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Welcome to a very special edition of Escape To The Country. | 0:00:02 | 0:00:05 | |
Today, I'm in a city that's been home to one of our most important ports since the 12th century. | 0:00:05 | 0:00:10 | |
We're not embarking on a journey across the oceans, rather more of a spiritual trip | 0:00:10 | 0:00:15 | |
as we take another look at some of the very best chapel conversions we've had on the show. | 0:00:15 | 0:00:20 | |
'In today's show we take a look back at a selection of favourite chapel conversions from previous shows... | 0:00:33 | 0:00:39 | |
'where a former Welsh chapel causes some indecision.' | 0:00:39 | 0:00:43 | |
I don't know whether to laugh, cry or pray! | 0:00:43 | 0:00:47 | |
'A master bedroom reveals a masterpiece of stained glass.' | 0:00:47 | 0:00:51 | |
Oh God. | 0:00:51 | 0:00:53 | |
Well, indeed! | 0:00:53 | 0:00:56 | |
'And we see how you can never judge a book by its cover with a Victorian chapel in Yorkshire.' | 0:00:57 | 0:01:03 | |
Whoa! | 0:01:03 | 0:01:05 | |
Oh, my goodness. | 0:01:05 | 0:01:07 | |
That is pretty special, isn't it? | 0:01:07 | 0:01:09 | |
Plus, I get to grips with what it takes to create the chapel effect in your own home | 0:01:09 | 0:01:14 | |
with a kaleidoscope of colours. | 0:01:14 | 0:01:17 | |
Today, I'm in Bristol, capital of the South West. | 0:01:17 | 0:01:21 | |
This once grand, now sadly crumbling, building is the first cathedral in the UK | 0:01:21 | 0:01:25 | |
to have been deconsecrated with plans to turn it into luxury apartments. | 0:01:25 | 0:01:30 | |
It's an extraordinary project that is now about to begin. | 0:01:30 | 0:01:33 | |
I can't wait to get inside and see what they've got planned. | 0:01:33 | 0:01:36 | |
The men responsible for making it happen are over here, Andrew and John. Andrew, you're the architect. | 0:01:41 | 0:01:46 | |
How do you start to turn this huge cavernous volume into a modern building? | 0:01:46 | 0:01:51 | |
Obviously, it's listed so you need to be sensitive in your approach, | 0:01:51 | 0:01:54 | |
and we would always try | 0:01:54 | 0:01:56 | |
and touch the existing fabric as lightly as possible. | 0:01:56 | 0:01:59 | |
If we come back here when it's finished, will we still recognise it as the cathedral as it once was? | 0:01:59 | 0:02:04 | |
I think so. We'll insert the apartments down the central space in between the columns, | 0:02:04 | 0:02:08 | |
keeping these four high spaces either side which we're going to open the roof up and let natural light in. | 0:02:08 | 0:02:13 | |
How much of a task will this be? | 0:02:13 | 0:02:14 | |
A fantastic challenge. | 0:02:14 | 0:02:16 | |
It's everything you want as a contractor. | 0:02:16 | 0:02:18 | |
We're not taking it lightly, we're doing extensive research, you have to plan very meticulously. | 0:02:18 | 0:02:23 | |
Thank you very much, guys. We wish you all the best of luck | 0:02:23 | 0:02:26 | |
with what I'm sure will be a fantastic project. | 0:02:26 | 0:02:29 | |
Whether you can afford a cathedral, an abbey or fancy a little old church spire, | 0:02:29 | 0:02:33 | |
stick with us on Escape To The Country | 0:02:33 | 0:02:35 | |
as we explore all there is to know about chapel conversions. | 0:02:35 | 0:02:38 | |
Chapel conversions have given us some of the quirkiest homes on Escape To The Country. | 0:02:41 | 0:02:46 | |
For those looking for real character and country charm, | 0:02:46 | 0:02:49 | |
an old chapel could be the perfect place to live. | 0:02:49 | 0:02:52 | |
The most exciting thing about chapel conversions is that they provide an interior space | 0:02:54 | 0:02:59 | |
which can provide period features with an ultra-modern finish to amazing effect. | 0:02:59 | 0:03:05 | |
Of course, chapels will often come with graveyards but if those aren't the neighbours you're after, | 0:03:05 | 0:03:10 | |
you could go for a Methodist chapel which, generally speaking, don't have graveyards attached. | 0:03:10 | 0:03:15 | |
Over the years, we've seen some truly fantastic chapel conversions on Escape To The Country | 0:03:16 | 0:03:22 | |
that really have made the best use of the space available. | 0:03:22 | 0:03:26 | |
Picking the best of the best really has been something of a challenge. | 0:03:26 | 0:03:30 | |
But we're going to start today with an example from West Wales. | 0:03:30 | 0:03:33 | |
Sue and Alan were looking for a three bedroom property, with a large garden, and nice high ceilings - | 0:03:33 | 0:03:38 | |
Alan, after all, was 6'2" tall - and all for a budget of £300,000. | 0:03:38 | 0:03:43 | |
Now, when we started our house tour a chapel conversion certainly wasn't on their list of requirements, | 0:03:43 | 0:03:49 | |
but by the time we got to the mystery house, | 0:03:49 | 0:03:51 | |
all of those preconceptions were thrown out of the window. | 0:03:51 | 0:03:54 | |
Here's what happened. | 0:03:54 | 0:03:56 | |
'And this gem of a property was to be found in Pentregat. | 0:03:56 | 0:04:01 | |
'It's just five minutes from Llandgwydd, | 0:04:01 | 0:04:03 | |
'a seaside village in a narrow valley on the coast of Ceredigion, | 0:04:03 | 0:04:07 | |
'and has all the elements that conspire to make it a tourist hot spot in the summer.' | 0:04:07 | 0:04:12 | |
Now, I don't know how religious the pair of you are, | 0:04:12 | 0:04:16 | |
-or how often you go to church or to chapel. -Right. | 0:04:16 | 0:04:19 | |
If you have any of that disposition at all... | 0:04:19 | 0:04:23 | |
There's no excuse for not saying your prayers here! | 0:04:23 | 0:04:28 | |
It's certainly got the oh-my-God factor, hasn't it? | 0:04:28 | 0:04:31 | |
Good one, Alan! This chapel is a bit of a risk on my behalf, | 0:04:31 | 0:04:35 | |
as it's the type of property that either makes you run a mile or you completely fall in love with it. | 0:04:35 | 0:04:40 | |
'I'm hoping for the latter.' | 0:04:40 | 0:04:42 | |
What about that for an entrance hall? | 0:04:45 | 0:04:47 | |
-I kind of feel like we should have a butler in here to greet you. -Yeah. Yeah. | 0:04:47 | 0:04:52 | |
I don't know whether to laugh, cry or pray! | 0:04:52 | 0:04:57 | |
Let's start with the living room. | 0:04:57 | 0:05:00 | |
Go through that door there. | 0:05:00 | 0:05:02 | |
-OK. -And tell me what you think of that. | 0:05:02 | 0:05:04 | |
Look at that. | 0:05:06 | 0:05:10 | |
Beautiful fireplace. | 0:05:10 | 0:05:12 | |
Lots of light as well. | 0:05:12 | 0:05:13 | |
-I was expecting it to be darker actually. -Yeah. I was concerned. | 0:05:13 | 0:05:17 | |
But no, it's fantastic. | 0:05:17 | 0:05:19 | |
This is nice. | 0:05:21 | 0:05:22 | |
-I think this is lovely. -It's nice. It's wonderful. | 0:05:22 | 0:05:25 | |
Huge family dining area. | 0:05:25 | 0:05:27 | |
And it does turn it from a chapel into a home. | 0:05:27 | 0:05:31 | |
Yes. Absolutely. | 0:05:31 | 0:05:33 | |
I'm glad that went down well. | 0:05:35 | 0:05:37 | |
But, there's plenty more to the downstairs, including a study and a family bathroom, | 0:05:37 | 0:05:43 | |
as well as the kitchen. | 0:05:43 | 0:05:45 | |
This...this is good. | 0:05:50 | 0:05:53 | |
You're not sure, are you? | 0:05:53 | 0:05:56 | |
-Just a bit small, I think, for what I had in mind as a sort of Escape To The Country-type kitchen. -Yes. | 0:05:56 | 0:06:03 | |
But we're in a chapel anyway, this is not what we were expecting. | 0:06:03 | 0:06:06 | |
The whole thing is not what we were expecting! | 0:06:06 | 0:06:08 | |
Bear with me. Stay with me. Don't give up! | 0:06:08 | 0:06:11 | |
'At the top of the stairs on either side are two double bedrooms with feature stained glass windows, | 0:06:13 | 0:06:18 | |
'and one also sports an en suite, but it's now time to reveal the piece de resistance.' | 0:06:18 | 0:06:24 | |
Your master bedroom. | 0:06:25 | 0:06:27 | |
Come in, come in, to your very own private domain. | 0:06:30 | 0:06:33 | |
-Wow. Yeah. -This is another wow. | 0:06:33 | 0:06:36 | |
-I said I wouldn't let you down. Also... -Come on, Jules. | 0:06:36 | 0:06:40 | |
We have your en suite that you so desperately wanted. | 0:06:40 | 0:06:43 | |
-I'm scared to go in now! -Another en suite? | 0:06:43 | 0:06:46 | |
Another en suite, but this is all for you. | 0:06:46 | 0:06:48 | |
Look at this. | 0:06:48 | 0:06:50 | |
'Sue is loving this chapel conversion. | 0:06:50 | 0:06:54 | |
'There's also a boarded attic space that needs to be utilised, | 0:06:54 | 0:06:57 | |
'and a garden that I know will receive heaps of praise from Alan.' | 0:06:57 | 0:07:01 | |
This is a football pitch! | 0:07:01 | 0:07:02 | |
-It's a good excuse for you to invest in a big boy's toy. Get yourself a nice... -Tractor. | 0:07:02 | 0:07:06 | |
-Ride-on mower in here and keep it all under control. -Yeah. | 0:07:06 | 0:07:10 | |
So... | 0:07:10 | 0:07:12 | |
Don't ask me! | 0:07:14 | 0:07:15 | |
Sue, I'll ask you. | 0:07:16 | 0:07:18 | |
I want to say over £400,000. | 0:07:18 | 0:07:21 | |
£400,000. | 0:07:21 | 0:07:22 | |
If I said that we wouldn't be here looking. | 0:07:22 | 0:07:25 | |
350. | 0:07:27 | 0:07:29 | |
350? | 0:07:29 | 0:07:31 | |
But I don't think I do that justice in the price. | 0:07:31 | 0:07:33 | |
Not a bad guess. Properties like this do go for that sort of money. | 0:07:33 | 0:07:38 | |
The good news... | 0:07:38 | 0:07:40 | |
..is that you could afford this place. | 0:07:41 | 0:07:43 | |
-Really? -This is on the market for just under £300,000. | 0:07:43 | 0:07:48 | |
What's wrong with it? | 0:07:48 | 0:07:51 | |
I've kind of... | 0:07:51 | 0:07:52 | |
Although it's a lovely place, I kind of dismissed it because I didn't believe we could afford it. | 0:07:52 | 0:07:57 | |
The chapel... | 0:07:59 | 0:08:01 | |
is wonderful. It's huge. | 0:08:01 | 0:08:04 | |
Loads and loads of space. | 0:08:04 | 0:08:06 | |
I began this experience | 0:08:06 | 0:08:08 | |
with a pretty firm idea of what I thought I wanted and needed. | 0:08:08 | 0:08:14 | |
This house has completely blown that sky high. | 0:08:14 | 0:08:19 | |
Well. Happy faces, I like. | 0:08:19 | 0:08:22 | |
Slightly confused, I suspect. | 0:08:22 | 0:08:24 | |
Yeah. Incredibly confused. | 0:08:24 | 0:08:26 | |
-Yeah. -Messed heads. | 0:08:26 | 0:08:29 | |
Perhaps one of the most prominent features of many church and chapel conversions | 0:08:34 | 0:08:38 | |
is this stuff, stained glass. | 0:08:38 | 0:08:40 | |
Whether you fancy restoring some, or creating some of your own, | 0:08:40 | 0:08:44 | |
you may be surprised to learn it's not as hard as you think. | 0:08:44 | 0:08:47 | |
Eddie here from the Creative Glass Guild will show me how it's done. It looks very difficult. | 0:08:47 | 0:08:51 | |
Not as hard as you might think, Jules. | 0:08:51 | 0:08:54 | |
I think even you might be able to have a go at putting something together. | 0:08:54 | 0:08:57 | |
-Where do we start? -Picking some glass would be a good place to start. | 0:08:57 | 0:09:01 | |
Lead on. | 0:09:01 | 0:09:03 | |
'And there's certainly a lot of glass to choose from. | 0:09:06 | 0:09:09 | |
'Having started in 1979, | 0:09:09 | 0:09:11 | |
'the Creative Glass Guild is now one of the biggest stain glass producers in Europe. | 0:09:11 | 0:09:16 | |
'They promote all types of glass, art and education, | 0:09:16 | 0:09:20 | |
'including glass restoration for sympathetic replacement in listed buildings.' | 0:09:20 | 0:09:24 | |
If you're thinking about restoration of some sort, then this would be what you might use. | 0:09:26 | 0:09:32 | |
As you can see, it has a lot of movement in it, it's not perfectly flat. | 0:09:32 | 0:09:36 | |
That sort of mimics what an old sheet of glass would look like. | 0:09:36 | 0:09:40 | |
Obviously this isn't stained. | 0:09:40 | 0:09:42 | |
But that would just be a... | 0:09:42 | 0:09:45 | |
The obvious point is that much glass today is coloured as it's made, isn't it? | 0:09:45 | 0:09:50 | |
-Yes. -Whereas original stained glass would have been stained, | 0:09:50 | 0:09:54 | |
it would have started off clear and then coloured later? | 0:09:54 | 0:09:57 | |
Yeah, it would have been clear or tinted and then painted on to. | 0:09:57 | 0:10:00 | |
A nice piece to start with. | 0:10:00 | 0:10:02 | |
Let's go and make something. | 0:10:02 | 0:10:04 | |
Here we go. This is the workshop. | 0:10:04 | 0:10:08 | |
-Brilliant. -This is where we put this panel together. | 0:10:08 | 0:10:11 | |
What are we going to try and make - is this the plan? | 0:10:11 | 0:10:14 | |
This is the plan. This is a cartoon of a basic diamond window. | 0:10:14 | 0:10:18 | |
We have blue glass here? | 0:10:18 | 0:10:20 | |
Yeah. This is Bristol blue glass. What a lot of people know as Bristol blue glass. | 0:10:20 | 0:10:24 | |
It's cobalt blue, but it was used to make all of the kind of blown glass objects, decanters and bottles. | 0:10:24 | 0:10:32 | |
-Bottles and so forth. We couldn't be in Bristol and not touch Bristol blue. -There you go. | 0:10:32 | 0:10:37 | |
What are we going to use the blue for? Is that going around the edge? | 0:10:37 | 0:10:40 | |
That's for the border to introduce some colour. | 0:10:40 | 0:10:43 | |
-OK. -And then the restoration glass will go in the middle here. | 0:10:43 | 0:10:46 | |
Nice. What are we going to start with? | 0:10:46 | 0:10:48 | |
We should start by cutting the glass. | 0:10:48 | 0:10:50 | |
'I have to admit by being a bit worried, | 0:10:50 | 0:10:52 | |
'as glass doesn't seem to be the most forgiving material to work with.' | 0:10:52 | 0:10:56 | |
-Perfect. -Enough? | 0:10:56 | 0:10:57 | |
Easier than I thought it might be. | 0:10:57 | 0:11:01 | |
'This is all looking rather too easy.' | 0:11:01 | 0:11:04 | |
Oh. Now, that's a major error. | 0:11:04 | 0:11:06 | |
You went off course a little bit there. | 0:11:06 | 0:11:10 | |
I knew that was going to happen. | 0:11:10 | 0:11:12 | |
'Luckily, Eddie tells me there is a margin for error, | 0:11:12 | 0:11:15 | |
'and apparently medieval craftsmen weren't always accurate either.' | 0:11:15 | 0:11:19 | |
-That's my version of your blue border. -Let's have a look. | 0:11:19 | 0:11:22 | |
-A bit of quality control. -Yes, indeed. | 0:11:22 | 0:11:24 | |
It's not bad for your first go. | 0:11:24 | 0:11:28 | |
'I've passed the first test but, with the Bristol blue border done, | 0:11:28 | 0:11:31 | |
'let's hope my teacher is as forgiving as we move on to the clear restoration glass.' | 0:11:31 | 0:11:36 | |
Now all the pieces of glass are cut, we need to put down a frame to hold all of the elements together. | 0:11:36 | 0:11:42 | |
It keeps it square, really. | 0:11:42 | 0:11:44 | |
It gives you something to push it all together against. | 0:11:47 | 0:11:50 | |
'Eddie explains that the lead is specially shaped to fit snugly around the glass on both sides, | 0:11:50 | 0:11:55 | |
'and because it's very soft, it fits almost any shape, and it's easily sliced with a lead cutting tool. | 0:11:55 | 0:12:00 | |
'It's one of the beauties of this very malleable material.' | 0:12:00 | 0:12:04 | |
But despite the fact it's newly-produced lead, | 0:12:04 | 0:12:06 | |
it comes with all the hazards that lead has always had, presumably? | 0:12:06 | 0:12:10 | |
Yes. You have to be careful when you're using it. You have to wash your hands a lot. | 0:12:10 | 0:12:14 | |
It won't make its way through your skin and into your bloodstream like this. | 0:12:14 | 0:12:19 | |
But if you were to ingest it, that where you would get in trouble. | 0:12:19 | 0:12:23 | |
'Now this jigsaw of glass and lead has been assembled, | 0:12:23 | 0:12:27 | |
'it's time to fuse all of the joints today with a soldering iron, | 0:12:27 | 0:12:31 | |
'another skill I haven't yet mastered.' | 0:12:31 | 0:12:33 | |
-It's more fiddly than you think, isn't it? -Yes. | 0:12:33 | 0:12:37 | |
Oh my goodness me, I have made a bit of a hash of that. | 0:12:37 | 0:12:39 | |
I don't think I would have got a job on Westminster Abbey! | 0:12:39 | 0:12:42 | |
No, possibly not. | 0:12:42 | 0:12:44 | |
'Thanks, Eddie. Nothing like a bit of flattery. | 0:12:44 | 0:12:46 | |
'But I'm sure he's right. Maybe it's best to let him finish it off.' | 0:12:46 | 0:12:50 | |
Very neat. | 0:12:50 | 0:12:52 | |
Very neat. You are using the edge of the iron which is clearly a top tip. | 0:12:52 | 0:12:56 | |
'Finally, I think it's done.' | 0:12:56 | 0:12:59 | |
The moment of truth. Pick it up. | 0:12:59 | 0:13:01 | |
It's not falling apart. | 0:13:01 | 0:13:02 | |
-There you go. -Brilliant, Eddie. | 0:13:03 | 0:13:05 | |
-Yeah. -Well done. That's absolutely fantastic. | 0:13:05 | 0:13:08 | |
My own bit of stained glass. | 0:13:08 | 0:13:11 | |
-Good job. -You were absolutely right, it is easier than it looks. | 0:13:11 | 0:13:15 | |
Do you think that would work in a chapel? | 0:13:15 | 0:13:17 | |
-I'm sure it could work in a chapel, yeah. -Believe it or not, chapel conversions aren't for everybody. | 0:13:17 | 0:13:21 | |
Down in Somerset, Jeanette and John had £450,000 to spend | 0:13:21 | 0:13:25 | |
and we were pretty sure that John, being the son of a vicar, would really go for it, | 0:13:25 | 0:13:29 | |
particularly as it did contain some wonderful stained glass. | 0:13:29 | 0:13:32 | |
'The village I took them to was in Seavington St Mary, just a few miles from Illminster. | 0:13:32 | 0:13:39 | |
'The church is at the centre of this hamlet in a beautiful peaceful setting. | 0:13:39 | 0:13:43 | |
'Although I knew John wouldn't mind, Jeanette said she wasn't keen on chapels. | 0:13:43 | 0:13:47 | |
'But as this was such a beautiful conversion, I was hoping I could change her mind.' | 0:13:47 | 0:13:51 | |
Have a little look at this. | 0:13:53 | 0:13:55 | |
Now, as I recall, | 0:13:55 | 0:13:58 | |
-one thing you weren't interested in were converted chapels? -Yes. | 0:13:58 | 0:14:02 | |
Which is why I've brought to you a converted chapel! | 0:14:02 | 0:14:05 | |
Because this isn't just any old chapel. | 0:14:06 | 0:14:09 | |
I'm hoping I might convert you to the idea because it has been really beautifully done. | 0:14:09 | 0:14:13 | |
The good news is that there are no graves and no ghosts that anyone knows of. | 0:14:13 | 0:14:17 | |
OK. All right. | 0:14:17 | 0:14:19 | |
-Be open minded? -I'll try. -Come on. | 0:14:19 | 0:14:21 | |
She never has been before! | 0:14:21 | 0:14:23 | |
Given what I have learned about John and Jeanette, | 0:14:23 | 0:14:26 | |
'this house is a real wild card, but it has all of the accommodation they're looking for. | 0:14:26 | 0:14:31 | |
'Here's hoping I may have got it right.' | 0:14:31 | 0:14:33 | |
Kitchen diner you wanted, kitchen diner I have got you. What about this one? | 0:14:33 | 0:14:38 | |
It looks like a tearoom, doesn't it? | 0:14:38 | 0:14:39 | |
-It does look like a tearoom. It has that summer feel, doesn't it? -Yeah. | 0:14:39 | 0:14:43 | |
As you can see, recently refurbished to a really high standard. | 0:14:43 | 0:14:47 | |
Absolutely. | 0:14:47 | 0:14:48 | |
This is what...I'm not sure how to pitch this house to you, | 0:14:48 | 0:14:52 | |
because this doesn't need anything doing to it. | 0:14:52 | 0:14:55 | |
You don't need to pick up a screwdriver or a paint brush or lay any carpets or anything. | 0:14:55 | 0:14:59 | |
-All you have to do is move in. -Yes. I can see that. | 0:14:59 | 0:15:03 | |
'I was really hoping that this would be a selling point, but they don't seem too impressed. | 0:15:03 | 0:15:08 | |
'Let's hope the separate dining room will take their fancy.' | 0:15:08 | 0:15:13 | |
I know you said you didn't really need a separate dining room. | 0:15:13 | 0:15:17 | |
-But I've got you one anyway. -Yes. -It's very nice. | 0:15:17 | 0:15:21 | |
Beneath this rug is great parquet flooring which leads us through to the main living room. | 0:15:21 | 0:15:27 | |
The main living room. | 0:15:29 | 0:15:31 | |
-Yeah. It's nice. -It's big. | 0:15:33 | 0:15:35 | |
A big span of ceiling space, this. | 0:15:35 | 0:15:39 | |
I mean, you're being very polite about all of this, but I'm not sure it's really grabbing you, somehow? | 0:15:39 | 0:15:44 | |
Er... | 0:15:44 | 0:15:45 | |
I don't know yet. | 0:15:45 | 0:15:47 | |
I think I'm not sure myself. | 0:15:47 | 0:15:49 | |
-OK. John? -Well, I'm always very amenable to a bit of chapel. | 0:15:49 | 0:15:53 | |
It's a building that is very unique. It's certainly a place you would remember. | 0:15:53 | 0:15:57 | |
The next thing is to go upstairs and see if that grabs you. | 0:15:57 | 0:16:02 | |
'There is a chance that I might be able to persuade John that this could be the right property, | 0:16:02 | 0:16:06 | |
'but I'm not sure I'm going to win over Jeanette.' | 0:16:06 | 0:16:09 | |
-This is roomy, isn't it? -It's a nice room. | 0:16:12 | 0:16:16 | |
Of all of the properties I have shown you, this house has the best bedrooms. | 0:16:16 | 0:16:20 | |
-Absolutely. -This is a great master bedroom. | 0:16:20 | 0:16:23 | |
It looks terrific and beautiful views over the fields. | 0:16:23 | 0:16:26 | |
-Suppose I told you this wasn't the master? -OK. | 0:16:26 | 0:16:30 | |
How about that? | 0:16:30 | 0:16:32 | |
This is currently a guest room. | 0:16:32 | 0:16:35 | |
-If the next one is bigger than this, wow! -You get these lovely roof beams that are original. | 0:16:35 | 0:16:40 | |
This isn't the only bedroom. Have a look through here. | 0:16:40 | 0:16:43 | |
'Along the landing are a modern family bathroom and a small single bedroom | 0:16:43 | 0:16:47 | |
'which is currently used as a study. | 0:16:47 | 0:16:48 | |
'Opposite there is another double guest room, but wait until you see the master.' | 0:16:48 | 0:16:52 | |
-Oh, God. -Indeed! | 0:16:57 | 0:16:59 | |
-Oh, yes. -I don't think this really needs any explanation. | 0:17:02 | 0:17:06 | |
-No. -It's a very good window. You pay a lot for one like that, I think. | 0:17:06 | 0:17:09 | |
It's a brilliant window. Lovely. It is nice actually. | 0:17:09 | 0:17:12 | |
-It's great. It's fantastic. -Really? | 0:17:12 | 0:17:14 | |
-Yeah. -I didn't think you'd like that? | 0:17:14 | 0:17:16 | |
It doesn't look ecclesiastical, it looks like a designer window. | 0:17:16 | 0:17:22 | |
-It doesn't look ecclesiastical? -No, I don't think so. | 0:17:22 | 0:17:25 | |
No crosses and virgins and all that sort of stuff in there. | 0:17:25 | 0:17:28 | |
It's very...yes, it's nice. | 0:17:28 | 0:17:30 | |
When the sun comes in, you've got all these different lights. | 0:17:30 | 0:17:34 | |
'Another feature of note is that this bedroom also comes with a handy en suite. | 0:17:34 | 0:17:39 | |
'But it's time to see what Jeanette and John make of the outside.' | 0:17:39 | 0:17:43 | |
Come out of these French doors. | 0:17:43 | 0:17:46 | |
We can start to explore the garden. | 0:17:46 | 0:17:50 | |
There's this nice turfed area here. | 0:17:50 | 0:17:52 | |
It's a very formal garden here but very low maintenance, that's what is so good about it. | 0:17:52 | 0:17:57 | |
This gravel and a nice patio area over here. It's a bit of everything. | 0:17:57 | 0:18:02 | |
Have a look over here. | 0:18:02 | 0:18:04 | |
As you can probably now get the feel, this garden is sort of divided up into lots of little rooms. | 0:18:06 | 0:18:13 | |
I mean another lawned area here, probably the main lawn, | 0:18:13 | 0:18:16 | |
and through there, you have another gravelled area. | 0:18:16 | 0:18:19 | |
How much do you think it's worth? | 0:18:19 | 0:18:21 | |
-I'd say 500. -500. | 0:18:21 | 0:18:24 | |
You are saying half a million, you're saying 450 on your budget. | 0:18:24 | 0:18:30 | |
Supposing it was £460,000. | 0:18:30 | 0:18:33 | |
-I'm surprised. -Would it be of interest? | 0:18:33 | 0:18:35 | |
I was thinking how much they were charging, but not how much it was worth to me. | 0:18:35 | 0:18:41 | |
It is worth £460,000. | 0:18:41 | 0:18:43 | |
That's what it's on the market for. | 0:18:43 | 0:18:45 | |
You could walk in tomorrow, | 0:18:45 | 0:18:47 | |
and you don't have to pick up a paintbrush, a hammer. | 0:18:47 | 0:18:50 | |
-I know! -Or re-carpet it or anything, just walk in. | 0:18:50 | 0:18:53 | |
-That's true. -No, thank you? | 0:18:53 | 0:18:55 | |
-No, thank you. -I've tried really hard with this place. | 0:18:55 | 0:18:58 | |
I thought it was perfect. | 0:18:58 | 0:19:00 | |
It is perfect for someone else. | 0:19:00 | 0:19:02 | |
Perfect for someone else... | 0:19:02 | 0:19:04 | |
I can see the battle to try and win your hearts over with this place is one I've probably lost, in fairness. | 0:19:04 | 0:19:11 | |
I don't think there's in point in wasting your time by saying go and have another look, | 0:19:11 | 0:19:16 | |
because you've made your minds up. | 0:19:16 | 0:19:18 | |
I'm afraid so. | 0:19:18 | 0:19:19 | |
Now, as I'm sure you will agree, we have reviewed some wonderful properties | 0:19:24 | 0:19:28 | |
over the course of this programme. | 0:19:28 | 0:19:30 | |
But no surprise we are saving the very best until last. | 0:19:30 | 0:19:34 | |
Where better to introduce it than outside Bristol's very own, very big and very beautiful cathedral. | 0:19:34 | 0:19:39 | |
Some time ago we took two young doctors, Sam and George, | 0:19:39 | 0:19:42 | |
up to West Yorkshire armed with a healthy budget of £700,000. | 0:19:42 | 0:19:47 | |
For that, they were looking for a nice spacious home they could entertain in, | 0:19:47 | 0:19:52 | |
with at least three bedrooms, | 0:19:52 | 0:19:53 | |
and husband George was after about an acre of land to undertake a bit of hobby farming. | 0:19:53 | 0:19:58 | |
Of course, we took them to a chapel, but boy, what a building. | 0:19:58 | 0:20:02 | |
'For this next house, I took George and Sam to the pretty conservation village of Mill Bank, | 0:20:02 | 0:20:08 | |
'five miles from Halifax and a 30-minute commute from Leeds. | 0:20:08 | 0:20:11 | |
'Hovering on the side of the wooded Ryburn Valley above Ripenden, | 0:20:11 | 0:20:15 | |
'this delightful village's surprise feature is that it has its own award-winning gastropub. | 0:20:15 | 0:20:20 | |
'It was time to find out if I was on to a winner with our next offering.' | 0:20:20 | 0:20:25 | |
You've moved, you've got money in the bank. | 0:20:26 | 0:20:29 | |
You need a place to live? | 0:20:29 | 0:20:31 | |
-Yes. -This could be it. | 0:20:31 | 0:20:33 | |
I thought we'd start with the land. | 0:20:33 | 0:20:34 | |
If there's no land with it, George, you won't be interested? | 0:20:34 | 0:20:38 | |
-That's true. -You wanted an acre or so. | 0:20:38 | 0:20:41 | |
There is an acre or so. | 0:20:41 | 0:20:43 | |
-Wow. Is this it? -This is it. Is that the sort of thing you had in mind? | 0:20:43 | 0:20:47 | |
-Yeah. That's just great, isn't it. -The land's all right? -Perfect. | 0:20:47 | 0:20:50 | |
I want to get the land thing out of the way, | 0:20:50 | 0:20:53 | |
because I want all of your attention for the property I'm going to show you, | 0:20:53 | 0:20:57 | |
which is quite extraordinary. | 0:20:57 | 0:20:59 | |
'It is a real find, and certainly has the wow factor.' | 0:20:59 | 0:21:05 | |
-This is what I want you to feast your eyes upon. -Wow. | 0:21:05 | 0:21:09 | |
It's massive. | 0:21:09 | 0:21:11 | |
It's absolutely enormous. Any ideas as to what it is? | 0:21:11 | 0:21:16 | |
-No. -A school, maybe? | 0:21:16 | 0:21:17 | |
-Actually, it's a converted Methodist chapel. -Wow. | 0:21:17 | 0:21:22 | |
-Could you ever have imagined you would be looking at a place like this? -No. | 0:21:22 | 0:21:25 | |
-Is it too much? -We'll see. | 0:21:25 | 0:21:28 | |
It looks great from the outside, doesn't it? It looks fun. | 0:21:28 | 0:21:31 | |
-Is it going to be for you, I wonder? -Well, we already know the land's pretty good. -Yep. | 0:21:31 | 0:21:35 | |
-So I suppose we will find out when we go inside. -Come on then. | 0:21:35 | 0:21:38 | |
-Wow. -Whoa. | 0:21:41 | 0:21:44 | |
-Oh, my goodness. -Come on in, George. | 0:21:44 | 0:21:46 | |
Don't be shy. | 0:21:46 | 0:21:48 | |
Oh, my goodness. | 0:21:48 | 0:21:50 | |
That is pretty special, isn't it? | 0:21:50 | 0:21:52 | |
That is so cool. | 0:21:52 | 0:21:54 | |
You don't expect it, do you, from the outside. | 0:21:54 | 0:21:56 | |
-It couldn't be more different, could it? -No. | 0:21:56 | 0:21:58 | |
Wow. The spiral staircase is very cool. | 0:21:58 | 0:22:01 | |
-This is a pukka white canvas to play with. -A real pad, isn't it? | 0:22:01 | 0:22:07 | |
You're young groovers, you're 27, it's a young person's home, this. | 0:22:07 | 0:22:13 | |
-Wicked. -Yeah. | 0:22:13 | 0:22:15 | |
-It goes right up, can you see the beams up there? -They're beautiful as well. -Good. | 0:22:15 | 0:22:19 | |
Let's have a look at the kitchen. | 0:22:19 | 0:22:21 | |
Come through here and look at these toughened glass doors. | 0:22:21 | 0:22:24 | |
Have a look at that. That is... | 0:22:24 | 0:22:26 | |
-Whoa, really cool. -Yeah, it's a really good kitchen. | 0:22:26 | 0:22:29 | |
You've also got lovely slate floor running throughout. | 0:22:29 | 0:22:33 | |
You have a kitchen-diner area and a cosy snug area down there. | 0:22:33 | 0:22:36 | |
Look at this. You're going to love this bit. | 0:22:36 | 0:22:39 | |
-Look up there. -Wow. | 0:22:39 | 0:22:41 | |
That is special toughened glass. | 0:22:41 | 0:22:43 | |
That's part of the floor upstairs. | 0:22:43 | 0:22:46 | |
It's beautiful, isn't it? It works so well. | 0:22:46 | 0:22:50 | |
-The whole place feels so cool. -Yeah. | 0:22:50 | 0:22:53 | |
What do you think of this? What a way to go to bed up here. | 0:22:56 | 0:23:00 | |
It's an amazing staircase. | 0:23:00 | 0:23:02 | |
What about the view? | 0:23:02 | 0:23:05 | |
Wow. | 0:23:05 | 0:23:07 | |
Don't know where to look. | 0:23:11 | 0:23:13 | |
Can you take it all in, I wonder? | 0:23:13 | 0:23:15 | |
-It's just incredible. -Yeah. | 0:23:15 | 0:23:19 | |
'Just off the spacious landing is the bathroom, | 0:23:19 | 0:23:22 | |
'which retains the original parquet from the chapel floor. | 0:23:22 | 0:23:25 | |
'Off the bathroom is the first of five bedrooms.' | 0:23:25 | 0:23:30 | |
Now, come in here. | 0:23:37 | 0:23:39 | |
-This is... -A whole other house? | 0:23:39 | 0:23:44 | |
It is, isn't it? | 0:23:44 | 0:23:46 | |
At the moment, technically, it's the kind of sitting room for the master bedroom, if that makes sense. | 0:23:46 | 0:23:52 | |
-Yes. -You're in the master bedroom wing. | 0:23:52 | 0:23:54 | |
-Right. -Or end of the property. | 0:23:54 | 0:23:57 | |
But, yeah, it's pretty special. | 0:23:57 | 0:23:59 | |
It's amazing. | 0:23:59 | 0:24:00 | |
-Sam, you're very quiet? -It's beautiful. It's really nice. | 0:24:00 | 0:24:04 | |
There are so many rooms I wouldn't know what to do with them all. | 0:24:04 | 0:24:07 | |
You would have plenty of time to figure it out. | 0:24:07 | 0:24:10 | |
Is this working for you? | 0:24:10 | 0:24:12 | |
-It is, yeah. -In there. | 0:24:12 | 0:24:14 | |
Wow, an en suite. | 0:24:15 | 0:24:17 | |
Really lovely. Amazing bath. | 0:24:17 | 0:24:20 | |
Isn't it great? A huge wet room with three showers in it. | 0:24:20 | 0:24:24 | |
-Triple shower. -Triple shower. | 0:24:24 | 0:24:27 | |
This is interesting in here because you get a sense of what colour does to this building. | 0:24:27 | 0:24:31 | |
I think these really lovely earthy neutral colours... | 0:24:31 | 0:24:35 | |
-Very warm in here. -Very warm. | 0:24:35 | 0:24:37 | |
If you can imagine some of that going in downstairs. | 0:24:37 | 0:24:41 | |
It would really soften the white a lot. | 0:24:41 | 0:24:43 | |
Definitely. | 0:24:43 | 0:24:44 | |
'In this architecturally ingenious renovation, there are a further three bedrooms. | 0:24:44 | 0:24:50 | |
'One is a single, the other two are for children and there is a huge play area next door.' | 0:24:50 | 0:24:55 | |
Just watch yourselves on the steps, there is no rail. | 0:24:55 | 0:24:58 | |
'Wait until they see the views from up here, another flights of stairs takes us to the master bedroom.' | 0:24:58 | 0:25:04 | |
OK. | 0:25:04 | 0:25:06 | |
How about being up here? | 0:25:08 | 0:25:10 | |
Really nice. Very unusual isn't it? | 0:25:10 | 0:25:12 | |
-Beautiful. -Really unusual. | 0:25:12 | 0:25:14 | |
-The lighting's quite interesting. -It's like light... | 0:25:14 | 0:25:18 | |
-Light from the panels. -Yes. | 0:25:18 | 0:25:20 | |
Let's go back downstairs to the main entrance hall | 0:25:20 | 0:25:24 | |
and have a think about how much it's going to cost you. | 0:25:24 | 0:25:27 | |
-I hate to think. -Come on. | 0:25:27 | 0:25:29 | |
Now, would you like to live in a place like this? | 0:25:35 | 0:25:38 | |
Yes! | 0:25:38 | 0:25:40 | |
Are you going to take a bit of persuading, Sam, do you think? | 0:25:40 | 0:25:44 | |
-I just need a bit of time to think about it and see the local area and things like that. -Sure. | 0:25:44 | 0:25:47 | |
£700,000 is your budget. Is that the maximum, maximum you could go to? | 0:25:47 | 0:25:52 | |
We might be able to push up for the right place. | 0:25:52 | 0:25:57 | |
I suspect we would have to for here. | 0:25:57 | 0:26:00 | |
You have your acre as well at the back which is all part of it too. | 0:26:00 | 0:26:04 | |
A great location. So... | 0:26:04 | 0:26:07 | |
Put you on the spot, Sam. | 0:26:07 | 0:26:10 | |
I'd say 760. | 0:26:10 | 0:26:15 | |
-I'm going to guess 850, 900. -850? | 0:26:15 | 0:26:21 | |
If it was 850, would you be utterly distraught? | 0:26:21 | 0:26:27 | |
-Erm... -Yeah, because we couldn't afford it. -Yeah! | 0:26:27 | 0:26:31 | |
OK. You don't have to be distraught. | 0:26:31 | 0:26:33 | |
-Wow. -I might just put a smile on your face and take the pressure off your concerns a bit. | 0:26:33 | 0:26:39 | |
It's on the market for... | 0:26:39 | 0:26:40 | |
..695. | 0:26:42 | 0:26:47 | |
Whoa! Amazing. I'm really surprised by that, I have to say. | 0:26:47 | 0:26:51 | |
It's a pretty competitive price for here. | 0:26:51 | 0:26:55 | |
It's style, it's scope... | 0:26:55 | 0:26:57 | |
It's great. We are close to Leeds. | 0:26:57 | 0:26:59 | |
We're in the countryside but it feels like city living inside. | 0:26:59 | 0:27:03 | |
I can't see many downsides apart from we might struggle to fill it initially. | 0:27:03 | 0:27:08 | |
Go away and have a wander around and see how you would fill it, | 0:27:08 | 0:27:11 | |
What you'd put in it, where you'd live and the space you'd use. | 0:27:11 | 0:27:14 | |
I will come and find you later, if I don't get lost myself. | 0:27:14 | 0:27:17 | |
Go on, go and check it out. | 0:27:17 | 0:27:20 | |
It no way has that country feel. | 0:27:20 | 0:27:24 | |
But it gives us a completely different angle to work from. | 0:27:24 | 0:27:30 | |
It's a lot of fun. | 0:27:30 | 0:27:31 | |
You get this country feel from the outside and this imposing house. | 0:27:31 | 0:27:35 | |
Inside, it's sort of ultra-modern, loft living environment, | 0:27:35 | 0:27:41 | |
with what has to be the best room to throw a party! | 0:27:41 | 0:27:44 | |
-We might struggle to use it all. -I totally didn't expect it. | 0:27:44 | 0:27:46 | |
I didn't even think that there was houses like this in West Yorkshire that were so modern inside. | 0:27:46 | 0:27:53 | |
From one glorious example of style and engineering to another, Brunel's bridge here in Bristol. | 0:28:00 | 0:28:05 | |
Sadly, Sam and George felt that the chapel was going to be a little bit too big for them, | 0:28:05 | 0:28:10 | |
despite the fact they could certainly afford it. | 0:28:10 | 0:28:12 | |
But it was a remarkable opportunity to take a look around a truly stunning conversion. | 0:28:12 | 0:28:17 | |
Sadly, that's it from me today here in Bristol. | 0:28:17 | 0:28:21 | |
I do hope our trip down memory lane has inspired to you undertake your own escape to the country, | 0:28:21 | 0:28:26 | |
and who knows, maybe even a chapel conversion. | 0:28:26 | 0:28:28 | |
I'll see you next time. | 0:28:28 | 0:28:30 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:48 | |
E-mail [email protected] | 0:28:48 | 0:28:52 |