Browse content similar to East Sussex. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
We are in a county that has one set of sand dunes, and I'm standing on them. | 0:00:02 | 0:00:05 | |
And they are getting bigger every year. | 0:00:05 | 0:00:07 | |
The wind deposits 7,500 cubic metres of sand. | 0:00:07 | 0:00:12 | |
That's the equivalent of three Olympic-sized swimming pools-worth. | 0:00:12 | 0:00:17 | |
Where am I? Find out in just a moment. | 0:00:17 | 0:00:21 | |
On today's show I'm taking an artist, accompanied by her good friend, | 0:00:49 | 0:00:53 | |
to find a home with a difference in the countryside. | 0:00:53 | 0:00:56 | |
We more than deliver on character, plus amazing views at one property. | 0:00:56 | 0:01:01 | |
I've got a horrible feeling I can't afford this. | 0:01:01 | 0:01:03 | |
But as ever, the mystery house could be the one that trumps them all. | 0:01:03 | 0:01:07 | |
My goodness. I'm... I'm flabbergasted. | 0:01:07 | 0:01:10 | |
Today we're in East Sussex. This is Camber Sands, | 0:01:13 | 0:01:16 | |
whose entire existence is largely due to this chap, | 0:01:16 | 0:01:19 | |
Marram Grass. | 0:01:19 | 0:01:21 | |
Its roots are very deep and they catch the wind-blown sand. | 0:01:21 | 0:01:25 | |
Interestingly, marine biologists point out | 0:01:25 | 0:01:27 | |
that this grass has only been here for 300 years. | 0:01:27 | 0:01:30 | |
So, where did it come from? | 0:01:30 | 0:01:33 | |
Local legend has it that it was caused | 0:01:33 | 0:01:35 | |
by a shipwrecked cargo of Dutch grass seed | 0:01:35 | 0:01:39 | |
which landed here in the 17th century. | 0:01:39 | 0:01:42 | |
Hm, not so convinced by that. But one thing is certain, | 0:01:42 | 0:01:46 | |
it's a beautiful spot and a beautiful county. | 0:01:46 | 0:01:50 | |
Lying in the south of England, | 0:01:50 | 0:01:52 | |
the county of East Sussex is bordered by neighbouring West Sussex, | 0:01:52 | 0:01:56 | |
Surrey and Kent. | 0:01:56 | 0:01:58 | |
Its coastal town of Rye has been a port since Norman times. | 0:01:58 | 0:02:02 | |
The wealth of beautifully preserved streets | 0:02:02 | 0:02:05 | |
from the Medieval Tudor and Georgian periods | 0:02:05 | 0:02:07 | |
provide a glimpse of the town's long and often chequered maritime history, | 0:02:07 | 0:02:12 | |
even including smuggling, which back in the 18th century was rife here. | 0:02:12 | 0:02:16 | |
Along the coast, one of England's oldest fishing ports, Hastings, | 0:02:16 | 0:02:20 | |
is home to Europe's largest beach-launched fishing fleet. | 0:02:20 | 0:02:24 | |
Every morning their catch is wheeled to the town's fish market, | 0:02:24 | 0:02:27 | |
as it has been since the 1800s. | 0:02:27 | 0:02:30 | |
Moving inland you'll find the South Downs, | 0:02:30 | 0:02:33 | |
the UK's newest national park. | 0:02:33 | 0:02:36 | |
The South Downs Way criss-crosses the entire length of the park | 0:02:36 | 0:02:39 | |
and offers spectacular walks. | 0:02:39 | 0:02:42 | |
And the 100-mile trail has an unusual focal point | 0:02:42 | 0:02:46 | |
in the Long Man of Wilmington, | 0:02:46 | 0:02:48 | |
a mysterious 235-foot-tall figure cut into the turf on Windover Hill. | 0:02:48 | 0:02:54 | |
East Sussex is not cheap. | 0:02:54 | 0:02:56 | |
The average detached house here clocks in at just under £315,000, | 0:02:56 | 0:03:01 | |
which is 20 percent above the national average. | 0:03:01 | 0:03:04 | |
And if you're looking inland, the usual things pertain. | 0:03:04 | 0:03:07 | |
If you're close to a station up to London on the west side, that's more expensive. | 0:03:07 | 0:03:12 | |
You can get a better bargain if you look at the villages in the east. | 0:03:12 | 0:03:16 | |
However, if you want a bit of East Sussex with a sea view, like here, | 0:03:16 | 0:03:20 | |
you can add a whopping 25 to 30 percent onto the price tag. | 0:03:20 | 0:03:26 | |
But as you're about to discover, | 0:03:26 | 0:03:28 | |
there are lots of architectural delights to lure you here. | 0:03:28 | 0:03:32 | |
Throughout the county, you'll find many fine examples | 0:03:32 | 0:03:35 | |
of traditional white-weather or clapboarded homes. | 0:03:35 | 0:03:39 | |
Originally named after the Dutch word "klappen", | 0:03:39 | 0:03:42 | |
these wooden-clad properties | 0:03:42 | 0:03:44 | |
date back to the 17th and 18th century. | 0:03:44 | 0:03:47 | |
A three-bedroom family home can typically cost in the region of £300,000. | 0:03:47 | 0:03:52 | |
The town of Rye itself has many wonderful examples of Tudor architecture, | 0:03:52 | 0:03:56 | |
dating back to the 1500s. | 0:03:56 | 0:03:59 | |
Prices for a character home in this style | 0:03:59 | 0:04:01 | |
could cost in the region of £360,000 for a three-bedroom terrace. | 0:04:01 | 0:04:07 | |
In the 18th and early 19th century, | 0:04:07 | 0:04:09 | |
clay tiles were a fashionable building material, | 0:04:09 | 0:04:12 | |
used in the southern counties as an alternative to brickwork. | 0:04:12 | 0:04:16 | |
Called mathematical tiles, they were first introduced | 0:04:16 | 0:04:19 | |
to make weather-tight old timber-framed buildings. | 0:04:19 | 0:04:22 | |
For a two-bedroom house in the Lewes area, | 0:04:22 | 0:04:25 | |
you can typically expect to pay around £330,000. | 0:04:25 | 0:04:29 | |
It's a beautiful county. | 0:04:29 | 0:04:31 | |
Can it compete with one of the most happening parts of London, which is where today's buyer lives? | 0:04:31 | 0:04:36 | |
Let's find out. | 0:04:36 | 0:04:39 | |
Jewellery designer and artist Carol | 0:04:39 | 0:04:41 | |
is often out and about with Jan, her friend of 30 years, | 0:04:41 | 0:04:45 | |
and has lived in her stylish canal-side flat | 0:04:45 | 0:04:48 | |
in the north London borough of Camden for almost 12 years. | 0:04:48 | 0:04:52 | |
It's a place that holds many fond memories. | 0:04:52 | 0:04:55 | |
I think it was when I was being very creative | 0:04:55 | 0:04:58 | |
that I came to live in Camden. | 0:04:58 | 0:05:00 | |
I was doing a lot of work. I was doing some sculpture, as well, | 0:05:00 | 0:05:04 | |
so I had a good body of work on me. | 0:05:04 | 0:05:06 | |
It helped, being in Camden, the vibrancy and what have you... | 0:05:06 | 0:05:11 | |
Camden Market is such an eye-opener - | 0:05:11 | 0:05:14 | |
the colour, the vibrant shop fronts, shopkeepers... | 0:05:14 | 0:05:19 | |
There's so much going on. | 0:05:19 | 0:05:21 | |
But since being successfully treated for a tumour on her lung in 2011, | 0:05:21 | 0:05:27 | |
Carol's attitude to the big city has significantly altered. | 0:05:27 | 0:05:31 | |
I really think it's time for a change, | 0:05:31 | 0:05:33 | |
to exchange London and the hurly-burly of London. | 0:05:33 | 0:05:38 | |
I can't remember who said it, but somebody said | 0:05:38 | 0:05:40 | |
"If you're tired of London, you're tired of life", | 0:05:40 | 0:05:42 | |
but I don't think that's completely true. | 0:05:42 | 0:05:45 | |
I think I've still got a lot of life left. | 0:05:45 | 0:05:47 | |
I think it would be quite nice to spend it in a little more peaceful surroundings. | 0:05:47 | 0:05:52 | |
The more peaceful surroundings that Carol has chosen are those of East Sussex, | 0:05:52 | 0:05:57 | |
a place where good friend Jan lives. | 0:05:57 | 0:05:59 | |
She's pinpointed a number of ideal locations there. | 0:05:59 | 0:06:03 | |
Funnily enough, moving here by the canal | 0:06:03 | 0:06:05 | |
is a very nice place to be. | 0:06:05 | 0:06:09 | |
I've always wanted to live by the sea and never have, | 0:06:09 | 0:06:14 | |
so when I first started looking, I was immediately drawn down to the south coast. | 0:06:14 | 0:06:19 | |
The area I'd really like to move on to | 0:06:19 | 0:06:22 | |
is, erm, around East Sussex. | 0:06:22 | 0:06:25 | |
It's on the borders of Kent. It's Rye and Camber. | 0:06:25 | 0:06:30 | |
Camber Beach is fantastic, | 0:06:30 | 0:06:32 | |
and there is a row of houses that are actually on the beach there. | 0:06:32 | 0:06:36 | |
I think they are absolutely fantastic. I'd love to live there. | 0:06:36 | 0:06:40 | |
These two friends are looking ahead to playing a much larger role in each other's lives | 0:06:40 | 0:06:45 | |
once Carol makes the move. | 0:06:45 | 0:06:47 | |
My husband and I are looking forward to her moving closer | 0:06:47 | 0:06:50 | |
so that we can see more of her | 0:06:50 | 0:06:52 | |
and be invited to her nice new house, wherever it is! | 0:06:52 | 0:06:56 | |
It'll be very exciting, won't it? | 0:06:56 | 0:06:58 | |
When Carol finally does move to East Sussex, | 0:06:58 | 0:07:02 | |
it'll be great if she can have an exhibition of her art down there. | 0:07:02 | 0:07:06 | |
I'd be very happy to help with that. | 0:07:06 | 0:07:10 | |
Carol's current home is a very striking, architecturally-designed property | 0:07:10 | 0:07:15 | |
so her new house will have a tough act to follow. | 0:07:15 | 0:07:18 | |
In terms of architecture, | 0:07:18 | 0:07:20 | |
something contemporary, like this house, would be great, | 0:07:20 | 0:07:24 | |
but that's not the sort of thing you get down there, is it? | 0:07:24 | 0:07:28 | |
-This is a one-off, really, isn't it? -Yes. | 0:07:28 | 0:07:31 | |
You wouldn't find anything like it, but you might find something contemporary. | 0:07:31 | 0:07:35 | |
One final thing, and that's the topic of money... | 0:07:35 | 0:07:38 | |
The budget for this move is £800,000. | 0:07:38 | 0:07:41 | |
Carol would like a property with a sea view, if she can afford it. | 0:07:44 | 0:07:48 | |
Her preferred area of East Sussex is the east coast, | 0:07:48 | 0:07:52 | |
close to towns such as Camber and Rye. | 0:07:52 | 0:07:55 | |
I caught up with her and Jan in the county | 0:07:55 | 0:07:57 | |
to discovery the finer details of what she's looking for in her new rural home. | 0:07:57 | 0:08:02 | |
-Welcome to East Sussex. -Thank you! -A beautiful sunny day(!) | 0:08:02 | 0:08:06 | |
You're from East Sussex, Jan, you should've brought some sun. | 0:08:06 | 0:08:10 | |
It's probably sunny in Burwash right now, but not here. Sorry about that. | 0:08:10 | 0:08:15 | |
-Carol, do you know the area? -I do know the area quite well. | 0:08:15 | 0:08:19 | |
I know the area stretching from Rye to Camber and that sort of thing, | 0:08:19 | 0:08:23 | |
-and towards Telscombe, as well. -Beautiful. | 0:08:23 | 0:08:25 | |
But Rye especially has got my number. | 0:08:25 | 0:08:28 | |
-It's really pretty. -Very artistic, as well, | 0:08:28 | 0:08:30 | |
-because that's something you're looking for. -The artistic community would be good. | 0:08:30 | 0:08:34 | |
I'd like you to tell me what you're looking for | 0:08:34 | 0:08:37 | |
in terms of the property, rooms and... | 0:08:37 | 0:08:39 | |
Three to four bedrooms | 0:08:39 | 0:08:41 | |
because, hopefully, my family's growing, | 0:08:41 | 0:08:44 | |
and a garden suitable for dogs, but not too large. | 0:08:44 | 0:08:47 | |
-You don't have dogs at the moment? -I don't, but I'm looking forward to getting them. | 0:08:47 | 0:08:51 | |
-Excellent. -Yes. Looking forward to that. | 0:08:51 | 0:08:53 | |
What else? Cosy farmhouse-look or very contemporary, which is where I am now. | 0:08:53 | 0:08:59 | |
Those are the physical parameters, but you want something for your artist sensibility. | 0:08:59 | 0:09:03 | |
Yes. Some sort of studio would be good. | 0:09:03 | 0:09:05 | |
It doesn't have to be north-facing, just with plenty of light, | 0:09:05 | 0:09:08 | |
but somewhere I can potter around and leave my stuff everywhere, | 0:09:08 | 0:09:12 | |
because I'm the sort of artist | 0:09:12 | 0:09:14 | |
who needs inspiration from little bits and pieces all over the place! | 0:09:14 | 0:09:18 | |
I don't constantly want to be putting things away. | 0:09:18 | 0:09:20 | |
-So, big... -Well, not too big, but somewhere I can have as messy as I like. | 0:09:20 | 0:09:25 | |
-Shut the door afterwards. -Yes. | 0:09:25 | 0:09:27 | |
-Jan, do you think she'll settle in to the countryside? -Oh, perfectly! | 0:09:27 | 0:09:31 | |
-Is she going to get itchy feet? -It's always commutable, anyway, isn't it? | 0:09:31 | 0:09:35 | |
It's a good distance from here to get to London if you need to. | 0:09:35 | 0:09:40 | |
-Good. Well, the rain's slightly setting in. -Yes. | 0:09:40 | 0:09:43 | |
-We need to get you in the car and off to see the first property. -Lovely! Thank you! | 0:09:43 | 0:09:49 | |
For her generous budget of £800,000, | 0:09:49 | 0:09:52 | |
Carol is looking for a property with character and a sea view, | 0:09:52 | 0:09:55 | |
a large kitchen / diner, space for an art studio, | 0:09:55 | 0:09:59 | |
a minimum of three bedrooms | 0:09:59 | 0:10:01 | |
and a large garden, as she hopes to get two dogs. | 0:10:01 | 0:10:06 | |
We've got three fabulous properties for Carol and Jan to view. | 0:10:06 | 0:10:09 | |
After each one, I'll be asking them to guess the price tag. | 0:10:09 | 0:10:13 | |
One of them will, of course, be our mystery house, | 0:10:13 | 0:10:16 | |
which I can guarantee has more than just the seaside beside it. | 0:10:16 | 0:10:21 | |
We've made the journey six miles west of Rye, | 0:10:23 | 0:10:26 | |
which is close to the leafy village of Broad Oak. | 0:10:26 | 0:10:29 | |
Rye itself has good rail connections to Ashford, | 0:10:29 | 0:10:32 | |
where Carol can hop on the high-speed train into London for her trips to the art galleries. | 0:10:32 | 0:10:37 | |
Broad Oak is set in pretty countryside | 0:10:37 | 0:10:40 | |
and has an array of amenities such as a bakery, | 0:10:40 | 0:10:42 | |
a general store and off licence and a local pub. | 0:10:42 | 0:10:46 | |
Our first house is a twin roundel oast and granary conversion, | 0:10:46 | 0:10:51 | |
once used for drying hops. | 0:10:51 | 0:10:53 | |
It comes with fantastic views over the Tillingham Valley. | 0:10:53 | 0:10:57 | |
So follow me. | 0:10:57 | 0:10:59 | |
-Here we have... -Wow, an oast house! -..an oast house. | 0:10:59 | 0:11:04 | |
-I used to live in an oast house. -Did you? | 0:11:04 | 0:11:06 | |
-I did. -So did I! -Really? -We've both lived in oast houses! | 0:11:06 | 0:11:10 | |
-I love oast houses! -Adore them! -Very good. | 0:11:10 | 0:11:13 | |
So two roundels. You've got the working cowl that moves with the wind. | 0:11:13 | 0:11:18 | |
-Yes. -Beautiful. | 0:11:18 | 0:11:20 | |
-In terms of the location? -Brilliant. Absolutely brilliant. | 0:11:20 | 0:11:23 | |
-Shall we look inside? -Yes, please! Thank you. | 0:11:23 | 0:11:26 | |
As they've both lived in oast houses before, | 0:11:26 | 0:11:28 | |
they'll be accustomed to the characterful mix | 0:11:28 | 0:11:31 | |
of round and square rooms this property offers. | 0:11:31 | 0:11:34 | |
But there's more to this one than meets the eye. | 0:11:34 | 0:11:36 | |
-Come on in. -Thank you. | 0:11:36 | 0:11:39 | |
Through the hall, straight into the kitchen... | 0:11:39 | 0:11:41 | |
-We'll go in here first. -Oh, look, a roundel kitchen, Jan! | 0:11:41 | 0:11:44 | |
-Look at that! -Oh, it's lovely! | 0:11:44 | 0:11:47 | |
-The two of you must be terribly familiar with trying to fit things into circular rooms. -Yes. | 0:11:47 | 0:11:53 | |
-We're thinking that you'll probably want to put your mark upon it. -Oh, definitely, yes. | 0:11:53 | 0:11:57 | |
I would like to contemporise this kitchen. | 0:11:57 | 0:12:01 | |
Those tiles aren't very me, and what have you. | 0:12:01 | 0:12:04 | |
But I'm not dismissing it because of that. | 0:12:04 | 0:12:07 | |
I do like it. The shape is fantastic. | 0:12:07 | 0:12:10 | |
People square it off quite a lot. | 0:12:10 | 0:12:12 | |
This is why this is so nicely fitted. | 0:12:12 | 0:12:15 | |
I'm pleased they're impressed with the design of this lovely round kitchen. | 0:12:15 | 0:12:19 | |
Just off it, there's a utility room, which is adjacent to a shower room. | 0:12:19 | 0:12:25 | |
One the other side of the kitchen is the dining room. | 0:12:25 | 0:12:28 | |
But we're heading to the main reception. | 0:12:28 | 0:12:31 | |
So back to a square room in this instance. | 0:12:35 | 0:12:39 | |
-Nice fire. -That's a very nice room. | 0:12:39 | 0:12:42 | |
-It's got a nice feel about it. -It has, hasn't it? | 0:12:42 | 0:12:45 | |
If you strip all the furniture out, | 0:12:45 | 0:12:47 | |
you've just got the beams, the plaster and the brickwork. | 0:12:47 | 0:12:52 | |
Absolutely. | 0:12:52 | 0:12:54 | |
Then there's this space out here, | 0:12:54 | 0:12:57 | |
which might work in terms of a studio. | 0:12:57 | 0:13:00 | |
-It might. -There are lots of options. | 0:13:00 | 0:13:02 | |
-You've got the skylight down here. -Yes. | 0:13:02 | 0:13:04 | |
-You could also box it all the way down to the kitchen. -Mm. | 0:13:04 | 0:13:08 | |
That's a really good idea, yes. | 0:13:08 | 0:13:11 | |
There's lots you could do here. But there is also something else. Follow me... | 0:13:11 | 0:13:16 | |
In here is where this house delivers its big surprise. | 0:13:16 | 0:13:20 | |
-Ta-da! -Oh, my heavens! Look, isn't that wonderful?! | 0:13:20 | 0:13:24 | |
-My favourite thing! -Is it? -Absolutely! | 0:13:24 | 0:13:27 | |
-I love swimming! -Do you? | 0:13:27 | 0:13:29 | |
-So, you'd keep it, would you? -I would. Oh, definitely. | 0:13:29 | 0:13:31 | |
Look at the reflection of the garden in the end of the pool. | 0:13:31 | 0:13:35 | |
-It's beautiful! -We did that specially for you! | 0:13:35 | 0:13:39 | |
It could've gone either way, but it seems Carol is delighted to have a pool. | 0:13:39 | 0:13:44 | |
With that treat delivered, it's time to head upstairs | 0:13:44 | 0:13:47 | |
where there are three double bedrooms, | 0:13:47 | 0:13:50 | |
two of which are located in the roundel part of the house. | 0:13:50 | 0:13:53 | |
One of them also has an ensuite. | 0:13:53 | 0:13:55 | |
But I'm going to show Carol where she could be sleeping. | 0:13:55 | 0:13:58 | |
-Come in on. -Thank you. | 0:13:58 | 0:14:00 | |
This is the master bedroom, based on the same size as the sitting room. | 0:14:00 | 0:14:05 | |
-Yes. Very good size. -It is. -With a nice ensuite. | 0:14:05 | 0:14:08 | |
-And what is the view like? -Very nice. | 0:14:08 | 0:14:11 | |
-Again, down the valley. -Perfect. Look, Jan. | 0:14:11 | 0:14:14 | |
-Beautiful view! -Yes. | 0:14:14 | 0:14:16 | |
-Well, that's the lot inside. Shall we pop outside? -Yes, please! | 0:14:16 | 0:14:20 | |
-And the price, of course... -Oh, gosh! | 0:14:20 | 0:14:24 | |
The grounds outside cover 1.5 acres, mostly made up of lawn | 0:14:24 | 0:14:28 | |
with mature shrubs and trees, as well as a pond. | 0:14:28 | 0:14:32 | |
It also offers a double garage and a patio area for some al fresco entertaining. | 0:14:32 | 0:14:37 | |
How much do you think | 0:14:37 | 0:14:39 | |
this double roundel oast house comes in at? | 0:14:39 | 0:14:42 | |
The pool is a bonus, as far as I'm concerned, | 0:14:42 | 0:14:45 | |
but to some people it wouldn't be, | 0:14:45 | 0:14:47 | |
-so I'm going to say about 700. -700. Jan, what does the local think? | 0:14:47 | 0:14:52 | |
Well, I've just had the figure of 750 in my mind, | 0:14:52 | 0:14:56 | |
but perhaps taking into consideration that it's dated, | 0:14:56 | 0:15:01 | |
maybe 725. | 0:15:01 | 0:15:02 | |
Well, you should've listened to your local voice | 0:15:02 | 0:15:05 | |
because it is on the market for 750! | 0:15:05 | 0:15:08 | |
Go and have a look around because there's bits you haven't seen, | 0:15:08 | 0:15:11 | |
especially the outside, there's a huge garage. | 0:15:11 | 0:15:14 | |
-I'll see you out the front. -OK. Thank you. -Thank you. | 0:15:14 | 0:15:17 | |
At £750,000, | 0:15:17 | 0:15:19 | |
this characterful oast house leaves Carol a good sum of money for any updating. | 0:15:19 | 0:15:24 | |
It offers a large and round kitchen, a generous amount of living space, | 0:15:24 | 0:15:29 | |
a light sunroom, which could be turned into an art studio, | 0:15:29 | 0:15:33 | |
a swimming pool, three bedrooms | 0:15:33 | 0:15:36 | |
and over an acre-and-a-half of grounds. | 0:15:36 | 0:15:39 | |
I thought it looked very cosy, actually. | 0:15:39 | 0:15:42 | |
Because I previously lived in an oast, | 0:15:42 | 0:15:45 | |
I thought this one looked very compact and neat. | 0:15:45 | 0:15:48 | |
And it is. Absolutely lovely. Very good start. Very good indeed. | 0:15:48 | 0:15:53 | |
The only thing that worries me is that it is quite isolated. | 0:15:53 | 0:15:58 | |
But as far as the actual house is concerned, | 0:15:58 | 0:16:01 | |
I think it would suit her admirably. | 0:16:01 | 0:16:03 | |
The weather's clearing up. You can actually see a view now. You can see things. | 0:16:03 | 0:16:08 | |
-On a clear day, you can see the windmills over Romney Marshes. -Wow. | 0:16:08 | 0:16:12 | |
-No time to dawdle, though, because we've got another house to visit. -Okey-dokey! | 0:16:12 | 0:16:16 | |
Awarded National Park status in 2009, | 0:16:25 | 0:16:28 | |
the South Downs is also home to a multitude of vibrant, working communities | 0:16:28 | 0:16:33 | |
steeped in history, | 0:16:33 | 0:16:35 | |
such as the lively market town of Lewes. | 0:16:35 | 0:16:37 | |
Dominated by the remains of its 11th-century castle, | 0:16:37 | 0:16:41 | |
the town has made a name for itself as a cultural hub, | 0:16:41 | 0:16:44 | |
due to its many bookshops and art galleries. | 0:16:44 | 0:16:47 | |
Just a few miles from Lewes is Charleston House, | 0:16:47 | 0:16:50 | |
which, in the early 20th century, became the country retreat | 0:16:50 | 0:16:53 | |
of the artistic intellectuals and bohemians known as the Bloomsbury Group. | 0:16:53 | 0:16:58 | |
Novelist Virginia Woolf and economist John Maynard Keynes were among the visitors here. | 0:16:58 | 0:17:04 | |
As Carol is a keen artist herself, | 0:17:04 | 0:17:07 | |
we arranged for her and Jan to visit the house for an artistic experience of their own. | 0:17:07 | 0:17:12 | |
-Hello! -Hello! | 0:17:12 | 0:17:13 | |
They were welcomed by director Colin McKenzie and artist Sophie Coryndon. | 0:17:13 | 0:17:18 | |
Welcome to the house that was the home of the Bloomsbury Group from 1916. | 0:17:18 | 0:17:22 | |
It was the artist Duncan Grant and Vanessa Bell's, | 0:17:22 | 0:17:24 | |
and it was their home from 1916 till the ends of their lives. | 0:17:24 | 0:17:27 | |
With a breath-taking disregard for the fact that it was rented, it was never owned by them, | 0:17:27 | 0:17:32 | |
from the moment they arrived they started painting every surface | 0:17:32 | 0:17:36 | |
-with their own designs and patterns, as you'll see. -Yes! | 0:17:36 | 0:17:39 | |
-Come and be inspired. -Yes, please! -Let's start in the studio. | 0:17:39 | 0:17:43 | |
It was Virginia Woolf, who lived in nearby Asham House, | 0:17:43 | 0:17:47 | |
who originally found this property for her elder sister Vanessa Bell. | 0:17:47 | 0:17:51 | |
It's now home to the world's only surviving decorated Bloomsbury-style interior. | 0:17:51 | 0:17:57 | |
Every fixture in every room is painted in the bold and distinctive style, | 0:17:57 | 0:18:02 | |
from linen and coal boxes | 0:18:02 | 0:18:03 | |
to fireplaces and underneath the window ledges, | 0:18:03 | 0:18:06 | |
turning the whole place into one big work of art. | 0:18:06 | 0:18:09 | |
And now Sophie, who runs painting workshops here, | 0:18:09 | 0:18:13 | |
is going to help Carol and Jan get creative. | 0:18:13 | 0:18:16 | |
-Are you suitably inspired by the house? -I am. | 0:18:16 | 0:18:20 | |
Yes. I don't know that we can keep up the standard! | 0:18:20 | 0:18:24 | |
-I'm sure you can. -Apparently there isn't a standard, is there? | 0:18:24 | 0:18:27 | |
-Exactly. Duncan Grant said, "There's no such thing as bad art." -Excellent! | 0:18:27 | 0:18:31 | |
You've got free rein! We've got some lovely colours here. | 0:18:31 | 0:18:34 | |
-I see you've brought something from home with you. -Yes. I've got a wooden wine box. | 0:18:34 | 0:18:39 | |
Hopefully, we can give you a little bit of Charleston to take to your new home. | 0:18:39 | 0:18:45 | |
Carol and Jan start off their own works of art with a base coat of paint. | 0:18:45 | 0:18:50 | |
The Bloomsbury style is all about using geometric shapes, | 0:18:50 | 0:18:52 | |
basic patterns and strong colours with a real sense of vibrancy and enthusiasm. | 0:18:52 | 0:18:58 | |
Jan is aiming to replicate the pattern of a table she's seen in a house, | 0:18:58 | 0:19:03 | |
while Carol has her own design in mind for her wine box - a grape motif. | 0:19:03 | 0:19:08 | |
I thought I'd try and be very arty | 0:19:08 | 0:19:12 | |
and do them in three colours. | 0:19:12 | 0:19:15 | |
You're doing a fantastic job. You're straight in there. That's what I like to see. | 0:19:15 | 0:19:19 | |
If this takes your fancy, all you need are brushes, water-based emulsion paints, | 0:19:19 | 0:19:24 | |
some sandpaper to get that distressed effect, | 0:19:24 | 0:19:27 | |
and a wax, such as beeswax, to seal and protect your design. | 0:19:27 | 0:19:32 | |
When they're completely dry, | 0:19:32 | 0:19:34 | |
a really light sand with a very light sandpaper... | 0:19:34 | 0:19:38 | |
So just literally wiping that over the surface | 0:19:38 | 0:19:41 | |
and you'll see instantly what that does. | 0:19:41 | 0:19:43 | |
-It softens your painting. -Does it? | 0:19:43 | 0:19:46 | |
That's certainly got Carol all inspired for her new property. | 0:19:46 | 0:19:50 | |
Let's head back to our house search and try and find her that dream home. | 0:19:50 | 0:19:55 | |
We've travelled around nine miles southwest of Rye | 0:19:57 | 0:20:01 | |
to the peaceful village of Pett, | 0:20:01 | 0:20:03 | |
which is surrounded by beautiful countryside and farmland. | 0:20:03 | 0:20:07 | |
Most of the main amenities can be found in nearby towns such as Rye and Hastings. | 0:20:07 | 0:20:12 | |
But it does offer a post office and a pub with a restaurant. | 0:20:12 | 0:20:16 | |
At the east end of Pett Village is Pett Level, | 0:20:16 | 0:20:18 | |
a small seaside community that's a haven for wildfowl. | 0:20:18 | 0:20:22 | |
It's also home to property number two, | 0:20:22 | 0:20:25 | |
a 1920s half-timbered cottage, complete with thatched roof. | 0:20:25 | 0:20:30 | |
Oh, my goodness! | 0:20:30 | 0:20:32 | |
Look at that! | 0:20:32 | 0:20:35 | |
-Goodness gracious me. -Fabulous! -How lovely is that? | 0:20:35 | 0:20:39 | |
Beautiful building. Lots of interesting history. | 0:20:39 | 0:20:42 | |
It's sort of a celebration of Arts and Crafts-style inside, | 0:20:42 | 0:20:46 | |
but the surroundings are amazing. | 0:20:46 | 0:20:49 | |
I want to have a look inside because I want to make sure it's as nice inside, really. | 0:20:49 | 0:20:54 | |
I can't imagine! | 0:20:54 | 0:20:56 | |
-Let's walk on up. -OK. | 0:20:56 | 0:20:58 | |
We're off to an excellent start with the very striking and unusual exterior to this house. | 0:20:58 | 0:21:03 | |
Wow! Isn't that fabulous! Look at that door! | 0:21:03 | 0:21:07 | |
-And the herringbone twill. -Yes! | 0:21:07 | 0:21:10 | |
I'm sure Carol and Jan are going to be very taken with the inside, too. | 0:21:10 | 0:21:14 | |
-So beautiful panelling... -Lovely. Very, very charming. | 0:21:14 | 0:21:19 | |
-It goes through here. It's a slightly unusual layout. -Yes. | 0:21:19 | 0:21:23 | |
And it's not massive, but it's very charming. | 0:21:23 | 0:21:27 | |
Oh, isn't that lovely? | 0:21:27 | 0:21:30 | |
Oh, that is very nice. | 0:21:30 | 0:21:33 | |
Yes, you see, they've linked together the contemporary with the old | 0:21:33 | 0:21:38 | |
and also with the Arts and Crafts. Brilliant. | 0:21:38 | 0:21:42 | |
And the leaded windows, which often make it a bit dark, | 0:21:42 | 0:21:46 | |
-don't in this house... -No, no. -..because there are so many of them. | 0:21:46 | 0:21:50 | |
-Wow. -Lots of "wows" and "oohs" and "ahhs"! -Gasping! | 0:21:50 | 0:21:56 | |
-Still a bit speechless. -Gorgeous. -I can see you in here. | 0:21:56 | 0:22:00 | |
Jan seems convinced by this property, | 0:22:00 | 0:22:02 | |
and we've only seen the sitting room so far. | 0:22:02 | 0:22:05 | |
On the opposite side of the triangular entrance hall sits a dining room, | 0:22:05 | 0:22:09 | |
which boasts a feature fireplace and more of those leaded windows. | 0:22:09 | 0:22:14 | |
Let's see if the kitchen will have equal appeal for Carol and Jan. | 0:22:14 | 0:22:18 | |
-Come on in. -Oh, my goodness gracious me! | 0:22:18 | 0:22:21 | |
-Look! -Yes! -Look at that. -It's got a range. | 0:22:21 | 0:22:24 | |
-Isn't that fabulous? -Just what you wanted! -Oh, golly. | 0:22:24 | 0:22:29 | |
-It's not a massive kitchen. -No. | 0:22:29 | 0:22:31 | |
-Is it going to be big enough for you? I -think so, yes. | 0:22:31 | 0:22:34 | |
-Moving on...! -That's it! No, absolutely. | 0:22:34 | 0:22:37 | |
-It's a lovely, sunny space. -I just need an area to chop and cook and that's it. | 0:22:37 | 0:22:43 | |
I think you'll use this space a lot more. | 0:22:43 | 0:22:46 | |
Oh, wow, yes. Yes. This is lovely. | 0:22:46 | 0:22:50 | |
We were thinking this might be a space where you could do your art. | 0:22:50 | 0:22:55 | |
-Yes. It seems a shame... -To mess it up! | 0:22:55 | 0:22:59 | |
It is, in many ways, absolutely perfect | 0:22:59 | 0:23:02 | |
because it's so light and... Yes. | 0:23:02 | 0:23:05 | |
Actually, I think I'd like to move so you can't have it! | 0:23:05 | 0:23:09 | |
-I think I want to live here. -Hands off! | 0:23:09 | 0:23:12 | |
-Can I have first dibs on this? -It's Carol's house. | 0:23:12 | 0:23:14 | |
-It's amazing. Amazing. -It's so absolutely lovely. | 0:23:14 | 0:23:19 | |
It looks like Carol's got some competition for this fabulous house. | 0:23:19 | 0:23:22 | |
Upstairs, there are three good-sized bedrooms, | 0:23:22 | 0:23:25 | |
all with those very characterful leaded windows. | 0:23:25 | 0:23:28 | |
Some have a feature fireplace, too. | 0:23:28 | 0:23:31 | |
They all share the very smart bathroom. | 0:23:31 | 0:23:34 | |
Next door to the master is a sunroom, | 0:23:34 | 0:23:36 | |
which could be an alternative choice for Carol's art studio. | 0:23:36 | 0:23:40 | |
But I'm going to show her the master bedroom, | 0:23:40 | 0:23:42 | |
which is where she could be resting her head. | 0:23:42 | 0:23:45 | |
-How neat! -Lovely window seat, as well. | 0:23:45 | 0:23:48 | |
You could put cushions there and read your poetry at night(!) | 0:23:48 | 0:23:53 | |
-As I'm sure you do on a regular basis! -I do! Of course I do! | 0:23:53 | 0:23:56 | |
-This is lovely. -Beautiful. Yes, it's a lovely room. | 0:23:56 | 0:24:00 | |
So far, I haven't stopped grinning, I don't think! | 0:24:00 | 0:24:03 | |
Another aspect of this house that would surely make them smile | 0:24:03 | 0:24:07 | |
is in the modern extension at the rear - | 0:24:07 | 0:24:09 | |
a gigantic home cinema. | 0:24:09 | 0:24:12 | |
Very luxurious. | 0:24:12 | 0:24:14 | |
Time to show them the grounds. | 0:24:14 | 0:24:16 | |
Outside, there's about an acre of land, | 0:24:16 | 0:24:19 | |
with immaculate lawns and plenty of shady trees. | 0:24:19 | 0:24:22 | |
It also has a rather grand summerhouse on a brick plinth | 0:24:22 | 0:24:25 | |
that rotates to catch the sun all day. | 0:24:25 | 0:24:28 | |
But even that isn't the highlight of the garden. | 0:24:28 | 0:24:32 | |
-Oh! -So... | 0:24:32 | 0:24:34 | |
-Any idea where we are? -Right by the sea! | 0:24:34 | 0:24:38 | |
-Yes! We are indeed. -I'm hoping it's going to be... | 0:24:38 | 0:24:42 | |
-Lookie there. -Oh, wow! -..Carol's heart's desire there. | 0:24:42 | 0:24:45 | |
-Oh, that is wonderful. -There is the sea. -Oh, my goodness! | 0:24:45 | 0:24:50 | |
-Lovely! -You have a path down to a viewing platform. | 0:24:50 | 0:24:53 | |
-You can't actually climb all the way down to the beach. -You can't. | 0:24:53 | 0:24:56 | |
But there's a path outside of your property. | 0:24:56 | 0:24:59 | |
Absolutely wow! Magnificent. | 0:24:59 | 0:25:02 | |
It's mind-blowing, actually! It's absolutely fantastic. | 0:25:02 | 0:25:06 | |
I've got a horrible feeling I can't afford this. | 0:25:06 | 0:25:08 | |
-I know I can't! -A-ha! Let's spin around... | 0:25:08 | 0:25:12 | |
..and take a look at the house. | 0:25:12 | 0:25:15 | |
What do you think this little 1920s slice of loveliness is worth? | 0:25:15 | 0:25:20 | |
Oh, golly, golly, golly... | 0:25:20 | 0:25:22 | |
Well, it's, I would say, yes, | 0:25:22 | 0:25:25 | |
towards a million. | 0:25:25 | 0:25:27 | |
-I haven't got that much, so how about 900? -Mm-hm. | 0:25:27 | 0:25:32 | |
-Jan? -Mm... | 0:25:32 | 0:25:35 | |
I'm going to say 825. | 0:25:35 | 0:25:37 | |
-825. -Am I being daft? | 0:25:37 | 0:25:40 | |
This is actually on the market at 795. | 0:25:40 | 0:25:44 | |
-You're joking? -You could buy it. -I could buy it! | 0:25:44 | 0:25:48 | |
That's almost unbelievable. | 0:25:48 | 0:25:50 | |
-Have a look around, explore. -Thank you. | 0:25:50 | 0:25:52 | |
-I'll see you a bit later. -Right. | 0:25:52 | 0:25:56 | |
Towards the top end of Carol's budget, at £795,000, | 0:25:56 | 0:26:00 | |
this stunning property delivers on all her demands | 0:26:00 | 0:26:03 | |
and gives her a few extras. | 0:26:03 | 0:26:05 | |
It has a large kitchen, | 0:26:05 | 0:26:07 | |
a choice of rooms to use as an art studio, | 0:26:07 | 0:26:10 | |
a home cinema, three bedrooms, grounds large enough for two dogs | 0:26:10 | 0:26:15 | |
and a sea view from the end of the garden. | 0:26:15 | 0:26:18 | |
Well, property two is absolutely magical. | 0:26:18 | 0:26:20 | |
It's really quite sumptuous. I can see myself here. | 0:26:20 | 0:26:25 | |
The house is just lovely. It's very small and neat, | 0:26:25 | 0:26:28 | |
but very contained and cosy and sweet and very, very nice. | 0:26:28 | 0:26:34 | |
Carol's bowled over with this property | 0:26:34 | 0:26:37 | |
and I think it's amazing myself. | 0:26:37 | 0:26:41 | |
I don't know whether she's found her dream house to escape to the country or not, | 0:26:41 | 0:26:46 | |
but she would find it hard to find anything nicer than this. It's beautiful. | 0:26:46 | 0:26:51 | |
These are amazing, these roses. There's probably about £5,000 worth of roses just in this circle! | 0:26:51 | 0:26:57 | |
-Hello, ladies. -Hello! | 0:26:57 | 0:26:58 | |
-I'm going to have to take you away from Wonderland, I'm afraid. -This is a great shame. | 0:26:58 | 0:27:03 | |
-You like it here. -I'd like to stay. -I think she'll be back! | 0:27:03 | 0:27:06 | |
-You can come back. -Good. -If you pay...! -We will return. | 0:27:06 | 0:27:11 | |
So as dusk falls over the magnificent East Sussex countryside, | 0:27:18 | 0:27:23 | |
it marks the end of a very promising first day of house-hunting. | 0:27:23 | 0:27:27 | |
After a recent health scare, | 0:27:32 | 0:27:34 | |
jewellery designer and artist Carol is looking to make the move from the busy London borough of Camden | 0:27:34 | 0:27:39 | |
to the tranquillity of East Sussex. | 0:27:39 | 0:27:42 | |
Her friend Jan has come along to help her find the property of her dreams. | 0:27:42 | 0:27:47 | |
So far, they've been impressed with what they've seen. | 0:27:47 | 0:27:51 | |
An oast house with a pool put smiles on their faces, | 0:27:51 | 0:27:53 | |
and a 1920s Arts and Craft property with a sea view | 0:27:53 | 0:27:57 | |
had them in raptures. | 0:27:57 | 0:27:58 | |
But coming up, the mystery house could just blow the other two out of the water. | 0:27:58 | 0:28:03 | |
I'm not that easily pleased, really, | 0:28:03 | 0:28:06 | |
but this has been quite exceptional, this whole trip. This is amazing. | 0:28:06 | 0:28:11 | |
And I go kite-flying in a buggy on the sands at Camber. | 0:28:11 | 0:28:16 | |
Day two in East Sussex and yesterday, | 0:28:17 | 0:28:20 | |
with the thatched house, was a triumph. | 0:28:20 | 0:28:23 | |
But we did think that maybe that property, beautiful as it is, | 0:28:23 | 0:28:27 | |
secluded up on top of a cliff, | 0:28:27 | 0:28:29 | |
might be a little too remote for Carol, | 0:28:29 | 0:28:31 | |
bearing in mind she's recovering from a big illness | 0:28:31 | 0:28:34 | |
and also that she loved the hustle and bustle of Camden. | 0:28:34 | 0:28:37 | |
So we found her the mystery house. | 0:28:37 | 0:28:40 | |
We've travelled around five miles west of Hastings | 0:28:41 | 0:28:44 | |
to the coastal resort of Bexhill-on-Sea. | 0:28:44 | 0:28:48 | |
Its wide promenade and award-winning beach | 0:28:48 | 0:28:50 | |
are overlooked by the famous De La Warr Pavilion, | 0:28:50 | 0:28:53 | |
an entertainment and artistic hub. | 0:28:53 | 0:28:56 | |
I'm taking Carol and Jan to meet Sally Ann Lycett | 0:28:56 | 0:29:00 | |
to take a peek at their latest sculptural exhibit on the roof. | 0:29:00 | 0:29:04 | |
-Oh, wow! -HE LAUGHS | 0:29:04 | 0:29:07 | |
That's amazing! | 0:29:07 | 0:29:10 | |
It's by the celebrated sculptor Richard Wilson | 0:29:10 | 0:29:12 | |
and is inspired by the very famous final scene of the film The Italian Job. | 0:29:12 | 0:29:17 | |
What about volunteers? Is there a way that Carol can get involved? | 0:29:17 | 0:29:21 | |
-Absolutely! -I have done some volunteering for the Roundhouse. | 0:29:21 | 0:29:24 | |
Oh, right! There's plenty of opportunities to get involved, become a member. | 0:29:24 | 0:29:28 | |
Because I don't know anybody in this area, in fact, I don't know Bexhill at all well, | 0:29:28 | 0:29:32 | |
so it would be nice as a way of meeting people. | 0:29:32 | 0:29:36 | |
Yes. I think we find that a lot of our volunteers | 0:29:36 | 0:29:38 | |
-use the pavilion for that purpose. -Yes, the social context. | 0:29:38 | 0:29:42 | |
And we run courses, as well. | 0:29:42 | 0:29:45 | |
I know that you're interested in art. We run art courses... | 0:29:45 | 0:29:49 | |
-SHE LAUGHS -..art appreciation courses, | 0:29:49 | 0:29:52 | |
artist critique groups, so that kind of thing you could get involved in. | 0:29:52 | 0:29:57 | |
-It's getting better all the time! -It is, isn't it? | 0:29:57 | 0:29:59 | |
A mere stone's throw from the pavilion is our mystery house, | 0:29:59 | 0:30:03 | |
a grade II listed Edwardian seafront property. | 0:30:03 | 0:30:06 | |
It's got a sea view to die for, as Carol requested. | 0:30:06 | 0:30:11 | |
However, it isn't detached, being part of a terrace. | 0:30:11 | 0:30:14 | |
We'll have to see if the striking architecture can overcome that hurdle. | 0:30:14 | 0:30:19 | |
-Come on in! -Thank you. | 0:30:19 | 0:30:21 | |
-This is the mystery house we've selected for you. -Oh, wow! | 0:30:21 | 0:30:25 | |
-My goodness. I'm flabbergasted. -That is gorgeous. | 0:30:25 | 0:30:30 | |
That is so different to any of the other two! | 0:30:30 | 0:30:33 | |
-It doesn't look that contemporary. -No, it's turn of the century. | 0:30:33 | 0:30:37 | |
-Do you see these little Indian-themed chimney stacks? -Yes. | 0:30:37 | 0:30:42 | |
The rumour was that it was built for the Maharaja of Cooch Behar... | 0:30:42 | 0:30:47 | |
-Right! -..at the turn of the century. -Did you make that up? | 0:30:47 | 0:30:50 | |
And as you see, a terrace of beach houses. | 0:30:50 | 0:30:53 | |
Yes, it's lovely. It couldn't be much nearer to the beach. | 0:30:53 | 0:30:57 | |
This is very nice. Very tropical! | 0:30:57 | 0:31:00 | |
-Let's go down the garden path and see the house. -Lovely. | 0:31:00 | 0:31:04 | |
First impressions seem to be very favourable indeed. | 0:31:04 | 0:31:07 | |
The unusual south-facing garden, with its architectural-style plants, | 0:31:07 | 0:31:11 | |
leads us past a deep deck to a set of French doors. | 0:31:11 | 0:31:16 | |
And these, in turn, take us into the lower level of this stunning property. | 0:31:16 | 0:31:21 | |
Come in from the blinding beach light into this... | 0:31:21 | 0:31:24 | |
-Oh! Wow. -This is lovely and light. -Very contemporary. | 0:31:24 | 0:31:28 | |
-Very contemporary! This is for you! -Yes. | 0:31:28 | 0:31:30 | |
The old building was split in two, so it would've been two rooms. | 0:31:30 | 0:31:33 | |
The room has been completely remodelled by the present owners. | 0:31:33 | 0:31:37 | |
Oh, I see, yes. Very nice! | 0:31:37 | 0:31:41 | |
Exceptional, really. Absolutely. | 0:31:41 | 0:31:44 | |
The layout's quite simple, because you've got a shower room and a guest bedroom | 0:31:44 | 0:31:48 | |
and through here, the kitchen. | 0:31:48 | 0:31:51 | |
The kitchen's on the street side of the house | 0:31:53 | 0:31:57 | |
so it's a little bit darker. | 0:31:57 | 0:31:59 | |
-But very contemporary. -Yes. | 0:31:59 | 0:32:01 | |
There's lovely sparkly tiles on the floor and bright red granite. | 0:32:01 | 0:32:06 | |
-It's gorgeous! -That's lovely. -It's nice, isn't it? | 0:32:06 | 0:32:09 | |
And a lovely big double range and a lovely big utility room. | 0:32:09 | 0:32:12 | |
-With room for dog. -Yes. | 0:32:12 | 0:32:16 | |
I'm not that easily pleased, really, | 0:32:16 | 0:32:18 | |
but this has been quite exceptional, this whole trip. | 0:32:18 | 0:32:22 | |
-This is amazing. -Well, we do try. -Yes! And succeed. | 0:32:22 | 0:32:27 | |
I'm delighted that Carol is so thrilled with this house. | 0:32:28 | 0:32:31 | |
I reckon that the best is yet to come on the upper level. | 0:32:31 | 0:32:34 | |
This is where you'd enter the house from the front door, | 0:32:34 | 0:32:36 | |
through a vestibule, into a huge hall space. | 0:32:36 | 0:32:40 | |
-You'd come up... -Oh, my heavens! -Well, you'd come in here. This is the front door. | 0:32:40 | 0:32:45 | |
Oh! That's the front door! | 0:32:45 | 0:32:47 | |
You come into this enormous hallway, | 0:32:47 | 0:32:50 | |
-with this very lovely curved wall. -SHE GASPS | 0:32:50 | 0:32:53 | |
Through here there's a study, which looks out over the hustle and bustle of the seafront. | 0:32:53 | 0:32:58 | |
So you can feel like you're part of the town | 0:32:58 | 0:33:00 | |
-and then you go downstairs and it's gone. -Yes! | 0:33:00 | 0:33:03 | |
-It just gets better. -It's absolutely lovely. | 0:33:03 | 0:33:07 | |
As well as the study, there's a bathroom on this floor. | 0:33:07 | 0:33:10 | |
But the highlight must be the bedrooms, | 0:33:10 | 0:33:13 | |
which share a balcony overlooking the beach. | 0:33:13 | 0:33:15 | |
We're taking a look at the ensuite room that could be Carol's. | 0:33:15 | 0:33:19 | |
Oh! I'm not even buying the house and that's an amazing view! | 0:33:19 | 0:33:25 | |
Isn't that just stunning? HE SIGHS HAPPILY | 0:33:25 | 0:33:27 | |
-It's absolutely lovely. -That is beautiful. | 0:33:27 | 0:33:30 | |
Look at the sea today. It's unreal. | 0:33:30 | 0:33:34 | |
Ah, that is so lovely. | 0:33:34 | 0:33:35 | |
-If you were trying to sell a house, you couldn't get a better day, could you? -No. | 0:33:35 | 0:33:40 | |
And out here is where we could really seal the deal. | 0:33:40 | 0:33:44 | |
Ohh! To be honest, this is what sells it to me. | 0:33:44 | 0:33:48 | |
Oh, yes! | 0:33:48 | 0:33:50 | |
Well, how much do you think this little slice of... | 0:33:51 | 0:33:55 | |
..English Channel paradise costs? | 0:33:55 | 0:33:57 | |
I would be surprised... Well, it's got to be top of my budget. I will say 800. | 0:33:57 | 0:34:02 | |
-Jan? -Erm... | 0:34:02 | 0:34:05 | |
..790? | 0:34:05 | 0:34:07 | |
This property is on the market for 695. | 0:34:07 | 0:34:11 | |
Really?! | 0:34:11 | 0:34:13 | |
-That is lovely. -You can afford that! -I could do that. | 0:34:13 | 0:34:16 | |
I'm going to let you explore a bit because there are a few more rooms. | 0:34:16 | 0:34:19 | |
-I'm going to sit in the sun. -Good. See you later. -In you go! | 0:34:19 | 0:34:24 | |
At £695,000, this beautiful beachfront property | 0:34:26 | 0:34:31 | |
leaves Carol with £105,000 to play with. | 0:34:31 | 0:34:35 | |
It offers a characterful and contemporary living space, | 0:34:35 | 0:34:39 | |
a large kitchen with utility room, | 0:34:39 | 0:34:41 | |
three bedrooms, | 0:34:41 | 0:34:43 | |
a study, which could be used as a art room, | 0:34:43 | 0:34:46 | |
and a balcony and garden with sea views. | 0:34:46 | 0:34:50 | |
This is not a detached house, | 0:34:50 | 0:34:51 | |
which is what Carol wanted. | 0:34:51 | 0:34:55 | |
She wanted peace and quiet, which this has got, | 0:34:55 | 0:34:58 | |
but it's also got people around it and I think that will suit her so well. | 0:34:58 | 0:35:02 | |
What was really pleasing about it was the fact that it was so contemporary. | 0:35:02 | 0:35:07 | |
I literally do not have to do a thing. | 0:35:07 | 0:35:11 | |
It is in such good condition | 0:35:11 | 0:35:13 | |
I could move everything in straight away and it would all fit. It would be lovely. | 0:35:13 | 0:35:17 | |
See, look, and then you step out... | 0:35:19 | 0:35:22 | |
-..straight into the sea front. -Absolutely! | 0:35:22 | 0:35:24 | |
-There's the pavilion. -The De La Warr Pavilion? -Yes. | 0:35:24 | 0:35:28 | |
-With a bus on top of it. -With a bus on top of it! | 0:35:28 | 0:35:31 | |
It reminds me of Camden, but I still like the bus. | 0:35:31 | 0:35:34 | |
That won't always be there. | 0:35:34 | 0:35:36 | |
-Let's go and take some refreshment and think about the houses. -Okey-doke. | 0:35:36 | 0:35:40 | |
Stretching from the East Sussex-Kent border to the River Rother | 0:35:50 | 0:35:53 | |
is the seven-mile-long beach of Camber Sands. | 0:35:53 | 0:35:57 | |
Its coastal dune system, topped by Marram Grass, | 0:35:57 | 0:36:01 | |
makes it a site of special scientific interest. | 0:36:01 | 0:36:04 | |
It's been a popular seaside destination since the 1920s | 0:36:04 | 0:36:08 | |
with up to 25,000 people crowding onto it | 0:36:08 | 0:36:12 | |
on a busy summers day. | 0:36:12 | 0:36:14 | |
This naturally-formed landscape is one of the most perfect locations in the country | 0:36:15 | 0:36:19 | |
for kite-surfing and kite-buggying. | 0:36:19 | 0:36:22 | |
I've come to meet Rupert Cawte from the local kite-surf centre | 0:36:22 | 0:36:27 | |
to try my hand at one of these emerging sports. | 0:36:27 | 0:36:30 | |
Obviously, you've got very good, firm sand, | 0:36:30 | 0:36:32 | |
but what other things are good for kite-buggying? | 0:36:32 | 0:36:35 | |
The wind coming up the Channel. | 0:36:35 | 0:36:37 | |
Most of the time, we have our prevailing winds. | 0:36:37 | 0:36:40 | |
The one we get most of the time here is a south-westerly wind. | 0:36:40 | 0:36:43 | |
As it funnels up the Channel, it gets stronger and stronger. | 0:36:43 | 0:36:45 | |
For buggying, this is absolutely perfect. | 0:36:45 | 0:36:49 | |
What sort of people do it? Is it young, groovy people?! | 0:36:49 | 0:36:52 | |
You would expect that, | 0:36:52 | 0:36:54 | |
-but the average people down here are probably about 40, that kind of thing. -Really? | 0:36:54 | 0:36:59 | |
-So like myself? -Exactly! It's a middle-aged sport | 0:36:59 | 0:37:02 | |
rather than the young sporty people that you expect. | 0:37:02 | 0:37:05 | |
Good. That makes me feel slightly more comfortable. | 0:37:05 | 0:37:08 | |
-What's next? -We're going to get you flying a kite. | 0:37:08 | 0:37:11 | |
We're going to get you comfortable with a kite, | 0:37:11 | 0:37:13 | |
and pretty much flying a kite without having to think about it. | 0:37:13 | 0:37:17 | |
We're going to teach you a few techniques, | 0:37:17 | 0:37:19 | |
and then get onto the buggies and put those techniques into practice. | 0:37:19 | 0:37:23 | |
As with every sport, there are safety measures. | 0:37:23 | 0:37:25 | |
When flying a power kite, you need to be able to let go if the wind gets too strong | 0:37:25 | 0:37:31 | |
so there's an easy-release safety leash | 0:37:31 | 0:37:33 | |
that is attached to one hand. | 0:37:33 | 0:37:35 | |
Step backwards as you go. Give it a bit of a tug. | 0:37:35 | 0:37:39 | |
Then left. | 0:37:39 | 0:37:42 | |
-Quite a lot more powering... -Whoaa! | 0:37:42 | 0:37:45 | |
You're controlling it like a bicycle, pivoting on this end to point, | 0:37:46 | 0:37:49 | |
just turning one way and just turning back, | 0:37:49 | 0:37:52 | |
just getting used to those motions. | 0:37:52 | 0:37:55 | |
The basic moves are to gently turn the bar first one way and then back the other way, | 0:37:55 | 0:38:00 | |
making a figure-of-eight in the sky. | 0:38:00 | 0:38:03 | |
That's good. Nice. | 0:38:09 | 0:38:12 | |
A two-hour beginner's lesson costs around £50. | 0:38:12 | 0:38:15 | |
Once the kite-flying has been mastered, | 0:38:15 | 0:38:18 | |
it's onto the even more fun part - the buggy. | 0:38:18 | 0:38:21 | |
OK, this is where you'll be sitting. | 0:38:21 | 0:38:23 | |
You'll be controlling it from here, your feet on that. | 0:38:23 | 0:38:27 | |
-Steer with your feet as we go. -So, I'm steering with my hands and my feet? | 0:38:27 | 0:38:31 | |
The more we steer the buggy towards the kite, the faster we go. | 0:38:31 | 0:38:34 | |
-If you want to slow down, steer away from the kite. -Yes. | 0:38:34 | 0:38:38 | |
-That's acting as a brake. -Yes. | 0:38:38 | 0:38:40 | |
Before I get into the buggy, Rupert is going to show me how it's done. | 0:38:40 | 0:38:44 | |
Put a bit of movement into it and then a nice big dive of the kite. | 0:38:44 | 0:38:48 | |
Kite-buggying is similar to land-yachting, | 0:38:48 | 0:38:51 | |
but uses a power kite rather than a sail. | 0:38:51 | 0:38:54 | |
It's thought to have been invented in China around the 13th century. | 0:38:54 | 0:38:58 | |
But kite-buggying first became available commercially in the US and the UK | 0:38:58 | 0:39:03 | |
in the late '70s. | 0:39:03 | 0:39:05 | |
He's making that look very easy. I'm not convinced! | 0:39:05 | 0:39:10 | |
As speeds of up to 70 miles an hour can be reached by a skilled driver, | 0:39:10 | 0:39:15 | |
it's important to wear a safety helmet. | 0:39:15 | 0:39:17 | |
-OK. -There you go. Sit down. | 0:39:19 | 0:39:23 | |
Ooh! | 0:39:23 | 0:39:25 | |
-12? -Turn it left a little bit, up towards 12. | 0:39:25 | 0:39:28 | |
Yes. Come on. | 0:39:28 | 0:39:30 | |
Left a bit. Yes. OK. | 0:39:30 | 0:39:32 | |
Wait, wait, wait, wait! Wait! | 0:39:32 | 0:39:36 | |
Steer the buggy left a bit. | 0:39:38 | 0:39:40 | |
Also know as parakarting, | 0:39:41 | 0:39:43 | |
the sport is governed by the Parakart Association, formed in 1993, | 0:39:43 | 0:39:48 | |
and is now the regulating body for kite-buggy racing in England and Wales. | 0:39:48 | 0:39:53 | |
It's a bit like driving. You concentrate on turning | 0:39:53 | 0:39:56 | |
and then you do your feet with the pedals. | 0:39:56 | 0:39:58 | |
It's the other way round. You're turning with your feet and pedalling with this bit. | 0:39:58 | 0:40:03 | |
I've just got time for one more go before we fly back | 0:40:03 | 0:40:07 | |
to find out the results of our property search. | 0:40:07 | 0:40:11 | |
Well, it seems like - I don't want to prejudge your decision - | 0:40:18 | 0:40:22 | |
but it seems like the centre of gravity may have moved to the coast, | 0:40:22 | 0:40:25 | |
so why not discuss by the coast? | 0:40:25 | 0:40:28 | |
-I'd like to get your opinions on all the houses we've seen... -OK. | 0:40:28 | 0:40:32 | |
-..spinning back to the oast house. -The oast house was lovely, | 0:40:32 | 0:40:35 | |
very cosy, lovely sizes of rooms, | 0:40:35 | 0:40:39 | |
but the swimming pool was a real bonus. That was lovely! | 0:40:39 | 0:40:42 | |
Jan, what did you think about the oast house in retrospect? | 0:40:42 | 0:40:45 | |
I really liked it. | 0:40:45 | 0:40:47 | |
-The views were wonderful. -Oh, yes! | 0:40:47 | 0:40:51 | |
I liked the size of the rooms. A lot I liked about that house. | 0:40:51 | 0:40:55 | |
And whereas I don't mind being on my own, it was a little isolated. | 0:40:55 | 0:40:59 | |
What about the second house? This seemed to really wow you. | 0:40:59 | 0:41:02 | |
Oh, it was... it still is fantastic. Absolutely. | 0:41:02 | 0:41:06 | |
The wooden panelling was just amazing. | 0:41:06 | 0:41:10 | |
It had you both enchanted. You were like, | 0:41:10 | 0:41:12 | |
"Nothing can beat that!" and we showed you the mystery house! | 0:41:12 | 0:41:15 | |
-I know! -Fickle, aren't we? -Isn't that funny? | 0:41:15 | 0:41:18 | |
-Was it the sea that won it over? -I think it's the sea that won it. | 0:41:18 | 0:41:21 | |
Mind you, it is a very picturesque and well-put-together little house. | 0:41:21 | 0:41:26 | |
It's got absolutely everything that I would need, and even a studio. | 0:41:26 | 0:41:30 | |
When did you suddenly think, "This is the one?" | 0:41:30 | 0:41:34 | |
I think it was Jan saying, actually, | 0:41:34 | 0:41:37 | |
I didn't go out looking for a terrace, | 0:41:37 | 0:41:40 | |
I wanted something which was actually standing own its own, | 0:41:40 | 0:41:43 | |
but, as Jan says, you can be as lonely in a terrace | 0:41:43 | 0:41:47 | |
as you can in an isolated spot, so give it a chance. | 0:41:47 | 0:41:50 | |
The whole of the place is growing on me. | 0:41:50 | 0:41:54 | |
-I think you won't be isolated here. -No. | 0:41:54 | 0:41:57 | |
I think that's a really big thing. | 0:41:57 | 0:41:59 | |
You didn't think it mattered until you saw something | 0:41:59 | 0:42:02 | |
-that was with more neighbours and more going on. -Yes. | 0:42:02 | 0:42:06 | |
I think you see this and realise that you would've been a bit isolated | 0:42:06 | 0:42:10 | |
-in either of the other two houses. -Yes. That's absolutely true. | 0:42:10 | 0:42:13 | |
-It's a winner. -It is. | 0:42:13 | 0:42:15 | |
What happens next? What's the plan? | 0:42:15 | 0:42:18 | |
Well, I think make an offer. THEY LAUGH | 0:42:18 | 0:42:22 | |
-Yay! -Result! | 0:42:22 | 0:42:25 | |
Great! That will be absolutely wonderful. | 0:42:25 | 0:42:28 | |
-I think so. -I have to say, | 0:42:28 | 0:42:30 | |
I did love the thatched house very much, I could see you there, | 0:42:30 | 0:42:33 | |
-but I can see you much more here. -Yes. Yes. | 0:42:33 | 0:42:36 | |
-See you by the sea soon. -Yes! | 0:42:36 | 0:42:38 | |
Absolutely. Come and visit. Come and have a cup of tea. | 0:42:38 | 0:42:41 | |
That was a fun show - | 0:42:45 | 0:42:47 | |
buggying on the sands at Camber, looking at art at the pavilion | 0:42:47 | 0:42:51 | |
and, most importantly, | 0:42:51 | 0:42:53 | |
turning Carol's dream of a country residence into reality. | 0:42:53 | 0:42:56 | |
But not out in the hills of East Sussex | 0:42:56 | 0:42:59 | |
but right here, on the beach. | 0:42:59 | 0:43:03 | |
That's good work. | 0:43:03 | 0:43:04 | |
Join us for more of that next time on Escape to the Country. | 0:43:04 | 0:43:09 | |
The good news is, Carol put in an offer on the mystery house. | 0:43:10 | 0:43:14 | |
The bad news is, she was beaten to it by another buyer. | 0:43:14 | 0:43:17 | |
But she has since had an offer accepted | 0:43:17 | 0:43:20 | |
on another seafront property in Camber. | 0:43:20 | 0:43:23 | |
If you'd like to Escape to Scotland, Wales, Northern Ireland or England | 0:43:23 | 0:43:27 | |
and need our help, | 0:43:27 | 0:43:28 | |
please apply online at... | 0:43:28 | 0:43:31 | |
Subtitles by Red Bee Media Ltd | 0:43:35 | 0:43:36 |