Browse content similar to Essex. Check below for episodes and series from the same categories and more!
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This may not be a masterpiece, but today's county | 0:00:02 | 0:00:04 | |
inspired one of Britain's most famous Romantic painters. | 0:00:04 | 0:00:07 | |
His works have been immortalised in pigment for 200 years | 0:00:07 | 0:00:10 | |
and back in 1817, he painted this very scene. | 0:00:10 | 0:00:13 | |
Find out where I am as we escape to the country. | 0:00:13 | 0:00:16 | |
'In today's show, we help a couple escape the fast lanes of Enfield for a slice of the good life.' | 0:00:28 | 0:00:33 | |
A vegetable patch. Hey! | 0:00:33 | 0:00:35 | |
'We'll be checking out some beautiful character homes.' | 0:00:35 | 0:00:39 | |
Wow, look at that! | 0:00:39 | 0:00:40 | |
'But will the interiors even matter?' | 0:00:40 | 0:00:43 | |
Where's my farm and the cows? | 0:00:43 | 0:00:45 | |
'And could today's mystery house blow everything else out of the water?' | 0:00:45 | 0:00:49 | |
Today I'm in Constable county, Essex. | 0:00:52 | 0:00:54 | |
He spent his formative years here, painting wonderful scenes like this. | 0:00:54 | 0:00:58 | |
Dedham Church features heavily in his work. | 0:00:58 | 0:01:01 | |
He used to meet secretly with the love of his life here. How romantic. | 0:01:01 | 0:01:05 | |
When you think Essex, you don't really think rural escape, | 0:01:05 | 0:01:08 | |
but you'd be amazed just how much rustic charm this county has to offer. | 0:01:08 | 0:01:12 | |
'Situated to the northeast of London, Essex is, in fact, mostly rural, | 0:01:12 | 0:01:17 | |
'with a whopping 70 percent of its 1,500 square miles devoted to farmland. | 0:01:17 | 0:01:22 | |
'Historic market towns, picturesque villages and endless pastoral views | 0:01:23 | 0:01:28 | |
'make up the majority of the landscape. And to the east, the 350-mile coastline | 0:01:28 | 0:01:32 | |
'is as much given over to nature as it is to classic seaside resorts.' | 0:01:32 | 0:01:38 | |
'Although Saxon in origin, Essex was the first region the Romans made home, | 0:01:38 | 0:01:43 | |
'following the conquest of AD43, so there's plenty to keep history buffs busy. | 0:01:43 | 0:01:48 | |
'But if you're expecting the Colosseum, you might be disappointed. | 0:01:48 | 0:01:53 | |
'What you will find are more traditional farmhouses and thatched cottages. | 0:01:53 | 0:01:57 | |
'14,200 properties are listed here, accounting for nearly three percent of England's total.' | 0:01:57 | 0:02:03 | |
So, what do you get for your money? Probably not a windmill, | 0:02:07 | 0:02:10 | |
but £295,000 will get you that detached property, | 0:02:10 | 0:02:13 | |
that's 18 percent above national average. | 0:02:13 | 0:02:16 | |
And the further away from London that you travel, the cheaper it becomes. | 0:02:16 | 0:02:19 | |
Agents say that for every minute of commute time, | 0:02:19 | 0:02:22 | |
£1,000 comes off the price. | 0:02:22 | 0:02:24 | |
Well, here's what's available for princes and paupers across the county. | 0:02:24 | 0:02:29 | |
'If you won the lottery and had a cool £1.9 million going spare, | 0:02:30 | 0:02:34 | |
'then this 1920s house near Epping could be yours. | 0:02:34 | 0:02:37 | |
'It's been sympathetically restored and extended | 0:02:37 | 0:02:40 | |
'to include five tranquil bedrooms and three opulent reception rooms. | 0:02:40 | 0:02:44 | |
'But with five acres outside, you might need to hire a gardener.' | 0:02:44 | 0:02:48 | |
'For the slightly more modest sum of £795,000, | 0:02:50 | 0:02:54 | |
'how about this Grade II listed, six-bedroomed Georgian manor near Braintree? | 0:02:54 | 0:02:59 | |
'Recently renovated to its former glory, the three reception rooms | 0:02:59 | 0:03:02 | |
'are overflowing with period details.' | 0:03:02 | 0:03:05 | |
'And the bespoke country kitchen is the ideal place to cook up a storm. | 0:03:06 | 0:03:10 | |
'If downsizing is on the cards, then check out this three-bedroom | 0:03:14 | 0:03:18 | |
'16th century thatched cottage in Debenham, just over the border in Suffolk. | 0:03:18 | 0:03:22 | |
'For the price tag of £395,000, | 0:03:22 | 0:03:25 | |
'you'll get 400 years worth of original features to enjoy. | 0:03:25 | 0:03:29 | |
'The love of beams will be a must. Just watch your head on that ceiling.' | 0:03:29 | 0:03:33 | |
When most people think of Essex, they think of the large, southern towns | 0:03:34 | 0:03:39 | |
or maybe enjoying an ice cream at Southend-on-Sea. | 0:03:39 | 0:03:42 | |
But today's property buyers are pushing northwards, past the kiss-me-quick booths, | 0:03:42 | 0:03:47 | |
in order to find their dream country property. Let's meet them. | 0:03:47 | 0:03:51 | |
'Malcolm, a court clerk, and Anne, a teaching assistant, | 0:03:52 | 0:03:55 | |
'have lived in their four-bedroom semi in Enfield for 14 years. | 0:03:55 | 0:03:59 | |
'Now their children have flown the nest, they share it with their cat, Molly. | 0:03:59 | 0:04:03 | |
'But Welsh country girl Anne is keen to escape their busy main road for a rural lifestyle.' | 0:04:03 | 0:04:09 | |
I want to move to the country because, as a child, that's where I was brought up | 0:04:09 | 0:04:13 | |
and where I spent all my youth, and I long to get back. | 0:04:13 | 0:04:16 | |
The area we're particularly looking at is the north Essex, south Suffolk area, | 0:04:16 | 0:04:20 | |
with quite a few very pretty villages around there, a lot of open countryside, | 0:04:20 | 0:04:24 | |
plus it's manageable to get to my workplace. | 0:04:24 | 0:04:26 | |
My firm relocated me a couple of years ago. | 0:04:26 | 0:04:29 | |
I've been doing a 90-mile round trip to and from work each day. | 0:04:29 | 0:04:33 | |
'So, easy access to Malcolm's work in Witham will be key to the location. | 0:04:33 | 0:04:38 | |
'What does their dream home look like?' | 0:04:38 | 0:04:40 | |
Having some open countryside, quiet roads, looking across fields, that sort of thing, would be superb. | 0:04:40 | 0:04:47 | |
I'm looking for a country cottagey type place with lots of character, | 0:04:47 | 0:04:51 | |
maybe with beams, cos I love beams. But they've got to be high so he doesn't bump his head. | 0:04:51 | 0:04:56 | |
-Well over six foot high. -And I'd like a bigger garden | 0:04:56 | 0:05:00 | |
and more space for relaxing in. | 0:05:00 | 0:05:03 | |
-More for me to dig, I suppose. -More for you to dig, yeah. To grow more vegetables. | 0:05:03 | 0:05:07 | |
'So, the outside space will be just as important as the interiors for these two.' | 0:05:07 | 0:05:13 | |
I love gardening, growing vegetables in particular. I've got a good batch of Brussels sprouts coming up. | 0:05:13 | 0:05:18 | |
Come Christmas time, they'll be ready to put on the table. But I'd rather have a much larger area | 0:05:18 | 0:05:23 | |
to grow even more stuff. I'd like cauliflowers and cabbages, as well. I don't have enough space here. | 0:05:23 | 0:05:28 | |
Cake decorating is my main hobby. It's what I really love to do | 0:05:28 | 0:05:32 | |
and I spend a lot of my time doing this, but as you can see, my kitchen is cramped. | 0:05:32 | 0:05:37 | |
I haven't got enough room for any of this stuff. If I could have a larger kitchen, it would be magic. | 0:05:37 | 0:05:44 | |
'And with plans to branch into a cake-baking business, that bigger kitchen will be a must. | 0:05:44 | 0:05:49 | |
'But what other criteria do they have in mind?' | 0:05:49 | 0:05:51 | |
This is my son's xylophone. He's a music student up in London. | 0:05:51 | 0:05:54 | |
'We have a drum kit, a glockenspiel, a set of vibes, all similar sizes, we need somewhere for them. | 0:05:54 | 0:06:00 | |
'And it's not just instruments that need to be housed.' | 0:06:00 | 0:06:04 | |
We have three children, so enough space to put them up if they want to come for Christmas. | 0:06:04 | 0:06:09 | |
I think the essential things will be the four bedrooms, | 0:06:09 | 0:06:12 | |
the large kitchen, so you can do your bits and pieces. | 0:06:12 | 0:06:15 | |
-Two bathrooms. -Detached. -And enough space to put up the family. | 0:06:15 | 0:06:19 | |
'Before they can home in on a new country pad, they need to put their current house on the market, | 0:06:19 | 0:06:24 | |
'so we've invited a local agent to give them a valuation.' | 0:06:24 | 0:06:28 | |
A spacious four-bedroomed semi-detached family house | 0:06:28 | 0:06:31 | |
in a popular residential road close to Enfield town | 0:06:31 | 0:06:35 | |
and excellent links into the city. | 0:06:35 | 0:06:37 | |
I value it at £400,000. | 0:06:37 | 0:06:39 | |
We've been here 14 years. We paid £120,000 at that time. | 0:06:42 | 0:06:46 | |
-So to go up to that figure, it's fairly reasonable, I think. Can't complain about that. -Fair enough. | 0:06:46 | 0:06:52 | |
'It's a sizeable sum, but will they want to spend all of it on their new home?' | 0:06:52 | 0:06:56 | |
To move out to the country, our budget will be somewhere in the region of £390,000. | 0:06:56 | 0:07:02 | |
Essentially, Malcolm and Anne are after the same thing. They want a detached four-bedroom cottage | 0:07:05 | 0:07:10 | |
so that all of their friends and family can come and stay. | 0:07:10 | 0:07:13 | |
They want a bigger garden with a vegetable patch and a place to find solace. | 0:07:13 | 0:07:17 | |
Let's not forget the country kitchen for cake-crazy Anne. | 0:07:17 | 0:07:20 | |
They want all of this away from the main road so that their cat, Molly, | 0:07:20 | 0:07:24 | |
can roam around unhindered in the countryside. | 0:07:24 | 0:07:26 | |
'And as Malcolm doesn't want to be situated any further than a 45-minute drive from Witham, | 0:07:27 | 0:07:33 | |
'we'll be starting the search in the countryside around Braintree, North Essex. | 0:07:33 | 0:07:37 | |
'We'll view some stunning period homes but, as always, I won't reveal the price tag until the end. | 0:07:38 | 0:07:44 | |
'And finally, there's the mystery house, which always has the potential to shake things up.' | 0:07:44 | 0:07:49 | |
-Hi, Malcolm, Anne. Welcome to Essex. -Thank you very much. | 0:07:51 | 0:07:55 | |
-In your case I should say... -HE SPEAKS WELSH | 0:07:55 | 0:07:59 | |
-SHE SPEAKS WELSH -You're from a rural background, right? | 0:07:59 | 0:08:02 | |
Yes, I used to live in South Wales at the seaside, in the countryside. Beautiful there. | 0:08:02 | 0:08:06 | |
-So this is almost like coming home for you. -Yes, definitely. | 0:08:06 | 0:08:10 | |
-But not for you city boy. -No, born and bred in London, so it'll be a real change for me. | 0:08:10 | 0:08:14 | |
-Your house is on the market. You've had to lower the price, though. -We originally had it valued at 400 | 0:08:14 | 0:08:19 | |
and it's now 380, so hopefully it won't go a lot lower. | 0:08:19 | 0:08:22 | |
-Has the budget changed, then? -Well, ideally, we'd like to be below 380, | 0:08:22 | 0:08:26 | |
-but if the right house comes along, we might be persuaded to push it a little bit. -I'll persuade him. | 0:08:26 | 0:08:31 | |
-We'll both persuade him. -Yeah. -What's your limit? | 0:08:31 | 0:08:35 | |
Probably 400-ish. We wouldn't want to go much above that. | 0:08:35 | 0:08:39 | |
-Shall we get on with it? -Yeah. -Come on. | 0:08:39 | 0:08:41 | |
'So, for a maximum budget of £400,000, Malcolm and Anne have a long wish-list. | 0:08:41 | 0:08:46 | |
'They want a detached property with bags of character, rural views, | 0:08:46 | 0:08:49 | |
'four bedrooms, two reception rooms, | 0:08:49 | 0:08:52 | |
'a big country kitchen where Anne can get creative with cakes | 0:08:52 | 0:08:55 | |
'and an equally big garden so Malcolm can upscale his veggie plot. | 0:08:55 | 0:09:00 | |
'No pressure, then.' | 0:09:00 | 0:09:02 | |
So what are you like when you look round properties? Do you look with your head or your heart? | 0:09:02 | 0:09:07 | |
Well, I look with my heart and he looks with his head. | 0:09:07 | 0:09:09 | |
We're very different in that respect. I look how easy it's going to be to maintain | 0:09:09 | 0:09:14 | |
and the cost of running it and where the radiators are | 0:09:14 | 0:09:18 | |
and Anne just says, "This is lovely." | 0:09:18 | 0:09:20 | |
-Still excited about it? -Oh, yes. Very. | 0:09:20 | 0:09:24 | |
'Our first property is on the outskirts of the village of Tiptree | 0:09:24 | 0:09:27 | |
'near Colchester. At just seven and a half miles from Witham, | 0:09:27 | 0:09:30 | |
'it's ideally situated for Malcolm's work. | 0:09:30 | 0:09:34 | |
'This once rural hamlet is now a popular village with over 10,000 inhabitants. | 0:09:34 | 0:09:38 | |
'The commercial centre of Tiptree originally grew up around the Church of St Luke's in the late 1800s. | 0:09:38 | 0:09:44 | |
'But it's now home to all the amenities you'd expect to find in a much larger town, | 0:09:44 | 0:09:49 | |
'so it won't be a culture shock for Malcolm, whilst still catering for Anne's countryside needs.' | 0:09:49 | 0:09:54 | |
Well, it's very pretty. | 0:09:55 | 0:09:57 | |
-16th century. -Really? Wow. -It was originally one thatched cottage and then it was split into two, | 0:09:57 | 0:10:03 | |
-extended in the 1800s. Loads of charm and character, don't you think? -It's lovely. | 0:10:03 | 0:10:09 | |
I love the design on the wall. | 0:10:09 | 0:10:12 | |
-And it is a very quiet road, isn't it? -It is. -Excited? | 0:10:12 | 0:10:16 | |
-I can't wait! -Good! Come on! | 0:10:16 | 0:10:18 | |
'It's not detached, but that doesn't seem to be putting them off. | 0:10:19 | 0:10:23 | |
'And inside, this cottage is crammed full of character.' | 0:10:23 | 0:10:26 | |
Wow! Look at that! | 0:10:27 | 0:10:30 | |
-Oh, what a beautiful fireplace! -Isn't it just? | 0:10:30 | 0:10:32 | |
This is the 16th century part of the house. Lovely touches. You can see where they sharpened the knives. | 0:10:32 | 0:10:38 | |
Yeah. And the little bread oven. | 0:10:38 | 0:10:40 | |
-So, first impressions? You like it? -Yeah, it's a lovely warm, welcoming feeling as you come in. | 0:10:40 | 0:10:45 | |
There's plenty more to see. Let me take you through here. | 0:10:45 | 0:10:48 | |
'Great reactions. But Anne has baking of her own to do, | 0:10:48 | 0:10:51 | |
'so let's check out the catering and dining area.' | 0:10:51 | 0:10:55 | |
-Newish conservatory. -Yeah, that's really nice. | 0:10:55 | 0:10:58 | |
I'm wondering, when the family come, whether we'd fit them all in | 0:10:58 | 0:11:01 | |
for a meal around here. Could be a bit tight. | 0:11:01 | 0:11:04 | |
-If you took out the chairs, maybe, put a large dining table there. -We have lots at Christmas. -How many? | 0:11:04 | 0:11:09 | |
-15, 16. -Right. | 0:11:09 | 0:11:11 | |
-Let's hope it's a really nice day and you can eat outside. -Brr! | 0:11:11 | 0:11:15 | |
-I know you're desperate to see that kitchen, so follow me. -I will. | 0:11:15 | 0:11:19 | |
Can't wait. Oh, yes, I like that. | 0:11:19 | 0:11:22 | |
That is lovely. Beautifully fitted. | 0:11:22 | 0:11:24 | |
It's just the sort of kitchen I like, but it feels too small. | 0:11:24 | 0:11:28 | |
It's smaller than we've got now and I was hoping for something bigger. | 0:11:28 | 0:11:32 | |
'Right, back through to the living room, and I think I can predict what they're going to say.' | 0:11:33 | 0:11:38 | |
-It's very pretty, but it does feel a bit small. -Right. | 0:11:38 | 0:11:43 | |
-We'd never get our furniture in here. -You're struggling already. | 0:11:43 | 0:11:46 | |
-Quite a hunch. -Yeah, I'm conscious of the height. It is much smaller than the room we have now. | 0:11:46 | 0:11:52 | |
'Ah, there's that word small again. But this is the reality of traditional period cottages. | 0:11:52 | 0:11:58 | |
'Will they be able to compromise on space for character?' | 0:11:58 | 0:12:01 | |
Nice wide stairway. | 0:12:02 | 0:12:05 | |
That's what I like about the property. You've got the 16th century side of it | 0:12:05 | 0:12:10 | |
but also you've got the new side, 1800s. | 0:12:10 | 0:12:13 | |
-As you say, you can stand up. -It's a mix of wood, as well. | 0:12:13 | 0:12:16 | |
Yeah, reclaimed timbers. They've tried to keep the theme going. | 0:12:16 | 0:12:20 | |
Also, it is an old property. Even the new part of it is old. | 0:12:20 | 0:12:24 | |
-But tastefully renovated and redecorated. Plenty of light. -Very attractive. | 0:12:24 | 0:12:30 | |
-Have a look at the family bathroom. -Oh, that's nice. | 0:12:30 | 0:12:34 | |
Yes, I like the tiles. It's very modern. | 0:12:34 | 0:12:37 | |
It's quite attractively finished, but again, it's quite small, quite compact. | 0:12:37 | 0:12:41 | |
'I'm going to use the word cosy instead. | 0:12:41 | 0:12:44 | |
'And up here are two cosy bedrooms. | 0:12:44 | 0:12:46 | |
'One is currently used as a study, but could be a little music room.' | 0:12:46 | 0:12:50 | |
I love the fact that you walk down into your master bedroom. | 0:12:51 | 0:12:54 | |
-Ooh. Look at the beams! -Do you remember this? | 0:12:54 | 0:12:59 | |
Oh, that's from the fireplace downstairs. The chimney breast. | 0:12:59 | 0:13:03 | |
-And if you look around this room, you're not going to see a radiator anywhere. Come on in. -OK. | 0:13:03 | 0:13:08 | |
-Why do you reckon? -If you have the fire on, the heat all comes from there. -It comes from the bricks. | 0:13:08 | 0:13:14 | |
-Nice. -And I love the vaulted ceiling. | 0:13:14 | 0:13:17 | |
The current owners have done this. It was originally there, but it had been blocked off. | 0:13:17 | 0:13:22 | |
So they took the ceiling down and this is what was there. It doesn't end there. Follow me. | 0:13:22 | 0:13:27 | |
Come on through. You've got another staircase here that leads to the sitting room and living area. | 0:13:28 | 0:13:33 | |
And then come on through to Narnia. | 0:13:33 | 0:13:37 | |
-Original door. -Mm-hm. -16th century. -Duck, Malcolm. | 0:13:37 | 0:13:41 | |
Duck and stretch. | 0:13:41 | 0:13:43 | |
How agile are you, Malcolm? | 0:13:44 | 0:13:47 | |
Yes, this'll be a test. | 0:13:47 | 0:13:49 | |
-Oh, so it's a dressing room. -At the moment, it is, but it could be a bedroom. | 0:13:49 | 0:13:53 | |
-It's not an en suite. You've got the original... -Oh, isn't that lovely? I like that. | 0:13:53 | 0:13:59 | |
It's a shame to hide it away up here. | 0:13:59 | 0:14:01 | |
-But how exciting for your guests to come through to this old room. -Yes. | 0:14:01 | 0:14:07 | |
-This would be my room. -Oh, would it? -Yes. -Your dressing room? -She'd probably need something this size. | 0:14:07 | 0:14:13 | |
Once you got a bed in, there wouldn't be much room. | 0:14:13 | 0:14:16 | |
But you've got to take into account, look at the size of this thing. | 0:14:16 | 0:14:19 | |
-Massive! -Two feet deep. -Yeah. | 0:14:19 | 0:14:21 | |
But if that wasn't in here, where would it go? | 0:14:21 | 0:14:24 | |
-That's a point. You're going to be difficult to please, aren't you? I can tell. -Sorry. | 0:14:24 | 0:14:29 | |
I also don't know how you would get it out. | 0:14:29 | 0:14:31 | |
-Presumably is was built in situ. -How the hell did they get it in here? | 0:14:31 | 0:14:35 | |
Through the window, maybe. | 0:14:35 | 0:14:38 | |
How did they get the wardrobe in here? | 0:14:41 | 0:14:44 | |
'Well, the wardrobe might be stuck, | 0:14:44 | 0:14:46 | |
'but we need to get outside and check out the garden.' | 0:14:46 | 0:14:49 | |
-That's a pretty little area, isn't it? -It is. | 0:14:49 | 0:14:52 | |
Nice glass of wine there in the evening. | 0:14:52 | 0:14:56 | |
I like the archways. | 0:14:57 | 0:15:00 | |
You've got honeysuckle and passionflower in the arch. | 0:15:00 | 0:15:03 | |
-Oh, that's nice. -It's like a little oasis, isn't it? | 0:15:03 | 0:15:06 | |
-It's really pretty. -When it comes out, you'll get a lovely scent. -Yeah. | 0:15:06 | 0:15:10 | |
Wow. You don't expect this to be down here. | 0:15:10 | 0:15:13 | |
Much wider than you think, isn't it? | 0:15:13 | 0:15:16 | |
-Neat little vegetable patch. -Yes. -Little. | 0:15:16 | 0:15:19 | |
Yes, probably wouldn't feed us for very long, growing vegetables there. | 0:15:19 | 0:15:23 | |
-You've got this huge double garage. How about that for your cake-making business? -It's a possibility. | 0:15:23 | 0:15:29 | |
'Maybe Anne will like this pretty summerhouse. | 0:15:30 | 0:15:33 | |
'And for a true taste of the good life, how about a chicken coop?' | 0:15:33 | 0:15:37 | |
-So, overall, you like the garden? -Very pretty garden. But, again, small. | 0:15:37 | 0:15:43 | |
Really? Even though you've got the space for three sheds, space for chickens? | 0:15:43 | 0:15:48 | |
It's very long and narrow and quite overlooked and totally dominated by the hedge to this side, | 0:15:48 | 0:15:53 | |
which perhaps is too big a feature for a garden this wide. | 0:15:53 | 0:15:56 | |
So, I have to ask you the question now. What do you think it's worth? | 0:15:56 | 0:16:00 | |
It's beautifully done, so that brings it up. | 0:16:00 | 0:16:02 | |
Because it is absolutely spotless and nothing needs doing in there at all. | 0:16:02 | 0:16:08 | |
-So I would guess 340. -OK. How about you? | 0:16:08 | 0:16:11 | |
I think that's a bit over the top. I'd go 315, 320. | 0:16:11 | 0:16:15 | |
Cos it's semi-detached, in a fairly built-up area. I think that'll hold the price down. | 0:16:15 | 0:16:20 | |
-She's bang on the money. -I guessed she would be. | 0:16:22 | 0:16:25 | |
Well done you! | 0:16:25 | 0:16:27 | |
Excellent! How do you feel about it now? | 0:16:27 | 0:16:29 | |
Also, take into account that you haven't seen the double garage yet. | 0:16:29 | 0:16:33 | |
This could be the start of your new career, cake decorator of north Essex. | 0:16:33 | 0:16:37 | |
-I think it's big enough. Go and have a look and I'll come and find you. -OK. -See you in a bit. | 0:16:37 | 0:16:42 | |
'I'm beginning to think these two could be demanding customers. | 0:16:42 | 0:16:46 | |
'On the market for £340,000, this property's a massive £60,000 under budget, | 0:16:46 | 0:16:51 | |
'so there could be scope to convert the double garage. | 0:16:51 | 0:16:54 | |
'This cottage delivers character over and above expectations. | 0:16:54 | 0:16:58 | |
'It has three to four bedrooms, cosy reception rooms | 0:16:58 | 0:17:01 | |
'and a very pretty garden. | 0:17:01 | 0:17:03 | |
'But it will be a compromise on space.' | 0:17:03 | 0:17:06 | |
Really large garage. Do you think you could do your cakes in here? | 0:17:07 | 0:17:11 | |
If I had this converted, I could even maybe have the special ovens in here | 0:17:11 | 0:17:16 | |
and just keep that for the family and do everything out here. | 0:17:16 | 0:17:19 | |
It had a nice country feel to it. It was the sort of country cottage I'd imagined | 0:17:19 | 0:17:24 | |
and I was really wowed by that fireplace in the hallway. That was a really unique feature. | 0:17:24 | 0:17:29 | |
But it was a semi-detached and it looked small. | 0:17:29 | 0:17:32 | |
Not much space upstairs in the bedroom and a little bit cramped, a bit took cosy for me downstairs. | 0:17:32 | 0:17:38 | |
It was a very pretty house, really warm, homely feel to it, but the upstairs was just not big enough. | 0:17:38 | 0:17:43 | |
Having family to stay with, really, one double and one single bedroom would be quite an issue for us. | 0:17:43 | 0:17:48 | |
-Seen enough? -Yes. Thank you. | 0:17:49 | 0:17:52 | |
Right, come on, plenty more to see. | 0:17:52 | 0:17:54 | |
'Despite having lived in London and Essex all of his life, | 0:17:58 | 0:18:01 | |
'the northern reaches of the county are largely unknown territory for Malcolm. | 0:18:01 | 0:18:05 | |
'He and Anne may not be moving a million miles away, | 0:18:05 | 0:18:08 | |
'but they will be buying into a very different lifestyle, so they're exploring before they move. | 0:18:08 | 0:18:13 | |
'First up is Braintree. This historic town has had a thriving market since 1199 | 0:18:15 | 0:18:21 | |
'and should be the perfect escape for city boy Malcolm | 0:18:21 | 0:18:24 | |
'when country life gets a little bit too quiet.' | 0:18:24 | 0:18:27 | |
-Very atmospheric. -Superb. Little, individual shops. | 0:18:27 | 0:18:32 | |
-There's some big shops up there and then we could have a cuppa here. -Sit in the shade under the tree. | 0:18:32 | 0:18:37 | |
'For country mouse Anne, Flitch Way is prime rambling territory. | 0:18:37 | 0:18:41 | |
'A 16-mile walk from Braintree to Bishops Stortford, | 0:18:41 | 0:18:44 | |
'this old rail route has now been reclaimed by Mother Nature.' | 0:18:44 | 0:18:48 | |
-I bet there's lots of wildlife around here. -You can hear birds singing. There's a lot of nests. | 0:18:48 | 0:18:54 | |
It's really lovely just to hear birdsong instead of the traffic we're used to. | 0:18:54 | 0:18:58 | |
'Of course, Anne and Malcolm are keen on character properties, | 0:18:58 | 0:19:01 | |
'so the period splendour of Audley End House just outside Saffron Walden is a must see.' | 0:19:01 | 0:19:08 | |
-Amazing architecture. You see all the columns. -This is beautiful. Look at those lovely stone window frames. | 0:19:08 | 0:19:13 | |
'Originally the site of Walden Abbey, | 0:19:13 | 0:19:16 | |
'the land was given to Sir Thomas Audley by Henry VIII during the dissolution of the monasteries | 0:19:16 | 0:19:21 | |
'and it took the family a whopping 11 years, | 0:19:21 | 0:19:23 | |
'from 1603 to 1614, to create this grand Jacobean mansion.' | 0:19:23 | 0:19:29 | |
-Wow. Incredible. Look at that. -That's beautiful! | 0:19:29 | 0:19:33 | |
-I bet they've had some great banquets in here. -Big table here, people all sitting round. | 0:19:33 | 0:19:37 | |
There could be a wedding. One of my cakes over there. | 0:19:37 | 0:19:41 | |
All the people, all in their finery, all dressed up. | 0:19:41 | 0:19:44 | |
'But it's the land outside that I think will be of more interest to Malcolm.' | 0:19:44 | 0:19:48 | |
-Here you are, Malcolm. How's that for a vegetable patch? -This is right up my street. | 0:19:48 | 0:19:53 | |
Think of the Brussels sprouts I could grow here! Would keep us going for years. | 0:19:53 | 0:19:57 | |
Never mind your Brussels. I'll have some nice flowerbeds, I think. | 0:19:57 | 0:20:01 | |
-Climbers up the wall. -Plenty of apple trees, as well. Lots of fresh fruit. | 0:20:01 | 0:20:05 | |
Yeah, that's good. | 0:20:05 | 0:20:07 | |
'Well, it looks like this little taste of the region has whetted their appetite. | 0:20:07 | 0:20:11 | |
'I just hope they're not expecting us to find them quite such a grand property as this one. | 0:20:11 | 0:20:16 | |
'For the next house, we're heading north into true rural Essex and the hamlet of Cornish End. | 0:20:21 | 0:20:26 | |
'Despite being just 19 miles from Witham, | 0:20:26 | 0:20:29 | |
'the winding country lanes mean Malcolm's journey time to work will just be short of an hour. | 0:20:29 | 0:20:34 | |
'I'm hoping the idyllic countryside setting will win them both over. | 0:20:34 | 0:20:38 | |
'The hamlet itself consists of little more than fields and farmhouses. | 0:20:38 | 0:20:43 | |
'But just a five-minute drive away is the beautiful village of Finchingfield, | 0:20:43 | 0:20:48 | |
'complete with shops, restaurants and pubs. | 0:20:48 | 0:20:50 | |
'The words picture postcard perfect could've been coined for Finchingfield. | 0:20:50 | 0:20:54 | |
'In fact, it's considered to be the most photographed village in the county. | 0:20:54 | 0:20:58 | |
'With its 18th century windmill, abundant thatched cottages, pretty pond and green, | 0:20:58 | 0:21:03 | |
'there are plenty of vistas to point a viewfinder at.' | 0:21:03 | 0:21:07 | |
I hope this is rural enough for you, this lovely country lane. | 0:21:09 | 0:21:12 | |
-It's lovely. -Miles from anywhere. -This is the property. | 0:21:12 | 0:21:15 | |
-It's really pretty. -Superb. -Beautiful. | 0:21:15 | 0:21:18 | |
-Half weatherboarding, as you can see. It's semi-detached. -Oh. | 0:21:18 | 0:21:23 | |
-We might be prepared to compromise. -Ooh! I didn't expect that. I'm glad you said that. | 0:21:23 | 0:21:28 | |
It used to be the original farm-workers' cottages. | 0:21:28 | 0:21:31 | |
It's also been extended in the 80s. | 0:21:31 | 0:21:34 | |
-Shall I stop talking about it and shall we go and see it? -Yes. It looks exciting. | 0:21:34 | 0:21:39 | |
'That's what I like to hear. They won't have to compromise on character | 0:21:39 | 0:21:43 | |
'or space inside the Grade II listed cottage.' | 0:21:43 | 0:21:45 | |
-So, we're in the 80s part of the house. -Wonderful fireplace. | 0:21:47 | 0:21:50 | |
I like the fireplace. Multi-fuel. Yeah. I like that. | 0:21:50 | 0:21:55 | |
I love the view. I love that view. | 0:21:55 | 0:21:58 | |
-That is amazing. -It's pretty spectacular, isn't it? -Just what I wanted, a view like that. | 0:21:58 | 0:22:02 | |
-I like the beams. Gives you height. -Even though it's the 80s bit, | 0:22:02 | 0:22:06 | |
-they've tried to make it feel an old style, as well, and they've succeeded. -Yeah. | 0:22:06 | 0:22:12 | |
OK, let's go and have a look at the rest of the house. | 0:22:12 | 0:22:15 | |
'Of course, at the top of Anne's list is a big kitchen, | 0:22:15 | 0:22:18 | |
'and with this cottage, she gets two for the price of one.' | 0:22:18 | 0:22:21 | |
-You've got the range here. Quarry tiles. -Yeah. | 0:22:22 | 0:22:27 | |
-So this is your smaller kitchen. Small but fully functional. -This could be my cake kitchen. | 0:22:27 | 0:22:33 | |
-Ah, you think? -Maybe. | 0:22:33 | 0:22:36 | |
We have his and hers kitchens, so if we have a bit of a disagreement... | 0:22:36 | 0:22:39 | |
-What do you do in the kitchen? -Wash up and... | 0:22:39 | 0:22:44 | |
-Now is not the time for a domestic. -THEY LAUGH | 0:22:44 | 0:22:47 | |
-His and hers kitchens. -And you probably can't see washing machine | 0:22:47 | 0:22:50 | |
-or dishwasher or anything here. -Tumble dryer. Fridge. -Where are those? | 0:22:50 | 0:22:54 | |
Do you know why? Cos I'm going to take you through to what could be kitchen number three now. | 0:22:54 | 0:22:59 | |
Wow. This gets better. | 0:22:59 | 0:23:01 | |
-OK, so it is a conservatory. -Yes. -But... | 0:23:07 | 0:23:11 | |
-Oh, dead clever! -That's a sink. It's got electricity. | 0:23:12 | 0:23:18 | |
So how about extending this and making this your cake-making area? | 0:23:18 | 0:23:24 | |
-What else have we got? -Have a look. You've got plumbing for everything here. | 0:23:24 | 0:23:28 | |
-Dishwasher. -Dishwasher, washing machine. It's a neat idea, isn't it? -It is. I like that. | 0:23:28 | 0:23:34 | |
It is a lovely room. I like this. I do like it as it is. | 0:23:34 | 0:23:38 | |
Back through the kitchen and there's yet more living space. | 0:23:41 | 0:23:44 | |
A separate dining room. | 0:23:44 | 0:23:46 | |
-Another fireplace. -That's really pretty. | 0:23:46 | 0:23:49 | |
-Dining room or music room. -You could knock through that wall and make it one big space. | 0:23:49 | 0:23:54 | |
-Mm. -This downstairs area. | 0:23:54 | 0:23:57 | |
Having a separate dining room is useful. | 0:23:57 | 0:23:59 | |
-You're thinking musical instruments in here. -You can put the piano in here | 0:23:59 | 0:24:03 | |
With these quarry tiles, great acoustics. | 0:24:03 | 0:24:05 | |
-Yeah. -It's very bright, isn't it? -It is. -Right, come back through. | 0:24:05 | 0:24:09 | |
'I think we're hitting the right note. Upstairs shouldn't disappoint, either. | 0:24:09 | 0:24:14 | |
'There are four bedrooms in total. First off, a single, which is currently used as a study, | 0:24:14 | 0:24:19 | |
'and a double guest room.' | 0:24:19 | 0:24:21 | |
Have a look. | 0:24:21 | 0:24:23 | |
Oh, I like the light blue. | 0:24:24 | 0:24:27 | |
It's like a boarded sort of finish. It's good. | 0:24:27 | 0:24:30 | |
-The only thing I'd say, guys, is that this is the only bathroom. -Not a major problem. | 0:24:30 | 0:24:36 | |
-Good, good. Master bedroom beckons. -Good, good. Let's have a look. | 0:24:36 | 0:24:40 | |
And you can probably tell by the floorboards that we're going from old to new. | 0:24:40 | 0:24:45 | |
-Guest bedroom there. -Yeah, that's good. Double bed. | 0:24:45 | 0:24:49 | |
And this is the master bedroom. | 0:24:49 | 0:24:52 | |
-Is it Malcolm and Anne's master bedroom? -Yes, I think it could be. | 0:24:53 | 0:24:57 | |
Wake up and look straight out onto that, which is lovely. | 0:24:57 | 0:25:00 | |
-Doesn't get much better, does it? -No. Beautiful. | 0:25:00 | 0:25:03 | |
And if you do get bored of that, you can look through... | 0:25:03 | 0:25:06 | |
-Have a different one out that way. -Wait till you see the garden. You'll love it. | 0:25:06 | 0:25:10 | |
-I'm confident. -Can't wait for that. -Come on, then. | 0:25:10 | 0:25:13 | |
'I know the outside space is vital for Malcolm and Anne, | 0:25:17 | 0:25:20 | |
'and this cottage comes with a quarter of an acre.' | 0:25:20 | 0:25:22 | |
-Oh, yes. So lovely, That's beautiful. -You've been itching to get out here. | 0:25:26 | 0:25:31 | |
I have. I love the outdoors and it's right there, the countryside is right on our doorstep. | 0:25:31 | 0:25:36 | |
-You touch it, don't you? -Yeah. That's beautiful. -Follow me. | 0:25:36 | 0:25:39 | |
'And this garden just keeps on going.' | 0:25:40 | 0:25:43 | |
Oh, this is nice. I like this. This garden works really well for me | 0:25:43 | 0:25:47 | |
because it's got lovely flowerbeds that I could work on, | 0:25:47 | 0:25:50 | |
lawned areas, there's a couple of seating areas | 0:25:50 | 0:25:54 | |
and with that view, very attractive little garden, this. | 0:25:54 | 0:25:58 | |
-So serene. So quiet. -Quiet and peaceful. No traffic. | 0:25:58 | 0:26:03 | |
This is farmland, but the farmer is known to sell his land, so you could probably buy a plot if you fancied. | 0:26:03 | 0:26:08 | |
-But I don't know if you need it. -There's quite a bit of land here. -It's a lovely big garden. | 0:26:08 | 0:26:13 | |
-We're only halfway there. -Greenhouse. -This is really good. | 0:26:13 | 0:26:16 | |
-Come through this lovely little arch. -Lots of different areas. | 0:26:16 | 0:26:20 | |
More seating areas through here. | 0:26:20 | 0:26:23 | |
-And then we come to... -The vegetable patch. Hey! | 0:26:23 | 0:26:27 | |
That's good. It's been well looked after, looking at the soil. | 0:26:27 | 0:26:31 | |
-I could see you extending that, but there's plenty of room. -Big enough to do what we want, but not too big | 0:26:31 | 0:26:36 | |
to be unmanageable when we're both working full-time. It's good. | 0:26:36 | 0:26:39 | |
-A lot of pluses in the garden. Like it. Well done. -Let's go back towards the house. | 0:26:39 | 0:26:44 | |
'Well, now I know what it takes to impress these two. | 0:26:44 | 0:26:46 | |
'But what will they make of the price?' | 0:26:46 | 0:26:49 | |
So, you've seen the house, the garden, the vegetable patch and the lovely view. | 0:26:51 | 0:26:56 | |
-What's it on the market for? -It's really hard to guess, because it's a nice house in a nice location. | 0:26:56 | 0:27:01 | |
I don't know. | 0:27:01 | 0:27:04 | |
380, 390, probably. | 0:27:04 | 0:27:07 | |
I was going to go a bit higher than that, because I think it's got a lot to offer. | 0:27:07 | 0:27:11 | |
Lovely grounds, it's Grade II listed, | 0:27:11 | 0:27:15 | |
it's mostly got character. There are bits I would like to change. | 0:27:15 | 0:27:18 | |
So I'll go for 400. | 0:27:18 | 0:27:21 | |
It's currently on the market, this house with this garden, with that view, | 0:27:21 | 0:27:26 | |
-for £385,000. -Ah. So you win. -I was closer this time. | 0:27:26 | 0:27:30 | |
-That's good. -Go and have a good look around and I'll catch up with you later. -OK. | 0:27:30 | 0:27:36 | |
-Thank you. -Cheers. | 0:27:36 | 0:27:38 | |
Well, if only the property was Victorian throughout, | 0:27:38 | 0:27:41 | |
I think Malcolm and Anne would've blown the budget straight away. | 0:27:41 | 0:27:45 | |
It's just the 80s add-on they're not really keen on. | 0:27:45 | 0:27:48 | |
But what do they want, a slightly imperfect house or a perfect view? | 0:27:48 | 0:27:53 | |
'And this cottage is £15,000 under-budget. | 0:27:58 | 0:28:01 | |
'There'd be spare change to make any improvements they want. | 0:28:01 | 0:28:04 | |
'It's got Anne's farmhouse kitchen, four good-sized bedrooms, | 0:28:04 | 0:28:08 | |
'potential for music rooms and a quarter of an acre of garden | 0:28:08 | 0:28:12 | |
'with an established vegetable plot. So, will it come up smelling of roses?' | 0:28:12 | 0:28:16 | |
This house, it's grown on me as we've gone round. | 0:28:16 | 0:28:20 | |
I do actually really like it. I love the garden. | 0:28:20 | 0:28:23 | |
I love the views. It's just that first room that we went into that perhaps holds me back. | 0:28:23 | 0:28:28 | |
-This wasn't what we expected at all. You walk in and it doesn't seem to match the outside. -Mm. | 0:28:28 | 0:28:34 | |
There's quite a different feel about it. | 0:28:34 | 0:28:36 | |
But the rest of the house has got more charm, which I think is more appealing. | 0:28:36 | 0:28:41 | |
It's got a lot of character, it's in a wonderful location, | 0:28:41 | 0:28:44 | |
conservatory was brilliant, I really liked that, | 0:28:44 | 0:28:47 | |
and the garden was to die for. I could really do a lot with that. | 0:28:47 | 0:28:51 | |
But I do have reservations about the kitchen being in three different rooms. | 0:28:51 | 0:28:56 | |
Things won't all be to hand and I think that will lead to frustration. | 0:28:56 | 0:29:00 | |
Ah, you're smiling. | 0:29:02 | 0:29:04 | |
Don't tell me what you've decided. There are more houses to see. Come on. | 0:29:04 | 0:29:08 | |
'Now, both Anne and Malcolm are wildlife enthusiasts. | 0:29:16 | 0:29:20 | |
'But for Anne, there's one animal she's been longing to see in its natural habitat all of her life. | 0:29:20 | 0:29:25 | |
'It's the badger. So, to try and make her dream come true, | 0:29:25 | 0:29:28 | |
'we've come to the Badger Watch Centre in the woodlands just outside of Braintree to meet Rene Byam.' | 0:29:28 | 0:29:34 | |
-Desperate, they are, to see some badgers. -Oh, well, let's hope they do. Fingers crossed. | 0:29:35 | 0:29:40 | |
I always thought they came out after dark. The sun is going down. | 0:29:40 | 0:29:44 | |
We need to get in position before the badgers come out, well before they come out, | 0:29:44 | 0:29:48 | |
because they've got a very good sense of smell and also hearing. | 0:29:48 | 0:29:53 | |
'The priority of the Northeast Essex Badger Group | 0:29:53 | 0:29:56 | |
'is the protection and conservation of these beautiful nocturnal creatures.' | 0:29:56 | 0:30:00 | |
So where are you taking us now? | 0:30:00 | 0:30:02 | |
We're going to go and look at a sett before the badgers come out, | 0:30:02 | 0:30:06 | |
cos we can't really go traipsing round all over the sett when the badgers are out, | 0:30:06 | 0:30:11 | |
otherwise we stand no chance at all of seeing a badger. | 0:30:11 | 0:30:15 | |
'I hope the badgers will grace us with their presence tonight. | 0:30:16 | 0:30:19 | |
'But even if Anne isn't lucky this time round, the group are always in need of volunteers | 0:30:19 | 0:30:24 | |
'and their most important task is monitoring the badger setts.' | 0:30:24 | 0:30:28 | |
This has been freshly excavated. | 0:30:28 | 0:30:31 | |
-A badger probably did that last night. -That's one sett? | 0:30:31 | 0:30:35 | |
-That's one entrance of this sett. -Will they know we're on top of them? | 0:30:35 | 0:30:39 | |
Yeah, they can probably feel the vibration as we walk across. | 0:30:39 | 0:30:43 | |
-So we have to try not to disturb them too much. -OK. -Be nice and quiet. | 0:30:43 | 0:30:48 | |
'Right, let's get into that hide sharpish, then.' | 0:30:48 | 0:30:51 | |
So now you've got us in here, what do we do? | 0:30:54 | 0:30:58 | |
Just wait. Sit and wait. | 0:30:58 | 0:31:01 | |
-And keep your fingers crossed. -OK. | 0:31:01 | 0:31:04 | |
I don't think I've ever been this quiet in my life. | 0:31:08 | 0:31:11 | |
There's one. | 0:31:11 | 0:31:13 | |
-I can see one. -There's a badger. -Yes, I can see one. | 0:31:13 | 0:31:17 | |
Beautiful. | 0:31:17 | 0:31:20 | |
You've seen your badger. | 0:31:20 | 0:31:24 | |
I can't believe that we've only been here 20 minutes | 0:31:29 | 0:31:32 | |
-and I've seen a badger. -Wonderful, isn't it? | 0:31:32 | 0:31:35 | |
-I'm so excited! -I am, too. | 0:31:35 | 0:31:39 | |
It's brilliant. | 0:31:39 | 0:31:41 | |
-I think that Anne's actually found her ideal home. -I have. | 0:31:41 | 0:31:45 | |
-Here. -You're going to move into the hide. | 0:31:45 | 0:31:47 | |
-That was magical. Thank you so much. -It's fabulous, isn't it? | 0:31:47 | 0:31:51 | |
-It was well worth coming out. -I'm glad you enjoyed it. | 0:31:51 | 0:31:55 | |
'With the night drawing to a close, Anne and Malcolm have a chance to discuss | 0:31:59 | 0:32:03 | |
'the two houses they've already seen.' | 0:32:03 | 0:32:06 | |
What do you think of the property in Tiptree, the 16th century cottage? | 0:32:08 | 0:32:12 | |
I thought it was beautiful. It had every bit of the character | 0:32:12 | 0:32:16 | |
and charm that I think we're looking for | 0:32:16 | 0:32:19 | |
and a really pretty little garden, but I felt it was too small for our needs. | 0:32:19 | 0:32:23 | |
The rooms were a bit small, the kitchen wasn't big enough really for what I wanted to do | 0:32:23 | 0:32:28 | |
-cake-decorating wise. -My biggest concern was the bedrooms. | 0:32:28 | 0:32:32 | |
There was one double bedroom, one single bedroom and the other rooms weren't that big. | 0:32:32 | 0:32:37 | |
For the family to come and stay, it just wouldn't work, we couldn't fit them all in. | 0:32:37 | 0:32:41 | |
What about the Victorian cottage that was near Finchingfield? | 0:32:41 | 0:32:44 | |
That had a lot more going for it. It was a much larger property and we could get people in. | 0:32:44 | 0:32:50 | |
The bit that really hit the buttons for me was the gardens. | 0:32:50 | 0:32:53 | |
I could really do what I want to do with the vegetables. The garden was really what I wanted. | 0:32:53 | 0:32:58 | |
What do you think about it? The kitchen, in particular. That was quite unusual. | 0:32:58 | 0:33:02 | |
I liked the character of it, that it was in three parts, but there were bits I could've improved. | 0:33:02 | 0:33:08 | |
I think what was a bit of a problem for me was when we first walked into that living room, | 0:33:08 | 0:33:13 | |
I was disappointed. It was so pretty outside and I was expecting a bit more charm and character in there. | 0:33:13 | 0:33:20 | |
-It didn't really match, did it? -But, overall, I liked it, and I loved the setting. | 0:33:20 | 0:33:25 | |
-And now I'm just excited about tomorrow. -If it's another day like today, it'll be brilliant. | 0:33:25 | 0:33:31 | |
'So, the search continues to find Anne and Malcolm their dream character cottage | 0:33:37 | 0:33:42 | |
'in the north Essex countryside. For a maximum budget of £400,000, they're after quite a lot, | 0:33:42 | 0:33:47 | |
-'including a big kitchen, big garden and great views.' -That is amazing. | 0:33:47 | 0:33:52 | |
-'But there's plenty more to come.' -I can see cows. I'll never get out of bed. | 0:33:52 | 0:33:56 | |
'Or will it be today's mystery house that has them signing on the dotted line?' | 0:33:56 | 0:34:00 | |
She's not buying the house, she's buying the view. | 0:34:00 | 0:34:03 | |
So, it's a new day and our search continues to find Malcolm and Anne their dream property | 0:34:05 | 0:34:10 | |
here in rural Essex. | 0:34:10 | 0:34:12 | |
For country-born Anne, this is like coming home, and she's whole- heartedly embracing the experience. | 0:34:12 | 0:34:18 | |
But for city boy Malcolm, this is a journey into the unknown, | 0:34:18 | 0:34:21 | |
and I'm not sure he wants to be too remote. | 0:34:21 | 0:34:24 | |
How far will they escape to the country? | 0:34:24 | 0:34:28 | |
Malcolm, we've been driving around the countryside quite a lot. | 0:34:29 | 0:34:33 | |
Is this too remote for you? | 0:34:33 | 0:34:35 | |
Probably not too remote. I think, when you're in the middle of nowhere | 0:34:35 | 0:34:39 | |
and there's not another house within half a mile, that's probably too remote, | 0:34:39 | 0:34:43 | |
but if there's a few buildings, a bit of community, I'll cope. | 0:34:43 | 0:34:47 | |
But for you, Anne, there's no such thing as too remote. | 0:34:47 | 0:34:51 | |
-No. And the nearer to a farm, the better. -Really? Why is that? | 0:34:51 | 0:34:54 | |
Because I grew up with farms all around me and I just loved it. | 0:34:54 | 0:34:58 | |
I spent most of my time just in the farms with the animals. Loved it. | 0:34:58 | 0:35:03 | |
-So you're looking for a return to your childhood, really. -I am, yes. | 0:35:03 | 0:35:07 | |
And this has made me realise that, actually. | 0:35:07 | 0:35:10 | |
-Really? Already? -Yes. -Malcolm's got a worried look on his face. | 0:35:10 | 0:35:14 | |
'Well, I'm confident Anne will love the location of our next property. | 0:35:14 | 0:35:18 | |
'It's just over the Suffolk border and in the extensive farming region surrounding Great Waldingfield. | 0:35:18 | 0:35:24 | |
'But at just three miles from the thriving market town of Sudbury and a 45-minute drive to Witham, | 0:35:24 | 0:35:29 | |
'it shouldn't scare off Malcolm, either. | 0:35:29 | 0:35:31 | |
'Set in traditional Suffolk countryside with origins dating back to the Bronze Age, | 0:35:31 | 0:35:36 | |
'Great Waldingfield is a sleepy little place with a population of 2,000 people and just one pub. | 0:35:36 | 0:35:41 | |
'So our Enfield escapees shouldn't have any difficulties getting to know their potential neighbours. | 0:35:42 | 0:35:48 | |
'And character homes aren't in short supply. | 0:35:48 | 0:35:51 | |
'Many of the thatches and farmhouses around here are over 400 years old. | 0:35:51 | 0:35:56 | |
'Our property isn't quite that old. It's this Victorian farmhouse. | 0:35:58 | 0:36:02 | |
'Although no longer a working farm, there is one next door, so it should be right up Anne's street.' | 0:36:02 | 0:36:07 | |
-It's beautiful. Look at that. That is so nice. -What do you think? | 0:36:07 | 0:36:11 | |
I think it's really lovely. It's just perfect from the outside. | 0:36:11 | 0:36:15 | |
It was refurbished eight years ago by the current owner, | 0:36:15 | 0:36:18 | |
-so a mixture of old and new. -Lovely. That sounds just right. | 0:36:18 | 0:36:21 | |
-Shall we go in? -Mm. -Come on. | 0:36:21 | 0:36:23 | |
Come on in out of the cold. | 0:36:33 | 0:36:35 | |
-So, cloakroom. Very handy. -Yes, that's useful, that. | 0:36:35 | 0:36:39 | |
This is your hallway. | 0:36:39 | 0:36:42 | |
Oh, that's a nice hallway. I like the exposed brickwork. | 0:36:42 | 0:36:46 | |
-And the wood. I love wood. -They've used reclaimed beams. | 0:36:46 | 0:36:49 | |
-Have they? -Listen, I can't take the pressure any longer. I've got to show you this country kitchen. | 0:36:49 | 0:36:55 | |
-I'd love to see it. -To see if it's up to scratch. | 0:36:55 | 0:36:57 | |
-Wish me luck. -Go for it. | 0:36:57 | 0:37:00 | |
-Oh, that's really nice. -Plenty of room, isn't there? -Yeah. Love it. | 0:37:05 | 0:37:10 | |
-There's potential, maybe, to put an island. -Or a big table in. | 0:37:10 | 0:37:14 | |
-Yes, indeed. -Conservatory running off the kitchen. A door out to the garden. | 0:37:14 | 0:37:19 | |
And in front of you, your view is onto the working farm and beyond. | 0:37:19 | 0:37:24 | |
It's really nice. I think this'll do perfectly. | 0:37:24 | 0:37:27 | |
-You can even get your cake tools hidden away somewhere. -I could. There's plenty of room for that. | 0:37:27 | 0:37:32 | |
-I would move in here very easily. -OK, let's move on. I'm so happy! | 0:37:32 | 0:37:37 | |
'The kitchen is obviously to both Anne and Malcolm's taste. | 0:37:37 | 0:37:40 | |
'And there's more space just next door.' | 0:37:40 | 0:37:43 | |
Oh. And what room's this? | 0:37:44 | 0:37:46 | |
-This is actually the dining room. -Oh, right. -It's being used as a bedroom. | 0:37:46 | 0:37:50 | |
It could perhaps become a music room. We could get the piano in there | 0:37:50 | 0:37:55 | |
-and some of the musical instruments. It'd be quite good for that. -OK. | 0:37:55 | 0:37:59 | |
Follow me. | 0:37:59 | 0:38:01 | |
'And if the orchestra grows, this study could be used for yet more storage. | 0:38:01 | 0:38:05 | |
Oh, yeah, I like this. Oh, yes. I like the brick wall with the beams in there. | 0:38:12 | 0:38:18 | |
-Is this the old part of the building? -This isn't the original wall, | 0:38:18 | 0:38:22 | |
but it's in the same style, but it's the old part of the building. | 0:38:22 | 0:38:26 | |
-I want to bring you slightly this way. -OK. | 0:38:26 | 0:38:28 | |
-Keep looking. -Oh, there's my farm with the cows! | 0:38:28 | 0:38:33 | |
Oh! I love being in amongst the farms, like where I grew up. Lovely. | 0:38:33 | 0:38:40 | |
'Well, you can almost touch the cows. You can definitely smell them. | 0:38:40 | 0:38:44 | |
'And with four bedrooms, I can't see upstairs being a let-down.' | 0:38:44 | 0:38:48 | |
-Guest room? -Yeah. -It's a good size, isn't it? | 0:38:52 | 0:38:54 | |
While they've got a single bed in here, you could probably get a double bed in. | 0:38:54 | 0:38:59 | |
-You would, yeah. -It's not a huge space but... -Big enough for a double bed. | 0:38:59 | 0:39:03 | |
-Adequate. Yeah. I like it. -Adequate is good. We like that. | 0:39:03 | 0:39:07 | |
'And I think the two single bedrooms next door should be adequate, too. | 0:39:07 | 0:39:12 | |
'And the family bathroom is definitely functional.' Welcome to your master bedroom. | 0:39:12 | 0:39:16 | |
-Wow. -This is a nice sized room. Big. | 0:39:16 | 0:39:20 | |
-It's pretty, isn't it? -It is. -Malcolm, she likes the room so much, | 0:39:20 | 0:39:24 | |
-but she hasn't even noticed the view yet. -Give it a chance. | 0:39:24 | 0:39:28 | |
-She's heading that way. Heading towards those cows again. -Cows! | 0:39:28 | 0:39:31 | |
Oh, bless them. If I can see the cows through the window, I'll never get out of bed. | 0:39:31 | 0:39:36 | |
Just look to your left. | 0:39:36 | 0:39:39 | |
-Hey! En suite! -HE LAUGHS | 0:39:39 | 0:39:41 | |
Who's a happy girl now then, eh? You've got an en suite, as well. | 0:39:41 | 0:39:46 | |
-Very useful. We've got our en suite here. -Good size shower. -Yeah. | 0:39:46 | 0:39:51 | |
It's really useful when you have guests to have a separate facility like this. | 0:39:51 | 0:39:55 | |
-Give them theirs and we've got ours. -Yes, you've got your en suite. | 0:39:55 | 0:39:59 | |
-Well done. -She's a happy bunny now. | 0:39:59 | 0:40:01 | |
Come back through here. Let's have a look at that outside space. | 0:40:01 | 0:40:05 | |
'I know these two are itching to get outside | 0:40:07 | 0:40:09 | |
'and this garden is the biggest we're seeing, a third of an acre.' | 0:40:09 | 0:40:13 | |
Anne, I'm glad I could tear you away from those cows. | 0:40:13 | 0:40:16 | |
-What do you think of it? -I love it. | 0:40:16 | 0:40:19 | |
Yes, it's just the right amount of land for what we need. | 0:40:19 | 0:40:24 | |
It's got everything you want, but can you afford it? | 0:40:24 | 0:40:28 | |
-That could be a problem. -What do you reckon it's on the market for? | 0:40:28 | 0:40:31 | |
Well, I think it's going to be over our budget. | 0:40:31 | 0:40:35 | |
It's further out, so you get more for your money, | 0:40:35 | 0:40:38 | |
but considering all that it's got, the land, the position, I'm going to go 430. | 0:40:38 | 0:40:44 | |
-430, OK. -I think it'll be even more than that. | 0:40:44 | 0:40:48 | |
It's quite close to Sudbury, with the shops and railway, so I think another 5,000 or 10,000 on top of that. | 0:40:48 | 0:40:54 | |
So probably 435, 440, for this location. | 0:40:54 | 0:40:57 | |
It's been on the market for just over a year. | 0:40:57 | 0:41:01 | |
-It's had two drops in price. -Mm-hm. | 0:41:01 | 0:41:03 | |
The current owners are taking offers in excess of £400,000. | 0:41:03 | 0:41:08 | |
-Right. -So it's the top end of your budget. -Yeah. | 0:41:08 | 0:41:11 | |
-But it doesn't push it totally out of limits, does it? -No. -I thought it would be more than that. | 0:41:11 | 0:41:16 | |
-Ooh. -Look at you! Ooh! -THEY LAUGH | 0:41:16 | 0:41:20 | |
-Got to do some sums now. -Well, go do some sums, have a look around and I'll catch up with you later. | 0:41:20 | 0:41:26 | |
'Well, Anne is obviously very taken with this farmhouse and its countryside setting. | 0:41:26 | 0:41:31 | |
'Although it's on the market for offers over £400,000, it's been up for sale for some time, | 0:41:31 | 0:41:35 | |
'so they should be able to make an offer in budget and it needs no work whatsoever. | 0:41:35 | 0:41:40 | |
'The kitchen is ideal. It has the four bedrooms they want | 0:41:40 | 0:41:44 | |
'and there's ample room for growing sprouts in the garden.' | 0:41:44 | 0:41:48 | |
This is superb. It's exactly what we're after. | 0:41:48 | 0:41:51 | |
The journey from Witham might be a bit longer than I would've liked, | 0:41:51 | 0:41:55 | |
but I'll have to test it out. | 0:41:55 | 0:41:57 | |
But apart from that, wonderful. It is exactly what we need. | 0:41:57 | 0:42:00 | |
I can imagine, when the sun's shining in the afternoon, having the doors open into the conservatory. | 0:42:00 | 0:42:05 | |
-The light would come through and the heat. -It's a really nice family area. | 0:42:05 | 0:42:10 | |
I really love the house. I love the way I looks, the way it feels when you go in, | 0:42:10 | 0:42:14 | |
the use of space inside, love it being right in the middle of a farm, a working farm. | 0:42:14 | 0:42:21 | |
It'd be hard for me to fault anything with it, to be honest. | 0:42:21 | 0:42:25 | |
It's just how I pictured my dream house to be. | 0:42:25 | 0:42:28 | |
You're just too late. I've just executed my perfect back flip. | 0:42:29 | 0:42:33 | |
Shall we move on? Why you looking at me like that? You don't believe me, do you? | 0:42:33 | 0:42:38 | |
'Now, no trip to Essex would be complete without a visit to historic Colchester. | 0:42:48 | 0:42:52 | |
'It was here in 43AD that the Roman invaders decided to set up home, | 0:42:52 | 0:42:57 | |
'making it Britain's first ever city. | 0:42:57 | 0:42:59 | |
'2,000 years of history are in evidence just about everywhere you look | 0:43:01 | 0:43:05 | |
'and no building is considered to have more historical importance than Colchester Castle. | 0:43:05 | 0:43:10 | |
'Not only is it the largest surviving example of a Norman keep in Europe, | 0:43:12 | 0:43:16 | |
'its foundations are built on the remains of the most significant Roman building in Britain, | 0:43:16 | 0:43:21 | |
'the Temple of Claudius. | 0:43:21 | 0:43:24 | |
'In 60AD, the temple was all but destroyed by native Britons, led by the legendary Queen Boudica, | 0:43:24 | 0:43:30 | |
'but two days and 30,000 lives later, | 0:43:30 | 0:43:33 | |
'the Romans emerged triumphant to rebuild their city. | 0:43:33 | 0:43:36 | |
'Some of the finest visual examples of the Roman occupation are housed in Colchester Castle, | 0:43:36 | 0:43:41 | |
'and perhaps none more well-preserved than the mosaics to be found here. | 0:43:41 | 0:43:46 | |
'So, to inspire Malcolm and Anne with some Roman home decor, | 0:43:48 | 0:43:52 | |
'we've sent them along to meet local mosaic expert Anne Schwegmann-Fielding.' | 0:43:52 | 0:43:56 | |
We've got a lot of Roman mosaics here | 0:43:56 | 0:43:59 | |
and mosaics would be used to adorn floors and walls and vaults in Roman times. | 0:43:59 | 0:44:04 | |
Would it be a gang of people working on it? | 0:44:04 | 0:44:07 | |
Yeah, there'd be a real workshop of people. | 0:44:07 | 0:44:10 | |
In Italy, they'd be a lot more elaborate. In Britain, they're slightly more simple designs. | 0:44:10 | 0:44:15 | |
But this is quite a good one. We have got some special ones here. | 0:44:15 | 0:44:20 | |
'The Berryfield Mosaic was discovered in 1923 by gardeners digging a hole for their compost. | 0:44:20 | 0:44:25 | |
'It's believed to date from the second century AD | 0:44:25 | 0:44:28 | |
'and would've adorned the floor of a prestigious Roman townhouse inside the city walls. | 0:44:28 | 0:44:33 | |
'A more recent find is the Middlesbrough Mosaic, uncovered at a local dig in 1979. | 0:44:33 | 0:44:39 | |
'Both are fine examples of this ancient art form, which is still alive and kicking today. | 0:44:39 | 0:44:44 | |
'Anne's been creating individual pieces for both properties and gardens for the last 14 years. | 0:44:44 | 0:44:50 | |
'And if you think mosaics are just for walking on, then think again.' | 0:44:50 | 0:44:53 | |
Striking a balance when it comes to location seems to be the key for Malcolm and Anne. | 0:44:58 | 0:45:04 | |
So for the mystery property, we've come up with a wonderful solution. | 0:45:04 | 0:45:08 | |
A house with a great commute for him and solitude and quiet for her. | 0:45:08 | 0:45:13 | |
And it wouldn't be the mystery property without a twist, would it? | 0:45:13 | 0:45:17 | |
Do you want to know what the twist is? It's a house on an island. | 0:45:17 | 0:45:21 | |
'Yes, we're heading just half a mile offshore to the hidden gem of Mersea Island | 0:45:21 | 0:45:25 | |
'and in particular the little village of East Mersea. | 0:45:25 | 0:45:29 | |
'The island sits in the estuary of the rivers Blackwater and Colne | 0:45:29 | 0:45:32 | |
'and is the most easterly inhabited island of England. | 0:45:32 | 0:45:35 | |
'Linked to the mainland by a half-mile Anglo-Saxon causeway, | 0:45:35 | 0:45:39 | |
'its five square miles consist largely of farmland. | 0:45:39 | 0:45:42 | |
'And the entire coastline is designated an area of outstanding natural beauty, | 0:45:42 | 0:45:47 | |
'a haven for wildlife lovers like Malcolm and Anne. | 0:45:47 | 0:45:51 | |
'And if they get stranded at high tide, they needn't worry. | 0:45:54 | 0:45:57 | |
'East Mersea has a shop, a pub and a pick-your-own-fruit farm. | 0:45:57 | 0:46:03 | |
'And just a stone's throw from the water is our mystery house. | 0:46:03 | 0:46:06 | |
'Dating from the 1920s, it still packs a period punch.' | 0:46:06 | 0:46:10 | |
Oh, that's nice! | 0:46:10 | 0:46:13 | |
-That is really beautiful, isn't it? -Can you tell that all these properties are almost identical? | 0:46:13 | 0:46:18 | |
They were originally owned by the golf club and anyone who had a bit of money in the 1920s | 0:46:18 | 0:46:22 | |
-would come over for a round of golf and they'd put them up in these cottages. -Very nice. | 0:46:22 | 0:46:27 | |
-I like it. -It looks in really good order, doesn't it? | 0:46:27 | 0:46:30 | |
'And if Anne thought the views have been good so far, wait until she sees what this house has in store.' | 0:46:32 | 0:46:38 | |
Come on in. Don't be shy. It's not like you. | 0:46:40 | 0:46:43 | |
-SHE LAUGHS -Ah, you know me well. | 0:46:43 | 0:46:45 | |
A typical 1920s property. Let me show you the sitting room first. | 0:46:45 | 0:46:50 | |
-Oh, this is a lovely room. I like this. -Good proportions. | 0:46:53 | 0:46:57 | |
That's a nice feature, the plate trail up there. | 0:46:57 | 0:47:00 | |
-It is. And I love the original fireplace. -Gorgeous. -It's working. -That's nice. | 0:47:00 | 0:47:05 | |
-A real coal fire. -Yeah, I love that. | 0:47:05 | 0:47:08 | |
The bay window, typical of the date of the property. | 0:47:08 | 0:47:11 | |
-Yeah. It's really pretty. Nice warm, sunny room. -Through to the dining room. | 0:47:11 | 0:47:17 | |
'The dining room is opposite, but it's the kitchen I really want Anne to see.' | 0:47:17 | 0:47:21 | |
-Ooh! Oh, yes! -It's bigger than I expected. | 0:47:25 | 0:47:30 | |
-Oh, fabulous. -It's nice, isn't it? -Yes. -It's very you. | 0:47:30 | 0:47:34 | |
-Love the cooker. -Electric range. No gas on the island. | 0:47:34 | 0:47:38 | |
-That's OK. -But when you live on an island, you put up with that sort of thing. | 0:47:38 | 0:47:42 | |
-I like this very much. -One thing you haven't noticed is, if you look out the window... -Look at that! | 0:47:42 | 0:47:49 | |
-Oh, my goodness! -Across the water. -It's just beautiful. -Let's move on. | 0:47:49 | 0:47:53 | |
'Downstairs, this house just keeps on giving.' | 0:47:53 | 0:47:57 | |
-Another impressive room, isn't it? -Oh, another reception. Oh, I like that fireplace. | 0:48:00 | 0:48:05 | |
-Yeah, that's not 1920s. -I like the wood. | 0:48:05 | 0:48:10 | |
-Will your furniture fit in here? -I think it would. -Plenty of room. | 0:48:10 | 0:48:13 | |
-And you've got that out there. -You have. Come on. | 0:48:13 | 0:48:16 | |
That view. That is just magnificent, isn't it? | 0:48:19 | 0:48:22 | |
-Yeah. -If I had a pound for every time you've said that to me. -Sorry. -No, it's good! | 0:48:22 | 0:48:27 | |
She's not buying the house, she's buying the view. | 0:48:27 | 0:48:29 | |
I think that's the case. You're buying the house and you're buying the view. | 0:48:29 | 0:48:33 | |
-The outside is just as important to me. -The view might be cheaper. | 0:48:33 | 0:48:37 | |
-Shall we go upstairs? -OK. -Sounds good. | 0:48:37 | 0:48:40 | |
'Well, I'm glad those views have Anne sold, because upstairs isn't quite so spacious. | 0:48:40 | 0:48:45 | |
'First off, the small guest room.' | 0:48:45 | 0:48:47 | |
-A nice bedroom. It goes round the corner. -There's a lovely little seat in the window. -Very nice bedroom. | 0:48:47 | 0:48:54 | |
'Next door is a weenie study which could accommodate a few recorders | 0:48:54 | 0:48:58 | |
'and the family bathroom is quite basic.' | 0:48:58 | 0:49:01 | |
And I've saved one of the nicest rooms till last. | 0:49:01 | 0:49:04 | |
-Wow. It's superb, isn't it? -It's an excellent room. | 0:49:04 | 0:49:08 | |
What I'm worried about in this room is storage, cos you've only got that door, that door, that door. | 0:49:08 | 0:49:14 | |
-Wardrobes? -His and hers. -So it'll be hers and hers and a little bit of his. | 0:49:14 | 0:49:20 | |
-I was thinking maybe yours could go under the bed. -Yep. | 0:49:20 | 0:49:23 | |
And I've left the final room till last. | 0:49:23 | 0:49:26 | |
-A room that's very important to you, Anne. -An en suite! -It is! | 0:49:26 | 0:49:30 | |
-Go on, then, go and see. -Oh, what a beautiful one! | 0:49:30 | 0:49:34 | |
That's really lovely. And that view! Ohh! | 0:49:34 | 0:49:40 | |
That is really nice, Aled. It's lovely. | 0:49:40 | 0:49:43 | |
'Let's get out into that garden and take a closer look at the view.' | 0:49:43 | 0:49:47 | |
-Is this patio large enough for you? -It's massive. -Huge. | 0:49:50 | 0:49:54 | |
-You could fit a few people on here. -Very beautiful. | 0:49:54 | 0:49:57 | |
It just seems to go on beyond the garden, into the fields. It's like it's one continuous piece. | 0:49:57 | 0:50:03 | |
-You're probably wondering about your vegetables. -Yeah. There's a lot of land. | 0:50:03 | 0:50:07 | |
It's a very wide plot, but it's all used at the moment. | 0:50:07 | 0:50:10 | |
It's whether we can create a space without it spoiling the prettiness of it. | 0:50:10 | 0:50:14 | |
-Shall we go and have a look if we can create a space? -Yeah. | 0:50:14 | 0:50:17 | |
-Have you got your pitchfork? -Get stuck in. | 0:50:17 | 0:50:21 | |
'At 80 feet, it's a bit of a hike to the end of this garden.' | 0:50:21 | 0:50:25 | |
-It's not a bad view, is it? -It's beautiful. | 0:50:27 | 0:50:30 | |
-I'm glad you think I'm right, Aled. -Here I'm thinking maybe his vegetable plot. | 0:50:30 | 0:50:34 | |
We could create space which wouldn't look too unpleasant from the house. This would be good. | 0:50:34 | 0:50:39 | |
And if you don't say anything, listen. | 0:50:39 | 0:50:41 | |
BIRDS CHIRP | 0:50:41 | 0:50:44 | |
-That's magic, isn't it? -I know. I would sit here, | 0:50:44 | 0:50:47 | |
-look at that view and listen to that. -You know what I'm going to ask. What's it on the market for? | 0:50:47 | 0:50:52 | |
A good location, good views, | 0:50:52 | 0:50:55 | |
edge of Colchester, which is not too far away from big shops, | 0:50:55 | 0:51:00 | |
-it's probably around 400, perhaps a tad below. I'll go 395. -OK. | 0:51:00 | 0:51:06 | |
I was going to go a bit more than that, because it's in a very special area here, | 0:51:06 | 0:51:11 | |
on the island, magnificent views, | 0:51:11 | 0:51:14 | |
it's a lovely house in excellent condition, although it is only three bedrooms. | 0:51:14 | 0:51:19 | |
I would say 415,000. | 0:51:19 | 0:51:21 | |
Was on the market for £475,000. | 0:51:23 | 0:51:26 | |
-I'm not surprised. -Really? -It's been on the market for a couple of years, though. | 0:51:26 | 0:51:30 | |
-Yeah, go on. -£400,000. | 0:51:30 | 0:51:33 | |
-Oh. Spot on, then. -Pretty well, yeah. | 0:51:33 | 0:51:37 | |
You both smiled in a way that you thought, "Ooh, that's good." | 0:51:37 | 0:51:40 | |
It could've been a lot more. Probably the location being just out of town on the island reduces it a bit. | 0:51:40 | 0:51:47 | |
Have a look around, have a look around your vegetable plot, garden. | 0:51:47 | 0:51:50 | |
-There's no rush at all. And I'll come and find you. -OK. -Thank you. | 0:51:50 | 0:51:54 | |
'So, the mystery house is bang on budget at £400,000. | 0:51:54 | 0:52:00 | |
'Whilst it only has three bedrooms, and one of those is tiny, | 0:52:00 | 0:52:04 | |
'it does have three good-size reception rooms, | 0:52:04 | 0:52:07 | |
'so one could be used as an occasional guest room. | 0:52:07 | 0:52:10 | |
'Both the kitchen and garden are spacious, | 0:52:10 | 0:52:13 | |
'and this bungalow has something none of the other houses do - stunning sea views. | 0:52:13 | 0:52:17 | |
'But will this island idyll be the one for Anne and Malcolm?' | 0:52:17 | 0:52:20 | |
The idea of being on a island is quite fun. | 0:52:20 | 0:52:22 | |
The house itself is a very pretty house, very well maintained, | 0:52:22 | 0:52:27 | |
you could walk straight in and live here without doing work, but there's only two proper bedrooms. | 0:52:27 | 0:52:32 | |
It's too small, really, to use as a bedroom. You would get a bed in here but you wouldn't get much else. | 0:52:32 | 0:52:38 | |
It's a nice office but, as you say, not really a third bedroom for what we would want. It's a shame. | 0:52:38 | 0:52:44 | |
I can't fault the position, on the island here with the views, and the location is just tremendous. | 0:52:44 | 0:52:49 | |
The thing that's lacking for me are period features and character. | 0:52:49 | 0:52:54 | |
Well, that's it. You've seen all the properties we've got to offer here in north Essex. | 0:52:56 | 0:53:01 | |
Don't rush the decision. Go away and think about it. | 0:53:01 | 0:53:05 | |
-Don't argue about views or fixtures and fittings. You promise me? -We'll do our best. | 0:53:05 | 0:53:09 | |
-I'm glad. I've found a lovely spot to meet up and have a chat later. -OK, brilliant. | 0:53:09 | 0:53:14 | |
'Our property search in north Essex is nearly at an end. | 0:53:23 | 0:53:26 | |
'Malcolm and Anne have viewed all four houses, three of which could be contenders. | 0:53:26 | 0:53:30 | |
'So will it be Anne's heart or Malcolm's head that sways their decision?' | 0:53:30 | 0:53:35 | |
Well, I think it's rather apt that we end our journey here with this rather beautiful view. | 0:53:42 | 0:53:48 | |
-It's been the word of the last two days, hasn't it? -Very much so. | 0:53:48 | 0:53:52 | |
Let's talk about all the properties. Quite different. | 0:53:52 | 0:53:55 | |
We'll start with the one with that very impressive inglenook fireplace. | 0:53:55 | 0:53:59 | |
-You liked it. -I loved that, yes. | 0:53:59 | 0:54:01 | |
Beautiful character to it, lovely warm, welcoming feel. | 0:54:01 | 0:54:05 | |
All the period features I'm looking for. Very pretty throughout. But, really, it was just a bit small. | 0:54:05 | 0:54:12 | |
I don't know where we'd have fitted all our furniture downstairs. | 0:54:12 | 0:54:16 | |
And the kitchen was too small and there wasn't enough space for me to make my cakes | 0:54:16 | 0:54:21 | |
-and have them in their various stages of decoration. -A lot of houses around it, | 0:54:21 | 0:54:25 | |
which made it feel very enclosed, which is not something we were after. | 0:54:25 | 0:54:30 | |
So I took you to the Victorian semi-detached property with three kitchens. | 0:54:30 | 0:54:35 | |
I thought the kitchens could be used for what I need it to be used for. | 0:54:35 | 0:54:42 | |
It had the perfect garden and the views. The location was spot on. | 0:54:42 | 0:54:46 | |
It probably is a bit too remote. I'd like to have a pub or a church or a shop | 0:54:46 | 0:54:50 | |
or something within easy walking distance, | 0:54:50 | 0:54:53 | |
and this was so remote, you couldn't see any other building for miles. | 0:54:53 | 0:54:57 | |
Great for what Anne is after, but it could easily lead to some marital discord there | 0:54:57 | 0:55:02 | |
if it was too remote. THEY LAUGH | 0:55:02 | 0:55:05 | |
We also saw a huge smile on your face when I showed you the farmhouse | 0:55:05 | 0:55:09 | |
-with the cows almost at touching distance. -That, for me, was my dream house. I thought it was perfect | 0:55:09 | 0:55:16 | |
and I just fell in love with it more and more. | 0:55:16 | 0:55:19 | |
Yet again, this is your dream house and maybe not yours. | 0:55:19 | 0:55:25 | |
I think the house was. When we walked up the driveway and saw it, | 0:55:25 | 0:55:28 | |
I thought, "Wow, this is the house." It just looked so right. | 0:55:28 | 0:55:31 | |
The journey time to Witham could've been an issue. I'll have to work out exactly how long it would take | 0:55:31 | 0:55:36 | |
to get from that house into Witham. But that's not insurmountable. That could be resolved. | 0:55:36 | 0:55:42 | |
And then we ended up here, the house on the island. | 0:55:42 | 0:55:46 | |
And the house was a lovely property. | 0:55:46 | 0:55:48 | |
It didn't have the period features that I liked, | 0:55:48 | 0:55:51 | |
but because it had such a nice, bright feel to it, I could've overlooked that. | 0:55:51 | 0:55:56 | |
What stopped me going for that property was the lack of bedroom space, | 0:55:56 | 0:56:01 | |
because I felt there were really only two useable bedrooms in that house. | 0:56:01 | 0:56:07 | |
It was very 1920s, which isn't a bad thing, | 0:56:07 | 0:56:09 | |
but it isn't really what we're looking for. We want a few beams, inglenook fireplace, | 0:56:09 | 0:56:15 | |
-something with a bit more character from an older era. -Can I ask you, are you going to follow up on them? | 0:56:15 | 0:56:21 | |
No, I don't think so. I think all the houses had good points and bad points | 0:56:22 | 0:56:27 | |
but I don't think the good points were enough in number | 0:56:27 | 0:56:30 | |
for me to really want to go for one whole-heartedly. | 0:56:30 | 0:56:33 | |
Well, as the sun's setting here, I really do wish you luck as you continue your search | 0:56:33 | 0:56:39 | |
and it's been a pleasure showing you round the properties. So good luck. | 0:56:39 | 0:56:43 | |
Well, we didn't manage to find Malcolm and Anne their dream property, | 0:56:45 | 0:56:50 | |
but with Anne's passion for the rural landscape and the remoteness of it all, | 0:56:50 | 0:56:54 | |
I don't think it'll be that long until she drags Malcolm to the country. Till next time, goodbye. | 0:56:54 | 0:57:00 | |
'If you'd like to escape to the country and would like our help, | 0:57:00 | 0:57:04 | |
'please apply online at: | 0:57:04 | 0:57:07 | |
Subtitles by Red Bee Media Ltd | 0:57:09 | 0:57:13 | |
E-mail [email protected] | 0:57:13 | 0:57:17 | |
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