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180 years ago in this stately home, one of the greatest English traditions, afternoon tea, was born. | 0:00:02 | 0:00:07 | |
Who was its creator, and where are we? Find out in just a moment. | 0:00:07 | 0:00:11 | |
'On today's show, we're helping a married couple hoping to quit suburbia | 0:00:39 | 0:00:44 | |
'to buy their first home together in the country. | 0:00:44 | 0:00:47 | |
'And hold on, cos it's going to be a rough ride.' | 0:00:47 | 0:00:50 | |
It makes you feel a bit seasick as you're walking around, I find. | 0:00:50 | 0:00:54 | |
'Though we do find our feet on solid and rather splendid ground.' | 0:00:54 | 0:00:58 | |
I can see the potential. | 0:00:58 | 0:01:00 | |
'But will the numbers stack up?' | 0:01:00 | 0:01:03 | |
I've come with a formula. | 0:01:03 | 0:01:05 | |
I'm going to think of a price, take off 200 and add 25. | 0:01:05 | 0:01:08 | |
We're in Bedfordshire, | 0:01:11 | 0:01:13 | |
and I'm in the reputed birthplace of afternoon tea, | 0:01:13 | 0:01:15 | |
the Blue Drawing Room at Woburn Abbey. | 0:01:15 | 0:01:18 | |
In the 1840s, the lady of the house, Anna Maria, Duchess of Bedford, | 0:01:18 | 0:01:22 | |
complained to her butler about "the terrible sinking feeling" | 0:01:22 | 0:01:26 | |
that she had in her stomach - i.e. she was hungry around four o'clock. | 0:01:26 | 0:01:30 | |
So she instigated a ceremony of light refreshments with the tea. | 0:01:30 | 0:01:33 | |
Being Lady-in-Waiting to Queen Victoria, the ceremony caught on. | 0:01:33 | 0:01:37 | |
I'll be learning the etiquette of taking tea later in the show. | 0:01:37 | 0:01:41 | |
First, let's look at some of the tasty delights | 0:01:41 | 0:01:44 | |
-this county has on offer. -BELL TINKLES | 0:01:44 | 0:01:47 | |
'Neighboured by four other counties, | 0:01:47 | 0:01:50 | |
'Bedfordshire is the gateway to the Midlands and East Anglia, | 0:01:50 | 0:01:53 | |
'and lies within easy reach of London. | 0:01:53 | 0:01:57 | |
'Despite its proximity to major rail, road and runway links, | 0:01:57 | 0:02:01 | |
'it boasts many areas of outstanding countryside | 0:02:01 | 0:02:04 | |
'dotted with picturesque towns and villages. | 0:02:04 | 0:02:08 | |
'The Chiltern Hills dominate the county's southern edge, | 0:02:08 | 0:02:12 | |
'within which are the Dunstable Downs. | 0:02:12 | 0:02:15 | |
'The chalk escarpment is the highest point in east England | 0:02:15 | 0:02:19 | |
'looking out over woods, grassland and arable fields. | 0:02:19 | 0:02:23 | |
'One of Bedfordshire's principal rivers is the Great Ouse, | 0:02:23 | 0:02:28 | |
'idling past many historic market towns | 0:02:28 | 0:02:31 | |
'that have flourished on its banks. | 0:02:31 | 0:02:34 | |
'Crossing over on the arched bridge | 0:02:34 | 0:02:36 | |
'is probably the best introduction to the county town of Bedford. | 0:02:36 | 0:02:40 | |
'It was here in the 17th century | 0:02:40 | 0:02:43 | |
'Christian preacher and writer John Bunyon began writing | 0:02:43 | 0:02:46 | |
'his most celebrated work, The Pilgrim's Progress, | 0:02:46 | 0:02:49 | |
'whilst incarcerated in Bedford jail. | 0:02:49 | 0:02:52 | |
'There's an array of quieter corners such as the village of Sutton, | 0:02:52 | 0:02:56 | |
'with its 13th-century packhorse bridge | 0:02:56 | 0:02:58 | |
'and picture-postcard properties. | 0:02:58 | 0:03:01 | |
'It's clear to see why Bedfordshire is an appealing slice of the country | 0:03:01 | 0:03:05 | |
'in which to set up home.' | 0:03:05 | 0:03:08 | |
With beautiful countryside like this, and good transport links into London, | 0:03:09 | 0:03:13 | |
as you might expect, property prices in Bedfordshire are pretty pricey. | 0:03:13 | 0:03:17 | |
The average for a detached house is £298,000, | 0:03:17 | 0:03:20 | |
which is £40,000 above the national average. | 0:03:20 | 0:03:24 | |
If you want to be on a direct train link, stations like Harlington, | 0:03:24 | 0:03:29 | |
you're going to pay 10% above the odds. | 0:03:29 | 0:03:32 | |
Further north and east, little villages up there, | 0:03:32 | 0:03:35 | |
you're going to get a lot more bricks for your money. | 0:03:35 | 0:03:38 | |
Those bricks are beautifully laid out in a wide variety of styles. | 0:03:38 | 0:03:43 | |
Let's take a look. | 0:03:43 | 0:03:45 | |
'Sandstone from Bedfordshire's Greensand Ridge | 0:03:45 | 0:03:48 | |
'has been quarried for hundreds of years | 0:03:48 | 0:03:50 | |
'and used to build many homes across the county. | 0:03:50 | 0:03:54 | |
'There's a mix of other traditional building materials including thatch | 0:03:54 | 0:03:58 | |
'and limestone from the northern Ouse Valley. | 0:03:58 | 0:04:01 | |
'The unspoiled village of Pavenham has an abundance of stone cottages, | 0:04:01 | 0:04:06 | |
'such as this two-bedroom terrace, | 0:04:06 | 0:04:08 | |
'that comes with an asking price of £242,000. | 0:04:08 | 0:04:12 | |
'In the same pleasant village, | 0:04:12 | 0:04:14 | |
'this 18th-century three-bedroom limestone cottage | 0:04:14 | 0:04:17 | |
'is ripe for the picking for offers in excess of £300,000.' | 0:04:17 | 0:04:21 | |
A beautiful collection of architectural styles. | 0:04:26 | 0:04:29 | |
Will any be suitable for our couple today? Let's meet them. | 0:04:29 | 0:04:33 | |
'Carolyn runs her own events company and her husband, Carl, | 0:04:34 | 0:04:39 | |
'is chief operating officer for a dental supplies company. | 0:04:39 | 0:04:42 | |
'They tied the knot in Sri Lanka two years ago, after crossing paths in cyberspace.' | 0:04:42 | 0:04:47 | |
We met on the internet. The face-to-face meeting was here. | 0:04:47 | 0:04:51 | |
We met up again a few weeks later. Met up in India. | 0:04:51 | 0:04:55 | |
Then been together ever since, really. | 0:04:55 | 0:04:58 | |
'They're living in a four-bedroom chalet bungalow on a main road | 0:04:58 | 0:05:02 | |
'in a busy suburban Middlesex town.' | 0:05:02 | 0:05:04 | |
I've been living in this house in Northwood for nearly 27 years now. | 0:05:04 | 0:05:08 | |
My daughter, who's going to be 15 this year, was born here. | 0:05:08 | 0:05:12 | |
Over the years, we've extended it upstairs, downstairs, sideways. | 0:05:12 | 0:05:16 | |
There's really nothing else we can add to it. | 0:05:16 | 0:05:20 | |
'As well as Carl, Carolyn and her daughter, Tamsin, | 0:05:20 | 0:05:23 | |
'the new property must potentially cater for Carolyn's mother as well.' | 0:05:23 | 0:05:27 | |
My mum's on her own and although she likes where she is, | 0:05:27 | 0:05:30 | |
all her friends are there, it would be nice to have somewhere | 0:05:30 | 0:05:34 | |
that she could come and live with us, eventually, | 0:05:34 | 0:05:37 | |
if she felt that was something she wanted to do. | 0:05:37 | 0:05:40 | |
'All parties involved in the move have particular needs | 0:05:40 | 0:05:44 | |
'when it comes to the location.' | 0:05:44 | 0:05:46 | |
I have to be within a reasonable commute of Kings Langley. | 0:05:46 | 0:05:50 | |
My daughter goes to school there and I don't really want to change her school. | 0:05:50 | 0:05:54 | |
And my mother is in Pinner, so... | 0:05:54 | 0:05:58 | |
And I need to get to St Albans area. | 0:05:58 | 0:06:02 | |
We'd like to live somewhere close to a village, | 0:06:02 | 0:06:05 | |
because it would be really nice to get involved in the local community. | 0:06:05 | 0:06:10 | |
'So strong community ties are a must. | 0:06:10 | 0:06:13 | |
'It seems Carl and Carolyn are willing to do what it takes to create their dream property.' | 0:06:13 | 0:06:18 | |
We both like doing DIY type stuff. | 0:06:18 | 0:06:21 | |
Carolyn's quite handy. She's got a full set of tools in the workshop. | 0:06:21 | 0:06:25 | |
A bit of a project would be great. | 0:06:25 | 0:06:27 | |
'There are, however, a few fundamental elements that can't be shaped with a toolkit.' | 0:06:27 | 0:06:33 | |
It would be really nice to wake up and look out over woodland | 0:06:33 | 0:06:37 | |
or fields or something like that. | 0:06:37 | 0:06:40 | |
Enough rooms that we can have our separate offices. | 0:06:40 | 0:06:43 | |
Not beamy. Not too low ceilings. | 0:06:43 | 0:06:45 | |
No. Something with a bit of character, a bit quirky, even. | 0:06:45 | 0:06:50 | |
I trained as a garden designer, | 0:06:50 | 0:06:52 | |
so I'd LOVE to have a big space to get my hands on, | 0:06:52 | 0:06:56 | |
divide up and make it look interesting. | 0:06:56 | 0:06:58 | |
'With grand ambitions for the garden, | 0:06:58 | 0:07:00 | |
'it's clear that Carolyn has a horticultural vision, | 0:07:00 | 0:07:03 | |
'but Carl may need a little more convincing.' | 0:07:03 | 0:07:07 | |
Carl's a bit more fussy than I am. | 0:07:07 | 0:07:09 | |
-Clearing up after yourself would be useful. -I do! | 0:07:09 | 0:07:12 | |
BOTH LAUGH | 0:07:12 | 0:07:14 | |
We'd like somewhere that's our house, that we've bought together, | 0:07:14 | 0:07:18 | |
-we can decorate and refurbish and make our own. -Together, make it ours. | 0:07:18 | 0:07:24 | |
'Good transport links are essential for our buyers, | 0:07:28 | 0:07:32 | |
'looking for a maximum commute of one hour to Hertfordshire | 0:07:32 | 0:07:36 | |
'for work and also the school run. | 0:07:36 | 0:07:38 | |
'Our search will take us to some wonderful rural villages | 0:07:38 | 0:07:42 | |
'surrounding Bedford, which are well connected to the M1. | 0:07:42 | 0:07:46 | |
'Time for us to meet up to finalise the details of their move.' | 0:07:46 | 0:07:51 | |
Welcome to Bedfordshire. | 0:07:51 | 0:07:53 | |
-Thank you. -Thank you. -What a beautiful day! -Glorious! | 0:07:53 | 0:07:56 | |
The sun shines on your property search! | 0:07:56 | 0:07:58 | |
Bedfordshire's not an area that you've looked at. | 0:07:58 | 0:08:01 | |
We've been looking the other side of the M1, so it'll be interesting. | 0:08:01 | 0:08:06 | |
A ballpark figure of how many you've seen? | 0:08:06 | 0:08:09 | |
-Probably around about 50. -50 you've actually visited? | 0:08:09 | 0:08:12 | |
CHUCKLING: A fair few! | 0:08:12 | 0:08:14 | |
So, what's the spec? How many bedrooms? | 0:08:14 | 0:08:17 | |
A minimum of four. Five would be perfect. | 0:08:17 | 0:08:20 | |
-We need a kitchen-breakfast room. -Large kitchen-breakfast room. | 0:08:20 | 0:08:24 | |
-Couple of studies. -Cos you work from home? | 0:08:24 | 0:08:27 | |
-I work from home. -Carolyn works from home. | 0:08:27 | 0:08:29 | |
And I tend to bring work home, | 0:08:29 | 0:08:33 | |
so I like my own space for work as well. | 0:08:33 | 0:08:36 | |
-Right. -He just likes to get away from me, actually(!) | 0:08:36 | 0:08:40 | |
-Have his own peace and quiet. -The secret of a good relationship. -A good shed would do! | 0:08:40 | 0:08:46 | |
In terms of doing work to the property - you've done a lot of work to the bungalow. | 0:08:46 | 0:08:50 | |
We don't mind knocking a place about a bit, doing a fairly major renovation. | 0:08:50 | 0:08:55 | |
-If we could live in it while we're doing it. -And your budget? How much are we going up to? | 0:08:55 | 0:09:00 | |
If it's a big project, around about 800. | 0:09:00 | 0:09:03 | |
-We could push up to a million for something perfect. -Something really fantastic. | 0:09:03 | 0:09:07 | |
-It is expensive, being so close to London. -Yeah. | 0:09:07 | 0:09:10 | |
But we have three beautiful properties lined up. We're excited to show them to you. | 0:09:10 | 0:09:15 | |
-Hoping you've not seen them online! -Don't think we will. -Let's go. | 0:09:15 | 0:09:20 | |
'Carolyn and Carl have a starting budget of £800,000 | 0:09:21 | 0:09:25 | |
'to spend on a character home with project potential, | 0:09:25 | 0:09:28 | |
'although they could go higher if a house was absolutely perfect. | 0:09:28 | 0:09:32 | |
'They'd like... | 0:09:32 | 0:09:34 | |
'..We'll be serving up three superb properties | 0:09:55 | 0:09:58 | |
'all with different opportunities. | 0:09:58 | 0:10:00 | |
'I won't be revealing the prices until the end of each tour. | 0:10:00 | 0:10:04 | |
'Our special offer is the mystery house. | 0:10:04 | 0:10:06 | |
'It's safe to say our buyers could get much more than they bargained for. | 0:10:06 | 0:10:12 | |
'For our first stop, we're heading to the village of Harrold, | 0:10:15 | 0:10:18 | |
'an hour's drive from Carolyn's daughter's school | 0:10:18 | 0:10:21 | |
'and Carl's office in Hertfordshire. | 0:10:21 | 0:10:23 | |
'Harrold typifies an idyllic English setting | 0:10:23 | 0:10:26 | |
'and wraps itself around a pretty green, | 0:10:26 | 0:10:28 | |
'complete with an octagonal butter market | 0:10:28 | 0:10:31 | |
'and an old circular lock-up that was last used to detain drunks | 0:10:31 | 0:10:36 | |
'and suspected criminals in the 19th century. | 0:10:36 | 0:10:39 | |
'We're stopping off in this arresting village to look around.' | 0:10:39 | 0:10:44 | |
This is one of the hidden jewels of Bedfordshire, Harrold. | 0:10:44 | 0:10:48 | |
This beautiful village green. Have you been here before? | 0:10:48 | 0:10:52 | |
-No, not at all. -No. It's a beautiful village. | 0:10:52 | 0:10:55 | |
-It's a charming village! -It's like going back in time. | 0:10:55 | 0:10:58 | |
-Is it what you were thinking, in terms of a home? -Yes. | 0:10:58 | 0:11:02 | |
If it's got a nice community, if there's a community hall or... | 0:11:02 | 0:11:07 | |
-Yeah, there's a good hall. They do amateur dramatics. -Great! | 0:11:07 | 0:11:11 | |
I used to be a bit of a thesp, actually. | 0:11:11 | 0:11:14 | |
It's got two pubs, supermarket, butcher's, in terms of amenities. | 0:11:14 | 0:11:19 | |
-Everything you need on the doorstep. -And, possibly, your new home. | 0:11:19 | 0:11:23 | |
A-ha! | 0:11:23 | 0:11:24 | |
'A short stroll away in the heart of the village is our first house, | 0:11:24 | 0:11:28 | |
'which is an outstanding Grade II listed former manor house.' | 0:11:28 | 0:11:33 | |
-Property number one! -Oh, wow! -Wow! | 0:11:33 | 0:11:36 | |
It dates back to the Elizabethan period. | 0:11:36 | 0:11:38 | |
It was a gift of Elizabeth I to a wealthy London grocer. | 0:11:38 | 0:11:42 | |
-What are your first impressions, Carl? -It's beautiful. Nice property. | 0:11:42 | 0:11:46 | |
Very handsome. Exactly the sort of thing we're looking for. Full of character. | 0:11:46 | 0:11:50 | |
It's a handsome property and you get this thrown in. | 0:11:50 | 0:11:53 | |
-Wow! -That comes with it? -Yes. | 0:11:53 | 0:11:56 | |
-Gosh. -Your coach house. -Another separate house. -Indeed it is. | 0:11:56 | 0:11:59 | |
-You can guess what I might suggest that's going to be. -Yes. | 0:11:59 | 0:12:03 | |
-Do you want to look inside? -Yeah. -Certainly. | 0:12:03 | 0:12:06 | |
'A very positive first impression, and that's no surprise. | 0:12:07 | 0:12:11 | |
'This three-storey Elizabethan home certainly delivers on the character our buyers were after. | 0:12:11 | 0:12:16 | |
'And it boasts terrific period features throughout.' | 0:12:16 | 0:12:20 | |
Step on in through the hallway, | 0:12:23 | 0:12:25 | |
into the main sitting room. | 0:12:25 | 0:12:27 | |
Wow! I like the window seat as well. | 0:12:27 | 0:12:30 | |
Is this a property you can imagine living in? | 0:12:30 | 0:12:33 | |
-Could you imagine sprawling out in this room? -Yeah. | 0:12:33 | 0:12:37 | |
This is a lovely cosy room. | 0:12:37 | 0:12:39 | |
I can imagine a roaring fire in that amazing fireplace. | 0:12:39 | 0:12:42 | |
Let's take a look in the dining room/kitchen. | 0:12:42 | 0:12:45 | |
-Another very impressive room. -Wow! This is incredible! | 0:12:45 | 0:12:50 | |
-This screen separates the dining room from the kitchen. -I like that. | 0:12:50 | 0:12:54 | |
That's interesting, that feature doorway. | 0:12:54 | 0:12:56 | |
The staircase, too, is all wibbly wobbly. | 0:12:56 | 0:12:59 | |
Yeah. It's quite a lot of wibbly wobbly upstairs! | 0:12:59 | 0:13:03 | |
Oh, dear. Carl won't like that. | 0:13:03 | 0:13:05 | |
-Let's have a peek in the kitchen. -OK. | 0:13:05 | 0:13:08 | |
-Here we are. This is the kitchen. -Compact. | 0:13:09 | 0:13:12 | |
-A bit small. -A bit disappointing. | 0:13:12 | 0:13:14 | |
The proportions are historically compact, | 0:13:14 | 0:13:17 | |
cos you can't move this wooden screen. | 0:13:17 | 0:13:21 | |
It's got a range cooker. I'm not sure about a range cooker. | 0:13:21 | 0:13:24 | |
I've never used one. | 0:13:24 | 0:13:26 | |
I know everyone that has one swears by them but I wouldn't know where to start. | 0:13:26 | 0:13:31 | |
-I'm sure you'd soon learn. -YOU'd soon learn! | 0:13:31 | 0:13:34 | |
I'd have to do all the cooking! | 0:13:34 | 0:13:36 | |
That's downstairs. Let's have a peek upstairs. | 0:13:36 | 0:13:40 | |
'It was all going so well, but it seems we've hit a stumbling block with the proportions of the kitchen. | 0:13:40 | 0:13:45 | |
'There is a separate utility room | 0:13:45 | 0:13:48 | |
'where you could hide away the white goods. | 0:13:48 | 0:13:51 | |
'There's also a large conservatory offering additional dining space | 0:13:51 | 0:13:56 | |
'that opens out onto a paved patio. | 0:13:56 | 0:13:59 | |
'But I've a feeling Carl and Carolyn won't find the space lacking | 0:13:59 | 0:14:03 | |
'when it comes to the bedrooms upstairs, | 0:14:03 | 0:14:05 | |
'spread out over two floors.' | 0:14:05 | 0:14:07 | |
-You've got four bedrooms and this is... -Wow! | 0:14:07 | 0:14:10 | |
-..as you can guess, the master. -Very grand. Gosh. | 0:14:10 | 0:14:14 | |
-That's a solid bed, isn't it? -It is a solid bed. Lovely carvings. | 0:14:14 | 0:14:19 | |
-Look at all the detail there. -That's amazing, isn't it? | 0:14:19 | 0:14:23 | |
You have two big, big bedrooms on this floor, | 0:14:23 | 0:14:25 | |
one of which could be a study. | 0:14:25 | 0:14:27 | |
In the attic, you've got two more good sized bedrooms. | 0:14:27 | 0:14:30 | |
Not squishy small, but they do have very bowed floors. | 0:14:30 | 0:14:35 | |
So if you like a flat floor... | 0:14:35 | 0:14:37 | |
It makes you feel a little bit seasick, I find. | 0:14:37 | 0:14:42 | |
-There is only one bathroom. There's not en suites in a building this old. -No. | 0:14:42 | 0:14:47 | |
You were lucky if you had a bathroom! | 0:14:47 | 0:14:50 | |
-It's actually a lovely bathroom, a nice big bathroom. -OK. | 0:14:50 | 0:14:54 | |
-Plenty of space. -Right. -Let's pop outside and talk price. | 0:14:54 | 0:14:59 | |
'They do seem won over by the huge master bedroom. | 0:14:59 | 0:15:02 | |
'There's also some excellent proportions in the outbuilding. | 0:15:02 | 0:15:06 | |
'The former coach house has been converted | 0:15:06 | 0:15:09 | |
'into a self-contained annexe and has an upside down layout. | 0:15:09 | 0:15:14 | |
'With kitchen and living areas on the first floor and a shower room | 0:15:14 | 0:15:19 | |
'alongside two double bedrooms on the ground floor. | 0:15:19 | 0:15:22 | |
'So the coach house could be used as offices | 0:15:22 | 0:15:25 | |
'or for Carolyn's mother in the future. | 0:15:25 | 0:15:28 | |
'It just remains to be seen if the private walled garden | 0:15:28 | 0:15:31 | |
'will come up smelling of roses.' | 0:15:31 | 0:15:34 | |
-What about the garden? -Yeah, a little bit on the small side | 0:15:34 | 0:15:39 | |
for what I would like, ideally, really. | 0:15:39 | 0:15:42 | |
It's a very pretty garden and it frames the house nicely, | 0:15:42 | 0:15:45 | |
but I'd be looking for something a little bit more substantial. | 0:15:45 | 0:15:49 | |
-Well, it's a good first house... -Yes. It's a beautiful house. | 0:15:49 | 0:15:53 | |
Focusing our mind on what you're looking for. | 0:15:53 | 0:15:56 | |
-What do you think a property like this is on the market for? -I would say, about...860. | 0:15:56 | 0:16:02 | |
I would hazard a guess around 925. | 0:16:02 | 0:16:07 | |
925. OK, so this is on the market for... | 0:16:07 | 0:16:12 | |
a shade under 800. | 0:16:12 | 0:16:14 | |
-Ooh. -Under 800? | 0:16:14 | 0:16:16 | |
-Wow! -Just a smidgen under £800,000. | 0:16:16 | 0:16:18 | |
For a very substantial characterful property. | 0:16:18 | 0:16:22 | |
-Yeah. That's surprising, actually. -With a ready-made annexe for Mum. | 0:16:22 | 0:16:26 | |
-So, food for thought. -Definitely food for thought. | 0:16:26 | 0:16:30 | |
Check out the annexe first, then explore around the rest. | 0:16:30 | 0:16:34 | |
-I'll meet you on the drive and we can head to the next one. -Perfect. | 0:16:34 | 0:16:38 | |
'On the market for a shade under £800,000, | 0:16:41 | 0:16:44 | |
'this fine 16th-century property | 0:16:44 | 0:16:46 | |
'is a great house to get our search under way...' | 0:16:46 | 0:16:49 | |
If it was open plan downstairs and two rooms upstairs, | 0:17:01 | 0:17:06 | |
-I think it would work a bit better. -Hm. | 0:17:06 | 0:17:10 | |
When we came through the garden and first saw the house, I thought, | 0:17:10 | 0:17:14 | |
"Wow! It's really beautiful, full of character." | 0:17:14 | 0:17:18 | |
I was a little disappointed in the kitchen. | 0:17:18 | 0:17:20 | |
It's got a beautiful big window, but not enough storage. | 0:17:20 | 0:17:23 | |
This house has a lot of period features, most of them I like. | 0:17:23 | 0:17:27 | |
But there's a few I don't like. This would be a nice house to visit. | 0:17:27 | 0:17:32 | |
I'd soon get tired of ducking down every day of the week. | 0:17:32 | 0:17:35 | |
It's a beautifully secluded garden, even though it is right in the middle of the village. | 0:17:35 | 0:17:40 | |
I wonder if the next property should be further afield. | 0:17:40 | 0:17:44 | |
-Which it is. Hello! -Hi. | 0:17:44 | 0:17:46 | |
-All done? -Yes, thank you. | 0:17:46 | 0:17:48 | |
So, closing the door on a very characterful property. | 0:17:48 | 0:17:52 | |
-Let's move on to something new. -OK. | 0:17:52 | 0:17:54 | |
'With Carolyn's vision to create her own dream country garden, | 0:18:04 | 0:18:08 | |
'a trip to Bedfordshire provides the ideal opportunity | 0:18:08 | 0:18:10 | |
'to visit the village of Stevington, | 0:18:10 | 0:18:13 | |
'where four and a half acres at the manor house have been transformed | 0:18:13 | 0:18:16 | |
'into an atmospheric and artistic horticultural highlight. | 0:18:16 | 0:18:21 | |
'Developed by the owner, Kathy Brown, over the past 25 years, | 0:18:21 | 0:18:26 | |
'the gardens have been divided into 18 themed areas, | 0:18:26 | 0:18:29 | |
'each with a distinctive character. | 0:18:29 | 0:18:32 | |
'Open to the public, it's not only a dream for those with green fingers, | 0:18:32 | 0:18:36 | |
'but a tonic for those who wish to peruse the glorious surroundings. | 0:18:36 | 0:18:41 | |
'So, earlier in the week, we sent both our buyers to get inspiration. | 0:18:41 | 0:18:45 | |
'Influenced by trips abroad, | 0:18:45 | 0:18:47 | |
'there are formal box parterres in a French style, | 0:18:47 | 0:18:50 | |
'a colourful empty fishpond that's strongly Mediterranean, | 0:18:50 | 0:18:54 | |
'as well as the traditional English cottage garden. | 0:18:54 | 0:18:58 | |
'There's also a few art-inspired beds, | 0:18:58 | 0:19:00 | |
'in particular one themed on Claude Monet's Water Lily paintings.' | 0:19:00 | 0:19:05 | |
We've come over to one of the art gardens that we have, | 0:19:05 | 0:19:09 | |
-which was based on a painting I saw in the National Gallery. -Wow. | 0:19:09 | 0:19:13 | |
I looked at it and was drawn in and I thought, "I can plant this up." | 0:19:13 | 0:19:18 | |
Instead of the golden water, the reflection of water, I saw grasses. | 0:19:18 | 0:19:23 | |
You know how they go golden in the autumn and through the winter? | 0:19:23 | 0:19:27 | |
So I planted up an ornamental grass garden | 0:19:27 | 0:19:30 | |
with these dots of colour for the water lilies. | 0:19:30 | 0:19:33 | |
For me, it's hugely emotional. It's not about individual plants. | 0:19:33 | 0:19:36 | |
It's about the overall feeling. | 0:19:36 | 0:19:38 | |
'Not only are the grounds evocative and entertaining, | 0:19:38 | 0:19:42 | |
'but medicinal and culinary, too.' | 0:19:42 | 0:19:45 | |
We have an edible flower border here, which is unusual, isn't it? | 0:19:45 | 0:19:49 | |
But in the 17th and 16th century, | 0:19:49 | 0:19:51 | |
households were so used to using lavender and cowslips down here | 0:19:51 | 0:19:57 | |
and roses, in all sorts of different ways. | 0:19:57 | 0:19:59 | |
I make rose petal cakes out of the roses. | 0:19:59 | 0:20:02 | |
-This is a David Austin rose. -Oh, that's beautiful! | 0:20:02 | 0:20:06 | |
It's full of scent. | 0:20:06 | 0:20:08 | |
Simply get the scissors and cut off the coloured parts | 0:20:08 | 0:20:11 | |
and mix it with unsalted butter and icing sugar | 0:20:11 | 0:20:14 | |
and put it in a Victoria sponge cake. | 0:20:14 | 0:20:17 | |
'It's important to note that only certain flowers are edible | 0:20:17 | 0:20:20 | |
'and it can be dangerous to eat flowers | 0:20:20 | 0:20:23 | |
'unless you're absolutely sure the variety is safe to consume. | 0:20:23 | 0:20:26 | |
'Always check with a reputable horticultural expert. | 0:20:26 | 0:20:30 | |
'Also, be aware that flowers treated with pesticides, fungicides | 0:20:30 | 0:20:33 | |
'or other chemicals are not safe to eat.' | 0:20:33 | 0:20:36 | |
-I don't know whether you'd like to eat something. -Yeah. -Do you like aniseed? -I do. | 0:20:36 | 0:20:41 | |
We have sweet cicely. | 0:20:41 | 0:20:43 | |
-See if you like it. -You eat the whole thing? -Yes. | 0:20:43 | 0:20:47 | |
-I love to make roast peppers with these inside. -Ooh, yeah! | 0:20:47 | 0:20:51 | |
The flowers are the same flavour. | 0:20:51 | 0:20:53 | |
You can put them on salads or omelettes. | 0:20:53 | 0:20:56 | |
People have forgotten how to use them. | 0:20:56 | 0:20:59 | |
'Fuelled with fresh ideas for her own garden, | 0:20:59 | 0:21:01 | |
'no doubt Carolyn's itching to get planting. | 0:21:01 | 0:21:04 | |
'I'm hoping we may have found her an ideal option. | 0:21:04 | 0:21:08 | |
'Time to step away from the cake and get to the second property. | 0:21:08 | 0:21:12 | |
'Our next stop is the village of Thurleigh, | 0:21:16 | 0:21:18 | |
'a 20-minute drive east of our first house, | 0:21:18 | 0:21:21 | |
'and just over our buyers' preferred one-hour commute time. | 0:21:21 | 0:21:25 | |
'Thurleigh has a close-knit community | 0:21:25 | 0:21:27 | |
'and an inviting part-thatched pub. | 0:21:27 | 0:21:30 | |
'On the edge of the village, | 0:21:30 | 0:21:32 | |
'with a very impressive approach down a long driveway, | 0:21:32 | 0:21:35 | |
'we arrive at our second property.' | 0:21:35 | 0:21:38 | |
-A different offering. -Yeah. -Yes. | 0:21:38 | 0:21:40 | |
Because you're on the edge, you've got a lot more space to play with. | 0:21:40 | 0:21:44 | |
-It sits on a three-acre plot. -Wow! That should keep me busy! | 0:21:44 | 0:21:48 | |
-And this is the property. It's a barn conversion. -Right. | 0:21:48 | 0:21:52 | |
-Any strong feelings about barn conversions? -Like the space. | 0:21:52 | 0:21:55 | |
-Usually have a good amount of space. -It was done in the mid '90s. | 0:21:55 | 0:21:59 | |
Then there's this annexe, which was an old smithy and an outbuilding, | 0:21:59 | 0:22:03 | |
which was made part of the parcel of land. | 0:22:03 | 0:22:06 | |
-Shall we have a look inside? -Yeah, lovely. | 0:22:06 | 0:22:08 | |
'It's a thumbs up for this beautiful peaceful setting. | 0:22:11 | 0:22:14 | |
'Let's see if this barn conversion | 0:22:14 | 0:22:16 | |
'is a style suited to our buyers' tastes.' | 0:22:16 | 0:22:20 | |
Come on in. | 0:22:21 | 0:22:23 | |
-Straight into the hallway. -Lovely. | 0:22:23 | 0:22:26 | |
I love the floor, these lovely flagstones are beautiful. | 0:22:26 | 0:22:29 | |
Yellow York stone throughout. What are your first impressions inside? | 0:22:29 | 0:22:34 | |
-Yeah, good. -Big smiles from Carl! | 0:22:34 | 0:22:37 | |
-LAUGHS -It's nice, bright and airy. | 0:22:37 | 0:22:40 | |
This is a very impressive space, you can really see the barn... | 0:22:40 | 0:22:44 | |
Oh, wow! Beautiful. I love the double height space. | 0:22:44 | 0:22:49 | |
-That's quite a chimney stack! -Yeah, it certainly is! | 0:22:49 | 0:22:53 | |
This is how a barn conversion should be, | 0:22:53 | 0:22:55 | |
so you get the full height of the original structure. | 0:22:55 | 0:22:59 | |
-Look at the windows! -They've done some imaginative things. | 0:22:59 | 0:23:02 | |
This herringbone wouldn't have been in the original, | 0:23:02 | 0:23:06 | |
but they've used the bricks in that way. | 0:23:06 | 0:23:08 | |
It's nice cos you can separate it off | 0:23:08 | 0:23:11 | |
and either have it as one big room or make this a separate dining room. | 0:23:11 | 0:23:15 | |
-In the winter, it would be nice and snug. -It's a lovely room. | 0:23:15 | 0:23:19 | |
It's quite nice to have a slightly lower ceiling. | 0:23:19 | 0:23:23 | |
-Makes it a bit more intimate. -Yeah. -Let's go through downstairs. | 0:23:23 | 0:23:29 | |
# Ta-da! # | 0:23:30 | 0:23:31 | |
-Slightly... -Oh, wow! | 0:23:31 | 0:23:33 | |
That's a bit more like it! That's what I call a kitchen! | 0:23:33 | 0:23:37 | |
-It's good, isn't it? -Beautiful. | 0:23:37 | 0:23:39 | |
This is a lovely space to hang out. | 0:23:39 | 0:23:41 | |
-It's like an old-fashioned farmhouse kitchen. -It is. Yeah. | 0:23:41 | 0:23:45 | |
-Very nice modern range. -Yes. That's more my style. | 0:23:45 | 0:23:49 | |
-Also a log burner, so you can keep nice and warm in the winter. -Wow. | 0:23:49 | 0:23:53 | |
-With your coffee... -Yeah. That's really nice. | 0:23:53 | 0:23:57 | |
And a huge utility room, which links through seamlessly into the annexe. | 0:23:57 | 0:24:01 | |
-Oh, perfect. -The annexe is all on one level. | 0:24:01 | 0:24:04 | |
So if your mum is going to move here, she can close the door or potter in here and join you. | 0:24:04 | 0:24:09 | |
-That's perfect. -Excellent. | 0:24:09 | 0:24:12 | |
'The three rooms in the annexe sit in the far wing of the property, | 0:24:12 | 0:24:16 | |
'to one end of the kitchen-breakfast room. | 0:24:16 | 0:24:19 | |
'It includes a large kitchen-diner, cosy lounge with a log-burning stove | 0:24:19 | 0:24:24 | |
'and a double bedroom. | 0:24:24 | 0:24:27 | |
'In the middle of the property sits a family room, | 0:24:27 | 0:24:30 | |
'right next to the smallest of five bedrooms within the main house. | 0:24:30 | 0:24:35 | |
'As this bedroom is on the ground floor, it could be ideal | 0:24:35 | 0:24:38 | |
'as one of their two requested studies. | 0:24:38 | 0:24:41 | |
'But there's another large ground floor bedroom across the hallway | 0:24:41 | 0:24:45 | |
'which is already being used as an office. | 0:24:45 | 0:24:48 | |
'We'll leave Carl and Carolyn to battle out who gets the bigger. | 0:24:48 | 0:24:51 | |
'The remaining three bedrooms are all on the first floor, | 0:24:51 | 0:24:55 | |
'alongside the family bathroom. | 0:24:55 | 0:24:58 | |
'They include a double, set in the eaves, | 0:24:58 | 0:25:01 | |
'and another roomy double with exposed timbers. | 0:25:01 | 0:25:05 | |
'That leaves the room that could be theirs.' | 0:25:05 | 0:25:08 | |
This is the master bedroom. | 0:25:08 | 0:25:10 | |
-Oh. -Oh, wow! | 0:25:10 | 0:25:13 | |
-That's the room with the... -Oh, yes. The lounge with the glass. | 0:25:13 | 0:25:16 | |
That's the other side of the window. You've got an en suite here. So...? | 0:25:16 | 0:25:20 | |
It's fine! | 0:25:21 | 0:25:23 | |
It's not reduced height at all. | 0:25:23 | 0:25:25 | |
Not what I expected. They've done a really good job. | 0:25:25 | 0:25:28 | |
'It's safe to say that Carl is getting on board with the idea of this generous barn conversion. | 0:25:28 | 0:25:34 | |
'It's definitely got the upper hand when it comes to land. | 0:25:34 | 0:25:37 | |
'I hope three and a half acres is what Carolyn was looking for.' | 0:25:37 | 0:25:42 | |
I need to get pole position so I can show you everything in one fell sweep. | 0:25:42 | 0:25:47 | |
You've got the back of the house. This is a formal garden. | 0:25:47 | 0:25:51 | |
Lovely sun-kissed patio and this pergola that goes all the way round. | 0:25:51 | 0:25:55 | |
I could definitely do something with this. It's a wonderful space. | 0:25:55 | 0:25:59 | |
To have the hedging round it, it's totally secluded. | 0:25:59 | 0:26:02 | |
-I'm not a gardener and I see the potential. -Yeah? | 0:26:02 | 0:26:04 | |
What do you think this parcel of property is worth? | 0:26:04 | 0:26:08 | |
Ooh! I would say, probably about...925. | 0:26:08 | 0:26:12 | |
It is, I think, worth more than the last house. I would say 950. | 0:26:12 | 0:26:16 | |
Well, actually, it's on the market for... | 0:26:16 | 0:26:19 | |
£740,000. | 0:26:19 | 0:26:21 | |
-740? -LAUGHING: I don't believe that. | 0:26:21 | 0:26:24 | |
I don't believe that at all. | 0:26:24 | 0:26:26 | |
-That's... That's incredible. -740? | 0:26:26 | 0:26:29 | |
-Have a look round and I'll meet you out the front. -OK. Perfect. | 0:26:29 | 0:26:32 | |
Explore away. | 0:26:32 | 0:26:34 | |
'Well under budget at £740,000, our second property has, yet again, | 0:26:34 | 0:26:40 | |
'given our buyers something to think about...' | 0:26:40 | 0:26:43 | |
Another big room! | 0:27:06 | 0:27:08 | |
This is just the annexe. This is amazing. | 0:27:08 | 0:27:11 | |
This works well as an annexe. | 0:27:11 | 0:27:13 | |
I think this is much more practical for us than the last one. | 0:27:13 | 0:27:17 | |
The house looked really nice from the outside. | 0:27:17 | 0:27:19 | |
I had high expectations. It didn't disappoint when I came inside. | 0:27:19 | 0:27:25 | |
The garden is amazing. It needs quite a lot of work. | 0:27:25 | 0:27:28 | |
It's pretty much a blank canvas. | 0:27:28 | 0:27:31 | |
When you went into the living space and the ceiling opened up, | 0:27:31 | 0:27:34 | |
it was, "Wow!" | 0:27:34 | 0:27:36 | |
It's nice that they've kept the full height of the original structure. | 0:27:36 | 0:27:40 | |
It's a bargain compared to stuff we've been looking at. | 0:27:40 | 0:27:43 | |
We don't know if it's a bargain for the area. I guess we'll find out. | 0:27:43 | 0:27:47 | |
I wonder whether that extra £200,000 in their pocket is burning a hole. | 0:27:47 | 0:27:53 | |
-Hello. -Hi. -Hi. | 0:27:53 | 0:27:54 | |
-Did you have a good look round? -Brilliant, yeah. | 0:27:54 | 0:27:57 | |
-Liked what you found? -Yes. Very nice. -Big smiles! I'm happy! | 0:27:57 | 0:28:01 | |
So, time to rest and regroup. Let's head off. | 0:28:01 | 0:28:04 | |
'As the sun sets on what's been an enlightening time in Bedfordshire, | 0:28:16 | 0:28:20 | |
'the first day of our house hunt draws to a close. | 0:28:20 | 0:28:24 | |
'With a starting budget of £800,000, | 0:28:28 | 0:28:31 | |
'Middlesex based couple Carl and Carolyn have set their sights | 0:28:31 | 0:28:35 | |
'on a Bedfordshire home with bags of room both inside and out. | 0:28:35 | 0:28:39 | |
'They've seen two fantastic properties, | 0:28:39 | 0:28:41 | |
'the second of which really seemed to hit the mark. | 0:28:41 | 0:28:45 | |
'But it's not a done deal yet. | 0:28:45 | 0:28:47 | |
'Coming right up, we're going back to basics with the mystery house.' | 0:28:47 | 0:28:51 | |
There is something nice about being in a house that is 400 years old. | 0:28:51 | 0:28:54 | |
'And I'll be minding my Ps and Qs with an alternative vintage blend.' | 0:28:54 | 0:28:59 | |
It's the second day of our property hunt in Bedfordshire. | 0:28:59 | 0:29:02 | |
The sun's hiding behind the clouds, but I'm very pleased with the impact | 0:29:02 | 0:29:06 | |
this county is having on Carolyn and Carl. | 0:29:06 | 0:29:09 | |
They were floored by the prices yesterday. That's very gratifying. | 0:29:09 | 0:29:13 | |
For the mystery house, we're combining the period charm of the first property | 0:29:13 | 0:29:17 | |
and the land of the second, and seeing how that flies. | 0:29:17 | 0:29:20 | |
Although Carl is going to have to mind his head. | 0:29:20 | 0:29:24 | |
Slightly less nice weather on our second day. | 0:29:30 | 0:29:33 | |
-Yes. -Yes. | 0:29:33 | 0:29:34 | |
What do you think we're going to show you with the mystery house? | 0:29:34 | 0:29:38 | |
Probably something a bit more ultra-modern, | 0:29:38 | 0:29:41 | |
which has all the land we're looking for, all the space, | 0:29:41 | 0:29:45 | |
and the compromise will be on the period property. | 0:29:45 | 0:29:49 | |
'Well, Carl, you couldn't be more wrong. | 0:29:49 | 0:29:52 | |
'We're not going forward in time, we're going back, way back. | 0:29:52 | 0:29:56 | |
'The location of the mystery house | 0:29:56 | 0:29:58 | |
'is on the edge of an unspoiled riverside village called Felmersham. | 0:29:58 | 0:30:02 | |
'Essential amenities are just a couple of miles away | 0:30:02 | 0:30:05 | |
'in the village of Sharnbrook. | 0:30:05 | 0:30:08 | |
'They include a convenience store and a pub. | 0:30:08 | 0:30:10 | |
'The mystery property we're showing our buyers | 0:30:10 | 0:30:12 | |
'is a substantial thatched stone farmhouse | 0:30:12 | 0:30:16 | |
'which dates right back to the 17th century.' | 0:30:16 | 0:30:19 | |
So, I brought you in the back of this property. | 0:30:19 | 0:30:22 | |
-Very nice. -VERY nice. | 0:30:22 | 0:30:25 | |
Nice. | 0:30:25 | 0:30:26 | |
-So you'll see that we have lots to talk about here. -Yeah. | 0:30:26 | 0:30:31 | |
-A swimming pool. Tamsin will be pleased. -Tamsin will be pleased. | 0:30:31 | 0:30:35 | |
And then, a 400-year-old... | 0:30:35 | 0:30:38 | |
-400-year-old? -..stone-built. | 0:30:38 | 0:30:41 | |
I can see all the beams... | 0:30:41 | 0:30:43 | |
CARL LAUGHS ..going through Carl's head. | 0:30:43 | 0:30:47 | |
There are many reasons we brought you here. | 0:30:47 | 0:30:49 | |
One of the reasons is you talked about having a project, | 0:30:49 | 0:30:52 | |
-something where you could put your stamp on it, and this has it, but not here. -OK. | 0:30:52 | 0:30:57 | |
'The real twist of this house comes around the corner. | 0:30:57 | 0:31:01 | |
'We're about to find out if our self-confessed DIYers | 0:31:01 | 0:31:05 | |
'can handle starting a project from scratch.' | 0:31:05 | 0:31:08 | |
-That IS a project! -That is definitely a project. | 0:31:08 | 0:31:11 | |
It's a stone barn in the same pocket of land as the listed building. | 0:31:11 | 0:31:16 | |
So this is Grade II listed, but the great thing is that this has planning already. | 0:31:16 | 0:31:22 | |
-Right. -Approved to be converted into, | 0:31:22 | 0:31:26 | |
actually, a separate property that you could sell or have as an annexe. | 0:31:26 | 0:31:31 | |
-This is a nice building. -It's an inspiring building. | 0:31:31 | 0:31:34 | |
It really is great potential. | 0:31:34 | 0:31:37 | |
'This old rustic stone barn comes with planning permission | 0:31:37 | 0:31:41 | |
'for conversion into a two-bedroomed dwelling with separate access, | 0:31:41 | 0:31:46 | |
'which could really give our buyers something to get their teeth into. | 0:31:46 | 0:31:49 | |
'The farmhouse is also ripe for some development, | 0:31:49 | 0:31:53 | |
'so let's have a look inside.' | 0:31:53 | 0:31:55 | |
-Carl's not going to like that. -CAROLYN CHUCKLES | 0:31:55 | 0:31:58 | |
-CARL CHUCKLES -Not low ceilings, but low doors. | 0:31:58 | 0:32:02 | |
-Mm. -Yeah. -This would have been the heart of the home. | 0:32:02 | 0:32:06 | |
You've got this fantastically huge inglenook which you can sit in, | 0:32:06 | 0:32:10 | |
which is the definition of an inglenook. | 0:32:10 | 0:32:13 | |
-Slopey floors. -Mm-hm. -But quite high ceilings. | 0:32:13 | 0:32:17 | |
-This room itself, it's a nice cosy room. -It's not a bad size. | 0:32:17 | 0:32:22 | |
-For a snug, it would be nice. -Yeah. For a snug. | 0:32:22 | 0:32:25 | |
-But for a living room... -For the main living room, no. | 0:32:25 | 0:32:29 | |
I'm shaking my head in a worried way because it is the main living room. | 0:32:29 | 0:32:33 | |
Is it? OK. | 0:32:33 | 0:32:35 | |
Let's go look through the rest. Another low door. | 0:32:35 | 0:32:39 | |
Here we have the kitchen. | 0:32:41 | 0:32:44 | |
-Hm. -It's huge(!) | 0:32:44 | 0:32:46 | |
-LAUGHTER -Being very diplomatic. | 0:32:46 | 0:32:49 | |
-It is... -Compact. -Also diplomatic. | 0:32:49 | 0:32:52 | |
-It's a small kitchen compared to the last one. -Yeah. -Much smaller. | 0:32:52 | 0:32:56 | |
-So the wind slightly went out of our sails when we got inside the old house. -I think, yeah. | 0:32:56 | 0:33:02 | |
'Off the kitchen, there's a decent sized dining room | 0:33:02 | 0:33:05 | |
'and another reception room, currently laid out as a study. | 0:33:05 | 0:33:10 | |
'The rest of the accommodation is set out on a further two floors. | 0:33:10 | 0:33:15 | |
'On the top floor, the family bathroom serves a double bedroom | 0:33:15 | 0:33:18 | |
'with chunks of exposed timbers, | 0:33:18 | 0:33:21 | |
'as well as a single bedroom with a brick chimney breast. | 0:33:21 | 0:33:25 | |
'The middle floor has two large double rooms on offer, | 0:33:25 | 0:33:28 | |
'each with its own en suite, | 0:33:28 | 0:33:30 | |
'one of which we've earmarked for them.' | 0:33:30 | 0:33:33 | |
This is the master bedroom. It goes through there into a big en suite. | 0:33:33 | 0:33:39 | |
-Lots of storage. Wardrobes. -Right. -OK. | 0:33:39 | 0:33:42 | |
The bones of the building have a lot of history in it. | 0:33:42 | 0:33:47 | |
There is something nice about being in a house that is 400 years old. | 0:33:47 | 0:33:51 | |
If we could make it work, that would be great. | 0:33:51 | 0:33:54 | |
When you've got something this old, | 0:33:54 | 0:33:56 | |
you are limited to what you can change and alter | 0:33:56 | 0:34:00 | |
to make it work for modern living. | 0:34:00 | 0:34:02 | |
'Sadly, it seems that the mystery property | 0:34:02 | 0:34:05 | |
'is a step too far for our buyers. | 0:34:05 | 0:34:08 | |
'Which is a great shame, for it stands in over two acres of land, | 0:34:08 | 0:34:12 | |
'including a fenced paddock, an orchard with a variety of trees, | 0:34:12 | 0:34:16 | |
'and a beautifully manicured and landscaped garden. | 0:34:16 | 0:34:20 | |
'More than enough to keep Carolyn busy, | 0:34:20 | 0:34:23 | |
'but I think it will be to no avail.' | 0:34:23 | 0:34:25 | |
-It is a beautiful looking property. -It is, yes. | 0:34:25 | 0:34:28 | |
-Ideal location, the grounds, the gardens, the orchard. -Yeah. | 0:34:28 | 0:34:33 | |
The outbuildings, everything, is fantastic. | 0:34:33 | 0:34:36 | |
How much do you think this lovely property's worth? | 0:34:36 | 0:34:39 | |
-720. -What about you, Carl? -I've been thinking similar. | 0:34:39 | 0:34:43 | |
I've come up with a formula. | 0:34:43 | 0:34:45 | |
I'm going to think of a price, take off 200 and add 25. | 0:34:45 | 0:34:49 | |
So I'm going to go for 725 on this one. | 0:34:49 | 0:34:52 | |
Often the guess is a barometer of how much you like the property. This is on the market for 775. | 0:34:52 | 0:34:57 | |
-Oh. -Right. -That's because it's got planning permission, I suppose. | 0:34:57 | 0:35:01 | |
-And because it's period. -Yeah. | 0:35:01 | 0:35:04 | |
-And a good bit of land with it, too. -True. | 0:35:04 | 0:35:07 | |
-So have a wander round. -Lovely. Thank you. | 0:35:07 | 0:35:10 | |
'With an asking price of £775,000, | 0:35:12 | 0:35:16 | |
'the mystery property is a three-storey farmhouse | 0:35:16 | 0:35:19 | |
'that has a history spanning some 400 years...' | 0:35:19 | 0:35:23 | |
Oh, wow! This is an interesting place. It's got great potential. | 0:35:41 | 0:35:45 | |
-Yes. -Just a shame it's not nearer to the house. | 0:35:45 | 0:35:49 | |
-Cos you could then join it on. -Yes. This would be a totally separate building to the main house. | 0:35:49 | 0:35:55 | |
We hadn't really considered a thatched cottage before | 0:35:55 | 0:35:58 | |
because we had a preconceived idea that the rooms would be small | 0:35:58 | 0:36:02 | |
and the ceilings would be low. | 0:36:02 | 0:36:04 | |
It's the cottagey thing that is what we're NOT looking for. | 0:36:04 | 0:36:08 | |
I think the mystery house has challenged us to think a bit more | 0:36:08 | 0:36:14 | |
about exactly what it is that we do want from a property. | 0:36:14 | 0:36:17 | |
Anything more than 200 years old is not really that suitable for us | 0:36:17 | 0:36:22 | |
and our type of modern living. | 0:36:22 | 0:36:25 | |
Beautiful walnut tree here, and very old. | 0:36:25 | 0:36:28 | |
This was the centre of the village, and at one point this was the pub. | 0:36:28 | 0:36:32 | |
That's a lot of history. Hello. | 0:36:32 | 0:36:34 | |
-Hi. -All done? -Yeah. | 0:36:34 | 0:36:36 | |
-Very beautiful walnut tree. -It's lovely. It's really old. -Very old. | 0:36:36 | 0:36:40 | |
Now, our time here is done. | 0:36:40 | 0:36:42 | |
-Time to get you somewhere warm and dry so you can have a think. -OK. | 0:36:42 | 0:36:48 | |
'Covering less than 500 square miles, | 0:36:59 | 0:37:01 | |
'Bedfordshire is one of England's smaller counties, | 0:37:01 | 0:37:04 | |
'but it still has its fair share of exclusive palatial mansions. | 0:37:04 | 0:37:08 | |
'It was here at the grand stately home of Woburn Abbey | 0:37:08 | 0:37:12 | |
'that the custom of afternoon tea was created | 0:37:12 | 0:37:15 | |
'by the seventh Duchess of Bedford, Anna Maria, in the mid-19th century. | 0:37:15 | 0:37:20 | |
'Earlier in the week, I went behind the scenes to meet tea party hostess | 0:37:20 | 0:37:24 | |
'and baker extraordinaire Joe Christie, | 0:37:24 | 0:37:27 | |
'who showed me how to prepare the perfect tea plate. | 0:37:27 | 0:37:30 | |
'Starting, of course, with cucumber sandwiches.' | 0:37:30 | 0:37:33 | |
Slightly thick. There needs to be a crunch to it. | 0:37:33 | 0:37:36 | |
So... | 0:37:36 | 0:37:37 | |
I'd say a little bit thinner. | 0:37:37 | 0:37:39 | |
-Yeah. I'd say there. -When you say thick you mean thin! | 0:37:39 | 0:37:43 | |
-Why cucumber? -They had cucumber sandwiches to show off | 0:37:43 | 0:37:48 | |
in the wealthier quarters. | 0:37:48 | 0:37:50 | |
It was a very rare ingredient. So, crusts off. | 0:37:50 | 0:37:53 | |
And then finger sandwiches. | 0:37:53 | 0:37:56 | |
So they can be eaten in two or three bites. They're delicate. | 0:37:56 | 0:38:00 | |
'As well as sandwiches, afternoon tea is typically composed of scones | 0:38:00 | 0:38:05 | |
'with clotted cream and jam, sweet pastries and the best bit, cake!' | 0:38:05 | 0:38:10 | |
-More over here! -The giggle cake, which is not so well known. | 0:38:10 | 0:38:14 | |
It's a boiled fruitcake, best served warm with a good cup of tea. | 0:38:14 | 0:38:18 | |
-Oh, my God! That is fruit-tastic! -It's nice and colourful inside. | 0:38:18 | 0:38:22 | |
-You can see cherries and pineapple and dried fruit. -Wow! | 0:38:22 | 0:38:27 | |
'Afternoon tea was initially developed as a social event | 0:38:27 | 0:38:30 | |
'for ladies in genteel society. | 0:38:30 | 0:38:32 | |
'Traditionally, the upper classes would indulge around four o'clock, | 0:38:32 | 0:38:36 | |
'just before a fashionable promenade. | 0:38:36 | 0:38:39 | |
'The middle and working classes would have a more substantial high tea a couple of hours later. | 0:38:39 | 0:38:44 | |
'Beryl Peters is an expert on afternoon tea etiquette. | 0:38:44 | 0:38:48 | |
'She joined me in Woburn Abbey's Blue Drawing Room, | 0:38:48 | 0:38:52 | |
'where this quintessentially English ritual was born.' | 0:38:52 | 0:38:55 | |
Hello. I come bearing sandwiches, giggle cake and Victoria sponge. | 0:38:55 | 0:39:00 | |
I need you to guide me through the ceremony of tea. | 0:39:00 | 0:39:04 | |
Anna, the Duchess, used to have the finest toast, | 0:39:04 | 0:39:09 | |
as thin as poppy leaves, | 0:39:09 | 0:39:12 | |
just as little tasters to begin with. | 0:39:12 | 0:39:15 | |
Then the percolated tea would be brought to the table. | 0:39:15 | 0:39:19 | |
It was brewed away from the table | 0:39:19 | 0:39:22 | |
and it was left for three minutes to draw, | 0:39:22 | 0:39:26 | |
then decanted into a warm teapot. | 0:39:26 | 0:39:29 | |
In the early days, we would have a bowl instead of a cup. | 0:39:29 | 0:39:34 | |
It would be of bone china. | 0:39:34 | 0:39:36 | |
So the balance had to be taken at six o'clock on the thumb, | 0:39:36 | 0:39:41 | |
12 o'clock with the first two fingers. | 0:39:41 | 0:39:44 | |
-And then the little finger would be the balance... -I shouldn't laugh. | 0:39:44 | 0:39:48 | |
It does sound extraordinarily complicated! | 0:39:48 | 0:39:50 | |
The milk was poured in first, so it was a coolant. | 0:39:50 | 0:39:54 | |
And it would be given a gentle stir | 0:39:54 | 0:39:58 | |
before drinking, from the front to the back, like this, | 0:39:58 | 0:40:02 | |
and not in the vulgar fashion! | 0:40:02 | 0:40:04 | |
It is an amazing thing, afternoon tea. Who knew? | 0:40:04 | 0:40:07 | |
'And so, within a generation, as tea became more affordable | 0:40:07 | 0:40:12 | |
'and women were freer to socialise outside the home, | 0:40:12 | 0:40:15 | |
'tea rooms became a popular sight on the nation's high streets, | 0:40:15 | 0:40:19 | |
'leading to afternoon tea becoming a widespread cultural phenomenon.' | 0:40:19 | 0:40:24 | |
I'm rather regretting not having snaffled a piece of giggle cake, but I have duties to perform. | 0:40:26 | 0:40:31 | |
Namely, to find out whether Carolyn and Carl like any of the three houses we've shown them. | 0:40:31 | 0:40:37 | |
Let's talk about the houses, one by one, in retrospect. | 0:40:41 | 0:40:45 | |
The first house was a very beautiful Elizabethan period manor house. | 0:40:45 | 0:40:50 | |
-What are your thoughts about that? -It's a stunning house in a really pretty village. | 0:40:50 | 0:40:54 | |
The rooms had nice high ceilings, which we like, | 0:40:54 | 0:40:57 | |
but we just felt that it didn't have enough land. | 0:40:57 | 0:41:00 | |
We did want a bit more garden. | 0:41:00 | 0:41:02 | |
Also, in terms of the room space we wanted, | 0:41:02 | 0:41:05 | |
there weren't enough rooms for us to do what we wanted. | 0:41:05 | 0:41:08 | |
We did manage to give you that for the second property, | 0:41:08 | 0:41:11 | |
a very nice large plot - three and a half acres on the edge of a village. | 0:41:11 | 0:41:16 | |
Attached annexe. What else do you think about that property now? | 0:41:16 | 0:41:20 | |
That was a great property, that barn. | 0:41:20 | 0:41:23 | |
Loved the garden. Lots of potential to develop and do something with. | 0:41:23 | 0:41:29 | |
Room layout worked well. More than enough space. | 0:41:29 | 0:41:32 | |
The annexe, we could utilise as part of the living space | 0:41:32 | 0:41:36 | |
before having to use it as an annexe. | 0:41:36 | 0:41:39 | |
What about the price? You were both quite surprised when I said it. | 0:41:39 | 0:41:43 | |
I really couldn't believe that you got so much space for that money, | 0:41:43 | 0:41:47 | |
and all the garden as well. | 0:41:47 | 0:41:49 | |
You do get so much more for your money here in Bedfordshire. | 0:41:49 | 0:41:53 | |
The mystery house combines the two, really. | 0:41:53 | 0:41:56 | |
We had lots of land and also the period aspect. | 0:41:56 | 0:41:59 | |
What are your thoughts? | 0:41:59 | 0:42:01 | |
The mystery house looked a really nice, picturesque property. | 0:42:01 | 0:42:05 | |
Lots of land. Nice gardens. | 0:42:05 | 0:42:08 | |
A lot of potential with the barn conversion project. | 0:42:08 | 0:42:12 | |
But the main house itself, | 0:42:12 | 0:42:14 | |
whilst it was beautiful and quaint, just wasn't right for us. | 0:42:14 | 0:42:18 | |
The kitchen was a bit on the small side, and being Grade II listed, | 0:42:18 | 0:42:22 | |
it would be a long drawn-out process to get planning permission, | 0:42:22 | 0:42:26 | |
if you could even get planning permission to extend it and make it work. | 0:42:26 | 0:42:31 | |
-Not such a hit, the mystery house. -No, unfortunately not. | 0:42:31 | 0:42:34 | |
Were any of them a hit? What happens next? | 0:42:34 | 0:42:36 | |
-Would you revisit any of them? -I think the barn offers a lot of what we wanted. | 0:42:36 | 0:42:42 | |
We would like to explore the area a bit more. | 0:42:42 | 0:42:45 | |
Also, we need to check out the daily commute to and from work and to school. | 0:42:45 | 0:42:51 | |
-And we'll take it from there. -I do hope that you find something. | 0:42:51 | 0:42:55 | |
We may not have found you the perfect property, | 0:42:55 | 0:42:57 | |
but maybe we've opened your eyes to Bedfordshire, which would be nice. | 0:42:57 | 0:43:02 | |
-I wish you all the best. -Thank you very much. | 0:43:02 | 0:43:04 | |
What an enormously satisfying week here in Bedfordshire. | 0:43:07 | 0:43:11 | |
Satisfying for me with the cream tea and Victoria sponge, | 0:43:11 | 0:43:15 | |
but more importantly, satisfying for Carl and Carolyn. | 0:43:15 | 0:43:19 | |
We've opened their eyes to a whole new potential pool of homes. | 0:43:19 | 0:43:22 | |
If you've enjoyed exploring these rural retreats, | 0:43:22 | 0:43:25 | |
join us next time for more Escape To The Country. | 0:43:25 | 0:43:29 | |
If you'd like to escape to the country in Scotland, Wales, | 0:43:29 | 0:43:32 | |
Northern Ireland or England and need our help, please apply online at: | 0:43:32 | 0:43:40 | |
Subtitles by Red Bee Media Ltd | 0:43:45 | 0:43:48 | |
E-mail [email protected] | 0:43:48 | 0:43:51 |