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Life is like a bowl of cherries. Isn't that what they say? | 0:00:03 | 0:00:06 | |
Rather apt for today's location, | 0:00:06 | 0:00:08 | |
because this area was once known as Britain's cherry orchard. | 0:00:08 | 0:00:12 | |
The locals, they call them chuggies, | 0:00:12 | 0:00:14 | |
and they supported the local tourist economy. | 0:00:14 | 0:00:17 | |
Any ideas where I am? Keep watching, as we escape to the country. | 0:00:17 | 0:00:20 | |
Mmm! | 0:00:22 | 0:00:23 | |
'On today's show, our couple from the capital | 0:00:35 | 0:00:39 | |
'are after a character property in the country.' | 0:00:39 | 0:00:42 | |
-Big smile on your face. -Yes, well, it's rather beautiful! | 0:00:42 | 0:00:46 | |
'Size is clearly important.' | 0:00:46 | 0:00:48 | |
I think this is a bit small, actually. | 0:00:48 | 0:00:50 | |
-It's not huge. -It's just a little bit small. | 0:00:50 | 0:00:53 | |
'Will we find their spacious country home in the end?' | 0:00:53 | 0:00:56 | |
The house is massive. You can practically see the curvature of the Earth inside it. | 0:00:56 | 0:01:00 | |
Today I'm in the Chilterns. | 0:01:02 | 0:01:05 | |
200 years ago this area was covered with orchards. | 0:01:05 | 0:01:08 | |
Places like Tring and Prestwood were called "cherry villages", | 0:01:08 | 0:01:11 | |
and the first Sunday in August was dubbed Cherry Pie Sunday. | 0:01:11 | 0:01:15 | |
I wish I'd been around then! | 0:01:15 | 0:01:17 | |
Nowadays there are only 400 acres of orchards left, | 0:01:17 | 0:01:21 | |
but that's plenty to keep me going | 0:01:21 | 0:01:23 | |
as I explore this beautiful area. | 0:01:23 | 0:01:25 | |
The Chilterns stretch from Oxfordshire in the Thames Valley | 0:01:27 | 0:01:30 | |
northeast through Buckinghamshire and Bedfordshire | 0:01:30 | 0:01:33 | |
and into Hertfordshire. This 47-mile-long strip | 0:01:33 | 0:01:36 | |
is a designated Area of Outstanding Natural Beauty. | 0:01:36 | 0:01:40 | |
The peaceful canals, red-tiled roofs, thatched cottages | 0:01:40 | 0:01:43 | |
and brick-and-flint villages are signature details | 0:01:43 | 0:01:46 | |
that give this area its unique charm. | 0:01:46 | 0:01:49 | |
The Chilterns' landscape is one of gentle hills, | 0:01:50 | 0:01:53 | |
untouched hedgerows, patchy woodlands and rambling tracks | 0:01:53 | 0:01:56 | |
through colourful fields and farmland. | 0:01:56 | 0:01:59 | |
After all, 75 percent of the area is agricultural land. | 0:01:59 | 0:02:03 | |
Although it isn't suburbia, this rural idyll has great links | 0:02:03 | 0:02:06 | |
both by train and road into London, | 0:02:06 | 0:02:09 | |
so it's a favourite with anyone that needs the city for work | 0:02:09 | 0:02:12 | |
but prefers the country life. | 0:02:12 | 0:02:14 | |
Quiet, isn't it? Idyllic, you might say. | 0:02:18 | 0:02:22 | |
Well, that could soon be disrupted. | 0:02:22 | 0:02:25 | |
There are plans for a high-speed rail network | 0:02:25 | 0:02:27 | |
linking London and Birmingham, so trains could soon be rattling through here | 0:02:27 | 0:02:31 | |
at 225 miles per hour. | 0:02:31 | 0:02:34 | |
Work's not due to start until 2019 at the earliest, | 0:02:34 | 0:02:37 | |
and lengthy public consultations are happening at the moment. | 0:02:37 | 0:02:40 | |
What we say is, do your research before you make that offer. | 0:02:40 | 0:02:43 | |
But with 517 square miles to explore, | 0:02:43 | 0:02:46 | |
I'm sure you'll find some peace and quiet! | 0:02:46 | 0:02:49 | |
We've cherry-picked these properties for you to enjoy. | 0:02:49 | 0:02:52 | |
Surrounded by lush landscaped gardens, | 0:02:52 | 0:02:55 | |
this 19th-century semi is on the market for just under £400,000. | 0:02:55 | 0:03:00 | |
Inside there are three bedrooms, | 0:03:00 | 0:03:02 | |
and a sizeable terracotta-tiled kitchen | 0:03:02 | 0:03:04 | |
leading to a spacious dining room. | 0:03:04 | 0:03:06 | |
For £500,000, this detached flint-and-brick cottage | 0:03:06 | 0:03:10 | |
is typical of the Chilterns, and dates back to the 18th century. | 0:03:10 | 0:03:14 | |
The interior is rustic yet modern in its simplicity, | 0:03:14 | 0:03:18 | |
with exposed beams in the living area and kitchen. | 0:03:18 | 0:03:21 | |
Upstairs there are three bedrooms. | 0:03:21 | 0:03:23 | |
And finally, sitting in beautiful manicured gardens, | 0:03:23 | 0:03:26 | |
this 16th-century Grade II listed three-bed thatched cottage | 0:03:26 | 0:03:29 | |
is on the market for £995,000. | 0:03:29 | 0:03:32 | |
Painstakingly restored, the property boasts original features | 0:03:32 | 0:03:36 | |
like the deep-set inglenook fireplace, | 0:03:36 | 0:03:38 | |
while the sympathetic renovation allows plenty of light | 0:03:38 | 0:03:41 | |
into the open-plan kitchen and living area. | 0:03:41 | 0:03:44 | |
Well, they say God moves in mysterious ways. | 0:03:44 | 0:03:47 | |
I don't think there's any mystery as to why today's buyers | 0:03:47 | 0:03:50 | |
want to move to this heavenly spot. Shall we meet them? | 0:03:50 | 0:03:54 | |
Today we're helping William, a patent attorney, | 0:03:54 | 0:03:57 | |
and Laura, an education advisor, escape the London rat-race. | 0:03:57 | 0:04:01 | |
They met 11 years ago at a church group | 0:04:01 | 0:04:04 | |
whilst attending university, got married | 0:04:04 | 0:04:06 | |
and moved into their 1920s home in Harrow. | 0:04:06 | 0:04:09 | |
We've decided that it's time to move now. | 0:04:09 | 0:04:11 | |
The house is perfect for the two of us, | 0:04:11 | 0:04:13 | |
but we are thinking about starting a family, | 0:04:13 | 0:04:16 | |
and we need more space upstairs in the bedrooms, | 0:04:16 | 0:04:18 | |
and also downstairs for the children to play. | 0:04:18 | 0:04:21 | |
There's also the area itself. It's nice being an adult here. | 0:04:21 | 0:04:25 | |
I don't think it's a great place to grow up as a child, | 0:04:25 | 0:04:27 | |
so the location isn't perfect. | 0:04:27 | 0:04:30 | |
So, what else is luring them away from London and into the country? | 0:04:30 | 0:04:33 | |
One reason is that we both enjoy country pursuits. | 0:04:34 | 0:04:38 | |
We like going out hiking, and it would be lovely | 0:04:38 | 0:04:41 | |
to be able to walk out of the front door and find a footpath, | 0:04:41 | 0:04:44 | |
and be able to go for a nice long walk there. | 0:04:44 | 0:04:46 | |
My dream of the countryside would be sitting in the garden | 0:04:46 | 0:04:49 | |
when the weather's good, having a great view, | 0:04:49 | 0:04:51 | |
no traffic noise or any planes overhead, | 0:04:51 | 0:04:55 | |
and having a stress-free life. | 0:04:55 | 0:04:56 | |
Will and Laura have chosen the Chilterns | 0:04:56 | 0:04:59 | |
because they need to be within reach of London for work, | 0:04:59 | 0:05:02 | |
but that's not the only reason they're drawn there. | 0:05:02 | 0:05:05 | |
We had a look at other areas around London, | 0:05:05 | 0:05:08 | |
like Surrey for example, but we've always come back to the Chilterns. | 0:05:08 | 0:05:11 | |
We think the area is very pleasant, | 0:05:11 | 0:05:14 | |
the landscape is fantastic, | 0:05:14 | 0:05:16 | |
and it's got good communication to other parts of the country. | 0:05:16 | 0:05:19 | |
And what do we have on the list of must-haves for the property? | 0:05:19 | 0:05:23 | |
We're looking for four, maybe even five bedrooms, | 0:05:23 | 0:05:26 | |
if we can get that, and we'd also still want to maintain | 0:05:26 | 0:05:29 | |
a separate dining room, though space to eat in the kitchen would be important, as well. | 0:05:29 | 0:05:34 | |
Our kitchen here is very nice, but it's a little on the small side. | 0:05:34 | 0:05:37 | |
It's fine if just one person's in there, | 0:05:37 | 0:05:40 | |
but we end up bumping into each other a bit. | 0:05:40 | 0:05:42 | |
And I'm very keen on having an open fire. | 0:05:42 | 0:05:45 | |
I'd love to be able to snuggle up next to that in winter. | 0:05:45 | 0:05:48 | |
They want to be in a village with an active church. | 0:05:48 | 0:05:51 | |
But are there elements we should be avoiding? | 0:05:51 | 0:05:54 | |
One thing that would be a big no-no for me is a main road. | 0:05:54 | 0:05:58 | |
Another thing we're not looking for is a home that requires a lot of work doing to it. | 0:05:58 | 0:06:02 | |
We're going to have other things on our mind once we move, | 0:06:02 | 0:06:05 | |
so we don't want a big project on our hands as well. | 0:06:05 | 0:06:08 | |
As they'll need to sell their property before buying, | 0:06:08 | 0:06:11 | |
we've asked a local agent to value their home. | 0:06:11 | 0:06:14 | |
A very nice 1920s Arts and Crafts house, | 0:06:14 | 0:06:17 | |
positioned in a very good road, very close to facilities, | 0:06:17 | 0:06:20 | |
which would suit a growing family moving to the Harrow area. | 0:06:20 | 0:06:24 | |
I would value this house at £475,000. | 0:06:24 | 0:06:30 | |
£475,000 is a little bit more than we thought, actually, | 0:06:33 | 0:06:36 | |
so that's encouraging. | 0:06:36 | 0:06:40 | |
Bearing in mind that the Chilterns is an expensive location, | 0:06:40 | 0:06:44 | |
what's their final budget? | 0:06:44 | 0:06:46 | |
Our budget for the new property would be somewhere in the region | 0:06:46 | 0:06:49 | |
of £750,000. If needs be, we could go a little bit higher than that. | 0:06:49 | 0:06:54 | |
I tell you what - I'm relieved Laura and Will have a healthy budget, | 0:06:57 | 0:07:01 | |
because an average detached property here in the Chilterns | 0:07:01 | 0:07:04 | |
will set you back a staggering £665,000. | 0:07:04 | 0:07:08 | |
Yeah, you heard me right. | 0:07:08 | 0:07:10 | |
I'm sure we can accommodate most of their wishes, | 0:07:10 | 0:07:13 | |
but there won't be much change left over. | 0:07:13 | 0:07:15 | |
The big story here is transport links. | 0:07:15 | 0:07:17 | |
If the house isn't in the right location, it won't cut the mustard. | 0:07:17 | 0:07:21 | |
So I've got my train timetable. It's full steam ahead. | 0:07:21 | 0:07:26 | |
So, we'll be searching the whole of the Chilterns | 0:07:26 | 0:07:29 | |
whilst making sure Will and Laura are within easy reach | 0:07:29 | 0:07:32 | |
of a direct train line to London. | 0:07:32 | 0:07:34 | |
We have three Chiltern charmers lined up, | 0:07:34 | 0:07:36 | |
but I won't be revealing the prices till the end of the tour. | 0:07:36 | 0:07:39 | |
And then there's the mystery house, which will challenge | 0:07:39 | 0:07:42 | |
our churchgoing couple's idea of heaven in the country. | 0:07:42 | 0:07:46 | |
-Laura, Will, hi. -Hi. -How are you? -Welcome to the Chilterns. | 0:07:48 | 0:07:51 | |
-Why here in particular? -We used to come out here walking at weekends, | 0:07:51 | 0:07:56 | |
and we really feel we'd like to live around here now. | 0:07:56 | 0:07:58 | |
-The more rural, the better? -Yes, definitely, | 0:07:58 | 0:08:01 | |
although we've got to be within easy access of the train station. | 0:08:01 | 0:08:04 | |
We both work in Central London, so we need to be able to commute there. | 0:08:04 | 0:08:08 | |
Are we talking about an hour commute? | 0:08:08 | 0:08:10 | |
-Up to 90 minutes. -Up to 90 minutes. But not over? | 0:08:10 | 0:08:13 | |
-No, definitely not. -If you want that rural location | 0:08:13 | 0:08:16 | |
and that all-important commuting distance, | 0:08:16 | 0:08:18 | |
-it's going to cost you a fair bit. -Yes. | 0:08:18 | 0:08:21 | |
We've got a budget of about £750,000. | 0:08:21 | 0:08:23 | |
OK. Are you flexible at all? | 0:08:23 | 0:08:25 | |
We might stretch up to 800,000 if we saw just the right place. | 0:08:25 | 0:08:29 | |
We should get on with it. Shall we? | 0:08:29 | 0:08:31 | |
Two wonderful properties to show you. I think they're wonderful. | 0:08:31 | 0:08:35 | |
-And the mystery property, as well. -Yes. Looking forward to that one. | 0:08:35 | 0:08:38 | |
-THEY LAUGH -Keep that thought in mind. | 0:08:38 | 0:08:41 | |
Come on. Follow me. | 0:08:41 | 0:08:42 | |
For a top budget of £800,000, | 0:08:45 | 0:08:47 | |
Will and Laura are after a minimum of four bedrooms. | 0:08:47 | 0:08:50 | |
They'd like a large kitchen and a living area | 0:08:50 | 0:08:53 | |
with an open fireplace. | 0:08:53 | 0:08:55 | |
And key to the move is a location that has good transport links | 0:08:55 | 0:08:58 | |
to London, and an active church community. | 0:08:58 | 0:09:02 | |
Our first property is in Eaton Bray in South Bedfordshire. | 0:09:04 | 0:09:08 | |
Leighton Buzzard is just six miles away, | 0:09:08 | 0:09:10 | |
offering a 37-minute commute to Euston, | 0:09:10 | 0:09:13 | |
which is important to both Will and Laura. | 0:09:13 | 0:09:15 | |
It's also just minutes away from the National Trust site | 0:09:15 | 0:09:18 | |
of Dunstable Downs, for when they fancy a ramble in the countryside. | 0:09:18 | 0:09:23 | |
As they're looking for a friendly village community, | 0:09:23 | 0:09:26 | |
Eaton Bray shouldn't disappoint. It comes complete with a village hall, | 0:09:26 | 0:09:30 | |
as well as St Mary's, a historic 13th-century church | 0:09:30 | 0:09:33 | |
that conveniently has a creche, fitting any future plans | 0:09:33 | 0:09:37 | |
for the family. With views over a sprawling countryside, | 0:09:37 | 0:09:40 | |
our first property is a charming period build. | 0:09:40 | 0:09:43 | |
Yet another box ticked for our London couple. | 0:09:43 | 0:09:46 | |
Nice and peaceful. | 0:09:46 | 0:09:48 | |
-Wow! -And, er, this is the property. | 0:09:48 | 0:09:51 | |
-It's three properties, really. That side is 16th century. -Right. | 0:09:51 | 0:09:55 | |
The middle bit is '60s and '70s, | 0:09:55 | 0:09:58 | |
and this was renovated five years ago, the right-hand side. | 0:09:58 | 0:10:01 | |
-Right! Interesting! -Very good. -It is, isn't it? | 0:10:01 | 0:10:04 | |
-How unusual! Yeah! -What do you think? | 0:10:04 | 0:10:07 | |
Well, it's a country cottage! It's got roses round the door. | 0:10:07 | 0:10:10 | |
-It's very pretty. -Look over there in the corner. | 0:10:10 | 0:10:12 | |
-Oh, yes! A little rabbit. -Shall we get in? | 0:10:12 | 0:10:15 | |
-Yeah! -Let's have a look. -Come on. | 0:10:15 | 0:10:18 | |
'This property oozes character, | 0:10:18 | 0:10:20 | |
'which certainly seems to appeal to Laura, | 0:10:20 | 0:10:22 | |
'and the thatch is relatively new, with at least 20 years left | 0:10:22 | 0:10:26 | |
'before it would need replacing.' | 0:10:26 | 0:10:29 | |
-Come on through to the heart of the house. -Mm! | 0:10:29 | 0:10:33 | |
-You didn't expect this, did you? -No! -Big smile on your face. | 0:10:33 | 0:10:37 | |
-Yes! Well, it's rather beautiful! -Isn't it just? -Yeah! | 0:10:37 | 0:10:40 | |
I think you said to me you don't really like DIY. | 0:10:40 | 0:10:44 | |
-No, absolutely. -Well, you don't have to do that much here. | 0:10:44 | 0:10:47 | |
No, it's all very complete, very neat. | 0:10:47 | 0:10:49 | |
Chinese slate on the floor here, and in the sun room, as well. | 0:10:49 | 0:10:53 | |
Also reclaimed timbers - even a reclaimed range, | 0:10:53 | 0:10:57 | |
-believe it or not. An antique range. -Yeah. | 0:10:57 | 0:11:00 | |
-And the butler sink, as well. -It's bigger than I was expecting. | 0:11:00 | 0:11:04 | |
I thought it might not go back as far as it does. | 0:11:04 | 0:11:06 | |
-This actually peels back further. Have a look? -Yeah. -Right. | 0:11:06 | 0:11:10 | |
Just when you thought it couldn't get any better... | 0:11:11 | 0:11:14 | |
-Oh, gosh! -..this space, as well. -Yes! | 0:11:14 | 0:11:16 | |
-This is lovely. -This is really nice. -I bet it's a real sun trap. | 0:11:16 | 0:11:20 | |
-Yeah. Which way does it face? -This is south. | 0:11:20 | 0:11:22 | |
-So we'd get the sun during most of the day. -Yep. | 0:11:22 | 0:11:25 | |
-Big enough for you? -I think so. Is this the main sitting area? | 0:11:25 | 0:11:29 | |
-Er, no. -Right. OK. | 0:11:29 | 0:11:32 | |
-So, is it big enough for you? -I think it is, yeah! | 0:11:33 | 0:11:36 | |
It's actually much bigger than I expected | 0:11:36 | 0:11:38 | |
-from looking at it from the outside. -I love that corner window over there, as well. | 0:11:38 | 0:11:42 | |
-That's beautiful. -OK. Shall we carry on? -Definitely. | 0:11:42 | 0:11:46 | |
'Next to the kitchen is a utility room and a downstairs shower room, | 0:11:46 | 0:11:49 | |
'and at the other end of the property is the formal living area.' | 0:11:49 | 0:11:53 | |
-And then the living room you were after. -Ooh! | 0:11:53 | 0:11:56 | |
-"Ooh"? What does that mean? -It's really nice! | 0:11:56 | 0:11:59 | |
-It is, isn't it? -And this is the modern part of the house? | 0:11:59 | 0:12:03 | |
-They've done a good job of mixing the old with the new. -They have. | 0:12:03 | 0:12:06 | |
I love the reclaimed wood. You've got the triple aspect, | 0:12:06 | 0:12:10 | |
and the two double doors out into the garden. | 0:12:10 | 0:12:12 | |
Too small for you, or right size? | 0:12:12 | 0:12:14 | |
It would be too small if it was the only sitting area, | 0:12:14 | 0:12:17 | |
but there is the other one, so it's more like the grown-up area, this. | 0:12:17 | 0:12:21 | |
-Ah! You've claimed it already. -THEY LAUGH | 0:12:21 | 0:12:24 | |
Yes. And we've got a fireplace there, with a stove in it. | 0:12:24 | 0:12:28 | |
-OK. Shall we go upstairs? -OK, yeah. -Let's go. | 0:12:28 | 0:12:31 | |
'Not a bad start so far. | 0:12:32 | 0:12:34 | |
'I just hope the upstairs continues to impress.' | 0:12:34 | 0:12:38 | |
Have a look in here. | 0:12:38 | 0:12:39 | |
-Oh, that's lovely. -This is the family bathroom. | 0:12:39 | 0:12:43 | |
-That's really nice. -It's quite unusual, isn't it? | 0:12:43 | 0:12:47 | |
-Yes. Yeah! -I love the beams and the whole thing. | 0:12:47 | 0:12:51 | |
-Yeah! -Good. | 0:12:51 | 0:12:53 | |
The master bedroom. | 0:12:53 | 0:12:55 | |
-More beams. -Yes. | 0:12:57 | 0:12:59 | |
It's quite bright, for a thatched cottage. | 0:12:59 | 0:13:02 | |
Yeah. I think this is a bit small, I have to say. | 0:13:02 | 0:13:05 | |
-I don't think we'd fit our four-poster bed in here. -No. | 0:13:05 | 0:13:08 | |
You didn't tell me you'd got a four-poster bed. | 0:13:08 | 0:13:11 | |
-I've got a saw you could use. -It might be needed. -Yeah. | 0:13:11 | 0:13:15 | |
That's what you don't like about your current property, the upstairs. | 0:13:15 | 0:13:19 | |
It is small upstairs. It'd be nice to have something that felt roomy. | 0:13:19 | 0:13:22 | |
'There are two more double bedrooms connected to each other, | 0:13:24 | 0:13:29 | |
'that could be knocked together to make room for their four-poster bed. | 0:13:29 | 0:13:32 | |
'At the other end of the house is a further double bedroom. | 0:13:32 | 0:13:35 | |
'The low beams and room dimensions could be an issue for Laura, | 0:13:35 | 0:13:40 | |
'so we're heading outside to look at the wraparound garden.' | 0:13:40 | 0:13:43 | |
I must tell you now that the paddling pool - the swimming pool - | 0:13:43 | 0:13:47 | |
-doesn't come with the property. -THEY LAUGH | 0:13:47 | 0:13:49 | |
So...third of an acre you've got here. | 0:13:49 | 0:13:53 | |
-Yes! -That little vegetable plot there, | 0:13:53 | 0:13:55 | |
fruit there... Pretty, isn't it? | 0:13:55 | 0:13:58 | |
It's got a lovely open feel to it, yeah. | 0:13:58 | 0:14:00 | |
There's a lot of potential, quite a lot of space. | 0:14:00 | 0:14:04 | |
What do you think it's worth? | 0:14:04 | 0:14:05 | |
If the downstairs carried through to the upstairs, | 0:14:05 | 0:14:08 | |
it would be near the top of our budget, but as it stands, | 0:14:08 | 0:14:11 | |
I would put it at about £700,000. | 0:14:11 | 0:14:14 | |
Yes. I mean, the location is certainly good, | 0:14:14 | 0:14:16 | |
but it's still quite a long way from the station, | 0:14:16 | 0:14:19 | |
so it doesn't carry that premium. I would put it at a little bit less. | 0:14:19 | 0:14:22 | |
I'd say about £650,000. | 0:14:22 | 0:14:25 | |
Wow! OK. You're miles away. | 0:14:25 | 0:14:27 | |
This is going to be a good gauge for you, if you like. | 0:14:27 | 0:14:30 | |
It's been on the market for six weeks. | 0:14:30 | 0:14:32 | |
It's currently on the market for £775,000. | 0:14:32 | 0:14:35 | |
Ooh! That really does surprise me. And, yeah - disappoints. | 0:14:35 | 0:14:40 | |
-I am surprised. -Oh, no! Don't be disappointed! | 0:14:40 | 0:14:42 | |
THEY LAUGH | 0:14:42 | 0:14:44 | |
-Oh, well! -Go and have another look around. | 0:14:44 | 0:14:46 | |
-You might see something that changes your mind. -Yeah. | 0:14:46 | 0:14:49 | |
-Maybe. -Maybe. Maybe not. | 0:14:49 | 0:14:51 | |
-I'll catch up with you later. -We'll take a look. | 0:14:51 | 0:14:54 | |
The price of our first property has come as a bit of a shock. | 0:14:54 | 0:14:58 | |
But the reality is that a spacious period build | 0:14:58 | 0:15:01 | |
with good transport links in the Chilterns doesn't come cheap. | 0:15:01 | 0:15:04 | |
For £775,000, | 0:15:04 | 0:15:06 | |
this property delivers all four bedrooms that they're after. | 0:15:06 | 0:15:10 | |
Inside and outside, the property exudes character, | 0:15:10 | 0:15:13 | |
and there's a good-size kitchen and dining room. | 0:15:13 | 0:15:16 | |
It's close to a train station, and there's a local church. | 0:15:16 | 0:15:19 | |
But will Laura be able to see past the space upstairs? | 0:15:19 | 0:15:23 | |
I really like the downstairs. It's really beautiful - | 0:15:23 | 0:15:26 | |
light, airy, perfect, really. | 0:15:26 | 0:15:27 | |
It's just going upstairs, really, that's the problem. | 0:15:27 | 0:15:30 | |
It's just a bit small, really. | 0:15:30 | 0:15:32 | |
Very steep ceilings. And the exposed beams are beautiful, | 0:15:32 | 0:15:36 | |
but don't give much space. It feels rather cramped. | 0:15:36 | 0:15:39 | |
The price was a bit of a surprise. | 0:15:39 | 0:15:40 | |
The location's a little way from the station, | 0:15:40 | 0:15:44 | |
so I would've expected it to be less than what it was, | 0:15:44 | 0:15:47 | |
but, yeah, I understand. The price is the price. | 0:15:47 | 0:15:49 | |
-Ah! Seen enough? -I think so, yeah. | 0:15:49 | 0:15:53 | |
-The plan is, we carry on looking. We're not giving up, OK? -OK. | 0:15:53 | 0:15:56 | |
Will and Laura are drawn to the Chilterns | 0:16:04 | 0:16:07 | |
because of the charming character and history of the area. | 0:16:07 | 0:16:11 | |
As a commercial hub since its first market charter in 1217, | 0:16:11 | 0:16:15 | |
Berkhamsted is all about character, | 0:16:15 | 0:16:18 | |
with its architecture spanning nearly 1,000 years. | 0:16:18 | 0:16:21 | |
And one of the most significant buildings is Berkhamsted Castle. | 0:16:21 | 0:16:24 | |
William the Conqueror received the crown on this site | 0:16:24 | 0:16:28 | |
after the Battle of Hastings in 1066, | 0:16:28 | 0:16:30 | |
after which he built a timber fortification. | 0:16:30 | 0:16:33 | |
Then, 100 years later, Thomas Becket rebuilt the castle | 0:16:33 | 0:16:36 | |
with local stone and flint, and it became a home to royals until the 15th century. | 0:16:36 | 0:16:40 | |
Ex-mayor John Cook was pleased to tell Will and Laura more about these historic remains. | 0:16:40 | 0:16:45 | |
Hello, and welcome to Berkhamsted Castle - | 0:16:45 | 0:16:48 | |
in the rain, I'm sorry to say. | 0:16:48 | 0:16:51 | |
It was a royal residence right until the time | 0:16:51 | 0:16:54 | |
of the Wars of the Roses. | 0:16:54 | 0:16:57 | |
At the end of the Wars of the Roses, it stopped being a royal residence, | 0:16:57 | 0:17:00 | |
and it fell into ruin. After that it was used as a quarry, really, | 0:17:00 | 0:17:04 | |
because stone was very scarce. There's no building stone in Hertfordshire. | 0:17:04 | 0:17:09 | |
The place was looted by the locals | 0:17:09 | 0:17:11 | |
whenever they wanted to build a garden shed or anything, | 0:17:11 | 0:17:14 | |
and that's why we're left with so little, really, | 0:17:14 | 0:17:17 | |
of the old stonework of the castle. | 0:17:17 | 0:17:20 | |
The impressive thing which is left are the moats, | 0:17:20 | 0:17:23 | |
and we have a unique arrangement here, or pretty unique, anyway, | 0:17:23 | 0:17:26 | |
and that is that there are double moats. | 0:17:26 | 0:17:29 | |
And they're both still here, and in fact, in wet weather, | 0:17:29 | 0:17:33 | |
they actually fill with water still. | 0:17:33 | 0:17:36 | |
Although there's not much of the structure left, | 0:17:36 | 0:17:38 | |
what we have got is a good example of a motte-and-bailey castle. | 0:17:38 | 0:17:43 | |
The motte is the sort of tower, which is over there, | 0:17:43 | 0:17:46 | |
and the bailey is this part here, this big enclosed area. | 0:17:46 | 0:17:49 | |
On the tower there would've been a fortification of some sort, | 0:17:49 | 0:17:53 | |
and this is the place, when the castle was under siege, | 0:17:53 | 0:17:56 | |
they would have brought the animals in to protect them | 0:17:56 | 0:17:59 | |
from the marauders threatening the castle. | 0:17:59 | 0:18:02 | |
Another area of historical importance in Berkhamsted | 0:18:02 | 0:18:06 | |
is Ashridge Forest, just a short walk from the castle. | 0:18:06 | 0:18:09 | |
This woodland would have provided beech for local furniture-makers, | 0:18:09 | 0:18:14 | |
an important industry for the Chilterns for hundreds of years. | 0:18:14 | 0:18:17 | |
These beeches are famous because they're very old, | 0:18:17 | 0:18:22 | |
and they were pollarded in ancient times, | 0:18:22 | 0:18:24 | |
so they are a grotesque size and shape. | 0:18:24 | 0:18:27 | |
So, what do you mean by pollarding? | 0:18:27 | 0:18:30 | |
Pollarding means that the branches were cut off, | 0:18:30 | 0:18:32 | |
for fuel, basically, I think, | 0:18:32 | 0:18:35 | |
and perhaps also for furniture- making, when they were big enough. | 0:18:35 | 0:18:39 | |
Perhaps this is the most famous of them. | 0:18:39 | 0:18:42 | |
This particular tree is called "The Tree" by walkers | 0:18:42 | 0:18:44 | |
in this part of the world, because of its particular dimensions | 0:18:44 | 0:18:48 | |
and shape and spread. | 0:18:48 | 0:18:51 | |
At a span of 25 metres, the tree is about 400 years old, | 0:18:51 | 0:18:56 | |
and is thought to be slowly dying, | 0:18:56 | 0:18:58 | |
although this may take another 200 years. | 0:18:58 | 0:19:01 | |
The pollarding redefines the natural shape of the trees, | 0:19:01 | 0:19:04 | |
so the forest has a supernatural ambience, | 0:19:04 | 0:19:07 | |
and, unsurprisingly, Ashridge has been used as the location | 0:19:07 | 0:19:10 | |
for films such as Harry Potter and Sleepy Hollow - | 0:19:10 | 0:19:13 | |
just one of the historically significant forests in the Chilterns | 0:19:13 | 0:19:17 | |
and a perfect place for our rambling house-hunters to explore. | 0:19:17 | 0:19:20 | |
Our second property is in Haddenham, Buckinghamshire, | 0:19:29 | 0:19:32 | |
just a short walk from Haddenham and Thame Parkway train station. | 0:19:32 | 0:19:36 | |
Again, we've managed to keep Will and Laura's commute into London | 0:19:36 | 0:19:39 | |
to a minimum. The village boasts the 13th-century Church of Our Lady, | 0:19:39 | 0:19:43 | |
overlooking an idyllic pond, surrounded by thatched properties, | 0:19:43 | 0:19:47 | |
and after the Sunday service, they have a choice of inviting pubs | 0:19:47 | 0:19:51 | |
for a hearty Sunday lunch. With great transport links | 0:19:51 | 0:19:55 | |
and a charming village on the doorstep, | 0:19:55 | 0:19:57 | |
our second property is a sympathetic mix of old and new. | 0:19:57 | 0:20:01 | |
-Not much further to walk. -OK. | 0:20:01 | 0:20:04 | |
-This is it. -Oh, right! -Ah! -Oh, that's quite different. | 0:20:05 | 0:20:09 | |
It is, isn't it? This was originally a chicken farm, in the 1800s, | 0:20:09 | 0:20:13 | |
-the middle part of the property. -The chickens have left? | 0:20:13 | 0:20:16 | |
-The chickens have left. -Good. -This was done about 12 years ago. | 0:20:16 | 0:20:20 | |
What you're looking at here is your kitchen. | 0:20:20 | 0:20:22 | |
I can just see that through the window. | 0:20:22 | 0:20:24 | |
-What do you think? -Yeah! I think it's interesting. | 0:20:24 | 0:20:27 | |
Very different, and good to have a look round. | 0:20:27 | 0:20:29 | |
OK. Let's get in there, I think. | 0:20:29 | 0:20:32 | |
'Based on reactions to the last property, | 0:20:32 | 0:20:34 | |
'it seems space is a big issue. | 0:20:34 | 0:20:37 | |
'Well, with 3,600 square feet to make use of inside, | 0:20:37 | 0:20:40 | |
'this property shouldn't disappoint.' | 0:20:40 | 0:20:42 | |
We'll start here. First thing you've noticed... | 0:20:45 | 0:20:48 | |
-It's got beams. -I was going to say it's got no furniture! | 0:20:48 | 0:20:52 | |
-THEY LAUGH -You're looking up first. | 0:20:52 | 0:20:54 | |
What do you think? This could be your dining room, | 0:20:54 | 0:20:57 | |
-overlooking your garden. -OK. | 0:20:57 | 0:20:59 | |
Yeah. I mean, it's quite bright in here. | 0:20:59 | 0:21:01 | |
-We've got windows on both sides. -Not going to hit your head. | 0:21:01 | 0:21:05 | |
No. That's always a plus. | 0:21:05 | 0:21:06 | |
Um, yeah. I quite like the beam, as well. | 0:21:06 | 0:21:10 | |
It's seen a bit of action there. It's got a bit of character to it. | 0:21:10 | 0:21:14 | |
-When was this bit of the house built? -This is 1800s. | 0:21:14 | 0:21:16 | |
Did you expect it to be like this inside? | 0:21:16 | 0:21:19 | |
No. I thought it actually... | 0:21:19 | 0:21:21 | |
-I thought the house itself looked more modern. -Right. | 0:21:21 | 0:21:24 | |
I think because it's got additions onto it, which they possibly are, | 0:21:24 | 0:21:28 | |
-this bit is a pleasant surprise. -OK, good. | 0:21:28 | 0:21:31 | |
'So, they have their separate dining area, | 0:21:31 | 0:21:33 | |
'but Laura and Will were also after a large kitchen. | 0:21:33 | 0:21:36 | |
'And that's exactly what this property delivers.' | 0:21:36 | 0:21:39 | |
Come on through. | 0:21:39 | 0:21:41 | |
I am slightly worried that this won't be large enough for you. | 0:21:41 | 0:21:44 | |
-I think it might be! Goodness me! -You could hold a dance in here. | 0:21:44 | 0:21:48 | |
Yes. THEY LAUGH | 0:21:48 | 0:21:50 | |
-See? I've still got it. -That's good. Yeah. | 0:21:50 | 0:21:52 | |
-It's a good size. -It's huge! I want to put an island in there, | 0:21:52 | 0:21:55 | |
otherwise I'll be running from one end to the other. | 0:21:55 | 0:21:58 | |
I think so, or you'll be on roller-skates to get round. | 0:21:58 | 0:22:01 | |
-You've got a gas range there. -Right. -Chinese slate again. | 0:22:01 | 0:22:05 | |
This is, you know, a substantial-size kitchen. | 0:22:05 | 0:22:09 | |
You could have a massive table in here if you wanted. | 0:22:09 | 0:22:12 | |
-Back there you've got a toilet and also a utility room... -Right. | 0:22:12 | 0:22:15 | |
-..with a door leading out onto the patio, as well. -Right! | 0:22:15 | 0:22:18 | |
What do you think? Can you imagine yourself in here? | 0:22:18 | 0:22:21 | |
-I think I can, actually, yes. -What I'm particularly impressed by, | 0:22:21 | 0:22:25 | |
although this is a newer part of the building, | 0:22:25 | 0:22:28 | |
you've got the beams coming through, so you've got continuity there. | 0:22:28 | 0:22:31 | |
'At the other end of the hall is a ground-floor bedroom | 0:22:32 | 0:22:35 | |
'which could be used as a playroom, | 0:22:35 | 0:22:37 | |
'and next to that is an enormous living area.' | 0:22:37 | 0:22:40 | |
-Whoa! -Yeah. -It's big, isn't it? | 0:22:40 | 0:22:42 | |
-It is huge. It's got a nice bay window. -Lovely, isn't it? | 0:22:42 | 0:22:45 | |
-It's really good. -It's got a working fireplace. | 0:22:45 | 0:22:48 | |
What about the low ceiling? What do you think? | 0:22:48 | 0:22:50 | |
I feel that makes it more cosy than small. | 0:22:50 | 0:22:54 | |
I think with a room this long, you can't feel small inside it. | 0:22:54 | 0:22:57 | |
Because they haven't painted it, it doesn't really notice. | 0:22:57 | 0:23:00 | |
-Good. Excellent. Let's go upstairs. -OK. -The rooms are tiny. | 0:23:00 | 0:23:04 | |
-SHE LAUGHS -You don't believe me, do you? | 0:23:04 | 0:23:06 | |
'Upstairs is split into two separate wings.' | 0:23:07 | 0:23:12 | |
We'll concentrate on that wing of the house later on. | 0:23:13 | 0:23:16 | |
Um, good-size family bathroom there, bath and shower, storage. | 0:23:16 | 0:23:21 | |
-Double room. -Mm-hm. -Double room. | 0:23:21 | 0:23:24 | |
And then... Well, I don't know. How can we describe this? | 0:23:25 | 0:23:28 | |
It could be a very large master bedroom, | 0:23:28 | 0:23:30 | |
or it could be a totally separate annexe. | 0:23:30 | 0:23:34 | |
'Next to this is a hall that could be converted into a kitchenette, | 0:23:34 | 0:23:37 | |
'using plumbing from the adjacent shower room, | 0:23:37 | 0:23:40 | |
'and there's also a spacious double bedroom. | 0:23:40 | 0:23:42 | |
'And the space keeps on coming. At the other end of the house | 0:23:42 | 0:23:45 | |
'is the perfect place for the four-poster bed | 0:23:45 | 0:23:48 | |
'that they were finding it hard to fit into the first property.' | 0:23:48 | 0:23:51 | |
-I was thinking that this would probably be your master. -Yeah! | 0:23:51 | 0:23:54 | |
We should be able to fit the double bed in here. | 0:23:54 | 0:23:57 | |
It's lovely to have windows on either side | 0:23:57 | 0:23:59 | |
-and get a lot of sunlight in. -What do you think's through there? | 0:23:59 | 0:24:03 | |
I hope an enormous en suite with dressing area. | 0:24:03 | 0:24:05 | |
-Oh, come on, then, spoilsport! -THEY LAUGH | 0:24:05 | 0:24:09 | |
Look what's through here! | 0:24:09 | 0:24:12 | |
'This room has plenty of wardrobe space, | 0:24:12 | 0:24:15 | |
'leading to a good-size en suite.' | 0:24:15 | 0:24:18 | |
-So, you eventually make it into your en suite. -Ooh! | 0:24:19 | 0:24:23 | |
Wow! And very, very fancy-looking bath. | 0:24:23 | 0:24:26 | |
-That's right. -Spa bath. -Ultra-size bath. | 0:24:26 | 0:24:28 | |
-Never get me out of that. -No. So, you've seen the inside of the house. | 0:24:28 | 0:24:32 | |
-I think you like it, don't you? -Very impressed. -Yes. | 0:24:32 | 0:24:36 | |
Obviously it's huge in every dimension. | 0:24:36 | 0:24:39 | |
It's reasonably well decorated in most rooms, | 0:24:39 | 0:24:41 | |
some better than others, but there's no major project | 0:24:41 | 0:24:45 | |
we'd need to undertake to get it liveable. | 0:24:45 | 0:24:47 | |
-Um, yeah. Yeah, very impressive. -Well, I'm glad you like it. | 0:24:47 | 0:24:50 | |
Let's pop outside. | 0:24:50 | 0:24:52 | |
Um, not a lot of space in the garden, | 0:24:52 | 0:24:55 | |
which I know you've looked at through the window. | 0:24:55 | 0:24:59 | |
Let's get out there and see what you make of it. | 0:24:59 | 0:25:02 | |
'It looks like the dimensions of the bathroom have also impressed. | 0:25:02 | 0:25:05 | |
'Although the garden is smaller than the first property, it's very manageable.' | 0:25:05 | 0:25:09 | |
-It's not as big as the last place. -It certainly isn't. | 0:25:09 | 0:25:12 | |
The dry weather recently hasn't done it any favours, | 0:25:12 | 0:25:15 | |
-but it is quite small. -You didn't want a big garden, did you? | 0:25:15 | 0:25:19 | |
I don't, no, but it is overlooked. That's what I'm disappointed about. | 0:25:19 | 0:25:23 | |
I could cope with the size, without next door looking in. | 0:25:23 | 0:25:27 | |
-Is that a big issue? -Um, it's an issue. | 0:25:27 | 0:25:29 | |
-I'm not sure it's a big issue. -Let's talk money. -OK. | 0:25:29 | 0:25:32 | |
-It's a big property. -It's a big property. | 0:25:32 | 0:25:35 | |
-With a small garden. -It's not going to be chicken-feed, is it? | 0:25:35 | 0:25:38 | |
-Ooh, good action! -It hasn't got the character of the last property, | 0:25:38 | 0:25:42 | |
-but I think, overall, about £750,000. -I'd put it a bit higher than that, | 0:25:42 | 0:25:47 | |
and I would say 765,000. | 0:25:47 | 0:25:49 | |
OK. You said earlier on | 0:25:49 | 0:25:51 | |
-that the most you could go to was - -800,000, yeah. | 0:25:51 | 0:25:56 | |
Yeah. This would take you almost to that. | 0:25:56 | 0:25:58 | |
-Ooh! -£795,000. | 0:25:58 | 0:26:01 | |
-Right. -It's been on the market for three weeks. -Right. | 0:26:01 | 0:26:04 | |
Does that change anything? | 0:26:04 | 0:26:06 | |
No. That's within the margin of what I was thinking. | 0:26:06 | 0:26:10 | |
Go and have a look around. Please don't take hours. | 0:26:10 | 0:26:13 | |
-Don't lose each other, either. -I'll be waiting outside for days. | 0:26:13 | 0:26:16 | |
-THEY LAUGH -OK! | 0:26:16 | 0:26:18 | |
A shade under budget at £795,000, | 0:26:18 | 0:26:21 | |
this property has all the space that Laura and Will were after. | 0:26:21 | 0:26:24 | |
They wanted four bedrooms. We've given them five, | 0:26:24 | 0:26:27 | |
and the kitchen is huge. | 0:26:27 | 0:26:29 | |
Finally, the transport links to London are great, | 0:26:29 | 0:26:32 | |
with just over a 30-minute commute. | 0:26:32 | 0:26:35 | |
The house is massive. You can practically see the curvature of the Earth inside it. | 0:26:35 | 0:26:39 | |
It's really a head-and-heart thing. It ticks a lot of boxes. | 0:26:39 | 0:26:42 | |
It's very practical and it's very functional. | 0:26:42 | 0:26:45 | |
But I don't think there's any one thing about it | 0:26:45 | 0:26:48 | |
that really makes me passionate about it, | 0:26:48 | 0:26:50 | |
so from that point of view, I'm not in love with it. | 0:26:50 | 0:26:53 | |
The village seems very pleasant, what we've seen of it so far. | 0:26:53 | 0:26:56 | |
It's got a good school and a big church, which is a good plus for us. | 0:26:56 | 0:27:00 | |
There are no big projects we'd have to undertake. | 0:27:00 | 0:27:03 | |
-No. It's generally been well done. -Yes. Yeah. | 0:27:03 | 0:27:06 | |
Hey! You don't look too tired. | 0:27:07 | 0:27:09 | |
I thought I'd have to mop your weary brow, but you're not too bad. | 0:27:09 | 0:27:13 | |
Don't want to know what you think about it yet. | 0:27:13 | 0:27:16 | |
You have a chat tonight and we'll reconvene tomorrow. How's that? | 0:27:16 | 0:27:19 | |
-Sounds good. -Let's go. | 0:27:19 | 0:27:21 | |
As the sun slips behind the hills, | 0:27:22 | 0:27:25 | |
Will and Laura will be pondering the possibilities | 0:27:25 | 0:27:28 | |
of the two properties they've seen today. | 0:27:28 | 0:27:30 | |
'Our London-based house-hunters | 0:27:34 | 0:27:36 | |
'are looking for a spacious Chiltern character property | 0:27:36 | 0:27:39 | |
'with plenty of period features. They need good links into London | 0:27:39 | 0:27:43 | |
'for work, and we've shown them two possible options.' | 0:27:43 | 0:27:46 | |
-Very, very fancy-looking bath. -Spa bath, as well. -Ultra-size bath. | 0:27:46 | 0:27:50 | |
Never get me out of that. | 0:27:50 | 0:27:52 | |
'They love the features of their current 1920s-built house in Harrow, | 0:27:52 | 0:27:56 | |
'so how will the ultra-modern interior of our mystery house compare?' | 0:27:56 | 0:28:00 | |
-It doesn't fit our furniture at all! -Right. OK. | 0:28:00 | 0:28:03 | |
Morning! | 0:28:05 | 0:28:07 | |
So, from the beginning we've known that location was key | 0:28:07 | 0:28:10 | |
to Will and Laura's move here to the Chilterns, | 0:28:10 | 0:28:12 | |
but yesterday we found out that the house, interior and exterior, | 0:28:12 | 0:28:16 | |
is also important. Now, this is where the problem arises, OK? | 0:28:16 | 0:28:20 | |
We found it really difficult finding their dream home | 0:28:20 | 0:28:23 | |
in their dream location for their budget. | 0:28:23 | 0:28:26 | |
This is such an expensive area. Something's got to give. | 0:28:26 | 0:28:29 | |
What will it be? Let the mystery property be the judge of that. | 0:28:29 | 0:28:33 | |
I must say, it's been difficult finding the dream house | 0:28:37 | 0:28:40 | |
in the dream location. | 0:28:40 | 0:28:42 | |
Part of the problem is, we've got a very nice house as it is, | 0:28:42 | 0:28:45 | |
-and so, er, it's quite hard to better it, really. -Right. | 0:28:45 | 0:28:50 | |
'This is going to be a gamble which could go either way, | 0:28:50 | 0:28:53 | |
'as the interior of the mystery house is stylistically the opposite | 0:28:53 | 0:28:57 | |
'of their current 1920s Arts and Crafts home. | 0:28:57 | 0:29:00 | |
'Just outside the village of Tyler's Green in Buckinghamshire, | 0:29:00 | 0:29:03 | |
'the property is six miles to a main-line train service | 0:29:03 | 0:29:06 | |
'at Beaconsfield, offering Will and Laura a 30-minute commute | 0:29:06 | 0:29:10 | |
'to London. We found them a friendly village atmosphere, | 0:29:10 | 0:29:13 | |
'from the yearly fete held on the green | 0:29:13 | 0:29:15 | |
'to the community-minded local church.' | 0:29:15 | 0:29:18 | |
'A perfect location, and on the outside, | 0:29:18 | 0:29:20 | |
'it has plenty of period charm.' | 0:29:20 | 0:29:22 | |
-Come on in. -Right! | 0:29:26 | 0:29:28 | |
This is it, the mystery property, | 0:29:28 | 0:29:30 | |
next door to the oldest free house in England. | 0:29:30 | 0:29:33 | |
-OK! Could be handy. -It is an amazing location, yeah. | 0:29:33 | 0:29:37 | |
How do you feel about being so close to the pub? | 0:29:37 | 0:29:40 | |
We know the pub, and it's a really good one, so that's not a problem. | 0:29:40 | 0:29:44 | |
It's not the sort of pub where you'd get a lot of drunken rowdiness. | 0:29:44 | 0:29:48 | |
-It's a quintessential country pub. -It looks lovely. -It's fantastic, | 0:29:48 | 0:29:52 | |
-so I'm happy with that. -Are you bothered about the road? | 0:29:52 | 0:29:55 | |
It's not a very busy road, so not really. | 0:29:55 | 0:29:57 | |
-What about the property? -It's good. It's quite pretty. | 0:29:57 | 0:30:00 | |
It's a period property. It's rather nice. | 0:30:00 | 0:30:03 | |
Lat 1800s. The kitchen was added on in the '50s, | 0:30:03 | 0:30:06 | |
and what we've got here, though, | 0:30:06 | 0:30:09 | |
is a really contemporary interior. | 0:30:09 | 0:30:11 | |
The mystery property! Why do you think it's the mystery property? | 0:30:11 | 0:30:15 | |
-Because it's near to the pub? -That could be it. | 0:30:15 | 0:30:17 | |
We're not looking at four bedrooms here. | 0:30:17 | 0:30:20 | |
-Right. OK. -We're looking at three. -I see. | 0:30:20 | 0:30:23 | |
And I can guarantee the rooms aren't as large as the second property. | 0:30:23 | 0:30:28 | |
-Right. OK. -Shall we go in? -Let's go. | 0:30:28 | 0:30:31 | |
'Although it has less space upstairs than our other properties, | 0:30:33 | 0:30:36 | |
'this house is in a very desirable and much sought-after area.' | 0:30:36 | 0:30:41 | |
So, just how modern do you want to go? | 0:30:42 | 0:30:44 | |
-It is pretty modern, isn't it? -Er, yep. Very. | 0:30:44 | 0:30:47 | |
-Do you like it? -Not sure. | 0:30:47 | 0:30:50 | |
-It doesn't fit our furniture at all! -Right. | 0:30:50 | 0:30:54 | |
I mean, it's, um... | 0:30:54 | 0:30:56 | |
I've got pros and cons in my mind, I think. | 0:30:56 | 0:30:59 | |
The pro is, of course, it's been done. | 0:30:59 | 0:31:02 | |
It doesn't need any instant attention. | 0:31:02 | 0:31:05 | |
I suppose my concern is that it's very contemporary. | 0:31:05 | 0:31:09 | |
It might date quite quickly, | 0:31:09 | 0:31:11 | |
so might need a bit of changing before too long. | 0:31:11 | 0:31:14 | |
-Some lovely touches, though. -The fireplace is fabulous. | 0:31:14 | 0:31:17 | |
-Does it actually work? -Er, no. Not at the moment. | 0:31:17 | 0:31:20 | |
Not a big job, though. The chimney's there, | 0:31:20 | 0:31:22 | |
so you could sort that out pretty easily. | 0:31:22 | 0:31:24 | |
I like the way they've opened up the back there, | 0:31:24 | 0:31:27 | |
-and you can see straight through. -It's all double-glazed. | 0:31:27 | 0:31:30 | |
Lovely window in the corner there, as well. | 0:31:30 | 0:31:33 | |
You do get a lot of light. From the outside, | 0:31:33 | 0:31:35 | |
it's a house with fairly normal-sized windows, | 0:31:35 | 0:31:38 | |
but they have made the most of the light you get. | 0:31:38 | 0:31:41 | |
-There's also underfloor heating. -Oh, that's nice. | 0:31:41 | 0:31:44 | |
-So no radiators downstairs. -Gives it a clean look. | 0:31:44 | 0:31:46 | |
That's the need for the porcelain tiles there. | 0:31:46 | 0:31:49 | |
I'm going to take you back to the 1950s now, | 0:31:49 | 0:31:51 | |
-so we'll go to the kitchen. Well, 1950s/2010. -OK. -Come on. | 0:31:51 | 0:31:56 | |
'Laura is after a large kitchen, so fingers crossed.' | 0:31:56 | 0:32:00 | |
Ooh! This is different. | 0:32:00 | 0:32:02 | |
-There's some storage there for your coats. -Coats, yeah. | 0:32:02 | 0:32:06 | |
-Right! Wow! -It's quite a big kitchen, actually. | 0:32:06 | 0:32:09 | |
-It is, isn't it? -You've got French windows | 0:32:09 | 0:32:11 | |
straight out onto the patio and the garden. | 0:32:11 | 0:32:14 | |
-So much light! -I do like the way they've done their sun-room area. | 0:32:14 | 0:32:18 | |
It really does make the whole room look much bigger. | 0:32:18 | 0:32:21 | |
Tucked away around the corner you've got a utility room | 0:32:21 | 0:32:24 | |
-and also a downstairs loo. -Right. Right. | 0:32:24 | 0:32:26 | |
-This is a great kitchen. -It is. It's very functional, I suppose. | 0:32:26 | 0:32:31 | |
-Very modern. -You've got granite work surfaces, | 0:32:31 | 0:32:33 | |
the very modern range, as well. You could do some serious cooking there. | 0:32:33 | 0:32:37 | |
Probably more serious than I normally do. | 0:32:37 | 0:32:40 | |
'Despite the period exterior, | 0:32:40 | 0:32:42 | |
'the modern interior is proving challenging for Laura. | 0:32:42 | 0:32:45 | |
'Next to the kitchen there's a separate dual-aspect living room, | 0:32:45 | 0:32:48 | |
'with a feature fireplace. We're heading upstairs | 0:32:48 | 0:32:51 | |
'to the bedrooms.' | 0:32:51 | 0:32:53 | |
-You've got a bedroom through there, just about a double. -Right. | 0:32:53 | 0:32:58 | |
-This is light and airy. -Yeah! That's not too bad. | 0:32:58 | 0:33:01 | |
-Nice corner window again. -High ceiling, as well. | 0:33:01 | 0:33:03 | |
-Yes. Yeah. -And plenty of storage. | 0:33:03 | 0:33:06 | |
Yeah. Built-in wardrobes, yes. Yeah. | 0:33:06 | 0:33:09 | |
-It could be a decent-size spare room, couldn't it? -Yes. | 0:33:09 | 0:33:13 | |
You've got a great view. That's got a lot going for it. | 0:33:13 | 0:33:16 | |
Nice waking up and looking through that window. More to explore! | 0:33:16 | 0:33:20 | |
'The bedroom next door would be an ideal nursery, | 0:33:20 | 0:33:23 | |
'and there's a modernised family bathroom | 0:33:23 | 0:33:26 | |
'leading to the master bedroom.' | 0:33:26 | 0:33:28 | |
This is your master. | 0:33:28 | 0:33:31 | |
Right! OK. | 0:33:31 | 0:33:33 | |
Yes. It's a reasonable size. It's not huge by any means. | 0:33:34 | 0:33:37 | |
I think you might struggle to fit our bed in here, our four-poster. | 0:33:37 | 0:33:42 | |
You can tell you've been married for ages. | 0:33:42 | 0:33:44 | |
You come in and go, "Right! OK!" | 0:33:44 | 0:33:45 | |
And then she looks as you as if to say, "Help! Bail me out!" | 0:33:45 | 0:33:49 | |
-THEY LAUGH -Is there a wardrobe anywhere? | 0:33:49 | 0:33:51 | |
-There is, through there. -That's something, yeah. | 0:33:51 | 0:33:54 | |
And also a wardrobe back there. Loads of storage space. | 0:33:54 | 0:33:57 | |
-Hadn't seen that. -That's your en suite. | 0:33:57 | 0:33:59 | |
Go and have a look around, see what you think. | 0:33:59 | 0:34:02 | |
Don't think you'd fit your whole family in there. | 0:34:03 | 0:34:06 | |
-It's on the small side, but it's got everything you need. -And it's good that we've got it. | 0:34:06 | 0:34:10 | |
'Heading downstairs, the kitchen opens out onto a sun terrace | 0:34:10 | 0:34:14 | |
'and private garden laid to lawn.' | 0:34:14 | 0:34:16 | |
-This is it. -Right. | 0:34:17 | 0:34:20 | |
-It's manageable. -You wanted a manageable garden. | 0:34:20 | 0:34:23 | |
We've got the whole countryside as the rest of our garden. | 0:34:23 | 0:34:27 | |
-And you've got that pub next door. -You can't say you're overlooked. | 0:34:27 | 0:34:31 | |
-No, it's wonderfully private. -Shall we talk money? -OK. | 0:34:31 | 0:34:35 | |
I would put it around what I would say was our limit, | 0:34:35 | 0:34:38 | |
-which would be 750,000. -OK. | 0:34:38 | 0:34:41 | |
Interestingly, and we haven't prearranged this, | 0:34:41 | 0:34:43 | |
I would also say £750,000. That's how I'd price it. | 0:34:43 | 0:34:46 | |
You're going to be happy. It's cheaper than that. | 0:34:46 | 0:34:49 | |
-£725,000. -Oh, OK! | 0:34:49 | 0:34:52 | |
-Which gives you 25 grand to spend in the pub. -Fantastic! | 0:34:52 | 0:34:56 | |
-OK. -Does that change things? | 0:34:56 | 0:34:58 | |
Um, it would if it were a little bit bigger. | 0:34:58 | 0:35:01 | |
Well under budget at £725,000, | 0:35:01 | 0:35:04 | |
this house has a large, well equipped kitchen, | 0:35:04 | 0:35:07 | |
certainly on their list of must-haves, | 0:35:07 | 0:35:10 | |
as well as a rural aspect and great transport links to London. | 0:35:10 | 0:35:14 | |
Contrasting with the other two properties, our mystery house | 0:35:14 | 0:35:17 | |
has an ultra-modern interior, and with three bedrooms, | 0:35:17 | 0:35:21 | |
it also had the least amount of space upstairs. | 0:35:21 | 0:35:23 | |
Certainly a property worth considering, | 0:35:23 | 0:35:25 | |
but definitely challenging in style for Will and Laura. | 0:35:25 | 0:35:28 | |
I like the kitchen. A contemporary feel isn't too bad in here. | 0:35:28 | 0:35:32 | |
I'm not sure about the rest. | 0:35:32 | 0:35:34 | |
The location is just amazing. It's got everything we could want | 0:35:34 | 0:35:37 | |
from the location point of view, and it's also got great views | 0:35:37 | 0:35:41 | |
to the countryside around, and it's near to the pub, as well. | 0:35:41 | 0:35:44 | |
So you couldn't ask for more on that score. | 0:35:44 | 0:35:47 | |
I like this open-out-into-the-garden bit. Be lovely for a conservatory. | 0:35:47 | 0:35:51 | |
As a property, I like it. It's got a good feel about it. | 0:35:51 | 0:35:54 | |
It's in a wonderful location. It's just a little bit small. | 0:35:54 | 0:35:57 | |
-You whizzed round there. -Yeah. It's not very big. | 0:35:58 | 0:36:01 | |
You've seen everything we have to offer, | 0:36:01 | 0:36:03 | |
-so you should have a think. We'll talk through it all. -OK. | 0:36:03 | 0:36:07 | |
Come on. | 0:36:07 | 0:36:09 | |
Although the Chilterns conjures images of thatched cottages and villages of flint and brick, | 0:36:15 | 0:36:20 | |
Amersham is home to the first modernist country house to be built in Britain. | 0:36:20 | 0:36:24 | |
Known as High & Over, the property was a collaboration | 0:36:24 | 0:36:28 | |
between architect Amyas Connell and Professor Bernard Ashmole. | 0:36:28 | 0:36:33 | |
Built in 1929, this ultra-modern property | 0:36:33 | 0:36:36 | |
wasn't embraced by all the locals. | 0:36:36 | 0:36:39 | |
'As I pass it on my travels quite regularly, | 0:36:39 | 0:36:41 | |
'I've been intrigued by this decidedly un-Chiltern-like house, | 0:36:41 | 0:36:45 | |
'so I jumped at the chance to be shown around | 0:36:45 | 0:36:47 | |
'by Alan Powers, the professor of architecture and cultural history | 0:36:47 | 0:36:51 | |
'at the University of Greenwich.' | 0:36:51 | 0:36:53 | |
Was this meant to shock? | 0:36:53 | 0:36:56 | |
-Well, I'm sure it was, yes. -It did, didn't it? | 0:36:56 | 0:36:59 | |
I mean, Connell and other architects from Australia and New Zealand, | 0:36:59 | 0:37:03 | |
they didn't have that much respect for the English niceties | 0:37:03 | 0:37:07 | |
of old Tudor brickwork and crumbly bits and that kind of thing. | 0:37:07 | 0:37:11 | |
So far, at this point in England, | 0:37:11 | 0:37:13 | |
there was very, very little in that style, | 0:37:13 | 0:37:16 | |
so when this was finished, it made a huge impact. | 0:37:16 | 0:37:21 | |
I think we should get in, don't you? Come on. | 0:37:21 | 0:37:23 | |
Modernism was about creating visions of the future, | 0:37:24 | 0:37:27 | |
using new technologies such as reinforced concrete and steel, | 0:37:27 | 0:37:30 | |
buildings for a new way of thinking. | 0:37:30 | 0:37:33 | |
By 1931, Country Life devoted a large feature | 0:37:33 | 0:37:36 | |
to the building, which read, "Here is architecture | 0:37:36 | 0:37:39 | |
pure and unalloyed by sentiment, reminiscence or clap-trap." | 0:37:39 | 0:37:42 | |
Referred to sardonically by locals as "the aeroplane house", | 0:37:42 | 0:37:46 | |
their words were grimly echoed in World War II, | 0:37:46 | 0:37:49 | |
as it's said that the powerful and visual Y-shaped design | 0:37:49 | 0:37:52 | |
of High & Over was used by German bombers | 0:37:52 | 0:37:55 | |
as a directional marker. | 0:37:55 | 0:37:57 | |
In the 1960s it was nearly torn down, | 0:37:57 | 0:38:00 | |
but by the 1970s, the drama and sincerity of the design | 0:38:00 | 0:38:03 | |
had weathered the architectural assaults, | 0:38:03 | 0:38:06 | |
and in 1971, English Heritage listed the building. | 0:38:06 | 0:38:09 | |
What sort of design characteristics are attached to modernism? | 0:38:11 | 0:38:15 | |
Well, you can see here in the hexagonal pattern | 0:38:15 | 0:38:19 | |
of the room, and then the triangles on the floor, | 0:38:19 | 0:38:22 | |
this is the guiding idea of the geometry of the house. | 0:38:22 | 0:38:25 | |
Not so typical of the way modernism carried on after that, in fact, | 0:38:25 | 0:38:30 | |
but this is the sort of Art Deco phase, | 0:38:30 | 0:38:33 | |
which is very obsessed with angles and geometry. | 0:38:33 | 0:38:37 | |
And using what light, as much as you can, natural light... | 0:38:37 | 0:38:41 | |
Yes. Yes, like bringing windows right the way down to the floor. | 0:38:41 | 0:38:44 | |
-Yeah. -Very light, for the time. | 0:38:44 | 0:38:46 | |
Apart from the opulent chrome front doors, | 0:38:46 | 0:38:49 | |
the three-storey building houses original features | 0:38:49 | 0:38:52 | |
like the gilded Art Deco dining room with authentic lighting. | 0:38:52 | 0:38:55 | |
The steel-framed windows and doors are typically modernist, | 0:38:55 | 0:38:59 | |
and the striking hole that once allowed a ground-floor fountain | 0:38:59 | 0:39:02 | |
to travel through to the first floor is a reminder of the extravagance | 0:39:02 | 0:39:06 | |
of Connell's design. | 0:39:06 | 0:39:07 | |
Thankfully the current owners have kept many of the original features, | 0:39:07 | 0:39:12 | |
and the decor is sympathetic to the aesthetics of modernism, | 0:39:12 | 0:39:15 | |
shown off in the living area and the bedrooms. | 0:39:15 | 0:39:19 | |
I presume this staircase is original. | 0:39:20 | 0:39:23 | |
Very much, yes, and you get these fabulous views | 0:39:23 | 0:39:26 | |
through the space, and that's very much a modernist thing. | 0:39:26 | 0:39:30 | |
Yeah, absolutely. Incredible. Love it. | 0:39:30 | 0:39:33 | |
An important philosophy of modernism | 0:39:34 | 0:39:36 | |
was to reclaim the footprint of the house on upper levels, | 0:39:36 | 0:39:40 | |
and that's precisely what Connell has achieved with this roof terrace. | 0:39:40 | 0:39:44 | |
Why do you love the modernist house so much? | 0:39:44 | 0:39:46 | |
I think it's the fantastic expression of an idea. | 0:39:46 | 0:39:49 | |
It's almost a romantic idea, because it's a dream | 0:39:49 | 0:39:52 | |
that didn't totally happen. | 0:39:52 | 0:39:55 | |
I think we're still waiting for it. | 0:39:55 | 0:39:58 | |
But there are moments when the sun shines, | 0:39:58 | 0:40:00 | |
and, you know, it all lights up, | 0:40:00 | 0:40:02 | |
and you sort of believe in this great optimistic hope | 0:40:02 | 0:40:05 | |
that life is going to be good for everybody. | 0:40:05 | 0:40:08 | |
Will and Laura have been weighing up the pros and cons | 0:40:13 | 0:40:17 | |
of the charming Chiltern properties we've shown them, | 0:40:17 | 0:40:20 | |
and now it's time to find out their thoughts on all three. | 0:40:20 | 0:40:23 | |
So, have you enjoyed the experience, first of all? | 0:40:23 | 0:40:26 | |
It's been brilliant. It's been such a good experience, | 0:40:26 | 0:40:29 | |
because we've seen places we'd never have considered before, | 0:40:29 | 0:40:32 | |
-so excellent. -Good, good. Let's talk about the properties. | 0:40:32 | 0:40:35 | |
We'll start with the idyllic thatched cottage. | 0:40:35 | 0:40:38 | |
It really was picture-postcard perfect, wasn't it? | 0:40:38 | 0:40:41 | |
It was fantastic. We couldn't have asked for a better house to view, | 0:40:41 | 0:40:45 | |
and the little rabbits in the garden, all the birds around - | 0:40:45 | 0:40:49 | |
it was perfectly cottagey, absolutely lovely. | 0:40:49 | 0:40:52 | |
The look of the place was incredible, and it's got that isolation as well, | 0:40:52 | 0:40:56 | |
so you really feel you're in the countryside. | 0:40:56 | 0:40:58 | |
You seemed to really love the downstairs space, | 0:40:58 | 0:41:01 | |
but you weren't that convinced with upstairs. | 0:41:01 | 0:41:04 | |
That sums it up very well. | 0:41:04 | 0:41:06 | |
If the upstairs had been of identical size with the downstairs, | 0:41:06 | 0:41:11 | |
we would definitely want to go for that property, | 0:41:11 | 0:41:13 | |
but as it is, upstairs a little bit small. | 0:41:13 | 0:41:16 | |
There are four bedrooms on paper, but in terms of usable space, | 0:41:16 | 0:41:20 | |
it's not quite so easy to see how it would work. | 0:41:20 | 0:41:22 | |
Let's move on to the old chicken farm. Lots of space there. | 0:41:22 | 0:41:26 | |
Yeah. I mean, the place was huge. I think it would take us a while | 0:41:26 | 0:41:30 | |
to work out where to put everything, frankly. | 0:41:30 | 0:41:32 | |
-If you had the furniture to fill it. -We'd probably live at one end | 0:41:32 | 0:41:36 | |
-and leave the rest for later. -The house I rather liked, actually. | 0:41:36 | 0:41:39 | |
I liked it more than Will did. But the proximity of the neighbours | 0:41:39 | 0:41:43 | |
-was what let it down for me. -Finally, the mystery property, | 0:41:43 | 0:41:46 | |
next to the pub that you already knew, | 0:41:46 | 0:41:49 | |
right in the countryside in a perfect location. | 0:41:49 | 0:41:52 | |
Yes. It would be perfect if it just had one extra bedroom! | 0:41:52 | 0:41:55 | |
Right. Any of the properties you're going to see again? | 0:41:55 | 0:41:58 | |
I think probably the old chicken farm. | 0:41:59 | 0:42:01 | |
That's the one we'd go back and see again. | 0:42:01 | 0:42:04 | |
There's a lot to see there. I'd want to have more of a think | 0:42:04 | 0:42:07 | |
-about how we could use the rooms. -And you? -I agree with Will, yes. | 0:42:07 | 0:42:10 | |
That property had a lot to commend it, | 0:42:10 | 0:42:13 | |
and although I was keener than Will, I would like to explore the area, | 0:42:13 | 0:42:16 | |
see how close the schools are, how long it takes to walk to the station, that sort of thing. | 0:42:16 | 0:42:21 | |
-It hasn't been a waste of time? -Definitely not. -By no means. | 0:42:21 | 0:42:24 | |
I've thoroughly enjoyed meeting you. You've both been so positive. | 0:42:24 | 0:42:28 | |
You've seen through the negative and you're dwelling on the positive. I'm sure you'll be here soon. Cheers! | 0:42:28 | 0:42:33 | |
-Cheers! -Great to see you. | 0:42:33 | 0:42:35 | |
Well, Will and Laura's Chiltern adventure has come to an end. | 0:42:38 | 0:42:42 | |
They're so enamoured with their current property, | 0:42:42 | 0:42:44 | |
but for the fact that it's in the city, | 0:42:44 | 0:42:47 | |
that it's going to be tough for them to find like for like | 0:42:47 | 0:42:49 | |
in an area where property comes at such a premium. | 0:42:49 | 0:42:52 | |
But in the little time that we've spent with them, | 0:42:52 | 0:42:55 | |
I think we've given them plenty of food for thought, and who knows? | 0:42:55 | 0:42:58 | |
They might go for one of our properties. Only time will tell. | 0:42:58 | 0:43:02 | |
Until next time, goodbye. | 0:43:02 | 0:43:04 | |
'If you'd like to escape to the country | 0:43:04 | 0:43:06 | |
'in Northern Ireland, Scotland, Wales or England, | 0:43:06 | 0:43:09 | |
'and need our help, then, please apply online at...' | 0:43:09 | 0:43:12 | |
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