Browse content similar to Suffolk. Check below for episodes and series from the same categories and more!
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This is one of the best preserved medieval towns in the country. | 0:00:02 | 0:00:05 | |
500 years ago, it was famed for its cloth making. | 0:00:05 | 0:00:07 | |
But which county am I in? Find out in just a moment. | 0:00:07 | 0:00:11 | |
On today's show, I'm with a couple of beekeepers who are aiming to escape the hectic buzz of London | 0:00:40 | 0:00:45 | |
to the peace of the countryside. | 0:00:45 | 0:00:48 | |
As one of them is a plumber, there's an unusual question at our first property. | 0:00:48 | 0:00:52 | |
Throughout my eight-year television career, | 0:00:52 | 0:00:54 | |
I have never been asked to find out what the water pressure is like. | 0:00:54 | 0:00:57 | |
Thank you very much - that is a first for me. | 0:00:57 | 0:00:59 | |
But by the mystery house, it's a routine request. | 0:00:59 | 0:01:02 | |
-And can you check the water pressure on the taps for us please, Jonnie? -Unbelievable! | 0:01:02 | 0:01:09 | |
Today, I'm in Suffolk and this is the Guildhall in historic Lavenham. | 0:01:13 | 0:01:17 | |
In the 1370s, things weren't going well for Edward III. | 0:01:17 | 0:01:21 | |
The Hundred Years' War had wreaked havoc on the royal coffers. | 0:01:21 | 0:01:25 | |
So he decided to impose a heavy export tax on the textile industry | 0:01:25 | 0:01:29 | |
meaning that soon, it was confined to British shores. | 0:01:29 | 0:01:33 | |
By the 16th century, the whole area was one of the most prosperous in the country for weaving cloth. | 0:01:33 | 0:01:39 | |
Unfortunately, its fall was as rapid as its rise. | 0:01:39 | 0:01:43 | |
New techniques from the continent and increased competition from the north | 0:01:43 | 0:01:47 | |
meant that Lavenham was hung out to dry. | 0:01:47 | 0:01:49 | |
But, as you can see from the beautiful architecture it left behind, | 0:01:49 | 0:01:53 | |
Suffolk certainly wears its heritage on its sleeve. | 0:01:53 | 0:01:57 | |
Set in the east of England, Suffolk stretches from the great waters of the North Sea | 0:01:57 | 0:02:03 | |
to the gallops of Newmarket. | 0:02:03 | 0:02:05 | |
Its neighbours include Cambridgeshire to the west and Essex to the south. | 0:02:05 | 0:02:09 | |
The coastline is home to Britain's most easterly point at Lowestoft Ness. | 0:02:09 | 0:02:14 | |
And with over 45 miles of golden beaches and shingle islands, | 0:02:14 | 0:02:18 | |
it's a haven for bird life with over 50 nature reserves. | 0:02:18 | 0:02:21 | |
To the west, Newmarket, the centre of British horseracing, | 0:02:21 | 0:02:25 | |
has always been synonymous with equine excellence. | 0:02:25 | 0:02:28 | |
Boudicca, Britain's ancient warrior queen, used the heath here | 0:02:28 | 0:02:31 | |
to prepare her warrior chariots before facing the Romans. | 0:02:31 | 0:02:35 | |
Nowadays, you are more likely to see men in silk rather than women in woad. | 0:02:35 | 0:02:39 | |
But they'll still be out in the world's longest horseracing straight | 0:02:39 | 0:02:43 | |
preparing their charges for action. | 0:02:43 | 0:02:48 | |
If you're looking for your dream country property, a move to Suffolk could be a great bet. | 0:02:48 | 0:02:52 | |
The average price for a detached house is around £241,000. | 0:02:52 | 0:02:55 | |
That's a massive £19,000 less than the national figure. | 0:02:55 | 0:03:00 | |
But if you have equine aspirations, | 0:03:00 | 0:03:02 | |
then the properties around Newmarket are considerably more expensive. | 0:03:02 | 0:03:06 | |
Expect to pay around £450,000 for a character home there | 0:03:06 | 0:03:09 | |
but if you're prepared to ride the extra mile, | 0:03:09 | 0:03:12 | |
the land closer to Norfolk is a whole lot cheaper. | 0:03:12 | 0:03:16 | |
Historically, the major industry in Suffolk was weaving | 0:03:16 | 0:03:20 | |
and the traditional housing of the wealthy wool traders was Tudor-style wood-framed properties. | 0:03:20 | 0:03:26 | |
Fine examples can be seen in the old walled towns such as Sudbury and Lavenham | 0:03:26 | 0:03:30 | |
where this charming three-bedroom terraced house is on the market for £465,000. | 0:03:30 | 0:03:36 | |
The Suffolk pink house is one of the most attractive styles in the county. | 0:03:36 | 0:03:41 | |
Rather than using traditional whitewash, | 0:03:41 | 0:03:43 | |
the pink colour was originally achieved by using pig's blood. | 0:03:43 | 0:03:47 | |
This two-bed thatched pink-wash cottage, outside Sudbury, | 0:03:47 | 0:03:51 | |
is grade II listed and priced at just under £300,000. | 0:03:51 | 0:03:55 | |
From the 16th century, Suffolk red brick was produced at local kilns. | 0:03:55 | 0:03:59 | |
Examples of brick housing can be seen all over the county | 0:03:59 | 0:04:03 | |
but particularly around the walled towns. | 0:04:03 | 0:04:07 | |
This three-bedroom Victorian cottage | 0:04:07 | 0:04:10 | |
in the village of Shelley could be yours for £285,000. | 0:04:10 | 0:04:14 | |
Some stunning Suffolk properties there | 0:04:14 | 0:04:16 | |
but what are today's buyers looking for? Time to meet them and find out. | 0:04:16 | 0:04:19 | |
Paul and Elaine have been married for 10 years | 0:04:19 | 0:04:22 | |
and live in a ground floor flat in the North London borough of Haringey. | 0:04:22 | 0:04:26 | |
For the past few years, they've been yearning for the space and peace that country life can offer. | 0:04:26 | 0:04:32 | |
I've just retired from the London Fire Brigade | 0:04:32 | 0:04:35 | |
so I've no need to be living in London any more. | 0:04:35 | 0:04:37 | |
I'd like a quieter life, more open space. | 0:04:37 | 0:04:43 | |
Most importantly, we want country walks on our doorstep | 0:04:43 | 0:04:47 | |
-because we want to get a dog and go out there and enjoy it. -Yeah. | 0:04:47 | 0:04:50 | |
I've never had a dog, I want a dog. | 0:04:50 | 0:04:52 | |
So, apart from realising the dream of owning a dog, | 0:04:52 | 0:04:56 | |
Paul will be working as a plumber with help from former veterinary nurse, Elaine. | 0:04:56 | 0:05:01 | |
They've thought carefully about which county they're hoping to live in. | 0:05:01 | 0:05:04 | |
The important things for us is that we needed to be | 0:05:04 | 0:05:07 | |
within an hour and a half to two hours' drive of our parents. | 0:05:07 | 0:05:10 | |
Mine are in North London and Paul's are still in Hertfordshire. | 0:05:10 | 0:05:13 | |
We wanted to be somewhere fairly rural but also near good market towns | 0:05:13 | 0:05:18 | |
where there was activity and amenities but still have that lovely rural feeling. | 0:05:18 | 0:05:23 | |
-Suffolk did fit the bill for us. -Yeah. | 0:05:23 | 0:05:25 | |
When he's not working or walking his dog, | 0:05:25 | 0:05:29 | |
Paul will be joining Elaine in expanding their shared interest in beekeeping. | 0:05:29 | 0:05:33 | |
We're beekeepers. We belong to an association in North London. | 0:05:33 | 0:05:39 | |
This is another reason why we want to move | 0:05:39 | 0:05:42 | |
because we haven't really got room in here to keep bees with the neighbours so close. | 0:05:42 | 0:05:47 | |
So, when we move out to the country, we can have our own hives, probably about three or four. | 0:05:47 | 0:05:53 | |
It would be great, wouldn't it? We've got a different interest with regard to the bees. | 0:05:53 | 0:05:59 | |
Paul's very interested in the honey side of wanting to keep bees | 0:05:59 | 0:06:03 | |
and I'm much more interested in pollination | 0:06:03 | 0:06:06 | |
because I want to grow vegetables and plants. | 0:06:06 | 0:06:09 | |
We both have that interest in looking after the hive. It's fascinating. | 0:06:09 | 0:06:13 | |
Elaine is also keen on getting more creative with woollen crafts. | 0:06:13 | 0:06:17 | |
One pastime I do quite a lot of is knitting. | 0:06:17 | 0:06:21 | |
One thing I would like to do, if I had the space and the time to do it, | 0:06:21 | 0:06:26 | |
is learn how to start spinning and dye my own yarn. | 0:06:26 | 0:06:30 | |
That would be a really nice thing to look at for the future. | 0:06:30 | 0:06:34 | |
So, with an offer already accepted on their flat, their finances are in place and they're ready to go. | 0:06:34 | 0:06:40 | |
The budget for our move is £400,000. | 0:06:40 | 0:06:43 | |
Paul and Elaine's search area is dictated by the distance | 0:06:50 | 0:06:54 | |
from that parents in North London and Hertfordshire. | 0:06:54 | 0:06:57 | |
They would like to live no further than the town of Stowmarket, about a two hours' drive. | 0:06:57 | 0:07:02 | |
I met up with them to hear what they are looking for in their new rural home. | 0:07:02 | 0:07:06 | |
Welcome to Suffolk. Beautiful county. What is the attraction of moving to the countryside? | 0:07:06 | 0:07:11 | |
We've been planning it for a few years. London's so busy. | 0:07:11 | 0:07:15 | |
It's a great place to live but as you get older, you want a bit more to relax and chill out, | 0:07:15 | 0:07:19 | |
-and beautiful scenery and peace, really, isn't it? -Yeah. | 0:07:19 | 0:07:23 | |
What are you after - what is the shopping list? | 0:07:23 | 0:07:26 | |
Minimum of a quarter of an acre. | 0:07:26 | 0:07:31 | |
What does this house look like? | 0:07:31 | 0:07:33 | |
Three bedrooms if we can. | 0:07:33 | 0:07:36 | |
It needs to have a good garage because Paul's still got a plumbing business | 0:07:36 | 0:07:40 | |
and we need to put the van and tools somewhere. | 0:07:40 | 0:07:43 | |
-So, three bedrooms. -Not a square box. | 0:07:43 | 0:07:46 | |
I have always lived in older houses | 0:07:46 | 0:07:48 | |
and I think to move into a modern square box is soulless. | 0:07:48 | 0:07:53 | |
-So, something with character by the sounds of it. -Yes, it's got its own soul, it's its own house. | 0:07:53 | 0:08:00 | |
Are you keen cooks, do you entertain? | 0:08:00 | 0:08:02 | |
Yes. It would be great to have a big kitchen. | 0:08:02 | 0:08:05 | |
Everybody wants a kitchen they can put a table in and have their friends round. | 0:08:05 | 0:08:09 | |
We're adaptable. It's where the house is. You can always move the inside about. | 0:08:09 | 0:08:13 | |
You sound quite open-minded, which means you might not know what you want | 0:08:13 | 0:08:18 | |
and we might find it on the way. | 0:08:18 | 0:08:20 | |
It also means I could show you a whole range of properties. | 0:08:20 | 0:08:23 | |
I want to show you a complete range of properties. | 0:08:23 | 0:08:28 | |
We have only got three opportunities so they're all going to be very different. | 0:08:28 | 0:08:32 | |
-Let's start. -Thank you. -Just this way. | 0:08:32 | 0:08:36 | |
We've found three fantastic properties to show them. | 0:08:54 | 0:08:58 | |
At each one, I'll be asking them to guess the price before I reveal it. | 0:08:58 | 0:09:01 | |
One of them will be the mystery house, which comes with compromises attached. | 0:09:01 | 0:09:05 | |
But first, we're hitting the road to property number one. | 0:09:05 | 0:09:11 | |
We've travelled to the village of Wickhambrook, 10 miles south-east of Newmarket. | 0:09:12 | 0:09:17 | |
So, we're within that two-hour range for those parental visits. | 0:09:17 | 0:09:21 | |
It's a community of around 1,000 people scattered around 11 greens. | 0:09:21 | 0:09:26 | |
Amenities include a general store, a pub which serves real ale | 0:09:26 | 0:09:30 | |
and a centre that hosts WI meetings as well as the monthly farmers' market. | 0:09:30 | 0:09:36 | |
A couple of miles outside the village, we find our first property. | 0:09:36 | 0:09:39 | |
A traditional cottage, part of which dates back to the 17th century | 0:09:39 | 0:09:43 | |
with a Norfolk reed thatched roof. | 0:09:43 | 0:09:46 | |
Here is the first house. | 0:09:46 | 0:09:50 | |
-That is very, very pretty, isn't it? Gorgeous position. -It is. It is. Lovely. | 0:09:50 | 0:09:55 | |
You are escaping the madness that is London to potentially this. | 0:09:55 | 0:10:01 | |
-Is this what you had in mind? -I tried not to picture anything | 0:10:01 | 0:10:04 | |
-and keep an open mind but this is fabulous. -Looking good. -Follow me. | 0:10:04 | 0:10:08 | |
So, it's a great first response to the exterior of this cottage. | 0:10:08 | 0:10:14 | |
I think they'll be surprised by how much space inside offers | 0:10:14 | 0:10:17 | |
since been modernised in recent years. | 0:10:17 | 0:10:20 | |
I'm going to start the tour with the most important room for Elaine, the kitchen-diner. | 0:10:20 | 0:10:24 | |
So, this is where we find out how big your kitchen needs to be. | 0:10:24 | 0:10:30 | |
-Big enough? -Absolutely. -It's great. -Absolutely big enough. | 0:10:30 | 0:10:34 | |
-It's twice the size of our one at home. -Is it? -Yes! | 0:10:34 | 0:10:37 | |
You've got the table in here, the chair, | 0:10:37 | 0:10:39 | |
-always wanted to have a little read in the kitchen. It's lovely. -It's quite light. | 0:10:39 | 0:10:45 | |
Would you mind turning the tap on to see what the water pressure is like? | 0:10:45 | 0:10:50 | |
-Ever the plumber. -Yes, mains pressure. | 0:10:50 | 0:10:54 | |
Well done, Paul! This is a first. Throughout my eight-year television career, | 0:10:54 | 0:10:58 | |
I've never been asked to find out what the water pressure is like. | 0:10:58 | 0:11:01 | |
-Thank you very much. It's a first for me. -I'm going to test the toilet in a minute. | 0:11:01 | 0:11:05 | |
I don't want to be there when that happens. Could you live in this house? | 0:11:05 | 0:11:09 | |
Yes, it's got a lovely feel to it, this kitchen. | 0:11:09 | 0:11:11 | |
This could be a short working day for me. Come on! | 0:11:11 | 0:11:14 | |
So now from the new to the old. | 0:11:14 | 0:11:17 | |
As we enter the 17th century part of the house, | 0:11:17 | 0:11:20 | |
I'm going to show them a reception room with real character. | 0:11:20 | 0:11:24 | |
-Oh, look at that! -I like it. -Fabulous hearth. | 0:11:24 | 0:11:29 | |
-Did you get through the door? -I've still got some hair left. | 0:11:29 | 0:11:34 | |
This is the old part of the building, | 0:11:34 | 0:11:36 | |
16th or 17th century part of the house. | 0:11:36 | 0:11:39 | |
-Do you like this sort of feel? -Yes, it's nice and cosy. It's lovely. -Great character. -Good. | 0:11:39 | 0:11:46 | |
Reception rooms, you've got an office next door or music room. | 0:11:46 | 0:11:51 | |
Whilst you could eat in the kitchen, if you wanted to entertain, you do that through here. | 0:11:51 | 0:11:55 | |
-Mind your head! -Thank you, Jonnie. | 0:11:55 | 0:11:58 | |
Now, separate dining room. Quite a treat in an old property like this. | 0:11:58 | 0:12:03 | |
A separate reception room. A wonderful feature behind you. | 0:12:03 | 0:12:06 | |
Very, very, lovely stove, that one. | 0:12:06 | 0:12:09 | |
And you have got a conservatory beyond plus you've got just there, a utility, | 0:12:09 | 0:12:15 | |
which means you can keep all those white goods out of the kitchen. | 0:12:15 | 0:12:18 | |
-So, impressed so far? -Yes. -Very - this is lovely. | 0:12:18 | 0:12:22 | |
It's got all the character. It's got the old and the new. It's good. | 0:12:22 | 0:12:27 | |
Bedroom is next. Follow me. Mind your head again, Paul. | 0:12:27 | 0:12:31 | |
As well as giving them a raft of reception rooms downstairs, | 0:12:31 | 0:12:35 | |
this extended cottage gives them a total of four bedrooms upstairs. | 0:12:35 | 0:12:39 | |
When their friends come to stay, there's a choice of two double rooms as well as a single. | 0:12:39 | 0:12:43 | |
These all share the modern family bathroom with roll-top bath. | 0:12:43 | 0:12:48 | |
But we're heading for the largest of the bedrooms. | 0:12:48 | 0:12:51 | |
Up on the first floor, this is the new part of the building again. | 0:12:51 | 0:12:56 | |
Right over the top of the kitchen. The master bedroom. | 0:12:56 | 0:13:00 | |
-Master because you've got the en-suite as well. -It's lovely. | 0:13:00 | 0:13:04 | |
-Good, isn't it? -That is good. -It's enormous. -You do have a walk-in wardrobe there. | 0:13:04 | 0:13:09 | |
I was wondering where the wardrobes were. | 0:13:09 | 0:13:11 | |
-But with four bedrooms, maybe you'd just have a dressing room. -Yeah. | 0:13:11 | 0:13:16 | |
-We haven't got that many friends. We would never use four in one go. -No, I haven't got that many clothes. | 0:13:16 | 0:13:20 | |
-I like it. -It's really nicely done. -As we head back downstairs, this all seems to be going rather well. | 0:13:20 | 0:13:26 | |
Mind your head, Paul! | 0:13:26 | 0:13:28 | |
But the grounds are as important as the house | 0:13:28 | 0:13:33 | |
because they want to keep bees and chickens, not to mention getting a rescue dog. | 0:13:33 | 0:13:37 | |
The gardens amount to about a quarter of an acre and feature a large pond. | 0:13:37 | 0:13:41 | |
For Paul's workshop, there is a double garage with two adjoining sheds. | 0:13:41 | 0:13:46 | |
Now then. Elaine, you're the gardener, aren't you? | 0:13:46 | 0:13:50 | |
-What would you do with this garden? -It's a project. It's a big old plot. | 0:13:50 | 0:13:56 | |
We would need to sit and think and do some planning to see | 0:13:56 | 0:13:59 | |
how we could best adapt it to the way we want to live. | 0:13:59 | 0:14:02 | |
How much is this house on the market for? | 0:14:02 | 0:14:05 | |
It's really difficult. | 0:14:05 | 0:14:07 | |
Four bedrooms, I'd say, hopefully, 390, but I think it's probably a bit more than that. | 0:14:07 | 0:14:13 | |
-Really? -Yes. -What do you think, Paul? -At a guess, I reckon 375. | 0:14:13 | 0:14:18 | |
This house is on the market for offers around £415,000. | 0:14:18 | 0:14:23 | |
-That makes sense. -Yeah? -I'm not surprised. | 0:14:23 | 0:14:28 | |
The good news is, I've spoken to the owners direct and they're looking to settle | 0:14:28 | 0:14:33 | |
at around the £400,000 mark, which means you could buy this house. | 0:14:33 | 0:14:37 | |
-It's crazy. -Did you think you could buy this house? -It's mad. -No. | 0:14:37 | 0:14:43 | |
But that's why we are here. | 0:14:43 | 0:14:46 | |
-Why don't you go and have a look around the house and I'll catch you in a bit. -Thanks. -Bye. | 0:14:46 | 0:14:53 | |
Priced at £415,000, this beautiful cottage is £15,000 over their budget. | 0:14:53 | 0:15:00 | |
But a lesser offer may well be accepted. | 0:15:00 | 0:15:03 | |
It seems to offer them everything they've asked for, | 0:15:03 | 0:15:06 | |
including a large kitchen-diner, plenty of living space, | 0:15:06 | 0:15:09 | |
four bedrooms, a garage with workshop potential and a large garden | 0:15:09 | 0:15:14 | |
with vegetable plot that would be | 0:15:14 | 0:15:16 | |
perfect for keeping those bees. | 0:15:16 | 0:15:17 | |
Soon as I saw this house, this first house, | 0:15:17 | 0:15:20 | |
I was very pleased from what I could see from the outside. | 0:15:20 | 0:15:24 | |
It's detached, on its own, surrounded by fields... Marvellous! | 0:15:24 | 0:15:29 | |
Exactly the kind of thing I wanted. | 0:15:29 | 0:15:31 | |
The garden space is actually quite deceptive. | 0:15:31 | 0:15:33 | |
At first I thought "I don't think there's enough. How would it all work?" | 0:15:33 | 0:15:37 | |
But the more I've looked around, the more I've seen it, there's | 0:15:37 | 0:15:40 | |
so much that you can do with it and it is quite adaptable. | 0:15:40 | 0:15:43 | |
And you could really set yourself some fabulous growing projects here. | 0:15:43 | 0:15:47 | |
I don't know who's leading who up the garden path, | 0:15:47 | 0:15:49 | |
but are you happy with what you've seen? | 0:15:49 | 0:15:52 | |
-Very much so. -Yeah! | 0:15:52 | 0:15:53 | |
-Time to look at another house? -Absolutely. Yeah. | 0:15:53 | 0:15:56 | |
A large part of Suffolk's industrial heritage is bound up | 0:16:06 | 0:16:09 | |
in its wool towns. | 0:16:09 | 0:16:11 | |
Places such as Lavenham, Hadleigh | 0:16:11 | 0:16:13 | |
and Sudbury were renowned for their woollen textile production and grew | 0:16:13 | 0:16:17 | |
to be some of England's wealthiest towns in the 14th century. | 0:16:17 | 0:16:20 | |
By the 1800s, it had become Britain's main centre for the silk trade, | 0:16:20 | 0:16:24 | |
with the introduction of the Spitalfields Act, bringing | 0:16:24 | 0:16:27 | |
the Flemish silk-weavers from London to Suffolk to escape the new tax levied on them. | 0:16:27 | 0:16:32 | |
The town's silk tradition is being kept alive today | 0:16:32 | 0:16:35 | |
by Richard Humphries, who has been weaving silk for the last 40 years. | 0:16:35 | 0:16:39 | |
As Elaine has such a keen interest in textiles, we arranged for her | 0:16:39 | 0:16:43 | |
and Paul to meet him at his design studio | 0:16:43 | 0:16:46 | |
to see some old-style weaving in action. | 0:16:46 | 0:16:49 | |
OK, well, this is a Jacquard loom and | 0:16:49 | 0:16:51 | |
if you look at the top here you'll see Jacquard's invention of 1803. | 0:16:51 | 0:16:56 | |
He unwittingly was the creator of the world's first programmable | 0:16:56 | 0:17:02 | |
machine and everything that you can relate to the computer age | 0:17:02 | 0:17:07 | |
comes from this granddaddy of the whole idea. | 0:17:07 | 0:17:10 | |
So you punch the programme in the cards, | 0:17:10 | 0:17:13 | |
the cards here are fed into the machine around the cylinder | 0:17:13 | 0:17:18 | |
and the hooks and needles react | 0:17:18 | 0:17:21 | |
to the message in the punched programme. | 0:17:21 | 0:17:25 | |
Where you have a hole, you lift the threads up - | 0:17:25 | 0:17:27 | |
where you don't have a hole in the cards, the threads stay down. | 0:17:27 | 0:17:32 | |
And so on a loom you've got warp and weft. | 0:17:32 | 0:17:35 | |
The warp threads run up the length of the material, | 0:17:35 | 0:17:38 | |
the weft threads go across, and the Jacquard decides, | 0:17:38 | 0:17:42 | |
through your design, which threads are going to be lifted up | 0:17:42 | 0:17:45 | |
and which threads will stay down. | 0:17:45 | 0:17:47 | |
The Jacquard loom revolutionised textile manufacturing, | 0:17:49 | 0:17:52 | |
moving it from a cottage industry to the factory mills. | 0:17:52 | 0:17:56 | |
For the first time, intricate patterns could be produced | 0:17:56 | 0:17:58 | |
by a mechanised process, which increased output to a mass scale. | 0:17:58 | 0:18:03 | |
Richard makes his own Jacquard cards for designs here, as these looms are | 0:18:03 | 0:18:07 | |
still the perfect tool for the sample stage or to produce | 0:18:07 | 0:18:10 | |
small amounts of specialist fabrics. | 0:18:10 | 0:18:13 | |
What is this cloth you've got on the loom here? | 0:18:13 | 0:18:15 | |
This is really unique, because we are the country's last carriage lace | 0:18:15 | 0:18:21 | |
hand-weavers, and carriage lace was the decorative edge to be | 0:18:21 | 0:18:26 | |
put around your horse-drawn carriage. | 0:18:26 | 0:18:30 | |
In the interior this would be sumptuously upholstered with | 0:18:30 | 0:18:35 | |
satins and velvets. | 0:18:35 | 0:18:36 | |
And this is the trim which goes on the edge, | 0:18:36 | 0:18:39 | |
like the piping around the cushions and the edges of the doors. | 0:18:39 | 0:18:44 | |
Richard's work can be seen in the upholstery | 0:18:44 | 0:18:46 | |
of the state landau carriage used for royal weddings, | 0:18:46 | 0:18:49 | |
as well as furnishings for historic properties including | 0:18:49 | 0:18:51 | |
Windsor Castle, Alnwick Castle and Chatsworth House. | 0:18:51 | 0:18:55 | |
Sudbury is still the silk-weaving capital of England, with around | 0:18:56 | 0:18:59 | |
110 metric tonnes of China silk imported to the town every year. | 0:18:59 | 0:19:03 | |
Wow. | 0:19:04 | 0:19:06 | |
Well, yes, this particular design is unique to Alnwick Castle | 0:19:06 | 0:19:11 | |
and this is the raw material, | 0:19:11 | 0:19:13 | |
so this is pure silk in its raw state, | 0:19:13 | 0:19:16 | |
-and if you feel the wiriness of it... -Strong, isn't it? -Yes, yes. | 0:19:16 | 0:19:20 | |
-Really strong. -It's a beautiful, lustrous fibre. -It's like your hair! | 0:19:20 | 0:19:26 | |
-It WAS! -This is how we process it. | 0:19:26 | 0:19:29 | |
Here we've got a dye pack | 0:19:29 | 0:19:30 | |
which shows the same yarn once it's been dyed, | 0:19:30 | 0:19:33 | |
and there you can see the single strand of the silk. | 0:19:33 | 0:19:37 | |
And that's about 21 silk cocoons, | 0:19:37 | 0:19:43 | |
so 21 silkworms just to make that single thread. | 0:19:43 | 0:19:47 | |
So strong, isn't it? | 0:19:47 | 0:19:48 | |
-I love all the really bright colours. Just fantastic. -Yes. | 0:19:50 | 0:19:53 | |
-The shiny stuff's always exciting, isn't it? -Oh, yes, lovely. | 0:19:53 | 0:19:57 | |
With Elaine and Paul getting a real feel of Suffolk's heritage, | 0:19:57 | 0:20:00 | |
it's time to weave our way back to their house search. | 0:20:00 | 0:20:03 | |
For our second house we're still in the Sudbury area, | 0:20:11 | 0:20:14 | |
just over 33 miles southeast of Newmarket, in the Stour Valley. | 0:20:14 | 0:20:18 | |
And we're around two hours' drive away from North London | 0:20:18 | 0:20:21 | |
for those parental visits. | 0:20:21 | 0:20:22 | |
Surrounded by beautiful countryside, often painted by Constable | 0:20:22 | 0:20:26 | |
and Gainsborough, Sudbury hosts a twice-weekly market | 0:20:26 | 0:20:29 | |
and is a hub for shopping and entertainment. | 0:20:29 | 0:20:33 | |
A couple of miles out of town is our second property. | 0:20:33 | 0:20:36 | |
While it's detached, as Paul and Elaine requested, | 0:20:36 | 0:20:38 | |
it's also modern, built in 1976, and a bungalow, to boot. | 0:20:38 | 0:20:43 | |
But as they currently live in a ground-floor flat, | 0:20:43 | 0:20:45 | |
I'm hoping that might not be an issue. | 0:20:45 | 0:20:47 | |
Now, this place... | 0:20:49 | 0:20:50 | |
..is the antithesis of the house we've just been to. | 0:20:51 | 0:20:55 | |
Wow, yeah! | 0:20:55 | 0:20:56 | |
-Here we go! -Modern. Very modern. Most unexpected. | 0:20:56 | 0:21:00 | |
-It's quite big too, isn't it? -Do you like it? Do you mind how it looks? | 0:21:00 | 0:21:04 | |
-Do you LIKE the way it looks? -Yeah, it looks nice, doesn't it? | 0:21:04 | 0:21:07 | |
-Yeah, it looks good. -Good! | 0:21:07 | 0:21:08 | |
Inside, again, it's totally different to what we've seen so far. | 0:21:08 | 0:21:13 | |
-Let's see what you think. -Right. | 0:21:13 | 0:21:15 | |
So open minds at the moment. | 0:21:15 | 0:21:18 | |
And we're about to find out whether Paul | 0:21:18 | 0:21:20 | |
and Elaine will contemplate a modern interior in their future home. | 0:21:20 | 0:21:23 | |
Let's start with the newest part of this building. | 0:21:23 | 0:21:26 | |
Yeah. | 0:21:27 | 0:21:30 | |
-Wow. -It is a bit of a wow room, isn't it? -It is! | 0:21:30 | 0:21:33 | |
-It's so bright, isn't it? -Yeah. | 0:21:33 | 0:21:35 | |
It's massive, absolutely massive. | 0:21:35 | 0:21:38 | |
Come on then, Paul. The last one was... "Good. Good." | 0:21:38 | 0:21:43 | |
PAUL LAUGHS | 0:21:43 | 0:21:44 | |
So how is this one? | 0:21:44 | 0:21:46 | |
-This is modern good. -Oh, right, OK! | 0:21:46 | 0:21:48 | |
Yeah, I mean, it's got high ceilings, | 0:21:48 | 0:21:51 | |
-cos you can hear it's echoing, isn't it? -Yeah. | 0:21:51 | 0:21:54 | |
It's very modern, so you've taken us from a really old place straight to a modern. | 0:21:54 | 0:21:58 | |
We've gone up hundreds of years. | 0:21:58 | 0:22:01 | |
On one side of this living space are three bedrooms, | 0:22:01 | 0:22:04 | |
which could be used for visiting friends and family. | 0:22:04 | 0:22:07 | |
All are a reasonable size and share a modern family bathroom | 0:22:08 | 0:22:11 | |
so the whole area could be used as a guest wing | 0:22:11 | 0:22:15 | |
but our next stop is the kitchen on the opposite side of the house | 0:22:15 | 0:22:19 | |
and, whilst they love the rustic style of the one at the last | 0:22:19 | 0:22:21 | |
property, this is a whole different proposition. | 0:22:21 | 0:22:25 | |
So, staying with the modern theme. | 0:22:25 | 0:22:27 | |
Well, ultramodern, actually, this kitchen, isn't it? | 0:22:27 | 0:22:30 | |
-It is incredibly modern, isn't it? -Yeah, it is. -I do like it. | 0:22:30 | 0:22:33 | |
I like it very much | 0:22:33 | 0:22:34 | |
but it does feel as if I'm on holiday abroad somewhere. | 0:22:34 | 0:22:38 | |
-Really? -Yeah, it's all the tiles and the clean surfaces. | 0:22:38 | 0:22:41 | |
It's just that you haven't got the additional space in this one. | 0:22:41 | 0:22:44 | |
That other kitchen had that little bit of table and chairs | 0:22:44 | 0:22:48 | |
so you could be together and chill out in this space together. | 0:22:48 | 0:22:51 | |
-You can't do that in here. -It's too square and modern for me, I feel. | 0:22:51 | 0:22:55 | |
-Remember I told you some of the bedrooms are that way? -Yeah. | 0:22:55 | 0:22:59 | |
The master, as they have it at the moment, | 0:22:59 | 0:23:01 | |
is just through the utility. | 0:23:01 | 0:23:03 | |
-Excellent. Past the fridge on the way to the bed? -Yeah. -Fantastic. | 0:23:03 | 0:23:07 | |
While Elaine is looking on the positive side, we have now | 0:23:07 | 0:23:10 | |
got a clear idea of the way Paul feels about modern properties. | 0:23:10 | 0:23:13 | |
He didn't even ask to test the water pressure. | 0:23:13 | 0:23:16 | |
-Now then, no falling up the stairs to bed in this house. -Oh. | 0:23:16 | 0:23:21 | |
Nice-sized room. Very light. | 0:23:21 | 0:23:22 | |
Plenty of room to get round the bed on both sides, | 0:23:22 | 0:23:24 | |
which is what you've always wanted. | 0:23:24 | 0:23:26 | |
-We can't do that now. -It's true. Yeah. | 0:23:26 | 0:23:28 | |
It's got a small en-suite there. | 0:23:28 | 0:23:30 | |
Can't see much character to it, if you know what I mean. | 0:23:30 | 0:23:34 | |
-But whatever rocks your boat. -It's only 30 years old, isn't it? -Yeah. | 0:23:34 | 0:23:39 | |
Let's go outside to the garden, have a look around | 0:23:39 | 0:23:41 | |
and see what possibilities there are for your veggies | 0:23:41 | 0:23:43 | |
and your chickens and try and price this one. | 0:23:43 | 0:23:48 | |
It will not be easy. | 0:23:49 | 0:23:50 | |
Perhaps the outdoor space will change their view. | 0:23:51 | 0:23:54 | |
The established garden comes in at a quarter of an acre | 0:23:54 | 0:23:57 | |
with apple and pear trees and room for the bees. | 0:23:57 | 0:24:00 | |
There's also a large double garage, | 0:24:00 | 0:24:02 | |
giving Paul an option for his workshop. | 0:24:02 | 0:24:05 | |
How much do you think this house is on the market for? | 0:24:05 | 0:24:07 | |
-402,000. -OK. 402,000. | 0:24:09 | 0:24:13 | |
-Elaine, how much? -398. | 0:24:13 | 0:24:17 | |
Well, this house is on the market for offers around £395,000. | 0:24:17 | 0:24:24 | |
So you weren't a million miles away, pricewise. | 0:24:24 | 0:24:29 | |
I think you should go back into the house, have a quick scoot around | 0:24:29 | 0:24:32 | |
-and I will meet you where we came in. -Thank you. -See you in a mo. | 0:24:32 | 0:24:36 | |
So, not for them by the sounds of it | 0:24:38 | 0:24:40 | |
but when you look at the two houses we have seen today, | 0:24:40 | 0:24:44 | |
I think I know where we should be heading for the mystery property. | 0:24:44 | 0:24:48 | |
Under budget at £395,000, this property delivers | 0:24:50 | 0:24:54 | |
many of the elements on their wish list but with a modern twist. | 0:24:54 | 0:24:58 | |
It features a sleek kitchen, | 0:24:58 | 0:25:00 | |
a light open-plan living area, | 0:25:00 | 0:25:03 | |
four bedrooms | 0:25:03 | 0:25:04 | |
and a quarter of an acre of land, | 0:25:04 | 0:25:05 | |
which caters for vegetable-growing and beehives, | 0:25:05 | 0:25:08 | |
along with a double garage for Paul's workshop. | 0:25:08 | 0:25:11 | |
The inside of the house was light and it was airy. | 0:25:11 | 0:25:14 | |
I thought I would really like it but I think I have changed my mind. | 0:25:14 | 0:25:19 | |
Through seeing the houses, I think I really like the older properties. | 0:25:19 | 0:25:24 | |
Definitely. It's not for me. | 0:25:24 | 0:25:28 | |
There is the compromise. | 0:25:28 | 0:25:30 | |
This house is nearer to the town but the payoff is the road noise. | 0:25:30 | 0:25:34 | |
I think I always knew that I needed the quiet | 0:25:34 | 0:25:37 | |
and this visit has absolutely cemented that for me. | 0:25:37 | 0:25:42 | |
-All right. -Here they are. All done inside? Good look around? | 0:25:44 | 0:25:48 | |
-Good look around. -Good. Quite an eventful day. -Yeah. | 0:25:48 | 0:25:51 | |
Let's finish it there, shall we. Let's go back. | 0:25:51 | 0:25:54 | |
As dusk falls over the spectacular Suffolk countryside, | 0:26:05 | 0:26:08 | |
it marks the end of a day of contrasts for our property search. | 0:26:08 | 0:26:12 | |
Armed with £400,000, | 0:26:18 | 0:26:20 | |
Paul and Elaine want to leave London far behind | 0:26:20 | 0:26:23 | |
and, with a stream of income from a plumbing business, | 0:26:23 | 0:26:26 | |
set up home in rural Suffolk. | 0:26:26 | 0:26:28 | |
A traditional cottage had them positively gushing | 0:26:28 | 0:26:31 | |
but there was just a trickle of enthusiasm at our second property. | 0:26:31 | 0:26:35 | |
Coming up, the mystery house puts them under the cosh | 0:26:35 | 0:26:38 | |
but with some pleasing results. | 0:26:38 | 0:26:41 | |
-It's great, isn't it? -I didn't bash my head. | 0:26:41 | 0:26:43 | |
And I meet the endangered breed of heavy horse that | 0:26:43 | 0:26:46 | |
for centuries has called this county home. | 0:26:46 | 0:26:48 | |
So, Elaine and Paul started off yesterday telling me that they | 0:26:53 | 0:26:56 | |
weren't really sure what they are after but after looking at two very | 0:26:56 | 0:27:00 | |
different houses and getting two very different sets of reactions, | 0:27:00 | 0:27:03 | |
I think we are a lot closer to finding out exactly what they do want. | 0:27:03 | 0:27:06 | |
So, today, well, look at it. | 0:27:06 | 0:27:08 | |
It's an absolutely stunning morning | 0:27:08 | 0:27:10 | |
and we are off to see the mystery house. | 0:27:10 | 0:27:12 | |
Now, I think we should look at something that sits | 0:27:12 | 0:27:14 | |
somewhere in between the two we saw yesterday but, just | 0:27:14 | 0:27:17 | |
like anything in the middle ground, it does come with a compromise. | 0:27:17 | 0:27:20 | |
We have made the journey close to the historic market town | 0:27:26 | 0:27:28 | |
of Hadleigh, not far from the Essex border, | 0:27:28 | 0:27:31 | |
so the trip back to London will take just over two hours. | 0:27:31 | 0:27:34 | |
The town is full of fine examples | 0:27:35 | 0:27:37 | |
of timber and brick listed buildings, | 0:27:37 | 0:27:39 | |
some dating back to the 15th century. | 0:27:39 | 0:27:42 | |
There are plenty of independent shops selling local produce | 0:27:42 | 0:27:45 | |
and as Elaine has green-fingered aspirations, we are stopping off | 0:27:45 | 0:27:49 | |
en route to meet local gardening enthusiast Ruth Allen. | 0:27:49 | 0:27:52 | |
You're head of the local garden club, is that right? | 0:27:53 | 0:27:56 | |
-What is it called? -Hadleigh District Garden Club. | 0:27:56 | 0:27:59 | |
Right, OK. Now, what does that do? | 0:27:59 | 0:28:02 | |
Well, it looks after all the local gardeners who are mad enough | 0:28:02 | 0:28:05 | |
to want to spend all their hours digging around in the mud. | 0:28:05 | 0:28:08 | |
I think we have got one here. | 0:28:08 | 0:28:10 | |
-Do you eat your own produce, I would imagine? -Some of it, yes. | 0:28:10 | 0:28:14 | |
That sounds fantastic. So, this garden club, | 0:28:14 | 0:28:16 | |
it sounds like it's a forum as much as anything else, | 0:28:16 | 0:28:19 | |
to share ideas, | 0:28:19 | 0:28:20 | |
to share issues you might have throughout the season. | 0:28:20 | 0:28:22 | |
Well, it's really to educate anybody who wants to be educated | 0:28:22 | 0:28:25 | |
on any specific matter but what happens tends to be | 0:28:25 | 0:28:28 | |
that you find most information out from other people. Other gardeners. | 0:28:28 | 0:28:31 | |
Sounds like an absolute wealth of knowledge and you can't miss out | 0:28:31 | 0:28:34 | |
on that. When you are starting a garden, you need everything. | 0:28:34 | 0:28:37 | |
-It sounds fantastic. -In that case, you may well meet again. | 0:28:37 | 0:28:40 | |
-Well, I hope we shall meet again. -I hope so. | 0:28:40 | 0:28:42 | |
-I would like to see you both actually. -Thank you very much. | 0:28:42 | 0:28:46 | |
Our mystery house is around three miles south of the town, | 0:28:46 | 0:28:49 | |
just outside the pretty village of Shelley. | 0:28:49 | 0:28:52 | |
While Paul and Elaine had their hearts set on a detached property, | 0:28:52 | 0:28:55 | |
I've got a feeling that this end-of-terrace Victorian cottage | 0:28:55 | 0:28:58 | |
could change their minds. | 0:28:58 | 0:29:00 | |
This is our final offering. | 0:29:01 | 0:29:05 | |
-It's really cute. Really, really nice-looking house. -Good. | 0:29:08 | 0:29:12 | |
And one thing you said you would prefer it to be, Paul, is detached. | 0:29:12 | 0:29:16 | |
-I did. -And it's not. -No. | 0:29:16 | 0:29:18 | |
But this, I think you will see it still feels pretty private. | 0:29:18 | 0:29:22 | |
Yeah, it's lovely. | 0:29:22 | 0:29:24 | |
Originally three cottages built as farm cottages, built around 1891. | 0:29:24 | 0:29:28 | |
It is about the age of our property that we got at the moment so it | 0:29:28 | 0:29:31 | |
has got that familiar feeling. | 0:29:31 | 0:29:32 | |
Good. Let's look inside. | 0:29:32 | 0:29:34 | |
'So, we know we have got the character of this one right for them | 0:29:34 | 0:29:38 | |
'and the semi-detached aspect doesn't seem to be a problem | 0:29:38 | 0:29:41 | |
'so far, which is great news.' | 0:29:41 | 0:29:43 | |
OK. First reception room. | 0:29:44 | 0:29:47 | |
-It's lovely. -It's good. | 0:29:49 | 0:29:52 | |
Now, Paul, when you say, "It's good." | 0:29:52 | 0:29:54 | |
-It's clean, it's all decorated nicely. -It's got the ceiling height. | 0:29:55 | 0:30:00 | |
-It's really nice. -It's great, isn't it. -I didn't bash my head. | 0:30:00 | 0:30:03 | |
Let's go straight to the kitchen | 0:30:03 | 0:30:04 | |
-cos that is a fundamental part of your search, isn't it? -Yeah. | 0:30:04 | 0:30:08 | |
Well, pragmatic Paul has given it the thumbs up so far. | 0:30:10 | 0:30:13 | |
Let's see if we can turn up the pressure in the kitchen. | 0:30:13 | 0:30:17 | |
-Lovely. Really nice. -Yeah? -It is lovely, yes. -Excellent. | 0:30:17 | 0:30:21 | |
You got a "lovely" - did you hear that? | 0:30:21 | 0:30:23 | |
-Lovely? Did he say lovely? -Lovely. Good. Lovely. | 0:30:23 | 0:30:26 | |
-Wow. -Dropped back to good. -It's all clean. It's all new. | 0:30:26 | 0:30:29 | |
It's really great. | 0:30:29 | 0:30:30 | |
-It's got a downstairs loo there, which doubles as a utility. -OK. | 0:30:30 | 0:30:34 | |
And can you check the water pressure on the taps for us, please, Jonnie? | 0:30:34 | 0:30:37 | |
Unbelievable. | 0:30:37 | 0:30:38 | |
-Ready, Mr Plumber? -Yeah. | 0:30:40 | 0:30:42 | |
I haven't checked this already so please don't let me down. | 0:30:42 | 0:30:45 | |
That's the cold. Shall we try the hot? | 0:30:48 | 0:30:51 | |
So, with the water passing the test, | 0:30:58 | 0:31:00 | |
it's time to gauge their reactions to the main sitting room. | 0:31:00 | 0:31:03 | |
Now, this, I think, is a glorious room. | 0:31:03 | 0:31:06 | |
-It's a fantastic lounge, isn't it? -Oh, yeah. | 0:31:06 | 0:31:08 | |
Really lovely living space. | 0:31:08 | 0:31:10 | |
It almost feels quite Georgian, this room, doesn't it? | 0:31:10 | 0:31:12 | |
It's got that elegance about it, definitely. | 0:31:12 | 0:31:14 | |
Have you seen anything you would want to change so far? | 0:31:14 | 0:31:17 | |
-Maybe, actually, now you say it. -Go on. | 0:31:17 | 0:31:20 | |
-Knocking through, making one big kitchen diner through there. -Wow. | 0:31:20 | 0:31:24 | |
We haven't even seen the upstairs yet, have we? | 0:31:24 | 0:31:26 | |
-We haven't, we haven't. -Let's go and take a look now. | 0:31:26 | 0:31:30 | |
Living in a ground-floor flat, | 0:31:30 | 0:31:32 | |
Paul and Elaine haven't had their own stairs for a while. | 0:31:32 | 0:31:35 | |
Up on the first floor, | 0:31:35 | 0:31:36 | |
our semi-detached mystery house gives them four bedrooms. | 0:31:36 | 0:31:39 | |
A generously sized double room which has a Gothic-style window | 0:31:39 | 0:31:43 | |
along with two further bright single rooms, | 0:31:43 | 0:31:45 | |
one of which comes with built-in storage. | 0:31:45 | 0:31:49 | |
And these all share the large, | 0:31:49 | 0:31:50 | |
light family bathroom which has a shower and roll-top bath. | 0:31:50 | 0:31:54 | |
But we're heading for the master. | 0:31:54 | 0:31:57 | |
OK, so on this floor you have four bedrooms. | 0:31:57 | 0:32:01 | |
-What do you think of this one? -It's a stunning room. | 0:32:01 | 0:32:03 | |
-It is stunning, yeah. -Really, really lovely, peaceful room. | 0:32:03 | 0:32:07 | |
And, look, you can walk around the bed, both sides. | 0:32:07 | 0:32:09 | |
That means I haven't got to scramble over the bed in the morning. | 0:32:09 | 0:32:13 | |
A little Victorian fireplace. | 0:32:13 | 0:32:15 | |
-Sweet, isn't it? -It's got character, hasn't it? -Real character. | 0:32:15 | 0:32:18 | |
-Liking what I see. -You are? -Yeah. Yeah. Definitely. | 0:32:18 | 0:32:21 | |
If they can overcome the semi-detached issue, | 0:32:22 | 0:32:24 | |
there is no denying that our mystery property gives them | 0:32:24 | 0:32:26 | |
the character and space they're after. | 0:32:26 | 0:32:29 | |
'But, critically, the garden has to deliver | 0:32:29 | 0:32:32 | |
'and give Paul that workshop. | 0:32:32 | 0:32:34 | |
'Outside, there is around a quarter of an acre of land, laid largely | 0:32:34 | 0:32:38 | |
'to lawn and with plenty of scope for growing veg and the beehives. | 0:32:38 | 0:32:42 | |
'What's more, there is a summer house which is currently | 0:32:42 | 0:32:44 | |
'used as a TV lounge but could be useful for Paul.' | 0:32:44 | 0:32:47 | |
Would you use that as some sort of work-shop or is it...? | 0:32:49 | 0:32:52 | |
I can do, yeah. I could just develop it and turn it into what I need. | 0:32:52 | 0:32:55 | |
There is an access road for these other cottages going right round | 0:32:55 | 0:32:58 | |
the back of this so there may be an option to play around with that | 0:32:58 | 0:33:02 | |
and get vehicular access to the back here. | 0:33:02 | 0:33:03 | |
That would be handy. We'd have to look into that. | 0:33:03 | 0:33:06 | |
How much do you think the estate agents are marketing this place at? | 0:33:06 | 0:33:09 | |
Well, it's attached, it doesn't have a garage. | 0:33:09 | 0:33:15 | |
It is a very nice house but I'm going to go for 375. | 0:33:15 | 0:33:18 | |
OK. Paul? | 0:33:18 | 0:33:20 | |
I would go for 385. | 0:33:20 | 0:33:24 | |
Well, this house is on the market for offers around £399,500. | 0:33:24 | 0:33:31 | |
But I spoke to the estate agent | 0:33:31 | 0:33:33 | |
and he reckons they may well settle somewhere around your guesses. | 0:33:33 | 0:33:37 | |
-Maybe somewhere in between the both of you. -That sounds promising. | 0:33:37 | 0:33:40 | |
-Doesn't it? -Yeah. -It does. | 0:33:40 | 0:33:42 | |
I think we have had pretty good reactions in this house | 0:33:42 | 0:33:44 | |
from both of you but it's time for you to go inside, | 0:33:44 | 0:33:47 | |
have a look around everywhere you haven't yet seen | 0:33:47 | 0:33:49 | |
and I'll meet you... | 0:33:49 | 0:33:50 | |
Tell you what, I'll meet you somewhere in the sun. How's that? | 0:33:50 | 0:33:53 | |
-All right? -All right. -See you in a mo. -Thank you. | 0:33:53 | 0:33:56 | |
Well, at last, I genuinely think we have got a house | 0:33:57 | 0:34:01 | |
that challenges the first property that Paul and Elaine looked at. | 0:34:01 | 0:34:04 | |
A very different proposition but great reactions nonetheless. | 0:34:04 | 0:34:07 | |
Priced at just under £400,000, | 0:34:11 | 0:34:14 | |
our end-of-terrace mystery property definitely seems to be in the frame. | 0:34:14 | 0:34:18 | |
It has a country kitchen, | 0:34:18 | 0:34:19 | |
two reception rooms with character features, four bedrooms | 0:34:19 | 0:34:24 | |
and outside there is a ready-made building for Paul's workshop, | 0:34:24 | 0:34:27 | |
all wrapped up in the quarter of an acre of gardens with | 0:34:27 | 0:34:30 | |
space for Elaine's vegetable plot, chickens and, of course, the bees. | 0:34:30 | 0:34:35 | |
-Oh, my word. -Look at this. | 0:34:35 | 0:34:39 | |
Wow, this is somewhere to keep the guests, isn't it? Excellent idea. | 0:34:39 | 0:34:43 | |
I could use this as a storage workshop. | 0:34:43 | 0:34:45 | |
-Office, anything, couldn't you? -Yeah. | 0:34:45 | 0:34:47 | |
I was, ideally, after a detached house. Obviously this one is not. | 0:34:47 | 0:34:53 | |
It is semi-detached but it has got | 0:34:53 | 0:34:55 | |
so many good things going for it I'm willing to overlook that. | 0:34:55 | 0:35:00 | |
When I first saw the mystery house, | 0:35:00 | 0:35:02 | |
I thought it was a very, very nice looking house. | 0:35:02 | 0:35:05 | |
The garden does work for me. | 0:35:05 | 0:35:07 | |
It is pretty much a fairly blank canvas. | 0:35:07 | 0:35:10 | |
You can work your way and do the various bits, | 0:35:10 | 0:35:12 | |
make little rooms for various areas - vegetables, herbs, chickens, etc. | 0:35:12 | 0:35:17 | |
Yeah, good garden. | 0:35:17 | 0:35:19 | |
So, have you planned any knock-throughs from dining room walls | 0:35:21 | 0:35:24 | |
into kitchens or anything like that? | 0:35:24 | 0:35:26 | |
-Just talking about it now. -Were you? -Yeah, yeah. | 0:35:26 | 0:35:28 | |
Well, I'm glad this has given you something to discuss | 0:35:28 | 0:35:31 | |
and maybe something to compare against the first property. | 0:35:31 | 0:35:34 | |
Why don't you go and have a bit of time amongst yourselves | 0:35:34 | 0:35:36 | |
-and we will meet up later on, yeah? -Yeah. -Thank you. Cheers. | 0:35:36 | 0:35:40 | |
Suffolk's heritage has been shaped by a range of industries | 0:35:48 | 0:35:52 | |
including fisheries, textiles and agriculture. | 0:35:52 | 0:35:55 | |
And on the farms, it was man alongside beast that | 0:35:55 | 0:35:58 | |
contributed to the county's prosperity. | 0:35:58 | 0:36:01 | |
One animal that historically played a vital role was a native | 0:36:01 | 0:36:04 | |
breed of heavy horse called the Suffolk Punch. | 0:36:04 | 0:36:07 | |
As well as being used as a draught horse for pulling carts, | 0:36:07 | 0:36:10 | |
it ploughed the fields in the days before mechanised farming. | 0:36:10 | 0:36:14 | |
Since the 1960s, however, their numbers have declined | 0:36:14 | 0:36:17 | |
and these gentle animals are now | 0:36:17 | 0:36:19 | |
on the critical list of the Rare Breeds Survival Trust. | 0:36:19 | 0:36:23 | |
Less than 450 purebred Punches of potential breeding | 0:36:23 | 0:36:26 | |
capability are left in the world. To see some for myself, | 0:36:26 | 0:36:30 | |
I met with Chris Kennedy of the Suffolk Punch Trust | 0:36:30 | 0:36:33 | |
at a stud farm that has been breeding this endangered horse since 1887. | 0:36:33 | 0:36:38 | |
So, there has been a stud here for over 100 years. | 0:36:38 | 0:36:40 | |
Yeah, so there is a long tradition of breeding Suffolk Punches here. | 0:36:40 | 0:36:44 | |
Wow. Now, back then, | 0:36:44 | 0:36:46 | |
these huge horses would have proliferated the Suffolk landscape. | 0:36:46 | 0:36:50 | |
-These were the tractors. -They were the workhorses of Suffolk | 0:36:50 | 0:36:53 | |
and that's why they are such an iconic emblem of Suffolk. | 0:36:53 | 0:36:57 | |
Most of the farms would have had between 15 and 20 of them. | 0:36:57 | 0:37:00 | |
So why should we save then? | 0:37:00 | 0:37:02 | |
Because they are part of the heritage of farming | 0:37:02 | 0:37:05 | |
and agriculture in Suffolk and, like a lot of things, you know, | 0:37:05 | 0:37:09 | |
if we don't try and maintain our heritage, | 0:37:09 | 0:37:12 | |
we have actually got nothing to leave to our children | 0:37:12 | 0:37:14 | |
and grandchildren. They will never know what a working horse | 0:37:14 | 0:37:17 | |
looked like and that's why we take them to a lot of shows. | 0:37:17 | 0:37:21 | |
They are shown in hand. | 0:37:21 | 0:37:22 | |
We have horses broken to harness that we take for pulling wagons. | 0:37:22 | 0:37:27 | |
We do weddings. We do the odd funeral with them. | 0:37:27 | 0:37:30 | |
So, you know, we do have a role for them and because of their | 0:37:30 | 0:37:34 | |
temperament and things and their strength, | 0:37:34 | 0:37:36 | |
they are a good working horse. | 0:37:36 | 0:37:37 | |
Every Suffolk Punch alive today can trace its ancestry back to | 0:37:39 | 0:37:42 | |
one stallion foaled in 1768 that belonged to Thomas Crisp of Ufford. | 0:37:42 | 0:37:48 | |
The breed tends to mature early and live a long life. | 0:37:48 | 0:37:51 | |
Unusually, they need less food than other draught horses | 0:37:51 | 0:37:54 | |
and so are economical to keep. | 0:37:54 | 0:37:56 | |
Typically, the Suffolk Punch always is chestnut in colour. | 0:37:56 | 0:38:00 | |
As a breed, they have a particularly short cannon bone. | 0:38:00 | 0:38:03 | |
This is the bone from the knee down to the fetlock joint. | 0:38:03 | 0:38:06 | |
And al have quite a short pastern, which is this here. | 0:38:06 | 0:38:10 | |
Compared to a lot of the other heavy horses, they are relatively small. | 0:38:10 | 0:38:14 | |
What you want is a compact animal, fairly close action so that when | 0:38:14 | 0:38:19 | |
they're in the furrows, | 0:38:19 | 0:38:20 | |
you don't want the legs going all over the place. | 0:38:20 | 0:38:23 | |
Nice, low centre of gravity then. | 0:38:23 | 0:38:24 | |
Because the lower you're down, the stronger you are. | 0:38:24 | 0:38:29 | |
They may be perfectly suited to their work | 0:38:29 | 0:38:31 | |
but thanks to Suffolk's rurally isolated position, | 0:38:31 | 0:38:34 | |
the Punch never reached the popularity of the Shire horse. | 0:38:34 | 0:38:37 | |
Mechanisation may have sealed their fate but these animals are still | 0:38:37 | 0:38:41 | |
trained as working horses, as I am going to see for myself. | 0:38:41 | 0:38:45 | |
So how do we get going then? | 0:38:45 | 0:38:46 | |
-Right, now, you just ask the horse to walk on. -Walk on. Go on, boy. | 0:38:46 | 0:38:51 | |
Talk me through the directions, if you like, then, Chris. | 0:38:52 | 0:38:56 | |
There's sort of traditional calls for left and right. | 0:38:56 | 0:39:00 | |
So if you're asking the horse to turn to the right, you say, "Wish." | 0:39:00 | 0:39:04 | |
If you ask for the horse to go to the left you say, "Cup." | 0:39:04 | 0:39:07 | |
OK, let's try wish then. Wish. | 0:39:07 | 0:39:10 | |
And then you straighten him up. That's it. | 0:39:13 | 0:39:15 | |
-The voice is very, very important. -So I want to go left now then. Cup. | 0:39:15 | 0:39:19 | |
Just a little pressure on the bit. That's it. | 0:39:21 | 0:39:24 | |
-Wow. -You're doing an excellent job for your first time. | 0:39:26 | 0:39:29 | |
Well, I think it's the tail wagging the dog, if you like. | 0:39:29 | 0:39:32 | |
'These traditional commands have been passed down by generations | 0:39:32 | 0:39:36 | |
'of Suffolk farmers and they still work just as well today.' | 0:39:36 | 0:39:39 | |
-Wish. -He is getting used to your voice now so it's going well. | 0:39:39 | 0:39:44 | |
Well, it's great to see Suffolk looking after the heritage of | 0:39:48 | 0:39:50 | |
not only its wonderful architecture but also these beautiful horses. | 0:39:50 | 0:39:55 | |
Time to meet up with today's buyers to see if we have found them | 0:39:55 | 0:39:58 | |
the perfect home here. | 0:39:58 | 0:39:59 | |
You've found a nice spot, haven't you? | 0:40:04 | 0:40:08 | |
Now than, let's talk about the houses. | 0:40:08 | 0:40:11 | |
The first property we went to, we majored on character. | 0:40:11 | 0:40:16 | |
A 17th, maybe even 16th century thatched cottage. | 0:40:16 | 0:40:20 | |
Good initial reactions from you, Paul. | 0:40:20 | 0:40:22 | |
I thought, "How can a fireman have a thatched-roof house?" | 0:40:22 | 0:40:24 | |
-It was a bit of a risk, wasn't it? -It certainly was. | 0:40:24 | 0:40:27 | |
I thought, "No fireworks around here." Definitely. | 0:40:27 | 0:40:30 | |
We didn't have fireworks inside the house | 0:40:30 | 0:40:33 | |
but you both seemed to enjoy looking around the house outside and inside. | 0:40:33 | 0:40:37 | |
There were some absolutely lovely parts to the house. | 0:40:37 | 0:40:39 | |
The kitchen was gorgeous and that opened out into the garden. | 0:40:39 | 0:40:42 | |
And a nice master bedroom. Really nice areas of the house. Definitely. | 0:40:42 | 0:40:45 | |
Now, that outside space, you want it to have | 0:40:45 | 0:40:49 | |
function as well as, you know, nice aesthetics, don't you? | 0:40:49 | 0:40:52 | |
Yeah, I think it would be a bit of a struggle to get it to | 0:40:52 | 0:40:55 | |
how I want it to be. Definitely. | 0:40:55 | 0:40:56 | |
Well, the next property, completely the other end of the spectrum. | 0:40:56 | 0:41:01 | |
-You said you're open-minded so I went modern. -Very modern. | 0:41:01 | 0:41:05 | |
From the outside, you said you quite liked the look of this | 0:41:05 | 0:41:08 | |
-avant-garde looking house, didn't you? -Yes, I did. | 0:41:08 | 0:41:11 | |
And then as I went inside, the more I saw inside, | 0:41:11 | 0:41:15 | |
it was too modern for me. | 0:41:15 | 0:41:17 | |
That's fair enough. You know, it's each to their own, isn't it? | 0:41:17 | 0:41:20 | |
So, moving on from there. | 0:41:20 | 0:41:21 | |
Now, the mystery property, you both had great first reactions. | 0:41:21 | 0:41:25 | |
-Paul, you especially. -Yeah, I did. | 0:41:25 | 0:41:26 | |
I mean, obviously, I told you I'd liked to have had a detached house | 0:41:26 | 0:41:29 | |
and this was not but it felt right, it looked right, | 0:41:29 | 0:41:33 | |
it was in a great location. | 0:41:33 | 0:41:34 | |
I think there was a lot of potential with that house. | 0:41:34 | 0:41:37 | |
As great as it is, it's a really nice house, | 0:41:37 | 0:41:39 | |
but it is the sort of house that could grow with you as you | 0:41:39 | 0:41:42 | |
-change and you want different things from it. -Has it taken your heart? | 0:41:42 | 0:41:46 | |
I think it may. It may be worming its way in there. | 0:41:46 | 0:41:48 | |
-You don't like to admit it, do you? -Yeah, go on then. It's a yes. | 0:41:48 | 0:41:51 | |
Neither of you are that cold. I know. | 0:41:51 | 0:41:54 | |
So what is the next step for you then? | 0:41:54 | 0:41:57 | |
I think we will come back, see it again. | 0:41:57 | 0:42:01 | |
We need to find out a bit more. | 0:42:01 | 0:42:02 | |
We need to measure the travel distances | 0:42:02 | 0:42:05 | |
-and the facilities. It is looking good. -Yeah, it's looking promising. | 0:42:05 | 0:42:08 | |
-Is it? -Yeah. -Yeah, definitely. | 0:42:08 | 0:42:10 | |
Well, very best of luck. | 0:42:10 | 0:42:11 | |
We'll give you all the estate agent's details | 0:42:11 | 0:42:14 | |
and hopefully your second viewing of not only the house but the area | 0:42:14 | 0:42:17 | |
goes according to plan and you make your escape to the country. | 0:42:17 | 0:42:21 | |
-Thank you. Thank you ever so much. -Thank you very much. | 0:42:21 | 0:42:24 | |
So, for a couple of Londoners who said yesterday | 0:42:27 | 0:42:30 | |
they weren't really sure what they're after, | 0:42:30 | 0:42:33 | |
it sounds like they made the decision fairly easily. | 0:42:33 | 0:42:35 | |
Even more surprising then when you consider that Paul said | 0:42:35 | 0:42:38 | |
he was only really after a detached house. | 0:42:38 | 0:42:41 | |
But it just goes to show, doesn't it, | 0:42:41 | 0:42:43 | |
if you get the big things right, | 0:42:43 | 0:42:44 | |
the right property in what they deem is the ideal location, | 0:42:44 | 0:42:48 | |
well, it's quite easy to overlook the small things. | 0:42:48 | 0:42:51 | |
Paul and Elaine did go back to the mystery house and - | 0:42:53 | 0:42:56 | |
cue those waterworks - their offer on it has been accepted. | 0:42:56 | 0:43:00 | |
So they will soon be living and plumbing in the Suffolk countryside. | 0:43:00 | 0:43:05 | |
If you would like to escape to the country | 0:43:05 | 0:43:07 | |
in Scotland, Wales, Northern Ireland or England | 0:43:07 | 0:43:09 | |
and need our help, please apply online at: | 0:43:09 | 0:43:12 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:26 |