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Today we're in a county that's home to the oldest motorsport venue in the world. | 0:00:02 | 0:00:05 | |
But where are we, and why is it here? | 0:00:05 | 0:00:07 | |
Well, join me in just a few moments and I'll tell you. | 0:00:07 | 0:00:10 | |
On today's show, I'm helping a couple bid farewell | 0:00:40 | 0:00:42 | |
to life down under, to reunite them with family on English soil. | 0:00:42 | 0:00:47 | |
And our house hunt gets them in a bit of a flap. | 0:00:47 | 0:00:49 | |
I think I wasn't expecting quite as quirkiness, | 0:00:49 | 0:00:52 | |
so I'll reserve judgement. | 0:00:52 | 0:00:54 | |
But later on, confusion turns to jubilation. | 0:00:54 | 0:00:57 | |
That is fantastic. | 0:00:57 | 0:00:59 | |
Well, today we're in Worcestershire at Shelsley Walsh, | 0:01:03 | 0:01:06 | |
a tongue twister of a place with a racetrack to match. | 0:01:06 | 0:01:09 | |
Established back in 1905, it predates Le Mans and Monza | 0:01:09 | 0:01:13 | |
and is a lovely testament to the history of British motorsport. | 0:01:13 | 0:01:17 | |
The Hill Climb here is thought to be one of the oldest motorsports events | 0:01:17 | 0:01:20 | |
in the world. Some of the greats have raced here, | 0:01:20 | 0:01:23 | |
including Stirling Moss, back in 1947. | 0:01:23 | 0:01:26 | |
Now, later on in the programme, I'll be back, | 0:01:26 | 0:01:28 | |
sampling the delights of this racetrack, | 0:01:28 | 0:01:30 | |
but it's a lovely taster as to what the rest of Worcestershire | 0:01:30 | 0:01:32 | |
has to offer. | 0:01:32 | 0:01:34 | |
Set in the West Midlands, Worcestershire is bordered | 0:01:36 | 0:01:39 | |
by Herefordshire, Shropshire and Gloucestershire. | 0:01:39 | 0:01:42 | |
To the west of the county sits the spa town of Malvern | 0:01:42 | 0:01:45 | |
in the shadow of the Malvern Hills. | 0:01:45 | 0:01:48 | |
With over 100 miles of footpaths and bridleways, | 0:01:48 | 0:01:51 | |
this area offers spectacular panoramic views of the countryside. | 0:01:51 | 0:01:55 | |
As the River Severn makes part of its 220-mile journey | 0:01:55 | 0:02:00 | |
through this county, it passes through | 0:02:00 | 0:02:02 | |
the historic city of Worcester. | 0:02:02 | 0:02:04 | |
Besides the magnificent cathedral, which dates back to Norman times, | 0:02:04 | 0:02:08 | |
it's the home of Royal Worcester porcelain, | 0:02:08 | 0:02:10 | |
whose former factory building from 1840 still survives. | 0:02:10 | 0:02:15 | |
Even though production ceased in 2008, | 0:02:15 | 0:02:17 | |
there's a museum which houses the largest collection | 0:02:17 | 0:02:20 | |
of Royal Worcester in the world. | 0:02:20 | 0:02:23 | |
Indeed, the heritage of its market towns and villages, | 0:02:23 | 0:02:25 | |
combined with stunning countryside, make this county | 0:02:25 | 0:02:29 | |
an appealing proposition for those seeking a rural move. | 0:02:29 | 0:02:32 | |
Now, in England and Wales, | 0:02:34 | 0:02:35 | |
the average detached property will set you back around £255,000. | 0:02:35 | 0:02:40 | |
Here in Worcestershire, that figure is pretty comparable | 0:02:40 | 0:02:44 | |
at £259,000, so as you can see, as counties go, this one | 0:02:44 | 0:02:48 | |
is pretty much on a par with the rest of the country, | 0:02:48 | 0:02:51 | |
but as ever, there are variations. | 0:02:51 | 0:02:53 | |
House hunt around Evesham and you'll certainly get a bit more | 0:02:53 | 0:02:56 | |
for your money, but head down south toward Broadway, | 0:02:56 | 0:02:59 | |
with its lovely feel of the Cotswolds, | 0:02:59 | 0:03:01 | |
you could easily add 40% to those national figures. | 0:03:01 | 0:03:05 | |
But wherever you decide to live in Worcestershire, as you can see, | 0:03:05 | 0:03:08 | |
there's a rich array of architectural styles to tempt you. | 0:03:08 | 0:03:12 | |
Head to the south of the county, to villages like Wickhamford, | 0:03:12 | 0:03:16 | |
and you'll find historic black-and-white timbered properties | 0:03:16 | 0:03:18 | |
like this four-bedroom cottage, on the market for £525,000. | 0:03:18 | 0:03:24 | |
If you're looking for Cotswold stone property with stature | 0:03:24 | 0:03:28 | |
then head to Broadway, well known | 0:03:28 | 0:03:30 | |
as one of the area's prettiest villages. | 0:03:30 | 0:03:32 | |
This handsome house has four bedrooms | 0:03:32 | 0:03:34 | |
and its very own music hall | 0:03:34 | 0:03:36 | |
and if that strikes a chord, it could be yours for £925,000. | 0:03:36 | 0:03:42 | |
Cotswold villages such as Broadway are also home | 0:03:42 | 0:03:45 | |
to some very affordable cottages. | 0:03:45 | 0:03:47 | |
Here, from around £275,000, you'll find two-bedroom properties | 0:03:47 | 0:03:51 | |
brimming with character and charm. | 0:03:51 | 0:03:54 | |
So, as you can see, some wonderful property on offer, | 0:03:57 | 0:04:00 | |
plenty to whet the appetite if you think Worcestershire | 0:04:00 | 0:04:03 | |
is where you would like to escape to the country. | 0:04:03 | 0:04:05 | |
No surprise, then, that this part of the world | 0:04:05 | 0:04:07 | |
also is where today's buyers hope to call home. | 0:04:07 | 0:04:11 | |
Lyndon and his wife Paula have been living in Australia. | 0:04:12 | 0:04:15 | |
They moved there to be closer to two of Paula's children | 0:04:15 | 0:04:18 | |
and a growing brood of grandchildren. | 0:04:18 | 0:04:20 | |
One of my sons moved out ten years ago | 0:04:20 | 0:04:24 | |
and he moved out with four children. | 0:04:24 | 0:04:26 | |
-We went out to visit him and we really liked it, didn't we? -Yep. | 0:04:26 | 0:04:30 | |
That was five years ago. Now they're back in the UK | 0:04:30 | 0:04:33 | |
and staying temporarily with family in Surrey. | 0:04:33 | 0:04:37 | |
As Lyndon recently retired from his work as a doctor, | 0:04:37 | 0:04:40 | |
they've decided the time is right to return home | 0:04:40 | 0:04:43 | |
and reconnect with family and friends. | 0:04:43 | 0:04:45 | |
We're returning to our roots. We have family here, our ties are here. | 0:04:45 | 0:04:49 | |
They were also starting to miss the English outdoors. | 0:04:49 | 0:04:52 | |
On top of that, they want to get involved with the local community. | 0:04:52 | 0:04:56 | |
If you took away the sunshine, | 0:04:56 | 0:04:58 | |
the weather, aspects of English life, you just don't get there, | 0:04:58 | 0:05:03 | |
you could never go down to a village and go in a village pub | 0:05:03 | 0:05:08 | |
and have a drink. It would be nice to be back here | 0:05:08 | 0:05:11 | |
and be able to go to English villages. | 0:05:11 | 0:05:14 | |
Having sold their house in Australia already, | 0:05:14 | 0:05:17 | |
they're keen to find their country home here as soon as possible. | 0:05:17 | 0:05:20 | |
The area we're looking to move to is North Worcestershire. | 0:05:20 | 0:05:25 | |
There, we know fairly well and it's lovely countryside | 0:05:25 | 0:05:29 | |
and, I'm happy to say, there are a lot of really lovely golf courses | 0:05:29 | 0:05:32 | |
in the area, which would suit me enormously! | 0:05:32 | 0:05:35 | |
Because I had a swimming pool in Australia, | 0:05:35 | 0:05:37 | |
if there happened to be one with an indoor swimming pool, | 0:05:37 | 0:05:40 | |
that would be fantastic. | 0:05:40 | 0:05:43 | |
And when our buyers do finally make the move back to the UK, | 0:05:43 | 0:05:47 | |
not only does Lyndon want to finish writing his book, | 0:05:47 | 0:05:49 | |
but he also wants to take advantage of what the countryside has to offer. | 0:05:49 | 0:05:53 | |
I love cooking and one thing I have missed out in Australia, | 0:05:53 | 0:05:57 | |
which surprised me, was a lot of good fresh produce. | 0:05:57 | 0:06:00 | |
I thought that would be in abundance, | 0:06:00 | 0:06:02 | |
but in fact, it's been quite hard to find | 0:06:02 | 0:06:05 | |
and I look forward to visiting the local places in the UK, | 0:06:05 | 0:06:09 | |
where I know that fresh produce is a priority. | 0:06:09 | 0:06:12 | |
But the other priority, of course, | 0:06:12 | 0:06:15 | |
is going to be the budget for their new home. | 0:06:15 | 0:06:19 | |
Our maximum budget would be £400,000, | 0:06:19 | 0:06:23 | |
but obviously if we've got to spend money on the house, | 0:06:23 | 0:06:26 | |
we would have to go down from there. | 0:06:26 | 0:06:28 | |
Lyndon and Paula want us to focus their house search | 0:06:36 | 0:06:38 | |
towards the north of the county, | 0:06:38 | 0:06:40 | |
preferably in the area around Blakeshall. | 0:06:40 | 0:06:44 | |
I'm meeting them to discover more about what they want | 0:06:44 | 0:06:46 | |
from their country property. | 0:06:46 | 0:06:48 | |
Lyndon and Paula, welcome back to the West Midlands. | 0:06:48 | 0:06:52 | |
-This is originally home for you. -Yes. -And a return to your roots. | 0:06:52 | 0:06:56 | |
Big change, though, from Australia. | 0:06:56 | 0:06:58 | |
Many people looking at your life over the last five years | 0:06:58 | 0:07:01 | |
will say, "Why are you coming back?" Sunshine, pool... | 0:07:01 | 0:07:05 | |
Well, there are several reasons, in actual fact, | 0:07:05 | 0:07:08 | |
but probably the main one is the fact that we | 0:07:08 | 0:07:10 | |
actually want to return to where we came from. | 0:07:10 | 0:07:14 | |
To be with family, friends and all the areas that we know. | 0:07:14 | 0:07:18 | |
What sort of spec are we looking for in our ideal property? | 0:07:18 | 0:07:21 | |
-Ideally three bedrooms. -Yeah. | 0:07:21 | 0:07:23 | |
And I think one of the things that we need is another room, | 0:07:23 | 0:07:27 | |
either for as a bedroom to convert to a study for Lyndon | 0:07:27 | 0:07:31 | |
to write his book, or a study downstairs. | 0:07:31 | 0:07:35 | |
Now, the book writing is interesting, isn't it? | 0:07:35 | 0:07:37 | |
We don't often get writers on this show, but it's always an idea, | 0:07:37 | 0:07:40 | |
but I get the feeling with you that this is going to happen, | 0:07:40 | 0:07:43 | |
-you're going to write it. -It's partly written. It's on its way. | 0:07:43 | 0:07:46 | |
-So, a nice writer's den... -Absolutely. | 0:07:46 | 0:07:49 | |
-A light and airy kitchen, living space. -Yes. -Three bedrooms. | 0:07:49 | 0:07:53 | |
Outside space? | 0:07:53 | 0:07:54 | |
Not so worried about garden, because neither of us | 0:07:54 | 0:07:58 | |
are hugely enthusiastic gardeners, | 0:07:58 | 0:08:00 | |
-but the thing I really want is a view. -Yeah. | 0:08:00 | 0:08:03 | |
-I want to see the country. -OK. So, it's all to play for, then. | 0:08:03 | 0:08:07 | |
-Yeah, all to play for. -All to play for. -We've got three to show you | 0:08:07 | 0:08:10 | |
including, of course, our mystery house | 0:08:10 | 0:08:12 | |
and £400,000 of your hard-earned and saved money to spend. | 0:08:12 | 0:08:16 | |
-Great. -Shall we? -Look forward to it. -Come on, then, follow me. | 0:08:16 | 0:08:20 | |
So, with a budget of £400,000 banked from the sale of their house | 0:08:20 | 0:08:25 | |
in Australia, Lyndon and Paula have drawn up a wish list | 0:08:25 | 0:08:27 | |
of what they hope this will buy them here in Worcestershire. | 0:08:27 | 0:08:30 | |
They want a large kitchen, three bedrooms, | 0:08:30 | 0:08:33 | |
a room or outbuilding for a study, views over countryside | 0:08:33 | 0:08:37 | |
and a manageable English country garden. | 0:08:37 | 0:08:40 | |
We have three properties with which to tempt them, | 0:08:40 | 0:08:42 | |
but I'll only reveal the price tag at the end of each tour. | 0:08:42 | 0:08:46 | |
Our last offering will, of course, be the mystery house, | 0:08:46 | 0:08:49 | |
which promises to take them right out of their comfort zone. | 0:08:49 | 0:08:52 | |
To begin our property shopping, we're heading to Wolverley, | 0:08:56 | 0:08:59 | |
a pretty village on the banks of the River Stour | 0:08:59 | 0:09:01 | |
and the Staffordshire | 0:09:01 | 0:09:02 | |
and Worcestershire Canal. | 0:09:02 | 0:09:04 | |
It's a peaceful location suited for connecting with life outdoors. | 0:09:04 | 0:09:08 | |
And the village amenities are a good starting point | 0:09:08 | 0:09:10 | |
to meet local residents for some inside knowledge about the area. | 0:09:10 | 0:09:15 | |
Well, Wolverley seems to me like a fairly nice place to live. | 0:09:16 | 0:09:19 | |
-You would agree, I presume? -We certainly would. Yes, indeed. | 0:09:19 | 0:09:22 | |
-What are the best bits about it? -Village community. | 0:09:22 | 0:09:26 | |
The village shop, certainly, is the centre of the village. | 0:09:26 | 0:09:29 | |
The church is 14th century. It's mentioned in the Domesday book. | 0:09:29 | 0:09:33 | |
The pub is about 14th century as well, so it's got massive history. | 0:09:33 | 0:09:37 | |
Now, you mentioned the pub - this is something you're hankering after, | 0:09:37 | 0:09:40 | |
-following five years in Oz. -Yes. | 0:09:40 | 0:09:42 | |
We've missed the good old British pub while we've been in Australia. | 0:09:42 | 0:09:45 | |
We've been into four in the last two days! | 0:09:45 | 0:09:49 | |
You've got some catching up to do! | 0:09:49 | 0:09:50 | |
I'm beginning to think that we might have started in the right place! | 0:09:50 | 0:09:53 | |
-Yeah! -I think we should drink up and go and find property number one. | 0:09:53 | 0:09:59 | |
Well, the community certainly made us feel welcome | 0:10:02 | 0:10:05 | |
and just a short walk away is our first property. | 0:10:05 | 0:10:09 | |
Well, we've already given you a taster of the delights | 0:10:09 | 0:10:12 | |
of Wolverley village itself, and what we'd like to offer you, | 0:10:12 | 0:10:17 | |
for our first property, the dovecote. | 0:10:17 | 0:10:20 | |
-That's pretty amazing. -Impressive. | 0:10:20 | 0:10:22 | |
We thought we'd start with quirky. As you can see, | 0:10:22 | 0:10:25 | |
-it's arranged over four floors. -Yeah. -Yeah. | 0:10:25 | 0:10:28 | |
It's quite a clever conversion, it's quite difficult | 0:10:28 | 0:10:30 | |
to incorporate modern homes into structures like this, | 0:10:30 | 0:10:34 | |
which, of course, were never designed to be domestic. | 0:10:34 | 0:10:37 | |
It's worth pointing out here, | 0:10:37 | 0:10:38 | |
you can see this garage arrangement, but what it offers is | 0:10:38 | 0:10:41 | |
-a footprint, potentially, for your writing studio. -OK. | 0:10:41 | 0:10:45 | |
You mean I can shut him in the shed! | 0:10:45 | 0:10:47 | |
-Shut him in the shed! -THEY LAUGH | 0:10:47 | 0:10:49 | |
-Interesting and different. -Yes. | 0:10:49 | 0:10:51 | |
-Interesting is a slightly loaded comment, isn't it, sometimes? -Yes. | 0:10:51 | 0:10:54 | |
-We didn't expect that. -No. -Ready for a bit of quirky? | 0:10:54 | 0:10:57 | |
-Yeah. -Yeah. -Come and have a look. | 0:10:57 | 0:10:59 | |
This extraordinary 18th-century building | 0:10:59 | 0:11:02 | |
has clearly stopped Lyndon and Paula in their tracks. | 0:11:02 | 0:11:05 | |
It extends over four levels, | 0:11:05 | 0:11:07 | |
so we'll start at the rear entrance and work our way up. | 0:11:07 | 0:11:11 | |
Come in. | 0:11:11 | 0:11:12 | |
LYNDON LAUGHS | 0:11:12 | 0:11:15 | |
-What do you reckon? -It's a lovely kitchen. -It's nice. | 0:11:15 | 0:11:21 | |
-I like that kitchen. -Straight in to it. | 0:11:21 | 0:11:23 | |
I love cooking, so kitchens are important to me. | 0:11:23 | 0:11:26 | |
It's a real sort of usable kitchen. | 0:11:26 | 0:11:28 | |
We like that configuration. | 0:11:28 | 0:11:31 | |
-We like a dining kitchen. Yeah. I like that. -Good. | 0:11:31 | 0:11:35 | |
As I said, it's arranged over four floors, | 0:11:35 | 0:11:37 | |
-so there is only one way to go from here. -And that's up. -Yeah. | 0:11:37 | 0:11:40 | |
Follow me this way. | 0:11:40 | 0:11:42 | |
So, the kitchen has definitely kept their interest on simmer. | 0:11:42 | 0:11:46 | |
From here, the stairs lead up to the next level | 0:11:46 | 0:11:48 | |
and a generous reception room. | 0:11:48 | 0:11:51 | |
-Wow! Different. -Unexpected, this house, isn't it? -Yeah. | 0:11:52 | 0:11:56 | |
The key thing with a building like this is space, you know, | 0:11:56 | 0:12:00 | |
it is a kind of vertical series of spaces. | 0:12:00 | 0:12:04 | |
No... Actually, that's a good-sized room. | 0:12:04 | 0:12:07 | |
That's fine, we don't want it too large, but that's... Yeah, I like that. | 0:12:07 | 0:12:11 | |
-How's the quirky going down? -The quirkiness is going down, but... | 0:12:11 | 0:12:15 | |
It's got stuck! | 0:12:15 | 0:12:17 | |
I think I wasn't expecting quite as quirkiness, | 0:12:17 | 0:12:20 | |
-so I'll reserve judgement. -OK. There are two more floors to see. | 0:12:20 | 0:12:24 | |
-Right. -Let's go up and look at those. -OK. -Follow me. | 0:12:24 | 0:12:28 | |
The stairs from the front hallway lead up to the next level, | 0:12:28 | 0:12:32 | |
where there are two bedrooms, one of which could make a great study | 0:12:32 | 0:12:35 | |
for Lyndon, and there's also a small family bathroom. | 0:12:35 | 0:12:38 | |
Now, finally, we've reached the top. | 0:12:38 | 0:12:42 | |
You'll be pleased to know. Come on in. | 0:12:42 | 0:12:45 | |
-Come in, Lyndon, grab the door. -Yeah. | 0:12:45 | 0:12:48 | |
-So, this is your master floor. -It's nice, it has a nice feel about it. | 0:12:48 | 0:12:55 | |
I like all the light, I like the unusual windows, that's great. | 0:12:55 | 0:12:59 | |
-These round windows are lovely. -They're lovely. | 0:12:59 | 0:13:01 | |
-You've also got an en suite in there, have a look at that. -OK. | 0:13:01 | 0:13:05 | |
-Shower room and so on. -Yeah, OK, another round window, the skylight. | 0:13:05 | 0:13:10 | |
-That's quite roomy. -That's nice. | 0:13:10 | 0:13:12 | |
-You're still smiling, that's the main thing. -I know. | 0:13:12 | 0:13:14 | |
It's very different. | 0:13:14 | 0:13:16 | |
I sense that Lyndon and Paula's initial enthusiasm | 0:13:18 | 0:13:21 | |
has waned somewhat, but I think they'll be impressed | 0:13:21 | 0:13:24 | |
by the space outside, which has an English country garden feel. | 0:13:24 | 0:13:29 | |
Let's settle down here, halfway down the garden, | 0:13:29 | 0:13:34 | |
and take in its two very distinct halves, | 0:13:34 | 0:13:36 | |
-because that's quite a surprise. -It is. -Isn't it? | 0:13:36 | 0:13:38 | |
-Yeah. -Didn't expect to see that. -No! | 0:13:38 | 0:13:41 | |
Lovely mature orchard, loads of apple trees in there, | 0:13:41 | 0:13:44 | |
at the bottom of it, quite a useful little summerhouse. | 0:13:44 | 0:13:48 | |
-I'm thinking another writing option. -Another location for me to write in! | 0:13:48 | 0:13:51 | |
-You're getting to the bottom of the garden. -Yeah, that could be good. | 0:13:51 | 0:13:55 | |
-Let's have a think about the price, then. -Mm. | 0:13:55 | 0:13:58 | |
Who's going to go first? | 0:13:58 | 0:14:01 | |
-I think it's probably somewhere near the top of our budget. -Yeah. | 0:14:01 | 0:14:05 | |
It was 400,000, I'd probably think about sort of 385. | 0:14:05 | 0:14:11 | |
385, yeah. Paula? | 0:14:11 | 0:14:14 | |
-Yes, I'd probably say 395. -395. Well... | 0:14:14 | 0:14:19 | |
You're going to hate this. He's right. | 0:14:21 | 0:14:23 | |
Really? | 0:14:23 | 0:14:24 | |
THEY LAUGH | 0:14:24 | 0:14:26 | |
-I AM going to hate that! -Well done, Lyndon. -Thank you. -Yeah. | 0:14:26 | 0:14:30 | |
Property number one, dovecote, could be yours for £385,000. | 0:14:30 | 0:14:34 | |
Go and indulge it a little bit more and I'll catch up with you later on. | 0:14:34 | 0:14:38 | |
-All right. -Off you go. -OK, thanks. | 0:14:38 | 0:14:40 | |
-Cheerio. -OK. | 0:14:40 | 0:14:42 | |
Under budget at £385,000, | 0:14:46 | 0:14:49 | |
this converted dovecote may have an unconventional layout, | 0:14:49 | 0:14:53 | |
but it does answer the criteria on their wish list, | 0:14:53 | 0:14:55 | |
giving them a large modern kitchen, three bedrooms, | 0:14:55 | 0:14:59 | |
a garden with an orchard | 0:14:59 | 0:15:01 | |
and it puts them in the heart of a vibrant village community. | 0:15:01 | 0:15:05 | |
Well, when we first arrived, I saw a quirky | 0:15:05 | 0:15:10 | |
and exciting challenge, but going into the house | 0:15:10 | 0:15:15 | |
and seeing the various rooms around the house, | 0:15:15 | 0:15:18 | |
I thought it was interesting, | 0:15:18 | 0:15:21 | |
but the thing that put me off was the stairs, because I think that as | 0:15:21 | 0:15:26 | |
we get older, I don't want to be going up and down three flights of stairs. | 0:15:26 | 0:15:32 | |
That would be too much of a challenge for me. | 0:15:32 | 0:15:34 | |
When I first saw this house | 0:15:34 | 0:15:35 | |
I thought it wasn't quite what I wanted - | 0:15:35 | 0:15:38 | |
too many floors. When you see inside, it's actually quite interesting. | 0:15:38 | 0:15:42 | |
I don't know whether it's quite for us, so I just think | 0:15:42 | 0:15:46 | |
we need to have a think about that | 0:15:46 | 0:15:47 | |
and perhaps see what else you have to offer us. | 0:15:47 | 0:15:49 | |
Well, there we are. Property number one. We started with quirky for you. | 0:15:51 | 0:15:55 | |
You certainly did! | 0:15:55 | 0:15:56 | |
The question is, what's next? Let's go and find out. | 0:15:56 | 0:16:00 | |
A typical scene played out on village greens across England | 0:16:15 | 0:16:19 | |
is the game of cricket, | 0:16:19 | 0:16:20 | |
one of the country's most popular home-grown sports. | 0:16:20 | 0:16:24 | |
Although its origins are disputed, | 0:16:24 | 0:16:26 | |
the use of a basic ball of wool or rags to bowl | 0:16:26 | 0:16:29 | |
and a bat in the form of a shepherd's crooked staff | 0:16:29 | 0:16:32 | |
reveals that the roots of the game are distinctly rural | 0:16:32 | 0:16:34 | |
before it became the sport of high society in the 18th century. | 0:16:34 | 0:16:38 | |
Worcestershire's own sporting heritage is bound up in the sport, | 0:16:38 | 0:16:42 | |
with over 50 active cricket clubs in the county, meaning our | 0:16:42 | 0:16:46 | |
sport-loving couple will only be a backswing away from this most | 0:16:46 | 0:16:50 | |
traditional of British pastimes. | 0:16:50 | 0:16:52 | |
With that in mind, earlier in the week, we arranged for them | 0:16:52 | 0:16:55 | |
to visit the old village forge in the hamlet of Drayton, where | 0:16:55 | 0:16:58 | |
passionate cricket brothers Mike and Rob Hawk have turned their hand | 0:16:58 | 0:17:02 | |
to making cricket bats for the past 16 years. | 0:17:02 | 0:17:05 | |
What are the stages in making a bat? | 0:17:08 | 0:17:10 | |
It looks a long way from that to what we know as a cricket bat. | 0:17:10 | 0:17:13 | |
We'll draw the face off this to decide where | 0:17:13 | 0:17:15 | |
we're going to make the cricket bat from, which is going to be | 0:17:15 | 0:17:18 | |
the hitting area, and then we'll move it through a pressing process. | 0:17:18 | 0:17:21 | |
After it's pressed, it's roughly shaped | 0:17:21 | 0:17:23 | |
and then the handle is fitted, and when the two are married together | 0:17:23 | 0:17:27 | |
it has a basic shape of a cricket bat and then it's finally shaped, | 0:17:27 | 0:17:32 | |
sanded and re-pressed for its total performance. | 0:17:32 | 0:17:35 | |
The art of the bat maker is to make that sweet spot | 0:17:35 | 0:17:39 | |
as big as possible. | 0:17:39 | 0:17:40 | |
Why don't we pick this one up, go through to the workshop and start the process? | 0:17:40 | 0:17:44 | |
-OK. -That'd be good, great. | 0:17:44 | 0:17:45 | |
Carry on. | 0:17:45 | 0:17:46 | |
In its raw form, the cricket bat is known as a cleft. | 0:17:47 | 0:17:51 | |
The brothers use British-sourced materials throughout | 0:17:51 | 0:17:54 | |
the process, which happens here in their workshop. | 0:17:54 | 0:17:57 | |
I'm going to show you the first stage, which is drawing the cleft. | 0:17:58 | 0:18:02 | |
We're going to work the wood backwards here to find out | 0:18:02 | 0:18:05 | |
which is the best area | 0:18:05 | 0:18:06 | |
to make the hitting area of the cricket bat from. | 0:18:06 | 0:18:08 | |
We put the drawknife at a slight angle | 0:18:08 | 0:18:12 | |
and work it through and across. | 0:18:12 | 0:18:15 | |
Work from the edge. | 0:18:15 | 0:18:17 | |
-If you want to try that. -OK, thank you. I'll give it a go! | 0:18:17 | 0:18:23 | |
It's actually harder than it looks just to get it smooth. | 0:18:26 | 0:18:30 | |
I think I need a lot more practice at this, Mike! | 0:18:30 | 0:18:32 | |
Mike and his brother can make up to 25 bats every week. | 0:18:34 | 0:18:37 | |
Next up in the process is pressing the wood. | 0:18:37 | 0:18:40 | |
Now we've reached the final pressing process. | 0:18:41 | 0:18:45 | |
This puts the final performance into the bat. | 0:18:45 | 0:18:47 | |
Does it ever crack the bat? | 0:18:51 | 0:18:53 | |
Sometimes, yes, if you get it wrong | 0:18:53 | 0:18:54 | |
and also it causes the performance to die away | 0:18:54 | 0:18:57 | |
if you press it too much. | 0:18:57 | 0:18:59 | |
If it's pressed too softly, | 0:18:59 | 0:19:00 | |
the ball can damage the face in every bat, if it's done like that. | 0:19:00 | 0:19:04 | |
It's not done to a certain poundage, it's all down to hand and eye. | 0:19:04 | 0:19:08 | |
Right, if you just tap onto the face in this area | 0:19:08 | 0:19:11 | |
and see what you think of the performance. | 0:19:11 | 0:19:14 | |
So, with this bat needing a little more finessing, Mike is taking | 0:19:14 | 0:19:18 | |
Lyndon and Paula out to have a quick practise with the finished products. | 0:19:18 | 0:19:22 | |
Oh, Lyn! | 0:19:26 | 0:19:27 | |
Now that they've had a playful reminder of English sporting | 0:19:27 | 0:19:30 | |
tradition, let's hope they don't get caught out as we return | 0:19:30 | 0:19:34 | |
to our property search. | 0:19:34 | 0:19:35 | |
For our second house, we're heading to Alveley, which just nudges us | 0:19:41 | 0:19:44 | |
over the border into Shropshire. | 0:19:44 | 0:19:46 | |
Surrounded by countryside, this village has a number of historic | 0:19:46 | 0:19:50 | |
pubs, as well as a post office and a church dating back to 1140. | 0:19:50 | 0:19:55 | |
On the outskirts of Alveley, we find our second property, | 0:19:55 | 0:19:58 | |
a mid-19th century farm worker's cottage | 0:19:58 | 0:20:01 | |
set on a quiet country lane. | 0:20:01 | 0:20:03 | |
-There. That is property number two. -OK. | 0:20:05 | 0:20:09 | |
-Aw! -A much more conventional approach, we thought, on this one | 0:20:09 | 0:20:13 | |
-than property number one... -I like it. | 0:20:13 | 0:20:15 | |
..with a very nice surprise in the garden. | 0:20:15 | 0:20:17 | |
-Really? Ah, yes. -We're looking forward to that. | 0:20:17 | 0:20:19 | |
So, yes, I think, hopefully, | 0:20:19 | 0:20:21 | |
-this will feel a little bit more like home. -Outside, appealing. | 0:20:21 | 0:20:25 | |
-Is it appealing? -Yes. -In what way? | 0:20:25 | 0:20:28 | |
I just like the look of the style, | 0:20:28 | 0:20:31 | |
I like the fact that it's got some frontage for cars | 0:20:31 | 0:20:35 | |
and I like the fact that it's in a lane, | 0:20:35 | 0:20:38 | |
-so it's got a country feel about it. -OK. | 0:20:38 | 0:20:40 | |
Let's have a look and see what you think. | 0:20:40 | 0:20:43 | |
'With the thumbs up for the style and setting of this one, | 0:20:43 | 0:20:47 | |
'I'm hoping those positive reactions continue as we pass through | 0:20:47 | 0:20:50 | |
'the dining area and head towards the kitchen.' | 0:20:50 | 0:20:54 | |
There we are. | 0:20:54 | 0:20:56 | |
-Oil-fired range for you. -That's lovely. | 0:20:56 | 0:20:58 | |
So, if you want that country feel... | 0:20:58 | 0:21:00 | |
-Yes. -A nice kitchen. -A nice kitchen, plenty of space. | 0:21:00 | 0:21:03 | |
And this sense of open-plan that we've hinted at, | 0:21:03 | 0:21:07 | |
coming through from the dining room into here, is it big enough? | 0:21:07 | 0:21:10 | |
I know we were talking about you having a chance to chat to Lyndon... | 0:21:10 | 0:21:14 | |
-I'll find a way with that! Yes. -OK. -No, that's fine. | 0:21:14 | 0:21:19 | |
Now, through there is a downstairs loo and a door through to the garage, | 0:21:19 | 0:21:24 | |
-which is quite handy. -Excellent. -So, if it's chucking it down | 0:21:24 | 0:21:27 | |
and you want to unload the car, that's fairly straightforward. | 0:21:27 | 0:21:29 | |
And a little hint of the garden beyond. | 0:21:29 | 0:21:32 | |
-Great. Living room. -OK. -Come through here. | 0:21:32 | 0:21:35 | |
-Oh, wow. -Yes? -Look at that! | 0:21:40 | 0:21:43 | |
Plenty of character, lovely. You like that? | 0:21:43 | 0:21:47 | |
Yes, I like that, I do. It's been modernised, so I like it. | 0:21:47 | 0:21:51 | |
-So, it's got a touch of Australian modernism. -Yes. That's fine. | 0:21:51 | 0:21:57 | |
There's also a large conservatory with views onto the garden. | 0:21:57 | 0:22:02 | |
But before we head outside, let's explore upstairs, where | 0:22:02 | 0:22:05 | |
there are three bedrooms, including a large double and a single. | 0:22:05 | 0:22:10 | |
Plenty of room for when visiting friends and family come to stay. | 0:22:10 | 0:22:14 | |
There's also, of course, the master. | 0:22:14 | 0:22:16 | |
See if you can squeeze in... | 0:22:16 | 0:22:19 | |
to your bit. | 0:22:19 | 0:22:20 | |
Now, this is the focus of your interest, I think, | 0:22:20 | 0:22:23 | |
because it's got the en suite with the shower next door. | 0:22:23 | 0:22:27 | |
But obviously, across the landing we've got the main family | 0:22:27 | 0:22:30 | |
bathroom, guest bathroom, call it what you will. | 0:22:30 | 0:22:33 | |
-Smaller than we're used to. -Yes. -But... | 0:22:33 | 0:22:36 | |
-We'd never get a bedroom as big as the last two. -No, we're not. | 0:22:36 | 0:22:39 | |
I think we're scoring quite well on this one, aren't we? | 0:22:39 | 0:22:43 | |
-We are. -We certainly are. -OK. Good. | 0:22:43 | 0:22:45 | |
Well, we've given you a conservatory, | 0:22:45 | 0:22:47 | |
-I keep teasing you with the surprise that's in the garden... -OK. | 0:22:47 | 0:22:50 | |
I'm going to give you something you're going to love. | 0:22:50 | 0:22:52 | |
-OK, OK. -I promise you. | 0:22:52 | 0:22:54 | |
If you don't, I'm in real trouble! | 0:22:54 | 0:22:56 | |
'Outside, the garden itself is mainly laid to lawn | 0:22:58 | 0:23:01 | |
'and will be easy for them to maintain.' | 0:23:01 | 0:23:04 | |
Look at this weather. Beautiful! | 0:23:04 | 0:23:06 | |
You see what I mean by a more manageable garden? | 0:23:06 | 0:23:09 | |
-Oh, definitely. That is just right. -Yeah. -Yes, yes. | 0:23:09 | 0:23:14 | |
But what about that? | 0:23:14 | 0:23:16 | |
-That looks interesting! -As garden offices go, that is a beauty. | 0:23:16 | 0:23:20 | |
That looks perfect! | 0:23:20 | 0:23:22 | |
-Ready? -Yes. -Yes. | 0:23:28 | 0:23:30 | |
-I love this. -Oh, yes. | 0:23:31 | 0:23:35 | |
That's really impressive. | 0:23:35 | 0:23:37 | |
If you can't write a book in here, Lyndon... | 0:23:37 | 0:23:39 | |
-It looks great. -..you're not trying. | 0:23:39 | 0:23:42 | |
-This is a modern den, definitely. -A modern den. | 0:23:42 | 0:23:45 | |
-The question is, of course, can we afford it? -Yes, that's the question. | 0:23:45 | 0:23:50 | |
-Give us a price. -Honestly, I think it would be over our budget. | 0:23:50 | 0:23:55 | |
I'd probably say about 420. | 0:23:55 | 0:23:57 | |
420,000? Yes. | 0:23:57 | 0:24:00 | |
I would like to think it was less than that, so on a positive note, | 0:24:00 | 0:24:06 | |
-I'm going to say our budget of 400,000. -400,000. | 0:24:06 | 0:24:11 | |
If only it were 400,000. I'm afraid it's not 400,000, | 0:24:11 | 0:24:15 | |
nor is it £420,000. | 0:24:15 | 0:24:19 | |
You would have to fork out the grand sum | 0:24:19 | 0:24:22 | |
of £365,000. | 0:24:22 | 0:24:24 | |
Yes! | 0:24:24 | 0:24:27 | |
Seriously? How about that?! Oh, yes. | 0:24:27 | 0:24:30 | |
-That is great! -I'm gobsmacked. -I like it. | 0:24:30 | 0:24:35 | |
-Right, then, off you go. Go and explore. -All right, thank you. | 0:24:35 | 0:24:38 | |
Go and enjoy what could be your new house. | 0:24:38 | 0:24:42 | |
I'm in the mood for a bit of writing. Might go and sit down. | 0:24:42 | 0:24:45 | |
Well, our buyers are delighted with the price tag, | 0:24:49 | 0:24:52 | |
which, at £365,000, comes well in under budget. | 0:24:52 | 0:24:57 | |
Set in a rural location, | 0:24:57 | 0:24:58 | |
the house is full of character with a large kitchen and three bedrooms. | 0:24:58 | 0:25:03 | |
Outside, there's a generous garden | 0:25:03 | 0:25:05 | |
that's easy to maintain, and finally, | 0:25:05 | 0:25:07 | |
in the words of Lyndon, a modern den at the bottom of the garden, | 0:25:07 | 0:25:11 | |
a perfect retreat in which to write a book. | 0:25:11 | 0:25:14 | |
Immediately, I felt it was the type of house that we were looking for. | 0:25:14 | 0:25:18 | |
Then the view going out onto the garden with the office at the bottom. | 0:25:18 | 0:25:24 | |
That was amazing. | 0:25:24 | 0:25:25 | |
A little bit small for us, so that would be my reservation. | 0:25:25 | 0:25:30 | |
But I think with some adaptation that we could work around that. | 0:25:30 | 0:25:36 | |
This is definitely a contender. | 0:25:36 | 0:25:37 | |
We could see ourselves moving in here | 0:25:37 | 0:25:39 | |
and living here straightaway, which is a real plus. | 0:25:39 | 0:25:42 | |
The only negative side to the house is the space upstairs. | 0:25:42 | 0:25:46 | |
There's a lovely studio at the end of the garden, which really is super | 0:25:46 | 0:25:50 | |
and the sort of place where I could write in. The ultimate male den. | 0:25:50 | 0:25:56 | |
Good, well... | 0:25:58 | 0:25:59 | |
As quick as a flash, our house tour of property number two is over. | 0:25:59 | 0:26:03 | |
-But I do think it worked rather well. -It did. It worked very well. | 0:26:03 | 0:26:08 | |
Definitely. | 0:26:08 | 0:26:09 | |
OK, you've got lots to think about overnight, but not forgetting, | 0:26:09 | 0:26:12 | |
of course, it's an early start. | 0:26:12 | 0:26:14 | |
Our mystery house beckons tomorrow morning. | 0:26:14 | 0:26:16 | |
Are you going to sleep well, I wonder?! | 0:26:16 | 0:26:19 | |
As the sun sets over the Worcestershire countryside, | 0:26:32 | 0:26:35 | |
our buyers have a chance to mull over | 0:26:35 | 0:26:37 | |
the properties they've seen during their first day of house hunting. | 0:26:37 | 0:26:41 | |
With a budget of £400,000, Lyndon and Paula want to move back | 0:26:44 | 0:26:49 | |
to rural Britain after spending five years in Australia. | 0:26:49 | 0:26:52 | |
So far, we've taken them to two contrasting homes. | 0:26:52 | 0:26:55 | |
One with unique historic bones, | 0:26:55 | 0:26:57 | |
while the second had a fantastic writing studio. | 0:26:57 | 0:27:01 | |
So, could what's coming up in the mystery house | 0:27:01 | 0:27:03 | |
keep their dream afloat? | 0:27:03 | 0:27:05 | |
And I'll be ramping up a gear | 0:27:05 | 0:27:07 | |
and experiencing Worcestershire at high speed. | 0:27:07 | 0:27:10 | |
Oh, my God! | 0:27:10 | 0:27:12 | |
Well, with one more day to go, we have just a few hours left | 0:27:17 | 0:27:20 | |
to complete our house search with Paula and Lyndon. | 0:27:20 | 0:27:24 | |
But what, I wonder, are they going to make of our final offering, | 0:27:24 | 0:27:27 | |
the mystery house? | 0:27:27 | 0:27:29 | |
Well, following time-honoured tradition, it will challenge them | 0:27:29 | 0:27:32 | |
and with a bit of imagination, I think, | 0:27:32 | 0:27:34 | |
could produce the perfect family home for their future... | 0:27:34 | 0:27:37 | |
with any luck. | 0:27:37 | 0:27:39 | |
So, have either of you ever lived in the country before? | 0:27:41 | 0:27:44 | |
I certainly have because I was actually born in a small village. | 0:27:44 | 0:27:47 | |
A village called Highley, | 0:27:47 | 0:27:49 | |
which is between Bridgnorth and Kidderminster. | 0:27:49 | 0:27:51 | |
-Yes. -I lived there until I went up to medical school. | 0:27:51 | 0:27:54 | |
You might catch a glimpse of that later. You never know. | 0:27:54 | 0:27:57 | |
That would be interesting! | 0:27:57 | 0:27:59 | |
For our mystery property, | 0:28:00 | 0:28:02 | |
we're heading to the village of Lindridge, set in the Teme Valley. | 0:28:02 | 0:28:06 | |
Lyndon and Paula are keen to reacquaint themselves with the | 0:28:06 | 0:28:09 | |
British countryside, and we think it's hard to beat our final location. | 0:28:09 | 0:28:13 | |
Our mystery house was a grade II listed barn conversion that | 0:28:16 | 0:28:20 | |
has huge potential, which really means it needs some work. | 0:28:20 | 0:28:24 | |
But Paula wanted a swimming pool and her wish is my command. | 0:28:24 | 0:28:28 | |
Right, we're going to start, on the mystery house, in the garden, | 0:28:28 | 0:28:31 | |
because of that. | 0:28:31 | 0:28:34 | |
-Oh, my goodness. -Yes, you said we wouldn't find a pool! | 0:28:34 | 0:28:38 | |
-I know. I did. That is fantastic. -It's a beauty, isn't it? | 0:28:38 | 0:28:46 | |
-I can't believe it, really. -I know! | 0:28:46 | 0:28:48 | |
There's even a hot tub down there, a little pool house. It's heated. | 0:28:48 | 0:28:53 | |
That's the pool, all right? | 0:28:53 | 0:28:54 | |
I thought we'd go for the big sell first, on this one. | 0:28:54 | 0:28:57 | |
-Let's think about the property. This is what I want you to look at. -OK. | 0:28:57 | 0:29:01 | |
-It's the bit to the left of those two white gables. -OK. | 0:29:01 | 0:29:04 | |
Now, originally, it was all one property | 0:29:04 | 0:29:07 | |
-and they are in the process of doing up this one. -Oh, right, OK. | 0:29:07 | 0:29:10 | |
And it slightly works in reverse | 0:29:10 | 0:29:12 | |
because it's been done up from the top down. | 0:29:12 | 0:29:15 | |
So, as you'll see, the kitchen and some of the ground floor | 0:29:15 | 0:29:18 | |
reception rooms are, you know, a work in progress, shall we say? | 0:29:18 | 0:29:22 | |
What's interesting is that this house was once owned by the parents of Douglas Adams, | 0:29:22 | 0:29:26 | |
-who wrote Hitchhiker's Guide To The Galaxy. -Oh, right. | 0:29:26 | 0:29:29 | |
It's thought that quite a lot of that was penned | 0:29:29 | 0:29:31 | |
in one of the spare rooms here. | 0:29:31 | 0:29:33 | |
-So, if you do as well as he did, mate! -It's got a writing legacy. | 0:29:33 | 0:29:37 | |
Well, exactly. You could be the next writing incumbent, who knows! | 0:29:37 | 0:29:40 | |
-Come and have a look inside. -OK. | 0:29:40 | 0:29:43 | |
'Paula is thrilled with the swimming pool. | 0:29:44 | 0:29:47 | |
'As for Lyndon, he seems both inspired and intrigued, | 0:29:47 | 0:29:51 | |
'so let's carry on our journey into the unknown and explore inside.' | 0:29:51 | 0:29:55 | |
-There. -OK, that's a nice, big kitchen. -Yeah. -Isn't it? | 0:30:00 | 0:30:04 | |
-Great scale. -Yeah, that's a lovely big kitchen. | 0:30:04 | 0:30:07 | |
And you can configure it exactly how you want it to be. | 0:30:07 | 0:30:10 | |
In terms of a project, Lyndon, you've gone very quiet. | 0:30:10 | 0:30:14 | |
-Certainly possibilities. -Yeah. | 0:30:14 | 0:30:16 | |
"Possibilities"! Yeah, I'm not convinced! | 0:30:16 | 0:30:18 | |
You're thinking, "Oh, no, what have you done?" | 0:30:18 | 0:30:20 | |
-I'm trying to be imaginative. -Go for it. | 0:30:20 | 0:30:23 | |
-Just take off the bridle and be as imaginative as you can be! -OK. | 0:30:23 | 0:30:27 | |
All right? Come this way. | 0:30:27 | 0:30:29 | |
Now, off the kitchen, through this little hallway, | 0:30:32 | 0:30:35 | |
is this, which I think is quite sweet, really. It's a little snug. | 0:30:35 | 0:30:39 | |
-OK, yeah. -Yeah. -Wood burner. | 0:30:39 | 0:30:43 | |
But given the kitchen-diner would be a very big value room anyway, | 0:30:43 | 0:30:48 | |
-I think one could begin to see how the spaces might work. -OK, yeah. | 0:30:48 | 0:30:53 | |
-Yeah? -Yeah. -Lyndon... | 0:30:53 | 0:30:55 | |
THEY LAUGH | 0:30:55 | 0:30:56 | |
-..it gets better, mate, trust me! -OK, OK! -We'll go up. | 0:30:56 | 0:30:59 | |
On this floor, there's also a cloakroom | 0:31:01 | 0:31:03 | |
and a utility room that also need a bit of updating, but upstairs, | 0:31:03 | 0:31:07 | |
there are four bedrooms laid out over two other levels. | 0:31:07 | 0:31:11 | |
Three of them are on the first floor. | 0:31:11 | 0:31:14 | |
There are a pair of good-sized doubles that showcase | 0:31:14 | 0:31:17 | |
and include exposed timbers. | 0:31:17 | 0:31:19 | |
One of them has its own en suite | 0:31:19 | 0:31:21 | |
and the family bathroom is perfectly positioned next to the master. | 0:31:21 | 0:31:25 | |
Let's wind it up...in here. | 0:31:26 | 0:31:31 | |
I like this one because it's vaulted. | 0:31:31 | 0:31:32 | |
-You've got this lovely open space... -That is nice. -..above, all done. | 0:31:32 | 0:31:37 | |
It's not en suite, but there is one down the corridor if you want that. | 0:31:37 | 0:31:40 | |
-Love the windows. Again, two views. -Yes. -That's absolutely great. | 0:31:40 | 0:31:44 | |
It's a bit away from my comfort zone | 0:31:44 | 0:31:46 | |
to be thinking in terms of lots of beams. | 0:31:46 | 0:31:49 | |
It's not something which I have been used to and my head is tuned into. | 0:31:49 | 0:31:54 | |
Interesting. What about you? | 0:31:54 | 0:31:56 | |
I'm more comfortable with it, but then on the other hand, | 0:31:56 | 0:32:00 | |
do I want to live with him if he's uncomfortable? | 0:32:00 | 0:32:02 | |
BOTH MEN LAUGH | 0:32:02 | 0:32:05 | |
I hope you recognise that what we've been able to show you | 0:32:05 | 0:32:08 | |
-here is scale. -Sure. -And the pool, come on! | 0:32:08 | 0:32:10 | |
-And the views. -That's... -The pool and the views. | 0:32:10 | 0:32:13 | |
-Those are certainly bonus points. -Yeah, let's take another look at those and we'll talk about | 0:32:13 | 0:32:17 | |
-the price, cos that might persuade you - you never know. -OK. -OK. | 0:32:17 | 0:32:21 | |
The beams are also a feature of the fourth bedroom up in the attic, | 0:32:21 | 0:32:24 | |
which also has its own shower room. | 0:32:24 | 0:32:27 | |
As we move outside, though, I sense our buyers | 0:32:27 | 0:32:30 | |
are being really tested by this one, although to be honest, the scale | 0:32:30 | 0:32:33 | |
of the renovation wouldn't be much more than a decorative overhaul. | 0:32:33 | 0:32:37 | |
Mystery house. Which, you can probably tell, I think has got a lot of potential. | 0:32:42 | 0:32:46 | |
It has, it has got a lot of potential. | 0:32:46 | 0:32:48 | |
But the price is clearly going to have a major impact | 0:32:48 | 0:32:52 | |
-on your thoughts here, I suspect. -Mm. | 0:32:52 | 0:32:54 | |
And you've got £400,000, madam. | 0:32:54 | 0:32:57 | |
-I would say 295. -You are joking? -No, I'm not. -You are absolutely joking. | 0:32:57 | 0:33:04 | |
-There you go. -OK. Right, then. | 0:33:04 | 0:33:06 | |
No, I think it's probably a bit nearer our budget level, | 0:33:06 | 0:33:10 | |
but it does need some work doing to it | 0:33:10 | 0:33:13 | |
and I would think 350 would be not unreasonable. | 0:33:13 | 0:33:17 | |
Yeah, that's a more sensible offer. 375 is what it's on the market for. | 0:33:17 | 0:33:21 | |
I see an awful lot here in terms of space | 0:33:21 | 0:33:24 | |
and, in particular, location. | 0:33:24 | 0:33:27 | |
Not just the pool, so bless you, I'm afraid if it was 295, | 0:33:27 | 0:33:31 | |
they'd be queueing up from here to the county border. It is not. | 0:33:31 | 0:33:35 | |
We've talked about stretching your imagination. | 0:33:35 | 0:33:37 | |
Go and stretch it a bit more, off you go. OK. | 0:33:37 | 0:33:39 | |
I'll catch up with you later. Brilliant. | 0:33:39 | 0:33:42 | |
Well, there you go. That was our mystery house. | 0:33:42 | 0:33:45 | |
To be honest, how would I summarise this one? | 0:33:45 | 0:33:47 | |
Well, some you win, some you lose. | 0:33:47 | 0:33:50 | |
Under their budget by £25,000, our mystery property has | 0:33:54 | 0:33:59 | |
so much potential, it really could make their dream a reality. | 0:33:59 | 0:34:02 | |
However, I get the feeling our buyers think it's a project too far. | 0:34:02 | 0:34:07 | |
But for all that, it does have a large kitchen-diner, | 0:34:07 | 0:34:10 | |
four double bedrooms, two with en suite, | 0:34:10 | 0:34:13 | |
and a lovely garden with a swimming pool. | 0:34:13 | 0:34:16 | |
The mystery house was certainly interesting. | 0:34:19 | 0:34:23 | |
I use the word advisedly! | 0:34:23 | 0:34:25 | |
I'm not sure whether it's the sort of house which I would | 0:34:25 | 0:34:28 | |
want to live in, even if it was done up | 0:34:28 | 0:34:30 | |
to the sort of standards which we can envisage. | 0:34:30 | 0:34:34 | |
The mystery house was a surprise. | 0:34:34 | 0:34:37 | |
There was more to do to it than I had anticipated | 0:34:37 | 0:34:41 | |
but then, on the other hand, | 0:34:41 | 0:34:43 | |
I was just really amazed that it's got a pool, and that was fantastic. | 0:34:43 | 0:34:49 | |
I think it would be a little too much of a challenge for us. | 0:34:49 | 0:34:54 | |
-All done? -Mm, yes. -Yes? -All done. -LYNDON LAUGHS | 0:34:54 | 0:34:57 | |
Look at you - you can't wait to go, can you? | 0:34:57 | 0:35:00 | |
-Right, then. I think we've shown you some interesting options. -Yes. | 0:35:00 | 0:35:04 | |
-You've still got some thinking to do. -Mm-hm. | 0:35:04 | 0:35:07 | |
-Let's go think. -OK. -OK. -Come on. | 0:35:07 | 0:35:08 | |
Worcestershire is a rural county featuring open countryside | 0:35:20 | 0:35:24 | |
and extensive river and canal networks. | 0:35:24 | 0:35:26 | |
Plenty of places to get away from it all for a bit of peace and quiet. | 0:35:26 | 0:35:30 | |
CAR REVS | 0:35:30 | 0:35:33 | |
Well, that is...unless you end up at Shelsley Walsh, | 0:35:33 | 0:35:36 | |
the oldest operational racetrack in the world. | 0:35:36 | 0:35:39 | |
This famous circuit is also home to one of the oldest motorsport events, | 0:35:39 | 0:35:43 | |
the Speed Hill Climb organised by the Midland Automobile Club. | 0:35:43 | 0:35:47 | |
I've come to meet two racers, Toby Moody and Mike Cockayne, | 0:35:48 | 0:35:51 | |
to find out more about its contribution to | 0:35:51 | 0:35:54 | |
Worcestershire and Britain's sporting history, | 0:35:54 | 0:35:56 | |
a story that continues to this day. | 0:35:56 | 0:35:59 | |
Now, to anyone driving around this county, | 0:35:59 | 0:36:01 | |
one thing it is not short of are hills. | 0:36:01 | 0:36:04 | |
But why did this racetrack end up here? | 0:36:04 | 0:36:06 | |
The Midland Automobile Club used to have hill climbs on other hills | 0:36:06 | 0:36:09 | |
in the Midlands, but they were really on public roads. | 0:36:09 | 0:36:12 | |
In 1905, we came across this little track, | 0:36:12 | 0:36:15 | |
it was covered in brambles and suchlike, and we made it a bit more | 0:36:15 | 0:36:18 | |
of a racetrack, and on August 12th that year, | 0:36:18 | 0:36:20 | |
we had our first hill climb. | 0:36:20 | 0:36:22 | |
The ghosts of motorsport are here ever since. | 0:36:22 | 0:36:24 | |
Amazing. You make it sound like you were there, Toby! | 0:36:24 | 0:36:26 | |
-You've aged very well! -I comb out the grey hairs quite well, I rather fancy! | 0:36:26 | 0:36:31 | |
What is it about a hill climb as opposed to circuit racing | 0:36:31 | 0:36:34 | |
that really sets it apart? What's in it? Where's the bug? | 0:36:34 | 0:36:37 | |
You need to be 120% committed straightaway. | 0:36:37 | 0:36:40 | |
-It's the 100-metre sprint, it's the Usain Bolt of motorsport. -It is. | 0:36:40 | 0:36:44 | |
-You have no second chance. -No. | 0:36:44 | 0:36:45 | |
Circuit racing, you have maybe a half-hour race, hundreds of corners. | 0:36:45 | 0:36:50 | |
Here at Shelsley, here at hill climbing, it's a one-hit. | 0:36:50 | 0:36:53 | |
You've got to get the start, the first, the second corner, | 0:36:53 | 0:36:56 | |
perfect gear changes to the hundredth of a second, | 0:36:56 | 0:36:59 | |
and now it's gone from a record of some 70 seconds down to 22.5. | 0:36:59 | 0:37:04 | |
-22.5 seconds?! -Yes. -147mph through the top gate to the finish. | 0:37:04 | 0:37:10 | |
Back in those early days of the 20th century, | 0:37:10 | 0:37:13 | |
pioneers of motoring wanted to prove that their motorised | 0:37:13 | 0:37:16 | |
horse carts could climb very steep hills - and this is very steep. | 0:37:16 | 0:37:22 | |
The track climbs 100 metres at an average gradient of 11%, | 0:37:22 | 0:37:26 | |
but at its steepest, it's as much as 16%. | 0:37:26 | 0:37:29 | |
I've got a chance to sample the delights of this track today. | 0:37:29 | 0:37:32 | |
Who's going to be my driver? | 0:37:32 | 0:37:34 | |
-I'll certainly offer you a ride in my Healey. -This is a beauty, Mike. | 0:37:34 | 0:37:37 | |
When does that date from? | 0:37:37 | 0:37:38 | |
1962, the car was built, with about 200 brake horsepower at the wheels. | 0:37:38 | 0:37:42 | |
-It's a nice, quick car. -Gosh, it's very low, isn't it? | 0:37:42 | 0:37:46 | |
-Is that as wide as it gets? -Yes! -OK. | 0:37:46 | 0:37:50 | |
-Well, that feels... -Yes, secure. -Secure! | 0:37:50 | 0:37:54 | |
-OK? -Yep. | 0:37:54 | 0:37:56 | |
ENGINE STARTS | 0:37:56 | 0:37:58 | |
REVVING | 0:38:07 | 0:38:08 | |
-So, that's the tyres warm. -Yes. -OK, right. | 0:38:10 | 0:38:13 | |
REVVING | 0:38:13 | 0:38:15 | |
Oh, my God! | 0:38:19 | 0:38:20 | |
It's terrifying! Oh, my God! | 0:38:22 | 0:38:25 | |
JULES CHUCKLES | 0:38:41 | 0:38:43 | |
Oh, my God! | 0:38:43 | 0:38:44 | |
HE LAUGHS | 0:38:47 | 0:38:49 | |
Wow! | 0:38:49 | 0:38:51 | |
That was a very memorable trip down motoring's memory lane | 0:38:51 | 0:38:56 | |
and to think they've been doing this here since 1905. | 0:38:56 | 0:39:00 | |
-Mike, thank you very much... -It was a pleasure. -..indeed. | 0:39:00 | 0:39:03 | |
-Absolute pleasure. -Absolutely extraordinary. | 0:39:03 | 0:39:05 | |
-Have we got time for one more? -Yeah. -One more, right, we're off. | 0:39:05 | 0:39:09 | |
See you later. | 0:39:09 | 0:39:10 | |
Playing with fast cars on a racetrack, | 0:39:17 | 0:39:19 | |
as you could probably tell, | 0:39:19 | 0:39:21 | |
that really was my idea of a great day out | 0:39:21 | 0:39:23 | |
and it's a nice analogy, because we are, of course, speeding towards | 0:39:23 | 0:39:27 | |
the end of the show, but there is one more question to ask | 0:39:27 | 0:39:30 | |
and that is, have we managed to find Paula and Lyndon | 0:39:30 | 0:39:33 | |
their new dream home of the future? | 0:39:33 | 0:39:35 | |
Well, they are in there thinking about it. Let's go and ask them. | 0:39:35 | 0:39:38 | |
Well, here we are, then. Several thousand miles from Australia. | 0:39:44 | 0:39:48 | |
Have we managed to satisfy you | 0:39:48 | 0:39:51 | |
in terms of any of the properties that we've had a chance to look at? | 0:39:51 | 0:39:55 | |
-We started with our very quirky dovecote. -Mm-hm. | 0:39:55 | 0:39:57 | |
What were your thoughts on that one? | 0:39:57 | 0:40:00 | |
I thought it was interesting, I thought it was quirky, | 0:40:00 | 0:40:03 | |
but probably not for us. | 0:40:03 | 0:40:05 | |
-Because of it being on four floors. -Yep. -And also the size of it. -Yep. | 0:40:05 | 0:40:11 | |
-It was a bit too small. -OK. Lyndon? -Yeah, I felt the same. | 0:40:11 | 0:40:15 | |
That it wasn't quite the sort of property that we had in mind. | 0:40:15 | 0:40:19 | |
It was just the house wasn't exactly what we wanted. | 0:40:19 | 0:40:22 | |
Then we went to property two which, as we said, | 0:40:22 | 0:40:25 | |
was a much more conventional approach | 0:40:25 | 0:40:27 | |
with that fantastic studio in the garden. | 0:40:27 | 0:40:30 | |
-What are your thoughts on that one? Cos that seemed to go rather well. -Yeah. | 0:40:30 | 0:40:33 | |
There really isn't anything I don't like about the property, | 0:40:33 | 0:40:37 | |
with the exception of the size, probably. | 0:40:37 | 0:40:40 | |
It'd have to be a readjustment of thought | 0:40:40 | 0:40:43 | |
-on downsizing our furniture. -OK. -But I really liked the property. -Lyndon? | 0:40:43 | 0:40:48 | |
Yeah, I think one of the really nice things about that property | 0:40:48 | 0:40:52 | |
was the conservatory. That's the sort of property we'd like, | 0:40:52 | 0:40:55 | |
the sort of conservatory, | 0:40:55 | 0:40:57 | |
that lovely studio office in the bottom of the garden. | 0:40:57 | 0:40:59 | |
Those were real positive points. We could live there. | 0:40:59 | 0:41:02 | |
That's really what you need to do, to think, "Could I live there?" | 0:41:02 | 0:41:05 | |
-The answer is, "Yes, we could live there." -Yep. -Good, OK. | 0:41:05 | 0:41:09 | |
-So, it's still on the agenda? -Yep. -Still on the agenda. -Now, then. | 0:41:09 | 0:41:13 | |
I know the answer to this question, but I'm going to ask it anyway. | 0:41:13 | 0:41:16 | |
Is our mystery house on the agenda? | 0:41:16 | 0:41:19 | |
ALL LAUGH | 0:41:19 | 0:41:21 | |
I think there are two issues there, really, with that house. | 0:41:21 | 0:41:24 | |
One is the fact that it's still a work in progress. | 0:41:24 | 0:41:27 | |
That's something I found a bit difficult to come to terms with. | 0:41:27 | 0:41:31 | |
Also, its location. It's a bit far away from the sort of area | 0:41:31 | 0:41:35 | |
we were looking at as a central hub. | 0:41:35 | 0:41:37 | |
Well, I did try and sell it to you as best I could. | 0:41:37 | 0:41:40 | |
-I know. -But I was clearly pushing uphill! | 0:41:40 | 0:41:42 | |
So, where do we go from here? | 0:41:42 | 0:41:44 | |
You've got just a few weeks till all the gear turns up. | 0:41:44 | 0:41:47 | |
-The pressure's on. -Well, actually, that's quite easy. | 0:41:47 | 0:41:51 | |
I'm going to get some family to come and have a look at property two, | 0:41:51 | 0:41:55 | |
because I really like that property and I feel I could live there. | 0:41:55 | 0:41:59 | |
-As a reintroduction back to UK, it was spot-on. -Brilliant. -It was. | 0:41:59 | 0:42:02 | |
Guys, I'm delighted. | 0:42:02 | 0:42:04 | |
-Do have a look at property two. -I will. -And let us know how you get on. | 0:42:04 | 0:42:09 | |
I'd love to hear that you've managed to buy it - and soon! | 0:42:09 | 0:42:12 | |
THEY LAUGH | 0:42:12 | 0:42:13 | |
You know, in some respects, there have been some obvious | 0:42:19 | 0:42:22 | |
frustrations for Paula and Lyndon on this house search. | 0:42:22 | 0:42:25 | |
They've had to leave behind a home in Australia which | 0:42:25 | 0:42:27 | |
they built from scratch and which, in many ways, was perfect for them. | 0:42:27 | 0:42:31 | |
Then they had to reconcile the idea that the English property market | 0:42:31 | 0:42:34 | |
is essentially second-hand. Fitting yourself into somebody else's home | 0:42:34 | 0:42:38 | |
is never an easy business, but hopefully in property number two | 0:42:38 | 0:42:42 | |
we've found a working solution, which is just as well, | 0:42:42 | 0:42:45 | |
because in a few weeks' time, they'll be reunited | 0:42:45 | 0:42:48 | |
with all of their worldly goods, so whatever they do, | 0:42:48 | 0:42:51 | |
they're going to have to do it fast. I'll see you next time. | 0:42:51 | 0:42:54 | |
Lyndon and Paula did go back to see house number two | 0:42:56 | 0:42:59 | |
and I'm delighted to say they've put in an offer, which has been accepted. | 0:42:59 | 0:43:04 | |
So, they're set to move to the country very soon. | 0:43:04 | 0:43:06 | |
If you'd like to escape to the country in Scotland, Wales, | 0:43:08 | 0:43:11 | |
Northern Ireland or England, and would like our help, | 0:43:11 | 0:43:13 | |
then please apply online at: | 0:43:13 | 0:43:19 | |
Subtitles by Red Bee Media Ltd | 0:43:42 | 0:43:45 |