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Today on the show we're going to be looking at one of | 0:00:02 | 0:00:05 | |
the most resplendent periods of British architecture. | 0:00:05 | 0:00:08 | |
It was a time when subtle hints of the rococo nestled within | 0:00:08 | 0:00:12 | |
the straight lines of neoclassicism. Where Palladian palaces like this sat amongst the smooth lines | 0:00:12 | 0:00:18 | |
of gardens laid out like Arcadian idylls. And if you have no idea what I'm talking about, have no fear. | 0:00:18 | 0:00:24 | |
By the end of this special edition of Escape To The Country, you will. | 0:00:24 | 0:00:28 | |
Today we're stepping back in time to review some of the finest Georgian homes we've had in past series. | 0:00:42 | 0:00:48 | |
Hold tight for some unusual interiors... | 0:00:48 | 0:00:51 | |
-A bit blown-away by the wallpaper! -Just a little bit, yeah. | 0:00:51 | 0:00:54 | |
Panoramic views... | 0:00:54 | 0:00:55 | |
-George, you could lie in the bath and watch the seasons change! -A bit of a long bath, but yeah! | 0:00:55 | 0:01:00 | |
And one of those all-time classic Escape To The Country moments... | 0:01:00 | 0:01:04 | |
Woooh! It's fabulous! | 0:01:04 | 0:01:08 | |
Plus I'll be discovering the secrets of Georgian furniture conservation. | 0:01:09 | 0:01:13 | |
It's just like CSI Antiques! | 0:01:13 | 0:01:15 | |
It is, indeed. Forensic science at its best. | 0:01:15 | 0:01:17 | |
And I'll be given a guided tour of a classic Georgian stately home. | 0:01:17 | 0:01:21 | |
-What are your favourite features about this room? -It has to be the secret room. | 0:01:21 | 0:01:25 | |
A secret room? | 0:01:25 | 0:01:27 | |
Today on the show we are celebrating the architecture of the Georgian period. | 0:01:31 | 0:01:35 | |
That stretches from the accession of George I in 1714 | 0:01:35 | 0:01:38 | |
all the way through to the death of George IV in 1830. | 0:01:38 | 0:01:42 | |
Now in terms of interiors, it's all about high ceilings, big windows, lots of light, big volumes, | 0:01:42 | 0:01:48 | |
quite austere style and then outside, | 0:01:48 | 0:01:50 | |
we're talking about rolling countryside | 0:01:50 | 0:01:52 | |
made famous by Capability Brown, the father of British landscape gardening. | 0:01:52 | 0:01:56 | |
But we're not going to be talking about too many gardens today, because we're going to be | 0:01:56 | 0:02:01 | |
digging deep into the world of this most beautiful architectural style. | 0:02:01 | 0:02:05 | |
We've been all over the UK, looking for property on this show, | 0:02:08 | 0:02:12 | |
but I have to say that some of the most attractive I've seen have to be Georgian. | 0:02:12 | 0:02:16 | |
The architecture of this period was heavily influenced by the classical buildings of Rome and Greece. | 0:02:16 | 0:02:21 | |
Square, symmetrical shapes, pillared entrances and a stone plinth | 0:02:21 | 0:02:25 | |
above a central door are all common features of a Georgian house. | 0:02:25 | 0:02:30 | |
Pleasing to the eye and elegantly spacious, Georgian houses often get | 0:02:30 | 0:02:36 | |
the right reaction from our buyers. | 0:02:36 | 0:02:37 | |
As you can imagine, we've seen quite a few beautiful Georgian properties | 0:02:41 | 0:02:45 | |
on Escape To The Country over the years, so it's been quite difficult | 0:02:45 | 0:02:48 | |
whittling them down for your delectation. | 0:02:48 | 0:02:51 | |
However, our first offering takes us to the East Riding of Yorkshire | 0:02:51 | 0:02:54 | |
and mother and daughter team of Amanda and Sarah. | 0:02:54 | 0:02:58 | |
Now, they had £1.1 million to spend and Amanda wanted a big property | 0:02:58 | 0:03:02 | |
to show off her interior decorating skills | 0:03:02 | 0:03:05 | |
but I don't think either one of them at that point in the show | 0:03:05 | 0:03:08 | |
were prepared for the Georgian splendour we were about to show them | 0:03:08 | 0:03:12 | |
just outside the village of Laxton. | 0:03:12 | 0:03:14 | |
Laxton village is in the south-west corner of Yorkshire's East Riding, | 0:03:15 | 0:03:19 | |
giving easy access to Leeds, York and Hull. | 0:03:19 | 0:03:23 | |
Set within extensive grounds, I was hoping | 0:03:25 | 0:03:27 | |
this stunning Georgian manor house would impress Amanda and Sarah. | 0:03:27 | 0:03:31 | |
Wow! This is more like it! | 0:03:31 | 0:03:33 | |
I like it as well. | 0:03:34 | 0:03:36 | |
This is very nice. This is probably... more or less exactly what I had in mind. | 0:03:36 | 0:03:41 | |
It's a beautiful, beautiful old property. This part is from the 1700s, Georgian, | 0:03:41 | 0:03:46 | |
and then in the Victorian period they extended, they had a bit | 0:03:46 | 0:03:49 | |
of money in the family and they extended it forward. | 0:03:49 | 0:03:52 | |
Look at the beautiful windows... | 0:03:52 | 0:03:54 | |
all original sash windows from the period. | 0:03:54 | 0:03:57 | |
It's just "wow", isn't it? This is sort of more what we initially kind of imagined, | 0:03:57 | 0:04:02 | |
approach-wise, and you just can't hear any traffic or anything. | 0:04:02 | 0:04:06 | |
It just feels really sort of peaceful. | 0:04:06 | 0:04:09 | |
Deep into your own countryside! | 0:04:09 | 0:04:11 | |
Let's have a look inside. | 0:04:11 | 0:04:13 | |
This house really is a proper country pile, | 0:04:14 | 0:04:17 | |
with generous rooms and a real feeling of grandeur. | 0:04:17 | 0:04:20 | |
Oh, this is nice, isn't it? | 0:04:25 | 0:04:26 | |
Look how high the ceilings are! | 0:04:26 | 0:04:28 | |
That's exactly what I wanted. | 0:04:28 | 0:04:31 | |
-No banging your head here! -No banging my head, no. | 0:04:31 | 0:04:34 | |
Let's go and look in the front room, it's wonderful. | 0:04:34 | 0:04:38 | |
-Oh, this is great! -Wow! -It's good, isn't it? | 0:04:38 | 0:04:41 | |
-It's just beautiful! -It's lovely! | 0:04:41 | 0:04:43 | |
It's just what we kind of imagined, isn't it? | 0:04:43 | 0:04:45 | |
Yes, this is just what I had in my head that we wanted | 0:04:45 | 0:04:50 | |
and it's been really nicely done as well. | 0:04:50 | 0:04:53 | |
You've got the original white marble fireplace. Very simple, very much in keeping with the country style. | 0:04:53 | 0:04:59 | |
That is a good fireplace. | 0:04:59 | 0:05:00 | |
But the greatest feature is these incredible windows... | 0:05:00 | 0:05:04 | |
floor to ceiling sash windows. | 0:05:04 | 0:05:06 | |
-It's so rare to see them in their original state. -It is. That's lovely. | 0:05:06 | 0:05:09 | |
There's a second living room that's equally impressive. | 0:05:09 | 0:05:12 | |
-Wow! A bigger room! -This room is even bigger than the last one, isn't it? | 0:05:12 | 0:05:16 | |
It's just a blank canvas really, isn't it? | 0:05:16 | 0:05:18 | |
Especially even with the way they've decorated it, | 0:05:18 | 0:05:22 | |
you can sort of envisage what you'd do with it. | 0:05:22 | 0:05:24 | |
-Kitchen. -Kitchen. And this is how kitchens used to be. | 0:05:32 | 0:05:36 | |
They weren't jam-packed with fitted units everywhere. | 0:05:36 | 0:05:41 | |
They decided very deliberately to keep it very simple. | 0:05:41 | 0:05:44 | |
What do you think about it? It's quite unusual for our modern tastes? | 0:05:44 | 0:05:48 | |
It is unusual and I think I would prefer, actually, | 0:05:48 | 0:05:51 | |
go to with something a little bit more... modern, up to date. | 0:05:51 | 0:05:56 | |
It would be fairly straightforward to add modern fitted units, | 0:05:56 | 0:05:59 | |
but there is quite a bit of extra storage just off the kitchen. | 0:05:59 | 0:06:03 | |
You've got all your washing machines and more storage in there. | 0:06:04 | 0:06:08 | |
It's effectively like having another kitchen there. | 0:06:08 | 0:06:11 | |
This goes through to the garage which also is a pantry. | 0:06:11 | 0:06:15 | |
That's useful, isn't it? | 0:06:15 | 0:06:17 | |
-And then another space here which is a gym. -Yay! | 0:06:17 | 0:06:21 | |
Wow! | 0:06:21 | 0:06:23 | |
The layout of this house does take a bit of getting used to | 0:06:23 | 0:06:26 | |
though the dining room is fairly conventional. | 0:06:26 | 0:06:29 | |
Actually a bit of a disappointment, this room. | 0:06:29 | 0:06:32 | |
It's a little bit smaller than I would have thought the dining room would have been. | 0:06:32 | 0:06:37 | |
It just seems that this one has sort of been abandoned as a room that they haven't used. | 0:06:37 | 0:06:40 | |
Very often in these big, formal houses, you get rooms that do get | 0:06:40 | 0:06:44 | |
slightly abandoned because people don't formally dine any more. | 0:06:44 | 0:06:47 | |
It just needs a bit of redecoration and care. | 0:06:47 | 0:06:50 | |
I think Sarah is right, a little TLC would bring out the charm. | 0:06:50 | 0:06:54 | |
It's beautiful! The whole thing... it's just great! | 0:06:56 | 0:06:59 | |
-Upstairs there are even better views of the garden and grounds. -Oh, wow! | 0:06:59 | 0:07:04 | |
-Look at that view! -That is amazing! | 0:07:04 | 0:07:07 | |
That's fantastic, it's gorgeous! | 0:07:07 | 0:07:09 | |
Again, what is interesting about the house is that it's laid out | 0:07:09 | 0:07:12 | |
in actually a Georgian style, | 0:07:12 | 0:07:14 | |
whereas the Victorian rooms were very discreet, | 0:07:14 | 0:07:16 | |
these are all joined, they're enfilade. This would probably be the husband's room, | 0:07:16 | 0:07:20 | |
and then you have a dressing room for him that's linked to the lady's dressing room | 0:07:20 | 0:07:24 | |
which takes you through to another bedroom which would have been her dressing room. | 0:07:24 | 0:07:27 | |
This is now the bathroom so it's like a Georgian en suite. | 0:07:27 | 0:07:31 | |
-Again, very sizeable. -It's beautiful. It dwarfs the furniture, doesn't it? | 0:07:31 | 0:07:36 | |
There are three more good-size bedrooms, although once again | 0:07:36 | 0:07:40 | |
Amanda might want to add some of her design flair. | 0:07:40 | 0:07:43 | |
Good size as well, isn't it? | 0:07:43 | 0:07:45 | |
Blown away by the wallpaper? | 0:07:45 | 0:07:47 | |
Just a little bit, yeah. | 0:07:47 | 0:07:49 | |
There's also a study and family bathroom, but it's the grounds that are truly impressive. | 0:07:49 | 0:07:55 | |
It's more than 4 acres of land. | 0:07:55 | 0:07:59 | |
It's absolutely fabulous. I love it! | 0:07:59 | 0:08:01 | |
-Really? -So beautiful. -And listen... | 0:08:01 | 0:08:04 | |
All you can hear is birds! That's just what I was looking for. | 0:08:04 | 0:08:07 | |
And this coppice is beautiful. | 0:08:07 | 0:08:09 | |
I mean you've got the two paddocks, you've got all the land around it. | 0:08:09 | 0:08:12 | |
Great garden, lawn, you've got a pond down there. | 0:08:12 | 0:08:15 | |
It's just so well maintained as well. There's just nothing that needs doing. | 0:08:15 | 0:08:18 | |
It's not like "Oh, it could have been a beautiful garden with work..." | 0:08:18 | 0:08:21 | |
-it just is! -So, the big question is, how much do you think it's worth? | 0:08:21 | 0:08:24 | |
I mean we are in a quiet corner of Yorkshire, | 0:08:24 | 0:08:26 | |
but you're still very well-connected for Huddersfield with the M62 | 0:08:26 | 0:08:30 | |
and you're really lucky to be so quiet because there is nothing | 0:08:30 | 0:08:33 | |
to disturb your peace, and it's a beautiful house. | 0:08:33 | 0:08:36 | |
I think this would be the top of the budget, | 0:08:36 | 0:08:39 | |
so I think it would be around £1.1 million. | 0:08:39 | 0:08:42 | |
I think it's a bit less. | 0:08:42 | 0:08:43 | |
I'm going to go a bit more conservative and go 999.99. | 0:08:43 | 0:08:46 | |
Well, you are both wrong. | 0:08:46 | 0:08:49 | |
This property is on the market for... | 0:08:49 | 0:08:53 | |
-£950,000. -Really? | 0:08:53 | 0:08:57 | |
-Wow! -Fantastic! -I think she's a happy bunny! | 0:08:57 | 0:09:03 | |
I've been estimating how much it would cost me to do the changes | 0:09:03 | 0:09:06 | |
that I want as I've been going around and that fits nicely! | 0:09:06 | 0:09:09 | |
£150,000, would that do it? | 0:09:09 | 0:09:11 | |
-That would more than do it! -I should hope so! | 0:09:11 | 0:09:14 | |
-So what do you think, then? -I really like it. -I do, I think it's perfect. | 0:09:16 | 0:09:19 | |
This house is just sort of perfect in many different ways. | 0:09:19 | 0:09:23 | |
It's got the land we wanted, the room we wanted. | 0:09:23 | 0:09:26 | |
The rooms themselves are a perfect size. It's just not something we would have... | 0:09:26 | 0:09:30 | |
-it's not a place we would have thought of... -Looking. | 0:09:30 | 0:09:33 | |
Looking for this kind of property. It's amazing! | 0:09:33 | 0:09:35 | |
It's exactly what I was looking for. | 0:09:35 | 0:09:37 | |
It's like he reached into my head and saw the picture and found it for me. It's just wonderful! | 0:09:37 | 0:09:42 | |
Now that was a success, because they really love that property and you can see why, because those beautiful | 0:09:45 | 0:09:51 | |
clean lines and geometric spaces in a Georgian property are perfect | 0:09:51 | 0:09:55 | |
for an interior designer and if you've got the neo-classical bug, | 0:09:55 | 0:09:59 | |
then take a look at some of these properties | 0:09:59 | 0:10:01 | |
which could be yours, because they're all on the market at a whole array of different budgets. | 0:10:01 | 0:10:05 | |
If your pockets are deep, how about this classic Georgian farmhouse, | 0:10:07 | 0:10:11 | |
on the market at £1.2 million in East Sussex? | 0:10:11 | 0:10:14 | |
Set within 14.5 acres, this four- bedroom house has some stunning gardens, | 0:10:14 | 0:10:20 | |
a stable block and that most un-Georgian of features, | 0:10:20 | 0:10:24 | |
an outdoor swimming pool. | 0:10:24 | 0:10:26 | |
Inside, the property has been tastefully modernised and still retains many original details. | 0:10:27 | 0:10:31 | |
If that's a little too expensive, then you might like this Georgian home in Yorkshire. | 0:10:31 | 0:10:38 | |
It may not look big from the outside, but once you get into | 0:10:38 | 0:10:41 | |
the spacious interiors, it really delivers. | 0:10:41 | 0:10:44 | |
With plenty of outbuildings ripe for conversion, | 0:10:46 | 0:10:49 | |
this property is on the market for £875,000. | 0:10:49 | 0:10:54 | |
If that's still too expensive, then fear not. | 0:10:54 | 0:10:58 | |
You can pick up a slice of Georgian rural life with this charming farmhouse in Norfolk. | 0:10:58 | 0:11:04 | |
Just £350,000 will get you this home, full of original features... | 0:11:04 | 0:11:10 | |
..the most spectacular being this stunning central staircase. | 0:11:12 | 0:11:16 | |
To understand the full glories of living in a Georgian property | 0:11:18 | 0:11:22 | |
and indeed what makes a Georgian property, I've come to Aynhoe Park, near Banbury. | 0:11:22 | 0:11:27 | |
Not too shabby, huh? Although I have to say that up until about | 0:11:27 | 0:11:31 | |
four years ago, it was quite shabby. | 0:11:31 | 0:11:33 | |
It's been remodelled and remodelled and remodelled, but the present owner, James Perkins, | 0:11:33 | 0:11:37 | |
has lavished incredible care and attention and brought it up to its former glory. Let's meet him. | 0:11:37 | 0:11:44 | |
Aynhoe Park was originally built as a Jacobean house in the 1660s. | 0:11:47 | 0:11:51 | |
It's been added to several times but perhaps changed most notably by Sir John Soane, in 1805. | 0:11:51 | 0:11:59 | |
It was then the house was given the typically Georgian features that is has today and it's those features | 0:11:59 | 0:12:05 | |
that current owner, self-made property man, James Perkins, can tell us all about. | 0:12:05 | 0:12:10 | |
James, morning. | 0:12:10 | 0:12:12 | |
-Hello. -It's an amazing place! When did you purchase it? | 0:12:12 | 0:12:15 | |
About three years ago, now. | 0:12:15 | 0:12:17 | |
Now I know you've done an enormous amount of research to get it back to the original Georgian feel. | 0:12:17 | 0:12:22 | |
Perhaps, while we're out here, what would you point out | 0:12:22 | 0:12:25 | |
as being the classic Georgian features of the property? | 0:12:25 | 0:12:29 | |
-The thing that is most noticeable here is the windows, of which there are many! -Many! | 0:12:29 | 0:12:33 | |
Yes, I mean the style of the windows as opposed to the normal Victorian sash window, this type, | 0:12:33 | 0:12:38 | |
style of window is typical of the period. You can see that when you go up | 0:12:38 | 0:12:43 | |
from the different floors, the actual window panes become smaller, | 0:12:43 | 0:12:46 | |
so you get that sense of scale. | 0:12:46 | 0:12:47 | |
-That's an illusion, isn't it, to make it look bigger than it actually is? -That's right. | 0:12:47 | 0:12:52 | |
It looks like everything is big about this house! | 0:12:52 | 0:12:55 | |
Yeah, I mean on your right there, that was the old... | 0:12:55 | 0:12:58 | |
where all the housekeepers lived and the kitchens and laundry, | 0:12:58 | 0:13:00 | |
and on the opposite side, over here, although it doesn't look much like it now, that was the stables. | 0:13:00 | 0:13:06 | |
-Really? -So very smart-looking stables. | 0:13:06 | 0:13:08 | |
Well, the horses and the staff lived well, didn't they? And which bits did Soane design? | 0:13:08 | 0:13:13 | |
We've got the front door, the door surround, the pediment on the top and the wonderful, | 0:13:13 | 0:13:19 | |
triumphal arches which are just absolutely fantastic | 0:13:19 | 0:13:22 | |
and of course that's just on this elevation. | 0:13:22 | 0:13:24 | |
When the Cartwright family who lived here before, | 0:13:24 | 0:13:27 | |
their visitors came along, it was a tremendous statement for their friends | 0:13:27 | 0:13:31 | |
about how powerful they are, how important they were and how in fashion they were with their designs. | 0:13:31 | 0:13:36 | |
-So, shall we look inside? -Let's go. | 0:13:36 | 0:13:38 | |
James, it's like the British Museum in here! | 0:13:45 | 0:13:48 | |
In the 18th century, the Georgians they were very big collectors | 0:13:48 | 0:13:51 | |
because they were just beginning to travel the world | 0:13:51 | 0:13:53 | |
and they used to bring back all these wonderful pieces | 0:13:53 | 0:13:56 | |
from their travels and I think that very colourful, exciting period | 0:13:56 | 0:14:02 | |
of European influences is really something I admire. | 0:14:02 | 0:14:06 | |
But James' collection is not just reserved for the entrance hall. | 0:14:06 | 0:14:11 | |
In true Georgian style, he has filled his home with an eclectic mix of casts and statues. | 0:14:11 | 0:14:18 | |
In fact, the whole house is an Aladdin's cave | 0:14:18 | 0:14:21 | |
of classical artefacts and contemporary treasures. | 0:14:21 | 0:14:25 | |
Collected over 24 years and presented beautifully | 0:14:25 | 0:14:29 | |
within the big spaces of this solid, Georgian frame. | 0:14:29 | 0:14:32 | |
Every room's a treat. Well, this is a complete change of gear! | 0:14:32 | 0:14:39 | |
So you actually live here - this is your lounge! | 0:14:39 | 0:14:42 | |
That's right, yes. | 0:14:42 | 0:14:43 | |
This is known as the "salon". This was the entrance hall, originally, | 0:14:43 | 0:14:47 | |
but then this was completely remodelled by Soane and hence you get all these wonderful shapes. | 0:14:47 | 0:14:54 | |
And incredible views! | 0:14:54 | 0:14:55 | |
The striking thing about Georgian properties is that | 0:14:55 | 0:14:58 | |
it was the first time the view was brought in, wasn't it? | 0:14:58 | 0:15:01 | |
Yes, and in fact Capability Brown in about 1770 drew up a scheme for the house and really very much | 0:15:01 | 0:15:07 | |
heavily influenced the view that you see today. | 0:15:07 | 0:15:10 | |
And also, symmetrical, and that's a very key factor, isn't it? | 0:15:10 | 0:15:14 | |
So this is the centre and then it goes off from both sides? | 0:15:14 | 0:15:17 | |
Yep. With these central connecting rooms, it's absolutely perfect | 0:15:17 | 0:15:22 | |
for hosting parties and having guests. | 0:15:22 | 0:15:24 | |
That's what it was all about, wasn't it? | 0:15:24 | 0:15:27 | |
That's right, so it could be for 20 people or for 200 people... | 0:15:27 | 0:15:30 | |
so therefore, you just open more doors. | 0:15:30 | 0:15:32 | |
Although James is hoping to open up the house to weddings and parties, I still have to remind myself | 0:15:35 | 0:15:40 | |
that this is essentially his home and we're about to see one of his favourite rooms. | 0:15:40 | 0:15:45 | |
Look at all these things! Amazing! | 0:15:45 | 0:15:47 | |
This was the library, presumably? | 0:15:47 | 0:15:50 | |
Indeed. This was all remodelled by Soane and this really is a fantastic example. | 0:15:50 | 0:15:55 | |
-If you look at the cornice work, really, really unusual. -Aah, yes. | 0:15:55 | 0:15:59 | |
It doesn't look like there's been many coats of paint here in the past, | 0:15:59 | 0:16:03 | |
because it's not heavily over-painted, so therefore you still get that richness of the detail | 0:16:03 | 0:16:07 | |
and one of the things I have uncovered was the Soane frame, mirror frame. | 0:16:07 | 0:16:13 | |
-Oh, right, that's an original? -That was covered in, yeah, 200, I don't know, 250 years of paint. | 0:16:13 | 0:16:18 | |
What are your favourite features about this room? | 0:16:18 | 0:16:21 | |
-It has to be the secret room. -A secret room? | 0:16:21 | 0:16:24 | |
In the bookcase, yeah, and it's where all the family silver was kept. | 0:16:24 | 0:16:29 | |
-All right! Do you tweak her nose and it opens, then? -There we are. | 0:16:29 | 0:16:33 | |
Much simpler than that. | 0:16:33 | 0:16:35 | |
And behind here is the safe door. | 0:16:35 | 0:16:39 | |
Aah, look at that! And now your DVD collection! | 0:16:39 | 0:16:44 | |
What a house full of adventures. | 0:16:45 | 0:16:48 | |
'And the adventure continues as we make our way to the centrepiece of this Georgian palace.' | 0:16:48 | 0:16:54 | |
So here we have the Soane staircase and, synonymous with his work, is the Soane lantern and the purpose | 0:16:59 | 0:17:07 | |
of the Soane lantern with the stained glass in is that it catches the beautiful sense of light. | 0:17:07 | 0:17:13 | |
The little ring of orange glass? | 0:17:13 | 0:17:15 | |
That's right, you get this wonderful colour when the sun is setting. | 0:17:15 | 0:17:18 | |
Obviously you would expect to see family portraits and that sort of thing, but in my case, | 0:17:18 | 0:17:23 | |
I've got a passion and love for old buildings, so I thought why not follow in Soane's footsteps | 0:17:23 | 0:17:29 | |
and show off some of the most amazing architectural elements | 0:17:29 | 0:17:32 | |
from across many, many periods of thousands of years. | 0:17:32 | 0:17:34 | |
Well, you've done a fantastic job, because it feels like a home but obviously an incredible amount | 0:17:34 | 0:17:40 | |
-of research has gone into it, but thank you so much. -Thank you. | 0:17:40 | 0:17:43 | |
For our second Georgian flashback, we're reeling back the years | 0:17:50 | 0:17:54 | |
to meet George and Sam, two doctors who had £700,000 to spend on their new property. | 0:17:54 | 0:18:00 | |
They wanted a bit of the Good Life with some space for some animals, | 0:18:00 | 0:18:03 | |
but when Jules Hudson showed them the mystery house, | 0:18:03 | 0:18:07 | |
as befits a mystery house, he wanted to challenge their ideas of big, open spaces | 0:18:07 | 0:18:12 | |
and paddocks for the animals and try and persuade them to take something a little more stately. | 0:18:12 | 0:18:18 | |
So, Jules' mystery house was in quaint village of Hartshead, | 0:18:18 | 0:18:22 | |
only 22 minutes by car from Leeds and a stone's throw from Dewsbury. | 0:18:22 | 0:18:28 | |
Hartshead itself is an old Norman settlement with plenty of history, | 0:18:28 | 0:18:32 | |
but would this property's historical charm | 0:18:32 | 0:18:34 | |
work on George and Sam? | 0:18:34 | 0:18:37 | |
Now then, guys, mystery house time. | 0:18:37 | 0:18:40 | |
What do you feel about living in the kind of aristocratic community, | 0:18:40 | 0:18:45 | |
because that's what you've got here? | 0:18:45 | 0:18:47 | |
-It's like a stately home! -It is a stately home. | 0:18:47 | 0:18:50 | |
It's Kirklees Hall, OK. Originally in private hands but was converted | 0:18:50 | 0:18:54 | |
in the '80s to provide 15 separate houses | 0:18:54 | 0:18:57 | |
and the house I'm going to show you is the second biggest one here, | 0:18:57 | 0:19:02 | |
but what you do get is a fantastically well-proportioned property and something | 0:19:02 | 0:19:06 | |
that is rather cosy, which I suspect is a bit more you, Sam. | 0:19:06 | 0:19:11 | |
-OK, yep. -Would that make sense? -Yep. -Shall we go inside? -Yep. | 0:19:11 | 0:19:14 | |
Let's go for it! | 0:19:14 | 0:19:15 | |
-Now come in to the hallway. -Oh, wow! -Goodness me! | 0:19:18 | 0:19:21 | |
You get a sense of this kind of grandeur because that's what you've got. | 0:19:21 | 0:19:25 | |
You've got a chunk of pucker English country house, the sort of thing | 0:19:25 | 0:19:29 | |
that most buyers could never even think of affording, but you get a slice of it. | 0:19:29 | 0:19:34 | |
Let's start in here. This is the kitchen. | 0:19:34 | 0:19:36 | |
Now then, Sam, if you don't like this, there's no pleasing you! | 0:19:36 | 0:19:40 | |
-Oh, no, it's gorgeous! -That is... | 0:19:40 | 0:19:43 | |
-Yeah! -Really beautifully decked-out, isn't it? | 0:19:43 | 0:19:46 | |
I think it's pretty special. | 0:19:46 | 0:19:48 | |
-Yeah, really amazing! -And these cupboards are like a second bedroom! | 0:19:48 | 0:19:52 | |
-They're huge! -Yeah, how much clobber are you guys bringing? | 0:19:52 | 0:19:55 | |
If you can't get it all in there, you know, you need to start | 0:19:55 | 0:19:58 | |
giving some of it away, because that's a lot of storage. | 0:19:58 | 0:20:01 | |
Now, is this moving you more, do you think in some ways? | 0:20:01 | 0:20:04 | |
Yeah. The kitchen, yeah, definitely. | 0:20:04 | 0:20:06 | |
-It's very big, it's got everything we need and it looks really nice. -You'd find this in a magazine. | 0:20:06 | 0:20:11 | |
Yeah, you would, wouldn't you? | 0:20:11 | 0:20:13 | |
As indeed you would the rest of the house! Come through here. | 0:20:13 | 0:20:16 | |
Now you've got two reception rooms in this property. This is the first one. | 0:20:16 | 0:20:21 | |
We'll just look in here, briefly. | 0:20:21 | 0:20:23 | |
-Quite a cosy little room. -It's lovely. -Nice working fireplace there. | 0:20:23 | 0:20:28 | |
-Oh, very good, yeah. -Original. | 0:20:28 | 0:20:30 | |
-Still working, is it? -Yeah, still working. -Brilliant. -And look at the views! | 0:20:30 | 0:20:33 | |
-Nice views out, yeah. -That's good. | 0:20:33 | 0:20:35 | |
Now, come through here, because this is simply enormous! | 0:20:35 | 0:20:42 | |
-Oh, my goodness! -That is huge! | 0:20:44 | 0:20:47 | |
It's a hell of a room, isn't it? | 0:20:47 | 0:20:49 | |
-Yep! -What do you reckon? -I love the windows. Three big windows, amazing! | 0:20:49 | 0:20:53 | |
Yeah. Really light from those... I mean it's very grand, isn't it? | 0:20:53 | 0:20:56 | |
It is! Can you see yourselves in here? | 0:20:56 | 0:20:58 | |
Is it too big, is it too grand, or is it workable? | 0:20:58 | 0:21:01 | |
Certainly it's very lovely, very pretty, but maybe a little bit too grand, the style in here. | 0:21:01 | 0:21:09 | |
It is the mystery house. Yes... The tour continues. | 0:21:09 | 0:21:12 | |
-Shall we go upstairs? -Absolutely! | 0:21:12 | 0:21:14 | |
Come on, follow me. | 0:21:14 | 0:21:15 | |
The tour of this remarkable property takes us upstairs, | 0:21:17 | 0:21:20 | |
which is equally impressive. There are four well-appointed bathrooms and five bedrooms, | 0:21:20 | 0:21:25 | |
all lovingly decorated with a rich sense of country house style. | 0:21:25 | 0:21:30 | |
Now, come into this room because this is the master bedroom and, | 0:21:30 | 0:21:36 | |
probably no great surprise, it's pretty masterful in a property like this!, | 0:21:36 | 0:21:40 | |
-Gosh? -Massive again, yeah! -Yeah? -That is... | 0:21:42 | 0:21:45 | |
-well, grand, to say the least! -Lovely fireplace. -Working fireplace. | 0:21:45 | 0:21:49 | |
-Yeah, really lovely. -Yeah, really, really beautiful. | 0:21:49 | 0:21:52 | |
-And, you know, whatever size bed you guys have got or want, it will fit in here. -No problem! | 0:21:52 | 0:21:58 | |
Loads of storage, all built-in and, you know again, glorious views and light. | 0:21:58 | 0:22:03 | |
Yeah, to wake up to that every morning must be a real privilege. | 0:22:03 | 0:22:07 | |
-Yeah. -Yeah, it's good fun. Also, of course, another bathroom, | 0:22:07 | 0:22:11 | |
no surprise, come through here. | 0:22:11 | 0:22:13 | |
There's the en suite that goes with this one. | 0:22:13 | 0:22:16 | |
-So, same size as the... -Yeah, almost as big as the other one! | 0:22:16 | 0:22:19 | |
Yeah, I mean, you know, and it's only the en suite, | 0:22:19 | 0:22:22 | |
but yeah, it's huge and, look, another great window. | 0:22:22 | 0:22:24 | |
George, you could lie in the bath and watch the seasons change! | 0:22:24 | 0:22:27 | |
A bit of a long bath, but yeah! | 0:22:27 | 0:22:30 | |
Yet another flight of stairs takes us up to a study area and the last bedroom. | 0:22:30 | 0:22:36 | |
Right, so, as promised, the final bedroom, | 0:22:36 | 0:22:40 | |
five of five, | 0:22:40 | 0:22:42 | |
and I love this, these stone mullioned windows, | 0:22:42 | 0:22:44 | |
right up in the gods of this property. | 0:22:44 | 0:22:46 | |
That is stunning, isn't it? Through there and the big tree | 0:22:46 | 0:22:49 | |
really sort of highlighted by that central window. | 0:22:49 | 0:22:52 | |
-Yeah, it's really sweet. -So, what do you think? | 0:22:52 | 0:22:57 | |
Again, another beautiful property. Very big, again. | 0:22:57 | 0:23:00 | |
Yeah, massive, yeah. | 0:23:00 | 0:23:02 | |
-So yes, it's really nice. -OK. | 0:23:02 | 0:23:04 | |
Let's go outside and have a look at the landscape that comes with it because | 0:23:04 | 0:23:08 | |
you know, it does really set it off. That's what it's about out there... | 0:23:08 | 0:23:11 | |
-18 acres of original parkland, and you get a bit of it as well! -Amazing! | 0:23:11 | 0:23:17 | |
Now, come out here. | 0:23:19 | 0:23:21 | |
Let's go down the garden and have a proper look at this property | 0:23:21 | 0:23:25 | |
cos, architecturally, I think it's fascinating. It's a piece of history. | 0:23:25 | 0:23:29 | |
When you get back out here, you can really see how this place has evolved over time. | 0:23:29 | 0:23:34 | |
-It's quite an interesting place, isn't it? -It's great! | 0:23:34 | 0:23:37 | |
-And your bit, is there. -Yeah. | 0:23:37 | 0:23:39 | |
-Definite little block, yeah. -With those four windows running across and you've got these two gables. | 0:23:39 | 0:23:43 | |
Now, as I say, the whole thing is within 18 acres, | 0:23:43 | 0:23:46 | |
stretching off into the background. | 0:23:46 | 0:23:49 | |
It rather does frame this property quite nicely and it's the formal areas that you get a chunk of - | 0:23:49 | 0:23:54 | |
the bit between that black railing and that one over there, | 0:23:54 | 0:23:57 | |
but you do have shared access to all the rest of the parkland. | 0:23:57 | 0:24:01 | |
Sort of walking...? | 0:24:01 | 0:24:02 | |
Walking, bike-riding, running around, do what you like! | 0:24:02 | 0:24:05 | |
I assume not for practical use as in? | 0:24:05 | 0:24:07 | |
That's the rub, that's the rub. | 0:24:07 | 0:24:09 | |
If you wanted pigs, etc, | 0:24:09 | 0:24:11 | |
you would have to find somewhere else to do it. | 0:24:11 | 0:24:13 | |
-OK. -So, let's have a think about how much it's going to cost you. | 0:24:13 | 0:24:18 | |
-Oooh! -I think it's probably going to be around 670, something like that? | 0:24:18 | 0:24:24 | |
I'm thinking around the same sort of thing, but possibly a touch lower, | 0:24:24 | 0:24:28 | |
but I think maybe if you hadn't gone for that, I might have gone for the same! | 0:24:28 | 0:24:33 | |
We'll say 650 to 660, perhaps? | 0:24:33 | 0:24:34 | |
OK. You wouldn't get it for 650, nor 660, nor indeed 670. | 0:24:34 | 0:24:41 | |
-It's on the market for 750. -We were way out! | 0:24:41 | 0:24:45 | |
I mean it may answer your question, perhaps, | 0:24:45 | 0:24:47 | |
as to whether this is the property for you. | 0:24:47 | 0:24:49 | |
Lots to think about, lots to take on board, very interesting house. | 0:24:49 | 0:24:53 | |
Go on, get out of the rain, go and have a look around | 0:24:53 | 0:24:55 | |
and I'll catch up with you a little bit later. | 0:24:55 | 0:24:57 | |
-OK. This is a real typical, country kitchen, isn't it? -Yeah. | 0:24:57 | 0:25:01 | |
It's what I imagined the houses would be like. | 0:25:01 | 0:25:04 | |
Absolutely. I mean we've got an Aga, Belfast sink. | 0:25:04 | 0:25:09 | |
All of that sort of ties in nicely and I think gives it | 0:25:09 | 0:25:12 | |
a really lovely feeling, a family type feeling. | 0:25:12 | 0:25:15 | |
We really wouldn't have thought to have looked anywhere like this, but cos it's got everything... | 0:25:15 | 0:25:19 | |
It's got the kind of country living | 0:25:19 | 0:25:23 | |
but with still being close to Leeds and also not being very isolated, | 0:25:23 | 0:25:26 | |
which is one of the things that we wanted so it was a clever choice coming here. | 0:25:26 | 0:25:30 | |
This property is a fantastic family home. | 0:25:30 | 0:25:34 | |
It is set in stunning surroundings. | 0:25:34 | 0:25:37 | |
It has a real sort of little community feel because of the other properties in the same place, | 0:25:37 | 0:25:42 | |
but I don't know that it's quite for us, but, you know, that's just an individual thing. | 0:25:42 | 0:25:48 | |
I think that was a compromise too far for Sam and George | 0:25:48 | 0:25:51 | |
but it had so many amazing period details, | 0:25:51 | 0:25:54 | |
we couldn't resist putting it into our Georgian jamboree and if your mouth is watering at the site of all | 0:25:54 | 0:26:01 | |
those high ceilings and beautiful sash windows, then have no fear. | 0:26:01 | 0:26:05 | |
Take a look at these properties which are on the market right now. | 0:26:05 | 0:26:09 | |
-For our second set of houses on the market today, | 0:26:11 | 0:26:13 | |
we're kicking off with this unusual | 0:26:13 | 0:26:15 | |
slate-fronted piece of Georgian architecture in Kent for £395,000. | 0:26:15 | 0:26:22 | |
Through the front door, you're greeted by a high-ceilinged hallway, | 0:26:22 | 0:26:27 | |
with stairs leading to five bedrooms. | 0:26:27 | 0:26:30 | |
The grandeur continues into the drawing room, | 0:26:30 | 0:26:33 | |
with a marble fireplace and French windows leading to a garden full of archetypal Englishness. | 0:26:33 | 0:26:40 | |
If you have a little more to spend, | 0:26:41 | 0:26:44 | |
then £925,000 will get you this charming cottage in West Sussex. | 0:26:44 | 0:26:50 | |
Four bedrooms, a huge Inglenook and a country kitchen | 0:26:50 | 0:26:54 | |
illustrate just some of the period charm of this Georgian home. | 0:26:54 | 0:26:58 | |
A fantastic rural garden is surrounded by some incredible ancient woodlands. | 0:26:58 | 0:27:03 | |
For just £50,000 more, this impressive Georgian farmhouse | 0:27:05 | 0:27:09 | |
in East Yorkshire is on the market at £975,000. | 0:27:09 | 0:27:13 | |
Six bedrooms and three spacious reception rooms | 0:27:15 | 0:27:18 | |
are full of some unique period features. | 0:27:18 | 0:27:21 | |
There is permission to convert the outbuildings into holiday lets | 0:27:22 | 0:27:26 | |
but who would want to share the regal lifestyle this property has to offer? | 0:27:26 | 0:27:30 | |
You've bought your beautiful Georgian house so the chances are | 0:27:35 | 0:27:38 | |
you want to fill it with beautiful Georgian furniture, but remember, | 0:27:38 | 0:27:41 | |
these are artworks on legs and so they require a great deal of special knowledge | 0:27:41 | 0:27:46 | |
to keep them in good nick, so I've come here to the West Dean College | 0:27:46 | 0:27:49 | |
in West Sussex to talk to Mike Podmaninski who will initiate me | 0:27:49 | 0:27:54 | |
in the mysteries of furniture conservation. | 0:27:54 | 0:27:57 | |
-Mike? -Alistair, how good to see you! | 0:28:04 | 0:28:06 | |
I didn't expect you to be looking through a microscope! | 0:28:06 | 0:28:09 | |
Well, this is one of my most important conservation tools. | 0:28:09 | 0:28:12 | |
What I'm looking at is a small bit of finish, a tiny little speck that's been taken from the box | 0:28:12 | 0:28:18 | |
that allows me to see that finish right up close and to help design | 0:28:18 | 0:28:23 | |
the treatment that I'm going to do to bring it back | 0:28:23 | 0:28:27 | |
to its lovely condition. | 0:28:27 | 0:28:28 | |
I can see it much better through the microscope than just with glasses on, you see. | 0:28:28 | 0:28:32 | |
It's like CSI antiques? | 0:28:32 | 0:28:34 | |
It is, indeed. Forensic science at its best. | 0:28:34 | 0:28:37 | |
Now I know that you really specialise in conservation as opposed to just restoration? | 0:28:37 | 0:28:42 | |
Conservation is a holistic approach to preservation of our heritage | 0:28:42 | 0:28:46 | |
objects that have come down to us over 200-500 hundred years. | 0:28:46 | 0:28:51 | |
We're interested in Georgian furniture. Have you got any? | 0:28:51 | 0:28:54 | |
-We do have some. Why don't you come in. -Yeah, after you. | 0:28:54 | 0:28:57 | |
Right, this is our workshop. | 0:28:57 | 0:28:59 | |
-So you have full-time students at conservation, here? -Yes, we do. | 0:28:59 | 0:29:03 | |
They're working with us on pieces of furniture | 0:29:03 | 0:29:07 | |
such as this Georgian chest of drawers. | 0:29:07 | 0:29:10 | |
It's actually in very good condition, structurally, | 0:29:10 | 0:29:13 | |
but there are some surface issues we're concerned about | 0:29:13 | 0:29:17 | |
such as the pushed-out veneer, some losses here. | 0:29:17 | 0:29:22 | |
What we do is we preserve evidence of use and wear | 0:29:22 | 0:29:28 | |
but we deal with areas of abuse and loss. | 0:29:28 | 0:29:32 | |
-Say, this area that has been stained by polish for 350 years... -Polishing the handles? | 0:29:32 | 0:29:39 | |
Polishing the handles, or running their hands over it. | 0:29:39 | 0:29:43 | |
That is seen as a lovely highlight to the piece. | 0:29:43 | 0:29:46 | |
That's showing the evolution of this finish, so where we would clean it | 0:29:46 | 0:29:51 | |
very carefully, we would maintain that history of all that use. | 0:29:51 | 0:29:57 | |
So conservation keeps that story... | 0:29:57 | 0:29:58 | |
because that's like the story of the furniture, that people have been touching it | 0:29:58 | 0:30:03 | |
-and polishing it and you say you don't want to get rid of that? -Exactly. | 0:30:03 | 0:30:06 | |
Your students learn how these things were made? | 0:30:06 | 0:30:09 | |
Yes, indeed. If you step over here, we have actually from an earlier period, sorry it's not Georgian, | 0:30:09 | 0:30:16 | |
a 17th-century stool that a student has made starting | 0:30:16 | 0:30:21 | |
literally with a log on the ground, and with only hand tools. | 0:30:21 | 0:30:25 | |
It's almost finished now. It just needs a top to be comfy. | 0:30:25 | 0:30:28 | |
-It's 17th-century because of the way it's made? -It is in every way. | 0:30:28 | 0:30:31 | |
It just happens to have been made now and the student will now go on to work with mahogany and walnut | 0:30:31 | 0:30:38 | |
and dovetails and all those techniques | 0:30:38 | 0:30:40 | |
-that were used in the Georgian period. -So, no nuts and bolts? | 0:30:40 | 0:30:43 | |
No nuts and bolts, no glue. | 0:30:43 | 0:30:45 | |
Once Mike's students have an understanding of how a piece | 0:30:45 | 0:30:49 | |
of furniture was made, they're equipped for the business of conservation. | 0:30:49 | 0:30:54 | |
-Alistair, this is Dave. -Hello, Dave. -Hi, nice to meet you. | 0:30:54 | 0:30:57 | |
-One of our conservation students. -Wonderful! What are you doing here? | 0:30:57 | 0:31:01 | |
I'm working on this 18th-century gilt wood mirror frame | 0:31:01 | 0:31:05 | |
at the moment, which came to us with various losses to the carve detail. | 0:31:05 | 0:31:09 | |
-So these have snapped off at the side there? -Exactly that. | 0:31:09 | 0:31:12 | |
There was some damage here and this is a piece that I carved in | 0:31:12 | 0:31:16 | |
last week and various other small pieces of damage. | 0:31:16 | 0:31:19 | |
And there's a big thing at the top missing? | 0:31:19 | 0:31:23 | |
Yeah, yeah. I mean the focal point of these mirrors is generally | 0:31:23 | 0:31:26 | |
the central section at the top there and as you can see, | 0:31:26 | 0:31:31 | |
it was all lost, so over a period of a couple | 0:31:31 | 0:31:35 | |
of weeks really, I've been researching what it was, | 0:31:35 | 0:31:38 | |
based on the existing carving that is already there. | 0:31:38 | 0:31:42 | |
This is detective work, looking at historical precedent and finding out what other people do? | 0:31:42 | 0:31:47 | |
Exactly that. It's a very exciting-looking object as you can see now, | 0:31:47 | 0:31:51 | |
but what that would have originally started out as | 0:31:51 | 0:31:54 | |
would have been as four pieces of timber - | 0:31:54 | 0:31:56 | |
a bottom, two sides and a rather larger piece at the top here, so if you can just imagine a line | 0:31:56 | 0:32:02 | |
that runs down there, that's around about the width of the original timber, and the original craftsman | 0:32:02 | 0:32:08 | |
would have gone in and relieved all of these areas | 0:32:08 | 0:32:11 | |
and carved it all away so it gives the impression | 0:32:11 | 0:32:14 | |
of a frame with the flowers and the ribbons curling round. | 0:32:14 | 0:32:18 | |
It really is a tour de force of Georgian carving. | 0:32:18 | 0:32:21 | |
There's a tremendous amount of work that went into it originally | 0:32:21 | 0:32:25 | |
and as with the stool we looked at before, | 0:32:25 | 0:32:27 | |
this is Dave's exercise in getting into the head of that original craftsman | 0:32:27 | 0:32:32 | |
and understanding how he used his hands and then putting that back | 0:32:32 | 0:32:36 | |
into the piece for the restoration. | 0:32:36 | 0:32:38 | |
It's wonderful work. | 0:32:38 | 0:32:40 | |
Thank you for showing me around and it does | 0:32:40 | 0:32:42 | |
bring these items alive and if you're living in a Georgian house, | 0:32:42 | 0:32:45 | |
actually to have these Georgian artefacts around | 0:32:45 | 0:32:47 | |
does make you feel very connected to that period! | 0:32:47 | 0:32:50 | |
Oh, it's lovely. A warm, warm feeling. | 0:32:50 | 0:32:52 | |
In a moment, I'll be showing you my all-time favourite Georgian property but take a look | 0:32:57 | 0:33:02 | |
at some of these beautiful period properties that we've featured over the years. | 0:33:02 | 0:33:06 | |
I want you to look at that. | 0:33:06 | 0:33:08 | |
Yes! | 0:33:08 | 0:33:10 | |
-Really! -I think she likes it! | 0:33:12 | 0:33:15 | |
Now that's how exciting Georgian architecture can be. | 0:33:15 | 0:33:18 | |
For Emma and Malachi, this striking Georgian house was love at first sight. | 0:33:18 | 0:33:23 | |
It's beautiful! I'd move in tomorrow! | 0:33:23 | 0:33:25 | |
Don and Leone were put in a spin by this fantastic Georgian farmhouse... | 0:33:25 | 0:33:30 | |
-Very nice! -It's a job to know which way to look! -I know! | 0:33:30 | 0:33:33 | |
-That's always a good sign! -This is lovely! | 0:33:33 | 0:33:35 | |
And Leone certainly enjoyed the Georgian period features. | 0:33:35 | 0:33:39 | |
You know I like that arch, Alistair! | 0:33:39 | 0:33:41 | |
A charming setting and beautiful interiors were helping Rosemary | 0:33:41 | 0:33:46 | |
persuade Fred to move into this period property. | 0:33:46 | 0:33:49 | |
Does this period appeal, this Georgian period? | 0:33:49 | 0:33:52 | |
-It does to me. -Fred? -And I do what I'm told! | 0:33:52 | 0:33:55 | |
Rosemary was even planning her family around this house... | 0:33:56 | 0:33:59 | |
-How many bedrooms did you want, ideally? -Five. | 0:33:59 | 0:34:03 | |
OK. This has nine. | 0:34:03 | 0:34:05 | |
Ooh, right, OK! Sons and daughters had better start producing, I think! | 0:34:05 | 0:34:10 | |
When it comes to buying Georgian property, the race is on. | 0:34:10 | 0:34:14 | |
-Go back inside, have a good look and tell me what you think afterwards. -Come on, let's run! | 0:34:14 | 0:34:19 | |
Our final Georgian treat is in Sutton Lane Ends in Cheshire and we were house-hunting | 0:34:25 | 0:34:30 | |
for a lovely couple from Manchester called Kate and Eric, and Kate was working at Manchester Airport, | 0:34:30 | 0:34:36 | |
so she needed to commute, but unusually, they also wanted space for archery and alpacas, | 0:34:36 | 0:34:41 | |
and we don't look for that very often! | 0:34:41 | 0:34:44 | |
However, we managed to find them a house that offered them that, plus some beautiful Georgian interiors. | 0:34:44 | 0:34:50 | |
The village of Sutton Lane Ends is just south of Macclesfield | 0:34:52 | 0:34:56 | |
and only a 30-minute drive to Manchester Airport. | 0:34:56 | 0:34:59 | |
Eric and Kate wouldn't go thirsty with a choice of pubs to look after them, | 0:35:01 | 0:35:06 | |
and if they needed to walk off a hearty pub lunch, then there's always | 0:35:06 | 0:35:10 | |
the Macclesfield Canal, with stunning views of surrounding countryside. | 0:35:10 | 0:35:16 | |
With their budget of £950,000, I had high hopes for this property. | 0:35:16 | 0:35:22 | |
This is your property. | 0:35:22 | 0:35:25 | |
-Oh, right! -What are your first thoughts? | 0:35:25 | 0:35:28 | |
It's quite splendid, really! | 0:35:28 | 0:35:30 | |
I quite like the look of it from the outside. | 0:35:30 | 0:35:32 | |
It used to be the toll house for the silk road to London. | 0:35:32 | 0:35:34 | |
-Did it? -Down to London. | 0:35:34 | 0:35:36 | |
Right, it's got quite a bit of history, then? | 0:35:36 | 0:35:39 | |
-Let's have a look. -OK. | 0:35:39 | 0:35:41 | |
-So we're heading into the loft. -OK, thank you. | 0:35:44 | 0:35:47 | |
-Wow! -What do you think of that? -That's fabulous! Oh, look, an island! | 0:35:47 | 0:35:54 | |
-Isn't that lovely! -Yes, that's absolutely gorgeous, I love it! | 0:35:54 | 0:35:58 | |
That absolutely fits the bill. | 0:35:58 | 0:36:00 | |
-It's quite a change of gear when you come inside. Very contemporary. -Absolutely! | 0:36:00 | 0:36:03 | |
-And quiet! -And quiet, yes. -And that is a spectacular kitchen. | 0:36:03 | 0:36:07 | |
That is beautiful, it really is pretty. | 0:36:07 | 0:36:09 | |
-Very nice. -And here is your island. You wanted an island, I give you an island. -Absolutely fabulous. | 0:36:09 | 0:36:14 | |
-And two sinks! -Marvellous, beautiful. | 0:36:14 | 0:36:16 | |
Big butcher's block which you can pull out and clean. | 0:36:16 | 0:36:19 | |
-Oh, yes, look! -Fabulous! | 0:36:19 | 0:36:20 | |
It's a wonderful kitchen. | 0:36:20 | 0:36:22 | |
You've got a nice little sitting area there, | 0:36:22 | 0:36:24 | |
so you can sit and chat to your friends while they're cooking. | 0:36:24 | 0:36:27 | |
-Yep.. -That's nice. -And lots of nice features. | 0:36:27 | 0:36:29 | |
There's a filter water tap on that sink over there, right, and this is something I really like. | 0:36:29 | 0:36:34 | |
I'd buy the house just for this. | 0:36:34 | 0:36:36 | |
You want your cup of tea, it's fine. | 0:36:36 | 0:36:38 | |
You put your tea bag in your cup and then, hey-hey... | 0:36:38 | 0:36:44 | |
non-stop hot water! | 0:36:44 | 0:36:46 | |
Oh, that is brilliant! | 0:36:46 | 0:36:48 | |
-Boiling hot water on tap. -Where is it coming from? -Wow! | 0:36:48 | 0:36:51 | |
-Is it from the Aga? -Yeah, it's heated from the range. That's fantastic! | 0:36:51 | 0:36:55 | |
-That's brilliant! -Yes! -We could move in here. | 0:36:55 | 0:36:58 | |
-Yes, definitely. -Definitely! | 0:36:58 | 0:37:00 | |
The hi-tech kitchen has gone down a storm but there's plenty more to see. | 0:37:00 | 0:37:04 | |
Behind the kitchen is a light and airy study and well-equipped, spacious utility. | 0:37:04 | 0:37:10 | |
-All your white goods here, big American washer. -Utility room... | 0:37:10 | 0:37:14 | |
-Loads of storage space. -Lots of free... | 0:37:14 | 0:37:16 | |
Loads of space to work, absolutely! | 0:37:16 | 0:37:18 | |
But before I reveal the rest of downstairs, I want to win them over | 0:37:18 | 0:37:22 | |
with the upstairs, where there are four generous bedrooms. | 0:37:22 | 0:37:25 | |
In the original late-Georgian/early- Victorian property, these would have been | 0:37:25 | 0:37:30 | |
the grandest rooms because then the front of the house | 0:37:30 | 0:37:32 | |
would have just been onto a gentle sort of horse-track. | 0:37:32 | 0:37:35 | |
Now in contemporary times with the busy road, the master bedroom moves to the back of the house. | 0:37:35 | 0:37:40 | |
Right, yes, yeah. | 0:37:40 | 0:37:41 | |
On the way to the master bedroom is the family bathroom. | 0:37:41 | 0:37:45 | |
So the bathroom is a little small but if you come down into what they're using as the master bedroom, | 0:37:45 | 0:37:49 | |
it's got it's own little en suite with a sort of wet room/shower. | 0:37:49 | 0:37:53 | |
Right. | 0:37:53 | 0:37:54 | |
Well, it's not huge. It's not as big as the house... | 0:37:54 | 0:37:57 | |
It's almost as big as the two other bedrooms, isn't it? | 0:37:57 | 0:38:00 | |
-This actually would have been the servants' part. -Right. | 0:38:00 | 0:38:02 | |
-Not the grand part. -This is just the sort of house I dreamt of! | 0:38:02 | 0:38:06 | |
I've saved the best till last. | 0:38:06 | 0:38:08 | |
My gosh, is there more? | 0:38:08 | 0:38:09 | |
Of course there's more! | 0:38:09 | 0:38:12 | |
Back downstairs is the stylish sitting room. | 0:38:12 | 0:38:14 | |
-This is just... -This is absolutely fabulous. | 0:38:14 | 0:38:19 | |
-It's much more contemporary. -Absolutely fantastic, isn't it? -It's absolutely top-notch! | 0:38:19 | 0:38:25 | |
-So you've got this see-through... -I love it! -Both sides open, gas-effect fire. | 0:38:25 | 0:38:29 | |
That's so contemporary. It really is. | 0:38:29 | 0:38:33 | |
Even though it's an old house, it just fits so well. | 0:38:33 | 0:38:36 | |
-But if you like that room, you're gonna love this one! -Oh, my gosh! | 0:38:36 | 0:38:40 | |
Woo-hoo! | 0:38:40 | 0:38:42 | |
-This is absolutely magnificent! -Good gracious! | 0:38:42 | 0:38:46 | |
-This... -Oh, it's lovely! | 0:38:46 | 0:38:48 | |
Is one of the most impressive winter gardens/orangery/greenhouses I've ever seen in my life. | 0:38:48 | 0:38:53 | |
Absolutely spectacular, isn't it? | 0:38:53 | 0:38:55 | |
-It's absolutely brilliant. It's perfect. -Yeah. | 0:38:55 | 0:38:58 | |
-This was actually designed by Joseph Paxton who built the Crystal Palace. -Really? | 0:38:58 | 0:39:03 | |
And although it's been renovated, the struts and the outside columns | 0:39:03 | 0:39:07 | |
are the original parts of the orangery. | 0:39:07 | 0:39:09 | |
-Who would have thought? -Oh, my gosh! | 0:39:09 | 0:39:11 | |
Just driving past the front of the house. | 0:39:11 | 0:39:14 | |
Think of the parties! | 0:39:14 | 0:39:15 | |
This is... I was just going to say the same thing! | 0:39:15 | 0:39:17 | |
This is a party room. | 0:39:17 | 0:39:20 | |
-It's so brilliant! -It is. | 0:39:20 | 0:39:21 | |
This is, absolutely. | 0:39:21 | 0:39:24 | |
Now, outside. | 0:39:24 | 0:39:25 | |
Well, my gosh! | 0:39:25 | 0:39:27 | |
This is absolutely fantastic! Which bit is ours? I can't believe it! | 0:39:27 | 0:39:32 | |
Just put it this way. | 0:39:32 | 0:39:34 | |
The lake is yours. | 0:39:34 | 0:39:35 | |
Wooh, wooh, it's fabulous! | 0:39:35 | 0:39:39 | |
The geese are yours. | 0:39:39 | 0:39:40 | |
If they'll stay! | 0:39:42 | 0:39:43 | |
-What about the sheep? -The sheep are yours. | 0:39:44 | 0:39:47 | |
No, oh, there's some alpacas! Ooh, look! | 0:39:47 | 0:39:50 | |
That is absolutely amazing! | 0:39:50 | 0:39:52 | |
Don't say I don't listen to your wish-list! | 0:39:52 | 0:39:55 | |
That is absolutely perfect! | 0:39:55 | 0:39:57 | |
-It's got everything! -Oooh! What's the matter? | 0:39:57 | 0:40:00 | |
Why can't we have it? | 0:40:00 | 0:40:02 | |
It's a glorious bit of property. | 0:40:02 | 0:40:05 | |
-Isn't this abs... -You've got almost 6 acres. | 0:40:05 | 0:40:07 | |
-Come on, let's meet your alpacas! -Aah! | 0:40:07 | 0:40:11 | |
The more formal gardens and terraces near the house open out to fields | 0:40:11 | 0:40:16 | |
and paddocks, providing plenty of room for ducks, | 0:40:16 | 0:40:20 | |
sheep and those all-important alpacas. | 0:40:20 | 0:40:22 | |
-They're quite willing to sell these with the property. -Really? -Yes. | 0:40:22 | 0:40:26 | |
-Beautiful faces. -I think every country estate should have one! | 0:40:26 | 0:40:29 | |
-Hello! -Absolutely! And they're very self-sufficient... | 0:40:29 | 0:40:33 | |
-look after themselves! -They're hilarious, yeah. | 0:40:33 | 0:40:36 | |
You just shear them every year, and that's it! | 0:40:36 | 0:40:40 | |
-This is your river. -No way! | 0:40:40 | 0:40:44 | |
-This is excellent! -This is outstanding, absolutely outstanding! | 0:40:44 | 0:40:50 | |
Basically you have fishing rights all along this bank | 0:40:50 | 0:40:53 | |
-and your property goes into halfway across the river. -Isn't it beautiful? | 0:40:53 | 0:40:57 | |
Oh, it's just like a fairytale... | 0:40:57 | 0:41:00 | |
-it's gorgeous! -Here's the crunch. | 0:41:00 | 0:41:04 | |
What? Oh, no! | 0:41:04 | 0:41:06 | |
-This is almost 6 acres, about 5 and a half acres of land. -Right. | 0:41:06 | 0:41:10 | |
How much do you think this is on? | 0:41:10 | 0:41:12 | |
Please don't say 675! | 0:41:12 | 0:41:15 | |
-I'd say yes, it was over 950, definitely over that! What do you think? -Yes, well I'm going to say... | 0:41:15 | 0:41:20 | |
-I think I'll say 950, because you knew that was our budget. -Right. | 0:41:20 | 0:41:25 | |
You're being hopeful, with that. I like that. Optimist is good. | 0:41:25 | 0:41:29 | |
It's actually on at 985. | 0:41:29 | 0:41:31 | |
-Really? -Mmm-hmm. -For all of it? | 0:41:31 | 0:41:33 | |
-All of it! -That's fantastic! | 0:41:33 | 0:41:36 | |
-Well.. -I think it's worth every penny. -You've got to bear in mind... | 0:41:36 | 0:41:39 | |
-what you have got to bear in mind is all budgets are negotiable. -Exactly! | 0:41:39 | 0:41:43 | |
They have actually brought it down from over a million, so why don't you have a wander. | 0:41:43 | 0:41:47 | |
I know you just want to play with the alpacas, but you should go inside, | 0:41:47 | 0:41:49 | |
take in the full scope of the property and I'll meet you here, talking to Fru-Fru and Fi-Fi. | 0:41:49 | 0:41:56 | |
-Is that what they're called? -That's what I've called them. | 0:41:56 | 0:41:59 | |
-OK. -I think they're both men, actually, but still! | 0:41:59 | 0:42:00 | |
Fru-Fru, Fi-Fi! | 0:42:02 | 0:42:05 | |
My first impressions of the outside of the house, I didn't think I was going to like it, | 0:42:06 | 0:42:10 | |
so I was surprised, because when you came through the front door | 0:42:10 | 0:42:13 | |
and you came straightaway into the kitchen. | 0:42:13 | 0:42:16 | |
I mean the kitchen is really my thing, and you couldn't help but love it. | 0:42:16 | 0:42:20 | |
I'm absolutely amazed! This is just an outstanding property. | 0:42:20 | 0:42:23 | |
It ticks all the boxes, to use an overworked cliche. | 0:42:23 | 0:42:28 | |
-This is an "us" room, really. -It is. | 0:42:28 | 0:42:31 | |
-It's an "Eric and Kate" room, yeah. -It's got everything we want. | 0:42:31 | 0:42:34 | |
The outside space was, to me, unbelievable. I was speechless. | 0:42:34 | 0:42:39 | |
Look at these little guys, they look like pigeons with webbed feet! | 0:42:39 | 0:42:46 | |
-Oh, it's lovely! -Thank you very much indeed. | 0:42:46 | 0:42:49 | |
It's lovely, absolutely gorgeous! | 0:42:49 | 0:42:51 | |
That was a beautiful Georgian property, | 0:42:54 | 0:42:56 | |
although I'm not sure how "period" the alpacas were! | 0:42:56 | 0:42:59 | |
It brings us to the end of our stroll through the orderly and symmetrical world | 0:42:59 | 0:43:04 | |
of the Georgians, and I hope that we've inspired you | 0:43:04 | 0:43:07 | |
to go out and love this most spectacular period | 0:43:07 | 0:43:10 | |
in British architectural history, | 0:43:10 | 0:43:12 | |
and make sure you join us next time for more Escape To The Country. | 0:43:12 | 0:43:16 | |
And if you'd like to Escape To The Country yourself | 0:43:18 | 0:43:21 | |
and need our help, please contact us through our website... | 0:43:21 | 0:43:24 | |
Subtitles by Red Bee Media Ltd | 0:43:44 | 0:43:47 | |
E-mail [email protected] | 0:43:47 | 0:43:50 |