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This tranquil rural valley behind me contains a stream, a machine, | 0:00:02 | 0:00:05 | |
a building that sent seismic shock waves around the world. | 0:00:05 | 0:00:10 | |
Find out where I am in just a moment. | 0:00:10 | 0:00:13 | |
'On today's show, I'm flying high with a couple hoping for a perfect property landing in the countryside, | 0:00:42 | 0:00:49 | |
'but at our first destination, they can't wait to depart early.' | 0:00:49 | 0:00:53 | |
I'm thinking this is a bit small. | 0:00:53 | 0:00:55 | |
'However, the mystery house soon makes their spirits soar.' | 0:00:55 | 0:00:59 | |
-Wow, look at that! -That's fantastic. That is impressive. | 0:00:59 | 0:01:03 | |
Today, we're in Derbyshire and this is Cromford Mill | 0:01:03 | 0:01:08 | |
which is one of the Derwent Valley mills that, since 2001, has been a World Heritage Site. | 0:01:08 | 0:01:13 | |
Quite an honour! Why? Well, because they are the brainchild of Sir Richard Arkwright, | 0:01:13 | 0:01:19 | |
who in 1771 created the first water-powered, cotton-spinning mill | 0:01:19 | 0:01:24 | |
and then built this complex of factory buildings and workers' cottages around it, | 0:01:24 | 0:01:29 | |
thus laying the blueprint for the modern British factory complex, then copied all around the world. | 0:01:29 | 0:01:34 | |
But it's not the only landmark in this county. | 0:01:34 | 0:01:37 | |
Landlocked Derbyshire is bordered by a number of counties, | 0:01:37 | 0:01:41 | |
including Yorkshire to the north and Leicestershire to the south. | 0:01:41 | 0:01:45 | |
And the county's picturesque setting has provided inspiration for many creative individuals, | 0:01:45 | 0:01:51 | |
such as the writer Jane Austen and the poet John Betjeman | 0:01:51 | 0:01:55 | |
who once wrote, "There is every kind of scenery in Derbyshire, except the sea." | 0:01:55 | 0:01:59 | |
Although there's no coastline, strangely enough, the county is famed for its watery assets | 0:01:59 | 0:02:05 | |
and the natural spring towns of Ashbourne and Buxton are both known | 0:02:05 | 0:02:09 | |
throughout the world for their mineral water. | 0:02:09 | 0:02:12 | |
Another county highlight is the Peak District National Park. | 0:02:12 | 0:02:16 | |
Over eight million tourists visit here each year | 0:02:16 | 0:02:19 | |
and the park contains around 500 square miles of hills, rock faces and river valleys. | 0:02:19 | 0:02:25 | |
With all this on offer, it's little surprise that Derbyshire remains an ever-attractive option | 0:02:25 | 0:02:31 | |
for those seeking a rural escape. | 0:02:31 | 0:02:34 | |
You might think you could get a good deal on property here in Derbyshire | 0:02:37 | 0:02:41 | |
because that mythical beast, the average detached house, | 0:02:41 | 0:02:45 | |
costs £197,000 here which is £57,000 less than the national average. | 0:02:45 | 0:02:51 | |
However, let's face it, who wants to live in an average detached house? | 0:02:51 | 0:02:55 | |
You'd much prefer to live in one of the beautiful houses in the southern fringes of the Peak District, | 0:02:55 | 0:03:01 | |
places like Bakewell or Ashford-in-the-Water | 0:03:01 | 0:03:04 | |
where the same house is going to cost you £400,000 to £500,000. | 0:03:04 | 0:03:08 | |
Still, there are places just south of the Peak District like Ashbourne or Matlock | 0:03:08 | 0:03:13 | |
where you can get a lot more for your money, and wherever you are, there's beautiful architecture. | 0:03:13 | 0:03:19 | |
Limestone is one of Derbyshire's most common building materials | 0:03:19 | 0:03:23 | |
and it's been quarried here since Roman times. | 0:03:23 | 0:03:26 | |
Its use has become increasingly popular | 0:03:26 | 0:03:29 | |
and the Peak District is now Britain's largest limestone producer. | 0:03:29 | 0:03:33 | |
Today, around 20 million tonnes are quarried annually, | 0:03:33 | 0:03:37 | |
so limestone properties are a common sight here. | 0:03:37 | 0:03:40 | |
And this two-bedroom cottage in Winster is currently on the market for £165,000. | 0:03:40 | 0:03:46 | |
Another distinctive building material seen throughout the county is sandstone. | 0:03:46 | 0:03:52 | |
Also quarried locally, it's been used in a wide range of houses from very grand crescents | 0:03:52 | 0:03:58 | |
to slightly more bijou properties. | 0:03:58 | 0:04:01 | |
If you'd like a slice of such wonderful architecture, | 0:04:01 | 0:04:04 | |
this three-bedroom, Grade 2 listed cottage also in Winster | 0:04:04 | 0:04:08 | |
could be yours for £197,000. | 0:04:08 | 0:04:10 | |
Reflecting the county's industrial heritage, | 0:04:10 | 0:04:13 | |
there are also many converted millworkers' cottages across Derbyshire | 0:04:13 | 0:04:18 | |
and this Grade 2 listed, one-bedroomed terrace in Cromford | 0:04:18 | 0:04:22 | |
is currently on the market for just over £102,000. | 0:04:22 | 0:04:26 | |
Limestone or sandstone, Victorian farmhouse or country cottage, it's all out there, | 0:04:26 | 0:04:31 | |
but what are our buyers today looking for? Let's meet them and find out. | 0:04:31 | 0:04:35 | |
Dwayne and his wife Samantha live in Walton-on-Thames in Surrey | 0:04:35 | 0:04:40 | |
and they like to live life to the full. | 0:04:40 | 0:04:42 | |
They both have successful careers. Dwayne is a management consultant | 0:04:42 | 0:04:46 | |
and Samantha a financial services director, | 0:04:46 | 0:04:49 | |
but it's not just work that makes these two high-flyers. | 0:04:49 | 0:04:53 | |
We sort of fly probably twice a month, possibly three times, | 0:04:53 | 0:04:58 | |
and you're quite a good navigator now, aren't you? | 0:04:58 | 0:05:02 | |
-Well, I'm getting there. -We've not infringed any airspace, which is always a good thing. | 0:05:02 | 0:05:07 | |
When they've not got their head in the clouds, our couple can often be seen motoring around the countryside | 0:05:07 | 0:05:13 | |
and it's the scenery they've encountered that has inspired them to leave the town once and for all. | 0:05:13 | 0:05:19 | |
We're both really drawn to the idea of living | 0:05:19 | 0:05:24 | |
in hills or near hills. | 0:05:24 | 0:05:26 | |
It's quite good now because where we are in our working careers, | 0:05:26 | 0:05:30 | |
we've got flexibility, we don't have to live in a specific area. | 0:05:30 | 0:05:35 | |
You can build your business from a local place | 0:05:35 | 0:05:38 | |
and I travel the country anyway, so it doesn't really matter where I'm based. | 0:05:38 | 0:05:44 | |
The location that has caught their imagination is Derbyshire. | 0:05:44 | 0:05:48 | |
The whole of the Peak District is very attractive to us as an area because we love the hills. | 0:05:48 | 0:05:53 | |
We did a little bit of an exploration, so Buxton was quite interesting. | 0:05:53 | 0:05:58 | |
That's a spa town with good architecture, but you can see the rolling hills in the background. | 0:05:58 | 0:06:04 | |
And Bakewell was quite interesting. | 0:06:04 | 0:06:06 | |
To be able to just wander out of the house | 0:06:06 | 0:06:10 | |
and start walking into the hills is really attractive for us, isn't it? | 0:06:10 | 0:06:15 | |
When it comes to the ideal house in the hills, our buyers have a very definite idea of what they want. | 0:06:15 | 0:06:21 | |
What's really important to us about the property is some character. | 0:06:21 | 0:06:25 | |
We love the idea of a period property, perhaps a much older property, | 0:06:25 | 0:06:30 | |
or even a barn conversion | 0:06:30 | 0:06:32 | |
that's got lots of beams, | 0:06:32 | 0:06:34 | |
an open fire and lots of character. | 0:06:34 | 0:06:38 | |
All that's left to nail down are their finances. | 0:06:38 | 0:06:42 | |
So the budget that we've got | 0:06:42 | 0:06:44 | |
for our new property is £400,000. | 0:06:44 | 0:06:48 | |
'Dwayne and Sam are particularly keen on living in the northern area of the Peak District, | 0:06:52 | 0:06:58 | |
'close to their favourite towns of Bakewell and Buxton. | 0:06:58 | 0:07:02 | |
'This is an expensive area though as there are fewer properties and they are highly sought after. | 0:07:02 | 0:07:07 | |
'I caught up with them to discover more about their rural move.' | 0:07:07 | 0:07:12 | |
-Welcome back to Derbyshire as you know this area quite well. -We do. | 0:07:12 | 0:07:16 | |
So, lovely houses we've got lined up for you, but tell us again what you're looking for exactly. | 0:07:16 | 0:07:21 | |
We're looking for a three-bedroom property. The downstairs living space is really important, | 0:07:21 | 0:07:27 | |
so the character, beams, fireplaces, and the flow of the property as well. | 0:07:27 | 0:07:33 | |
So I like the idea of higgledy-piggledy rooms that lead into each other. | 0:07:33 | 0:07:37 | |
So a period property, because period cottages, that's the sort of ballpark we're looking at, | 0:07:37 | 0:07:43 | |
don't tend to be hugely open-plan. | 0:07:43 | 0:07:46 | |
-No. -So is there some leeway there? -Yes, I think so. | 0:07:46 | 0:07:49 | |
I think you just know when you walk into a property whether it feels right, so we'll have a good idea... | 0:07:49 | 0:07:55 | |
Maybe you can get a sense of openness with a barn conversion with that character, | 0:07:55 | 0:08:01 | |
but I'm looking for an outside space for motorbikes and a projects room. That would be a good feature. | 0:08:01 | 0:08:08 | |
You've done quite a lot of renovation in properties before. Are you prepared to do a bit of work? | 0:08:08 | 0:08:13 | |
-Yes, definitely. -That's no problem. -We'd enjoy that. | 0:08:13 | 0:08:16 | |
The other important thing, because we both need an office from home, | 0:08:16 | 0:08:20 | |
would be to have space within the property where we can have a double office together | 0:08:20 | 0:08:26 | |
or two separate rooms in the property where we can both have offices. | 0:08:26 | 0:08:30 | |
What about outside space? You've got all this on your doorstep. Are you looking to have a big garden? | 0:08:30 | 0:08:36 | |
I think a huge garden is not necessarily a pre-requisite for us. | 0:08:36 | 0:08:40 | |
Some nice outside space where we can spend time would be lovely, | 0:08:40 | 0:08:43 | |
but as you rightly say, we've got all this on our doorstep. | 0:08:43 | 0:08:47 | |
-The nice thing is you don't have to garden this. -No. | 0:08:47 | 0:08:50 | |
So we've got some nice properties to show you. Let's go and see the first one. Follow me. | 0:08:50 | 0:08:56 | |
'For their maximum budget of £400,000, Dwayne and Sam are looking for a detached property.' | 0:08:56 | 0:09:02 | |
'We found three fabulous properties we think they'll find hard to resist, | 0:09:16 | 0:09:21 | |
'but I won't be revealing the price of each until they've had a guess. | 0:09:21 | 0:09:25 | |
'As ever, the last of these is the mystery house which is certainly not your average, run-of-the-mill home. | 0:09:25 | 0:09:31 | |
'For our first house, we're heading about five miles west of Bakewell to Monyash. | 0:09:35 | 0:09:40 | |
'This small village is in the hills and dales of the Peak District | 0:09:40 | 0:09:44 | |
'and it's a popular destination for walkers | 0:09:44 | 0:09:47 | |
'which is lucky as Dwayne and Sam are avid hikers. | 0:09:47 | 0:09:50 | |
'One of the village meeting points for keen walkers and even bikers is the local cafe, | 0:09:50 | 0:09:56 | |
'so we decided to have a chat with the owner to find out | 0:09:56 | 0:09:59 | |
'what makes this place so appealing for would-be escapees.' | 0:09:59 | 0:10:03 | |
What's going on in the village? What's the selling point for...? | 0:10:03 | 0:10:07 | |
There's always something happening. | 0:10:07 | 0:10:09 | |
There's lots of different walks, cyclists all over the place, but always something going on. | 0:10:09 | 0:10:15 | |
In terms of your clientele, do you get any bikers? | 0:10:15 | 0:10:18 | |
Lots of motorcyclists, yeah. | 0:10:18 | 0:10:21 | |
So it's a good place for motorcyclists? | 0:10:21 | 0:10:23 | |
Yeah, there's lots of different routes that they like to take | 0:10:23 | 0:10:28 | |
and they always cross over in the village. It's a central point. | 0:10:28 | 0:10:32 | |
'Well, we've seen the village, so let's go and view the first house which is just down the road.' | 0:10:32 | 0:10:38 | |
This is the house I want to show you. | 0:10:38 | 0:10:40 | |
-It's really pretty. -The first thing you'll notice is that it is attached. | 0:10:40 | 0:10:45 | |
-Yeah. -If you look round the village, they're all kind of rows of old stone cottages. | 0:10:45 | 0:10:51 | |
It dates back to the 1700s and it was actually three, | 0:10:51 | 0:10:55 | |
but two of them have been knocked together, | 0:10:55 | 0:10:58 | |
so it's really up here until that little jutting-out bit, that's the second property. | 0:10:58 | 0:11:04 | |
-First impressions, it's really lovely. -What do you feel about attached? You wanted detached. | 0:11:04 | 0:11:09 | |
In an ideal world, detached, but we're not averse to the idea of an attached property, are we? | 0:11:09 | 0:11:15 | |
No, not at all. This is in the zone definitely, yeah. | 0:11:15 | 0:11:19 | |
"In the zone"! | 0:11:19 | 0:11:21 | |
'The fact that this cottage is not detached has not seemed to put our buyers off. | 0:11:21 | 0:11:26 | |
'Let's see if they will remain open-minded once they get inside.' | 0:11:26 | 0:11:30 | |
Step inside. | 0:11:32 | 0:11:34 | |
-So we're coming in the back of the house as often happens in the countryside. -Yeah. | 0:11:34 | 0:11:40 | |
-Straight into the newest addition which is the sun room. -This is lovely, really light. | 0:11:40 | 0:11:45 | |
Let's have a look in the kitchen. | 0:11:45 | 0:11:47 | |
There is a light shift when you come from that very bright room into the kitchen. | 0:11:49 | 0:11:54 | |
-I like the beams. That's nice. -A good range there. | 0:11:54 | 0:11:57 | |
What about proportions? | 0:11:57 | 0:11:59 | |
I'm thinking this is a bit small. | 0:11:59 | 0:12:02 | |
I think it's probably a bit of a smaller kitchen than I would ideally like, | 0:12:02 | 0:12:08 | |
but it looks like it's very well put together. | 0:12:08 | 0:12:12 | |
Through here, there's quite a big utility room and downstairs toilet. | 0:12:12 | 0:12:16 | |
Then it flows straight into the sitting room. | 0:12:16 | 0:12:20 | |
Here you really get a sense of the period of the property. | 0:12:20 | 0:12:23 | |
-Oh, yes. -This is good, yeah. | 0:12:23 | 0:12:25 | |
That wall is gorgeous with the wooden beam. I love that. | 0:12:25 | 0:12:31 | |
-That's really nice. -The fireplace works as well. | 0:12:31 | 0:12:34 | |
-Proper working fireplace. -Yeah, great. -Lots of details. | 0:12:34 | 0:12:37 | |
-You've got this little salt larder to the side where they used to cure the meat. -Goodness! | 0:12:37 | 0:12:43 | |
Let's look upstairs because actually it's quite spacious upstairs. | 0:12:43 | 0:12:47 | |
'As we head to the first floor, we pass through the family dining room. | 0:12:47 | 0:12:51 | |
'Upstairs, there are a total of three double bedrooms | 0:12:51 | 0:12:55 | |
'with one currently being used as a study. | 0:12:55 | 0:12:58 | |
'There's also a large family bathroom, but now we're viewing the main bedroom.' | 0:12:58 | 0:13:03 | |
Oh, yeah, that's really nice! | 0:13:06 | 0:13:08 | |
-Good wardrobes. -Loads of wardrobe space. -There's lots of storage which is nice in a period property. | 0:13:08 | 0:13:15 | |
-Good-sized room as well, I think, nice proportions. -Yeah. | 0:13:15 | 0:13:19 | |
-I'll let you explore all the rooms a bit later, but let's go outside and talk about money. -OK. | 0:13:19 | 0:13:25 | |
'Out here, there's a garage which is next to a pretty landscaped garden | 0:13:28 | 0:13:32 | |
'and it's all surrounded by stunning countryside.' | 0:13:32 | 0:13:36 | |
Well, first off, look at the views! | 0:13:37 | 0:13:39 | |
-Yeah. -That's fantastic. -We promised you views. You get your views. | 0:13:39 | 0:13:44 | |
That is really lovely. | 0:13:44 | 0:13:46 | |
You've got your work cut out to keep this garden up to scratch, Samantha, | 0:13:46 | 0:13:50 | |
-because it is a beautifully maintained garden. -It is, isn't it? | 0:13:50 | 0:13:54 | |
What do you think from the outside? What are your thoughts about the potential here? | 0:13:54 | 0:13:59 | |
-My overall feeling is it's just a little bit... -Squishy. -..small. | 0:13:59 | 0:14:04 | |
You are the great renovators, so are you thinking about expanding it in any way? | 0:14:04 | 0:14:10 | |
There's potential there. It depends on how much it costs | 0:14:10 | 0:14:13 | |
because that gives us our budget if we did that sort of thing. | 0:14:13 | 0:14:17 | |
So what do you think it does cost? | 0:14:17 | 0:14:19 | |
I'm going to take a guess at...365,000. | 0:14:19 | 0:14:25 | |
Mm-hm. What about you, Dwayne? | 0:14:25 | 0:14:28 | |
I'm going to go a bit lower than that. I'm going to go 335. | 0:14:28 | 0:14:31 | |
335. OK, well, you're both a bit optimistic. | 0:14:31 | 0:14:36 | |
This is on the market just over your budget at 415. | 0:14:36 | 0:14:40 | |
Oh, right, OK. | 0:14:40 | 0:14:42 | |
Monyash is a very popular village. | 0:14:42 | 0:14:44 | |
-She's open to offers, so you might get it within your budget, but it's at the top end of your budget. -OK. | 0:14:44 | 0:14:50 | |
It might not be the property for you, but I'll give you more time to look around inside and outside. | 0:14:50 | 0:14:56 | |
-I'll meet you out the front, then we can press on to the next one. -OK. -In you go. | 0:14:56 | 0:15:01 | |
That's always a barometer, what people guess. | 0:15:01 | 0:15:05 | |
It's usually code for how much they like it, | 0:15:05 | 0:15:08 | |
so it could be a bit of an ambivalent one, this one, | 0:15:08 | 0:15:12 | |
but we'll see what their feedback is. Have a listen. | 0:15:12 | 0:15:16 | |
On the market at £415,000, this cottage is just over their budget. | 0:15:16 | 0:15:22 | |
From the outside, it's really nice. | 0:15:33 | 0:15:35 | |
I think it's got the sort of stone construction that we are looking for | 0:15:35 | 0:15:39 | |
and the conservatory is really nice as well, a great entertaining area. | 0:15:39 | 0:15:44 | |
Given the budget, I think, for myself, probably not a real contender at this point in time. | 0:15:44 | 0:15:52 | |
I thought it was a really pretty house. I think the character of the house is fantastic. | 0:15:52 | 0:15:57 | |
And the way it's been decorated and lived in looks absolutely lovely, | 0:15:57 | 0:16:02 | |
so that fits for us really well. | 0:16:02 | 0:16:04 | |
-Are you done? -We are. -All happy? -Yeah, very interesting. | 0:16:04 | 0:16:08 | |
"Interesting" is what we like to hear. That's property one done. | 0:16:08 | 0:16:12 | |
-Let's go and look at house number two. -OK. | 0:16:12 | 0:16:15 | |
Nestled in the Derwent Valley in the foothills of the Peak District is the historic village of Hathersage. | 0:16:22 | 0:16:29 | |
This ancient setting, cocooned by miles of moorland, | 0:16:29 | 0:16:33 | |
is thought to have been the inspiration for Morton, | 0:16:33 | 0:16:36 | |
the fictional village of Charlotte Bronte's novel Jane Eyre. | 0:16:36 | 0:16:40 | |
Here, dramatic rock formations like the Higger Tor and the hill fort at Carl Wark | 0:16:40 | 0:16:45 | |
make these moors a particular draw for walkers and climbers. | 0:16:45 | 0:16:49 | |
But the unpredictable landscape and isolation here | 0:16:49 | 0:16:53 | |
means you can sometimes encounter problems when walking these routes, especially if you're ill-prepared. | 0:16:53 | 0:16:59 | |
The Edale Mountain Rescue Team was formed in the 1950s | 0:16:59 | 0:17:02 | |
to come to the aid of stranded and injured walkers | 0:17:02 | 0:17:06 | |
and as our buyers are extremely keen to explore the area on foot, | 0:17:06 | 0:17:11 | |
we arranged for them to meet volunteer rescuer, Trevor Lawton. | 0:17:11 | 0:17:15 | |
So what's the most common call-out the team gets? | 0:17:15 | 0:17:18 | |
The most common injuries we deal with are lower leg fractures, which are mainly walkers. | 0:17:18 | 0:17:23 | |
-Is it a 24/7 service? -Yes. Everybody on the call-out list is on call. | 0:17:23 | 0:17:27 | |
Over the last 12 years, this team has been called out to around 900 incidents, | 0:17:27 | 0:17:33 | |
making them one of the busiest crews in the UK. | 0:17:33 | 0:17:37 | |
Team members perform training sessions regularly | 0:17:37 | 0:17:39 | |
in order to refresh and improve their first-aid and rescue skills. | 0:17:39 | 0:17:43 | |
Most of the volunteers are already members of the emergency services | 0:17:43 | 0:17:48 | |
which is invaluable experience as Dwayne and Sam are about to find out | 0:17:48 | 0:17:52 | |
as they watch a training exercise take place. | 0:17:52 | 0:17:55 | |
OK, what you see happening now is the first two people that have come in to sort out the casualty. | 0:17:55 | 0:18:02 | |
Pippa is holding the head because this person has fallen ten feet | 0:18:02 | 0:18:06 | |
and Judith is just assessing to see what injuries the casualty has. | 0:18:06 | 0:18:11 | |
There's quite a lot of kit they use. | 0:18:11 | 0:18:14 | |
This is why we need so many people, 12 to 15 people for a normal carry just a short distance. | 0:18:14 | 0:18:19 | |
How long would it take to get him out of here, do you think? | 0:18:19 | 0:18:23 | |
To the road, probably about an hour. | 0:18:23 | 0:18:25 | |
From getting the call, getting here, getting him out, an hour to an hour and a half. | 0:18:25 | 0:18:30 | |
The casualty is nicely packaged now into all our equipment that we've got here. | 0:18:30 | 0:18:35 | |
They're in a vacuum mattress which keeps them nice and secure for the carry which will be quite tricky. | 0:18:35 | 0:18:41 | |
They'll carry now to the road head where, hopefully, we'll have an ambulance waiting | 0:18:41 | 0:18:46 | |
or an air ambulance, depending on what's available, that will have landed somewhere close. | 0:18:46 | 0:18:52 | |
With the exercise coming to an end, it's time to leave these hills behind | 0:18:52 | 0:18:56 | |
as we head back to our property search. | 0:18:56 | 0:18:59 | |
'We're travelling around 11 miles south-east of Munyash to the village of Winster. | 0:19:02 | 0:19:07 | |
'This former lead-mining district is full of charm, as well as history. | 0:19:09 | 0:19:13 | |
'The centre of the village is a designated conservation area and boasts notable buildings, | 0:19:13 | 0:19:19 | |
'such as the Tudor Winster Market House. | 0:19:19 | 0:19:22 | |
'It was the first property the National Trust acquired in the Peak District back in 1906 | 0:19:22 | 0:19:27 | |
'and it's a reminder of a time | 0:19:27 | 0:19:29 | |
'when the weekly market of locally produced goods took pride of place in village life. | 0:19:29 | 0:19:34 | |
'Our second property is a true rural retreat | 0:19:34 | 0:19:37 | |
'and is a former mineworker's cottage in a lovely, secluded setting.' | 0:19:37 | 0:19:42 | |
So a long way down...a drive | 0:19:42 | 0:19:46 | |
into a much more secluded place | 0:19:46 | 0:19:49 | |
-and actually two properties next to each other. -Yes. | 0:19:49 | 0:19:52 | |
-This is the one that we want to show you. -Wow! -Oh, my goodness! | 0:19:52 | 0:19:57 | |
-That is a proposition! -That looks really, really interesting. -Yeah. | 0:19:57 | 0:20:02 | |
Just at the bottom of this section of this dry-stone wall, there's a footpath that goes up this hill. | 0:20:02 | 0:20:08 | |
It's 100 metres, then you come into the middle of the village. | 0:20:08 | 0:20:12 | |
-You see the top of the buildings through the trees, so it feels more isolated than it actually is. -Yeah. | 0:20:12 | 0:20:18 | |
-Shall we take a peek inside? -Definitely! -Look at their faces! | 0:20:18 | 0:20:23 | |
'This limestone cottage has caught Dwayne and Sam's imagination. | 0:20:23 | 0:20:27 | |
'Let's hope we can keep them intrigued as we head inside.' | 0:20:27 | 0:20:31 | |
So come on in. | 0:20:33 | 0:20:35 | |
-Ooh! -Just see what you think. | 0:20:36 | 0:20:39 | |
-Oh, yeah, yeah, this is nice. -Oh, this is lovely. | 0:20:39 | 0:20:43 | |
Oh, lots of "yeah, yeahs". | 0:20:43 | 0:20:46 | |
It's a real country cottage kitchen. | 0:20:46 | 0:20:48 | |
-Yeah. -With lots of character. | 0:20:48 | 0:20:50 | |
The kitchen is one of the newer parts. | 0:20:50 | 0:20:53 | |
The old parts have got lovely features. | 0:20:53 | 0:20:56 | |
-Take a look at these wonderful tiles. -Fabulous, aren't they? -Look at this. | 0:21:00 | 0:21:05 | |
This is again an original feature, almost certainly of the period. | 0:21:05 | 0:21:09 | |
It's a baker's oven, so you light the fire in here. And they do light this in the winter. | 0:21:09 | 0:21:15 | |
These ovens on the other side get hot enough to bake in. | 0:21:15 | 0:21:18 | |
-Right. -That's great, isn't it? -That's good. | 0:21:18 | 0:21:21 | |
This is the main sitting room which is again very charming. | 0:21:21 | 0:21:25 | |
-So, here we are, sitting room. -Oh, yeah, lovely room. | 0:21:25 | 0:21:29 | |
-And a great beam. -Yeah, that's an old ship's mast. | 0:21:29 | 0:21:33 | |
In the original deeds, it's listed as a ship's mast. | 0:21:33 | 0:21:36 | |
Oh, goodness! I think this house has got a lot of appeal. | 0:21:36 | 0:21:41 | |
-Good. Well, we haven't finished yet. Let's look upstairs. -OK. | 0:21:41 | 0:21:44 | |
'Just off this dining area is another space that could be used as either a bedroom or study, | 0:21:48 | 0:21:54 | |
'but we're now going to take a peek at where they could be sleeping.' | 0:21:54 | 0:21:58 | |
This is what they're using as the master bedroom. | 0:21:58 | 0:22:03 | |
-See this great view over to Matlock. -Oh, that's lovely, isn't it? | 0:22:03 | 0:22:07 | |
Yeah. | 0:22:07 | 0:22:08 | |
-This is a nice-sized room. -This is really nice. -Dual aspect. | 0:22:08 | 0:22:13 | |
-It's very light. -Again, it's surprising in an old building to have all this space upstairs. | 0:22:13 | 0:22:19 | |
-It fits well. -This is a really spacious bedroom. | 0:22:19 | 0:22:22 | |
'There are two other bedrooms up here, which are light and airy, and a good-sized family bathroom. | 0:22:22 | 0:22:29 | |
'Moving outside, you can fully appreciate the beautiful setting. | 0:22:29 | 0:22:33 | |
'Out here you'll find a good-sized garden with a timber store, a shed | 0:22:33 | 0:22:37 | |
'and there's also space for a greenhouse.' | 0:22:37 | 0:22:41 | |
-You actually own more than two acres of land. -Really? -That's very good. | 0:22:41 | 0:22:47 | |
But then behind, your land continues basically up the hillside | 0:22:47 | 0:22:52 | |
and then right down to where we came in, in a way. | 0:22:52 | 0:22:56 | |
So you basically have this huge tranche of woodland. | 0:22:56 | 0:23:00 | |
Goodness! I wasn't expecting that. | 0:23:00 | 0:23:03 | |
-I'm pretty drawn to this place. -Well, how much do you think it costs? | 0:23:03 | 0:23:08 | |
I would say just over our budget. I'm going to go 405, 410. | 0:23:08 | 0:23:13 | |
I think maybe just a little bit higher, so I would guess 420,000. | 0:23:14 | 0:23:20 | |
Well, this time you were both a bit pessimistic. | 0:23:20 | 0:23:24 | |
-Actually, this is on the market at £399,950. -Wow! -Really? -So a smidge under your budget. | 0:23:24 | 0:23:31 | |
-Go back in for a look, then wander round the grounds. -OK. -And I'll see you on the drive. | 0:23:31 | 0:23:37 | |
'That was a welcome surprise for Dwayne and Sam with this charming cottage coming in just under budget. | 0:23:40 | 0:23:47 | |
'It has a large sitting room, a farmhouse-style kitchen with a range cooker, | 0:23:47 | 0:23:52 | |
'three bedrooms with potential for a fourth on the ground floor, | 0:23:52 | 0:23:56 | |
'and it's all set in a pretty walled garden with two acres of woodland.' | 0:23:56 | 0:24:01 | |
So coming down that long pathway and finding this house here just tucked into the hillside | 0:24:01 | 0:24:09 | |
is really lovely. | 0:24:09 | 0:24:12 | |
And the fact that there is two acres of woodland | 0:24:12 | 0:24:16 | |
was a great surprise. | 0:24:16 | 0:24:19 | |
I think for me the big challenge with this house is the location. | 0:24:19 | 0:24:24 | |
That's quite a long drive and I think in winter that could become a problem for us. | 0:24:24 | 0:24:31 | |
-Hey, guys. Seen everything you need to see? -Yeah, lots to see. | 0:24:33 | 0:24:37 | |
Lots to think about. Let's give you some space to think and take you away from the properties. | 0:24:37 | 0:24:43 | |
As the sun begins to set across the Derbyshire countryside, | 0:24:51 | 0:24:55 | |
our buyers get the chance to take some time out to reflect on their first day of house hunting. | 0:24:55 | 0:25:01 | |
'With a maximum budget of £400,000, Dwayne and Sam from Walton-on-Thames in Surrey are hoping | 0:25:06 | 0:25:12 | |
'to break free from suburbia and settle in the heart of the Derbyshire countryside. | 0:25:12 | 0:25:18 | |
'So far we've shown them two lovely properties and while Sam has taken to the surroundings, | 0:25:18 | 0:25:25 | |
'Dwayne has remained rather pragmatic. But can our mystery house finally create a shared vision?' | 0:25:25 | 0:25:31 | |
Wow! | 0:25:31 | 0:25:32 | |
-Oh, this is a lovely room. -'And I discover how girl power ensured the future | 0:25:32 | 0:25:38 | |
'of one of Derbyshire's most stately homes.' There she is. That's the famous painting. | 0:25:38 | 0:25:44 | |
Slightly showery weather for house hunting today, but generally I was very pleased | 0:25:47 | 0:25:52 | |
with Samantha and Dwayne's responses to the first two stone-built properties. | 0:25:52 | 0:25:57 | |
Samantha positive, Dwayne playing his cards closer to his chest. | 0:25:57 | 0:26:01 | |
He was a bit worried about how remote the second house was. | 0:26:01 | 0:26:04 | |
The mystery house? Very different proposition. The one thing it does give them is community. | 0:26:04 | 0:26:11 | |
So how are you feeling today about our property search? | 0:26:16 | 0:26:20 | |
Could this be maybe a new build, but with traditional features? | 0:26:20 | 0:26:24 | |
A barn conversion. We said we quite liked the idea of that, so that might be nice. | 0:26:24 | 0:26:30 | |
I'm getting the impression that actually the period aspect is less important than the flow aspect. | 0:26:30 | 0:26:36 | |
-Is that fair to say? -Yeah, I think so. It's all about space and being able to move freely. | 0:26:36 | 0:26:42 | |
If we get the period features, that's a bonus. | 0:26:42 | 0:26:46 | |
'We're travelling to the other side of the county, close to the town of Buxton, for our mystery house. | 0:26:46 | 0:26:52 | |
'Built on the River Wye and overlooked by Axe Edge Moor, Buxton has a long history as a spa town | 0:26:52 | 0:26:58 | |
'thanks to its geothermal spring, which rises at a constant temperature of 29 degrees Celsius. | 0:26:58 | 0:27:04 | |
'One of the most important periods in Buxton's history occurred in 1780 | 0:27:04 | 0:27:09 | |
'when the Fifth Duke of Devonshire began the construction of the town's crescent. | 0:27:09 | 0:27:14 | |
'Costing what was a huge sum then of £38,000, it took some ten years to come to fruition. | 0:27:14 | 0:27:21 | |
'Our mystery house is around 13 miles east of Buxton and also has connections with water. | 0:27:21 | 0:27:27 | |
'As usual, we're taking a bit of a risk because with this property | 0:27:27 | 0:27:31 | |
'Dwayne and Sam will really have to get their heads around the idea of sharing.' | 0:27:31 | 0:27:37 | |
Here it is. The mystery house. | 0:27:37 | 0:27:40 | |
Oh, wow! Look at that. | 0:27:40 | 0:27:42 | |
-That's fantastic. That is impressive. -You mentioned a barn conversion. They don't do them here, | 0:27:42 | 0:27:49 | |
but they do do very good mill conversions. | 0:27:49 | 0:27:53 | |
-This is amazing. -It's a really impressive piece of mill and house. | 0:27:53 | 0:27:58 | |
It's a proper slice of Industrial Revolution history. It's a Richard Arkwright mill. | 0:27:58 | 0:28:04 | |
He built a whole chain of mills along the rivers in this area. | 0:28:04 | 0:28:08 | |
It dates back to about the 1780s. Our bit is right at the end. | 0:28:08 | 0:28:13 | |
The extension. That's the accounting house for the mill. It's the last two windows. | 0:28:13 | 0:28:19 | |
-There are two town houses. Yours is the one on the right. -Very good. -What about communal living? | 0:28:19 | 0:28:25 | |
-Obviously, it's a great big converted block. -We wanted a bit of a community, | 0:28:25 | 0:28:30 | |
so we'd be a part of whoever's here. So that's encouraging. | 0:28:30 | 0:28:34 | |
-Very keen to have a look inside. -I really like it. -Let's go and look inside. | 0:28:34 | 0:28:40 | |
'On first impressions, it seems the idea of sharing their space could be right up Dwayne and Sam's street. | 0:28:40 | 0:28:46 | |
'Let's see if we can keep the momentum on the inside.' | 0:28:46 | 0:28:51 | |
Slightly unusual to start in a room like this, but it's an upside down house. Three bedrooms on this floor | 0:28:51 | 0:28:59 | |
and a lovely big family bathroom. But we were thinking this room would be a nice office. | 0:28:59 | 0:29:04 | |
-Yeah. -Yeah. | 0:29:04 | 0:29:06 | |
Obviously, it's upside down for a reason, which you're about to discover. | 0:29:06 | 0:29:12 | |
'Now we're heading for the living space on the first floor.' | 0:29:12 | 0:29:18 | |
-Wow. -Oh, this is a lovely room. | 0:29:23 | 0:29:27 | |
-Really lovely. -Four aspects. Well, four windows. -Four windows. | 0:29:27 | 0:29:31 | |
Basically, the walls are windows. And no wonder. Look. | 0:29:31 | 0:29:35 | |
-Well, that's a view, without a doubt. -The Wye Valley. | 0:29:35 | 0:29:39 | |
-I love the window seats, too. -Yeah. -I could see myself sitting there, having a cup of tea | 0:29:39 | 0:29:46 | |
-and looking up at the hills. -It's a great mix of old and new. | 0:29:46 | 0:29:50 | |
A modern living space in this very beautiful old building. | 0:29:50 | 0:29:55 | |
We thought, judging by your responses to the old cottages, | 0:29:55 | 0:29:59 | |
that this might be more in tune with what you were looking for. | 0:29:59 | 0:30:03 | |
-Good. -Smiles? -Yes. -Yes. | 0:30:03 | 0:30:06 | |
Bright eyes. Let's have a look at the kitchen. It's next door. | 0:30:06 | 0:30:11 | |
Here we are. A lovely sunny room as well. | 0:30:13 | 0:30:17 | |
-Yeah, nice. -Oh, lovely. -Very well finished. | 0:30:17 | 0:30:22 | |
Yeah, this is a great space, isn't it? And the flow. Just the simple walkthrough. | 0:30:22 | 0:30:27 | |
-It really works well. -It's got the flow. -It has. -The magic flow. | 0:30:27 | 0:30:32 | |
-I think it really works having the upside down. -Yes. -Here you've got the back door that goes out | 0:30:32 | 0:30:39 | |
-and that actually goes out onto the street. -Uh-huh. -Oh, OK. | 0:30:39 | 0:30:43 | |
-It's multi-level. -This is a great sociable room. Cooking, people sat there drinking. | 0:30:43 | 0:30:49 | |
-That's nice, I think. -I really like this room. -Yeah. | 0:30:49 | 0:30:53 | |
-And this flooring just works all the way through, for a sense of uniformity. -Yeah. -Good. | 0:30:53 | 0:31:00 | |
-You might be wondering where you sleep. -I was wondering that. -Come with me. | 0:31:00 | 0:31:05 | |
'A space to sleep is always high on the agenda, so it's up another flight of stairs to the mezzanine.' | 0:31:05 | 0:31:12 | |
-Oh, very cute stairs. -Did you say cute stairs? | 0:31:12 | 0:31:16 | |
-Even cuter, en-suite. -Oh, yes! | 0:31:17 | 0:31:22 | |
-Yeah, that's great. -That's really nice. -That works. | 0:31:22 | 0:31:25 | |
Then you step over this very industrial beam. You'd have to get used to that. | 0:31:25 | 0:31:31 | |
-And here we have... -Oh! So you can see over to the lounge. -It's the mezzanine. -Right. | 0:31:31 | 0:31:37 | |
-It's built up above the sitting room. -Yeah. | 0:31:37 | 0:31:41 | |
Again, unusual character. | 0:31:41 | 0:31:44 | |
-Yeah. -But a nice space, definitely. I think that's why it's got the flow. It's so open. -It is open. | 0:31:44 | 0:31:50 | |
-That's really, really nice. -Yeah. | 0:31:50 | 0:31:54 | |
-What do you feel about the mezzanine bedroom? Not everybody's mad keen on that. -No. I should think | 0:31:54 | 0:32:00 | |
-if you've got a busy house, it could be quite a challenge, but for us... -No, that works. | 0:32:00 | 0:32:06 | |
Again, not something we considered or have had before, but great feature. | 0:32:06 | 0:32:12 | |
Well, that's the inside. Now outside, obviously, it's communal living so there are issues. | 0:32:12 | 0:32:18 | |
-Let's go and have a chat about that. -OK. -Mind the big beam. Head on down. | 0:32:18 | 0:32:24 | |
'Dwayne and Sam are clearly very keen on this house, but what will they make of the shared gardens?' | 0:32:27 | 0:32:34 | |
So here we have the heart of the mill. There was a giant - up to the first floor - mill wheel | 0:32:34 | 0:32:40 | |
in that housing there. A wooden one. | 0:32:40 | 0:32:44 | |
-At the turn of the 20th century, they put in this proper steel turbine. -Yeah. | 0:32:44 | 0:32:50 | |
That really does it for me. A nice bit of industrial archaeology and history. Very nice. | 0:32:50 | 0:32:57 | |
In terms of your garden, though, Samantha, this is it. | 0:32:57 | 0:33:02 | |
-There is no private garden with the property. -OK. | 0:33:02 | 0:33:06 | |
-So that means I don't have to do any gardening. -It means that. -But still enjoy all of this. -Yes. | 0:33:06 | 0:33:13 | |
There is a service charge. It is a communal space, so you pay £760 a year. | 0:33:13 | 0:33:19 | |
-Mm-hm. -OK. -But it's a very substantial plot. | 0:33:19 | 0:33:22 | |
You've got all this stuff by the waterside, a bowling green, | 0:33:22 | 0:33:27 | |
-a games room, football pitch. -Yeah? -Gym. -There's a gym here? | 0:33:27 | 0:33:32 | |
-Yeah. -All of that's for £760...? -Yeah. It's not too bad. -A good return. | 0:33:32 | 0:33:37 | |
-Obviously, it is a leasehold property. -And how long is the lease? | 0:33:37 | 0:33:43 | |
-About 118 years, so a good long while. -OK. -Long enough. | 0:33:43 | 0:33:48 | |
-Yeah, long enough for us, isn't it? -What about the price? What do you think it's on the market for? | 0:33:48 | 0:33:54 | |
-Oh, wow... -It's tricky. -It's really hard, isn't it? | 0:33:54 | 0:33:57 | |
I think this is going to be more than our budget. So I'm going to take a guess at... | 0:33:57 | 0:34:04 | |
£450,000. | 0:34:04 | 0:34:07 | |
I'll go 425. | 0:34:07 | 0:34:09 | |
It's on the market for... | 0:34:09 | 0:34:12 | |
-£400,000. -Ah, right! | 0:34:12 | 0:34:15 | |
-Really? -Yeah. -That's a surprise. | 0:34:15 | 0:34:18 | |
-Gosh. -Spot-on. | 0:34:18 | 0:34:20 | |
-On the money. -Yeah. Indeed. | 0:34:20 | 0:34:22 | |
-£400,000? -Yeah. -I like that price! | 0:34:22 | 0:34:26 | |
Maybe have a look around. If you go down there, you can see the space and take in the architecture. | 0:34:26 | 0:34:31 | |
-I'll see you out the front. -OK. | 0:34:31 | 0:34:34 | |
It was a risky proposition because it wasn't what they asked for, | 0:34:36 | 0:34:41 | |
but if you're going to live in Derbyshire and you want a bit of character, | 0:34:41 | 0:34:46 | |
this is character. | 0:34:46 | 0:34:49 | |
On the market for £400,000, this townhouse has certainly caught the interest of our buyers. | 0:34:50 | 0:34:56 | |
It has a stunning sitting room with exposed timber beams, | 0:34:56 | 0:35:00 | |
a spacious bespoke kitchen, | 0:35:00 | 0:35:03 | |
four double bedrooms including a master with an en-suite situated on the mezzanine | 0:35:03 | 0:35:08 | |
and it's surrounded by countryside with direct access to walking and cycling tracks. | 0:35:08 | 0:35:14 | |
Well, when we arrived at the mystery house, it was just breathtaking. | 0:35:14 | 0:35:18 | |
Just coming round that corner and seeing the facade of the mill house was really amazing. | 0:35:18 | 0:35:25 | |
When we came inside, it didn't disappoint at all. I liked the dual aspect of the character of it, | 0:35:25 | 0:35:32 | |
coupled with the modern aspect and lightness. When we found out the price of the house, | 0:35:32 | 0:35:38 | |
we were both pleasantly surprised. | 0:35:38 | 0:35:41 | |
We definitely need to go away and have a conversation about it. | 0:35:41 | 0:35:45 | |
There's so much to think about in terms of the communal aspect and not having a garden or garage, | 0:35:45 | 0:35:51 | |
which is quite important. We need to think about whether those things will still work. | 0:35:51 | 0:35:58 | |
Well, the setting for the mystery house is excellent. | 0:35:58 | 0:36:02 | |
It's everything that we were looking for in terms of the geography, the views out the windows. | 0:36:02 | 0:36:09 | |
The way the house is set is pretty much spot-on. | 0:36:09 | 0:36:14 | |
The shared space is good also. The sense of community would work well for us. | 0:36:14 | 0:36:20 | |
British summer continues. Charming(!) | 0:36:22 | 0:36:25 | |
-It's still raining. -Still raining. | 0:36:25 | 0:36:27 | |
I'm going to get you somewhere warm and dry so you can mull over all the properties we've shown you. | 0:36:27 | 0:36:33 | |
Often dubbed the palace of the Peak District, | 0:36:41 | 0:36:45 | |
Chatsworth House is one of England's most impressive stately homes. | 0:36:45 | 0:36:50 | |
Since the 1690s, it's been home to the Dukes of Devonshire | 0:36:50 | 0:36:54 | |
and has been passed down through 16 generations of the Cavendish family. | 0:36:54 | 0:36:59 | |
It's not just been men at the forefront of its remarkable history. | 0:36:59 | 0:37:03 | |
I've come to meet Christine Robinson, Chatsworth's head housekeeper for over 35 years, | 0:37:03 | 0:37:08 | |
to find out how this place became an incredible seat of female power. | 0:37:08 | 0:37:13 | |
One thing I'm interested in particularly is the powerful women that this estate seems to have bred. | 0:37:13 | 0:37:19 | |
-At a time when women didn't have much power, there have been really strong women here. -There have. | 0:37:19 | 0:37:26 | |
The first one was Bess of Hardwick, Elizabeth Cavendish. She was a very shrewd woman. | 0:37:26 | 0:37:33 | |
-She married four times. Each husband was wealthier than the one before. -Canny! | 0:37:33 | 0:37:38 | |
Husband number two was William Cavendish, who came from Suffolk. | 0:37:38 | 0:37:43 | |
He'd been a commissioner for Henry VIII, acquired land all over the country. She got him to sell that | 0:37:43 | 0:37:49 | |
-and buy land in Derbyshire. -The nucleus of the Chatsworth Estate. -It is here now. | 0:37:49 | 0:37:54 | |
And this house was built when? | 0:37:54 | 0:37:56 | |
This house was built at the end of the 1600s, early 1700s, by the First Duke of Devonshire. | 0:37:56 | 0:38:03 | |
'Moving forward to the mid-1700s, the Duchess here at Chatsworth was Georgiana Spencer, | 0:38:03 | 0:38:08 | |
'who in 1774 married the Fifth Duke of Devonshire. She was renowned for her charm and fashion sense.' | 0:38:08 | 0:38:16 | |
-There she is. -Yes, Georgiana. -That's the famous painting. | 0:38:17 | 0:38:21 | |
It's painted by Gainsborough. So quite a stunning picture with her trademark hat. | 0:38:21 | 0:38:27 | |
She was one for flamboyant hats and a real trendsetter in her day. | 0:38:27 | 0:38:31 | |
She did a lot of unusual things. for a woman of her day. | 0:38:31 | 0:38:35 | |
-Because, perhaps, she lacked the affection at home she'd have liked... -She'd a lousy marriage. | 0:38:35 | 0:38:41 | |
She didn't have a very happy marriage and she became involved in politics. | 0:38:41 | 0:38:45 | |
She was passionate about education for poorer people. | 0:38:45 | 0:38:48 | |
There was a lot more to her than a woman of fashion, although she did set the trend with these hats. | 0:38:48 | 0:38:55 | |
-Spinning forward again, we've got the Dowager Duchess. -She had an incredible influence on Chatsworth, | 0:38:55 | 0:39:02 | |
with her husband the 11th Duke. When they took over in 1950, they had to pay 80% of everything | 0:39:02 | 0:39:08 | |
they owned in death duties. Some things had to be sold, but they were very shrewd and careful. | 0:39:08 | 0:39:15 | |
It was the drive of the Dowager Duchess, as she is now, that made the house what it is today. | 0:39:15 | 0:39:23 | |
'We're now heading to the library, which is not usually open to the public | 0:39:23 | 0:39:28 | |
'as it is still used on a daily basis by the Dowager Duchess' son, the current Duke of Devonshire. | 0:39:28 | 0:39:35 | |
'He is the 12th Duke and continues his mother's legacy of preserving the family home | 0:39:35 | 0:39:40 | |
-'and its unique contents.' -There is a fine line between being businesslike and succeeding. | 0:39:40 | 0:39:46 | |
Chatsworth has succeeded in keeping its integrity and an awful lot of that is down to her | 0:39:46 | 0:39:53 | |
and the way in which she's influenced her son. The current Duke has always been closely involved | 0:39:53 | 0:40:00 | |
with the management side of things, so he's had a really good grounding from a very good teacher. | 0:40:00 | 0:40:07 | |
'The story of Chatsworth's ladies has spanned many centuries, but even today it's still clear | 0:40:07 | 0:40:13 | |
'to see why they remain such prominent figures in its history.' | 0:40:13 | 0:40:16 | |
Probably a little over Samantha and Dwayne's budget, but let's leave this splendour behind | 0:40:21 | 0:40:27 | |
and go and meet up with the guys and find out what they think. | 0:40:27 | 0:40:33 | |
So if it's OK, we'll go through the three houses. It's always nice to hear your thoughts about them. | 0:40:36 | 0:40:42 | |
The first property was right in the heart of a very popular village. What do you think? | 0:40:42 | 0:40:48 | |
I think it was a very nice house, very traditional. | 0:40:48 | 0:40:52 | |
It had the sort of period features that we thought we wanted. | 0:40:52 | 0:40:57 | |
There's no question it was a beautiful house and it felt really nice to walk around. | 0:40:57 | 0:41:03 | |
I think there would have been a compromise or two in terms of the third bedroom | 0:41:03 | 0:41:09 | |
becoming a study, although we could have done that. | 0:41:09 | 0:41:12 | |
The other option was putting the study outside, | 0:41:12 | 0:41:16 | |
above or next to the garage, which could also have worked. | 0:41:16 | 0:41:20 | |
Either way, it would have been a compromise of one sort or another. | 0:41:20 | 0:41:25 | |
What about house number two? Much more embedded in the landscape. | 0:41:25 | 0:41:28 | |
Quite an isolated position, a long drive to the house. | 0:41:28 | 0:41:32 | |
The views were great, but again lots of rooms going off rooms. | 0:41:32 | 0:41:36 | |
It didn't really have that flow that we were looking for. | 0:41:36 | 0:41:40 | |
I think it had a lot to give and a lot of potential, | 0:41:40 | 0:41:45 | |
but I think, on reflection, when we looked at the price of the property | 0:41:45 | 0:41:50 | |
and what we would need to do to make it our own, it came out a little too much over budget. | 0:41:50 | 0:41:57 | |
The mystery house, also down a valley, that seemed to please you enormously. | 0:41:57 | 0:42:04 | |
That was a totally different proposition. A really nice surprise. | 0:42:04 | 0:42:09 | |
Yes, the house had a serenity and a calmness that really appealed to me. | 0:42:09 | 0:42:16 | |
-I think in my head I've probably already moved in. -Well, that's what we like to hear! What next, then? | 0:42:16 | 0:42:22 | |
-Would you put an offer on? -I would definitely revisit | 0:42:22 | 0:42:25 | |
and make some more inquiries. There's things about the garage and the lease and the communal gardens, | 0:42:25 | 0:42:32 | |
-but certainly worth more investigation and discussion. -Yes. -Good. | 0:42:32 | 0:42:37 | |
I very much hope that you pursue it and, ideally, move in, | 0:42:37 | 0:42:42 | |
-but whatever happens, it's been a real pleasure showing you round. -Thank you. We've had a lovely week. | 0:42:42 | 0:42:49 | |
It's testament to Derbyshire's good bones that even in a shroud of drizzle, it still looks beautiful. | 0:42:53 | 0:42:59 | |
Sunshine or rain, it doesn't seem to have dampened Dwayne and Samantha's enthusiasm for moving here, | 0:42:59 | 0:43:05 | |
particularly into that little slice of the Industrial Revolution. | 0:43:05 | 0:43:09 | |
If you've enjoyed our jaunt up here, join us for more next time on Escape To The Country. | 0:43:09 | 0:43:14 | |
If you'd like to escape to the country in Scotland, Wales, Northern Ireland or England and want help, | 0:43:14 | 0:43:19 | |
please apply online: | 0:43:19 | 0:43:22 | |
Subtitles by Red Bee Media Ltd | 0:43:39 | 0:43:42 |