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Welcome to a very enchanted edition of Escape To The Country. | 0:00:02 | 0:00:06 | |
This magical place is known locally as a scowle. | 0:00:06 | 0:00:10 | |
But what is it? How was it formed? And where am I? | 0:00:10 | 0:00:13 | |
Join me in just a few moments and I'll tell you. | 0:00:13 | 0:00:16 | |
On today's show, I'm helping one lady buyer, | 0:00:46 | 0:00:48 | |
who's brought along a good friend for moral support, | 0:00:48 | 0:00:51 | |
to find a home with a fantastic countryside view. | 0:00:51 | 0:00:54 | |
And our first property gets us off to a great start. | 0:00:54 | 0:00:57 | |
-Property number one. -This looks idyllic. | 0:00:57 | 0:01:00 | |
But, as ever, the mystery house could just be the one to watch. | 0:01:00 | 0:01:04 | |
-Another beautiful room, yes. -Wow. | 0:01:04 | 0:01:07 | |
Well, today, we're in Gloucestershire | 0:01:09 | 0:01:11 | |
and right now I'm standing in the middle of Puzzlewood | 0:01:11 | 0:01:14 | |
in the heart of the Forest of Dean. | 0:01:14 | 0:01:17 | |
These extraordinary limestone workings are the result | 0:01:17 | 0:01:20 | |
of Roman mining excavations dating back over 2,000 years. | 0:01:20 | 0:01:24 | |
It's even thought that Tolkien based his interpretation | 0:01:24 | 0:01:27 | |
of Middle Earth on these magical surroundings. | 0:01:27 | 0:01:30 | |
And when you look around here, you can see why. | 0:01:30 | 0:01:32 | |
Gloucestershire lies in the south-west of England, | 0:01:35 | 0:01:37 | |
bordering Monmouthshire in Wales to the west, | 0:01:37 | 0:01:40 | |
and Worcestershire and Herefordshire to the north. | 0:01:40 | 0:01:42 | |
The county town of Gloucester is rich in historic buildings | 0:01:42 | 0:01:46 | |
such as the imposing cathedral. | 0:01:46 | 0:01:48 | |
The main body of its abbey church dates back to Norman times | 0:01:48 | 0:01:51 | |
but it has additions in every style of Gothic architecture. | 0:01:51 | 0:01:55 | |
The county itself has three distinct areas - | 0:01:55 | 0:01:58 | |
the Cotswold Hills in the south, the broad River Severn Valley | 0:01:58 | 0:02:02 | |
in the centre, and the Forest of Dean to the west. | 0:02:02 | 0:02:05 | |
Designated as a National Forest Park in 1938, | 0:02:05 | 0:02:09 | |
the Forest of Dean covers around 42 square miles. | 0:02:09 | 0:02:12 | |
It is one of England's few remaining ancient woodlands | 0:02:12 | 0:02:15 | |
and it's home to a small number of deer and wild boar. | 0:02:15 | 0:02:18 | |
Now when it comes to A-list counties, | 0:02:22 | 0:02:24 | |
Gloucestershire is up there with the best of them. | 0:02:24 | 0:02:27 | |
No surprise, therefore, that many a celebrity have chosen to call | 0:02:27 | 0:02:30 | |
this place home. But that sort of desirability does come at a premium. | 0:02:30 | 0:02:35 | |
A £290,000, your average house price here | 0:02:35 | 0:02:38 | |
is around about 15% above the national average. | 0:02:38 | 0:02:41 | |
It is easy to see why when you've got beautiful towns and villages | 0:02:41 | 0:02:45 | |
like Stow on the Wold and Bourton-on-the-Water | 0:02:45 | 0:02:47 | |
right on your doorstep. But, take heart. | 0:02:47 | 0:02:50 | |
Step out of the hotspot of the Cotswolds, | 0:02:50 | 0:02:53 | |
further west towards Stroud and Nailsworth, | 0:02:53 | 0:02:56 | |
and you could save yourself about 30% on those figures. | 0:02:56 | 0:02:59 | |
So whereabouts in this county will we be looking on today's show? | 0:02:59 | 0:03:03 | |
It's time to meet our buyer Sarah, and her friend Ruth, to find out. | 0:03:03 | 0:03:08 | |
Sarah, who works in corporate communications has been | 0:03:08 | 0:03:11 | |
living in her three-bedroom house in the busy town of Sandhurst, | 0:03:11 | 0:03:14 | |
in Surrey, for the past two decades. | 0:03:14 | 0:03:17 | |
However, recent changes in her family circumstances have | 0:03:17 | 0:03:20 | |
given her cause to re-evaluate her work-life balance. | 0:03:20 | 0:03:24 | |
She's decided that now is the perfect time to fulfil her dream | 0:03:24 | 0:03:27 | |
of buying a house in the countryside. | 0:03:27 | 0:03:30 | |
I've just found myself on a treadmill these past, probably 20 years, | 0:03:30 | 0:03:34 | |
really, where you get up, go to work, come home, | 0:03:34 | 0:03:37 | |
do a bit of shopping, do a bit of tidying around the house, | 0:03:37 | 0:03:40 | |
then have your weekend off and then it all starts again. | 0:03:40 | 0:03:44 | |
And I'm really serious now about thinking, no, | 0:03:44 | 0:03:47 | |
you've got to look at it from actually getting some more | 0:03:47 | 0:03:50 | |
enjoyment out of what you do and what you work for. | 0:03:50 | 0:03:53 | |
My son is now far more independent | 0:03:53 | 0:03:56 | |
and I now do a sort of job that doesn't have to be so office-based. | 0:03:56 | 0:04:01 | |
So it's given me the perfect opportunity to actually think | 0:04:01 | 0:04:03 | |
seriously about my desire to move to the country. | 0:04:03 | 0:04:08 | |
While she'll still be keeping her current property for her son, | 0:04:08 | 0:04:11 | |
Sarah wants to find a new house within a two-hour drive | 0:04:11 | 0:04:14 | |
so she can still commute to work. | 0:04:14 | 0:04:16 | |
As a result, she's set her heart on the south-west of England. | 0:04:16 | 0:04:19 | |
Many years ago, when I worked in Worcestershire, I actually had | 0:04:19 | 0:04:22 | |
to drive through Gloucestershire to get there. | 0:04:22 | 0:04:25 | |
And the countryside around there, I think, is going to be perfect for me. | 0:04:25 | 0:04:29 | |
So that's why I've honed in on Gloucestershire. | 0:04:29 | 0:04:31 | |
It's a perfect distance from where I am at the moment. | 0:04:31 | 0:04:34 | |
And to help her find her perfect home, she's taking along Ruth, | 0:04:34 | 0:04:38 | |
her good friend of 20 years. | 0:04:38 | 0:04:41 | |
I'm quite happy with my own decisions. | 0:04:41 | 0:04:43 | |
I've lived by myself for quite some time. | 0:04:43 | 0:04:46 | |
It will be nice to have my friend Ruth along just to sort of bounce | 0:04:46 | 0:04:49 | |
ideas off and be able to turn to her and say, "What do you think, Ruth? | 0:04:49 | 0:04:53 | |
"Do you think this would suit me?" She knows me very well. | 0:04:53 | 0:04:56 | |
It's up to me to maybe be objective, | 0:04:56 | 0:04:59 | |
stay focused on what she said rather than the heart ruling the head | 0:04:59 | 0:05:05 | |
maybe, if she sees something that she gets really excited about. | 0:05:05 | 0:05:09 | |
And there's one particular aspect of country life that | 0:05:09 | 0:05:12 | |
Sarah is very enthused about. | 0:05:12 | 0:05:14 | |
The real reason I want to move to the countryside is for a view. | 0:05:14 | 0:05:17 | |
I'm just longing for the perfect rural view. | 0:05:17 | 0:05:21 | |
I must be able to see rolling countryside or hills, trees, | 0:05:21 | 0:05:25 | |
just something quintessentially English. | 0:05:25 | 0:05:29 | |
Looking ahead, she has the germ of an idea that might just turn | 0:05:29 | 0:05:33 | |
her countryside move into a great business proposition. | 0:05:33 | 0:05:36 | |
If we can't find somewhere that's actually just perfect for me, | 0:05:36 | 0:05:38 | |
perhaps we could actually look for a larger property that | 0:05:38 | 0:05:41 | |
I could actually then, in future years, potentially run as a | 0:05:41 | 0:05:44 | |
bed-and-breakfast business if that's the thing I decide I want to do. | 0:05:44 | 0:05:49 | |
Despite the potential for a business, she still has | 0:05:49 | 0:05:51 | |
plenty of plans to enjoy her free time in Gloucestershire. | 0:05:51 | 0:05:55 | |
The perfect day for me would be to go out with a friend | 0:05:55 | 0:05:58 | |
to a nice, old area and go and have a look at a country house. | 0:05:58 | 0:06:03 | |
Not only to look at the house but also to wander through the gardens | 0:06:03 | 0:06:06 | |
to get some ideas, to see what they're doing in their gardens, | 0:06:06 | 0:06:08 | |
what type of plants they're growing. | 0:06:08 | 0:06:11 | |
The day would also include a stop for coffee and a chat with a friend, | 0:06:11 | 0:06:15 | |
and also a nice lunch. | 0:06:15 | 0:06:17 | |
I'd just want to make a real day of it. | 0:06:17 | 0:06:19 | |
All that's left now is to assess the finances. | 0:06:19 | 0:06:22 | |
The budget for my move ranges from £250,000 up to £400,000. | 0:06:22 | 0:06:27 | |
Sarah needs her new home to be within about two hours travel time | 0:06:34 | 0:06:37 | |
to Surrey, so she'd like us to focus the search towards | 0:06:37 | 0:06:40 | |
the south of Gloucestershire in the Stroud area. | 0:06:40 | 0:06:43 | |
And she's arrived with Ruth to tell me more | 0:06:43 | 0:06:46 | |
about what she wants for her new rural hideaway. | 0:06:46 | 0:06:49 | |
-Hello, guys, nice to see you. -And you. | 0:06:49 | 0:06:52 | |
-Nice of you to join us as well, Ruth. -Thank you. | 0:06:52 | 0:06:54 | |
This is a long-term partnership, isn't it, between the pair of you? | 0:06:54 | 0:06:56 | |
-Uh-huh, 20 years or more. -20 years or more. | 0:06:56 | 0:06:59 | |
So what do you think about this move that Sarah's trying to make | 0:06:59 | 0:07:02 | |
to glorious Gloucestershire? | 0:07:02 | 0:07:04 | |
I'm really excited to see whether we can find something | 0:07:04 | 0:07:07 | |
that will suit what she wants. | 0:07:07 | 0:07:10 | |
You've been thinking about this for a long time, haven't you? | 0:07:10 | 0:07:12 | |
I have, yes, for many years. | 0:07:12 | 0:07:14 | |
I used to go on holiday to a lovely part of Wales | 0:07:14 | 0:07:17 | |
and just loved the countryside. | 0:07:17 | 0:07:19 | |
My work has meant that I've had to live in more urban areas | 0:07:19 | 0:07:22 | |
and so I just want to get back | 0:07:22 | 0:07:24 | |
and live somewhere that's not quite as busy, not quite as hectic, | 0:07:24 | 0:07:28 | |
so I just want something a bit quieter and with a view. | 0:07:28 | 0:07:31 | |
-Something like this, perfect. -OK. | 0:07:31 | 0:07:33 | |
So you mentioned the view, | 0:07:33 | 0:07:35 | |
but what else are we really looking for in this property? | 0:07:35 | 0:07:38 | |
Well, it doesn't have to be too large because, initially, | 0:07:38 | 0:07:41 | |
it would be mainly be me. | 0:07:41 | 0:07:42 | |
Yes, I'd like a spare room for a guest, perhaps another bedroom. | 0:07:42 | 0:07:46 | |
-Say you've got somewhere to stay? Yeah. -Yes. | 0:07:46 | 0:07:48 | |
She'll have to come and see me living in my countryside splendour. | 0:07:48 | 0:07:52 | |
-What else do I want? Utility room. -Yes. | 0:07:52 | 0:07:54 | |
At the moment, I come straight out from the garden | 0:07:54 | 0:07:57 | |
into my kitchen, and I really want a sort of stopping off place, | 0:07:57 | 0:08:00 | |
somewhere to put the wellies, | 0:08:00 | 0:08:01 | |
somewhere to wash off all the mud, because I enjoy my garden. | 0:08:01 | 0:08:04 | |
I also want a garden where I can grow some more flowers and some veg. | 0:08:04 | 0:08:08 | |
You mentioned your love of Wales, so why Gloucestershire? | 0:08:08 | 0:08:11 | |
Because Wales, at the moment for me, is a little bit too far. | 0:08:11 | 0:08:14 | |
I still have to work. I'm hoping to cut down the days I work | 0:08:14 | 0:08:18 | |
and perhaps work from home a little more often. | 0:08:18 | 0:08:20 | |
But at the moment, I do still need that access back towards Bracknell, | 0:08:20 | 0:08:23 | |
where I work at the moment, | 0:08:23 | 0:08:25 | |
and to my property, which I'm maintaining in Sandhurst. | 0:08:25 | 0:08:28 | |
So I really didn't want to be more than two hours maximum away. | 0:08:28 | 0:08:31 | |
OK, so I get the sense we're looking for something genuinely pretty | 0:08:31 | 0:08:35 | |
-but compact. -Absolutely. Compact, Bijou. Bijou is the word. -Bijou, OK. | 0:08:35 | 0:08:40 | |
There's a lot to fit in to this bijou property, isn't there? | 0:08:40 | 0:08:43 | |
Well, there is, and I think it's the two ends, really. | 0:08:43 | 0:08:47 | |
I either go small and bijou just for me or, potentially, | 0:08:47 | 0:08:50 | |
if the perfect property's found that happens to be larger then | 0:08:50 | 0:08:53 | |
I'll have to just look at a different way of using it. | 0:08:53 | 0:08:56 | |
-That would suggest a sliding scale on the budget. -It does indeed, yes. | 0:08:56 | 0:08:59 | |
-Talk us through the numbers. -OK. | 0:08:59 | 0:09:01 | |
-From around about 250,000 up to maximum around about 400,000. -OK. | 0:09:01 | 0:09:07 | |
-Well. It's all to play for, isn't it? -It is. | 0:09:07 | 0:09:10 | |
-A whole new life in Gloucestershire. -Yes. | 0:09:10 | 0:09:13 | |
And we're going to have some good advice, I hope, from Ruth. | 0:09:13 | 0:09:15 | |
Well, hopefully I'll keep her on the straight and narrow. | 0:09:15 | 0:09:18 | |
-Brilliant. Let's go and see if we can find you a home. -OK. -Follow me. | 0:09:18 | 0:09:21 | |
Sarah has a wide-ranging budget of around 250 to £400,000, and for | 0:09:25 | 0:09:31 | |
the top price she'd want a property that has some business potential. | 0:09:31 | 0:09:35 | |
On the wish list is - lots of character, | 0:09:35 | 0:09:37 | |
a convenient location for commuting to work... | 0:09:37 | 0:09:40 | |
We've got three charming properties to view and, as usual, | 0:09:48 | 0:09:51 | |
I'll be asking them to guess the price before I reveal it. | 0:09:51 | 0:09:55 | |
The final option is, of course, our mystery house, | 0:09:55 | 0:09:57 | |
which could be just the business for Sarah in the future. | 0:09:57 | 0:10:00 | |
We're heading close to the lively town of Stroud with | 0:10:06 | 0:10:09 | |
good links to the M5 motorway for the commute to work. | 0:10:09 | 0:10:12 | |
And it's a place that should provide Sarah with plenty of scope | 0:10:12 | 0:10:15 | |
for her favourite activities of visiting historic buildings | 0:10:15 | 0:10:18 | |
before having a spot of lunch in one of its many cafes. | 0:10:18 | 0:10:22 | |
Property one is a couple of miles outside Stroud in the village | 0:10:22 | 0:10:26 | |
of Slad, made famous by Laurie Lee in his novel Cider With Rosie. | 0:10:26 | 0:10:31 | |
The house itself is built from Cotswold stone | 0:10:31 | 0:10:33 | |
and is thought to date back to the Georgian era. | 0:10:33 | 0:10:36 | |
So this is it, Sarah. This is property number one. | 0:10:36 | 0:10:40 | |
-This looks idyllic. -Yeah, you said idyllic. | 0:10:40 | 0:10:43 | |
-Very peaceful setting, I can hear birds. -Yes. -Yes. | 0:10:43 | 0:10:47 | |
Lots of open countryside, different heights, I'm liking that very much. | 0:10:47 | 0:10:52 | |
And the fact we've got trees around and things, | 0:10:52 | 0:10:54 | |
I know you like trees around. | 0:10:54 | 0:10:56 | |
-Birdsong, as Sarah says. Yeah, I agree. -Very happy. | 0:10:56 | 0:10:59 | |
Right, let's have a look, follow me. | 0:10:59 | 0:11:01 | |
This property certainly delivers on the views | 0:11:01 | 0:11:04 | |
and character Sarah is after, | 0:11:04 | 0:11:06 | |
and the inside has been beautifully refurbished while keeping | 0:11:06 | 0:11:09 | |
all the original features, which she'll definitely be pleased about. | 0:11:09 | 0:11:13 | |
Come on in. This is obviously your principal living room. You tell me. | 0:11:13 | 0:11:18 | |
-I really like it. -Do you? -Yes, very much. | 0:11:19 | 0:11:22 | |
I love the fact that they stripped the floorboards back, | 0:11:22 | 0:11:25 | |
the floorboards, that's lovely. Loving the fireplace, | 0:11:25 | 0:11:28 | |
that's perfect. I love the view that you've got that way, | 0:11:28 | 0:11:30 | |
so you're looking at a view that way, you're looking out this way, as well. | 0:11:30 | 0:11:34 | |
-Yeah. -I'm very excited. | 0:11:34 | 0:11:36 | |
-And it's not low ceilings, either. -It surprising, isn't it? -Yes. | 0:11:36 | 0:11:39 | |
Because coming into somewhere like this, | 0:11:39 | 0:11:41 | |
I would have thought it would be lower ceilings. | 0:11:41 | 0:11:43 | |
-You'd be all right though, Ruth. -I'd be fine. | 0:11:43 | 0:11:46 | |
-We have to think of Sarah. -OK. -Yeah, absolutely. Good. | 0:11:46 | 0:11:50 | |
-I'm really pleased. -Yes, so am I. -Happy days. | 0:11:50 | 0:11:52 | |
Right, follow me through to the kitchen. | 0:11:52 | 0:11:55 | |
And the kitchen and breakfast room | 0:11:55 | 0:11:56 | |
should keep the smiles on their faces. | 0:11:56 | 0:11:58 | |
Oh, wow. | 0:12:00 | 0:12:01 | |
-This is lovely, as well. -I didn't expect this. | 0:12:01 | 0:12:04 | |
-Yes, perfect amount of work space. -Yeah. | 0:12:04 | 0:12:07 | |
And then back for dining room. | 0:12:07 | 0:12:10 | |
Ideal for entertaining because you're working away, | 0:12:10 | 0:12:13 | |
your friends are sitting here with a glass of wine, talking to them. | 0:12:13 | 0:12:16 | |
Yes. Very nice. | 0:12:16 | 0:12:18 | |
-There's an air of excitement, isn't there? -Yes, already. -Oh, good. | 0:12:18 | 0:12:22 | |
And it's so full of character. | 0:12:22 | 0:12:24 | |
It's not overly done, but you've got the beams, you've got the wood, | 0:12:24 | 0:12:27 | |
it's just perfect. | 0:12:27 | 0:12:29 | |
OK, ladies, shall we go upstairs? | 0:12:29 | 0:12:32 | |
I don't get to say that very often, do I? OK, follow me. | 0:12:32 | 0:12:35 | |
Sarah and Ruth both seem quite taken with this cottage so far, | 0:12:36 | 0:12:39 | |
and the rooms on the first floor, | 0:12:39 | 0:12:41 | |
though not as large as downstairs, are equally attractive. | 0:12:41 | 0:12:44 | |
So this is your room, Sarah. | 0:12:45 | 0:12:48 | |
OK, yes. | 0:12:48 | 0:12:50 | |
-Now, obviously things are a bit smaller up here. -Yes. | 0:12:50 | 0:12:53 | |
On this floor, we've got you two bedrooms and a family bathroom. | 0:12:53 | 0:12:58 | |
This is your room but you do get an en suite, too, which is in there. | 0:12:59 | 0:13:02 | |
-Oh. -That's a bonus. -Yeah, look at it, lovely freestanding bath | 0:13:02 | 0:13:05 | |
and all the rest of it. | 0:13:05 | 0:13:06 | |
Love the bathroom, it's not something I'd even thought about | 0:13:06 | 0:13:09 | |
-but great to have it. -Would this be big enough for you, though? | 0:13:09 | 0:13:12 | |
You'd have to be clever with the space, wouldn't you? | 0:13:12 | 0:13:15 | |
Perhaps a slightly smaller bed. | 0:13:15 | 0:13:18 | |
It's liveable, I think it's just a little bit of thinking about how... | 0:13:18 | 0:13:21 | |
Bearing in mind, we've also got the other bedroom on this floor, | 0:13:21 | 0:13:24 | |
which might allow you a little bit of extra storage, | 0:13:24 | 0:13:27 | |
-because much of the time it will be empty. -Yes. | 0:13:27 | 0:13:30 | |
-But upstairs, we've got you a third bedroom. -Oh. -Oh. | 0:13:30 | 0:13:36 | |
The bonus of having an extra room on the second floor | 0:13:36 | 0:13:39 | |
is that it could be a great space for Sarah to work in | 0:13:39 | 0:13:42 | |
if she can tear her eyes away from those views. | 0:13:42 | 0:13:45 | |
So this is what we're thinking about in terms of office space | 0:13:45 | 0:13:48 | |
-or study space. -Yes. | 0:13:48 | 0:13:50 | |
And it could work very well for that, couldn't it? | 0:13:50 | 0:13:52 | |
Yes, it's nice and light, which is good when you're on the computer. | 0:13:52 | 0:13:56 | |
Yes, I get the sense that the excitement levels are dropping | 0:13:56 | 0:14:00 | |
the further up this property we go. | 0:14:00 | 0:14:02 | |
Perhaps the bedrooms aren't quite right but, again, | 0:14:02 | 0:14:05 | |
I think with perhaps some thinking, I might be able to come up with | 0:14:05 | 0:14:09 | |
a solution that would be perfect for me. | 0:14:09 | 0:14:11 | |
So while the bedroom space might be a little less than she'd like, | 0:14:11 | 0:14:15 | |
the garden should be more than ample. | 0:14:15 | 0:14:17 | |
Surrounding the property on three sides and with mature trees | 0:14:17 | 0:14:20 | |
and shrubs, it covers around a third of an acre. | 0:14:20 | 0:14:24 | |
At the moment, it's certainly liveable with, | 0:14:24 | 0:14:26 | |
I do quite like the unstructured, wild look, so I wouldn't want to | 0:14:26 | 0:14:29 | |
get rid of that completely, I don't like regimented gardening. | 0:14:29 | 0:14:32 | |
But just to change it and tweak it to the way I'd want it, | 0:14:32 | 0:14:35 | |
and lots of options. | 0:14:35 | 0:14:37 | |
I think the point about all this is you can see yourself having | 0:14:37 | 0:14:41 | |
a bit of fun here, which is what this is about, isn't it? | 0:14:41 | 0:14:43 | |
-It's a new start. -It is. -It's a new chapter. | 0:14:43 | 0:14:46 | |
So the question remains, how much is this bit of fun going to cost you? | 0:14:46 | 0:14:50 | |
-Go on, Ruth, you go first. -Oh, dear. | 0:14:50 | 0:14:52 | |
I'm going to go for... | 0:14:52 | 0:14:56 | |
295. | 0:14:56 | 0:14:57 | |
295. Sarah? | 0:14:57 | 0:15:00 | |
I'm going to come in slightly under, 285? | 0:15:00 | 0:15:03 | |
It's a good job you've brought Ruth with you | 0:15:04 | 0:15:07 | |
-because she's absolutely spot-on. -Is she? -Yes. | 0:15:07 | 0:15:10 | |
-£295,000. -Well done, you. | 0:15:10 | 0:15:14 | |
How do you feel about that? | 0:15:14 | 0:15:16 | |
I think I want to have another look round it to see how much | 0:15:16 | 0:15:19 | |
work I might want to do in there, | 0:15:19 | 0:15:21 | |
there's just some finishing aspects that I'd want to do. | 0:15:21 | 0:15:25 | |
Go and have an explore. | 0:15:25 | 0:15:26 | |
Make a list of those finer points of finishing and, | 0:15:26 | 0:15:29 | |
yeah, see if it's you. | 0:15:29 | 0:15:31 | |
-OK. -I'll catch up with you later, off you go. | 0:15:31 | 0:15:33 | |
On the market for £295,000, this charming terrace cottage | 0:15:35 | 0:15:40 | |
offers Sarah nearly everything on her list of demands... | 0:15:40 | 0:15:44 | |
Three bedrooms, one of which could be used as a study, | 0:15:48 | 0:15:50 | |
and a mature garden with lovely countryside views. | 0:15:50 | 0:15:54 | |
This is definitely a house I could see myself living in. | 0:15:54 | 0:15:57 | |
It ticks so many of the boxes, my number one priority was the view | 0:15:57 | 0:16:02 | |
and from every single room in this property, you get a view. | 0:16:02 | 0:16:06 | |
So from that angle, absolutely perfect. | 0:16:06 | 0:16:09 | |
This property will suit Sarah in many ways, | 0:16:09 | 0:16:12 | |
particularly the challenge of the garden, the views, | 0:16:12 | 0:16:15 | |
the flexibility, I think, of being able to use, particularly | 0:16:15 | 0:16:19 | |
the upstairs rooms, in the way that she wants, and to be able to add to | 0:16:19 | 0:16:23 | |
it in various ways as she lives in the property itself. | 0:16:23 | 0:16:27 | |
-It's ideal as it is now, but there's so much more I can do. -Mmm. | 0:16:27 | 0:16:31 | |
I love that slope, I love the fact there's different levels here, | 0:16:31 | 0:16:35 | |
-and such a big expanse, you know? -Hello. -Oh, hello. -Ah! | 0:16:35 | 0:16:38 | |
-Plotting and planning, this is a very good sign, Sarah. -Isn't it? | 0:16:38 | 0:16:41 | |
-Yes. -Excellent. Good, I'm glad you like it. -I do, very much. | 0:16:41 | 0:16:44 | |
-Lot of potential inside and out. -Picked you a memento. -Aw. -Ah! | 0:16:44 | 0:16:49 | |
Thank you for getting that. | 0:16:49 | 0:16:51 | |
Right, after you, lead on. | 0:16:51 | 0:16:53 | |
On the South Gloucestershire border | 0:17:03 | 0:17:04 | |
lie the distinctive Cotswold market towns, which prospered | 0:17:04 | 0:17:08 | |
in the Middle Ages on the back of the wool trade. | 0:17:08 | 0:17:10 | |
Chipping Campden, for example, | 0:17:10 | 0:17:12 | |
boasts impressive limestone buildings which are testament | 0:17:12 | 0:17:15 | |
to the wealth of the old wool merchants. | 0:17:15 | 0:17:18 | |
Taking pride of place in the town centre, | 0:17:18 | 0:17:20 | |
the Market Hall has been an historic gathering point for farmers | 0:17:20 | 0:17:23 | |
to sell their produce since the 17th century. | 0:17:23 | 0:17:27 | |
Just a few miles away stands the 19th-century manor house, | 0:17:27 | 0:17:30 | |
Kiftsgate Court, with beautiful gardens that are a result | 0:17:30 | 0:17:34 | |
of three successive generations of women gardeners. | 0:17:34 | 0:17:37 | |
As Sarah has green fingers herself, we arranged for her and Ruth | 0:17:37 | 0:17:40 | |
to meet the current owner, third-generation gardener | 0:17:40 | 0:17:43 | |
Anne Chambers, to hear more about her family's unique story. | 0:17:43 | 0:17:47 | |
-Oh, what a view. -Yes, it's lovely. | 0:17:47 | 0:17:50 | |
This part of the garden was created by my grandmother in the 1930s. | 0:17:50 | 0:17:55 | |
She decided to terrace these very steep banks, quite an undertaking. | 0:17:55 | 0:17:59 | |
But luckily, she had Italian gardeners | 0:17:59 | 0:18:01 | |
and they were used to working on steep slopes. | 0:18:01 | 0:18:03 | |
-On that sort of slope, yes. -With the vineyards and things like that. | 0:18:03 | 0:18:06 | |
So she created these beautiful banks, | 0:18:06 | 0:18:09 | |
-which are quite hard to garden, though. -I can imagine. | 0:18:09 | 0:18:11 | |
-How do you plant on a bank like that? -Well, with difficulty. | 0:18:11 | 0:18:14 | |
I sometimes rope my husband, yes, if he's on the very steepest bit. | 0:18:14 | 0:18:18 | |
But they are dry and quite shady, so it's sort of | 0:18:18 | 0:18:22 | |
trial and error what grows. You've just got to experiment. | 0:18:22 | 0:18:25 | |
Anne's grandmother, Heather Muir, | 0:18:25 | 0:18:27 | |
started her work on the garden soon after she moved into the house | 0:18:27 | 0:18:31 | |
in 1918 and some of her work is remarkably still in evidence today. | 0:18:31 | 0:18:35 | |
Some of the plants, the acers and the magnolias, | 0:18:35 | 0:18:37 | |
-are from my grandmother's day. -Are they? | 0:18:37 | 0:18:40 | |
-That Magnolia there, yes, that must be 80 years old. -That's beautiful. | 0:18:40 | 0:18:43 | |
So there's a lot of different plants from different generations, | 0:18:43 | 0:18:46 | |
-which is nice. -It must be lovely to see the continuity, to be able to | 0:18:46 | 0:18:49 | |
-think back to how far this has gone back. -Yes, I think it is. | 0:18:49 | 0:18:52 | |
A lot of different plants, quite sort of feminine planting. | 0:18:52 | 0:18:55 | |
I think, being the three generations of women, | 0:18:55 | 0:18:57 | |
it's not a masculine garden, it's a sort of mixture of softness. | 0:18:57 | 0:19:01 | |
-It's soft and relaxed, isn't it? -Yes, absolutely. -Beautiful. | 0:19:01 | 0:19:03 | |
-Nothing too regimented. -No. | 0:19:03 | 0:19:05 | |
From the mid-1950s, Anne's mother, Diany Binny, added her own touches. | 0:19:05 | 0:19:11 | |
She was responsible for the striking semicircular pool in the lower | 0:19:11 | 0:19:15 | |
garden and redesigned the White Sunken Garden to incorporate | 0:19:15 | 0:19:19 | |
a pool with a wellhead fountain. | 0:19:19 | 0:19:21 | |
And in the spirit of her predecessors, Anne has brought | 0:19:21 | 0:19:24 | |
the gardens bang up to date with her own 21st-century ideas. | 0:19:24 | 0:19:29 | |
Oh, this is spectacular. Isn't it lovely? | 0:19:29 | 0:19:33 | |
It's a complete contrast, yes, really, to the rest of the garden. | 0:19:33 | 0:19:37 | |
And Johnny, my husband, and I did this 12 years ago. | 0:19:37 | 0:19:40 | |
It was a tennis court and it all sort of fell into disrepair, | 0:19:40 | 0:19:44 | |
-so we decided we'll create something new and different. -Yes. | 0:19:44 | 0:19:48 | |
The fountain was made by Simon Allison, | 0:19:48 | 0:19:50 | |
-who lives up near Banbury. -Right. | 0:19:50 | 0:19:52 | |
We knew we wanted something with height | 0:19:52 | 0:19:54 | |
and that would move and reflect. | 0:19:54 | 0:19:57 | |
So it's stainless steel stems with gilded bronze philodendron leaves. | 0:19:57 | 0:20:02 | |
And the water is on a timer, it sort of runs off. | 0:20:02 | 0:20:05 | |
-They're so unusual, aren't they? -Yes. | 0:20:05 | 0:20:07 | |
I think it works well, it's quite nice for each generation to add. | 0:20:07 | 0:20:10 | |
To do something different. | 0:20:10 | 0:20:12 | |
-Yes, to do something different to their contemporary. -Beautiful. | 0:20:12 | 0:20:15 | |
So a great deal of inspiration for Sarah to take away | 0:20:15 | 0:20:18 | |
and apply to her new garden in Gloucestershire, | 0:20:18 | 0:20:21 | |
once she's found a house to go with it, of course. | 0:20:21 | 0:20:23 | |
We've made the journey, just over five miles from Stroud, | 0:20:28 | 0:20:32 | |
to the village of Horsley, which has a local shop | 0:20:32 | 0:20:34 | |
specialising in organic food, and a church which has been turned | 0:20:34 | 0:20:37 | |
into a space for schooling and community events alongside worship. | 0:20:37 | 0:20:42 | |
Our second house, a Cotswold stone cottage, | 0:20:42 | 0:20:44 | |
is in the hamlet of Wallow Green, within the parish of Horsley itself. | 0:20:44 | 0:20:48 | |
We're going to start this one in a slightly odd way. | 0:20:50 | 0:20:53 | |
Once again, it's an end terrace. | 0:20:55 | 0:20:57 | |
The bit that's on offer is everything to the left of that | 0:20:57 | 0:21:01 | |
-large soil pipe that's running up the wall there. -OK. | 0:21:01 | 0:21:04 | |
Now, this piece on the end, this is a relatively new extension, | 0:21:04 | 0:21:09 | |
-with the solar panels on the roof. -Mmm. | 0:21:09 | 0:21:12 | |
How are you on your eco-credentials? | 0:21:12 | 0:21:15 | |
I like eco-credentials, but I don't like solar panels. | 0:21:15 | 0:21:19 | |
They save you about £220 a year on the running of this house. | 0:21:19 | 0:21:24 | |
-Still not interested. -Still don't like them? -No, I'm sorry. | 0:21:26 | 0:21:29 | |
Well, there they are, you can do what you like with them | 0:21:29 | 0:21:32 | |
if you buy it. Let's see what you think. | 0:21:32 | 0:21:35 | |
This quirky rambling property is a very different proposition | 0:21:35 | 0:21:39 | |
to our first house, as Sarah and Ruth will find out | 0:21:39 | 0:21:42 | |
when they step through the front door. | 0:21:42 | 0:21:44 | |
-There we are, after you. -OK. In you go. | 0:21:46 | 0:21:49 | |
So, what do you think? This is the kitchen in the new extension. | 0:21:51 | 0:21:57 | |
It used to be through here, | 0:21:57 | 0:21:59 | |
but they literally dragged the range through into the new bit, | 0:21:59 | 0:22:03 | |
-I imagine with a lot of huffing and puffing... -I can imagine so, yes. | 0:22:03 | 0:22:07 | |
..to create this kitchen-diner, if you will. | 0:22:07 | 0:22:11 | |
You say this is an extension, but actually it's feeling old, | 0:22:11 | 0:22:14 | |
-actually, it's feeling very quaint. -It all blends in rather nicely. | 0:22:14 | 0:22:18 | |
The doors that you noticed, that's downstairs cloakroom, | 0:22:18 | 0:22:20 | |
-this door goes to the cellar. -OK. -Or cellars, if you like. | 0:22:20 | 0:22:25 | |
-There are three rooms down there, actually. -Ooh. -Yeah. | 0:22:25 | 0:22:29 | |
-Lots to explore down there. -Lots to explore. | 0:22:29 | 0:22:32 | |
The geography is something you're really going to have to | 0:22:33 | 0:22:37 | |
get to grips with, with this one. It's not obvious. | 0:22:37 | 0:22:39 | |
It does look like that sort of property already, yes. | 0:22:39 | 0:22:42 | |
Ruth? | 0:22:42 | 0:22:44 | |
I think I'll keep an open mind. | 0:22:44 | 0:22:47 | |
Ruth's suddenly become petrified. | 0:22:47 | 0:22:49 | |
It's like... | 0:22:49 | 0:22:51 | |
Probably not what I expected, but let's keep an open mind, | 0:22:51 | 0:22:55 | |
we're just starting, and see what happens. Yeah. | 0:22:55 | 0:22:58 | |
Good, that's the spirit. Follow me. | 0:22:58 | 0:23:00 | |
Next door, the old kitchen is now the utility room, | 0:23:01 | 0:23:04 | |
which is a very good size. | 0:23:04 | 0:23:06 | |
And adjoining that is the characterful sitting-room. | 0:23:06 | 0:23:10 | |
This is your principal living room. | 0:23:10 | 0:23:13 | |
-Cosy, I would say. -Definitely cosy, yeah. Wood burner over there. -Yes. | 0:23:15 | 0:23:20 | |
Nice deep-set windows, again. And lower ceilings than the property. | 0:23:20 | 0:23:24 | |
-Yes. -It is light and very cosy. | 0:23:24 | 0:23:29 | |
It is. I think that is the word, it's a cosy feel. | 0:23:29 | 0:23:32 | |
-Bless you, I can see you're working really hard to understand it. -I am. | 0:23:32 | 0:23:36 | |
-It's more complicated upstairs, come and have a look at this. -Challenge. | 0:23:36 | 0:23:40 | |
Up here, there are rooms either side of the landing. | 0:23:41 | 0:23:45 | |
The first one is a single room, which might suit her son when | 0:23:45 | 0:23:48 | |
he comes to stay, or it could be one of Sarah's alternatives for a study. | 0:23:48 | 0:23:52 | |
But we'll check out the rest of this floor. | 0:23:52 | 0:23:54 | |
-And then down to this other level, all right? -Right. | 0:23:54 | 0:23:59 | |
-Little sort of study arrangement there. -OK. | 0:23:59 | 0:24:01 | |
-Family bathroom is in here, all right? -Yes. | 0:24:01 | 0:24:05 | |
And then this, Sarah, would be your master bedroom. | 0:24:05 | 0:24:10 | |
-Come in, Ruth. -That's different. | 0:24:10 | 0:24:12 | |
This is very different because this, again, is over the new extension. | 0:24:12 | 0:24:16 | |
-Right. -Is it? And again, has been done very well to blend in. | 0:24:16 | 0:24:20 | |
I would have thought old again. | 0:24:20 | 0:24:22 | |
What it doesn't have, is an en suite. | 0:24:22 | 0:24:24 | |
-Mmm. Here, I'm just not quite feeling it yet. -Ruth? | 0:24:24 | 0:24:27 | |
I think I feel the same, and the fact that it is so, so different. | 0:24:29 | 0:24:33 | |
Yeah. | 0:24:33 | 0:24:34 | |
Up on the second floor is a further guest bedroom, | 0:24:34 | 0:24:37 | |
and a spacious and light affair with two dormer windows | 0:24:37 | 0:24:40 | |
and lovely stripped floorboards. | 0:24:40 | 0:24:43 | |
But now we're heading outside to see if the gardens | 0:24:43 | 0:24:45 | |
are as generously sized as the house. | 0:24:45 | 0:24:48 | |
There's a timber studio here, which could serve as an office. | 0:24:48 | 0:24:51 | |
Plus, an expanse of lawn with space for growing the veg. | 0:24:51 | 0:24:55 | |
All right, let's finish up with an estimate of the value of this one. | 0:24:55 | 0:25:00 | |
-I think 320. -320, yeah. Ruth? | 0:25:00 | 0:25:03 | |
330? | 0:25:03 | 0:25:05 | |
This is on the market for £387,500. | 0:25:05 | 0:25:10 | |
-Mmm. -It's got the amount of rooms but it's... | 0:25:12 | 0:25:16 | |
I think because I don't feel the pull towards that property | 0:25:16 | 0:25:19 | |
as I did the other. | 0:25:19 | 0:25:21 | |
Go and explore the views and then go back inside our lovely | 0:25:21 | 0:25:24 | |
warren of a property and see if you can't get your heads around it. | 0:25:24 | 0:25:28 | |
-Yeah. -OK. -Go on. I'll catch up with you later. -Brain might not let it. | 0:25:28 | 0:25:31 | |
On the market for just under £388,000, | 0:25:36 | 0:25:40 | |
this rambling property has a great deal of potential for Sarah... | 0:25:40 | 0:25:43 | |
A range of alternatives for a study, | 0:25:50 | 0:25:52 | |
and a generous garden with views across the adjoining farmland. | 0:25:54 | 0:25:58 | |
That is a view, that's what I asked for, | 0:25:58 | 0:26:01 | |
but when you've seen property one | 0:26:01 | 0:26:02 | |
you realise that there are views and views, | 0:26:02 | 0:26:05 | |
and property one, I really loved that view. | 0:26:05 | 0:26:08 | |
I think Sarah's feeling maybe a little deflated after the | 0:26:08 | 0:26:12 | |
exhilaration of the first property, because she was so enthusiastic. | 0:26:12 | 0:26:16 | |
It's very quirky, there are certainly elements I love, | 0:26:16 | 0:26:20 | |
but somehow, altogether, | 0:26:20 | 0:26:22 | |
I find it's almost a little scary, I think it's a almost too big for me. | 0:26:22 | 0:26:27 | |
It's too big for me, I think. | 0:26:27 | 0:26:28 | |
Right, ladies, time to go. The end of day one has arrived. | 0:26:32 | 0:26:37 | |
-Have you had a good day? -Yes, very good. -Yes, interesting. | 0:26:37 | 0:26:40 | |
That's the main thing. As long as it's interesting | 0:26:40 | 0:26:42 | |
and it's stirring up those thoughts in your mind about what's going to | 0:26:42 | 0:26:45 | |
-work and what isn't, that's the main thing. -Oh, it's certainly done that. | 0:26:45 | 0:26:49 | |
Good, right, come on. Follow me, let's prepare for another day. | 0:26:49 | 0:26:52 | |
As the sun sets over the wonderful Gloucestershire countryside, | 0:26:59 | 0:27:03 | |
it marks the end of day one of our property search. | 0:27:03 | 0:27:06 | |
Mum Sarah has decided to re-evaluate her work-life balance and, | 0:27:13 | 0:27:17 | |
with the help of best friend Ruth, she wants a new rural home | 0:27:17 | 0:27:21 | |
with glorious views of Gloucestershire. | 0:27:21 | 0:27:23 | |
So far, she's been charmed by pretty property one, | 0:27:23 | 0:27:26 | |
and a little overwhelmed by the quirkiness of property two. | 0:27:26 | 0:27:30 | |
But coming up, the mystery house gives her | 0:27:30 | 0:27:33 | |
much more than she bargained for. | 0:27:33 | 0:27:35 | |
-Oh, my goodness! All the room for storage you would want. -Oh, wow! | 0:27:35 | 0:27:40 | |
And I get hands-on while investigating an eel-life story | 0:27:40 | 0:27:44 | |
of Gloucestershire conservation. | 0:27:44 | 0:27:46 | |
For our mystery house, we've travelled some way out | 0:27:53 | 0:27:55 | |
of Sarah's ideal search area to the village of Lydbrook, | 0:27:55 | 0:27:58 | |
on the western edge of the county, in the heart of the Forest of Dean. | 0:27:58 | 0:28:02 | |
Lydbrook itself has a range of amenities, | 0:28:02 | 0:28:05 | |
including a church and a pub. | 0:28:05 | 0:28:07 | |
The community is also served by a social club, | 0:28:07 | 0:28:10 | |
as well as a shop, which acts as a post office. | 0:28:10 | 0:28:13 | |
Our mystery proposition is a stone-built Victorian property, | 0:28:13 | 0:28:17 | |
which was originally two cottages, | 0:28:17 | 0:28:19 | |
and has a modern annexe currently being used as a holiday let. | 0:28:19 | 0:28:22 | |
So it offers genuine business potential for Sarah. | 0:28:22 | 0:28:25 | |
So... | 0:28:25 | 0:28:27 | |
..this is it. This is our mystery house. What do you reckon? | 0:28:28 | 0:28:33 | |
It's very pretty, I like the stonework, yes. | 0:28:33 | 0:28:37 | |
The point to really stress about it, I think, is that we're outside | 0:28:37 | 0:28:41 | |
-of the premium price bubble... -Right. | 0:28:41 | 0:28:43 | |
..of the central Cotswolds. | 0:28:43 | 0:28:45 | |
Which means, not only do we get to offer you this gorgeous cottage, | 0:28:45 | 0:28:49 | |
but also that purpose-designed holiday let. | 0:28:49 | 0:28:53 | |
-Right. -Wow. -Yes, you see! -All right, yes. | 0:28:53 | 0:28:57 | |
We'll explore the garden a little later on, | 0:28:57 | 0:28:59 | |
but as you see, you've got a nice little water feature for you, | 0:28:59 | 0:29:02 | |
-vegetable beds aplenty. -Yes, yes. | 0:29:02 | 0:29:04 | |
Right. I like it. Yeah. | 0:29:05 | 0:29:08 | |
I've got a very good feeling about this one. | 0:29:08 | 0:29:10 | |
-Come on, let's have a look inside. -Good. | 0:29:10 | 0:29:12 | |
So, with the view and garden demands both met, | 0:29:12 | 0:29:15 | |
plus the bonus of the holiday let to mull over, this should be a very | 0:29:15 | 0:29:19 | |
thought-provoking house tour for Sarah and Ruth. | 0:29:19 | 0:29:22 | |
Now, what do you think of this as an initial starting point? | 0:29:23 | 0:29:27 | |
-Let me grab the door. -Very nice. | 0:29:27 | 0:29:29 | |
I love the way it's been done. Yes, very. | 0:29:29 | 0:29:32 | |
-Very cosy, yes. Lovely feature wall. -Got a lovely wood burner in there, | 0:29:32 | 0:29:35 | |
which is currently working, thank goodness, on a damp day. | 0:29:35 | 0:29:38 | |
-Oh, good. -Yes. | 0:29:38 | 0:29:39 | |
It's lovely, isn't it? Little bit of a bay window here. | 0:29:39 | 0:29:42 | |
-And dual aspect. -Very good first impression. -Yeah? | 0:29:42 | 0:29:46 | |
-Yes. -OK, let's have a look at the kitchen. That's through here. | 0:29:46 | 0:29:49 | |
There you go. | 0:29:49 | 0:29:50 | |
Another beautiful room, yes, wow. | 0:29:51 | 0:29:55 | |
-And the views out, as well. -Yes. | 0:29:55 | 0:29:57 | |
Now, the only other time I've heard you say "wow," Ruth, | 0:29:58 | 0:30:01 | |
-was in property number one's kitchen. -Right. | 0:30:01 | 0:30:03 | |
So this is another wow. Good. | 0:30:03 | 0:30:06 | |
This gorgeous cottage has lots of space downstairs, | 0:30:06 | 0:30:10 | |
including a dining room and a bright second reception with doors | 0:30:10 | 0:30:14 | |
that open out onto a Juliet balcony. | 0:30:14 | 0:30:16 | |
It also has the utility room she's after. | 0:30:16 | 0:30:19 | |
Meanwhile, up on the first floor on one side the landing, | 0:30:19 | 0:30:22 | |
is a good-sized double bedroom, | 0:30:22 | 0:30:24 | |
which would be very welcoming for guests. | 0:30:24 | 0:30:27 | |
But how about this one for Sarah? | 0:30:27 | 0:30:29 | |
Now then, what about this as your master bedroom? | 0:30:30 | 0:30:34 | |
Yes. Again, dual aspect. Nice and bright in here, isn't it? | 0:30:36 | 0:30:41 | |
All sort of in character, plenty of room, | 0:30:41 | 0:30:43 | |
enough room for you to probably | 0:30:43 | 0:30:45 | |
get some kind of more cupboard space in here if you wanted to. | 0:30:45 | 0:30:48 | |
Well, the cupboard space is the moot point, really. | 0:30:48 | 0:30:51 | |
-Have a look in there, Ruth. Go on. -My turn, is it? | 0:30:51 | 0:30:54 | |
Yes, your turn. Open that door. Come on, Sarah. | 0:30:54 | 0:30:57 | |
Oh, my goodness! | 0:30:57 | 0:30:59 | |
-All the room for storage you would want. -Oh, wow! -Look at that. -Yes. | 0:30:59 | 0:31:05 | |
-Absolutely unbelievable. -More storage. Wonderful bath. -Yeah. | 0:31:05 | 0:31:08 | |
Modern, but still in keeping, I think. | 0:31:08 | 0:31:10 | |
I think this is every girl's dream, isn't it? | 0:31:10 | 0:31:13 | |
Well, I was just thinking, as you're wallowing in the bath, | 0:31:13 | 0:31:15 | |
looking out at the sky. | 0:31:15 | 0:31:17 | |
Yeah, loads of storage, loads of room, | 0:31:17 | 0:31:20 | |
you could pamper yourself to bits in here. | 0:31:20 | 0:31:22 | |
-You certainly could, couldn't you? -Yeah. | 0:31:22 | 0:31:24 | |
With the upstairs really delivering the goods, | 0:31:24 | 0:31:27 | |
let's see what the annexe has to offer. | 0:31:27 | 0:31:30 | |
This could be the game-changer, | 0:31:30 | 0:31:31 | |
providing Sarah with some real options for how she might | 0:31:31 | 0:31:34 | |
spend her future work life. | 0:31:34 | 0:31:36 | |
While the lower level currently houses a workshop and a shower room, | 0:31:36 | 0:31:40 | |
up on the first floor there's a big and beautiful | 0:31:40 | 0:31:42 | |
living and sleeping area. | 0:31:42 | 0:31:44 | |
-Yet more space. And very attractive. -Yes? -Yes. | 0:31:44 | 0:31:49 | |
-Ruth? -Oh, that is nice. | 0:31:49 | 0:31:51 | |
These skylights, of course, fill it full of light. | 0:31:51 | 0:31:54 | |
-Now, as you can see, this has only just been done. -Right. | 0:31:54 | 0:31:57 | |
They've only had it registered as a holiday let for a couple of months. | 0:31:57 | 0:32:01 | |
There are already bookings. | 0:32:01 | 0:32:02 | |
This would work perfectly. Because, again, I've got options. | 0:32:02 | 0:32:05 | |
It's perfect for when friends, relatives come and stay, | 0:32:05 | 0:32:08 | |
but it could also be used, if not immediately then certainly | 0:32:08 | 0:32:11 | |
soon, to bring in additional income, depending on how things work out. | 0:32:11 | 0:32:15 | |
I think you can just, you know, certainly see. | 0:32:15 | 0:32:17 | |
Well, I'm glad that Sarah is pleased with the options | 0:32:17 | 0:32:20 | |
this property could offer her. | 0:32:20 | 0:32:22 | |
But now it's time to find out if she can afford it. | 0:32:22 | 0:32:24 | |
Well, let's have a think about the price, then. | 0:32:24 | 0:32:27 | |
I think it's definitely top-end | 0:32:27 | 0:32:28 | |
because it does have a lot of space in there, | 0:32:28 | 0:32:31 | |
but also the additional rooms for B&B if I wanted to go that way. | 0:32:31 | 0:32:35 | |
-So I'm going to say 410. -410, yeah. | 0:32:35 | 0:32:39 | |
RUTH SIGHS | 0:32:39 | 0:32:40 | |
-You were going to say that. -She's got me. -Go on. | 0:32:40 | 0:32:43 | |
-OK, 405. -405. | 0:32:43 | 0:32:44 | |
This will cost you £370,000. | 0:32:45 | 0:32:50 | |
Oh... | 0:32:50 | 0:32:51 | |
There you are, that's done it, hasn't it? | 0:32:53 | 0:32:55 | |
I'm not good at this game, am I? Not after seeing the second property | 0:32:55 | 0:32:58 | |
-and then this. -Yeah. -And all about where it is? -And it's under budget. | 0:32:58 | 0:33:04 | |
-Wow, lots to think about. -You know what's coming now, don't you? | 0:33:04 | 0:33:07 | |
Off you go, go and explore. I'll find you later. | 0:33:07 | 0:33:11 | |
So, well under Sarah's maximum budget, | 0:33:14 | 0:33:16 | |
this immaculate property is on the market for £370,000. | 0:33:16 | 0:33:21 | |
And, while it's a bit further away for her commute, | 0:33:21 | 0:33:24 | |
it handsomely fulfils all her other demands. | 0:33:24 | 0:33:27 | |
It has a wonderful view of the Forest of Dean, | 0:33:27 | 0:33:30 | |
beautiful living spaces with original features, | 0:33:30 | 0:33:33 | |
a utility room, two good-sized bedrooms in the main house | 0:33:33 | 0:33:36 | |
and a further one in annexe, | 0:33:36 | 0:33:37 | |
which is currently set up as a holiday let. | 0:33:37 | 0:33:40 | |
Last but not least, there's a lovely garden. | 0:33:40 | 0:33:43 | |
I think I've got quite a bit of thinking to do now. | 0:33:43 | 0:33:46 | |
I did really like property number one, | 0:33:46 | 0:33:49 | |
that was fitting in with the way that my thinking was | 0:33:49 | 0:33:53 | |
when I came away to do this. | 0:33:53 | 0:33:55 | |
But seeing the mystery house and the additional potential there is there, | 0:33:55 | 0:34:00 | |
perhaps it is time for me to have a rethink, | 0:34:00 | 0:34:02 | |
and think, perhaps I actually make the sort of move now | 0:34:02 | 0:34:04 | |
rather than the halfway house, which property one would be. | 0:34:04 | 0:34:08 | |
Although Sarah might not realise it at the moment, | 0:34:08 | 0:34:11 | |
I think Sarah would like to give up work. | 0:34:11 | 0:34:15 | |
I think she needs a bit of a kick to do that. | 0:34:15 | 0:34:19 | |
This house might be that kick. | 0:34:19 | 0:34:22 | |
Now, there's an awful lot about this property to fall in love with. | 0:34:22 | 0:34:25 | |
Out you come, girls. | 0:34:26 | 0:34:28 | |
Has it stolen your heart? | 0:34:28 | 0:34:31 | |
Close. It's possibly getting there, yes. | 0:34:31 | 0:34:34 | |
-You're not giving too much away, are you? -I'm not sure I know. | 0:34:34 | 0:34:36 | |
Do you know, when this place was sold back in 1920, | 0:34:36 | 0:34:39 | |
it went for 230 quid? | 0:34:39 | 0:34:42 | |
-How times have changed, eh? -Oh, dear. | 0:34:42 | 0:34:45 | |
If only, if only. | 0:34:45 | 0:34:47 | |
But I think this is a really nice one to end on, | 0:34:47 | 0:34:50 | |
and I think completes the mix of properties that | 0:34:50 | 0:34:54 | |
will hopefully give you some choice. | 0:34:54 | 0:34:57 | |
-It's certainly done that. -Cup of tea? -Yes, please. -Come on. | 0:34:57 | 0:35:00 | |
The River Severn is home to a wealth | 0:35:10 | 0:35:12 | |
of diverse natural habitats and wildlife. | 0:35:12 | 0:35:15 | |
But one particular species residing in these waters | 0:35:15 | 0:35:18 | |
has unfortunately been declared at risk. | 0:35:18 | 0:35:21 | |
In 2008, the European eel was listed as officially endangered | 0:35:21 | 0:35:25 | |
after a 90% plunge in numbers over the previous three decades. | 0:35:25 | 0:35:29 | |
In recent years, a series of recovery measures | 0:35:30 | 0:35:33 | |
have been implemented to support eel numbers, including the unblocking | 0:35:33 | 0:35:37 | |
of migratory pathways in the river, | 0:35:37 | 0:35:39 | |
the creation of new wetland habitats, and restocking programs. | 0:35:39 | 0:35:43 | |
Here in the Westbury-on-Severn, a local food producer is running | 0:35:43 | 0:35:47 | |
its very own sustainable eel programme. Richard Cook owns | 0:35:47 | 0:35:51 | |
one of the UK's most environmentally friendly eel smokehouses. | 0:35:51 | 0:35:55 | |
-Now, what have you got in front of you here? -These are my babies. | 0:35:55 | 0:35:58 | |
These are the ones that we caught earlier in the season, | 0:35:58 | 0:36:02 | |
-in March time. -On the Severn? -On the Severn. So they're wild glass eels | 0:36:02 | 0:36:06 | |
that turned up in the Severn, we caught them, | 0:36:06 | 0:36:08 | |
we've taken them out, we've health-checked them, we've given them | 0:36:08 | 0:36:11 | |
feed to get them feeding, because they're actually not feeding when | 0:36:11 | 0:36:14 | |
they're in the river. They don't actually feed at that point. | 0:36:14 | 0:36:17 | |
So these have turned the corner, then? | 0:36:17 | 0:36:19 | |
So these are now developing into what we would associate with an eel. | 0:36:19 | 0:36:23 | |
The life cycle of the European eel is a mysterious and fascinating one. | 0:36:23 | 0:36:28 | |
Starting out as larvae in an area of the North Atlantic | 0:36:28 | 0:36:31 | |
known as the Sargasso Sea, | 0:36:31 | 0:36:33 | |
they undertake a two-year migration to the freshwater rivers of Europe. | 0:36:33 | 0:36:37 | |
Here they turn into tiny creatures, known as glass eels, and en masse, | 0:36:37 | 0:36:42 | |
move upstream into the river system. However, within the first | 0:36:42 | 0:36:45 | |
three months of arriving in the River Severn, | 0:36:45 | 0:36:48 | |
99% of glass eels perish, mainly due to the hazards | 0:36:48 | 0:36:52 | |
of man-made river flood defences. | 0:36:52 | 0:36:54 | |
Richard's aim is to fish them out and to put them back | 0:36:54 | 0:36:57 | |
into smaller tributaries, where the environment is more suitable. | 0:36:57 | 0:37:01 | |
When these are released into our freshwater rivers, | 0:37:01 | 0:37:03 | |
how long will it take them to grow to a size that we would associate | 0:37:03 | 0:37:07 | |
with a sort of eel that we would eat? | 0:37:07 | 0:37:09 | |
In a wild environment, they will stay there and develop into adult eels | 0:37:09 | 0:37:14 | |
anything from seven to 15 years. | 0:37:14 | 0:37:17 | |
-15 years? -It's a big, big life cycle. | 0:37:17 | 0:37:20 | |
In line with European policy, Richard releases 35% of his total | 0:37:20 | 0:37:24 | |
catch back into accessible parts of the river like this nearby wetland. | 0:37:24 | 0:37:29 | |
The long-term goal is to increase the number of eels which will mature | 0:37:29 | 0:37:33 | |
and make the 4,000 mile journey back to breed in the Sargasso Sea, | 0:37:33 | 0:37:37 | |
so continuing this ancient cycle. | 0:37:37 | 0:37:40 | |
Right then. So what's the process? Is it fairly straightforward? | 0:37:40 | 0:37:43 | |
What we're going to do is just put them down towards... | 0:37:43 | 0:37:46 | |
The corner? And just tip them in? | 0:37:46 | 0:37:48 | |
Just slowly let them run in. | 0:37:48 | 0:37:50 | |
So these little guys, hopefully, will get to 15 years of age. | 0:37:50 | 0:37:55 | |
-But, of course, there is a lot more to it than this, isn't there? -Yeah. | 0:37:55 | 0:37:59 | |
What do your eels taste like? | 0:37:59 | 0:38:00 | |
You'll be the judge of that. | 0:38:02 | 0:38:03 | |
Richard's smokehouse uses local sustainable timber | 0:38:03 | 0:38:07 | |
and, as well as smoking adult eels here, there is also a restaurant | 0:38:07 | 0:38:11 | |
where chef, Tania Steytler, has cooked some up. | 0:38:11 | 0:38:14 | |
Absolutely fabulous. But you know what? | 0:38:14 | 0:38:16 | |
There is a slight pang of guilt about this, having learned what | 0:38:16 | 0:38:19 | |
these animals go through to get to this stage. | 0:38:19 | 0:38:22 | |
Do you ever wonder about that? | 0:38:22 | 0:38:23 | |
Just by eating this eel, this will stimulate three elvers | 0:38:23 | 0:38:27 | |
to be released back. We have a little scheme in here. | 0:38:27 | 0:38:30 | |
Every dish we serve, we release three eels back | 0:38:30 | 0:38:33 | |
to our eels-in-schools scheme and back to restocking. | 0:38:33 | 0:38:36 | |
So, hopefully, that'll soften the blow for you. | 0:38:36 | 0:38:39 | |
-That's a good excuse to keep eating, isn't it? Cheers, Richard. -Cheers. | 0:38:39 | 0:38:43 | |
Mmm, fabulous. | 0:38:43 | 0:38:44 | |
The Severn was once literally alive in springtime with eels, | 0:38:44 | 0:38:48 | |
a natural phenomenon that the work of people like Richard | 0:38:48 | 0:38:51 | |
could hopefully bring about again. | 0:38:51 | 0:38:53 | |
You know, there are occasions on this show | 0:38:55 | 0:38:57 | |
when I do worry that perhaps we offer our buyers too much choice. | 0:38:57 | 0:39:01 | |
This, I suspect, is one of those moments. | 0:39:01 | 0:39:04 | |
Out of the three properties that we've shown Sarah and Ruth, | 0:39:04 | 0:39:07 | |
there's no doubt that there are two clear contenders, | 0:39:07 | 0:39:10 | |
but they offer two very different forms of country life. | 0:39:10 | 0:39:13 | |
So what's it to be? Well, let's go and ask them. | 0:39:13 | 0:39:16 | |
Now, let's just remind ourselves of the route | 0:39:23 | 0:39:25 | |
we've taken to get to this point. Property number one, | 0:39:25 | 0:39:28 | |
which certainly brought a smile to both of your faces, Ruth, | 0:39:28 | 0:39:32 | |
what did you think, in particular, when you walked through the door? | 0:39:32 | 0:39:35 | |
I thought it was nice and cosy. | 0:39:35 | 0:39:37 | |
It seemed to give most of the things that Sarah was looking for, | 0:39:37 | 0:39:41 | |
definitely gave the views and it was an adaptable layout, as well. | 0:39:41 | 0:39:46 | |
I think that was important. | 0:39:46 | 0:39:48 | |
She had a blank canvas in the garden, so, yeah. | 0:39:48 | 0:39:52 | |
Well, that's what Ruth thinks you thought. What did you think? | 0:39:52 | 0:39:55 | |
She's absolutely right, this is why I brought her. | 0:39:55 | 0:39:57 | |
-She knows me well, she does know me well. -Thank you. | 0:39:57 | 0:40:01 | |
It's a naughty word to use, simple, but I think it was a simple house, | 0:40:02 | 0:40:05 | |
it would have suited me at the moment. | 0:40:05 | 0:40:09 | |
It would be easy to maintain, the garden was a perfectly acceptable | 0:40:10 | 0:40:15 | |
size and I think it would have been something that I could have | 0:40:15 | 0:40:19 | |
done a little bit more as and when I had the time. | 0:40:19 | 0:40:22 | |
Property number two was an altogether different proposition. | 0:40:22 | 0:40:26 | |
I described it as rambling. | 0:40:26 | 0:40:28 | |
It was a lovely, quirky, quaint cottage. | 0:40:28 | 0:40:31 | |
But, actually, just had too much room for me. Too many rooms. | 0:40:31 | 0:40:36 | |
-We don't often hear that, you see. -No. | 0:40:36 | 0:40:37 | |
But, you know, fair enough. | 0:40:39 | 0:40:40 | |
And I think it was one that was going to take some imagination | 0:40:40 | 0:40:45 | |
to really turn into the sort of property which you want, which I | 0:40:45 | 0:40:49 | |
suspect has a little more, shall we say, mod cons attached to it? | 0:40:49 | 0:40:54 | |
Yes. And I think that was why I did like the mystery house. | 0:40:56 | 0:41:00 | |
I thought the building itself was beautiful, | 0:41:00 | 0:41:03 | |
it had obviously been extended over time, but beautifully so. | 0:41:03 | 0:41:07 | |
-And it just worked. It was a very, very attractive, cottage. -Ruth? | 0:41:07 | 0:41:12 | |
I thought it was, similarly, very sympathetically extended. | 0:41:12 | 0:41:18 | |
You didn't have to do anything there. | 0:41:18 | 0:41:20 | |
And what about that bathroom, girls, come on? | 0:41:20 | 0:41:22 | |
Well, yes, I could laze in that. | 0:41:22 | 0:41:24 | |
And, of course, the holiday let, | 0:41:26 | 0:41:28 | |
which was beautifully appointed. Modest but very, very feasible. | 0:41:28 | 0:41:32 | |
Yes, and separate, I mean, totally separate. | 0:41:32 | 0:41:34 | |
You didn't have to do anything with that straight away | 0:41:34 | 0:41:38 | |
-if you didn't want to. -So let me cut to the chase now. What happens next? | 0:41:38 | 0:41:41 | |
My gut reaction would be property one is perfect for me now. | 0:41:43 | 0:41:48 | |
But I think property three has set me thinking that, is it sensible | 0:41:48 | 0:41:52 | |
to move now with a view to then moving again in a few years' time? | 0:41:52 | 0:41:58 | |
I'm not going to press you on a decision as to which one you'll buy, | 0:41:58 | 0:42:01 | |
because I think you've almost gone back to the drawing board, in a way. | 0:42:01 | 0:42:04 | |
I think so. | 0:42:04 | 0:42:05 | |
We've given you a property in which you can envisage this new life, | 0:42:05 | 0:42:08 | |
you've just got to be sure that it's the life you want right now. | 0:42:08 | 0:42:11 | |
Exactly. | 0:42:11 | 0:42:12 | |
Well, best of luck to you, thank you very much for your help | 0:42:12 | 0:42:16 | |
in advising Sarah, I daresay this pattern of advice will continue for | 0:42:16 | 0:42:20 | |
some time to come. But you've been real sports, | 0:42:20 | 0:42:22 | |
it's been a real pleasure. I've thoroughly enjoyed myself. | 0:42:22 | 0:42:25 | |
And, fingers crossed, you'll be living in Gloucestershire very soon. | 0:42:25 | 0:42:28 | |
Thank you very much for all your help. | 0:42:28 | 0:42:30 | |
You know, when we started this house search with Sarah, | 0:42:36 | 0:42:39 | |
I thought we were looking for more of a bolthole, | 0:42:39 | 0:42:41 | |
something of an escape from the hustle and bustle | 0:42:41 | 0:42:44 | |
of her working life down in Camberley. | 0:42:44 | 0:42:47 | |
But what's emerged is something far more intriguing. | 0:42:47 | 0:42:50 | |
In the mystery house, we've offered her a slice of life, | 0:42:50 | 0:42:53 | |
a completely different country lifestyle, if you will, | 0:42:53 | 0:42:56 | |
that might enable her to move lock, stock and barrel | 0:42:56 | 0:42:59 | |
from Camberley to Gloucestershire. | 0:42:59 | 0:43:01 | |
And it just goes to prove that although they've got a lot of | 0:43:01 | 0:43:04 | |
thinking to do and discussion to be had, when it comes to house-hunting, | 0:43:04 | 0:43:07 | |
just occasionally, you do need to be very careful what you wish for. | 0:43:07 | 0:43:11 | |
I'll see you next time. | 0:43:11 | 0:43:13 | |
I'm pleased to say that Sarah has been back to see house number one | 0:43:13 | 0:43:17 | |
and she's consulting a builder about her plans for it. | 0:43:17 | 0:43:20 | |
So it's still very much in contention to be her future home. | 0:43:20 | 0:43:24 | |
If you'd like to escape to the country in Scotland, Wales, | 0:43:24 | 0:43:27 | |
Northern Ireland or England | 0:43:27 | 0:43:28 | |
and would like our help, please apply online at... | 0:43:28 | 0:43:31 | |
Subtitles by Red Bee Media Ltd | 0:43:56 | 0:43:59 |