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The striking castle behind me was home to one of this country's | 0:00:02 | 0:00:05 | |
most creative but least well-known inventors. | 0:00:05 | 0:00:08 | |
Not only did he design this - the world's first permanent structure built on sand, | 0:00:08 | 0:00:13 | |
he also invented the first steam-powered motor vehicle | 0:00:13 | 0:00:17 | |
used for passengers. | 0:00:17 | 0:00:18 | |
Intrigued? Well, join me in a moment | 0:00:18 | 0:00:21 | |
for another innovative Escape To The Country. | 0:00:21 | 0:00:23 | |
In today's show, I'll be helping a get-up-and-go couple | 0:00:39 | 0:00:43 | |
uproot from a town in the north and head 300 miles south | 0:00:43 | 0:00:46 | |
to a new life in the country. | 0:00:46 | 0:00:48 | |
It looks like they're going to settle right in! | 0:00:48 | 0:00:51 | |
That's my type of house. That's lovely, that's gorgeous. | 0:00:51 | 0:00:54 | |
Home, sweet home! | 0:00:54 | 0:00:56 | |
But then our mystery house sends them into a spin. | 0:00:56 | 0:00:59 | |
I'm sorry. I'm totally fazed by it! | 0:01:01 | 0:01:04 | |
Today I'm on the north coast of Cornwall | 0:01:06 | 0:01:09 | |
and this is Castle Bude, | 0:01:09 | 0:01:11 | |
former home of forgotten genius | 0:01:11 | 0:01:13 | |
the Victorian inventor Sir Goldsworthy Gurney. | 0:01:13 | 0:01:17 | |
Locals scoffed when he decided to build his home right here, between the sand dunes. | 0:01:17 | 0:01:22 | |
But undeterred, Gurney devised a pioneering concrete platform | 0:01:22 | 0:01:26 | |
that sat above the sand, | 0:01:26 | 0:01:28 | |
providing a stable foundation for this magnificent home. | 0:01:28 | 0:01:33 | |
Perched on England's south-western peninsula, | 0:01:34 | 0:01:36 | |
Cornwall's landscape spans the remote moorland villages | 0:01:36 | 0:01:39 | |
of Bodmin Moor and nearly 300 miles of dramatic coastline. | 0:01:39 | 0:01:44 | |
The county has a rich folkloric history | 0:01:44 | 0:01:47 | |
and stretches back to the times of Arthurian legend, | 0:01:47 | 0:01:51 | |
inspired by its deep-rooted Celtic heritage. | 0:01:51 | 0:01:54 | |
Indeed, St Michael's Mount started life as a Celtic monastery | 0:01:54 | 0:01:57 | |
long before it was granted to the Benedictine monks | 0:01:57 | 0:02:00 | |
after the Norman Conquest. | 0:02:00 | 0:02:02 | |
Much of Cornish folklore is also bound up in tales of smugglers | 0:02:02 | 0:02:07 | |
who, up until the 19th century, | 0:02:07 | 0:02:09 | |
ransacked the shipwrecks on these rocky shores, | 0:02:09 | 0:02:12 | |
hiding their contraband goods in the sheltered coves. | 0:02:12 | 0:02:16 | |
Today, it's the tourist industry that's rife, | 0:02:16 | 0:02:20 | |
with around 4.5 million people | 0:02:20 | 0:02:22 | |
coming to enjoy its natural spoils every year. | 0:02:22 | 0:02:26 | |
Let's find out what's drawn today's buyers to this county. | 0:02:26 | 0:02:30 | |
Husband and wife duo Andy and Marie | 0:02:34 | 0:02:36 | |
have lived in their four-bedroom detached home in Chorley, Lancashire | 0:02:36 | 0:02:40 | |
for four years. They run an internet business selling guitar accessories | 0:02:40 | 0:02:44 | |
but they've become victims of their own success. | 0:02:44 | 0:02:47 | |
This is the garage we work from. It's far too small, as you can see. | 0:02:47 | 0:02:51 | |
There's stock on every inch of wall space here. | 0:02:51 | 0:02:55 | |
We have two other units we have stock in, which are half a mile away | 0:02:55 | 0:02:59 | |
so we need a place with an outbuilding or large double garage | 0:02:59 | 0:03:03 | |
or a plot of land we can build something on, | 0:03:03 | 0:03:05 | |
more purpose-built, to house the stock. | 0:03:05 | 0:03:08 | |
Business needs aside, there are other factors drawing them to the south coast. | 0:03:08 | 0:03:13 | |
I do want two big dogs | 0:03:13 | 0:03:16 | |
that I can run along the beach or along the cliff tops. | 0:03:16 | 0:03:20 | |
I want to do it before I get too old | 0:03:20 | 0:03:22 | |
because it is going to be, hopefully, our final destination | 0:03:22 | 0:03:26 | |
so we've got to get it right. | 0:03:26 | 0:03:28 | |
So, what kind of property is going to strike the right chord? | 0:03:28 | 0:03:32 | |
Our ideal house, as I see it, would be cosy, | 0:03:32 | 0:03:37 | |
elegant, | 0:03:37 | 0:03:39 | |
and, forgive me for saying, a little bit showy! | 0:03:39 | 0:03:43 | |
Yes, I'd say that's right for yourself. | 0:03:43 | 0:03:46 | |
For me, probably a beautiful natural setting, with a real chill factor. | 0:03:46 | 0:03:51 | |
That would do for me. I like something quite traditional. | 0:03:51 | 0:03:54 | |
I'm a joiner by trade, maybe that's what it is, | 0:03:54 | 0:03:57 | |
but I love timber and I prefer stone rather than brick-built properties. | 0:03:57 | 0:04:03 | |
I wouldn't want to live in a terraced property. | 0:04:03 | 0:04:06 | |
It really wants to be a detached property in its own little plot. | 0:04:06 | 0:04:10 | |
What are their top priorities for the house? | 0:04:10 | 0:04:12 | |
We need ideally two reception rooms, | 0:04:12 | 0:04:15 | |
three bedrooms - one for ourselves, | 0:04:15 | 0:04:18 | |
one for guests and one as a music room. | 0:04:18 | 0:04:21 | |
One of the two reception rooms could also become the office. | 0:04:21 | 0:04:25 | |
Probably the most important thing for me | 0:04:25 | 0:04:27 | |
is to have a kitchen large enough for a big family table, | 0:04:27 | 0:04:31 | |
so we can all sit round it together. | 0:04:31 | 0:04:34 | |
And also outside, maybe even up to half an acre. | 0:04:34 | 0:04:38 | |
They're looking for a village location within easy reach of Bude. | 0:04:38 | 0:04:42 | |
But there's one amenity they can't live without. | 0:04:42 | 0:04:46 | |
The post office is pivotal to the business. | 0:04:46 | 0:04:49 | |
We ship in the region of 1,000 items a week at the moment. | 0:04:49 | 0:04:52 | |
With their property now on the market, how much do they have to spend on their move? | 0:04:52 | 0:04:58 | |
Our budget for this move would be ?450,000. | 0:04:58 | 0:05:02 | |
So today our top priority is to find a large open work space | 0:05:06 | 0:05:11 | |
so that Andy and Marie can run their business from there. | 0:05:11 | 0:05:14 | |
They're also after a three-bedroomed period cottage/house. | 0:05:14 | 0:05:18 | |
That shouldn't be too hard to find on their budget. | 0:05:18 | 0:05:21 | |
But the one area I'm slightly concerned about | 0:05:21 | 0:05:25 | |
is finding a home with a big enough personality | 0:05:25 | 0:05:28 | |
that will match this colourful couple! | 0:05:28 | 0:05:32 | |
Andy and Marie want their house search to take in | 0:05:33 | 0:05:36 | |
the coastal villages and countryside around Bude. | 0:05:36 | 0:05:39 | |
We'll be showing them three creme de la creme Cornish properties | 0:05:39 | 0:05:43 | |
but I won't reveal the price of each until they've had a guess first. | 0:05:43 | 0:05:47 | |
Finally, there's our mystery house, | 0:05:47 | 0:05:49 | |
which comes with a compromise attached. | 0:05:49 | 0:05:52 | |
Andy and Marie, welcome to Cornwall. | 0:05:53 | 0:05:56 | |
Hello. This is where you want to finish, | 0:05:56 | 0:05:58 | |
this is your final house? This is our forever house. Forever home. | 0:05:58 | 0:06:02 | |
Well, not only a home for the two of you, | 0:06:02 | 0:06:04 | |
we also have to remember your business | 0:06:04 | 0:06:07 | |
and find you suitable premises for that. | 0:06:07 | 0:06:09 | |
Definitely. There's three of us with the business! Budget-wise, | 0:06:09 | 0:06:13 | |
still looking around the ?450,000 mark? | 0:06:13 | 0:06:16 | |
I think so - given that we might have to do some renovation, | 0:06:16 | 0:06:20 | |
I think that's a realistic figure for us. | 0:06:20 | 0:06:22 | |
I think so. Do you? Yeah. | 0:06:22 | 0:06:24 | |
Shall we get started? Absolutely. Can't wait! | 0:06:24 | 0:06:27 | |
For their ?450,000, | 0:06:30 | 0:06:32 | |
Marie and Andy are looking for a Cornish home with character. | 0:06:32 | 0:06:36 | |
Plus a nearby village post office | 0:06:49 | 0:06:51 | |
to take care of their deliveries. | 0:06:51 | 0:06:54 | |
Let's hope they're as flexible when it comes to our property search, | 0:06:54 | 0:06:58 | |
which starts in the village of Altarnun on the edge of Bodmin Moor. | 0:06:58 | 0:07:03 | |
Set among the attractive cottages, its impressive 15th-century church | 0:07:03 | 0:07:07 | |
is dubbed the cathedral of the moors. | 0:07:07 | 0:07:09 | |
Along with the local pub, there's that must-have post office, | 0:07:09 | 0:07:14 | |
and the good news is, it's within a stone's throw of our first house. | 0:07:14 | 0:07:17 | |
And here it is. | 0:07:17 | 0:07:19 | |
Wow! That's long. | 0:07:19 | 0:07:21 | |
Um... I'm not sure about the side building. | 0:07:21 | 0:07:27 | |
This house dates back to the early 1900s and the building on the side | 0:07:27 | 0:07:32 | |
was the original post office. | 0:07:32 | 0:07:34 | |
Wow. Which I know is close to your hearts cos you need that for your business. Spooky! | 0:07:34 | 0:07:39 | |
That could make the perfect solution to your office and storage problems. | 0:07:39 | 0:07:43 | |
Yeah. You could be right there. | 0:07:43 | 0:07:46 | |
They seem intrigued by this detached property, which combines character with a spacious interior. | 0:07:46 | 0:07:52 | |
Mmm! | 0:07:52 | 0:07:53 | |
It is actually a very nice kitchen. | 0:07:55 | 0:07:57 | |
Yeah, it's just nice and straight and square. | 0:07:57 | 0:08:01 | |
Being at the front of the property, not only do you get loads of light, | 0:08:01 | 0:08:05 | |
you can keep an eye on your postman going past with your deliveries. | 0:08:05 | 0:08:08 | |
Let's keep going! | 0:08:08 | 0:08:10 | |
Fingers crossed, they'll warm to the next room. | 0:08:11 | 0:08:14 | |
Here's your reception room. OK. OK. Woodburner. | 0:08:14 | 0:08:19 | |
Fantastic. Multi-fuel. Look at the granite lintel over the fireplace. | 0:08:19 | 0:08:24 | |
Andy loves his stone! I like my stone. | 0:08:24 | 0:08:26 | |
Ah, so that really is a feature for you. It's great. | 0:08:26 | 0:08:29 | |
What about the size of the room? It's pretty big. A good square room. | 0:08:29 | 0:08:33 | |
You could do a lot to it. For sure. | 0:08:33 | 0:08:36 | |
On the other side of the sitting room is a self-contained guest wing | 0:08:36 | 0:08:40 | |
made up of a double bedroom served by its own bathroom. | 0:08:40 | 0:08:44 | |
It's a perfect retreat for family and friends when they come to stay, | 0:08:44 | 0:08:47 | |
with its own separate entrance. | 0:08:47 | 0:08:49 | |
Downstairs seems to hit the mark in terms of layout. | 0:08:49 | 0:08:52 | |
Let's head upstairs and see if the remaining three of the four bedrooms this house offers measure up. | 0:08:52 | 0:08:58 | |
There's a light, spacious double and a single room. | 0:08:58 | 0:09:01 | |
The family bathroom has a great walk-in shower. | 0:09:01 | 0:09:04 | |
But what would they make of the master bedroom? | 0:09:04 | 0:09:07 | |
Nice, square room. Good size, yeah. So far, for me, it's definitely a house | 0:09:09 | 0:09:13 | |
that you could put your own mark on it. | 0:09:13 | 0:09:16 | |
It's not structural. It's cosmetic and a little bit of joinery. | 0:09:16 | 0:09:20 | |
And because you're a joiner, or were a joiner, it's something you could do. It doesn't faze me. | 0:09:20 | 0:09:25 | |
Very achievable. Anything cosmetic I get quite excited about. Yeah. | 0:09:25 | 0:09:30 | |
Get to the shops. I love it. | 0:09:30 | 0:09:33 | |
I'm loving their upbeat reaction to this property. | 0:09:33 | 0:09:37 | |
But I think we can build on that with what's behind this door. | 0:09:37 | 0:09:40 | |
Not only do we need to find a decent property for the two of you, | 0:09:42 | 0:09:47 | |
we have to find a property for your business. | 0:09:47 | 0:09:50 | |
Yes. It's a maze! | 0:09:50 | 0:09:51 | |
It is a maze, this property. Yeah. | 0:09:51 | 0:09:54 | |
This would be fantastic for us because it's important that although we work from home, | 0:09:54 | 0:10:00 | |
we want to feel as though we're going to work. | 0:10:00 | 0:10:02 | |
It's a physical thing, closing that door. | 0:10:02 | 0:10:05 | |
Even though the kitchen's next door, that's home, this is business. | 0:10:05 | 0:10:09 | |
Exactly. The most important part for your business is the storage. Yeah. | 0:10:09 | 0:10:14 | |
The good news is, you haven't got far to go. It's just next door. | 0:10:14 | 0:10:18 | |
So, how many guitar parts for your business could you keep in here? | 0:10:22 | 0:10:27 | |
Quite a few! I have to say, | 0:10:27 | 0:10:30 | |
I'm starting to see real potential here. | 0:10:30 | 0:10:34 | |
It looks like we're right on track with this property. | 0:10:34 | 0:10:38 | |
Outside offers up yet more scope if they need to develop further. | 0:10:38 | 0:10:42 | |
We've got a massive double garage - which could be storage. | 0:10:42 | 0:10:46 | |
And also this outbuilding, this lean-to, with additional storage. | 0:10:46 | 0:10:51 | |
And then the garden, a pretty country courtyard garden. | 0:10:51 | 0:10:56 | |
Again, I just see potential here. | 0:10:56 | 0:10:58 | |
I really can see that it could be a grand residence, yes. | 0:10:58 | 0:11:02 | |
Fantastic. Yeah. So, you've seen everything now. | 0:11:02 | 0:11:06 | |
Time to guess how much it's on the market for. | 0:11:06 | 0:11:09 | |
My gut reaction would be 379. | 0:11:09 | 0:11:13 | |
Marie? I'll go a bit higher and say 395. | 0:11:13 | 0:11:19 | |
Marie, you're on the money. | 0:11:21 | 0:11:24 | |
It's just come on the market, it's been on about four weeks. | 0:11:24 | 0:11:27 | |
?395,000. | 0:11:27 | 0:11:30 | |
I'm right for once! Perfect! | 0:11:30 | 0:11:32 | |
At that price, this house does have fantastic potential. | 0:11:32 | 0:11:35 | |
Under budget at ?395,000, our first property is a great opening gambit. | 0:11:38 | 0:11:45 | |
All set in a beautiful village | 0:11:57 | 0:11:58 | |
with a strong community | 0:11:58 | 0:12:00 | |
and that all-important post office. | 0:12:00 | 0:12:02 | |
All right? Seen enough? Yeah. Yeah. A lot to see. | 0:12:02 | 0:12:06 | |
Yeah. You've come out smiling, so that's a good sign. | 0:12:06 | 0:12:08 | |
More to show you. Let's keep going. | 0:12:08 | 0:12:11 | |
Cornwall's mild, wet climate provides the perfect conditions for grass-rich pastureland, | 0:12:21 | 0:12:27 | |
making it ideal terrain for dairy farmers. | 0:12:27 | 0:12:30 | |
Since 1985, Helsett Farm near Boscastle has been making its own ice cream. | 0:12:30 | 0:12:35 | |
I've come to meet mother and daughter team Sarah Talbot-Ponselby and Isla Allen, | 0:12:35 | 0:12:41 | |
who, thanks to their laser-guided milking robot, | 0:12:41 | 0:12:44 | |
don't have to spend hours in the milking parlour. | 0:12:44 | 0:12:47 | |
It's fascinating to stand here and see them | 0:12:50 | 0:12:53 | |
patiently waiting to be milked and fed. | 0:12:53 | 0:12:56 | |
They really are quite happy with it. | 0:12:56 | 0:12:57 | |
How many can this computer, this robot, do in one day? | 0:12:57 | 0:13:01 | |
You can have about 65 cows, | 0:13:01 | 0:13:04 | |
so they can come three or four times, | 0:13:04 | 0:13:06 | |
depending on how much they have. | 0:13:06 | 0:13:07 | |
What happens to the milk they produce? | 0:13:07 | 0:13:10 | |
Quite a lot of it we turn into delicious organic dairy ice cream. | 0:13:10 | 0:13:13 | |
Over the past ten years, | 0:13:13 | 0:13:16 | |
the farm has honed an organic ice cream recipe, | 0:13:16 | 0:13:18 | |
using that local delicacy, Cornish clotted cream, | 0:13:18 | 0:13:22 | |
one of the UK's 42 products with EU-protected food name status. | 0:13:22 | 0:13:27 | |
Ooh! I just want to eat this! | 0:13:27 | 0:13:29 | |
The same home-made principles apply over in the dairy, | 0:13:33 | 0:13:36 | |
where they produce the ice cream commercially. | 0:13:36 | 0:13:39 | |
This is where it happens? Here we make it for real. | 0:13:39 | 0:13:42 | |
There's a vat, where we put all the ingredients in, | 0:13:42 | 0:13:45 | |
and it gets heated and mixed and cooked and pasteurised | 0:13:45 | 0:13:48 | |
and then it's transferred into this machine, where it's aged | 0:13:48 | 0:13:52 | |
and drawn off after three hours. | 0:13:52 | 0:13:53 | |
Next, the vanilla extract is added and stirred in. | 0:13:55 | 0:13:58 | |
My goodness! It smells absolutely divine! | 0:13:58 | 0:14:02 | |
Then, this heavenly mixture is poured into the giant freezer, | 0:14:02 | 0:14:06 | |
giving us the finished product in ten to 12 minutes. | 0:14:06 | 0:14:10 | |
Mmm! That is delicious! | 0:14:10 | 0:14:13 | |
Against the backdrop of the fiercely competitive ice cream market, | 0:14:13 | 0:14:18 | |
it's heartening to see that local food champions here in Cornwall | 0:14:18 | 0:14:21 | |
can build a viable and, in this case, sustainable farming business. | 0:14:21 | 0:14:27 | |
We continue our property search on the outskirts of Morwenstow, | 0:14:29 | 0:14:34 | |
within easy reach of Bude's beaches. | 0:14:34 | 0:14:36 | |
Less than a ten-minute drive away, | 0:14:36 | 0:14:39 | |
the village of Kilkhampton serves up useful amenities, | 0:14:39 | 0:14:42 | |
including a post office. | 0:14:42 | 0:14:44 | |
Set in a delightful semi-rural location, | 0:14:44 | 0:14:46 | |
this detached Edwardian house really makes a statement. | 0:14:46 | 0:14:51 | |
Here is... Wow! Wow! ..your second property. | 0:14:51 | 0:14:55 | |
Now, that's a house. Take a step up. | 0:14:55 | 0:14:58 | |
That is what I call a house. That's a my type of house. | 0:14:58 | 0:15:01 | |
That's lovely. That's gorgeous. Yeah. | 0:15:01 | 0:15:03 | |
I was going to ask what your first impressions were, | 0:15:03 | 0:15:06 | |
but I think you've answered it! | 0:15:06 | 0:15:08 | |
It's a big wow factor for us. It is a very imposing house. Edwardian. | 0:15:08 | 0:15:12 | |
Yes. But I hope you've both got imagination. | 0:15:12 | 0:15:16 | |
Because this is a blank canvas, and as we step inside, | 0:15:16 | 0:15:21 | |
you'll see what I mean. Great. | 0:15:21 | 0:15:24 | |
The property is currently empty, and ready for Marie to add her own interior design flair. | 0:15:24 | 0:15:30 | |
Home, sweet home! | 0:15:30 | 0:15:33 | |
It is like coming home, isn't it? Home, sweet home, yeah. | 0:15:33 | 0:15:36 | |
Good enough. I love it. Yeah. It's taken my breath away. | 0:15:36 | 0:15:40 | |
I can see myself in here. | 0:15:40 | 0:15:43 | |
What a fabulous start! Yeah. | 0:15:43 | 0:15:45 | |
Let's start with the first reception room. Lead on! | 0:15:45 | 0:15:48 | |
We're still at the front of the property. Lovely. | 0:15:48 | 0:15:51 | |
Nice-sized room. Looking at the chimney breast, is that active? | 0:15:51 | 0:15:56 | |
Not at the moment. You'd have to re-open it. | 0:15:56 | 0:15:59 | |
The flues have been closed off. | 0:15:59 | 0:16:01 | |
That goes throughout the whole of the house. I see. | 0:16:01 | 0:16:04 | |
But it cries out for a real fire, doesn't it? Yeah. Yes, it has to have that. | 0:16:04 | 0:16:08 | |
You may notice, all the windows have been replaced | 0:16:08 | 0:16:11 | |
with sash-style windows. | 0:16:11 | 0:16:13 | |
I love the windows. It's sympathetic. | 0:16:13 | 0:16:15 | |
They look just like the original sash windows. Mmm. That's great. | 0:16:15 | 0:16:20 | |
A fire. | 0:16:20 | 0:16:22 | |
No problem with the room. A sofa, a coffee table. | 0:16:22 | 0:16:26 | |
Couple of lamps, we'll be well away. Cosy. | 0:16:26 | 0:16:28 | |
'The second reception room next door is just as generous.' | 0:16:28 | 0:16:32 | |
So another good-sized sitting room. | 0:16:32 | 0:16:35 | |
I think I'd sit in this room. Yeah? | 0:16:35 | 0:16:38 | |
It's beautiful. It's at the back of the house. | 0:16:38 | 0:16:40 | |
You've got these beautiful windows. | 0:16:40 | 0:16:43 | |
You could even have a window seat in that alcove. | 0:16:43 | 0:16:46 | |
I love the light in here. It's very bright. | 0:16:46 | 0:16:49 | |
Fantastic. Let's keep exploring the downstairs... Superb. | 0:16:49 | 0:16:53 | |
This property gives them a third reception room, | 0:16:54 | 0:16:57 | |
which they could use as a large family dining room, | 0:16:57 | 0:17:00 | |
although there's plenty of space for a table in here. | 0:17:00 | 0:17:03 | |
I know you both wanted a large kitchen/dining area. | 0:17:03 | 0:17:07 | |
Here it is! Yeah. A good size. | 0:17:07 | 0:17:11 | |
It's a really social area here. | 0:17:11 | 0:17:12 | |
And it leads beautifully into the kitchen. Great. | 0:17:12 | 0:17:15 | |
I always said I'd love a fireplace in a kitchen. | 0:17:15 | 0:17:18 | |
Through the doors, you've got a utility room and a boiler room at the back with storage space. | 0:17:18 | 0:17:24 | |
Fantastic. | 0:17:24 | 0:17:25 | |
'There's no doubt they're liking the amount of space on offer downstairs. | 0:17:26 | 0:17:31 | |
'Let's head upstairs and see if they get the same inspiration from the bedrooms.' | 0:17:31 | 0:17:35 | |
This house is as generous upstairs as it is downstairs. | 0:17:37 | 0:17:41 | |
Yeah. And it has five bedrooms. | 0:17:41 | 0:17:44 | |
Fantastic. I think the choice is endless. | 0:17:44 | 0:17:47 | |
The combinations that we can do with this. | 0:17:47 | 0:17:49 | |
Having the luxury of thinking, "What do I use all these rooms for?" | 0:17:49 | 0:17:53 | |
Instead of, "What can I shove in here to make do?" | 0:17:53 | 0:17:56 | |
'There's another room, perfect for guests, as it has a lovely modern en-suite. | 0:17:56 | 0:18:01 | |
'The two remaining bedrooms are both large enough to be doubles | 0:18:01 | 0:18:04 | |
'and benefit from those sash windows. | 0:18:04 | 0:18:07 | |
'Also on this floor is another stylish room.' | 0:18:07 | 0:18:10 | |
And at the end of the corridor, the family bathroom. | 0:18:10 | 0:18:14 | |
Lovely. A roll-top bath. Look at the feet on it! | 0:18:14 | 0:18:17 | |
Look at the feet on that! | 0:18:17 | 0:18:20 | |
Wow! And check out that view from the window! | 0:18:20 | 0:18:23 | |
Fabulous. Fabulous. I'm in love! | 0:18:23 | 0:18:26 | |
There's a fifth bedroom upstairs, but I'm going to take them outside, | 0:18:27 | 0:18:31 | |
where the wrap-around garden offsets the property with mature trees providing privacy. | 0:18:31 | 0:18:37 | |
So the house has delivered, the garden has delivered, | 0:18:39 | 0:18:42 | |
but we can't forget the business, because that's the whole point of moving. | 0:18:42 | 0:18:46 | |
You bring the business with you. Sure. You have a triple car-port here. | 0:18:46 | 0:18:50 | |
Fantastic. That's a good size. It's workable again. | 0:18:50 | 0:18:55 | |
The room within there is probably... Perfect. ..fine. | 0:18:55 | 0:18:58 | |
So, property - tick. Garden - tick. Outside space - tick. Yep. | 0:18:58 | 0:19:04 | |
Business - tick. All looking very good. You've got it together. | 0:19:04 | 0:19:08 | |
Ah. Crunch time now, though. | 0:19:08 | 0:19:10 | |
How much does it cost? There's a price to all of this. | 0:19:10 | 0:19:13 | |
Of course. I think it's, to me, ?450,000. | 0:19:13 | 0:19:19 | |
Um... I'm going to say ?430,000. | 0:19:19 | 0:19:25 | |
It's just gone on the market - ?450,000. Right. Cool. Wow. | 0:19:25 | 0:19:31 | |
Bang on budget at ?450,000, | 0:19:33 | 0:19:36 | |
our renovated Edwardian property is ready for their personal touch. | 0:19:36 | 0:19:40 | |
OK, you two? Yeah, absolutely fine. | 0:19:53 | 0:19:57 | |
Good. Look at those grinning smiles! | 0:19:57 | 0:19:59 | |
Let's hit the road. Come on. | 0:19:59 | 0:20:01 | |
As the sun sets over the Cornish coast, | 0:20:10 | 0:20:13 | |
it marks the end of the first day of our property search. | 0:20:13 | 0:20:17 | |
We're back where we started for our mystery house | 0:20:27 | 0:20:30 | |
in the traditional Cornish village of Altarnun, which was inspiration | 0:20:30 | 0:20:35 | |
for Du Maurier's novel, Jamaica Inn. | 0:20:35 | 0:20:37 | |
And our historic mystery farmhouse is totally in keeping. | 0:20:37 | 0:20:40 | |
But can they get over it being attached? | 0:20:40 | 0:20:44 | |
Here is your third and final property, the mystery house. | 0:20:44 | 0:20:48 | |
OK. Facing us is quite a lot of buildings, | 0:20:48 | 0:20:52 | |
but this is the one we're looking at, the old farmhouse. | 0:20:52 | 0:20:55 | |
300 years old. | 0:20:55 | 0:20:57 | |
We picked this mystery house because this is a farmhouse | 0:20:57 | 0:21:00 | |
you probably wouldn't have looked at because it is attached. Ah. | 0:21:00 | 0:21:03 | |
What are your thoughts before we step inside? | 0:21:03 | 0:21:06 | |
We would never have asked for a brochure with a house attached to another house. | 0:21:06 | 0:21:11 | |
But that might have stopped us from seeing something that we think, "Wow!" | 0:21:11 | 0:21:16 | |
You know? So I'm very interested, actually. | 0:21:16 | 0:21:20 | |
I'm pleased they're being open-minded about the fact that our mystery farmhouse is attached. | 0:21:20 | 0:21:26 | |
But let's see if they can meet the additional challenge of putting their own mark on the interior. | 0:21:26 | 0:21:31 | |
Here's your sitting room, with the imposing fire. Oh, wow. | 0:21:31 | 0:21:35 | |
Looking around from a building background, there's not a lot to be done. | 0:21:35 | 0:21:39 | |
I get a nice feeling here, a warm feel. | 0:21:39 | 0:21:42 | |
And the work doesn't faze me, personally. Marie? However...! | 0:21:42 | 0:21:46 | |
I'm sorry - I'm totally fazed by it! Are you? Yeah. | 0:21:46 | 0:21:50 | |
Walking in here, what first springs to mind for you? | 0:21:50 | 0:21:55 | |
It's too masculine for me. | 0:21:55 | 0:21:58 | |
Not elegant enough. That's how I would describe it, yeah. | 0:21:58 | 0:22:02 | |
Well, this is only the first room. OK. | 0:22:02 | 0:22:04 | |
So keep an open mind. Definitely, yeah. | 0:22:04 | 0:22:07 | |
And I'll keep a closed mouth! Yeah. | 0:22:07 | 0:22:09 | |
We've got you covered! | 0:22:09 | 0:22:11 | |
You have a huge dining room here, | 0:22:15 | 0:22:18 | |
with this original slate floor. | 0:22:18 | 0:22:21 | |
Ideal floor. That's a priceless floor. That is so nice. | 0:22:21 | 0:22:24 | |
It's got a lot of light in the room. | 0:22:24 | 0:22:27 | |
The inglenook is lovely. I love the oak beam and the granite lintels at either side. | 0:22:27 | 0:22:32 | |
Are you getting a better feeling in here? Yeah, | 0:22:32 | 0:22:35 | |
it's still a bit too masculine for me, | 0:22:35 | 0:22:38 | |
but perhaps I need to use my imagination - or Andy's! I think so. | 0:22:38 | 0:22:42 | |
So this leads through into your kitchen. | 0:22:44 | 0:22:47 | |
This really is a farmhouse country kitchen. The original. | 0:22:47 | 0:22:51 | |
It certainly is. I love the original features | 0:22:51 | 0:22:54 | |
Look at the age of that range. I love it. | 0:22:54 | 0:22:57 | |
I'm afraid I'm probably going to let you all down | 0:22:57 | 0:22:59 | |
by saying I do like the farmhouse kitchen with all the new equipment! | 0:22:59 | 0:23:03 | |
That's fair enough. | 0:23:03 | 0:23:05 | |
But this kitchen is large enough to do what you want, | 0:23:05 | 0:23:08 | |
but there's also a 300-year-old dairy, | 0:23:08 | 0:23:11 | |
which they've kept. You can see the old floor with the slate coming through. | 0:23:11 | 0:23:15 | |
I like it for its pure charm. | 0:23:15 | 0:23:17 | |
I don't know about the practicalities and what it could be used for, | 0:23:17 | 0:23:21 | |
but it's absolutely charming. | 0:23:21 | 0:23:23 | |
The traditional layout of our mystery farmhouse continues upstairs, | 0:23:24 | 0:23:28 | |
where there are five bedrooms. | 0:23:28 | 0:23:30 | |
One is a very spacious double. | 0:23:30 | 0:23:33 | |
Another has a more cosy feel. | 0:23:33 | 0:23:37 | |
The third is currently used as a single | 0:23:37 | 0:23:39 | |
with the fourth decked out with bunk beds. | 0:23:39 | 0:23:42 | |
What's more, there's a shower room and a separate bathroom. | 0:23:42 | 0:23:45 | |
But we'll check out the fifth bedroom and see if Marie has had a change of heart. | 0:23:45 | 0:23:50 | |
I actually like the feel up here. | 0:23:50 | 0:23:53 | |
And there's not as much to do up here as there is downstairs. | 0:23:53 | 0:23:57 | |
I do love that window. Yeah. | 0:23:57 | 0:24:00 | |
Yep. | 0:24:00 | 0:24:01 | |
We shall see! | 0:24:01 | 0:24:03 | |
Although I'm not convinced that Marie is warming to our mystery farmhouse, | 0:24:05 | 0:24:09 | |
maybe the potential outside for their business might sway her. | 0:24:09 | 0:24:13 | |
Just across from the farmhouse, they get a first-floor room in this barn conversion. | 0:24:13 | 0:24:18 | |
This bit belongs to your farmhouse. | 0:24:18 | 0:24:21 | |
OK. Right. I'm thinking business. | 0:24:21 | 0:24:24 | |
It could make a huge office. | 0:24:24 | 0:24:26 | |
As an office, yeah. I'm thinking of stock now. Yep. | 0:24:26 | 0:24:31 | |
Have no fear, Andy. To the side of the barn are two large storage rooms | 0:24:31 | 0:24:37 | |
with heaps of space for their deliveries. | 0:24:37 | 0:24:39 | |
Next door to the house is a separate garage block where the first floor has been converted into an office. | 0:24:39 | 0:24:46 | |
The outside space gives them a secluded lawned garden close to the house | 0:24:46 | 0:24:50 | |
which leads to a surprise one acre of land. | 0:24:50 | 0:24:52 | |
All in all, our mystery property is a substantial offering. | 0:24:52 | 0:24:56 | |
But at what cost? | 0:24:56 | 0:24:58 | |
So you've seen the land. How much do you think this farmhouse is on the market for? | 0:24:58 | 0:25:03 | |
Well, I'm going to put a value of 300,000 on it. | 0:25:03 | 0:25:07 | |
I'm going to say 400,000. | 0:25:07 | 0:25:09 | |
Andy, you're the closest, but you're still slightly out. | 0:25:09 | 0:25:14 | |
The current asking price for the farmhouse is ?425,000. | 0:25:14 | 0:25:18 | |
Right. | 0:25:18 | 0:25:20 | |
So, Marie, 125 out! | 0:25:20 | 0:25:22 | |
Under budget at ?425,000 | 0:25:26 | 0:25:29 | |
our mystery farmhouse may be attached, | 0:25:29 | 0:25:32 | |
which was one of their definite no-no's. | 0:25:32 | 0:25:34 | |
But it oozes historic charm and gives them two reception rooms | 0:25:34 | 0:25:39 | |
with original stone fireplaces, | 0:25:39 | 0:25:41 | |
five bedrooms and outbuildings | 0:25:41 | 0:25:43 | |
giving them an office and storage space for deliveries. | 0:25:43 | 0:25:48 | |
Given they want to get the business off the ground straightaway, | 0:25:55 | 0:25:59 | |
is the work they'd want to do on the house a project too far? | 0:25:59 | 0:26:02 | |
Time for you to collect your thoughts. Yeah. | 0:26:02 | 0:26:05 | |
See what the next step's going to be. Come on. OK. | 0:26:05 | 0:26:07 | |
I think we may have got close with two out of the three properties we showed them. | 0:26:15 | 0:26:20 | |
But do Andy and Marie feel the same? Let's find out. | 0:26:20 | 0:26:24 | |
So, guys, let's start off with the very first house we saw. | 0:26:28 | 0:26:32 | |
I was very unsure when I first saw the outside of the property. | 0:26:32 | 0:26:36 | |
I didn't like the idea that it had a shop front attached to the house. | 0:26:36 | 0:26:40 | |
Because it's going to be a home and a business, | 0:26:40 | 0:26:43 | |
we have to have those two defined areas. It kind of all mushed together for me. | 0:26:43 | 0:26:47 | |
As far as a home, I wouldn't have felt comfortable there, no. | 0:26:47 | 0:26:51 | |
We travelled north of the county, and saw our second property, | 0:26:51 | 0:26:55 | |
that very imposing Edwardian home. | 0:26:55 | 0:26:58 | |
It looked grand and showy, which was what I'd asked for! | 0:26:58 | 0:27:04 | |
The Marie appeal! Yes! And that was it, I think. | 0:27:04 | 0:27:07 | |
I cut everything else off after that. | 0:27:07 | 0:27:09 | |
As soon as we looked at that, I thought this was the house | 0:27:09 | 0:27:13 | |
that we'd feel comfortable with owning, | 0:27:13 | 0:27:16 | |
and it had a lot of potential for the business. | 0:27:16 | 0:27:18 | |
Last but not least, we saw the mystery house. | 0:27:18 | 0:27:21 | |
It just wasn't doing it for me at all. | 0:27:21 | 0:27:24 | |
A reason we picked it was because it was attached. | 0:27:24 | 0:27:27 | |
Often that puts people off. I was close-minded at first, | 0:27:27 | 0:27:31 | |
but I realised, having seen the way it was arranged, | 0:27:31 | 0:27:34 | |
I could live with that. So what is the next step? | 0:27:34 | 0:27:37 | |
We're going to look at property two again tomorrow. | 0:27:37 | 0:27:41 | |
Well, that really is the best news. | 0:27:41 | 0:27:43 | |
I really hope you get the Edwardian property. | 0:27:43 | 0:27:47 | |
I hope it goes right for you. Fingers crossed. All the best. | 0:27:47 | 0:27:50 | |
It's been such fun. Thank you. Thank you. Thank you very much. | 0:27:50 | 0:27:54 | |
Well, that magnificent Edwardian property delivered on all fronts. | 0:27:58 | 0:28:03 | |
Let's hope the second viewing seals the deal. | 0:28:03 | 0:28:06 | |
If you've enjoyed this Escape To The Country, | 0:28:06 | 0:28:09 | |
then do join us again. Bye-bye! | 0:28:09 | 0:28:11 | |
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