Browse content similar to The Big Build - Derby. Check below for episodes and series from the same categories and more!
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Cos Isaac's got special needs, | 0:00:03 | 0:00:06 | |
Daddy's always sleeping downstairs. | 0:00:06 | 0:00:09 | |
We're here to create a brighter future... | 0:00:09 | 0:00:13 | |
My mum's always stuck in the house, making my mum more tired. | 0:00:13 | 0:00:17 | |
It feels like the walls are closing in on me. | 0:00:17 | 0:00:20 | |
..to build a better home | 0:00:20 | 0:00:22 | |
for a little boy who desperately needs our help. | 0:00:22 | 0:00:25 | |
All the hopes and dreams that you have for your children, | 0:00:25 | 0:00:28 | |
all those things have been taken away from him. | 0:00:28 | 0:00:31 | |
To help this family, everyone is taking it to the limit. | 0:00:31 | 0:00:35 | |
At some stage we've to go, "That's enough." | 0:00:35 | 0:00:37 | |
I'm here for a reason, | 0:00:37 | 0:00:38 | |
to make it all look wonderful and for it to work, surely. | 0:00:38 | 0:00:42 | |
Do it for a reason, then! | 0:00:42 | 0:00:43 | |
And this one might just get the better of us. | 0:00:43 | 0:00:47 | |
This is the most difficult job I've done yet. | 0:00:47 | 0:00:49 | |
It's a lot bigger than what I was hoping. | 0:00:49 | 0:00:52 | |
Can't wait to see it all presented back to the family. | 0:00:52 | 0:00:54 | |
-Wow. -I like it. | 0:00:56 | 0:00:58 | |
You've made this our home again. | 0:00:58 | 0:01:01 | |
We have nine days to complete the build. | 0:01:01 | 0:01:03 | |
All the usual suspects are here, Julia Kendall is our designer. | 0:01:03 | 0:01:07 | |
But where are we going to find an army up a cul-de-sac | 0:01:07 | 0:01:11 | |
in a village in Derbyshire? | 0:01:11 | 0:01:12 | |
HE WHISTLES LOUDLY | 0:01:14 | 0:01:15 | |
This is DIY SOS: The Big Build! | 0:01:15 | 0:01:19 | |
CHEERING | 0:01:19 | 0:01:21 | |
Loscoe in Derbyshire is home to the Smith family | 0:01:29 | 0:01:32 | |
and their official spokesperson, Connie, aged 7½. | 0:01:32 | 0:01:36 | |
In my family, I have my dad, who's a bit grumpy. | 0:01:38 | 0:01:43 | |
Mum, she's very silly. | 0:01:45 | 0:01:48 | |
My little sister, Violet, is very noisy. | 0:01:48 | 0:01:54 | |
And my little brother, Isaac, | 0:01:55 | 0:01:58 | |
he's very giggly. | 0:01:58 | 0:02:00 | |
Mum, Rachael, and Dad, Andy, | 0:02:02 | 0:02:04 | |
met in 2004, when Rachael got a job where Andy works | 0:02:04 | 0:02:07 | |
as a civil engineer. | 0:02:07 | 0:02:09 | |
It wasn't long before romance blossomed. | 0:02:09 | 0:02:12 | |
I ended up having to ask you out cos I'd still be waiting now. | 0:02:12 | 0:02:16 | |
I thought you'd say no. | 0:02:16 | 0:02:17 | |
Despite the stand-off, they married in 2006 and, in the following year, | 0:02:18 | 0:02:22 | |
Rachael gave birth to Connie. | 0:02:22 | 0:02:24 | |
We were so excited to be having our first child and we just | 0:02:26 | 0:02:28 | |
absolutely loved it, we were in our little bubble, really, I suppose. | 0:02:28 | 0:02:31 | |
Yes, life was good, | 0:02:31 | 0:02:33 | |
the family moved to a bigger house | 0:02:33 | 0:02:35 | |
and were overjoyed when they discovered they were expecting | 0:02:35 | 0:02:38 | |
their second baby. This time, a little boy. | 0:02:38 | 0:02:40 | |
For me, I wasn't bothered either way and again, cliche, I know, | 0:02:42 | 0:02:46 | |
I thought as long as the baby's healthy, I'm not bothered. | 0:02:46 | 0:02:48 | |
Rachael had no reason to believe otherwise, | 0:02:49 | 0:02:52 | |
but 48 hours before the due date, she woke in agonising pain | 0:02:52 | 0:02:57 | |
and was rushed into hospital. | 0:02:57 | 0:03:00 | |
The room went from there being one midwife in the room | 0:03:00 | 0:03:03 | |
to ten people, and we realised something's drastically wrong. | 0:03:03 | 0:03:06 | |
The pain was Rachael's placenta detaching from her uterus. | 0:03:07 | 0:03:11 | |
She had haemorrhaged seven pints of blood, leaving both her | 0:03:11 | 0:03:15 | |
and Baby's life in danger. | 0:03:15 | 0:03:17 | |
I asked if it was life-threatening and they said... | 0:03:17 | 0:03:20 | |
She nodded, and I said... | 0:03:20 | 0:03:22 | |
She then said, | 0:03:24 | 0:03:26 | |
"You was within five minutes of walking out of here on your own." | 0:03:26 | 0:03:29 | |
Thankfully, Rachael pulled through, | 0:03:31 | 0:03:33 | |
but Isaac had been without oxygen for around 20 minutes, | 0:03:33 | 0:03:36 | |
causing extensive brain damage. | 0:03:36 | 0:03:38 | |
I remember coming round and thinking, | 0:03:38 | 0:03:41 | |
"Where's my baby?" | 0:03:41 | 0:03:42 | |
Isaac was taken into neo-natal care, where he stayed for four weeks. | 0:03:45 | 0:03:50 | |
My son, my little boy that I wanted to protect, | 0:03:52 | 0:03:55 | |
I was fast-forwarding, thinking about... | 0:03:55 | 0:03:57 | |
..what I used to do with my dad when I was growing up. | 0:03:59 | 0:04:01 | |
Having a little lad you can play about with and... | 0:04:01 | 0:04:04 | |
..and doing everything I did as a boy. | 0:04:06 | 0:04:09 | |
You just feel that someone's ripped your heart out of your chest | 0:04:10 | 0:04:13 | |
and just stamped on it, closely followed by, just... | 0:04:13 | 0:04:15 | |
..a sadness that just engulfs you. | 0:04:17 | 0:04:19 | |
And then you're feeling guilty for feeling sad because | 0:04:19 | 0:04:22 | |
you should be feeling grateful that you've got him. | 0:04:22 | 0:04:24 | |
Stretch, mate. | 0:04:24 | 0:04:26 | |
Good boy. | 0:04:26 | 0:04:28 | |
Isaac has the most severe form of cerebral palsy, | 0:04:28 | 0:04:31 | |
with little to no movement. | 0:04:31 | 0:04:33 | |
He can't feed or communicate in any way. | 0:04:33 | 0:04:36 | |
He has a life-limiting condition and has been left almost totally blind. | 0:04:36 | 0:04:41 | |
I just want him to be my little boy, I want to be able to be... | 0:04:43 | 0:04:46 | |
..son and Dad. | 0:04:49 | 0:04:52 | |
Good boy. Good boy. | 0:04:52 | 0:04:55 | |
ISAAC COOS | 0:04:55 | 0:04:57 | |
Andy and Rachael are fighting to give Isaac the best possible life. | 0:04:57 | 0:05:01 | |
Yay! Well done, mate. | 0:05:01 | 0:05:04 | |
ISAAC LAUGHS | 0:05:04 | 0:05:07 | |
He can show pleasure, which is lovely because at one point | 0:05:08 | 0:05:10 | |
we were told we may not even see a smile. | 0:05:10 | 0:05:13 | |
The family are doing their best to manage, | 0:05:15 | 0:05:17 | |
but every aspect of life at home is becoming tougher | 0:05:17 | 0:05:21 | |
to accommodate Isaac's needs. | 0:05:21 | 0:05:24 | |
It is physically getting harder day-to-day, | 0:05:24 | 0:05:26 | |
he's going to get bigger and bigger, and I'll be scared, | 0:05:26 | 0:05:29 | |
trying to get him up and down the stairs. | 0:05:29 | 0:05:31 | |
Bathing's become an issue for the same reasons. | 0:05:31 | 0:05:34 | |
Trying to get outside in the garden's a task in itself. | 0:05:34 | 0:05:37 | |
We've got a big step at the back door, none of it's level. | 0:05:37 | 0:05:40 | |
The front room has become not just Isaac's bedroom | 0:05:40 | 0:05:43 | |
but his playroom, where he has his physio. | 0:05:43 | 0:05:46 | |
And because of Isaac's need for round-the-clock care, | 0:05:46 | 0:05:49 | |
it's also dad Andy's bedroom. | 0:05:49 | 0:05:52 | |
Mummy and Daddy sleep apart, because one of them has to sleep with Isaac, | 0:05:53 | 0:05:58 | |
because sometimes he cries in the night. | 0:05:58 | 0:06:02 | |
Rachael has become Isaac's carer in the daytime, juggling physio, | 0:06:02 | 0:06:07 | |
hospital visits, and his everyday care whilst looking after | 0:06:07 | 0:06:11 | |
the rest of the family in a really cramped house. | 0:06:11 | 0:06:14 | |
My mum and dad help Isaac a lot, he has to have loads of equipment. | 0:06:15 | 0:06:20 | |
Everything's on top of us. | 0:06:21 | 0:06:23 | |
It creates a lot of pressure after school cos Isaac needs | 0:06:24 | 0:06:27 | |
to go to bed, so the kitchen's essentially just become the one... | 0:06:27 | 0:06:30 | |
-We tend to live...do everything, really, in the kitchen. -Yeah, we do. | 0:06:30 | 0:06:35 | |
It does just feel like all the walls are closing in. | 0:06:35 | 0:06:37 | |
My mum's always stuck in the house, | 0:06:39 | 0:06:42 | |
I think the house is making my mum more tired because it's so small. | 0:06:42 | 0:06:47 | |
Not surprisingly, the whole family are at breaking point. | 0:06:47 | 0:06:51 | |
And that's why we are here. | 0:06:52 | 0:06:53 | |
So, what do you need us to do to the house? | 0:06:57 | 0:06:59 | |
It is about giving Isaac his own space and dignity, | 0:06:59 | 0:07:04 | |
and for the house to function for a family of five. | 0:07:04 | 0:07:07 | |
Just to do something normal, watch a bit of telly at weekends, | 0:07:07 | 0:07:09 | |
and a place to go to to relax. | 0:07:09 | 0:07:12 | |
Obviously, Isaac's bedroom is our living room. | 0:07:12 | 0:07:15 | |
-The house is fighting against you, basically. -Yes. | 0:07:15 | 0:07:17 | |
If we can get this turned around to... | 0:07:17 | 0:07:19 | |
the house that you actually need for the family, big change in lifestyle? | 0:07:19 | 0:07:22 | |
It would take massive pressure off, especially me, day-to-day. | 0:07:22 | 0:07:26 | |
There's a lot to do, so we are going to have to destroy | 0:07:26 | 0:07:29 | |
your family home in order to give you the home that you want. | 0:07:29 | 0:07:32 | |
-Ready? -Yes. -Yep. -Thank you. | 0:07:32 | 0:07:34 | |
Plus she looks like she wants tell a story. | 0:07:34 | 0:07:36 | |
You chatted all the way through that, didn't you? | 0:07:36 | 0:07:38 | |
You are possibly the chattiest... | 0:07:38 | 0:07:40 | |
BABY GURGLES | 0:07:40 | 0:07:42 | |
I can't get a word in edgeways, and that doesn't happen very often. | 0:07:42 | 0:07:44 | |
NICK CHUCKLES | 0:07:44 | 0:07:46 | |
Despite the brave faces, things need to change. | 0:07:46 | 0:07:50 | |
Luckily, this lot think so, too. | 0:07:50 | 0:07:52 | |
-Morning, everybody. ALL: -Morning. | 0:07:54 | 0:07:55 | |
They're all very friendly. We need to get you going cos we need | 0:07:55 | 0:07:58 | |
to let these guys at the house and... | 0:07:58 | 0:08:00 | |
..don't come back over the next three days | 0:08:01 | 0:08:03 | |
cos it'll be really, really upsetting. | 0:08:03 | 0:08:05 | |
LAUGHTER | 0:08:05 | 0:08:07 | |
-He's giggling. -Thank you, guys. | 0:08:08 | 0:08:10 | |
So, it is ta-ra to the Smiths | 0:08:10 | 0:08:13 | |
and hello to this lot of Prince Charmings. | 0:08:13 | 0:08:16 | |
Yeah. | 0:08:16 | 0:08:17 | |
-OK, let's go, lads. -Get in there. | 0:08:17 | 0:08:19 | |
Go and get yourself a look, we'll join you in a minute. | 0:08:19 | 0:08:22 | |
They're straight in there. | 0:08:22 | 0:08:24 | |
And that's no bad thing because completing the job in nine days | 0:08:24 | 0:08:27 | |
is never easy. In fact, it's ludicrous. | 0:08:27 | 0:08:31 | |
Busy. Look. | 0:08:31 | 0:08:32 | |
NICK CHUCKLES | 0:08:32 | 0:08:34 | |
This is the only way we stand a chance of getting it done - | 0:08:34 | 0:08:36 | |
hit it hard and tear it out, rip it up and start again. | 0:08:36 | 0:08:40 | |
No, we won't play that song, it's too old. | 0:08:40 | 0:08:42 | |
But as well as destroying, these guys have to build quickly | 0:08:43 | 0:08:46 | |
a whole timber-frame extension by the end of the day. | 0:08:46 | 0:08:49 | |
What sayeth you, Mr Perryman? | 0:08:49 | 0:08:51 | |
Oh, yeah, easy. Maybe even by lunchtime. | 0:08:52 | 0:08:54 | |
-Them pills are working! -He's great. | 0:08:56 | 0:08:58 | |
He's Mr Enthusiasm. | 0:08:58 | 0:09:00 | |
There are another 80 enthusiastic people here today, | 0:09:00 | 0:09:04 | |
following the meticulous plan laid out by our designer du jour. | 0:09:04 | 0:09:09 | |
Meet Big Dave. | 0:09:12 | 0:09:13 | |
Just fooling with you, it's of course the lovely Julia Kendall! | 0:09:14 | 0:09:17 | |
Although, I'm not sure about the pickaxe. | 0:09:18 | 0:09:21 | |
Slightly terrifying, that. | 0:09:21 | 0:09:24 | |
These houses are actually lovely, beautifully built, miners' cottages. | 0:09:24 | 0:09:28 | |
-They are beautiful. -How are we going to mess them up? | 0:09:28 | 0:09:30 | |
We're completely ripping the guts out of this place, the reason being, | 0:09:30 | 0:09:34 | |
we have got to create for the whole family a wonderful, big space | 0:09:34 | 0:09:38 | |
that's easy for Rachael to navigate | 0:09:38 | 0:09:40 | |
with the wheelchair and somewhere that's got a fantastic sense | 0:09:40 | 0:09:44 | |
of vibrancy and positivity about it again. | 0:09:44 | 0:09:46 | |
Scrubs up well for a builder, doesn't she? | 0:09:46 | 0:09:49 | |
Julia's design has us removing most of the walls downstairs | 0:09:49 | 0:09:52 | |
to create that sense of space and flow, | 0:09:52 | 0:09:54 | |
starting with the old living room, which we'll turn into | 0:09:54 | 0:09:57 | |
a new bedroom and wet room for Isaac. | 0:09:57 | 0:09:59 | |
The old galley kitchen is going. In its place, a spacious | 0:10:00 | 0:10:03 | |
kitchen-cum-dining area. And at the back of the house, | 0:10:03 | 0:10:06 | |
we're constructing a timber-frame extension on existing foundations | 0:10:06 | 0:10:10 | |
to create a comfortable lounge. | 0:10:10 | 0:10:12 | |
Right, let's pop upstairs. | 0:10:12 | 0:10:14 | |
Here, we're widening the old, claustrophobic hallway, | 0:10:14 | 0:10:17 | |
remodelling the family bathroom and bedrooms, | 0:10:17 | 0:10:19 | |
and we'll be installing a monitoring system for Rachael and Andy | 0:10:19 | 0:10:23 | |
so that sleeping downstairs on a mattress will be | 0:10:23 | 0:10:25 | |
a thing of the past. | 0:10:25 | 0:10:27 | |
They are a great team together, | 0:10:27 | 0:10:28 | |
but they need to be a couple together again now. | 0:10:28 | 0:10:32 | |
So I think in doing what we're doing, | 0:10:32 | 0:10:34 | |
we're going to create a home that really does allow her | 0:10:34 | 0:10:37 | |
to breathe again, I think. | 0:10:37 | 0:10:39 | |
-Come on, boys. -To achieve this, | 0:10:39 | 0:10:42 | |
Chris is sending a crew of 30 to destroy the upstairs... | 0:10:42 | 0:10:45 | |
..and 50 downstairs to remove all the internal walls. | 0:10:46 | 0:10:49 | |
We're literally tearing it apart quicker than we can get rid of it. | 0:10:50 | 0:10:54 | |
And chucking it in skips. | 0:10:54 | 0:10:56 | |
Now, tell me this bloke doesn't look like John Prescott. | 0:10:56 | 0:10:59 | |
How are you doing, mate? | 0:10:59 | 0:11:01 | |
Nice to see you. You're here to save the day. | 0:11:01 | 0:11:04 | |
But the workload's not worrying him or her, | 0:11:04 | 0:11:07 | |
because we're working with skilled people who know exactly | 0:11:07 | 0:11:10 | |
what they're doing. And Billy. | 0:11:10 | 0:11:12 | |
What I'm doing is getting rid of all the old cables. | 0:11:13 | 0:11:16 | |
Unfortunately, they brought some new ones in | 0:11:16 | 0:11:19 | |
and I got rid of them as well. | 0:11:19 | 0:11:20 | |
Pilchard! | 0:11:20 | 0:11:22 | |
Unbelievably, the timber-frame extension is almost up, | 0:11:22 | 0:11:24 | |
making the floor space downstairs bigger by a third. | 0:11:24 | 0:11:28 | |
Why is there a double truss here and why are these sections in here? | 0:11:30 | 0:11:34 | |
We just had some extra stuff that we had to use up. | 0:11:34 | 0:11:37 | |
At the back, we're stripping the old garden, which is massive, | 0:11:40 | 0:11:43 | |
a colossal 29 metres by 10. | 0:11:43 | 0:11:45 | |
Luckily, that's Julian's territory. | 0:11:45 | 0:11:48 | |
Look through there. Look who's got his feet under the table | 0:11:50 | 0:11:53 | |
with the neighbour. Cup of coffee, | 0:11:53 | 0:11:55 | |
choccy biscuit, conversation in the sun. | 0:11:55 | 0:11:58 | |
Which is no bad thing because access is an issue, | 0:11:59 | 0:12:01 | |
so the neighbours have allowed us to destroy their fencing. | 0:12:01 | 0:12:04 | |
That's nice, isn't it? | 0:12:04 | 0:12:06 | |
The neighbour said the house on the corner, | 0:12:07 | 0:12:10 | |
that was the knocker-upper's house. | 0:12:10 | 0:12:12 | |
He'd have a big stick with a knocker thing on the end, | 0:12:12 | 0:12:15 | |
and would walk up the street and bang everybody's doors | 0:12:15 | 0:12:18 | |
and get everyone out of bed. | 0:12:18 | 0:12:19 | |
What happens if you were already up? | 0:12:19 | 0:12:22 | |
-The missus wouldn't be happy! -He ends up knocking up the wife! | 0:12:22 | 0:12:25 | |
Do you want to finish this section off for us now | 0:12:28 | 0:12:30 | |
so we can move on to something else? | 0:12:30 | 0:12:31 | |
We shall go over to Jules and see how he's doing in the garden. | 0:12:31 | 0:12:35 | |
I'm not in the garden, I'm here! | 0:12:36 | 0:12:38 | |
We were going to see Jules... | 0:12:38 | 0:12:39 | |
Imagine, you have him for one hour this week, | 0:12:40 | 0:12:42 | |
we've had him for 16 years! | 0:12:42 | 0:12:44 | |
Out back, the activity's picked up and what we need is a creative plan | 0:12:48 | 0:12:52 | |
for this colossal space. | 0:12:52 | 0:12:54 | |
Luckily, Julia has come up with one. | 0:12:54 | 0:12:56 | |
The design marries both the family and Isaac's need | 0:12:57 | 0:13:00 | |
for sensory stimulation. | 0:13:00 | 0:13:02 | |
We'll be sourcing around 100 railway sleepers | 0:13:02 | 0:13:05 | |
which will frame an artificial grass descent with sweet-smelling borders | 0:13:05 | 0:13:10 | |
and rustling plants. At the bottom, | 0:13:10 | 0:13:12 | |
a much-needed therapy hut with hydro-pool, | 0:13:12 | 0:13:15 | |
so Isaac can stretch and work his muscles every day. | 0:13:15 | 0:13:18 | |
It's impressive, but, to be honest, VERY ambitious. | 0:13:18 | 0:13:22 | |
It is going to be so stunning. | 0:13:22 | 0:13:25 | |
If we ever get it done. There is a heck of a lot to do. | 0:13:25 | 0:13:28 | |
That's an understatement. | 0:13:28 | 0:13:30 | |
Come on, lads, let's have it. | 0:13:32 | 0:13:34 | |
Right, we'll start with the ten tonne of concrete | 0:13:34 | 0:13:37 | |
required for the hydro-pool room foundations. | 0:13:37 | 0:13:39 | |
Bang on. | 0:13:39 | 0:13:41 | |
Therapy is vital to Isaac's health and happiness, | 0:13:41 | 0:13:44 | |
but he currently only has access to it twice a week | 0:13:44 | 0:13:47 | |
at his specialist school. | 0:13:47 | 0:13:49 | |
And you're about to see just how much it means to him. | 0:13:49 | 0:13:53 | |
We still don't know a lot ourselves about what the future's | 0:13:54 | 0:13:57 | |
going to hold, in terms of what his development's going to be. | 0:13:57 | 0:14:00 | |
He's giggling. | 0:14:00 | 0:14:01 | |
ISAAC GIGGLES | 0:14:01 | 0:14:05 | |
'He has a visual impairment and we don't know to what extent.' | 0:14:05 | 0:14:07 | |
The images coming into his brain are struggling to be processed | 0:14:07 | 0:14:11 | |
because of his brain damage, basically. | 0:14:11 | 0:14:13 | |
You see that one? Well done, Isaac. | 0:14:13 | 0:14:17 | |
'Any therapy we do with him helps with his condition.' | 0:14:17 | 0:14:19 | |
I like the red lights. | 0:14:21 | 0:14:22 | |
That's very good. | 0:14:22 | 0:14:24 | |
He catches where they are. | 0:14:25 | 0:14:27 | |
Isaac is absolutely a dream. | 0:14:28 | 0:14:30 | |
He's a very happy young boy, very sociable, | 0:14:30 | 0:14:33 | |
he needs the environment to be right for him, | 0:14:33 | 0:14:36 | |
so that he can develop all his senses. | 0:14:36 | 0:14:39 | |
He needs stimulation. | 0:14:39 | 0:14:41 | |
I mean, Isaac absolutely loves swimming as well, | 0:14:43 | 0:14:46 | |
so something to do to give him an opportunity with water | 0:14:46 | 0:14:49 | |
would be lovely. | 0:14:49 | 0:14:50 | |
Lovely. | 0:14:51 | 0:14:53 | |
'I try to take things one day at a time and not think too far ahead.' | 0:14:54 | 0:14:58 | |
We just want to try and help him be the best that he can be, really. | 0:14:59 | 0:15:02 | |
And that is what we want to do for him, in his own home. | 0:15:04 | 0:15:07 | |
Unfortunately, the house is currently being held up | 0:15:09 | 0:15:12 | |
like a melon on cocktail sticks, | 0:15:12 | 0:15:14 | |
so it's time to get some strength back in with steel joists, | 0:15:14 | 0:15:17 | |
and what we need is someone intelligent to explain | 0:15:17 | 0:15:20 | |
what's happening here. | 0:15:20 | 0:15:22 | |
What's going on at the moment? Someone explain it. | 0:15:22 | 0:15:25 | |
-They're lifting it up. -I can see they're lifting it up! | 0:15:25 | 0:15:28 | |
Don't patronise me! | 0:15:28 | 0:15:29 | |
Do you know what the Egyptians done? | 0:15:29 | 0:15:31 | |
Murdered each other? Slept with Julius Caesar? | 0:15:31 | 0:15:35 | |
What did the Egyptians done? | 0:15:35 | 0:15:37 | |
You're setting a massive piece of stone, you place it on ice, | 0:15:37 | 0:15:41 | |
so you can get the straps out, | 0:15:41 | 0:15:43 | |
and the ice melts and slowly goes down into place. | 0:15:43 | 0:15:47 | |
How do they make ice in Egypt? | 0:15:49 | 0:15:51 | |
I did not know whether it was the Egyptians, but somebody done it. | 0:15:51 | 0:15:55 | |
It is like talking to an encyclopaedia. | 0:15:55 | 0:15:57 | |
An encyclopaedia that's lost the index. | 0:15:57 | 0:16:00 | |
This is steel number two of five to go in, | 0:16:01 | 0:16:05 | |
all donated to the build by our lovely trades. | 0:16:05 | 0:16:08 | |
We've got a three- or four-hour turnaround, thank you very much. | 0:16:10 | 0:16:14 | |
It is a lot of money's worth, why have you decided | 0:16:14 | 0:16:16 | |
-to join and help out? -My sister's got a daughter who basically | 0:16:16 | 0:16:20 | |
got cerebral palsy and they gave her a week to live. | 0:16:20 | 0:16:24 | |
She's still here now, she's fighting. | 0:16:24 | 0:16:27 | |
She was 28 the other week, that's gone week to week, so... | 0:16:27 | 0:16:31 | |
-Wow. -She's done really well. | 0:16:31 | 0:16:33 | |
The lads have all contributed their time for a good cause. | 0:16:33 | 0:16:37 | |
Brilliant. We really appreciate you joining, as well. | 0:16:37 | 0:16:39 | |
Thank you. See you again in the morning. | 0:16:39 | 0:16:41 | |
All right, see you tomorrow morning. Thank you very much. | 0:16:41 | 0:16:44 | |
Out the back, the guys are now tamping the concrete foundations, | 0:16:44 | 0:16:48 | |
which should set in time for a big push in the garden tomorrow. | 0:16:48 | 0:16:51 | |
What a day, what a day! And all the house is now held up on Acrow props, | 0:16:54 | 0:16:57 | |
because we've taken walls out and put new steels in there, | 0:16:57 | 0:16:59 | |
new steels in here, new window there... | 0:16:59 | 0:17:01 | |
In fact, new windows all around the house apart from two windows, | 0:17:01 | 0:17:04 | |
a chimney breast taken out, through the Acrow props again, | 0:17:04 | 0:17:07 | |
grooves in the floor for drainage, | 0:17:07 | 0:17:08 | |
through more Acrow props which hold up the back of the house | 0:17:08 | 0:17:11 | |
because it isn't there any more, cos this is the new extension | 0:17:11 | 0:17:13 | |
with a new roof on already. | 0:17:13 | 0:17:15 | |
Look at the size of it. It's just fantastic. | 0:17:15 | 0:17:17 | |
Back through the Acrow props to a doorway | 0:17:17 | 0:17:19 | |
that wasn't here this morning. Oh, and we've made a good start | 0:17:19 | 0:17:21 | |
on the electrics and the plumbing. | 0:17:21 | 0:17:23 | |
Not bad, eh? | 0:17:23 | 0:17:24 | |
Tomorrow, we'll get busy. | 0:17:25 | 0:17:27 | |
Good morning. Bit too close. | 0:17:33 | 0:17:35 | |
All right. Yesterday was a magnificent day, | 0:17:35 | 0:17:38 | |
I feel today is going to be equally magnificent | 0:17:38 | 0:17:40 | |
although we are facing a bit of an issue with access | 0:17:40 | 0:17:42 | |
in the egress to the garden. We'll work it out, though. | 0:17:42 | 0:17:45 | |
Yesterday, we cleared out the old backyard, or bombsite, | 0:17:47 | 0:17:50 | |
as we like to call it, so today it's onto the hard graft, | 0:17:50 | 0:17:52 | |
constructing our ambitious new garden. | 0:17:52 | 0:17:55 | |
All this area here is going to be artificial grass. | 0:17:56 | 0:17:59 | |
All this grass has to come off, the topsoil has to come off. | 0:17:59 | 0:18:01 | |
Landscaping almost 300 square metres | 0:18:01 | 0:18:04 | |
is, frankly, a big ask from Julia but it is not worrying Farmer Giles, | 0:18:04 | 0:18:07 | |
sorry, Farmer Jules... | 0:18:07 | 0:18:09 | |
# Dig, dig, dig, dig, dig it | 0:18:09 | 0:18:11 | |
# Dig a little trench with m-e-e-e-e! # | 0:18:11 | 0:18:16 | |
TOOTS HORN ..or Mark. | 0:18:16 | 0:18:19 | |
But it is affecting Billy. He's none too happy, | 0:18:19 | 0:18:22 | |
as I've dabbled with his wiring. | 0:18:22 | 0:18:23 | |
They filled it in with the concrete and they forgot to put the pipe... | 0:18:23 | 0:18:27 | |
-I asked them not to. -But you shouldn't. | 0:18:27 | 0:18:29 | |
It goes up the outside of the building. | 0:18:29 | 0:18:32 | |
The parties that are involved must be informed, | 0:18:32 | 0:18:35 | |
not someone come along and say... | 0:18:35 | 0:18:37 | |
Don't, Mark. | 0:18:37 | 0:18:39 | |
We don't need people coming along and saying, | 0:18:39 | 0:18:41 | |
we ain't going to put it in there. | 0:18:41 | 0:18:43 | |
-Don't belittle us. You're belittling us. -Who's belittling? -You are. | 0:18:43 | 0:18:46 | |
-I'm not! -We don't want cuddles, we just want to get it sorted. | 0:18:46 | 0:18:49 | |
-He might want a cuddle. -He doesn't. He's got me to cuddle. | 0:18:49 | 0:18:53 | |
No, I'm upset because no-one involved us. | 0:18:53 | 0:18:56 | |
We do it for a reason, Nick, not to be undermineded. | 0:18:56 | 0:19:00 | |
That's what we've been done - undermineded. | 0:19:00 | 0:19:03 | |
Undermined-ed? | 0:19:04 | 0:19:06 | |
LAUGHTER | 0:19:06 | 0:19:07 | |
I think for the next few hours, | 0:19:07 | 0:19:10 | |
Billy is best left alone or avoideded. | 0:19:10 | 0:19:12 | |
In the house upstairs, the wall stud himself, | 0:19:14 | 0:19:16 | |
Mr Frediani, along with some new buddies, | 0:19:16 | 0:19:19 | |
are busy changing the room configurations | 0:19:19 | 0:19:21 | |
so they feel more spacious. | 0:19:21 | 0:19:23 | |
I just want to pick these bricks up, and throw them | 0:19:24 | 0:19:27 | |
into no-man's-land, really. | 0:19:27 | 0:19:29 | |
Nothing is being left to chance. | 0:19:30 | 0:19:32 | |
Now, since Isaac's birth, | 0:19:32 | 0:19:34 | |
Dad, Andy, has not slept in the bedroom upstairs, | 0:19:34 | 0:19:36 | |
but on a mattress in the living room, | 0:19:36 | 0:19:38 | |
so he can keep an eye on his son, and that has to have taken its toll. | 0:19:38 | 0:19:42 | |
You're one of the world's worriers. | 0:19:42 | 0:19:44 | |
I don't know if I'm the worst, but I'm certainly not the best. | 0:19:44 | 0:19:48 | |
I worry about things that I can't have any influence over, | 0:19:48 | 0:19:51 | |
but, needless to say, it doesn't stop me worrying. | 0:19:51 | 0:19:55 | |
The big thing is Isaac and the kids, Connie and Violet. | 0:19:55 | 0:19:58 | |
How they deal with the family life that they've been brought into. | 0:19:58 | 0:20:03 | |
Connie, with how she's dealing with adapting to Isaac, as her brother, | 0:20:04 | 0:20:09 | |
with the needs he's got. | 0:20:09 | 0:20:11 | |
Isaac, for the first six months of his life, he was in pain, | 0:20:11 | 0:20:14 | |
abdominal spasms, muscle spasms, the impact was huge. | 0:20:14 | 0:20:19 | |
When he was still in hospital, she drew a picture | 0:20:19 | 0:20:21 | |
and stuck it on his bedroom wall. | 0:20:21 | 0:20:22 | |
And that... | 0:20:24 | 0:20:25 | |
..upset me, because she drew him with a big smile, saying he's cute. | 0:20:26 | 0:20:30 | |
Within two weeks of him being home, | 0:20:31 | 0:20:33 | |
she drew another picture, and it had a big, sad face, | 0:20:33 | 0:20:35 | |
"Cos he's always crying, I don't want him here." | 0:20:35 | 0:20:37 | |
And that's really tough. | 0:20:38 | 0:20:40 | |
So, I do worry about how tough mentally she has to be at her age. | 0:20:40 | 0:20:45 | |
Do you worry about the future or try not to think about it? | 0:20:46 | 0:20:49 | |
It does scare me. | 0:20:49 | 0:20:51 | |
There is a life expectancy for all of us. Isaac's has been compromised, | 0:20:51 | 0:20:55 | |
but we don't know by how much. | 0:20:55 | 0:20:57 | |
And once that's been said to you, how do you deal with it? | 0:20:57 | 0:21:01 | |
This kind of thing would put a massive pressure | 0:21:01 | 0:21:03 | |
on your relationship and it has to have done, the stress, strain, | 0:21:03 | 0:21:06 | |
worry, the sleep deprivation... | 0:21:06 | 0:21:08 | |
I have seen Rachael, when she's... | 0:21:08 | 0:21:10 | |
that...strength isn't there. | 0:21:10 | 0:21:13 | |
I guess, that's one of the worries, that might become the norm. | 0:21:15 | 0:21:19 | |
I do think a lot of Rachael at home, wanting to be there to help her out, | 0:21:19 | 0:21:24 | |
with the pressures of dealing with Isaac. | 0:21:24 | 0:21:27 | |
We have drawn on a hell of a strong relationship. | 0:21:27 | 0:21:30 | |
And I think the value of that to me... | 0:21:32 | 0:21:34 | |
..has made me worry a bit more, cos I don't want to lose it. | 0:21:37 | 0:21:39 | |
I worry that the stress is going to be... | 0:21:39 | 0:21:42 | |
..reach breaking point. | 0:21:43 | 0:21:45 | |
'To have Rachael in an environment that is stress-free, | 0:21:45 | 0:21:49 | |
'that's one less stress that's on Rachael's shoulders,' | 0:21:49 | 0:21:51 | |
and that will hopefully have a release of the pressure | 0:21:51 | 0:21:54 | |
all around from the relationship point of view and the family. | 0:21:54 | 0:21:59 | |
-And you're still obviously very much in love with her? -Yeah. | 0:21:59 | 0:22:02 | |
Cos she's...she's amazing. | 0:22:02 | 0:22:05 | |
It's clear to me that the work we're doing on the house | 0:22:07 | 0:22:10 | |
won't just help ease the situation with Isaac, | 0:22:10 | 0:22:13 | |
but relieve the pressure for Andy and Rachael, too. | 0:22:13 | 0:22:17 | |
There is, however, a slight problem. | 0:22:18 | 0:22:19 | |
We're getting numerous deliveries but none of them are carrying | 0:22:19 | 0:22:23 | |
the key ingredient required for Julia's epic garden design. | 0:22:23 | 0:22:26 | |
OK, not to worry, I understand. OK. | 0:22:28 | 0:22:30 | |
She wants 100 straight railway sleepers to cut into circular paths. | 0:22:32 | 0:22:36 | |
I am so keen to keep the shape that we've got | 0:22:36 | 0:22:39 | |
cos I think it's going to work so beautifully. | 0:22:39 | 0:22:41 | |
So, I'm going to have to amend the design a little bit. | 0:22:41 | 0:22:44 | |
-Tree to joist? -Tree to joist, about 40 metres off. | 0:22:44 | 0:22:47 | |
-Rather than sleepers. -If you can get 50, then it allows us | 0:22:47 | 0:22:50 | |
-a little bit of leeway. -I shall see what I can do. | 0:22:50 | 0:22:52 | |
Hmm, an 8x2 inch | 0:22:54 | 0:22:55 | |
rectangular wooden block doesn't sound very circular. | 0:22:55 | 0:22:59 | |
8x2 joists will not give you a curve. | 0:22:59 | 0:23:02 | |
According to my garden specialists who happen to be experts | 0:23:02 | 0:23:04 | |
-and not TV presenters... -You said we're going to try | 0:23:04 | 0:23:06 | |
and get 8x2 joists. | 0:23:06 | 0:23:07 | |
She'd like the feature of the timber sticking out of the ground. | 0:23:07 | 0:23:11 | |
Yes, but she's a designer. | 0:23:11 | 0:23:13 | |
At some stage, we've got to go, "That's enough." | 0:23:13 | 0:23:15 | |
-We've changed. -We listen to the designer... | 0:23:15 | 0:23:18 | |
As opposed to listening to a TV presenter! | 0:23:18 | 0:23:20 | |
I'm here for a reason - to make it all look wonderful | 0:23:20 | 0:23:23 | |
and for it work, surely. | 0:23:23 | 0:23:25 | |
There comes a point where you've got to say, | 0:23:25 | 0:23:27 | |
"We're not going to achieve that." | 0:23:27 | 0:23:29 | |
We're not quite at that point yet. | 0:23:29 | 0:23:31 | |
-It's achievable. -Thank you. | 0:23:31 | 0:23:33 | |
All will be well. | 0:23:33 | 0:23:34 | |
Before I had a conversation with Nick, | 0:23:37 | 0:23:39 | |
I was quite happy as long as it ended up working the way I wanted, | 0:23:39 | 0:23:43 | |
but now that we've had that conversation, | 0:23:43 | 0:23:45 | |
I am absolutely determined it's going to be finished, frankly. | 0:23:45 | 0:23:48 | |
Fighting talk from Kendall there, | 0:23:48 | 0:23:50 | |
who used to be a boxer when she was a man. | 0:23:50 | 0:23:52 | |
There's one bit of the garden design I am happy with. | 0:23:52 | 0:23:54 | |
When it's up, the therapy hut will house a hydro-pool and hoist, | 0:23:54 | 0:23:57 | |
which means more electrics. | 0:23:57 | 0:23:59 | |
Upstairs. Sparks in the bathroom. | 0:24:02 | 0:24:04 | |
Billy and his team are installing | 0:24:04 | 0:24:05 | |
over 1,000 metres of electrical cable in this build, | 0:24:05 | 0:24:09 | |
which is a big responsibility. | 0:24:09 | 0:24:11 | |
We just found two cables. We're wondering where they go. | 0:24:11 | 0:24:15 | |
You can't win them all, Bill, something won't switch on. | 0:24:15 | 0:24:17 | |
We are winning in the old living room, however, | 0:24:18 | 0:24:21 | |
as the timber frame for Isaac's wet room has emerged. | 0:24:21 | 0:24:23 | |
And the boys on the roof have been very busy. | 0:24:25 | 0:24:28 | |
What do you make of the site? It is weird and different. | 0:24:29 | 0:24:31 | |
It's busy. Never seen so many blokes on site. | 0:24:31 | 0:24:35 | |
It's nice you've got so many people giving up their time to do it. | 0:24:35 | 0:24:38 | |
Sometimes, you give money to charity, you don't know | 0:24:38 | 0:24:40 | |
where it goes. With this, you can see physically what difference | 0:24:40 | 0:24:43 | |
you're making in someone's life. | 0:24:43 | 0:24:45 | |
Who's the big fella? Is he one of your lot? | 0:24:45 | 0:24:47 | |
-That's John. -That's Grandad. -That's Grandad! | 0:24:47 | 0:24:50 | |
-Is that right? -It's my father-in-law. | 0:24:50 | 0:24:52 | |
-Is that right? -Godfather of fascias. | 0:24:52 | 0:24:54 | |
The Godfather of fascias! | 0:24:54 | 0:24:57 | |
And Chris's team should feel very proud of their performances | 0:24:59 | 0:25:02 | |
in the bedroom. | 0:25:02 | 0:25:04 | |
Basically, we've had the joiners in, | 0:25:04 | 0:25:06 | |
we've replaced all the rotten walls, ready for a big day tomorrow, | 0:25:06 | 0:25:10 | |
the plasterers will be here, | 0:25:10 | 0:25:12 | |
and we can start putting this little baby back together again. | 0:25:12 | 0:25:15 | |
Now, that's an offer we can't refuse. | 0:25:15 | 0:25:18 | |
MUSIC: Theme from The Godfather | 0:25:18 | 0:25:20 | |
He really IS the Godfather! | 0:25:23 | 0:25:24 | |
It's our third day on site and it's centre stage for Mr Frediani's | 0:25:30 | 0:25:33 | |
favourite trade, a veritable spread of plasterers. | 0:25:33 | 0:25:37 | |
My boys, look at them, look. | 0:25:38 | 0:25:40 | |
They're like ants all over it. | 0:25:40 | 0:25:42 | |
There's a couple of rolls of scrim there. | 0:25:42 | 0:25:44 | |
Big ants, mind you. Rachael felt the walls were closing in on her, | 0:25:44 | 0:25:46 | |
so Chris and the boys have been working on getting | 0:25:46 | 0:25:49 | |
the upstairs area feeling and looking more spacious. | 0:25:49 | 0:25:52 | |
Beautiful. | 0:25:54 | 0:25:55 | |
We've just pushed these walls out to give more access up here, | 0:25:55 | 0:25:59 | |
so they're going to re-board and then re-skim the upstairs, | 0:25:59 | 0:26:02 | |
giving the sparkies and the plumber time downstairs | 0:26:02 | 0:26:05 | |
to finish the kitchen area, but I'm very excited | 0:26:05 | 0:26:08 | |
cos there's about 16 plasterers | 0:26:08 | 0:26:09 | |
on board and they've only got the upstairs to do. | 0:26:09 | 0:26:11 | |
So, they'll eat this. | 0:26:11 | 0:26:13 | |
Nice. | 0:26:13 | 0:26:15 | |
Christopher is a happy work bunny, but after Cablegate, | 0:26:15 | 0:26:18 | |
I'm approaching Billy with extreme caution. | 0:26:18 | 0:26:22 | |
-Am I allowed to hug you today? -Course you are! | 0:26:22 | 0:26:25 | |
That's all forgotten, that is all forgotten. | 0:26:25 | 0:26:28 | |
I have to say, I'm sorry that I undermineded you. | 0:26:28 | 0:26:30 | |
So long as the...it's, erm... What can I say now? | 0:26:32 | 0:26:37 | |
Aw, he's all totes emosh. | 0:26:39 | 0:26:40 | |
Outside, they're bricking it, | 0:26:40 | 0:26:42 | |
and in the garden, someone's digging it, | 0:26:42 | 0:26:45 | |
having a lovely time courtesy of a three-tonne machine. | 0:26:45 | 0:26:47 | |
But despite my reasonably and politely explained objections, | 0:26:53 | 0:26:56 | |
Julia is refusing to scale back on the garden design, | 0:26:56 | 0:26:59 | |
which is putting these guys under pressure. | 0:26:59 | 0:27:01 | |
We are on top of it. | 0:27:03 | 0:27:05 | |
-We're getting there. -Enjoy the rest of the day | 0:27:06 | 0:27:08 | |
and I'll try and keep the designer away from you. | 0:27:08 | 0:27:10 | |
LAUGHTER | 0:27:10 | 0:27:12 | |
At the bottom of the controversial slope, | 0:27:12 | 0:27:14 | |
the therapy hut is up and, I have to say, is looking fantastic. | 0:27:14 | 0:27:18 | |
It's being clad in natural cedar, which is hard-wearing | 0:27:18 | 0:27:21 | |
and, by the way, smells fantastic. | 0:27:21 | 0:27:23 | |
I wish you could have a scratch and sniff telly | 0:27:23 | 0:27:25 | |
so you could smell the cedar. It's really beautiful. | 0:27:25 | 0:27:28 | |
Very lovely. It's pretty, isn't it? | 0:27:28 | 0:27:30 | |
Feel free to dance to the music, by the way. | 0:27:33 | 0:27:35 | |
On the inside, we're waiting on the plasterers to do their thing. | 0:27:35 | 0:27:38 | |
Look at them go, they're magnificent, it's flying up. | 0:27:38 | 0:27:42 | |
It's manic, mate, absolutely manic in here. | 0:27:42 | 0:27:45 | |
It's a good laugh, though. But it's mad. | 0:27:45 | 0:27:47 | |
It is mad. | 0:27:47 | 0:27:48 | |
Nevertheless, Chris is ploughing on | 0:27:49 | 0:27:51 | |
with making the floors wheelchair-friendly. | 0:27:51 | 0:27:54 | |
Where you had the walls, | 0:27:55 | 0:27:56 | |
there's a slight discrepancy, so we need to self-level it tonight, | 0:27:56 | 0:27:59 | |
get everyone out till tomorrow, when we can carry on | 0:27:59 | 0:28:02 | |
with the plasterboarding and skimming. That's our plan. | 0:28:02 | 0:28:05 | |
The reason everyone's working so hard? Well, it's the family. | 0:28:05 | 0:28:09 | |
This house hasn't fitted their needs for some time and that's especially | 0:28:09 | 0:28:13 | |
hard for Mum, Rachael, who feels trapped in her own home. | 0:28:13 | 0:28:17 | |
What would people not understand | 0:28:17 | 0:28:19 | |
about what you do on a day-to-day basis? How do you cope? | 0:28:19 | 0:28:23 | |
The honest truth is I don't know. | 0:28:23 | 0:28:25 | |
Every day with a child with special needs is hard, | 0:28:25 | 0:28:28 | |
even just getting them dressed, getting him in and out of his pram, | 0:28:28 | 0:28:31 | |
putting him to bed, he's on pain relief all the time because | 0:28:31 | 0:28:34 | |
he has a lot of muscle spasms as part of his cerebral palsy. | 0:28:34 | 0:28:37 | |
SHE BREATHES IN DEEPLY | 0:28:37 | 0:28:38 | |
He's got a sleep disorder, so we have broken sleep most nights. | 0:28:38 | 0:28:42 | |
That makes it difficult to function. | 0:28:42 | 0:28:44 | |
If you're getting sleep, you can pretty much cope with anything. | 0:28:44 | 0:28:47 | |
That's become the norm, really, broken sleep every night. | 0:28:47 | 0:28:50 | |
That's an internationally banned form of torture. | 0:28:50 | 0:28:53 | |
Yeah, it is. I can see why. | 0:28:53 | 0:28:54 | |
How do you think Andy copes with it? | 0:28:56 | 0:28:58 | |
I always worry more about Andy than about me. | 0:28:58 | 0:29:01 | |
It does put a massive strain on our relationship together. | 0:29:01 | 0:29:04 | |
I used to feel that nothing could touch us but, as time has gone on, | 0:29:04 | 0:29:08 | |
it's hard sometimes. I think Andy's struggled a lot more than me, | 0:29:08 | 0:29:12 | |
to be honest. I know he feels a lot of guilt that his life | 0:29:12 | 0:29:16 | |
hasn't really changed. | 0:29:16 | 0:29:17 | |
He still goes out to work every day, whereas I'm at home | 0:29:17 | 0:29:20 | |
and he worries about me a hell of a lot. | 0:29:20 | 0:29:23 | |
Would it be fair to say that it's been wearing you out? | 0:29:23 | 0:29:26 | |
I feel pretty wrung out just lately. | 0:29:26 | 0:29:29 | |
I do have my days when I could just sit and cry. | 0:29:29 | 0:29:31 | |
It can come over me all of a sudden. If I was to actually start crying, | 0:29:31 | 0:29:35 | |
I would be worried I wouldn't be able to stop. | 0:29:35 | 0:29:38 | |
You can see every day what Isaac gets from you, | 0:29:39 | 0:29:43 | |
what do you get from Isaac? | 0:29:43 | 0:29:45 | |
Just the joy from seeing him laugh, | 0:29:45 | 0:29:47 | |
the fact that he can show pleasure for things... | 0:29:47 | 0:29:49 | |
He's just amazing, | 0:29:50 | 0:29:52 | |
every single day is like the first time you've seen it. | 0:29:52 | 0:29:55 | |
ISAAC LAUGHS AND GURGLES | 0:29:55 | 0:29:57 | |
Even if a doctor categorically told me he's never going to do this, | 0:29:59 | 0:30:03 | |
I think, as a parent, you've still got that fighting spirit. | 0:30:03 | 0:30:06 | |
You might be able to do something, you never do know. | 0:30:06 | 0:30:08 | |
There's always got to be that hope there, | 0:30:08 | 0:30:11 | |
and I suppose that's what keeps us going, really. | 0:30:11 | 0:30:14 | |
Well, we might be 2,500 man-hours in, | 0:30:23 | 0:30:26 | |
but this place is far from finished. | 0:30:26 | 0:30:29 | |
And Mark knows it. | 0:30:29 | 0:30:30 | |
HORN TOOTS | 0:30:30 | 0:30:31 | |
-Where do you want to be today, then? -The pub. | 0:30:33 | 0:30:35 | |
Really, where'd you want to be HERE? | 0:30:35 | 0:30:37 | |
We want this circle feature in, | 0:30:37 | 0:30:39 | |
just to prove that it does work, | 0:30:39 | 0:30:41 | |
so when Nick comes back he can say sorry. | 0:30:41 | 0:30:44 | |
Is that Nick the garden designer or Nick the electrician? | 0:30:44 | 0:30:46 | |
-Nick the Oracle. -Nick the Oracle, right, OK. | 0:30:46 | 0:30:49 | |
So we can say we were right. | 0:30:49 | 0:30:51 | |
I'm not accustomed to sticking my nose in, | 0:30:51 | 0:30:53 | |
but I will say getting ten tonnes of hardcore down | 0:30:53 | 0:30:56 | |
in four hours is asking the impossible. | 0:30:56 | 0:30:59 | |
THEY WHISTLE Theme from The Great Escape | 0:30:59 | 0:31:02 | |
That's it. | 0:31:02 | 0:31:04 | |
Yeah, but there is no escaping this job! | 0:31:04 | 0:31:06 | |
If that's all done tonight, | 0:31:10 | 0:31:12 | |
I'm going to pull my pants down and run down the garden | 0:31:12 | 0:31:15 | |
-with my bare bum out. -Yeah, please don't. | 0:31:15 | 0:31:17 | |
You know who I blame? | 0:31:17 | 0:31:19 | |
Kick-arse Kendall, that's who. | 0:31:19 | 0:31:21 | |
It'll get done. | 0:31:21 | 0:31:22 | |
Honestly. Have faith. | 0:31:22 | 0:31:24 | |
The guys... See how many there are out there! | 0:31:24 | 0:31:27 | |
They're all looking at each other going, "Help!" | 0:31:27 | 0:31:30 | |
See? | 0:31:30 | 0:31:31 | |
Irrespective of the garden issues, we've got a schedule to stick to, | 0:31:32 | 0:31:35 | |
so the kitchen's arrived and joiners are joining things. | 0:31:35 | 0:31:39 | |
But the inside isn't quite ready. | 0:31:39 | 0:31:41 | |
However, they are smiling. | 0:31:41 | 0:31:43 | |
-Are we all happy? -ALL: -Yeah! | 0:31:43 | 0:31:45 | |
And they are all happy, I didn't have to give them any money. | 0:31:45 | 0:31:48 | |
Cup of tea on the go whilst working. | 0:31:48 | 0:31:51 | |
See, he's happy, look. | 0:31:51 | 0:31:52 | |
Chris's boys have now happily worked their way over | 0:31:52 | 0:31:55 | |
virtually every piece of board in the place, | 0:31:55 | 0:31:57 | |
that's every wall and ceiling. | 0:31:57 | 0:31:59 | |
Another hour-and-a-half of skimming this and then we'll be done. | 0:31:59 | 0:32:02 | |
The old living room's gone | 0:32:03 | 0:32:05 | |
and in its place is a wheelchair-accessible bedroom | 0:32:05 | 0:32:07 | |
and wet room. | 0:32:07 | 0:32:09 | |
We're also making it easier to get into the house with widened doorways | 0:32:11 | 0:32:14 | |
and a new flattened curve. | 0:32:14 | 0:32:16 | |
There are no half measures here | 0:32:18 | 0:32:19 | |
which means a phenomenal amount of work, | 0:32:19 | 0:32:21 | |
so Billy is boosting morale. | 0:32:21 | 0:32:23 | |
My granddaughter's got a pet mouse and it died. | 0:32:25 | 0:32:29 | |
I got the phone call, it's died. It was called Elvis, | 0:32:29 | 0:32:32 | |
it was caught in a trap. | 0:32:32 | 0:32:34 | |
It's a joke. | 0:32:35 | 0:32:36 | |
I think I preferred him angry! | 0:32:36 | 0:32:38 | |
That's the last bit of plastering. | 0:32:42 | 0:32:44 | |
Have you enjoyed it? | 0:32:46 | 0:32:47 | |
-Yeah, it's been great. -Fantastic. | 0:32:47 | 0:32:49 | |
I'd be here for blimming six weeks doing this by myself, | 0:32:49 | 0:32:52 | |
do you know what I mean? | 0:32:52 | 0:32:53 | |
It's good craic. Throw the boys at it, they'll get it done. | 0:32:53 | 0:32:57 | |
OK, just four days left in the build, | 0:33:04 | 0:33:06 | |
normally at this stage we'd have broken the back of the garden, | 0:33:06 | 0:33:09 | |
but this job looks like it might break us. | 0:33:09 | 0:33:10 | |
The thing is we simply can't ask any more | 0:33:10 | 0:33:13 | |
of the people working on it. | 0:33:13 | 0:33:15 | |
Very suddenly, we have to put a gentle rocket | 0:33:15 | 0:33:17 | |
-up the posterior of the garden. -Of the garden, right. | 0:33:17 | 0:33:21 | |
You can't ask any more! | 0:33:21 | 0:33:23 | |
This is a very big job, a lot bigger than what I was hoping. | 0:33:23 | 0:33:27 | |
Yes. And I said the design wouldn't help. | 0:33:27 | 0:33:30 | |
We've been trying to cut circles out of square timber | 0:33:30 | 0:33:32 | |
for the past five days, and it's nowhere near finished. | 0:33:32 | 0:33:35 | |
I warned you, I said. | 0:33:35 | 0:33:37 | |
Comes round all the way, that. | 0:33:37 | 0:33:39 | |
-Both sides. -Yes. | 0:33:39 | 0:33:41 | |
That would do it, wouldn't it? | 0:33:41 | 0:33:43 | |
It will be a lot easier. | 0:33:43 | 0:33:45 | |
Finally a voice of reason. | 0:33:45 | 0:33:47 | |
Thank you. | 0:33:47 | 0:33:48 | |
That's more like Chagford. | 0:33:51 | 0:33:52 | |
This is getting ridiculous, we're not going to finish this. | 0:33:54 | 0:33:56 | |
It doesn't matter what the designers say, there's got to come a point, | 0:33:56 | 0:33:59 | |
when we go, "That's it, that's enough." Whatever we've got, | 0:33:59 | 0:34:02 | |
we have to lawn the rest of it and finish. | 0:34:02 | 0:34:04 | |
Let's give it until three o'clock this afternoon. | 0:34:04 | 0:34:07 | |
Cos we've got a lot of extra people turning up and if they turn up | 0:34:07 | 0:34:09 | |
and we have a good push on, then we'll call it at three. | 0:34:09 | 0:34:12 | |
Fair enough. | 0:34:12 | 0:34:15 | |
So the garden is in the balance, | 0:34:15 | 0:34:16 | |
but at least the house is looking less wrecked, which means | 0:34:16 | 0:34:19 | |
the decorators get to splash on some colour. | 0:34:19 | 0:34:22 | |
Just realised she's on telly. | 0:34:24 | 0:34:26 | |
It's going to the wire, I suppose, | 0:34:26 | 0:34:28 | |
but everyone knows what they're doing, don't they, so... | 0:34:28 | 0:34:30 | |
We're used to a bit of pressure. | 0:34:30 | 0:34:32 | |
The decorators aren't the only team under pressure. | 0:34:32 | 0:34:34 | |
The joiners have a lot on their plate. | 0:34:34 | 0:34:37 | |
Julia's design has space-saving cupboards | 0:34:37 | 0:34:39 | |
-and a new fabulous kitchen area. -Looking good, isn't it? -Yes, it is. | 0:34:39 | 0:34:43 | |
I'd like to see it all finished, and everyone's out of the way, | 0:34:43 | 0:34:46 | |
and when it gets presented back to the family. | 0:34:46 | 0:34:49 | |
Yeah, that's something we're all looking forward to. | 0:34:49 | 0:34:51 | |
Every single member of this family | 0:34:51 | 0:34:53 | |
has been affected by Isaac's condition. | 0:34:53 | 0:34:56 | |
When Isaac was born, Connie was only four. | 0:34:57 | 0:35:00 | |
And his illness had a big impact on her. | 0:35:00 | 0:35:02 | |
Connie loves to draw pictures of the whole family, | 0:35:04 | 0:35:06 | |
so Julia has asked her to create something just for the house. | 0:35:06 | 0:35:11 | |
I found these really lovely little pennants, | 0:35:12 | 0:35:15 | |
and I thought what we could do | 0:35:15 | 0:35:16 | |
is paint one for everybody in the family. | 0:35:16 | 0:35:19 | |
Shall I do one for your dad, maybe? | 0:35:19 | 0:35:21 | |
Mm... | 0:35:21 | 0:35:22 | |
-Yeah? -You'll have to put quite a lot of football on the front. | 0:35:22 | 0:35:25 | |
Football on it! Will I? | 0:35:25 | 0:35:26 | |
Forest and football. | 0:35:26 | 0:35:28 | |
Right, OK, so, off you go, then, sweetie. | 0:35:28 | 0:35:30 | |
I'm doing a bit of a dinosaur cos Isaac likes creatures. | 0:35:32 | 0:35:35 | |
Yeah. That's lovely. | 0:35:35 | 0:35:39 | |
So, what's it been like up until now, until we got hold of the house? | 0:35:40 | 0:35:44 | |
It's been... | 0:35:44 | 0:35:46 | |
It's been a bit tricky for everyone, especially my mum. | 0:35:46 | 0:35:51 | |
-Right. -And my sister's a monkey, so it's even harder. | 0:35:51 | 0:35:54 | |
She's a monkey, is she? Aw! | 0:35:54 | 0:35:57 | |
I'm going to put some smiley faces, because Isaac's always giggling. | 0:35:57 | 0:36:02 | |
He IS always giggling, isn't he? | 0:36:02 | 0:36:04 | |
I've noticed that. He seems very, very happy. It wasn't like that | 0:36:04 | 0:36:07 | |
in the beginning, was it, I think, when he was born. | 0:36:07 | 0:36:10 | |
Much better now, but he still cries a bit. | 0:36:10 | 0:36:12 | |
So, do you think that when Isaac's got his own bedroom | 0:36:13 | 0:36:16 | |
that it's going to make him happier? | 0:36:16 | 0:36:18 | |
Yeah? That's lovely. | 0:36:19 | 0:36:22 | |
You're going to have a nice, big, smiley face. | 0:36:22 | 0:36:24 | |
Yay! That's fabulous. | 0:36:24 | 0:36:27 | |
I think he's going to love that. | 0:36:27 | 0:36:29 | |
I think so too. | 0:36:31 | 0:36:32 | |
Back at the house, and the garden isn't where it needs to be | 0:36:32 | 0:36:35 | |
at this late stage, but we have got extra people | 0:36:35 | 0:36:38 | |
and they've brought gifts. | 0:36:38 | 0:36:40 | |
Can I guess, from the van, that you've got a hot tub for us? | 0:36:40 | 0:36:43 | |
-Oh, yes! -Is it big? -Yeah, massive. | 0:36:43 | 0:36:46 | |
Look at the ridiculous...! | 0:36:46 | 0:36:47 | |
-That's never going to go in the shed! -Oh, yes, it will! | 0:36:47 | 0:36:50 | |
It's all been designed for the size of the hot tub. | 0:36:50 | 0:36:53 | |
It is the most... I don't know what they were expecting, you know, | 0:36:54 | 0:36:57 | |
it is a hot tub, it's not a bath. And frankly, you know, | 0:36:57 | 0:37:00 | |
of course all the family are going to want to use it. | 0:37:00 | 0:37:03 | |
They're not going to expect the other children | 0:37:05 | 0:37:07 | |
to stand by and watch, are they? I mean, how ridiculous. | 0:37:07 | 0:37:10 | |
Release the tub! | 0:37:10 | 0:37:12 | |
See, I told you it would fit. | 0:37:12 | 0:37:14 | |
Yeah. No, it does fit. It does fit. | 0:37:14 | 0:37:16 | |
Up, and... | 0:37:16 | 0:37:17 | |
-Oh, yeah. -How's that? -That is... | 0:37:24 | 0:37:26 | |
More realistic? | 0:37:28 | 0:37:29 | |
OK, I'll give her that. She can get a tub in a shed. | 0:37:32 | 0:37:34 | |
But this design is becoming my nemesis, it's crazy. | 0:37:34 | 0:37:37 | |
We're on version three of the circles, | 0:37:37 | 0:37:39 | |
and all the posts need individually cutting and placing. | 0:37:39 | 0:37:43 | |
HE IMITATES A TRUMPET | 0:37:43 | 0:37:47 | |
The last post. | 0:37:47 | 0:37:49 | |
The last post! | 0:37:49 | 0:37:51 | |
LAUGHTER | 0:37:51 | 0:37:52 | |
That's pretty good, actually! | 0:37:52 | 0:37:54 | |
With only two days left, it's now decision time. | 0:37:54 | 0:37:57 | |
We said that at three o'clock we'd take a view on where we are | 0:37:58 | 0:38:01 | |
with this garden. Are we now in a position we can say we can | 0:38:01 | 0:38:03 | |
stick with the design, or do we have to cut holes in it? | 0:38:03 | 0:38:06 | |
-Stick with it. -You reckon we've got it back under control? | 0:38:08 | 0:38:10 | |
Yeah. Just. | 0:38:10 | 0:38:12 | |
Just. Really, really happening. | 0:38:12 | 0:38:14 | |
Well done, you, because this has been your... Can I interrupt | 0:38:14 | 0:38:17 | |
-your brownie just for a second? -It's not a brownie! It's actually tiffin. | 0:38:17 | 0:38:21 | |
-And it's really, really nice. -Well, I don't care how nice it is, | 0:38:21 | 0:38:23 | |
I'm trying to interview you for the programme, | 0:38:23 | 0:38:26 | |
and you're sat there chewing away like a munching cow. | 0:38:26 | 0:38:29 | |
So... It's almost finished, now. | 0:38:29 | 0:38:32 | |
What, the garden? Are we still talking about the garden, | 0:38:32 | 0:38:34 | |
-or the tiffin? -The tiffin. | 0:38:34 | 0:38:36 | |
Unbelievable. | 0:38:36 | 0:38:37 | |
In the house, the guys are busy installing equipment | 0:38:37 | 0:38:41 | |
that should make life much easier. | 0:38:41 | 0:38:43 | |
A new top-of-the-range hoist will mean Isaac can move comfortably | 0:38:43 | 0:38:46 | |
from his bedroom through to his wet room. | 0:38:46 | 0:38:49 | |
A bit of grouting going on in here, which is very lovely. | 0:38:49 | 0:38:52 | |
A nice finish on the tiles. | 0:38:52 | 0:38:54 | |
The boys are fitting one of these all-singing, all-dancing toilets. | 0:38:54 | 0:38:58 | |
Fantastic. | 0:38:59 | 0:39:00 | |
With so many trades all in at the same time, | 0:39:00 | 0:39:03 | |
things can go wrong. | 0:39:03 | 0:39:05 | |
Yes, not good. | 0:39:07 | 0:39:08 | |
What's happened here? | 0:39:10 | 0:39:11 | |
-Er... -Oh, that's not good. -Plaster's coming off the wall. | 0:39:11 | 0:39:14 | |
That's bad. That's unusual, in fact. In the rush to get things done, | 0:39:14 | 0:39:18 | |
we've ripped some wallpaper and tried to replace it with a new bit, | 0:39:18 | 0:39:21 | |
but the plaster has come away with it. | 0:39:21 | 0:39:23 | |
16 years, first time I've ever seen a plastering disaster. | 0:39:23 | 0:39:27 | |
-It's not a disaster. -Well, it's come off the wall, Chris, | 0:39:27 | 0:39:29 | |
-I'd say that's a disaster. -No, what was a disaster | 0:39:29 | 0:39:32 | |
was the chipping of the wallpaper. If it hadn't have pulled | 0:39:32 | 0:39:34 | |
the wallpaper off, it would have dried it all back in. | 0:39:34 | 0:39:37 | |
-Oh, it would have sucked it in and stayed, would it? -Yeah, yeah, | 0:39:37 | 0:39:40 | |
-we'd have been all right. -All right, so it's his fault, then, mostly. | 0:39:40 | 0:39:43 | |
-The joiner's fault. -The big fella there is going, "Oh..." | 0:39:43 | 0:39:46 | |
I don't believe that. I don't believe it. | 0:39:46 | 0:39:49 | |
Are we all rights to do that, lads, strip it back to that corner? | 0:39:49 | 0:39:52 | |
-Yeah, yeah. -And then... And then just wallpaper straight over. | 0:39:52 | 0:39:54 | |
-Have we got enough wallpaper to carry? -Yeah. -Fine. Brilliant. | 0:39:54 | 0:39:57 | |
Excellent. Crisis - and blame - averted. | 0:39:57 | 0:40:00 | |
Everyone is busting a gut to push this over the line. | 0:40:01 | 0:40:04 | |
I'm still not convinced, however, about the design. | 0:40:04 | 0:40:06 | |
-What's gone wrong here? -What do you mean what's gone wrong? | 0:40:08 | 0:40:10 | |
It's beautiful. We've got a fabulous wallpaper here, | 0:40:10 | 0:40:12 | |
just introducing some texture and colour. | 0:40:12 | 0:40:14 | |
Wait. It will be lovely. | 0:40:14 | 0:40:16 | |
Do you... Yeah, hm. | 0:40:16 | 0:40:17 | |
But it's going to take a bit more than just trust | 0:40:17 | 0:40:20 | |
to get the outside done on the last day. | 0:40:20 | 0:40:22 | |
Well, at least it's not raining. | 0:40:22 | 0:40:24 | |
The weather has actually been very good to us whilst we're here. | 0:40:24 | 0:40:28 | |
I'm not convinced, though, what I'm being told, | 0:40:28 | 0:40:31 | |
which is that this space out here is going to be a beautiful environment | 0:40:31 | 0:40:34 | |
in which the family can enjoy themselves as from tomorrow night. | 0:40:34 | 0:40:37 | |
I still think there's at least two days' work here, | 0:40:37 | 0:40:39 | |
which is a bit of a worry cos we have to finish tomorrow night. | 0:40:39 | 0:40:41 | |
We've only got one day left. But, then, what do I know? | 0:40:41 | 0:40:44 | |
We'll find out whether I'm right | 0:40:44 | 0:40:45 | |
or they're right tomorrow. See you, then. | 0:40:45 | 0:40:48 | |
Overnight, we've received some bad news. | 0:40:53 | 0:40:56 | |
Isaac has been rushed into hospital | 0:40:56 | 0:40:58 | |
with seizures and breathing difficulties. | 0:40:58 | 0:41:01 | |
He is now stable, | 0:41:04 | 0:41:05 | |
but will stay in with Dad, Andy, | 0:41:05 | 0:41:07 | |
while Mum, Rachael, looks after the other kids. | 0:41:07 | 0:41:11 | |
It's times like this I'm reminded of the worries | 0:41:11 | 0:41:13 | |
this family must face every day. | 0:41:13 | 0:41:15 | |
Since Isaac's diagnosis, | 0:41:17 | 0:41:19 | |
it's tested my strength and my family's strength beyond... | 0:41:19 | 0:41:22 | |
anything we ever thought we'd ever have to go through. | 0:41:22 | 0:41:25 | |
Worrying about... | 0:41:26 | 0:41:28 | |
how long we may or may not have with him. | 0:41:28 | 0:41:31 | |
You don't think... | 0:41:31 | 0:41:32 | |
any of your children are going to go before you. | 0:41:32 | 0:41:34 | |
I worry about Isaac because he's just so vulnerable, | 0:41:36 | 0:41:39 | |
because he can't tell anybody what he wants. | 0:41:39 | 0:41:41 | |
I try to... | 0:41:41 | 0:41:43 | |
I try to stay positive, | 0:41:43 | 0:41:45 | |
a lot of the time, and just try and hope that... | 0:41:45 | 0:41:48 | |
He won't be able to do certain things. | 0:41:50 | 0:41:53 | |
It's scary to think that he might... | 0:41:53 | 0:41:55 | |
he might never know who I am. | 0:41:55 | 0:41:57 | |
It scares me that... | 0:42:00 | 0:42:02 | |
..not only will he not know who I am but... | 0:42:03 | 0:42:05 | |
..he'll never be able to run to me, | 0:42:07 | 0:42:09 | |
give me a cuddle, he'll never be able to say, "Mummy." | 0:42:09 | 0:42:12 | |
Isaac has had to fight for life from day one. | 0:42:16 | 0:42:19 | |
But his strength continues to surprise both medics | 0:42:19 | 0:42:23 | |
and those who love him most. | 0:42:23 | 0:42:25 | |
Things we take for granted, he struggles with | 0:42:27 | 0:42:30 | |
every second. | 0:42:30 | 0:42:32 | |
So, if he can keep going with that fight every day, then that... | 0:42:32 | 0:42:34 | |
that gives me the strength to keep going. | 0:42:34 | 0:42:37 | |
We are on our last day, | 0:42:42 | 0:42:44 | |
and with news that Isaac is doing better, we are now more determined | 0:42:44 | 0:42:47 | |
than ever to give this family a home to come back to. | 0:42:47 | 0:42:50 | |
And, at last, the garden has turned a corner. | 0:42:53 | 0:42:56 | |
Or, if you like, a swirl. | 0:42:56 | 0:42:58 | |
-You've got a big day today, haven't you? -Very big. Very big. | 0:43:00 | 0:43:02 | |
Is there a resin you use to bond it all together? | 0:43:02 | 0:43:05 | |
-Yeah, there's a glue that we use. -How long does that take to get on? | 0:43:05 | 0:43:07 | |
-Normally, 24 hours. -We haven't got 24 hours, really. | 0:43:07 | 0:43:10 | |
We need to keep off the joints. | 0:43:10 | 0:43:12 | |
And not all of us are feeling the stress. | 0:43:13 | 0:43:16 | |
# Don't you wish your girlfriend was hot like me | 0:43:16 | 0:43:20 | |
# Don't you wish your girlfriend was a freak like me... # | 0:43:20 | 0:43:23 | |
Arr, proper 'andsome, he is! | 0:43:23 | 0:43:25 | |
The inside is looking a little underdone, | 0:43:27 | 0:43:30 | |
but I can't fault their enthusiasm. | 0:43:30 | 0:43:32 | |
You enjoying yourself in there? Are you having a good time? | 0:43:32 | 0:43:36 | |
Is it just you? Who are you talking to you in there? | 0:43:36 | 0:43:39 | |
It's a little bit of a squeeze! | 0:43:39 | 0:43:41 | |
We had six in there yesterday. | 0:43:41 | 0:43:42 | |
You've got 20 tonne of topsoil turning up. How are you feeling? | 0:43:44 | 0:43:47 | |
-ALL: -Yeah! | 0:43:47 | 0:43:49 | |
Well, there's just three hours to get the job done, | 0:43:49 | 0:43:51 | |
and we're still bringing | 0:43:51 | 0:43:53 | |
huge amounts of materials into the garden. | 0:43:53 | 0:43:55 | |
However, the plants have arrived. | 0:43:56 | 0:43:58 | |
Sensory-wise, this is great, cos when the wind gets you, | 0:43:58 | 0:44:01 | |
you get all the noise of it rustling. | 0:44:01 | 0:44:04 | |
That garden that was a dead space is going to really come to life, | 0:44:04 | 0:44:06 | |
isn't it? Julia's design aims to ease the family's situation, | 0:44:06 | 0:44:10 | |
but, right now, it's putting the thumbscrews on this lot. | 0:44:10 | 0:44:14 | |
I've been laying this artificial grass for the past six years. | 0:44:15 | 0:44:18 | |
This is the most difficult, intricate job that I've done yet. | 0:44:18 | 0:44:22 | |
Yeah, sorry about that. | 0:44:22 | 0:44:23 | |
Julia! | 0:44:24 | 0:44:25 | |
Finding it stressful, are we? | 0:44:27 | 0:44:28 | |
We've got to be out of here in about ten minutes, I think. | 0:44:28 | 0:44:31 | |
We're under a bit of pressure, to be honest. | 0:44:31 | 0:44:34 | |
If you don't need to be in the house, don't go into the house. | 0:44:34 | 0:44:37 | |
Good job. | 0:44:40 | 0:44:42 | |
Greengrass, it's not going to your house. | 0:44:42 | 0:44:44 | |
LAUGHTER | 0:44:44 | 0:44:45 | |
But, as we rush to the finish line, I can't wait to hand it back. | 0:44:45 | 0:44:49 | |
Eight hours ago, I said this garden wouldn't be finished, | 0:44:51 | 0:44:54 | |
and I was wrong. It is. But we can't show it to you, | 0:44:54 | 0:44:56 | |
at this point, we're not allowed to. | 0:44:56 | 0:44:57 | |
Go on, just a quick, sneaky peek, then. | 0:44:59 | 0:45:01 | |
That's enough. | 0:45:01 | 0:45:03 | |
It's good, isn't it? | 0:45:03 | 0:45:04 | |
Just nine days ago, we arrived to find a family in despair. | 0:45:07 | 0:45:10 | |
Struggling day-to-day with everything from sleep deprivation | 0:45:10 | 0:45:14 | |
to leaving the house. | 0:45:14 | 0:45:15 | |
It literally just feels like the walls are just closing in on me. | 0:45:15 | 0:45:19 | |
With a severely disabled son needing special care around the clock, | 0:45:19 | 0:45:23 | |
their home was claustrophobic and working against them. | 0:45:23 | 0:45:26 | |
I worry that the stress is going to reach breaking point. | 0:45:26 | 0:45:28 | |
At a time when they needed to be strong and come together, | 0:45:30 | 0:45:32 | |
the house was forcing everybody apart. | 0:45:32 | 0:45:35 | |
Cos Isaac's got special needs, Daddy's always sleeping downstairs. | 0:45:35 | 0:45:42 | |
Something had to be done. | 0:45:42 | 0:45:44 | |
Look, it's busy. Look! | 0:45:45 | 0:45:47 | |
We sent out an SOS, and Derbyshire responded. | 0:45:48 | 0:45:52 | |
Heroes, every single one of them. | 0:45:52 | 0:45:54 | |
Just take a look at what they've built. | 0:45:55 | 0:45:58 | |
At the front, there is a new drive, and wheelchair-friendly ramp, | 0:46:00 | 0:46:04 | |
and widened doorways so Rachael and Andy no longer have to | 0:46:04 | 0:46:08 | |
struggle to get in and out of their own home. | 0:46:08 | 0:46:11 | |
Inside, the old cramped kitchen has gone, | 0:46:12 | 0:46:15 | |
and, I have to say, Julia's design is magnificent, | 0:46:15 | 0:46:17 | |
with a new kitchen and a fantastic dining area. | 0:46:17 | 0:46:20 | |
And, at the back of the house, we've extended out | 0:46:23 | 0:46:26 | |
to make a comfortable family lounge. | 0:46:26 | 0:46:28 | |
Something they were desperate for. | 0:46:28 | 0:46:30 | |
The old living room, which doubled as Dad's bedroom, is no more. | 0:46:32 | 0:46:37 | |
In its place, we've built a brand-new stylish bedroom | 0:46:37 | 0:46:40 | |
and wet room for Isaac, all easy access, | 0:46:40 | 0:46:43 | |
with the equipment he needs, | 0:46:43 | 0:46:44 | |
without ever looking clinical. | 0:46:44 | 0:46:46 | |
Upstairs, we've widened the hallway, | 0:46:50 | 0:46:51 | |
making the whole area feel less cramped, | 0:46:51 | 0:46:54 | |
and redesigned the family bathroom. | 0:46:54 | 0:46:56 | |
Violet's room and Connie's room have been transformed. | 0:46:59 | 0:47:02 | |
Now, they are spaces to be proud of, bright and girlie, | 0:47:02 | 0:47:06 | |
and worthy of sleepovers. | 0:47:06 | 0:47:08 | |
And, finally, Mum and Dad's room. | 0:47:11 | 0:47:13 | |
A fully integrated monitoring system connects with Isaac's bedroom, | 0:47:13 | 0:47:17 | |
meaning Rachael and Andy can finally get some rest in comfort. | 0:47:17 | 0:47:21 | |
And that's not all. The garden, | 0:47:23 | 0:47:24 | |
once inaccessible to a little boy reliant on his senses, | 0:47:24 | 0:47:28 | |
is now breathtaking. | 0:47:28 | 0:47:30 | |
Julia's circular paths are bordered with plants that will appeal to | 0:47:33 | 0:47:36 | |
Isaac's hearing and sense of smell, leading to the therapy hut, | 0:47:36 | 0:47:40 | |
where he can have regular hydrotherapy sessions | 0:47:40 | 0:47:43 | |
to help with his development. | 0:47:43 | 0:47:46 | |
85 construction workers today have been working to try | 0:47:46 | 0:47:49 | |
and give you the house you need. So... | 0:47:49 | 0:47:51 | |
open your eyes. | 0:47:51 | 0:47:53 | |
Oh, my God! | 0:47:56 | 0:47:57 | |
Oh, my... | 0:47:57 | 0:48:00 | |
It's just amazing. | 0:48:00 | 0:48:01 | |
Oh, God. | 0:48:04 | 0:48:06 | |
That's incredible. Absolutely incredible. | 0:48:07 | 0:48:10 | |
I love it. Absolutely love it. | 0:48:10 | 0:48:12 | |
We get to live here. | 0:48:14 | 0:48:16 | |
Oh! Look what they've done. | 0:48:16 | 0:48:18 | |
Can I draw your attention to the middle one, | 0:48:20 | 0:48:22 | |
the face that Connie's painted for Isaac. | 0:48:22 | 0:48:24 | |
-Oh, he's smiling. -Big smile. | 0:48:24 | 0:48:26 | |
She always drew him smiling when he was first born, didn't she? | 0:48:27 | 0:48:32 | |
Oh, that's amazing. | 0:48:32 | 0:48:33 | |
-Have a look. -I love all the colours. | 0:48:35 | 0:48:37 | |
She couldn't have got the colours any better, could she? | 0:48:37 | 0:48:39 | |
I just love it, love it all. | 0:48:39 | 0:48:41 | |
-So pretty. -How lucky are we? | 0:48:41 | 0:48:44 | |
It's just amazing. | 0:48:44 | 0:48:45 | |
It's incredible. | 0:48:45 | 0:48:47 | |
It's overwhelming. | 0:48:47 | 0:48:49 | |
Look at the pictures. | 0:48:51 | 0:48:53 | |
It's just beyond my wildest dreams, to be honest. | 0:48:53 | 0:48:55 | |
Well, we've only just started. There's a lot more to show you. | 0:48:55 | 0:48:58 | |
-OK. -Will you come and have a look? | 0:48:58 | 0:49:00 | |
-I think so. -I think so, yeah. | 0:49:00 | 0:49:02 | |
-Right, come on. -Get my mind round all this. | 0:49:02 | 0:49:05 | |
-Oh... -Oh, wow. | 0:49:08 | 0:49:11 | |
It's not the same room! | 0:49:14 | 0:49:15 | |
Oh, God, look at his... | 0:49:17 | 0:49:19 | |
It's amazing. | 0:49:19 | 0:49:21 | |
His bed, it doesn't look like a hospital bed! | 0:49:23 | 0:49:26 | |
It's just...it just looks like a little boy's bed. | 0:49:27 | 0:49:30 | |
That's what we wanted, isn't it? | 0:49:30 | 0:49:32 | |
Just... | 0:49:32 | 0:49:34 | |
his own space, a bit of a choice and some dignity, and it's... | 0:49:34 | 0:49:39 | |
-It just doesn't... -You guys have given it us. | 0:49:40 | 0:49:43 | |
Given it him. | 0:49:43 | 0:49:44 | |
This is phenomenal. | 0:49:46 | 0:49:47 | |
The monitoring system will link to a tablet which we | 0:49:47 | 0:49:51 | |
have for you as well, so that, basically, | 0:49:51 | 0:49:54 | |
you two will be able to be upstairs in your bedroom | 0:49:54 | 0:49:56 | |
with being able to see him all the time that you want to see him, | 0:49:56 | 0:49:59 | |
you'll be able hear him all the time you want to see him on the tablet. | 0:49:59 | 0:50:02 | |
That'll just make such a difference, won't it? | 0:50:02 | 0:50:05 | |
-That's it. -Just feel that. | 0:50:10 | 0:50:12 | |
-Oh, wow. -Oh, what a space! | 0:50:14 | 0:50:17 | |
It's amazing. We'll be able to just move him from here... | 0:50:17 | 0:50:20 | |
..just to over there and not having to lift him up and down the stairs. | 0:50:21 | 0:50:25 | |
I feel like words aren't enough. I can't believe | 0:50:25 | 0:50:27 | |
what my eyes are seeing, to be honest. | 0:50:27 | 0:50:29 | |
-They've nailed it, haven't they? -Completely. | 0:50:29 | 0:50:31 | |
This isn't a house just for Isaac, obviously. | 0:50:31 | 0:50:34 | |
It's got to be a house for you guys as well. | 0:50:34 | 0:50:35 | |
Family space downstairs, but you've got to get other rooms upstairs. | 0:50:35 | 0:50:38 | |
Ready to see some more? | 0:50:38 | 0:50:39 | |
I think so! | 0:50:39 | 0:50:41 | |
-Oh! -Oh! -Step in. | 0:50:42 | 0:50:44 | |
Have a look. | 0:50:44 | 0:50:45 | |
Oh, beautiful... | 0:50:45 | 0:50:47 | |
I love it. I love it all. | 0:50:47 | 0:50:49 | |
Is that a big enough mirror for you? | 0:50:49 | 0:50:51 | |
Yeah, don't think you're getting a look-in. | 0:50:51 | 0:50:54 | |
Oh, wow! | 0:50:57 | 0:50:58 | |
Oh, God, it's stunning. | 0:51:01 | 0:51:03 | |
-Seriously?! -It's absolutely stunning, isn't it? | 0:51:07 | 0:51:10 | |
Wow. | 0:51:13 | 0:51:14 | |
It just feels like everything's changed, but it's... | 0:51:16 | 0:51:19 | |
I think something had to change, because we'd... | 0:51:19 | 0:51:21 | |
we'd pretty much hit rock-bottom, to be honest. | 0:51:21 | 0:51:24 | |
It just means the world. | 0:51:31 | 0:51:32 | |
To take the pressure off Rachael on a day-to-day basis was always | 0:51:33 | 0:51:36 | |
a big worry of mine, and so much of those worries have just dissipated | 0:51:36 | 0:51:40 | |
with what we've seen today. | 0:51:40 | 0:51:42 | |
Can you see the future being better now? | 0:51:42 | 0:51:45 | |
Yeah... I can see it... | 0:51:45 | 0:51:48 | |
I can feel it already. | 0:51:48 | 0:51:49 | |
I can visualise what it's going to be like now, | 0:51:49 | 0:51:52 | |
just moving around in the house and just doing day-to-day things. | 0:51:52 | 0:51:56 | |
It can give us time to be... | 0:51:56 | 0:51:58 | |
to be a couple again. | 0:51:58 | 0:51:59 | |
I think the light at the end of the tunnel's just...brighter. | 0:51:59 | 0:52:04 | |
Definitely. | 0:52:04 | 0:52:06 | |
-What do you think, Connie? -I like it. | 0:52:15 | 0:52:18 | |
-Disco ball! -Look at your light! | 0:52:18 | 0:52:21 | |
One day, can Emily come and sleep over? | 0:52:21 | 0:52:23 | |
Course she can, darling. Yeah. | 0:52:23 | 0:52:26 | |
Violet Rose, what do you think of your room? | 0:52:28 | 0:52:30 | |
Oh, what is it? What is it? | 0:52:30 | 0:52:35 | |
Do you like it? | 0:52:35 | 0:52:37 | |
Wow! | 0:52:37 | 0:52:39 | |
-SHE GURGLES -What do you think? | 0:52:39 | 0:52:41 | |
-Hey, mister. -Hey, look at your new room! | 0:52:48 | 0:52:50 | |
It's your new bedroom. | 0:52:50 | 0:52:52 | |
-Look at it. -It's your new bedroom. What do you think to your bed? | 0:52:52 | 0:52:55 | |
Have a look at this fox, mate. It's your bedroom! | 0:52:56 | 0:52:58 | |
-What is it? -Yeah. Look at him. | 0:52:58 | 0:53:02 | |
-Yeah. -Do you like it? | 0:53:02 | 0:53:04 | |
He's going to like the light over there, I think. | 0:53:04 | 0:53:07 | |
The light. | 0:53:07 | 0:53:08 | |
Out you come. | 0:53:14 | 0:53:16 | |
Oh! | 0:53:16 | 0:53:17 | |
Oh, wow! | 0:53:19 | 0:53:20 | |
I'm just speechless. | 0:53:22 | 0:53:23 | |
What do you think, Connie? | 0:53:23 | 0:53:25 | |
-I love it. -It's wonderful. | 0:53:25 | 0:53:27 | |
Kind of cute, isn't it? | 0:53:27 | 0:53:29 | |
I could never have dreamed of it being this fantastic. | 0:53:29 | 0:53:31 | |
Well, let's go for a little walk, cos these are designed | 0:53:31 | 0:53:34 | |
for you to be able to take the children up and down. | 0:53:34 | 0:53:36 | |
And the whole point of the garden is that it's a sensory garden. | 0:53:36 | 0:53:39 | |
-Wow. -Wow. -It's kind of cool, isn't it? -It's... | 0:53:39 | 0:53:42 | |
-It's... It is absolutely brilliant. -You've just thought of everything. | 0:53:42 | 0:53:45 | |
You've just... There's nothing that | 0:53:45 | 0:53:47 | |
-you've not thought about, is there? -It is out of this world. | 0:53:47 | 0:53:50 | |
And then, of course, there's this whole issue of the room | 0:53:50 | 0:53:52 | |
at the bottom, here. Got one more little surprise. | 0:53:52 | 0:53:54 | |
SHE GURGLES | 0:53:54 | 0:53:56 | |
LAUGHTER | 0:53:56 | 0:53:57 | |
And let's have a look inside, shall we? Come on. | 0:53:57 | 0:54:00 | |
HE INHALES SHARPLY | 0:54:01 | 0:54:02 | |
In you come. | 0:54:02 | 0:54:04 | |
Oh, my God! | 0:54:05 | 0:54:07 | |
Oh, wow! | 0:54:07 | 0:54:08 | |
Obviously, hydrotherapy pool. | 0:54:11 | 0:54:12 | |
Why do a hydrotherapy pool for one... | 0:54:12 | 0:54:15 | |
when you can all jump in with him? | 0:54:15 | 0:54:17 | |
-It's kind of cool. Let me show you. Look. -Oh, wow. | 0:54:19 | 0:54:22 | |
Look at the jets. | 0:54:22 | 0:54:24 | |
Shall we just press the button and see what happens? | 0:54:24 | 0:54:26 | |
Wow! | 0:54:28 | 0:54:29 | |
There's a light show as well. | 0:54:29 | 0:54:31 | |
Connie, what do you think we might be doing this weekend? | 0:54:32 | 0:54:34 | |
-It's pretty cool, isn't it? -It's just... | 0:54:34 | 0:54:37 | |
Can I get in it after school? | 0:54:37 | 0:54:38 | |
-Sure, you can. -Yes, you can. And... | 0:54:38 | 0:54:41 | |
at the end of a stressful day, not only is it good for Isaac, | 0:54:41 | 0:54:44 | |
it's good for you. You can come down and de-stress down here. | 0:54:44 | 0:54:46 | |
It's just... | 0:54:46 | 0:54:48 | |
I'm just completely blown away by it. | 0:54:48 | 0:54:51 | |
Imagine all those jets, and the way it will work his muscles and | 0:54:51 | 0:54:53 | |
-everything. -He's just going to get so much benefit. | 0:54:53 | 0:54:55 | |
Way, way beyond anything that you could even imagine, | 0:54:55 | 0:54:59 | |
dream of, wish for. | 0:54:59 | 0:55:00 | |
It feels like I'm back in a family house. | 0:55:00 | 0:55:03 | |
And that...we can all enjoy it. | 0:55:03 | 0:55:06 | |
How can you not enjoy this? How can you not? | 0:55:06 | 0:55:08 | |
I think that it's going to help us a lot | 0:55:11 | 0:55:14 | |
because Daddy doesn't have to worry about Mummy, | 0:55:14 | 0:55:18 | |
Mummy doesn't have to struggle, | 0:55:18 | 0:55:20 | |
and it'll just make Isaac really happy. | 0:55:20 | 0:55:23 | |
CHEERING AND APPLAUSE | 0:55:24 | 0:55:28 | |
Everything that all you guys, | 0:55:39 | 0:55:41 | |
everyone of you has done for us is just... | 0:55:41 | 0:55:44 | |
it's just massive. | 0:55:44 | 0:55:45 | |
I just feel different already, | 0:55:45 | 0:55:47 | |
I just feel like a big weight's been lifted. | 0:55:47 | 0:55:50 | |
I've been living in that house for so long that I was feeling like | 0:55:50 | 0:55:52 | |
the walls were just closing in on me. I just feel like | 0:55:52 | 0:55:55 | |
we've all been given a new start. | 0:55:55 | 0:55:56 | |
We've just taken you all to our hearts, and we'll just... | 0:55:56 | 0:55:59 | |
we'll never forget what you've done. | 0:55:59 | 0:56:01 | |
It'll just change all of our lives. | 0:56:01 | 0:56:04 | |
We've got everything we need to fulfil Isaac's potential now, | 0:56:04 | 0:56:08 | |
thanks to you guys. | 0:56:08 | 0:56:10 | |
You've made this our home again. | 0:56:10 | 0:56:14 | |
The fact that people have just selflessly put themselves | 0:56:14 | 0:56:18 | |
through all that and put the effort in for us, for my family, just... | 0:56:18 | 0:56:22 | |
..there will never be enough thank-yous. | 0:56:25 | 0:56:28 | |
-Will there? -No. | 0:56:28 | 0:56:30 | |
APPLAUSE | 0:56:30 | 0:56:33 | |
-Hope it makes a difference to you. -Thank you. | 0:56:42 | 0:56:44 | |
I hope you all really enjoy it. | 0:56:44 | 0:56:46 | |
They say helping someone doesn't change the world, | 0:56:48 | 0:56:51 | |
but it makes a world of difference to that person, | 0:56:51 | 0:56:53 | |
and these trades and suppliers have absolutely proved that. | 0:56:53 | 0:56:56 | |
Rachael said that she was coming to the end of her tether, | 0:56:56 | 0:56:59 | |
and, despite her best efforts, the walls were closing in on her, | 0:56:59 | 0:57:02 | |
and Andy was worried for the future unity of the family, | 0:57:02 | 0:57:04 | |
but that's what this lot have done. | 0:57:04 | 0:57:06 | |
They've brought the family back together, as husband and wife, | 0:57:06 | 0:57:09 | |
as father and daughter, as brother and sisters, | 0:57:09 | 0:57:11 | |
and who knows what Isaac can now achieve? | 0:57:11 | 0:57:14 | |
You know, you can't help everybody, but everybody can help someone. | 0:57:14 | 0:57:18 |