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Today I'm in a part of the country transformed by one woman's choice to escape here nearly 160 years ago. | 0:00:02 | 0:00:08 | |
Now, I hasten to add that she was not a buyer on our show, | 0:00:08 | 0:00:12 | |
but she did commission this stunning property behind me. | 0:00:12 | 0:00:15 | |
I'm in the Isle of Wight, | 0:00:15 | 0:00:17 | |
THAT is Osborne House, and the lady behind its conception, | 0:00:17 | 0:00:21 | |
well, let's just say this, | 0:00:21 | 0:00:22 | |
when it came to the pressures of of the city, she was not amused. | 0:00:22 | 0:00:26 | |
Today we're delving into the archive to bring you | 0:00:40 | 0:00:44 | |
some of the finest Victorian properties from previous shows. | 0:00:44 | 0:00:48 | |
We get top marks for a converted Victorian schoolhouse... | 0:00:48 | 0:00:51 | |
-Ooh! -I don't believe this. I'll never get him out of this room. -No, you won't! | 0:00:51 | 0:00:56 | |
..and stun our buyers with a house full of Victoriana... | 0:00:56 | 0:00:59 | |
-Wow. Ah, this is nice. -It's a big room. -It's got real character, hasn't it? | 0:00:59 | 0:01:04 | |
Plus, I'm being shown around Osborne House to find out | 0:01:04 | 0:01:07 | |
what life was like at this very royal escape to the country. | 0:01:07 | 0:01:11 | |
Welcome to the Isle of Wight and a very special Escape To The Country. | 0:01:15 | 0:01:20 | |
Today we are reconsidering some of our finest examples of Victorian properties, | 0:01:20 | 0:01:25 | |
and where better to introduce a show on Victorian houses | 0:01:25 | 0:01:28 | |
than here at Osborne House? | 0:01:28 | 0:01:30 | |
Somewhere that Queen Victoria herself arranged to be built | 0:01:30 | 0:01:33 | |
with only one thing in mind - to escape to the country. | 0:01:33 | 0:01:37 | |
The Victorian era spanned from 1837 to 1901, | 0:01:39 | 0:01:43 | |
a period that saw the rural landscape of Britain change forever. | 0:01:43 | 0:01:46 | |
Whole new communities were built around the huge mills and factories. | 0:01:46 | 0:01:51 | |
The Victorian homes built within this 60-year period | 0:01:51 | 0:01:55 | |
cover many architectural styles, | 0:01:55 | 0:01:57 | |
each with their own distinctive features. | 0:01:57 | 0:01:59 | |
From the gothic revival to the arts and crafts movement, | 0:01:59 | 0:02:03 | |
the Victorian home comes in many forms. | 0:02:03 | 0:02:05 | |
The most enduring testament to the Victorians' solid building development | 0:02:07 | 0:02:11 | |
is that today, over 100 years later, | 0:02:11 | 0:02:13 | |
most of us will at some time live in a Victorian property. | 0:02:13 | 0:02:17 | |
We've featured some really fantastic Victorian properties over the years, | 0:02:22 | 0:02:26 | |
so it hasn't been that easy to choose some of our favourites, | 0:02:26 | 0:02:29 | |
but for our first property, | 0:02:29 | 0:02:31 | |
we've got a really stunning Victorian school conversion for you. | 0:02:31 | 0:02:35 | |
Now, Martin and Gail, they had about £600,000 to spend | 0:02:35 | 0:02:38 | |
and were looking to move to Somerset. | 0:02:38 | 0:02:41 | |
For that they wanted the usual, a big kitchen diner, | 0:02:41 | 0:02:43 | |
large family room, lots of land and all in Somerset. | 0:02:43 | 0:02:47 | |
For this mystery house, | 0:02:47 | 0:02:49 | |
Jules took Martin and Gail to the heart of the Somerset countryside | 0:02:49 | 0:02:53 | |
to the award-winning village of Long Sutton. | 0:02:53 | 0:02:55 | |
This highly sought-after conservation village | 0:02:55 | 0:02:59 | |
has a 15th century Grade I listed church, a Post Office, and a pub, | 0:02:59 | 0:03:04 | |
which all sit around the village green, | 0:03:04 | 0:03:06 | |
and the village green is where we find them now. | 0:03:06 | 0:03:08 | |
It's mystery house time. | 0:03:08 | 0:03:10 | |
-Are we all excited? -We are. -Very, yeah. | 0:03:10 | 0:03:12 | |
-I know you've got a thing about having a pub close at hand. -Mmm. | 0:03:12 | 0:03:15 | |
-There's a pub. -That's close to us now. | 0:03:15 | 0:03:18 | |
A mystery house is always something a bit different, but look around. | 0:03:18 | 0:03:22 | |
They're all quite pretty. Which one do you fancy? | 0:03:22 | 0:03:24 | |
-That one there looks best. -Yeah, that looks good. | 0:03:24 | 0:03:27 | |
-What? That old school? -That old school. -Is it? | 0:03:27 | 0:03:31 | |
-That is the mystery house, the old schoolhouse. -Right. | 0:03:31 | 0:03:34 | |
Built around about 1872 on land donated by the Duke of Devonshire, | 0:03:34 | 0:03:38 | |
hence the pub, the Devonshire Arms, | 0:03:38 | 0:03:41 | |
but that was converted around 2001 to the most extraordinary degree. | 0:03:41 | 0:03:47 | |
Come on. | 0:03:47 | 0:03:50 | |
The entrance is around the side of the building across the front garden, | 0:03:50 | 0:03:54 | |
which was originally a playground for over 80 children. | 0:03:54 | 0:03:58 | |
Now, then... | 0:03:59 | 0:04:01 | |
Wow! | 0:04:01 | 0:04:03 | |
Wow, that is... | 0:04:03 | 0:04:05 | |
-What do you think of this? -That is really nice. | 0:04:05 | 0:04:07 | |
There's an awful lot to this house which is - as you would expect in a conversion - | 0:04:07 | 0:04:12 | |
-perhaps not the expected, but we're used to that now, aren't we? -We are. | 0:04:12 | 0:04:16 | |
-We're enjoying the unexpected. -Definitely! | 0:04:16 | 0:04:18 | |
Gail, I have been waiting to show you this room. | 0:04:18 | 0:04:21 | |
I can't wait! | 0:04:23 | 0:04:25 | |
-Oh, my! -Oh, dear! Oh, I don't believe that. -Yeah. | 0:04:25 | 0:04:28 | |
-You don't believe it? -No! | 0:04:28 | 0:04:31 | |
Here you've got this hand-made pine kitchen. | 0:04:31 | 0:04:36 | |
Could you be happy in here? | 0:04:36 | 0:04:37 | |
-Yes, more than happy. -More than happy? -Yeah! | 0:04:37 | 0:04:40 | |
-You'd better get your chequebook out, mate. -More than happy. | 0:04:40 | 0:04:44 | |
I'll know where to find you! | 0:04:44 | 0:04:45 | |
-It's fantastic, Jules. -Yeah? -It's really nice. | 0:04:45 | 0:04:49 | |
Come and explore this area | 0:04:49 | 0:04:51 | |
because this is where the fact this was an old school really comes out, I think. | 0:04:51 | 0:04:56 | |
-Fantastic. -Amazing. -I think you're a bit lost for words. | 0:04:56 | 0:04:59 | |
I am, actually, because I'm now thinking, | 0:04:59 | 0:05:01 | |
right, there's more to this house. | 0:05:01 | 0:05:04 | |
There's an awful lot more! | 0:05:04 | 0:05:06 | |
And to start with, making the most of the high vaulted ceiling in the sitting room is the first bedroom. | 0:05:06 | 0:05:12 | |
This is great fun. | 0:05:12 | 0:05:15 | |
Oh, right, yes. | 0:05:15 | 0:05:16 | |
-Now, this is the only bedroom that isn't en suite. -Right. | 0:05:16 | 0:05:20 | |
You'll probably get a sense of why because it's technically a mezzanine, | 0:05:20 | 0:05:24 | |
-so it's open, this side... -Yes. | 0:05:24 | 0:05:26 | |
..and of course all that overlooks the main part of the kitchen area. | 0:05:26 | 0:05:30 | |
Uh-huh. | 0:05:30 | 0:05:31 | |
-Let's see if we can find you a room, shall we? -OK. | 0:05:31 | 0:05:34 | |
Let's go downstairs and find another bedroom. | 0:05:34 | 0:05:37 | |
'Well, I think they were a bit overwhelmed by the dimensions of this property, | 0:05:37 | 0:05:41 | |
'so it's good to see Martin and Gail deciding how THEY would utilise the space on offer here. | 0:05:41 | 0:05:47 | |
'Across the capacious sitting room is a possible master bedroom.' | 0:05:47 | 0:05:52 | |
Now, go in there and tell me what you think of that one. | 0:05:52 | 0:05:55 | |
Oh, yes, yes. | 0:05:55 | 0:05:57 | |
Oh, this could be ours! | 0:05:57 | 0:05:59 | |
And this is en suite, Jules? | 0:05:59 | 0:06:00 | |
Yeah. Tucked away in there. | 0:06:00 | 0:06:03 | |
Open the door, Martin. Have a look in there. | 0:06:03 | 0:06:06 | |
Put the light on. | 0:06:06 | 0:06:07 | |
-Yeah. -Have a look. -That's really nice. | 0:06:07 | 0:06:09 | |
-Big enough? -Yes. | 0:06:09 | 0:06:11 | |
Oh, yeah, plenty big enough. | 0:06:11 | 0:06:13 | |
Nice to have it, given that it's upstairs on its own little landing | 0:06:13 | 0:06:16 | |
so you haven't got to go up and down to use all that. | 0:06:16 | 0:06:19 | |
We prefer to be above the kids than the other way around. | 0:06:19 | 0:06:23 | |
Good idea. Good thinking! | 0:06:23 | 0:06:25 | |
'Well, heading downstairs, I think the girls would be happy | 0:06:25 | 0:06:29 | |
'with the size of the two light and spacious bedrooms on offer, | 0:06:29 | 0:06:33 | |
'especially as they both have quite roomy en suites. | 0:06:33 | 0:06:35 | |
'The second bedroom is located off a bright and airy extension | 0:06:35 | 0:06:39 | |
'which leads to the room I've been saving for last.' | 0:06:39 | 0:06:42 | |
Now, Martin, | 0:06:42 | 0:06:44 | |
-I've got you a little surprise. -You have, have you? | 0:06:44 | 0:06:47 | |
-Well, as if this house wasn't impressive enough... -Yeah. | 0:06:47 | 0:06:52 | |
-..open that door. -Open that door. | 0:06:52 | 0:06:54 | |
Oh, my word! | 0:06:56 | 0:06:59 | |
-I don't believe this. -Ooh-wee! | 0:06:59 | 0:07:03 | |
-Oh, yes. -Do you like that? | 0:07:03 | 0:07:05 | |
That is just amazing. That's breathtaking. | 0:07:05 | 0:07:09 | |
You've got a multi-fuel burner there as well, | 0:07:09 | 0:07:12 | |
one of the original fireplaces in the school, which is terrific. | 0:07:12 | 0:07:16 | |
And then up here you've got your own little library. | 0:07:16 | 0:07:19 | |
Oh, wow! Yes. Mind your head. | 0:07:19 | 0:07:23 | |
-Mind my head? -Yeah. | 0:07:23 | 0:07:24 | |
Now, this is nice. Sit here. Look out there. | 0:07:24 | 0:07:28 | |
You'll be able to keep an eye on me coming out the pub and playing snooker! | 0:07:28 | 0:07:33 | |
How about it? | 0:07:33 | 0:07:35 | |
And he's got a lot of books. | 0:07:35 | 0:07:36 | |
-Well, you know, it's a perfect kind of gent's reading room, this, isn't it? -Yeah. | 0:07:36 | 0:07:41 | |
-You know? -You do like reading. | 0:07:41 | 0:07:43 | |
He'd sit and read all day. | 0:07:43 | 0:07:45 | |
I'm not sure you'll be allowed in here, you know. | 0:07:45 | 0:07:48 | |
Well, you know, | 0:07:49 | 0:07:50 | |
I love the fact you're enjoying this property because it really is fun. | 0:07:50 | 0:07:54 | |
Yeah. It's so different. | 0:07:54 | 0:07:57 | |
That's the mystery house! | 0:07:57 | 0:08:00 | |
'This property has clearly grabbed them, but time to see just how much, | 0:08:00 | 0:08:04 | |
'when they see the outside.' | 0:08:04 | 0:08:07 | |
Come out here, because this is...kind of it. | 0:08:07 | 0:08:12 | |
-Oh, right. -Apart from the old playground at the front, | 0:08:12 | 0:08:15 | |
this is your garden. | 0:08:15 | 0:08:18 | |
Now, what can I tell you about it? | 0:08:18 | 0:08:20 | |
The up side is that it's easy to keep. | 0:08:20 | 0:08:22 | |
-Yes. -The downside is that it's not an acre! -No. | 0:08:22 | 0:08:26 | |
Your £600,000 has to go quite a long way in this county, as we have seen. | 0:08:26 | 0:08:31 | |
I feel this is going to be over-budget, Jules, | 0:08:31 | 0:08:34 | |
so I would say about 635. | 0:08:34 | 0:08:36 | |
-Yeah, I think it's over-budget as well. -Go on, then. -625. -625. | 0:08:36 | 0:08:40 | |
It's on the market for 50 quid short of £670,000. | 0:08:40 | 0:08:45 | |
Now, the reason I've shown to it you | 0:08:45 | 0:08:47 | |
isn't to tease you with something unobtainable. | 0:08:47 | 0:08:50 | |
The people that own this are desperate to move. | 0:08:50 | 0:08:52 | |
They will take some very, very serious offers on that figure. | 0:08:52 | 0:08:57 | |
It depends how much you want this property. | 0:08:57 | 0:09:00 | |
Go on. Go and have a good old look around again. | 0:09:00 | 0:09:02 | |
There's a few more bits and pieces you haven't fully explored. | 0:09:02 | 0:09:06 | |
See what you get and how much you want it. | 0:09:06 | 0:09:08 | |
'I think the mystery house offers Martin and Gail a whole new style of living.' | 0:09:09 | 0:09:14 | |
Everything works for this property inside. | 0:09:14 | 0:09:16 | |
Three en suite bedrooms is almost unheard of. | 0:09:16 | 0:09:18 | |
I like these hand-made kitchen cupboards. | 0:09:18 | 0:09:22 | |
Having seen this, it's brought an extra house into the equation. | 0:09:23 | 0:09:28 | |
Well, here we are at Osborne House, | 0:09:36 | 0:09:38 | |
the jewel in Queen Victoria's property crown. | 0:09:38 | 0:09:41 | |
Osborne House is just one mile outside Cowes on the Isle of Wight. | 0:09:45 | 0:09:49 | |
It commands a spectacular view of the Solent | 0:09:49 | 0:09:53 | |
and was Queen Victoria's and Prince Albert's favourite royal residence. | 0:09:53 | 0:09:57 | |
The Queen made this her home for three months of the year, | 0:09:57 | 0:10:00 | |
and I'm here to meet curator Michael Hunter | 0:10:00 | 0:10:02 | |
to find out what life was like in this very royal escape to the country. | 0:10:02 | 0:10:06 | |
-Hello, Michael. -Hello, Denise. Welcome to Osborne. | 0:10:06 | 0:10:09 | |
Thank you very much. Fabulous day for it. | 0:10:09 | 0:10:11 | |
We've got the dry weather and amazing views! And wow! | 0:10:11 | 0:10:16 | |
She has built the ultimate escape to the country, really, hasn't she? | 0:10:16 | 0:10:20 | |
Exactly. The Queen and the Prince wanted to have somewhere quiet | 0:10:20 | 0:10:23 | |
where they could escape from the pressures of state life and so on, | 0:10:23 | 0:10:26 | |
and it was their favourite home. | 0:10:26 | 0:10:29 | |
It looks very grand from the outside, but I really want to look | 0:10:29 | 0:10:32 | |
at the detail inside because I'm guessing we're talking opulence, | 0:10:32 | 0:10:36 | |
Victorian grandeur. | 0:10:36 | 0:10:38 | |
-Very much so. -Yeah? -Let's go. -Can we have a look? | 0:10:38 | 0:10:40 | |
Let's go look, yes. | 0:10:40 | 0:10:41 | |
In the late 19th century, Osborne's estate totalled over 2,000 acres, | 0:10:41 | 0:10:46 | |
quite a large chunk of a small island. | 0:10:46 | 0:10:49 | |
However, it is inside where this purpose-built Victorian palace | 0:10:49 | 0:10:53 | |
tells a much more personal story. | 0:10:53 | 0:10:56 | |
Wow! This is what I call... | 0:10:56 | 0:10:59 | |
-Spectacular, isn't it? -Yes! | 0:10:59 | 0:11:01 | |
Look at this. Look at the detail. Is that marble all the way around? | 0:11:01 | 0:11:05 | |
It's actually painted marble, very well done, looks very convincing. | 0:11:05 | 0:11:09 | |
-They certainly were trendsetters. -Yes. -Absolutely beautiful. | 0:11:09 | 0:11:12 | |
Very stunning, a nice start to the home. What else have we got to see? | 0:11:12 | 0:11:16 | |
Let's go into the billiards room and look in there. | 0:11:16 | 0:11:19 | |
-Ah-ha! This is the billiards room, then? -Yes, is it, yes. | 0:11:20 | 0:11:24 | |
So did the Queen actually play? | 0:11:24 | 0:11:26 | |
She did, yes, yes. | 0:11:26 | 0:11:27 | |
Apparently she played with her ladies in the afternoon. | 0:11:27 | 0:11:30 | |
Hard to imagine her with her crinoline, and the sort of 4'10" Queen Victoria playing billiards. | 0:11:30 | 0:11:35 | |
Whether she was good or not, I don't know! | 0:11:35 | 0:11:38 | |
This ceiling, the cornicing and coving... | 0:11:38 | 0:11:40 | |
I live in a converted Victorian house, | 0:11:40 | 0:11:42 | |
-and those sort of details you still see. -Exactly. | 0:11:42 | 0:11:46 | |
This kind of very elaborate plaster work did filter down | 0:11:46 | 0:11:49 | |
to the middle class and ordinary homes. | 0:11:49 | 0:11:52 | |
Victoria and Albert's love story | 0:11:52 | 0:11:55 | |
is one that really comes alive inside this stately home, | 0:11:55 | 0:11:59 | |
but in 1861, just ten years after the house had been completed, | 0:11:59 | 0:12:03 | |
Albert died of typhoid, leaving Victoria in mourning | 0:12:03 | 0:12:06 | |
for the next 40 years. | 0:12:06 | 0:12:08 | |
The 1890s also saw the completion | 0:12:08 | 0:12:11 | |
of one of the house's most palatial rooms. | 0:12:11 | 0:12:14 | |
-Here we are, Denise, in the Durbar Room. -Wow! | 0:12:14 | 0:12:18 | |
An extraordinary change of scale, you'll agree! | 0:12:18 | 0:12:21 | |
-It really is! To be honest, this is more what I was expecting, very palatial. -Yes, yes. | 0:12:21 | 0:12:25 | |
With a distinctly Indian feel. | 0:12:25 | 0:12:28 | |
Very much so, yes, indeed. | 0:12:28 | 0:12:30 | |
This was the last part of the house to be built, | 0:12:30 | 0:12:32 | |
decorated to reflect Queen Victoria's status as Empress of India. | 0:12:32 | 0:12:36 | |
It is so intricately done. | 0:12:36 | 0:12:40 | |
Just about every inch has been covered with this detail. Absolutely beautiful. | 0:12:40 | 0:12:44 | |
An Indian craftsman, Bhai Ram Singh, was brought to Osborne, and he designed the room | 0:12:44 | 0:12:50 | |
along with Lockwood Kipling, Rudyard Kipling's father. | 0:12:50 | 0:12:53 | |
It's an amazing room. | 0:12:53 | 0:12:55 | |
I can't wait to see some more. Shall we keep going? | 0:12:55 | 0:12:57 | |
Yes, let's move on. | 0:12:57 | 0:12:58 | |
From the opulence of the Durbar Room, | 0:12:58 | 0:13:02 | |
Michael takes me upstairs to the Queen's private apartments. | 0:13:02 | 0:13:07 | |
-We're in the Queen's dressing room. -Really? | 0:13:07 | 0:13:10 | |
After the opulence of downstairs, I've got to say, | 0:13:10 | 0:13:14 | |
this is relatively understated. | 0:13:14 | 0:13:17 | |
The only difference is the view. | 0:13:17 | 0:13:19 | |
Yeah, if only we all had a view like that! It would be really nice. | 0:13:19 | 0:13:24 | |
It's fascinating to see that the Queen lived like this. | 0:13:24 | 0:13:27 | |
Yeah. | 0:13:27 | 0:13:28 | |
-Well, here, Denise, we're in Queen Victoria's bedroom. -Wow! | 0:13:31 | 0:13:35 | |
It was here that she died on the 22nd of January, 1901. | 0:13:35 | 0:13:38 | |
She enjoyed her last Christmas here, so it's quite fitting | 0:13:38 | 0:13:42 | |
that she died in Osborne, one of her favourite residences. | 0:13:42 | 0:13:46 | |
I felt a bit more endeared to Queen Victoria now, I've got to say. | 0:13:47 | 0:13:50 | |
There's very much an image of her as the stern, austere Queen. | 0:13:50 | 0:13:54 | |
I have a new spin on what the Victorian era is all about! | 0:13:54 | 0:13:57 | |
-Thank you. -You're welcome. | 0:13:57 | 0:13:59 | |
From one very fine example of Victorian splendour to another, | 0:14:05 | 0:14:09 | |
and for our second property, we're off to Pembrokeshire in South Wales. | 0:14:09 | 0:14:12 | |
Now, our buyers, Janet and Andrew, were really keen | 0:14:12 | 0:14:15 | |
to introduce their nine-year-old son, Josh, to country living, | 0:14:15 | 0:14:18 | |
and thought that Pembrokeshire would do the trick. | 0:14:18 | 0:14:21 | |
So prepare yourself as Jules takes us again | 0:14:21 | 0:14:24 | |
on a tour back in time and opens the door to a very Victorian home. | 0:14:24 | 0:14:29 | |
We took Janet, Andrew and their £450,000 budget to Lower Freystrop, | 0:14:31 | 0:14:35 | |
a few miles south of Haverfordwest. | 0:14:35 | 0:14:38 | |
The village is in a quiet rural setting | 0:14:40 | 0:14:43 | |
with a number of 19th century properties, | 0:14:43 | 0:14:45 | |
one of which Jules is about to reveal. | 0:14:45 | 0:14:48 | |
Chanced my luck a bit and gone for something a bit more historic, | 0:14:48 | 0:14:51 | |
lots more character, lots more charm, | 0:14:51 | 0:14:54 | |
and it's green. | 0:14:54 | 0:14:56 | |
It looks strange from the outside | 0:14:56 | 0:14:59 | |
cos you don't see really what it's got to offer from the outside. | 0:14:59 | 0:15:02 | |
You don't. It's a bit of a TARDIS, to be perfectly honest, | 0:15:02 | 0:15:05 | |
-so let's have a little look inside and see if it moves you. -OK. -Come on. | 0:15:05 | 0:15:10 | |
This is certainly a property with bags of character, | 0:15:12 | 0:15:15 | |
and it has the reception rooms Janet and Andrew are after. | 0:15:15 | 0:15:19 | |
But are they ready to step back in time | 0:15:19 | 0:15:22 | |
and see the potential on offer here? | 0:15:22 | 0:15:24 | |
Now, come on in here. | 0:15:24 | 0:15:27 | |
A little kind of lobby-stroke-boot room, cloakroom, as it were. | 0:15:27 | 0:15:32 | |
You come through here, bearing in mind this was an old farmhouse, | 0:15:32 | 0:15:35 | |
so it's got really lovely Victorian proportions, a nice Victorian banister rail | 0:15:35 | 0:15:39 | |
-and two great big reception rooms. Go in there. Have a little look. -Wow! | 0:15:39 | 0:15:45 | |
-This is nice. -It's a big room. -It is. | 0:15:45 | 0:15:48 | |
And the furniture we've got in our current house is more old-style, | 0:15:48 | 0:15:53 | |
so it would fit better into a house like this. | 0:15:53 | 0:15:56 | |
-The high ceilings are really great. -So, one reception room. | 0:15:56 | 0:16:00 | |
Come through here. Have a little look. | 0:16:00 | 0:16:02 | |
Reception room number two - another reproduction fireplace. | 0:16:02 | 0:16:09 | |
I'm quite surprised. | 0:16:09 | 0:16:10 | |
From outside, I expected this house to be very dark inside. | 0:16:10 | 0:16:14 | |
They've made good use of the windows. | 0:16:14 | 0:16:16 | |
It makes it quite bright and airy. | 0:16:16 | 0:16:17 | |
I mean, it's a bit Sherlock Holmes, all this, I think. | 0:16:17 | 0:16:20 | |
There's so much memorabilia in this house, | 0:16:20 | 0:16:23 | |
it's like walking through a museum, to be frank. | 0:16:23 | 0:16:25 | |
Again, it would be quite nice. You've got the two separate rooms, | 0:16:25 | 0:16:29 | |
one for us to have as a sort of quiet sitting room | 0:16:29 | 0:16:33 | |
and then another sort of family, DVD, sort of room. | 0:16:33 | 0:16:37 | |
I get the feeling they're struggling to see through the Victoriana, | 0:16:37 | 0:16:41 | |
but at least the kitchen's a bit more contemporary. | 0:16:41 | 0:16:44 | |
I didn't expect this big a kitchen, really. I expected it to be smaller. | 0:16:46 | 0:16:51 | |
Through there you've got a little utility as well. | 0:16:51 | 0:16:54 | |
I don't know if I'd cope with the table in the middle of the room, | 0:16:55 | 0:16:58 | |
whether we'd turn one of the other rooms into a dining room | 0:16:58 | 0:17:01 | |
You could, because there is space for a separate dining room on top of your two reception rooms. | 0:17:01 | 0:17:06 | |
-Right. -And the good news is it's just through the hall. | 0:17:06 | 0:17:09 | |
-OK. -Have a look at this. | 0:17:09 | 0:17:10 | |
Now, how about this for a separate dining room? | 0:17:12 | 0:17:15 | |
This was the dairy in the old farmhouse. | 0:17:15 | 0:17:18 | |
-Right. -That's now obviously been turned into this. | 0:17:18 | 0:17:22 | |
Great, and I like the stone. It's great, isn't it? | 0:17:22 | 0:17:24 | |
Yeah, a really nice texture to it. | 0:17:24 | 0:17:27 | |
-It is nice. -I like this as a room. | 0:17:27 | 0:17:29 | |
As we head upstairs, | 0:17:29 | 0:17:30 | |
the bathroom is certainly one of the more unusual ones I've seen. | 0:17:30 | 0:17:34 | |
Weird! | 0:17:34 | 0:17:36 | |
You think you're walking into a bedroom and it's a bath... | 0:17:37 | 0:17:40 | |
I thought this would be a bedroom. That's a strange en suite thing in the corner! | 0:17:40 | 0:17:44 | |
-What about it? -This is what you call a bathroom. | 0:17:44 | 0:17:49 | |
-This is known in the trade as a family bathroom. -Well, it's huge! Huge. | 0:17:49 | 0:17:55 | |
-Taken aback by it all. -OK, well before you are completely lost for words, | 0:17:55 | 0:17:58 | |
let's move on and see what else we can find around here. | 0:17:58 | 0:18:01 | |
The first of the bedrooms, a good-sized single, | 0:18:04 | 0:18:06 | |
is also on this level. | 0:18:06 | 0:18:07 | |
To reach three more, you have to head up another flight of stairs. | 0:18:07 | 0:18:12 | |
It's a good-sized room, again, it's about taking all the stuff out | 0:18:13 | 0:18:17 | |
and thinking how our stuff would work in this. | 0:18:17 | 0:18:20 | |
There's a veranda out there through those double doors | 0:18:20 | 0:18:23 | |
and that, which is terrific, which is the real thing. | 0:18:23 | 0:18:26 | |
There's a lot of features like that in the house that I like, | 0:18:26 | 0:18:29 | |
but then you've got the new sort of look of the veranda. | 0:18:29 | 0:18:32 | |
It's a bit of a contradiction, isn't it? | 0:18:32 | 0:18:34 | |
I wouldn't say it's a totally negative thing. | 0:18:34 | 0:18:37 | |
I like the period features, but the whole house seems to be, | 0:18:37 | 0:18:40 | |
like, totally stepping back in time. | 0:18:40 | 0:18:44 | |
As I say, this is a house you're either going to love or hate, | 0:18:44 | 0:18:46 | |
but I'm not going to give up just yet. | 0:18:46 | 0:18:49 | |
The other two bedrooms on this floor are slightly smaller. | 0:18:49 | 0:18:53 | |
Then it's up a narrow staircase to find the final bedroom. | 0:18:53 | 0:18:56 | |
It's very steep. It's a bit challenging. | 0:18:56 | 0:18:59 | |
I mean, I'm not that small. You're taller. | 0:18:59 | 0:19:01 | |
-It is quite a challenge. -Walking around like this! | 0:19:01 | 0:19:04 | |
This is technically the master bedroom. | 0:19:04 | 0:19:06 | |
-You're joking? -I'm not! This is technically the master bedroom. | 0:19:06 | 0:19:11 | |
I wouldn't want to come all the way up here to go to bed. | 0:19:11 | 0:19:13 | |
You'd need to go to bed when you got up here, is the point! | 0:19:13 | 0:19:17 | |
I thought maybe a kids' room, top of the house, out of the way... | 0:19:17 | 0:19:20 | |
It would have to be, because this just doesn't feel that big. | 0:19:20 | 0:19:24 | |
Although you've got a lot of light coming in, | 0:19:24 | 0:19:27 | |
it just feels quite dark and small, doesn't it? | 0:19:27 | 0:19:31 | |
Josh would probably love it up here. | 0:19:31 | 0:19:33 | |
Yeah, this is a kids' space, isn't it? | 0:19:33 | 0:19:35 | |
Surrounding the house, an enclosed garden area for Josh, | 0:19:35 | 0:19:38 | |
a decked area for the adults, | 0:19:38 | 0:19:40 | |
a pond and a patch of lawn for Max, but has it won over my buyers? | 0:19:40 | 0:19:46 | |
-I think there's a lot of work to create something that we would find acceptable. -Uh-huh. | 0:19:46 | 0:19:53 | |
There's no garage. | 0:19:53 | 0:19:55 | |
There's not much in the way of space for a double garage, | 0:19:55 | 0:19:58 | |
and because the house is where it is, it's right in the middle of the plot, | 0:19:58 | 0:20:01 | |
not giving you much space either side. | 0:20:01 | 0:20:04 | |
I knew you were up for a project, I wasn't quite sure how much of a project you'd be up for, | 0:20:04 | 0:20:08 | |
which is why this has been a bit of a risk, to be honest, | 0:20:08 | 0:20:11 | |
in showing you this house, from my point of view. | 0:20:11 | 0:20:13 | |
I can kind of see where it's going. | 0:20:13 | 0:20:15 | |
But I am going to ask you, you know, how much, just out of interest, | 0:20:15 | 0:20:19 | |
you think this place would be worth? | 0:20:19 | 0:20:22 | |
It's difficult. It's got lots of period features. I wouldn't like to say, really. 400? | 0:20:22 | 0:20:29 | |
It's probably... No, I wouldn't think it was that much. Maybe 350? | 0:20:29 | 0:20:34 | |
For the right person, they would probably snap this up and love this house, but it's not for me. | 0:20:34 | 0:20:40 | |
So £350,000. | 0:20:40 | 0:20:42 | |
Suppose I told you that this was on the market for £475,000. | 0:20:42 | 0:20:49 | |
-You are joking! -I'm amazed at that! | 0:20:49 | 0:20:52 | |
That is far more. I thought 400 was being generous. | 0:20:52 | 0:20:55 | |
That is far more than I thought. | 0:20:55 | 0:20:57 | |
Yep. It has been on the market for quite a long time, | 0:20:57 | 0:21:00 | |
and I suspect that may be an optimistic figure. | 0:21:00 | 0:21:03 | |
Go and have a little look and see what you're going to walk away from, | 0:21:03 | 0:21:06 | |
and I'll catch up with you. | 0:21:06 | 0:21:08 | |
Certain aspects of the house, some of the kitchen, the big rooms, | 0:21:10 | 0:21:15 | |
the fireplaces, high ceilings, I liked. | 0:21:15 | 0:21:18 | |
It ticks a lot of the boxes. And it's a big house. | 0:21:18 | 0:21:21 | |
It's got some period features that we like, | 0:21:21 | 0:21:24 | |
but it needs a lot of work to make it the house that we'd want it to be. | 0:21:24 | 0:21:28 | |
I would describe it as going into a Victorian museum for the afternoon | 0:21:28 | 0:21:32 | |
cos that's what it felt like. | 0:21:32 | 0:21:34 | |
For our final property we're heading back to the village of Lodsworth in West Sussex, | 0:21:38 | 0:21:42 | |
and Mark and Rachel had a budget of about £600,000, | 0:21:42 | 0:21:45 | |
and they wanted to escape from Surbiton. | 0:21:45 | 0:21:47 | |
I was about to show them a mystery house | 0:21:47 | 0:21:50 | |
that would challenge all of their requirements, | 0:21:50 | 0:21:52 | |
but would they go for it? Well, let's find out. | 0:21:52 | 0:21:55 | |
Lodsworth is 25 miles from Mark's work in Horsham. | 0:22:00 | 0:22:04 | |
It's a popular village with a traditional Sussex pub on the village green | 0:22:04 | 0:22:08 | |
and the local church, St Peters, was built in the 13th century. | 0:22:08 | 0:22:12 | |
Lodsworth is not without its artistic connections. | 0:22:12 | 0:22:15 | |
EH Shepard, the illustrator of Winnie the Pooh, | 0:22:15 | 0:22:17 | |
lived here, and no doubt was inspired by its whimsical charm. | 0:22:17 | 0:22:21 | |
You two have a very fixed idea about what you think | 0:22:22 | 0:22:25 | |
your life in the countryside will be like, | 0:22:25 | 0:22:27 | |
and "rural" is a word you said quite a bit. | 0:22:27 | 0:22:30 | |
But we thought it might be interesting to show you a different vision, | 0:22:30 | 0:22:33 | |
so the mystery house is here in the village of Lodsworth, | 0:22:33 | 0:22:36 | |
which is very popular, highly sought-after, | 0:22:36 | 0:22:38 | |
and we're in the heart of it, an area of outstanding natural beauty. | 0:22:38 | 0:22:42 | |
And listen... | 0:22:42 | 0:22:45 | |
Quieter than most of the rural spots we've seen. | 0:22:45 | 0:22:48 | |
-Absolutely! -And this is the property. | 0:22:48 | 0:22:51 | |
-Wow, it's a gorgeous house. -Lovely, really attractive. | 0:22:51 | 0:22:54 | |
Victorian by the looks of it. | 0:22:54 | 0:22:56 | |
-That's exactly it. -Pretty windows. | 0:22:56 | 0:22:58 | |
That's good! A great Victorian property, | 0:22:58 | 0:23:00 | |
we're in the heart of a village, and I can't wait to show you inside. | 0:23:00 | 0:23:05 | |
This way. | 0:23:12 | 0:23:14 | |
-Very nice. -Mmm, nice big entrance. -Very well presented. | 0:23:14 | 0:23:19 | |
-It's a great entrance. -Lovely, isn't it? -It is a great entrance. | 0:23:19 | 0:23:22 | |
I said we're in the heart of the village, | 0:23:22 | 0:23:24 | |
but this was the old reading room. | 0:23:24 | 0:23:26 | |
They've tried to retain a bit of that with these bookshelves. | 0:23:26 | 0:23:29 | |
-Lovely. I like that. -Really nice. | 0:23:29 | 0:23:31 | |
I like it. Just want to see more! | 0:23:31 | 0:23:33 | |
Oh, you want to see more? Let's show you the living room. | 0:23:33 | 0:23:36 | |
-Lovely room. -In you come. -Fab room. -Oh, wow! This is really nice - huge! | 0:23:42 | 0:23:47 | |
Yeah, lovely fireplace. | 0:23:47 | 0:23:48 | |
-No doubt about it, I love the room. -You love it? Great! | 0:23:48 | 0:23:51 | |
Even though there's a road outside, it's not busy. | 0:23:51 | 0:23:54 | |
No, nowhere near. Just a little country road. | 0:23:54 | 0:23:56 | |
BUT...it's not putting me off the house at the moment. | 0:23:56 | 0:23:59 | |
I think you might like what I'm going to show you next. | 0:23:59 | 0:24:03 | |
Ah-hah! | 0:24:10 | 0:24:11 | |
Wow, very nice! | 0:24:11 | 0:24:14 | |
-Is it what you expected? -Yes, it is, in terms of style. | 0:24:14 | 0:24:17 | |
I thought it would be like this, very country. | 0:24:17 | 0:24:20 | |
They've got great features. | 0:24:20 | 0:24:23 | |
You've got the big range-style cooker there, | 0:24:23 | 0:24:25 | |
so plenty of cooking action you've got in here and big work surfaces. | 0:24:25 | 0:24:30 | |
-Yeah, a real family space, this. -Is it enough space for you? | 0:24:30 | 0:24:33 | |
No, there's not enough space to bring friends in or for us all, | 0:24:33 | 0:24:37 | |
actually, to dine in that space on a regular basis, | 0:24:37 | 0:24:41 | |
so I'm hoping that there's more space somewhere else in the house to dine. | 0:24:41 | 0:24:45 | |
Would I want to disappoint you, Mark? I don't think so! | 0:24:45 | 0:24:48 | |
Let me show you through here. | 0:24:48 | 0:24:50 | |
-Just look that way. -Wow! -Now that...OK! | 0:24:50 | 0:24:52 | |
Ah-hah! Come on in. | 0:24:52 | 0:24:54 | |
-That's fab, fantastic. -Lovely. -This is gorgeous! -Wow, that's good. | 0:24:54 | 0:24:59 | |
-This is the best room. -Look at the windows all around, it's fabulous. | 0:24:59 | 0:25:03 | |
Bearing all that in mind, I want to show you some more. | 0:25:03 | 0:25:06 | |
Lead the way back through the kitchen, and turn right. | 0:25:06 | 0:25:09 | |
This is a three-bedroom property, but the third bedroom is on the ground floor. | 0:25:10 | 0:25:14 | |
It's the perfect size for a child's bedroom, | 0:25:14 | 0:25:17 | |
and next to it is a compact bathroom. | 0:25:17 | 0:25:19 | |
Both Mark and Rachel seem really excited about this property. | 0:25:20 | 0:25:24 | |
Let's hope that carries through as we head upstairs. | 0:25:24 | 0:25:27 | |
Now, what about this for a master bedroom? | 0:25:28 | 0:25:31 | |
Lovely, really nice. Look at the built-in wardrobes. | 0:25:31 | 0:25:35 | |
Nice high ceiling, very light and airy. Love it. | 0:25:35 | 0:25:39 | |
So now we've seen a bit of the upstairs. | 0:25:39 | 0:25:40 | |
How are you feeling about this property? You were surprised when we were downstairs. | 0:25:40 | 0:25:44 | |
It's beautifully presented. It really is stunning. I really like this house. | 0:25:44 | 0:25:48 | |
-Reservations? -There are some. | 0:25:48 | 0:25:51 | |
I've noticed that there are just two bedrooms upstairs, | 0:25:51 | 0:25:55 | |
and I think that is a bit of a negative. | 0:25:55 | 0:25:59 | |
Let's have a look at that other bedroom, and what other benefits this house might have, | 0:25:59 | 0:26:03 | |
before you finally make your mind up. | 0:26:03 | 0:26:05 | |
-Do you want to lead the way, Rachel? -Yes. | 0:26:05 | 0:26:08 | |
-In you go. -Oh, wow! | 0:26:11 | 0:26:13 | |
-Oh, wow, look at that! -Out you go! | 0:26:13 | 0:26:16 | |
Fantastic. | 0:26:16 | 0:26:18 | |
-Surprised? -Yeah, very surprised. -Yeah, it's lovely. | 0:26:18 | 0:26:21 | |
That's super, and what views as well. | 0:26:21 | 0:26:24 | |
-Isn't that nice? -Mmm. | 0:26:24 | 0:26:27 | |
-Have a look out there. -Wow! -Amazing. | 0:26:29 | 0:26:31 | |
-What a view. -It's great, isn't it? | 0:26:31 | 0:26:34 | |
The house has the thumbs-up. Will the garden be the decider? | 0:26:36 | 0:26:38 | |
Here we are in the garden, | 0:26:38 | 0:26:42 | |
-and look, not going to make any bones about it. It is small. -It is. | 0:26:42 | 0:26:45 | |
That's a shame. | 0:26:45 | 0:26:47 | |
And if you were still interested in the house and the garden is small, | 0:26:47 | 0:26:51 | |
there is the option of an allotment. So you can still tend to your vegetables. | 0:26:51 | 0:26:54 | |
How much do you think it's worth? | 0:26:54 | 0:26:57 | |
I think 575. | 0:26:57 | 0:27:00 | |
I think it's probably, seeing as it's such a pretty village, | 0:27:00 | 0:27:03 | |
a great house and it's so well kept inside, I think a little bit more. | 0:27:03 | 0:27:07 | |
I think it's probably nearer the 590 mark. | 0:27:07 | 0:27:10 | |
How about this - it's actually on the market for £550,000. | 0:27:10 | 0:27:14 | |
That surprises me. | 0:27:14 | 0:27:17 | |
-A good surprise? -Yeah. | 0:27:17 | 0:27:19 | |
It's good. It is a good surprise. | 0:27:19 | 0:27:23 | |
Obviously, I still have reservations, though. | 0:27:23 | 0:27:25 | |
-We do, yeah. -OK. Still some reservations, but put those to the back of your mind | 0:27:25 | 0:27:29 | |
go back inside and have another look, OK? See you later. | 0:27:29 | 0:27:33 | |
The house is stunning. I love Victorian properties, high ceilings, big rooms. | 0:27:36 | 0:27:41 | |
It really is a wonderful property. | 0:27:41 | 0:27:44 | |
This is actually one of my favourite rooms. | 0:27:44 | 0:27:46 | |
-Yeah, you could just relax in here, couldn't you? -Triple aspects. | 0:27:46 | 0:27:50 | |
Only problem is, two bedrooms upstairs, one downstairs, | 0:27:50 | 0:27:54 | |
I'm not sure how that would work with our family. | 0:27:54 | 0:27:57 | |
I got quite excited when I first walked in, | 0:27:57 | 0:27:59 | |
but the more we went around, the more I realised it wasn't for us. | 0:27:59 | 0:28:03 | |
We're not going to get every single thing we want. | 0:28:03 | 0:28:05 | |
We're going to have to make some compromise. | 0:28:05 | 0:28:07 | |
Otherwise, we're going to have to up that budget quite a bit. | 0:28:07 | 0:28:11 | |
I don't think the downstairs bedroom or the small garden | 0:28:13 | 0:28:16 | |
were really working for Mark and Rachel's lifestyle, | 0:28:16 | 0:28:19 | |
but still, it did offer some great Victorian qualities. | 0:28:19 | 0:28:23 | |
That's all we've got time for with the Victorian properties on today's show. | 0:28:23 | 0:28:27 | |
I hope you enjoyed it and I hope I see you next time. | 0:28:27 | 0:28:29 | |
Right now I need to find a ride home! | 0:28:29 | 0:28:32 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:49 | |
E-mail [email protected] | 0:28:49 | 0:28:53 |