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Welcome to Escape To The Country. Today I'm in a region that's home to these furry fellows. | 0:00:02 | 0:00:05 | |
To you or I, they're just sheep. | 0:00:05 | 0:00:07 | |
But here, they're known as lions. | 0:00:07 | 0:00:10 | |
But where am I and what's their story? | 0:00:10 | 0:00:12 | |
Join me in just a few moments and I'll tell you. | 0:00:12 | 0:00:15 | |
Come on then! | 0:00:15 | 0:00:16 | |
On today's show, it's all about fantastic homes | 0:00:44 | 0:00:47 | |
with fantastic outbuildings, as I take a couple | 0:00:47 | 0:00:50 | |
in search of a rural retreat with an all-important artist's studio. | 0:00:50 | 0:00:55 | |
But at one property, the art space seems more appealing than the house. | 0:00:55 | 0:00:59 | |
Oh, shall we start there? | 0:00:59 | 0:01:01 | |
And then at the mystery house, | 0:01:02 | 0:01:03 | |
the wait to see the art studio almost tips our buyers over the edge. | 0:01:03 | 0:01:07 | |
-Shall we cut to the chase and go outside? -Yeah, where's my studio? | 0:01:07 | 0:01:09 | |
Well, today, we're in the Cotswolds. | 0:01:12 | 0:01:15 | |
What I'm trying to show you is a good example of the famous Cotswold Lion, | 0:01:15 | 0:01:19 | |
and there is one, complete with fleece still on its back. | 0:01:19 | 0:01:24 | |
This rare breed of sheep, it's thought, were introduced to Britain | 0:01:24 | 0:01:27 | |
by the Romans a couple of thousand years ago. | 0:01:27 | 0:01:29 | |
By the 13th and 14th centuries, this entire region made a fortune on their backs. | 0:01:29 | 0:01:34 | |
Their wool was so sought-after, | 0:01:34 | 0:01:36 | |
it formed the backbone of the mediaeval woollen economy. | 0:01:36 | 0:01:39 | |
But since then, and changing economic circumstances, | 0:01:39 | 0:01:42 | |
their numbers have dwindled. | 0:01:42 | 0:01:44 | |
By the '60s, the breed nearly died out here altogether. | 0:01:44 | 0:01:47 | |
It's only thanks to a handful of local farmers and volunteers | 0:01:47 | 0:01:50 | |
that their numbers are now on the way back up again. | 0:01:50 | 0:01:53 | |
That is just as well, because let's face it, | 0:01:53 | 0:01:55 | |
the Cotswolds really wouldn't be the same without its lions. | 0:01:55 | 0:01:59 | |
The Cotswold Hills lie in the south-west of England. | 0:02:01 | 0:02:04 | |
At around 25 miles wide and 90 miles long, | 0:02:04 | 0:02:07 | |
they are mainly located within Gloucestershire | 0:02:07 | 0:02:09 | |
but spill over into five neighbouring counties | 0:02:09 | 0:02:12 | |
including Wiltshire and Oxfordshire. | 0:02:12 | 0:02:14 | |
As the UK's largest designated area of outstanding natural beauty, | 0:02:14 | 0:02:19 | |
it's easy to see why it attracts around 38 million day-trippers | 0:02:19 | 0:02:23 | |
a year to see the gently rolling hills or wolds. | 0:02:23 | 0:02:26 | |
This area is full to the brim with historic villages and towns, | 0:02:26 | 0:02:29 | |
built from the distinctive local honey-coloured limestone, | 0:02:29 | 0:02:33 | |
such as Chipping Campden and Northleach, | 0:02:33 | 0:02:35 | |
which date back to mediaeval times, when the wool trade was big business here. | 0:02:35 | 0:02:39 | |
These locations still retain | 0:02:39 | 0:02:41 | |
an abundance of fine characterful architecture, | 0:02:41 | 0:02:43 | |
built by the wealthy merchants of the time. | 0:02:43 | 0:02:45 | |
And if you're a lover of typically English idyllic settings, | 0:02:45 | 0:02:49 | |
then the Cotswolds with its hand-built stone walls is hard to resist. | 0:02:49 | 0:02:54 | |
Indeed, it's estimated there are over 4,000 miles | 0:02:54 | 0:02:57 | |
of dry-stone walling here, | 0:02:57 | 0:02:59 | |
longer in total than the Great Wall Of China. | 0:02:59 | 0:03:02 | |
The Cotswolds are, of course, famously expensive. | 0:03:03 | 0:03:06 | |
Your average four-bedroomed family home here will set you back | 0:03:06 | 0:03:10 | |
about £500,000, that's double the national average. | 0:03:10 | 0:03:15 | |
In pretty villages on the Coln and Windrush valleys, such as here in Lower Slaughter, | 0:03:15 | 0:03:18 | |
you could expect to spend £750,000. The reason why? Well, it's simple. | 0:03:18 | 0:03:24 | |
This entire region is packed with some stunning architecture. | 0:03:24 | 0:03:29 | |
Between the 16th and 18th centuries, the wool trade brought | 0:03:29 | 0:03:33 | |
enormous wealth to the Cotswolds | 0:03:33 | 0:03:35 | |
and this is reflected in the architecture throughout the region. | 0:03:35 | 0:03:38 | |
Many of the local limestone buildings have fine historic features, | 0:03:38 | 0:03:42 | |
such as stone-mullioned windows and steep sloping roofs. | 0:03:42 | 0:03:45 | |
If you'd like to live in a two-bedroomed cottage in the Burford area, | 0:03:45 | 0:03:49 | |
which was once home to the wool weavers, | 0:03:49 | 0:03:50 | |
you can expect a starting price of around £225,000. | 0:03:50 | 0:03:55 | |
However, if you're after something a little more grand, | 0:03:55 | 0:03:58 | |
then an impressive village merchant's house | 0:03:58 | 0:04:00 | |
could cost upwards of £745,000. | 0:04:00 | 0:04:05 | |
Well, as you can see, with properties like that on offer, | 0:04:05 | 0:04:08 | |
it's no wonder that this area is ever popular with budding escapees, | 0:04:08 | 0:04:12 | |
people very much like today's buyers. | 0:04:12 | 0:04:15 | |
Jim and Caroline met while working at same computer software company, | 0:04:15 | 0:04:20 | |
and they've been living in their five-bedroomed Victorian townhouse | 0:04:20 | 0:04:23 | |
in Bristol for 16 years. | 0:04:23 | 0:04:25 | |
But Caroline has always yearned for a different part of the country. | 0:04:25 | 0:04:28 | |
The area we'd like to move to is the Cotswolds | 0:04:29 | 0:04:32 | |
and the reason for the Cotswolds is because I grew up there, | 0:04:32 | 0:04:36 | |
and every time I return, it just makes my heart sing. | 0:04:36 | 0:04:41 | |
And the emotional ties for Caroline especially | 0:04:41 | 0:04:44 | |
have seen them try to escape to the Cotswolds once before but to no avail. | 0:04:44 | 0:04:48 | |
On a more specific level, we have attempted to find a place | 0:04:48 | 0:04:53 | |
that suited us in the Stroud area but we haven't actually found that. | 0:04:53 | 0:04:57 | |
It sometimes feels that we've seen everything, every house, | 0:04:57 | 0:05:01 | |
everything that's available. | 0:05:01 | 0:05:04 | |
They're hoping that this time they have much more going for them. | 0:05:04 | 0:05:08 | |
Caroline has retired from her computer software job | 0:05:08 | 0:05:10 | |
and Jim is now freelance. And their current house has already been sold, | 0:05:10 | 0:05:15 | |
so along with their Miniature Schnauzer, Teasel, | 0:05:15 | 0:05:17 | |
they're all set to enjoy everything the Cotswolds has to offer. | 0:05:17 | 0:05:21 | |
Since we got a dog three years ago, | 0:05:21 | 0:05:23 | |
we've become very dog-oriented, as you have to take it out every day, twice. | 0:05:23 | 0:05:30 | |
We need to be able to have good dog walks straight from the house. | 0:05:30 | 0:05:36 | |
I'm expecting that this move will enable us | 0:05:36 | 0:05:40 | |
to spend a lot more time together doing certain outdoor things. | 0:05:40 | 0:05:46 | |
For instance, we'd both like to get back to archery, | 0:05:46 | 0:05:48 | |
which is something we have tried while we're in Bristol, | 0:05:48 | 0:05:52 | |
but you have to drive all the way out of Bristol to go to the archery club. | 0:05:52 | 0:05:55 | |
That's the kind of thing we want to do together. | 0:05:55 | 0:05:58 | |
This creative couple will also be hoping to devote | 0:05:59 | 0:06:01 | |
more time to their passions of art and music. | 0:06:01 | 0:06:04 | |
Jim plays bass guitar in a curiously named band. | 0:06:04 | 0:06:08 | |
The Macaroni Penguins started as a band in 1995, | 0:06:08 | 0:06:12 | |
when all the band members were living in Bristol | 0:06:12 | 0:06:15 | |
and we played in various pubs and at each other's weddings. | 0:06:15 | 0:06:20 | |
While Caroline often spends hours locked away in her artist studio. | 0:06:20 | 0:06:24 | |
My mother had been a trained artist | 0:06:24 | 0:06:27 | |
and I grew up painting, drawing and generally making artist's messes. | 0:06:27 | 0:06:33 | |
Very recently, I've discovered encaustics. | 0:06:33 | 0:06:36 | |
They are the most fabulous, fabulous medium I've ever worked with. | 0:06:36 | 0:06:40 | |
Encaustics involves painting with a pigment that's bound with beeswax and damar resin. | 0:06:40 | 0:06:48 | |
Damar's a resin that's actually used as an incense. | 0:06:48 | 0:06:53 | |
You then have to work with them with heat so it's quite an alchemical process. | 0:06:53 | 0:06:58 | |
So space for an art studio in their new home | 0:06:58 | 0:07:00 | |
will be an all-important factor for Caroline. | 0:07:00 | 0:07:02 | |
But, of course, finding the right one will all depend on the amount of money they have to spend. | 0:07:02 | 0:07:06 | |
The budget for our move is up to £650,000. | 0:07:06 | 0:07:10 | |
Jim and Caroline have previously been frustrated | 0:07:13 | 0:07:14 | |
in their house search in their favourite part of the Cotswolds, near Stroud. | 0:07:14 | 0:07:18 | |
So whilst we'll be focusing around that area in particular, | 0:07:18 | 0:07:21 | |
there are also plenty of desirable options in other parts | 0:07:21 | 0:07:24 | |
of the Cotswolds too. | 0:07:24 | 0:07:26 | |
I met up with them in this beautiful part of the world | 0:07:26 | 0:07:28 | |
so they could reveal a little more about their property expectations. | 0:07:28 | 0:07:32 | |
Good morning! | 0:07:32 | 0:07:33 | |
-Hello. -How are you? | 0:07:33 | 0:07:34 | |
So, Caroline, Jim, welcome to the Cotswolds. | 0:07:34 | 0:07:38 | |
So, house-wise, what do we need, Jim? | 0:07:38 | 0:07:40 | |
We need a good light living space downstairs, | 0:07:40 | 0:07:47 | |
preferably kitchen-diner. | 0:07:47 | 0:07:49 | |
Upstairs, we're looking for at least three bedrooms and two bathrooms | 0:07:49 | 0:07:55 | |
and Caroline is very keen on having a separate art studio. | 0:07:55 | 0:07:59 | |
Yes, now I was going to come onto this because I think | 0:07:59 | 0:08:02 | |
that this whole move is largely motivated by your artistic passions. | 0:08:02 | 0:08:05 | |
-Am I right? -It is, yes. | 0:08:05 | 0:08:06 | |
And the studio is quite complex, | 0:08:06 | 0:08:09 | |
-it's not just somewhere for a few watercolours, is it? -No, it's not. | 0:08:09 | 0:08:12 | |
It's got to be a place that's big enough for large, messy, smelly art. | 0:08:12 | 0:08:17 | |
So we don't want this in a spare room, do we? | 0:08:17 | 0:08:19 | |
No, we don't. | 0:08:19 | 0:08:21 | |
Would you be prepared, therefore, to potentially construct something | 0:08:21 | 0:08:24 | |
bespoke around the property if it wasn't already there? | 0:08:24 | 0:08:29 | |
I would love to. | 0:08:29 | 0:08:30 | |
Okay, well, we've got three, I think, quite interesting properties | 0:08:30 | 0:08:33 | |
to show you, including our mystery house. | 0:08:33 | 0:08:36 | |
You've got quite a lot of money to spend. | 0:08:36 | 0:08:38 | |
-Let's go spend it. -Let's go. -Follow me. | 0:08:38 | 0:08:41 | |
For their maximum budget of £650,000, | 0:08:43 | 0:08:46 | |
Jim and Caroline are looking for a new country home with a spacious kitchen-diner, | 0:08:46 | 0:08:50 | |
a music room for Jim, three bedrooms, | 0:08:50 | 0:08:53 | |
and outbuilding for Caroline to use as an art studio, | 0:08:53 | 0:08:57 | |
and a large garden for them and Teasel the dog. | 0:08:57 | 0:09:00 | |
We found three fantastic properties | 0:09:00 | 0:09:02 | |
which we think could have quite an impact on our buyers. | 0:09:02 | 0:09:05 | |
At each one, I'll be asking them to guess the price before I reveal it, | 0:09:05 | 0:09:09 | |
and one, of course, will be our mystery house which could really | 0:09:09 | 0:09:12 | |
propel our property search skywards. | 0:09:12 | 0:09:14 | |
We're starting our search in the north-east of the Cotswolds, | 0:09:18 | 0:09:21 | |
near the historic mediaeval town of Burford, | 0:09:21 | 0:09:24 | |
also known as the gateway to the Cotswolds. | 0:09:24 | 0:09:26 | |
Its busy high street, lined with historic houses and shop fronts | 0:09:26 | 0:09:29 | |
appears to have changed little for hundreds of years. | 0:09:29 | 0:09:33 | |
And naturally, it has all the necessary amenities for visitors and residents alike. | 0:09:33 | 0:09:38 | |
Just a mile down the road is the pretty village of Fulbrook, | 0:09:39 | 0:09:42 | |
where we find our first property, | 0:09:42 | 0:09:44 | |
built in the 1980s from traditional Cotswold stone. | 0:09:44 | 0:09:48 | |
There we go, that's it! | 0:09:48 | 0:09:49 | |
Property number one. | 0:09:49 | 0:09:52 | |
-It looks very promising. -Isn't it just? | 0:09:52 | 0:09:54 | |
It's been extended and so on and so forth but the finish is fabulous. | 0:09:54 | 0:09:58 | |
So this is one that you literally can just walk into. | 0:09:58 | 0:10:00 | |
-Sounds good. -Brilliant, can't wait to see inside. | 0:10:00 | 0:10:02 | |
Come and have a look. | 0:10:02 | 0:10:04 | |
'This house is a fantastic mixture of old and new on the outside | 0:10:04 | 0:10:08 | |
'and inside is much the same story. | 0:10:08 | 0:10:10 | |
'I think Jim and Caroline will love it.' | 0:10:10 | 0:10:13 | |
Let's start in here. | 0:10:13 | 0:10:14 | |
You wanted a nice kitchen-diner. | 0:10:14 | 0:10:17 | |
How does that work? | 0:10:17 | 0:10:19 | |
-It's lovely. -Yeah? -Yeah. -Yeah, this is a good space. | 0:10:19 | 0:10:22 | |
It's a good space, come on, Jim, it's gorgeous! | 0:10:22 | 0:10:25 | |
-Isn't it? -That is what he means. | 0:10:27 | 0:10:29 | |
Oh, OK. Is that a good thing? All right. | 0:10:29 | 0:10:31 | |
It's got lovely finishes. Let's have an explore, look. | 0:10:32 | 0:10:36 | |
It goes on. This lovely big island arrangement or bar, | 0:10:36 | 0:10:40 | |
I suppose one would say. | 0:10:40 | 0:10:41 | |
So, that's the kitchen and kitchen-diner. | 0:10:41 | 0:10:44 | |
Next door we've got you a very nice downstairs cloakroom | 0:10:44 | 0:10:47 | |
and something of a utility space and so on and so forth. | 0:10:47 | 0:10:50 | |
But you do want your own study, don't you, Jim? | 0:10:50 | 0:10:53 | |
Yeah, that's right, for all my computer stuff and music stuff. | 0:10:53 | 0:10:57 | |
Follow me. | 0:10:57 | 0:10:59 | |
-There you go, Jim. -Oh, this is good. -Yeah? | 0:11:00 | 0:11:04 | |
-Do you like? -I could get my computer stuff in and my music stuff in. | 0:11:04 | 0:11:08 | |
Because everything's all with the computer nowadays, | 0:11:08 | 0:11:12 | |
it tends to be handy if I can have my music stuff next to the computer. | 0:11:12 | 0:11:18 | |
OK, so living room next. | 0:11:18 | 0:11:20 | |
Follow me. This is really nice, actually, | 0:11:20 | 0:11:22 | |
you're going to enjoy this one. | 0:11:22 | 0:11:23 | |
Well, Jim seems happy enough with his music room, | 0:11:23 | 0:11:27 | |
although we haven't heard much yet from Caroline, | 0:11:27 | 0:11:30 | |
but I think she'll definitely be spurred into action | 0:11:30 | 0:11:32 | |
by this huge living space. | 0:11:32 | 0:11:34 | |
For what is, on the face of it, a tiny cottage, | 0:11:34 | 0:11:36 | |
I think this is really its crowning glory. | 0:11:36 | 0:11:41 | |
-Isn't it gorgeous? -Isn't it? | 0:11:41 | 0:11:43 | |
-It's a lovely room. -The current owners have extended it | 0:11:43 | 0:11:45 | |
so this beam here represents the old external wall. | 0:11:45 | 0:11:48 | |
-A proper statement of a fireplace. -It's staggering, isn't it? -Yes. | 0:11:48 | 0:11:51 | |
Oh, it's absolutely gorgeous. | 0:11:51 | 0:11:53 | |
'So while our couple aren't exactly saying a great deal, | 0:11:56 | 0:11:58 | |
'I think I can sense an interested vibe | 0:11:58 | 0:12:01 | |
'which should continue when they see the upstairs of this property, | 0:12:01 | 0:12:04 | |
'as it gives them the three bedrooms they've asked for.' | 0:12:04 | 0:12:06 | |
One is a charming, cottage-style twin room | 0:12:06 | 0:12:08 | |
and there is also a small single. | 0:12:08 | 0:12:11 | |
These both share a modern family bathroom off a bright landing area. | 0:12:11 | 0:12:15 | |
But we're heading for the master suite. | 0:12:15 | 0:12:18 | |
-And this is your bit, hey? -It's good. -Yeah. | 0:12:19 | 0:12:24 | |
-Yeah, I like this. -"I like this", says the rocker, "Yeah, this is all right, isn't it?" | 0:12:24 | 0:12:29 | |
Great. I mean, this is again, part of the new extension, | 0:12:29 | 0:12:33 | |
which has made so much of the living room | 0:12:33 | 0:12:36 | |
so we're right above that and we've also got you a family bathroom | 0:12:36 | 0:12:40 | |
out there, your own en-suite in there. Have a look at that. | 0:12:40 | 0:12:42 | |
-You're going to like this. -Oh, wow. -Oh, my goodness! -Yeah, you see? | 0:12:42 | 0:12:45 | |
-Wow! -How about that? | 0:12:45 | 0:12:46 | |
-That is an excellent en-suite. -It's enormous. -Yeah. | 0:12:46 | 0:12:51 | |
So, I'm going to put you to the test now, | 0:12:51 | 0:12:54 | |
just to gauge, you quiet pair, where we are. | 0:12:54 | 0:12:57 | |
Out of ten, Jim. | 0:12:57 | 0:12:59 | |
Where does our property number one come? | 0:12:59 | 0:13:02 | |
Er, I'd say it's quite high. | 0:13:02 | 0:13:04 | |
I would think, er, | 0:13:04 | 0:13:07 | |
-eight or nine. -Eight or nine, little bit of room for improvement. | 0:13:07 | 0:13:10 | |
-A very good first start. -And I like it. -You like it. | 0:13:10 | 0:13:13 | |
-So, eight, nine? -Yeah, eight, nine. | 0:13:13 | 0:13:15 | |
Well, let's see if we can push those numbers up a little bit outside. | 0:13:15 | 0:13:19 | |
-Yes, there is one crucial... -The studio. | 0:13:19 | 0:13:22 | |
'Although they've had no luck in their past search for a property, | 0:13:22 | 0:13:25 | |
'it seems this one is actually scoring quite highly.' | 0:13:25 | 0:13:28 | |
Outside, there's around a third of an acre of pretty garden | 0:13:28 | 0:13:33 | |
with a patio area for alfresco dining, | 0:13:33 | 0:13:35 | |
an expanse of lawn and a vegetable plot | 0:13:35 | 0:13:38 | |
so plenty of room for their dog. | 0:13:38 | 0:13:41 | |
But what about that all-important artist's studio? | 0:13:41 | 0:13:43 | |
-Studio. -Yes, where's that going to go? | 0:13:44 | 0:13:47 | |
-I'm not suggesting it's the Wendy house! -Good. | 0:13:47 | 0:13:50 | |
That does look a tiny bit small. | 0:13:50 | 0:13:53 | |
What I am looking at is that prefab garage down there, | 0:13:53 | 0:13:56 | |
which is currently sitting on a concrete slab. | 0:13:56 | 0:13:59 | |
-Mm-mm. -Now, the Wendy house will go | 0:13:59 | 0:14:01 | |
when the owners move, so what I was thinking was | 0:14:01 | 0:14:05 | |
could you, using that footprint, extend the whole thing out | 0:14:05 | 0:14:09 | |
and put up a bespoke timber-framed structure | 0:14:09 | 0:14:13 | |
that would give you enough space? | 0:14:13 | 0:14:15 | |
That would be lovely. | 0:14:15 | 0:14:16 | |
So, it brings me on to my final question | 0:14:16 | 0:14:18 | |
which is how much do you think property number one is on the market for? | 0:14:18 | 0:14:23 | |
I'm going to say 600, 620. | 0:14:23 | 0:14:25 | |
You're heading for 600 to 620. Jim? | 0:14:25 | 0:14:28 | |
Well, I'm not very good at guessing prices | 0:14:28 | 0:14:32 | |
but I would guess maybe 595? | 0:14:32 | 0:14:35 | |
You wish! | 0:14:35 | 0:14:37 | |
I'm always hopeful. | 0:14:37 | 0:14:39 | |
Yes, hopeful you might be but we are just down the road from Burford, | 0:14:39 | 0:14:43 | |
and that is one of the great magnets of the Cotwolds, | 0:14:43 | 0:14:46 | |
and I'm afraid 595 won't buy you property number one! | 0:14:46 | 0:14:50 | |
However, £635,000 would get it for you. | 0:14:50 | 0:14:56 | |
-So we have allowed a little bit... -Yes, you've allowed a little bit. | 0:14:56 | 0:14:59 | |
..to effect your studio. | 0:14:59 | 0:15:01 | |
So, go and have a look around, explore a bit further. | 0:15:01 | 0:15:04 | |
-I'll catch up with you a little bit later. -OK. -OK. -Off you go. | 0:15:04 | 0:15:07 | |
In the meantime, I'm going to enjoy this fabulous weather. | 0:15:07 | 0:15:12 | |
Jim and Caroline can afford this characterful-looking home | 0:15:15 | 0:15:18 | |
as it's priced at £635,000, leaving enough in their budget | 0:15:18 | 0:15:23 | |
to build a studio. | 0:15:23 | 0:15:25 | |
All in all, it has a large kitchen-diner, | 0:15:25 | 0:15:27 | |
a study-cum-music room for Jim, | 0:15:27 | 0:15:29 | |
three bedrooms and a lovely garden | 0:15:29 | 0:15:32 | |
which is manageable and safe for their dog to run around in. | 0:15:32 | 0:15:35 | |
It's a beautiful Cotswoldy house. | 0:15:35 | 0:15:40 | |
I love the way it fits in with its surroundings. Very nice kitchen-dining room | 0:15:40 | 0:15:44 | |
and a beautiful sitting room, I really like that. | 0:15:44 | 0:15:47 | |
It's got the Cotswold look outside but actually it's a modern building | 0:15:47 | 0:15:53 | |
so that's nice. | 0:15:53 | 0:15:55 | |
There's that little office for me. | 0:15:55 | 0:15:56 | |
Obviously, we'd have to look into constructing a purpose-built studio | 0:15:56 | 0:16:02 | |
for Caroline but that won't take up the whole garden | 0:16:02 | 0:16:06 | |
so yeah, I think that will work quite well. | 0:16:06 | 0:16:09 | |
-Look at this! -Are you doing a bit of archaeology? | 0:16:09 | 0:16:13 | |
Well, you would think it's a bit of prehistory, a nice standing stone | 0:16:13 | 0:16:16 | |
but the clue is here, look, these gate pins. | 0:16:16 | 0:16:20 | |
It's just a gatepost but quite a nice bit of art to have in the garden, how about that? | 0:16:20 | 0:16:24 | |
It's a real feature, isn't it? | 0:16:24 | 0:16:27 | |
We have to go for several reasons. Not only do we have | 0:16:27 | 0:16:29 | |
plenty of property to have a look at but there is another viewing here in an hour. | 0:16:29 | 0:16:33 | |
-All right. -So if this is of interest, | 0:16:33 | 0:16:35 | |
-you may have to move fairly quickly. Come on, let's go. -OK. | 0:16:35 | 0:16:38 | |
A defining feature of the Cotswold landscape are the limestone villages | 0:16:48 | 0:16:52 | |
and market towns set amongst its hills and valleys, | 0:16:52 | 0:16:55 | |
such as Northleach, which stands at a crossroads on the Roman Fosse Way, | 0:16:55 | 0:16:59 | |
in a protected area of outstanding natural beauty. | 0:16:59 | 0:17:01 | |
The town centre is compact and completely unspoiled, | 0:17:01 | 0:17:05 | |
having changed little since 1500. | 0:17:05 | 0:17:08 | |
And its historic walled church, built from the proceeds | 0:17:08 | 0:17:11 | |
of the wool industry, is an impressive example of the renowned Cotswold perpendicular style. | 0:17:11 | 0:17:17 | |
Another typically beautiful town, and one that is familiar | 0:17:17 | 0:17:20 | |
to Jim and Caroline, is Minchinhampton, | 0:17:20 | 0:17:22 | |
just a short drive from Stroud. | 0:17:22 | 0:17:24 | |
Around three miles from here, in the village of Woodchester, | 0:17:24 | 0:17:27 | |
is a thriving local target archery club - the Bowmen Of Minchinhampton, | 0:17:27 | 0:17:31 | |
whose members have been firing arrows for close on 40 years. | 0:17:31 | 0:17:35 | |
Earlier in the week, we sent our two budding archers along | 0:17:35 | 0:17:39 | |
to meet club bowman Peter Munday. | 0:17:39 | 0:17:41 | |
-How often do you meet? -We meet here Tuesday evenings, Thursday evenings, | 0:17:41 | 0:17:46 | |
and Sunday mornings. | 0:17:46 | 0:17:48 | |
Sunday mornings are a bit variable if the tournament archers are away, | 0:17:48 | 0:17:51 | |
cos you've got to have a senior on site. | 0:17:51 | 0:17:53 | |
Once you've been in the club six months, | 0:17:53 | 0:17:56 | |
once you've demonstrated you are duly safe to the rest of humanity, | 0:17:56 | 0:17:59 | |
-then you can get a key to the field and come down any time you like. -Oh, good. | 0:17:59 | 0:18:04 | |
This club has around 60 members but before they join them | 0:18:04 | 0:18:08 | |
to start firing arrows, it's time for Jim and Caroline | 0:18:08 | 0:18:10 | |
to get a refresher on the basics. | 0:18:10 | 0:18:12 | |
Helping them are club members Corrine and Kieran Slater. | 0:18:12 | 0:18:16 | |
He's hoping for a place at the Rio 2016 Olympic Games. | 0:18:16 | 0:18:20 | |
We've got an arrow here, which has three fletches, | 0:18:20 | 0:18:24 | |
one different colour which we call the cock fletch, | 0:18:24 | 0:18:27 | |
which, when we attach it to the bow, | 0:18:27 | 0:18:29 | |
it's always pointing away from the bow. | 0:18:29 | 0:18:31 | |
So...as indicated... | 0:18:31 | 0:18:34 | |
I'm just going to nock the arrow between the nocking points, | 0:18:35 | 0:18:37 | |
and going to leave it on the arrow rest, which has got a hook on it so it's not going to fall off. | 0:18:37 | 0:18:41 | |
And I'm going to use my fingers, | 0:18:41 | 0:18:43 | |
two below the arrow nock and one above. | 0:18:43 | 0:18:47 | |
Move it around. And I'm going to lift to horizontal, | 0:18:47 | 0:18:51 | |
then draw back towards my face, and I'm going to line up the string | 0:18:51 | 0:18:56 | |
and the sight with the gold...and shoot. | 0:18:56 | 0:18:58 | |
Target archery is the most popular form of modern competitive archery | 0:18:58 | 0:19:03 | |
in the world, and has been an Olympic sport since 1900. | 0:19:03 | 0:19:07 | |
The archers shoot at stationary circular targets from set distances | 0:19:07 | 0:19:10 | |
and of course, the highest score is achieved by hitting the centre | 0:19:10 | 0:19:13 | |
of the target, known as the "gold". | 0:19:13 | 0:19:15 | |
Tuck in, look at the gold, and then release those fingers. | 0:19:15 | 0:19:19 | |
Very good. | 0:19:19 | 0:19:21 | |
British archery has a rich and colourful history, | 0:19:21 | 0:19:24 | |
with the earliest bow, discovered in Somerset, dating back | 0:19:24 | 0:19:27 | |
to over 2,500 BC, when bows would have been made of wood. | 0:19:27 | 0:19:32 | |
However, modern target archery uses bows made of carbon or fibreglass. | 0:19:32 | 0:19:36 | |
Now Jim and Caroline have added these extra strings to their bow, | 0:19:38 | 0:19:41 | |
let's see if our next property can hit the target as well. | 0:19:41 | 0:19:44 | |
We're travelling north, around 21 miles from Stroud, | 0:19:48 | 0:19:51 | |
close to the ancient Saxon town of Winchcombe in Gloucestershire. | 0:19:51 | 0:19:55 | |
Situated in a beautiful Cotswold valley, | 0:19:55 | 0:19:57 | |
the town's name literally means "valley with a bend". | 0:19:57 | 0:20:00 | |
And indeed, some of the streets do curve rather gracefully. | 0:20:00 | 0:20:03 | |
A popular tourist destination, it has all the tearooms, shops and pubs | 0:20:03 | 0:20:08 | |
you'd expect, as well as the very stately Grade I listed Sudeley Castle, | 0:20:08 | 0:20:13 | |
once home to Henry VIII's sixth and surviving wife, | 0:20:13 | 0:20:15 | |
Katherine Parr, who is buried within the church, | 0:20:15 | 0:20:18 | |
in the beautiful gardens. | 0:20:18 | 0:20:20 | |
-And what a view...from up here! -Oh, wow! | 0:20:22 | 0:20:26 | |
It is a wonderful, wonderful building. | 0:20:26 | 0:20:28 | |
The ruined bit, that's 15th century. | 0:20:28 | 0:20:31 | |
Cromwell decided to take it apart during the Civil War | 0:20:31 | 0:20:35 | |
but in the 19th century, the rest of it was rebuilt | 0:20:35 | 0:20:38 | |
and it's now this glorious family estate. | 0:20:38 | 0:20:41 | |
So this would be on your doorstep | 0:20:41 | 0:20:44 | |
if you buy house number two. | 0:20:44 | 0:20:47 | |
-Oh-ho. -Yes. -It's an amazing place. | 0:20:47 | 0:20:50 | |
Well, it doesn't quite overlook Sudeley Castle but it's near enough! | 0:20:50 | 0:20:53 | |
So this could be your playground. How about it? | 0:20:53 | 0:20:56 | |
I don't think anything overlooks it, does it? | 0:20:56 | 0:20:58 | |
Around two miles away, towards the edge of Winchcombe, | 0:21:00 | 0:21:04 | |
is our second house, built from local Cotswold stone in the 1960s, | 0:21:04 | 0:21:08 | |
and set in secluded gardens off a country lane. | 0:21:08 | 0:21:11 | |
So, there is property number two. | 0:21:12 | 0:21:16 | |
-I like the little... -Circular drive? -Circle to drive round, | 0:21:16 | 0:21:20 | |
that's good. | 0:21:20 | 0:21:21 | |
The other key feature which we ought to take note of | 0:21:21 | 0:21:23 | |
-is that building over there. -Oh, shall we start there? | 0:21:23 | 0:21:27 | |
JULES LAUGHS | 0:21:27 | 0:21:28 | |
We'll get to that later on! | 0:21:28 | 0:21:29 | |
But I think that would make a very interesting studio for you. | 0:21:29 | 0:21:33 | |
-Right, yes, it's already got more interesting! -Yeah! | 0:21:33 | 0:21:35 | |
Well, thanks to the outbuilding, which has definitely caught Caroline's attention, | 0:21:37 | 0:21:41 | |
we're off to a flying start with this one. | 0:21:41 | 0:21:43 | |
I'm sure that inside will give them more than they bargained for too. | 0:21:43 | 0:21:46 | |
-There. -Oh! -Yes. Surprised? | 0:21:50 | 0:21:53 | |
Totally not what I was expecting. | 0:21:53 | 0:21:55 | |
I thought it was just going to be in this little piece but it's all that. | 0:21:55 | 0:21:58 | |
Originally, I think this area was something of a garage, | 0:21:58 | 0:22:02 | |
that they have obviously bricked up, stone-faced, | 0:22:02 | 0:22:07 | |
and created this L-shape classic sort of kitchen-diner... | 0:22:07 | 0:22:10 | |
-arrangement. -Yeah, it's a good shape as well. Very good shape. | 0:22:10 | 0:22:15 | |
'So with Caroline still seemingly quite keen on this one, | 0:22:15 | 0:22:18 | |
'we just have to convince Jim.' | 0:22:18 | 0:22:20 | |
Luckily across the hall, there's a bright music room | 0:22:20 | 0:22:23 | |
that has enough space for a desk and his guitar equipment. | 0:22:23 | 0:22:26 | |
Next door to that is a dining room, currently being used as a sitting room. | 0:22:26 | 0:22:30 | |
This extends into a good-sized conservatory, | 0:22:30 | 0:22:33 | |
with an eating area overlooking the garden. | 0:22:33 | 0:22:35 | |
Time now to check out the other reception room. | 0:22:35 | 0:22:38 | |
This is your main, sort of, family living room, I would say. | 0:22:38 | 0:22:41 | |
Mmm, it's actually a decent size as well. | 0:22:41 | 0:22:44 | |
-Yeah. -Yes, it's good. Nice view on to the garden. | 0:22:44 | 0:22:47 | |
-Yes. -Lots of light coming in. | 0:22:47 | 0:22:48 | |
And the little window seat's quite a nice touch. | 0:22:48 | 0:22:50 | |
-Yes, that's nice. -And the space is a perfectly good size. | 0:22:50 | 0:22:53 | |
-Yeah, this is fine. -Good, OK. | 0:22:53 | 0:22:56 | |
Upstairs, there are four bedrooms. | 0:22:58 | 0:23:00 | |
Two of the guest rooms are bright and large enough | 0:23:00 | 0:23:03 | |
to fit a double bed in while the third is a slightly smaller single. | 0:23:03 | 0:23:07 | |
But we're heading past the bathroom | 0:23:07 | 0:23:09 | |
towards the very spacious master bedroom. | 0:23:09 | 0:23:12 | |
-Yeah? -It's big. -Isn't it? | 0:23:13 | 0:23:16 | |
-Isn't it big? -It's surprising. | 0:23:16 | 0:23:18 | |
A suite of rooms. | 0:23:18 | 0:23:19 | |
Well, have a look in there. | 0:23:19 | 0:23:22 | |
You've also got another another en-suite for you. | 0:23:22 | 0:23:25 | |
Gosh. Look... | 0:23:25 | 0:23:27 | |
There we are. That's the en-suite and that is your master suite. | 0:23:27 | 0:23:33 | |
It's very, er...yeah. | 0:23:33 | 0:23:35 | |
Caroline's laughing. | 0:23:35 | 0:23:36 | |
Why are you laughing? | 0:23:38 | 0:23:40 | |
Because he did change when he came in here. | 0:23:40 | 0:23:42 | |
He did change, didn't he? | 0:23:42 | 0:23:44 | |
-Yeah. -I know, the mood lifted from Jim. -Yes! | 0:23:44 | 0:23:47 | |
So, while we're on a high, let's get outside and check out your workshop. | 0:23:47 | 0:23:53 | |
-Yes, please. -Come on then. | 0:23:53 | 0:23:54 | |
Well, this is the moment that Caroline's been desperately waiting for since our tour began | 0:23:54 | 0:24:00 | |
and where she could hopefully be creating her artwork. | 0:24:00 | 0:24:04 | |
At last. | 0:24:06 | 0:24:07 | |
At long last. | 0:24:07 | 0:24:09 | |
-At long last. -There we are! | 0:24:09 | 0:24:10 | |
Now, it has water, there's this little kitchenette area out there. | 0:24:10 | 0:24:15 | |
There's a downstairs loo in here. | 0:24:15 | 0:24:18 | |
And it's in two halves really, you'll see what I mean. | 0:24:18 | 0:24:21 | |
And then you've got this lot. | 0:24:21 | 0:24:23 | |
Yeah, concrete floor. | 0:24:24 | 0:24:26 | |
Yes, that would be perfect. | 0:24:26 | 0:24:28 | |
Is it big enough? | 0:24:28 | 0:24:29 | |
To begin with, but I might want to knock it through. | 0:24:30 | 0:24:33 | |
Well, you could. | 0:24:33 | 0:24:34 | |
-The whole thing though. -Yes, the whole thing would be big enough. | 0:24:34 | 0:24:37 | |
Yes, and the benefit of the water and heat and power. | 0:24:37 | 0:24:41 | |
Fantastic, yeah. | 0:24:41 | 0:24:42 | |
OK, let's finish off in the garden. | 0:24:42 | 0:24:45 | |
To the rear of the house, there's a lovely private lawn, with mature borders and trees. | 0:24:45 | 0:24:50 | |
So, now they've seen all the property has to offer, | 0:24:50 | 0:24:53 | |
it's time to find out what they think it's all worth. | 0:24:53 | 0:24:56 | |
So, Jim? | 0:24:56 | 0:24:58 | |
I'm thinking 640. | 0:24:58 | 0:25:00 | |
640, yeah. | 0:25:00 | 0:25:02 | |
Maybe 660, 670, something like that. | 0:25:02 | 0:25:05 | |
You're right! | 0:25:07 | 0:25:08 | |
Oh! That's a turn-up for the books. | 0:25:08 | 0:25:11 | |
-That's a relief! -Yes! | 0:25:11 | 0:25:13 | |
-It does offer you the studio you want. -Yes, it does. | 0:25:13 | 0:25:17 | |
The choice is yours really. | 0:25:18 | 0:25:20 | |
Go on, off you go. | 0:25:20 | 0:25:21 | |
-I'll catch up with you later. -Right, thank you. | 0:25:21 | 0:25:24 | |
So, on the market just under their budget at £640,000, | 0:25:26 | 0:25:30 | |
this modern build in traditional stone delivers everything Jim and Caroline asked for. | 0:25:30 | 0:25:35 | |
It has a large L-shaped kitchen-diner, a music room for Jim, | 0:25:35 | 0:25:39 | |
four bedrooms, an outbuilding that's perfect | 0:25:39 | 0:25:41 | |
for Caroline's artistic endeavours, | 0:25:41 | 0:25:45 | |
and a manageable and pretty garden. | 0:25:45 | 0:25:47 | |
I thought it had good access with this parking area | 0:25:47 | 0:25:49 | |
and the house itself looked interesting. | 0:25:49 | 0:25:52 | |
I'm not too familiar with the area | 0:25:52 | 0:25:55 | |
but it would be nice to explore a bit further afield, | 0:25:55 | 0:25:57 | |
investigate the dog-walking opportunities in the area. | 0:25:57 | 0:26:00 | |
What grabbed my eye wasn't the house, it was the potential art studio. | 0:26:00 | 0:26:06 | |
Overall, this house feels to me as though it's got everything | 0:26:06 | 0:26:10 | |
we asked for, in an area that I don't know but it is Cotswoldy | 0:26:10 | 0:26:16 | |
and so well worth pursuing. | 0:26:16 | 0:26:18 | |
Well, Caroline, out you come. | 0:26:18 | 0:26:21 | |
Yep, that's it. | 0:26:21 | 0:26:23 | |
I've just done my masterpiece. | 0:26:23 | 0:26:24 | |
Have you now?! | 0:26:24 | 0:26:25 | |
Have you done a masterpiece on the sums though, Jim? | 0:26:25 | 0:26:28 | |
A lot to think about with this one, I would imagine. | 0:26:28 | 0:26:31 | |
Yeah? | 0:26:33 | 0:26:34 | |
Yeah, I need to know more about this area actually. | 0:26:34 | 0:26:36 | |
Well, there's a lot more to find out. | 0:26:36 | 0:26:37 | |
Come with me. | 0:26:37 | 0:26:39 | |
As dusk falls over the spectacular landscape here in the Cotswolds, | 0:26:51 | 0:26:56 | |
it marks the end of the first day of our property search. | 0:26:56 | 0:26:59 | |
Artist Caroline and her music-loving partner, Jim, are seeking a move | 0:27:05 | 0:27:09 | |
from busy Bristol to a rural retreat in the Cotswolds. | 0:27:09 | 0:27:12 | |
So far, they've been impressed by the finish of a modern stone house, | 0:27:12 | 0:27:16 | |
while Caroline fell in love with the studio space at our second property. | 0:27:16 | 0:27:21 | |
But coming up, could the mystery house split their opinions right down the middle? | 0:27:21 | 0:27:25 | |
So, you and I need to lead Caroline through this building, don't we? | 0:27:25 | 0:27:28 | |
Yeah, we might have to persuade her a bit | 0:27:28 | 0:27:30 | |
And I discover how the region's flax | 0:27:30 | 0:27:32 | |
is being used to make these fantastic boats. | 0:27:32 | 0:27:35 | |
Well, what a difference 24 hours makes. | 0:27:40 | 0:27:42 | |
The sunshine is gone and our final day of house-hunting is, | 0:27:42 | 0:27:46 | |
as you can see, now shrouded in mist and gloom. | 0:27:46 | 0:27:49 | |
But the good news is that we are still in the Cotswolds. | 0:27:49 | 0:27:52 | |
One more property to come. It is, of course, mystery house time. | 0:27:52 | 0:27:55 | |
And it's out there...somewhere. | 0:27:55 | 0:27:58 | |
Today we're heading just south of Stroud, | 0:28:02 | 0:28:04 | |
close to the historic town of Minchinhampton, | 0:28:04 | 0:28:07 | |
a place which we know Jim and Caroline are particularly keen on. | 0:28:07 | 0:28:11 | |
This classic slice of the Cotswolds is home to an array of thriving local businesses, | 0:28:11 | 0:28:17 | |
including pubs, cafes, and a Post Office. | 0:28:17 | 0:28:20 | |
Just a few miles outside the town is the area known as Aston Down. | 0:28:21 | 0:28:26 | |
Our mystery house is a single-storey conversion | 0:28:26 | 0:28:29 | |
of a 1920s airmen's convalescent home. | 0:28:29 | 0:28:31 | |
It might not be a traditional Cotswolds stone build | 0:28:33 | 0:28:36 | |
but I'm hoping our buyers will give it a chance | 0:28:36 | 0:28:38 | |
as it offers everything else they wanted. | 0:28:38 | 0:28:42 | |
OK, there it is. | 0:28:42 | 0:28:44 | |
-There's our mystery house. -Ah-ha. | 0:28:44 | 0:28:46 | |
Now, to be fair, from this angle, it doesn't look a million dollars. | 0:28:46 | 0:28:50 | |
It hasn't got that Cotswold cachet, has it? | 0:28:50 | 0:28:53 | |
It hasn't got that Cotswold feel to it, but this is a property | 0:28:53 | 0:28:57 | |
that really works from the inside out. | 0:28:57 | 0:28:58 | |
You'll see why once we get in it. | 0:28:58 | 0:29:00 | |
OK, I'm intrigued to see inside then! | 0:29:00 | 0:29:03 | |
'A muted reaction so far, but this conversion really comes into its own | 0:29:03 | 0:29:08 | |
'once you step through the front door, as we're about to find out.' | 0:29:08 | 0:29:11 | |
This is what I mean about this property. | 0:29:14 | 0:29:16 | |
It works from the inside out. | 0:29:16 | 0:29:18 | |
-Oh, gosh, this is, er... -There's a lot of space. | 0:29:18 | 0:29:22 | |
-Brilliant, yeah! -Brilliant, that's the word I was looking for! | 0:29:22 | 0:29:26 | |
Well done, Jim! Loads of light, these lovely double doors. | 0:29:26 | 0:29:30 | |
Loads of light. It's just the atmosphere hasn't got me. | 0:29:30 | 0:29:33 | |
-When you say "atmosphere"... -What I feel here. | 0:29:33 | 0:29:36 | |
But Jim seems to be quite moved. | 0:29:36 | 0:29:39 | |
Well, a lot of the properties we look at in the Cotswolds | 0:29:39 | 0:29:42 | |
tend to go a bit far on the old-world cottagey style for me. | 0:29:42 | 0:29:47 | |
-Yeah, this is more you. -I find myself leaning more towards the contemporary design, so, er... | 0:29:47 | 0:29:53 | |
So, you and I need to lead Caroline through this building, don't we? | 0:29:53 | 0:29:58 | |
Yeah, we might have to persuade her a bit. | 0:29:58 | 0:29:59 | |
Well, at least I have Jim onboard so far, | 0:29:59 | 0:30:02 | |
as he seems very taken with this property. | 0:30:02 | 0:30:05 | |
But surely Caroline will be able to see the appeal | 0:30:05 | 0:30:08 | |
of the huge kitchen-dining space? | 0:30:08 | 0:30:10 | |
Ah, this is very nice. Very nice room. | 0:30:12 | 0:30:15 | |
-It's like a whole other living room. -Isn't it just? | 0:30:15 | 0:30:18 | |
-Lovely double doors here, original doors. -Nice and light. | 0:30:18 | 0:30:22 | |
It would be a good daytime living space. | 0:30:22 | 0:30:25 | |
But yeah, this is arguably the biggest property we've been able to show you. | 0:30:25 | 0:30:30 | |
Mmm. Oh yeah, I can see it's the biggest. | 0:30:30 | 0:30:33 | |
It's just not quite... | 0:30:33 | 0:30:35 | |
OK... Right, I'm not going to worry about you for now. | 0:30:35 | 0:30:39 | |
Have a look at this music room. Have a look at this music room. | 0:30:39 | 0:30:41 | |
Come and follow me. | 0:30:41 | 0:30:43 | |
So Caroline needs even more convincing | 0:30:43 | 0:30:47 | |
but she'll have to wait to see her potential art studio | 0:30:47 | 0:30:49 | |
as I have a room that should put an even bigger smile on Jim's face. | 0:30:49 | 0:30:53 | |
There, Jim. They have got this as a snug / music room. | 0:30:54 | 0:31:00 | |
You can see there's even an amp and a couple of guitars over there, | 0:31:00 | 0:31:03 | |
setting the scene for you. | 0:31:03 | 0:31:06 | |
-And all the access is flat, so getting stuff back out would be no problem. -You see! | 0:31:06 | 0:31:11 | |
Oh... Caroline's halfway out the door! | 0:31:14 | 0:31:16 | |
Come here, Caroline, come here. | 0:31:16 | 0:31:18 | |
Now, OK, it's not old Cotswold stone. | 0:31:18 | 0:31:21 | |
No, it's not. | 0:31:21 | 0:31:22 | |
-But try and go with that arty vibe. -Yes. | 0:31:22 | 0:31:26 | |
This beautifully finished conversion has plenty of space. | 0:31:26 | 0:31:31 | |
There's a very large boot room which adjoins a stylish shower room, | 0:31:31 | 0:31:34 | |
with very contemporary glass tiles. | 0:31:34 | 0:31:36 | |
Meanwhile, on the other side of the house | 0:31:36 | 0:31:39 | |
is the sleeping wing, which gives them four bedrooms. | 0:31:39 | 0:31:41 | |
One is currently being used as an office while the other two guest rooms | 0:31:41 | 0:31:45 | |
are good-sized doubles, providing a very welcoming space | 0:31:45 | 0:31:48 | |
for friends and family. | 0:31:48 | 0:31:51 | |
These all share the family bathroom, | 0:31:51 | 0:31:52 | |
but we're going to take a peek at the master suite | 0:31:52 | 0:31:55 | |
and hopefully I can get Caroline back on track with this one. | 0:31:55 | 0:31:58 | |
There we are. | 0:31:58 | 0:32:00 | |
-It's a lovely room. -Silence again from Caroline! | 0:32:02 | 0:32:06 | |
I do feel like I'm pushing a big rock up a hill here. | 0:32:06 | 0:32:09 | |
Yeah, I feel like I'm a bit of a rock round here! | 0:32:09 | 0:32:13 | |
Ah, don't feel like a rock! | 0:32:14 | 0:32:15 | |
-But I'm just very surprised. I thought this would be an absolute winner for you. -Hmm. | 0:32:15 | 0:32:21 | |
-We're not giving up yet. -Right. | 0:32:21 | 0:32:23 | |
There's a lovely en-suite through there. | 0:32:23 | 0:32:26 | |
Huge walk-in wardrobe behind this wall here. | 0:32:26 | 0:32:28 | |
-Good. -For all your stuff, you see? -Yes, that's good. | 0:32:28 | 0:32:32 | |
But, er... | 0:32:32 | 0:32:35 | |
Yes, all right. Shall we cut to the chase and go outside? | 0:32:35 | 0:32:38 | |
Yeah, where's my studio? | 0:32:38 | 0:32:40 | |
Studio! Talk about the tail wagging the dog! Come on. | 0:32:40 | 0:32:43 | |
Set in a plot of almost an acre, | 0:32:45 | 0:32:47 | |
the surrounding gardens are flat and mostly laid to lawn. | 0:32:47 | 0:32:50 | |
Features to the rear include a pond, complete with tadpoles, | 0:32:50 | 0:32:54 | |
and a patio area for dining outside. | 0:32:54 | 0:32:56 | |
But time to see if we can finally make Caroline happy. | 0:32:57 | 0:33:01 | |
-So this is outside the boot room. -Hmm-mm. | 0:33:01 | 0:33:04 | |
Then back to this end which, of course, is the kitchen. | 0:33:04 | 0:33:08 | |
-The garden is enormous. -It is. -Deceptive with these hedges in the way, but there's that. | 0:33:10 | 0:33:16 | |
-Summerhouse. -Summerhouse, which is not as big as it might need to be, | 0:33:16 | 0:33:20 | |
but it might serve to get you going. | 0:33:20 | 0:33:23 | |
-That would do while I was getting one built. -Yeah, absolutely. | 0:33:23 | 0:33:27 | |
There's so much space to do it round here cos everything's flat, that's the joy of a house on an airfield! | 0:33:27 | 0:33:32 | |
-That's true. -Let's consider how much this might be on the market for. | 0:33:32 | 0:33:36 | |
-Well, I'd go for 650. -£650,000. Yep, OK. | 0:33:36 | 0:33:40 | |
-Yeah. -Er, I don't know. 620? | 0:33:40 | 0:33:44 | |
620, OK. So... | 0:33:44 | 0:33:46 | |
Here's the good news. The mystery house is on the market | 0:33:46 | 0:33:49 | |
for £575,000. | 0:33:49 | 0:33:52 | |
-That's good, that's good. -That's really good. | 0:33:52 | 0:33:54 | |
-That is £75,000 under budget. -That is ever so good, yes. It is. | 0:33:54 | 0:33:59 | |
-And it's close to Minchinhampton, which you love. -Excellent. | 0:33:59 | 0:34:02 | |
Go and have a look around, give it its due. | 0:34:02 | 0:34:05 | |
-And I'll catch up with you later. -OK. | 0:34:05 | 0:34:07 | |
Figure out what this studio's going to look like, | 0:34:07 | 0:34:10 | |
-for the grand total of £75,000! Go on, off you go! -OK! | 0:34:10 | 0:34:14 | |
Am I going to be allowed to actually spend that? | 0:34:14 | 0:34:16 | |
Yes, go on, go on. | 0:34:16 | 0:34:18 | |
I do hope she's able to spend it | 0:34:19 | 0:34:20 | |
because this house would really work for them, | 0:34:20 | 0:34:22 | |
it's got the space, the aspect, the location | 0:34:22 | 0:34:25 | |
and it's got a price to match. | 0:34:25 | 0:34:27 | |
Priced at £575,000, | 0:34:29 | 0:34:32 | |
this beautifully converted house is a huge £75,000 | 0:34:32 | 0:34:37 | |
under Jim and Caroline's budget | 0:34:37 | 0:34:39 | |
and gives them the potential for everything they want. | 0:34:39 | 0:34:41 | |
There's a large kitchen-diner, a music room for Jim, | 0:34:41 | 0:34:45 | |
four bedrooms, and a huge garden | 0:34:45 | 0:34:48 | |
with bags of studio potential. | 0:34:48 | 0:34:51 | |
Inside, it's a very impressive contemporary house, | 0:34:51 | 0:34:54 | |
which appeals, I think, more to me than Caroline. | 0:34:54 | 0:34:58 | |
But I like it very much, yes. | 0:34:58 | 0:35:00 | |
I know that Jim really likes it. | 0:35:00 | 0:35:03 | |
And...I'm perfectly prepared to compromise on style, | 0:35:03 | 0:35:07 | |
if Jim really likes this kind of style, | 0:35:07 | 0:35:10 | |
and there are plenty of options for studios | 0:35:10 | 0:35:13 | |
so that's probably not an issue. | 0:35:13 | 0:35:15 | |
I think the next stage is to get you somewhere you can relax | 0:35:16 | 0:35:19 | |
and really consider everything we've shown you thus far. | 0:35:19 | 0:35:23 | |
And then we'll see what happens next in your world. | 0:35:23 | 0:35:26 | |
What does the future hold, I wonder? | 0:35:26 | 0:35:29 | |
Wool may once have been a Cotswold staple for cloth-making, | 0:35:40 | 0:35:44 | |
but back in the Middle Ages, a different product was the most widely used textile in Europe. | 0:35:44 | 0:35:49 | |
Flax was originally introduced to Britain by the Romans. | 0:35:49 | 0:35:53 | |
It was added to wool and hemp to produce a fine workable cloth. | 0:35:53 | 0:35:57 | |
However, due to the import of cheap cotton, | 0:35:57 | 0:36:00 | |
the need for flax diminished, with commercial growing dying out in the 1950s. | 0:36:00 | 0:36:05 | |
But here, on a small farm in the Cotswold village of Cherington, | 0:36:05 | 0:36:08 | |
Simon Cooper is staging his own flax revival. | 0:36:08 | 0:36:11 | |
Not for textiles, but spinning yarn to make boats. | 0:36:11 | 0:36:14 | |
I've come to meet him to find out more about his use | 0:36:14 | 0:36:17 | |
of this highly versatile plant. | 0:36:17 | 0:36:19 | |
-And so this is it, this is the raw material. -Yes. | 0:36:21 | 0:36:23 | |
We've grown this on the farm, only about half an acre, | 0:36:23 | 0:36:26 | |
as you can see, there's roots on the bottom | 0:36:26 | 0:36:30 | |
so we have to pull it all by hand, no machines involved. | 0:36:30 | 0:36:33 | |
How do you transform that into linen, effectively? | 0:36:33 | 0:36:37 | |
Into linen. Well, within the stems, if we get a bunch... | 0:36:37 | 0:36:43 | |
-If we give it a good razzle around... -Look at that! | 0:36:46 | 0:36:50 | |
-The fibres! -If you give it a quick twist and then give it a pull, | 0:36:51 | 0:36:56 | |
-it's incredibly strong. -So, a bit of that... | 0:36:56 | 0:36:59 | |
Mm. Gosh, you'd have enough to hold the QE2 on a mooring there! | 0:36:59 | 0:37:06 | |
I can't break that at all, that's incredible. | 0:37:06 | 0:37:08 | |
-That's amazing. -It's so versatile. | 0:37:08 | 0:37:10 | |
That can go down to the finest, finest sort of linen | 0:37:10 | 0:37:13 | |
right up to the strongest ropes. | 0:37:13 | 0:37:16 | |
So it's a really, really versatile crop. | 0:37:16 | 0:37:19 | |
Is that a piece that you've completely dealt with? | 0:37:19 | 0:37:22 | |
This piece, yes, this is in a... | 0:37:22 | 0:37:23 | |
You can see, it's a lovely long length. | 0:37:23 | 0:37:25 | |
What you're after is the full length of the fibre. | 0:37:25 | 0:37:28 | |
I mean, it is a wonderful material. | 0:37:28 | 0:37:31 | |
And then you transform it into linen. | 0:37:31 | 0:37:34 | |
This is some of our own fabric, own-grown Cotswold... | 0:37:34 | 0:37:37 | |
Well, we're calling it linen but I guess really, you'd call it a flax fabric. | 0:37:37 | 0:37:42 | |
-It's almost like a hessian. -It is, it's really sort of open weave. | 0:37:42 | 0:37:45 | |
We specifically want it that way so we can use it as a boat covering. | 0:37:45 | 0:37:50 | |
Flax played an important role in maritime history, | 0:37:50 | 0:37:54 | |
as it was the fabric of choice for use on ships | 0:37:54 | 0:37:56 | |
for rigging and sailcloth, until it was superseded by cotton | 0:37:56 | 0:38:00 | |
around 150 years ago. | 0:38:00 | 0:38:02 | |
Simon is continuing the old tradition | 0:38:02 | 0:38:04 | |
with his own handmade flax-covered boats, | 0:38:04 | 0:38:07 | |
traditional coracles and curraghs. | 0:38:07 | 0:38:10 | |
His latest project is the construction of a one-man canoe, | 0:38:10 | 0:38:13 | |
a light ash frame, covered in the flax fabric | 0:38:13 | 0:38:16 | |
and sealed with resin from the flax seed. | 0:38:16 | 0:38:18 | |
I'm going to help him test it out on a local lake. | 0:38:18 | 0:38:22 | |
So, it's been in development, you have tested this. | 0:38:23 | 0:38:26 | |
-Yes. -I'm just now the guinea pig, aren't I? | 0:38:26 | 0:38:29 | |
That's right, yes. | 0:38:29 | 0:38:31 | |
Just another one to put on the list. | 0:38:31 | 0:38:33 | |
Traditionally, these craft were covered with animal skins | 0:38:33 | 0:38:36 | |
and more recently with manmade petrochemical-based materials. | 0:38:36 | 0:38:40 | |
But I'm hoping that this flax fabric won't leave me up the creek | 0:38:40 | 0:38:44 | |
without a paddle. | 0:38:44 | 0:38:45 | |
-It's not leaking yet. -No, no. -So the flax is doing its job, isn't it? | 0:38:45 | 0:38:49 | |
Yes, yes, yes. No worries on that count. | 0:38:49 | 0:38:52 | |
All credit to you, it is absolutely beautiful, a real work of art. | 0:38:52 | 0:38:57 | |
-Thank you. -Can I go for a paddle? -Yes, yes, it's a good long lake | 0:38:57 | 0:39:02 | |
so we'll see you later! | 0:39:02 | 0:39:04 | |
'I'm delighted to see this ancient and sustainable crop | 0:39:07 | 0:39:10 | |
'being put to such creative use once again. | 0:39:10 | 0:39:13 | |
'But now, it's time for me to set a course back to today's buyers, | 0:39:13 | 0:39:16 | |
'Jim and Caroline.' | 0:39:16 | 0:39:18 | |
Well, this has been...quite an interesting experience this week! | 0:39:28 | 0:39:32 | |
Property number one, Jim, now you've had a chance to think about it. | 0:39:32 | 0:39:36 | |
Er, yes, it was an interesting property. | 0:39:36 | 0:39:39 | |
It certainly had an emotional pull from the outside | 0:39:39 | 0:39:42 | |
as a Cotswold stone cottage. | 0:39:42 | 0:39:45 | |
And I liked the fact that inside, it was a more contemporary layout. | 0:39:45 | 0:39:50 | |
-And in terms of the studio... -Yes. | 0:39:50 | 0:39:54 | |
We thought about you building something in the garden. | 0:39:54 | 0:39:57 | |
What are your final thoughts on that idea? | 0:39:57 | 0:40:01 | |
I wouldn't mind it there. It's one of those things where | 0:40:01 | 0:40:03 | |
it didn't feel entirely right and I don't know why. | 0:40:03 | 0:40:08 | |
Because... It might just have been... I really liked the house. | 0:40:08 | 0:40:12 | |
But having the studio yet to build didn't appeal to me at that point. | 0:40:12 | 0:40:18 | |
I did actually like that garden a lot. | 0:40:18 | 0:40:20 | |
I like the fact it had chickens, it had the vegetable patch, I... | 0:40:20 | 0:40:25 | |
I suspect the studio could grow on me there. | 0:40:25 | 0:40:28 | |
So, we then took you to property number two, | 0:40:28 | 0:40:31 | |
near the lovely Sudeley Castle. | 0:40:31 | 0:40:33 | |
Let's face it, having that on your doorstep is quite nice! | 0:40:33 | 0:40:36 | |
Er, what are your abiding thoughts on that one now, Jim? | 0:40:36 | 0:40:40 | |
It appealed more to the head than the heart | 0:40:40 | 0:40:42 | |
in that it had more space for us, | 0:40:42 | 0:40:45 | |
although the initial view of it, it didn't jump out and grab you | 0:40:45 | 0:40:48 | |
as a nice chocolate-box cottage. | 0:40:48 | 0:40:52 | |
But I think with a little bit of work, | 0:40:52 | 0:40:54 | |
it could, you know, it would be improved and look nice. | 0:40:54 | 0:40:58 | |
And it would have an extra bedroom there for us | 0:40:58 | 0:41:02 | |
which is good, and of course, it has the studio ready for Caroline | 0:41:02 | 0:41:08 | |
-to get going on. -Yes. | 0:41:08 | 0:41:10 | |
Caroline, your thoughts on property number two. | 0:41:10 | 0:41:13 | |
Well, I definitely preferred it and not necessarily just because of the studio. | 0:41:13 | 0:41:17 | |
I actually liked the fact we could put our stamp on it | 0:41:17 | 0:41:20 | |
and I like the thought of that. | 0:41:20 | 0:41:22 | |
Well, then we went to our mystery house. | 0:41:22 | 0:41:24 | |
Jim, help me out on property number three! | 0:41:24 | 0:41:27 | |
Well, yeah, I could see myself in there very comfortably. | 0:41:27 | 0:41:31 | |
I thought you could too! I could see you in there! | 0:41:31 | 0:41:34 | |
But would you be on your own, I wonder! | 0:41:34 | 0:41:36 | |
-Well... -Caroline, come on. Have you been able to distil down the merits | 0:41:36 | 0:41:41 | |
of our mystery house? | 0:41:41 | 0:41:42 | |
Well... | 0:41:42 | 0:41:44 | |
Something that you don't know that I said to Jim | 0:41:44 | 0:41:47 | |
was that as long as I had the right studio, then he could choose the house. | 0:41:47 | 0:41:51 | |
Oh, right. So where does that leave us with our three properties then? | 0:41:51 | 0:41:55 | |
Of the first two, | 0:41:55 | 0:41:56 | |
the second one is definitely more interesting to us. | 0:41:56 | 0:42:02 | |
And as for the mystery house... | 0:42:02 | 0:42:05 | |
I mean, obviously I'm interested in it. | 0:42:05 | 0:42:07 | |
I hadn't imagined myself living on the edge of an old aerodrome. | 0:42:07 | 0:42:11 | |
HE LAUGHS | 0:42:11 | 0:42:12 | |
We'll look out on the map where...about the area | 0:42:12 | 0:42:15 | |
and where we might walk the dog | 0:42:15 | 0:42:17 | |
and maybe bring the dog and have another viewing. | 0:42:17 | 0:42:21 | |
So you're going to go back and have another look at the mystery house. | 0:42:21 | 0:42:24 | |
You can explore it a bit further. Take Teasel, the dog, with you. | 0:42:24 | 0:42:28 | |
-Yes. -Best of luck, go and have another look at it. | 0:42:28 | 0:42:31 | |
Our mystery house may yet have saved the day, Jim! | 0:42:31 | 0:42:33 | |
It might give you the music room and house you've been dreaming of! | 0:42:33 | 0:42:36 | |
-Thanks very much. -Pleasure. -Thank you. -Well done. | 0:42:36 | 0:42:39 | |
You know, there were times in this house search I was really worried | 0:42:43 | 0:42:47 | |
Caroline's determination to find herself an art studio | 0:42:47 | 0:42:49 | |
was going to derail the real point of this exercise. | 0:42:49 | 0:42:52 | |
That, of course, was finding them a home to live in. | 0:42:52 | 0:42:55 | |
But in the end, it seems, good sense has prevailed. | 0:42:55 | 0:42:58 | |
It just goes to show that no matter how we may dream of our ideal home, | 0:42:58 | 0:43:02 | |
no matter what elements we think it should have, | 0:43:02 | 0:43:04 | |
there is one thing that any house search can never do without - | 0:43:04 | 0:43:08 | |
that's a sense of balance and compromise. | 0:43:08 | 0:43:11 | |
If you'd like to escape to the country in Scotland, Wales, | 0:43:13 | 0:43:16 | |
Northern Ireland or England, and would like our help, | 0:43:16 | 0:43:18 | |
then please apply online at.... | 0:43:18 | 0:43:23 | |
Subtitles by Red Bee Media Ltd | 0:43:41 | 0:43:44 |