Browse content similar to Devon/Cornwall. Check below for episodes and series from the same categories and more!
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That is the Tavistock viaduct, one of the last great railway viaducts built in Britain. | 0:00:02 | 0:00:06 | |
It was finished in 1907 and it joins two counties | 0:00:06 | 0:00:09 | |
and spans a river whose banks were once the greatest producer of tin, copper and arsenic in the world. | 0:00:09 | 0:00:16 | |
Intrigued where we are? Find out in just a moment on Escape To The Country. | 0:00:16 | 0:00:21 | |
Today, we'll be helping a couple of Londoners swap busy streets for a laidback rural lifestyle... | 0:00:33 | 0:00:39 | |
I've got my chair and tree picked out! | 0:00:39 | 0:00:41 | |
We'll be viewing some breathtaking West Country homes... | 0:00:41 | 0:00:45 | |
Not many people leave me speechless, but that just left me speechless! | 0:00:45 | 0:00:49 | |
Or will it be the Mystery House that converts today's buyers? | 0:00:49 | 0:00:54 | |
I have a feeling you're home. | 0:00:54 | 0:00:55 | |
Yes. | 0:00:56 | 0:00:57 | |
This is the River Tamar which, historically, has always | 0:01:02 | 0:01:05 | |
separated Devon, over there, from Cornwall on this side. | 0:01:05 | 0:01:08 | |
Back in the day, it was mining where the money was - in mediaeval | 0:01:08 | 0:01:11 | |
times, silver and tin, and in the 1800s, copper was the big thing. | 0:01:11 | 0:01:16 | |
Of course, now, the mining days are long gone but, in 2006, the European Union pumped in £6m-worth | 0:01:16 | 0:01:23 | |
of development money and that's been good news for the tourists and also for the housing market. | 0:01:23 | 0:01:28 | |
Sandwiched between Dartmoor National Park in Devon | 0:01:30 | 0:01:32 | |
and Bodmin Moor in Cornwall, the Tamar valley stretches from | 0:01:32 | 0:01:36 | |
Plymouth in the south to Tavistock and near Launceston in the north. | 0:01:36 | 0:01:39 | |
At just 75 miles square, the valley is by no means vast, but packed into this little slice of Cornwall and | 0:01:41 | 0:01:47 | |
Devon is some of the most lush countryside to be found in the UK. | 0:01:47 | 0:01:51 | |
And, in 1995, the entire region was designated "an area of outstanding natural beauty". | 0:01:51 | 0:01:57 | |
At the heart of the valley is the River Tamar itself. | 0:01:57 | 0:02:02 | |
Along this scenic stretch of water, you'll find ancient woodlands, pretty villages and, of course, | 0:02:02 | 0:02:08 | |
the striking remains of the region's mining past. | 0:02:08 | 0:02:10 | |
Today, it's farming that's the bread and butter of the Tamar, | 0:02:10 | 0:02:14 | |
with 75% of the area given over to farmland. | 0:02:14 | 0:02:17 | |
So, if it's a Victorian cottage or a rambling farmhouse you're after, | 0:02:20 | 0:02:24 | |
you're more than likely to find it along the Tamar's shores. | 0:02:24 | 0:02:28 | |
As well as separating the two counties geographically, | 0:02:30 | 0:02:33 | |
the Tamar also separates Devon from Cornwall financially. | 0:02:33 | 0:02:37 | |
Over there in Devon, an average detached property will set you back £278,000, whereas here on this | 0:02:37 | 0:02:42 | |
side, on the Cornish side, it will cost you £265,000, which is still 13% above the national average. | 0:02:42 | 0:02:49 | |
On both sides of the river, prices have been going down, but take a look at what you can buy. | 0:02:49 | 0:02:54 | |
If you fancy living like a lord and lady of the manor, then this five-bedroom historic Tudor family | 0:02:56 | 0:03:01 | |
house in the grounds of Buckland Abbey, near Tavistock, could be just the thing. | 0:03:01 | 0:03:05 | |
For a rather stately £2m, you get spacious period accommodation, 16 acres of land | 0:03:05 | 0:03:12 | |
and, just in case that's not enough, there are two separate three-bedroom cottages included in the price. | 0:03:12 | 0:03:18 | |
For something more modern, check out this individually | 0:03:21 | 0:03:24 | |
designed four-bedroom house in St Dominic, Cornwall. | 0:03:24 | 0:03:28 | |
On the market for £595,000, the contemporary accommodation | 0:03:28 | 0:03:32 | |
is built around a huge reception hall and galleried landing. | 0:03:32 | 0:03:35 | |
But it's the setting that makes this a real stand-out, | 0:03:35 | 0:03:38 | |
with nearly every room enjoying far-reaching views over the Tamar valley. | 0:03:38 | 0:03:42 | |
If you're after a traditional cottage, then this 19th-Century | 0:03:46 | 0:03:49 | |
four-bedroom stone farmhouse in Portgate, Devon, could be yours for just under £400,000. | 0:03:49 | 0:03:55 | |
For that price, you get two good-sized reception rooms, complete with character features, | 0:03:55 | 0:04:01 | |
a farmhouse kitchen-diner, plus a self-contained one-bedroom annexe. | 0:04:01 | 0:04:05 | |
And you won't need a tractor to look after the pretty landscaped gardens. | 0:04:05 | 0:04:09 | |
Beautiful properties on both sides of the river here in Cornwall and | 0:04:12 | 0:04:15 | |
Devon, but will it be enough to lure our buyers from their homes in the Big Smoke? | 0:04:15 | 0:04:20 | |
For US-born Bob and Londoner James, retiring to the West Country would | 0:04:20 | 0:04:25 | |
be a huge step, as these two have never lived together before. | 0:04:25 | 0:04:29 | |
Whilst James has a two-bed flat in Surbiton, Surrey, | 0:04:29 | 0:04:32 | |
for the last 40 years, Bob's home has been this five-bedroom Edwardian | 0:04:32 | 0:04:36 | |
terrace in West London, but they've been planning a rural escape together for the last nine months. | 0:04:36 | 0:04:42 | |
The home I'm in now is past its sell-by date as far as I'm concerned. | 0:04:42 | 0:04:45 | |
I've just run out of space. | 0:04:45 | 0:04:48 | |
And there's too many stairs for me every day. | 0:04:48 | 0:04:50 | |
I've been up these stairs, you know, five times today already and that's wearing me out. | 0:04:50 | 0:04:56 | |
Arthritis means stairs are no longer an option for Bob, so a versatile | 0:04:56 | 0:04:59 | |
living space will be key, but what else are they looking for? | 0:04:59 | 0:05:03 | |
Something with a bit of character. | 0:05:03 | 0:05:05 | |
I quite like conversions, either barns, chapels... | 0:05:05 | 0:05:09 | |
What I'm looking for is a spacious home that would allow me | 0:05:09 | 0:05:14 | |
to live mostly on the ground floor, with a bedroom and a bathroom. | 0:05:14 | 0:05:18 | |
Whilst James lives in a very modern, almost minimalist, flat, Bob's home is crammed full of | 0:05:18 | 0:05:25 | |
period features and furniture, so will these two be able to agree on what they really want? | 0:05:25 | 0:05:31 | |
I'm more for the more modern interiors than Bob. | 0:05:31 | 0:05:34 | |
I'd hate something old-fashioned. | 0:05:34 | 0:05:36 | |
I don't mind modern if it's got some period features, but a completely modern house, I don't know... | 0:05:36 | 0:05:42 | |
Well, I could adjust to it. | 0:05:42 | 0:05:44 | |
'Style-wise, then, this could be quite a tricky balancing act, | 0:05:44 | 0:05:48 | |
'but at least they're agreed on the space they want.' | 0:05:48 | 0:05:50 | |
This is what passes for my kitchen, but originally it was a box room, so that's why it's so small. | 0:05:50 | 0:05:56 | |
I love to cook and part of the joy of cooking for me is preparation, | 0:05:56 | 0:06:01 | |
and there's just simply no space in here to do any of that. | 0:06:01 | 0:06:05 | |
And, of course, you need somewhere for your wine. | 0:06:05 | 0:06:08 | |
Well...keep that in the cellar. | 0:06:08 | 0:06:10 | |
Oh, we're getting a cellar, are we?! | 0:06:10 | 0:06:11 | |
And outside is equally important. | 0:06:11 | 0:06:14 | |
This is Bob's garden, very easy to maintain. It's also secluded. | 0:06:14 | 0:06:18 | |
This is the sort of garden we would like in our new place, but a bit bigger. | 0:06:18 | 0:06:22 | |
A barbecue area would be really good. | 0:06:22 | 0:06:24 | |
But, for opera fan Bob, it's the interior space he wants to up-scale. | 0:06:24 | 0:06:28 | |
This is what somebody affectionately referred to as my "wall of sound". | 0:06:28 | 0:06:33 | |
There are tapes all over the house, a DVD collection, | 0:06:33 | 0:06:36 | |
and I, literally, have no place to put them anymore. | 0:06:36 | 0:06:38 | |
I would like to have a room where I could separate where I live from the actual collection. | 0:06:38 | 0:06:44 | |
Before they can home in on their new country pile, they need to know just what they can afford, | 0:06:44 | 0:06:50 | |
so we've invited a local estate agent round to value Bob's home. | 0:06:50 | 0:06:54 | |
This is a substantial Edwardian family home, | 0:06:54 | 0:06:58 | |
on three floors, with five bedrooms. In my opinion, | 0:06:58 | 0:07:01 | |
the value is £650,000. | 0:07:01 | 0:07:03 | |
That's a good sum of money, but do they intend spending it all on their new pad? | 0:07:07 | 0:07:11 | |
After pooling our finances, we will have money to live on. | 0:07:11 | 0:07:14 | |
Our budget should be round about the £550,000 mark. | 0:07:14 | 0:07:17 | |
As I've understood our brief, what we're looking for is a four-bedroomed | 0:07:21 | 0:07:25 | |
house with at least one of the bedrooms and a bathroom down on the ground floor. | 0:07:25 | 0:07:29 | |
Also space for Bob's amazingly huge operatic collection, | 0:07:29 | 0:07:33 | |
though I haven't quite fathomed how big that actually is. | 0:07:33 | 0:07:36 | |
I'm sure I'll find out. | 0:07:36 | 0:07:38 | |
And then a manageable garden although, interestingly, at this budget in this area, | 0:07:38 | 0:07:42 | |
most properties come with enormous gardens, so that might be a problem. | 0:07:42 | 0:07:46 | |
To maximise our chances of finding Bob and James | 0:07:48 | 0:07:51 | |
their very spacious dream house, we're starting today's property | 0:07:51 | 0:07:55 | |
search on the Cornish side of the River Tamar, | 0:07:55 | 0:07:57 | |
where they should get more for their money. | 0:07:57 | 0:07:59 | |
To appeal to their very different tastes, we'll be viewing | 0:07:59 | 0:08:02 | |
a real mix of contemporary and character country homes. | 0:08:02 | 0:08:05 | |
As always, I'll be staying tight-lipped on the price tags until they've had a good look round. | 0:08:05 | 0:08:11 | |
Last of the three is the Mystery House, which should challenge them to think outside the box. | 0:08:11 | 0:08:15 | |
-Hello, gents. -Hi. -Hi. You've made it to the amazing Tamar valley. | 0:08:18 | 0:08:21 | |
-Isn't it gorgeous? -A change from smoky old London? | 0:08:21 | 0:08:24 | |
-It certainly does. -My God, yes. | 0:08:24 | 0:08:26 | |
Now, why have you picked this bit of narrow little corridor of the West Country? Why here? | 0:08:26 | 0:08:31 | |
Well, it's far enough away from London, but it's still accessible | 0:08:31 | 0:08:36 | |
to the main roads if you want to get to the airport or anything. | 0:08:36 | 0:08:39 | |
Yeah. Exeter, as well. You can go to all those places. | 0:08:39 | 0:08:42 | |
Your budget is a bit more fluid than we originally thought? | 0:08:42 | 0:08:45 | |
Yes, we've extended it slightly. | 0:08:45 | 0:08:48 | |
-How slightly? -Well, about...50,000, maybe? | 0:08:48 | 0:08:52 | |
-So you could stretch up to 600? -600, yes. | 0:08:52 | 0:08:54 | |
Very good. That's very good news. | 0:08:54 | 0:08:57 | |
-It is? -Excellent, yes. And this is the first time you guys have | 0:08:57 | 0:09:00 | |
bought a property together, so are there going to be any style issues? | 0:09:00 | 0:09:04 | |
Possibly, because I'm more minimalist and tidy and you're... | 0:09:04 | 0:09:08 | |
-I'm more into clutter. -More into clutter. | 0:09:08 | 0:09:11 | |
-Clutter makes a home, I always feel. -Let's call it maximalist. -All right. | 0:09:11 | 0:09:14 | |
I'm not sure I can pronounce that! | 0:09:14 | 0:09:17 | |
Well, hopefully we'll find you a property with plenty of space so you can spread out. | 0:09:17 | 0:09:22 | |
That's really what we're looking for. | 0:09:22 | 0:09:24 | |
Well, we'd better get looking. Shall we get in the car? Let's go. | 0:09:24 | 0:09:27 | |
So, for a top budget of £600,000, | 0:09:28 | 0:09:31 | |
Bob and James have a pretty long wish list. | 0:09:31 | 0:09:33 | |
They want a four-bedroom character home with ground-floor sleeping | 0:09:33 | 0:09:37 | |
accommodation for Bob and at least two separate reception rooms. | 0:09:37 | 0:09:40 | |
A huge kitchen-diner is a must, | 0:09:40 | 0:09:43 | |
whilst a big country garden is a must-not. | 0:09:43 | 0:09:45 | |
But with their opposite tastes in decor, I have a feeling meeting both | 0:09:45 | 0:09:49 | |
of their needs under just one roof is going to be quite a challenge. | 0:09:49 | 0:09:54 | |
I know you've got this issue with your opera collection. | 0:09:54 | 0:09:58 | |
-Yes. -I haven't quite got my head around how big that is. How many...? | 0:09:58 | 0:10:03 | |
Do you need a whole extra room or two...? | 0:10:03 | 0:10:05 | |
Yes, or three. | 0:10:05 | 0:10:07 | |
I probably have more CDs than most record shops have, so it's quite extensive. | 0:10:07 | 0:10:13 | |
That's your primary concern. What about you, James? | 0:10:13 | 0:10:16 | |
I'd just like some really nice room to show off my collection of paintings, modern paintings, | 0:10:16 | 0:10:21 | |
and somewhere to chill out with a really large 50-inch TV screen. | 0:10:21 | 0:10:28 | |
That would be really great. | 0:10:28 | 0:10:29 | |
Well, our first property certainly has plenty of chilling-out space. | 0:10:29 | 0:10:34 | |
It's situated on the outskirts of the Cornish village of Calstock, | 0:10:34 | 0:10:37 | |
In the heart of the Tamar valley, 20 miles north of Plymouth. | 0:10:37 | 0:10:41 | |
Its riverside setting takes some beating. | 0:10:41 | 0:10:44 | |
Almost clinging to the banks of the Tamar, Calstock has been an important port since Saxon times, | 0:10:45 | 0:10:50 | |
but its heyday came with the Victorian mining boom | 0:10:50 | 0:10:54 | |
and the construction of the mighty viaduct. | 0:10:54 | 0:10:56 | |
The miners are long-gone, but their stone cottages still line the narrow streets. | 0:10:56 | 0:11:01 | |
The village is served by the Gunnislake to Plymouth line, | 0:11:01 | 0:11:04 | |
if Bob and James feel like branching out, | 0:11:04 | 0:11:07 | |
or for an entirely more sedate mode of travel, | 0:11:07 | 0:11:09 | |
they can take the village ferry from shore to shore. | 0:11:09 | 0:11:12 | |
We don't have to hire a boat, though, as our property is just on the edge of the village. | 0:11:12 | 0:11:18 | |
-What do you think of this? -Very nice. | 0:11:18 | 0:11:20 | |
Very nice indeed. I quite like it. Is that slate on the front? | 0:11:20 | 0:11:24 | |
-That's Cornish slate. Not just any old slate. -Cornish slate. | 0:11:24 | 0:11:28 | |
It was a tin miner's cottage. It's been extended. | 0:11:28 | 0:11:31 | |
It's obviously quite a deal bigger than it was when it was first built. Let's have a look inside. | 0:11:31 | 0:11:36 | |
This cottage delivers on versatile living space. | 0:11:37 | 0:11:40 | |
In we come. | 0:11:42 | 0:11:44 | |
-Straight into the kitchen. -Now that I like. | 0:11:44 | 0:11:47 | |
Because you can just come right in and put your groceries down. | 0:11:47 | 0:11:50 | |
-You don't have to climb 15 stairs. -This is your area, isn't it? -It is. | 0:11:50 | 0:11:54 | |
-Is it going to be big enough? -No. | 0:11:54 | 0:11:57 | |
It's really not much bigger than what I've got now, and I was hoping for one three times the size. | 0:11:57 | 0:12:02 | |
Three times the size. I shall make a mental note. | 0:12:02 | 0:12:05 | |
I wanted a gigantic kitchen. Lots of workspace. | 0:12:05 | 0:12:09 | |
For me, this is a nice size. It's workable. | 0:12:09 | 0:12:12 | |
But then, you cook and leave everything out, whereas I put things away. | 0:12:12 | 0:12:16 | |
-You're the tidy one, aren't you? -Yes. I like the finish. Nice and modern. | 0:12:16 | 0:12:20 | |
There's a little more space. Next door you've got a large dining room, but I know you've got special | 0:12:20 | 0:12:26 | |
requirements in terms of wanting a downstairs bedroom. Let's talk about that. | 0:12:26 | 0:12:30 | |
'Tricky. James likes it but Bob seems to have written this property off already. | 0:12:30 | 0:12:35 | |
'Let's see if we can turn him around with his own annexe, complete with bedroom, study and bathroom.' | 0:12:35 | 0:12:41 | |
-You don't look totally wowed. -Well, no. I'm not wowed, and I'll tell you why. | 0:12:41 | 0:12:46 | |
I was hoping for a bedroom that had en suite, | 0:12:46 | 0:12:51 | |
rather than having to walk from there down to here. | 0:12:51 | 0:12:55 | |
I can see there are several little steps. | 0:12:55 | 0:12:58 | |
Small steps, but steps, to get to the bathroom. | 0:12:59 | 0:13:01 | |
That could be a problem at 3:00am. | 0:13:01 | 0:13:04 | |
Let's look at the rest of the house. | 0:13:04 | 0:13:06 | |
'I know Bob doesn't want stairs, but I hadn't realised one step would be an issue. | 0:13:06 | 0:13:12 | |
'Hopefully, the rest of his quarters will get a better reaction.' | 0:13:12 | 0:13:16 | |
This is the downstairs bedroom. At the moment. | 0:13:16 | 0:13:20 | |
But it could be any number of things. | 0:13:20 | 0:13:22 | |
I think it's nice. I like it. | 0:13:22 | 0:13:24 | |
Bob would be the one living down here, so... | 0:13:24 | 0:13:27 | |
There's the step issue but I think it's nicely set out. | 0:13:27 | 0:13:31 | |
-As a bedroom, it's not too small. -There's a bigger option downstairs. | 0:13:31 | 0:13:35 | |
Let's have a look at that. | 0:13:35 | 0:13:37 | |
'Right next door is a living room, where Bob should feel right at home, | 0:13:38 | 0:13:42 | |
as it's full of the owners' artwork.' | 0:13:42 | 0:13:45 | |
-This is the most spacious room downstairs. -Very nice. | 0:13:45 | 0:13:49 | |
This is the extension they put this way into the cottage. | 0:13:49 | 0:13:52 | |
You can see how the rooms are much bigger and less cramped. | 0:13:52 | 0:13:56 | |
-Also, there seems to be more light. -Much more. This is south-west facing. You get afternoon sunlight. | 0:13:57 | 0:14:03 | |
-They're very nice views. -My storage room and your sun room. | 0:14:03 | 0:14:06 | |
-Well, no. If you use it for storage, where's my TV room? -Oh, right. | 0:14:06 | 0:14:11 | |
-It would go there. -Sorry, I forgot. | 0:14:11 | 0:14:14 | |
Such a waste to put an opera collection in here. | 0:14:14 | 0:14:17 | |
'Oh dear, disagreeing already. | 0:14:17 | 0:14:19 | |
But there's no need, as upstairs there are plenty of options. | 0:14:19 | 0:14:22 | |
For a start, this guest room could be used for storage, | 0:14:22 | 0:14:25 | |
and James has his own separatebathroom.' | 0:14:25 | 0:14:27 | |
This, I guess, would be your bedroom, James. | 0:14:30 | 0:14:33 | |
The view is superb. | 0:14:33 | 0:14:35 | |
Amazing view, yeah. | 0:14:35 | 0:14:37 | |
-What about the size, for you? -Perfect. | 0:14:37 | 0:14:40 | |
Don't be so brash, where are you going to put your clothes? | 0:14:40 | 0:14:43 | |
You do have that little bedroom over there, | 0:14:45 | 0:14:48 | |
and you've got a bit of storage, here. | 0:14:48 | 0:14:50 | |
He's going to have all the room downstairs with his opera collection. | 0:14:50 | 0:14:54 | |
Out of bed in the morning, onto the balcony to do your morning exercises. | 0:14:54 | 0:14:58 | |
-Breathe the fresh air. -I'm not sure there's room for aerobics out there. | 0:14:58 | 0:15:03 | |
A beautiful balcony. It's quite slippy, mind yourself. | 0:15:03 | 0:15:06 | |
And so unspoilt. You don't have anybody overlooking you. | 0:15:08 | 0:15:12 | |
-It's all your view. -Absolutely fabulous. | 0:15:12 | 0:15:15 | |
But, that's not all the upstairs has to offer. | 0:15:15 | 0:15:18 | |
Back in. | 0:15:18 | 0:15:20 | |
'I'm saving the best room for last, for James, anyway. | 0:15:28 | 0:15:31 | |
-That's a surprise. -It is, isn't it? -This is fabulous. | 0:15:36 | 0:15:40 | |
-Why couldn't this be downstairs? -He's getting envious of your space! | 0:15:40 | 0:15:45 | |
-This is really good. -It would be a great space, I thought, for an upstairs lounge. | 0:15:46 | 0:15:52 | |
Very spacious. I was not expecting this at all. | 0:15:52 | 0:15:55 | |
-What would you do with it? -I'd have a nice, large television, there. | 0:15:55 | 0:15:58 | |
It would be great. Let's have a peek outside. | 0:15:58 | 0:16:02 | |
'I know Bob and James want a little garden, | 0:16:02 | 0:16:05 | |
'however, small gardens and big, country houses don't usually go together. | 0:16:05 | 0:16:09 | |
'But this one is relatively manageableat just under an acre.' | 0:16:09 | 0:16:13 | |
The best thing about this property is the view from the land. | 0:16:13 | 0:16:17 | |
The land itself is quite small, because it's just all this hedgerow, the ditch, | 0:16:17 | 0:16:24 | |
-over to there, beyond those trees. -Quite large. | 0:16:24 | 0:16:27 | |
-It's enough. Larger than a London... -Larger than my current one. | 0:16:27 | 0:16:32 | |
But it's not unmanageable. | 0:16:32 | 0:16:34 | |
Looking at the property from here, and considering the location, | 0:16:34 | 0:16:38 | |
what do you think it's on the market at? | 0:16:38 | 0:16:40 | |
I'd probably say 499. | 0:16:41 | 0:16:43 | |
It's difficult because I don't know the area. | 0:16:44 | 0:16:46 | |
I would say a bit lower. | 0:16:46 | 0:16:49 | |
470. | 0:16:51 | 0:16:53 | |
Right. | 0:16:53 | 0:16:54 | |
Well, it's on the market at your price. | 0:16:55 | 0:16:58 | |
-Offers around 500. -Oh, right. | 0:16:58 | 0:17:00 | |
So that's the benchmark of prices in the area. | 0:17:01 | 0:17:05 | |
Obviously, in the current climate, | 0:17:05 | 0:17:08 | |
-there's quite a bit of leeway. -Yes. | 0:17:08 | 0:17:10 | |
Now you're armed with that bit of information, have a wander round, we'll meet at the front. | 0:17:10 | 0:17:16 | |
'Well, we're off to an interesting start. | 0:17:16 | 0:17:18 | |
'This house is a hit for James but a miss for Bob. | 0:17:18 | 0:17:22 | |
'At half a million pounds, it's a massive £100,000 under budget, | 0:17:22 | 0:17:27 | |
'and has nearly everything they've asked for. | 0:17:27 | 0:17:30 | |
'Three reception rooms, three bedrooms and the downstairs annexe. | 0:17:30 | 0:17:34 | |
'But neither the annexe nor the kitchen is quite right for Bob, | 0:17:34 | 0:17:39 | |
'so we're going to have to look harder at finding something that suits both their tastes.' | 0:17:39 | 0:17:44 | |
The major sticking point in this house would be the kitchen. | 0:17:44 | 0:17:48 | |
Because, frankly, it is no larger than the kitchen I have already, | 0:17:48 | 0:17:52 | |
and there's no workable space. | 0:17:52 | 0:17:54 | |
The other problem would be that the ideal room for my purposes, in terms of my music collection, | 0:17:54 | 0:18:01 | |
would be the upstairs artist room, but I don't want to have to climb those stairs. | 0:18:01 | 0:18:05 | |
It's just not practical. | 0:18:05 | 0:18:07 | |
Well, this is a fabulous room. | 0:18:08 | 0:18:10 | |
It's a terrific size. It's great. | 0:18:10 | 0:18:13 | |
But that wall cries out for a "wall of sound", to me. | 0:18:13 | 0:18:17 | |
-But then you can't do the stairs. -I can't do the stairs. | 0:18:19 | 0:18:22 | |
For me, it's great, but I have to think about Bob as well. | 0:18:22 | 0:18:26 | |
I don't think that downstairs would work for him. | 0:18:26 | 0:18:28 | |
I could make it work but I don't think Bob can. | 0:18:28 | 0:18:31 | |
I've been exploring the bottom of your garden. It's very nice. | 0:18:32 | 0:18:35 | |
-The whole of Cornwall is at your foot slips. -I know. It's great. | 0:18:35 | 0:18:40 | |
'Despite having visited both Devon and Cornwall before, | 0:18:44 | 0:18:48 | |
'the Tamar valley is a relatively unknown area for Bob and James, | 0:18:48 | 0:18:51 | |
'so before making the all-important decision to buy, | 0:18:51 | 0:18:55 | |
'they are keen to soak up some of the region's many cultural and scenic highlights. | 0:18:55 | 0:18:59 | |
'First stop is the thriving market town of Tavistock in Devon. | 0:18:59 | 0:19:03 | |
'The birthplace of Sir Frances Drake, its rich historical past is in evidence just about everywhere, | 0:19:03 | 0:19:09 | |
and the remains of Tavistock Abbey are a must-see for history buffs.' | 0:19:09 | 0:19:14 | |
It would have been mammoth, I would have thought. | 0:19:14 | 0:19:17 | |
And quite inspiring. | 0:19:17 | 0:19:20 | |
'The abbey was founded in 961, but was destroyed in the 1500s, | 0:19:20 | 0:19:24 | |
'during the dissolution of the monasteries, | 0:19:24 | 0:19:27 | |
'when the monks surrendered it for a paltry £100. | 0:19:27 | 0:19:30 | |
'For some peace and quiet, the river Tavy, running through the centre of the town, | 0:19:32 | 0:19:36 | |
'is the perfect setting for a gentle stroll. | 0:19:36 | 0:19:39 | |
'But the Tavy isn't just pretty, it played a vital role in the 1800s' industrial boom | 0:19:39 | 0:19:45 | |
'by feeding the Tavistock canal, which serviced the Cornish port | 0:19:45 | 0:19:49 | |
'and mining town of Morwellham Quay, three miles away. | 0:19:49 | 0:19:52 | |
'Once the busiest port in the UK - at its peak busier, even, than Liverpool, | 0:19:53 | 0:19:57 | |
'the village is now a heritage site | 0:19:57 | 0:19:59 | |
'and is preserved in all its Victorian glory. | 0:19:59 | 0:20:02 | |
'Well worth a visit to appreciate the region's past, even in the rain. | 0:20:02 | 0:20:06 | |
Imagine what it must have been like to live in a thriving village like this in Victorian times. | 0:20:08 | 0:20:14 | |
'Dawn Todd, Morwellham Quay's education co-ordinator, | 0:20:14 | 0:20:17 | |
'is more than happy to give Bob and James the answer.' | 0:20:17 | 0:20:20 | |
You see behind you the river Tamar. | 0:20:20 | 0:20:23 | |
Boats would travel up the river to Plymouth in that direction, carrying ore. | 0:20:23 | 0:20:27 | |
Behind you, you can see the tracks for the wagons. | 0:20:27 | 0:20:30 | |
These would carry the ore from the mine down to the dressing floor, | 0:20:30 | 0:20:34 | |
where the girls, the bal maidens, would work with young children, | 0:20:34 | 0:20:38 | |
breaking rocks all day long, so that they could reveal the copper at the centre of the rocks. | 0:20:38 | 0:20:44 | |
'That sounds like hard work. | 0:20:44 | 0:20:46 | |
'Let's hope finding Bob and James their dream country house won't be.' | 0:20:46 | 0:20:50 | |
-Thank you very, very much. That was wonderful. -No problem. | 0:20:50 | 0:20:53 | |
-Thank you. -Bye-bye, now. | 0:20:53 | 0:20:55 | |
'We're venturing north-west towards the wilds of Bodmin Moor | 0:20:59 | 0:21:06 | |
'and the edges of the old mining village of Pensilva. | 0:21:06 | 0:21:08 | |
'If it's peace and quiet Bob and James are after, this little village should be perfect. | 0:21:09 | 0:21:14 | |
'It started life specifically to house miners during the expansion of the copper mines at nearby Caradon. | 0:21:14 | 0:21:21 | |
'What's left of that industrial boom is a vast array | 0:21:21 | 0:21:23 | |
'of quarry-stone cottages, but our property is on the outskirts of Pensilva, overlooking the valley.' | 0:21:23 | 0:21:30 | |
Look where I've brought you. | 0:21:32 | 0:21:33 | |
-Fabulous. -Isn't it good? -I can hear the river. | 0:21:35 | 0:21:38 | |
-Your own valley. -That's beautiful. | 0:21:38 | 0:21:41 | |
And this is an ideal property, because you come in at the top. | 0:21:41 | 0:21:44 | |
It's a sort of upside-down house, then there's another floor underneath, which will be yours. | 0:21:44 | 0:21:49 | |
-It look very small from this angle, but I'm sure it's not. -I'm sure it goes long ways. | 0:21:49 | 0:21:54 | |
You're seeing the end of it, if you can imagine. | 0:21:54 | 0:21:56 | |
'This house was originally two cottages built in 1850, | 0:21:56 | 0:21:59 | |
'but converted into a single dwelling ten years ago. | 0:21:59 | 0:22:03 | |
'There's one thing that it's not - and that's small.' | 0:22:03 | 0:22:06 | |
Come into your, hopefully, dream kitchen. | 0:22:06 | 0:22:10 | |
-You like it? -Yes! -It's big, huh? | 0:22:14 | 0:22:17 | |
-I love it. Everywhere I look, there's counter space. -Exactly. | 0:22:17 | 0:22:20 | |
It's just fabulous. | 0:22:20 | 0:22:22 | |
It's huge. Huge. It really is huge. | 0:22:22 | 0:22:26 | |
-Enough space for you... -I think so, yes. -..to create! | 0:22:26 | 0:22:29 | |
Success! | 0:22:31 | 0:22:32 | |
'I think Bob's a bit overwhelmed. | 0:22:32 | 0:22:35 | |
'I just hope the rest of this floor can live up to that kitchen.' | 0:22:35 | 0:22:38 | |
Now, Bob, there are some steps but, at the moment, this is | 0:22:38 | 0:22:42 | |
used as the bedroom, largely because of this exceptional view. | 0:22:42 | 0:22:46 | |
It is exceptional, isn't it? | 0:22:47 | 0:22:49 | |
I like it, yes, very much. | 0:22:49 | 0:22:51 | |
Would you have issues with the steps? | 0:22:51 | 0:22:53 | |
Well, I can do one or two steps. | 0:22:53 | 0:22:56 | |
-It's having to climb a flight of steps that I'm trying to avoid. -OK. | 0:22:56 | 0:23:01 | |
I think this is just about right. | 0:23:01 | 0:23:02 | |
Let's take a look at next door, and then you can make a decision about what goes where. | 0:23:02 | 0:23:06 | |
'So far, so good. Even the steps and lack of en-suite don't seem to be dampening Bob's spirits. | 0:23:06 | 0:23:13 | |
-And more steps. -Right. -So, a nice log burner... | 0:23:14 | 0:23:17 | |
No, actually, it's a fake gas fire, but it gives off a lot of heat. | 0:23:17 | 0:23:22 | |
This would be your drawing-room/lounge/opera room. | 0:23:22 | 0:23:27 | |
-Yes, I think it has potential for that. -'I would say that's a result. | 0:23:28 | 0:23:31 | |
'And next door is Bob's bathroom. | 0:23:31 | 0:23:33 | |
'It may not be an en suite, but it's definitely roomy.' | 0:23:33 | 0:23:36 | |
-I think I could fit in that. -Very good. -Put plants in the bath tub. | 0:23:36 | 0:23:40 | |
It's a nice size. | 0:23:41 | 0:23:43 | |
'That should be Bob's upstairs accommodation sorted, | 0:23:43 | 0:23:46 | |
'but when they see downstairs, they might have other plans.' | 0:23:46 | 0:23:48 | |
Now, downstairs, they've replaced the steps with ramps... | 0:23:48 | 0:23:52 | |
-Right. -..because there is the option of actually reversing the whole set-up and you could have this floor | 0:23:52 | 0:23:58 | |
-and then French doors that open out into the garden. -Wake up to that in the morning. | 0:23:58 | 0:24:02 | |
They've put this awning across the French windows. | 0:24:02 | 0:24:05 | |
I don't quite know why, cos you could get rid of it and get a lot more light. | 0:24:05 | 0:24:09 | |
You'll see there are...three, four, five rooms off this corridor | 0:24:09 | 0:24:13 | |
-and they do get a lot of light, so let's have a look at those. -Right. | 0:24:13 | 0:24:16 | |
'This ground floor just keeps on going. | 0:24:16 | 0:24:19 | |
'There are two guest bedrooms - one is currently a study - | 0:24:19 | 0:24:22 | |
'a small sitting room and a guest bathroom.' | 0:24:22 | 0:24:26 | |
This, I guess, would be your TV room. | 0:24:26 | 0:24:27 | |
Oh, very nice. | 0:24:27 | 0:24:29 | |
Is this kind of enough for what you need? | 0:24:29 | 0:24:31 | |
For me, yes, perfect. | 0:24:31 | 0:24:34 | |
Well, now, if you didn't have this as a TV room... | 0:24:34 | 0:24:36 | |
-Yeah? -..I think I could get the entire collection into this room. | 0:24:36 | 0:24:41 | |
I'm living upstairs, aren't I? | 0:24:43 | 0:24:45 | |
You're being edged upstairs. | 0:24:45 | 0:24:47 | |
But what about the stairs? | 0:24:47 | 0:24:49 | |
You'd have to negotiate the stairs a fair bit to get to the kitchen. | 0:24:49 | 0:24:53 | |
Yes. | 0:24:53 | 0:24:55 | |
Well, when I say I could fit the entire collection in here, I'm talking about storage, | 0:24:55 | 0:25:00 | |
so I don't come down and take out | 0:25:00 | 0:25:04 | |
the CDs that often. | 0:25:06 | 0:25:07 | |
What I'm thinking of is some place to put them... | 0:25:07 | 0:25:10 | |
-Oh. -..where I'm not having to live with them. | 0:25:10 | 0:25:13 | |
But he is. | 0:25:13 | 0:25:15 | |
But he'd have to find somewhere else to put his TV! | 0:25:15 | 0:25:18 | |
That's all I'm saying, if he found somewhere else to put his TV, | 0:25:18 | 0:25:23 | |
then this would be ideal for that. | 0:25:23 | 0:25:25 | |
'James seems suitably unimpressed with that idea. | 0:25:25 | 0:25:29 | |
'Maybe sharing a house will be more difficult than they anticipated. | 0:25:29 | 0:25:32 | |
'Let's nip this debate in the bud and get them outside. | 0:25:32 | 0:25:36 | |
If they thought the last garden was big, wait 'til they see this one. Over two acres. | 0:25:36 | 0:25:41 | |
If you turn, you can get a better look at the house. | 0:25:41 | 0:25:43 | |
It's big, huh? | 0:25:43 | 0:25:45 | |
-It is very large, yes. -So the big question is - can you afford it? | 0:25:45 | 0:25:48 | |
How much do you think it is? | 0:25:48 | 0:25:50 | |
I would say 575. | 0:25:50 | 0:25:53 | |
I was thinking more in terms of 595. | 0:25:55 | 0:25:58 | |
Well, you're both wrong. | 0:26:00 | 0:26:02 | |
It is actually a shade under £500,000. | 0:26:02 | 0:26:08 | |
-Ah! -That was the sound of your jaw dropping. | 0:26:10 | 0:26:14 | |
Not many people leave me speechless, but that line just left me speechless. | 0:26:14 | 0:26:19 | |
Yes, it's a great bargain. | 0:26:19 | 0:26:20 | |
-Don't tell the owner! -No, no. | 0:26:20 | 0:26:23 | |
If you want to start making your way upstairs - it might take some time... | 0:26:23 | 0:26:27 | |
-I can afford the ski lift now. -Yeah, absolutely! | 0:26:27 | 0:26:29 | |
Or a tunnel or a chute. | 0:26:29 | 0:26:32 | |
Yeah. | 0:26:32 | 0:26:34 | |
That always makes me very happy, when people guesstimate the price | 0:26:36 | 0:26:39 | |
of a house they really like about £75,000 over the real price. | 0:26:39 | 0:26:44 | |
And I think they really like it and, bar the ski slope of a garden, it's got a lot going for it. | 0:26:44 | 0:26:51 | |
'With a price tag of just under £500,000, | 0:26:51 | 0:26:54 | |
'this house is massively under their £600,000 budget, | 0:26:54 | 0:26:58 | |
'and what a lot of house there is for the money. | 0:26:58 | 0:27:00 | |
'Bob gets his huge kitchen-diner, at least five times the size of | 0:27:00 | 0:27:04 | |
'his one in London, there's ample upstairs/downstairs living space | 0:27:04 | 0:27:08 | |
'for them both, if they can decide who gets which level. It has two reception rooms and four bedrooms. | 0:27:08 | 0:27:15 | |
'The only thing I can see letting this house down is the two-acre garden. | 0:27:15 | 0:27:19 | |
'It's not often I get to say that.' | 0:27:19 | 0:27:22 | |
There's so much here. The downstairs bedroom, | 0:27:22 | 0:27:25 | |
which I would have, is fabulous, and the price is incredible. | 0:27:25 | 0:27:28 | |
I can't believe it. | 0:27:28 | 0:27:30 | |
Imagine getting up to that. | 0:27:30 | 0:27:32 | |
It'd be well worth waking up, wouldn't it? | 0:27:32 | 0:27:34 | |
I'm not sure how you'd manage the slopes on the different levels. | 0:27:34 | 0:27:38 | |
Well, I probably wouldn't. | 0:27:38 | 0:27:40 | |
-In terms of the garden, we'd have to get somebody in. -Oh, yes, it's too much. | 0:27:40 | 0:27:44 | |
The rooms are quite nice, they look comfortable, they're useable. | 0:27:44 | 0:27:47 | |
I want to separate out my living area from my music area and that is doable | 0:27:47 | 0:27:52 | |
in this house, but the kitchen is ideal cos it had absolutely everything I was looking for. | 0:27:52 | 0:27:58 | |
I can't think of one thing that's even missing. | 0:27:58 | 0:28:01 | |
There's plenty of scope to do all kinds of things here. | 0:28:01 | 0:28:05 | |
Are you taking in your view? | 0:28:05 | 0:28:07 | |
We are. We're just discussing who would do the gardening. Do you know a good gardener? | 0:28:07 | 0:28:12 | |
Neither of you...? Well, I'd love you to just feast on all these lovely landscapes, | 0:28:12 | 0:28:17 | |
but we've got much more of Cornwall and Devon to explore, so come on. | 0:28:17 | 0:28:21 | |
That's true. | 0:28:21 | 0:28:23 | |
'We may have found Bob his dream kitchen, so what better time for a spot of culinary inspiration? | 0:28:33 | 0:28:38 | |
'To get the creative juices flowing, we've come to Buckland Abbey just outside of Tavistock | 0:28:38 | 0:28:43 | |
-'to meet Pat Coxson for a cookery masterclass of the historic kind.' -Welcome to Buckland Abbey. | 0:28:43 | 0:28:51 | |
'Converted from the abbey into this grand Elizabethan manor in the late 1500s, | 0:28:51 | 0:28:56 | |
'it was the family home of Tudor seafaring hero Sir Francis Drake, | 0:28:56 | 0:29:00 | |
'and was owned by Drake's descendants until the 1940s when it was passed to the National Trust. | 0:29:00 | 0:29:07 | |
'But it's the kitchens we're interested in, and the catering facilities here are far from modern. | 0:29:07 | 0:29:12 | |
'Pat is more at home in traditional surroundings, knocking up traditional Tudor fare. | 0:29:12 | 0:29:17 | |
'Whilst the normal Tudor diet was made up of bread, cheese and seasonal vegetables, | 0:29:17 | 0:29:22 | |
'for important households like the Drakes, food was more elaborate | 0:29:22 | 0:29:26 | |
'and, today, we're cooking a genuine 15th-century fish dish. | 0:29:26 | 0:29:30 | |
I've cut a shape here. | 0:29:30 | 0:29:32 | |
First we skin the piece of fish. | 0:29:32 | 0:29:35 | |
I've learned something already. | 0:29:35 | 0:29:38 | |
So, if you would like to use this bacon to wrap around the salmon. | 0:29:38 | 0:29:44 | |
So if I move to your side... | 0:29:44 | 0:29:47 | |
So salmon, presumably they would've just taken out of the river. | 0:29:47 | 0:29:50 | |
Would've taken them out of the river and they would also have fish ponds | 0:29:50 | 0:29:53 | |
here, which would have meant they would be fully stocked. | 0:29:53 | 0:29:56 | |
In fact, they were very self-sufficient. | 0:29:56 | 0:29:57 | |
'This is a really simple recipe if you want to try it at home. | 0:29:57 | 0:30:01 | |
'Use shortcrust pastry, cut into the fishy shape of your choosing, | 0:30:01 | 0:30:05 | |
add a sprinkling of parsley, a splash of red wine, | 0:30:05 | 0:30:09 | |
and the dish is almost complete. | 0:30:09 | 0:30:12 | |
-Oh, I see. That's the Tudor way. -That's the Tudor way. | 0:30:12 | 0:30:15 | |
'Seal with egg and crimp the pastry, | 0:30:15 | 0:30:18 | |
'and our historic pasty is ready to be cooked. | 0:30:18 | 0:30:21 | |
'In a modern oven, Tudor salmon en croute takes just 20 minutes. | 0:30:21 | 0:30:25 | |
'And the proof, they say, is in the pudding and, for once, we're all speechless.' | 0:30:28 | 0:30:32 | |
You approve? | 0:30:37 | 0:30:39 | |
-I'm too busy. -You're too busy. | 0:30:39 | 0:30:41 | |
I can't talk with my mouth full. | 0:30:41 | 0:30:43 | |
'As the sun sets over the Tamar valley, Bob and James mull over the houses they have seen.' | 0:30:47 | 0:30:53 | |
What did you think of the Calstock property? | 0:30:54 | 0:30:56 | |
I liked it very much. It was great. The setting was fabulous. | 0:30:56 | 0:31:00 | |
You couldn't fault the setting, but the thing that was out for me was the kitchen. | 0:31:00 | 0:31:04 | |
That was way too small. | 0:31:04 | 0:31:07 | |
I didn't think there was enough rooms. | 0:31:07 | 0:31:09 | |
Then there's the one in the valley, which was incredible. | 0:31:09 | 0:31:12 | |
I'm a bit speechless about that one. | 0:31:12 | 0:31:15 | |
It had everything I wanted in a kitchen. It was fabulous. | 0:31:15 | 0:31:18 | |
Plus, it's got all those extra rooms. | 0:31:18 | 0:31:20 | |
We'd probably be arguing over who had the downstairs bedroom. | 0:31:20 | 0:31:24 | |
-There's enough rooms there, I'm sure we could sort it out. The views... -The views are wonderful. | 0:31:24 | 0:31:30 | |
I think it had everything that we needed in a home. | 0:31:30 | 0:31:33 | |
I can't wait 'til tomorrow. See what Alistair's got for us. | 0:31:33 | 0:31:37 | |
'Bob and James want to retire from London life and set up home | 0:31:45 | 0:31:48 | |
'together in the Tamar Valley, on the border of Devon and Cornwall. | 0:31:48 | 0:31:53 | |
'For their £600,000, they want a big character property with downstairs sleeping accommodation, | 0:31:53 | 0:31:59 | |
space for their large opera and art collections, and a huge kitchen. | 0:31:59 | 0:32:03 | |
It's just fabulous. | 0:32:03 | 0:32:04 | |
But coming up, there's plenty more to whet their appetites. | 0:32:04 | 0:32:08 | |
My Lord! | 0:32:08 | 0:32:09 | |
And will today's Mystery House get the thumbs-up? | 0:32:09 | 0:32:12 | |
Chef definitely says yes. | 0:32:12 | 0:32:15 | |
Another beautiful Cornish morning. | 0:32:17 | 0:32:20 | |
This is something I love about the countryside. The honesty box. | 0:32:20 | 0:32:23 | |
You can get your blue hen's eggs, £1.20, and no food miles. | 0:32:23 | 0:32:27 | |
But as regards to our house hunt for James and Bob, | 0:32:27 | 0:32:30 | |
yesterday we showed them lovely countryside locations, | 0:32:30 | 0:32:33 | |
but quite modern properties and interiors. | 0:32:33 | 0:32:36 | |
Today we're going to go along the rustic route. | 0:32:36 | 0:32:39 | |
Since Bob and James seem to love the Cornish countryside so much, | 0:32:41 | 0:32:45 | |
we're sticking to the western side of the Tamar | 0:32:45 | 0:32:48 | |
and heading to the outskirts of the village of St Cleer, situated on the southern slopes of Bodmin Moor. | 0:32:48 | 0:32:54 | |
This lofty moorland village started as - yes, you've guessed it - a mining town. | 0:32:53 | 0:32:59 | |
Today, it offers residents a large slice of rural tranquillity, ideal for Bob and James. | 0:32:59 | 0:33:05 | |
St Cleer has two pubs and a post office, but the real focal point is the medieval church of St Clarus | 0:33:05 | 0:33:11 | |
whose well waters are said to have healing properties. | 0:33:11 | 0:33:14 | |
Perhaps a quick splash could ease Bob's aching joints. | 0:33:14 | 0:33:19 | |
And, as you'd expect, the majority of houses here are | 0:33:19 | 0:33:22 | |
old mining properties, so character homes aren't in short supply. | 0:33:22 | 0:33:26 | |
Well, if I speak personally, I don't think we've found a more beautiful | 0:33:26 | 0:33:31 | |
-rural location in quite some time than this. -I have to say - wow! | 0:33:31 | 0:33:36 | |
I wasn't going to say it, but wow! | 0:33:36 | 0:33:39 | |
Cornwall has come up trumps here because this is the River Fowey, | 0:33:39 | 0:33:42 | |
these banks are yours. | 0:33:42 | 0:33:44 | |
Could be yours. You have fishing rights. | 0:33:44 | 0:33:47 | |
There's brown trout, all sorts of trout, and also otters. | 0:33:47 | 0:33:51 | |
Oh, wonderful. | 0:33:51 | 0:33:53 | |
Can you imagine sitting here, watching the otters? | 0:33:53 | 0:33:56 | |
I certainly can. I've got my chair and my tree picked out already. | 0:33:56 | 0:34:01 | |
'And these two said outside space wasn't that important.' | 0:34:01 | 0:34:05 | |
Not a massive amount of land - that's good for you - but you do get this! | 0:34:05 | 0:34:10 | |
My goodness. | 0:34:10 | 0:34:12 | |
-That's beautiful. -You're going to get a double wow! | 0:34:12 | 0:34:15 | |
Double wow! Ah. | 0:34:15 | 0:34:16 | |
-It's very old. -It looks old! -And yet it's clean in features. | 0:34:16 | 0:34:21 | |
If the inside's anything like the outside, how soon can I move in? | 0:34:21 | 0:34:25 | |
Is this your dream country cottage? | 0:34:25 | 0:34:28 | |
I think it looks fabulous, but I'm a bit concerned whether it's going to be big enough inside. | 0:34:28 | 0:34:35 | |
'Built in 1850, this traditional cottage | 0:34:35 | 0:34:38 | |
'is the smallest house we're seeing, but what it lacks in stature, it makes up for in character.' | 0:34:38 | 0:34:44 | |
It's very different from the other interiors. | 0:34:44 | 0:34:46 | |
-It is, yes. -I find it a bit dark, and I'm a bit concerned | 0:34:46 | 0:34:51 | |
as to where to put paintings, but it's got so much character. | 0:34:51 | 0:34:56 | |
There'll have to be lots and lots of compromises. | 0:34:56 | 0:34:58 | |
Yes, I have to agree with that. | 0:34:58 | 0:35:00 | |
So this was... They had it as a restaurant, | 0:35:00 | 0:35:04 | |
as a restaurant for a long time, so this was the dining room where the guests came. | 0:35:04 | 0:35:08 | |
-The fireplace is... -It's wonderful. | 0:35:08 | 0:35:10 | |
It's got a bread oven where you can let your bread raise, and this hook where also you can put this... | 0:35:10 | 0:35:16 | |
-Kettle on there. -You can cook steak and kidney pudding on there. | 0:35:16 | 0:35:20 | |
Does it have a kitchen? | 0:35:20 | 0:35:21 | |
-No, you remember I said this was a restaurant? -Yes. | 0:35:21 | 0:35:24 | |
-So what comes with a restaurant? -A massive kitchen. | 0:35:24 | 0:35:27 | |
Oh, yes, a massive kitchen. | 0:35:27 | 0:35:29 | |
I forgot! It's what we came for. | 0:35:29 | 0:35:32 | |
Wow. | 0:35:37 | 0:35:39 | |
-My God! -Yes! | 0:35:39 | 0:35:41 | |
Oh, my Lord! | 0:35:41 | 0:35:43 | |
-There's some serious cooking going on here. -There is. | 0:35:43 | 0:35:45 | |
There certainly is. | 0:35:45 | 0:35:47 | |
I've never seen a cooker like that. | 0:35:47 | 0:35:51 | |
That's because it was a restaurant. | 0:35:51 | 0:35:53 | |
From the restaurant trade. And you've got all this as well. | 0:35:53 | 0:35:56 | |
So again, it's a different sort of tone from the one we saw. | 0:35:56 | 0:35:59 | |
Very different, yes. | 0:35:59 | 0:36:00 | |
It's certainly workable, that's for sure. | 0:36:00 | 0:36:04 | |
And also, you've got a second exit, which is always good for French farce moments. | 0:36:04 | 0:36:08 | |
THEY LAUGH | 0:36:08 | 0:36:10 | |
'So plenty of space here for Bob to show off his culinary skills, | 0:36:10 | 0:36:14 | |
'but will the rest of his quarters be roomy enough?' | 0:36:14 | 0:36:17 | |
So another set of steps. | 0:36:17 | 0:36:20 | |
These are quite easy to do. | 0:36:20 | 0:36:23 | |
This wing - let's call it a wing, shall we? | 0:36:23 | 0:36:26 | |
-This wing is eight years old. -Right. | 0:36:26 | 0:36:29 | |
It's more modern than the rest of the house. | 0:36:29 | 0:36:31 | |
So this is... I was thinking of it as your bedroom. | 0:36:31 | 0:36:34 | |
-Right, yes. -It's got a nice en-suite with a big double shower. | 0:36:34 | 0:36:38 | |
Oh, yes, that's enough room. | 0:36:42 | 0:36:45 | |
-It's not massive. And then you've got a built-in closet. -Right. | 0:36:45 | 0:36:49 | |
I get the impression it's not big enough for you. | 0:36:49 | 0:36:51 | |
Well, I have a walk-in closet where I live now, so I'm quite used | 0:36:51 | 0:36:56 | |
to that, and I'm the sort of person that, if you give me space, I fill it up, so my closet is choc-a-block. | 0:36:56 | 0:37:02 | |
-If we give you a little space, do you thin it out? -No. | 0:37:02 | 0:37:05 | |
I didn't think it would work. | 0:37:05 | 0:37:07 | |
But you have got a walk-in next door. | 0:37:07 | 0:37:08 | |
I move when you give me a little space! | 0:37:08 | 0:37:10 | |
-How about this? -Oh, this is lovely. | 0:37:14 | 0:37:17 | |
It's got a fireplace as well. | 0:37:17 | 0:37:19 | |
This is a proper fireplace, wood-burner, and I was thinking this could be your opera room. | 0:37:19 | 0:37:24 | |
It has potential. Lots of wall space for putting the shelving on. | 0:37:24 | 0:37:28 | |
-I'm just thinking this would be a nice TV room! -Ah... | 0:37:28 | 0:37:31 | |
-Here we go. -So where's the TV room gone? | 0:37:31 | 0:37:33 | |
Well, shall we look upstairs cos that's your realm. | 0:37:33 | 0:37:36 | |
OK. It would make a nice TV room, wouldn't it, cos you could put the TV over the fire. | 0:37:36 | 0:37:42 | |
'Ah, the ongoing TV-versus-opera-room battle. | 0:37:42 | 0:37:46 | |
'It's becoming quite a feature of our house tours. | 0:37:46 | 0:37:49 | |
'Maybe upstairs has the solution. | 0:37:49 | 0:37:51 | |
'There's a study area and guest room, neither of which are huge, but could | 0:37:51 | 0:37:55 | |
'be rejigged to create more space for a flat screen.' | 0:37:55 | 0:37:58 | |
And then we've got a nice family bathroom here. | 0:38:00 | 0:38:03 | |
There's no shower. That's easily remedied. | 0:38:07 | 0:38:10 | |
Lots of wall space but you can't put many paintings. | 0:38:10 | 0:38:14 | |
Not in the bathroom, no. | 0:38:14 | 0:38:17 | |
And then your bedroom in here. | 0:38:17 | 0:38:19 | |
This, I suppose, is what they'd call the master bedroom, although they're all the same sort of size. | 0:38:19 | 0:38:25 | |
That's a good size. | 0:38:25 | 0:38:27 | |
It's quite small but if the other room was a dressing room, it wouldn't make any difference. | 0:38:27 | 0:38:32 | |
No, could use it as an en-suite. | 0:38:32 | 0:38:35 | |
It's lovely but I don't think it's going to work. | 0:38:35 | 0:38:37 | |
I mean, the setting and the aspect is absolutely wonderful, | 0:38:37 | 0:38:41 | |
but the room sizes just don't seem to be quite big enough. | 0:38:41 | 0:38:45 | |
Maybe I should get you back outside and get you all kind of enchanted by the setting again. | 0:38:45 | 0:38:50 | |
-And the otters. -Let's go and see if the otters will persuade you. | 0:38:50 | 0:38:53 | |
OK! | 0:38:53 | 0:38:55 | |
Oh, what a shame. Such a beautiful setting but they're right, it is a bit small. | 0:38:55 | 0:39:01 | |
Of course, the garden isn't lacking in size at all, nearly two acres. | 0:39:04 | 0:39:09 | |
On the plus side, there's a workshop which already has planning permission to be extended by 50% | 0:39:09 | 0:39:13 | |
so potentially a good storage place for Bob's CDs. | 0:39:13 | 0:39:18 | |
This is a... | 0:39:18 | 0:39:21 | |
I mean, it is a stunning location. | 0:39:21 | 0:39:23 | |
It is. | 0:39:23 | 0:39:25 | |
How much do you think this is on the market for? | 0:39:25 | 0:39:28 | |
580. | 0:39:28 | 0:39:30 | |
I think this is more. I think the location is stunning, it's a fabulous house. | 0:39:30 | 0:39:34 | |
I think it's above the budget. I would say 625. | 0:39:34 | 0:39:39 | |
Well, you're both very pessimistic on the prices. | 0:39:39 | 0:39:41 | |
This is actually on the market for 575, | 0:39:41 | 0:39:45 | |
-and it's been on the market for about nine months. -Really? | 0:39:45 | 0:39:49 | |
So have a stroll around and we'll meet out front. | 0:39:49 | 0:39:51 | |
-Right. -OK. | 0:39:51 | 0:39:53 | |
Yeah, I can't really see the inside space working so | 0:39:55 | 0:39:57 | |
well, not with the massive opera collection, the massive TV, but it's such a shame because this... | 0:39:57 | 0:40:04 | |
It's got to be priceless, surely? | 0:40:04 | 0:40:06 | |
'At £575,000, this cottage is still £25,000 under budget. | 0:40:10 | 0:40:16 | |
'It definitely delivers in terms of character and comes complete with | 0:40:16 | 0:40:20 | |
'a professional kitchen, three bedrooms and two reception rooms. | 0:40:20 | 0:40:24 | |
'But I don't think character or location | 0:40:24 | 0:40:27 | |
'is going to make up for the cosy dimensions.' | 0:40:27 | 0:40:31 | |
The setting is stunning, the house is beautiful, the rooms just don't work for us. | 0:40:31 | 0:40:37 | |
My heart wants to buy, my head says no. | 0:40:37 | 0:40:39 | |
This is a nice size. | 0:40:39 | 0:40:40 | |
Oh, yes, it is. This would | 0:40:40 | 0:40:43 | |
make a great music room if it was attached to the house. | 0:40:43 | 0:40:46 | |
-You could still use it for storage. -That's true. | 0:40:46 | 0:40:49 | |
It's a very useful space. | 0:40:49 | 0:40:51 | |
It is. The only problem is that the rooms are too small. | 0:40:51 | 0:40:54 | |
I don't think there's adequate space here to accommodate everything that I have and everything that James has, | 0:40:54 | 0:41:00 | |
which is too bad, because I'm really in love with it. | 0:41:00 | 0:41:03 | |
If I were to change my lifestyle and throw everything away, I'd buy it tomorrow. | 0:41:03 | 0:41:07 | |
-Bye-bye, pretty cottage. -Yes, goodbye. | 0:41:09 | 0:41:12 | |
-Farewell. -Bye-bye, otters, if they actually exist. -Mustn't forget the otters! | 0:41:12 | 0:41:17 | |
'As this is a retirement move, Bob and James will have plenty more time to indulge in their hobbies. | 0:41:23 | 0:41:29 | |
'For Bob, that's cookery and opera, but it's art James is interested in, | 0:41:29 | 0:41:34 | |
'and he couldn't have picked a better spot than Cornwall or Devon. | 0:41:34 | 0:41:37 | |
'The region is home to hundreds of artists and galleries, | 0:41:37 | 0:41:40 | |
'so they're dropping into the studios of local portrait sculptor, Luke Shepherd, | 0:41:40 | 0:41:45 | |
'where James can try his hand at modern art of his own.' | 0:41:45 | 0:41:48 | |
-I'm Luke. -Luke, I'm Bob. | 0:41:48 | 0:41:50 | |
'Luke's sculptures range from traditional to modern. | 0:41:50 | 0:41:53 | |
'And he's been commissioned by a host of celebrities and politicians.' | 0:41:53 | 0:41:58 | |
-James, I hear you like abstract art. -I'm very much into modern art. | 0:41:58 | 0:42:02 | |
Not that I don't appreciate the old stuff. I'd like something a bit quirky, a bit unusual. | 0:42:02 | 0:42:09 | |
-Can Bob be a model? -Why not? Bob's a good model. | 0:42:09 | 0:42:11 | |
-I'll sit over there, shall I? -That's a good modelling chair. | 0:42:11 | 0:42:16 | |
'Traditionally, Luke uses clay as his base sculpting material, and copper casts the end product. | 0:42:16 | 0:42:22 | |
'But for James' modern sculpture, he's made plaster blocks moulded in drainpipes, | 0:42:22 | 0:42:27 | |
'which will make up the main body of abstract Bob.' | 0:42:27 | 0:42:31 | |
This'll form the structure, the armature, of the piece. | 0:42:31 | 0:42:34 | |
We're going to put the shoulders across here. | 0:42:34 | 0:42:36 | |
From now on, you need to start making decisions. | 0:42:36 | 0:42:39 | |
How wide do you want the shoulders to be? | 0:42:39 | 0:42:41 | |
'This building block technique is really simple and ideal for beginners.' | 0:42:41 | 0:42:46 | |
The plaster mixes into the water. | 0:42:46 | 0:42:48 | |
Then a quick stir and you end up with a thick, gooey paste, | 0:42:48 | 0:42:53 | |
which is going to act like a glue and cement. | 0:42:53 | 0:42:55 | |
'The whole piece is then covered with the plaster mix. | 0:42:58 | 0:43:00 | |
'It's at this point you can create the sculpture's shape and texture and add personal flourishes.' | 0:43:00 | 0:43:06 | |
That's the way to do it. | 0:43:09 | 0:43:10 | |
The only part of the sculpture I've seen is the back part. | 0:43:10 | 0:43:13 | |
When do I get to see the front part? | 0:43:13 | 0:43:15 | |
'The great thing about the plaster, for impatient models, | 0:43:15 | 0:43:19 | |
'is that it dries quite rapidly, so artists need to act quickly.' | 0:43:19 | 0:43:23 | |
-OK. You ready? -Ready. -How about that? | 0:43:23 | 0:43:26 | |
Oh my God! That's amazing! | 0:43:26 | 0:43:29 | |
That's fantastic. I really like that. | 0:43:29 | 0:43:32 | |
'Let's hope one of the homes we show them will be the perfect setting for modern Bob. | 0:43:32 | 0:43:37 | |
My carefully worked-out theory that James's desire for sleek-line minimalism was crushing Bob's more | 0:43:41 | 0:43:48 | |
varied and colourful desire for rustic clutter has completely gone | 0:43:48 | 0:43:52 | |
out of the window because neither of them really cared for the beautiful interiors of that rustic cottage. | 0:43:52 | 0:43:58 | |
However, they do want big rooms with white walls so they can hang lots of art, and the Mystery House has both | 0:43:58 | 0:44:04 | |
of those, including something that's going to please the sun-loving James and the sun-hating Bob. | 0:44:04 | 0:44:10 | |
So what about the Mystery House? What will it be? | 0:44:14 | 0:44:17 | |
Maybe a converted barn or something like that, or school or something similar. | 0:44:17 | 0:44:23 | |
We'll see. | 0:44:23 | 0:44:25 | |
'The big reveal isn't far away. | 0:44:25 | 0:44:28 | |
'It is, however, the very first property we're viewing in Devon, as we're on our way | 0:44:28 | 0:44:33 | |
'to the north-eastern outskirts of the Tamar valley, | 0:44:33 | 0:44:36 | |
'and the countryside around the village of Lifton. | 0:44:36 | 0:44:38 | |
'Situated in the valley of the River Lyd, Lifton is one of the earliest recorded villages in West Devon, | 0:44:38 | 0:44:44 | |
'and is mentioned in King Alfred's will of 880AD. | 0:44:44 | 0:44:49 | |
With its ancient brooks and streams criss-crossing the land, the village is tranquillity personified. | 0:44:49 | 0:44:54 | |
Although Lifton prospered during the mining boom, leaving in its wake a wealth of fine Victorian homes, | 0:44:54 | 0:45:01 | |
it's farming that has always been the mainstay of life here. | 0:45:01 | 0:45:05 | |
The Mystery House is on the outskirts of the village and should be the perfect combination | 0:45:05 | 0:45:10 | |
of character and contemporary living. Fingers crossed. | 0:45:10 | 0:45:13 | |
-Your guess about the barns wasn't far wrong. -No, I can see that. | 0:45:13 | 0:45:19 | |
But what a barn conversion it is. | 0:45:19 | 0:45:23 | |
-It's very unusual. -That is different. | 0:45:23 | 0:45:26 | |
-There are barn conversions and there are barn conversions. This is the gold standard. -Is it? | 0:45:26 | 0:45:30 | |
Well, I must say I like it already. | 0:45:30 | 0:45:32 | |
-Really? -Yes. -Should we go in? -We should. | 0:45:32 | 0:45:35 | |
Please. | 0:45:35 | 0:45:37 | |
'This old cider barn was converted in 2003. | 0:45:41 | 0:45:45 | |
'It's beautifully finished and comes with lots of space.' | 0:45:45 | 0:45:49 | |
This is the vestibule. | 0:45:49 | 0:45:52 | |
-Vestibule. -Beautiful oak floors. | 0:45:52 | 0:45:53 | |
-Isn't that beautiful? -Proper, proper oak. -Yes. | 0:45:53 | 0:45:57 | |
Let's look at the winter room, shall we? | 0:45:57 | 0:45:59 | |
Bob, I think this is yours. | 0:45:59 | 0:46:01 | |
The winter room. | 0:46:03 | 0:46:05 | |
Very nice. | 0:46:05 | 0:46:07 | |
Now, how do you feel about the size of the rooms? | 0:46:07 | 0:46:09 | |
-It's an excellent size. -Right. | 0:46:09 | 0:46:11 | |
You've got lots of wall space. | 0:46:11 | 0:46:14 | |
Some original touches. These are the original beams that they salvaged from the original barn. | 0:46:14 | 0:46:17 | |
But it's a whole wing, actually. | 0:46:17 | 0:46:20 | |
They use it for guests here, so the guests come and go without having to bother the owners. | 0:46:20 | 0:46:25 | |
So let's take a look at the rest of the wing. | 0:46:25 | 0:46:29 | |
-OK. -Then, here we have | 0:46:29 | 0:46:31 | |
your bedroom, I guess, Bob. | 0:46:31 | 0:46:34 | |
Oh, another good-sized room. | 0:46:34 | 0:46:36 | |
Very good size. The wardrobe's very large. | 0:46:36 | 0:46:39 | |
Space for storage. | 0:46:39 | 0:46:42 | |
But there's more. This wing is completely self-contained | 0:46:42 | 0:46:46 | |
with a tiny kitchen and bathroom, separated only by a partition wall. | 0:46:46 | 0:46:50 | |
You could just knock this wall out and make it a huge wet room. | 0:46:50 | 0:46:54 | |
-Yes. -Isn't that funny? | 0:46:54 | 0:46:55 | |
I was thinking the same thing. | 0:46:55 | 0:46:57 | |
Before we see your wing, let's take a look at the kitchen. | 0:46:57 | 0:47:00 | |
Oh, that's right, I have to have a kitchen, don't I? | 0:47:00 | 0:47:04 | |
For the main event, we need to go back through the annexe. | 0:47:06 | 0:47:11 | |
Culinary heaven, or not? | 0:47:11 | 0:47:14 | |
-What does the big chef think? -Yes. | 0:47:14 | 0:47:16 | |
-Chef says yes. -Chef definitely says yes. -Do we like the granite tops? | 0:47:16 | 0:47:21 | |
I love the granite tops, I love the fact that there's the island in the middle. I've never had one. | 0:47:21 | 0:47:26 | |
This is really nicely done, isn't it? | 0:47:26 | 0:47:28 | |
-It is. -It's very high-end finish. | 0:47:28 | 0:47:30 | |
-Quality stuff. -Well, you could stay here if you like because it's his turn now, his wing. | 0:47:30 | 0:47:35 | |
Oh, no, no, no. I want to find out what he's got that I don't have! | 0:47:35 | 0:47:40 | |
And judging on past performances, Bob will probably want it too. | 0:47:40 | 0:47:44 | |
Let's start with the living room. | 0:47:44 | 0:47:47 | |
Welcome to the summer wing. | 0:47:49 | 0:47:51 | |
Yes! | 0:47:51 | 0:47:53 | |
Look at that. What a view! | 0:47:53 | 0:47:56 | |
That is incredible. | 0:47:56 | 0:47:58 | |
I have a feeling you're home. | 0:47:58 | 0:48:01 | |
Yes. | 0:48:01 | 0:48:02 | |
Now, if you can't get a 92" television on that wall, then there's something wrong! | 0:48:02 | 0:48:07 | |
-It's great, isn't it? -This is unbelievable. | 0:48:07 | 0:48:09 | |
It's a lovely, lovely reception room. Lots of light. | 0:48:09 | 0:48:12 | |
And if there's not enough white walls to put your paintings... | 0:48:12 | 0:48:16 | |
-It's practically a gallery. -It is. | 0:48:16 | 0:48:18 | |
-This is not all. This is the beginning of the summer wing. -Oh, my goodness. | 0:48:18 | 0:48:22 | |
And this is the summer lounge. | 0:48:24 | 0:48:26 | |
Very nice. | 0:48:26 | 0:48:28 | |
They're using it as the dining room, but you could use it for whatever you liked. | 0:48:28 | 0:48:33 | |
It's fabulous, again. | 0:48:33 | 0:48:35 | |
And again, the size. | 0:48:35 | 0:48:37 | |
'There's no end to the space in this barn. | 0:48:37 | 0:48:40 | |
'Right next door is a study which I'm sure, if Bob asks nicely, James will | 0:48:40 | 0:48:45 | |
'give up for some CDs, because upstairs is just as spacious.' | 0:48:45 | 0:48:50 | |
This is the upstairs bathroom. Very nice size. | 0:48:50 | 0:48:52 | |
Very nice size. | 0:48:52 | 0:48:54 | |
Oh, wow, that's a nice shower. | 0:48:54 | 0:48:56 | |
-Nice shower. Yeah, that is nice. -Lots of space. | 0:48:56 | 0:48:59 | |
There is a miraculously large amount of space. From the outside, it doesn't look as big. | 0:48:59 | 0:49:03 | |
-No, I can't believe it. -Let's see the master bedroom. -OK. -All right. | 0:49:03 | 0:49:08 | |
-After you. -On this landing, there's also a double bedroom and two single | 0:49:08 | 0:49:13 | |
rooms, so more than enough space for storage and visitors. | 0:49:13 | 0:49:16 | |
-Ta-da! -Wow. The master bedroom this is. | 0:49:16 | 0:49:20 | |
The master bedroom. So while you can still get up the stairs, | 0:49:20 | 0:49:24 | |
you'll have to fight over this one. | 0:49:24 | 0:49:27 | |
-Right. -Cos you've got enormous closet space. -Yes. | 0:49:27 | 0:49:31 | |
-That works. -And, if you take a look over there, your own en-suite. | 0:49:31 | 0:49:34 | |
Wow, downstairs. Mind the step. This is a nice size. | 0:49:41 | 0:49:44 | |
-This is different. -Nice shower, and the bath. | 0:49:44 | 0:49:47 | |
'House tours don't really go much better than this | 0:49:47 | 0:49:51 | |
'and I can't see the outside space putting them off either.' | 0:49:51 | 0:49:55 | |
And the garden - like everything about this property, perfectly sized, I think. | 0:49:55 | 0:49:59 | |
-It's perfect. -It is. Absolutely. -Even I could manage that. | 0:49:59 | 0:50:04 | |
Yeah, that's just an afternoon's gentle mowing, isn't it? | 0:50:04 | 0:50:07 | |
-Yeah. -Not gentle, but yes. | 0:50:07 | 0:50:09 | |
If we step back onto the lawn, get the full glory of the property. | 0:50:09 | 0:50:14 | |
-So are you both happy? -Very happy. | 0:50:14 | 0:50:16 | |
-I think we are. -Overly happy. | 0:50:16 | 0:50:19 | |
Until I tell you the price. | 0:50:19 | 0:50:21 | |
Oh, no. | 0:50:21 | 0:50:22 | |
How much do you think it costs? | 0:50:22 | 0:50:24 | |
Would you be that mean? I'm hoping you wouldn't be mean and I'm hoping it'll be... | 0:50:24 | 0:50:29 | |
I'm pushing it at 600. I think it's a lot more but I'm hoping it's 600. | 0:50:29 | 0:50:35 | |
Well, I was hoping it was 579. | 0:50:36 | 0:50:39 | |
-579? -Yes. | 0:50:39 | 0:50:41 | |
Well, for once, you're optimistic. | 0:50:41 | 0:50:43 | |
You are, however, almost exactly right. It's just a shade under 600. | 0:50:43 | 0:50:47 | |
-Yes. -And it has been on the market for a year. | 0:50:47 | 0:50:50 | |
For a year? I think it's a fabulous building. | 0:50:50 | 0:50:54 | |
Everything we want, all the rooms we want, space we need. | 0:50:54 | 0:50:58 | |
Go inside and have a look around. See if there's anything you can find fault with. | 0:50:58 | 0:51:03 | |
-I doubt it. -I'm seriously doubting that one as well. | 0:51:03 | 0:51:06 | |
Remember that it's a buyer's market. You might be able to get more from your budget. | 0:51:06 | 0:51:10 | |
-Try and find a fault. -Let's go and find a fault. | 0:51:10 | 0:51:12 | |
I'll see you in the Italian courtyard. | 0:51:12 | 0:51:14 | |
-OK. Sounds great. -Fantastic. | 0:51:14 | 0:51:18 | |
Well, I have to say that is what you call an unqualified success. | 0:51:18 | 0:51:21 | |
There was nothing they didn't like about it, | 0:51:21 | 0:51:24 | |
which is rare on this show, but it's a beautiful property and within their budget, so I think that | 0:51:24 | 0:51:29 | |
qualifies for a big, fat, golden tick. | 0:51:29 | 0:51:33 | |
'On the market for £600,000, the Mystery House is bang on budget and there's still room for negotiation. | 0:51:34 | 0:51:41 | |
'In terms of living space, it has the self-contained annexe for Bob, | 0:51:41 | 0:51:45 | |
'a high-spec country kitchen, James gets his own ground-floor wing, | 0:51:45 | 0:51:48 | |
'with three reception rooms, | 0:51:48 | 0:51:51 | |
'and upstairs, four bedrooms. | 0:51:51 | 0:51:53 | |
'The icing on the cake has to be the easy-to-manage garden. | 0:51:53 | 0:51:57 | |
'The only question is - if they moved in here, | 0:51:57 | 0:52:00 | |
'would they ever see each other?' | 0:52:00 | 0:52:02 | |
It looked small. | 0:52:02 | 0:52:04 | |
And then, when we got inside, I could not believe the amount of rooms. | 0:52:04 | 0:52:07 | |
I could have one wing all to myself, Bob can have his wing to himself. | 0:52:07 | 0:52:11 | |
There's bedrooms upstairs for guests, and the garden is a perfect size. | 0:52:11 | 0:52:16 | |
Everything is right about this house. | 0:52:16 | 0:52:18 | |
This I would like to keep | 0:52:18 | 0:52:20 | |
sort of as a lounge/sitting room but, because of all the wall space, | 0:52:20 | 0:52:28 | |
I would also want to put some of the opera collection in here. | 0:52:28 | 0:52:32 | |
-I don't see any problem... -If you can't manage with this... | 0:52:32 | 0:52:36 | |
Then there's something wrong with me. | 0:52:36 | 0:52:38 | |
The rooms are very large here, and it's much more in keeping with what I was looking for. | 0:52:38 | 0:52:44 | |
Something that has larger rooms, plus the ability to live on the ground floor, which it has, | 0:52:44 | 0:52:49 | |
and the kitchen is big enough to do what I want to do as well, so I'd love to make an offer today. | 0:52:49 | 0:52:57 | |
Ah, I was admiring the summer wing from the walls of the winter wing. | 0:52:57 | 0:53:01 | |
It's absolutely fabulous. | 0:53:01 | 0:53:03 | |
-Big smiles. -Yes, it's a wonderful, wonderful house. | 0:53:03 | 0:53:08 | |
I said you were sneaky. | 0:53:08 | 0:53:11 | |
-Let's press on. -Leaving the best for last. | 0:53:11 | 0:53:14 | |
'Well, that's it. Bob and James have seen all of our houses. | 0:53:18 | 0:53:22 | |
'Some have been definite noes and some have been definite maybes, | 0:53:22 | 0:53:25 | |
'so now it's time to decide which, if any, will come out on top.' | 0:53:25 | 0:53:30 | |
Time for some decision-making, | 0:53:34 | 0:53:36 | |
you don't have to be a genius to work out which one was their favourite. | 0:53:36 | 0:53:40 | |
I have an inkling which of the houses you like most, | 0:53:44 | 0:53:47 | |
but let's go through them one by one. | 0:53:47 | 0:53:49 | |
Let's spin back the clock to the first property I showed you, | 0:53:49 | 0:53:53 | |
which was a nice property. What do you think about it now? | 0:53:53 | 0:53:56 | |
That's the property in Calstock. It was a very nice property. | 0:53:56 | 0:54:00 | |
I liked it. A good start. | 0:54:00 | 0:54:01 | |
The area and surrounding countryside was stunning. | 0:54:01 | 0:54:05 | |
The kitchen was a complete no. | 0:54:05 | 0:54:08 | |
For me, that was definitely not the property. | 0:54:08 | 0:54:11 | |
Cornwall has come up trumps in terms of the locations here. | 0:54:11 | 0:54:14 | |
I think we've done you proud in terms of stunning spots. | 0:54:14 | 0:54:18 | |
-Every one. -The house in the valley | 0:54:18 | 0:54:20 | |
that you seemed to really like. | 0:54:21 | 0:54:23 | |
It was a beautiful location. What do you think about that now? | 0:54:23 | 0:54:26 | |
I still like that one. It's very nice. Lots of rooms. | 0:54:26 | 0:54:30 | |
The property for me was the kitchen. I fell in love with that kitchen and I didn't want to leave it. | 0:54:30 | 0:54:36 | |
But the drawback there would be with the garden, | 0:54:36 | 0:54:40 | |
as far as I'm concerned, | 0:54:40 | 0:54:41 | |
cos it sloped so that I'd never use it. | 0:54:41 | 0:54:45 | |
It would just be complete wasted space. | 0:54:45 | 0:54:48 | |
The garden in the little rustic cottage, however, I thought, | 0:54:48 | 0:54:53 | |
was absolutely beautiful and I think you liked the location a lot. | 0:54:53 | 0:54:58 | |
That was the best location - the whole setting was wonderful. | 0:54:58 | 0:55:02 | |
It was very rustic, in terms of how we imagine rustic to be, with beams and wood. | 0:55:03 | 0:55:09 | |
And I have one problem with rustic, the rooms tend to be terribly small, | 0:55:09 | 0:55:13 | |
and I really don't want small rooms. | 0:55:13 | 0:55:17 | |
I need big rooms cos I have my vast collection of opera and everything else that I have. | 0:55:17 | 0:55:23 | |
-So, come on, let's talk about the Mystery House. -Yes, it's fabulous. | 0:55:24 | 0:55:27 | |
The amount of rooms in there - I think we'd have space left over. | 0:55:27 | 0:55:31 | |
And the lounge on MY wing - | 0:55:31 | 0:55:33 | |
well, the ceiling, the lights. It was bright, looking onto the garden. | 0:55:34 | 0:55:39 | |
-It was just perfect. -How did your wing shape up? | 0:55:39 | 0:55:43 | |
Well, my wing was equally as perfect. | 0:55:43 | 0:55:45 | |
I have a sitting room, plenty of space for storing the collection, | 0:55:46 | 0:55:50 | |
and if I needed more room, my God, there's another five rooms upstairs that I could use for storage. | 0:55:50 | 0:55:56 | |
And how might you proceed? Will you go ahead on that property? | 0:55:57 | 0:56:00 | |
We're very interested and we're going to get | 0:56:00 | 0:56:03 | |
a surveyor down to this property and see where we can go from there. | 0:56:03 | 0:56:06 | |
-That sounds like traction, it sounds like you're going to move and take it. -Yes. | 0:56:06 | 0:56:11 | |
I think so. I hope so. | 0:56:11 | 0:56:13 | |
-I think the Tamar Valley deserves you both. -Thank you. | 0:56:13 | 0:56:16 | |
It'll be a marriage made in heaven. The whole county will rejoice. | 0:56:16 | 0:56:19 | |
-Thank you. -Good luck. -Let's hope so. | 0:56:19 | 0:56:22 | |
I can hear it now, the Tamar Valley ringing with the sound of Italian bel canto opera. | 0:56:25 | 0:56:29 | |
And the chip-chip of James with his new sculptural project, | 0:56:29 | 0:56:33 | |
ready to be displayed in his own personal gallery. | 0:56:34 | 0:56:37 | |
I think you'll agree that that was a successful Escape To The Country. | 0:56:37 | 0:56:41 | |
If you want to join more country escapees, then do tune in next time. | 0:56:41 | 0:56:45 | |
'And great news - Bob and James have made an offer on the Mystery House, | 0:56:46 | 0:56:50 | |
subject to the sale of Bob's London home. We wish them a speedy sale. | 0:56:50 | 0:56:54 | |
'If you'd like to escape to the country and would like our help, apply online at...' | 0:56:54 | 0:56:58 | |
Subtitles by Red Bee Media Ltd | 0:57:03 | 0:57:06 | |
E-mail [email protected] | 0:57:06 | 0:57:08 |