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I was a very, very independent teenager. | 0:00:02 | 0:00:04 | |
I'd just always be doing something. | 0:00:04 | 0:00:06 | |
I wasn't the sort of person that would be just at home doing nothing. | 0:00:06 | 0:00:10 | |
But two years ago everything changed. | 0:00:10 | 0:00:13 | |
We never knew that Chloe's illness | 0:00:14 | 0:00:17 | |
was going to take this sort of turn for the worse. | 0:00:17 | 0:00:20 | |
And today, this 20-year-old's home is her prison. | 0:00:20 | 0:00:24 | |
It's like these four walls that I'm stuck in and I can't get out. | 0:00:24 | 0:00:30 | |
And I listen to everyone else in the other room, | 0:00:30 | 0:00:32 | |
like watching TV together. | 0:00:32 | 0:00:34 | |
It's very difficult. | 0:00:34 | 0:00:36 | |
This is a family in crisis. | 0:00:36 | 0:00:38 | |
Illness and uncertainty are in danger of tearing them apart. | 0:00:38 | 0:00:42 | |
It's that desperate that Chloe said, | 0:00:42 | 0:00:45 | |
"I think you should put me in a care home." | 0:00:45 | 0:00:47 | |
And that shatters my whole world. | 0:00:50 | 0:00:53 | |
We're here to stop that happening, | 0:00:54 | 0:00:56 | |
helped by hordes of local heroes. | 0:00:56 | 0:00:58 | |
It pulls on my heartstrings | 0:01:00 | 0:01:01 | |
and I just want to give something back to the community. | 0:01:01 | 0:01:04 | |
It's an epic task... | 0:01:04 | 0:01:05 | |
That'll be heavy. | 0:01:05 | 0:01:07 | |
..that won't be easy... | 0:01:07 | 0:01:08 | |
It's an on-site mistake, it happens. | 0:01:10 | 0:01:13 | |
..but it'll be worth every inch of effort. | 0:01:13 | 0:01:15 | |
As usual we have just nine days, | 0:01:18 | 0:01:19 | |
we've already found an army and we have him and we have him | 0:01:19 | 0:01:22 | |
and we have him and we have that. | 0:01:22 | 0:01:24 | |
And our designer this week is the inimitable Lawrence Llewelyn-Bowen. | 0:01:24 | 0:01:27 | |
-Hello. This is DIY SOS... -No, I say that. | 0:01:27 | 0:01:30 | |
This is DIY SOS: The Big Build! | 0:01:30 | 0:01:33 | |
This is Bidford-on-Avon, Warwickshire, | 0:01:40 | 0:01:42 | |
home to 20-year-old Chloe who's doing her best to cope with | 0:01:42 | 0:01:46 | |
a chronic illness in the house she shares with her mum Susie, | 0:01:46 | 0:01:49 | |
stepdad Phil and stepbrother Josh. | 0:01:49 | 0:01:51 | |
When I have to explain my condition, first of all I say to people, | 0:01:52 | 0:01:57 | |
"Don't expect a quick answer, have you got a while?" | 0:01:57 | 0:02:00 | |
And then...I start explaining. | 0:02:00 | 0:02:03 | |
Despite health problems since childhood, | 0:02:04 | 0:02:06 | |
Chloe was well enough to enjoy much of her teenage life. | 0:02:06 | 0:02:09 | |
But, at 18, her condition suddenly worsened | 0:02:10 | 0:02:13 | |
and the impact was dramatic. | 0:02:13 | 0:02:15 | |
Until we found out what was wrong, | 0:02:17 | 0:02:18 | |
there was no way I could have left that hospital, | 0:02:18 | 0:02:21 | |
so it meant pretty much the whole year just there. | 0:02:21 | 0:02:26 | |
And that sort of thing gets very lonely. | 0:02:26 | 0:02:29 | |
After months of tests, doctors diagnosed a mastocytosis - | 0:02:29 | 0:02:34 | |
a rare genetic disorder that will require lifelong intervention. | 0:02:34 | 0:02:38 | |
So I have a problem with my mast cells | 0:02:38 | 0:02:41 | |
and they're a type of cell in your blood. | 0:02:41 | 0:02:44 | |
And they deal with all the allergic reactions. | 0:02:44 | 0:02:48 | |
They basically make me have allergic reaction symptoms | 0:02:48 | 0:02:52 | |
when I'm not allergic to something. | 0:02:52 | 0:02:54 | |
My throat closes, I get an ulcerated mouth, | 0:02:54 | 0:02:57 | |
my skin is constantly like blistering and bubbling. | 0:02:57 | 0:03:01 | |
Chloe needs constant access to oxygen, | 0:03:02 | 0:03:05 | |
and has to be fed through a tube in her chest. | 0:03:05 | 0:03:07 | |
As her condition also affects her heart, | 0:03:07 | 0:03:10 | |
she's prone to seizures that stop her breathing and every day, | 0:03:10 | 0:03:14 | |
her joints dislocate. | 0:03:14 | 0:03:16 | |
She's in excruciating pain all the time, | 0:03:16 | 0:03:21 | |
because of that, because of the pain receptors, they've actually... | 0:03:21 | 0:03:25 | |
her brain's pain receptors have shut down the use of her legs. | 0:03:25 | 0:03:30 | |
The illness has affected the whole family, | 0:03:30 | 0:03:33 | |
mum Susie has given up her job | 0:03:33 | 0:03:34 | |
managing the family's car repair business | 0:03:34 | 0:03:37 | |
to devote herself to being Chloe's round-the-clock carer. | 0:03:37 | 0:03:40 | |
We're getting about, | 0:03:42 | 0:03:44 | |
well, between two and four hours of sleep a night. | 0:03:44 | 0:03:48 | |
Chloe does rely on her mum a lot. | 0:03:50 | 0:03:52 | |
Chloe does feel guilty about it | 0:03:52 | 0:03:54 | |
because she feels that everybody's life revolves around her, um... | 0:03:54 | 0:03:59 | |
And the more frustration... Well, the more she thinks about it, | 0:03:59 | 0:04:04 | |
the more frustrated she gets with it. | 0:04:04 | 0:04:06 | |
And it's a vicious circle. | 0:04:06 | 0:04:07 | |
-Yeah. -It is a vicious circle. | 0:04:07 | 0:04:09 | |
Luckily, Chloe also has 12-year-old stepbrother Josh to lend a hand. | 0:04:09 | 0:04:15 | |
Chloe's amazing, she puts up with a lot of pain. | 0:04:15 | 0:04:18 | |
I like to help her out cos she's a great sister. | 0:04:18 | 0:04:21 | |
Joshua is amazing, she's turned into my little big brother. | 0:04:21 | 0:04:25 | |
If I start having a seizure, | 0:04:25 | 0:04:27 | |
Josh will just run down the stairs as quick as he can to make sure that | 0:04:27 | 0:04:30 | |
there's nothing I can hurt myself on, | 0:04:30 | 0:04:32 | |
he's turned from a little boy into someone | 0:04:32 | 0:04:35 | |
that knows he's got responsibility and he likes that, I think, | 0:04:35 | 0:04:40 | |
cos he can be a part of helping. | 0:04:40 | 0:04:41 | |
But despite this close-knit family strength, | 0:04:42 | 0:04:44 | |
their house is making everyday life incredibly difficult. | 0:04:44 | 0:04:48 | |
Chloe's wheelchair is too wide to get into most of the rooms | 0:04:48 | 0:04:51 | |
so she's confined to the rear lounge, | 0:04:51 | 0:04:54 | |
a much happier space when she was younger. | 0:04:54 | 0:04:58 | |
I made a big papier-mache elephant in here, we've painted footballs, | 0:04:58 | 0:05:03 | |
made bunting, played The Game Of Life on the table. | 0:05:03 | 0:05:08 | |
And then it just all had to go. | 0:05:08 | 0:05:10 | |
For the last 18 months, this has been Chloe's... | 0:05:10 | 0:05:14 | |
-Everything room I call it. -..everything room. | 0:05:14 | 0:05:16 | |
It's not my bedroom and I don't ever call it bedroom. | 0:05:16 | 0:05:19 | |
I just call it my cell, | 0:05:19 | 0:05:20 | |
because it's like these four walls that I'm stuck in | 0:05:20 | 0:05:24 | |
and I can't get out. | 0:05:24 | 0:05:25 | |
With no room for Chloe to call her own and isolated from everyone else, | 0:05:25 | 0:05:30 | |
this cramped home is physically forcing the family apart. | 0:05:30 | 0:05:33 | |
Chloe spoke to me a few weeks ago in the middle of the night | 0:05:35 | 0:05:39 | |
and she said, "I think you should put me in a care home..." | 0:05:39 | 0:05:42 | |
She said, "..because I've taken over your lives, | 0:05:48 | 0:05:51 | |
"I've taken over the house." | 0:05:51 | 0:05:52 | |
And as a mum, I couldn't find an answer. | 0:05:58 | 0:06:01 | |
I couldn't find an answer to keep us together as a family. | 0:06:02 | 0:06:06 | |
And that shatters my whole world. | 0:06:06 | 0:06:09 | |
If this young woman is to have the independence she so badly needs, | 0:06:12 | 0:06:16 | |
her home simply has to change. | 0:06:16 | 0:06:18 | |
I just... I just want some space to call my own. | 0:06:18 | 0:06:23 | |
And having my own bedroom that's not the lounge, | 0:06:23 | 0:06:27 | |
so my family have some space too. | 0:06:27 | 0:06:31 | |
I want space for them as well. | 0:06:31 | 0:06:32 | |
And that's where we come in. | 0:06:33 | 0:06:35 | |
Particularly upsetting that Chloe can't join us this morning. | 0:06:35 | 0:06:38 | |
-Yep. -So what's happened over the weekend? | 0:06:38 | 0:06:39 | |
Chloe had a particularly bad seizure. | 0:06:39 | 0:06:42 | |
She was taken to hospital, | 0:06:42 | 0:06:44 | |
and then unfortunately on Friday morning she had a cardiac arrest. | 0:06:44 | 0:06:49 | |
But she's OK. | 0:06:49 | 0:06:51 | |
Is that something that happened before? | 0:06:51 | 0:06:53 | |
Not as bad as this. | 0:06:53 | 0:06:54 | |
So this is as bad as it's been? | 0:06:54 | 0:06:55 | |
Yep. What do you need... what do you need from this house? | 0:06:55 | 0:06:58 | |
-Just some...just some space. All we ask... -Just some space. -Yep. | 0:06:58 | 0:07:00 | |
If you were able to adapt the house | 0:07:00 | 0:07:02 | |
so that she was mobile around the house, | 0:07:02 | 0:07:04 | |
then it would bring the whole family together. | 0:07:04 | 0:07:06 | |
We're going to have to break your house to do it. | 0:07:06 | 0:07:08 | |
You put a smile on his face. | 0:07:08 | 0:07:09 | |
I think it's the break bit. | 0:07:11 | 0:07:12 | |
It's the breaking bit. | 0:07:12 | 0:07:13 | |
He'll enjoy that bit. | 0:07:13 | 0:07:14 | |
Morning, everybody. | 0:07:16 | 0:07:18 | |
I'd just like to say thank you ever so much for everybody. | 0:07:18 | 0:07:21 | |
It means an awful lot, | 0:07:21 | 0:07:22 | |
Chloe is really sorry she can't be here today. | 0:07:22 | 0:07:25 | |
Chloe is restricted to an electric wheelchair, | 0:07:25 | 0:07:29 | |
so she's just had to live in the front room. | 0:07:29 | 0:07:31 | |
And it's as Chloe put it, it's her cell. | 0:07:31 | 0:07:35 | |
There's not enough room in there for us all to go in, | 0:07:35 | 0:07:38 | |
and she can't get in with us | 0:07:38 | 0:07:39 | |
so we sort of shout through a wall so we're very segregated. | 0:07:39 | 0:07:43 | |
-Just need to be a family again. -Yeah. -Yeah. | 0:07:43 | 0:07:45 | |
-Are we up for doing that? ALL: -Yeah. | 0:07:45 | 0:07:47 | |
As usual, we have only nine days to get this gigantic job done, | 0:07:47 | 0:07:51 | |
let the orgy of destruction commence. | 0:07:51 | 0:07:53 | |
To give Chloe some independence, | 0:07:58 | 0:07:59 | |
we're building her a self-contained flat. | 0:07:59 | 0:08:02 | |
We're also going to open up the downstairs | 0:08:02 | 0:08:05 | |
so she can use the whole space when she wants. | 0:08:05 | 0:08:07 | |
And we're rewiring the entire house too. | 0:08:08 | 0:08:11 | |
Thankfully, for everyone's safety, Billy's not on his own. | 0:08:11 | 0:08:13 | |
He's got ten electricians to "lead". | 0:08:13 | 0:08:16 | |
To be honest, see, I'm Jurassic sparks, you're the young sparks. | 0:08:16 | 0:08:20 | |
We'll get it together and we'll do it. | 0:08:20 | 0:08:22 | |
Luckily, there's not much work to be done upstairs. | 0:08:22 | 0:08:25 | |
We're going to move these walls back here and make the hallway bigger. | 0:08:26 | 0:08:29 | |
We're changing the bathroom round. | 0:08:29 | 0:08:32 | |
We're rewiring up here. | 0:08:32 | 0:08:33 | |
We've ripped all the carpets out. Billy's got sparks everywhere. | 0:08:33 | 0:08:36 | |
We've got furniture up the stairs | 0:08:36 | 0:08:38 | |
and we're going to have to redecorate and carpet | 0:08:38 | 0:08:40 | |
and put a new bathroom in and dress all the rooms. | 0:08:40 | 0:08:42 | |
So, yeah, we're not doing much up here. | 0:08:42 | 0:08:44 | |
Yes. And of course we need to get stuck in straightaway | 0:08:44 | 0:08:48 | |
as there's no time to waste. | 0:08:48 | 0:08:49 | |
You can't just run into battle. Come up with a plan and stick to it. | 0:08:49 | 0:08:52 | |
That's what we're doing. I'm getting your pipes, | 0:08:52 | 0:08:54 | |
you're getting the ripping bar, we'll pull the ceilings down, | 0:08:54 | 0:08:57 | |
we'll expose the underside of the joists. | 0:08:57 | 0:08:59 | |
-Let Doug see the rabbit, see what's going on. -Yeah. See. | 0:08:59 | 0:09:02 | |
Not sure how Chris and Jules speaking Devonian | 0:09:03 | 0:09:05 | |
will go down in these parts. | 0:09:05 | 0:09:07 | |
Anyway, to rip this place apart and rebuild it, | 0:09:07 | 0:09:09 | |
we're going to need a grand plan and for that we need a grand designer. | 0:09:09 | 0:09:13 | |
Here he comes. Here is he, in the middle of the build, | 0:09:13 | 0:09:17 | |
everyone's turning around, look, look, by limo, Lawrence. | 0:09:17 | 0:09:21 | |
By limo. You going with the vampire look again, are we? | 0:09:21 | 0:09:23 | |
Oh, we are, you know, keep the undesirables at bay. | 0:09:23 | 0:09:26 | |
Do you have a routine to go through before you get started? | 0:09:26 | 0:09:29 | |
I do, I need to be entirely lubricated | 0:09:29 | 0:09:31 | |
-so I can just slide straight through the side. -Lovely, well, let's see. | 0:09:31 | 0:09:34 | |
Anybody want to volunteer to lubricate Lawrence? | 0:09:34 | 0:09:37 | |
'No volunteers and no wonder, Lawrence isn't completely human | 0:09:37 | 0:09:41 | |
'which is good because there's too much design work here | 0:09:41 | 0:09:44 | |
'for a mere mortal.' | 0:09:44 | 0:09:45 | |
What's the over-arching theme and what is their emotion... | 0:09:46 | 0:09:49 | |
-Cornwall. Cornwall. -We're in the Midlands, | 0:09:49 | 0:09:51 | |
we're in the middle of the Midlands. | 0:09:51 | 0:09:53 | |
They have spent a lot of time in St Ives, | 0:09:53 | 0:09:55 | |
I think we should use colour and texture in a way | 0:09:55 | 0:09:58 | |
that will be modern and exciting. | 0:09:58 | 0:10:00 | |
Just because it has to be disability friendly, | 0:10:00 | 0:10:04 | |
it doesn't mean it has to look disability friendly. | 0:10:04 | 0:10:06 | |
Listen, this is really important to me, | 0:10:06 | 0:10:08 | |
my mother was severely disabled for most of my life. | 0:10:08 | 0:10:13 | |
I grew up with it. She was adamant that... | 0:10:13 | 0:10:18 | |
She used to say, "Stylish first, ramps second." | 0:10:18 | 0:10:21 | |
For a young person like Chloe, design is incredibly important. | 0:10:21 | 0:10:24 | |
Chloe wants to have a glamorous life. | 0:10:24 | 0:10:27 | |
You facilitate the life, I want to make it pretty, | 0:10:27 | 0:10:29 | |
that's the way it always works. That's why we're such a good team. | 0:10:29 | 0:10:32 | |
That's why we love you. You come in and you spangle up our ordinary. | 0:10:32 | 0:10:35 | |
And Lawrence has pulled out all of his spangles | 0:10:35 | 0:10:38 | |
to not only give Chloe a place of her own | 0:10:38 | 0:10:40 | |
but also to create a space for the family to be together. | 0:10:40 | 0:10:43 | |
First up, we need to widen the hall and doorways and make room | 0:10:43 | 0:10:47 | |
for an open-plan kitchen-diner that's fully accessible for Chloe. | 0:10:47 | 0:10:51 | |
The front room we're keeping the same, | 0:10:51 | 0:10:54 | |
but the major magic is happening in what was the back garden - | 0:10:54 | 0:10:57 | |
a massive extension will provide Chloe with independence | 0:10:57 | 0:11:00 | |
thanks to her own self-contained apartment, | 0:11:00 | 0:11:02 | |
complete with bedroom, wet room and sitting room. | 0:11:02 | 0:11:05 | |
Upstairs, the bathroom and spare room are getting a total revamp | 0:11:07 | 0:11:10 | |
and Josh's bedroom will become an urban chic chill-out zone. | 0:11:10 | 0:11:14 | |
Well, that's how Lawrence put it. | 0:11:14 | 0:11:16 | |
And we'll be turning Susie and Phil's bedroom | 0:11:16 | 0:11:18 | |
into a well deserved Cornish retreat | 0:11:18 | 0:11:20 | |
because, well, these guys have had a really tough few years. | 0:11:20 | 0:11:23 | |
So in effect we're totally transforming 99% of the house, | 0:11:23 | 0:11:28 | |
except the front room. | 0:11:28 | 0:11:29 | |
That is sacrosanct and must not be touched. | 0:11:29 | 0:11:33 | |
Hang on a sec, hang on. Did you not get the memo | 0:11:34 | 0:11:36 | |
-saying we're not going to do too much to that room? -Yeah, we're not. | 0:11:36 | 0:11:38 | |
Well, I can see how little you've done to the room already. | 0:11:38 | 0:11:42 | |
We're not touching that wall. | 0:11:42 | 0:11:44 | |
We're just taking this wall out and we're moving that wall in. | 0:11:44 | 0:11:48 | |
And we had to take the ceiling down because the steel's to go in. | 0:11:48 | 0:11:52 | |
We'll put it all back, you won't know. | 0:11:52 | 0:11:54 | |
-Really?! -Yeah. No. | 0:11:54 | 0:11:56 | |
-Yeah, cos this is her favourite room. -Was! | 0:11:56 | 0:11:58 | |
So we're not touching it. | 0:11:58 | 0:12:00 | |
We were told that the blinds we're retaining as well | 0:12:02 | 0:12:05 | |
-so that's why we've left that piece of ceiling there, so. -Right. | 0:12:05 | 0:12:09 | |
Memo got squished, so now just keeping the blinds in that room. | 0:12:09 | 0:12:13 | |
That's it, is it? That's all that's left basically. | 0:12:13 | 0:12:17 | |
Yeah, you see, communication has never really been our strong point. | 0:12:17 | 0:12:20 | |
At least out the back, | 0:12:20 | 0:12:21 | |
everyone's been working as one on the extension. | 0:12:21 | 0:12:23 | |
Look at it fly up. | 0:12:23 | 0:12:24 | |
And this time we are using structural insulated panels | 0:12:24 | 0:12:28 | |
or Sips for short. | 0:12:28 | 0:12:30 | |
They're like a board sandwich with a foam filling. | 0:12:30 | 0:12:34 | |
This is the shape of the building | 0:12:34 | 0:12:36 | |
which you can see they're already starting to put roof timbers on. | 0:12:36 | 0:12:39 | |
Extraordinary, isn't it, the speed that it goes up? | 0:12:39 | 0:12:42 | |
So that's incredible, that's two hours. | 0:12:42 | 0:12:44 | |
But it's not just the building materials | 0:12:46 | 0:12:48 | |
that are going to provide warmth here, | 0:12:48 | 0:12:49 | |
there's a lot of love from the local tradesmen helping out. | 0:12:49 | 0:12:52 | |
So you know the family anyway? | 0:12:54 | 0:12:56 | |
Yeah, I know Suse, I used to socialise with Suse back in the day. | 0:12:56 | 0:13:00 | |
I like to think, you know, someone would do it for me | 0:13:00 | 0:13:02 | |
if my daughter was in the same situation | 0:13:02 | 0:13:05 | |
so, like I say, I know Suse so it was a no-brainer. | 0:13:05 | 0:13:08 | |
-What do you get out of it? -You get a sense of community, | 0:13:08 | 0:13:11 | |
you're helping someone who really needs something. | 0:13:11 | 0:13:14 | |
And with the level of graft on the site turned up to the max | 0:13:14 | 0:13:17 | |
we have somehow managed to take a house apart | 0:13:17 | 0:13:20 | |
and created an entirely new building in the garden. | 0:13:20 | 0:13:23 | |
Not bad for just one day's work, is it? | 0:13:23 | 0:13:25 | |
What have you built? | 0:13:26 | 0:13:27 | |
-It's huge. -I know, it's massive, isn't it? | 0:13:27 | 0:13:29 | |
My God. It's what you wanted. | 0:13:29 | 0:13:31 | |
Now this little problem is | 0:13:31 | 0:13:32 | |
that we've got to get it roofed and ready for tomorrow night. | 0:13:32 | 0:13:35 | |
Get the whole thing watertight, | 0:13:36 | 0:13:38 | |
we have got to get the steels in tomorrow. | 0:13:38 | 0:13:39 | |
You think you've got problems, I can't find a particular shade | 0:13:39 | 0:13:43 | |
-of dusky pink I need for her bedroom curtains. -Oh, my God. | 0:13:43 | 0:13:45 | |
That's a crisis. | 0:13:45 | 0:13:47 | |
Can someone call Ban Ki-moon at the UN and tell him what's going on, | 0:13:47 | 0:13:51 | |
see if we can get a task force together to help Lawrence? | 0:13:51 | 0:13:53 | |
Thank you. | 0:13:53 | 0:13:54 | |
You know, after 16 years, | 0:13:54 | 0:13:56 | |
this programme still never fails to amaze me. | 0:13:56 | 0:13:58 | |
All this in just seven hours. | 0:13:58 | 0:14:00 | |
And this isn't all of it. Come through this way. | 0:14:00 | 0:14:02 | |
Here's another part of the extension. | 0:14:02 | 0:14:04 | |
We aren't even in the original part of the house. | 0:14:04 | 0:14:06 | |
If you turn left, I'll go into what was Chloe's room, | 0:14:06 | 0:14:09 | |
you can go into what was the kitchen, | 0:14:09 | 0:14:11 | |
past the only remaining wall holding up the ceiling. | 0:14:11 | 0:14:15 | |
It's incredible. But even we have to go home | 0:14:15 | 0:14:18 | |
when it gets really, really late. | 0:14:18 | 0:14:20 | |
First thing next morning, we're back in | 0:14:21 | 0:14:23 | |
and it's reassuring to see that everyone's 100% focused | 0:14:23 | 0:14:27 | |
on the things that really matter on this build. | 0:14:27 | 0:14:30 | |
That's the key thing. | 0:14:30 | 0:14:31 | |
You're over-haired and you're just a bit scruffy. | 0:14:31 | 0:14:33 | |
I'm trying a new look. It's winter, I'm going into my winter plumage. | 0:14:33 | 0:14:36 | |
Yep, but it's scruffy, you look un-kept. | 0:14:36 | 0:14:39 | |
You should be smart, you're representing us all. | 0:14:39 | 0:14:41 | |
You don't want to walk around looking a bit trampy. | 0:14:41 | 0:14:44 | |
Well, I'm on a building site. | 0:14:44 | 0:14:47 | |
You know, I shave. I look respectable. | 0:14:47 | 0:14:49 | |
You haven't got any hair at all. | 0:14:49 | 0:14:51 | |
I mean, there's a distinct lack of hair all over. | 0:14:51 | 0:14:53 | |
-Are you sure this isn't jealousy? -No, it's not jealousy. | 0:14:53 | 0:14:55 | |
-Really? -Honestly, I've never, ever, ever | 0:14:55 | 0:14:57 | |
been bothered about being balding. | 0:14:57 | 0:14:59 | |
Never. | 0:14:59 | 0:15:01 | |
-Doesn't bother me. -It's just that it does grow quite quickly. | 0:15:01 | 0:15:03 | |
And it, you know... But it looks good, though, doesn't it? | 0:15:03 | 0:15:06 | |
-Like a hobo! -All right, no, I'll take it on board. | 0:15:06 | 0:15:08 | |
Thanks very much your input. | 0:15:08 | 0:15:10 | |
It's not nice, is it? | 0:15:10 | 0:15:11 | |
I've got feelings! | 0:15:13 | 0:15:15 | |
Well, if my new look's not impressing everyone, | 0:15:16 | 0:15:18 | |
this certainly will - | 0:15:18 | 0:15:19 | |
the start of Chloe's self-contained flat, complete with wet room. | 0:15:19 | 0:15:23 | |
One of the things I'm doing is I'm making a big fuss | 0:15:23 | 0:15:26 | |
of the central wet room space, as a kind of a feature, if you like. | 0:15:26 | 0:15:31 | |
So it's not a sort of a, "Oh, we've had to squeeze in a wet room!" | 0:15:31 | 0:15:33 | |
Actually, it becomes part of the architecture. | 0:15:33 | 0:15:35 | |
I'm changing colour on it, changing texture on it. | 0:15:35 | 0:15:38 | |
It's funny how something we all take for granted | 0:15:38 | 0:15:41 | |
can become such a problem. | 0:15:41 | 0:15:42 | |
Chloe's been unable to get to the upstairs bathroom | 0:15:42 | 0:15:45 | |
for the past two years, | 0:15:45 | 0:15:46 | |
so even a simple trip to the loo presents problems. | 0:15:46 | 0:15:50 | |
And having a shower involves a two hour round-trip to her gran's house, | 0:15:51 | 0:15:55 | |
which has a ground floor wet room. | 0:15:55 | 0:15:57 | |
The scenario is that Suse has to get her out of bed, dressed, | 0:15:57 | 0:16:01 | |
into her chair... | 0:16:01 | 0:16:02 | |
Here goes trouble. | 0:16:02 | 0:16:04 | |
..then into the car, round to Mum's house. | 0:16:06 | 0:16:11 | |
-You OK? -Yeah. | 0:16:14 | 0:16:16 | |
Not having a bathroom is one of the hardest things. | 0:16:16 | 0:16:19 | |
It's, like, as a 20-year-old girl, you kind of just expect. | 0:16:19 | 0:16:24 | |
It's degrading in a sense. | 0:16:24 | 0:16:26 | |
It takes away that dignity. | 0:16:26 | 0:16:27 | |
It's a couple of hours' job, which it takes a lot, | 0:16:29 | 0:16:33 | |
a lot of effort for both Suse and Chloe. | 0:16:33 | 0:16:35 | |
And just the strain of a car journey can cause Chloe to collapse. | 0:16:37 | 0:16:42 | |
Chlo? Darling? Mummy's just going to take you back out to the car. OK? | 0:16:43 | 0:16:48 | |
We couldn't wash her today. | 0:16:51 | 0:16:52 | |
She's just had a small seizure. | 0:16:52 | 0:16:56 | |
Her brain says, "Thank you very much, but no thank you." | 0:16:56 | 0:16:59 | |
To protect her body, it sort of shuts down. | 0:16:59 | 0:17:03 | |
We're home, Chloe. | 0:17:03 | 0:17:04 | |
Chloe can't live in that room all of the time. | 0:17:10 | 0:17:12 | |
She can't do it. If she did have to go into a home, | 0:17:12 | 0:17:14 | |
it would tear the family apart. | 0:17:14 | 0:17:16 | |
My family are my absolute world. | 0:17:19 | 0:17:21 | |
I'll do anything for my family to keep them together... | 0:17:22 | 0:17:27 | |
..and to... | 0:17:28 | 0:17:29 | |
..make our family work... | 0:17:30 | 0:17:32 | |
..as a family. | 0:17:33 | 0:17:34 | |
Anything. | 0:17:34 | 0:17:35 | |
And so will we, Suse. | 0:17:37 | 0:17:38 | |
On site, there's been an arrival that's causing something a stir. | 0:17:41 | 0:17:45 | |
That'll be heavy. | 0:17:47 | 0:17:49 | |
What, you think so, Chris? | 0:17:49 | 0:17:50 | |
Really? You think so? | 0:17:50 | 0:17:51 | |
That's 89 kilos a metre. | 0:17:51 | 0:17:53 | |
-We'll need more men. -If we just cut it in half, we can just... | 0:17:53 | 0:17:57 | |
..use half the amount of blokes. | 0:17:58 | 0:18:00 | |
-It's not going to work. -No. | 0:18:00 | 0:18:01 | |
Cos it will... | 0:18:01 | 0:18:02 | |
Quite right, Chris. Now, this big steel is heading for the hole | 0:18:04 | 0:18:07 | |
that's at the bottom of the original house. | 0:18:07 | 0:18:10 | |
Well, I say that - it would be, if it wasn't too short. | 0:18:10 | 0:18:13 | |
The structural engineer has made the opening for 5.7. | 0:18:13 | 0:18:16 | |
5.7 opening. | 0:18:16 | 0:18:18 | |
And given the amount of people involved in a job of this size, | 0:18:18 | 0:18:21 | |
we can't be sure how the steel ended up too short. | 0:18:21 | 0:18:24 | |
He recalculated, said, yes, but the steel wasn't altered. | 0:18:26 | 0:18:30 | |
It's an on-site mistake. It happens, doesn't it? | 0:18:31 | 0:18:33 | |
-It's a bit of communication, really. -Yeah, yeah, it happens. | 0:18:33 | 0:18:35 | |
Problem is, we've just got to get over it. | 0:18:35 | 0:18:38 | |
I told you - communication isn't really our thing. | 0:18:38 | 0:18:41 | |
Open that up. We'll get a foundation in, | 0:18:41 | 0:18:43 | |
-we'll build a column on there to take the steel. -Do it. | 0:18:43 | 0:18:45 | |
It's a little bit of extra work, but it's got to be done. | 0:18:45 | 0:18:47 | |
Yeah, there must be a simpler solution. | 0:18:47 | 0:18:49 | |
What have we got on the end of that steel, leaving that there? | 0:18:49 | 0:18:52 | |
We've got a... | 0:18:52 | 0:18:54 | |
200 bearing. | 0:18:54 | 0:18:55 | |
Doesn't matter how many times you measure it, Chris, | 0:18:55 | 0:18:58 | |
it's not going to get any longer! | 0:18:58 | 0:19:00 | |
See, we were going to cut it back to here... | 0:19:00 | 0:19:03 | |
..because of the kitchen design. | 0:19:04 | 0:19:06 | |
The answer to the problem is leave that pier there, | 0:19:06 | 0:19:09 | |
and let them redesign the kitchen. | 0:19:09 | 0:19:10 | |
Do the job. | 0:19:10 | 0:19:11 | |
I'm paid for thinking. | 0:19:11 | 0:19:13 | |
Did he just say, "Redesign the kitchen"? | 0:19:14 | 0:19:18 | |
That means talking to you-know-who. | 0:19:18 | 0:19:21 | |
I've got to tell you something. | 0:19:21 | 0:19:23 | |
Have we... It's not... Are we doing the wrong house? | 0:19:26 | 0:19:29 | |
It feels like it. No, I'll tell you what we're doing. | 0:19:29 | 0:19:32 | |
We've got a slight problem with the steel. | 0:19:32 | 0:19:35 | |
The pier is about 700, which comes right through your kitchen. | 0:19:35 | 0:19:40 | |
You what? 700? | 0:19:40 | 0:19:41 | |
-Deep? -Right out into the room. | 0:19:41 | 0:19:44 | |
No. No, no, but that's fine. That's work surface depth. | 0:19:44 | 0:19:47 | |
That's just exactly what I was going to do to it, | 0:19:47 | 0:19:50 | |
which was to take the original 300 and pack it out to be 700. | 0:19:50 | 0:19:53 | |
I love that man. | 0:19:53 | 0:19:54 | |
So, you know, what's your problem? | 0:19:54 | 0:19:56 | |
-Absolutely love him. -Let's talk about the curtains. | 0:19:56 | 0:19:59 | |
This is why I love working with him, | 0:19:59 | 0:20:00 | |
cos you give him something like a massive problem like that, | 0:20:00 | 0:20:04 | |
and he just, like, in his head it's dealt with, | 0:20:04 | 0:20:06 | |
and he's rearranged the room. | 0:20:06 | 0:20:07 | |
Oh, I love that man. | 0:20:11 | 0:20:13 | |
Two, three! | 0:20:16 | 0:20:18 | |
It looks a lot better up there | 0:20:26 | 0:20:27 | |
than it did on the floor, doesn't it, lads? | 0:20:27 | 0:20:29 | |
A good feeling to get the steel in. You're getting somewhere then. | 0:20:29 | 0:20:32 | |
Every step you take, you're getting nearer the end. | 0:20:32 | 0:20:34 | |
Every brick that's laid, you're getting nearer the end. | 0:20:34 | 0:20:36 | |
Every shovelful of rubbish that's lifted, | 0:20:36 | 0:20:39 | |
getting near the end. | 0:20:39 | 0:20:41 | |
Every breath you take, I'll be watching you. | 0:20:41 | 0:20:44 | |
Mind you, this is not a dumb site. | 0:20:46 | 0:20:48 | |
Our tea lady's an off-duty lawyer, | 0:20:48 | 0:20:50 | |
so that's a barrister playing a barista. | 0:20:50 | 0:20:53 | |
Had some friends walking their children to school | 0:20:53 | 0:20:56 | |
who thought it was hilarious that I was this side of the bar, | 0:20:56 | 0:20:58 | |
so I've been ribbed a bit about that. | 0:20:58 | 0:21:00 | |
But I know that if the teas and coffees don't run on schedule, | 0:21:00 | 0:21:02 | |
then everything else goes to pot. | 0:21:02 | 0:21:04 | |
So that's when I thought, "I've got the DIY skills of a hamster, | 0:21:04 | 0:21:07 | |
"but I can make a mean cup of tea." | 0:21:07 | 0:21:09 | |
So she's a barrister being a barista. | 0:21:09 | 0:21:12 | |
Everyone here wants to give this family the space they need - | 0:21:12 | 0:21:15 | |
not least the next-door neighbours. | 0:21:15 | 0:21:17 | |
They just need to become a family again. | 0:21:17 | 0:21:18 | |
And this is what you're going to provide for them. | 0:21:18 | 0:21:20 | |
I mean, Chloe's been stuck, a prisoner. | 0:21:20 | 0:21:22 | |
And all of a sudden they can sit down at the dining room table | 0:21:22 | 0:21:25 | |
and have a meal together, and Chloe will be able to have a shower, | 0:21:25 | 0:21:27 | |
which has got to be the most important thing. | 0:21:27 | 0:21:29 | |
The whole plan is basically to have | 0:21:29 | 0:21:31 | |
-everything for Chloe on the ground floor. -Yeah. | 0:21:31 | 0:21:33 | |
She had independence before - she was a normal 18-year-old | 0:21:33 | 0:21:38 | |
and did all the things you would expect somebody to do. | 0:21:38 | 0:21:40 | |
And all of a sudden she's confined to a wheelchair. | 0:21:40 | 0:21:44 | |
And that's just horrific. | 0:21:44 | 0:21:46 | |
I don't know how... I do not know how Susie's done it. | 0:21:46 | 0:21:48 | |
I really don't. | 0:21:48 | 0:21:50 | |
So we have to get this house rebuilt in just a short space of time, | 0:21:50 | 0:21:53 | |
and the only way to do that is to burn the midnight oil. | 0:21:53 | 0:21:56 | |
After a good late night, it's day three | 0:21:59 | 0:22:02 | |
and although the turn out of trade so far has been brilliant, | 0:22:02 | 0:22:05 | |
today something weird's happened. | 0:22:05 | 0:22:07 | |
We're very low on trades. | 0:22:09 | 0:22:12 | |
We started off with 20, we're now up to 23, which is good. | 0:22:12 | 0:22:14 | |
Another carpenter's just pulled up, so that's 24. | 0:22:14 | 0:22:17 | |
Excellent. So I need another... | 0:22:17 | 0:22:20 | |
probably 36. | 0:22:20 | 0:22:21 | |
Be handy. | 0:22:22 | 0:22:24 | |
You're not any good at plaster boarding or chipping, are you? | 0:22:24 | 0:22:27 | |
If only! | 0:22:27 | 0:22:28 | |
We need people to help out. | 0:22:29 | 0:22:31 | |
We need a big weekend, basically. | 0:22:31 | 0:22:32 | |
We need people to come and help us over the weekend. | 0:22:32 | 0:22:34 | |
We need the numbers up to even have half a hope of getting the walls, | 0:22:34 | 0:22:38 | |
doors and windows done on this behemoth of a building. | 0:22:38 | 0:22:42 | |
I'm sure the police will speak to her about this. | 0:22:45 | 0:22:47 | |
Hello, if you don't have any carpenters at all, do you? | 0:22:47 | 0:22:49 | |
OK, all right. I'll be back in a minute, they're just taking me | 0:22:50 | 0:22:53 | |
to a carpenter who lives around the corner. | 0:22:53 | 0:22:55 | |
That really happened. | 0:22:57 | 0:22:58 | |
That's how low on trades we are. | 0:22:58 | 0:23:00 | |
He jumped into the back of a car! | 0:23:01 | 0:23:02 | |
And whilst the lack of chippies is concerning, | 0:23:04 | 0:23:06 | |
Billy's swimming in sparks. | 0:23:06 | 0:23:08 | |
He seems to have started something of a cult. | 0:23:08 | 0:23:10 | |
I think he's every electrician's aspiration. | 0:23:11 | 0:23:15 | |
Whenever they come into the trade, he's the mascot. | 0:23:15 | 0:23:20 | |
But also he's the guy that we aspire to. | 0:23:20 | 0:23:23 | |
He's living our dream. | 0:23:23 | 0:23:24 | |
There isn't anyone else. | 0:23:24 | 0:23:26 | |
-He's your mascot? -He is. | 0:23:26 | 0:23:28 | |
-That smile... -That winning smile. -Look at it - that's it. | 0:23:28 | 0:23:31 | |
-That teethy grin. -This is costing me a fortune, this has. | 0:23:31 | 0:23:34 | |
So, Billy is...ambassador. Can you imagine? | 0:23:34 | 0:23:39 | |
-Saint Spark. -Yeah, yeah. | 0:23:41 | 0:23:43 | |
Outside, the hunt for local tradesmen continues. | 0:23:45 | 0:23:48 | |
Don't think we'll find any down there, mate. | 0:23:48 | 0:23:50 | |
One, two, three. | 0:23:50 | 0:23:52 | |
FROG CROAKS | 0:23:52 | 0:23:53 | |
Turn around there, and then go back in there. | 0:23:54 | 0:23:57 | |
Yeah, there's two chippies in the van! | 0:23:57 | 0:23:59 | |
Keep at it, Mark, we'll get there in the end. | 0:24:00 | 0:24:02 | |
At least the back garden's coming on - sort of. | 0:24:02 | 0:24:04 | |
And Chloe's uncle Dave has big plans for it. | 0:24:04 | 0:24:07 | |
I'm Chloe's great uncle. | 0:24:07 | 0:24:08 | |
Thought I'd do as a bit of a surprise a piece of sculpture. | 0:24:08 | 0:24:11 | |
I always think of Chloe as our flower. | 0:24:11 | 0:24:14 | |
-Right. -Cos she's never complained. | 0:24:14 | 0:24:16 | |
You'll never hear her complaining, or, you know, | 0:24:16 | 0:24:18 | |
being bitter about her condition. | 0:24:18 | 0:24:20 | |
Obviously, I've been in the little back room with Chloe with the bed, | 0:24:21 | 0:24:24 | |
taking most of the room up, | 0:24:24 | 0:24:26 | |
floor to ceiling in medicines and whatever. | 0:24:26 | 0:24:29 | |
So, yeah, it's a big transformation. | 0:24:29 | 0:24:32 | |
You seem very emotional about the transformation. | 0:24:32 | 0:24:34 | |
I'm emotional about it, yeah. | 0:24:34 | 0:24:35 | |
Yeah, as I say, just I know what the family have been through | 0:24:35 | 0:24:40 | |
and, as I say, we look at her as our flower, really. | 0:24:40 | 0:24:43 | |
So I'm doing a vertical steel... | 0:24:43 | 0:24:46 | |
Sorry, vertical timber pillar with a big steel flower on the top. | 0:24:46 | 0:24:49 | |
I was thinking maybe a 70 foot colossus version of myself | 0:24:49 | 0:24:53 | |
-in a sort of Nero-style Roman way. -Yeah. | 0:24:53 | 0:24:55 | |
I've seen the drawing up in the office, actually. | 0:24:55 | 0:24:57 | |
-It does look like it. -Does it?! | 0:24:57 | 0:24:59 | |
And there's some good news on the trade front. | 0:25:02 | 0:25:04 | |
All the boarders and plasterers have turned up in one hit. | 0:25:04 | 0:25:07 | |
I reckon there must be about 25, 30 of them. | 0:25:07 | 0:25:11 | |
Double chippy? Did you bring any fish with you? | 0:25:11 | 0:25:14 | |
Yeah, the locals want a really have stepped up to the plate - | 0:25:17 | 0:25:20 | |
and I'm not just talking about the chippies. | 0:25:20 | 0:25:22 | |
Everyone wants to pitch in. | 0:25:22 | 0:25:24 | |
No, that's wrong, because you haven't got the hair like that! | 0:25:26 | 0:25:30 | |
Have you lot never, ever read a fairy tale? | 0:25:30 | 0:25:32 | |
Do you know what these women are? | 0:25:32 | 0:25:34 | |
They are witches and those are possessed gingerbread people. | 0:25:34 | 0:25:38 | |
Really? And there was me thinking they were just kind-hearted bakers. | 0:25:38 | 0:25:42 | |
Thank you very much indeed. | 0:25:42 | 0:25:43 | |
I shall take great delight in eating bits off myself. | 0:25:43 | 0:25:46 | |
We've done you a little gingerbread man. | 0:25:48 | 0:25:51 | |
-Good, isn't it? -I understand that you've got a biscuit, too. | 0:25:52 | 0:25:56 | |
-Yeah, I did, yeah. -She said, "We've done yours, it looks dishevelled." | 0:25:56 | 0:26:01 | |
-Why is it ginger? -Look at the direct sunlight on my hair. | 0:26:01 | 0:26:03 | |
-Look, it's actually... Can you see it's coppery? -Do you know, though, | 0:26:03 | 0:26:06 | |
you are the king of the jungle. | 0:26:06 | 0:26:08 | |
That is the mightiest mane I have seen... | 0:26:08 | 0:26:11 | |
What, the big hair? | 0:26:11 | 0:26:12 | |
..on a human being, apart from Mufasa, the king. | 0:26:12 | 0:26:15 | |
I take that as a compliment coming from you, | 0:26:15 | 0:26:17 | |
possibly the most flamboyant head male on television. | 0:26:17 | 0:26:21 | |
And appearances aside, we're pushing on with this one. | 0:26:23 | 0:26:25 | |
The upstairs has got walls going on. | 0:26:25 | 0:26:27 | |
Nice! | 0:26:27 | 0:26:29 | |
And outside, Billy's fame's growing by the second. | 0:26:29 | 0:26:33 | |
Oh, and the extension's been made watertight, | 0:26:33 | 0:26:35 | |
thanks to the roofing material, | 0:26:35 | 0:26:36 | |
which has got Jules and Mark thinking there might be | 0:26:36 | 0:26:39 | |
another outlet and a chance to earn some money. | 0:26:39 | 0:26:41 | |
Feel that. I'd love a pair of pants made out of that. | 0:26:41 | 0:26:44 | |
-A full suit. -Yeah. | 0:26:44 | 0:26:45 | |
-Full body suit. -A full rubber suit. | 0:26:45 | 0:26:48 | |
Maybe a short pair of pants. | 0:26:48 | 0:26:50 | |
Yeah. Or like a vest and pants... | 0:26:50 | 0:26:52 | |
-In one. -In one! -In one. -That'd be nice. -That'd be good cos you could | 0:26:52 | 0:26:55 | |
cut it out, the one shape in front, and then glue them together. | 0:26:55 | 0:26:58 | |
-Yeah. -Or staple them together. | 0:26:58 | 0:26:59 | |
Yeah. No, you'd glue them, you'd do this. | 0:26:59 | 0:27:03 | |
Rubber bond them. | 0:27:03 | 0:27:04 | |
That's a bit of rubber bonding there. Look at that. | 0:27:06 | 0:27:08 | |
I tell you what would be nice as well, if the weather's bad, | 0:27:08 | 0:27:10 | |
you could do a bit of knee... You could make some knee-high socks | 0:27:10 | 0:27:13 | |
out of it, in case there with puddles. | 0:27:13 | 0:27:15 | |
And a little rubber hat. | 0:27:15 | 0:27:16 | |
And a rubber hat. Yeah, that would be nice. | 0:27:16 | 0:27:17 | |
Yes, you were watching two builders talking about | 0:27:17 | 0:27:20 | |
having rubber suits made. | 0:27:20 | 0:27:21 | |
And round the front, all the praise has gone to Billy's head. | 0:27:21 | 0:27:23 | |
-EB has taken LB's taxi. -Out. | 0:27:25 | 0:27:27 | |
Maybe I'm not. Maybe I'm not! | 0:27:27 | 0:27:31 | |
Can someone get me a damp cloth? | 0:27:31 | 0:27:33 | |
Seriously, look what he's done to my upholstery. | 0:27:33 | 0:27:35 | |
-Look. -It's leather sausage. | 0:27:35 | 0:27:36 | |
Nice try, Bill. | 0:27:38 | 0:27:39 | |
Halfway through the build and there's still a lot to do. | 0:27:46 | 0:27:48 | |
We're struggling to get carpet fitters, | 0:27:48 | 0:27:50 | |
and there's a couple of hundred square metres | 0:27:50 | 0:27:52 | |
of driveway still to lay. | 0:27:52 | 0:27:54 | |
This is epic. | 0:27:55 | 0:27:56 | |
-All right. -Good morning, Nicholas. | 0:27:59 | 0:28:00 | |
You look slightly different this morning. | 0:28:00 | 0:28:03 | |
Well, I took on board what you said about me looking my best, | 0:28:03 | 0:28:06 | |
not taking it seriously, | 0:28:06 | 0:28:08 | |
so I've had a bit of a haircut and tidied myself up a little bit | 0:28:08 | 0:28:12 | |
and wondered whether this would suffice as your representative | 0:28:12 | 0:28:14 | |
of the programme, cos I know you were very upset about it. | 0:28:14 | 0:28:17 | |
I think it's a vast improvement. | 0:28:17 | 0:28:19 | |
I think you could have went a little further. | 0:28:20 | 0:28:22 | |
All I can say is thank you | 0:28:22 | 0:28:23 | |
for taking a bit more care in your appearance. | 0:28:23 | 0:28:25 | |
I feel ready to face the day now. | 0:28:25 | 0:28:27 | |
Cos I felt slightly down on myself last week. | 0:28:27 | 0:28:30 | |
-I think you should have as well. -Thanks. | 0:28:30 | 0:28:32 | |
'Jules really knows how to make a person feel special.' | 0:28:32 | 0:28:35 | |
But nowhere near as special as the tons of trades hard at work here | 0:28:38 | 0:28:42 | |
to give Chloe and her family the house they need to move forward. | 0:28:42 | 0:28:46 | |
It pulls on my heartstrings, | 0:28:46 | 0:28:47 | |
and I just want to give something back to the community. | 0:28:47 | 0:28:49 | |
I could do stuff, I'll help out, | 0:28:49 | 0:28:51 | |
I'll do anything that needs to be done, I'll get in there and do it. | 0:28:51 | 0:28:54 | |
Have you known Chloe for a long time? | 0:28:54 | 0:28:56 | |
-Yes, I went to primary school with her. -Primary school? | 0:28:56 | 0:28:58 | |
The word on the street is that your partner is currently | 0:28:58 | 0:29:01 | |
-in labour. -Yeah. -And you're here... -Yeah. | 0:29:01 | 0:29:04 | |
..knowing that your new-born might be popping out at this moment in time? | 0:29:04 | 0:29:08 | |
-Yeah. -Mate, respect. -Thank you. | 0:29:08 | 0:29:11 | |
Or brave. I don't know which it is. | 0:29:13 | 0:29:15 | |
I would say more stupidity, to be honest. | 0:29:15 | 0:29:18 | |
'Never mind that, just leave work and go be with the girl. | 0:29:18 | 0:29:21 | |
'Volunteers like George know just how hard life has been for Chloe, | 0:29:21 | 0:29:24 | |
'who's still in hospital. Her years of illness have had an impact | 0:29:24 | 0:29:28 | |
'on the whole family, including stepdad Phil.' | 0:29:28 | 0:29:30 | |
Was it frustrating that you couldn't get the house the way you wanted to? | 0:29:30 | 0:29:33 | |
I find it very humbling the fact that all these people have come | 0:29:33 | 0:29:36 | |
to help us on something that I wished | 0:29:36 | 0:29:39 | |
I'd have been able to do myself. | 0:29:39 | 0:29:42 | |
I just think it's fantastic that you live | 0:29:42 | 0:29:44 | |
in a community that actually cares that much. | 0:29:44 | 0:29:46 | |
It's going to be difficult to find enough thanks for all these people, | 0:29:46 | 0:29:50 | |
for what they've done. | 0:29:50 | 0:29:51 | |
It did feel like we were fighting, at some stages, a losing battle... | 0:29:52 | 0:29:56 | |
..just to get a 20-year-old girl what she needs. | 0:29:58 | 0:30:02 | |
Fair play to her, Susie... | 0:30:03 | 0:30:05 | |
she's banged on a lot of doors and hit a lot of brick walls, | 0:30:05 | 0:30:11 | |
really, trying to get what Chloe needs | 0:30:11 | 0:30:15 | |
and to try and slow Susie down is easier said than done. | 0:30:15 | 0:30:19 | |
Even when I say to her, "Come on, Suse, | 0:30:19 | 0:30:23 | |
"we've got to think about what did happen before." | 0:30:23 | 0:30:25 | |
She has been told by doctors and what have you | 0:30:25 | 0:30:29 | |
that she's got to slow herself down, but she doesn't. | 0:30:29 | 0:30:35 | |
And for a husband, it does scare me. | 0:30:36 | 0:30:40 | |
That's the thing, though, you fall in love with the whole package. | 0:30:40 | 0:30:42 | |
Yeah. Yeah. | 0:30:42 | 0:30:44 | |
Have you thought about what it's going to be like | 0:30:44 | 0:30:46 | |
once the house is done? | 0:30:46 | 0:30:47 | |
-All I hope for is independent living for Chloe. -Yeah. | 0:30:47 | 0:30:51 | |
Which will make her life much easier, | 0:30:51 | 0:30:55 | |
which in turn will make Susie's life easier, | 0:30:55 | 0:30:58 | |
because obviously Susie being her primary carer - | 0:30:58 | 0:31:01 | |
bring Susie's stress levels down, I'll be happy as anything. | 0:31:01 | 0:31:04 | |
That's massive. | 0:31:05 | 0:31:06 | |
We're heading towards the final push | 0:31:10 | 0:31:11 | |
to try and get this build done in time. | 0:31:11 | 0:31:13 | |
Now, here's the good news. | 0:31:13 | 0:31:15 | |
Paint is going on upstairs in the bedrooms. | 0:31:15 | 0:31:18 | |
Here's the bad news. | 0:31:18 | 0:31:20 | |
The flooring suppliers have just dropped out. | 0:31:20 | 0:31:22 | |
Oh, my God. | 0:31:22 | 0:31:24 | |
And the electrics are at the second fix stage, | 0:31:24 | 0:31:27 | |
plus Chloe's apartment's almost ready to be decorated. | 0:31:27 | 0:31:30 | |
I'm a happy bunny, my boys have been in, look, plastering fairies. | 0:31:30 | 0:31:34 | |
This is Chloe's bedroom, so Chloe's bed is going to be here. | 0:31:34 | 0:31:37 | |
And guess who's putting the wall on the wet room - | 0:31:37 | 0:31:40 | |
George the plasterer, whose partner is still in labour. | 0:31:40 | 0:31:44 | |
How is your girlfriend? | 0:31:44 | 0:31:45 | |
She's all right. The closest they've got is 17 minutes apart. | 0:31:45 | 0:31:48 | |
I had hardly any sleep last night. | 0:31:48 | 0:31:51 | |
It's been the longest labour in the history of the world. | 0:31:51 | 0:31:53 | |
It'll take your mind off it. | 0:31:53 | 0:31:54 | |
I thought I'd come here and do a bit more spreading. | 0:31:54 | 0:31:57 | |
That's a plasterer for you. | 0:31:57 | 0:31:58 | |
That front room is almost like we've never touched it. | 0:31:59 | 0:32:03 | |
Almost. The kitchen-diner is getting a kitchen and a wood burner, | 0:32:03 | 0:32:07 | |
which is nice. | 0:32:07 | 0:32:08 | |
And Mark's fretting about more than just the flooring, | 0:32:09 | 0:32:12 | |
but then he worries about everything, he's a worrier. | 0:32:12 | 0:32:14 | |
Listen, Pete, I'm seriously worried about your driveway. | 0:32:14 | 0:32:17 | |
-I know. -It's a massive driveway. | 0:32:17 | 0:32:20 | |
Now, there's only two days left, | 0:32:21 | 0:32:23 | |
but at least one of Mark's prayers has been answered. | 0:32:23 | 0:32:25 | |
We've finally got a floor. | 0:32:25 | 0:32:26 | |
It's very nice stuff. At such short notice, | 0:32:29 | 0:32:32 | |
you're kind of in the realms of "get what you're given", but... | 0:32:32 | 0:32:35 | |
You know how short the notice is? | 0:32:35 | 0:32:37 | |
Two and a half hours. That's genuine. | 0:32:37 | 0:32:39 | |
-It's two and a half hours. -Can you come over for a hug? | 0:32:39 | 0:32:41 | |
-This isn't any old rubbish. It's good stuff. -It's good stuff. | 0:32:41 | 0:32:43 | |
-It's very good stuff. -The thing that has really sorted my day out | 0:32:43 | 0:32:46 | |
is just this influx of glamour. | 0:32:46 | 0:32:48 | |
I mean, the floor is nice, but you lot... | 0:32:48 | 0:32:51 | |
-None of us... -Can we keep you? | 0:32:51 | 0:32:53 | |
Thank you. | 0:32:53 | 0:32:54 | |
It's people like that who make the magic happen here, | 0:32:56 | 0:32:58 | |
which means we can improve life for the whole family, | 0:32:58 | 0:33:00 | |
including Chloe's brother Josh. | 0:33:00 | 0:33:02 | |
I idolise my brother a bit. | 0:33:03 | 0:33:06 | |
He's a boy of few words, until he knows you. | 0:33:06 | 0:33:10 | |
Josh was very hands-on and he's very creative. | 0:33:10 | 0:33:14 | |
I want to help her out. | 0:33:14 | 0:33:17 | |
I did a garden outside the garage | 0:33:17 | 0:33:20 | |
so she can, like, look out the window | 0:33:20 | 0:33:23 | |
and have a look at it and stuff. | 0:33:23 | 0:33:25 | |
Josh loves getting his hands dirty, | 0:33:26 | 0:33:28 | |
so we thought this budding DIY-er might like to visit the site. | 0:33:28 | 0:33:31 | |
No peeping now. | 0:33:31 | 0:33:32 | |
You grab that and I'll come and sit with you. | 0:33:32 | 0:33:36 | |
We've been living in here, we've been eating in here. | 0:33:38 | 0:33:40 | |
-We've obviously taken the house completely apart. -Yeah. | 0:33:40 | 0:33:43 | |
We've wrecked your room. | 0:33:43 | 0:33:44 | |
We're going to put it back together again, | 0:33:45 | 0:33:47 | |
but what would you like in... Anything you fancy seeing in there? | 0:33:47 | 0:33:51 | |
Like graffiti and stuff. | 0:33:51 | 0:33:53 | |
What did you say? | 0:33:53 | 0:33:55 | |
Banksy and stuff. | 0:33:55 | 0:33:56 | |
You're into all that street art? | 0:33:56 | 0:33:58 | |
-Yeah. -I love it. Respect, big fella, respect. | 0:33:58 | 0:34:02 | |
I like your style. | 0:34:02 | 0:34:03 | |
'So this is how it works. | 0:34:03 | 0:34:05 | |
'A young lad who turns out to be the best little brother in the world | 0:34:05 | 0:34:08 | |
'says he likes street art, and immediately we get someone in | 0:34:08 | 0:34:11 | |
'to give him a bedroom in that very style. | 0:34:11 | 0:34:12 | |
'It's always going to be child's play for the Duke of Decoration.' | 0:34:12 | 0:34:15 | |
You were talking about how you... | 0:34:15 | 0:34:18 | |
your mum had disabilities when you were younger. | 0:34:18 | 0:34:20 | |
When you look at Josh trying to help out his older sister | 0:34:20 | 0:34:22 | |
and the first one whenever she needs her bed changing, | 0:34:22 | 0:34:25 | |
-do you see something of you in that? -Oh, very much so. | 0:34:25 | 0:34:27 | |
I think in many ways his room | 0:34:27 | 0:34:30 | |
is probably one of the most important rooms in the house. | 0:34:30 | 0:34:32 | |
It's a way of giving him an environment which is his, | 0:34:32 | 0:34:38 | |
which he can control, he can take charge off. | 0:34:38 | 0:34:42 | |
Everything out there he can't control, | 0:34:42 | 0:34:44 | |
he can't control his sister's condition, | 0:34:44 | 0:34:45 | |
he can't control the way the rest of the family is, but actually, | 0:34:45 | 0:34:48 | |
when he shuts that door, | 0:34:48 | 0:34:49 | |
I want to feel that he can recharge his batteries | 0:34:49 | 0:34:52 | |
in a much more efficient, much more powerful way. | 0:34:52 | 0:34:54 | |
So it's all hands on deck to get Josh's room shipshape... | 0:34:55 | 0:34:58 | |
..turn the extension into a stylish self-contained flat for Chloe, | 0:35:00 | 0:35:03 | |
and make a garden out of a mud pit. | 0:35:03 | 0:35:06 | |
Oh, and fit a kitchen. | 0:35:06 | 0:35:07 | |
And lay what feels like the largest driveway in the Midlands, | 0:35:07 | 0:35:11 | |
and hang about 100 lights. | 0:35:11 | 0:35:13 | |
And we've only got one day to do it. | 0:35:13 | 0:35:14 | |
Off. | 0:35:14 | 0:35:16 | |
On. | 0:35:16 | 0:35:17 | |
Some people. | 0:35:17 | 0:35:19 | |
Off, on. | 0:35:19 | 0:35:21 | |
Plus, we still have to finish decorating the rest of the house, | 0:35:21 | 0:35:24 | |
and there's bad news again. | 0:35:24 | 0:35:25 | |
You have to be out and cleared and everything swept... | 0:35:25 | 0:35:28 | |
Absolutely everything... | 0:35:28 | 0:35:29 | |
..by six o'clock to give the floor layers a chance. | 0:35:29 | 0:35:32 | |
Because if they don't, we're screwed. | 0:35:32 | 0:35:34 | |
I'm worried about this one, honestly, I am worried by this. | 0:35:34 | 0:35:37 | |
Let's get it emptied. | 0:35:37 | 0:35:39 | |
There's a crazy amount still left to be done, | 0:35:39 | 0:35:41 | |
but there's no stopping these floor fitters. | 0:35:41 | 0:35:44 | |
# Why do flies suddenly appear | 0:35:49 | 0:35:53 | |
# Every time you are near? # | 0:35:53 | 0:35:55 | |
Look, he's dancing on our brand-new floor. | 0:35:55 | 0:35:57 | |
-They finished it overnight. -Love it! | 0:35:57 | 0:35:59 | |
Plastering on our last day. | 0:36:00 | 0:36:02 | |
It's not a good sign, is it? | 0:36:02 | 0:36:03 | |
Yeah, but we'll get there. We'll get there. | 0:36:05 | 0:36:07 | |
A lot of love around the place. | 0:36:12 | 0:36:13 | |
He's doing a blinding job here. | 0:36:17 | 0:36:18 | |
That's a builder's joke, by the way. | 0:36:18 | 0:36:20 | |
What do you call this process? | 0:36:20 | 0:36:22 | |
Blinding the driveway with sand. | 0:36:22 | 0:36:23 | |
-See? -What, have you told a joke to do with blinding? | 0:36:23 | 0:36:26 | |
-I said he's doing a blinding job. -Oh, right. | 0:36:26 | 0:36:28 | |
And what I've done is I've taken what the process is called... | 0:36:28 | 0:36:31 | |
And turned it into a joke. | 0:36:31 | 0:36:33 | |
-..added it to a colloquialism... -I see. -..to create a moment. | 0:36:33 | 0:36:36 | |
Do you think it's funny? | 0:36:36 | 0:36:37 | |
This boy is never happier than when he's driving plant. | 0:36:41 | 0:36:46 | |
Full steam ahead. | 0:36:46 | 0:36:47 | |
But really, today belongs to only one, being... | 0:36:48 | 0:36:51 | |
Oh, blimey. | 0:36:51 | 0:36:53 | |
-Looming. -Was I looming? | 0:36:53 | 0:36:55 | |
Did you feel the air get slightly colder? | 0:36:55 | 0:36:58 | |
I did. | 0:36:58 | 0:36:59 | |
If you look very carefully, there is no reflection of him in the window. | 0:36:59 | 0:37:03 | |
'Special forces are at work here. Well, they must be. | 0:37:07 | 0:37:09 | |
'Or we wouldn't stand a chance of getting this finished for tomorrow.' | 0:37:09 | 0:37:13 | |
This is the big day for you, isn't it? | 0:37:13 | 0:37:15 | |
This is when it becomes a kind of cushion apocalypse. | 0:37:15 | 0:37:19 | |
Yes. And it's a kind of day, really, where your vision | 0:37:19 | 0:37:21 | |
that we were talking at the beginning of the week, | 0:37:21 | 0:37:23 | |
that you have, this strange vision | 0:37:23 | 0:37:24 | |
that you can have that I don't have... | 0:37:24 | 0:37:26 | |
You're really bouncy this morning. | 0:37:26 | 0:37:28 | |
Well, it's the last day, I'm excited. | 0:37:28 | 0:37:30 | |
-I'm excited. -You're going like this. -Here we are, here is your vision, | 0:37:30 | 0:37:33 | |
it's been fed through our mincer where we've mangled your vision | 0:37:33 | 0:37:36 | |
with what we can achieve, what we can get hold of, | 0:37:36 | 0:37:38 | |
what we can afford to pay you for and what people have given us. | 0:37:38 | 0:37:41 | |
And now only you can mess it up. | 0:37:41 | 0:37:44 | |
Yes. Or symphonically turn it into great genius. | 0:37:44 | 0:37:49 | |
I'm on that knife edge this morning. | 0:37:49 | 0:37:52 | |
Yes, I think he's been on a knife edge his whole life, to be honest, | 0:37:52 | 0:37:55 | |
but he's staying the right side of madness at the moment. | 0:37:55 | 0:37:57 | |
Outside, there's still the entire extension to render | 0:37:57 | 0:37:59 | |
and what's left of the garden to landscape. | 0:37:59 | 0:38:01 | |
Luckily, the family's friends have rallied round, | 0:38:01 | 0:38:04 | |
including Phil's mechanic mate, Hugh. | 0:38:04 | 0:38:06 | |
Chloe lives at home but only in one room, | 0:38:08 | 0:38:10 | |
and they haven't really been together as a family. | 0:38:10 | 0:38:12 | |
-Is this going to do the job for them? -Absolutely. | 0:38:12 | 0:38:15 | |
Through that new build, | 0:38:15 | 0:38:16 | |
Chloe will be living in there and she can come in, | 0:38:16 | 0:38:18 | |
into the main kitchen area there in a wheelchair. | 0:38:18 | 0:38:21 | |
It will be amazing. Absolutely amazing. | 0:38:21 | 0:38:23 | |
As we rebuild Chloe's family home, she's still very sick in hospital. | 0:38:23 | 0:38:29 | |
And we haven't been able to speak to her on camera. | 0:38:29 | 0:38:31 | |
Earlier in the week I went to catch-up with Susie | 0:38:33 | 0:38:35 | |
to find out how her daughter's doing. | 0:38:35 | 0:38:37 | |
Every big event that's happened, Chloe's missed out on. | 0:38:40 | 0:38:43 | |
She's got herself overexcited and everything else, and then... | 0:38:45 | 0:38:50 | |
There's a physical effect. | 0:38:50 | 0:38:52 | |
-..the physical effects. -You've been through such a lot, | 0:38:52 | 0:38:54 | |
and it must be, as a mum, | 0:38:54 | 0:38:56 | |
massively taxing to see your baby go through all this. | 0:38:56 | 0:38:59 | |
Yes, it's heart-wrenching. | 0:38:59 | 0:39:01 | |
If I could take it all away from Chloe and I have it, | 0:39:01 | 0:39:07 | |
I would do anything for that. | 0:39:07 | 0:39:09 | |
I really would. For a split second when you wake up in the morning, | 0:39:09 | 0:39:12 | |
everything's fine. | 0:39:12 | 0:39:13 | |
And then your heart sinks because you realise it's the reality. | 0:39:14 | 0:39:19 | |
And it does hit you. | 0:39:19 | 0:39:21 | |
I couldn't answer Chloe's daily question - "Why me? | 0:39:22 | 0:39:27 | |
"What's going on with me, Mum?" | 0:39:28 | 0:39:30 | |
And I didn't have the answers. | 0:39:30 | 0:39:33 | |
I actually had a breakdown. | 0:39:33 | 0:39:35 | |
Do you think that's because you weren't accepting | 0:39:35 | 0:39:37 | |
that your best was your best? | 0:39:37 | 0:39:38 | |
Yeah. | 0:39:39 | 0:39:41 | |
And I became very low very quickly. | 0:39:41 | 0:39:44 | |
Very low. And I had to go into hospital. | 0:39:44 | 0:39:47 | |
You put so much pressure on yourself that you can't take it any more. | 0:39:48 | 0:39:53 | |
And it's true what they say, until you've reached rock bottom | 0:39:54 | 0:39:58 | |
and you can wake up one day and say, "Enough's enough." | 0:39:58 | 0:40:02 | |
What gave you the strength to be OK? | 0:40:02 | 0:40:06 | |
-Phil. -Was it? | 0:40:06 | 0:40:07 | |
Yeah. | 0:40:07 | 0:40:09 | |
The fact he didn't leave, | 0:40:09 | 0:40:10 | |
he didn't stop telling me how much he loved me. | 0:40:10 | 0:40:13 | |
He just carried on. | 0:40:15 | 0:40:16 | |
He just carried on, giving me hugs every day. | 0:40:18 | 0:40:21 | |
And telling me that, you know... | 0:40:22 | 0:40:25 | |
..I was the best thing in his world and that I had to come home. | 0:40:26 | 0:40:34 | |
They needed me. | 0:40:34 | 0:40:36 | |
And just to genuinely feel that. | 0:40:36 | 0:40:38 | |
-You see, that's a proper love story. -Yeah. | 0:40:38 | 0:40:41 | |
-Not all this rubbish you see on films. -No. | 0:40:41 | 0:40:44 | |
With everything that's happened, | 0:40:44 | 0:40:47 | |
-do you feel lucky or unlucky in life? -I feel very blessed. | 0:40:47 | 0:40:51 | |
I feel it's part of a journey, and you ask Chloe the same question, | 0:40:54 | 0:40:57 | |
and it's Chloe who has taught me that. | 0:40:57 | 0:40:59 | |
Have you thought about it, how life's going to be from now on? | 0:40:59 | 0:41:03 | |
It just means that Chloe can carry on living at home, | 0:41:03 | 0:41:06 | |
which in turn means that we can carry on being a family. | 0:41:06 | 0:41:09 | |
And, erm... | 0:41:10 | 0:41:12 | |
..our motto is family - | 0:41:14 | 0:41:17 | |
where life begins and love never ends. | 0:41:17 | 0:41:19 | |
And by you coming and doing that for us... | 0:41:21 | 0:41:23 | |
..we can be a family. | 0:41:26 | 0:41:27 | |
Well, there's no better reason to do what we do, is there? | 0:41:32 | 0:41:34 | |
Mind you, we've still got a lot to get done. | 0:41:34 | 0:41:37 | |
This is our final day. | 0:41:37 | 0:41:38 | |
There's not much daylight left. | 0:41:38 | 0:41:40 | |
And there's still close to 200 square metres of driveway to lay. | 0:41:40 | 0:41:43 | |
Time is most definitely not on our side. | 0:41:43 | 0:41:46 | |
Hang on. Is there supposed to be a gap in the splashback? | 0:41:46 | 0:41:49 | |
That's amazing. | 0:41:49 | 0:41:51 | |
But what's amazing is the fact that you didn't measure it. | 0:41:51 | 0:41:54 | |
-Who actually measured it? -I don't know, but it wasn't you. | 0:41:54 | 0:41:57 | |
Yes, thank God. | 0:41:57 | 0:41:58 | |
What it's going to be, it's going to be one of those impromptu design | 0:41:58 | 0:42:01 | |
features that actually lift the scheme from the ordinaire, | 0:42:01 | 0:42:05 | |
the plebeian, the expected, into something actually borderline genius | 0:42:05 | 0:42:08 | |
because it's not quite right. | 0:42:08 | 0:42:10 | |
Go on. Go on, boy! | 0:42:10 | 0:42:12 | |
Hey! Go on. | 0:42:12 | 0:42:14 | |
Go on, LLB. | 0:42:14 | 0:42:16 | |
It's one of those imperfections that actually makes creativity | 0:42:16 | 0:42:19 | |
-what it is today. -Go on, keep going. | 0:42:19 | 0:42:22 | |
You see, we are breaking him. | 0:42:22 | 0:42:24 | |
Right! Let's get them on the wall. | 0:42:24 | 0:42:27 | |
'Whilst we break him inside, Julian outside - part man, part machine - | 0:42:27 | 0:42:30 | |
'can't quite overcome the size of this driveway.' | 0:42:30 | 0:42:33 | |
You're a bit tense? | 0:42:33 | 0:42:35 | |
Too tense. I'm a wigwam and a teepee. | 0:42:36 | 0:42:40 | |
You see, not too tense to make a joke. | 0:42:40 | 0:42:43 | |
That's what I like about you, Jules, | 0:42:43 | 0:42:44 | |
even in times of extreme stress. | 0:42:44 | 0:42:46 | |
But you've had a day on the digger. | 0:42:46 | 0:42:48 | |
In fact, you've had two days. Three days on the digger. | 0:42:48 | 0:42:50 | |
Yeah, it's looking like I'm going to have a whole night on the digger. | 0:42:50 | 0:42:53 | |
We've got another 12-14 hours' work here ahead of us, | 0:42:53 | 0:42:55 | |
at the rate it's been going today. | 0:42:55 | 0:42:57 | |
I think it's going to suddenly accelerate. | 0:42:57 | 0:42:59 | |
'I'm lying, of course, but I want to encourage him.' | 0:42:59 | 0:43:02 | |
It's six o'clock in the evening now | 0:43:02 | 0:43:04 | |
and we are sailing pretty close to the wind with this one. | 0:43:04 | 0:43:06 | |
Truth of the matter is, we'll get as done as we can, | 0:43:06 | 0:43:08 | |
finish maybe two, three o'clock in the morning | 0:43:08 | 0:43:10 | |
and whatever state it's in then, | 0:43:10 | 0:43:12 | |
that's how we'll show it to the family. | 0:43:12 | 0:43:13 | |
I think people sometimes think we make this up, the jeopardy, | 0:43:13 | 0:43:17 | |
it's always this tight. | 0:43:17 | 0:43:19 | |
Well, maybe not quite as tight as it is this time. | 0:43:19 | 0:43:22 | |
And even though Chloe's still in hospital, | 0:43:22 | 0:43:25 | |
we're hoping she'll be well enough to return home | 0:43:25 | 0:43:27 | |
and see what all these volunteers have done. | 0:43:27 | 0:43:30 | |
But she's only coming home if she's well enough. | 0:43:30 | 0:43:33 | |
Nine days ago, chronically-ill Chloe was a virtual prisoner, | 0:43:38 | 0:43:41 | |
confined to just one room in the family home. | 0:43:41 | 0:43:44 | |
It's not my bedroom and I don't ever call it a bedroom. | 0:43:45 | 0:43:48 | |
I just call it my cell. | 0:43:48 | 0:43:50 | |
A 20-year-old woman in need of some independence. | 0:43:50 | 0:43:54 | |
I just want some space to call my own. | 0:43:54 | 0:43:56 | |
And having my own bedroom that's not the lounge | 0:43:57 | 0:44:03 | |
so my family have some space too, | 0:44:03 | 0:44:05 | |
I want space for them as well. | 0:44:05 | 0:44:07 | |
Chloe said, "I think you should put me in a care home..." | 0:44:08 | 0:44:12 | |
She said, "..because I've taken over your lives, | 0:44:14 | 0:44:17 | |
"I've taken over the house." | 0:44:17 | 0:44:19 | |
I couldn't find an answer to keep us together as a family. | 0:44:20 | 0:44:24 | |
This is literally the only way I have a chance at independence. | 0:44:24 | 0:44:30 | |
And to have it in sight, it's hard to believe. | 0:44:30 | 0:44:33 | |
So, hopefully, with the help of these West Midlands heroes, | 0:44:34 | 0:44:37 | |
we've done just that. | 0:44:37 | 0:44:39 | |
I'd like to think, you know, someone would do it for me if my daughter | 0:44:39 | 0:44:42 | |
was in the same situation, so. | 0:44:42 | 0:44:43 | |
Nine days of incredible graft. | 0:44:44 | 0:44:46 | |
And we've pulled off a blinder. | 0:44:49 | 0:44:52 | |
The access to the front has been improved, | 0:44:52 | 0:44:54 | |
with a wider door and hall, | 0:44:54 | 0:44:56 | |
so Chloe can enter and leave easily. | 0:44:56 | 0:44:59 | |
Inside, we've knocked down walls so she can also access the front room | 0:45:01 | 0:45:05 | |
we weren't meant to touch but kind of did. | 0:45:05 | 0:45:08 | |
And the narrow doors and small rooms have been transformed | 0:45:10 | 0:45:14 | |
into this stunning, spacious open-plan kitchen-diner | 0:45:14 | 0:45:18 | |
where all the family can get together. | 0:45:18 | 0:45:21 | |
But, most importantly, a massive new extension at the back of the house | 0:45:24 | 0:45:29 | |
means Chloe will no longer be captive in the room | 0:45:29 | 0:45:32 | |
she called her cell. | 0:45:32 | 0:45:33 | |
Instead, she'll have the space of her own she so badly needs. | 0:45:33 | 0:45:37 | |
This young woman now has a self-contained apartment | 0:45:40 | 0:45:43 | |
on the ground floor | 0:45:43 | 0:45:44 | |
that Laurence has decked out in her dream decor. | 0:45:44 | 0:45:47 | |
And she's finally got a bathroom, | 0:45:48 | 0:45:50 | |
so she doesn't have to make the exhausting journey to her nan's | 0:45:50 | 0:45:53 | |
just for a shower. | 0:45:53 | 0:45:55 | |
Plus, she's got an electric hoist to move herself around. | 0:45:55 | 0:45:57 | |
The garden is small, but perfectly formed, | 0:46:00 | 0:46:01 | |
with raised beds Chloe can reach, | 0:46:01 | 0:46:03 | |
plus her uncle's flower sculpture. | 0:46:03 | 0:46:06 | |
Upstairs looks totally different too. | 0:46:09 | 0:46:11 | |
As well as a new family bathroom, | 0:46:11 | 0:46:13 | |
Josh's bedroom has a new urban chic look. | 0:46:13 | 0:46:15 | |
I know he's going to love it. | 0:46:17 | 0:46:19 | |
I mean, what teenage kid wouldn't love it? | 0:46:19 | 0:46:21 | |
And Susie and Phil can now retreat to their own space, | 0:46:23 | 0:46:26 | |
for those rare moments they get to relax. | 0:46:26 | 0:46:29 | |
Chloe is still in hospital, | 0:46:31 | 0:46:32 | |
but what will they think of their almost unrecognisable home? | 0:46:32 | 0:46:36 | |
What you needed from us was to make a home | 0:46:40 | 0:46:42 | |
where you could all be together, | 0:46:42 | 0:46:44 | |
space you could enjoy as a family, | 0:46:44 | 0:46:46 | |
because the way the house was set out was keeping you apart. | 0:46:46 | 0:46:49 | |
I hope we've done that for you. | 0:46:50 | 0:46:51 | |
Open your eyes. | 0:46:54 | 0:46:55 | |
SUSIE GASPS | 0:46:56 | 0:46:58 | |
God. | 0:47:00 | 0:47:01 | |
-I just don't know what to say. -Oh, my gosh. | 0:47:10 | 0:47:14 | |
Is it what you need? | 0:47:15 | 0:47:17 | |
-And then some. -It's just amazing. | 0:47:17 | 0:47:20 | |
Oh, my goodness. | 0:47:23 | 0:47:24 | |
-The room that was Chloe's room, that was the prison room... -Yeah. | 0:47:27 | 0:47:32 | |
..was just this bit here. | 0:47:32 | 0:47:35 | |
-Yeah. -It's mind-boggling. | 0:47:35 | 0:47:36 | |
It really, really is. | 0:47:36 | 0:47:37 | |
-You're not saying much. -No. | 0:47:38 | 0:47:40 | |
Speechless. | 0:47:40 | 0:47:41 | |
PHONE RINGS | 0:47:44 | 0:47:46 | |
Hi, darling. | 0:47:47 | 0:47:48 | |
We can't have Susie and Phil out of contact with Chloe, | 0:47:50 | 0:47:53 | |
so we're pausing just for a minute, just to make sure she's OK. | 0:47:53 | 0:47:56 | |
OK. | 0:47:57 | 0:47:59 | |
-How are we doing? -Yeah. | 0:47:59 | 0:48:00 | |
She's had a really bad night, but we've tried to say to her, look, | 0:48:00 | 0:48:04 | |
-"You don't have to come today," but... -She's determined. | 0:48:04 | 0:48:08 | |
..she's so determined. | 0:48:08 | 0:48:10 | |
-She's missed so much. -Yeah. | 0:48:10 | 0:48:13 | |
So let's go en route. So, dining table, we wanted to make sure... | 0:48:13 | 0:48:16 | |
You said you wanted somewhere you could all eat together. | 0:48:16 | 0:48:18 | |
What we've done is we've made sure there's oxygen throughout down here. | 0:48:18 | 0:48:21 | |
That just means we can all just be together. | 0:48:21 | 0:48:24 | |
If she wants to stay in this part of the house with us, | 0:48:24 | 0:48:27 | |
she doesn't have to go back for oxygen. | 0:48:27 | 0:48:30 | |
That is amazing. | 0:48:30 | 0:48:32 | |
That is absolutely brilliant. | 0:48:32 | 0:48:34 | |
Oh, my God! | 0:48:34 | 0:48:35 | |
Oh, wow. | 0:48:37 | 0:48:38 | |
-This is Chloe. -Oh, my goodness. | 0:48:42 | 0:48:44 | |
Oh, wow. Look, there's a hoist system and everything. | 0:48:46 | 0:48:52 | |
Oh, wow. | 0:48:52 | 0:48:54 | |
-Well, it's her own space, isn't it? And independence. -Yeah. | 0:48:54 | 0:48:58 | |
It's as if she's come in and done it herself. | 0:48:58 | 0:48:59 | |
Yeah, yeah. | 0:48:59 | 0:49:01 | |
'Now, sadly, the whole time we've been here, | 0:49:02 | 0:49:05 | |
'Chloe has been in hospital. | 0:49:05 | 0:49:07 | |
'We've all been wishing her a swift recovery. | 0:49:07 | 0:49:09 | |
'And, of course, over the years, | 0:49:10 | 0:49:12 | |
'she's missed so many important family events. | 0:49:12 | 0:49:16 | |
'But we had to be sure that the doctors gave the all clear | 0:49:16 | 0:49:19 | |
'for her to come home before she could. | 0:49:19 | 0:49:22 | |
'And do you know what? They have. | 0:49:22 | 0:49:23 | |
'Chloe is coming home.' | 0:49:25 | 0:49:27 | |
-How are you this morning? -Fantastic. | 0:49:27 | 0:49:29 | |
-Yes. -Is that actually true or are you just saying that? | 0:49:29 | 0:49:31 | |
No, but I'm here, so it's fine. | 0:49:31 | 0:49:33 | |
OK, just so you know, you can't normally have a gravel driveway with | 0:49:33 | 0:49:36 | |
a wheelchair, but just underneath, there's this hexagon stuff. | 0:49:36 | 0:49:39 | |
-Oh, I see. -So that's why it works. | 0:49:39 | 0:49:41 | |
-Ready to come see your house? -Yeah. -Come on. | 0:49:41 | 0:49:44 | |
-And I can get round? -Yeah, cos we widened the door for you. | 0:49:45 | 0:49:49 | |
-And widened the hallway. -Oh, gosh. | 0:49:50 | 0:49:53 | |
No way. | 0:49:53 | 0:49:54 | |
-Way. -Way. | 0:49:54 | 0:49:56 | |
Oh, no! | 0:49:58 | 0:50:00 | |
-What do you think, Josh? -I love it. | 0:50:03 | 0:50:04 | |
It's magic, isn't it? | 0:50:04 | 0:50:07 | |
Isn't it magic? | 0:50:07 | 0:50:08 | |
Got a table. | 0:50:08 | 0:50:09 | |
This was the room that you couldn't get into | 0:50:11 | 0:50:14 | |
and now... | 0:50:14 | 0:50:15 | |
-Oh, my gosh. -..you can. | 0:50:15 | 0:50:17 | |
I can! | 0:50:17 | 0:50:19 | |
No way. | 0:50:19 | 0:50:21 | |
Oh, my gosh. | 0:50:22 | 0:50:24 | |
-Isn't it amazing? -It's longer. | 0:50:24 | 0:50:26 | |
-Yeah. -But we moved that wall on the left in a bit, | 0:50:26 | 0:50:28 | |
that's how you can get the room in the corridor, | 0:50:28 | 0:50:30 | |
-so you can get your wheelchair in. -But it works. | 0:50:30 | 0:50:33 | |
Good quality reversing. | 0:50:34 | 0:50:36 | |
I'm a female driver. | 0:50:36 | 0:50:37 | |
You might want to open that door. | 0:50:37 | 0:50:39 | |
-Can you get to that door and open it? -I can get to everything. | 0:50:39 | 0:50:42 | |
-Do you know what's in there? -This one? Oh, wow. | 0:50:42 | 0:50:45 | |
-How cool is that? -Do you know why we put it on this side? | 0:50:45 | 0:50:48 | |
-So then I can get to it. -Yeah, you can put your own washing in then. | 0:50:48 | 0:50:51 | |
What did you do that for? | 0:50:51 | 0:50:52 | |
What we've tried to do is build your independence... | 0:50:54 | 0:50:56 | |
Yes, you've done a really good job. | 0:50:56 | 0:50:58 | |
-..which means you have to do your own washing sometimes. -Yeah. | 0:50:58 | 0:51:00 | |
-I can live with that. -That's on camera, Chloe. | 0:51:00 | 0:51:02 | |
One other thing you might notice in the corner? | 0:51:02 | 0:51:04 | |
Oxygen. That's good. | 0:51:04 | 0:51:06 | |
That will help a lot. | 0:51:06 | 0:51:08 | |
And it's piped through that door there... | 0:51:08 | 0:51:10 | |
..which leads into your tiny little cupboard space. | 0:51:11 | 0:51:13 | |
-You've got your own apartment, effectively. -No way. | 0:51:14 | 0:51:18 | |
No way! | 0:51:18 | 0:51:19 | |
Well, just have a look. | 0:51:19 | 0:51:21 | |
Oh, my gosh. Oh, my gosh. | 0:51:21 | 0:51:23 | |
I can't speak. And I can never not speak! | 0:51:29 | 0:51:31 | |
No. Look at the walls. | 0:51:33 | 0:51:35 | |
That's what I wanted. | 0:51:35 | 0:51:37 | |
-And they did it! -Amazing. | 0:51:37 | 0:51:39 | |
So, designed by Laurence for you, specifically for you. | 0:51:39 | 0:51:42 | |
-Nobody else has got that. -Laurence designed my wallpaper? | 0:51:42 | 0:51:44 | |
-For you. -He's awesome. | 0:51:44 | 0:51:46 | |
Right, don't go on about him. He's all right. | 0:51:46 | 0:51:49 | |
No, I won't, I won't, it's fine. | 0:51:49 | 0:51:51 | |
You don't have to work with him. | 0:51:51 | 0:51:53 | |
Is your bum clean, sitting on my chair? | 0:51:54 | 0:51:56 | |
Sorry. | 0:51:56 | 0:51:57 | |
-You know. -Good point. | 0:51:59 | 0:52:01 | |
This is going to be a shoes-off kind of house. | 0:52:01 | 0:52:03 | |
-Let me show you a couple things. Your own front door. -Yes. | 0:52:03 | 0:52:05 | |
Own access down the side of the house. | 0:52:05 | 0:52:07 | |
All your friends can come in and out of here as well. | 0:52:07 | 0:52:09 | |
If you hold this so that it looks like the corner of the room, | 0:52:09 | 0:52:11 | |
-see what I mean? -Yeah, yeah, yeah. -Then press the middle one. -That one? | 0:52:11 | 0:52:15 | |
That one there. | 0:52:15 | 0:52:16 | |
Oh, my gosh. | 0:52:16 | 0:52:19 | |
That also opens those doors out into the garden. | 0:52:19 | 0:52:22 | |
-Medical area. -Yeah, that's a good set-up. -Oxygen. | 0:52:22 | 0:52:25 | |
-Oh, wow. -Josh sometimes helps you with this? | 0:52:25 | 0:52:28 | |
Yeah, he gets all my stuff out and I time him to see how quick he is. | 0:52:28 | 0:52:31 | |
So your new work area then as well? | 0:52:32 | 0:52:35 | |
Oh, wow. | 0:52:36 | 0:52:39 | |
Hello, hoist track. | 0:52:39 | 0:52:41 | |
-Track takes you in there... -Yeah. -..wet room bathroom. | 0:52:42 | 0:52:45 | |
Yeah. | 0:52:45 | 0:52:46 | |
-And through into... -Oh, my magic bedroom. | 0:52:46 | 0:52:49 | |
Oh, wow. | 0:52:51 | 0:52:52 | |
This is insane. | 0:52:54 | 0:52:55 | |
We're going to give you a bit of a view. | 0:52:58 | 0:53:00 | |
No way. | 0:53:01 | 0:53:02 | |
Oh, my gosh. Is that my uncle Dave's? | 0:53:03 | 0:53:05 | |
Is it? Oh, wow! Is it? | 0:53:05 | 0:53:07 | |
Yeah, it is. So, if you're going to be sat here in bed... | 0:53:07 | 0:53:09 | |
-I've got something to look at. -..you've got something to look at. | 0:53:09 | 0:53:12 | |
It's just amazing. | 0:53:12 | 0:53:14 | |
-You know what's cool as well? -What? | 0:53:15 | 0:53:18 | |
There's a chair for you to come crash in here with me. | 0:53:18 | 0:53:20 | |
Oh, I love you so much. | 0:53:22 | 0:53:23 | |
-So, um... -Keep going. -It's changed up here as well. | 0:53:25 | 0:53:28 | |
Oh, wow. | 0:53:34 | 0:53:35 | |
-This is your Cornish retreat. -Yes, it is. | 0:53:36 | 0:53:38 | |
Can you feel the love and effort | 0:53:40 | 0:53:44 | |
that's gone into this from the community? | 0:53:44 | 0:53:46 | |
Our door will certainly be open to everybody. | 0:53:46 | 0:53:48 | |
I can actually take a deep breath, which is... | 0:53:49 | 0:53:52 | |
-First time in a long time? -Yeah. | 0:53:52 | 0:53:54 | |
One less thing to fight for, love. | 0:53:54 | 0:53:56 | |
Who got you through? | 0:53:56 | 0:53:57 | |
My rock. | 0:53:58 | 0:54:00 | |
My Phil. | 0:54:00 | 0:54:02 | |
And I love him to pieces. | 0:54:02 | 0:54:04 | |
And Phil and Susie aren't the only ones with a new upstairs bedroom. | 0:54:20 | 0:54:23 | |
We can't forget Josh. | 0:54:23 | 0:54:24 | |
Oh, wow. | 0:54:26 | 0:54:27 | |
Oh, cool. | 0:54:29 | 0:54:31 | |
-What did you say that you're interested in? -Graffiti and DJ-ing. | 0:54:31 | 0:54:34 | |
Graffiti and DJ-ing? Mate, you help your sister out, | 0:54:34 | 0:54:38 | |
and we're so, so proud of you, mate. | 0:54:38 | 0:54:40 | |
Come here. | 0:54:40 | 0:54:42 | |
Oh, wow. | 0:54:46 | 0:54:49 | |
Did you take on a bit of a job? | 0:54:50 | 0:54:52 | |
Little bit, yeah. | 0:54:52 | 0:54:53 | |
Nine days. It was a bit of a push. | 0:54:53 | 0:54:56 | |
-Did you have some good help? -You know what, | 0:54:56 | 0:54:58 | |
you've got some amazing people around here. Just amazing people. | 0:54:58 | 0:55:02 | |
They're incredible. | 0:55:02 | 0:55:04 | |
Thank you. | 0:55:06 | 0:55:08 | |
Can you tell them I'm going to read my poem? | 0:55:20 | 0:55:22 | |
Chloe wants to read a poem to you, so all nice and quiet, please. | 0:55:22 | 0:55:26 | |
I tried to find the words but they just wouldn't do | 0:55:27 | 0:55:30 | |
To share our thanks with each and every one of you | 0:55:30 | 0:55:33 | |
Instead, I will try and keep it brief | 0:55:33 | 0:55:36 | |
By saying the love I feel is beyond belief | 0:55:36 | 0:55:39 | |
Our lives were turned upside down | 0:55:39 | 0:55:41 | |
We were left on a roller-coaster, often wearing a frown | 0:55:41 | 0:55:44 | |
This time in our lives is just hard to believe | 0:55:45 | 0:55:47 | |
But as an army of supporters, you provided help and relief | 0:55:47 | 0:55:50 | |
Our house is once again a home | 0:55:50 | 0:55:53 | |
And through old friends and new, it's clear we're never alone | 0:55:53 | 0:55:59 | |
Please take it from me that when times are troubled | 0:55:59 | 0:56:02 | |
Reach out for support as it's often doubled | 0:56:02 | 0:56:04 | |
So I'll say it again from the bottom of my heart | 0:56:04 | 0:56:08 | |
Thanks for giving us a brand-new start. | 0:56:08 | 0:56:09 | |
We can just be a family again. | 0:56:23 | 0:56:25 | |
Not talking to each other through walls. | 0:56:25 | 0:56:27 | |
And, er... | 0:56:27 | 0:56:29 | |
..to some people, that's a really small thing, but... | 0:56:31 | 0:56:34 | |
..to us it's been what we've lacked. | 0:56:35 | 0:56:37 | |
I cannot thank you enough. | 0:56:37 | 0:56:39 | |
From the bottom of my heart, thank you so, so much. | 0:56:39 | 0:56:42 | |
Thank you. | 0:56:42 | 0:56:43 | |
APPLAUSE | 0:56:43 | 0:56:44 | |
All right, Grandad? | 0:56:52 | 0:56:54 | |
Charlie. | 0:56:54 | 0:56:55 | |
-Thank you so much. -You're very welcome. | 0:56:55 | 0:56:58 | |
All right, mate? | 0:56:58 | 0:57:00 | |
You know, it's very clear | 0:57:02 | 0:57:03 | |
that this family are incredibly close emotionally, | 0:57:03 | 0:57:05 | |
but they couldn't be physically close | 0:57:05 | 0:57:07 | |
just because of the layout of the house. It's incredible to think | 0:57:07 | 0:57:10 | |
that it can make that much of a difference. | 0:57:10 | 0:57:12 | |
What's happened is that their greater family, | 0:57:12 | 0:57:14 | |
the community around and this wonderful village, | 0:57:14 | 0:57:17 | |
has come together to make a difference, | 0:57:17 | 0:57:19 | |
to change the layout of the house, so they can be together, | 0:57:19 | 0:57:21 | |
like a proper family. | 0:57:21 | 0:57:22 | |
All the things we take for granted are there for them now. | 0:57:22 | 0:57:26 | |
Isn't that amazing? | 0:57:26 | 0:57:27 | |
Maybe you know somebody who needs your help. | 0:57:27 | 0:57:29 |