Browse content similar to Worcestershire. Check below for episodes and series from the same categories and more!
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It's said these gas lamps were the inspiration | 0:00:02 | 0:00:04 | |
for one of the nation's favourite authors | 0:00:04 | 0:00:06 | |
who created a fantasy kingdom | 0:00:06 | 0:00:08 | |
that has charmed children and adults for generations. | 0:00:08 | 0:00:11 | |
Find out where we are in just a moment. | 0:00:11 | 0:00:13 | |
On today's show, I'll be helping a career-driven couple | 0:00:41 | 0:00:44 | |
move closer to their family and friends in the countryside. | 0:00:44 | 0:00:48 | |
But early in our house hunt, it's a garage | 0:00:48 | 0:00:51 | |
that makes them giddy with excitement. | 0:00:51 | 0:00:53 | |
-Come on in. -Wow! -Oh-ho! | 0:00:53 | 0:00:55 | |
Jason's dream come true! | 0:00:55 | 0:00:57 | |
However, excitement quickly turns to trepidation. | 0:00:57 | 0:01:01 | |
It's shared. How do you feel about sharing a community? | 0:01:01 | 0:01:04 | |
I'm not sure. | 0:01:04 | 0:01:06 | |
We're in Worcestershire. These Victorian gas lamps in Great Malvern | 0:01:09 | 0:01:13 | |
were the inspiration for CS Lewis, | 0:01:13 | 0:01:15 | |
who used them as the gateway to Narnia | 0:01:15 | 0:01:17 | |
in The Lion, the Witch and the Wardrobe. | 0:01:17 | 0:01:19 | |
But there was a cloud hanging over their future | 0:01:19 | 0:01:22 | |
until some local activists found a way to save them. | 0:01:22 | 0:01:25 | |
Later, I'll be meeting them and shedding light on how they did it. | 0:01:25 | 0:01:30 | |
But first, let's take a look at some other iconic sights in this county. | 0:01:30 | 0:01:34 | |
Worcestershire is bordered by Herefordshire to the west, | 0:01:37 | 0:01:40 | |
Shropshire to the north and Gloucestershire to the south. | 0:01:40 | 0:01:44 | |
On the western fringes of the county are the Malvern Hills. | 0:01:44 | 0:01:47 | |
A designated area of outstanding natural beauty, | 0:01:47 | 0:01:50 | |
from which there are incredible views | 0:01:50 | 0:01:52 | |
across the Vale of Evesham, towards the Cotswolds. | 0:01:52 | 0:01:55 | |
Located in the Vale of Evesham is the market town of Pershore, | 0:01:56 | 0:02:00 | |
which lies on the banks of the River Avon. | 0:02:00 | 0:02:03 | |
It's prized for its wealth of Georgian buildings and its abbey, | 0:02:03 | 0:02:06 | |
a fine example of 12th-century architecture. | 0:02:06 | 0:02:10 | |
To the east of the county, the Cotswold village of Broadway | 0:02:11 | 0:02:14 | |
is widely regarded as one of England's prettiest, | 0:02:14 | 0:02:17 | |
and has long been associated with the arts. | 0:02:17 | 0:02:20 | |
Composer Edward Elgar and painter John Singer Sargent | 0:02:20 | 0:02:23 | |
were both attracted by Broadway's honey-coloured stone houses | 0:02:23 | 0:02:26 | |
and gained inspiration from the beauty | 0:02:26 | 0:02:29 | |
of the surrounding Worcestershire countryside. | 0:02:29 | 0:02:31 | |
Over the last few years, property prices in Worcestershire have dipped very slightly | 0:02:35 | 0:02:39 | |
in comparison to Gloucestershire and Warwickshire. | 0:02:39 | 0:02:42 | |
But still, the average price for a detached house stands at £260,000, | 0:02:42 | 0:02:46 | |
which is £6,000 above the national average. | 0:02:46 | 0:02:49 | |
The reason why it's such an attractive county to buy | 0:02:49 | 0:02:51 | |
is because it's got very good travel links to Bristol and Birmingham | 0:02:51 | 0:02:55 | |
and it's full of beautiful architectural gems. Take a look. | 0:02:55 | 0:03:00 | |
If classic country stone appeals to you, | 0:03:00 | 0:03:03 | |
there's a wealth of options in the honey-coloured cottages of the Cotswolds, | 0:03:03 | 0:03:07 | |
which are located in the east of the county. | 0:03:07 | 0:03:09 | |
Many of these date back to the 17th century | 0:03:09 | 0:03:12 | |
and can typically cost upwards of £300,000 | 0:03:12 | 0:03:15 | |
for a two-bedroom example set in a pretty village. | 0:03:15 | 0:03:18 | |
But if grand proportions are high on your wishlist, | 0:03:20 | 0:03:23 | |
than the large Georgian and Victorian style family homes | 0:03:23 | 0:03:26 | |
towards the west of Worcestershire provide an attractive option. | 0:03:26 | 0:03:30 | |
Mainly built from the local red brick, | 0:03:30 | 0:03:32 | |
prices typically start around £500,000 | 0:03:32 | 0:03:35 | |
for a detached four-bedroom home. | 0:03:35 | 0:03:38 | |
Some artful bricks and mortar there, | 0:03:40 | 0:03:42 | |
but is it enough to lure today's buyers to Worcestershire? Let's meet them. | 0:03:42 | 0:03:46 | |
Professional couple Jason and Sian | 0:03:46 | 0:03:49 | |
currently live in this semi-detached house | 0:03:49 | 0:03:51 | |
on a busy road in Marlow, Buckinghamshire. | 0:03:51 | 0:03:54 | |
But town living was never the long-term plan | 0:03:54 | 0:03:58 | |
as a place to raise their two young children. | 0:03:58 | 0:04:01 | |
We moved down here five years ago to progress our careers. | 0:04:01 | 0:04:05 | |
And we really want to get back now | 0:04:05 | 0:04:07 | |
to living in the Worcestershire area where we met | 0:04:07 | 0:04:11 | |
so that we can enjoy having our family and friends around us. | 0:04:11 | 0:04:16 | |
Sian and I grew up | 0:04:16 | 0:04:17 | |
in a more rural environment in a small village. | 0:04:17 | 0:04:21 | |
Um...and we just want that for the children, really. | 0:04:21 | 0:04:27 | |
With strong ties back in the Midlands, | 0:04:27 | 0:04:29 | |
trying to maintain a long-distance social life | 0:04:29 | 0:04:32 | |
has really taken its toll. | 0:04:32 | 0:04:34 | |
We're spending a lot of time, | 0:04:34 | 0:04:37 | |
and have done over the last few years, on the motorway. | 0:04:37 | 0:04:40 | |
I get very jealous when you hear a couple of mates saying, | 0:04:40 | 0:04:43 | |
"We went on a fantastic bike ride. You should have come." | 0:04:43 | 0:04:47 | |
I wish I could. But it's 120 miles away. | 0:04:47 | 0:04:51 | |
It would be my dream to get back with my girly friends | 0:04:51 | 0:04:54 | |
and do netball, aerobics and zumba | 0:04:54 | 0:04:57 | |
and anything else they're doing on a weekly basis | 0:04:57 | 0:05:00 | |
and start to get fit again | 0:05:00 | 0:05:02 | |
and start to enjoy being back in my social group. | 0:05:02 | 0:05:05 | |
And while Sian's burning calories, | 0:05:05 | 0:05:07 | |
it looks like Jason intends to burn more rubber. | 0:05:07 | 0:05:10 | |
Sian's not happy about it, but I've got two motorbikes. | 0:05:12 | 0:05:15 | |
I don't really get chance to ride one of them. | 0:05:15 | 0:05:18 | |
I'd like to be able to enjoy that passion a lot more. | 0:05:18 | 0:05:21 | |
Their house has been on the market for a year, | 0:05:21 | 0:05:23 | |
but with a pressing educational deadline, | 0:05:23 | 0:05:26 | |
they're desperate to get moving. | 0:05:26 | 0:05:29 | |
The most important thing is that Faith starts school in September. | 0:05:29 | 0:05:32 | |
And we really want to start her in the community | 0:05:32 | 0:05:35 | |
that we're going to live in for our long-term future. | 0:05:35 | 0:05:40 | |
And that long-term future is all dependent on their finances. | 0:05:40 | 0:05:45 | |
The budget for the move is £400,000. | 0:05:45 | 0:05:49 | |
Sian and Jason want us to concentrate our search | 0:05:54 | 0:05:57 | |
towards the centre of the county in the villages surrounding Worcester. | 0:05:57 | 0:06:01 | |
I caught up with them to find out more about what they're looking for. | 0:06:01 | 0:06:05 | |
Welcome to Worcestershire, you two. | 0:06:05 | 0:06:06 | |
I understand why you want to come back. I know you've got family here | 0:06:06 | 0:06:10 | |
and support networks for the two little ones. | 0:06:10 | 0:06:12 | |
I wanted to know about the house, particularly. | 0:06:12 | 0:06:16 | |
What is it that you're dreaming of? | 0:06:16 | 0:06:18 | |
We want more space so that when we have friends and family come to stay | 0:06:18 | 0:06:22 | |
that it's not quite so disruptive. | 0:06:22 | 0:06:25 | |
There's a nice spare room for guests to stay in. | 0:06:25 | 0:06:30 | |
More workspace for Sian. | 0:06:30 | 0:06:32 | |
I work in the living room, so it would be lovely to have... | 0:06:32 | 0:06:35 | |
With two little ones running around. | 0:06:35 | 0:06:37 | |
If they're not at nursery, they can be in the background. | 0:06:37 | 0:06:40 | |
What about location? How many miles do you want to be from Worcester? | 0:06:40 | 0:06:44 | |
We've kind of set ourselves a radius of around ten miles, perhaps. | 0:06:44 | 0:06:49 | |
We could do with being relatively close to the motorway network | 0:06:49 | 0:06:55 | |
for Sian to get down to London for work. | 0:06:55 | 0:06:57 | |
I'm an electrician, so I can pretty much go anywhere. | 0:06:57 | 0:07:01 | |
Always need electricians everywhere. | 0:07:01 | 0:07:04 | |
I know your budget is around £400,000. | 0:07:04 | 0:07:06 | |
Would you look at things that are pegged a little higher? | 0:07:06 | 0:07:09 | |
We hope to get a cheeky offer. | 0:07:09 | 0:07:11 | |
We're finding people are putting cheeky offers in on our property, | 0:07:11 | 0:07:15 | |
so it's making us think that maybe we should be looking | 0:07:15 | 0:07:17 | |
a little bit above our price range | 0:07:17 | 0:07:19 | |
and then hopefully being able to negotiate a good deal on a property. | 0:07:19 | 0:07:23 | |
-So you want to pay £400,000, but maybe... -Look a little bit higher. | 0:07:23 | 0:07:27 | |
We've got some lovely properties. | 0:07:27 | 0:07:29 | |
I'm worried about you going blue in the cold, so let's go. | 0:07:29 | 0:07:32 | |
-Come with me. -OK. | 0:07:32 | 0:07:33 | |
Sian and Jason have a top budget of £400,000. | 0:07:35 | 0:07:38 | |
Although they're happy to look at properties a bit more expensive | 0:07:38 | 0:07:42 | |
and negotiate hard to secure their dream home. | 0:07:42 | 0:07:45 | |
For their money, they'd like a quirky or characterful period house, | 0:07:45 | 0:07:49 | |
a minimum of three bedrooms, | 0:07:49 | 0:07:52 | |
plenty of off-road parking, | 0:07:52 | 0:07:54 | |
a garage or outbuilding for Jason's bikes, | 0:07:54 | 0:07:57 | |
and it needs to be within easy reach of good local schools. | 0:07:57 | 0:08:01 | |
We have got some fantastic houses to show them, | 0:08:01 | 0:08:04 | |
but before I reveal the price of each, | 0:08:04 | 0:08:07 | |
I'll be asking them to take a guess. | 0:08:07 | 0:08:09 | |
The final property is the mystery house. | 0:08:09 | 0:08:11 | |
And with today's choice, it might give our buyers | 0:08:11 | 0:08:14 | |
more community than they ever dreamt of. | 0:08:14 | 0:08:17 | |
Our first house is in Ripple, the most southerly parish in the county. | 0:08:19 | 0:08:22 | |
12 miles south of Worcester. | 0:08:22 | 0:08:24 | |
Ripple is situated right in the heart of the Malvern Hills. | 0:08:26 | 0:08:29 | |
And back in 680 AD, it was known as Rippel, | 0:08:29 | 0:08:32 | |
which comes from the Norwegian word | 0:08:32 | 0:08:35 | |
meaning strip of woodland or coppice. | 0:08:35 | 0:08:37 | |
The local pub offers beers and ales, together with home-made food, | 0:08:37 | 0:08:41 | |
and they hold regular theme nights for a sociable evening out. | 0:08:41 | 0:08:45 | |
The house I'm showing our buyers is a detached cottage | 0:08:48 | 0:08:52 | |
set right in the heart of the village. | 0:08:52 | 0:08:54 | |
Come off the road a bit and you can see the full extent | 0:08:55 | 0:08:59 | |
of this first property. | 0:08:59 | 0:09:01 | |
-Very cute. -Cute? | 0:09:01 | 0:09:03 | |
-Mm. Lovely. -Very nice. Yeah. | 0:09:03 | 0:09:05 | |
It's a great village. There's a great school. | 0:09:05 | 0:09:07 | |
We're a mile and a half away from he M50, so it's well placed. | 0:09:07 | 0:09:11 | |
I don't want to keep you in the rain too long, but any thoughts yet? | 0:09:11 | 0:09:14 | |
It's pretty, very pretty. It's lovely. | 0:09:14 | 0:09:17 | |
It's nice. It's got a lot of character. | 0:09:17 | 0:09:19 | |
Let's go inside. | 0:09:19 | 0:09:20 | |
This cottage certainly looks picture perfect from the outside, | 0:09:20 | 0:09:24 | |
but let's see what they make of the interior. | 0:09:24 | 0:09:26 | |
This is a really good example | 0:09:31 | 0:09:32 | |
of how an extension has really helped the property. | 0:09:32 | 0:09:35 | |
Because the end wall would have been here. | 0:09:35 | 0:09:38 | |
They've taken it out in the last two years. | 0:09:38 | 0:09:40 | |
It's made it really light. | 0:09:40 | 0:09:43 | |
There's a nice log burner. | 0:09:43 | 0:09:45 | |
Nice and cosy. Very good. | 0:09:45 | 0:09:47 | |
This is quite modern and... | 0:09:47 | 0:09:49 | |
Comfortable, yeah. Definitely. | 0:09:49 | 0:09:52 | |
I can see it working for us. | 0:09:52 | 0:09:54 | |
There's a great deal of character here, mixed with a modern twist. | 0:09:54 | 0:09:57 | |
And it seems Jason and Sian are already visualising themselves | 0:09:57 | 0:10:01 | |
enjoying cosy nights in front of the fire. | 0:10:01 | 0:10:04 | |
This is the dining room. | 0:10:07 | 0:10:10 | |
So, do you use a formal dining room? Is that something you use? | 0:10:10 | 0:10:14 | |
It's nice to have the choice, have that separation. | 0:10:14 | 0:10:18 | |
-It could be a study-cum-playroom for the children, couldn't it? -Yeah. | 0:10:18 | 0:10:22 | |
Let's look at the all-important kitchen. | 0:10:22 | 0:10:25 | |
-Lovely doors. The whole house is full of lovely doors. -Really nice. | 0:10:25 | 0:10:29 | |
So here we have the kitchen extension. | 0:10:29 | 0:10:31 | |
-This is lovely. -This is nice. -Yeah. | 0:10:31 | 0:10:34 | |
Within a limited historical plot, I think they've done a great job. | 0:10:34 | 0:10:38 | |
The owners have really extended it and made it a lovely family home. | 0:10:38 | 0:10:42 | |
-Because it flows very nicely. -Yes. | 0:10:42 | 0:10:45 | |
So lovely wooden floors. | 0:10:45 | 0:10:47 | |
This would have been the end, | 0:10:47 | 0:10:49 | |
and you've got the utility room with all your white goods, | 0:10:49 | 0:10:53 | |
doors out into the garden and a downstairs loo. | 0:10:53 | 0:10:55 | |
Oh, OK. This all works really well. | 0:10:55 | 0:10:58 | |
Right. Let's look upstairs. | 0:10:58 | 0:11:00 | |
On the first floor, there are three bedrooms, | 0:11:03 | 0:11:06 | |
which include two doubles and a single. | 0:11:06 | 0:11:08 | |
There's also a small study area and a family bathroom. | 0:11:08 | 0:11:11 | |
But it's time to check out the master. | 0:11:11 | 0:11:15 | |
This is nice. | 0:11:16 | 0:11:18 | |
-Upstairs, you only have three bedrooms, I'm afraid. -OK. | 0:11:18 | 0:11:23 | |
Here you've got a washroom. | 0:11:23 | 0:11:24 | |
You could extend it out and put a shower room in here. | 0:11:24 | 0:11:27 | |
There's a family bathroom right next door. | 0:11:27 | 0:11:30 | |
-Lovely. -It's a nice big room. -It is. | 0:11:30 | 0:11:32 | |
-Nice big, bright room. -Yeah. -Nice tall ceilings. | 0:11:32 | 0:11:35 | |
It's got a nice feel to it. | 0:11:35 | 0:11:37 | |
We thought this was a great property because it's got great bones. | 0:11:37 | 0:11:41 | |
We were just worried it might not have quite enough space upstairs. | 0:11:41 | 0:11:44 | |
This is bigger than our bedroom at the minute. | 0:11:44 | 0:11:47 | |
There's one extra room downstairs than what we have now, | 0:11:47 | 0:11:50 | |
so it works in our favour from that prospective. | 0:11:50 | 0:11:54 | |
I'll give you some time to really explore the nooks and crannies, | 0:11:54 | 0:11:57 | |
-but let's go down to the garden. -OK. | 0:11:57 | 0:11:59 | |
The proportions are certainly adding up for Jason and Sian. | 0:11:59 | 0:12:02 | |
Outside, there's parking for several cars, | 0:12:02 | 0:12:05 | |
and leading off the gravel driveway is a landscaped garden. | 0:12:05 | 0:12:09 | |
So come on out. Ooo, it's chilly out here! | 0:12:10 | 0:12:13 | |
So the garden goes back...it's not huge. | 0:12:13 | 0:12:16 | |
What we haven't given you, Jason, is somewhere for your motorcycles. | 0:12:16 | 0:12:21 | |
Yes. Maybe we could do something with it. | 0:12:21 | 0:12:24 | |
-We could perhaps build a garage down there. -Yeah. Maybe. | 0:12:24 | 0:12:27 | |
You'd probably lose a bit of light on the extension, | 0:12:27 | 0:12:30 | |
but you could feasibly come back into the garden. | 0:12:30 | 0:12:33 | |
You'd lose more of a garden, | 0:12:33 | 0:12:35 | |
but you would also give yourself a bit of privacy. | 0:12:35 | 0:12:38 | |
If you built a nice brick-built garage here, | 0:12:38 | 0:12:41 | |
you wouldn't have everyone looking in. | 0:12:41 | 0:12:43 | |
It's worth thinking about because it's a lovely house. | 0:12:43 | 0:12:46 | |
-It depends on, of course, the money. -Yes. | 0:12:46 | 0:12:48 | |
How much do you think this is on the market for? | 0:12:48 | 0:12:51 | |
I think £399,950. | 0:12:51 | 0:12:55 | |
Right at the top. What about you, Jason? | 0:12:55 | 0:12:57 | |
I think it's probably on...for around £380,000. | 0:12:58 | 0:13:03 | |
OK. So this property | 0:13:03 | 0:13:05 | |
is on the market for £360,000. | 0:13:05 | 0:13:09 | |
Ah! OK. | 0:13:09 | 0:13:11 | |
-I'll send you in for a look and I'll meet you out the front. -Thank you. | 0:13:11 | 0:13:15 | |
That is great, actually. | 0:13:15 | 0:13:17 | |
Really, they need to sell, and they haven't sold for quite a while. | 0:13:17 | 0:13:21 | |
If they could accept an offer | 0:13:21 | 0:13:24 | |
and take the blow of less money in Marlow, | 0:13:24 | 0:13:28 | |
this might be the thing. | 0:13:28 | 0:13:30 | |
Our first house is on the market for £360,000, | 0:13:32 | 0:13:37 | |
which is well under budget, | 0:13:37 | 0:13:39 | |
and leaves Jason money to build his garage. | 0:13:39 | 0:13:42 | |
It has plenty of character features, including a wood burner. | 0:13:42 | 0:13:45 | |
There's also a large contemporary kitchen. | 0:13:45 | 0:13:47 | |
Upstairs has three bedrooms, | 0:13:47 | 0:13:49 | |
and it's in the heart of the village, close to a good school. | 0:13:49 | 0:13:53 | |
This could be Faith's room, couldn't it? | 0:13:56 | 0:13:58 | |
-She'd love it. -She'd love it in here. | 0:13:58 | 0:14:00 | |
We can see the church from here. | 0:14:00 | 0:14:02 | |
It's nice overlooking the village. | 0:14:02 | 0:14:04 | |
When I saw the house with the clock on the side, which is really pretty, | 0:14:04 | 0:14:08 | |
and the brickwork, it just looked very pretty | 0:14:08 | 0:14:10 | |
and it looked the perfect kind of house for us. | 0:14:10 | 0:14:13 | |
The garden is a lot smaller than we have at present. | 0:14:13 | 0:14:17 | |
And the big minus point for me is there's no garage. | 0:14:17 | 0:14:21 | |
But having said that, the price of the property | 0:14:21 | 0:14:24 | |
is a lot lower than our maximum price range. | 0:14:24 | 0:14:29 | |
Country folk always leave the door open. Guys? There you are. | 0:14:31 | 0:14:34 | |
-You all done? -Yes. -Yes. | 0:14:34 | 0:14:36 | |
Can you pull the door to? | 0:14:36 | 0:14:39 | |
-And we'll head off and see the next house. -OK. | 0:14:39 | 0:14:42 | |
The Malvern Hills are described as a mountain range in miniature. | 0:14:51 | 0:14:55 | |
And the eight-mile ridge contains some of the oldest rocks in Britain. | 0:14:55 | 0:14:59 | |
It's these hills that have inspired | 0:15:00 | 0:15:02 | |
many musicians and writers over the centuries, | 0:15:02 | 0:15:05 | |
the most famous being Sir Edward Elgar, | 0:15:05 | 0:15:07 | |
who was born near the famous spa town of Great Malvern. | 0:15:07 | 0:15:11 | |
The cottage where he spent the first two years of his life | 0:15:11 | 0:15:14 | |
is now the site of the Elgar Birthplace Museum. | 0:15:14 | 0:15:17 | |
The composer was a keen cyclist, | 0:15:18 | 0:15:21 | |
and, as Jason and Sian enjoy riding about on their bikes, | 0:15:21 | 0:15:24 | |
earlier in the week, we arranged for them to meet Jon Goldswain, | 0:15:24 | 0:15:28 | |
a senior guide at the museum, | 0:15:28 | 0:15:29 | |
to discover more about why Elgar found this area so irresistible. | 0:15:29 | 0:15:33 | |
This is the room where the great man was born 155 years ago. | 0:15:36 | 0:15:42 | |
This was obviously two rooms in those days. | 0:15:42 | 0:15:46 | |
It seems rather large to be just one room. | 0:15:46 | 0:15:49 | |
There was probably a partition here. | 0:15:49 | 0:15:51 | |
-One window there and one window there. -That's it. | 0:15:51 | 0:15:53 | |
-This was Elgar's desk. -Wow! | 0:15:56 | 0:15:59 | |
This is exactly as it would have been, | 0:15:59 | 0:16:03 | |
including these pens which have a five-point nib. | 0:16:03 | 0:16:06 | |
Which Lady Elgar used to rule the score paper. | 0:16:06 | 0:16:11 | |
And she wrote in the instruments. | 0:16:11 | 0:16:13 | |
Over in the corner there, | 0:16:13 | 0:16:16 | |
you will see an example of one of his gramophones. | 0:16:16 | 0:16:19 | |
He was the first composer to put his own music onto disc. | 0:16:19 | 0:16:23 | |
Obviously, his music writing, | 0:16:23 | 0:16:27 | |
a lot of it came from his experiences | 0:16:27 | 0:16:29 | |
-around Worcestershire and in sight of the Malvern Hills. -Indeed. | 0:16:29 | 0:16:33 | |
Elgar lived in over 24 different houses throughout his life. | 0:16:35 | 0:16:39 | |
And although he is often portrayed as a restless soul, | 0:16:39 | 0:16:42 | |
many were in the Malvern area. | 0:16:42 | 0:16:44 | |
In the late 19th century, he retreated | 0:16:44 | 0:16:47 | |
to the surrounding Malvern Hills and rented Birchwood Lodge. | 0:16:47 | 0:16:51 | |
This lodge was ideal as it allowed Elgar | 0:16:51 | 0:16:53 | |
to work in a south-facing room on the first floor, | 0:16:53 | 0:16:56 | |
from which he gathered inspiration from the views of the Malvern Hills. | 0:16:56 | 0:17:00 | |
The last part of the tour takes Jason and Sian | 0:17:00 | 0:17:02 | |
to Elgar's final resting place at St Wulstan's Church, | 0:17:02 | 0:17:06 | |
which is situated on the slopes of the Malvern Hills, | 0:17:06 | 0:17:09 | |
and where he is buried alongside his wife, Alice. | 0:17:09 | 0:17:13 | |
There he is, bless him. | 0:17:13 | 0:17:14 | |
It's actually Lady Elgar's headstone, isn't it? | 0:17:14 | 0:17:17 | |
Yes, indeed. Only a simple funeral service. | 0:17:17 | 0:17:20 | |
There was no music. No music whatsoever. | 0:17:20 | 0:17:23 | |
-Really? -Really? -Yeah. It's really odd. | 0:17:23 | 0:17:26 | |
-That's ironic, isn't it? -Yeah. | 0:17:26 | 0:17:28 | |
-Very peaceful here. -Yeah. | 0:17:28 | 0:17:30 | |
-It's a beautiful spot. -Yeah. | 0:17:30 | 0:17:31 | |
-At the foot of the Malvern Hills, as well. -Exactly. | 0:17:31 | 0:17:34 | |
Which is where he would want to be. | 0:17:34 | 0:17:37 | |
It's not hard to see why Elgar was so drawn to this lovely scenery. | 0:17:37 | 0:17:41 | |
Let's hope it provides the same allure for Jason and Sian | 0:17:41 | 0:17:43 | |
as we continue our property hunt. | 0:17:43 | 0:17:46 | |
We're driving north to Menith Wood, | 0:17:53 | 0:17:56 | |
about 15 miles northwest of Worcester. | 0:17:56 | 0:17:58 | |
Menith Wood is a small village with a big heritage. | 0:17:58 | 0:18:02 | |
And historical records show that people have lived here | 0:18:02 | 0:18:05 | |
since pre-Domesday times. | 0:18:05 | 0:18:08 | |
The village itself has two main focal points. | 0:18:08 | 0:18:11 | |
The chapel hall and the local pub. | 0:18:11 | 0:18:13 | |
There's a large green on the edge of the countryside | 0:18:14 | 0:18:17 | |
which is enjoyed by walkers exploring the great outdoors. | 0:18:17 | 0:18:21 | |
And our second property is a converted schoolhouse | 0:18:21 | 0:18:25 | |
in an attractive setting with its own pond. | 0:18:25 | 0:18:28 | |
-Here we are. -I say! Very nice. -House number two. | 0:18:31 | 0:18:35 | |
-Lovely. -It used to be the Halfpenny School for the village. | 0:18:35 | 0:18:38 | |
-Oh, OK. -So this bit at the end | 0:18:38 | 0:18:40 | |
-was schoolrooms for the local children. -Yes. | 0:18:40 | 0:18:44 | |
But a beautiful garden, lovely location. | 0:18:44 | 0:18:47 | |
On a summer's day, it's amazing. | 0:18:47 | 0:18:50 | |
-Today is a bit chilly. -Yes. -But nice. | 0:18:50 | 0:18:53 | |
-Beautiful. -Lovely feel to it. Lovely surroundings, for sure. | 0:18:53 | 0:18:57 | |
Well, let's get ourselves in. | 0:18:57 | 0:18:59 | |
It may be a blustery day, but it seems the wind | 0:19:01 | 0:19:04 | |
hasn't dampened the spirits of our buyers as we head inside. | 0:19:04 | 0:19:07 | |
So straight into the sitting room. This used to be the schoolrooms. | 0:19:11 | 0:19:15 | |
These were the teaching rooms for the Halfpenny School. | 0:19:15 | 0:19:18 | |
So it was obviously opened up. | 0:19:18 | 0:19:20 | |
-This is an extension that was put in in the '60s. -OK. | 0:19:20 | 0:19:23 | |
-It has this lovely Victorian bay window. -It's beautiful. | 0:19:23 | 0:19:27 | |
-We've got this lovely inglenook fireplace. -Yeah. That's lovely. | 0:19:28 | 0:19:32 | |
-It's nice. -So a different vibe from the first one, or...? | 0:19:32 | 0:19:36 | |
Um...I think, yeah. I think it's more olde worlde. | 0:19:36 | 0:19:41 | |
It feels a little bit more cosy and homely. | 0:19:41 | 0:19:43 | |
The kitchen is equally impressive. | 0:19:43 | 0:19:47 | |
Come on in. | 0:19:49 | 0:19:51 | |
It's a proper old school country kitchen. | 0:19:51 | 0:19:55 | |
Oh, lovely! That's a nice range. | 0:19:55 | 0:19:57 | |
-We've always wanted a range. -Very good. | 0:19:57 | 0:20:00 | |
-It's lovely. -Beautiful. | 0:20:00 | 0:20:01 | |
You can see around here, it's got a lovely sunny corner. | 0:20:01 | 0:20:06 | |
That's really nice. | 0:20:06 | 0:20:08 | |
There's a hatch through here into the dining room. | 0:20:08 | 0:20:11 | |
There's a formal dining room the other side of that. | 0:20:11 | 0:20:13 | |
There is the possibility you could knock through and have it open. | 0:20:13 | 0:20:17 | |
-Yes. Open plan. -That would be good, as well. | 0:20:17 | 0:20:20 | |
-Let's have a peek upstairs. -OK. | 0:20:20 | 0:20:22 | |
There's a really warming mood to this tour so far. | 0:20:25 | 0:20:27 | |
And on the ground floor, just off the kitchen, | 0:20:27 | 0:20:30 | |
is a large utility and handy boot room. | 0:20:30 | 0:20:33 | |
Moving upstairs, there are three double bedrooms. | 0:20:33 | 0:20:36 | |
And we're heading to the one that could be theirs. | 0:20:36 | 0:20:39 | |
Have a look at the master bedroom. Quite a good size. | 0:20:39 | 0:20:41 | |
-Nice size, eh? -It is, isn't it? | 0:20:41 | 0:20:44 | |
Yeah. Lovely. Slightly larger than ours now. | 0:20:44 | 0:20:48 | |
Again, it's got great views. | 0:20:48 | 0:20:50 | |
All the bedrooms upstairs have great views. | 0:20:50 | 0:20:52 | |
-It's lovely. -Across the countryside. | 0:20:52 | 0:20:54 | |
-It would be heaven to have a room this size. -Yeah, it would. | 0:20:54 | 0:20:58 | |
One reason we brought you here is not just because it's a beautiful house, | 0:20:58 | 0:21:02 | |
but because...the outside space. | 0:21:02 | 0:21:04 | |
Your motorcycles won't know what's hit them. | 0:21:04 | 0:21:07 | |
I'm looking forward to this. | 0:21:07 | 0:21:09 | |
Ah, the anticipation. | 0:21:09 | 0:21:11 | |
This master bedroom would give our buyers the space they crave. | 0:21:11 | 0:21:15 | |
And also on this floor is a good-sized family bathroom. | 0:21:15 | 0:21:19 | |
Time to see what I have in store for Jason. | 0:21:19 | 0:21:21 | |
-Oh! Wow! -Come on in. | 0:21:24 | 0:21:27 | |
-Jason's dream come true. -Toy room. | 0:21:27 | 0:21:30 | |
-Toy room. -Wow! | 0:21:30 | 0:21:32 | |
And this is only half of it. There's the same again downstairs. | 0:21:32 | 0:21:35 | |
-There's a double-level garage. -No way! -Oh, wow! | 0:21:35 | 0:21:38 | |
-Really? -Exactly. -Fantastic! | 0:21:38 | 0:21:40 | |
There are some double doors downstairs, you can drive in. | 0:21:40 | 0:21:43 | |
I was just thinking that area there, | 0:21:43 | 0:21:46 | |
if you boarded that off, that could be a perfect study for me. | 0:21:46 | 0:21:49 | |
I hate to break it to you, but if you didn't want two garages, | 0:21:49 | 0:21:53 | |
there is a big garage downstairs, | 0:21:53 | 0:21:55 | |
this whole top could be developed. | 0:21:55 | 0:21:57 | |
So this could be like a studio flat or an apartment or something. | 0:21:57 | 0:22:00 | |
-Snooker table. -Yes. | 0:22:00 | 0:22:02 | |
It's all coming alive. | 0:22:02 | 0:22:04 | |
It's worrying me as to whether we can afford it. | 0:22:04 | 0:22:07 | |
Let's go out in the garden and talk about that. | 0:22:07 | 0:22:10 | |
Jason and Sian are keen on this former schoolhouse, | 0:22:12 | 0:22:15 | |
and it offers them everything they asked for, but at what price? | 0:22:15 | 0:22:19 | |
So it's quite a nice big garden, lovely location, | 0:22:19 | 0:22:23 | |
lovely house, lots of outbuildings. How much do you think it is? | 0:22:23 | 0:22:26 | |
Go on, you go first. | 0:22:26 | 0:22:28 | |
I'd guess... | 0:22:28 | 0:22:31 | |
£475,000. | 0:22:31 | 0:22:33 | |
I think more like £450,000. | 0:22:33 | 0:22:36 | |
£450,000. Well, that's a relief. | 0:22:36 | 0:22:39 | |
-It's actually on at £425,000. -OK. | 0:22:39 | 0:22:41 | |
-That's interesting. -I was miles away. | 0:22:41 | 0:22:43 | |
So over your budget, but, um... | 0:22:43 | 0:22:46 | |
-It ticks all our boxes. -Yeah. | 0:22:46 | 0:22:49 | |
-Have another look around. There's rooms we haven't seen. -OK. | 0:22:49 | 0:22:52 | |
This converted property is over budget of £425,000. | 0:22:54 | 0:22:59 | |
Jason and Sian will need to do some extra-hard negotiating | 0:22:59 | 0:23:02 | |
if they want to make it their next home. | 0:23:02 | 0:23:05 | |
It has a great deal of character, | 0:23:05 | 0:23:07 | |
including an inglenook with wood-burning stove, | 0:23:07 | 0:23:10 | |
a country kitchen, three bedrooms, a large garden | 0:23:10 | 0:23:14 | |
and outbuildings for Jason's bikes, with an upstairs space | 0:23:14 | 0:23:18 | |
that could be converted into an office for Sian. | 0:23:18 | 0:23:22 | |
Oh, look at that view! | 0:23:23 | 0:23:25 | |
Wow. That's superb. | 0:23:25 | 0:23:27 | |
That's lovely. | 0:23:27 | 0:23:29 | |
-Even this is... -Really nice! | 0:23:29 | 0:23:32 | |
It's a much, much bigger room than we've got as a main bedroom at home. | 0:23:32 | 0:23:36 | |
It's got a real comfort feeling about it. | 0:23:36 | 0:23:39 | |
You go into the lounge and the beam | 0:23:39 | 0:23:42 | |
and the colouring in there. | 0:23:42 | 0:23:44 | |
It's just got a real comfort, homely feel about it. | 0:23:44 | 0:23:48 | |
The garaging and outbuildings, um... | 0:23:48 | 0:23:52 | |
I think, really kind of won us over. | 0:23:52 | 0:23:54 | |
We've only got three bedrooms upstairs. | 0:23:54 | 0:23:57 | |
Having that garage space, it's such a large space over there, | 0:23:57 | 0:24:00 | |
we could easily turn some of it into a guest suite. | 0:24:00 | 0:24:05 | |
Overall, this is perfect. | 0:24:05 | 0:24:07 | |
It's an absolutely wonderful property. | 0:24:07 | 0:24:09 | |
It's nerve-wracking showing them this because I know for a fact | 0:24:09 | 0:24:12 | |
that the vendor is keen to get the full price. | 0:24:12 | 0:24:15 | |
And he's had lots of viewings. | 0:24:15 | 0:24:17 | |
There's a lot of pressure on you if you want to buy this property. | 0:24:17 | 0:24:21 | |
-Yes. -Yes. We love it. It's really nice. | 0:24:21 | 0:24:24 | |
-We need to get your house sold lickety-split. -Quickly. | 0:24:24 | 0:24:27 | |
Yes. Shall we go somewhere warm and reflect? | 0:24:27 | 0:24:30 | |
-Good idea. -Sounds good. | 0:24:30 | 0:24:32 | |
As the sun sets over the Worcestershire hills, | 0:24:43 | 0:24:47 | |
there's time for our buyers | 0:24:47 | 0:24:48 | |
to mull over their first day of house hunting. | 0:24:48 | 0:24:51 | |
Jason and Sian from Marlow, Buckinghamshire, | 0:24:56 | 0:24:59 | |
want to reconnect with family and friends in the Worcestershire countryside. | 0:24:59 | 0:25:03 | |
So far, they've seen a delightful detached cottage full of character, | 0:25:03 | 0:25:06 | |
but it was a converted schoolhouse that really set their hearts racing | 0:25:06 | 0:25:10 | |
as it had a garage beyond Jason's wildest dreams. | 0:25:10 | 0:25:13 | |
-Come on in! -Wow! | 0:25:13 | 0:25:17 | |
Could the mystery house shed more light on their property search? | 0:25:17 | 0:25:21 | |
-Oh, lovely! -Very nice, isn't it? -Wow! -Lovely. | 0:25:21 | 0:25:24 | |
I find enlightenment among the Malvern Hills. | 0:25:24 | 0:25:26 | |
-Ooo! -There they go! | 0:25:26 | 0:25:28 | |
Wow! | 0:25:28 | 0:25:30 | |
I am feeling Sian and Jason's pain this morning | 0:25:32 | 0:25:35 | |
because they really loved that house yesterday afternoon | 0:25:35 | 0:25:39 | |
and they really want to move in. | 0:25:39 | 0:25:41 | |
That's only going to come to pass if a series of things happen. | 0:25:41 | 0:25:44 | |
If they can sell their house in Marlow top dollar, | 0:25:44 | 0:25:46 | |
if the vendor here in Worcestershire will sell at an offer, | 0:25:46 | 0:25:51 | |
and if it all happens pretty fast. | 0:25:51 | 0:25:54 | |
Then they might get the house. | 0:25:54 | 0:25:56 | |
However, we do have the mystery house lined up. | 0:25:56 | 0:26:00 | |
That gives them everything they want plus a little bit more, | 0:26:00 | 0:26:04 | |
if, and there's always an if, | 0:26:04 | 0:26:06 | |
if they don't mind having some neighbours. | 0:26:06 | 0:26:09 | |
How are you feeling this morning? | 0:26:13 | 0:26:15 | |
-Good. -Very well, thank you. -Nice and rested. -Well rested. | 0:26:15 | 0:26:19 | |
It was a long day yesterday. | 0:26:19 | 0:26:20 | |
Have you had any thoughts about house number two | 0:26:20 | 0:26:23 | |
and how you might purchase it? | 0:26:23 | 0:26:25 | |
We still love it. | 0:26:25 | 0:26:26 | |
It's a fantastic property. | 0:26:26 | 0:26:28 | |
I think the biggest question mark is, | 0:26:28 | 0:26:30 | |
is it a little bit too far out from Worcester, | 0:26:30 | 0:26:33 | |
the motorway, grandparents, that kind of thing. | 0:26:33 | 0:26:39 | |
We've got one more to go, the mystery house. | 0:26:39 | 0:26:41 | |
What do you think the mystery house might involve? | 0:26:41 | 0:26:43 | |
-We've been talking about this over dinner and breakfast. -Yeah. | 0:26:43 | 0:26:49 | |
I think it's going to be something like a barn conversion. | 0:26:49 | 0:26:52 | |
I think it might be an old oast house or something like that. | 0:26:52 | 0:26:56 | |
-Well, off we go. Let's go and see this mystery house. -OK. -OK. | 0:26:56 | 0:27:00 | |
For our mystery property, we're going to the village of Broadwas, | 0:27:06 | 0:27:09 | |
just six miles west of Worcester. | 0:27:09 | 0:27:12 | |
It's a pleasing location with a lovely church | 0:27:12 | 0:27:14 | |
and it's close to the River Teme. | 0:27:14 | 0:27:17 | |
The local country pub is an ideal spot | 0:27:17 | 0:27:19 | |
for our buyers to take in the glorious Worcestershire countryside. | 0:27:19 | 0:27:23 | |
Jason and Sian said they'd like to be in the heart of the community, | 0:27:23 | 0:27:26 | |
so we've taken them at their word | 0:27:26 | 0:27:29 | |
and brought them here, where they will definitely get to know their neighbours. | 0:27:29 | 0:27:33 | |
-The mystery! -Hey-hey-hey! | 0:27:33 | 0:27:35 | |
-Wow! -Here we are. | 0:27:35 | 0:27:37 | |
So it's a set of converted barns. | 0:27:37 | 0:27:40 | |
Actually, it was an oast house | 0:27:40 | 0:27:42 | |
and there's a hop barn and various stables and outhouses | 0:27:42 | 0:27:45 | |
that were all converted as a prize-winning conversion. | 0:27:45 | 0:27:48 | |
And you will have one of them. | 0:27:48 | 0:27:50 | |
-Yes. -OK. -It's lovely. -It's very pretty. | 0:27:50 | 0:27:53 | |
Obviously, it's shared. How do you feel about sharing a community? | 0:27:53 | 0:27:57 | |
Not sure. | 0:27:57 | 0:27:59 | |
I think it depends how many other boxes it takes, really. | 0:27:59 | 0:28:02 | |
I think the children would probably get an awful lot out of it. | 0:28:02 | 0:28:05 | |
We're five miles from Martley, which I believe is where you grew up. | 0:28:05 | 0:28:08 | |
That's right. Yes. I was born just a few miles up the road | 0:28:08 | 0:28:11 | |
and I went to school in Martley, as well. | 0:28:11 | 0:28:13 | |
So coming full circle. | 0:28:13 | 0:28:15 | |
-Actually, there's a very good school around here. -Yes. | 0:28:15 | 0:28:18 | |
The one thing is, we are on a road. It is an "A" road. | 0:28:18 | 0:28:21 | |
Is that a problem? | 0:28:21 | 0:28:24 | |
-We'd probably prefer not to be, but... -Of course. | 0:28:24 | 0:28:28 | |
But it's fairly quiet. | 0:28:28 | 0:28:30 | |
We don't really notice it. | 0:28:30 | 0:28:32 | |
-Let's look inside. -OK. | 0:28:32 | 0:28:35 | |
Hm. Jason and Sian seem a little bit reserved. | 0:28:35 | 0:28:38 | |
Fingers crossed we can change that. | 0:28:38 | 0:28:41 | |
-Come on in. -Very nice. | 0:28:43 | 0:28:46 | |
Hey! | 0:28:46 | 0:28:48 | |
-Wow! It's lovely. -Yeah. | 0:28:48 | 0:28:51 | |
This is perhaps the architectural highlight of the building. | 0:28:51 | 0:28:54 | |
Because you can see that the brick-built hop house there, | 0:28:54 | 0:28:59 | |
and then the more oat, sort of, beamy older barn part at the front. | 0:28:59 | 0:29:06 | |
-It's beautiful. -Lovely. | 0:29:06 | 0:29:09 | |
This is the kitchen. | 0:29:10 | 0:29:12 | |
Excellent. | 0:29:12 | 0:29:14 | |
-Oh, lovely! -Very nice, isn't it? -Wow! Yeah. | 0:29:14 | 0:29:17 | |
It's probably the biggest that we've shown you. | 0:29:17 | 0:29:19 | |
-It's a great big space. -Huge. | 0:29:19 | 0:29:22 | |
What is lovely is these beautiful big arches. | 0:29:22 | 0:29:24 | |
-This would have been where they brought in the hops. -Yes. | 0:29:24 | 0:29:29 | |
-Just what we've been looking for, isn't it? -Lovely. | 0:29:29 | 0:29:32 | |
So let's continue downstairs. | 0:29:32 | 0:29:35 | |
That was the reaction I was hoping for. | 0:29:35 | 0:29:38 | |
Also attached to the kitchen is a handy utility room. | 0:29:38 | 0:29:41 | |
But now it's time to check out the main reception. | 0:29:41 | 0:29:44 | |
Here's the sitting room. | 0:29:44 | 0:29:46 | |
-Oh, this is nice. -It's nice. | 0:29:47 | 0:29:50 | |
So it's a smaller room. Come in a bit. | 0:29:50 | 0:29:52 | |
You can see it goes around the corner. They've boxed off there. | 0:29:52 | 0:29:55 | |
It actually goes through into another room, a small study. | 0:29:55 | 0:29:58 | |
They sealed it off to make it two separate rooms | 0:29:58 | 0:30:01 | |
to give them an extra guest bedroom. | 0:30:01 | 0:30:03 | |
But you could open that up and have that as a playroom. | 0:30:03 | 0:30:06 | |
It is an L-shaped room. The kids could play down there. | 0:30:06 | 0:30:10 | |
It's quite good having it as a separate study, from my perspective. | 0:30:10 | 0:30:13 | |
What about the vibe? Because often with these barn conversions, | 0:30:13 | 0:30:16 | |
you feel comfortable or you don't. | 0:30:16 | 0:30:18 | |
I really like the feel of it. Definitely. | 0:30:18 | 0:30:21 | |
Because I like the beams and the traditional feel of it all. | 0:30:21 | 0:30:25 | |
So from that perspective, it's working right. | 0:30:25 | 0:30:27 | |
-Right. Let's look upstairs. -OK. | 0:30:27 | 0:30:30 | |
The interior of this house, with its traditional feel, | 0:30:32 | 0:30:35 | |
is definitely to Jason and Sian's taste. | 0:30:35 | 0:30:37 | |
But will the good vibes continue as we head to where they might sleep? | 0:30:37 | 0:30:42 | |
-So there's three bedrooms on this floor. -Oh, lovely! | 0:30:44 | 0:30:47 | |
This is the biggest on the floor. | 0:30:47 | 0:30:49 | |
-And that's a nice little ensuite. -Very nice. | 0:30:49 | 0:30:52 | |
-This is great, isn't? -Yeah. | 0:30:52 | 0:30:54 | |
So in some ways, I think the upstairs is almost | 0:30:54 | 0:30:57 | |
more successful than the downstairs. | 0:30:57 | 0:30:59 | |
It's very simple. The beams. | 0:30:59 | 0:31:02 | |
-Nice big square rooms. -It really works. | 0:31:02 | 0:31:04 | |
How do you feel about the space for your study? | 0:31:04 | 0:31:07 | |
Space for working? | 0:31:07 | 0:31:09 | |
Well, that room downstairs would be adequate for me | 0:31:09 | 0:31:12 | |
from a working point of view. | 0:31:12 | 0:31:16 | |
You know what, I'm going to stop you there. | 0:31:16 | 0:31:18 | |
-Because I don't want it to just be adequate. -OK. | 0:31:18 | 0:31:21 | |
-I want it to be amazing. -Right. | 0:31:21 | 0:31:23 | |
-Come with me. -Oh! | 0:31:23 | 0:31:26 | |
There are two other bedrooms here and a good-sized family bathroom. | 0:31:26 | 0:31:30 | |
At the top of another flight of stairs is a surprise for Sian. | 0:31:30 | 0:31:35 | |
-See, I envisage this as your study. -Oh-ho-ho! | 0:31:37 | 0:31:42 | |
-Wow! -Hey! -Wow! | 0:31:42 | 0:31:44 | |
-Wow! -Excellent! | 0:31:44 | 0:31:46 | |
-Little steps up to the window for the view. -Fantastic. | 0:31:46 | 0:31:50 | |
When you need a bit of inspiration from the Teme Valley. | 0:31:51 | 0:31:54 | |
-Excellent! -Lovely! -Beautiful view, isn't it? | 0:31:58 | 0:32:00 | |
Come back down. This is their master bedroom. | 0:32:00 | 0:32:05 | |
-But I think this would be a lovely... -Office. | 0:32:05 | 0:32:08 | |
-Mm. I'd say! -Yes. | 0:32:08 | 0:32:11 | |
I do like all the brickwork, as well. It's nice. | 0:32:11 | 0:32:15 | |
It's a good, chunky feel to it. It's nice. | 0:32:15 | 0:32:18 | |
-Anywhere for your motorcycles? -Not yet. | 0:32:18 | 0:32:22 | |
Outside, there's parking for four vehicles and a special building | 0:32:27 | 0:32:31 | |
that I think Jason will really appreciate. | 0:32:31 | 0:32:34 | |
It does have not one, but two garages. | 0:32:35 | 0:32:39 | |
-Hooray! -Great. | 0:32:39 | 0:32:41 | |
It's not quite as spectacular as the garage block in the last one. | 0:32:41 | 0:32:45 | |
That would take some beating. | 0:32:45 | 0:32:47 | |
You get the study, you get the double garage. | 0:32:47 | 0:32:50 | |
-That's OK. -It's still more than we have at the moment. | 0:32:50 | 0:32:53 | |
It's a slightly different offering | 0:32:53 | 0:32:55 | |
because you've got all your neighbours here | 0:32:55 | 0:32:58 | |
and you've got different bits and bobs. | 0:32:58 | 0:33:00 | |
But I think you've seen everything, so can you make a guess at the price? | 0:33:00 | 0:33:06 | |
Um...I think £415,000. | 0:33:06 | 0:33:10 | |
Mm-hm. Jason? | 0:33:10 | 0:33:13 | |
I think £424,000. | 0:33:13 | 0:33:16 | |
-£424,000. So both above your top end. -Yeah. -Yes. | 0:33:16 | 0:33:21 | |
-Well, it's on for £395,000. -Wow! | 0:33:21 | 0:33:25 | |
I was...I did think £399,000 and then I thought, no, a bit more. | 0:33:25 | 0:33:29 | |
£395,000. | 0:33:29 | 0:33:31 | |
Again, a refreshing answer, really. | 0:33:31 | 0:33:34 | |
Because...it gives us room, doesn't it? | 0:33:34 | 0:33:38 | |
It gives us scope. Definitely within budget. | 0:33:38 | 0:33:40 | |
Have a look around. We did whistle around the house. | 0:33:40 | 0:33:43 | |
You can have a look at all the rooms we didn't have a chance to see. | 0:33:43 | 0:33:46 | |
I'll be hovering around. We can push on from there. | 0:33:46 | 0:33:50 | |
-OK. -Thank you. | 0:33:50 | 0:33:52 | |
This barn conversion is under budget at £395,000. | 0:33:53 | 0:33:58 | |
If they can get their heads around the communal living space, | 0:33:58 | 0:34:01 | |
it could be a real contender. | 0:34:01 | 0:34:03 | |
It has a host of period features, | 0:34:03 | 0:34:05 | |
including exposed timber and brickwork, | 0:34:05 | 0:34:07 | |
a fantastic family kitchen, four bedrooms, | 0:34:07 | 0:34:10 | |
one with potential to make into a study for Sian, | 0:34:10 | 0:34:13 | |
and a double garage to keep Jason happy. | 0:34:13 | 0:34:16 | |
What do you think? | 0:34:16 | 0:34:17 | |
-I really love the house. -It's lovely, isn't it? | 0:34:17 | 0:34:20 | |
I really love it. The kitchen/diner works perfectly. | 0:34:20 | 0:34:24 | |
The whole...the features in the house are lovely. | 0:34:24 | 0:34:27 | |
But I just know about the outside. | 0:34:27 | 0:34:29 | |
I mean, where would we put the barbecue? | 0:34:29 | 0:34:32 | |
Patio table and chairs? | 0:34:32 | 0:34:34 | |
We do like having people around for barbecues a lot. | 0:34:34 | 0:34:36 | |
You just don't have that privacy there, do you, really? | 0:34:36 | 0:34:39 | |
No. | 0:34:39 | 0:34:41 | |
The downstairs area was fantastic. | 0:34:41 | 0:34:43 | |
The upstairs, the bedrooms were really brilliant. | 0:34:43 | 0:34:47 | |
I mean, we were so surprised to see | 0:34:47 | 0:34:50 | |
the additional suite on the top floor. | 0:34:50 | 0:34:53 | |
That could be used in so many different ways. | 0:34:53 | 0:34:55 | |
It could be used as a study for me, for my working. | 0:34:55 | 0:34:58 | |
We could see the whole of the inside of the house really working for us. | 0:34:58 | 0:35:01 | |
Initially, not bowled over, to be honest. | 0:35:01 | 0:35:04 | |
Because it is relatively close to the main road. | 0:35:04 | 0:35:07 | |
And you haven't got a private garden. | 0:35:07 | 0:35:11 | |
But the house itself, the frontage of the house is lovely. | 0:35:11 | 0:35:13 | |
It's spectacular. | 0:35:13 | 0:35:15 | |
All three done. You look a bit shocked. | 0:35:20 | 0:35:22 | |
Yeah. A lot of information to take in. | 0:35:22 | 0:35:24 | |
It's all over. All the houses seen. | 0:35:24 | 0:35:26 | |
-Let's go and digest and think about them. -OK. | 0:35:26 | 0:35:30 | |
Since Victorian times, gas-fuelled lamps | 0:35:40 | 0:35:42 | |
have illuminated the roads and pathways | 0:35:42 | 0:35:45 | |
of the Malvern villages in Worcestershire. | 0:35:45 | 0:35:48 | |
The soft, warm glow of these lamps | 0:35:48 | 0:35:50 | |
have long given the area a feeling of nostalgia, | 0:35:50 | 0:35:52 | |
and were said to be the inspiration for Narnia | 0:35:52 | 0:35:56 | |
in CS Lewis's The Lion, the Witch and the Wardrobe. | 0:35:56 | 0:35:58 | |
However, the cost of keeping these historic lamps working has spiralled | 0:35:58 | 0:36:04 | |
and their upkeep has become increasingly difficult. | 0:36:04 | 0:36:07 | |
In 2010, things became even harder | 0:36:07 | 0:36:10 | |
when the local council withdrew its grant | 0:36:10 | 0:36:12 | |
towards funding their maintenance. | 0:36:12 | 0:36:14 | |
This important part of the Malverns' heritage would have been lost, | 0:36:14 | 0:36:18 | |
had it not been for a local community group | 0:36:18 | 0:36:20 | |
who came up with an ingenious solution to keep the lamps burning. | 0:36:20 | 0:36:26 | |
I've come to meet Brian Harper, one of the Gasketeers of Malvern, | 0:36:26 | 0:36:30 | |
to find out more. | 0:36:30 | 0:36:33 | |
So, essentially, you are restoring the listed lampposts. | 0:36:33 | 0:36:37 | |
-Taking the lanterns down and putting in the new system. -Yes. | 0:36:37 | 0:36:41 | |
We have to do a complete refurbishment, | 0:36:41 | 0:36:43 | |
which, because of the very poor condition of them, | 0:36:43 | 0:36:47 | |
really is restoration. | 0:36:47 | 0:36:49 | |
There are 109 gas lamps in the area | 0:36:49 | 0:36:52 | |
and they are all in the process of being revamped. | 0:36:52 | 0:36:55 | |
So I headed to Brian's lab to have a closer look | 0:36:55 | 0:36:58 | |
at how this gas lamp has been brought into the 21st century. | 0:36:58 | 0:37:02 | |
This topic has really caught the imagination. | 0:37:02 | 0:37:06 | |
Because they are actually just very beautiful. | 0:37:06 | 0:37:09 | |
And we've gone to great strides on the electronics | 0:37:09 | 0:37:13 | |
and the rest of the design | 0:37:13 | 0:37:16 | |
to make it all fit in and keep the classical lantern style. | 0:37:16 | 0:37:20 | |
And the important thing is the optics | 0:37:20 | 0:37:24 | |
-that we have added to the system. -These? | 0:37:24 | 0:37:27 | |
Yes. You can see them there. | 0:37:27 | 0:37:29 | |
They stop light being wasted | 0:37:29 | 0:37:31 | |
and puts it down to where it really should be used, | 0:37:31 | 0:37:34 | |
and so produces no light pollution, as well, at the same time. | 0:37:34 | 0:37:38 | |
That's great. | 0:37:38 | 0:37:39 | |
In this application, we're saving the light | 0:37:39 | 0:37:42 | |
that would be wasted going into a tree or a hedge | 0:37:42 | 0:37:45 | |
and throwing it sideways, down the path and the road. | 0:37:45 | 0:37:47 | |
But there's also some electronics. Does that stop the...? | 0:37:47 | 0:37:51 | |
Yes. That's important. | 0:37:51 | 0:37:54 | |
We automatically control the lighting from a sensor, | 0:37:54 | 0:37:59 | |
which is on the top of the canopy there. | 0:37:59 | 0:38:03 | |
So we can do dawn-to-dusk running, | 0:38:03 | 0:38:06 | |
but can also cater for off periods during the night time, as well. | 0:38:06 | 0:38:10 | |
We've come up with what we think is a rather apt acronym. | 0:38:10 | 0:38:15 | |
We call this the ELGAR Upgrade. | 0:38:15 | 0:38:18 | |
A great Malvern man. | 0:38:18 | 0:38:20 | |
-It stands for Eco-Light by Gas And Reflection. -Clever! | 0:38:20 | 0:38:24 | |
Which sums up everything that we are striving to do. | 0:38:24 | 0:38:28 | |
I think it's wise we go and see it all in action. | 0:38:28 | 0:38:31 | |
So as night falls, I'm off to Malvern to meet Nathan Burlton, | 0:38:32 | 0:38:37 | |
whose job it is to replace the gas lamp with its modern counterpart. | 0:38:37 | 0:38:41 | |
-I'm here to steady, am I? -OK. | 0:38:41 | 0:38:43 | |
If you'd like to give me a hand with this lamp, that would be great. | 0:38:43 | 0:38:48 | |
I'll carry it up this ladder, | 0:38:48 | 0:38:49 | |
if you could get up to the top and steady it as I swing it around, | 0:38:49 | 0:38:52 | |
and then gauge it onto the pole. | 0:38:52 | 0:38:55 | |
The bracket, affectionately known as the frog, | 0:38:59 | 0:39:02 | |
has been securely fixed to the top of the post, | 0:39:02 | 0:39:06 | |
and I'm helping to connect the lamp before a final testing. | 0:39:06 | 0:39:09 | |
And it's now ready to be connected to the gas | 0:39:12 | 0:39:15 | |
and the burner put it. | 0:39:15 | 0:39:19 | |
This new design has made them 92 percent more efficient, | 0:39:19 | 0:39:24 | |
saving £100 per year per light. | 0:39:24 | 0:39:27 | |
We're ready to light it up. I'm going to flick the switch. | 0:39:28 | 0:39:31 | |
And in a second, it should start igniting. | 0:39:33 | 0:39:36 | |
There you go. | 0:39:36 | 0:39:38 | |
-Ooo! -There they go. -Wow! | 0:39:38 | 0:39:40 | |
It's wonderful. You see the string of lights | 0:39:45 | 0:39:47 | |
because it's reflected inside the reflector like a string of pearls. | 0:39:47 | 0:39:51 | |
Hence the increased light | 0:39:51 | 0:39:55 | |
through...light and reflection. | 0:39:55 | 0:40:00 | |
So after bringing light to the town of Malvern, | 0:40:04 | 0:40:06 | |
time to see whether enlightenment has descended on our house buyers. | 0:40:06 | 0:40:10 | |
Let's go and see what Sian and Jason are thinking. | 0:40:10 | 0:40:13 | |
It's been interesting showing you around this area | 0:40:20 | 0:40:23 | |
because you know it much better than I do. | 0:40:23 | 0:40:25 | |
Have we show you things that were interesting? | 0:40:25 | 0:40:28 | |
Were there surprises in there? | 0:40:28 | 0:40:31 | |
They were all really interesting for lots of different reasons. | 0:40:31 | 0:40:34 | |
Each one of them individually. | 0:40:34 | 0:40:36 | |
I think we loved each of them. | 0:40:36 | 0:40:38 | |
-Very much so. -For their own reasons, to be honest. | 0:40:38 | 0:40:42 | |
Let's go through the houses one by one. | 0:40:42 | 0:40:44 | |
That allows us to collect our thoughts. | 0:40:44 | 0:40:46 | |
The first house was in the middle of a village, very nice location. | 0:40:46 | 0:40:50 | |
What are your thoughts about that? | 0:40:50 | 0:40:51 | |
That was the perfect location out of all of the three | 0:40:51 | 0:40:55 | |
because it was so close to the motorway for my work. | 0:40:55 | 0:40:57 | |
You had worries about where you'd park your bikes in the first house | 0:40:57 | 0:41:01 | |
because there was no garage. | 0:41:01 | 0:41:02 | |
The second house, however, had garages coming out of its ears. | 0:41:02 | 0:41:07 | |
-What are your thoughts about that property? -Lovely. -Superb. | 0:41:07 | 0:41:10 | |
Everything. It was just perfect. The whole property. | 0:41:10 | 0:41:13 | |
I think it would probably be every dream come true | 0:41:13 | 0:41:17 | |
with a property to have something like that. | 0:41:17 | 0:41:19 | |
Just a little bit of a question mark | 0:41:19 | 0:41:21 | |
over how far away from Worcester it is | 0:41:21 | 0:41:26 | |
and whether it would really work | 0:41:26 | 0:41:28 | |
from our perspective on the location. | 0:41:28 | 0:41:31 | |
What about house number three, the mystery house? | 0:41:31 | 0:41:34 | |
We hadn't considered a kind of community living in that way. | 0:41:34 | 0:41:37 | |
It was a really beautiful property when you look at it from the outside | 0:41:37 | 0:41:41 | |
and you think, maybe this could work. | 0:41:41 | 0:41:44 | |
But I don't think the outside will work for us. | 0:41:44 | 0:41:48 | |
In the summer, we often have our breakfast outside. | 0:41:48 | 0:41:52 | |
And I don't think you could really do that. | 0:41:52 | 0:41:55 | |
Because the road is not very far away | 0:41:55 | 0:41:57 | |
and you're very overlooked. | 0:41:57 | 0:41:59 | |
You don't really have that privacy. | 0:41:59 | 0:42:02 | |
So it seems like we missed the mark with all three properties. | 0:42:02 | 0:42:06 | |
I think we'd like to investigate the second one, | 0:42:06 | 0:42:09 | |
the area of the second house, | 0:42:09 | 0:42:11 | |
more, to understand a little bit more about the area | 0:42:11 | 0:42:15 | |
and see if it could work for us because the house was fantastic. | 0:42:15 | 0:42:19 | |
Well, it's a very trying business. | 0:42:19 | 0:42:22 | |
I know you've been on tenterhooks a long time waiting for that call. | 0:42:22 | 0:42:25 | |
I trust that you will come to Worcester very soon. | 0:42:25 | 0:42:28 | |
I hope it's not too long. | 0:42:28 | 0:42:30 | |
-Thank you for all your help. -Yeah, thank you. | 0:42:30 | 0:42:33 | |
Brr! It has been bracingly cold this spring week in Worcestershire, | 0:42:38 | 0:42:44 | |
but I do think we found some heart-warming properties | 0:42:44 | 0:42:47 | |
for Jason and Sian to look at. | 0:42:47 | 0:42:49 | |
By the end, Sian's businesswoman head was ruling her heart | 0:42:49 | 0:42:53 | |
and she found good reasons why she couldn't move in any of the three. | 0:42:53 | 0:42:56 | |
I think if they sell their property in Marlow and have some cash, | 0:42:56 | 0:42:59 | |
her heart will bring her back to this lovely country. | 0:42:59 | 0:43:03 | |
And I hope it happens soon. | 0:43:03 | 0:43:05 | |
Join us next time for more Escape to the Country. | 0:43:05 | 0:43:08 | |
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