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These mountains are home to a factory that was among the most significant in England. | 0:00:02 | 0:00:06 | |
But I've turned up about 5,000 years too late to see it in production. | 0:00:06 | 0:00:09 | |
What was made here and where am I? Find out as we escape to the country. | 0:00:09 | 0:00:12 | |
On today's show, I'll be taking our buyers | 0:00:42 | 0:00:45 | |
to a county that's almost a home from home, | 0:00:45 | 0:00:47 | |
as they've been holidaying there all their lives. | 0:00:47 | 0:00:49 | |
'Along the way, I'm hoping to unlock the potential in some very intriguing properties.' | 0:00:49 | 0:00:53 | |
-That's the key to the front door. -BOTH: Wow! | 0:00:53 | 0:00:55 | |
It gives you a clue what it's like in there. | 0:00:55 | 0:00:58 | |
'And then the appeal of the mystery house | 0:00:58 | 0:01:00 | |
'makes them go all territorial.' | 0:01:00 | 0:01:02 | |
I'm not sure I'd invite the family, cos they'd never leave. | 0:01:02 | 0:01:05 | |
SHE LAUGHS | 0:01:05 | 0:01:06 | |
I'm in the Lake District, in Cumbria. | 0:01:10 | 0:01:13 | |
Behind me is the Langdale axe factory, | 0:01:13 | 0:01:15 | |
which, in the Mesolithic period, | 0:01:15 | 0:01:17 | |
was so successful that over a quarter of stone axes | 0:01:17 | 0:01:20 | |
unearthed in England came from this site. | 0:01:20 | 0:01:23 | |
As you can see, it's not the easiest factory in the world to get to, | 0:01:23 | 0:01:26 | |
hence the sweat on my brow. | 0:01:26 | 0:01:28 | |
But prehistoric man used to climb this slope | 0:01:28 | 0:01:30 | |
to collect a rare vein of volcanic rock. | 0:01:30 | 0:01:33 | |
This scree is entirely man-made. | 0:01:33 | 0:01:35 | |
It's failed axes and factory shavings. | 0:01:35 | 0:01:38 | |
Later on in the programme, I'll try my hand at axe-making. | 0:01:38 | 0:01:41 | |
If that doesn't take your fancy, | 0:01:41 | 0:01:42 | |
there's plenty going on in this county | 0:01:42 | 0:01:44 | |
that's sure to appeal. | 0:01:44 | 0:01:48 | |
Cumbria is the most north-westerly county in England, | 0:01:48 | 0:01:51 | |
and is home to its largest national park, the Lake District. | 0:01:51 | 0:01:54 | |
Covering nearly 900 square miles, | 0:01:54 | 0:01:57 | |
the Lake District's boundaries contain all ten | 0:01:57 | 0:01:59 | |
of the highest peaks in England, | 0:01:59 | 0:02:01 | |
and over 20 major bodies of water, | 0:02:01 | 0:02:04 | |
from Bassenthwaite Lake in the north | 0:02:04 | 0:02:06 | |
to the queen of them all in the south, Windermere. | 0:02:06 | 0:02:08 | |
At 10½ miles long and over a mile wide, | 0:02:08 | 0:02:11 | |
Windermere is England's largest natural stretch | 0:02:11 | 0:02:14 | |
of its type. | 0:02:14 | 0:02:15 | |
In fact, it's so big | 0:02:15 | 0:02:17 | |
that it even has its own tides. | 0:02:17 | 0:02:19 | |
Like the rest of the country, | 0:02:22 | 0:02:25 | |
house prices here in Cumbria reached a peak | 0:02:25 | 0:02:27 | |
back in 2008, | 0:02:27 | 0:02:28 | |
before crashing, and they're still on a fluctuating downward spiral. | 0:02:28 | 0:02:32 | |
The price for an average detached house here now | 0:02:32 | 0:02:34 | |
is £241,000. | 0:02:34 | 0:02:37 | |
That's £10,000 below the national figure, | 0:02:37 | 0:02:39 | |
and also lower than they were at the height of the crash. | 0:02:39 | 0:02:42 | |
But if you step inside the Lake District Park boundaries, | 0:02:42 | 0:02:46 | |
then that saving is lost. | 0:02:46 | 0:02:47 | |
You'll be paying a premium of around 15%, | 0:02:47 | 0:02:50 | |
especially in touristy areas like Windermere, | 0:02:50 | 0:02:52 | |
but for that price, not only will you get fantastic views, | 0:02:52 | 0:02:56 | |
but also a choice of period styles. | 0:02:56 | 0:02:59 | |
Like Beatrix Potter without rabbits, or Wordsworth without daffodils, | 0:02:59 | 0:03:05 | |
the English Lakes wouldn't be the same without Lakeland cottages. | 0:03:05 | 0:03:08 | |
These whitewashed homes with their slate roofs dot the fells | 0:03:08 | 0:03:10 | |
and come in all shapes and sizes. | 0:03:10 | 0:03:12 | |
For a two-to-three-bedroom property in the area around Windermere, | 0:03:12 | 0:03:16 | |
you can expect to pay anything | 0:03:16 | 0:03:17 | |
from £250,000, | 0:03:17 | 0:03:19 | |
depending on how much renovation work | 0:03:19 | 0:03:21 | |
has been done. | 0:03:21 | 0:03:22 | |
But if you're taken with the slate tiles, | 0:03:22 | 0:03:24 | |
why not go for an entirely slate property? | 0:03:24 | 0:03:26 | |
With the wealth and variety of quarries in the county, | 0:03:26 | 0:03:29 | |
you can find them in a myriad of colours. | 0:03:29 | 0:03:31 | |
Green slate of Keswick, | 0:03:31 | 0:03:34 | |
to the blue-grey of Skiddaw. | 0:03:34 | 0:03:36 | |
Commonly two-up, two-down, | 0:03:36 | 0:03:37 | |
you can expect to pay upwards of £200,000 for one of these treasures. | 0:03:37 | 0:03:40 | |
So lots of fantastic properties on offer, | 0:03:42 | 0:03:45 | |
but who are our buyers? Let's meet them. | 0:03:45 | 0:03:47 | |
'Management consultant, Tony, and his wife, Helen | 0:03:47 | 0:03:50 | |
'have lived in their four-bedroomed house in a suburb of Manchester for almost seven years. | 0:03:50 | 0:03:54 | |
'Since Helen took redundancy from her management job 18 months ago, | 0:03:54 | 0:03:58 | |
'they've been seriously considering a move to the country, | 0:03:58 | 0:04:01 | |
'especially as their ten-year-old daughter, Amelia, | 0:04:01 | 0:04:04 | |
'is about to start secondary education.' | 0:04:04 | 0:04:06 | |
We've been thinking about the possibility | 0:04:06 | 0:04:08 | |
of a move | 0:04:08 | 0:04:10 | |
from when I took redundancy, | 0:04:10 | 0:04:12 | |
because there was nothing really keeping us here, | 0:04:12 | 0:04:15 | |
apart from maybe Amelia's school. | 0:04:15 | 0:04:17 | |
Tony can work from pretty much anywhere. | 0:04:17 | 0:04:19 | |
It was really whether Amelia wanted to go. As soon as she said, "Yes, absolutely"... | 0:04:19 | 0:04:23 | |
And the added incentive, of course, | 0:04:23 | 0:04:25 | |
is we're looking for a bit of land, | 0:04:25 | 0:04:26 | |
and she would like her own pony. | 0:04:26 | 0:04:29 | |
She'd like a donkey - in fact, she's probably like a zoo. | 0:04:29 | 0:04:31 | |
SHE LAUGHS | 0:04:31 | 0:04:33 | |
That's one of the reasons that we're going. | 0:04:33 | 0:04:35 | |
And the location they've chosen is a county | 0:04:35 | 0:04:37 | |
they've fallen head-over-heels for. | 0:04:37 | 0:04:39 | |
My grandmother and grandfather had caravans up in the Lake District, | 0:04:39 | 0:04:42 | |
So I used to spend a lot of my childhood up there, | 0:04:42 | 0:04:45 | |
and fell in love with the place from being three or four years old. | 0:04:45 | 0:04:47 | |
Obviously, since we've been together, | 0:04:47 | 0:04:50 | |
we've spent a lot of holidays up there. | 0:04:50 | 0:04:53 | |
We're in the fortunate position where my father bought | 0:04:53 | 0:04:55 | |
a holiday cottage, probably about seven or eight years ago, | 0:04:55 | 0:04:59 | |
so that enabled us | 0:04:59 | 0:05:00 | |
to go up every other weekend, | 0:05:00 | 0:05:02 | |
cos we shared the holiday cottage with him. | 0:05:02 | 0:05:05 | |
It's somewhere very close to our hearts. | 0:05:05 | 0:05:07 | |
It's like a second home to us, really. | 0:05:07 | 0:05:10 | |
Helen hopes to find a teaching assistant post when they move, | 0:05:10 | 0:05:13 | |
while Tony's consultancy job means | 0:05:13 | 0:05:16 | |
he can increasingly work from home and enjoy more family time. | 0:05:16 | 0:05:19 | |
It's also their passion for their animals that's central to their future home, | 0:05:19 | 0:05:23 | |
with their two dogs | 0:05:23 | 0:05:25 | |
and a potential new pony to cater for. | 0:05:25 | 0:05:28 | |
To come up to Cumbria, the whole idea is we can spend more time | 0:05:28 | 0:05:31 | |
as a family - getting outside, walking, | 0:05:31 | 0:05:34 | |
cycling, walking the dogs. | 0:05:34 | 0:05:36 | |
Amelia riding horses, me watching. | 0:05:36 | 0:05:38 | |
We want to get back to that lifestyle | 0:05:38 | 0:05:40 | |
that we've seen every now and again | 0:05:40 | 0:05:42 | |
on weekends and holidays, etcetera. | 0:05:42 | 0:05:44 | |
So, outside space is key. | 0:05:44 | 0:05:46 | |
But that doesn't mean the interior won't have a lot to live up to. | 0:05:46 | 0:05:51 | |
My ideal house in Cumbria would be a traditional Cumbrian farmhouse-type building, | 0:05:51 | 0:05:55 | |
which would have a large room, which is a family room, | 0:05:55 | 0:05:58 | |
which has the dining room incorporated. | 0:05:58 | 0:06:00 | |
Nice, large kitchen. | 0:06:00 | 0:06:01 | |
Big utility room, | 0:06:01 | 0:06:03 | |
and taking dogs out, dirty feet all the time, | 0:06:03 | 0:06:06 | |
boot room, etcetera. | 0:06:06 | 0:06:07 | |
One final point of note - | 0:06:07 | 0:06:09 | |
that's the finances. | 0:06:09 | 0:06:12 | |
The maximum budget for the move will be £600,000. | 0:06:12 | 0:06:15 | |
Tony and Helen would like to be in the South Lakes area, | 0:06:21 | 0:06:24 | |
within a reasonable distance of Windermere. | 0:06:24 | 0:06:26 | |
And close to new schools for their daughter, Amelia. | 0:06:26 | 0:06:29 | |
They'll also need good commuting links | 0:06:29 | 0:06:31 | |
to the M6 motorway, and trains for Tony's work. | 0:06:31 | 0:06:33 | |
'I caught up with them in this area's beautiful countryside, | 0:06:33 | 0:06:37 | |
'to find out more about their move.' | 0:06:37 | 0:06:39 | |
Helen, Tony, welcome to the Lake District. | 0:06:39 | 0:06:41 | |
-Welcome. -It should be you showing me round. You know the area well, don't you? -Yes, indeed. | 0:06:41 | 0:06:46 | |
Let's talk about what sort of house you want in this idyllic location. | 0:06:46 | 0:06:49 | |
What are you after? | 0:06:49 | 0:06:50 | |
We're looking for something traditional, | 0:06:50 | 0:06:53 | |
possible cottage-type environment. | 0:06:53 | 0:06:55 | |
Minimum of three bedrooms, with a bit of land around it. | 0:06:55 | 0:06:58 | |
My daughter's into horses and things, so we're looking at | 0:06:58 | 0:07:02 | |
getting something with a bit of land, | 0:07:02 | 0:07:03 | |
with eventually to buying a horse. | 0:07:03 | 0:07:05 | |
So you want quite a bit of land? | 0:07:05 | 0:07:07 | |
Well, hopefully. | 0:07:07 | 0:07:08 | |
You know that within the National Park, | 0:07:08 | 0:07:10 | |
land comes at a premium? | 0:07:10 | 0:07:11 | |
-Especially if it has a house attached to it. -Yes. | 0:07:11 | 0:07:13 | |
-Would you be willing to rent land? -Yes. -Yes. -Yes. -Yes. | 0:07:13 | 0:07:17 | |
-Thank God you've said that! -THEY LAUGH | 0:07:17 | 0:07:19 | |
-Shall we get going? -Yes. -Yes. -Follow me. | 0:07:19 | 0:07:22 | |
'For their maximum budget of £600,000, | 0:07:22 | 0:07:25 | |
'Tony and Helen would like their rural retreat to have | 0:07:25 | 0:07:28 | |
'a large family room, | 0:07:28 | 0:07:30 | |
'a kitchen/diner, | 0:07:30 | 0:07:31 | |
'a utility room with garden access, | 0:07:31 | 0:07:34 | |
'a study for Tony to work from home, | 0:07:34 | 0:07:37 | |
'three bedrooms, | 0:07:37 | 0:07:38 | |
'an enclosed, dog-friendly garden | 0:07:38 | 0:07:40 | |
'and also some space to keep a pony or two.' | 0:07:40 | 0:07:44 | |
We've selected three fabulous properties | 0:07:44 | 0:07:47 | |
that we think they will adore. | 0:07:47 | 0:07:48 | |
And at each one, I'll ask them to guess the price, | 0:07:48 | 0:07:50 | |
before I reveal it. | 0:07:50 | 0:07:52 | |
Last on the viewing list is, of course, the mystery house, | 0:07:52 | 0:07:55 | |
which could throw a whole new business proposition into the mix. | 0:07:55 | 0:07:58 | |
I can imagine this is a fantastic place for a holiday, | 0:08:03 | 0:08:06 | |
but do you think there's a danger sometimes | 0:08:06 | 0:08:09 | |
in making a holiday destination home? | 0:08:09 | 0:08:10 | |
Yes, there definitely is, | 0:08:10 | 0:08:13 | |
but we've seen this more as a destination | 0:08:13 | 0:08:16 | |
we've always aspired to get to. | 0:08:16 | 0:08:18 | |
We have looked at that aspect, but we have the school | 0:08:18 | 0:08:21 | |
for Amelia, which is local to us. | 0:08:21 | 0:08:23 | |
And we have a support network and infrastructure up here, | 0:08:23 | 0:08:26 | |
with Helen's father living up here. | 0:08:26 | 0:08:28 | |
We've taken that into account, to be honest. | 0:08:28 | 0:08:30 | |
'We've made the trip a few miles north of Kendal, | 0:08:30 | 0:08:32 | |
'to the valley parish of Longsleddale, | 0:08:32 | 0:08:35 | |
'and we're a 30-minute drive from Windermere, for Amelia's school.' | 0:08:35 | 0:08:39 | |
Longsleddale has a church, community hall, | 0:08:39 | 0:08:41 | |
and around 30 houses scattered over four miles, | 0:08:41 | 0:08:45 | |
on either side of the River Sprint. | 0:08:45 | 0:08:47 | |
It's also the inspiration behind the fictional Greendale, | 0:08:47 | 0:08:49 | |
home of children's TV show, Postman Pat. | 0:08:49 | 0:08:53 | |
'Our first property is a 17th-century, traditional Lakeland cottage, | 0:08:53 | 0:08:57 | |
'a former farmhouse, built of local stone | 0:08:57 | 0:08:59 | |
'and slate.' | 0:08:59 | 0:09:00 | |
-This is it. -Lovely. | 0:09:01 | 0:09:03 | |
-Very spectacular view. -That's what makes it. -You couldn't ask for more than that. | 0:09:05 | 0:09:09 | |
-What do you think? -Yeah. -First impressions, lovely. | 0:09:09 | 0:09:11 | |
We'll go in, but have you got the key? | 0:09:11 | 0:09:13 | |
-No. -No. -Do they have keys round here(?) Is that the key? | 0:09:13 | 0:09:17 | |
-That's the key to the front door. -Wow! | 0:09:17 | 0:09:18 | |
-That gives you a little clue what it will be like in there. -Fabulous. | 0:09:18 | 0:09:21 | |
Let's go in. | 0:09:21 | 0:09:23 | |
'Another "key" to this lovely old farmhouse | 0:09:23 | 0:09:26 | |
'is that it's just overflowing with character and traditional features. | 0:09:26 | 0:09:29 | |
'I think it will be a real treat for our buyers | 0:09:29 | 0:09:31 | |
'when they step through the front door.' | 0:09:31 | 0:09:34 | |
Come on in. | 0:09:34 | 0:09:36 | |
Don't be shy. | 0:09:36 | 0:09:38 | |
SHE LAUGHS | 0:09:38 | 0:09:39 | |
-Wow. -Wow! | 0:09:39 | 0:09:40 | |
First impressions? | 0:09:40 | 0:09:43 | |
Very nice. Love the fireplace. | 0:09:43 | 0:09:45 | |
-Yes. -Absolutely love that. | 0:09:45 | 0:09:47 | |
Love the beams, love the character. | 0:09:47 | 0:09:50 | |
There's so much character in this room. | 0:09:50 | 0:09:52 | |
Original door, beams... | 0:09:52 | 0:09:54 | |
And this thing here. | 0:09:54 | 0:09:55 | |
-Do you know what this is? -No. -You'd bake your cakes | 0:09:55 | 0:09:58 | |
and your bread, and you'd put them there so the mice don't get at them while they cool down. | 0:09:58 | 0:10:01 | |
-It's good, isn't it? -Great. | 0:10:01 | 0:10:03 | |
Fabulous. Yes, something you would keep. | 0:10:03 | 0:10:05 | |
The little room through there used to be the original kitchen. | 0:10:05 | 0:10:08 | |
-At the moment, it's an office - which could be ideal for you as well. -Yes. | 0:10:08 | 0:10:11 | |
-Again, the door tucked away. -Yep. | 0:10:11 | 0:10:13 | |
-And you have another little room which leads to the kitchen. Shall we look? -Yes! | 0:10:13 | 0:10:16 | |
Lead on. | 0:10:16 | 0:10:18 | |
'Through the second room, or "snug", at the back of the house, | 0:10:18 | 0:10:21 | |
'is the entrance to the kitchen, | 0:10:21 | 0:10:22 | |
'which is in the part of the building that was once the hay loft. | 0:10:22 | 0:10:26 | |
'The kitchen runs the full length of the property, | 0:10:26 | 0:10:28 | |
'and opens onto the garden at the back. | 0:10:28 | 0:10:30 | |
-It's nice, isn't it? -I wouldn't change this, at all. | 0:10:30 | 0:10:34 | |
-Really?! -No, I'd leave it. It's fine, I'm happy with it. | 0:10:34 | 0:10:37 | |
Brilliant. Well, a happy you is a happy you. | 0:10:37 | 0:10:39 | |
The kitchen is well-designed, | 0:10:39 | 0:10:42 | |
and it works within the space that it's in. | 0:10:42 | 0:10:44 | |
It's versatile enough | 0:10:44 | 0:10:46 | |
that we could move things around to suit our needs, really. | 0:10:46 | 0:10:50 | |
-The range is fantastic. -What about cooking on that range? | 0:10:50 | 0:10:53 | |
Can you imagine washing up and looking at that view? | 0:10:53 | 0:10:55 | |
-It's ridiculous, isn't it? -It's great. | 0:10:55 | 0:10:58 | |
'With the downstairs of the property seemingly just the ticket, | 0:10:58 | 0:11:03 | |
'it's time to show Tony and Helen what's on the first floor. | 0:11:03 | 0:11:05 | |
'I'll start by showing them where they might be sleeping.' | 0:11:05 | 0:11:08 | |
-This is the master bedroom, currently. -OK. | 0:11:12 | 0:11:15 | |
Little smaller than we'd hoped, but it's a cottage. | 0:11:15 | 0:11:18 | |
I love the window. | 0:11:18 | 0:11:19 | |
Yeah, I mean, | 0:11:19 | 0:11:20 | |
to just sit there and look out... | 0:11:20 | 0:11:22 | |
That's your back garden. | 0:11:22 | 0:11:24 | |
But don't you want that big bedroom with a nice dressing area, | 0:11:24 | 0:11:27 | |
with a massive en suite? | 0:11:27 | 0:11:29 | |
-She would, yes. -I'd love a bedroom with a dressing... | 0:11:29 | 0:11:31 | |
-You could maybe have it in this one. -OK. -All right? | 0:11:31 | 0:11:34 | |
-Let me show you something. -Go on, after you. | 0:11:34 | 0:11:37 | |
'Hold that thought, you two. | 0:11:37 | 0:11:39 | |
'Also upstairs is a family bathroom, | 0:11:39 | 0:11:42 | |
'along with two further good-sized bedrooms, so there's plenty space for Amelia | 0:11:42 | 0:11:45 | |
'and any friends and family who come to stay. | 0:11:45 | 0:11:48 | |
'And if you go through the middle bedroom, | 0:11:48 | 0:11:50 | |
'you'll find the rather large surprise I've been keeping tucked away.' | 0:11:50 | 0:11:54 | |
So you walk through the smallest of the bedrooms, but into this new space. | 0:11:54 | 0:11:58 | |
-Wow! -Wow. | 0:11:58 | 0:11:59 | |
-Whoa! -Now I'm confused. | 0:11:59 | 0:12:01 | |
This was a separate annexe, so you have a separate door there - | 0:12:01 | 0:12:04 | |
that's a bedroom, | 0:12:04 | 0:12:06 | |
with its own bathroom and kitchen. | 0:12:06 | 0:12:08 | |
-And we're above the kitchen here...? -Yeah. -..On this end of the building I see! | 0:12:08 | 0:12:12 | |
This is a super room. | 0:12:12 | 0:12:14 | |
This could work. | 0:12:14 | 0:12:16 | |
-It could, couldn't it? -Yes, this could work. | 0:12:16 | 0:12:18 | |
You wouldn't leave the kitchen - you could take the kitchen away. | 0:12:18 | 0:12:21 | |
You could put wardrobe space in there. | 0:12:21 | 0:12:23 | |
This could work. | 0:12:23 | 0:12:25 | |
'So we've really delivered on everything they asked for inside this property. | 0:12:25 | 0:12:29 | |
'What about the outside? | 0:12:29 | 0:12:30 | |
'Well, there's the utility room they wanted for white goods and storage. | 0:12:30 | 0:12:35 | |
'There's also three-quarters of an acre of land, so a great space for the dogs.' | 0:12:35 | 0:12:39 | |
We are seeing this view on probably the finest day, aren't we? | 0:12:41 | 0:12:44 | |
Beautiful. | 0:12:44 | 0:12:46 | |
-But it's incredible. -It is, it is! | 0:12:46 | 0:12:49 | |
What a valley. | 0:12:49 | 0:12:51 | |
One thing you've seen is probably land for... | 0:12:51 | 0:12:54 | |
Yes. Not sure that it's conducive for horses. | 0:12:55 | 0:12:57 | |
-No, but there are three families in the village with horses. -Oh! | 0:12:57 | 0:13:00 | |
And they all use a livery which is six minutes away. | 0:13:00 | 0:13:02 | |
-Right. -Fantastic. | 0:13:02 | 0:13:03 | |
Let's talk money, shall we? | 0:13:03 | 0:13:05 | |
I'll go first. I would say, | 0:13:05 | 0:13:07 | |
530,000? | 0:13:07 | 0:13:09 | |
530,000? OK. | 0:13:09 | 0:13:11 | |
I would think it's probably higher. | 0:13:12 | 0:13:15 | |
545,000? | 0:13:15 | 0:13:19 | |
545,000? OK. | 0:13:19 | 0:13:21 | |
It's on the market for £590,000. | 0:13:21 | 0:13:24 | |
590,000? | 0:13:24 | 0:13:26 | |
It's right at the top end, isn't it? | 0:13:26 | 0:13:28 | |
There's lots you've probably missed in that first viewing, | 0:13:28 | 0:13:31 | |
so go and have another look round and I'll be at the front, | 0:13:31 | 0:13:34 | |
catching a few rays. | 0:13:34 | 0:13:35 | |
See you in a bit. | 0:13:35 | 0:13:36 | |
So, at £590,000, | 0:13:41 | 0:13:44 | |
this traditional Lakeland cottage is £10,000 under their budget, | 0:13:44 | 0:13:48 | |
and offers them almost everything they're looking for. | 0:13:48 | 0:13:50 | |
It has a sociable living space, | 0:13:50 | 0:13:52 | |
a large kitchen and breakfast room, | 0:13:52 | 0:13:54 | |
a study, | 0:13:54 | 0:13:56 | |
a total of four bedrooms, including the one in the annexe, | 0:13:56 | 0:13:59 | |
an outside utility room, | 0:13:59 | 0:14:01 | |
three-quarters of an acre of gardens, | 0:14:01 | 0:14:04 | |
ideal for the dogs. | 0:14:04 | 0:14:06 | |
And it's in close proximity to a livery, for keeping that pony. | 0:14:06 | 0:14:10 | |
It's a beautiful house, and the lounge and dining room | 0:14:10 | 0:14:13 | |
seem to work - a lovely living space. | 0:14:13 | 0:14:14 | |
Log burner, really nice. | 0:14:14 | 0:14:17 | |
When I first saw the house, | 0:14:17 | 0:14:19 | |
I thought it was stunning. | 0:14:19 | 0:14:20 | |
Picturesque, beautiful. | 0:14:20 | 0:14:22 | |
Ticks all the boxes of my requirements, really. | 0:14:22 | 0:14:25 | |
The position of the house | 0:14:25 | 0:14:27 | |
could be a bit remote, | 0:14:27 | 0:14:29 | |
with Tony working away all week. | 0:14:29 | 0:14:31 | |
Myself and Amelia may feel a little isolated. | 0:14:31 | 0:14:34 | |
-This is the life, isn't it? -DOOR OPENS | 0:14:34 | 0:14:36 | |
Oop! | 0:14:36 | 0:14:38 | |
Eh-heh? | 0:14:38 | 0:14:41 | |
-I was getting really bored with that view(!) Have you seen enough? -We have. | 0:14:41 | 0:14:44 | |
Let's jump in the car. | 0:14:44 | 0:14:46 | |
Away from the dramatic and well-trodden Lake District fells, | 0:14:59 | 0:15:03 | |
and waters, | 0:15:03 | 0:15:04 | |
the south of the county gives way to the Duddon | 0:15:04 | 0:15:06 | |
and Levens estuaries, | 0:15:06 | 0:15:07 | |
and also the Furness peninsula. | 0:15:07 | 0:15:09 | |
At the foot of the Duddon Valley, lies the ancient village | 0:15:09 | 0:15:12 | |
of Broughton-in-Furness, | 0:15:12 | 0:15:13 | |
the location of the only traditional heavy horse-riding establishment | 0:15:13 | 0:15:17 | |
in the country. | 0:15:17 | 0:15:19 | |
As Tony and Helen are keen to keep horses for their daughter, Amelia, | 0:15:19 | 0:15:23 | |
we arranged for them to meet Annie Rose, | 0:15:23 | 0:15:24 | |
who owns Clydesdale heavy horses, | 0:15:24 | 0:15:26 | |
to find out more about this rare equestrian breed. | 0:15:26 | 0:15:31 | |
Historically, this whole area's Clydesdale country. | 0:15:31 | 0:15:34 | |
Agriculturally, this is where Clyesdales were commonly used, | 0:15:34 | 0:15:38 | |
because we're so close to the Scottish Borders. | 0:15:38 | 0:15:40 | |
So most of Cumbria was farmed using Clydesdales. | 0:15:40 | 0:15:45 | |
These beautiful, big horses were used | 0:15:45 | 0:15:47 | |
purely in agriculture, | 0:15:47 | 0:15:48 | |
but also the farmer would have used them in the cart, | 0:15:48 | 0:15:51 | |
to take the produce to the market, | 0:15:51 | 0:15:53 | |
or maybe ridden to church on a Sunday. | 0:15:53 | 0:15:55 | |
Once World War II came and went, though, | 0:15:55 | 0:15:58 | |
there was a real shift in these horses' fortunes. | 0:15:58 | 0:16:00 | |
Thousands of them perished, and with World War II, | 0:16:00 | 0:16:03 | |
came the advent of the tractor and mechanisation, | 0:16:03 | 0:16:06 | |
and literally hundreds of these beautiful horses went to slaughter. | 0:16:06 | 0:16:09 | |
Farmers didn't have a use for them any more. | 0:16:09 | 0:16:11 | |
Going back even to the '60s, | 0:16:11 | 0:16:13 | |
many, many farmers | 0:16:13 | 0:16:15 | |
kept a couple of Clydies | 0:16:15 | 0:16:17 | |
just because they'd always had them on the ground. | 0:16:17 | 0:16:19 | |
It was those farmers that kept the breed going, really. | 0:16:19 | 0:16:22 | |
I like to think we give people the opportunity to try | 0:16:22 | 0:16:26 | |
a ridden Clydesdale, | 0:16:26 | 0:16:27 | |
and many folk will go off and buy one to ride. | 0:16:27 | 0:16:30 | |
So there's a lot of people in the UK | 0:16:30 | 0:16:32 | |
riding with these big horses. | 0:16:32 | 0:16:33 | |
Really great. It's good news for the breed. | 0:16:33 | 0:16:36 | |
Would a total novice like myself be OK up there? | 0:16:36 | 0:16:39 | |
Course you will! | 0:16:39 | 0:16:41 | |
Most of the horses here at the stables | 0:16:41 | 0:16:44 | |
are Scottish Clydesdales. | 0:16:44 | 0:16:45 | |
This breed originated in the valley of the River Clyde, | 0:16:45 | 0:16:48 | |
which, of course, gave them their name. | 0:16:48 | 0:16:52 | |
Tony and Helen will see just what it's like | 0:16:52 | 0:16:54 | |
to ride one of these | 0:16:54 | 0:16:56 | |
gentle giants. | 0:16:56 | 0:16:57 | |
Indeed, the tallest horse here is 18 hands high, | 0:16:57 | 0:17:00 | |
which means on its back, | 0:17:00 | 0:17:01 | |
you're sitting six foot off the ground. | 0:17:01 | 0:17:04 | |
-How are you feeling? -OK. | 0:17:04 | 0:17:06 | |
-Helen, how are you feeling? -I'm great. | 0:17:06 | 0:17:08 | |
Between the post-war years of 1946 and 1949, | 0:17:08 | 0:17:13 | |
the number of Clydesdale-breeding stallions | 0:17:13 | 0:17:15 | |
in England | 0:17:15 | 0:17:17 | |
dropped from more than 200 to just 80. | 0:17:17 | 0:17:19 | |
By 1975, the Rare Breeds Survival Trust | 0:17:19 | 0:17:22 | |
considered them vulnerable to extinction, | 0:17:22 | 0:17:25 | |
meaning that there were fewer than 900 breeding females in the UK. | 0:17:25 | 0:17:29 | |
And today, they are still at risk, | 0:17:29 | 0:17:31 | |
with just an estimated 5,000 Clydesdales worldwide, | 0:17:31 | 0:17:35 | |
around 800 of which are in the UK. | 0:17:35 | 0:17:38 | |
We've just ridden from Chappels Farm | 0:17:38 | 0:17:40 | |
along here, and behind us, there's the boundary of the Lake District National Park. | 0:17:40 | 0:17:45 | |
We're sitting here on the very edge, the southernmost tip | 0:17:45 | 0:17:49 | |
of the Lake District National Park. | 0:17:49 | 0:17:51 | |
Over to our left here, | 0:17:51 | 0:17:53 | |
this really large hill here, | 0:17:53 | 0:17:55 | |
this is Black Combe. | 0:17:55 | 0:17:57 | |
It shadows the Whicham Valley, | 0:17:57 | 0:18:00 | |
a beautiful fell. | 0:18:00 | 0:18:01 | |
The top of that | 0:18:01 | 0:18:03 | |
is just shy of 2,000 feet. | 0:18:03 | 0:18:05 | |
That makes it | 0:18:05 | 0:18:07 | |
the biggest hill in England. | 0:18:07 | 0:18:10 | |
From the top of that, on a day like today, | 0:18:10 | 0:18:12 | |
which is so beautiful, | 0:18:12 | 0:18:13 | |
you can actually see | 0:18:13 | 0:18:15 | |
England, Northern Ireland, Wales, | 0:18:15 | 0:18:17 | |
Scotland and the Isle of Man. | 0:18:17 | 0:18:19 | |
It's a beautiful vantage point. | 0:18:19 | 0:18:22 | |
As well as introducing tourists | 0:18:22 | 0:18:24 | |
to the joys of the county's landscape from the back of one of her 22 horses, | 0:18:24 | 0:18:27 | |
Annie also employs ten local people, | 0:18:27 | 0:18:30 | |
making the stables a real community affair. | 0:18:30 | 0:18:33 | |
It looks as if the heavy horses | 0:18:33 | 0:18:35 | |
have gained two more admirers in our buyers. | 0:18:35 | 0:18:38 | |
It was an absolute pleasure to ride with you today. | 0:18:38 | 0:18:40 | |
Many thanks for all your help. | 0:18:40 | 0:18:42 | |
-Thank you. -Take care. -See you again. | 0:18:42 | 0:18:44 | |
-Bye. -Bye-bye. | 0:18:44 | 0:18:45 | |
Time to "trot along" to see our next property. | 0:18:45 | 0:18:49 | |
For our second house, | 0:18:59 | 0:19:01 | |
we've travelled to the outskirts of Windermere, | 0:19:01 | 0:19:03 | |
which is situated around half a mile away from the lake. | 0:19:03 | 0:19:06 | |
Windermere has all the usual amenities | 0:19:06 | 0:19:09 | |
of a lively town, | 0:19:09 | 0:19:11 | |
and attracts millions of tourists a year for boating and walking. | 0:19:11 | 0:19:14 | |
Here you'll find a post office, | 0:19:14 | 0:19:16 | |
plenty of shops, | 0:19:16 | 0:19:18 | |
and a variety of places to eat. | 0:19:18 | 0:19:20 | |
House number two was built in the 1960s, | 0:19:20 | 0:19:22 | |
and inspired by the cottages typical to the region. | 0:19:22 | 0:19:25 | |
'But will it be traditional enough for Tony and Helen?' | 0:19:25 | 0:19:28 | |
Was that a nod of approval, or...? | 0:19:28 | 0:19:31 | |
-That's different! -Different, yes. | 0:19:31 | 0:19:33 | |
Not your usual country cottage. | 0:19:33 | 0:19:36 | |
No, it's a modern take on it. | 0:19:36 | 0:19:38 | |
-OK. -A modern take on a traditional Lakeland property. | 0:19:38 | 0:19:41 | |
So what do you think? | 0:19:41 | 0:19:43 | |
First impressions, | 0:19:43 | 0:19:44 | |
yeah - it's a good-looking house. | 0:19:44 | 0:19:46 | |
Right, let's get you in there. | 0:19:46 | 0:19:48 | |
-Super. -Come on. | 0:19:48 | 0:19:49 | |
'They're sounding a little reticent to me at the moment, | 0:19:49 | 0:19:52 | |
'but I think once they get inside and see the size of it, | 0:19:52 | 0:19:54 | |
'Tony and Helen might just warm up to this property. | 0:19:54 | 0:19:57 | |
'We start off our tour by going through the bright hall space | 0:19:57 | 0:20:00 | |
'and into the living room.' | 0:20:00 | 0:20:02 | |
So... | 0:20:05 | 0:20:07 | |
This is a nice, large room. | 0:20:07 | 0:20:10 | |
This is a nice room, yeah. | 0:20:10 | 0:20:11 | |
-Like it? -Lovely. -This is a very nice room, actually. | 0:20:11 | 0:20:15 | |
Lots of unusual shapes in this room, I like. | 0:20:15 | 0:20:18 | |
What about the totally modern feel | 0:20:18 | 0:20:20 | |
to the house? | 0:20:20 | 0:20:22 | |
-We could tweak it a bit. -We're in a modern house now, | 0:20:22 | 0:20:25 | |
so our furnishings would go quite easily. | 0:20:25 | 0:20:27 | |
They would. | 0:20:27 | 0:20:29 | |
Yeah. Quite surprising, actually, how large it is. | 0:20:29 | 0:20:31 | |
-Oh, really? -Yes. -So you're happy? | 0:20:31 | 0:20:33 | |
From outside, it didn't look quite as big as this. | 0:20:33 | 0:20:36 | |
You have the dining room there that was put in as an extension | 0:20:36 | 0:20:39 | |
20 years ago. | 0:20:39 | 0:20:41 | |
It's what you see with a little added-on bit to the left. | 0:20:41 | 0:20:44 | |
-Let me show you. -OK. | 0:20:44 | 0:20:45 | |
Oh! | 0:20:50 | 0:20:52 | |
This is nice, isn't it? | 0:20:52 | 0:20:54 | |
-A little sunroom. -A little reading/sunroom - whatever you want to call it. | 0:20:54 | 0:20:57 | |
Having your dinner here, | 0:20:57 | 0:21:00 | |
looking out into your garden. Gorgeous. | 0:21:00 | 0:21:02 | |
-Yeah. -Yeah, it's lovely. | 0:21:02 | 0:21:03 | |
'I'm glad they're actually | 0:21:03 | 0:21:05 | |
'appreciating the space that's been created in here. | 0:21:05 | 0:21:07 | |
'Time to head for the kitchen, | 0:21:07 | 0:21:09 | |
'which has been recently extended.' | 0:21:09 | 0:21:11 | |
-Ah! -Wow! | 0:21:13 | 0:21:16 | |
This is big. | 0:21:16 | 0:21:18 | |
It is. | 0:21:18 | 0:21:19 | |
It's quite an unusual shape, isn't it? | 0:21:19 | 0:21:21 | |
Yeah, I like this kitchen. Fantastic. | 0:21:21 | 0:21:24 | |
You have a table there, at the end of the L shape. | 0:21:24 | 0:21:27 | |
Also, the French doors opening out to a little decking area. | 0:21:27 | 0:21:30 | |
And so much storage space! | 0:21:30 | 0:21:32 | |
-Excellent. -So you're happy? This seems to have changed your outlook completely, | 0:21:32 | 0:21:36 | |
-cos you've been walking into rooms, thinking a lot. -I know. | 0:21:36 | 0:21:39 | |
You went a bit quiet, but now you're back with us. | 0:21:39 | 0:21:42 | |
-Come back down, yes. -This is a different living space altogether. -It is. | 0:21:42 | 0:21:46 | |
It changes the house a little bit. | 0:21:46 | 0:21:48 | |
OK? | 0:21:48 | 0:21:49 | |
Hey, good. | 0:21:49 | 0:21:51 | |
-You like it? -BOTH: Yes. -Excellent. | 0:21:51 | 0:21:53 | |
-We shall go and see the master bedroom? -OK. -Yes. | 0:21:53 | 0:21:55 | |
It's roughly about | 0:21:55 | 0:21:57 | |
12 paces away. | 0:21:57 | 0:21:59 | |
'I'm not sure how Tony and Helen feel about having a downstairs bedroom, | 0:22:00 | 0:22:04 | |
'but I'm about to find out. Fingers crossed.' | 0:22:04 | 0:22:07 | |
OK, so it was probably about 13 steps to the master bedroom. | 0:22:07 | 0:22:10 | |
Wow! That's a big bed. | 0:22:10 | 0:22:13 | |
It is a big bed. | 0:22:13 | 0:22:14 | |
-It dominates the room, I would say. -It does a little. | 0:22:14 | 0:22:17 | |
Yes. | 0:22:17 | 0:22:18 | |
How d'you feel about having a bedroom on the ground floor? | 0:22:18 | 0:22:21 | |
Erm... | 0:22:21 | 0:22:23 | |
I don't see a problem with it. | 0:22:23 | 0:22:24 | |
I don't think I've ever thought about it, really. | 0:22:24 | 0:22:26 | |
Well, what difference would it make? | 0:22:26 | 0:22:29 | |
It doesn't at all. | 0:22:29 | 0:22:31 | |
Easier to get to the kitchen for a cuppa. | 0:22:31 | 0:22:34 | |
This could also be a great guest room. | 0:22:34 | 0:22:36 | |
Yes, it could. | 0:22:36 | 0:22:37 | |
You also have a good-size cloakroom, | 0:22:37 | 0:22:39 | |
and a really modern, lovely en suite, | 0:22:39 | 0:22:42 | |
with a top-range shower, the lot. | 0:22:42 | 0:22:44 | |
Very nice. | 0:22:44 | 0:22:46 | |
Again, it's spacious, though. | 0:22:46 | 0:22:47 | |
It is. There's a lot of room in it. | 0:22:47 | 0:22:50 | |
'Upstairs, in the original part of the house, | 0:22:50 | 0:22:53 | |
'there are two double bedrooms, | 0:22:53 | 0:22:54 | |
'so, if they wanted to use the downstairs bedroom for guests, | 0:22:54 | 0:22:58 | |
'there are perfectly good options for them and their daughter, Amelia. | 0:22:58 | 0:23:01 | |
'This floor also has a good-size family bathroom. | 0:23:01 | 0:23:05 | |
'Back on the ground floor, | 0:23:05 | 0:23:07 | |
'there's a studio space which could prove useful for Tony to work from home. | 0:23:07 | 0:23:11 | |
'And outside, the garden is a real beauty, | 0:23:11 | 0:23:13 | |
'with an expansive lawn and plenty of mature trees and shrubs. | 0:23:13 | 0:23:17 | |
'But the highlight must be the stream | 0:23:17 | 0:23:20 | |
'which runs along the end of it. | 0:23:20 | 0:23:21 | |
'This is a quaint bridge, | 0:23:21 | 0:23:23 | |
'which leads to a footpath, | 0:23:23 | 0:23:25 | |
'which could take our buyers, and their dogs, | 0:23:25 | 0:23:28 | |
'all the way to Lake Windermere.' | 0:23:28 | 0:23:30 | |
Another great seating area. | 0:23:30 | 0:23:32 | |
-Mm! -It is, isn't it? -Huge! | 0:23:32 | 0:23:33 | |
-That would be lovely for outside dining with friends. -And how! | 0:23:33 | 0:23:37 | |
Yeah, beautiful. | 0:23:37 | 0:23:38 | |
So, all this comes at a cost. What d'you think it's on the market for? | 0:23:38 | 0:23:42 | |
I'd say 585,000. | 0:23:42 | 0:23:44 | |
OK, 585,000. | 0:23:44 | 0:23:46 | |
I would say slightly less - | 0:23:46 | 0:23:49 | |
-579,000. -579,000? | 0:23:49 | 0:23:51 | |
That's very precise. | 0:23:51 | 0:23:52 | |
579,000. | 0:23:52 | 0:23:54 | |
You were closer. It's currently on the market for 595,000. | 0:23:54 | 0:23:58 | |
-OK. -Wow. | 0:23:58 | 0:24:00 | |
-And that's because...? -It's in Windermere. | 0:24:00 | 0:24:02 | |
And it's a big house with rather a large plot of land, | 0:24:02 | 0:24:05 | |
with a stream at the bottom of it. | 0:24:05 | 0:24:07 | |
Very close to the lake. | 0:24:07 | 0:24:08 | |
Yeah, you can understand why it's the price it is. | 0:24:08 | 0:24:11 | |
Do you want to go and have another look? | 0:24:11 | 0:24:13 | |
-Yes, we'll have a look round. OK. I'll be at the front. OK. -Thank you. | 0:24:13 | 0:24:17 | |
So, just under their top budget, | 0:24:20 | 0:24:22 | |
at £595,000, | 0:24:22 | 0:24:25 | |
this beautiful property really delivers highly | 0:24:25 | 0:24:28 | |
on all their list of demands. | 0:24:28 | 0:24:29 | |
It has a fantastic sociable living space, | 0:24:29 | 0:24:32 | |
a huge kitchen/diner | 0:24:32 | 0:24:34 | |
with garden access, | 0:24:34 | 0:24:35 | |
a studio which could be used as a study, | 0:24:35 | 0:24:37 | |
three bedrooms, | 0:24:37 | 0:24:39 | |
and a long woodland garden with a stream, | 0:24:39 | 0:24:41 | |
and access to country walks. | 0:24:41 | 0:24:43 | |
First impressions was, it's not something I'd have normally looked at. | 0:24:43 | 0:24:47 | |
However, once we got inside, it did change my opinion somewhat. | 0:24:47 | 0:24:50 | |
The living space is nice, | 0:24:50 | 0:24:53 | |
the lounge is good, | 0:24:53 | 0:24:54 | |
the dining room here is a nice space. | 0:24:54 | 0:24:56 | |
And it's a nice living space to have. | 0:24:56 | 0:24:58 | |
When I went inside, | 0:24:58 | 0:25:01 | |
I was surprised, actually. | 0:25:01 | 0:25:03 | |
It was a lot bigger than I expected it to be. | 0:25:03 | 0:25:07 | |
The kitchen was a fantastic kitchen, | 0:25:07 | 0:25:10 | |
but I'm not sure | 0:25:10 | 0:25:12 | |
if I'm moving to the country, I want to move back into a town. | 0:25:12 | 0:25:15 | |
-Seen enough? -We have. -Yes, thank you. | 0:25:18 | 0:25:21 | |
Don't know about you, but I'm slightly frazzled, | 0:25:21 | 0:25:23 | |
-so no more houses for today. -OK. | 0:25:23 | 0:25:25 | |
Both the houses you've seen have been completely different, | 0:25:25 | 0:25:28 | |
-so take it all in, and we'll start again tomorrow. -Excellent. -Super. | 0:25:28 | 0:25:31 | |
Let's get back to base. | 0:25:31 | 0:25:32 | |
As dusk falls over Cumbria's stunning Lakeland countryside, | 0:25:42 | 0:25:47 | |
it marks the end of day one of our property search. | 0:25:47 | 0:25:50 | |
Tony and Helen, from Manchester, fell in love | 0:25:55 | 0:25:58 | |
with the Lake District after spending many holidays there, | 0:25:58 | 0:26:01 | |
and are keen to make it their new home. | 0:26:01 | 0:26:02 | |
However, the ideal house | 0:26:02 | 0:26:04 | |
needs to be close to good schools for their daughter, | 0:26:04 | 0:26:07 | |
and have enough land for a new pony. | 0:26:07 | 0:26:09 | |
So far, they've been taken with the character of one cottage, | 0:26:09 | 0:26:12 | |
but it was a bit too remote. | 0:26:12 | 0:26:14 | |
Then they were surprised by the amount of space | 0:26:14 | 0:26:16 | |
in our second property, although that had too many houses nearby. | 0:26:16 | 0:26:20 | |
'Coming up, the mystery property looks like a winner, right from the off.' | 0:26:20 | 0:26:23 | |
-Love it. -Yeah? -Tick, tick, tick! | 0:26:23 | 0:26:26 | |
'And I get in touch with my inner caveman, with the help | 0:26:26 | 0:26:29 | |
'of a local bushcraft expert.' | 0:26:29 | 0:26:31 | |
I'm prehistoric man! | 0:26:31 | 0:26:33 | |
HE LAUGHS | 0:26:33 | 0:26:34 | |
And so begins the second day in our quest to find Helen and Tony | 0:26:38 | 0:26:40 | |
their horse-friendly house here in Cumbria. | 0:26:40 | 0:26:43 | |
Yesterday started very well. | 0:26:43 | 0:26:45 | |
Then Helen announced she found the first property to be a little too isolated. | 0:26:45 | 0:26:49 | |
I thought we were onto a winner with the second house in Windermere, | 0:26:49 | 0:26:52 | |
but it only goes to prove you can lead a horse to water, | 0:26:52 | 0:26:54 | |
but you can't make it drink. | 0:26:54 | 0:26:55 | |
They felt the had a few too many "neigh"-bours. | 0:26:55 | 0:26:58 | |
Apologies. | 0:26:58 | 0:27:00 | |
All is not lost. We still have the mystery house, | 0:27:00 | 0:27:02 | |
and I'm determined to show them something with land, | 0:27:02 | 0:27:04 | |
although probably it means | 0:27:04 | 0:27:06 | |
we have to ride a little further than the National Park to find it. | 0:27:06 | 0:27:10 | |
We've made the journey four miles southeast of Kendal, | 0:27:13 | 0:27:16 | |
to the small village of Old Hutton. | 0:27:16 | 0:27:18 | |
It's a beautiful rural location, surrounded by farmland, | 0:27:18 | 0:27:21 | |
and has a stream, known as Peasey Beck, | 0:27:21 | 0:27:23 | |
running through it. | 0:27:23 | 0:27:24 | |
Our final offering is set | 0:27:24 | 0:27:26 | |
in the hamlet of Eskrigg End, a community | 0:27:26 | 0:27:29 | |
of eight houses, including a sheep farm. | 0:27:29 | 0:27:31 | |
For the first time in our search, | 0:27:31 | 0:27:33 | |
we're outside the National Park, | 0:27:33 | 0:27:35 | |
and in an area that's not so familiar | 0:27:35 | 0:27:37 | |
to Tony and Helen. | 0:27:37 | 0:27:39 | |
The mystery house dates back about 100 years, | 0:27:39 | 0:27:42 | |
and was once an old stables, | 0:27:42 | 0:27:43 | |
before being converted. | 0:27:43 | 0:27:45 | |
It comes with an annexe at the front of the property, | 0:27:45 | 0:27:48 | |
which is set up as a holiday let. | 0:27:48 | 0:27:50 | |
This is it, mystery property. | 0:27:51 | 0:27:53 | |
-Fabulous. -Wow! All of it? | 0:27:53 | 0:27:55 | |
-All of it. -SHE LAUGHS | 0:27:55 | 0:27:57 | |
So first impressions are good? | 0:27:57 | 0:27:58 | |
-Yeah. -Fabulous. Love it. | 0:27:58 | 0:28:00 | |
Tick, tick, tick! | 0:28:00 | 0:28:02 | |
Fantastic. Let's go in. | 0:28:02 | 0:28:03 | |
'It looks like we've struck gold with this house. | 0:28:03 | 0:28:07 | |
'And if they're dazzled by the outside, | 0:28:07 | 0:28:08 | |
'I've got an idea they'll really take a shine to the interior.' | 0:28:08 | 0:28:12 | |
Wow! | 0:28:14 | 0:28:16 | |
That's a kitchen! | 0:28:16 | 0:28:18 | |
A kitchen-and-a-half, I would say. | 0:28:18 | 0:28:20 | |
-Fantastic. -That's stunning. | 0:28:20 | 0:28:21 | |
Absolutely stunning. | 0:28:21 | 0:28:24 | |
-The Shaker style. -It's lovely. | 0:28:24 | 0:28:26 | |
A lovely island. You also have the utility room through there. | 0:28:26 | 0:28:29 | |
-Utility, as well? -Yeah. | 0:28:29 | 0:28:31 | |
You wouldn't change a thing. | 0:28:31 | 0:28:34 | |
I love it. Absolutely. | 0:28:34 | 0:28:36 | |
I love the ceiling, as well. | 0:28:36 | 0:28:39 | |
That's the biggest smile I've seen on your face so far. | 0:28:39 | 0:28:42 | |
I love this. | 0:28:42 | 0:28:43 | |
'Big smiles for the kitchen, | 0:28:43 | 0:28:45 | |
'but I can sense more on the way when they reach the next stop of our tour.' | 0:28:45 | 0:28:48 | |
And this is the living room. | 0:28:48 | 0:28:51 | |
-Very nice. -Wow. | 0:28:51 | 0:28:53 | |
Again, big living space, isn't it? | 0:28:53 | 0:28:55 | |
Wow! | 0:28:55 | 0:28:56 | |
Another dining table. | 0:28:56 | 0:28:58 | |
-A lovely room, as well. -A big room, isn't it? | 0:28:58 | 0:29:00 | |
-Our furniture would fit perfectly in here. -Oh, really? -Yes. | 0:29:00 | 0:29:03 | |
Here you seem to have more modern lines. | 0:29:03 | 0:29:05 | |
-You don't mind that? -No, not at all. | 0:29:05 | 0:29:07 | |
Because I still think it has that traditional feel about it, | 0:29:07 | 0:29:10 | |
with it being like an old farm building. | 0:29:10 | 0:29:13 | |
'So the love affair continues. | 0:29:13 | 0:29:15 | |
'Also downstairs, off the living space, | 0:29:15 | 0:29:17 | |
'are two bedrooms. They're both a very good size, | 0:29:17 | 0:29:20 | |
'and one could easily be turned into a home study for Tony. | 0:29:20 | 0:29:23 | |
'There's also a large family bathroom on this floor. | 0:29:23 | 0:29:27 | |
'Whilst upstairs, to really make the most of the space, | 0:29:27 | 0:29:30 | |
'there's a further living area.' | 0:29:30 | 0:29:33 | |
-It's beautiful. -Isn't it just? | 0:29:33 | 0:29:35 | |
This is a huge space. | 0:29:35 | 0:29:37 | |
Isn't it just? | 0:29:37 | 0:29:38 | |
Yes, indeed. | 0:29:38 | 0:29:40 | |
How do you work with the two lounges? | 0:29:40 | 0:29:41 | |
I don't know, because I'd be confused. | 0:29:41 | 0:29:43 | |
"Which one shall I have today?" | 0:29:43 | 0:29:45 | |
-Yeah, this is fantastic. -Oh, yeah. | 0:29:45 | 0:29:48 | |
I would actually have this as the main lounge. | 0:29:48 | 0:29:50 | |
-Yeah, spoilt for choice. -You are, aren't you? -Windows... | 0:29:50 | 0:29:52 | |
-I'll show you the master bedroom. -OK. -Thank you. | 0:29:52 | 0:29:55 | |
'On the way to the master, across the large landing area, | 0:29:55 | 0:29:58 | |
'we pass by the second bedroom, | 0:29:58 | 0:29:59 | |
'which could possibly suit Amelia, or be used as a dressing room. | 0:29:59 | 0:30:02 | |
'But here's where Tony and Helen could be sleeping.' | 0:30:02 | 0:30:06 | |
Another large, fantastic room. | 0:30:06 | 0:30:09 | |
It is, yeah. | 0:30:09 | 0:30:10 | |
-Again bright, double-aspect. -The walls... | 0:30:10 | 0:30:12 | |
With, of course, you'd say, "En suite - of course!" | 0:30:12 | 0:30:17 | |
We have "his & hers" sinks to go with your "his & hers" living room. | 0:30:17 | 0:30:20 | |
HE LAUGHS | 0:30:20 | 0:30:21 | |
-And a really good-sized shower, as well. -Right, fantastic. | 0:30:21 | 0:30:24 | |
-Can you imagine yourself living here? -Yes. | 0:30:24 | 0:30:27 | |
Yeah, I think so. | 0:30:27 | 0:30:29 | |
-Seriously, it's a very, very nice house. -Wow! | 0:30:29 | 0:30:31 | |
Amazing! We haven't even seen outside yet. | 0:30:31 | 0:30:33 | |
I'm getting quite emotional. TONY LAUGHS | 0:30:33 | 0:30:35 | |
Eh? Aw, don't! | 0:30:35 | 0:30:36 | |
It's lovely, isn't it? | 0:30:36 | 0:30:38 | |
-Yeah. -It's great | 0:30:38 | 0:30:40 | |
that you feel that way about it, | 0:30:40 | 0:30:41 | |
-because I think it has lovely feel. -It has. | 0:30:41 | 0:30:44 | |
Of course, we've made you happy - | 0:30:44 | 0:30:47 | |
so happy, you're crying, | 0:30:47 | 0:30:48 | |
-and I think Amelia would be happy here. -I think so. | 0:30:48 | 0:30:51 | |
'So the smiles have turned | 0:30:51 | 0:30:53 | |
'into tears of joy, | 0:30:53 | 0:30:55 | |
'and they haven't seen the grounds yet. | 0:30:55 | 0:30:57 | |
'As well as a dog-friendly back garden, | 0:30:57 | 0:30:59 | |
'there's a lovely, sprawling lawn at the front of the property. | 0:30:59 | 0:31:02 | |
'We mustn't forget the additional bonus | 0:31:02 | 0:31:04 | |
'of that huge outbuilding.' | 0:31:04 | 0:31:07 | |
What you have here is an annexe with a lovely good-sized bedroom, | 0:31:07 | 0:31:11 | |
living room, kitchen | 0:31:11 | 0:31:14 | |
and bathroom. | 0:31:14 | 0:31:15 | |
What you also have is one bedroom and an en suite | 0:31:15 | 0:31:17 | |
at the end, but not connected. | 0:31:17 | 0:31:19 | |
-So that's two separate bedrooms? -Wow! | 0:31:19 | 0:31:21 | |
In effect, it's like | 0:31:21 | 0:31:22 | |
-six bedrooms? -Yeah. | 0:31:22 | 0:31:24 | |
Yeah. | 0:31:24 | 0:31:26 | |
I'm not sure I'd want to invite the family, cos they'd never leave. | 0:31:26 | 0:31:29 | |
-I don't think they would, either. -SHE LAUGHS | 0:31:29 | 0:31:31 | |
'That just leaves the matter | 0:31:31 | 0:31:33 | |
'of where to keep the horse for their daughter. | 0:31:33 | 0:31:35 | |
'Would I let them down? | 0:31:35 | 0:31:36 | |
'Of course not. | 0:31:36 | 0:31:38 | |
'Just a minute's stroll down the lane, is the answer.' | 0:31:38 | 0:31:41 | |
There's a spring in my step. | 0:31:43 | 0:31:45 | |
TONY LAUGHS | 0:31:45 | 0:31:46 | |
Just under two acres. Perfect for horses, really. | 0:31:46 | 0:31:49 | |
-It is. -It is. | 0:31:49 | 0:31:51 | |
And it comes with the property. | 0:31:51 | 0:31:52 | |
-You're joking! -No. | 0:31:52 | 0:31:54 | |
You've excelled yourself on this one! | 0:31:54 | 0:31:57 | |
Should we talk money, then? | 0:31:57 | 0:31:58 | |
I think it's over budget. | 0:31:58 | 0:32:00 | |
By quite a lot. | 0:32:00 | 0:32:02 | |
I would suggest | 0:32:02 | 0:32:05 | |
at least 625,000. | 0:32:05 | 0:32:07 | |
-OK. -I was going to think that, as well. | 0:32:07 | 0:32:09 | |
630,000? | 0:32:09 | 0:32:10 | |
-630,000? -Yeah, I think. | 0:32:10 | 0:32:13 | |
What would you do if it was within budget, though? | 0:32:13 | 0:32:15 | |
Erm... | 0:32:15 | 0:32:17 | |
Panic! | 0:32:17 | 0:32:18 | |
THEY LAUGH | 0:32:18 | 0:32:21 | |
-You'd better start panicking. -Is it in budget? -Yeah. | 0:32:21 | 0:32:24 | |
Wow. | 0:32:24 | 0:32:25 | |
-Go on. -I would have never thought that. | 0:32:25 | 0:32:27 | |
£585,000. | 0:32:27 | 0:32:30 | |
That house, | 0:32:30 | 0:32:32 | |
this land could be yours. | 0:32:32 | 0:32:34 | |
It's fabulous. | 0:32:34 | 0:32:35 | |
Okey-doke. Right. | 0:32:35 | 0:32:38 | |
Let's see the estate agents, then! | 0:32:38 | 0:32:40 | |
Fantastic, off you go(!) | 0:32:40 | 0:32:41 | |
Go an have a look at the annexe and the house again, | 0:32:41 | 0:32:44 | |
cos you do like it, | 0:32:44 | 0:32:46 | |
-and it could be yours. -We need to have a good look round it. | 0:32:46 | 0:32:49 | |
-Off you go. I'll find you at the front. -Thank you. -Cheers. | 0:32:49 | 0:32:51 | |
I do love it when a plan comes together, | 0:32:51 | 0:32:55 | |
and they seem to be very, very happy. | 0:32:55 | 0:32:56 | |
As they say, it does tick every box, not just for them, | 0:32:56 | 0:32:59 | |
but also for their daughter. | 0:32:59 | 0:33:01 | |
And even the horse. | 0:33:01 | 0:33:02 | |
If you ask me, they'll be "foalish" not to buy it. | 0:33:02 | 0:33:06 | |
So, at £585,000, this property | 0:33:06 | 0:33:10 | |
is well within their budget, | 0:33:10 | 0:33:11 | |
and delivers handsomely on everything in their wish list. | 0:33:11 | 0:33:14 | |
It has not just one sociable living space, but two. | 0:33:14 | 0:33:18 | |
A huge kitchen/diner with adjoining boot room, | 0:33:18 | 0:33:21 | |
four bedrooms - one of which could be used as a study for Tony, | 0:33:21 | 0:33:25 | |
an enclosed back garden for the dogs, | 0:33:25 | 0:33:28 | |
an annexe, | 0:33:28 | 0:33:29 | |
and two acres of paddock, for a pony. | 0:33:29 | 0:33:31 | |
My first impression when I saw the mystery house | 0:33:33 | 0:33:37 | |
was, "Wow!" | 0:33:37 | 0:33:39 | |
I liked the look of it, | 0:33:39 | 0:33:41 | |
the location. | 0:33:41 | 0:33:42 | |
It's so quiet, so peaceful. | 0:33:42 | 0:33:45 | |
A really nice garden to it, as well. | 0:33:45 | 0:33:47 | |
Everything, I loved. Everything. Just the look to it. Everything. | 0:33:47 | 0:33:51 | |
My favourite room is this room, without the shadow of a doubt. | 0:33:51 | 0:33:54 | |
I can see that you would entertain here, | 0:33:54 | 0:33:56 | |
that we would cook here, we would eat in this room. | 0:33:56 | 0:33:59 | |
I always like the kitchens, because I think they're the focal point for the family. | 0:33:59 | 0:34:03 | |
I can see myself living here. | 0:34:03 | 0:34:05 | |
DOOR OPENS | 0:34:05 | 0:34:06 | |
See, it even suits you, coming out that house. | 0:34:06 | 0:34:09 | |
Still love it? | 0:34:09 | 0:34:10 | |
-Yes. -Yes. Very nice. | 0:34:10 | 0:34:12 | |
You'll never guess what I'm drinking. | 0:34:12 | 0:34:13 | |
-And it's cold. You took your time! -SHE LAUGHS | 0:34:13 | 0:34:16 | |
-There's a lot to see. -There IS a lot to see. | 0:34:16 | 0:34:18 | |
-Let's find somewhere we can talk about all three houses. -Lovely. | 0:34:18 | 0:34:21 | |
Since the time when Victorian poets | 0:34:28 | 0:34:31 | |
and painters romanticised the Lakelands' craggy fells | 0:34:31 | 0:34:34 | |
and clustered villages, | 0:34:34 | 0:34:36 | |
people have come to experience the cobbled streets | 0:34:36 | 0:34:38 | |
and whitewashed cottages in person. | 0:34:38 | 0:34:41 | |
It's easy to understand why Wordsworth and Ruskin | 0:34:41 | 0:34:44 | |
wanted to settle here, | 0:34:44 | 0:34:46 | |
but they weren't the first. | 0:34:46 | 0:34:47 | |
7,000 years earlier, | 0:34:47 | 0:34:49 | |
this was a harsh, inhospitable wilderness. | 0:34:49 | 0:34:52 | |
As nomadic Britons started creating more permanent settlements, | 0:34:52 | 0:34:55 | |
it was here that some of the most industrious Neolithic people | 0:34:55 | 0:34:58 | |
decided to put down roots. | 0:34:58 | 0:35:00 | |
The Lake District National Park boundaries | 0:35:00 | 0:35:02 | |
contain nearly 15,000 archaeological sites. | 0:35:02 | 0:35:05 | |
And 275 of these are ancient monuments. | 0:35:05 | 0:35:09 | |
To get in touch with my Stone Age ancestors, | 0:35:09 | 0:35:12 | |
bushcraft expert, Ben McNutt, promised to put me through my prehistoric paces, | 0:35:12 | 0:35:16 | |
starting with how to make an axe. | 0:35:16 | 0:35:20 | |
-The process is called knapping. -Right. | 0:35:20 | 0:35:21 | |
Essentially, it's just beating the lard out of a rock | 0:35:21 | 0:35:25 | |
with a harder rock, | 0:35:25 | 0:35:26 | |
to the point that you have something workable. | 0:35:26 | 0:35:29 | |
If I strike downwards, it will hopefully bust out a flake | 0:35:29 | 0:35:31 | |
-on this side. -Ah, OK. | 0:35:31 | 0:35:33 | |
And it's all about angles. | 0:35:33 | 0:35:35 | |
So I want to brace it on my thigh. | 0:35:35 | 0:35:37 | |
A-ha! | 0:35:39 | 0:35:40 | |
And you start knocking off | 0:35:40 | 0:35:42 | |
-quite big, clean faces. -It's really sharp! | 0:35:42 | 0:35:44 | |
Oh, yeah. You could dismember a red deer with that quite quickly. | 0:35:44 | 0:35:48 | |
It's an amazing sound, though. | 0:35:48 | 0:35:49 | |
Yeah. If you think about it, | 0:35:49 | 0:35:51 | |
that's the sound that heralded the arrival of humanity. | 0:35:51 | 0:35:54 | |
That first tool being made. | 0:35:54 | 0:35:55 | |
-Do you want to have a go? -Yeah, why not? Brilliant. | 0:35:55 | 0:35:57 | |
Thank you. What's this, by the way? | 0:35:57 | 0:35:59 | |
-That is just a bit of old fur coat. -Oh, lovely. | 0:35:59 | 0:36:02 | |
HE LAUGHS | 0:36:02 | 0:36:03 | |
-I like it. I should hit it about there? -Exactly. | 0:36:03 | 0:36:07 | |
-OK. -A smooth strike. | 0:36:07 | 0:36:10 | |
-A-ha. -Nice. | 0:36:15 | 0:36:16 | |
-That it? -That's a perfect, workable blade. | 0:36:17 | 0:36:20 | |
That's amazing! | 0:36:20 | 0:36:22 | |
How does that become an axe head? | 0:36:22 | 0:36:24 | |
You can make it stronger, | 0:36:24 | 0:36:25 | |
using a technique called "pressure flaking". | 0:36:25 | 0:36:28 | |
That was where you take an antler... | 0:36:28 | 0:36:30 | |
You just push small flakes off. | 0:36:30 | 0:36:33 | |
That refaces this stone | 0:36:33 | 0:36:35 | |
and makes that a stronger cutting edge. | 0:36:35 | 0:36:38 | |
-They were clever, weren't they? -They were, yeah. | 0:36:38 | 0:36:41 | |
From there, I've just halved it | 0:36:41 | 0:36:43 | |
onto an elbow of wood. | 0:36:43 | 0:36:46 | |
So I can use it like a little axe, | 0:36:46 | 0:36:48 | |
and this can quite quickly hew down a small tree. | 0:36:48 | 0:36:51 | |
That's brilliant. | 0:36:51 | 0:36:53 | |
'Although axes like these have been found all over the country, | 0:36:53 | 0:36:56 | |
'the vast majority of them | 0:36:56 | 0:36:58 | |
'appear unused. | 0:36:58 | 0:36:59 | |
'Many were discovered in significant locations, | 0:36:59 | 0:37:02 | |
'leading most historians to believe | 0:37:02 | 0:37:04 | |
'that they were just for ceremony. | 0:37:04 | 0:37:06 | |
'But we're going to use one, right now, | 0:37:06 | 0:37:08 | |
'on a birch sapling.' | 0:37:08 | 0:37:10 | |
So, | 0:37:10 | 0:37:12 | |
it's just a case of "beaver away". | 0:37:12 | 0:37:14 | |
It's quite effective, though, isn't it? | 0:37:17 | 0:37:19 | |
-It's slow, but it's effective. -A slow process. | 0:37:19 | 0:37:22 | |
-Do you want to have a go? -I'll come round to you. | 0:37:22 | 0:37:24 | |
-It's amazing how well it works, isn't it? -Yes. | 0:37:28 | 0:37:32 | |
'And with a little more effort from both of us, | 0:37:32 | 0:37:34 | |
'the tree is down. | 0:37:34 | 0:37:37 | |
'But it's definitely not going to waste. | 0:37:37 | 0:37:39 | |
'Ben plans to use it for a little trip back in time he has planned for us, | 0:37:39 | 0:37:43 | |
'in an ancient form of watercraft - | 0:37:43 | 0:37:45 | |
'a boat made of twigs - traditionally tied together with vines, | 0:37:45 | 0:37:49 | |
'or in our case, twine.' | 0:37:49 | 0:37:51 | |
This looks interesting. | 0:37:51 | 0:37:53 | |
-Yeah, it's a pterodactyl's nest. -It looks like it! | 0:37:53 | 0:37:57 | |
Traditionally, the Native Americans would have skinned this vessel, | 0:37:57 | 0:38:01 | |
using the skin of one bull buffalo, | 0:38:01 | 0:38:03 | |
which is why it's called a "bull boat". | 0:38:03 | 0:38:05 | |
Unfortunately, we don't have any bull buffaloes around, | 0:38:05 | 0:38:08 | |
so we're going to cheat and use a tarpaulin. | 0:38:08 | 0:38:11 | |
We're good to go. | 0:38:14 | 0:38:15 | |
I have to say I'm not sure if I'm excited or ever-so-slightly nervous. | 0:38:15 | 0:38:19 | |
Hey, what do you know? It floats! | 0:38:19 | 0:38:22 | |
-But does it float with us in it? -There's one way to find out. -OK. | 0:38:22 | 0:38:25 | |
-Do you want to jump in first? -OK, then. | 0:38:27 | 0:38:30 | |
-Can I just go for it? -Yeah, just step on there. | 0:38:30 | 0:38:34 | |
Try not to stay in the middle. | 0:38:34 | 0:38:36 | |
There we go! | 0:38:42 | 0:38:43 | |
-It's seaworthy. -It's brilliant! | 0:38:43 | 0:38:45 | |
THEY LAUGH | 0:38:45 | 0:38:47 | |
I'm prehistoric man! | 0:38:47 | 0:38:50 | |
'I hope I make it back to dry land safely. | 0:38:50 | 0:38:53 | |
'Wouldn't want to leave Tony and Helen's house search "up the creek without a paddle".' | 0:38:53 | 0:38:57 | |
I don't think I'd have made it as a Mesolithic man. | 0:38:59 | 0:39:03 | |
But I wonder if Tony and Helen have "an axe to grind" | 0:39:03 | 0:39:05 | |
as far as any of the properties we've shown them are concerned. | 0:39:05 | 0:39:08 | |
Let's find out, shall we? | 0:39:08 | 0:39:09 | |
Hi. | 0:39:12 | 0:39:14 | |
-Hi. -You chose a nice spot, didn't you? -It's lovely. -Fantastic. | 0:39:14 | 0:39:17 | |
So, what an adventure it's been. | 0:39:17 | 0:39:19 | |
-Yes. -You really seemed to like that first house. | 0:39:19 | 0:39:22 | |
Yeah, it was a beautiful property. | 0:39:22 | 0:39:24 | |
The views around it were very nice. | 0:39:24 | 0:39:25 | |
As you say, from the outside, it looked a typical cottage. | 0:39:25 | 0:39:29 | |
Even inside, some of the original features were there. | 0:39:29 | 0:39:33 | |
Yeah, some of the features - | 0:39:33 | 0:39:34 | |
it was really quirky, | 0:39:34 | 0:39:37 | |
some of the things in there. | 0:39:37 | 0:39:38 | |
And I love that, yes. | 0:39:38 | 0:39:40 | |
It was also very dog-friendly. | 0:39:40 | 0:39:41 | |
You had three or four doors, didn't you? | 0:39:41 | 0:39:43 | |
Yes - you could go out of. | 0:39:43 | 0:39:45 | |
You were a bit disappointed in the master bedroom. | 0:39:45 | 0:39:48 | |
Yes, the first master bedroom, | 0:39:48 | 0:39:49 | |
because it was a little on the small side. | 0:39:49 | 0:39:52 | |
And then, almost like Narnia, | 0:39:52 | 0:39:54 | |
you walked to that bedroom, and... | 0:39:54 | 0:39:58 | |
Yes. "Where's this room come from?" | 0:39:58 | 0:40:00 | |
That changed, sort of, my opinion of the property, | 0:40:00 | 0:40:03 | |
because, from what we felt was a small master bedroom, | 0:40:03 | 0:40:07 | |
it had this huge bedroom, in effect. | 0:40:07 | 0:40:11 | |
And a good location? | 0:40:11 | 0:40:12 | |
Hm, not as good. | 0:40:12 | 0:40:14 | |
-A little bit remote and isolated. -Yes, a little bit isolated. | 0:40:14 | 0:40:18 | |
I think with the first property, we started really well, | 0:40:18 | 0:40:21 | |
and then went downhill a little bit. | 0:40:21 | 0:40:23 | |
With the second property, we were downhill to start with, and then we went uphill. | 0:40:23 | 0:40:27 | |
Yes. First impressions of that was, | 0:40:27 | 0:40:29 | |
"Ooh, it's a 1960s build." | 0:40:29 | 0:40:31 | |
And the location, as well. To me, that isn't country living. | 0:40:31 | 0:40:35 | |
OK. But you had Windermere on your doorstep. | 0:40:35 | 0:40:38 | |
We did, yes. And the schools are on the doorstep, | 0:40:38 | 0:40:41 | |
and I harp on about Helen having a support network | 0:40:41 | 0:40:44 | |
and an infrastructure on the doorstep. | 0:40:44 | 0:40:46 | |
Definitely had it there. | 0:40:46 | 0:40:47 | |
Absolutely. It's just that we've always said | 0:40:47 | 0:40:51 | |
that this would possibly be our last move. | 0:40:51 | 0:40:54 | |
Me personally, I couldn't see myself | 0:40:54 | 0:40:56 | |
living there once I retired, etcetera, because it's not what I want to do. | 0:40:56 | 0:40:59 | |
I actually want to be out in something more rural. | 0:40:59 | 0:41:02 | |
We took you out of the Lake District and you did a little jig of joy. | 0:41:02 | 0:41:06 | |
Yes. | 0:41:06 | 0:41:07 | |
The third property was just fantastic. | 0:41:07 | 0:41:11 | |
When you walk up to it, | 0:41:11 | 0:41:13 | |
it was a beautiful-looking building. | 0:41:13 | 0:41:15 | |
You could tell it was old. | 0:41:15 | 0:41:16 | |
You can tell it had character. | 0:41:16 | 0:41:18 | |
Obviously, it had the bonus of having the annexe, as well, | 0:41:18 | 0:41:22 | |
which is great for visiting family, | 0:41:22 | 0:41:23 | |
but also if it's got potential to let it out as well, | 0:41:23 | 0:41:27 | |
as a holiday let, it could potentially be an income, as well. | 0:41:27 | 0:41:29 | |
Walking into that third property, | 0:41:29 | 0:41:32 | |
-that kitchen was amazing. -Fantastic. | 0:41:32 | 0:41:34 | |
Yes. | 0:41:34 | 0:41:35 | |
Walking through that door and seeing that, I knew straightaway | 0:41:35 | 0:41:38 | |
that Helen would fall in love with that property. | 0:41:38 | 0:41:40 | |
-Straightaway. -That's why the colour went out of your face. | 0:41:40 | 0:41:43 | |
THEY LAUGH | 0:41:43 | 0:41:44 | |
And that was before | 0:41:44 | 0:41:46 | |
-we took that little walk down the lane. -Yes! | 0:41:46 | 0:41:48 | |
And dropped that bombshell, as well. | 0:41:48 | 0:41:51 | |
And we'd had tears from you before that, as well. | 0:41:51 | 0:41:54 | |
Well, once you pulled that 2½ acres out, | 0:41:54 | 0:41:57 | |
that's it. It sold it. | 0:41:57 | 0:42:00 | |
I suppose the million dollar question is, | 0:42:00 | 0:42:01 | |
can you see yourselves living there, and if you can, | 0:42:01 | 0:42:04 | |
are you going to? | 0:42:04 | 0:42:05 | |
I'd like to. | 0:42:05 | 0:42:07 | |
We will be coming up again | 0:42:07 | 0:42:08 | |
next weekend, | 0:42:08 | 0:42:10 | |
and go for a second viewing and, obviously, | 0:42:10 | 0:42:13 | |
bring Amelia with us. | 0:42:13 | 0:42:15 | |
Fantastic. Listen, I wish you all the luck. | 0:42:15 | 0:42:17 | |
-It's been really great fun spending time with you. -Thank you. | 0:42:17 | 0:42:20 | |
I'm so pleased that you love that property now. | 0:42:20 | 0:42:22 | |
I'm so pleased you cried for the right reason, as well. | 0:42:22 | 0:42:25 | |
Don't you love it when a plan comes together? | 0:42:31 | 0:42:34 | |
I'm very often with people with definite ideas about what they don't want in a house. | 0:42:34 | 0:42:38 | |
But it's totally the opposite with Tony and Helen. | 0:42:38 | 0:42:41 | |
They know exactly what they want in a property. | 0:42:41 | 0:42:44 | |
And I think we may have found it. | 0:42:44 | 0:42:46 | |
And who'd have thought that their dream house | 0:42:46 | 0:42:49 | |
in the Lake District National Park | 0:42:49 | 0:42:50 | |
would actually be outside the National Park? | 0:42:50 | 0:42:53 | |
It's time for this presenter to ride off into the sunset. | 0:42:53 | 0:42:57 | |
I'll see you next time on Escape To The Country. | 0:42:57 | 0:43:00 | |
'Tony and Helen did go back to see the mystery house. | 0:43:00 | 0:43:03 | |
'There's no offer yet, | 0:43:03 | 0:43:06 | |
'but our fingers remain crossed.' | 0:43:06 | 0:43:08 | |
If you'd like to escape to the country in Scotland, Wales, | 0:43:08 | 0:43:10 | |
Northern Ireland or England, and need our help, | 0:43:10 | 0:43:13 | |
please apply online... | 0:43:13 | 0:43:14 | |
Subtitles by Red Bee Media Ltd | 0:43:39 | 0:43:42 |