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Hello and welcome to a very special DIY SOS, | 0:00:07 | 0:00:10 | |
coming to you from Norris Green in Liverpool. | 0:00:10 | 0:00:12 | |
We're about to attempt a build that's ten times bigger than anything | 0:00:14 | 0:00:18 | |
we've done before. | 0:00:18 | 0:00:19 | |
We're going to have so much to do, it's going to be frightening. | 0:00:21 | 0:00:24 | |
I genuinely don't think we'll finish. | 0:00:24 | 0:00:27 | |
We're running out of days. That's not good. | 0:00:28 | 0:00:32 | |
-We've got just ten days, but an army of support. -It's a challenge. | 0:00:32 | 0:00:36 | |
It's the biggest challenge I've ever done in this space of time. | 0:00:36 | 0:00:40 | |
I'll never forget this job. | 0:00:40 | 0:00:41 | |
Over the next hour, we're going to show you how a community | 0:00:41 | 0:00:45 | |
can come together to make a difference... | 0:00:45 | 0:00:47 | |
An area like this, it needs some good to come to it. | 0:00:47 | 0:00:50 | |
There's nothing round here, so this is where everyone just comes. | 0:00:50 | 0:00:53 | |
It's about time something happened here. | 0:00:53 | 0:00:56 | |
If that centre wasn't there, there'd be nowhere for them to go. | 0:00:56 | 0:00:59 | |
..and how your support for Children In Need tonight | 0:00:59 | 0:01:03 | |
will change people's lives. | 0:01:03 | 0:01:05 | |
By texting tonight, you can donate £5 to Children In Need | 0:01:06 | 0:01:10 | |
and help give children, and young people | 0:01:10 | 0:01:13 | |
all over Britain, a safer, brighter future. | 0:01:13 | 0:01:16 | |
This is DIY SOS - The Biggest Build. | 0:01:16 | 0:01:20 | |
There hasn't been much good news about young people this year. | 0:01:35 | 0:01:40 | |
New analysis of official unemployment figures | 0:01:40 | 0:01:43 | |
reveals how the real victims of the economic crisis are the young... | 0:01:43 | 0:01:46 | |
And all over the country, | 0:01:46 | 0:01:48 | |
services for young people are a target for cuts. | 0:01:48 | 0:01:52 | |
BBC London has learned that youth clubs and projects which help | 0:01:53 | 0:01:57 | |
young people across the capital are threatened with closure. | 0:01:57 | 0:02:01 | |
This centre, and four others like it in Middlesbrough, | 0:02:01 | 0:02:04 | |
face the possibility of closure. | 0:02:04 | 0:02:06 | |
But youth clubs all over the country do incredible work | 0:02:07 | 0:02:10 | |
with young people. | 0:02:10 | 0:02:13 | |
The more youth clubs there are in an area, the fewer ASBOs get issued. | 0:02:13 | 0:02:18 | |
That's just one reason why Children In Need | 0:02:20 | 0:02:22 | |
supports youth clubs | 0:02:22 | 0:02:24 | |
in places like Norris Green, | 0:02:24 | 0:02:25 | |
one of the poorest areas of Liverpool, | 0:02:25 | 0:02:28 | |
with a reputation for gang crime. | 0:02:28 | 0:02:30 | |
A Liverpool man has telling how he was shot at by armed raiders | 0:02:30 | 0:02:34 | |
as he raced to help his friend. | 0:02:34 | 0:02:36 | |
The gang fired the sawn-off shotgun as they fled from a shop | 0:02:36 | 0:02:40 | |
in the Norris Green area of the city. | 0:02:40 | 0:02:42 | |
You're scared to go out cos of the gangs on the corners | 0:02:42 | 0:02:45 | |
and stuff like that. | 0:02:45 | 0:02:47 | |
People are getting shot and that. You just get scared. | 0:02:47 | 0:02:50 | |
-It's just frightening? -Yeah. | 0:02:50 | 0:02:52 | |
I think it's hard when they're about 14 or 15 - | 0:02:52 | 0:02:55 | |
they don't really know what to do apart from to join a gang, | 0:02:55 | 0:02:58 | |
cos that's who they follow. | 0:02:58 | 0:03:01 | |
If they haven't got any alternative, then they won't know. | 0:03:01 | 0:03:05 | |
In an area like this, young people need somewhere to go, | 0:03:06 | 0:03:09 | |
and that place is Norris Green Youth Club. | 0:03:09 | 0:03:12 | |
That centre does have so much. It is a big part of the community there. | 0:03:14 | 0:03:19 | |
If we stop one kid from joining a gang and ending up in prison | 0:03:19 | 0:03:23 | |
and whatever, that's an achievement. | 0:03:23 | 0:03:26 | |
For the staff here, this isn't just a job. It's a calling. | 0:03:28 | 0:03:33 | |
Meet Glenn, the man who works night and day | 0:03:33 | 0:03:35 | |
to help the young people of Norris Green. | 0:03:35 | 0:03:38 | |
From the minute I stepped through these doors over seven years ago, | 0:03:38 | 0:03:42 | |
I've loved every minute of it. | 0:03:42 | 0:03:43 | |
I was born in this area, grew up in this area, I've got family, | 0:03:43 | 0:03:46 | |
my son lives in this area. | 0:03:46 | 0:03:48 | |
These teenagers can make you want to tear your hair out, can't they? | 0:03:48 | 0:03:52 | |
Yeah, but...to turn them round and get them to achieve or get them | 0:03:52 | 0:03:58 | |
standing on top of a mountain abseiling down when they would | 0:03:58 | 0:04:01 | |
never have the chance, and you see the look on their face | 0:04:01 | 0:04:04 | |
when they've achieved it or climbed up or whatever, it's great. | 0:04:04 | 0:04:08 | |
So it's clear this youth club is vital to the people of Norris Green. | 0:04:08 | 0:04:13 | |
But it's falling apart. | 0:04:13 | 0:04:16 | |
It was built in the 1950s and it's been starved of attention | 0:04:16 | 0:04:19 | |
ever since. | 0:04:19 | 0:04:21 | |
You ask anybody, "Can I have some money for the building?" | 0:04:21 | 0:04:24 | |
No. No chance. | 0:04:24 | 0:04:25 | |
With no money for even basic repairs, | 0:04:26 | 0:04:28 | |
the centre is just one step away form closure. | 0:04:28 | 0:04:32 | |
When it gets cold, it gets cold. There's draughts everywhere. | 0:04:32 | 0:04:37 | |
Doors don't shut properly. | 0:04:37 | 0:04:39 | |
It's tired - the building's very, very tired. | 0:04:39 | 0:04:42 | |
We're limping along at the moment. | 0:04:42 | 0:04:45 | |
That's where we come in. | 0:04:46 | 0:04:48 | |
I'm slightly worried by the size of the place. | 0:04:48 | 0:04:50 | |
I knew we were taking on something big, | 0:04:50 | 0:04:53 | |
but this vast - it's like two aircraft hangers. | 0:04:53 | 0:04:56 | |
It is a big old place. We used to call it the TARDIS. | 0:04:56 | 0:05:00 | |
Looks like you've got some water damage coming in. | 0:05:00 | 0:05:04 | |
Does this roof leak? | 0:05:04 | 0:05:05 | |
It does leak from time to time, | 0:05:05 | 0:05:08 | |
usually when you're trying to play table tennis or a bit of pool. | 0:05:08 | 0:05:11 | |
-Cold in the winter, I guess? -Very cold. These windows don't shut. | 0:05:11 | 0:05:15 | |
They don't shut at all. The wind howls through it. | 0:05:15 | 0:05:18 | |
Sometimes you have to put some plastic up to cover it. | 0:05:18 | 0:05:21 | |
-That looks like a big area in there. -Yes, that's the hall. | 0:05:21 | 0:05:25 | |
If we do a bit of football... | 0:05:25 | 0:05:29 | |
But we don't now, cos the ceilings are so bad - the ball hits it, | 0:05:29 | 0:05:32 | |
it rattles the lights, it could knock a panel out, | 0:05:32 | 0:05:34 | |
it could hurt a young person or a member of staff. | 0:05:34 | 0:05:38 | |
-Are people excited about what's happening here? -Very excited. | 0:05:38 | 0:05:42 | |
It's like Christmas. They're very, very excited about it. | 0:05:42 | 0:05:45 | |
They can't wait. I am, myself. | 0:05:45 | 0:05:47 | |
I haven't been sleeping properly the past few weeks over this. | 0:05:47 | 0:05:51 | |
I haven't been, either, cos I know what we've got! | 0:05:51 | 0:05:54 | |
This job is massive! | 0:05:55 | 0:05:57 | |
The floor area of the youth club is 2,000 square metres. | 0:05:57 | 0:06:01 | |
The average new-build house is just 79. | 0:06:01 | 0:06:05 | |
And we've got just ten days before we hand it back to Glenn | 0:06:07 | 0:06:10 | |
and the team. | 0:06:10 | 0:06:12 | |
On behalf of Children In Need, we're asking business to donate | 0:06:12 | 0:06:16 | |
hundreds of thousands of pounds worth of materials and equipment. | 0:06:16 | 0:06:21 | |
But most of all, we're going to need people. | 0:06:21 | 0:06:23 | |
Lots and lots of people - at least 100 a day, every day. | 0:06:26 | 0:06:31 | |
Come on in, gentlemen! | 0:06:34 | 0:06:37 | |
This is what this place is all about - | 0:06:38 | 0:06:40 | |
pointing youngsters in the right direction. | 0:06:40 | 0:06:42 | |
There's kids I've spoken to who say they're frightened | 0:06:42 | 0:06:46 | |
to come out, but they can come here. | 0:06:46 | 0:06:48 | |
We're not just building a building, we're building an opportunity | 0:06:48 | 0:06:51 | |
and giving the chance for the amazing people who work here | 0:06:51 | 0:06:54 | |
to change young people's lives around | 0:06:54 | 0:06:56 | |
and point them in the right direction. | 0:06:56 | 0:06:58 | |
Let's make things happen. | 0:06:58 | 0:07:00 | |
First thing's first, and it's all hands on deck. | 0:07:05 | 0:07:09 | |
-This is your corner, isn't it? -Yeah. That's the old recording studio. | 0:07:12 | 0:07:15 | |
It wasn't sound-proofed enough, so all that's being ripped out. | 0:07:15 | 0:07:18 | |
There's a mezzanine floor going in there and a new recording studio. | 0:07:18 | 0:07:22 | |
So we're on top of this? | 0:07:22 | 0:07:24 | |
I think it's a bit early to tell whether we're on top of it, you know? | 0:07:24 | 0:07:28 | |
What's going on here? This is your area, isn't it? | 0:07:28 | 0:07:30 | |
Basically, we've got Brian and his boys | 0:07:30 | 0:07:33 | |
and we're going to strip this hall out, strip this wall out, | 0:07:33 | 0:07:36 | |
all this boarding's coming off the ceiling | 0:07:36 | 0:07:38 | |
and there's a new self-contained mezzanine floor going in this area. | 0:07:38 | 0:07:41 | |
We've got to rip it out | 0:07:41 | 0:07:43 | |
and hand it over to the mezzanine floor people. | 0:07:43 | 0:07:46 | |
You've got a bunch of animals working with you, haven't you? | 0:07:46 | 0:07:49 | |
Yeah, yeah, I'm quite used to these type of plugs. | 0:07:49 | 0:07:53 | |
Do you know what's particularly fascinating about this? | 0:07:53 | 0:07:56 | |
If you take this plug and follow it to where it goes - look at this. | 0:07:56 | 0:08:00 | |
-How does that work?! -Ha-ha! | 0:08:00 | 0:08:03 | |
Don't worry - we've got plenty of people to help Billy, too. | 0:08:05 | 0:08:08 | |
But make no mistake, this job is on a vast scale. | 0:08:08 | 0:08:11 | |
You've got 123 people on site today. That's a record. | 0:08:11 | 0:08:16 | |
The redesign of the outside of the youth club is a key part of the challenge, | 0:08:16 | 0:08:20 | |
because, let's be honest, it's really ugly. | 0:08:20 | 0:08:23 | |
A combination on neglect | 0:08:23 | 0:08:25 | |
and anti-climb guards make it look hideous. | 0:08:25 | 0:08:27 | |
Just as well it's hidden behind heavy fencing, | 0:08:27 | 0:08:30 | |
meaning that passers-by can't see it. | 0:08:30 | 0:08:33 | |
But surely it's supposed to be welcoming? | 0:08:33 | 0:08:36 | |
It looked wrong. It just looked like a prison. All these railings. | 0:08:36 | 0:08:40 | |
You go in there, it's like you're getting locked in. | 0:08:40 | 0:08:43 | |
What's the point in going in there? | 0:08:43 | 0:08:44 | |
In charge of the design for this one is Charlie Luxton. | 0:08:44 | 0:08:49 | |
Charlie's a Big Build veteran | 0:08:49 | 0:08:52 | |
and his bold ideas are just the kind of strong statement we want here. | 0:08:52 | 0:08:56 | |
The biggest challenge with the design of this project | 0:08:58 | 0:09:01 | |
has been about lifting this feeling of it being under siege, | 0:09:01 | 0:09:05 | |
which it really had before we started work, and creating | 0:09:05 | 0:09:09 | |
something that's very robust. So it's got to be really simple. | 0:09:09 | 0:09:13 | |
Overarching all of that, the biggest thing is, | 0:09:13 | 0:09:15 | |
we've got to do it in nine days. | 0:09:15 | 0:09:17 | |
And volunteering his time and skills to work with us is | 0:09:20 | 0:09:23 | |
Liverpool architect Daniel Smith. | 0:09:23 | 0:09:25 | |
How's it going to work between you two? | 0:09:25 | 0:09:27 | |
Obviously, Charlie comes with us on the jobs we do, | 0:09:27 | 0:09:31 | |
but you've already been here working on the architecture of this place | 0:09:31 | 0:09:34 | |
for a while, so how's it working out? | 0:09:34 | 0:09:37 | |
We get in a darkened room and we fight. | 0:09:37 | 0:09:41 | |
Are you looking for it to be beautiful or just purely functional? | 0:09:41 | 0:09:46 | |
-Or marry the both? -Functional but funky. -Really? -Yeah. | 0:09:46 | 0:09:51 | |
It's a youth centre, so there needs to be colour, light, | 0:09:51 | 0:09:55 | |
it needs to be robust for the kids and stuff. | 0:09:55 | 0:09:58 | |
It's got to survive another 50 years. | 0:09:58 | 0:10:00 | |
So, what's involved in this million-pound build? | 0:10:03 | 0:10:06 | |
Well, here are the headlines - | 0:10:06 | 0:10:08 | |
we're putting in two new mezzanine floors | 0:10:08 | 0:10:11 | |
and re-wiring, re-plumbing and re-roofing the whole building. | 0:10:11 | 0:10:15 | |
There'll be a new recording studio, tiered seating in the big hall, | 0:10:15 | 0:10:19 | |
and a new entrance hall at the front. | 0:10:19 | 0:10:22 | |
All this in just nine days, so we can hand it back on the tenth. | 0:10:22 | 0:10:26 | |
And all for free. | 0:10:26 | 0:10:28 | |
One of the biggest jobs is refurbishing | 0:10:28 | 0:10:30 | |
the ceilings in both halls. | 0:10:30 | 0:10:33 | |
They have to be finished in the first few days in order for us | 0:10:33 | 0:10:36 | |
to work on the floors. | 0:10:36 | 0:10:38 | |
-Look at this roof. Don't you want to see that roof? -Yes. | 0:10:38 | 0:10:41 | |
-At the moment, plans are to re-clad it. -Yes. -I think that's mental. | 0:10:41 | 0:10:48 | |
I've been saying for months now, "I don't want to do that." | 0:10:48 | 0:10:51 | |
I think it'd be quicker to nip off those nails | 0:10:51 | 0:10:54 | |
with a big pair of tin snips, then spray it and clad it. | 0:10:54 | 0:10:58 | |
Spray paint it? | 0:10:58 | 0:10:59 | |
-Yeah, with a sprayer. -There you go, that's why he's here - | 0:10:59 | 0:11:02 | |
to come up with the big ideas. Thinking on his feet. It's a great idea. | 0:11:02 | 0:11:06 | |
But when we strip back the ceiling, we make a discovery. | 0:11:06 | 0:11:09 | |
There's obviously been a bit of a problem | 0:11:09 | 0:11:11 | |
in the building at some point. | 0:11:11 | 0:11:13 | |
There's been a fire in this building. | 0:11:13 | 0:11:15 | |
The boys have just opened the thing up. Look up here. | 0:11:15 | 0:11:19 | |
Really, a fire of that extent, this building could have gone. | 0:11:19 | 0:11:22 | |
Lucky they got that out. | 0:11:22 | 0:11:24 | |
That could have been good night, Irene, really. | 0:11:24 | 0:11:26 | |
So, as knackered as it is, | 0:11:26 | 0:11:27 | |
we're lucky to have any building to work with at all. | 0:11:27 | 0:11:31 | |
Further investigation suggests the fire is at least 20 years old | 0:11:31 | 0:11:34 | |
and the ceiling's been extensively repaired, | 0:11:34 | 0:11:37 | |
it's structurally sound, but it's not restorable. | 0:11:37 | 0:11:41 | |
I noticed that your cladding is going on the ceiling. | 0:11:41 | 0:11:43 | |
Are you going to paint that? | 0:11:43 | 0:11:45 | |
-No, we're going to leave it woody. -Are we? -Yeah. | 0:11:45 | 0:11:47 | |
It's got a special spread of flame protection on it | 0:11:47 | 0:11:53 | |
and we're going to leave it timbery. | 0:11:53 | 0:11:55 | |
I'd have wanted to paint it, but he knows what he's doing, this boy, | 0:11:55 | 0:11:59 | |
so I'm sure it'll look bright and robust and modern. | 0:11:59 | 0:12:02 | |
Just what the centre needs, really. | 0:12:02 | 0:12:05 | |
But there's no point in doing any of this work | 0:12:05 | 0:12:09 | |
if we don't' stop the roof from leaking | 0:12:09 | 0:12:11 | |
Chris and Steve are looking after the roof. It's sizable. | 0:12:11 | 0:12:14 | |
It's a big roof and we haven't got much time. | 0:12:14 | 0:12:16 | |
The weather's a bit against us at the moment. | 0:12:16 | 0:12:18 | |
When finished, | 0:12:18 | 0:12:20 | |
it'll form a single plastic skin over the whole building. | 0:12:20 | 0:12:23 | |
It's big, though. | 0:12:23 | 0:12:25 | |
You've got to make sure that every single seam | 0:12:25 | 0:12:27 | |
that you put in is absolutely watertight. | 0:12:27 | 0:12:30 | |
Absolutely. It's a one-hit system. | 0:12:30 | 0:12:32 | |
Are you staring to get the idea? This is a huge job. | 0:12:34 | 0:12:37 | |
Normally, we like to get the occupiers | 0:12:37 | 0:12:39 | |
out of the building before we smash it to bits. | 0:12:39 | 0:12:42 | |
But this job is so big, there was no time to wait. | 0:12:42 | 0:12:45 | |
Helping Glenn to clear out is Nabil, | 0:12:45 | 0:12:48 | |
who's been a regular at the centre for seven years. | 0:12:48 | 0:12:51 | |
I used to go round on the streets in a little gang and used to cause | 0:12:51 | 0:12:56 | |
mischief and throw stones at windows | 0:12:56 | 0:12:58 | |
and get chased off the police. | 0:12:58 | 0:13:01 | |
Then someone said, "You've got to go to the youth centre." | 0:13:01 | 0:13:04 | |
Originally, I got barred for three months when I did come, | 0:13:04 | 0:13:08 | |
because I was throwing things at staff and doing stuff to staff. | 0:13:08 | 0:13:12 | |
Glenn just kept saying to me, "Come on, come back", | 0:13:12 | 0:13:15 | |
so I don't know whether they believed in me, in a sense. | 0:13:15 | 0:13:19 | |
One time, it just made me realise, "What am I doing?" | 0:13:19 | 0:13:22 | |
Make no mistake, this youth club has changed Nabil's life around. | 0:13:22 | 0:13:25 | |
He's now studying youth work and working part time with Glenn. | 0:13:25 | 0:13:29 | |
He's just one of lots of young people who've come through the door. | 0:13:29 | 0:13:33 | |
Hopefully, they say good things about the centre and the staff. | 0:13:33 | 0:13:36 | |
So, yeah, it does have an impact on everyone, I think, | 0:13:36 | 0:13:39 | |
in the community and families in general. | 0:13:39 | 0:13:42 | |
You're seen as something positive | 0:13:42 | 0:13:44 | |
and young people can get something positive out of it. | 0:13:44 | 0:13:48 | |
This centre and hundreds like it help to show young people | 0:13:49 | 0:13:53 | |
a different, more exciting future. | 0:13:53 | 0:13:56 | |
That's why we're doing this and that's why we want your support. | 0:13:56 | 0:13:59 | |
To keep supporting projects like this, | 0:14:01 | 0:14:03 | |
please donate £5 to Children In Need now. | 0:14:03 | 0:14:07 | |
Text DIYSOS to 70705. | 0:14:07 | 0:14:11 | |
Text messages will cost £5 plus your standard network charge | 0:14:11 | 0:14:15 | |
and £5 will go to Children In Need. | 0:14:15 | 0:14:18 | |
For full terms and conditions, visit bbc.co.uk/pudsey | 0:14:18 | 0:14:22 | |
MUSIC: "Hollyoaks Theme" | 0:14:22 | 0:14:26 | |
This job's so big, it's not just our fantastic tradesmen | 0:14:26 | 0:14:29 | |
and women who are getting involved. | 0:14:29 | 0:14:31 | |
Channel 4's teen drama, Hollyoaks, is filmed just down the road | 0:14:31 | 0:14:35 | |
and some of the cast are helping out with the painting. | 0:14:35 | 0:14:38 | |
And the most vital job of all. | 0:14:38 | 0:14:39 | |
The tea-round! That's 84 teas and 28 coffees, please. | 0:14:39 | 0:14:43 | |
-Tea, please. -Tea? Any sugar? -One. | 0:14:43 | 0:14:46 | |
Four coffees, one latte... | 0:14:46 | 0:14:50 | |
Four coffees? | 0:14:50 | 0:14:51 | |
Do you know what... | 0:14:51 | 0:14:54 | |
Right. Two coffees, two sugars. | 0:14:54 | 0:14:56 | |
That's six coffees. | 0:14:56 | 0:14:58 | |
She got there in the end! | 0:15:01 | 0:15:03 | |
I thought we'd take a look at where we are. The kitchen has electricity and plumbing in it. | 0:15:05 | 0:15:09 | |
At the end here, the recording studio has been knocked down and a mezzanine floor | 0:15:09 | 0:15:13 | |
has been put in, so we now have two stories. | 0:15:13 | 0:15:16 | |
Down this wall, the tiny windows have been knocked through, | 0:15:16 | 0:15:19 | |
brand new windows in. Look up at the office, that's got a new window and new studwork. | 0:15:19 | 0:15:23 | |
There's new office studwork here and here. | 0:15:23 | 0:15:26 | |
Outside, we've built a concrete pad and put a new atrium on it. | 0:15:26 | 0:15:30 | |
In here, the toilets have been knocked down and we've started to rebuild. This is the disabled loo. | 0:15:30 | 0:15:35 | |
Come with me because that's only half the build. | 0:15:35 | 0:15:37 | |
In here, the ceiling has been stripped, | 0:15:37 | 0:15:39 | |
the stairwell has been taken away, | 0:15:39 | 0:15:41 | |
three walls have disappeared | 0:15:41 | 0:15:43 | |
and we've built another mezzanine floor. | 0:15:43 | 0:15:45 | |
And that's only the inside. | 0:15:45 | 0:15:47 | |
Outside, half this vast roof has been covered | 0:15:47 | 0:15:50 | |
and we've started on the fencing around the perimeter. | 0:15:50 | 0:15:53 | |
Yes, it's a huge job, but we are winning. | 0:15:53 | 0:15:56 | |
Look! That's Liverpool. That's the Mersey, that's the Liver Building. | 0:16:00 | 0:16:04 | |
Oh, look! That's us on the way to work, there. | 0:16:07 | 0:16:10 | |
We've made a great start, but it is only a start | 0:16:10 | 0:16:12 | |
and there's an Everest of work ahead of us. | 0:16:12 | 0:16:15 | |
Luckily, our boys working on this are mountain climbers. | 0:16:15 | 0:16:19 | |
As well as a new entrance hall, we're cladding the front of the club | 0:16:19 | 0:16:22 | |
to make it a real present in Norris Green. | 0:16:22 | 0:16:25 | |
I'm not much of one for design, as you know, but I quite like that. | 0:16:25 | 0:16:29 | |
-Yeah...Yeah. -It's green. -It's green. | 0:16:29 | 0:16:32 | |
-But then we were told, "No red, no blue because of the football connection." -Of course. | 0:16:32 | 0:16:37 | |
And then it was, "OK, well, what does that leave you?" | 0:16:37 | 0:16:41 | |
-Norris Green - green seemed like a really... -I see what you did there! | 0:16:41 | 0:16:46 | |
But at this stage in the build, the biggest challenges are those | 0:16:47 | 0:16:50 | |
that will be hidden when the building is finished. | 0:16:50 | 0:16:53 | |
Right now, it's the plumbers, heating engineers and electricians who have their work cut out. | 0:16:53 | 0:16:58 | |
I want to introduce you to someone. | 0:16:58 | 0:17:00 | |
-This is Chris, who supplied us with our boilers. -Hi. | 0:17:00 | 0:17:03 | |
Charlie, you were saying this system, | 0:17:03 | 0:17:06 | |
the key thing about this, is saving money. | 0:17:06 | 0:17:08 | |
Yeah, I mean, they had enormous bills. | 0:17:08 | 0:17:11 | |
I think it was somewhere around 12 grand for their bills | 0:17:11 | 0:17:14 | |
for heating and electricity. Enormous. | 0:17:14 | 0:17:17 | |
They had a really old cobbled together system. | 0:17:17 | 0:17:19 | |
And so the aim was to half that. | 0:17:19 | 0:17:21 | |
-And this will do that, will it? -Yeah. | 0:17:21 | 0:17:23 | |
Compared to what they had before, this modern gas system | 0:17:23 | 0:17:26 | |
will pretty much half the bills, | 0:17:26 | 0:17:28 | |
so that's a saving of about £5,000, £5,500 a year. | 0:17:28 | 0:17:31 | |
You look at it and it's an ordinary thing. | 0:17:31 | 0:17:34 | |
They are one of the hardest-working teams on the build. | 0:17:34 | 0:17:37 | |
-It's between them and the electricians. -They have to be. | 0:17:37 | 0:17:39 | |
They're not going to get by on their looks, are they? Let's be honest. | 0:17:39 | 0:17:43 | |
LAUGHTER | 0:17:43 | 0:17:45 | |
These trades have a real battle on their hands | 0:17:47 | 0:17:50 | |
because this 50-year-old building is a nightmare to work with. | 0:17:50 | 0:17:55 | |
This is how this building's made. Look. This is all pre-cast concrete, | 0:17:55 | 0:17:59 | |
so when they start drilling into the walls, it explodes and comes apart. | 0:17:59 | 0:18:05 | |
That was a whole for Billy's plug socket, by the way. | 0:18:05 | 0:18:09 | |
And in places the concrete is reinforced with steel, | 0:18:09 | 0:18:11 | |
so cutting routes for pipes and cables is slow. | 0:18:11 | 0:18:14 | |
-Did you see the sparks? -HE LAUGHS | 0:18:14 | 0:18:17 | |
And remember - not only are these guys replacing every pipe, | 0:18:19 | 0:18:22 | |
every radiator, every wire, light-switch and plug in this huge building, | 0:18:22 | 0:18:26 | |
they're doing it in just nine days. | 0:18:26 | 0:18:28 | |
Flipping heck! | 0:18:31 | 0:18:33 | |
Doesn't that terrify you, this, look. | 0:18:33 | 0:18:35 | |
I look at that the same way as I would look my income tax return form. | 0:18:35 | 0:18:39 | |
At the end of the year when you go, "I don't know where to start with this." | 0:18:39 | 0:18:43 | |
The job itself is quite a straightforward job. | 0:18:43 | 0:18:46 | |
But you would usually do this with a team of three men over six weeks or something | 0:18:46 | 0:18:50 | |
to get it all done, tested and finished. You know, it is a challenge. | 0:18:50 | 0:18:54 | |
All you can do is just go for it, really. | 0:18:54 | 0:18:57 | |
As head electrician, Shane has a lot resting on his shoulders, | 0:18:57 | 0:19:01 | |
but he's not letting the pressure get to him. | 0:19:01 | 0:19:04 | |
I'll never forget this job as long as I live. | 0:19:04 | 0:19:06 | |
And after this I never want to speak to you ever again. | 0:19:06 | 0:19:09 | |
I've got your number. I'll give you a ring at Christmas. | 0:19:09 | 0:19:12 | |
-I'll change my number. -I've got your address and your mum's address. | 0:19:12 | 0:19:16 | |
-I'll ring you! -After Thursday, you'll never get hold of me again. | 0:19:16 | 0:19:20 | |
-I'm going to change my name by deed poll. -I am coming up to see you! | 0:19:20 | 0:19:23 | |
THEY LAUGH | 0:19:23 | 0:19:25 | |
'But Shane has a secret weapon.' | 0:19:27 | 0:19:28 | |
Doesn't that look terrifying? 'It's Billy!' | 0:19:28 | 0:19:33 | |
This is big, bad cable, man! | 0:19:33 | 0:19:35 | |
You don't get these in little houses! | 0:19:35 | 0:19:37 | |
I tell you what, we couldn't have done without Billy. Hand on heart, what a guy. What a guy. | 0:19:37 | 0:19:42 | |
After years of electrocuting innocent members of the team - me in particular - | 0:19:42 | 0:19:46 | |
Billy's found his true calling. | 0:19:46 | 0:19:48 | |
Do you know what? It's 35 years since I've done anything like this | 0:19:48 | 0:19:51 | |
and I'm loving it. | 0:19:51 | 0:19:53 | |
Loving it, loving it, loving it. | 0:19:53 | 0:19:56 | |
Really, really a throwback to my days as an apprentice | 0:19:56 | 0:19:59 | |
working in the big factories and that. Oh, I love it. | 0:19:59 | 0:20:03 | |
What a guy. In fact, we're going to take him with us when we leave. | 0:20:03 | 0:20:07 | |
Thank you. That's very kind. We don't like to see we're getting ahead because we can jinx it. | 0:20:07 | 0:20:12 | |
'But on this one we're getting ahead. Nothing can go wrong.' Who hasn't turned up? | 0:20:12 | 0:20:16 | |
What happened is the guy's come out to have a look at the soundproofing for this recording studio yesterday | 0:20:16 | 0:20:21 | |
and he didn't feel very confident about it. | 0:20:21 | 0:20:23 | |
And this morning he's just rang me and said he can't do it. | 0:20:23 | 0:20:26 | |
-The whole sound recording studio. -No, we knew this was going to get done. | 0:20:26 | 0:20:32 | |
They've dropped me in the proverbial. | 0:20:32 | 0:20:34 | |
'We're trying to do so much so fast that we're asking a lot of people | 0:20:34 | 0:20:39 | |
'and sometimes we're asking too much.' | 0:20:39 | 0:20:42 | |
-We've got the wood. -No, we haven't. | 0:20:42 | 0:20:44 | |
They were bringing the manpower and the wood? | 0:20:44 | 0:20:47 | |
It wasn't wood. It was all shop-fit metal, so it was all being built into metal studding. | 0:20:47 | 0:20:51 | |
Two layers of metal studding with a soundproof curtain | 0:20:51 | 0:20:54 | |
in the middle of it and two layers of acoustic board on the outside. | 0:20:54 | 0:20:57 | |
-They were bringing all of that? -Everything. -And the people? -And the people. | 0:20:57 | 0:21:01 | |
-That's all gone. -All gone. At the moment... -We have no recording studio. -Nothing else there. | 0:21:01 | 0:21:06 | |
# Close enough to start a war... # | 0:21:08 | 0:21:12 | |
These studios are one of the biggest components of the build | 0:21:12 | 0:21:17 | |
and a vital part of the youth club. | 0:21:17 | 0:21:20 | |
We managed to get a couple of pounds together and build basically 4 x 3 | 0:21:20 | 0:21:23 | |
and a bit of plasterboard and that of plyboard. | 0:21:23 | 0:21:26 | |
We have a number of staff that teach guitar, drums, keyboard, | 0:21:26 | 0:21:30 | |
music production and bands can come in, | 0:21:30 | 0:21:33 | |
practise, our staff will then say, | 0:21:33 | 0:21:35 | |
"If you do this and do that, it'll sound better and we'll record you." | 0:21:35 | 0:21:40 | |
So they can go away with their own disc, give it to their families, give it out if they're doing a gig, | 0:21:40 | 0:21:45 | |
maybe to a record company. So, there's all of that they'll get and it's all free. | 0:21:45 | 0:21:49 | |
I got told about it and then got told about the studios, | 0:21:49 | 0:21:52 | |
so I thought I'd give it a go | 0:21:52 | 0:21:54 | |
and then I've been coming ever since and it's helped me... | 0:21:54 | 0:21:57 | |
They've put me in for loads of shows and stuff, and it's helped me | 0:21:57 | 0:22:00 | |
build my confidence with singing more and playing the piano, | 0:22:00 | 0:22:03 | |
and to go out there and just go for it. | 0:22:03 | 0:22:06 | |
# Maybe there's a place | 0:22:06 | 0:22:07 | |
# Maybe there's a reason... # | 0:22:07 | 0:22:08 | |
The old studios were falling apart | 0:22:13 | 0:22:15 | |
and about as soundproof as a paper bag. | 0:22:15 | 0:22:19 | |
But they gave young people in this tough area the chance to express themselves. | 0:22:19 | 0:22:24 | |
A chance they almost certainly wouldn't have without this centre. | 0:22:24 | 0:22:28 | |
We've been coming here since we were about 16, I'd say. | 0:22:28 | 0:22:31 | |
When we started out, nobody had any money. | 0:22:31 | 0:22:34 | |
You've got a paper round whatever and that just covers your guitar strings. | 0:22:34 | 0:22:37 | |
You'd come here because it's free | 0:22:37 | 0:22:42 | |
and there's always somewhere to go. | 0:22:42 | 0:22:44 | |
Music is just one way that this youth centre | 0:22:46 | 0:22:49 | |
and hundreds like them keep young people off the streets | 0:22:49 | 0:22:52 | |
and get them involved in something positive. | 0:22:52 | 0:22:55 | |
You can support the good work right now - | 0:22:55 | 0:22:57 | |
just by sending a text. | 0:22:57 | 0:23:00 | |
To keep supporting projects like Norris Green... | 0:23:00 | 0:23:03 | |
Please donate £5 to Children In Need now... | 0:23:03 | 0:23:06 | |
By texting DIYSOS to 70705. | 0:23:06 | 0:23:12 | |
I thank you. | 0:23:12 | 0:23:14 | |
We may have had a knock-back with the studio, but everywhere else | 0:23:28 | 0:23:31 | |
the support we're getting is incredible. | 0:23:31 | 0:23:34 | |
Does anybody want a coffee? | 0:23:34 | 0:23:38 | |
'Everything from skips...' | 0:23:38 | 0:23:39 | |
He said to us, "We'll give you £10,000 worth of skips for this job." | 0:23:39 | 0:23:44 | |
We've run out of the £10,000. | 0:23:44 | 0:23:46 | |
He said, "I tell you what, the whole job, | 0:23:46 | 0:23:49 | |
"we'll keep running them so that you don't run out. | 0:23:49 | 0:23:52 | |
"We'll cover the lot." Off his own back. | 0:23:52 | 0:23:54 | |
-'..to cake shops...' -Do you think it would be wrong of me to have two? | 0:23:54 | 0:23:58 | |
If you need any more, give me a shout through the week. | 0:23:58 | 0:24:01 | |
Don't say things like that as you'll get a phone call. | 0:24:01 | 0:24:03 | |
-'..banks...' -This is presented from Deutsche Bank. | 0:24:03 | 0:24:08 | |
'..to scrap metal merchants...' | 0:24:08 | 0:24:10 | |
Thank you very much. £2,500. That will go so far for this centre. | 0:24:10 | 0:24:14 | |
'..and, most of all, our fantastic tradespeople. | 0:24:14 | 0:24:17 | |
'You won't see them all, but everyone's giving so much to this centre.' | 0:24:17 | 0:24:21 | |
On site today we have...136 so far. | 0:24:21 | 0:24:25 | |
It's only 9:30 am. | 0:24:25 | 0:24:28 | |
As well as refurbishing the building, | 0:24:28 | 0:24:31 | |
we're doing the garden as well. | 0:24:31 | 0:24:33 | |
And who better to oversee it than Blue Peter gardener Chris Collins? | 0:24:33 | 0:24:36 | |
There he is. What a jumper! | 0:24:36 | 0:24:38 | |
So here, this bit will be where they can come and just relax. | 0:24:38 | 0:24:41 | |
Where we're standing now, we'll have a pebble path | 0:24:41 | 0:24:45 | |
and planting all-round here | 0:24:45 | 0:24:47 | |
and then some tables and chairs as a relax-area. | 0:24:47 | 0:24:49 | |
-And on the other side... -What other side? | 0:24:49 | 0:24:52 | |
On the opposite side of this building where | 0:24:52 | 0:24:54 | |
the sleepers are. Have you seen the sleeper beds? | 0:24:54 | 0:24:57 | |
-I didn't know you were doing that side as well. -Well, in theory. | 0:24:57 | 0:25:00 | |
This is the top parts. I'm going to deck that and put some seating in. | 0:25:00 | 0:25:04 | |
And then this is going to be an Asian garden - oriental garden. | 0:25:04 | 0:25:07 | |
We'll beach that down and make that an area | 0:25:07 | 0:25:10 | |
-to go and contemplate, if you like. -Nice! Thanks very much for coming and doing this. | 0:25:10 | 0:25:15 | |
No, my pleasure. Privilege, mate. | 0:25:15 | 0:25:16 | |
I couldn't bring myself to ask about the jumper! | 0:25:17 | 0:25:20 | |
The centrepiece of the small hall is going to be this mural. | 0:25:20 | 0:25:23 | |
It's the creation of two self-styled urban illustrators, | 0:25:23 | 0:25:26 | |
Dave Bain and Loch Ness. | 0:25:26 | 0:25:29 | |
And helping Mr Bain and Mr Ness today Neil Buchanan - | 0:25:29 | 0:25:34 | |
local boy and Art Attack presenter. | 0:25:34 | 0:25:36 | |
We've got Neil Buchanan just down there. Childhood hero of mine, | 0:25:36 | 0:25:41 | |
which I'm totally chuffed about. | 0:25:41 | 0:25:42 | |
Norris Green, to me, is where I used to come to the swimming baths | 0:25:42 | 0:25:46 | |
a million years ago. | 0:25:46 | 0:25:48 | |
In those days, it was called Noggsie Green Baths or Noggsie Spittoon. | 0:25:48 | 0:25:53 | |
We used to go there every week | 0:25:53 | 0:25:55 | |
and even in those days it was a bit run-down, you know. | 0:25:55 | 0:25:58 | |
So to come and do something like this is absolutely awesome for me. | 0:25:58 | 0:26:01 | |
As I said, the support we're receiving has been amazing. | 0:26:04 | 0:26:08 | |
But in order to get that recording studio built, | 0:26:08 | 0:26:09 | |
I'm going to have to try and push that generosity | 0:26:09 | 0:26:12 | |
just a little bit further. | 0:26:12 | 0:26:14 | |
I need about 500 metres of woodwork. 4 x 2. | 0:26:15 | 0:26:19 | |
And I need about four to six chippies, ideally six chippies. | 0:26:19 | 0:26:22 | |
Rogan have to build the whole thing out of studwork to do it. We can't get it anywhere else. | 0:26:22 | 0:26:24 | |
-I know you've given a lot already, but I wonder whether you could... -I'll make a phone call. | 0:26:24 | 0:26:26 | |
-I'm sure with John's persuasion, we'll sort something out. -Thank you very much. -Cheers. | 0:26:26 | 0:26:33 | |
You know where you're watching a conversation and you can't work out | 0:26:35 | 0:26:39 | |
whether it's going well or going badly... | 0:26:39 | 0:26:41 | |
Oh, they're smiling now. They're smiling. | 0:26:41 | 0:26:44 | |
What do you reckon? Can you get it? | 0:26:47 | 0:26:49 | |
-You can? -Sorted. -The lot? The people and the... | 0:26:49 | 0:26:53 | |
Yeah. Not a problem. | 0:26:53 | 0:26:55 | |
Oh, another hug! I'm the one who supplied them. | 0:26:55 | 0:26:59 | |
These lads have been amazing. Just to give you an idea, | 0:26:59 | 0:27:02 | |
that pretty much doubles their input on this job. | 0:27:02 | 0:27:05 | |
So that means the studio's back on. | 0:27:05 | 0:27:08 | |
There we go! | 0:27:09 | 0:27:11 | |
Right, guys, 8:30 am this morning I roll in only to be told | 0:27:11 | 0:27:14 | |
that we don't have anyone to build the recording studio. | 0:27:14 | 0:27:18 | |
-What happens? -About 10 am, we speak to George and his boss, John. | 0:27:18 | 0:27:23 | |
About midday, some people arrive. And now, 4:30 pm, | 0:27:23 | 0:27:30 | |
they're building us a soundproof recording studio wall | 0:27:30 | 0:27:33 | |
-all the way along the back. Look at that. -Brilliant! | 0:27:33 | 0:27:36 | |
So, we got a recording studio | 0:27:41 | 0:27:43 | |
and who better to christen the new studio than Sonia? | 0:27:43 | 0:27:46 | |
A woman with nine top 20 hits to her name, born just a few miles from Norris Green. | 0:27:46 | 0:27:50 | |
# You'll never stop me from loving you | 0:27:50 | 0:27:54 | |
# Wherever you can go I will follow you... # | 0:27:54 | 0:27:58 | |
But despite all those hits, | 0:27:59 | 0:28:00 | |
SOS celebrity correspondent Mark Miller has no idea who she is. | 0:28:00 | 0:28:06 | |
-Hello there. -Hello. -Any tea for anyone? -I'm Mark. What's your name? | 0:28:06 | 0:28:11 | |
-Hi, I am Sonia. -Hello, Sonia. Thank you very much. | 0:28:11 | 0:28:14 | |
Which ones are the teas? | 0:28:14 | 0:28:16 | |
-Sonia? -Oblivious. He's got no idea at all. | 0:28:16 | 0:28:19 | |
Have you spent a bit of time in the recording studios yourself? | 0:28:19 | 0:28:22 | |
Just a little bit. Yeah, but I think this is just going to be fab, you know, | 0:28:22 | 0:28:26 | |
with all the live instruments. | 0:28:26 | 0:28:28 | |
-Give us a song! Come on! -Let's hear what it sounds like. Hit a few notes. | 0:28:28 | 0:28:32 | |
-I could sing my big hit anyway. -Go on, then. | 0:28:32 | 0:28:35 | |
# You'll never stop me from loving you | 0:28:35 | 0:28:38 | |
# It doesn't really matter what you put me through. | 0:28:38 | 0:28:41 | |
# You'll never stop me from loving you. # | 0:28:41 | 0:28:44 | |
CHEERING AND APPLAUSE | 0:28:47 | 0:28:49 | |
-Does that jog your memory at all, Mark? -Thank you, Sonia. | 0:28:49 | 0:28:52 | |
Still no idea at all, has he? | 0:28:52 | 0:28:54 | |
The recording studios are important to the young people. | 0:28:54 | 0:28:57 | |
But even more important is the kitchen - regularly the busiest place in the centre. | 0:28:57 | 0:29:02 | |
We cook most nights. Kids tend to eat a lot of chips. | 0:29:02 | 0:29:06 | |
What we're trying to do is just promote healthy cooking | 0:29:06 | 0:29:10 | |
and show them how to cook it, so they'll be able to go home, | 0:29:10 | 0:29:13 | |
speak to their mum and dad and say, "I'd like to do a fajita or a stew," or something like that. | 0:29:13 | 0:29:19 | |
Something that's healthy, there's not a lot of fat in, it's good for you. | 0:29:19 | 0:29:22 | |
Something different that they've not had. | 0:29:22 | 0:29:24 | |
It's like if your mum and dad are out, you've got the ingredients | 0:29:24 | 0:29:28 | |
and you can cook something and you're not just eating crap, like. | 0:29:28 | 0:29:35 | |
Well, I never used to like peppers or well... | 0:29:35 | 0:29:40 | |
I like them now and spicy foods. | 0:29:40 | 0:29:43 | |
I never used to eat them but I do now, like. | 0:29:43 | 0:29:45 | |
To make this a cleaner, more attractive space | 0:29:45 | 0:29:48 | |
and get more young people cooking and eating healthily, | 0:29:48 | 0:29:51 | |
these splendid chaps are fitting a top of the range kitchen. | 0:29:51 | 0:29:55 | |
It's going to be a boon for people like Davey - | 0:29:55 | 0:29:59 | |
one of the centre's keenest members. | 0:29:59 | 0:30:01 | |
-Done. Look at that, you're a superstar in the making. -Perfecto! | 0:30:01 | 0:30:06 | |
He has complex learning disabilities. | 0:30:06 | 0:30:09 | |
He was very shy, wouldn't communicate with other people | 0:30:09 | 0:30:15 | |
unless he had me with him or a member of the family. | 0:30:15 | 0:30:19 | |
Now, he will go and ask people things, | 0:30:19 | 0:30:22 | |
he'll have a go at doing different things. | 0:30:22 | 0:30:24 | |
There's a lot you can do, football, tennis, snooker. | 0:30:24 | 0:30:29 | |
Go on the computers. | 0:30:29 | 0:30:31 | |
It's not like if you could do one thing, you could do loads. | 0:30:31 | 0:30:36 | |
It's really brought him out. | 0:30:36 | 0:30:40 | |
For people like Davey, youth clubs like Norris Green offer | 0:30:40 | 0:30:43 | |
the chance to grow and develop in a way no where else does. | 0:30:43 | 0:30:47 | |
This is the kind of work you will be supporting by giving to Children In Need now. | 0:30:47 | 0:30:52 | |
To keep supporting projects like Norris Green, | 0:30:52 | 0:30:55 | |
donate five pounds to Children In Need now. | 0:30:55 | 0:30:59 | |
Text DIYSOS to 70705! | 0:30:59 | 0:31:06 | |
Text messages will cost £5 plus your standard network charge | 0:31:06 | 0:31:10 | |
and £5 will go to Children In Need. | 0:31:10 | 0:31:12 | |
For full terms and conditions, visit: | 0:31:12 | 0:31:16 | |
Away from the build, I want to find out more about Norris Green | 0:31:21 | 0:31:25 | |
and the people we are doing this for. | 0:31:25 | 0:31:28 | |
Tell us honestly, what's Norris Green like as a place to grow up. | 0:31:28 | 0:31:32 | |
I think people make it out to be proper bad but it's not as bad. | 0:31:32 | 0:31:37 | |
If someone spent a day here they would not think of half the things that get said. | 0:31:37 | 0:31:40 | |
When you have a youth centre to go to like ours, it is amazing. | 0:31:40 | 0:31:44 | |
When we're chatting, it's a confusing message, | 0:31:44 | 0:31:49 | |
I say, "Why'd you come here?" and they say, "It's safe." | 0:31:49 | 0:31:54 | |
But when you say, "Is it unsafe on the streets?" They say, "No, | 0:31:54 | 0:31:57 | |
"it's the way people portray it." Which is it? | 0:31:57 | 0:32:01 | |
If you don't understand, and don't live round here... | 0:32:01 | 0:32:04 | |
Most of the kids that grow up in Norris Green are streetwise. | 0:32:04 | 0:32:09 | |
So, they don't find it nerve-wracking or anything. | 0:32:09 | 0:32:12 | |
But to people that come outside Liverpool they might find this place intimidating. | 0:32:12 | 0:32:17 | |
It is certainly an area with high levels of unemployment | 0:32:18 | 0:32:21 | |
and deprivation. | 0:32:21 | 0:32:22 | |
Sadly, it's crime that has made Norris Green infamous. | 0:32:22 | 0:32:26 | |
I look at it in different stages, the young people come to centres | 0:32:26 | 0:32:31 | |
and be part of the community. | 0:32:31 | 0:32:33 | |
Also, we've got those ones bordering to going into crime or involved in crime and anti-social behaviour. | 0:32:33 | 0:32:39 | |
We have the hard-core but you have to remember there is only a small | 0:32:39 | 0:32:45 | |
minority of people that are criminally minded. | 0:32:45 | 0:32:49 | |
There are more good people in Norris Green than bad. | 0:32:49 | 0:32:53 | |
But it is the young people on the edge that these youth workers | 0:32:53 | 0:32:56 | |
are trying to give direction. A chance. | 0:32:56 | 0:33:00 | |
Norris Green is still a good place to live. | 0:33:00 | 0:33:03 | |
And, you know, run a youth centre. | 0:33:03 | 0:33:06 | |
< POLICE SIRENS BLARE | 0:33:06 | 0:33:09 | |
Just as I'm saying that! | 0:33:09 | 0:33:11 | |
It's been a funny day, ups and downs. | 0:33:16 | 0:33:20 | |
You think you've got over one thing and another thing happens. | 0:33:20 | 0:33:23 | |
I don't know whether to be pleased about the day or worried. | 0:33:23 | 0:33:26 | |
I would worry! | 0:33:26 | 0:33:28 | |
And, by the middle of the job, it's clear there are two things we really need to worry about. | 0:33:30 | 0:33:36 | |
What's going on with the bathroom? | 0:33:36 | 0:33:39 | |
Have we not taken control of it today? | 0:33:39 | 0:33:43 | |
There is so much plastering to be done but it's not there yet. | 0:33:43 | 0:33:47 | |
There's no plaster boarding. All these empty shelves are waiting on electrics, plumbing, | 0:33:47 | 0:33:54 | |
then it can be boarded and skimmed. Same in there. | 0:33:54 | 0:33:57 | |
There's loads to do. | 0:33:57 | 0:33:59 | |
-We're not going to finish this? -Not at all. I'm sure by | 0:33:59 | 0:34:02 | |
The Power Of Grey Skull we'll pull it together by the weekend. | 0:34:02 | 0:34:05 | |
Are you expecting more plasterers? | 0:34:05 | 0:34:08 | |
I bloody hope so! | 0:34:08 | 0:34:10 | |
The other big worry is the big hall where the restoration of the floor is a make or break job. | 0:34:10 | 0:34:18 | |
-This is a sprung floor? -It is. -A lovely bit of kit. | 0:34:18 | 0:34:23 | |
It's seen better days but that might come up all right. | 0:34:23 | 0:34:26 | |
To restore this floor to its former glory, it has to be sanded | 0:34:26 | 0:34:30 | |
and varnished twice and then allowed to dry. | 0:34:30 | 0:34:34 | |
To get that done, we have to finish the rest of the room well in advance. | 0:34:34 | 0:34:38 | |
We've got 36 hours to wrap this up. | 0:34:38 | 0:34:41 | |
It's important we get the woodwork done. | 0:34:41 | 0:34:43 | |
If we haven't got it done by Monday, we will not be finished by Thursday. | 0:34:43 | 0:34:47 | |
We are not going to get finished. | 0:34:47 | 0:34:51 | |
36 hours to finish a new staircase, and a bank of tiered seating. | 0:34:51 | 0:34:57 | |
But we do have extra help, Liverpool actor Simon O'Brien | 0:34:57 | 0:35:01 | |
and Dean Sullivan, | 0:35:01 | 0:35:02 | |
Damon Grant and Jimmy Corkhill to those still mourning Brookside. | 0:35:02 | 0:35:07 | |
You remember Brookie? Eh, eh, Brookie. | 0:35:07 | 0:35:10 | |
They're giving their time to the project. | 0:35:10 | 0:35:13 | |
It's not level! Take it away! | 0:35:13 | 0:35:16 | |
It's all right. It is now, look! | 0:35:16 | 0:35:19 | |
That's an old chippies' trick. | 0:35:22 | 0:35:25 | |
If only they could plaster. | 0:35:25 | 0:35:27 | |
RADIO: Nick, you are the presenter of the BBC show DIY SOS | 0:35:27 | 0:35:32 | |
and you are in Liverpool looking for assistance. | 0:35:32 | 0:35:36 | |
We are up against it and losing the battle. | 0:35:36 | 0:35:39 | |
We need some help from specific trades. We are desperate to get dry liners. | 0:35:39 | 0:35:44 | |
If you are anywhere near the Liverpool area, come and help us. | 0:35:44 | 0:35:48 | |
You may help us pull this out of the bag because we are worried. | 0:35:48 | 0:35:53 | |
'Nick Knowles who is in charge of the BBC DIY SOS...' | 0:35:53 | 0:35:57 | |
We'll wait to see if the phone rings and whether we can get some dry liners | 0:35:57 | 0:36:01 | |
and plasterers to help because if we don't over the next couple of days | 0:36:01 | 0:36:06 | |
I think we might have lost this. | 0:36:06 | 0:36:08 | |
Thanks to a massive effort in the main hall, | 0:36:19 | 0:36:22 | |
the stairs are in and the tiered seating is up. | 0:36:22 | 0:36:25 | |
So, the sanding can begin right on schedule. | 0:36:25 | 0:36:28 | |
-How quickly do you move? -Very quickly. | 0:36:28 | 0:36:31 | |
-I want them to keep putting the skirting down. -Let them carry on. | 0:36:31 | 0:36:36 | |
-How long till you get down there? -We will keep it that way. | 0:36:36 | 0:36:40 | |
So, full steam ahead. | 0:36:40 | 0:36:43 | |
For about five minutes. | 0:36:47 | 0:36:49 | |
We have a major catastrophe with the electricity. | 0:36:49 | 0:36:53 | |
Until we get the electricity back on, we're at a standstill. | 0:36:53 | 0:36:57 | |
They have come in with 15 amp machines and are wondering why we haven't got the feed. | 0:36:59 | 0:37:05 | |
The whole thing was stripped out with everything, mains and everything. | 0:37:05 | 0:37:10 | |
This is holding everything up, it's only happening because we are | 0:37:12 | 0:37:16 | |
trying to lose so many jobs at once but at least that means | 0:37:16 | 0:37:19 | |
there's plenty of people around to help sort it out. | 0:37:19 | 0:37:22 | |
Paul said he might be able to get a jenny down for a supply. | 0:37:22 | 0:37:26 | |
Five machines and we need everyone powered up to get this finished. | 0:37:26 | 0:37:31 | |
As a failsafe, get the jenny here as well and we will fire one up | 0:37:31 | 0:37:34 | |
off the section board for now. So, we have a supply for now. | 0:37:34 | 0:37:37 | |
When the machines are going, you'll have enough for everything. | 0:37:37 | 0:37:41 | |
-Excellent. -We will have that on in half an hour. | 0:37:41 | 0:37:44 | |
Well, thanks to the new jenny we can get moving on the floor again | 0:37:47 | 0:37:50 | |
and we are only a day behind schedule. | 0:37:50 | 0:37:54 | |
But the plastering problem is becoming a nightmare. | 0:37:54 | 0:37:57 | |
We have had phenomenal support from tradespeople but this job is so big we still need more. | 0:37:57 | 0:38:03 | |
But is there anyone else out there? | 0:38:03 | 0:38:06 | |
We haven't got anybody to plasterboard. | 0:38:06 | 0:38:10 | |
We're down on plasterboard and chippies. Just like... | 0:38:10 | 0:38:15 | |
All hands on deck today. | 0:38:15 | 0:38:17 | |
There are two plasterers, me and another guy. | 0:38:18 | 0:38:23 | |
I am afraid the appeal yesterday didn't work. | 0:38:23 | 0:38:28 | |
Loads of sparkies and plumbers, which is brilliant because they're getting their jobs done. | 0:38:28 | 0:38:32 | |
Chippies are mowing through these ceilings. All good. The floor is going down. | 0:38:32 | 0:38:38 | |
But no walls, nothing is being finished. I can't keep up with it. | 0:38:38 | 0:38:42 | |
There is a possibility some will turn up tomorrow. | 0:38:42 | 0:38:45 | |
But, I mean, all this needs plasterboard, all of that. | 0:38:45 | 0:38:50 | |
-There's a lot of filling and making good. -And there's two of us. | 0:38:53 | 0:38:58 | |
And you need about... 20. | 0:38:58 | 0:38:59 | |
20 borders, 20 spreads. | 0:38:59 | 0:39:02 | |
40 people. | 0:39:02 | 0:39:04 | |
We aren't going to find 40 people, 40 tradesmen. | 0:39:04 | 0:39:09 | |
I don't want to sound negative or anything but... | 0:39:09 | 0:39:13 | |
It's not about being negative, it's realistic about the fact we're losing the job. | 0:39:13 | 0:39:18 | |
It is just about numbers now. We are losing the numbers game. | 0:39:18 | 0:39:23 | |
But we do have some more help with the dry lining from two people | 0:39:23 | 0:39:27 | |
with close connections to the centre. | 0:39:27 | 0:39:30 | |
Remember this girl? Well, this is her dad. | 0:39:30 | 0:39:34 | |
I used to come here. It is a good place. | 0:39:34 | 0:39:37 | |
It has done a lot for my daughter anyway. | 0:39:37 | 0:39:39 | |
It is brought her right out of her shell. | 0:39:39 | 0:39:41 | |
She has more confidence with other people. I think it's a great thing. | 0:39:41 | 0:39:46 | |
And remember this guy? Davey. | 0:39:46 | 0:39:49 | |
-Well, this is his brother. Thank you for helping out. -No worries. | 0:39:49 | 0:39:53 | |
Look at the groups that get round here. | 0:39:53 | 0:39:56 | |
Brings people on like that, when you never thought would. | 0:39:56 | 0:39:59 | |
They're the people that get lost in society with learning disabilities, | 0:39:59 | 0:40:03 | |
With this place, it brings them all together. | 0:40:03 | 0:40:06 | |
It's a good place and safe for them to feel as a group. | 0:40:06 | 0:40:09 | |
It's brilliant. | 0:40:09 | 0:40:11 | |
As well as family members telling us what this centre does, | 0:40:11 | 0:40:15 | |
we have heard it from the young people themselves. | 0:40:15 | 0:40:17 | |
How this tired, run-down building changes people's lives. | 0:40:17 | 0:40:23 | |
I thought it was brilliant so I carried on going for a number of years. | 0:40:23 | 0:40:26 | |
I've enjoyed it and stuff. | 0:40:26 | 0:40:29 | |
They take you on residentials and do everything with you that they can do to get you off the streets. | 0:40:29 | 0:40:36 | |
Gives them a place to go where they feel safe. | 0:40:38 | 0:40:41 | |
I am always here. I love it here. | 0:40:41 | 0:40:46 | |
Improves their confidence and expands their horizons. | 0:40:46 | 0:40:50 | |
I can't wait to get back in there and see the changes | 0:40:50 | 0:40:55 | |
and the different new things what they've done with the place. | 0:40:55 | 0:40:59 | |
It will be amazing. | 0:40:59 | 0:41:01 | |
We have been told about the transformation | 0:41:01 | 0:41:03 | |
but we don't know what is happening. | 0:41:03 | 0:41:06 | |
I think we will be shocked, even though we know it's a big change, | 0:41:06 | 0:41:09 | |
we don't know how much of a change. | 0:41:09 | 0:41:12 | |
Somehow, we have to get this job finished. | 0:41:12 | 0:41:17 | |
You don't know whether to be excited about the things happening | 0:41:17 | 0:41:21 | |
or worried about the things that aren't. | 0:41:21 | 0:41:23 | |
There is genuine concern it is just so vast. | 0:41:23 | 0:41:26 | |
And any one of these things | 0:41:26 | 0:41:30 | |
that we can't work out | 0:41:30 | 0:41:32 | |
could actually end up stopping us doing the job, | 0:41:32 | 0:41:35 | |
could stop us finishing so... | 0:41:35 | 0:41:38 | |
..you know... | 0:41:42 | 0:41:43 | |
8:30am and we are about to find out whether we will succeed with this job or not. | 0:41:53 | 0:41:58 | |
We made radio appeals. | 0:41:58 | 0:42:00 | |
And tomorrow we need trained plasterers. | 0:42:00 | 0:42:04 | |
Online appeals. We have rung every company in the phone book. | 0:42:04 | 0:42:08 | |
We are renovating a youth centre for Children In Need. | 0:42:08 | 0:42:11 | |
We're looking for help from people plasterers and borderers. | 0:42:11 | 0:42:14 | |
And everyone on site has tried everyone they know. | 0:42:14 | 0:42:17 | |
HE SPEAKS AT SPEED | 0:42:17 | 0:42:20 | |
I'm after a commitment! | 0:42:20 | 0:42:23 | |
Then it's crunch time. | 0:42:23 | 0:42:25 | |
We need plasterers today or this job won't be finished. | 0:42:25 | 0:42:31 | |
If a small army of plasterers don't walk around that corner in the next hour or so, | 0:42:31 | 0:42:37 | |
we have had it. Genuinely, we won't do it. | 0:42:37 | 0:42:40 | |
We were praying for plasterers | 0:42:43 | 0:42:46 | |
and at the 11th hour, our prayers are answered. | 0:42:46 | 0:42:50 | |
I know we're milking it a bit but go with us on this one. | 0:42:57 | 0:43:02 | |
We've got an army! | 0:43:11 | 0:43:13 | |
-How are you getting on? -Fit as a butcher's dog! | 0:43:16 | 0:43:20 | |
Not bad for a 72-year-old. | 0:43:20 | 0:43:22 | |
-You have come out of retirement for us. -Yes, I'm always available! | 0:43:22 | 0:43:25 | |
Thank you very much. | 0:43:25 | 0:43:27 | |
I'll plaster as long as I can. I'm the oldest plasterer here! | 0:43:27 | 0:43:33 | |
As well as the oldest plasterer in Liverpool, | 0:43:33 | 0:43:35 | |
we also have the most famous. Craig Phillips, | 0:43:35 | 0:43:38 | |
Big Brother winner, builder | 0:43:38 | 0:43:41 | |
and true believer in youth clubs like this. | 0:43:41 | 0:43:44 | |
Kids nowadays, when they're in their teen ages they're stuck in limbo. | 0:43:44 | 0:43:49 | |
They can't go to the pub until they're 18. | 0:43:49 | 0:43:53 | |
Nothing to do outside in the parks. | 0:43:53 | 0:43:55 | |
Youth centres like this, you need to bring them in off the streets, | 0:43:55 | 0:43:59 | |
keep them out of trouble and it helps with their socialising skills as well. | 0:43:59 | 0:44:04 | |
He's crashed into the plaster! | 0:44:07 | 0:44:09 | |
Just wanted to slow him down a bit! | 0:44:09 | 0:44:11 | |
Nothing a little bit of filler won't sort out! | 0:44:11 | 0:44:14 | |
Like we need slowing down... Unbelievable! | 0:44:14 | 0:44:17 | |
This is incredible! | 0:44:19 | 0:44:21 | |
Cheers, mate. Thanks, guys - big push. | 0:44:21 | 0:44:25 | |
They've saved our bacon. | 0:44:27 | 0:44:29 | |
Now we're catching up on the plastering, all we've got to worry about is the small matter of... | 0:44:33 | 0:44:38 | |
well, finishing everything else. | 0:44:38 | 0:44:40 | |
We've got two days, including today, to wrap this job up completely. How are we on the electrics? | 0:44:40 | 0:44:45 | |
All flying in now - all containment, all the wiring's done. Ready to start switching on power. | 0:44:45 | 0:44:50 | |
The hall - how are we doing there? | 0:44:50 | 0:44:53 | |
Spot on. Waiting for the tilers. Getting that in, the tilers. | 0:44:53 | 0:44:56 | |
As soon as that's done, we'll get the suites in. | 0:44:56 | 0:45:00 | |
-What about the chippying? -Skirting's going in now. Just the doors and frames to go in. | 0:45:00 | 0:45:03 | |
-The painting? -Nearly there - we've done the big hall. | 0:45:03 | 0:45:07 | |
Just waiting for the skirting boards going on. | 0:45:07 | 0:45:12 | |
Coat all them up and we should be there. | 0:45:12 | 0:45:15 | |
We've asked a lot of the people of Liverpool | 0:45:15 | 0:45:19 | |
and they've delivered in spades. | 0:45:19 | 0:45:21 | |
We're only sorry we can't show all the incredible workers and the work | 0:45:21 | 0:45:24 | |
that went into this build. | 0:45:24 | 0:45:27 | |
You're going to have to leg it, aren't you? | 0:45:27 | 0:45:30 | |
-Where have you got to go? -Home to get changed, then back into work. | 0:45:30 | 0:45:34 | |
They've been working here all day. | 0:45:34 | 0:45:37 | |
He's got to go home, get changed, and go and do a night shift. | 0:45:37 | 0:45:41 | |
Over 500 separate tradesmen have worked on this. | 0:45:41 | 0:45:44 | |
People from all walks of life - from firemen and policemen to Members of Parliament. | 0:45:44 | 0:45:49 | |
'It's fantastic to try and get those people' | 0:45:49 | 0:45:52 | |
who are on the edge of getting involved in nefarious activities | 0:45:52 | 0:45:56 | |
to perhaps persuade them that there's a better way. | 0:45:56 | 0:45:59 | |
I think something like this will be a huge boon to the area. | 0:45:59 | 0:46:05 | |
Even the art teacher from a local prison... | 0:46:05 | 0:46:07 | |
A lot of the men grew up around this area | 0:46:07 | 0:46:10 | |
and obviously got into trouble at some point. | 0:46:10 | 0:46:13 | |
But their children are still around the area, | 0:46:13 | 0:46:17 | |
so I thought it's a really good thing to do, to help out. | 0:46:17 | 0:46:21 | |
Cos they don't want the same things for their children as they had. | 0:46:21 | 0:46:25 | |
So I've come to help out. | 0:46:25 | 0:46:26 | |
Everyone has given their support. And so can you. | 0:46:27 | 0:46:31 | |
ALL: To keep supporting projects like Norris Green... | 0:46:31 | 0:46:35 | |
please donate £5... to Children In Need now. | 0:46:35 | 0:46:39 | |
Text the word DIYSOS to 70705. | 0:46:39 | 0:46:46 | |
Text messages will cost £5 plus your standard network charge | 0:46:49 | 0:46:53 | |
and £5 will go to Children In Need. | 0:46:53 | 0:46:55 | |
For full terms and conditions, visit bbc.co.uk/pudsey | 0:46:55 | 0:47:00 | |
That's it. | 0:47:07 | 0:47:10 | |
Nine days, up to 200 people on site a day, | 0:47:10 | 0:47:12 | |
18,000 man hours has gone into this. | 0:47:12 | 0:47:18 | |
And now it's done. And we're about to give it back to the community. | 0:47:18 | 0:47:22 | |
What a job! What a job! | 0:47:22 | 0:47:25 | |
Just nine days ago, Norris Green Youth Centre was falling apart. | 0:47:26 | 0:47:31 | |
But for head youth worker Glenn, the job it did was vital. | 0:47:37 | 0:47:41 | |
This is the only youth centre in this area - | 0:47:41 | 0:47:44 | |
the only place for young people to go. | 0:47:44 | 0:47:46 | |
There's nowhere else for them to go, really. | 0:47:46 | 0:47:50 | |
His colleague, Cheryl, knows how much the centre means to the young people who use it. | 0:47:52 | 0:47:58 | |
It's open seven days a week. | 0:47:58 | 0:48:00 | |
These are here right from the start, banging on the door, | 0:48:00 | 0:48:04 | |
right until close. | 0:48:04 | 0:48:05 | |
Like them, centre co-ordinator Eileen knows what it could be. | 0:48:05 | 0:48:09 | |
At the moment, it's so dowdy and old, well-used... There's no respect. | 0:48:09 | 0:48:14 | |
It's got no credibility. Once it's done, it'll be a different story. | 0:48:14 | 0:48:20 | |
Deana has just one room on her mind. | 0:48:22 | 0:48:25 | |
The recording studios! And the studios, just for them to get done. | 0:48:26 | 0:48:31 | |
And Shauna is just as excited. | 0:48:32 | 0:48:34 | |
I just can't wait to see it. It's going to be great! | 0:48:34 | 0:48:37 | |
Nabil? Well, he knows just what it will mean | 0:48:40 | 0:48:43 | |
for the young people of Norris Green. | 0:48:43 | 0:48:45 | |
-You pleased to see what's happening here? -Yeah, yeah. | 0:48:45 | 0:48:48 | |
I think seven years of being the old prison will have paid off. | 0:48:48 | 0:48:53 | |
You might have a lot more difficult kids to deal with. | 0:48:53 | 0:48:56 | |
That's what we're here for. | 0:48:56 | 0:48:58 | |
Thanks to a superhuman effort by the tradespeople of Liverpool, | 0:48:58 | 0:49:02 | |
we are about to hand back Norris Green Youth Centre. | 0:49:02 | 0:49:06 | |
We wanted to create a building | 0:49:11 | 0:49:13 | |
that would really reach out to young people. | 0:49:13 | 0:49:16 | |
We added a new entrance hall and clad the front to make it bright and inviting, | 0:49:16 | 0:49:20 | |
turning an eyesore into a landmark. | 0:49:20 | 0:49:22 | |
On waste ground at the rear, we've created an outdoor gym to attract more young people to the centre. | 0:49:25 | 0:49:31 | |
And a garden. | 0:49:31 | 0:49:33 | |
And all around, the new, secure windows let the light flood in. | 0:49:35 | 0:49:40 | |
Nowhere is the transformation more dramatic than in the main hall. | 0:49:44 | 0:49:48 | |
The new ceiling is brighter and safer | 0:49:53 | 0:49:57 | |
and the restored floor is just a revelation. | 0:49:57 | 0:49:59 | |
The tiered seating creates an audience space | 0:50:01 | 0:50:04 | |
for performances or films, and a great spot just to hang out. | 0:50:04 | 0:50:08 | |
The new recording studio and rehearsal rooms | 0:50:11 | 0:50:15 | |
will allow singers and musicians | 0:50:15 | 0:50:17 | |
to practise without drowning out the rest of the centre. | 0:50:17 | 0:50:22 | |
The old kitchen was the centre of the youth club, | 0:50:22 | 0:50:25 | |
but it was falling to pieces. | 0:50:25 | 0:50:27 | |
The new one is hygienic, hardwearing and, let's face it, cool - | 0:50:27 | 0:50:32 | |
a great place for young people to learn to cook. | 0:50:32 | 0:50:37 | |
And there's a new office, new meeting room... | 0:50:37 | 0:50:41 | |
and finally, the small hall. | 0:50:41 | 0:50:43 | |
It won't leak any more, and it's flooded with light. | 0:50:43 | 0:50:46 | |
There's a new IT suite, art room | 0:50:58 | 0:50:59 | |
and upstairs, a chill-out space. | 0:50:59 | 0:51:02 | |
It's an incredible transformation, and really something to cheer about. | 0:51:04 | 0:51:08 | |
But remember, this is where youth workers change young people's lives. | 0:51:08 | 0:51:14 | |
It's crucial to them, | 0:51:18 | 0:51:19 | |
so I wonder how they're going to react? | 0:51:19 | 0:51:21 | |
3, 2, 1 - open your eyes. | 0:51:21 | 0:51:22 | |
ALL GASP, SQUEAL AND CHEER | 0:51:22 | 0:51:25 | |
EXCITED CRIES | 0:51:39 | 0:51:41 | |
Look! You can see the light! | 0:51:52 | 0:51:55 | |
< I cannot believe this! | 0:51:59 | 0:52:02 | |
Oh, my God! I just can't believe this. | 0:52:04 | 0:52:08 | |
It's like the CLC! This is... | 0:52:08 | 0:52:12 | |
Isn't it amazing? | 0:52:12 | 0:52:14 | |
This isn't our building! It's not our building! | 0:52:24 | 0:52:30 | |
-What do you think? -Oh, my God! I just can't take it in. | 0:52:30 | 0:52:35 | |
It's like you've put us in another building. | 0:52:35 | 0:52:38 | |
You've just took us somewhere else. It's just... | 0:52:38 | 0:52:41 | |
It's fab. | 0:52:46 | 0:52:47 | |
Just... | 0:52:47 | 0:52:48 | |
The difference...it's going to make. | 0:52:48 | 0:52:52 | |
It's unreal. It's just... | 0:52:52 | 0:52:56 | |
Just can't get over it! | 0:52:56 | 0:52:59 | |
Oh, my God! | 0:52:59 | 0:53:02 | |
I can't speak. It's just... totally unreal with it all. Just... | 0:53:03 | 0:53:09 | |
It's brilliant. | 0:53:09 | 0:53:10 | |
Oh! | 0:53:10 | 0:53:12 | |
ALL SQUEAL WITH EXCITEMENT | 0:53:12 | 0:53:15 | |
< Wow! It's gorgeous! Oh, wow! | 0:53:15 | 0:53:19 | |
You've been donated and fitted a £20,000 kitchen. | 0:53:19 | 0:53:24 | |
I don't know how you could do this in that amount of time. It's unbelievable. | 0:53:24 | 0:53:29 | |
Look up, look up, look up! | 0:53:30 | 0:53:32 | |
ALL GASP | 0:53:33 | 0:53:35 | |
I can't believe it. | 0:53:48 | 0:53:49 | |
< It's amazing what you can do to something! | 0:53:49 | 0:53:52 | |
-You OK? -I just can't believe it. It's just amazing. | 0:53:52 | 0:53:55 | |
It's just... I can't wait to get the kids here. | 0:53:55 | 0:53:58 | |
Wow! Tom's going to be made up! | 0:53:58 | 0:54:01 | |
Look at it! I'm actually crying! | 0:54:01 | 0:54:05 | |
I'm crying. | 0:54:05 | 0:54:08 | |
Look at it! | 0:54:08 | 0:54:11 | |
-It's so posh! -This is where you can sunbathe, Nabil! | 0:54:12 | 0:54:16 | |
It's some decking area. You just wouldn't expect this around here. | 0:54:16 | 0:54:19 | |
Oh, it's amazing. I love it. | 0:54:19 | 0:54:22 | |
Woo-hoo-hoo! | 0:54:23 | 0:54:26 | |
Look at the lights! | 0:54:26 | 0:54:27 | |
Look at that! | 0:54:29 | 0:54:30 | |
This is just absolutely... | 0:54:34 | 0:54:37 | |
This has got to be good, hasn't it, for the youth of Norris Green, going forward? | 0:54:40 | 0:54:44 | |
I can't say enough. It's just...unbelievable. It's just unbelievable. It's just fabulous. | 0:54:44 | 0:54:50 | |
What do you think, Eileen? You're the practical one who has to raise the money. | 0:54:50 | 0:54:56 | |
< Speechless! | 0:54:59 | 0:55:00 | |
Speechless. It's just too much to take on at the moment. | 0:55:00 | 0:55:04 | |
I need some time. | 0:55:04 | 0:55:06 | |
Ladies and gentlemen, say thank you | 0:55:06 | 0:55:08 | |
to the extraordinary people who actually built this youth centre for you? Here they come. | 0:55:08 | 0:55:13 | |
In you come! | 0:55:13 | 0:55:15 | |
Thank you very much. What an amazing welcome! | 0:55:43 | 0:55:46 | |
Glenn, can you explain to these people, | 0:55:46 | 0:55:49 | |
who haven't met everybody, why it's so important? | 0:55:49 | 0:55:53 | |
Because young people get bad press, and what you've given now is something | 0:55:53 | 0:55:58 | |
that they're going to be proud of, and we are. | 0:55:58 | 0:56:03 | |
I just can't say enough for the work that you've done. Thank you! | 0:56:03 | 0:56:08 | |
Thank you. | 0:56:08 | 0:56:09 | |
This has been an absolutely extraordinary sight - | 0:56:22 | 0:56:25 | |
up to 220 people a day on site, volunteers. | 0:56:25 | 0:56:30 | |
We have had 18,000 man hours, we've worked out, | 0:56:30 | 0:56:35 | |
gone into this in nine days. | 0:56:35 | 0:56:37 | |
And what you have done to this place, from a building point of view, is astounding. | 0:56:37 | 0:56:42 | |
What you've done for this community is huge. Thank you very much. | 0:56:42 | 0:56:46 | |
Come here! | 0:57:02 | 0:57:03 | |
You deserve this. You've earned it and you deserve it. | 0:57:03 | 0:57:07 | |
Will you enjoy this? I bet you will! | 0:57:14 | 0:57:17 | |
I bet you will! It's all for you. | 0:57:17 | 0:57:21 | |
Lots of cooking! Start cooking for your mum! | 0:57:22 | 0:57:25 | |
Yeah! | 0:57:25 | 0:57:28 | |
Excuse me, excuse me! You know, change is about momentum. | 0:57:31 | 0:57:36 | |
People say we do amazing things on DIY SOS, but there's only six of us. | 0:57:36 | 0:57:40 | |
We can't do this. | 0:57:40 | 0:57:42 | |
We go into a community and push a ball of momentum in | 0:57:42 | 0:57:44 | |
and it picks up pace during the course of the last ten days. | 0:57:44 | 0:57:48 | |
And look at what happens. | 0:57:48 | 0:57:50 | |
It's amazing what communities can do when they come together | 0:57:50 | 0:57:53 | |
and make a change. | 0:57:53 | 0:57:54 | |
And they have made a lasting change for the young people of this area. | 0:57:54 | 0:57:58 | |
And you can make a change for young people all over the country by supporting Children In Need. | 0:57:58 | 0:58:03 | |
Only if you want to, though. | 0:58:03 | 0:58:05 | |
To keep supporting projects like Norris Green, and to help give children and young people | 0:58:05 | 0:58:10 | |
in this country the future they deserve, | 0:58:10 | 0:58:14 | |
please donate £5 to Children In Need now. | 0:58:14 | 0:58:17 | |
Text the word DIYSOS to 70705. | 0:58:17 | 0:58:21 | |
Text messages will cost £5 plus your standard network charge | 0:58:21 | 0:58:25 | |
and £5 will go to Children in Need. | 0:58:25 | 0:58:28 | |
For full terms and conditions visit bbc.co.uk/pudsey | 0:58:28 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:39 | |
Email [email protected] | 0:58:39 | 0:58:41 |