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Welcome to a truly international episode | 0:00:02 | 0:00:04 | |
of Escape To The Country, because today we're in Japan. | 0:00:04 | 0:00:08 | |
Now, this might look like a cute little English pub. | 0:00:08 | 0:00:11 | |
It is, but it was taken down brick by brick | 0:00:11 | 0:00:13 | |
and then transported thousands of miles across the ocean | 0:00:13 | 0:00:17 | |
so that local samurai warlord Yoshi Hirohito | 0:00:17 | 0:00:19 | |
could enjoy a good old-fashioned pint of English beer. | 0:00:19 | 0:00:23 | |
Now, if you believe all that, you'll think I was well placed | 0:00:23 | 0:00:26 | |
to enter a very famous local competition in these parts. | 0:00:26 | 0:00:29 | |
So am I in Japan or aren't I? Join me in a few moments | 0:00:29 | 0:00:33 | |
and I'll tell you. | 0:00:33 | 0:00:35 | |
Today's house-hunters are looking for a country retreat | 0:00:48 | 0:00:51 | |
to create a classy bed-and-breakfast, | 0:00:51 | 0:00:54 | |
so a period property with character is definitely on the menu. | 0:00:54 | 0:00:58 | |
-I love it. -You're smiling! | 0:00:58 | 0:01:00 | |
THEY LAUGH | 0:01:00 | 0:01:02 | |
-I'm so impressed. -Ah, good! | 0:01:02 | 0:01:04 | |
The right location is key to the move. | 0:01:04 | 0:01:07 | |
It's just the view, isn't it? It's just amazing. | 0:01:07 | 0:01:10 | |
But will we find the perfect balance between business and pleasure? | 0:01:10 | 0:01:14 | |
Three businesses in one. It's a good option. | 0:01:14 | 0:01:17 | |
Well, today we're not, of course, in Japan. | 0:01:22 | 0:01:24 | |
We're actually in the Lake District in the heart of Cumbria, | 0:01:24 | 0:01:28 | |
and this pub is the setting for the World's Biggest Liar Competition. | 0:01:28 | 0:01:31 | |
Every year hundreds gather here from all over the world | 0:01:31 | 0:01:34 | |
to regale each other with their porkies, | 0:01:34 | 0:01:37 | |
and, of course, they've all caught fish this big. | 0:01:37 | 0:01:39 | |
It all started around about 100 years ago, | 0:01:39 | 0:01:42 | |
when local landlord Will Ritson would tell stories around the bar. | 0:01:42 | 0:01:45 | |
One of his best was that local turnips here grew so big, | 0:01:45 | 0:01:48 | |
you could hollow them out and use them as cowsheds. | 0:01:48 | 0:01:52 | |
It's just another example of the local colour | 0:01:52 | 0:01:54 | |
that makes this part of the world so appealing. | 0:01:54 | 0:01:57 | |
Looking out over the Irish Sea in the northwest of the country, | 0:02:00 | 0:02:04 | |
Cumbria is the third-largest English county. | 0:02:04 | 0:02:07 | |
Mostly rural, the landscape is dominated | 0:02:07 | 0:02:10 | |
by the magnificent Lake District National Park, | 0:02:10 | 0:02:12 | |
and its beauty has inspired some of Britain's most famous poets. | 0:02:12 | 0:02:16 | |
Wordsworth and Coleridge waxed lyrical about these crystal-clear lakes, | 0:02:16 | 0:02:21 | |
far-reaching mountains and panoramic vistas. | 0:02:21 | 0:02:25 | |
As one of Britain's least inhabited areas, | 0:02:25 | 0:02:27 | |
it's certainly a place where you can wander lonely as a cloud, | 0:02:27 | 0:02:31 | |
with only 47 residents per square mile, | 0:02:31 | 0:02:33 | |
making it the perfect retreat for those wanting peace and quiet. | 0:02:33 | 0:02:37 | |
But it's not just natural wonders that attract sightseers. | 0:02:38 | 0:02:42 | |
It's also the picture-postcard villages | 0:02:42 | 0:02:44 | |
with packhorse bridges, attractive cottages | 0:02:44 | 0:02:47 | |
and Lakeland-stone farmhouses | 0:02:47 | 0:02:49 | |
which make the Lake District somewhere to write home about. | 0:02:49 | 0:02:53 | |
To be honest, I think house prices here in Cumbria are pretty fair. | 0:02:53 | 0:02:57 | |
Your average detached will set you back | 0:02:57 | 0:03:00 | |
somewhere in the region of £253,000. | 0:03:00 | 0:03:03 | |
That's 2.5 percent below the national average. | 0:03:03 | 0:03:05 | |
But if you move into the National Park, | 0:03:05 | 0:03:07 | |
want something with a view or lakeside, | 0:03:07 | 0:03:09 | |
you really are going to pile on the pounds. | 0:03:09 | 0:03:12 | |
But don't be put off. As you can see, there is something for everyone. | 0:03:12 | 0:03:16 | |
For £250,000, you could own a piece of history. | 0:03:17 | 0:03:22 | |
This cottage forms part of a Grade II listed folly near Greystoke. | 0:03:22 | 0:03:25 | |
The open-plan ground floor uses the space efficiently. | 0:03:25 | 0:03:29 | |
The two bedrooms boast exposed beams, | 0:03:29 | 0:03:32 | |
and the views are everything you'd expect | 0:03:32 | 0:03:34 | |
from the glorious Cumbrian countryside. | 0:03:34 | 0:03:36 | |
Further up the property ladder, | 0:03:36 | 0:03:38 | |
this period cottage in Askham is on the market for £375,000. | 0:03:38 | 0:03:43 | |
Located in the higher reaches of the village, | 0:03:43 | 0:03:46 | |
the property takes in views of the Pennines and Askham Fell. | 0:03:46 | 0:03:50 | |
Inside, there's a contemporary kitchen, a spacious living area, | 0:03:50 | 0:03:54 | |
and three good-size bedrooms. | 0:03:54 | 0:03:56 | |
And last but not least, this 18th-century farmhouse | 0:03:56 | 0:04:00 | |
near Endmoor is on the market for £675,000. | 0:04:00 | 0:04:04 | |
The living area boasts a delightful feature fireplace. | 0:04:04 | 0:04:07 | |
The kitchen is stunning, and there are five spacious bedrooms, | 0:04:07 | 0:04:11 | |
all set within an attractive garden. | 0:04:11 | 0:04:13 | |
So if that tasty selection has whetted your appetite | 0:04:13 | 0:04:16 | |
and you fancy swapping your brogues for your walking boots, | 0:04:16 | 0:04:20 | |
you're in good company, because that's exactly what today's buyers want to do, too. | 0:04:20 | 0:04:24 | |
Ex-military man Moe and wife Julia, a literacy teacher, | 0:04:26 | 0:04:30 | |
are ready to relocate from their Darlington semi-detached | 0:04:30 | 0:04:33 | |
in County Durham. | 0:04:33 | 0:04:34 | |
Over the nine years they've been a couple, | 0:04:34 | 0:04:37 | |
Moe's been away serving in Iraq and Afghanistan, | 0:04:37 | 0:04:39 | |
so this move is all about quality time. | 0:04:39 | 0:04:42 | |
We want to move to the country because, um, | 0:04:42 | 0:04:46 | |
we've come to a point in our lives | 0:04:46 | 0:04:48 | |
where we want to move on together and do something together. | 0:04:48 | 0:04:52 | |
They're heading to the Lake District to pursue an outdoor lifestyle, | 0:04:52 | 0:04:56 | |
and the plan is to combine business with pleasure. | 0:04:56 | 0:04:58 | |
I think our preference would be for a B&B/guesthouse, | 0:04:58 | 0:05:02 | |
something that's of good quality that would appeal to us to go to, | 0:05:02 | 0:05:07 | |
and something that, when people come there, | 0:05:07 | 0:05:09 | |
will feel that it's more than what they have at home. | 0:05:09 | 0:05:12 | |
They're keen for something off the beaten track, | 0:05:12 | 0:05:15 | |
with access to walking trails in the National Park. | 0:05:15 | 0:05:18 | |
But how do they visualise their new home? | 0:05:18 | 0:05:20 | |
My ideal country property would be something that was detached, | 0:05:20 | 0:05:25 | |
had a little bit of land round it, | 0:05:25 | 0:05:27 | |
and gave us scope | 0:05:27 | 0:05:30 | |
to either go in and develop, | 0:05:30 | 0:05:34 | |
or to move in and set about our business straight away. | 0:05:34 | 0:05:38 | |
Although their six children are nearly all grown up, | 0:05:38 | 0:05:41 | |
Moe and Julia still want space for visiting family and holidaymakers. | 0:05:41 | 0:05:45 | |
So let's get into the details. | 0:05:45 | 0:05:48 | |
We need a minimum of three private bedrooms, | 0:05:48 | 0:05:51 | |
and ideally one with en suite, and a family bathroom. | 0:05:51 | 0:05:56 | |
We would want minimum of three letting rooms, | 0:05:56 | 0:05:59 | |
reasonable size, | 0:05:59 | 0:06:01 | |
also with bathrooms already established. | 0:06:01 | 0:06:05 | |
If there is something outside in terms of barns or outhouses | 0:06:05 | 0:06:08 | |
that can be developed, we would definitely consider those. | 0:06:08 | 0:06:11 | |
They'd like a property with character, | 0:06:11 | 0:06:13 | |
and, if Moe finds a project, he's not afraid of grabbing some tools | 0:06:13 | 0:06:17 | |
and donning the developer's hard hat. | 0:06:17 | 0:06:19 | |
I've got reasonably good skills at doing DIY, | 0:06:19 | 0:06:22 | |
particularly from my father, who's passed on some of those skills. | 0:06:22 | 0:06:26 | |
Moe and Julia own two houses, collectively worth £500,000. | 0:06:26 | 0:06:31 | |
Both will be sold to fund the move, so how much have we got to play with? | 0:06:31 | 0:06:35 | |
I think the upper limit for our budget is about a million pounds. | 0:06:35 | 0:06:40 | |
If we really wanted to stretch ourselves, | 0:06:40 | 0:06:43 | |
perhaps 1.1 million. | 0:06:43 | 0:06:45 | |
There's no doubt that Moe and Julia are taking on quite a lot | 0:06:47 | 0:06:51 | |
in this move to the Lakes. They've got to combine a home with a successful business. | 0:06:51 | 0:06:56 | |
They do want somewhere that's tranquil and quiet, | 0:06:56 | 0:06:58 | |
with stunning views. As you can see, there's no shortage of those, | 0:06:58 | 0:07:02 | |
but, in looking for a B&B, there is something of a dilemma. | 0:07:02 | 0:07:05 | |
Many of them are near to busy settlements and main tourist routes. | 0:07:05 | 0:07:08 | |
It's obviously very good for trade, but, at a stroke, | 0:07:08 | 0:07:12 | |
that does cross off several potential properties from our list. | 0:07:12 | 0:07:15 | |
They also want to be within the National Park. That will be good for business, | 0:07:15 | 0:07:19 | |
but is going to come at a premium. So, on the face of it, | 0:07:19 | 0:07:22 | |
it sounds straightforward, but it is going to be a bit tricky. | 0:07:22 | 0:07:25 | |
But, with their fantastic budget, it's by no means going to be impossible. | 0:07:25 | 0:07:30 | |
Moe and Julia are flexible on location, | 0:07:32 | 0:07:35 | |
although they would like something in the National Park, | 0:07:35 | 0:07:38 | |
so we've concentrated the search just north of Keswick. | 0:07:38 | 0:07:41 | |
We'll view three prime properties, but we won't tell them the price | 0:07:41 | 0:07:45 | |
until the end of each tour. | 0:07:45 | 0:07:47 | |
And then, of course, there's the mystery house, | 0:07:47 | 0:07:49 | |
a building that may need reinventing to match their country dream. | 0:07:49 | 0:07:53 | |
-Hi, guys! Nice to see you. -Hi, Jules. -Hi, Jules. | 0:08:00 | 0:08:02 | |
Welcome back to the Lakes. This is an old haunt for you. | 0:08:02 | 0:08:05 | |
-Yes. -I don't blame you. On a day like this, | 0:08:05 | 0:08:08 | |
-where else would you want to live? -It's fantastic. | 0:08:08 | 0:08:10 | |
Absolutely stunning. You know, it's one thing coming on holiday here, | 0:08:10 | 0:08:14 | |
but being committed to a B&B, the building and your guests, | 0:08:14 | 0:08:18 | |
is very different. | 0:08:18 | 0:08:20 | |
Yeah, I think we've given it a lot of thought, | 0:08:20 | 0:08:23 | |
and lots of research... | 0:08:23 | 0:08:25 | |
I get the sense that nothing has been left to chance. | 0:08:25 | 0:08:28 | |
With true military planning, you've gone through this with a fine-tooth comb. | 0:08:28 | 0:08:32 | |
If we're going to do it, we should do it seriously, | 0:08:32 | 0:08:35 | |
so we've looked at a number of properties already. We know it's going to be hard work. | 0:08:35 | 0:08:39 | |
The important thing is that we provide a service | 0:08:39 | 0:08:42 | |
that people would expect. We've been to a lot of places, | 0:08:42 | 0:08:45 | |
both here in the Lakes and also elsewhere and abroad, | 0:08:45 | 0:08:48 | |
so we want to provide a service that we would like. | 0:08:48 | 0:08:51 | |
So this is going to be high-end B&B. | 0:08:51 | 0:08:53 | |
It'll be open to everybody price-wise, | 0:08:53 | 0:08:56 | |
but in terms of quality, it will be top of the range. | 0:08:56 | 0:08:59 | |
We're going to need something big, but we have got a big budget. | 0:08:59 | 0:09:03 | |
-Just remind us of the figures. -Well, the budget - | 0:09:03 | 0:09:06 | |
we can stretch to, probably, £1,150,000. | 0:09:06 | 0:09:11 | |
-1.15 million? -Yeah. -Yeah? | 0:09:11 | 0:09:14 | |
Well, we've got a great budget, obviously, | 0:09:14 | 0:09:16 | |
and a beautiful day, as you can see, so let's see what we can find you. | 0:09:16 | 0:09:20 | |
-Follow me. -Thank you. -Thank you. | 0:09:20 | 0:09:22 | |
So, with a top budget of £1.15 million, | 0:09:23 | 0:09:27 | |
Moe and Julia want a bespoke B&B inside the National Park. | 0:09:27 | 0:09:31 | |
They'd like a period property with a minimum of six bedrooms, | 0:09:31 | 0:09:34 | |
and some outbuildings. | 0:09:34 | 0:09:37 | |
This is the first time, I suppose, | 0:09:39 | 0:09:41 | |
you're going to be able to live together properly. | 0:09:41 | 0:09:44 | |
In essence, yeah. This will be the best opportunity we've had | 0:09:44 | 0:09:47 | |
for some time, if we can get the business sorted. | 0:09:47 | 0:09:49 | |
I think, once you get me up here, that's it! | 0:09:49 | 0:09:52 | |
THEY LAUGH You won't get me away. | 0:09:52 | 0:09:55 | |
I look forward to coming back in a year and having a cup of tea. | 0:09:55 | 0:09:58 | |
-We'd love to have you. -THEY LAUGH | 0:09:58 | 0:10:01 | |
Just a mile from the picturesque village of Bassenthwaite, | 0:10:02 | 0:10:05 | |
our first property is a short stroll from the lake of the same name - | 0:10:05 | 0:10:09 | |
a perfect place to enjoy that cuppa. | 0:10:09 | 0:10:12 | |
And Moe and Julia can wander the nearby fells, | 0:10:12 | 0:10:14 | |
and the local sailing club offers access onto the lake if they ever tire of walking. | 0:10:14 | 0:10:19 | |
After a day's activities, there are many local pubs on tap. | 0:10:19 | 0:10:23 | |
It's an idyllic location for our keen ramblers, | 0:10:23 | 0:10:26 | |
and anyone that comes to stay. | 0:10:26 | 0:10:28 | |
Right! Come on in. | 0:10:29 | 0:10:31 | |
What do you reckon? | 0:10:31 | 0:10:33 | |
-Yeah. Interesting. -Different from the front. | 0:10:33 | 0:10:37 | |
I can't figure it out at all. | 0:10:37 | 0:10:39 | |
It's what is your classic Lakeland B&B, in some respects. | 0:10:39 | 0:10:43 | |
You can see the sign there, B&B and caravans, | 0:10:43 | 0:10:45 | |
so they're also scoring on that market, as well. | 0:10:45 | 0:10:48 | |
-Interesting, yes. -The building itself is about 1880. | 0:10:48 | 0:10:52 | |
Classic local barn. As you can see, great big barn doors there. | 0:10:52 | 0:10:57 | |
Converted about six years ago. | 0:10:57 | 0:10:59 | |
-Right. -And, believe you me, they have packed an awful lot in. | 0:10:59 | 0:11:04 | |
-Oh, great. -Yeah? Come on, then. Let's have a look. | 0:11:04 | 0:11:07 | |
'Moe and Julia wanted character, | 0:11:08 | 0:11:10 | |
'and this barn conversion certainly has it in spades.' | 0:11:10 | 0:11:13 | |
Great. You can grab the door, Moe. | 0:11:16 | 0:11:19 | |
Now, | 0:11:19 | 0:11:21 | |
come on in. | 0:11:21 | 0:11:23 | |
-Interesting! -Yeah? | 0:11:23 | 0:11:25 | |
Yeah! I like the stone wall and I love the old beams. | 0:11:25 | 0:11:29 | |
-Looks like there's great views... -Looks exceptional, yeah. | 0:11:29 | 0:11:32 | |
-..which are what it's all about. -Exactly! | 0:11:32 | 0:11:35 | |
That's what it's all about. It's an interesting one. | 0:11:35 | 0:11:38 | |
There is always more than one way to convert a barn, | 0:11:38 | 0:11:41 | |
because, if anything, you've got a great big box. | 0:11:41 | 0:11:44 | |
They've done it in such a way that you've got this central living area, | 0:11:44 | 0:11:47 | |
and then, as you can see, we've got some galleries round about, | 0:11:47 | 0:11:51 | |
along with the grandfather clock to keep the guests happy. | 0:11:51 | 0:11:54 | |
Keep them on time for breakfast! That's the most important thing. | 0:11:54 | 0:11:58 | |
-Let's continue. -Yeah, great! | 0:11:58 | 0:12:00 | |
OK. Now, off of the main living area, | 0:12:02 | 0:12:05 | |
we've got what they're using as their guests' dining room, | 0:12:05 | 0:12:09 | |
and also would double up as a family dining area. | 0:12:09 | 0:12:11 | |
Yeah. It feels cosy. | 0:12:11 | 0:12:13 | |
-Yeah. The obvious point here is that you are sharing your space. -Yes. | 0:12:13 | 0:12:17 | |
How does that feel? | 0:12:17 | 0:12:20 | |
-Ideally we'd probably want it separate. -Yes. | 0:12:20 | 0:12:24 | |
But depends what else it brings with it. | 0:12:24 | 0:12:26 | |
-As we go round, start thinking about how you'd reapportion space. -Yes. | 0:12:26 | 0:12:31 | |
-This wall, I think... -Could come down. -..would go. | 0:12:31 | 0:12:34 | |
-It's not listed. -Right. -That's an advantage, isn't it? | 0:12:34 | 0:12:37 | |
Gives you options, doesn't it? | 0:12:37 | 0:12:39 | |
It does, because you'd end up with the great big kitchen you're after. | 0:12:39 | 0:12:43 | |
That wall, if it could go, | 0:12:43 | 0:12:44 | |
would be instrumental in transforming this half of the house. | 0:12:44 | 0:12:48 | |
-It'll open it up quite well, then. -Yeah. | 0:12:48 | 0:12:52 | |
This is the business end of any B&B, in some respects, | 0:12:52 | 0:12:56 | |
so you are going to want plenty of space. | 0:12:56 | 0:12:58 | |
'Adjacent to the kitchen is the utility room. | 0:12:58 | 0:13:01 | |
'On the other side of the living area, the B&B accommodation | 0:13:01 | 0:13:04 | |
'consists of three double bedrooms, all with en suite. | 0:13:04 | 0:13:07 | |
'But we're going to explore the rather quirky configuration upstairs.' | 0:13:07 | 0:13:11 | |
-You see what I mean? -Fantastic! | 0:13:12 | 0:13:14 | |
-Yeah. -It's, er... | 0:13:14 | 0:13:17 | |
It's dominated by this sort of bridge, | 0:13:17 | 0:13:20 | |
which overlooks the main living area where we started. | 0:13:20 | 0:13:24 | |
We've got these two little galleried areas | 0:13:24 | 0:13:26 | |
which cut across that, | 0:13:26 | 0:13:28 | |
and then effectively two rooms which mirror each other | 0:13:28 | 0:13:31 | |
on either side, and a little study area down there. | 0:13:31 | 0:13:35 | |
-I like that. -Yeah? -Yeah. It's different, isn't it? | 0:13:35 | 0:13:38 | |
-It's very different! -It's a character. | 0:13:38 | 0:13:41 | |
Oh, it's got lots of character. Come and have a look through here. | 0:13:41 | 0:13:44 | |
It reminds me of a ski chalet. | 0:13:44 | 0:13:47 | |
So, what's on offer is a dressing area down there, | 0:13:47 | 0:13:51 | |
-three staircases... -Yeah. | 0:13:51 | 0:13:54 | |
One leads to the seating area there, | 0:13:54 | 0:13:56 | |
and then this one down into, obviously, | 0:13:56 | 0:13:59 | |
-an area for the bed. -I like it. | 0:13:59 | 0:14:02 | |
-The whole thing is dominated by that beam... -Yeah. | 0:14:02 | 0:14:04 | |
..which is the quirky bit. I don't know what you make of it. | 0:14:04 | 0:14:08 | |
Oh, it's a nice feature, I think. | 0:14:08 | 0:14:11 | |
Most people living in a town or city would never see anything like this. | 0:14:11 | 0:14:15 | |
You can make a feature of it, as you say. | 0:14:15 | 0:14:17 | |
But we haven't even got to the holiday lets yet. | 0:14:17 | 0:14:20 | |
-Oh, I was forgetting about those. -We've got three of those on offer. | 0:14:20 | 0:14:23 | |
It may be that you think, "Actually, all we need are three holiday lets," | 0:14:23 | 0:14:28 | |
and then the whole barn becomes home. | 0:14:28 | 0:14:30 | |
-Yeah. -Keep it as private accommodation. | 0:14:30 | 0:14:33 | |
'With visiting family more of a definite than a possibility, | 0:14:34 | 0:14:37 | |
'I think Moe and Julia should consider using the house | 0:14:37 | 0:14:40 | |
'as private accommodation, because the three holiday lets | 0:14:40 | 0:14:43 | |
'can provide the income they require, | 0:14:43 | 0:14:46 | |
'and two of them are positioned right below the main residence.' | 0:14:46 | 0:14:50 | |
-These are huge. -Gosh, it's much bigger than I expected! | 0:14:52 | 0:14:56 | |
-Come in, Moe. What do you reckon? -Yeah. Excellent space. | 0:14:56 | 0:15:00 | |
And you've also got this area here, which is quite nice - | 0:15:00 | 0:15:03 | |
very simple little kitchenette. | 0:15:03 | 0:15:05 | |
Nicely appointed. It's all pretty new. | 0:15:05 | 0:15:08 | |
So these are going out for anything up to 500 a week | 0:15:08 | 0:15:12 | |
-in the peak of the season. -Right! -That's very good. | 0:15:12 | 0:15:15 | |
-Yeah, it's really good. -And you've got three of them. | 0:15:15 | 0:15:18 | |
And if you do get really busy, | 0:15:18 | 0:15:20 | |
-you can always spill over into the B&B if you really want to. -Yes. | 0:15:20 | 0:15:24 | |
-You've got the scope to do that. -Exactly. | 0:15:24 | 0:15:27 | |
This let has two good-size double bedrooms | 0:15:27 | 0:15:31 | |
and a family bathroom to the rear. | 0:15:31 | 0:15:33 | |
Next door there's a self-contained three-bed let, | 0:15:33 | 0:15:36 | |
and across the courtyard, a converted stable offers another two-bed holiday annexe. | 0:15:36 | 0:15:40 | |
Outside, there's an outbuilding and an area for caravans. | 0:15:40 | 0:15:44 | |
Come on through. I'll shut the gate because of the chickens. | 0:15:45 | 0:15:49 | |
THEY LAUGH | 0:15:49 | 0:15:51 | |
-But you also get these two barns. -Yeah. | 0:15:51 | 0:15:54 | |
-Useful bit of storage again. -Yeah. | 0:15:54 | 0:15:57 | |
That's very useful. | 0:15:57 | 0:15:59 | |
And this is the extent of the landholding that you get, | 0:15:59 | 0:16:03 | |
-defined by the mown area and the wire fence. -Yeah. | 0:16:03 | 0:16:07 | |
This is an area for five caravan pitches. | 0:16:07 | 0:16:11 | |
The nice thing with the caravans, they are pretty much self-contained, | 0:16:11 | 0:16:16 | |
so whilst some sites have shower blocks, there isn't one here, and it's not necessary. | 0:16:16 | 0:16:20 | |
It's just the view, isn't it? It's just amazing. | 0:16:20 | 0:16:23 | |
-And then Skiddaw over here. -Yeah. That is stunning. | 0:16:23 | 0:16:26 | |
-It's fabulous. -Let's have a think about how this stacks up | 0:16:26 | 0:16:29 | |
against your £1.15 million, though. | 0:16:29 | 0:16:33 | |
I think 750, 850 mark, something like that. | 0:16:33 | 0:16:38 | |
-Optimistic! -Yeah. | 0:16:38 | 0:16:40 | |
-Possibly. Julia? -I think he's optimistic. | 0:16:40 | 0:16:43 | |
Three businesses? No, it's got to be nearer the million mark, | 0:16:43 | 0:16:47 | |
definitely, I think. | 0:16:47 | 0:16:49 | |
-Well, you are not far off, madam. -Oh, wasn't I? | 0:16:49 | 0:16:52 | |
This could be yours for £950,000. | 0:16:52 | 0:16:55 | |
-Oh, interesting! -So it's 200 grand under your maximum spend. | 0:16:55 | 0:17:00 | |
Obviously you could use that to reconfigure things | 0:17:00 | 0:17:03 | |
-and spec it up as you would want. -Yeah. -OK. -Lots to think about! | 0:17:03 | 0:17:07 | |
And lots more to see. Go and have a good old nose around. | 0:17:07 | 0:17:11 | |
Figure out the geography, because it's quite a plan to figure out, | 0:17:11 | 0:17:15 | |
-and I'll catch up with you later. -OK. -Off you go. | 0:17:15 | 0:17:17 | |
-OK. Thank you! -I'll have a chat with the chickens. Why not? | 0:17:17 | 0:17:21 | |
THEY LAUGH | 0:17:21 | 0:17:23 | |
A pretty good reaction to our first offering, | 0:17:23 | 0:17:26 | |
and well under budget at £950,000. | 0:17:26 | 0:17:29 | |
With a total of five bedrooms in the main house | 0:17:29 | 0:17:32 | |
and three holiday lets, there's no shortage of space. | 0:17:32 | 0:17:35 | |
Outside there are two acres, and room for caravans, | 0:17:35 | 0:17:38 | |
offering another revenue stream. | 0:17:38 | 0:17:41 | |
The location is simply spectacular, | 0:17:41 | 0:17:44 | |
but what do our aspiring B&B owners think? | 0:17:44 | 0:17:46 | |
Three businesses in one... It's a good option. | 0:17:46 | 0:17:49 | |
-A very good option. The versatility of it is really appealing. -It is. | 0:17:49 | 0:17:54 | |
I think it's workable. I think we could use both the space here, | 0:17:54 | 0:17:59 | |
the upstairs bedrooms and the bedrooms currently being used | 0:17:59 | 0:18:02 | |
as B&B. I think that's all workable. | 0:18:02 | 0:18:05 | |
It's quite a lot of money, | 0:18:05 | 0:18:07 | |
but I do feel we could run with it the way it is. | 0:18:07 | 0:18:10 | |
-Right, then! Come on! Out you come. -OK. | 0:18:10 | 0:18:14 | |
There's lots more to show you, but this was a good one to start with. | 0:18:14 | 0:18:17 | |
-It's great. -Very good. Lots of potential, | 0:18:17 | 0:18:20 | |
-lots of things to think about. -And you hadn't thought of it before? | 0:18:20 | 0:18:23 | |
No. Actually, I can't believe we hadn't! | 0:18:23 | 0:18:26 | |
Yeah. | 0:18:26 | 0:18:27 | |
The Lake District's first official foray into tourism | 0:18:29 | 0:18:33 | |
dates back to the 18th century, when sightseeing was a completely different affair than it is today. | 0:18:33 | 0:18:38 | |
The Georgian approach was a highly structured scene-setting extravaganza. | 0:18:38 | 0:18:44 | |
A specific walking route had to be taken | 0:18:44 | 0:18:46 | |
to conceal any sight of the subject until reaching the lookout. | 0:18:46 | 0:18:51 | |
These locations became so popular that shelters were built, | 0:18:51 | 0:18:55 | |
and Claife viewing station on the west side of Lake Windermere | 0:18:55 | 0:18:58 | |
is the most complete example remaining today. | 0:18:58 | 0:19:00 | |
Victorian landscape artists were regular visitors | 0:19:00 | 0:19:03 | |
to these viewing stations, so we sent Moe and Julia | 0:19:03 | 0:19:07 | |
to meet up with National Trust expert Paul Farrington | 0:19:07 | 0:19:10 | |
to find out more. | 0:19:10 | 0:19:12 | |
They would come to these viewing stations, | 0:19:12 | 0:19:14 | |
they would observe these stunning views, | 0:19:14 | 0:19:17 | |
and they would often use a thing called a Claude glass or mirror, | 0:19:17 | 0:19:22 | |
and they'd stand with their back to the classic view, like this, | 0:19:22 | 0:19:26 | |
to sort of frame the view and miniaturise it, | 0:19:26 | 0:19:30 | |
and then they would use that image to sketch. | 0:19:30 | 0:19:34 | |
If you weren't an artist, you would just come there, | 0:19:34 | 0:19:36 | |
and it would just be a way of locking that classic view | 0:19:36 | 0:19:41 | |
in your memory, which sounds a little bit odd, | 0:19:41 | 0:19:43 | |
but it's only the same as photography | 0:19:43 | 0:19:47 | |
that we do today, really, capturing that memory and that image. | 0:19:47 | 0:19:51 | |
But it was during the 19th century that an artist, | 0:19:52 | 0:19:55 | |
social reformer and prominent Victorian by the name of John Ruskin | 0:19:55 | 0:19:59 | |
fell in love with the area, moving to Brantwood in 1872, | 0:19:59 | 0:20:02 | |
to live in an elegant home overlooking Coniston Water. | 0:20:02 | 0:20:06 | |
General manager of the Brantwood Trust, Rachel Litten, | 0:20:06 | 0:20:09 | |
is giving Moe and Julia an insight into the man | 0:20:09 | 0:20:12 | |
and the property that he purchased sight unseen. | 0:20:12 | 0:20:15 | |
He was interested in social issues, wasn't he? | 0:20:15 | 0:20:18 | |
Yes, he was, and many of his ideas we see evidence of today. | 0:20:18 | 0:20:22 | |
He was very concerned about the conditions people were working in | 0:20:22 | 0:20:26 | |
in Victorian industrial towns and cities, | 0:20:26 | 0:20:30 | |
and he actually formed the Guild of St George, | 0:20:30 | 0:20:33 | |
because he wanted to be sure that people could get education, | 0:20:33 | 0:20:36 | |
have access to public libraries, have access to books, | 0:20:36 | 0:20:40 | |
have access to art. | 0:20:40 | 0:20:41 | |
Being a man for all seasons, he also designed everything, | 0:20:41 | 0:20:45 | |
from wallpaper to musical instruments, | 0:20:45 | 0:20:47 | |
many of which are on show inside Brantwood. | 0:20:47 | 0:20:50 | |
There's quite interesting pieces in here, | 0:20:50 | 0:20:52 | |
especially the musical instrument. | 0:20:52 | 0:20:55 | |
This is a ziffern that Ruskin designed and had made, | 0:20:55 | 0:20:59 | |
but there's other evidence of Ruskin's interest in music. | 0:20:59 | 0:21:04 | |
This was his upright piano here. | 0:21:04 | 0:21:06 | |
-And did he collect paintings... -Yes. -..on his travels? | 0:21:06 | 0:21:10 | |
Yes. He had the paintings of his favourite artists | 0:21:10 | 0:21:13 | |
on the walls here at Brantwood, | 0:21:13 | 0:21:15 | |
so although he designed the wallpaper, | 0:21:15 | 0:21:18 | |
he probably wouldn't have seen a lot of it, | 0:21:18 | 0:21:20 | |
because it would have been crammed with paintings in his collection. | 0:21:20 | 0:21:24 | |
Ruskin was enchanted by life, and famously said, | 0:21:24 | 0:21:27 | |
"It is not how much one makes but to what purpose one spends." | 0:21:27 | 0:21:32 | |
With so many contributions to modern society, | 0:21:32 | 0:21:34 | |
Ruskin clearly lived by this motto. | 0:21:34 | 0:21:37 | |
But he wasn't the only Lake District local to make contributions to the arts. | 0:21:37 | 0:21:41 | |
Celebrated poet William Wordsworth | 0:21:43 | 0:21:46 | |
was born just two miles from our second property | 0:21:46 | 0:21:48 | |
in the market town of Cockermouth. Historically significant buildings | 0:21:48 | 0:21:52 | |
such as the old brewery, the Old Court House and Wordsworth House | 0:21:52 | 0:21:56 | |
have been beautifully maintained, and the charming terraced homes | 0:21:56 | 0:21:59 | |
of the workers, built during the Industrial Revolution, are still in good order today. | 0:21:59 | 0:22:04 | |
The town is situated on the River Cocker, | 0:22:04 | 0:22:06 | |
and in the past it has suffered flooding, | 0:22:06 | 0:22:09 | |
but this hasn't stopped the preservation of Cockermouth's unique character. | 0:22:09 | 0:22:13 | |
Just inside the National Park, our second property has plenty to offer Moe and Julia. | 0:22:13 | 0:22:17 | |
Come down here. This is where the whole thing comes together. | 0:22:17 | 0:22:21 | |
-Oh, wow! -Yeah? | 0:22:21 | 0:22:23 | |
Definitely. | 0:22:23 | 0:22:26 | |
It's amazing. So pretty. | 0:22:26 | 0:22:29 | |
The good news is that you don't have to live in that building, either. | 0:22:29 | 0:22:33 | |
-What? -Very good. | 0:22:33 | 0:22:35 | |
-You've got your own accommodation. -What, a tent? | 0:22:35 | 0:22:37 | |
It's better than a tent. Come and look at this. | 0:22:37 | 0:22:40 | |
OK. So, this is the back of what we've just looked at. | 0:22:43 | 0:22:48 | |
This is the back of the old farmhouse, | 0:22:48 | 0:22:50 | |
and we're going to explore everything that this has to offer | 0:22:50 | 0:22:53 | |
in all of its glory later, but this is for you. | 0:22:53 | 0:22:57 | |
Oh, my goodness! | 0:22:57 | 0:23:00 | |
'One of the considerations with our first property | 0:23:01 | 0:23:04 | |
'was how to separate the bedrooms into private and business. | 0:23:04 | 0:23:07 | |
'But with this one, the options are obvious.' | 0:23:07 | 0:23:09 | |
OK. Come on in. | 0:23:09 | 0:23:12 | |
Oh, my goodness! JULES LAUGHS | 0:23:12 | 0:23:14 | |
-Come on in, Moe. -Now I'm impressed. | 0:23:14 | 0:23:16 | |
Oh, you're not going to get me away from here. | 0:23:16 | 0:23:20 | |
Moe's just said, "Now I'm impressed." | 0:23:20 | 0:23:23 | |
Well, that's good going, because he's not always impressed. | 0:23:23 | 0:23:26 | |
-The colonel's happy. That's good. -That's very good. | 0:23:26 | 0:23:30 | |
The nice thing about this is that this is just for you. | 0:23:30 | 0:23:33 | |
You don't have to cook your B&B breakfasts in here | 0:23:33 | 0:23:36 | |
because you've got another kitchen next door. | 0:23:36 | 0:23:39 | |
Through there you've got a generous boot room, utility, downstairs loo, | 0:23:39 | 0:23:43 | |
and so forth, and just over my shoulder, through that door, | 0:23:43 | 0:23:46 | |
a nicely appointed study, | 0:23:46 | 0:23:48 | |
or could be a snug, if you want a second reception room. | 0:23:48 | 0:23:51 | |
-I'm so impressed! -Ah, good! | 0:23:51 | 0:23:54 | |
Let's have a think about where you might relax after a hard day | 0:23:54 | 0:23:57 | |
looking after your guests. Just through here. | 0:23:57 | 0:24:01 | |
'An excellent response so far, and it just gets better from here.' | 0:24:01 | 0:24:06 | |
Now, could you switch off in here? | 0:24:06 | 0:24:08 | |
Oh! | 0:24:08 | 0:24:10 | |
-Beautiful! -This is, again, very good. -Amazing. | 0:24:11 | 0:24:14 | |
-Yeah. Excellent. -Well, this is all new. | 0:24:14 | 0:24:16 | |
Obviously the shell was here, but this whole arrangement | 0:24:16 | 0:24:19 | |
of the chimney breast, the wood burner, | 0:24:19 | 0:24:22 | |
the whole thing has been redesigned to provide a fantastic family space. | 0:24:22 | 0:24:27 | |
Upstairs we've got you three bedrooms | 0:24:27 | 0:24:29 | |
-for you and your guests. -Yes. | 0:24:29 | 0:24:32 | |
And, as you would expect, they're quite nice, really. | 0:24:32 | 0:24:35 | |
I bet they are! THEY LAUGH | 0:24:35 | 0:24:37 | |
'The downstairs has clearly impressed, | 0:24:38 | 0:24:41 | |
'and upstairs there's plenty of space for the children when they come to stay, | 0:24:41 | 0:24:45 | |
'and an impressive master suite for Moe and Julia.' | 0:24:45 | 0:24:49 | |
OK, so this would be for you two. | 0:24:51 | 0:24:54 | |
Oh, wow! | 0:24:54 | 0:24:56 | |
-Yeah? -Yeah. | 0:24:56 | 0:24:57 | |
-Very good. -And the finish, as you can see, | 0:24:57 | 0:25:00 | |
is just as good as downstairs, very, very cosy. | 0:25:00 | 0:25:03 | |
That's a little en suite in here. Well, I say "little" - | 0:25:03 | 0:25:07 | |
-it's quite nice. -Yeah. Very nice. -Very good standard. | 0:25:07 | 0:25:10 | |
And in here, this is every girl's dream. | 0:25:10 | 0:25:13 | |
You'd better have a look, then. | 0:25:13 | 0:25:15 | |
Oh, yeah. All mine? | 0:25:15 | 0:25:18 | |
Well, you can argue over who gets how much of that. | 0:25:18 | 0:25:22 | |
You have got plenty of room to play with. You'll be all right. | 0:25:22 | 0:25:25 | |
-Yeah. -But I think the main event for you two | 0:25:25 | 0:25:29 | |
is across the courtyard. Ten more bedrooms to look at. | 0:25:29 | 0:25:32 | |
I can't imagine what it's like! This is the way it is. | 0:25:32 | 0:25:36 | |
-The business end. -Come and have a look. | 0:25:36 | 0:25:38 | |
The other two double bedrooms are both finished to a high standard, | 0:25:38 | 0:25:42 | |
and share a large family bathroom. But we're testing | 0:25:42 | 0:25:45 | |
Moe and Julia's daily commute - not bad, at about ten seconds. | 0:25:45 | 0:25:49 | |
Right. | 0:25:49 | 0:25:51 | |
This is where the hard work is... | 0:25:51 | 0:25:53 | |
Yeah. THEY LAUGH | 0:25:53 | 0:25:55 | |
..for you two, although great fun for your guests. | 0:25:55 | 0:25:58 | |
You're greeted with this extraordinary old bread oven. Again, lovely feature to have, | 0:25:58 | 0:26:02 | |
-and something your guests are going to remember. -Yeah. | 0:26:02 | 0:26:06 | |
Yeah, great. | 0:26:06 | 0:26:08 | |
Oh, my goodness! This is great space! | 0:26:13 | 0:26:16 | |
-Yeah? -Yeah. | 0:26:16 | 0:26:18 | |
Oh, the beams! | 0:26:18 | 0:26:20 | |
It feels cosy. | 0:26:20 | 0:26:22 | |
'So that's where the guests relax. | 0:26:22 | 0:26:25 | |
'But now for Moe's mess hall.' | 0:26:25 | 0:26:27 | |
How about this kind of refectory look? | 0:26:31 | 0:26:34 | |
-Yes, it is, isn't it? -Yeah? -Mm-hm! | 0:26:34 | 0:26:36 | |
You can separate people, if they want to sit on their own, | 0:26:36 | 0:26:39 | |
but it's quite a busy focus for everything, | 0:26:39 | 0:26:44 | |
and even though all the bedrooms are beautifully appointed, | 0:26:44 | 0:26:48 | |
next door you've got somewhere to drift into. | 0:26:48 | 0:26:50 | |
If you've made friends over dinner or met them on the mountain, | 0:26:50 | 0:26:54 | |
-you can carry it on through there. -Socialise if you want to. -Precisely. | 0:26:54 | 0:26:57 | |
'Next to the dining area, the kitchen is modern and practical. | 0:26:57 | 0:27:02 | |
'In terms of sleeping quarters, | 0:27:02 | 0:27:03 | |
'there are five en-suite double bedrooms, | 0:27:03 | 0:27:06 | |
'including two with disability access on the ground floor, | 0:27:06 | 0:27:09 | |
'and a further five en-suite doubles upstairs.' | 0:27:09 | 0:27:12 | |
-This brick is lovely! -Isn't it? | 0:27:12 | 0:27:15 | |
And the wear on the steps is lovely, too. | 0:27:15 | 0:27:17 | |
Come in here. Let's start with this one, | 0:27:17 | 0:27:20 | |
the Master's Room. | 0:27:20 | 0:27:22 | |
-There we go. -Oh, wow! | 0:27:24 | 0:27:26 | |
Mmm! HE LAUGHS | 0:27:26 | 0:27:28 | |
Yeah? Four-poster, something for the guests to relax in. | 0:27:28 | 0:27:34 | |
-Good size. -Yeah? | 0:27:34 | 0:27:35 | |
And, of course, as you'd expect, you know, | 0:27:35 | 0:27:38 | |
-nice little en suite in there. -Oh, I love the shelves. | 0:27:38 | 0:27:42 | |
-Yeah. -It's deceiving. It's much bigger than you would expect. | 0:27:42 | 0:27:46 | |
Well, the whole thing, the scale of what's on offer | 0:27:46 | 0:27:49 | |
-is just extraordinary. -It's brilliant. | 0:27:49 | 0:27:51 | |
THEY LAUGH | 0:27:51 | 0:27:52 | |
And outside, there are one and a half acres for the guests to enjoy. | 0:27:52 | 0:27:57 | |
But all this does come at a cost. | 0:27:57 | 0:27:59 | |
So, here we are, then, pretty much where we started. | 0:27:59 | 0:28:02 | |
There it is. Now you know what's inside... | 0:28:02 | 0:28:05 | |
Yes! | 0:28:05 | 0:28:06 | |
THEY LAUGH | 0:28:06 | 0:28:08 | |
I know. This is the bit I don't want to hear. | 0:28:08 | 0:28:11 | |
-The money. -The money. | 0:28:11 | 0:28:13 | |
-Madam? -I'll probably be left with a penny, | 0:28:13 | 0:28:15 | |
but I shall say 1.1. | 0:28:15 | 0:28:18 | |
1.1. Yeah? | 0:28:18 | 0:28:20 | |
-Moe? -I'm a bit more reserved. | 0:28:20 | 0:28:23 | |
I think probably one million. | 0:28:23 | 0:28:25 | |
OK. Yeah, not bad. | 0:28:25 | 0:28:28 | |
This is going to set you back | 0:28:28 | 0:28:30 | |
1.15. | 0:28:30 | 0:28:33 | |
Crikey! | 0:28:33 | 0:28:35 | |
-This is your budget. -Yeah. Absolutely top. | 0:28:35 | 0:28:38 | |
-But you don't need to do anything to it. -No, you don't. | 0:28:38 | 0:28:41 | |
Go and mull it over. Go and explore more bedrooms. | 0:28:41 | 0:28:44 | |
There's plenty more to see. I'll catch up with you later. | 0:28:44 | 0:28:47 | |
-All right. Come on. -OK. Thank you. -Bye! | 0:28:47 | 0:28:50 | |
THEY LAUGH | 0:28:50 | 0:28:53 | |
For £1.15 million, | 0:28:55 | 0:28:58 | |
this stunning property offers a detached private home | 0:28:58 | 0:29:01 | |
for Moe and Julia, ten large bedrooms for the B&B, | 0:29:01 | 0:29:04 | |
and outside it has 1.5 acres of land | 0:29:04 | 0:29:07 | |
in an idyllic National Park location. | 0:29:07 | 0:29:10 | |
You can see why people would want to come back again and again. | 0:29:10 | 0:29:14 | |
People will think it's really special. It is! It's so special. | 0:29:14 | 0:29:18 | |
The price tag is on the limit for us, | 0:29:18 | 0:29:21 | |
and that is a consideration, but yeah, I like it a lot. | 0:29:21 | 0:29:24 | |
So, as the sun settles behind the lakes and fells of north Cumbria, | 0:29:33 | 0:29:37 | |
Moe and Julia have plenty to discuss | 0:29:37 | 0:29:39 | |
after their first day of house-hunting. | 0:29:39 | 0:29:42 | |
Today's buyers are looking for a B&B with character and style | 0:29:44 | 0:29:49 | |
inside the Lake District National Park. | 0:29:49 | 0:29:52 | |
Moe's just said, "Now I'm impressed." | 0:29:52 | 0:29:55 | |
But what will they make of the mystery house, | 0:29:55 | 0:29:58 | |
a property that's never been used as a B&B, | 0:29:58 | 0:30:01 | |
situated outside the National Park? | 0:30:01 | 0:30:04 | |
Oh, my goodness! | 0:30:04 | 0:30:07 | |
If you're familiar with the Lake District, | 0:30:12 | 0:30:15 | |
you'll also know the local adage that you can have four seasons in one day here. | 0:30:15 | 0:30:19 | |
But we're blessed with another glorious start | 0:30:19 | 0:30:21 | |
to our final day's house-hunting. Yesterday was particularly exciting, | 0:30:21 | 0:30:25 | |
but we've got one more property to come. | 0:30:25 | 0:30:27 | |
It is mystery-house time. That has an awful lot to beat, | 0:30:27 | 0:30:31 | |
but, do you know what? We might be all right. | 0:30:31 | 0:30:34 | |
Today's mystery house is just outside the National Park border | 0:30:35 | 0:30:38 | |
in the conservation village of Greystoke. | 0:30:38 | 0:30:41 | |
Situated on the Coast to Coast cycle route, | 0:30:41 | 0:30:44 | |
and having access to plenty of rural activities, | 0:30:44 | 0:30:46 | |
this village has much to offer the budding B&B hunter. | 0:30:46 | 0:30:50 | |
Just ten minutes from the M6, | 0:30:50 | 0:30:52 | |
holidaymakers would have no trouble getting to and from the property. | 0:30:52 | 0:30:56 | |
But Moe and Julia have their hearts set on a National Park location, | 0:30:56 | 0:31:01 | |
so it will be interesting to see if the pros outweigh the cons. | 0:31:01 | 0:31:04 | |
There you go. This is our mystery house for you. | 0:31:06 | 0:31:09 | |
Unlike all the other properties we've shown you, | 0:31:09 | 0:31:12 | |
-this is not currently a B&B. -OK. | 0:31:12 | 0:31:15 | |
It is still a private house, | 0:31:15 | 0:31:18 | |
but it's got a lot of room, a lot of rooms, | 0:31:18 | 0:31:22 | |
-and would very easily become a B&B. -Yeah. | 0:31:22 | 0:31:26 | |
It's early Georgian, so it's been here a long time. | 0:31:26 | 0:31:29 | |
Is this the sort of thing that you've looked at before? | 0:31:29 | 0:31:32 | |
-Um, not on this scale. -Not on this scale! | 0:31:32 | 0:31:35 | |
This is the sort of property that would be, | 0:31:35 | 0:31:38 | |
yeah, as a business would be definitely attractive. | 0:31:38 | 0:31:41 | |
OK, right. Let's see what you make of the inside. | 0:31:41 | 0:31:44 | |
'This is undoubtedly the grandest of the three houses we've seen. | 0:31:45 | 0:31:49 | |
'So, if Moe and Julia want to be lord and lady of the manor, | 0:31:49 | 0:31:52 | |
'this is the property for them.' | 0:31:52 | 0:31:54 | |
So, this is the, um, the front door. | 0:31:54 | 0:31:57 | |
-Pretty impressive! -Nice, isn't it? | 0:31:57 | 0:31:59 | |
I think your guests would be quite moved by this. | 0:31:59 | 0:32:02 | |
Come on in. | 0:32:05 | 0:32:07 | |
-Great first impression, yeah. -It's what you'd expect, isn't it, | 0:32:07 | 0:32:11 | |
in a grand country house. And then through here, something of a study | 0:32:11 | 0:32:15 | |
or smaller reception room, but come through here. | 0:32:15 | 0:32:18 | |
Oh, yes! I like it. Love the high ceilings. | 0:32:22 | 0:32:26 | |
This has a greater instant impact on me | 0:32:26 | 0:32:30 | |
-than the other two. -I can tell! You're smiling! | 0:32:30 | 0:32:33 | |
THEY LAUGH | 0:32:33 | 0:32:34 | |
It's the history. It's the solidness of the building. | 0:32:34 | 0:32:37 | |
It's the quality of the work, despite some tarnishing | 0:32:37 | 0:32:40 | |
-that's perhaps gone on. -But... | 0:32:40 | 0:32:44 | |
you know, you could use this room now, | 0:32:44 | 0:32:46 | |
-and just gradually do what you needed to do. -Yeah. | 0:32:46 | 0:32:50 | |
OK. Well, let's keep exploring. There's so much of it. | 0:32:50 | 0:32:54 | |
Let's go next door and have a look in here. | 0:32:54 | 0:32:57 | |
Now, I think in this room you get a better sense of... | 0:32:57 | 0:33:01 | |
-Yes. -..bygone times. | 0:33:01 | 0:33:03 | |
The fireplace is still there, which is rather nice. | 0:33:03 | 0:33:06 | |
A few other details, not least the floorboards... | 0:33:06 | 0:33:09 | |
-Brilliant. They're lovely. -Very good condition. | 0:33:09 | 0:33:12 | |
It's so light. Great aspect. | 0:33:12 | 0:33:14 | |
-Yeah. -It's great. I love it. | 0:33:14 | 0:33:16 | |
-Yeah? -Yeah. -Good. Right. OK. | 0:33:16 | 0:33:19 | |
Let's have a look through here. | 0:33:19 | 0:33:21 | |
'The property is split into three parts. | 0:33:22 | 0:33:25 | |
'On the other side of the drawing room, | 0:33:25 | 0:33:27 | |
'there's a self-contained apartment boasting five bedrooms | 0:33:27 | 0:33:30 | |
'over two levels. But we're going to explore the kitchen for the main residence.' | 0:33:30 | 0:33:34 | |
Oh, this is great! | 0:33:34 | 0:33:37 | |
-Yeah? -Yeah. Love it. | 0:33:37 | 0:33:40 | |
This is the older bit of the property, | 0:33:40 | 0:33:42 | |
-now currently the family kitchen. -But this is what we want. -Good! | 0:33:42 | 0:33:46 | |
OK. We're going to continue our whistle-stop tour of this one, | 0:33:46 | 0:33:50 | |
because it is so big. Let's go upstairs into the main part of the house, | 0:33:50 | 0:33:54 | |
and see what you think of that. | 0:33:54 | 0:33:56 | |
'This wing of the house has another self-contained three-bed flat, | 0:33:56 | 0:34:00 | |
'accessed from the courtyard, but Moe and Julia can explore that later. | 0:34:00 | 0:34:04 | |
'For now, I want them to experience where they could be sleeping.' | 0:34:04 | 0:34:08 | |
Now, we're calling this the master. | 0:34:08 | 0:34:10 | |
To be honest, they're all pretty interchangeable. | 0:34:10 | 0:34:13 | |
We often talk about things being a labyrinth. This place really is. | 0:34:13 | 0:34:17 | |
Because it's been chopped about over the years, | 0:34:17 | 0:34:19 | |
it's all in different chunks. There's a lot to take in | 0:34:19 | 0:34:22 | |
and make sense of. Let's go downstairs now, | 0:34:22 | 0:34:26 | |
and look at another chunk. | 0:34:26 | 0:34:29 | |
THEY LAUGH | 0:34:29 | 0:34:31 | |
'The other three spacious bedrooms are of a similar size | 0:34:31 | 0:34:35 | |
'to the master, and there's a family bathroom. | 0:34:35 | 0:34:37 | |
'But Moe does fancy an outbuilding to develop, | 0:34:37 | 0:34:40 | |
'and I'm not the sort to let him down.' | 0:34:40 | 0:34:42 | |
Oh, my goodness! | 0:34:42 | 0:34:44 | |
I mean, we could sell this on its own. | 0:34:44 | 0:34:47 | |
It's a very pretty option, this. | 0:34:47 | 0:34:50 | |
-Yes, it is. -Good space in front of it, isn't there? | 0:34:50 | 0:34:53 | |
You could have it completely separate. | 0:34:53 | 0:34:55 | |
It needs to be totally transformed. On the left we've got stables. | 0:34:55 | 0:34:59 | |
We've got the old coach house to the right, with the door. | 0:34:59 | 0:35:02 | |
And above it, the old groom's quarters. | 0:35:02 | 0:35:05 | |
-Great potential. Yeah. -It could turn over some money. | 0:35:05 | 0:35:09 | |
-Yeah. -So...what do you think it's all worth? | 0:35:09 | 0:35:13 | |
-Oh, again, I think it's top end. -Mm-hm? -Yeah. | 0:35:13 | 0:35:17 | |
-One million, 25 thousand. -One million 25. Yeah. | 0:35:17 | 0:35:21 | |
I think it's going to be... | 0:35:21 | 0:35:25 | |
just slightly under the million. | 0:35:25 | 0:35:29 | |
-Hm. I wish it were. I really wish it were. -Oh, no! | 0:35:30 | 0:35:32 | |
All in all, your five acres, the coach house, | 0:35:32 | 0:35:35 | |
-an extraordinary building... -Yeah. -We agree with that. | 0:35:35 | 0:35:38 | |
-Yeah. It is amazing. -All of that will set you back | 0:35:38 | 0:35:42 | |
-1.1 million. -1.1. Yeah. -OK? | 0:35:42 | 0:35:45 | |
Look, there's a lot of it. Here is the ground plan. | 0:35:45 | 0:35:48 | |
-Oh, right! -Pages of it. It's very, very complicated. | 0:35:48 | 0:35:52 | |
-Go and study that. Have a look around. -We will. | 0:35:52 | 0:35:55 | |
-I'll catch up with you later. -Thank you so much. -Enjoy. -Thank you. | 0:35:55 | 0:36:00 | |
There is plenty to consider for £1.1 million. | 0:36:00 | 0:36:05 | |
This period property offers a total of 12 bedrooms. | 0:36:05 | 0:36:09 | |
It's got nearly five acres of land, | 0:36:09 | 0:36:11 | |
and there's a coach house that's ripe for development. | 0:36:11 | 0:36:14 | |
Based on their reactions, I think Moe and Julia can really visualise themselves in this building. | 0:36:14 | 0:36:19 | |
First impact was amazing. It is such a fabulous building. | 0:36:19 | 0:36:24 | |
I love it. | 0:36:24 | 0:36:26 | |
On the whole, I think it offers so much, | 0:36:26 | 0:36:29 | |
both to us in terms of a project, but also to potential customers | 0:36:29 | 0:36:34 | |
if we were to go ahead and develop it. | 0:36:34 | 0:36:36 | |
-This makes sense of it now. -It does. Better layout. | 0:36:36 | 0:36:39 | |
-Yeah, and potential over here. -Especially with these buildings. | 0:36:39 | 0:36:43 | |
-Have you figured it out yet? -We've sorted out the first floor, | 0:36:43 | 0:36:46 | |
-and that's about it. -You've got several pages to go! | 0:36:46 | 0:36:49 | |
This is an amazing building. There is so much to it. | 0:36:49 | 0:36:53 | |
It's going to take a while for it all to sink in. | 0:36:53 | 0:36:55 | |
The key thing is to get you away from here, | 0:36:55 | 0:36:57 | |
somewhere quiet where you can think about everything we've shown you, | 0:36:57 | 0:37:01 | |
-and then I shall quiz you about what happens next. -Oh, no! | 0:37:01 | 0:37:04 | |
-Come on. -Thank you. | 0:37:04 | 0:37:06 | |
From the fell-wandering guides of Alfred Wainwright | 0:37:10 | 0:37:14 | |
to the poetry of Wordsworth, the Lake District has inspired writers | 0:37:14 | 0:37:17 | |
for centuries, and in these parts, storytelling is considered no less of an art. | 0:37:17 | 0:37:22 | |
One of the local pubs in the Wasdale Valley has long been the stage | 0:37:22 | 0:37:26 | |
for many a tall tale. | 0:37:26 | 0:37:28 | |
Home to the World's Biggest Liar Competition, | 0:37:28 | 0:37:30 | |
I've come to the Santon Bridge inn to meet Howard Christie, | 0:37:30 | 0:37:33 | |
previous winner of this prestigious title. | 0:37:33 | 0:37:36 | |
Oh, very good. Hi, Howard. How are you? | 0:37:37 | 0:37:39 | |
-Good. -Nice to see you. -And you. | 0:37:39 | 0:37:41 | |
Cheers. Now, then, you are a past master at this lying game. | 0:37:41 | 0:37:45 | |
When did you first enter it? | 0:37:45 | 0:37:47 | |
I think 1997. | 0:37:47 | 0:37:50 | |
Certainly last century. | 0:37:50 | 0:37:52 | |
-And how many times have you won it? -I've won it twice and come third once. | 0:37:52 | 0:37:56 | |
'The competition is held in memory of Will Ritson, | 0:37:56 | 0:38:00 | |
'a 19th-century publican that insisted he'd mated his foxhound | 0:38:00 | 0:38:04 | |
'with an eagle, so the pups could jump over the Lake District's drystone walls.' | 0:38:04 | 0:38:09 | |
Give us a sense of the rules, as a past winner. | 0:38:09 | 0:38:12 | |
You get up, you stand up, and you speak your lie, | 0:38:12 | 0:38:16 | |
and the idea being that should be the start of a story | 0:38:16 | 0:38:19 | |
which has got maybe a little bit of truth in it, | 0:38:19 | 0:38:22 | |
and then it leads on into something that's a little bit more surreal | 0:38:22 | 0:38:26 | |
and a bit more fun. | 0:38:26 | 0:38:29 | |
'Under the tongue-in-cheek rules, | 0:38:29 | 0:38:31 | |
'politicians and lawyers are banned from taking part, | 0:38:31 | 0:38:35 | |
'as they are considered too practised in the art.' | 0:38:35 | 0:38:37 | |
What do you win? Is there a trophy, a ribbon, or... | 0:38:37 | 0:38:41 | |
There's a very large trophy. | 0:38:41 | 0:38:43 | |
It takes about three people to lift it. | 0:38:43 | 0:38:46 | |
There is a very large monetary prize, | 0:38:46 | 0:38:49 | |
and, of course, best of all, there is a tie. | 0:38:49 | 0:38:52 | |
The only thing I believe there is the tie. | 0:38:52 | 0:38:55 | |
-No, no. All three are true. -So, how much money's involved? | 0:38:55 | 0:38:58 | |
Well, for these parts, it's huge. It's £25. | 0:38:58 | 0:39:01 | |
Oh, right. So it is a big prize. And how big is the cup? | 0:39:01 | 0:39:04 | |
-Is it like the fish? Does it get bigger every year? -It's huge. | 0:39:04 | 0:39:07 | |
It is big. It does require two or three sturdy lads to carry it. | 0:39:07 | 0:39:12 | |
HE LAUGHS | 0:39:12 | 0:39:13 | |
-At no point am I going to get any truth out of you, am I? -Not really. | 0:39:13 | 0:39:18 | |
Well, Howard, I wish you all the very best of luck, mate, | 0:39:18 | 0:39:21 | |
-in November. Here's to a third victory. Cheers. -Cheers. | 0:39:21 | 0:39:24 | |
Legend has it that a visiting bishop who stumbled across the contest | 0:39:25 | 0:39:29 | |
declared, "I've never told a lie in my life." | 0:39:29 | 0:39:32 | |
The judges promptly declared him that year's winner, | 0:39:32 | 0:39:35 | |
and if you believe that, I know of a bridge that's for sale. | 0:39:35 | 0:39:38 | |
Well, it is, of course, now decision time for Moe and for Julia. | 0:39:40 | 0:39:45 | |
When we first set out on this house search, | 0:39:45 | 0:39:47 | |
they said they wanted us to give them new perspectives, | 0:39:47 | 0:39:50 | |
different options on finding their ideal country retreat. | 0:39:50 | 0:39:53 | |
My concern is that we've left them a little bit spoilt for choice. | 0:39:53 | 0:39:57 | |
Well, let's go and ask them. | 0:39:57 | 0:39:59 | |
-Well, guys, how are we? -Hi. | 0:40:05 | 0:40:07 | |
-Very good, thank you. -A little bit confused, possibly? | 0:40:07 | 0:40:11 | |
Just a bit. THEY LAUGH | 0:40:11 | 0:40:13 | |
When we met originally, you said you wanted a different perspective | 0:40:13 | 0:40:18 | |
on your search. Have we given you that? | 0:40:18 | 0:40:20 | |
-Certainly. -Yeah, I think so. In all three properties, | 0:40:20 | 0:40:23 | |
-there's been something different to take in. -Good. | 0:40:23 | 0:40:26 | |
-So, yeah. -OK. | 0:40:26 | 0:40:28 | |
Let's think about the first one - an up-and-running B&B | 0:40:28 | 0:40:32 | |
with three holiday lets underneath it, | 0:40:32 | 0:40:35 | |
with the caravan site, as well. | 0:40:35 | 0:40:37 | |
What do you think about that one? | 0:40:37 | 0:40:40 | |
I liked the fact it was very homely. | 0:40:40 | 0:40:43 | |
-It was a fabulous location. -Yeah? | 0:40:43 | 0:40:45 | |
I liked the barn, the ability to do the three different things there, | 0:40:45 | 0:40:50 | |
the B&B, the lets and the caravan. It's a good thing. | 0:40:50 | 0:40:53 | |
I wouldn't want to dismiss it without thinking about it again. | 0:40:53 | 0:40:57 | |
Then we took you to our second property, | 0:40:57 | 0:40:59 | |
which, I have to say, I thought was extraordinary. | 0:40:59 | 0:41:02 | |
Yeah. It was beautiful. I love the location, | 0:41:02 | 0:41:06 | |
love the building. Everything was just beautiful. | 0:41:06 | 0:41:09 | |
It really was. I loved it, really, really loved it. | 0:41:09 | 0:41:13 | |
In particular, what was impressive was the private accommodation, | 0:41:13 | 0:41:17 | |
because all the things we've looked at so far, | 0:41:17 | 0:41:19 | |
it's been an issue with the private accommodation - | 0:41:19 | 0:41:22 | |
either you're in the basement, or there isn't enough space. | 0:41:22 | 0:41:25 | |
That gave us everything, and the standard, as well. Very impressive. | 0:41:25 | 0:41:29 | |
By the time we'd finished our second day, | 0:41:29 | 0:41:31 | |
and that wonderful building, I was thinking we'd done it all. | 0:41:31 | 0:41:35 | |
But we had one more to come, of course - the mystery house. | 0:41:35 | 0:41:38 | |
Come on, Moe. I thought you rather fell in love with that one. | 0:41:38 | 0:41:41 | |
I think it's a fantastic building. | 0:41:41 | 0:41:44 | |
Location-wise it gives us what we were after, | 0:41:44 | 0:41:46 | |
despite the fact that it's outside the National Park. | 0:41:46 | 0:41:49 | |
I think what it gave us was the country feel. | 0:41:49 | 0:41:51 | |
It's got plenty of space around it. But the building itself, | 0:41:51 | 0:41:55 | |
both the exterior and the interior, fantastic. | 0:41:55 | 0:41:57 | |
That's the sort of impression you want to create | 0:41:57 | 0:42:00 | |
-when you have paying guests. -Yeah. Julia? | 0:42:00 | 0:42:04 | |
For me, being outside the National Park, | 0:42:04 | 0:42:07 | |
it's going to have to take a little bit of adjustment, | 0:42:07 | 0:42:09 | |
but I think it has so many pluses for it. | 0:42:09 | 0:42:15 | |
So we have given you a really interesting range of possibilities. | 0:42:15 | 0:42:19 | |
What would be your choice, left to your own devices? | 0:42:19 | 0:42:22 | |
It would be between the second house and the mystery for me, definitely. | 0:42:22 | 0:42:25 | |
And Moe? | 0:42:25 | 0:42:27 | |
I would go for the mystery house straight away. | 0:42:27 | 0:42:30 | |
Brilliant. It's been a real treat showing you round. | 0:42:30 | 0:42:33 | |
You've been fantastic sports. Let us know how you get on, | 0:42:33 | 0:42:36 | |
-and, as ever, best of luck. -Thank you so much. | 0:42:36 | 0:42:39 | |
It's been brilliant. | 0:42:39 | 0:42:41 | |
When the weather is like this, I defy anybody | 0:42:45 | 0:42:48 | |
not to fall in love with Cumbria, | 0:42:48 | 0:42:50 | |
which is exactly what Moe and Julia have done. | 0:42:50 | 0:42:53 | |
And the property market hasn't disappointed us either. | 0:42:53 | 0:42:56 | |
We've given them some fantastic options. | 0:42:56 | 0:42:58 | |
But I suspect the planning and the thinking will go on for some time. | 0:42:58 | 0:43:02 | |
When eventually they do create their gorgeous bespoke boutique B&B, | 0:43:02 | 0:43:06 | |
next time I come up here, I know where I'll be staying. | 0:43:06 | 0:43:09 | |
I'll see you next time. | 0:43:09 | 0:43:11 | |
If you'd like to escape to the country | 0:43:11 | 0:43:14 | |
in Northern Ireland, Scotland, Wales or England, | 0:43:14 | 0:43:16 | |
and would like our help, then, please apply online. | 0:43:16 | 0:43:19 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:27 | |
E-mail [email protected] | 0:43:27 | 0:43:31 | |
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