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The playwright J.B. Priestley, writing about these stone walls, | 0:00:02 | 0:00:05 | |
said that even on a cloudy day they seemed to stay warm and luminous. | 0:00:05 | 0:00:08 | |
It was as if, he said, they had learnt the trick | 0:00:08 | 0:00:10 | |
of keeping the lost sunlight of centuries glimmering about them. | 0:00:10 | 0:00:14 | |
Find out where and what exactly he was talking about in just a moment. | 0:00:14 | 0:00:18 | |
Today I'm accompanying a pair of retired folk singing teachers | 0:00:47 | 0:00:51 | |
On a very harmonious house-hunting odyssey. | 0:00:51 | 0:00:54 | |
They give the acoustics a try out at our first property. | 0:00:54 | 0:00:58 | |
# Adieu sweet lovely Nancy | 0:00:58 | 0:01:00 | |
# Ten thousand times adieu... # | 0:01:00 | 0:01:03 | |
And our mystery house has them planning a musical finale. | 0:01:03 | 0:01:08 | |
We've always wanted a house where we can put a piano. | 0:01:08 | 0:01:11 | |
Yes, and certainly you could put a piano here. | 0:01:11 | 0:01:14 | |
Today we're in the Cotswolds, | 0:01:17 | 0:01:18 | |
and Mr Priestley was talking about this, Great Oolite Limestone, | 0:01:18 | 0:01:22 | |
better known to you and I as Cotswold stone, | 0:01:22 | 0:01:24 | |
the ubiquitous building material in this part of the world. | 0:01:24 | 0:01:27 | |
And I'm in Bourton-on-the-Water, | 0:01:27 | 0:01:29 | |
which is known as the Venice of the Cotswolds, | 0:01:29 | 0:01:31 | |
because of these bridges, | 0:01:31 | 0:01:33 | |
which criss-cross the River Windrush, which flows through the centre. | 0:01:33 | 0:01:37 | |
Every August the villagers, intrepid as they are, | 0:01:37 | 0:01:40 | |
play football in the water. | 0:01:40 | 0:01:42 | |
I shan't be doing that, | 0:01:42 | 0:01:43 | |
but it is testament to the character of this part of the country. | 0:01:43 | 0:01:47 | |
The area known as the Cotswolds | 0:01:47 | 0:01:50 | |
stretches from Warwickshire in the North | 0:01:50 | 0:01:53 | |
to Wiltshire in the South and covers well over 2,000 square kilometres. | 0:01:53 | 0:01:57 | |
Of the 40 areas of outstanding natural beauty in England and Wales, | 0:01:57 | 0:02:02 | |
the Cotswolds is the largest, | 0:02:02 | 0:02:04 | |
but it's also one of the less densely populated, | 0:02:04 | 0:02:06 | |
with over half of its parishes home to fewer than 300 residents. | 0:02:06 | 0:02:11 | |
Although much of the economy of the Cotswolds | 0:02:11 | 0:02:14 | |
was originally built on the wool trade, | 0:02:14 | 0:02:17 | |
the main industry today is tourism. | 0:02:17 | 0:02:20 | |
Every year this region welcomes over 23 million visitors | 0:02:20 | 0:02:24 | |
attracted by its recreational opportunities, cultural heritage, | 0:02:24 | 0:02:28 | |
and natural attractions, such as the 3,500-year-old Rollright Stones, | 0:02:28 | 0:02:33 | |
located just a few miles outside the Oxfordshire town of Chipping Norton. | 0:02:33 | 0:02:39 | |
These ancient stones include the King's Men Circle, | 0:02:39 | 0:02:43 | |
which consists of 77 local Oolitic limestones. | 0:02:43 | 0:02:47 | |
And theories abound as to their purpose. | 0:02:49 | 0:02:51 | |
Some argue they were built as a victory memorial | 0:02:51 | 0:02:55 | |
whilst others suggest a temple. | 0:02:55 | 0:02:56 | |
Either way, their mystery is all part of their unique appeal. | 0:02:56 | 0:03:01 | |
The Cotswolds stretch over six counties, | 0:03:01 | 0:03:04 | |
so, as you can imagine, there's big price variation. | 0:03:04 | 0:03:07 | |
For example, if you look at the average prices across the area, | 0:03:07 | 0:03:10 | |
then there's about £120,000 difference | 0:03:10 | 0:03:13 | |
between the least expensive Cotswold county, which is Herefordshire, | 0:03:13 | 0:03:17 | |
and the priciest, Oxfordshire. | 0:03:17 | 0:03:19 | |
And then, if you want to live in one of these beautiful villages, | 0:03:19 | 0:03:22 | |
the local agents assure us | 0:03:22 | 0:03:24 | |
that you're going to have to pay five to 15 percent on top. | 0:03:24 | 0:03:27 | |
But when you see what's on the market, | 0:03:27 | 0:03:30 | |
you'll understand why they're so pricey. | 0:03:30 | 0:03:32 | |
For £300,000, | 0:03:33 | 0:03:34 | |
you could buy this three-bedroom stone cottage in Middle Barton. | 0:03:34 | 0:03:39 | |
With traditional features, | 0:03:39 | 0:03:41 | |
such as an inglenook fireplace in the sitting room, | 0:03:41 | 0:03:44 | |
and flagstone flooring and a range cooker in the kitchen, | 0:03:44 | 0:03:47 | |
this property also offers a pretty secluded garden, | 0:03:47 | 0:03:51 | |
with a lawn and patio. | 0:03:51 | 0:03:52 | |
Priced at a touch over £540,000, | 0:03:52 | 0:03:55 | |
there is this three-bedroom, 17th-century cottage | 0:03:55 | 0:03:57 | |
in the village of France Lynch. | 0:03:57 | 0:04:00 | |
Constructed from Cotswold stone, | 0:04:00 | 0:04:03 | |
it boasts exposed beams in the huge and sociable kitchen. | 0:04:03 | 0:04:07 | |
The addition of the modern conservatory | 0:04:07 | 0:04:09 | |
really makes the most of those stunning countryside views. | 0:04:09 | 0:04:13 | |
And if you have a bigger budget, | 0:04:13 | 0:04:15 | |
you might be interested in this five-bedroom barn conversion in Condicut, | 0:04:15 | 0:04:20 | |
on the market for £775,000. | 0:04:20 | 0:04:24 | |
Built in the late 17th century, | 0:04:24 | 0:04:26 | |
the drawing room has a Cotswold stone fireplace | 0:04:26 | 0:04:29 | |
and the spacious kitchen diner has been recently refurbished. | 0:04:29 | 0:04:33 | |
Gosh, there are really beautiful properties here in the Cotswolds. | 0:04:34 | 0:04:38 | |
Let's meet the clever couple who've decided to make the move here. | 0:04:38 | 0:04:41 | |
Retired teachers, Chris and Lesley, | 0:04:41 | 0:04:43 | |
are no strangers to moving to the country. | 0:04:43 | 0:04:46 | |
Although it was the French countryside | 0:04:46 | 0:04:48 | |
they chose to escape to five years ago. | 0:04:48 | 0:04:51 | |
We decided to move now, because we've been five years living in France, | 0:04:51 | 0:04:56 | |
we decided to review everything after five years anyway, | 0:04:56 | 0:05:00 | |
we had one new grandchild and there was another one on the way. | 0:05:00 | 0:05:04 | |
Our mums are getting older, | 0:05:04 | 0:05:07 | |
and we were missing the music, | 0:05:07 | 0:05:09 | |
and the, sort of, cultural side of England a lot. | 0:05:09 | 0:05:12 | |
Although they're glad to be back, | 0:05:12 | 0:05:14 | |
matching their idyllic French property is not going to be easy. | 0:05:14 | 0:05:18 | |
Our house in France was a stone cottage | 0:05:18 | 0:05:21 | |
with an attached, very large, very beautiful barn. | 0:05:21 | 0:05:25 | |
It was three-bedroomed, two receptions, | 0:05:25 | 0:05:28 | |
it was in beautiful grounds with a landscaped garden, | 0:05:28 | 0:05:31 | |
which is quite unusual in France, | 0:05:31 | 0:05:33 | |
and it was right in the middle of farmland. | 0:05:33 | 0:05:36 | |
So, it was sort of ideal, really, it was a lovely setting. | 0:05:36 | 0:05:39 | |
But after a lot of research, | 0:05:39 | 0:05:41 | |
there is one region in Britain they feel offers equal appeal. | 0:05:41 | 0:05:44 | |
I think we decided, in the end, we'd like to focus our attention | 0:05:44 | 0:05:48 | |
on the Cotswolds because it's a very, very beautiful area. | 0:05:48 | 0:05:52 | |
We are aware of the fact that it's an expensive area to buy a house in. | 0:05:52 | 0:05:57 | |
But, we think on balance, it's got a lot to offer. | 0:05:57 | 0:06:02 | |
And it's fairly central for us to visit our family, | 0:06:02 | 0:06:05 | |
because we have family scattered in various directions, | 0:06:05 | 0:06:09 | |
and it's pretty much central to most of them. | 0:06:09 | 0:06:13 | |
As well as seeing more of the family, | 0:06:13 | 0:06:15 | |
they also want to rekindle their musical aspirations. | 0:06:15 | 0:06:18 | |
When we were in France, | 0:06:18 | 0:06:19 | |
we were lucky enough to be able to play at the night markets they have in the summer, | 0:06:19 | 0:06:24 | |
in the summer evenings. | 0:06:24 | 0:06:25 | |
And that was really good fun, | 0:06:25 | 0:06:27 | |
and we would love to be able to continue to do something like that. | 0:06:27 | 0:06:30 | |
Yeah, I think it's really important for us to find the folk scene in the Cotswold area, | 0:06:30 | 0:06:34 | |
and get really involved in gigging again. | 0:06:34 | 0:06:36 | |
So, music remains a key passion. | 0:06:36 | 0:06:38 | |
They would also like some outdoor space | 0:06:38 | 0:06:40 | |
and a room for indulging in their artistic hobbies. | 0:06:40 | 0:06:44 | |
But these aren't the only requirements on their wish list. | 0:06:44 | 0:06:48 | |
In our next property, we're looking for a minimum of three bedrooms, | 0:06:48 | 0:06:52 | |
possibly four. | 0:06:52 | 0:06:53 | |
We would like an additional reception room, | 0:06:53 | 0:06:56 | |
to give us the opportunity to have a music room/creative arts type room. | 0:06:56 | 0:07:02 | |
In terms of the garden, | 0:07:02 | 0:07:04 | |
we're looking for enough garden for Chris to grow some vegetables, | 0:07:04 | 0:07:09 | |
and for there to be some lawn and flowerbeds. | 0:07:09 | 0:07:12 | |
And if there could be one or two fruit trees, that would be wonderful. | 0:07:12 | 0:07:16 | |
In the kitchen, we are hoping that we will find something large enough for Chris, | 0:07:16 | 0:07:22 | |
because he loves cooking, | 0:07:22 | 0:07:24 | |
and if possible, that there is a range cooker. | 0:07:24 | 0:07:27 | |
Because that would be absolutely fantastic. | 0:07:27 | 0:07:29 | |
That would be absolutely fantastic to have a range cooker. | 0:07:29 | 0:07:33 | |
And as cash buyers who can move quickly, | 0:07:33 | 0:07:35 | |
they're in a great position. | 0:07:35 | 0:07:37 | |
So, all that's left to confirm is the money. | 0:07:37 | 0:07:40 | |
Our budget for this house will be a maximum of £450,000. | 0:07:40 | 0:07:44 | |
Chris and Lesley have told us | 0:07:54 | 0:07:56 | |
that they would prefer to live within a 15-mile radius | 0:07:56 | 0:07:59 | |
of the Gloucestershire market town of Stow-on-the-Wold. | 0:07:59 | 0:08:02 | |
We'll be having a look at three superb properties | 0:08:02 | 0:08:05 | |
that we hope they'll be singing the praises of. | 0:08:05 | 0:08:07 | |
As usual, they'll be having a guess at the price of each | 0:08:07 | 0:08:10 | |
before I reveal it. | 0:08:10 | 0:08:11 | |
The final offering is, of course, on mystery house, | 0:08:11 | 0:08:14 | |
which I think with a bit of imagination | 0:08:14 | 0:08:17 | |
could give them a very harmonious home. | 0:08:17 | 0:08:19 | |
Welcome back to England, guys, the lovely Cotswolds. | 0:08:19 | 0:08:23 | |
Nice to have you here. | 0:08:23 | 0:08:24 | |
Now, you've been away from the English market for five years, | 0:08:24 | 0:08:27 | |
in which time property prices have really gone a little crazy. | 0:08:27 | 0:08:31 | |
Yes. | 0:08:31 | 0:08:32 | |
And you do have quite a big wish list. | 0:08:32 | 0:08:34 | |
Yeah, we do, and we're well aware of that, | 0:08:34 | 0:08:36 | |
and I know we want the moon on a stick, | 0:08:36 | 0:08:39 | |
but this is such a beautiful area, | 0:08:39 | 0:08:41 | |
and at the end of the day, we know we've got to compromise probably, | 0:08:41 | 0:08:44 | |
because we're very realistic about what we think... | 0:08:44 | 0:08:47 | |
Because location is really one of our prime priorities, | 0:08:47 | 0:08:52 | |
and we think we found the nearest thing that we had in France, | 0:08:52 | 0:08:59 | |
in terms of peace and quiet and tranquillity, in the Cotswolds. | 0:08:59 | 0:09:03 | |
-Plus the folk music. -Plus the folk music, yes. | 0:09:03 | 0:09:05 | |
There are some beautiful houses here, | 0:09:05 | 0:09:08 | |
and even the most modest house looks beautiful | 0:09:08 | 0:09:10 | |
because of the Cotswold stone. | 0:09:10 | 0:09:12 | |
So, I'm excited to show you the ones we've got, let's go. | 0:09:12 | 0:09:15 | |
So, for their forever home back on British soil, | 0:09:15 | 0:09:18 | |
Chris and Lesley have £450,000 to spend. | 0:09:18 | 0:09:22 | |
They'd like a house in a tranquil location, | 0:09:22 | 0:09:24 | |
with two reception rooms so they can devote one of them to music. | 0:09:24 | 0:09:29 | |
A large farmhouse style kitchen with a range cooker. | 0:09:29 | 0:09:32 | |
At least three bedrooms, | 0:09:32 | 0:09:34 | |
and a secluded garden. | 0:09:34 | 0:09:36 | |
Now, I'm afraid you know what I'm going to do, | 0:09:42 | 0:09:45 | |
because we're in a car and we've got a journey, | 0:09:45 | 0:09:47 | |
-I'm going to ask you to sing. -OK. | 0:09:47 | 0:09:49 | |
# Come fill up your glasses and let us be merry | 0:09:49 | 0:09:54 | |
# For to rob bags of plunder it is our intent | 0:09:54 | 0:09:59 | |
# As we roam through the valleys where the lilies and the roses | 0:09:59 | 0:10:08 | |
# And the beauty of Kashmir lay drooping his head. # | 0:10:08 | 0:10:12 | |
We're heading to the Gloucestershire village of Mickleton, | 0:10:12 | 0:10:15 | |
on the edge of the Cotswolds, | 0:10:15 | 0:10:17 | |
and just a 20-minute drive from Stow-on-the-Wold. | 0:10:17 | 0:10:20 | |
Architecturally, black and white buildings with thatched roofs | 0:10:20 | 0:10:24 | |
stand alongside those built of Cotswold limestone. | 0:10:24 | 0:10:28 | |
A Norman church dominates the centre of the village. | 0:10:28 | 0:10:31 | |
It's a location with amenities, | 0:10:31 | 0:10:33 | |
such as a local shop and post office, | 0:10:33 | 0:10:35 | |
as well a hotel with brasserie and restaurant. | 0:10:35 | 0:10:38 | |
Our first property is a thatched cottage, | 0:10:38 | 0:10:41 | |
parts of which date back 400 years. | 0:10:41 | 0:10:44 | |
So, this is property number one. | 0:10:44 | 0:10:46 | |
What do you think? | 0:10:46 | 0:10:48 | |
It looks very interesting. | 0:10:48 | 0:10:50 | |
It is interesting. It's got a lot of character. | 0:10:50 | 0:10:54 | |
Obviously this thatched part is the older part, | 0:10:54 | 0:10:56 | |
and this is the Victorian extension. | 0:10:56 | 0:10:59 | |
-Are you not scared of the thatch? -It's funny you should say that. | 0:10:59 | 0:11:02 | |
I've always been a bit concerned about thatch. | 0:11:02 | 0:11:05 | |
I heard that every 15 years you have to get it renewed, which is a big outlay. | 0:11:05 | 0:11:09 | |
The ridge, the bit that goes most quickly, was done seven years ago, | 0:11:09 | 0:11:13 | |
and the main body of the thatch nine years ago, | 0:11:13 | 0:11:16 | |
but a good thatch will last about 50 or 60 years. | 0:11:16 | 0:11:18 | |
Oh, that's good news. That wouldn't be a concern. | 0:11:18 | 0:11:21 | |
With their minds put at rest, | 0:11:21 | 0:11:23 | |
were heading inside through the back door, as with many country houses. | 0:11:23 | 0:11:27 | |
I think our first room will particularly appeal to Chris. | 0:11:27 | 0:11:31 | |
Into the kitchen. | 0:11:31 | 0:11:32 | |
So, this is your domain, Chris. | 0:11:33 | 0:11:35 | |
It is. | 0:11:35 | 0:11:37 | |
How does it measure up? | 0:11:37 | 0:11:38 | |
It's charming, nice log-burning stove. | 0:11:38 | 0:11:41 | |
Love the floors, flagstone. | 0:11:41 | 0:11:43 | |
Yes. | 0:11:43 | 0:11:45 | |
It's not as big as we had in France, but it's a nice size. | 0:11:45 | 0:11:48 | |
Yes, and I think that's really... absolutely, | 0:11:48 | 0:11:51 | |
it's lovely to have that. | 0:11:51 | 0:11:53 | |
Because we're used to sitting around the kitchen table. | 0:11:53 | 0:11:56 | |
But you're not completely separated. | 0:11:56 | 0:11:58 | |
if someone's working in the kitchen you can still chat to them, can't you? | 0:11:58 | 0:12:02 | |
If Chris and Lesley want a more intimate or formal seating arrangement, | 0:12:02 | 0:12:06 | |
there's an additional dining room, | 0:12:06 | 0:12:09 | |
which separates the kitchen from the sitting room. | 0:12:09 | 0:12:12 | |
So, this is the sitting room in the oldest part house. | 0:12:12 | 0:12:16 | |
This would have been the original thatched cottage. | 0:12:16 | 0:12:19 | |
Yes, very quaint. | 0:12:19 | 0:12:21 | |
Nice fireplace, wood-burning stove again, which is good. | 0:12:21 | 0:12:26 | |
So, it's a very snug property, cosy and warm. | 0:12:26 | 0:12:28 | |
I always feel at home in properties with this sort of age, actually. | 0:12:28 | 0:12:32 | |
They feel very homely. | 0:12:32 | 0:12:34 | |
You feel as though you could move your stuff in | 0:12:34 | 0:12:36 | |
and within a very short time you would feel at home. | 0:12:36 | 0:12:39 | |
But that's the nature of this sort of property, | 0:12:39 | 0:12:41 | |
I think, that's its advantage. | 0:12:41 | 0:12:43 | |
It's a positive sign that they're feeling at home here. | 0:12:43 | 0:12:46 | |
Off the kitchen and dining area, | 0:12:46 | 0:12:48 | |
is a very convenient cloakroom-cum-utility room. | 0:12:48 | 0:12:52 | |
While upstairs, there's a very spacious family bathroom, | 0:12:52 | 0:12:55 | |
with a shower and lots of storage. | 0:12:55 | 0:12:58 | |
This is shared by the three bedrooms they've asked for. | 0:12:58 | 0:13:01 | |
The first, a quirkily shaped but good sized double room. | 0:13:01 | 0:13:05 | |
The second, a characterful single with exposed beams. | 0:13:05 | 0:13:09 | |
And the third is a room they could be calling their own. | 0:13:09 | 0:13:12 | |
So, this is the master bedroom. | 0:13:13 | 0:13:16 | |
I like it. | 0:13:16 | 0:13:17 | |
Are these floorboards original? | 0:13:17 | 0:13:19 | |
These are original, do you see the difference? | 0:13:19 | 0:13:22 | |
-Yeah. -Great. | 0:13:22 | 0:13:23 | |
They're wide. | 0:13:23 | 0:13:25 | |
The only issue might be the accessibility of bedrooms | 0:13:25 | 0:13:27 | |
for our two mothers. | 0:13:27 | 0:13:29 | |
They're quite elderly now, | 0:13:29 | 0:13:30 | |
we'd have to think about that quite seriously. | 0:13:30 | 0:13:33 | |
Yes. | 0:13:33 | 0:13:34 | |
Are three bedrooms enough? | 0:13:34 | 0:13:37 | |
Yes. | 0:13:37 | 0:13:38 | |
Um, a fourth would be good, if we could find a house with a fourth, | 0:13:38 | 0:13:43 | |
but three would be adequate. | 0:13:43 | 0:13:46 | |
Well, maybe we have found you one with a fourth. | 0:13:46 | 0:13:50 | |
Follow me. | 0:13:50 | 0:13:51 | |
Yes, this property comes with an unexpected treat | 0:13:53 | 0:13:57 | |
at the bottom of the garden. | 0:13:57 | 0:13:58 | |
A double-storey annexe, where you could easily fit a fourth bedroom. | 0:13:58 | 0:14:02 | |
Across the garden, you've got this. | 0:14:02 | 0:14:07 | |
This is something else. | 0:14:07 | 0:14:08 | |
Yes. This could be useful. | 0:14:08 | 0:14:10 | |
Following on what you are saying about your parents not being able to get upstairs, | 0:14:10 | 0:14:15 | |
you could turn this into a very nice downstairs bedroom suite. | 0:14:15 | 0:14:18 | |
You could, yes. | 0:14:18 | 0:14:19 | |
There's also an upstairs which might be good for the grandchildren. | 0:14:19 | 0:14:24 | |
Or, we were thinking you could use it as a music room. | 0:14:24 | 0:14:27 | |
I think my first thought would be music. | 0:14:27 | 0:14:29 | |
Do you want to try out the acoustics? | 0:14:29 | 0:14:31 | |
# Adieu sweet lovely Nancy, ten thousand times adieu # | 0:14:31 | 0:14:38 | |
# I am going around the ocean...# | 0:14:38 | 0:14:41 | |
Sounds promising to me. | 0:14:41 | 0:14:44 | |
Meanwhile, outside the garden awaits, | 0:14:44 | 0:14:46 | |
with its lawn and fruit trees. | 0:14:46 | 0:14:48 | |
But will it be large enough for these two songbirds? | 0:14:48 | 0:14:54 | |
This is the garden. | 0:14:54 | 0:14:56 | |
We haven't really talked much about your garden expectations, | 0:14:56 | 0:14:59 | |
What does this make you feel? | 0:14:59 | 0:15:01 | |
It's very pretty, and it has got enough grass, definitely, | 0:15:01 | 0:15:05 | |
and it's private, it's quite secluded. | 0:15:05 | 0:15:07 | |
Which are all things we wanted. | 0:15:07 | 0:15:09 | |
-But it doesn't have the space. -Space for a vegetable garden. | 0:15:09 | 0:15:13 | |
Which is the thing I was particularly keen on having. | 0:15:13 | 0:15:15 | |
The only thing is that sometimes, if you're lucky in a village, | 0:15:15 | 0:15:20 | |
you can find an allotment. | 0:15:20 | 0:15:21 | |
It's like you read my mind. | 0:15:21 | 0:15:22 | |
There are plentiful and cheap allotments in this village. | 0:15:22 | 0:15:26 | |
Are there? That's good. | 0:15:26 | 0:15:27 | |
All of which would be totally theoretical | 0:15:27 | 0:15:30 | |
if you can't afford to buy it. | 0:15:30 | 0:15:31 | |
So, what do think it's on the market for? | 0:15:31 | 0:15:33 | |
I'm going to have to guess at £425,000. | 0:15:33 | 0:15:38 | |
I'm thinking, because it's got an annexe, a little bit more. | 0:15:38 | 0:15:43 | |
I think it's probably £449,950. | 0:15:43 | 0:15:46 | |
Oh, so right at the top of the budget. | 0:15:46 | 0:15:48 | |
Yes. | 0:15:48 | 0:15:49 | |
Well, you've been away from the market for quite some time, | 0:15:49 | 0:15:53 | |
so your figures are slightly out. | 0:15:53 | 0:15:54 | |
But, luckily, their act in the wrong direction. | 0:15:54 | 0:15:57 | |
Because this is on the market for £400,000. | 0:15:57 | 0:15:59 | |
Oh, right, OK. | 0:15:59 | 0:16:02 | |
-That's very good news. -Yes, it is. | 0:16:02 | 0:16:05 | |
Very good. So, why did you have a look round inside and explore? | 0:16:05 | 0:16:08 | |
There's lots of rooms you haven't seen. | 0:16:08 | 0:16:10 | |
I'll meet you at the front and we can take it from there. | 0:16:10 | 0:16:14 | |
Well within their budget at £400,000, | 0:16:16 | 0:16:19 | |
this property looks a real contender. | 0:16:19 | 0:16:22 | |
It has a large kitchen/diner, three bedrooms, | 0:16:22 | 0:16:25 | |
an annexe which could house an extra bedroom and a music or arts room, | 0:16:25 | 0:16:29 | |
and a pretty garden, with allotments nearby for growing vegetables. | 0:16:29 | 0:16:33 | |
I think when we arrived, my first thought was, | 0:16:33 | 0:16:36 | |
"I think this is going to be a little bit small for us." | 0:16:36 | 0:16:39 | |
And then the more we walked around, the more we thought, hold on, | 0:16:39 | 0:16:43 | |
there's more to this house than meets the eye. | 0:16:43 | 0:16:46 | |
But as a whole, I think it really works. | 0:16:46 | 0:16:48 | |
We probably wouldn't have looked at a cottage this age | 0:16:48 | 0:16:52 | |
because, in general, older properties like this tend to be quite small. | 0:16:52 | 0:16:56 | |
But because there's a Victorian extension we've got the best of both worlds, in actual fact. | 0:16:56 | 0:17:01 | |
Because we love the character of this cottage, | 0:17:01 | 0:17:03 | |
but we've actually got the light and space we wanted | 0:17:03 | 0:17:06 | |
in the Victorian part as well. | 0:17:06 | 0:17:07 | |
So it meets all our requirements, really. | 0:17:07 | 0:17:09 | |
I wonder if they sing all round the house? | 0:17:09 | 0:17:12 | |
# Price of the house is very, very fine | 0:17:12 | 0:17:15 | |
# 400K not 449... # | 0:17:15 | 0:17:17 | |
Come on, guys, hurry up. | 0:17:17 | 0:17:20 | |
I was imagining you make all the comments around the house in close harmonies. | 0:17:20 | 0:17:24 | |
-Not the case, is it? -No, not at all. | 0:17:24 | 0:17:26 | |
Quite disappointed, you might have to practise. | 0:17:26 | 0:17:28 | |
OK, that's house number one done. House number two is on the horizon. | 0:17:28 | 0:17:32 | |
OK, thank you. | 0:17:32 | 0:17:33 | |
In the Middle Ages, wool production made the Cotswolds | 0:17:47 | 0:17:50 | |
one of the wealthiest parts of England. | 0:17:50 | 0:17:52 | |
And in the Oxfordshire market town of Chipping Norton, | 0:17:52 | 0:17:55 | |
dubbed the gateway to the Cotswolds, | 0:17:55 | 0:17:57 | |
you can find a fine example of what's known as a wool church, | 0:17:57 | 0:18:00 | |
which means it was built from the proceeds of the wool trade. | 0:18:00 | 0:18:03 | |
Indeed, this, the parish church of St Mary, | 0:18:03 | 0:18:06 | |
was rebuilt in Gothic style by an affluent local wool merchant in 1485. | 0:18:06 | 0:18:12 | |
Today Chipping Norton has a reputation as a centre for music, | 0:18:12 | 0:18:17 | |
with a festival that celebrated its centenary in 2004. | 0:18:17 | 0:18:21 | |
And Chris and Lesley will be pleased to hear there's a day devoted to folk music every autumn. | 0:18:21 | 0:18:27 | |
A resident who's been making his living from music here | 0:18:27 | 0:18:30 | |
for over 30 years is luthier Paul Fisher, | 0:18:30 | 0:18:32 | |
who constructs all types of instruments. | 0:18:32 | 0:18:35 | |
He is also a leading figure in the local folk music scene. | 0:18:35 | 0:18:39 | |
We sent our singing buyers to meet him. | 0:18:39 | 0:18:43 | |
Here we have the workshop, | 0:18:43 | 0:18:44 | |
musical instrument making, | 0:18:44 | 0:18:46 | |
and you can see before you here quite a range of instruments. | 0:18:46 | 0:18:50 | |
We have here classical guitars. | 0:18:50 | 0:18:52 | |
At the back you have a mould for a guitar of the 17th century. | 0:18:52 | 0:18:56 | |
-Stradivari guitar, in fact. -I noticed the name. | 0:18:56 | 0:18:58 | |
One of the only complete examples actually is in Oxford, | 0:18:58 | 0:19:02 | |
which is very convenient for me to go and do the research. | 0:19:02 | 0:19:05 | |
Paul, am I right in thinking you haven't always been a classical guitar maker? | 0:19:05 | 0:19:09 | |
I began with a harpsichord and made harpsichords, spinets, clavichords, and octavinas. | 0:19:09 | 0:19:13 | |
When you learn to know, learn how the instrument's constructed, | 0:19:13 | 0:19:17 | |
you realise what a wonderful piece of engineering it is. | 0:19:17 | 0:19:21 | |
'Paul is working on putting together a classical guitar. | 0:19:21 | 0:19:24 | |
'The most important piece of the instrument is the soundboard, | 0:19:24 | 0:19:28 | |
'which is made from 350-year-old European spruce, | 0:19:28 | 0:19:32 | |
'an extremely stiff and strong wood. | 0:19:32 | 0:19:35 | |
'The back, which acts as a receptor for the sound, | 0:19:35 | 0:19:39 | |
'is carved from hard Brazilian rosewood, now a banned wood, | 0:19:39 | 0:19:43 | |
'which requires a licence from DEFRA before use. | 0:19:43 | 0:19:45 | |
'The sides are also rosewood, planed down by hand, steam-bent | 0:19:45 | 0:19:50 | |
'and placed onto a mould for 24 hours to hold its shape. | 0:19:50 | 0:19:54 | |
'And the neck is made of mahogany, which needs to be strong | 0:19:54 | 0:19:58 | |
'and stable to withstand the pull of the guitar strings. | 0:19:58 | 0:20:02 | |
'Paul's giving Chris and Lesley a rare chance to try carving the heel | 0:20:02 | 0:20:07 | |
'of this part of the instrument.' | 0:20:07 | 0:20:09 | |
This is freehand work you do with a very, very sharp chisel. | 0:20:09 | 0:20:12 | |
Here we have a neck that's partly made and this is how you begin. | 0:20:12 | 0:20:15 | |
You're holding your chisel upside-down and simply carve away. | 0:20:15 | 0:20:19 | |
'When playing the guitar, the hand and thumb reach up to the heel | 0:20:19 | 0:20:24 | |
'of the neck, so this part must have a distinct curve and be smooth.' | 0:20:24 | 0:20:27 | |
Who would like first go? | 0:20:27 | 0:20:30 | |
Can I check, this is the reject, is it, we're working on? | 0:20:30 | 0:20:33 | |
It's not a reject. This is the real thing. | 0:20:33 | 0:20:35 | |
So there's no pressure on us, then? | 0:20:35 | 0:20:37 | |
Go on, Lesley. | 0:20:39 | 0:20:41 | |
That's it. Good, good. | 0:20:43 | 0:20:46 | |
'Another method of carving is to turn the neck around | 0:20:46 | 0:20:48 | |
'and rest it on your shoulder so you can use both hands on the chisel.' | 0:20:48 | 0:20:53 | |
Now you can see why I didn't do any woodwork. | 0:20:53 | 0:20:56 | |
I hope you're going to make your own guitar now. | 0:20:56 | 0:20:58 | |
I feel inspired to, I must admit. | 0:20:58 | 0:21:01 | |
FOLK MELODY | 0:21:01 | 0:21:04 | |
'With musical inspiration overflowing for Chris and Lesley here in the Cotswolds, | 0:21:06 | 0:21:10 | |
'let's hope we keep up the tempo as we return to our property search. | 0:21:10 | 0:21:14 | |
'We've travelled around 15 miles east of Stow-on-the-Wold | 0:21:23 | 0:21:27 | |
'to Middle Barton in Oxfordshire, | 0:21:27 | 0:21:30 | |
'part of a lively community on the river Dorn. | 0:21:30 | 0:21:33 | |
'It has a splendid Gothic church | 0:21:33 | 0:21:35 | |
'and a pub which hosts regular music nights, | 0:21:35 | 0:21:37 | |
'where Chris and Lesley could do their folk thing. | 0:21:37 | 0:21:40 | |
'Our second property is an end-of-terrace stone cottage | 0:21:40 | 0:21:44 | |
'which was, once upon a time, the village bakery | 0:21:44 | 0:21:47 | |
'and is believed to date back to the 1750s.' | 0:21:47 | 0:21:49 | |
House number two. | 0:21:49 | 0:21:51 | |
And it's really this end of terrace, | 0:21:51 | 0:21:54 | |
so right down to the end of the building. | 0:21:54 | 0:21:56 | |
-Right. -OK. -What are your first impressions? -It's very pretty. | 0:21:56 | 0:21:59 | |
-Very pretty. -I suspect it's going to have some character. -Yes. | 0:21:59 | 0:22:02 | |
We're close to Chipping Norton, which has a great arts scene, | 0:22:02 | 0:22:06 | |
-and two miles away there's a pub that has folk almost every night. -Sounds promising, doesn't it? | 0:22:06 | 0:22:11 | |
Yes, it does. It does. And it seems relatively quiet here, as well. | 0:22:11 | 0:22:15 | |
Couldn't get you quite as remote as we'd hoped. But let's look inside. | 0:22:15 | 0:22:18 | |
'They seem quite taken with the location and I'm sure the interior | 0:22:18 | 0:22:22 | |
'of this stunning property won't disappoint.' | 0:22:22 | 0:22:25 | |
-Come on in. -Thank you. | 0:22:25 | 0:22:28 | |
Here we are in the sort of oldest room and the biggest room, really. | 0:22:28 | 0:22:32 | |
It's got this fantastic fireplace. | 0:22:32 | 0:22:35 | |
Lovely fireplace. | 0:22:35 | 0:22:37 | |
And this incredible beam across the top. You can see the maker's mark. | 0:22:37 | 0:22:40 | |
You see the little triangular shape pattern to keep evil spirits away. | 0:22:40 | 0:22:45 | |
It's quite a homely feel to the house. | 0:22:45 | 0:22:48 | |
They've retained the character features like the doors. | 0:22:48 | 0:22:51 | |
-I love this area here with the old oak. -Yes. -Partition. | 0:22:51 | 0:22:55 | |
I love those features in houses like this. | 0:22:55 | 0:22:59 | |
'So that homely feeling is descending on Chris and Lesley - | 0:22:59 | 0:23:03 | |
'good news for us. | 0:23:03 | 0:23:05 | |
'Also in this lovely home is a bright study, | 0:23:05 | 0:23:07 | |
'which could be a useful space for their arts and crafts and their music. | 0:23:07 | 0:23:11 | |
'But we're heading for the kitchen and breakfast area. | 0:23:11 | 0:23:15 | |
'Originally two rooms, now converted into one.' | 0:23:15 | 0:23:19 | |
Come through to this raised part, underneath the beam. | 0:23:19 | 0:23:23 | |
-Yes. -That's interesting. And the floor's lovely. -Yes. | 0:23:26 | 0:23:31 | |
-Original, again. -And a nice, big space for the cooker. | 0:23:31 | 0:23:34 | |
-And a double range, which I know is your... -It is. -Yes. | 0:23:34 | 0:23:37 | |
It's an unusual shape. | 0:23:37 | 0:23:39 | |
-But it's workable, isn't it? -As long as there's enough workspace. -Yeah. | 0:23:39 | 0:23:43 | |
Obviously, it's been separate. | 0:23:43 | 0:23:46 | |
It was two rooms originally. | 0:23:46 | 0:23:49 | |
What they've done is join it up | 0:23:49 | 0:23:51 | |
and if you have all these doors open, it's sort of like a circle. | 0:23:51 | 0:23:54 | |
You go through here, you've got a very nice, spacious dining room. | 0:23:54 | 0:23:57 | |
A good size. This side of the house, which is a separate age, | 0:23:57 | 0:24:01 | |
is actually really beautifully maintained. | 0:24:01 | 0:24:04 | |
-So I wanted to show you the bedroom and bathroom up here. -OK. | 0:24:04 | 0:24:07 | |
'And the bedrooms certainly live up to the rest of this wonderfully characterful property. | 0:24:08 | 0:24:13 | |
'There's a single room with exposed beams | 0:24:13 | 0:24:16 | |
'and more of those narrow black timbers feature in the spare double. | 0:24:16 | 0:24:20 | |
'There's even beams in the family bathroom which, | 0:24:20 | 0:24:23 | |
'otherwise, is very modern. | 0:24:23 | 0:24:25 | |
'Up in the eaves, they've made great use of the distinctive space | 0:24:25 | 0:24:28 | |
'by adding an attic bedroom, a fun place for the grandchildren. | 0:24:28 | 0:24:33 | |
'But we're taking a look at where they would sleep.' | 0:24:33 | 0:24:36 | |
I love this bedroom. | 0:24:37 | 0:24:39 | |
-Lovely and light. -Yeah. -It is lovely, isn't it? | 0:24:39 | 0:24:42 | |
This is essentially a separate wing. | 0:24:42 | 0:24:45 | |
You've got three bedrooms at that end of the house, | 0:24:45 | 0:24:48 | |
up the elm staircase, which will be great for the kids | 0:24:48 | 0:24:51 | |
and people staying cos it's got their own bathroom, | 0:24:51 | 0:24:54 | |
and then you've got this bedroom which is a really lovely, | 0:24:54 | 0:24:58 | |
very light, nice shape. | 0:24:58 | 0:25:00 | |
So you could actually hide away from your guests if you wanted to. | 0:25:00 | 0:25:04 | |
-Yes. -Sounds a good idea. -Peace and quiet. It does, doesn't it? | 0:25:04 | 0:25:07 | |
'And they could even do a spot of singing, | 0:25:07 | 0:25:10 | |
'if they wanted, in the next room.' | 0:25:10 | 0:25:12 | |
-Quite a bathroom. -Wow! | 0:25:12 | 0:25:14 | |
-That's very sumptuous, isn't it? -Lovely. | 0:25:14 | 0:25:17 | |
-Double shower, big roll-top bath. -Gosh. Beautiful. | 0:25:17 | 0:25:21 | |
Love the double shower. | 0:25:21 | 0:25:23 | |
-Very luxurious. No, I think it's very interesting. -Promising. | 0:25:23 | 0:25:27 | |
I think the more we've seen... | 0:25:27 | 0:25:29 | |
-It's definitely grown on us. -The more we like it. | 0:25:29 | 0:25:32 | |
-Talking of growing, you've yet to see the garden. -Ah! | 0:25:32 | 0:25:35 | |
'This time I'm sure Chris isn't going to be disappointed | 0:25:36 | 0:25:39 | |
'as at the bottom of this garden, | 0:25:39 | 0:25:41 | |
'which is mostly laid to lawn with mature shrubs, | 0:25:41 | 0:25:44 | |
'there's a plot to grow his veg and a greenhouse, too.' | 0:25:44 | 0:25:48 | |
Not massive but it has one very big plus, | 0:25:48 | 0:25:51 | |
the veg patch. | 0:25:51 | 0:25:53 | |
A slight downer in the sense you're a bit overlooked. | 0:25:53 | 0:25:57 | |
Right, OK. | 0:25:57 | 0:25:59 | |
-So, thumbs up for the garden? -Yes. -Yes, I think so. | 0:25:59 | 0:26:01 | |
Definitely. It's very pretty. | 0:26:01 | 0:26:04 | |
It's a pretty garden and it's got some practical uses as well. | 0:26:04 | 0:26:08 | |
How much do you think it costs because we are in | 0:26:08 | 0:26:11 | |
the most expensive of the Cotswold counties, Oxfordshire. | 0:26:11 | 0:26:15 | |
Erm, I think £475,000. | 0:26:15 | 0:26:17 | |
Over budget, I think. I think it's £465,000. | 0:26:19 | 0:26:22 | |
So, once again, | 0:26:22 | 0:26:24 | |
your French sojourn has made you very pessimistic | 0:26:24 | 0:26:29 | |
-because actually this is priced at £435,000. -Ah. -Right, OK. | 0:26:29 | 0:26:35 | |
-So. -That's very interesting. | 0:26:35 | 0:26:38 | |
Armed with that fact, why don't you go back in? | 0:26:38 | 0:26:40 | |
There's quite a bit we haven't seen. | 0:26:40 | 0:26:42 | |
-Maybe you can find a room you could sing in. -OK. | 0:26:42 | 0:26:46 | |
'So, pleasingly under budget at £435,000, | 0:26:48 | 0:26:52 | |
'this property has everything they've asked for | 0:26:52 | 0:26:55 | |
'with four bedrooms, a large and characterful kitchen with a range cooker, | 0:26:55 | 0:26:59 | |
'a study space which could be used for music and crafts | 0:26:59 | 0:27:03 | |
'and a good-sized garden with vegetable patch.' | 0:27:03 | 0:27:06 | |
I like the kitchen because it's quirky. I love the range. | 0:27:06 | 0:27:10 | |
It's got a great flagstone floor and plenty of good working spaces. | 0:27:10 | 0:27:14 | |
As we went round the house, we realised how much more space there was and yes, | 0:27:14 | 0:27:20 | |
the more we walked round it, the more we've grown to like it. | 0:27:20 | 0:27:23 | |
They're singing! They sing everywhere! It's fantastic! | 0:27:25 | 0:27:29 | |
Guys, sorry. | 0:27:29 | 0:27:31 | |
-Sorry, sorry to... -It's all right. -We have to leave. | 0:27:31 | 0:27:35 | |
Come on out, I'm afraid your time is done in that house. | 0:27:35 | 0:27:39 | |
You're obviously sounding the rafters | 0:27:39 | 0:27:41 | |
-but two houses in a day is quite enough. Let's have a rest. -Yes. -OK. | 0:27:41 | 0:27:46 | |
'As evening falls on a most harmonious | 0:27:59 | 0:28:01 | |
'passage of house hunting here in the Cotswolds, | 0:28:01 | 0:28:05 | |
'it marks the end of day one of our property search. | 0:28:05 | 0:28:09 | |
'Ex-teachers Chris and Lesley have sold their rural home in France | 0:28:10 | 0:28:14 | |
'to move back to the UK to be close to family | 0:28:14 | 0:28:17 | |
'and find a musical community. | 0:28:17 | 0:28:19 | |
'So far they've been in perfect sync with our first two houses | 0:28:19 | 0:28:24 | |
'but coming up, our mystery property reaches a crescendo.' | 0:28:24 | 0:28:27 | |
-It look spacious. -It looks very grand. Spacious, yes, it does. | 0:28:27 | 0:28:30 | |
'And I find out about an intriguing pie | 0:28:30 | 0:28:33 | |
with origins dating back to a local feud. | 0:28:33 | 0:28:37 | |
'Can we stay in tune with our folk-singing house hunters on day two | 0:28:37 | 0:28:42 | |
'of this property odyssey?' | 0:28:42 | 0:28:44 | |
THEY ALL SING FRERE JACQUES | 0:28:44 | 0:28:46 | |
'For our mystery property, we've decided to gamble on travelling | 0:28:50 | 0:28:53 | |
'double the distance from Stow-on-the-Wold | 0:28:53 | 0:28:56 | |
'as we head for the ancient market town of Minchinhampton. | 0:28:56 | 0:29:00 | |
'Perched on a hilltop in the heart of the Cotswolds, the town has a parish church | 0:29:00 | 0:29:04 | |
'with a distinctive coronet tower that was erected in 1863. | 0:29:04 | 0:29:10 | |
'It also has a lively high street with a butcher's, | 0:29:10 | 0:29:13 | |
'a tea room and a pub which hosts a weekly folk club. | 0:29:13 | 0:29:16 | |
'Nestled below the common, our mystery property dates back to 1914, | 0:29:18 | 0:29:22 | |
'and is built of stone from the local quarry.' | 0:29:22 | 0:29:25 | |
# Tiddly-tiddly-tum. # | 0:29:25 | 0:29:27 | |
-Here's the mystery house. -Wow! -OK. -My goodness! | 0:29:27 | 0:29:33 | |
So the mystery is not so much about the house but the location. | 0:29:33 | 0:29:36 | |
It's a sort of negative mystery in that we've basically not given you | 0:29:36 | 0:29:40 | |
what you wanted, because this is about 30 miles from Stow-on-the-Wold | 0:29:40 | 0:29:44 | |
and you wanted to be 15 miles, so it's double the distance. | 0:29:44 | 0:29:47 | |
But we brought you here really to show you what you get | 0:29:47 | 0:29:51 | |
-if you let go of that circumference around Stow. -Yes. | 0:29:51 | 0:29:54 | |
-What are your thoughts about the area and the house? -Stunning views. | 0:29:54 | 0:29:58 | |
-The house, it looks... -It looks very grand. -Spacious. | 0:29:59 | 0:30:03 | |
Yes, it does look extremely spacious. | 0:30:03 | 0:30:05 | |
See what you mean about more house for your money in this sort of area. | 0:30:05 | 0:30:08 | |
-Shall we look inside? -Yes. -OK. | 0:30:08 | 0:30:11 | |
'So, spacious looking on the outside this house may be, | 0:30:11 | 0:30:14 | |
'but inside is where it counts, especially for Chris, | 0:30:14 | 0:30:17 | |
'in the kitchen. | 0:30:17 | 0:30:19 | |
'He's keen to have one as large as he's been used to | 0:30:19 | 0:30:21 | |
'in their French farmhouse. Let's see if this one fits the bill.' | 0:30:21 | 0:30:25 | |
This is a different layout from what we've shown you in other cottages. | 0:30:26 | 0:30:29 | |
-It is. -Come over here, you get a view of the kitchen. | 0:30:29 | 0:30:32 | |
-It's lovely. Very spacious, isn't it? -Nice and wide open. | 0:30:32 | 0:30:36 | |
-More light and airy. -Originally there would have been a hallway. | 0:30:36 | 0:30:39 | |
They've taken out this wall, as you can see. Opened it all up. | 0:30:39 | 0:30:43 | |
I like the idea you could be working in the kitchen, talking to people that are waiting for their food. | 0:30:43 | 0:30:47 | |
A really useful space. | 0:30:47 | 0:30:49 | |
It's not too open plan. It's not too modern inside. | 0:30:49 | 0:30:52 | |
They haven't destroyed the character of the house by modernising. | 0:30:52 | 0:30:55 | |
They've kept some of the feel of the period. | 0:30:55 | 0:30:59 | |
'There are more character features in the sitting room, | 0:30:59 | 0:31:02 | |
'which could well provide an answer to their musical prayers.' | 0:31:02 | 0:31:05 | |
-This is a lovely size room as well. -Yes. -Yes, it is. | 0:31:05 | 0:31:09 | |
Again, two rooms knocked together. You've got a nice log burner. | 0:31:09 | 0:31:12 | |
A log burner, which is always good for us. | 0:31:12 | 0:31:15 | |
I can see this as a music room. A concert room with a piano. | 0:31:15 | 0:31:18 | |
-Yes, we could. -We've always wanted a house where we could put a piano. | 0:31:18 | 0:31:23 | |
Yes, and certainly you could put a piano here. | 0:31:23 | 0:31:25 | |
'And while the singing goes on in the sitting room, | 0:31:25 | 0:31:28 | |
'I've earmarked the light, modern conservatory | 0:31:28 | 0:31:31 | |
'for their arts and crafts activities. | 0:31:31 | 0:31:34 | |
'We're heading upstairs where there's a smart family bathroom | 0:31:34 | 0:31:37 | |
'with a separate cloakroom next door. | 0:31:37 | 0:31:40 | |
'These are both shared by two reasonably sized bedrooms | 0:31:40 | 0:31:43 | |
'with more of those lovely views, which could be perfect for Chris and Lesley's in-laws. | 0:31:43 | 0:31:48 | |
'And, of course, there's also a room to suit them.' | 0:31:48 | 0:31:52 | |
This room, they use it as the master room. | 0:31:52 | 0:31:55 | |
It's not actually the biggest bedroom | 0:31:55 | 0:31:57 | |
but it does have these great views up the valley towards Minchin. | 0:31:57 | 0:32:01 | |
You've also got an en suite next door, so that's handy, | 0:32:01 | 0:32:04 | |
and some big fitted wardrobes. | 0:32:04 | 0:32:08 | |
-It's quite panoramic, isn't it, that window? -It is. It's beautiful. | 0:32:08 | 0:32:11 | |
-It's a stunning view. -It is. It's a lovely bedroom. | 0:32:11 | 0:32:15 | |
I can see why they chose it as a master bedroom. | 0:32:15 | 0:32:17 | |
To have that view when you wake up in the morning. | 0:32:17 | 0:32:20 | |
'The grandchildren might appreciate | 0:32:20 | 0:32:23 | |
'sleeping up in the quaint and charming area on the next floor, | 0:32:23 | 0:32:27 | |
'where there's also a study and a fifth bedroom | 0:32:27 | 0:32:29 | |
'which could be used as a playroom | 0:32:29 | 0:32:31 | |
'or an alternative music room, if they prefer. | 0:32:31 | 0:32:33 | |
'Which just leaves the matter of a garden | 0:32:33 | 0:32:36 | |
'for Chris to grow his veg.' | 0:32:36 | 0:32:38 | |
-Ah, what a glorious day to be looking at gardens! -It is. | 0:32:38 | 0:32:42 | |
And although this isn't a huge garden, it does have amazing views. | 0:32:43 | 0:32:46 | |
Yes, they are spectacular. | 0:32:46 | 0:32:49 | |
-In both directions. -You could get a veggie patch here. | 0:32:49 | 0:32:52 | |
-Yeah. -Yes, I think a small plot, there. | 0:32:52 | 0:32:56 | |
-That would really work well, wouldn't it? -Yes. | 0:32:56 | 0:32:59 | |
OK, so how much do you think it costs? | 0:32:59 | 0:33:01 | |
I think I'll say top of our budget. | 0:33:01 | 0:33:03 | |
-£450,000. -OK. | 0:33:05 | 0:33:07 | |
Because it's Stroud and it's not Stow-on-the-Wold, | 0:33:07 | 0:33:10 | |
I think it's about £436,000. | 0:33:10 | 0:33:12 | |
Well, in your tradition of guessing above the prices, | 0:33:16 | 0:33:19 | |
your staying consistent because actually, | 0:33:19 | 0:33:21 | |
it's on the market at £430,000. | 0:33:21 | 0:33:23 | |
£430,000. Right. | 0:33:23 | 0:33:26 | |
Clearly, house prices have not gone up | 0:33:26 | 0:33:28 | |
as much as you thought while you were in France. | 0:33:28 | 0:33:31 | |
Go and explore the rooms upstairs, particularly the rooms we thought you could use for music making. | 0:33:31 | 0:33:35 | |
-That will be good. -We'll see you afterwards. -OK. -OK. | 0:33:35 | 0:33:39 | |
'Once again, we're well under budget with our mystery house, | 0:33:40 | 0:33:44 | |
'priced at £430,000, | 0:33:44 | 0:33:46 | |
'and it delivers handsomely on all their needs | 0:33:46 | 0:33:50 | |
'with a large and sociable kitchen/diner, | 0:33:50 | 0:33:52 | |
'space for a music and craft room, | 0:33:52 | 0:33:55 | |
'five bedrooms and enough garden for a vegetable patch.' | 0:33:55 | 0:33:58 | |
-Oh. -Musical instruments. | 0:33:58 | 0:34:01 | |
This looks interesting. | 0:34:01 | 0:34:03 | |
-It's a music room. -It is. -This could be our music room. -Made for our instruments. | 0:34:03 | 0:34:07 | |
-We haven't had a music room before, have we? -No. | 0:34:07 | 0:34:10 | |
It is further than what we expected. | 0:34:10 | 0:34:13 | |
We would have liked to have been within 15 miles of Stow-on-the-Wold. | 0:34:13 | 0:34:19 | |
But at the same time, | 0:34:19 | 0:34:21 | |
this house offers a tremendous amount that perhaps | 0:34:21 | 0:34:25 | |
houses in that area didn't. | 0:34:25 | 0:34:28 | |
For me, the view is just phenomenal | 0:34:28 | 0:34:31 | |
and we've never had a house with a view. | 0:34:31 | 0:34:33 | |
I do like dramatic scenery. | 0:34:33 | 0:34:34 | |
Lesley's not so keen and that'll be interesting | 0:34:34 | 0:34:37 | |
to chat with her about that later, because for me, it's very dramatic. | 0:34:37 | 0:34:42 | |
Chris and I don't feel the same about the house because although we agree on things | 0:34:42 | 0:34:46 | |
like the fact there are lovely views and there's a lot of space, | 0:34:46 | 0:34:50 | |
I think for Chris that would sell the house to him. | 0:34:50 | 0:34:54 | |
But for me, that itself isn't enough. | 0:34:54 | 0:34:58 | |
And I didn't get that warm, homely feeling | 0:34:58 | 0:35:01 | |
when I stepped in the door that I hoped I would. | 0:35:01 | 0:35:05 | |
They're not singing. Is that a bad sign? | 0:35:05 | 0:35:08 | |
Has there been discord? Guys. | 0:35:08 | 0:35:11 | |
Hello. | 0:35:11 | 0:35:13 | |
-Yeah. -Are you ready? -Yeah. -Come on out. -OK. | 0:35:13 | 0:35:16 | |
-Are you OK? -Yeah. -Good. | 0:35:18 | 0:35:21 | |
-No disharmony? -No. -A little bit. -A little bit. | 0:35:21 | 0:35:24 | |
-Not a lot. -A little bit makes for an interesting piece. | 0:35:24 | 0:35:27 | |
'The Cotswolds are dotted with beautiful limestone villages, | 0:35:36 | 0:35:40 | |
'steeped in history, folklore and ancient ceremonies. | 0:35:40 | 0:35:44 | |
'From the famous cheese rolling at Cooper's Hill | 0:35:44 | 0:35:46 | |
'to the bi-annual feast called Pig Face Day at Avening. | 0:35:46 | 0:35:51 | |
'But I've come to Painswick, known as the Queen of the Cotswolds, | 0:35:51 | 0:35:55 | |
'to meet Carol Maxwell, chair of the local history society, | 0:35:55 | 0:35:59 | |
'who's going to tell me more about the unusual traditions and folklore | 0:35:59 | 0:36:03 | |
'that abound in this village, like the dark story | 0:36:03 | 0:36:06 | |
'that surrounds the 99 yew trees that grow in the grounds of the parish church.' | 0:36:06 | 0:36:11 | |
So what's the story with the yew trees? | 0:36:11 | 0:36:13 | |
-I've never seen anything like it. -There are various myths attached. | 0:36:13 | 0:36:17 | |
They were all planted in about 1792. | 0:36:17 | 0:36:20 | |
There has always been an attempt to grow 100 | 0:36:20 | 0:36:24 | |
but apparently, only 99 will survive. | 0:36:24 | 0:36:28 | |
And any attempt to grow another one will result in one of the existing ones dying. | 0:36:28 | 0:36:32 | |
It is said that the devil himself will not allow the 100th to grow. | 0:36:34 | 0:36:39 | |
-So the devil blights the 100th yew tree. -It would seem to be that way. | 0:36:39 | 0:36:44 | |
-Has anyone tried it? -Yes. Lots of times. | 0:36:44 | 0:36:47 | |
The latest one during the millennium. | 0:36:47 | 0:36:49 | |
A new tree was planted and within weeks, | 0:36:49 | 0:36:51 | |
one of the existing ones fell down. | 0:36:51 | 0:36:54 | |
I have been struck in the Cotswolds how each place seems to have these unique and amazing myths. | 0:36:54 | 0:36:59 | |
Yes, yes. Certainly Painswick has its fair share. | 0:36:59 | 0:37:03 | |
'For another mythical tale, | 0:37:03 | 0:37:06 | |
'Carol has recommended I visit a local pub to track down the story | 0:37:06 | 0:37:10 | |
'of Painswick's intriguing local delicacy, known as puppy dog pie. | 0:37:10 | 0:37:16 | |
'Landlord Keith Ayres revived the dish | 0:37:16 | 0:37:18 | |
'when he moved here two years ago.' | 0:37:18 | 0:37:21 | |
-Keith? -Yes. Welcome. | 0:37:21 | 0:37:23 | |
I've been reliably informed you can tell me about puppy dog pie. | 0:37:23 | 0:37:27 | |
-I can do better than that, I can show you. -Excellent. | 0:37:27 | 0:37:30 | |
Come this way. | 0:37:30 | 0:37:32 | |
As you can see, there's a lot of vegetables that go in to it. | 0:37:32 | 0:37:37 | |
Celery, onions, carrots, mushrooms, leeks. | 0:37:37 | 0:37:41 | |
You're not telling me what this is. I'm hoping it's not actually puppy. | 0:37:41 | 0:37:45 | |
It's not. Puppy dog pie goes back maybe a couple of hundred years | 0:37:45 | 0:37:50 | |
and it came about from a feud between the youths | 0:37:50 | 0:37:54 | |
of Painswick and Stroud. | 0:37:54 | 0:37:57 | |
The parents got them together and tried to get a truce going | 0:37:57 | 0:38:01 | |
and made them some nice pies. | 0:38:01 | 0:38:03 | |
As they were leaving, they said, | 0:38:03 | 0:38:05 | |
"By the way, the pie you just had, we don't have any meat | 0:38:05 | 0:38:09 | |
"because we're very, very poor so consequently, | 0:38:09 | 0:38:12 | |
"we used our local dogs." | 0:38:12 | 0:38:15 | |
-Ah. -So it was more to wind them up. | 0:38:15 | 0:38:17 | |
-To upset them. -A wind-up. Do people get put off by the idea? | 0:38:17 | 0:38:22 | |
There's always somebody who does get a bit upset but in essence, | 0:38:22 | 0:38:25 | |
once they're explained about it, it is more humour now, | 0:38:25 | 0:38:28 | |
rather than serious. | 0:38:28 | 0:38:32 | |
People actually join in with the laugh. | 0:38:32 | 0:38:34 | |
I do ask them, "If you hear squeals when you're eating it, | 0:38:34 | 0:38:38 | |
"let me know because it's obviously undercooked." | 0:38:38 | 0:38:41 | |
'For the peasant folk in olden times, there wasn't much meat, | 0:38:41 | 0:38:44 | |
'so this pie traditionally contains a great deal of vegetables | 0:38:44 | 0:38:48 | |
'and, of course, no puppy dog at all. | 0:38:48 | 0:38:50 | |
'Today the pie is made using chopped steak, | 0:38:50 | 0:38:54 | |
'and Keith also adds local bitter and stout for flavour. | 0:38:54 | 0:38:58 | |
'After 20 minutes in the oven, the pie is ready.' | 0:38:58 | 0:39:01 | |
Yowzer! Look at those! | 0:39:01 | 0:39:04 | |
They're amazing! Like puppy volcanoes! | 0:39:05 | 0:39:08 | |
-Very tasty and they're crying out... -To be eaten! -Yes. | 0:39:08 | 0:39:12 | |
Whining to be eaten, in fact. | 0:39:12 | 0:39:14 | |
And leaving her tales behind, we're being joined by Carol for the tasting of this great local dish. | 0:39:14 | 0:39:20 | |
Nobody leaves here hungry, that's our philosophy. | 0:39:20 | 0:39:24 | |
Smells delicious. | 0:39:24 | 0:39:26 | |
Mm. That's actually great. | 0:39:33 | 0:39:35 | |
-Here's to Painswick puppies. -Yes, good health. | 0:39:37 | 0:39:41 | |
Quite enough puppy dog pie, delicious as it may be. | 0:39:42 | 0:39:45 | |
Time to find out what's happening with our harmonious | 0:39:45 | 0:39:48 | |
and sometimes not-so-harmonious duo. | 0:39:48 | 0:39:51 | |
Are they in agreement about which house | 0:39:51 | 0:39:53 | |
they like best out of the three we've shown them? | 0:39:53 | 0:39:56 | |
Let's find out. | 0:39:56 | 0:39:58 | |
-Hello, guys. -Hello. -Found a nice spot, here. | 0:40:01 | 0:40:05 | |
-How have the Cotswolds lived up to your expectations? -It's lovely. | 0:40:05 | 0:40:10 | |
We're sold on the area. We've decided this is the area we'd like to spend a lot of our time in. | 0:40:10 | 0:40:15 | |
We showed you three houses. Let's go through them one by one. | 0:40:15 | 0:40:19 | |
-The first house did offer quite a lot of what you were looking for. -Yes, it did. | 0:40:19 | 0:40:23 | |
The site of the house was really quiet. We liked the kitchen. | 0:40:23 | 0:40:28 | |
The kitchen was a lovely space | 0:40:28 | 0:40:31 | |
and it had many other really appealing period features. | 0:40:31 | 0:40:34 | |
Yes, and there was the wood-burning stove as well. | 0:40:34 | 0:40:37 | |
But I think the overall impression we got | 0:40:37 | 0:40:39 | |
was that perhaps it was just a little small for us. | 0:40:39 | 0:40:44 | |
The second house was much more spacious on the inside. | 0:40:44 | 0:40:46 | |
I really like that house. | 0:40:46 | 0:40:49 | |
Once I'd moved from the lounge through into the kitchen | 0:40:49 | 0:40:54 | |
and the dining room and then upstairs, | 0:40:54 | 0:40:57 | |
I grew to like it more and more. | 0:40:57 | 0:41:00 | |
It had a good feel about it. A homely feel. | 0:41:00 | 0:41:02 | |
-And the third house, the mystery house. -My first reaction was, "Wow!" | 0:41:02 | 0:41:06 | |
This is the sort of thing I'd really been looking for | 0:41:06 | 0:41:08 | |
was something with a tremendous view. | 0:41:08 | 0:41:11 | |
We've never lived in a house with a superb view. | 0:41:11 | 0:41:15 | |
To look down over Stroud and have that vista along the valley was amazing. | 0:41:15 | 0:41:19 | |
So that wowed me straight away. | 0:41:19 | 0:41:21 | |
It really did, for me, capture what I was looking for. | 0:41:21 | 0:41:24 | |
And that's where Lesley and I parted a little, | 0:41:24 | 0:41:27 | |
because she wasn't so seduced by that. | 0:41:27 | 0:41:29 | |
For me, I didn't feel at home in the house as I had in the second house. | 0:41:29 | 0:41:35 | |
As I say, once we'd walked round that house, | 0:41:36 | 0:41:39 | |
I felt immediately at home. | 0:41:39 | 0:41:41 | |
That didn't happen in the third house. | 0:41:41 | 0:41:44 | |
Overall, what would you say you've learnt and what happens next? | 0:41:44 | 0:41:48 | |
Regarding house two, we liked that very much | 0:41:48 | 0:41:52 | |
and I think we'd like to go back and look at that again | 0:41:52 | 0:41:55 | |
and explore the village. | 0:41:55 | 0:41:57 | |
And I think the mystery house, that was very interesting for us | 0:41:57 | 0:42:01 | |
because it did open up more possibilities | 0:42:01 | 0:42:04 | |
and I think one thing it's done is it's reminded us | 0:42:04 | 0:42:07 | |
that we may have to consider moving a little bit further | 0:42:07 | 0:42:13 | |
from that magic radius that we'd started with | 0:42:13 | 0:42:16 | |
in order to get the sort of space and environment | 0:42:16 | 0:42:19 | |
we probably want to end up with. | 0:42:19 | 0:42:22 | |
I do hope you find what you need. | 0:42:22 | 0:42:24 | |
I feel the Cotswolds is missing your tuneful souls. | 0:42:24 | 0:42:28 | |
-You need to bring harmony into this corner of the world. -That would be very nice. | 0:42:28 | 0:42:32 | |
It gives me a warm feeling inside to think Lesley and Chris were away | 0:42:37 | 0:42:41 | |
for five years and then came back from France | 0:42:41 | 0:42:43 | |
but we didn't have to crush their hopes | 0:42:43 | 0:42:45 | |
of finding a reasonably priced Cotswolds home. | 0:42:45 | 0:42:48 | |
In fact, it seems their dream is eminently doable, | 0:42:48 | 0:42:51 | |
one could say, in tune, with this part of the world. | 0:42:51 | 0:42:55 | |
And if you've enjoyed our harmonious house finding, | 0:42:55 | 0:42:57 | |
make sure you come along next time for Escape to the Country. | 0:42:57 | 0:43:01 | |
Chris and Lesley went back to see the second property | 0:43:01 | 0:43:05 | |
but decided it wasn't for them. | 0:43:05 | 0:43:07 | |
They've now made an offer on a stone farmhouse in Oxfordshire, | 0:43:07 | 0:43:11 | |
just over 15 miles from Stow-on-the-Wold, | 0:43:11 | 0:43:13 | |
so they should be moving into their new home very soon. | 0:43:13 | 0:43:17 | |
If you'd like to Escape to the Country in Scotland, Wales, | 0:43:17 | 0:43:20 | |
Northern Ireland or England and need our help, please apply online: | 0:43:20 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:48 | 0:43:50 |