41:03 | |
And it kind of just took off | 0:41:03 | 0:41:05 | |
and I felt like I needed to give something back. | 0:41:05 | 0:41:08 | |
Just a bit of a personal challenge for me. | 0:41:08 | 0:41:11 | |
I don't like normally being around people, I kind of hide myself away, | 0:41:11 | 0:41:14 | |
try and stay in the background. | 0:41:14 | 0:41:17 | |
You don't like being around people! | 0:41:17 | 0:41:18 | |
You've got 93 people every day on site. | 0:41:18 | 0:41:21 | |
It's the best thing I've done, brilliant. | 0:41:21 | 0:41:23 | |
Absolutely loved every minute of it. | 0:41:23 | 0:41:25 | |
You should get out and join us more often. You're a lovely man. | 0:41:25 | 0:41:27 | |
# Magic! # | 0:41:30 | 0:41:31 | |
Inside, it's situation normal. Bad jokes from Billy. | 0:41:31 | 0:41:34 | |
See this? They're not my real ladders, they are my step ladders! | 0:41:34 | 0:41:38 | |
Step ladders! | 0:41:38 | 0:41:41 | |
HE LAUGHS AND COUGHS | 0:41:41 | 0:41:43 | |
And beautiful fixtures and fittings, | 0:41:43 | 0:41:45 | |
with vital details missing. | 0:41:45 | 0:41:47 | |
-So, I'm going to try and find some handles now. -Yeah, if you could. | 0:41:47 | 0:41:49 | |
And I can get them on. | 0:41:49 | 0:41:51 | |
I'm just going to empty about four containers. | 0:41:51 | 0:41:53 | |
I'll be back in three hours. | 0:41:53 | 0:41:55 | |
We don't have three hours! | 0:41:56 | 0:41:58 | |
But we do have a treehouse, thanks to our silver-shirted volunteers. | 0:41:58 | 0:42:03 | |
Time for a grand unveiling. | 0:42:03 | 0:42:05 | |
Can I take our seven million people inside? Thank you very much. | 0:42:05 | 0:42:08 | |
NICK IMITATES A FANFARE | 0:42:08 | 0:42:10 | |
It's kind of cute, isn't it? | 0:42:10 | 0:42:12 | |
And then you look out across the fields there. | 0:42:12 | 0:42:14 | |
Beautiful view. | 0:42:14 | 0:42:16 | |
-Sit out on the balcony. -Gin and tonics. | 0:42:16 | 0:42:18 | |
It's a child's Wendy house, what do you mean gin and tonics?! | 0:42:18 | 0:42:21 | |
THEY LAUGH | 0:42:21 | 0:42:23 | |
Crossing the finish line is now up to the team laying the turf. | 0:42:23 | 0:42:27 | |
And Gabby who needs to put her finishing touches to the inside. | 0:42:27 | 0:42:31 | |
-You could hang some washing on it, an inside line. -Yeah. | 0:42:33 | 0:42:35 | |
I could put Knowlesy's massive pants hanging on that overnight. | 0:42:35 | 0:42:39 | |
That's a bit harsh. I'm actually wearing | 0:42:39 | 0:42:41 | |
-a quite interesting smaller brief these days. -Ouch! | 0:42:41 | 0:42:45 | |
-Let me show you. -Oh, no, he's going to get his budgie-smugglers out! | 0:42:45 | 0:42:48 | |
No, go! No! Oh, no! | 0:42:48 | 0:42:50 | |
That's just the thermals, hang on. | 0:42:50 | 0:42:52 | |
No! | 0:42:52 | 0:42:53 | |
LAUGHTER | 0:42:53 | 0:42:55 | |
I think we should probably leave it there, don't you? | 0:42:55 | 0:42:58 | |
Nine days ago, this house was a shell | 0:43:00 | 0:43:03 | |
lacking even the basic amenities. | 0:43:03 | 0:43:06 | |
Joe and Lucy were trapped in a tiny caravan - | 0:43:06 | 0:43:08 | |
no place for anyone, | 0:43:08 | 0:43:10 | |
let alone a seven-year-old who's lost her mum. | 0:43:10 | 0:43:13 | |
After everything else that's happened - losing my job, | 0:43:13 | 0:43:17 | |
losing my wife, and now we haven't got a home to go back into. | 0:43:17 | 0:43:21 | |
It was the first time I've been really, really scared. | 0:43:21 | 0:43:24 | |
Now, thanks to the power of the volunteer, | 0:43:26 | 0:43:29 | |
hundreds of helpers have turned the dream of Joe and Jess | 0:43:29 | 0:43:33 | |
into a reality. | 0:43:33 | 0:43:35 | |
The cramped caravan is no longer needed. | 0:43:35 | 0:43:37 | |
The cold, drab building is now a bright, beautiful country cottage | 0:43:37 | 0:43:42 | |
that is the jewel of the valley. | 0:43:42 | 0:43:45 | |
Inside, the shell of a living room | 0:43:45 | 0:43:47 | |
has become the heart of the cottage. | 0:43:47 | 0:43:49 | |
Local art adorns the walls and Joe's burner adds a warm glow. | 0:43:49 | 0:43:54 | |
The central space is the dining area complete with original beams, | 0:43:54 | 0:43:58 | |
handmade oak table and ingenious storage. | 0:43:58 | 0:44:02 | |
The kitchen, once the darkest room in the house, | 0:44:02 | 0:44:04 | |
is a stunning blast of bright, gleaming surfaces | 0:44:04 | 0:44:07 | |
with raised appliances to help Joe's back, | 0:44:07 | 0:44:10 | |
and its on mains water. | 0:44:10 | 0:44:12 | |
On the staircase, we've retained the cottage heritage | 0:44:12 | 0:44:15 | |
with this slice of stone wall. | 0:44:15 | 0:44:17 | |
Lucy's room is no longer cold and dusty. | 0:44:17 | 0:44:21 | |
It's now fit for a princess. | 0:44:21 | 0:44:22 | |
She's even got the raised bed she wanted, | 0:44:22 | 0:44:24 | |
complete with truckle bed for friends to stay. | 0:44:24 | 0:44:27 | |
There's not one but two bathrooms. | 0:44:27 | 0:44:30 | |
And, thanks to Gabby, their vaulted ceilings | 0:44:30 | 0:44:32 | |
make the most of those cottage beams. | 0:44:32 | 0:44:36 | |
There's a spare room for guests. | 0:44:36 | 0:44:39 | |
And Joe gets the bedroom he and Jess dreamt of, | 0:44:39 | 0:44:42 | |
with bifold doors that can finally be flung open, | 0:44:42 | 0:44:45 | |
thanks to this personalised Juliet balcony. | 0:44:45 | 0:44:48 | |
And the view of the garden is stunning. | 0:44:48 | 0:44:52 | |
It's been transformed with new lawns, subtly-painted fencing, | 0:44:52 | 0:44:56 | |
low-maintenance beds, and stunning dry-stone walls throughout. | 0:44:56 | 0:45:01 | |
We've added hard standing over the stream, | 0:45:01 | 0:45:04 | |
reduced the risk of flooding and built a new bridge. | 0:45:04 | 0:45:06 | |
And, as if all that wasn't enough, | 0:45:06 | 0:45:08 | |
our silver-shirted volunteers have built Lucy her very own treehouse. | 0:45:08 | 0:45:13 | |
The work is done. Now, let's see if they like it. | 0:45:13 | 0:45:16 | |
You spent a long time in that caravan | 0:45:22 | 0:45:23 | |
-looking at the house, didn't you? -Yeah, I did. | 0:45:23 | 0:45:25 | |
-The house you really wanted to get into, but couldn't. -Yeah. | 0:45:25 | 0:45:28 | |
I really hope, having got to know you and Lucy, that this | 0:45:28 | 0:45:32 | |
will be the start of something new for you, and a new beginning. | 0:45:32 | 0:45:35 | |
If you're ready, open your eyes. | 0:45:35 | 0:45:39 | |
-Oh, my God. -Isn't it the most beautiful house? | 0:45:41 | 0:45:46 | |
That is unbelievable. | 0:45:46 | 0:45:48 | |
When Jess came and chose this place here, | 0:45:49 | 0:45:52 | |
do you think that maybe she had in her mind's eye | 0:45:52 | 0:45:54 | |
-that it could be this pretty little cottage? -Yeah, oh, yeah. | 0:45:54 | 0:45:57 | |
Yeah. It's a proper home now, isn't it? It's a proper home now. | 0:45:57 | 0:46:01 | |
Come on, let's go inside. | 0:46:01 | 0:46:03 | |
Wow. | 0:46:14 | 0:46:16 | |
It's warm. | 0:46:16 | 0:46:17 | |
NICK LAUGHS | 0:46:17 | 0:46:19 | |
-Too warm, in fact. But we thought that was OK. -That's fine. | 0:46:19 | 0:46:22 | |
This place is insulated beyond belief | 0:46:22 | 0:46:25 | |
and will stay warm. | 0:46:25 | 0:46:27 | |
It is stunning. It restores your faith in humanity. | 0:46:27 | 0:46:30 | |
-Do you want to see some more? -Brilliant. | 0:46:30 | 0:46:33 | |
Oh! | 0:46:37 | 0:46:39 | |
Wow! | 0:46:40 | 0:46:42 | |
These are beautiful, aren't they? | 0:46:42 | 0:46:44 | |
But it's a beautiful old building with loads of character. | 0:46:44 | 0:46:47 | |
Yeah, this is such a weight off my shoulders, you wouldn't believe. | 0:46:47 | 0:46:53 | |
You would not believe. | 0:46:53 | 0:46:54 | |
You sit in a caravan and you can see it everyday, and you think, | 0:46:54 | 0:46:58 | |
"How on Earth do I get back in here?" | 0:46:58 | 0:47:01 | |
And you've done this. | 0:47:03 | 0:47:04 | |
-Do you want to see the kitchen? -Yeah, I'd love to see the kitchen. | 0:47:04 | 0:47:08 | |
Let's go through. | 0:47:08 | 0:47:09 | |
Wow! | 0:47:18 | 0:47:19 | |
This is just beautiful. | 0:47:21 | 0:47:23 | |
A couple of key things. | 0:47:23 | 0:47:24 | |
We've raised the oven up, obviously, because of your back. | 0:47:24 | 0:47:26 | |
-Yeah. -And then, what we've also done, | 0:47:26 | 0:47:28 | |
you've got to go backwards and forwards to the fridge and freezer, | 0:47:28 | 0:47:31 | |
we've raised those up as well, so if you open those doors... | 0:47:31 | 0:47:35 | |
Ha. | 0:47:35 | 0:47:36 | |
We want to make sure you don't have to bend down all the time | 0:47:36 | 0:47:39 | |
to pick stuff up. | 0:47:39 | 0:47:40 | |
And, coming across to the central island, that's your work space. | 0:47:40 | 0:47:43 | |
Also, the water has changed. | 0:47:43 | 0:47:45 | |
Our friends at the water authority came in during the week | 0:47:45 | 0:47:48 | |
and laid a 300-metre pipeline from the village, | 0:47:48 | 0:47:50 | |
and you are now connected up. | 0:47:50 | 0:47:52 | |
-You've put mains water in? -Yeah. Trouble was, | 0:47:52 | 0:47:54 | |
it was tens of thousands of pounds, we couldn't afford to do it, | 0:47:54 | 0:47:57 | |
-but they just came and did it anyway. -That is cool. | 0:47:57 | 0:48:00 | |
Why is the kitchen such a big deal? | 0:48:02 | 0:48:04 | |
Well, it's the hub of the home, isn't it? | 0:48:04 | 0:48:06 | |
-And it should be, this is where people gather in a house. -Yeah. | 0:48:06 | 0:48:09 | |
We never had a kitchen we could do that before and now we can. | 0:48:09 | 0:48:13 | |
Upstairs? | 0:48:15 | 0:48:16 | |
-Lucy's room. -Oh, my goodness me! | 0:48:19 | 0:48:24 | |
This is absolutely beautiful. | 0:48:24 | 0:48:27 | |
She is going to love that. | 0:48:27 | 0:48:29 | |
She wanted a raised bed. | 0:48:29 | 0:48:31 | |
We told the chippies and they came up with this. | 0:48:31 | 0:48:34 | |
It is beautiful. | 0:48:34 | 0:48:36 | |
Homework space, obviously. | 0:48:37 | 0:48:39 | |
Particularly important picture on the wall. | 0:48:39 | 0:48:43 | |
When you lost Jess, | 0:48:43 | 0:48:45 | |
-she took refuge in a particular story. -Yeah, she did. | 0:48:45 | 0:48:49 | |
-Was it How To Train Your Dragon? -How To Train Your Dragon, yeah. | 0:48:49 | 0:48:53 | |
So, we contacted the lady who wrote and drew How To Train Your Dragon. | 0:48:53 | 0:48:58 | |
She drew that and sent it over. | 0:48:58 | 0:49:00 | |
JOE CRIES SOFTLY | 0:49:02 | 0:49:03 | |
Thank you. Thank you. | 0:49:12 | 0:49:15 | |
Thank you. | 0:49:15 | 0:49:16 | |
HE CRIES | 0:49:16 | 0:49:18 | |
Thank you for what you have done here. | 0:49:27 | 0:49:30 | |
It's beautiful. | 0:49:33 | 0:49:36 | |
We kind of thought that was important, | 0:49:36 | 0:49:37 | |
because the lady who wrote that book helped her through it all. | 0:49:37 | 0:49:40 | |
Yeah. | 0:49:40 | 0:49:42 | |
It's so sweet. | 0:49:42 | 0:49:43 | |
-Good enough bedroom for her? -Yeah, yeah. | 0:49:47 | 0:49:50 | |
Beautiful. It is so lovely. | 0:49:50 | 0:49:55 | |
Her own en suite through that door. | 0:49:56 | 0:50:00 | |
Oh! | 0:50:00 | 0:50:01 | |
-Beautiful. -Isn't it? | 0:50:02 | 0:50:04 | |
Really beautiful beam work, so, why lose it? | 0:50:05 | 0:50:08 | |
That is stunning. | 0:50:08 | 0:50:11 | |
We might have something next door for you. | 0:50:11 | 0:50:14 | |
-Look at this! -This is special. | 0:50:16 | 0:50:19 | |
Ah, it's just unbelievable. | 0:50:19 | 0:50:22 | |
So, we've got two more, one of which we've done as a spare room, | 0:50:23 | 0:50:26 | |
because people are going to come and stay. | 0:50:26 | 0:50:30 | |
-And your own bedroom. -Yeah. | 0:50:30 | 0:50:31 | |
Oh, wow. | 0:50:36 | 0:50:37 | |
Oh, wow. | 0:50:37 | 0:50:39 | |
It's so nice, so nice. | 0:51:00 | 0:51:03 | |
Am I allowed to guess what you're thinking? You wish she'd seen it? | 0:51:05 | 0:51:09 | |
Oh, if she'd seen it, she'd love it so much. | 0:51:09 | 0:51:12 | |
She would love it so much. | 0:51:14 | 0:51:16 | |
I know, if she's looking down right now... | 0:51:18 | 0:51:21 | |
..she'd be happy now. | 0:51:23 | 0:51:24 | |
The other great thing about this bedroom, obviously, | 0:51:26 | 0:51:29 | |
the beautiful oak shelves, beautiful furniture, beautiful bed, | 0:51:29 | 0:51:32 | |
beautiful views. Go to the middle window, look out. | 0:51:32 | 0:51:34 | |
We've got a Juliet balcony on there now, | 0:51:34 | 0:51:36 | |
so you can open these up completely. | 0:51:36 | 0:51:38 | |
Stand in the window and look out at the view. | 0:51:38 | 0:51:40 | |
You can actually see the church from here as well, can't you? | 0:51:40 | 0:51:43 | |
It's overwhelming. | 0:51:45 | 0:51:46 | |
When summer comes, you can throw these doors completely open, | 0:51:50 | 0:51:53 | |
fold them right back, look out on the balcony, | 0:51:53 | 0:51:55 | |
see Lucy running around, playing in the garden. | 0:51:55 | 0:51:57 | |
A little special something at the bottom of the garden there. | 0:51:57 | 0:52:00 | |
JOE SIGHS | 0:52:00 | 0:52:02 | |
It's kind of like a treehouse/Wendy house. | 0:52:02 | 0:52:04 | |
It's got little solar panels in it as well, so there's little lights, | 0:52:04 | 0:52:07 | |
twinkly lights, so she can light it up. It's an amazing little spot. | 0:52:07 | 0:52:11 | |
Mate. | 0:52:11 | 0:52:12 | |
-Let's go get your little girl, shall we? -Yeah. | 0:52:15 | 0:52:17 | |
-It's amazing, Lucy. -I really do not know what to say, I really don't. | 0:52:24 | 0:52:28 | |
NICK LAUGHS Is this good or bad? | 0:52:28 | 0:52:30 | |
It's very, very, very good. | 0:52:30 | 0:52:32 | |
Shall we go and have a look around? | 0:52:32 | 0:52:34 | |
Isn't it beautiful? Isn't it beautiful? | 0:52:38 | 0:52:42 | |
-Do you want to look at your dad's or your room first? -My room. | 0:52:43 | 0:52:46 | |
THEY LAUGH | 0:52:46 | 0:52:48 | |
That is the exact bed I wanted. | 0:52:58 | 0:53:01 | |
That was made by the carpenters to be exactly what you needed. | 0:53:01 | 0:53:05 | |
-Do you like it, Lucy? -It's very comfy. -Is it? | 0:53:08 | 0:53:10 | |
Under the mattress is a secret compartment. | 0:53:10 | 0:53:12 | |
Under here is another bed for sleepovers. | 0:53:12 | 0:53:17 | |
How cool is that, hey? | 0:53:17 | 0:53:21 | |
Look at this. | 0:53:23 | 0:53:24 | |
"To Lucy, with love, from Cressida Cowell, and Hiccup, and Toothless." | 0:53:26 | 0:53:32 | |
And she's done this especially for you. Don't you think that's amazing? | 0:53:32 | 0:53:37 | |
It's cool. | 0:53:37 | 0:53:39 | |
Come on, then, let's have a look at the next bit. | 0:53:39 | 0:53:42 | |
Come and have a look. | 0:53:50 | 0:53:51 | |
-Isn't that the coolest thing in the world? -Yeah. | 0:53:54 | 0:53:57 | |
You see all those people coming up the hill? Give them a wave. | 0:53:57 | 0:54:01 | |
LUCY SIGHS | 0:54:01 | 0:54:03 | |
They're coming to say hello, those are the people who did this. | 0:54:03 | 0:54:06 | |
-I'm shy, oh, no! -You're a bit shy? -Yeah. | 0:54:06 | 0:54:10 | |
But they're all friends. | 0:54:10 | 0:54:11 | |
They really are. They came in and built the house | 0:54:11 | 0:54:13 | |
so that you could get out of your caravan. They did all this. | 0:54:13 | 0:54:17 | |
What do you say we go out there and say hello? | 0:54:17 | 0:54:20 | |
And we can tell them what you think of the house. | 0:54:20 | 0:54:22 | |
APPLAUSE | 0:54:25 | 0:54:28 | |
-Unreal. -APPLAUSE CONTINUES | 0:54:36 | 0:54:38 | |
Thank you so much, everybody. | 0:54:40 | 0:54:43 | |
We should be clapping you. What you have pulled off here | 0:54:43 | 0:54:46 | |
in nine days, it's just staggering what you have done. | 0:54:46 | 0:54:51 | |
You have made a difference to people's lives. | 0:54:51 | 0:54:55 | |
And... | 0:54:56 | 0:54:57 | |
..you have turned it around for me and Lucy. | 0:54:58 | 0:55:02 | |
I was in my caravan back in October. | 0:55:02 | 0:55:06 | |
And you get to a point, and you lose your job, which is bad enough, | 0:55:06 | 0:55:11 | |
but then you lose the person that you love. | 0:55:11 | 0:55:14 | |
And then you lose your house. | 0:55:14 | 0:55:17 | |
It's difficult to see which way is up in the end. | 0:55:17 | 0:55:20 | |
But it's just staggering, staggering what you have done for us. | 0:55:20 | 0:55:26 | |
You should, all of you, walk tall with a spring in your step | 0:55:26 | 0:55:32 | |
because you have saved somebody's life. | 0:55:32 | 0:55:35 | |
You really have. | 0:55:36 | 0:55:38 | |
When you go home tonight, go up to the people you love, | 0:55:38 | 0:55:42 | |
and you cuddle them, | 0:55:42 | 0:55:43 | |
and you tell them that you love them with every single bone in your body. | 0:55:43 | 0:55:49 | |
And you will do till the day that you die. | 0:55:49 | 0:55:52 | |
Thank you all so much for turning up here for the last nine days, | 0:55:54 | 0:56:00 | |
in the cold and the rain, doing this for us. | 0:56:00 | 0:56:04 | |
Thank you. | 0:56:06 | 0:56:08 | |
-And this is from you. -Yes. -Do you want to read it? | 0:56:20 | 0:56:22 | |
-Um. I'll try to. -OK. | 0:56:22 | 0:56:25 | |
-Shall I read it? -Yes. | 0:56:31 | 0:56:33 | |
"To everybody who has helped make this happen, | 0:56:35 | 0:56:38 | |
"I would like to thank you from the bottom of my heart. | 0:56:38 | 0:56:41 | |
"You're the greatest, and I really love my room." | 0:56:41 | 0:56:45 | |
GENTLE LAUGHTER IN THE CROWD | 0:56:45 | 0:56:46 | |
"Love from Lucy." | 0:56:46 | 0:56:48 | |
APPLAUSE | 0:56:48 | 0:56:49 | |
Do you think you've got the best house in the valley now, | 0:56:52 | 0:56:55 | |
-or the worst house in the valley? -The best. | 0:56:55 | 0:56:57 | |
I think you've got the best. All because of these people here. | 0:56:57 | 0:56:59 | |
Good man, good man. | 0:57:04 | 0:57:06 | |
I found out in the week that Jess | 0:57:12 | 0:57:14 | |
used to make a picnic and walk up this hill with Lucy, | 0:57:14 | 0:57:17 | |
and sit on the top, and look down on the valley and the village | 0:57:17 | 0:57:19 | |
and the house that she hoped, one day, would become her home. | 0:57:19 | 0:57:23 | |
I get the real feeling that she's still looking on, | 0:57:23 | 0:57:25 | |
and she knows it's happened. | 0:57:25 | 0:57:27 | |
And that's all thanks to these guys. | 0:57:27 | 0:57:29 | |
Isn't that amazing? | 0:57:29 | 0:57:30 | |
Maybe you know someone who needs your help. | 0:57:30 | 0:57:33 |