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"That's she, the only she. Make an honest woman of her, quick." | 0:00:02 | 0:00:05 | |
That was the reaction of one of England's most famous 19th and 20th century's writers | 0:00:05 | 0:00:11 | |
on first seeing this stunning Jacobean property. | 0:00:11 | 0:00:14 | |
Who was he, and where am I? Find out in just a moment. | 0:00:14 | 0:00:17 | |
In today's show, I'll be helping a dynamic couple | 0:00:30 | 0:00:32 | |
swap city living for a breath of fresh air in the country. | 0:00:32 | 0:00:36 | |
But it comes with its challenges. | 0:00:36 | 0:00:39 | |
Would you have to do a lot of work here? | 0:00:39 | 0:00:41 | |
-WOMAN: No, I... MAN: -Yes. | 0:00:41 | 0:00:43 | |
So we resort to shock tactics. | 0:00:43 | 0:00:45 | |
-What?! -Wow! | 0:00:45 | 0:00:47 | |
You're joking? | 0:00:47 | 0:00:49 | |
And the mystery house gets the ultimate reaction. | 0:00:49 | 0:00:52 | |
Wow. | 0:00:52 | 0:00:53 | |
And a "wow" from Nick. | 0:00:53 | 0:00:55 | |
Today, I'm in Sussex, and this is Bateman's, | 0:00:57 | 0:01:00 | |
the former home of Rudyard Kipling. | 0:01:00 | 0:01:03 | |
Now, suffering from a serious case of love at first sight, | 0:01:03 | 0:01:06 | |
Kipling bought this house in 1902 for the princely sum of £9,300. | 0:01:06 | 0:01:13 | |
Both the house and the grounds became a place | 0:01:13 | 0:01:16 | |
of inspiration and sanctuary for the world-famous author. | 0:01:16 | 0:01:19 | |
He spent 34 happy years here, | 0:01:19 | 0:01:21 | |
surrounded by the beautiful countryside of Sussex. | 0:01:21 | 0:01:26 | |
Neighbouring Kent, Surrey and Hampshire, | 0:01:27 | 0:01:29 | |
Sussex's borders are home to over 600 square miles | 0:01:29 | 0:01:32 | |
of undulating rural landscape. | 0:01:32 | 0:01:36 | |
And since April, 2010, the county formally encompasses the South Downs National Park, | 0:01:36 | 0:01:41 | |
stretching as far as the yawning chalky cliffs at Beachy Head, | 0:01:41 | 0:01:45 | |
near Eastbourne. | 0:01:45 | 0:01:46 | |
Besides a geological history spanning some 40 million years, | 0:01:46 | 0:01:50 | |
the date of 1066 is inextricably linked with this county, | 0:01:50 | 0:01:53 | |
as it was at Hastings, the Normans sealed their victory, | 0:01:53 | 0:01:57 | |
the architectural remains of their glory years | 0:01:57 | 0:02:00 | |
surviving to this day in towns such as Lewes. | 0:02:00 | 0:02:03 | |
There are plenty of period properties that echo the county's rich history, | 0:02:03 | 0:02:07 | |
from elegant Georgian mansions, built in its naval heyday, | 0:02:07 | 0:02:11 | |
to the classic red-brick, tile-hung and weather-boarded houses. | 0:02:11 | 0:02:15 | |
In terms of property, West Sussex is the seventh most expensive county in England, | 0:02:17 | 0:02:24 | |
with prices an eye-watering 41% higher than the national average. | 0:02:24 | 0:02:28 | |
Now, East Sussex is slightly cheaper, but the closer you are to mainline stations into London, | 0:02:28 | 0:02:33 | |
the more expensive and desirable the properties become. | 0:02:33 | 0:02:36 | |
In fact, in Sussex, properties are so desirable at times | 0:02:36 | 0:02:39 | |
that they are sold within hours of going onto market. | 0:02:39 | 0:02:42 | |
So, why don't you take a look at some of the properties on offer right now in Sussex, | 0:02:42 | 0:02:46 | |
because they may not be for long. | 0:02:46 | 0:02:48 | |
For £750,000, this three-bedroom, traditional Sussex cottage | 0:02:48 | 0:02:53 | |
on the edge of Lurgashall | 0:02:53 | 0:02:55 | |
has a wealth of historic features | 0:02:55 | 0:02:57 | |
throughout its spacious reception rooms, | 0:02:57 | 0:02:59 | |
all wrapped up in just over three quarters of an acre of gardens. | 0:02:59 | 0:03:03 | |
This cottage in Bells Yew Green for £500,000 | 0:03:04 | 0:03:08 | |
is full of rustic period features | 0:03:08 | 0:03:10 | |
that run throughout its comfortable reception areas, | 0:03:10 | 0:03:13 | |
with its four bedrooms also offset by those exposed beams. | 0:03:13 | 0:03:17 | |
For a slice of history from the 1800s, what about this four-bedroom converted schoolhouse in Fairlight? | 0:03:18 | 0:03:24 | |
Priced at £350,000, its high ceilings and arched windows | 0:03:24 | 0:03:29 | |
are impressive, with clean lines | 0:03:29 | 0:03:31 | |
and light, bright rooms continuing upstairs. | 0:03:31 | 0:03:34 | |
Some smashing Sussex properties there, and three more coming up. | 0:03:36 | 0:03:40 | |
But will any of them tempt today's buyers? | 0:03:40 | 0:03:43 | |
Well, only time will tell, so let's meet them. | 0:03:43 | 0:03:45 | |
Nick, who runs his own IT company, and Sarah, a fitness instructor - | 0:03:45 | 0:03:49 | |
along with their two children and dogs - | 0:03:49 | 0:03:52 | |
have lived in their four-bedroom semi-detached home | 0:03:52 | 0:03:54 | |
in Wimbledon, south-west London, for the past eight years, | 0:03:54 | 0:03:58 | |
during which time they have completely renovated their property. | 0:03:58 | 0:04:01 | |
The first night, I cried and said, "What have we done?" It was hideous, wasn't it? Absolutely horrific. | 0:04:01 | 0:04:07 | |
And it's taken... Well, it's taken seven years, hasn't it, to sort of get it together? | 0:04:07 | 0:04:12 | |
And of course, typically for us, as soon as we've finished it, we want to move. | 0:04:12 | 0:04:16 | |
Although Nick's a self-confessed urbanite, | 0:04:16 | 0:04:19 | |
he's had a change of heart. | 0:04:19 | 0:04:20 | |
I always thought I was a city boy, | 0:04:20 | 0:04:22 | |
and wanted to stay in the city, but I've come around to the idea | 0:04:22 | 0:04:26 | |
that it would be fantastic to move out and have a lot more space. | 0:04:26 | 0:04:29 | |
But his decision has come after a lot of persuasion from Sarah. | 0:04:29 | 0:04:33 | |
I've spent the last two years getting brochures, and selling it, basically. | 0:04:33 | 0:04:39 | |
And she has her reasons. | 0:04:39 | 0:04:41 | |
Basically, Gabby's nearly 11, and you know, we live in a nice area, | 0:04:41 | 0:04:45 | |
but I can't open the front door and the kids can't run out | 0:04:45 | 0:04:48 | |
and have the freedom that I had when I was a kid. | 0:04:48 | 0:04:50 | |
I tend to run around like an absolute lunatic around London, as does Nick, | 0:04:50 | 0:04:54 | |
and I think we need that time with the kids to just be a family | 0:04:54 | 0:04:57 | |
and to spend more time with each other, doing simple things, really. | 0:04:57 | 0:05:01 | |
At least they can agree on HOW they're going to spend their time. | 0:05:01 | 0:05:04 | |
I used to cycle quite a lot - a lot of mountain biking when it was first invented. | 0:05:04 | 0:05:08 | |
So, I'd like to do that again with the kids as they grow up. | 0:05:08 | 0:05:11 | |
I'd like to...kind of relax a bit as well, | 0:05:11 | 0:05:14 | |
because being in the city, being so connected to work... | 0:05:14 | 0:05:18 | |
I'll have him working in the garden, because I want a big garden, you see? | 0:05:18 | 0:05:21 | |
That's my plan. SHE LAUGHS | 0:05:21 | 0:05:24 | |
Sarah currently has her own gym, but with this move, she wants to go bigger. | 0:05:24 | 0:05:28 | |
What I want to do is set up fitness boot camps, training camps, in and around Sussex. | 0:05:28 | 0:05:33 | |
They're united on looking in Sussex villages | 0:05:33 | 0:05:35 | |
with good train access to London for Nick, | 0:05:35 | 0:05:38 | |
but can they agree on the house? | 0:05:38 | 0:05:40 | |
I can't stand twee, or low ceilings. | 0:05:40 | 0:05:43 | |
-Or, in fact, wobbly houses, so... -I like wobbly houses. | 0:05:43 | 0:05:48 | |
When we're looking for character, | 0:05:48 | 0:05:49 | |
I'm not looking for a low-ceiling, beamed house. | 0:05:49 | 0:05:52 | |
You see, I love that. | 0:05:52 | 0:05:53 | |
That's because you're short. | 0:05:53 | 0:05:56 | |
Because I'm 5'4", and he's 6'1". | 0:05:56 | 0:05:59 | |
So I love, and I'm obsessed with all the sort of... | 0:05:59 | 0:06:01 | |
not mock Tudor, but real Tudor, and real, old character. | 0:06:01 | 0:06:04 | |
But that's where the big problem is. He absolutely hates it. | 0:06:04 | 0:06:09 | |
You know, I do know what Nick wants and needs | 0:06:09 | 0:06:12 | |
for where we're going to live, | 0:06:12 | 0:06:14 | |
and equally, you know what I want and need, too. | 0:06:14 | 0:06:16 | |
The next property needs to have four bedrooms, | 0:06:16 | 0:06:19 | |
I guess two reception rooms. | 0:06:19 | 0:06:22 | |
Well, my absolute must-have is a really big garden. | 0:06:22 | 0:06:25 | |
That's really important to me - | 0:06:25 | 0:06:27 | |
no less than three quarters of an acre. | 0:06:27 | 0:06:29 | |
At the moment, they're planning on renting out their current property, | 0:06:29 | 0:06:33 | |
so how much do they have to spend for their move? | 0:06:33 | 0:06:36 | |
The budget is £500,000. There's a little bit of flexibility there. | 0:06:36 | 0:06:40 | |
It's pretty obvious that Sarah is the driving force behind the family's decision to quit city life. | 0:06:43 | 0:06:49 | |
It has taken her five long years to convince confirmed urbanite, Nick, | 0:06:49 | 0:06:54 | |
to leave his beloved London behind forever. | 0:06:54 | 0:06:56 | |
It's also perfectly apparent that after a tearful and shaky start, | 0:06:56 | 0:07:00 | |
they both now love their house in Wimbledon so much, | 0:07:00 | 0:07:04 | |
they want to keep it and rent it out. | 0:07:04 | 0:07:06 | |
But we also know that they've chosen to move to a very expensive part of the country. | 0:07:06 | 0:07:10 | |
And whilst they're both willing - even eager - to take on a project, | 0:07:10 | 0:07:14 | |
I am extremely worried that their half-a-million-pound budget | 0:07:14 | 0:07:17 | |
still won't be enough to get them everything they want. | 0:07:17 | 0:07:20 | |
So, something is going to have to give. | 0:07:20 | 0:07:23 | |
They've since decided to put their house on the market, | 0:07:24 | 0:07:27 | |
which now arms them with a generous budget of £750,000. | 0:07:27 | 0:07:31 | |
So, with that, and their need to have road and rail access to London in mind, | 0:07:31 | 0:07:36 | |
we're basing Nick and Sarah's property search in East Sussex, | 0:07:36 | 0:07:39 | |
where they'll get a bit more for their money | 0:07:39 | 0:07:42 | |
than they would over the border in West Sussex. | 0:07:42 | 0:07:45 | |
We've found three gorgeous family homes to show them, | 0:07:45 | 0:07:48 | |
but I won't be revealing the price tag of each | 0:07:48 | 0:07:50 | |
until they've had a guess first. The last is our mystery house, | 0:07:50 | 0:07:54 | |
which adds a totally different dimension to their search. | 0:07:54 | 0:07:58 | |
Good morning, guys. Glad to see you've made it to leafy Sussex. | 0:07:59 | 0:08:02 | |
-Only five years it took you to get here. -Yes! -How are you feeling, Nick? | 0:08:02 | 0:08:06 | |
Really good. | 0:08:06 | 0:08:07 | |
-Not too worried about making this big move? -Not at all, no. | 0:08:07 | 0:08:10 | |
Sussex is commutable to London, but that does make it very popular with ex-city people, | 0:08:10 | 0:08:15 | |
and therefore one of the more expensive places in the country. | 0:08:15 | 0:08:19 | |
I also know it's a big step for you and it shows your commitment | 0:08:19 | 0:08:22 | |
to making this move and changing your family's whole lifestyle. | 0:08:22 | 0:08:26 | |
It is a bit scary, but we're ready for it. | 0:08:26 | 0:08:28 | |
You're ready to let go of Wimbledon? | 0:08:28 | 0:08:30 | |
I think so. | 0:08:30 | 0:08:31 | |
While you're in that mood, let's not spend any more time talking about it and go and see some properties! | 0:08:31 | 0:08:37 | |
With a budget of £750,000, | 0:08:39 | 0:08:42 | |
Nick and Sarah are after a detached property, | 0:08:42 | 0:08:44 | |
with high ceilings for him, but rustic beams for her. | 0:08:44 | 0:08:48 | |
Also on the wish list | 0:08:48 | 0:08:49 | |
is a large family kitchen, four bedrooms, | 0:08:49 | 0:08:52 | |
at least three quarters of an acre garden, | 0:08:52 | 0:08:55 | |
with the scope for a gym, music room and ideally, | 0:08:55 | 0:08:58 | |
space for Sarah to realise her boot camp idea. | 0:08:58 | 0:09:01 | |
And it must be located near schools | 0:09:01 | 0:09:03 | |
and a mainline train station | 0:09:03 | 0:09:05 | |
for Nick's commute into London. | 0:09:05 | 0:09:07 | |
For our first property, we're heading to the village of Pett, | 0:09:12 | 0:09:15 | |
with an array of attractive period housing stock | 0:09:15 | 0:09:18 | |
and its own farm shop. | 0:09:18 | 0:09:19 | |
They can take in the sea air with the beach only half a mile away. | 0:09:19 | 0:09:23 | |
And among the selection of period properties | 0:09:23 | 0:09:27 | |
is this Arts and Crafts house, built at the end of the 1920s. | 0:09:27 | 0:09:31 | |
This is the first property. | 0:09:31 | 0:09:33 | |
Wow, that is big! | 0:09:33 | 0:09:36 | |
That was a "wow". Nick? | 0:09:36 | 0:09:37 | |
That's quite funny, it's like the house I used to live in when I was a kid. | 0:09:37 | 0:09:41 | |
-Really?! -It is, isn't it? | 0:09:41 | 0:09:44 | |
-Ah! -It looks like it's going to have high ceilings as well, I think. | 0:09:44 | 0:09:47 | |
You lucky boy! | 0:09:47 | 0:09:49 | |
I get the feeling you're going to like it here. | 0:09:49 | 0:09:52 | |
-I'm just staring at it now. -Let's see if you like the inside. | 0:09:52 | 0:09:55 | |
There's no doubt that our property has impressed them at the outset. | 0:09:56 | 0:10:00 | |
Let's hope those high spirits continue inside. | 0:10:00 | 0:10:03 | |
In we come. | 0:10:03 | 0:10:05 | |
Very, very big hallway, as you'd expect with a house this size. | 0:10:05 | 0:10:09 | |
I love big hallways. | 0:10:09 | 0:10:11 | |
-It's fantastic. -So, come through to your formal living room. | 0:10:11 | 0:10:16 | |
It's lovely, it's lovely. | 0:10:16 | 0:10:18 | |
-It's a good size. -I think it's great. | 0:10:18 | 0:10:20 | |
It's got a lovely atmosphere about it. I really like it. | 0:10:20 | 0:10:23 | |
And does it fit your style? | 0:10:23 | 0:10:24 | |
I know you two spent a lot of time in Wimbledon, | 0:10:24 | 0:10:27 | |
re-doing it and making it the way you want it. | 0:10:27 | 0:10:30 | |
Would you have to do a lot of work here? | 0:10:30 | 0:10:32 | |
-No, I... -Yes. | 0:10:32 | 0:10:33 | |
LAUGHTER | 0:10:33 | 0:10:35 | |
Love it! | 0:10:35 | 0:10:37 | |
Wow, what different reactions. While Sarah is fizzing with excitement, | 0:10:37 | 0:10:42 | |
Nick's being more level-headed. | 0:10:42 | 0:10:44 | |
But maybe there's a project next door | 0:10:44 | 0:10:46 | |
that they'd both be happy to take on. | 0:10:46 | 0:10:48 | |
-Hmm... -It's a bit small. | 0:10:48 | 0:10:51 | |
That's how I thought you were going to react. | 0:10:51 | 0:10:54 | |
Yeah, it's a bit small. | 0:10:54 | 0:10:56 | |
-What's that out there? -Good question. Let's move forward. | 0:10:56 | 0:11:00 | |
There's potential, of course there is. | 0:11:00 | 0:11:02 | |
Would we show you a kitchen that was too small without an option? | 0:11:02 | 0:11:05 | |
Of course not! Here, this little extra section is essentially a utility space. | 0:11:05 | 0:11:09 | |
However, we've already spoken to the local council and the planners, | 0:11:09 | 0:11:13 | |
and you wouldn't need planning permission if you went four metres and did a single storey... | 0:11:13 | 0:11:18 | |
-Really? -..from here, out. | 0:11:18 | 0:11:20 | |
-Wow, that's quite far. -That would take you to the edge there. | 0:11:20 | 0:11:24 | |
-That would make it the size that we would want it to be. -There you go. -Well done! Very good. | 0:11:24 | 0:11:29 | |
So, taking that into consideration... | 0:11:29 | 0:11:32 | |
It's really big. | 0:11:32 | 0:11:33 | |
-..what do you think of this kitchen, or the potential for this kitchen? -I think it's all right, now! | 0:11:33 | 0:11:38 | |
And they've got more reception areas on the other side of the hallway, | 0:11:38 | 0:11:42 | |
with a second smart sitting room | 0:11:42 | 0:11:44 | |
and a third room which Nick could use as his music den. | 0:11:44 | 0:11:47 | |
The downstairs of this Arts and Crafts property | 0:11:47 | 0:11:50 | |
has the period elegance and space they're looking for. | 0:11:50 | 0:11:53 | |
And those generous proportions continue upstairs. | 0:11:53 | 0:11:56 | |
Leading off the spacious landing are the five bedrooms - | 0:11:56 | 0:11:59 | |
all well-decorated doubles and a very good size. | 0:11:59 | 0:12:02 | |
What's more, there's a bathroom and separate shower room. | 0:12:02 | 0:12:06 | |
But they should definitely claim this as their room. | 0:12:06 | 0:12:09 | |
The reason I say this should be the master suite | 0:12:09 | 0:12:12 | |
is because not only does it have a little dressing room tucked behind there, | 0:12:12 | 0:12:16 | |
it also has an en-suite bathroom | 0:12:16 | 0:12:18 | |
with bath and shower just over there. | 0:12:18 | 0:12:20 | |
As you can see, they have so many bedrooms, | 0:12:20 | 0:12:22 | |
-they're using this as a boudoir at the moment. -Fantastic. | 0:12:22 | 0:12:26 | |
Do you know what? I've always wanted a dressing room. | 0:12:26 | 0:12:29 | |
Perhaps! | 0:12:29 | 0:12:30 | |
So what are you thinking? | 0:12:30 | 0:12:32 | |
-You'd like to keep this like that? -Oh, yeah! -Sorry, Nick. | 0:12:32 | 0:12:36 | |
I'm not getting the vibe at the moment. | 0:12:36 | 0:12:38 | |
I have to see it in its entirety, then I can start planning it all out. | 0:12:38 | 0:12:42 | |
Well, hopefully seeing another master option might change his view. | 0:12:42 | 0:12:45 | |
Now, look at this for a bedroom, | 0:12:45 | 0:12:47 | |
and...that for a view. | 0:12:47 | 0:12:50 | |
It's lovely, really lovely. | 0:12:50 | 0:12:52 | |
-Are you feeling any warmer towards the property now? -No. -No? | 0:12:52 | 0:12:56 | |
There's a sort of heart and there's a head thing going on. | 0:12:56 | 0:12:59 | |
My heart's not in this one for the moment. | 0:12:59 | 0:13:02 | |
I think this house is a fantastic opening gambit, | 0:13:02 | 0:13:05 | |
that gives them the space and period character they asked for. | 0:13:05 | 0:13:09 | |
And outside might convince Nick, | 0:13:09 | 0:13:11 | |
as there's three quarters of an acre of tiered gardens, | 0:13:11 | 0:13:14 | |
so lots of space for the dogs and children to roam in, | 0:13:14 | 0:13:17 | |
with little secret corners tucked away among its mature trees. | 0:13:17 | 0:13:20 | |
It's quite a unique setting, but does it work for them? | 0:13:20 | 0:13:25 | |
We are up into the hills, which is why you get the wonderful views. | 0:13:26 | 0:13:30 | |
How are you feeling about this type of garden? | 0:13:30 | 0:13:32 | |
Well, I like it. I like the idea of levels | 0:13:32 | 0:13:34 | |
and little, sort of secret areas to hide in and play around. | 0:13:34 | 0:13:38 | |
What do you think? | 0:13:38 | 0:13:40 | |
Well... | 0:13:40 | 0:13:41 | |
-LAUGHTER -I'm guessing if you say you like it, you've got a different opinion! | 0:13:41 | 0:13:45 | |
It's, erm... | 0:13:45 | 0:13:47 | |
Er, you know, it is quite a nice garden. | 0:13:47 | 0:13:49 | |
It could be a bit flatter, maybe. | 0:13:49 | 0:13:52 | |
I'm going to sound so picky, aren't I? | 0:13:52 | 0:13:54 | |
No, but it's about what works for you. | 0:13:54 | 0:13:56 | |
Now you've seen the house and the garden and the views, | 0:13:56 | 0:13:59 | |
have you made an opinion on how much you think it's worth? | 0:13:59 | 0:14:02 | |
So, I think it's £695,000. | 0:14:02 | 0:14:06 | |
-OK. -And I think it's £650,000. | 0:14:06 | 0:14:08 | |
There's a big difference there. Shall I put you out of your misery? | 0:14:08 | 0:14:12 | |
BOTH: Yes. | 0:14:12 | 0:14:13 | |
You're right. You win this round. | 0:14:13 | 0:14:15 | |
-That's a surprise. -It is on at £650,000. | 0:14:15 | 0:14:18 | |
-Brilliant. -So, it's a hundred grand under your budget, | 0:14:18 | 0:14:21 | |
which does mean the changes we talked about in the house are do-able. | 0:14:21 | 0:14:25 | |
-Go and spend some time in the house, and I'll see you later. -We will do. | 0:14:25 | 0:14:29 | |
Under budget at £650,000, perhaps the £100,000 saving | 0:14:33 | 0:14:38 | |
will persuade Nick to warm to this Arts and Crafts house. | 0:14:38 | 0:14:41 | |
It's a great proposition, | 0:14:41 | 0:14:43 | |
giving them four large reception areas, | 0:14:43 | 0:14:45 | |
a kitchen ripe for extension | 0:14:45 | 0:14:47 | |
with the money they have left over, | 0:14:47 | 0:14:49 | |
five bedrooms with a potential master suite, | 0:14:49 | 0:14:52 | |
three quarters of an acre of grounds, | 0:14:52 | 0:14:54 | |
and a spectacular rural location, | 0:14:54 | 0:14:56 | |
but with a mainline train station | 0:14:56 | 0:14:58 | |
in nearby Hastings, | 0:14:58 | 0:14:59 | |
giving Nick only an | 0:14:59 | 0:15:00 | |
hour and a half's commute to London. | 0:15:00 | 0:15:03 | |
When I first saw it, I thought, "Wow, that's amazing." | 0:15:03 | 0:15:06 | |
The location was fantastic, the house looked really impressive. | 0:15:06 | 0:15:10 | |
In terms of all the things in this house that we've asked for - | 0:15:10 | 0:15:14 | |
-large hallway... -Yep, that's a tick. -..nice living room... | 0:15:14 | 0:15:19 | |
I like the garden, location's good. I'm just... I'm just not feeling it. | 0:15:19 | 0:15:26 | |
-Hello. -Hello. -I've been taking in the view out here. | 0:15:28 | 0:15:31 | |
Have you seen enough in there? | 0:15:31 | 0:15:33 | |
-We have, we have. -Yes. -Let's keep going, then. | 0:15:33 | 0:15:36 | |
Along with the spectacular hinterland of the South Downs National Park, | 0:15:47 | 0:15:51 | |
Sussex also racks up an impressive coastline of 106 miles, | 0:15:51 | 0:15:55 | |
where throughout its towns, | 0:15:55 | 0:15:57 | |
the Normans wasted no time in making their architectural mark. | 0:15:57 | 0:16:01 | |
Chichester in West Sussex is home to a prime example. | 0:16:01 | 0:16:05 | |
Work on its imposing cathedral started in 1070, | 0:16:05 | 0:16:08 | |
although much of what remains today dates back to the 1300s. | 0:16:08 | 0:16:12 | |
Its medieval spire is reputedly the only one in the UK that can be seen from the sea, | 0:16:12 | 0:16:18 | |
and is thought to have been used as a navigational aid. | 0:16:18 | 0:16:21 | |
Chichester wears its architectural heritage on its sleeve, | 0:16:22 | 0:16:26 | |
with over 500 listed buildings - many of them Georgian. | 0:16:26 | 0:16:30 | |
But in many cases, it's only skin-deep. | 0:16:30 | 0:16:33 | |
Earlier in the week, we sent Nick and Sarah | 0:16:33 | 0:16:36 | |
to meet local guide, Colin Clark, to find out more. | 0:16:36 | 0:16:40 | |
Are all the houses here Georgian? | 0:16:40 | 0:16:42 | |
Not entirely, because it's rather deceiving. | 0:16:42 | 0:16:45 | |
We've got Georgian frontages on many of the buildings that are, in fact, medieval. | 0:16:45 | 0:16:50 | |
They were...sort of upgraded for status, as much as anything, | 0:16:50 | 0:16:55 | |
during the 18th century. | 0:16:55 | 0:16:57 | |
And many builders actually reveal timbers and things | 0:16:57 | 0:17:00 | |
which date back way before the Georgian period. | 0:17:00 | 0:17:03 | |
The 18th century was a time of commercial prosperity in the city, | 0:17:04 | 0:17:08 | |
as grain and livestock were traded at market | 0:17:08 | 0:17:10 | |
and taken to Portsmouth to supply the Naval fleet. | 0:17:10 | 0:17:13 | |
A few miles from the city centre, Chichester harbour | 0:17:13 | 0:17:16 | |
is a marine playground for wildlife and boat enthusiasts alike. | 0:17:16 | 0:17:20 | |
And as Sarah and Nick have never flexed their sea legs before, | 0:17:20 | 0:17:24 | |
we asked master sailor, Nick Jones, | 0:17:24 | 0:17:26 | |
to give them a taste of life on the waves, | 0:17:26 | 0:17:28 | |
although reservations seem to be creeping in. | 0:17:28 | 0:17:31 | |
Nick does get a little bit seasick. He might not admit that today. | 0:17:31 | 0:17:36 | |
I don't think he'll get seasick today. | 0:17:36 | 0:17:38 | |
It's quite flat and there's not too much wind, | 0:17:38 | 0:17:41 | |
so we should be able to cope with that. | 0:17:41 | 0:17:44 | |
So, with life jackets donned, it's time to put them through their paces. | 0:17:44 | 0:17:48 | |
What we're trying to do, Nick, basically, is keep the boat level. | 0:17:48 | 0:17:53 | |
It goes fastest when it's level. | 0:17:53 | 0:17:55 | |
-I think Nick's pretty much a natural. -He's good, isn't he? | 0:17:55 | 0:17:59 | |
-Can you, er, crack open a few beers? -I'm just trying to stay alive! | 0:17:59 | 0:18:04 | |
SHE SCREAMS | 0:18:04 | 0:18:06 | |
One of the key sailing skills is tacking, where you change direction | 0:18:06 | 0:18:09 | |
by turning the front - or bow - of the boat up through the wind. | 0:18:09 | 0:18:13 | |
In three, two, one, tacking now. | 0:18:13 | 0:18:17 | |
Good work. | 0:18:22 | 0:18:23 | |
Besides having such bracing activities on their doorstep, | 0:18:25 | 0:18:29 | |
I'm sure the spoils of Chichester have reassured city lover, Nick, | 0:18:29 | 0:18:33 | |
that Sussex can serve up the best of town, country and coast. | 0:18:33 | 0:18:37 | |
Our second property lies in the village of Brede, | 0:18:43 | 0:18:46 | |
within easy reach of Hastings and Rye, for schools and train stations. | 0:18:46 | 0:18:50 | |
Along with a church and shop, the village serves up a varied mix of character properties, | 0:18:50 | 0:18:55 | |
including this impressive 1930s house, | 0:18:55 | 0:18:58 | |
thoughtfully extended in the early 1990s. | 0:18:58 | 0:19:01 | |
And this is the second property. | 0:19:02 | 0:19:05 | |
-It's lovely. -It's very nice. | 0:19:05 | 0:19:07 | |
Oh, my word! | 0:19:07 | 0:19:09 | |
It reminds me of something from when I was little. | 0:19:09 | 0:19:12 | |
It's the sort of thing that you always wanted to live in. | 0:19:12 | 0:19:16 | |
-It does. It looks homely. -Homely, that's good. | 0:19:16 | 0:19:19 | |
A smile and a positive from Nick. I think we're doing well. | 0:19:19 | 0:19:22 | |
On that note, let's go inside. | 0:19:22 | 0:19:24 | |
How exciting that they both think this property makes a statement. | 0:19:24 | 0:19:30 | |
As there's plenty of parking space, Sarah could think about turning the car port into a mini gym. | 0:19:30 | 0:19:35 | |
Let's hope what they see inside sets their hearts racing. | 0:19:35 | 0:19:39 | |
Right, straight through here we have another big entrance hallway. | 0:19:41 | 0:19:46 | |
I thought this was a lounge. I thought we'd go straight into the lounge from the front. | 0:19:46 | 0:19:52 | |
This is a really great hallway. | 0:19:52 | 0:19:53 | |
-A nice surprise for you, then? -Yeah. -Yeah, it's good. It's big. -Good. | 0:19:53 | 0:19:58 | |
Voila! | 0:20:00 | 0:20:01 | |
-Le kitchen, what do you think? -I like it! | 0:20:01 | 0:20:04 | |
Definitely better than the other one. | 0:20:04 | 0:20:07 | |
LAUGHTER I love those windows. | 0:20:07 | 0:20:09 | |
This is all reclaimed brick. I think the windows are lovely, | 0:20:09 | 0:20:12 | |
and the sun's coming through and they're letting in all that lovely light, | 0:20:12 | 0:20:16 | |
so it's really brightening up. | 0:20:16 | 0:20:18 | |
It's got a really nice atmosphere about it. | 0:20:18 | 0:20:20 | |
And just over there, you've got a utility room, | 0:20:20 | 0:20:23 | |
so more storage space, a door for the dogs, and a downstairs loo. | 0:20:23 | 0:20:27 | |
BOTH: Great. | 0:20:27 | 0:20:29 | |
-We said "great" at the same time! -You did! | 0:20:29 | 0:20:32 | |
I'm hoping that's a good omen and you both really like it, | 0:20:32 | 0:20:35 | |
-so a good start all round. Let's keep going. -Absolutely. | 0:20:35 | 0:20:39 | |
Perfect harmony, at last. | 0:20:39 | 0:20:41 | |
I hope we can build on that in the main reception room. | 0:20:41 | 0:20:44 | |
It's nice. It's a really nicely done room, too. | 0:20:44 | 0:20:48 | |
-It's cosy, isn't it? -Do you like it? ..(He likes it.) | 0:20:48 | 0:20:51 | |
I can't believe it, I know! I don't want to say it out loud. | 0:20:51 | 0:20:55 | |
I don't want to ask any questions in case you change your mind. | 0:20:55 | 0:20:59 | |
-Just tell me what you like about it, Nick. -Um... | 0:20:59 | 0:21:01 | |
It's a good size, | 0:21:01 | 0:21:04 | |
nice and bright, um... | 0:21:04 | 0:21:07 | |
-Yep! -Oh, you looked up, then! | 0:21:08 | 0:21:10 | |
-I was waiting for that. -I knew there'd be something. | 0:21:10 | 0:21:13 | |
That's it, but it's just the ceiling, so... | 0:21:13 | 0:21:15 | |
I can see Nick's going to be a tough cookie to please until we get those ceilings right, | 0:21:15 | 0:21:22 | |
but there is the square footage, with a separate dining room | 0:21:22 | 0:21:25 | |
giving them a third light living area to adapt as they see fit. | 0:21:25 | 0:21:29 | |
And the fresh, modern style continues upstairs, | 0:21:29 | 0:21:32 | |
throughout its six bedrooms, and the first stop is the master. | 0:21:32 | 0:21:36 | |
This one is the master suite because you do have an en-suite bathroom. | 0:21:37 | 0:21:42 | |
You've got lovely storage, here. | 0:21:42 | 0:21:44 | |
Lots of space for you, but is it big enough for you, Nick? | 0:21:44 | 0:21:48 | |
This is a really good size room. No, it's good. I think it's working. | 0:21:48 | 0:21:51 | |
What do you think, Sarah? | 0:21:51 | 0:21:53 | |
You know me, Denise, I really like it. | 0:21:53 | 0:21:55 | |
-Silly question - "I love it!" -I think it's lovely. | 0:21:55 | 0:21:58 | |
You could just move in and not have to do anything. | 0:21:58 | 0:22:01 | |
-I wouldn't do anything. -Amazing. -It's never happened, ever. | 0:22:01 | 0:22:04 | |
The remaining five bedrooms are just as tastefully furnished, | 0:22:04 | 0:22:09 | |
and include two lovely, light doubles and two smaller rooms, | 0:22:09 | 0:22:12 | |
one with built-in cupboards, and an ingenious little single | 0:22:12 | 0:22:16 | |
with storage and a skylight. | 0:22:16 | 0:22:17 | |
The Victorian-style family bathroom has a fabulous roll-top bath, | 0:22:19 | 0:22:23 | |
and there's a separate, sleek shower room. | 0:22:23 | 0:22:26 | |
I think the contemporary interior has reassured Nick that a country home doesn't have to be twee. | 0:22:26 | 0:22:32 | |
And they're excited by the fact that they could move straight in. | 0:22:32 | 0:22:36 | |
Let's head outside and see if the garden scores as highly. | 0:22:36 | 0:22:40 | |
Right, here we are, out in the garden. | 0:22:40 | 0:22:42 | |
Is it flat enough for you, Nick? | 0:22:42 | 0:22:44 | |
That's a lot flatter. You can play football on this one! | 0:22:44 | 0:22:47 | |
You can, they're even ready for you! | 0:22:47 | 0:22:49 | |
What about the size? Does it work for you? | 0:22:49 | 0:22:52 | |
Yeah, it's a lot better. | 0:22:52 | 0:22:53 | |
-Would you like your garden any bigger than this? -Say yes. -Yes! | 0:22:53 | 0:22:57 | |
-Good! Because all of that is yours as well. -You're joking? No! | 0:22:57 | 0:23:01 | |
LAUGHTER | 0:23:01 | 0:23:02 | |
Now that is... Wow! That is fantastic. | 0:23:02 | 0:23:07 | |
-Are you ready for a little bit more? -How much of that...? ..What? | 0:23:07 | 0:23:10 | |
-It's not just that little bit there. You see that little woodland there? -Really?! | 0:23:10 | 0:23:14 | |
And guess what's at the back behind there? | 0:23:14 | 0:23:17 | |
I don't know! | 0:23:17 | 0:23:18 | |
A little stream! | 0:23:18 | 0:23:19 | |
Oh! | 0:23:19 | 0:23:21 | |
NICK LAUGHS | 0:23:21 | 0:23:22 | |
SHE SOBS Sorry! | 0:23:22 | 0:23:25 | |
Don't be sorry! | 0:23:25 | 0:23:26 | |
Are you all right? | 0:23:26 | 0:23:28 | |
It's just...perfect. | 0:23:28 | 0:23:30 | |
It's perfect. I can't believe this. | 0:23:30 | 0:23:33 | |
Sorry, Nick. | 0:23:33 | 0:23:34 | |
I'm just blown away. Blown away, I can't believe it. | 0:23:36 | 0:23:39 | |
I don't know if you're ready for any more. | 0:23:39 | 0:23:41 | |
There's not more? | 0:23:41 | 0:23:42 | |
-There's a little bit more! -You're joking? | 0:23:42 | 0:23:45 | |
It wraps round a bit, and there's enough space there - | 0:23:45 | 0:23:48 | |
the current owners have got planning permission - | 0:23:48 | 0:23:51 | |
-they were going to build a stable block with a tack room. -No? -Wow! | 0:23:51 | 0:23:55 | |
Mmm. At a cost of about £80,000 to £90,000, | 0:23:55 | 0:23:59 | |
so it's a substantial plot and building. | 0:23:59 | 0:24:02 | |
And all in all here, you have three-and-a-half acres. | 0:24:02 | 0:24:05 | |
-Wow. -What?! | 0:24:05 | 0:24:07 | |
You're joking! | 0:24:07 | 0:24:09 | |
Well, I just cannot... I just can't believe it. | 0:24:09 | 0:24:12 | |
-I was thinking about the boot camp. -You're absolutely right. | 0:24:12 | 0:24:15 | |
To develop that would be absolutely magnificent. | 0:24:15 | 0:24:18 | |
It's what I've always wanted to do. | 0:24:18 | 0:24:21 | |
-Nick, is it enough to win you over? -I'm going to have to think hard about this one! | 0:24:21 | 0:24:25 | |
And now the wife's burst into tears! | 0:24:25 | 0:24:28 | |
All right, now, you've seen it all, | 0:24:28 | 0:24:31 | |
but how much do you think you'd have to pay? | 0:24:31 | 0:24:34 | |
I think it's going to be the full monty. For your dream home... | 0:24:34 | 0:24:37 | |
-Without a doubt. -£750,000. -If not a bit above our budget. | 0:24:37 | 0:24:42 | |
-So you're going for £750,000? -Yeah. -I'm going £765,000. | 0:24:42 | 0:24:47 | |
Put us out of our misery. | 0:24:47 | 0:24:48 | |
Yes, put us out of our misery. | 0:24:48 | 0:24:50 | |
You win this time. | 0:24:50 | 0:24:52 | |
It's on at £750,000. | 0:24:52 | 0:24:55 | |
-Right at at the top of your budget. -Yeah. | 0:24:55 | 0:24:57 | |
Have a think, take it all in, | 0:24:57 | 0:24:59 | |
maybe explore some of those acres! | 0:24:59 | 0:25:02 | |
-I'm going to! -Great, let's go. -I'll find you. | 0:25:02 | 0:25:04 | |
Wow! Our 1930s property has blown them away, | 0:25:05 | 0:25:09 | |
and in Sarah's words, is "perfect". | 0:25:09 | 0:25:11 | |
It may be priced at the top of their budget, | 0:25:11 | 0:25:14 | |
but for £750,000, they get a substantial family home | 0:25:14 | 0:25:18 | |
and they wouldn't have to lift a finger. | 0:25:18 | 0:25:21 | |
It features three light, airy reception areas, | 0:25:21 | 0:25:24 | |
a large kitchen-diner, | 0:25:24 | 0:25:26 | |
six bedrooms with a master en-suite, | 0:25:26 | 0:25:28 | |
and over three-and-a-half acres | 0:25:28 | 0:25:30 | |
of garden, woodland and a stream, | 0:25:30 | 0:25:32 | |
all of which bowled Sarah over, | 0:25:32 | 0:25:34 | |
and gives her the scope | 0:25:34 | 0:25:36 | |
to develop her boot camp business. | 0:25:36 | 0:25:39 | |
-There's a lot of potential, isn't there? -It really is, and it's gorgeous as well. | 0:25:39 | 0:25:43 | |
It's beautiful - the stream, everything. Everything. | 0:25:43 | 0:25:46 | |
I'm so excited, I just... I just can't believe it, it's perfect. | 0:25:46 | 0:25:49 | |
The additional bonus that this house is on this land, is quite incredible, | 0:25:49 | 0:25:53 | |
because if this had been a derelict house on this land, | 0:25:53 | 0:25:56 | |
I still would have been really tempted. | 0:25:56 | 0:25:58 | |
But the fact that this house is done beautifully | 0:25:58 | 0:26:01 | |
just makes it so much easier. | 0:26:01 | 0:26:03 | |
I know Sarah really, really likes the house, I can tell that. | 0:26:03 | 0:26:07 | |
Um...so I guess that means it's all up to me, doesn't it? | 0:26:07 | 0:26:10 | |
I'm saying the head's really thinking this one through, | 0:26:10 | 0:26:15 | |
the heart - I have to say - it isn't the one that I sort of fell in love with straight away. | 0:26:15 | 0:26:19 | |
I rarely do that, though. | 0:26:19 | 0:26:21 | |
Right, that's it. I've got to drag you out of there, I'm afraid. | 0:26:22 | 0:26:26 | |
Yeah, you have. | 0:26:26 | 0:26:28 | |
But that's it for today. Come on. | 0:26:28 | 0:26:30 | |
As the sun sets over the Sussex countryside, | 0:26:42 | 0:26:45 | |
it marks the end of the first day of our property search. | 0:26:45 | 0:26:48 | |
It's taken five years, but Sarah has finally convinced Nick to leave the capital | 0:26:54 | 0:26:59 | |
and head for pastures new in Sussex with their children, | 0:26:59 | 0:27:03 | |
So far, one of our properties has completely bowled her over... | 0:27:03 | 0:27:07 | |
It's just...perfect. It's perfect. | 0:27:07 | 0:27:10 | |
..but can our mystery house turn the tables? | 0:27:10 | 0:27:14 | |
I'm getting nervous... | 0:27:14 | 0:27:16 | |
because I'm not used to this. | 0:27:16 | 0:27:19 | |
It's always been apparent that Nick is much more reticent about this move to Sussex, | 0:27:24 | 0:27:28 | |
whereas Sarah, she just fell in love with our second house yesterday. | 0:27:28 | 0:27:32 | |
So, one more to go. | 0:27:32 | 0:27:34 | |
Let's see if the mystery house can provoke some emotion from Nick. | 0:27:34 | 0:27:38 | |
Our mystery property takes us to the village of Mayfield. | 0:27:40 | 0:27:43 | |
Along with great schools in the area, | 0:27:43 | 0:27:45 | |
Nick would have just a ten-minute drive | 0:27:45 | 0:27:48 | |
to Wadhurst or Stonegate | 0:27:48 | 0:27:49 | |
with just over an hour's train journey into London. | 0:27:49 | 0:27:52 | |
Mayfield's streets are spilling over with charming pubs, | 0:27:52 | 0:27:56 | |
boutiques and independent food retailers. | 0:27:56 | 0:27:59 | |
Our mystery house is a less practical option than they've seen so far, | 0:27:59 | 0:28:03 | |
with fewer bedrooms, quirky features, and plenty of beams. | 0:28:03 | 0:28:08 | |
I'll be amazed if Nick goes for it. | 0:28:08 | 0:28:11 | |
And our mystery house. | 0:28:11 | 0:28:12 | |
-I like that. -Wow! | 0:28:13 | 0:28:15 | |
And a "wow" from Nick! Oh, my word! | 0:28:15 | 0:28:18 | |
It's an oast house, 200 years old, | 0:28:18 | 0:28:20 | |
and it was only converted 65 years ago. | 0:28:20 | 0:28:23 | |
I like that. It's cute, isn't it? | 0:28:23 | 0:28:25 | |
-It makes a statement. -It does. | 0:28:25 | 0:28:27 | |
Good! Let's have a look inside. | 0:28:27 | 0:28:29 | |
Well, Nick has shown a really strong emotional reaction to the unique character of the oast house, | 0:28:31 | 0:28:37 | |
built in the early 19th century for drying hops, | 0:28:37 | 0:28:40 | |
with its conical roofs and circular kilns, | 0:28:40 | 0:28:42 | |
which are still defining features of its rooms inside. | 0:28:42 | 0:28:47 | |
So, on this side, you have your kitchen. | 0:28:47 | 0:28:50 | |
Oh, silence! | 0:28:51 | 0:28:53 | |
It's a very nice kitchen. | 0:28:53 | 0:28:54 | |
I think it's the height of the ceiling, Denise. | 0:28:54 | 0:28:57 | |
Ah, of course! | 0:28:57 | 0:28:58 | |
No, I like the way it's done out, and I like... | 0:28:58 | 0:29:01 | |
Yeah, no, it's very nice. | 0:29:01 | 0:29:02 | |
I love the shape of it. I love round rooms - it's just really different. | 0:29:02 | 0:29:06 | |
And that is not a cupboard door, that is actually the utility space. | 0:29:06 | 0:29:10 | |
It's a good size and there's a little downstairs toilet in there as well. | 0:29:10 | 0:29:14 | |
-I know that you want a family kitchen. -Yeah. | 0:29:14 | 0:29:17 | |
There's not an obvious amount of room here for the children. | 0:29:17 | 0:29:20 | |
-Would that bother you? -It's definitely a consideration. | 0:29:20 | 0:29:24 | |
Let's hope our charm offensive on Nick continues in here. | 0:29:24 | 0:29:27 | |
So, over this side, you get the living room, and as you can see, | 0:29:28 | 0:29:33 | |
it's open plan into the dining room. | 0:29:33 | 0:29:35 | |
-Interesting. -Interesting, indeed. | 0:29:35 | 0:29:38 | |
I would switch this completely and have this as the kitchen-diner | 0:29:38 | 0:29:42 | |
-and that as the lovely, round lounge. -Just seems obvious, doesn't it? | 0:29:42 | 0:29:46 | |
Yeah, because this is the space that we want for us all together, | 0:29:46 | 0:29:49 | |
and that's the relaxing room, so that would work. | 0:29:49 | 0:29:53 | |
-I think that would work really well. -And it's still a little bit more height than before. | 0:29:53 | 0:29:57 | |
-Yeah. -That's good. -Still happy? -It's got a lot of character, yep. | 0:29:57 | 0:30:01 | |
-I am impressed that you like it so much. -I'm amazed. | 0:30:01 | 0:30:04 | |
I hadn't really considered an oast house. | 0:30:04 | 0:30:07 | |
-I have tried. -That's why it's the mystery house! | 0:30:07 | 0:30:10 | |
Come on, let's go through and have a look at the space through here. | 0:30:10 | 0:30:14 | |
Because you come through and then the ceilings lift again. | 0:30:15 | 0:30:18 | |
So, any reservations so far, Nick? | 0:30:18 | 0:30:21 | |
Um...no, no. | 0:30:21 | 0:30:23 | |
I mean, it is obviously smaller than everything we've seen before, so... | 0:30:23 | 0:30:28 | |
interested in how we solve that problem. | 0:30:28 | 0:30:31 | |
At the moment, I'm going to sell the children and we'll just live here(!) | 0:30:31 | 0:30:34 | |
Radical thinking! Sell the children, that is an option, | 0:30:36 | 0:30:39 | |
but I'm hoping I can find a way that you don't have to do that, Nick. | 0:30:39 | 0:30:43 | |
-That would be good. -I'm thinking of you, kids. Let's go and look upstairs. | 0:30:43 | 0:30:47 | |
Nick's clearly loving the fact that our mystery property is a slice of local history. | 0:30:47 | 0:30:52 | |
And he seems to square the circle to make it work for them. | 0:30:52 | 0:30:55 | |
Upstairs, along with a well-furnished family bathroom, | 0:30:55 | 0:30:59 | |
are three bedrooms, which I hope will raise the roof. | 0:30:59 | 0:31:02 | |
-Ooh! -That is a "wow", isn't it? | 0:31:04 | 0:31:07 | |
-That is a high ceiling! -There you go. I want no complaints from you about ceiling height! | 0:31:07 | 0:31:12 | |
Could this be the bedroom for the two of you? | 0:31:12 | 0:31:15 | |
We'd have to find somewhere to put Sarah's clothes. | 0:31:15 | 0:31:17 | |
Because, you know... | 0:31:17 | 0:31:20 | |
-that might just about do ME. -OK, so great space for the two of you, | 0:31:20 | 0:31:24 | |
-but still concerned about storage. -Yes, yes. -Yeah, I am, too. | 0:31:24 | 0:31:28 | |
Which, unbelievably... | 0:31:28 | 0:31:30 | |
-We had a role-reversal! -Yes, I know! That is, it is a concern. | 0:31:30 | 0:31:35 | |
And also, it's just a family bathroom. | 0:31:35 | 0:31:37 | |
Could be a bit of scrapping over that. | 0:31:37 | 0:31:40 | |
Could be, couldn't there? | 0:31:40 | 0:31:42 | |
Well, I've been a bit naughty, | 0:31:42 | 0:31:44 | |
because at the other end of the landing | 0:31:44 | 0:31:46 | |
is the room which I'm sure will put all their fears to bed. | 0:31:46 | 0:31:49 | |
Come in! | 0:31:49 | 0:31:51 | |
Come in here. | 0:31:51 | 0:31:52 | |
Now...how about if you slept on this side of the oast house? | 0:31:52 | 0:31:57 | |
-I think it's right for us. -I think so. | 0:31:57 | 0:31:59 | |
Ah, and there's shower. I was worried about that. | 0:31:59 | 0:32:03 | |
-And enough storage? -Yeah! | 0:32:03 | 0:32:05 | |
It's got rid of that problem, I think. | 0:32:05 | 0:32:08 | |
So we're getting rid of problems. I like that. | 0:32:08 | 0:32:10 | |
Come up and have a look at the bedroom. | 0:32:10 | 0:32:13 | |
I think, of all the properties, you are having a stronger emotional reaction to this one. | 0:32:13 | 0:32:19 | |
-I am, aren't I? -You kind of like it, you feel at home. -Yeah. | 0:32:19 | 0:32:23 | |
And I'm feeling a bit cooler from you, Sarah. | 0:32:23 | 0:32:26 | |
Probably because he's feeling a bit warmer. | 0:32:27 | 0:32:30 | |
-You don't make life easy. -No. | 0:32:30 | 0:32:33 | |
Yeah, it's funny. | 0:32:33 | 0:32:35 | |
I think I'm getting nervous... because I'm not used to this! | 0:32:35 | 0:32:41 | |
-You can't win, can you? -He actually likes it! | 0:32:41 | 0:32:43 | |
It's a lovely house, isn't it? | 0:32:43 | 0:32:45 | |
And don't worry, kids. There IS space for you, in the third bedroom, now set up as a study-cum-library. | 0:32:45 | 0:32:52 | |
Nick is obviously in love with our mystery property, | 0:32:52 | 0:32:55 | |
while Sarah appears to be stepping into his shoes as the rational one. | 0:32:55 | 0:32:59 | |
But she'll be pleased that outside, there's lapsed planning permission | 0:32:59 | 0:33:03 | |
for a two-storey outbuilding with upstairs accommodation. | 0:33:03 | 0:33:06 | |
And the garden is delightful, | 0:33:06 | 0:33:08 | |
with gently sloping lawns and established fruit trees. | 0:33:08 | 0:33:12 | |
So, we'll climb to higher ground | 0:33:12 | 0:33:14 | |
and really soak up the sight of the surrounding countryside. | 0:33:14 | 0:33:17 | |
Wow, that is some view, isn't it? | 0:33:19 | 0:33:21 | |
-Worth that walk. -It's beautiful, beautiful. | 0:33:21 | 0:33:24 | |
This plot is just under an acre. | 0:33:24 | 0:33:26 | |
It's amazing. | 0:33:26 | 0:33:27 | |
My only worry - she says, being the sensible one now - | 0:33:27 | 0:33:30 | |
is how much that is, and whether we could afford to do anything. | 0:33:30 | 0:33:35 | |
-Yeah. -That's my worry. | 0:33:35 | 0:33:37 | |
Well, you pre-empted the question. | 0:33:37 | 0:33:39 | |
-Sorry, Denise! -How much do you think it's worth? | 0:33:39 | 0:33:42 | |
£750,000. | 0:33:42 | 0:33:43 | |
I think it's definitely... Must be about £775,000. | 0:33:43 | 0:33:47 | |
This property is on the market for offers between... | 0:33:47 | 0:33:51 | |
£695,000 and £735,000. | 0:33:51 | 0:33:55 | |
-No! -Ooh! | 0:33:55 | 0:33:56 | |
Yes. | 0:33:56 | 0:33:58 | |
Well, that's very different. And it's something that I never thought he would ever consider. | 0:33:58 | 0:34:03 | |
Nick, you have been the biggest surprise! | 0:34:03 | 0:34:06 | |
-I have, haven't I? -It's usually the mystery house that shocks everyone, | 0:34:06 | 0:34:09 | |
but it's your reaction that I've been so impressed with. | 0:34:09 | 0:34:12 | |
Before you change your mind, spend some more time in what could be your house and I'll see you later on. | 0:34:12 | 0:34:18 | |
-See you later. -See you later. | 0:34:18 | 0:34:20 | |
It looks like our mystery oast house conversion | 0:34:20 | 0:34:23 | |
has thrown everything up in the air. | 0:34:23 | 0:34:25 | |
With a guide price of £695,000 to £735,000, | 0:34:25 | 0:34:30 | |
it's comfortably under budget, | 0:34:30 | 0:34:32 | |
and packed to the rafters with historic features, | 0:34:32 | 0:34:35 | |
giving them two reception rooms | 0:34:35 | 0:34:36 | |
with those exposed timber ceilings, | 0:34:36 | 0:34:38 | |
a quirky, round kitchen, | 0:34:38 | 0:34:40 | |
three bedrooms with a master en-suite, | 0:34:40 | 0:34:43 | |
and just under an acre of garden | 0:34:43 | 0:34:45 | |
with the potential | 0:34:45 | 0:34:46 | |
for an outbuilding | 0:34:46 | 0:34:47 | |
to house their gym and music room. | 0:34:47 | 0:34:49 | |
I think it could work. You know, this location could work, it's... | 0:34:50 | 0:34:55 | |
..yeah, I think we could be... | 0:34:56 | 0:34:58 | |
I really do think we could be here. | 0:34:58 | 0:35:00 | |
I think what was going through my mind about Nick | 0:35:03 | 0:35:05 | |
was it was the first time that I've seen him actually react to something, | 0:35:05 | 0:35:09 | |
and I could feel that he was falling in love with it. | 0:35:09 | 0:35:11 | |
I've never seen that before. | 0:35:11 | 0:35:14 | |
I was upstairs trying to imagine how I'd feel if we were living here, | 0:35:14 | 0:35:18 | |
and there's such a feeling of calmness in this house. | 0:35:18 | 0:35:21 | |
I mean, I really, really... It makes me feel really happy... | 0:35:21 | 0:35:25 | |
..so I really want to be here. | 0:35:26 | 0:35:30 | |
-Thoroughly confused now? -Completely. | 0:35:33 | 0:35:35 | |
Don't worry. We'll find you somewhere that you can sit down, | 0:35:35 | 0:35:38 | |
think about it, and work it all out. Come on. | 0:35:38 | 0:35:40 | |
Over the years, the Sussex countryside has inspired many of Britain's greatest writers, | 0:35:53 | 0:35:58 | |
with William Blake describing it as, "England's green and pleasant land," | 0:35:58 | 0:36:02 | |
and it's where AA Milne wrote Winnie The Pooh. | 0:36:02 | 0:36:06 | |
But it was Rudyard Kipling | 0:36:06 | 0:36:07 | |
who made this magnificent example of Jacobean architecture his home. | 0:36:07 | 0:36:13 | |
Now looked after by the National Trust, | 0:36:13 | 0:36:15 | |
Kipling referred to this house - known as Bateman's - as his "good and peaceable place". | 0:36:15 | 0:36:19 | |
I've come to meet curator, Gary Enstone, | 0:36:19 | 0:36:22 | |
to find out more about Kipling's own reasons for escaping to the country. | 0:36:22 | 0:36:26 | |
It really is beautiful! I can see why Kipling moved his family here, and fell in love at first sight. | 0:36:26 | 0:36:32 | |
He moved here from Rottingdean in 1902. | 0:36:32 | 0:36:35 | |
He had a lot of problems with... | 0:36:35 | 0:36:37 | |
basically being a celebrity of the age, | 0:36:37 | 0:36:39 | |
so he moved out here to the country | 0:36:39 | 0:36:41 | |
and somewhere a little bit more peaceful and quiet for both him and his family. | 0:36:41 | 0:36:45 | |
So this was his own escape? He was actually quite a private and family man, wasn't he? | 0:36:45 | 0:36:49 | |
-This move was for his children. -Very much so. | 0:36:49 | 0:36:52 | |
People forget that although he was such a famous author, | 0:36:52 | 0:36:55 | |
and wrote so many well-known books, behind all that, | 0:36:55 | 0:36:59 | |
he wrote all of that work for his children. | 0:36:59 | 0:37:01 | |
Over the 34 years that Kipling lived here, | 0:37:01 | 0:37:05 | |
his estate grew from 13 to 300 acres, | 0:37:05 | 0:37:08 | |
on which he farmed crops and kept prize-winning cattle. | 0:37:08 | 0:37:11 | |
But one particular part of the garden | 0:37:11 | 0:37:13 | |
was very much devoted to his children. | 0:37:13 | 0:37:16 | |
Well, Denise, this is the rose garden and the pond, | 0:37:16 | 0:37:20 | |
and basically, what you're looking at here | 0:37:20 | 0:37:22 | |
-is the 1907 Nobel Prize for Literature. -What do you mean? | 0:37:22 | 0:37:25 | |
Kipling, in 1907, became the first British man to actually win the Nobel Prize for Literature. | 0:37:25 | 0:37:30 | |
He was given £7,700, | 0:37:30 | 0:37:33 | |
and that money he used to build the rose garden and pond. | 0:37:33 | 0:37:37 | |
Kipling also harnessed the energy of water, | 0:37:38 | 0:37:41 | |
installing a turbine in the old working mill | 0:37:41 | 0:37:43 | |
to generate enough light for ten 60-watt bulbs | 0:37:43 | 0:37:46 | |
for some four hours every evening. | 0:37:46 | 0:37:49 | |
Inside, the rooms remain, as he put it, "Untouched and unfaked," | 0:37:49 | 0:37:53 | |
with Kipling's furnishings reflecting his passion for the subcontinent. | 0:37:53 | 0:37:58 | |
And upstairs is where all his inspiration came together | 0:37:58 | 0:38:02 | |
for works such as the Just So Stories | 0:38:02 | 0:38:04 | |
and the famous poem, If. | 0:38:04 | 0:38:06 | |
Oh! It's almost as if he just popped out of the room. | 0:38:07 | 0:38:11 | |
Yeah, this is Kipling's little hideaway from the rest of the world, | 0:38:11 | 0:38:15 | |
but that doesn't necessarily mean that he wanted to have a solitary life. | 0:38:15 | 0:38:19 | |
In fact, we've got many, many recorded people visiting here, and he did keep a visitors' book. | 0:38:19 | 0:38:25 | |
-OK. -If you just look at this month here, of 1909, | 0:38:25 | 0:38:29 | |
you can see just down here in two or three days, | 0:38:29 | 0:38:32 | |
he had Percival Landon, Henry James... A tremendous amount of people came and visited here. | 0:38:32 | 0:38:37 | |
There's one more thing I wanted to ask about - | 0:38:37 | 0:38:39 | |
that bed, did he sleep in there? Was he that immersed in his work? | 0:38:39 | 0:38:42 | |
He used to work very much in the mornings, | 0:38:42 | 0:38:45 | |
but he was only really inspired at certain times, | 0:38:45 | 0:38:47 | |
and they say that he used to get himself into a bit of a mini-daze | 0:38:47 | 0:38:50 | |
by laying himself out on the bed, waiting for inspiration to strike. | 0:38:50 | 0:38:54 | |
As soon as it would strike, he'd move straight over and start writing. | 0:38:54 | 0:38:59 | |
For all of the celebrity that Kipling was caught up in, | 0:38:59 | 0:39:02 | |
he willingly bequeathed his historic home to the public so that like him, | 0:39:02 | 0:39:06 | |
future generations could enjoy its awe-inspiring setting. | 0:39:06 | 0:39:10 | |
Yesterday, I thought we had a clear winner, | 0:39:14 | 0:39:17 | |
but today, as is so often the case, | 0:39:17 | 0:39:20 | |
the mystery house has turned everything on its head. | 0:39:20 | 0:39:23 | |
So, have we finally convinced Londoner, Nick, | 0:39:23 | 0:39:26 | |
to make his escape to the country? | 0:39:26 | 0:39:28 | |
Sarah's already here, so let's find out. | 0:39:28 | 0:39:32 | |
-Hello, you two. -Hello. | 0:39:39 | 0:39:41 | |
We've had a good week, haven't we? | 0:39:41 | 0:39:43 | |
Finally got him out here in Sussex looking for properties. | 0:39:43 | 0:39:46 | |
Finally got a big smile out of you! | 0:39:46 | 0:39:48 | |
We started with that beautiful Arts and Crafts house. | 0:39:48 | 0:39:52 | |
What did you think of that? | 0:39:52 | 0:39:53 | |
In terms of space, a good amount of space, | 0:39:53 | 0:39:56 | |
and I liked the parquet flooring. | 0:39:56 | 0:39:57 | |
I...didn't feel that we could stamp our mark on it. | 0:39:57 | 0:40:02 | |
What did you think of it, Sarah? | 0:40:02 | 0:40:04 | |
Well, you know me. I liked it. I thought it was very nice. | 0:40:04 | 0:40:07 | |
The garden, I quite liked, on different levels. | 0:40:07 | 0:40:09 | |
There was nothing wrong with it. | 0:40:09 | 0:40:11 | |
It just... I just didn't feel the love! | 0:40:11 | 0:40:14 | |
It just didn't happen! | 0:40:14 | 0:40:16 | |
But it did happen when we went to the house | 0:40:16 | 0:40:19 | |
with the three-and-a-half acres. | 0:40:19 | 0:40:21 | |
You were certainly feeling something, because we had tears, I hope, of joy. | 0:40:21 | 0:40:25 | |
I thought it was absolutely magnificent. I loved it. | 0:40:25 | 0:40:28 | |
It was very nice inside, I thought it was done very well, | 0:40:28 | 0:40:32 | |
but I think, for me, when I started to look more into it after we'd been there, | 0:40:32 | 0:40:37 | |
I sort of realised the commute was going to be really quite a big one. | 0:40:37 | 0:40:41 | |
And I think I was looking at close to two hours to get to the office, | 0:40:41 | 0:40:45 | |
which is nearly four hours every day. I can't really take that out of my day. | 0:40:45 | 0:40:49 | |
But it was the perfect house... potentially! | 0:40:49 | 0:40:51 | |
Because there was, of course, the mystery house! | 0:40:51 | 0:40:54 | |
So, what did you think of the oast house, Nick? | 0:40:54 | 0:40:57 | |
The first thing that struck me was the location. | 0:40:57 | 0:41:00 | |
The setting is absolutely magical. | 0:41:00 | 0:41:02 | |
I saw a really beautiful house. | 0:41:02 | 0:41:04 | |
Erm, it just looks amazing. | 0:41:04 | 0:41:06 | |
So, I was really quite taken aback when I first saw it. | 0:41:06 | 0:41:10 | |
You, when we walked in, became almost silent, | 0:41:10 | 0:41:13 | |
-which is unusual! -Very! | 0:41:13 | 0:41:15 | |
I mean, I was really pleasantly surprised, but shocked. | 0:41:15 | 0:41:20 | |
Surprised but shocked? | 0:41:20 | 0:41:22 | |
It only has three bedrooms. | 0:41:22 | 0:41:24 | |
Mmm...so, I've been turning that over in my mind, and erm... | 0:41:24 | 0:41:30 | |
I think the fact that we've potentially got the ability to put something outside, | 0:41:30 | 0:41:35 | |
I think that can solve all of those problems. | 0:41:35 | 0:41:37 | |
Well, the question has to be, which way have you decided to go? | 0:41:37 | 0:41:41 | |
-Shall I say? -Yes. -Erm, the third. The mystery. | 0:41:42 | 0:41:45 | |
This has made me feel warm, cosy, and I can see us all living here. | 0:41:45 | 0:41:50 | |
-Very happily, actually. -And how committed are you to that decision? What is the next step? | 0:41:51 | 0:41:56 | |
Erm, well we're going to go back and see it. I'm going to do things like trial the commute. | 0:41:56 | 0:42:01 | |
-How soon would you want to be out here in the countryside? -Next week! | 0:42:01 | 0:42:05 | |
..Nick?! | 0:42:05 | 0:42:07 | |
Well, I'm going to be very practical and think, "We've got to think about schools," so... | 0:42:07 | 0:42:12 | |
But soon. | 0:42:12 | 0:42:15 | |
-I think you're ready to do it. -I think so. | 0:42:15 | 0:42:18 | |
It's been one of those things that we had to do, | 0:42:18 | 0:42:21 | |
the experience has been fantastic. | 0:42:21 | 0:42:23 | |
It's really given him a push to look properly and think about it. | 0:42:23 | 0:42:27 | |
-I think that's made all the difference. -I think so too. | 0:42:27 | 0:42:30 | |
I hope it's not too long before you're moving to the countryside, | 0:42:30 | 0:42:33 | |
-and please do let us know how you get on. -Thank you. | 0:42:33 | 0:42:35 | |
It's funny how things work out. | 0:42:41 | 0:42:43 | |
You show a couple a property that they would never, ever have looked at, | 0:42:43 | 0:42:47 | |
and it turns out to be the one that both Sarah and Nick not only agree on, | 0:42:47 | 0:42:51 | |
but they seem to have fallen in love with. | 0:42:51 | 0:42:54 | |
So, they're coming back with the kids to have another look, and what happens after that, | 0:42:54 | 0:42:59 | |
well...we'll have to wait and see. See you next time. | 0:42:59 | 0:43:02 | |
Sarah and Nick eventually decided they needed more rooms than the oast house offered, | 0:43:02 | 0:43:07 | |
but it has made them realise that East Sussex | 0:43:07 | 0:43:10 | |
is definitely the area for them, | 0:43:10 | 0:43:12 | |
so hopefully it won't be long before they find their perfect property. | 0:43:12 | 0:43:16 | |
And if you want to escape to the country | 0:43:16 | 0:43:18 | |
in Scotland, Wales, Northern Ireland or England | 0:43:18 | 0:43:22 | |
and would like our help, please apply online: | 0:43:22 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:46 | 0:43:49 | |
E-mail [email protected] | 0:43:49 | 0:43:52 |