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Built in 1632, this magnificent structure is the oldest | 0:00:02 | 0:00:05 | |
stone-built windmill in Britain. | 0:00:05 | 0:00:07 | |
Which county is it in? Find out in just a moment. | 0:00:07 | 0:00:10 | |
On today's show, my mission is to find a dream home in the country | 0:00:40 | 0:00:43 | |
for one buyer and her beloved dog. | 0:00:43 | 0:00:46 | |
And she's brought along a good friend to help make the decision. | 0:00:46 | 0:00:49 | |
Our property search gives rise to a curious question. | 0:00:49 | 0:00:53 | |
-Is this a real house? -It is a real house. It's really for sale. | 0:00:53 | 0:00:56 | |
Oh, my, my! | 0:00:56 | 0:00:58 | |
As well as some very enthusiastic reactions. | 0:00:58 | 0:01:02 | |
Ohh! Maggie! (LAUGHS) | 0:01:02 | 0:01:05 | |
Ohhh! | 0:01:05 | 0:01:07 | |
Today, we're in Warwickshire. And this is the Chesterton Windmill. | 0:01:09 | 0:01:13 | |
Attributed to the architect Inigo Jones, it has these rather amazing six arches underneath, | 0:01:13 | 0:01:18 | |
not just for architectural merit, | 0:01:18 | 0:01:20 | |
but also to help the flow of the wind, which then aids the speedy turning of the sails. | 0:01:20 | 0:01:27 | |
It also has a very ingenious cap which could be manually moved to face the wind. | 0:01:27 | 0:01:31 | |
And it really worked. It was in service for 278 years and only closed down in 1910. | 0:01:31 | 0:01:37 | |
But it's not the only amazing thing in this county. | 0:01:37 | 0:01:40 | |
Landlocked Warwickshire lies in the heart of England | 0:01:40 | 0:01:44 | |
and is bordered by no less than seven other counties | 0:01:44 | 0:01:46 | |
including Oxfordshire, Gloucestershire and Worcestershire. | 0:01:46 | 0:01:50 | |
The county has some of the most attractive towns and villages in England | 0:01:50 | 0:01:54 | |
set among beautiful countryside. | 0:01:54 | 0:01:56 | |
Leamington Spa, named after the River Leam which flows through the town, | 0:01:56 | 0:02:00 | |
was originally a village known as Leamington Priors. | 0:02:00 | 0:02:03 | |
But in 1784, its mediaeval saline springs were rediscovered | 0:02:03 | 0:02:08 | |
and a public bathhouse was built for the great and good to take the waters. | 0:02:08 | 0:02:13 | |
This fashion led to its growth into a town in the 19th century. | 0:02:13 | 0:02:17 | |
To the south, the landscape is characterised by the gently rolling Cotswold Hills, | 0:02:17 | 0:02:22 | |
which start in the historic village of Ilmington, | 0:02:22 | 0:02:25 | |
known for its wealth of period architecture built from the region's honey-coloured stone. | 0:02:25 | 0:02:31 | |
Above the village, Ilmington Down is the highest point in Warwickshire | 0:02:31 | 0:02:35 | |
and gives a 360-degree panoramic view of the surrounding countryside. | 0:02:35 | 0:02:40 | |
Let's talk money. The average price for a detached property | 0:02:44 | 0:02:47 | |
in Warwickshire is just over £271,000. | 0:02:47 | 0:02:49 | |
That's £17,500 above the national figure. | 0:02:49 | 0:02:54 | |
But as so often in a county like this there's a north-south divide. | 0:02:54 | 0:02:58 | |
In the south of the county, close to the ever popular Cotswolds | 0:02:58 | 0:03:02 | |
and with good transport links up to Birmingham and down to London, this can be more expensive. | 0:03:02 | 0:03:06 | |
However in the North, particularly around Bedworth and Nuneaton, you get more for your money. | 0:03:06 | 0:03:11 | |
Although there are pricey little villages around Leamington. | 0:03:11 | 0:03:15 | |
But wherever you are north or south there's a wide selection of architectural styles. | 0:03:15 | 0:03:21 | |
The south of the county is home to a number of villages and small market town's | 0:03:21 | 0:03:25 | |
lying among the northern Cotswold Hills. | 0:03:25 | 0:03:29 | |
Properties here are built from the local limestone | 0:03:29 | 0:03:32 | |
and often date back to the 16th century, when the region's wool trade was at its peak. | 0:03:32 | 0:03:37 | |
A typical three-bedroom cottage in Ilmington would cost you around £325,000. | 0:03:37 | 0:03:44 | |
Around the Stratford-upon-Avon area, you'll find many stunning examples | 0:03:44 | 0:03:48 | |
of timber-frame properties dating back to the Tudor times. | 0:03:48 | 0:03:53 | |
It was during this period the chimney stack first came into common usage. | 0:03:53 | 0:03:58 | |
This two bedroomed end of terrace period cottage in Henley-in-Arden | 0:03:58 | 0:04:02 | |
is on the market for just under £300,000. | 0:04:02 | 0:04:06 | |
Plenty to please the architectural palate there, | 0:04:06 | 0:04:08 | |
but will it tickle the taste buds of our buyer today? Let's meet her. | 0:04:08 | 0:04:14 | |
For the past 14 years, Norma has lived in her two bed 19th-century house | 0:04:14 | 0:04:18 | |
in the London commuter belt town of Walton-on-Thames. | 0:04:18 | 0:04:22 | |
She previously resided for some years in a countryside home in Canada | 0:04:22 | 0:04:26 | |
and now she's planning a return to a rural lifestyle. | 0:04:26 | 0:04:30 | |
I'm happy to say I took early retirement in March | 0:04:30 | 0:04:33 | |
and now it's time to move to be somewhere else. | 0:04:33 | 0:04:37 | |
You know, be around farmland, just the whole bit. | 0:04:37 | 0:04:41 | |
Going along with her will be seven-month-old puppy Kerry, | 0:04:41 | 0:04:45 | |
who has helped Norman meet friends in the town while out walking. | 0:04:45 | 0:04:49 | |
Not least neighbour, Maggie, who will be accompanying Norma in her house search. | 0:04:49 | 0:04:54 | |
I've always liked going round looking at show houses. | 0:04:54 | 0:04:57 | |
I just find them fascinating, actually. | 0:04:57 | 0:05:00 | |
And, you know, it's just lovely to see places | 0:05:00 | 0:05:03 | |
-for Norma to look at that could be exciting. -That could be exciting. -Yes. | 0:05:03 | 0:05:08 | |
I think Margaret will be a great benefit to me. | 0:05:08 | 0:05:11 | |
I think she'll help me to keep my feet on the ground. | 0:05:11 | 0:05:13 | |
Margaret admits to being frugal | 0:05:13 | 0:05:15 | |
and I can get carried away from time to time. | 0:05:15 | 0:05:18 | |
So I think she'll be a great balance for me. | 0:05:18 | 0:05:21 | |
Norma will still be doing occasional freelance work for her own training and development company | 0:05:21 | 0:05:26 | |
and having a friendly community base around her is important. | 0:05:26 | 0:05:30 | |
So she's picked her new destination with this in mind. | 0:05:30 | 0:05:34 | |
I'm a member of the Baha'i faith, so we have many communities around England, | 0:05:34 | 0:05:39 | |
and particularly there's a large community in Warwickshire. | 0:05:39 | 0:05:42 | |
So I know that, were I to move to Warwick, | 0:05:42 | 0:05:44 | |
I would instantly be established in a connected community, which is terrific. | 0:05:44 | 0:05:49 | |
Entertaining will be important to Norma in her new home, | 0:05:49 | 0:05:52 | |
but she's also got a few creative hobbies she wants to immerse herself in. | 0:05:52 | 0:05:57 | |
I think being in the countryside, closer to the countryside than I am now, will really inspire me. | 0:05:57 | 0:06:02 | |
And I'll likely want to paint in situ, I'll want to paint outdoors. | 0:06:02 | 0:06:08 | |
And recently I noticed some basketry work was on the television | 0:06:08 | 0:06:12 | |
and it dawned on me that years ago, I used to do that. | 0:06:12 | 0:06:15 | |
And I'd love to see if there's willow work going on. | 0:06:15 | 0:06:18 | |
So I'll be investigating that and seeing what's going on. | 0:06:18 | 0:06:21 | |
I would imagine in that area it's likely there would be some. | 0:06:21 | 0:06:25 | |
Even though Norma loves the home she has now, | 0:06:25 | 0:06:27 | |
she also has a clear vision of how her house in the country must be. | 0:06:27 | 0:06:32 | |
In my mind's eye, I see the chocolate-box cottage. | 0:06:32 | 0:06:37 | |
You know, the rambling roses and maybe even a picket fence. | 0:06:37 | 0:06:41 | |
Inside the property, | 0:06:41 | 0:06:43 | |
a wood-burning stove would be a must for charm and effect | 0:06:43 | 0:06:47 | |
and preferably a bigger kitchen with room not so much for table and chairs but a sofa. | 0:06:47 | 0:06:53 | |
There's the dream. | 0:06:53 | 0:06:56 | |
With this picture-perfect home in mind there just remains the matter of money. | 0:06:56 | 0:07:01 | |
The budget for this move is £300,000...max. | 0:07:01 | 0:07:05 | |
Norma is most interested in living in a village community | 0:07:15 | 0:07:19 | |
close to the towns of Warwick and Leamington Spa, | 0:07:19 | 0:07:22 | |
so she and her friend Maggie are meeting me in Warwickshire | 0:07:22 | 0:07:25 | |
to give me a rundown on what she wants from her new rural home. | 0:07:25 | 0:07:29 | |
-So, ladies, welcome to Warwickshire. -Thank you. -Thanks for having us. | 0:07:29 | 0:07:33 | |
It's a great pleasure. And the sun is shining. | 0:07:33 | 0:07:36 | |
-Warwickshire is very happy to have you too. -Great. | 0:07:36 | 0:07:39 | |
-Now obviously, Norma, it's you that's moving. -Yes. | 0:07:39 | 0:07:42 | |
-And, Maggie, you're going to be given moral support? -I am. I'm going to be given moral support. | 0:07:42 | 0:07:47 | |
Tell me a little about the spec of the house you're looking for, what is it that you're dreaming of? | 0:07:47 | 0:07:51 | |
I'm dreaming of my house that I live in now reappearing in Warwickshire. | 0:07:51 | 0:07:56 | |
In that case, remind us what your house in Walton-on-Thames has? | 0:07:56 | 0:08:00 | |
Right, well, it's a little labourer's cottage, it's got two bedrooms, | 0:08:00 | 0:08:04 | |
it's got a little conservatory which I added. | 0:08:04 | 0:08:06 | |
-I'm hearing little, that's good. -Yes, I'm very modest in my taste. | 0:08:06 | 0:08:11 | |
-And you need a garden. -I need a garden. -Definitely need a garden. | 0:08:11 | 0:08:14 | |
-And what's your budget? -300,000 max. -Max? -Don't push me. | 0:08:14 | 0:08:19 | |
£300,000 is a big budget, | 0:08:19 | 0:08:20 | |
but unfortunately here it gets squeezed a lot because it's an expensive place. | 0:08:20 | 0:08:25 | |
-We have found you three, I think, really lovely properties. -Wow! | 0:08:25 | 0:08:29 | |
-I have no doubt. Let's go. -Brace yourselves. -Absolutely. -Follow me. | 0:08:29 | 0:08:33 | |
For her budget of £300,000, | 0:08:37 | 0:08:39 | |
Norma is seeking a character home with roses round the door. | 0:08:39 | 0:08:43 | |
It should also have a kitchen that's large enough to fit a sofa in, | 0:08:43 | 0:08:47 | |
at least two bedrooms | 0:08:47 | 0:08:49 | |
and a spacious, secluded, dog-friendly garden. | 0:08:49 | 0:08:53 | |
We've found three fantastic rural properties | 0:08:53 | 0:08:55 | |
that we think Norma could really fall in love with. | 0:08:55 | 0:08:59 | |
At each one, I'll be asking her and Maggie to guess the price before I reveal it. | 0:08:59 | 0:09:03 | |
The last will be our mystery house, | 0:09:03 | 0:09:05 | |
which could present Norma with an inside versus outside dilemma. | 0:09:05 | 0:09:10 | |
But now let's hit the road to our first property. | 0:09:10 | 0:09:13 | |
Now, Norma you're not from England. I mean, you're Irish by descent. | 0:09:15 | 0:09:18 | |
-Irish by birth. -Yeah. So what is it about this corner of England that attracts you? | 0:09:18 | 0:09:23 | |
It's near Wales. THEY LAUGH | 0:09:23 | 0:09:25 | |
So it's almost not England. | 0:09:25 | 0:09:28 | |
I very much enjoy Wales but I'm afraid the weather | 0:09:28 | 0:09:30 | |
and I have a feeling Warwickshire has slightly better weather. | 0:09:30 | 0:09:33 | |
Plus, although I'm looking to leave London, | 0:09:33 | 0:09:36 | |
I can still get to London should the mood take me and all my good friends that live near where I live now. | 0:09:36 | 0:09:41 | |
We've made the journey just six miles south-west of Leamington Spa | 0:09:46 | 0:09:50 | |
to the village of Barford. | 0:09:50 | 0:09:52 | |
Set in beautiful dog-walking country, this lively village | 0:09:52 | 0:09:56 | |
offers a choice of pubs for eating out and some individual local shops, | 0:09:56 | 0:10:00 | |
one of which is the community shop run by volunteers. | 0:10:00 | 0:10:05 | |
We paid a visit to find out from Barford resident, John Murphy, | 0:10:05 | 0:10:08 | |
what it's like to live here. | 0:10:08 | 0:10:10 | |
So Norma may or may not, I don't want to jump the gun, might be moving into Barford. | 0:10:10 | 0:10:15 | |
This would be of great interest to me, can you tell me how you | 0:10:15 | 0:10:18 | |
join or what happens to a resident when they want to work here? | 0:10:18 | 0:10:21 | |
Well, it's a volunteer shop, it's a community shop, | 0:10:21 | 0:10:24 | |
so we have one employed manageress | 0:10:24 | 0:10:27 | |
-and about 80 volunteers. -Right. | 0:10:27 | 0:10:29 | |
What else goes on in the village? Tell us a little bit about Barford. | 0:10:29 | 0:10:32 | |
What else can we do apart from run the village shop? | 0:10:32 | 0:10:34 | |
-It's a very busy village. There are over 1,000 adult residents. -OK. | 0:10:34 | 0:10:40 | |
About 600 houses, lots of clubs and organisations. | 0:10:40 | 0:10:44 | |
It's a fantastic community village, it really is. If you don't like people it's the wrong village, | 0:10:44 | 0:10:49 | |
if you do like people it might be the right village. | 0:10:49 | 0:10:52 | |
John, I need to get you at the beginning of every single house tour that I do. | 0:10:52 | 0:10:55 | |
-I have to whisk these ladies away, but thank you very much. -Thank you so much. -Nice to meet you. | 0:10:55 | 0:10:59 | |
-You may be seeing him again. -Nice to meet you. -Nice to meet you. Thanks. | 0:10:59 | 0:11:03 | |
Our first offering is a real slice of history. | 0:11:04 | 0:11:07 | |
A Grade II listed Elizabethan property that was originally two yeomen's cottages | 0:11:07 | 0:11:13 | |
with some surviving walls made from wattle and daub. | 0:11:13 | 0:11:16 | |
-House number one...is this thatched cottage. -Oh, my gosh! | 0:11:16 | 0:11:21 | |
-You're joking?! -You're joking? -Ohh, Maggie! SHE LAUGHS | 0:11:21 | 0:11:25 | |
-Amazing, isn't it? -What are your first impressions? | 0:11:25 | 0:11:28 | |
-It's just the thatched cottage. -It's chocolate box! -It's chocolate box. | 0:11:28 | 0:11:33 | |
-It's beautiful. -I never thought that you'd find something like that, I must admit. | 0:11:33 | 0:11:38 | |
Alistair, my heart's pounding! | 0:11:38 | 0:11:40 | |
-It's absolutely sweet! May we go in, please? -No. | 0:11:40 | 0:11:44 | |
-It's just the facade I'm selling you. Of course we can. Let's go. -ALL LAUGH | 0:11:44 | 0:11:48 | |
Teaser. | 0:11:48 | 0:11:50 | |
I couldn't have hoped for a better reaction to this gorgeous thatched cottage. | 0:11:50 | 0:11:54 | |
And I know that as we take a look inside, Norma and Maggie | 0:11:54 | 0:11:57 | |
will be thrilled by huge amount of character features in this property. | 0:11:57 | 0:12:02 | |
-Let's have a look at the main living space. -Ohh! -Wow! Isn't that cute! | 0:12:03 | 0:12:08 | |
-My goodness! It's a real piece of history. -It is, isn't it. | 0:12:08 | 0:12:12 | |
-This is a slice of Elizabethan England for you. -Wow! | 0:12:12 | 0:12:14 | |
Is that a working fireplace? | 0:12:14 | 0:12:16 | |
-It's a working flue, yes. -So at the moment it's a fireplace, | 0:12:16 | 0:12:19 | |
but you could put your beloved log burner in there. | 0:12:19 | 0:12:22 | |
-Sure. -Gosh, it would be nice and warm, Norma. | 0:12:22 | 0:12:25 | |
Look at the windows and the lead! Gosh! | 0:12:25 | 0:12:28 | |
-So, of course, it's quite small. -Yeah, that's fine. | 0:12:28 | 0:12:32 | |
-It's only me and my dog. -I think it's absolutely gorgeous, though. -Uh-huh. | 0:12:32 | 0:12:35 | |
-Absolutely gorgeous. -It's certainly charming. -Yes. | 0:12:35 | 0:12:39 | |
And we would have to see, would the charm wear off? | 0:12:39 | 0:12:41 | |
But, yeah, I'd love to see more. | 0:12:41 | 0:12:44 | |
Well, there isn't an awful lot more to see, but we'll go and see the kitchen. | 0:12:44 | 0:12:47 | |
-There's the kitchen and then there's that little room at the front. -Right. | 0:12:47 | 0:12:51 | |
The small room at the front of the house is a useful study which Norma had on her wish list. | 0:12:51 | 0:12:57 | |
And we're about to deliver on another of her demands. | 0:12:57 | 0:13:00 | |
So, mind the step, mind your head. | 0:13:00 | 0:13:03 | |
-Oh, my goodness! This is a surprise. -Nice space, isn't it. | 0:13:03 | 0:13:08 | |
-Unexpected space. -You thought it was going to be smaller? | 0:13:08 | 0:13:11 | |
I thought it was going to be twee, twee. | 0:13:11 | 0:13:13 | |
I have to say that I was thinking when I was in there, | 0:13:13 | 0:13:16 | |
"Gosh, I hope there's a dining room." | 0:13:16 | 0:13:18 | |
-Of course, cos it didn't really allow for dining space. -But this is amazing. | 0:13:18 | 0:13:22 | |
It's interesting, historically this has a whole cottage, | 0:13:22 | 0:13:25 | |
-so a family of seven lived in this side. -This was? -Yes. | 0:13:25 | 0:13:28 | |
When the lady who owns it now moved in it was a garage, | 0:13:28 | 0:13:32 | |
so she revealed all of these beams, decorated it all and opened it all up and put in the kitchen. | 0:13:32 | 0:13:37 | |
-Behind this is a separate staircase. -A second staircase? | 0:13:37 | 0:13:41 | |
There goes up into what is essentially a guest wing. | 0:13:41 | 0:13:44 | |
A guest bedroom and a little en suite. | 0:13:44 | 0:13:46 | |
-Ohh! -So I can let you explore the guest wing a little later. -Super. | 0:13:46 | 0:13:51 | |
Quite a tight staircase up there, | 0:13:51 | 0:13:53 | |
-so you have to have slightly nimble guests. -Right. | 0:13:53 | 0:13:57 | |
-But let's go and explore your bedroom. -Right. | 0:13:57 | 0:14:00 | |
-Great! After you, Maggie. -After me. | 0:14:00 | 0:14:03 | |
To reach Norma's enormous sleeping domain, which is adjacent to a modern family bathroom, | 0:14:04 | 0:14:09 | |
we're heading back through the sitting room and through a thumb-latched door, | 0:14:09 | 0:14:13 | |
up the other set of stairs which are quite a tight fit, | 0:14:13 | 0:14:17 | |
but that's what you get with period properties. | 0:14:17 | 0:14:20 | |
-Oh, the history. -I know. -History is everywhere. | 0:14:22 | 0:14:25 | |
-It just reeks of history. My goodness! -Oh, look at this! -Gently perfumed. | 0:14:25 | 0:14:30 | |
-I love this room! Oh, it's delightful! -I love the colour. | 0:14:30 | 0:14:34 | |
-And the headroom here is more than you would expect. -Yeah. | 0:14:34 | 0:14:38 | |
It's a fantastic bedroom, Norma. Wow! | 0:14:38 | 0:14:40 | |
The beams actually still have bark on them, they're that rustic. | 0:14:40 | 0:14:44 | |
-Yes. -And unusual. -Is this a real house? -It is a real house. It's really for sale. | 0:14:44 | 0:14:49 | |
THEY LAUGH Oh, my, my! Thank you, Alistair. | 0:14:49 | 0:14:53 | |
-My pleasure. -Is this it, then? | 0:14:53 | 0:14:54 | |
-We don't bother with the other houses, we leave it here. -We could well do. | 0:14:54 | 0:14:58 | |
-Perhaps. -We could show you the garden and talk about money. -Yes. | 0:14:58 | 0:15:01 | |
OK. Oh, thank you. | 0:15:01 | 0:15:04 | |
This Elizabethan beauty is a win-win both upstairs and down and the garden is equally charming. | 0:15:06 | 0:15:12 | |
It's got everything Norma could want, | 0:15:12 | 0:15:14 | |
such as outbuildings which could be converted into an art studio with the right permissions, | 0:15:14 | 0:15:19 | |
plus a lawn at the end for her dog to run around safely in. | 0:15:19 | 0:15:22 | |
-Come on into your garden. -Oh, wow! | 0:15:24 | 0:15:26 | |
-It's lovely! -Oh, my goodness me! | 0:15:28 | 0:15:32 | |
-Goodness! -So it goes on quite a long way, right to the back. | 0:15:32 | 0:15:35 | |
-It's a long kind of ribbon of garden. -Gosh! | 0:15:35 | 0:15:38 | |
-Let's stop in this little patio area. -Alistair! | 0:15:38 | 0:15:42 | |
-Is it what you are looking for? -Awfully close. | 0:15:42 | 0:15:45 | |
Awfully, spookily close. | 0:15:45 | 0:15:48 | |
-It's fantastic! -The question is, can you afford it? | 0:15:48 | 0:15:51 | |
I'm going to guess 298,000. | 0:15:51 | 0:15:54 | |
-Very specific. Maggie? -Well, I would have to say 299,000. | 0:15:54 | 0:15:59 | |
ALL LAUGH | 0:15:59 | 0:16:01 | |
It's actually on the market for offers over £300,000. | 0:16:01 | 0:16:05 | |
But if you've only got £300,000 to offer, | 0:16:05 | 0:16:07 | |
then that's what you should offer. | 0:16:07 | 0:16:10 | |
Well, we're going to keep it on the list. | 0:16:10 | 0:16:12 | |
-You're going to keep it till you've seen the others. -It's just amazing. -Yes. | 0:16:12 | 0:16:17 | |
Well, what I'd like you to do is have a look in these outbuildings and explore the end of the garden. | 0:16:17 | 0:16:21 | |
-Yes. -And I will meet you out front. -Fabulous. Thank you. | 0:16:21 | 0:16:27 | |
On the market for offers on or above Norma's top budget of £300,000, | 0:16:27 | 0:16:32 | |
this charming 16th-century cottage definitely appears to have won her heart | 0:16:32 | 0:16:37 | |
with its cosy sitting room, a useful study, | 0:16:37 | 0:16:41 | |
a sociable kitchen/diner, two bedrooms | 0:16:41 | 0:16:44 | |
and a long dog-friendly garden with outbuildings. | 0:16:44 | 0:16:49 | |
I thought it was magic. It's a real country cottage. | 0:16:49 | 0:16:53 | |
And it was in such a lovely village, it seemed to tick all the boxes from the outside. | 0:16:53 | 0:16:58 | |
Well, I was speechless. | 0:16:58 | 0:17:01 | |
It was almost exactly what I ordered, a chocolate-box cottage. | 0:17:01 | 0:17:04 | |
Beautiful! | 0:17:04 | 0:17:06 | |
I was delighted with the kitchen, | 0:17:06 | 0:17:08 | |
because my own kitchen at the moment, you could only swing a ferret. | 0:17:08 | 0:17:11 | |
In this one you could swing whatever you wanted. This is a definite contender. | 0:17:11 | 0:17:16 | |
-Out you go, ladies. -Thank you. | 0:17:16 | 0:17:18 | |
-So we're all done in this house. -Right. | 0:17:18 | 0:17:21 | |
-Now brace yourself for house number two. -All-righty. | 0:17:21 | 0:17:24 | |
The Warwickshire landscape is defined by its ancient woodland. | 0:17:36 | 0:17:41 | |
The Forest of Arden covered much of the north-west of the county | 0:17:41 | 0:17:44 | |
at the time when the Domesday Book was written. | 0:17:44 | 0:17:47 | |
Today, the county has over 800 woods within its borders. | 0:17:47 | 0:17:50 | |
And there are still many traditional craft skills related to them. | 0:17:50 | 0:17:54 | |
The prime example lies in the village of Stockton. | 0:17:55 | 0:17:59 | |
Lawrence Neal has been using local wood and rushes for the past 46 years | 0:17:59 | 0:18:03 | |
to create handmade chairs in his village workshop. | 0:18:03 | 0:18:06 | |
And as Norma is keen on learning skilled crafts and would like to try rush weaving, | 0:18:06 | 0:18:12 | |
we sent her and Maggie along for a hands-on experience. | 0:18:12 | 0:18:15 | |
Lawrence, I'm really interested in this, it's fascinating. | 0:18:15 | 0:18:18 | |
You know, these beautiful chairs, | 0:18:18 | 0:18:20 | |
-how do you begin the process of creating such lovely things? -Well, you start off | 0:18:20 | 0:18:24 | |
with timber in the round, like small trees. You split it down | 0:18:24 | 0:18:29 | |
to manageable size so that I can get on my saw. | 0:18:29 | 0:18:31 | |
And then I turn the back legs up, then they get bent and put into these frames. | 0:18:31 | 0:18:36 | |
They're boiled in electric copper over there and put in the frames for about a week to dry out. | 0:18:36 | 0:18:42 | |
These chairs are made in the tradition of the Arts and Crafts Movement of the 1880s, | 0:18:42 | 0:18:47 | |
when architect and designer Ernest Gimson | 0:18:47 | 0:18:50 | |
revived the craft of making them from ash with seats made from rush. | 0:18:50 | 0:18:55 | |
Lawrence gathers his rushes from the local rivers Avon and Leam in the summer | 0:18:55 | 0:18:59 | |
and stores them in sheds to dry them out until he needs them. | 0:18:59 | 0:19:03 | |
We're going to do just a little demonstration of how you to do a rush seat. | 0:19:03 | 0:19:06 | |
-These are rushes, which have been dampened the night before just to keep them supple. -Sure. | 0:19:06 | 0:19:12 | |
I take a couple out to start the chair. | 0:19:12 | 0:19:15 | |
You start in the corner and just... | 0:19:15 | 0:19:18 | |
-Forget the tiny knots or anything, you just twist them in. -Twist. | 0:19:18 | 0:19:21 | |
-Twist it in and then you start twisting the rush. -Ah! | 0:19:21 | 0:19:25 | |
-And you always twist away from yourself. -Yes. | 0:19:25 | 0:19:30 | |
Round the corner. | 0:19:30 | 0:19:32 | |
Twist and tighten it. | 0:19:32 | 0:19:34 | |
Always get the twist going in the same direction. | 0:19:34 | 0:19:37 | |
-Add another rush in if you need to. -How do you know when to add? -It's just experience rarely. | 0:19:37 | 0:19:42 | |
You just know when you need to add one to keep a strand the same size. | 0:19:42 | 0:19:47 | |
-Of course. -So you want the strand to be the same size? -Yes, that's the real trick. | 0:19:47 | 0:19:50 | |
-The combination of the twist and the thickness. -It's just picking up the right sized rush really. | 0:19:50 | 0:19:54 | |
-Wow! -It's basically a very simple pattern. | 0:19:54 | 0:19:58 | |
Just sort of a figure of eight almost. | 0:19:58 | 0:20:00 | |
-You just go round and round. -And then it starts to fill in. -Yeah. | 0:20:00 | 0:20:04 | |
Practice makes perfect, doesn't it. It's like anything, isn't it. | 0:20:04 | 0:20:07 | |
The chap that used to work for us when I first started, | 0:20:07 | 0:20:10 | |
-he used to say you had to do 100 seats before you could do a good one. -Really? -Wow! Yes. | 0:20:10 | 0:20:16 | |
I'd buy the 101st one then. THEY LAUGH | 0:20:16 | 0:20:19 | |
To complete on seat can take between 4-5 hours depending on the quality of the rushes | 0:20:19 | 0:20:24 | |
and of course the expertise of its weaver. | 0:20:24 | 0:20:27 | |
So let's see how our enthusiastic novice gets on. | 0:20:27 | 0:20:31 | |
-This is going to wrap under? -Yeah, go round and then back up to there. | 0:20:31 | 0:20:34 | |
-But you need to twist it more than that. A lot more. -OK, because it's too loose. | 0:20:34 | 0:20:38 | |
-Yeah. A little bit more. Yeah, that's it. -Lose it in the chair. -That's it. Go underneath now. | 0:20:38 | 0:20:43 | |
-Take it underneath. -Under I go. | 0:20:43 | 0:20:45 | |
As the rush in this traditional pattern is woven around the four seat rails, | 0:20:45 | 0:20:49 | |
the end result is four distinct triangles in the seat. | 0:20:49 | 0:20:53 | |
OK. I really love this. | 0:20:53 | 0:20:57 | |
I can see, Lawrence, how once you're skilled at it, how you would get lost in it. | 0:20:57 | 0:21:02 | |
-It's wonderful. -Yes, it's a bit like meditation, isn't it. I would think. | 0:21:02 | 0:21:08 | |
Now that Norma and Maggie have been furnished with an insight | 0:21:08 | 0:21:11 | |
into a skill that's woven into this county's craft heritage | 0:21:11 | 0:21:15 | |
there's no time to sit back, as we forge ahead with our property search. | 0:21:15 | 0:21:20 | |
We've travelled just over 12 miles south of Leamington Spa | 0:21:23 | 0:21:26 | |
to the historic village of Loxley. | 0:21:26 | 0:21:29 | |
Community life is based around the local pub and the 8th-century church, | 0:21:29 | 0:21:33 | |
which is adjoined by an ancient meadow, a protected site of special scientific interest. | 0:21:33 | 0:21:39 | |
Lying opposite the pub, our second charming property puts Norma at the heart of village life, | 0:21:39 | 0:21:45 | |
and dating back to the 16th century is offset by a pretty front garden. | 0:21:45 | 0:21:51 | |
Come on down the path to house number two. | 0:21:52 | 0:21:56 | |
-What do you think of this? -My goodness! Whoa! It's amazing! | 0:21:56 | 0:22:02 | |
-That's all I can say. -So this part is the older part, that's 16th century. -Wow! Is it? | 0:22:02 | 0:22:07 | |
And then this is a 1980s extension. | 0:22:07 | 0:22:10 | |
-Gosh! -And this one has a lot of the garden out front. | 0:22:10 | 0:22:14 | |
It's a very different offering inside, cos it feels more... | 0:22:14 | 0:22:17 | |
-I won't steal my thunder, I'll show you. -OK. Right. | 0:22:17 | 0:22:21 | |
It's another instant hit with our second house | 0:22:21 | 0:22:25 | |
and inside we'll be able to deliver on what Norma has been longing for from a kitchen, | 0:22:25 | 0:22:29 | |
enough space for a sofa. | 0:22:29 | 0:22:32 | |
Enter your potential new kitchen. | 0:22:34 | 0:22:37 | |
-My! -It's sunny, isn't it. -It's very bright and spacious. -Lovely. | 0:22:37 | 0:22:43 | |
-Indeed, a very different kitchen layout for the last one. -Yes. -So this is a much bigger build. | 0:22:43 | 0:22:49 | |
-This is the 1980s extension. -Yes. | 0:22:49 | 0:22:52 | |
Quite sensitive, though. | 0:22:52 | 0:22:53 | |
Yeah, they've kept the beams. You could put a sofa here. | 0:22:53 | 0:22:57 | |
-# Sofa in the kitchen! # -Yes. -Yes, you could. Exactly. | 0:22:57 | 0:23:02 | |
You're meeting my specification. Excellent. | 0:23:02 | 0:23:04 | |
And through there there's the study, also the white goods, the washing machine and stuff. | 0:23:04 | 0:23:09 | |
-It could be a utility room. -Yes, nice. | 0:23:09 | 0:23:12 | |
-I obviously need to see more. -You will see more through here. | 0:23:12 | 0:23:15 | |
-Oh! -Ta-da! -Look at that! -Oh, my goodness! -A huge space, isn't it. | 0:23:15 | 0:23:22 | |
-Look at the size! -And there's a dining... -Fantastic! Maggie, look at it is! | 0:23:22 | 0:23:27 | |
-I was wondering where the dining bit was. -How interesting. And now we're going into the older... | 0:23:27 | 0:23:31 | |
Yes, this is the old part. So you can see that even though it's a long house, | 0:23:31 | 0:23:34 | |
it isn't a very wide house. You've got the entire width of the property here with windows on both sides. | 0:23:34 | 0:23:39 | |
-And it has that cosiness that I love. -It feels warm. | 0:23:39 | 0:23:42 | |
-What's nice is that it flows very nicely. Lovely little windows, original windows. -I think it flows. | 0:23:42 | 0:23:46 | |
-Deep windowsills, you can see the depth of the wall. -Nice wood. | 0:23:46 | 0:23:50 | |
Which I adore. I love this. Yeah. | 0:23:50 | 0:23:54 | |
-And look how sunny and bright it is. -Oh, wow! | 0:23:54 | 0:23:57 | |
-And, Maggie, that's just marvellous. -It's lovely, isn't it. | 0:23:57 | 0:24:00 | |
-You said you wanted an enclosed fireplace. -Absolutely. I love that. | 0:24:00 | 0:24:04 | |
-It's all about charm, isn't it. -Isn't it. -My, my! | 0:24:04 | 0:24:08 | |
-Ohh! -Often in these historical properties, | 0:24:08 | 0:24:12 | |
particularly when they're been extended, there's a compromise upstairs. | 0:24:12 | 0:24:16 | |
-OK. -In terms of the layout. -This is a warning. | 0:24:16 | 0:24:18 | |
But in this house not. | 0:24:18 | 0:24:20 | |
-I thought you were going to say it's a one-through-one. -I'm such a tease. | 0:24:20 | 0:24:24 | |
You are such a tease. You're a scallywag. | 0:24:24 | 0:24:27 | |
There's certainly more than Norma and Maggie would expect upstairs | 0:24:27 | 0:24:31 | |
with a total of three bedrooms. | 0:24:31 | 0:24:33 | |
One a very good sized double and the other a single which Norma could use for her study | 0:24:33 | 0:24:38 | |
alongside a compact family bathroom. | 0:24:38 | 0:24:42 | |
But we're heading for where Norma could be resting her head. | 0:24:42 | 0:24:45 | |
-Come on in. So this is the third bedroom. -Gosh! -Wow! | 0:24:45 | 0:24:51 | |
-That's a surprise. -This is the master. Three bedrooms. -Three bedrooms! | 0:24:51 | 0:24:55 | |
And all of them really nice, good sizes. | 0:24:55 | 0:24:57 | |
-I think this is a gorgeous room. -High ceilings. | 0:24:57 | 0:25:00 | |
Yes, it is a high ceiling, isn't it. | 0:25:00 | 0:25:01 | |
But remember this chimney stack is right above your log burner, | 0:25:01 | 0:25:05 | |
-so when that's going full tilt it's like a radiator. -It's going to be warm. | 0:25:05 | 0:25:08 | |
-I like it. -I like it, too. | 0:25:08 | 0:25:10 | |
-It's stunning. -Sounds like another contender. -Unfortunately, yes. | 0:25:10 | 0:25:14 | |
-Hmm! Well, let's do the drill. Let's go outside and talk about money. -Uh-huh. | 0:25:14 | 0:25:20 | |
-All right. -Money, money, money! | 0:25:20 | 0:25:22 | |
While the house gives generously on space, the grounds are on the smaller side, | 0:25:22 | 0:25:26 | |
although they are beautifully landscaped. | 0:25:26 | 0:25:29 | |
There's a walled terraced backyard for relaxing in and a small lawn and plenty of planting at the front. | 0:25:29 | 0:25:35 | |
So, as you can see, the lion's share of the garden is here in the front, but it's a very pretty garden. | 0:25:35 | 0:25:41 | |
-It's beautiful, isn't it. -Indeed. -Absolutely gorgeous. | 0:25:41 | 0:25:44 | |
And a pub across the road. | 0:25:44 | 0:25:46 | |
There is a pub across the road, is that good or bad? | 0:25:46 | 0:25:49 | |
-Traffic. A little bit noisy, comings and goings. -OK, so cars and revellers? -Hmm. | 0:25:49 | 0:25:56 | |
Maybe the price will be the deciding factor. | 0:25:56 | 0:25:58 | |
What you think this property in this village is on the market for? | 0:25:58 | 0:26:03 | |
My guess would be to 292,500. | 0:26:03 | 0:26:06 | |
-Very precise. What about you, Maggie? -299,000. | 0:26:07 | 0:26:11 | |
Well, this property is actually marketed above your budget. | 0:26:11 | 0:26:15 | |
-It's on at 325,000. Yes. -Oh, OK. | 0:26:15 | 0:26:18 | |
It's been on the market for a while, so they would definitely negotiate, | 0:26:18 | 0:26:22 | |
-but that is the price. -OK, I'll take that on board. | 0:26:22 | 0:26:26 | |
OK, well, why don't you have a look around inside, | 0:26:26 | 0:26:29 | |
peek into the places you haven't had a chance to peek at and I will see you later on. | 0:26:29 | 0:26:33 | |
-Thank you. -OK, thank you. -We'll do that. | 0:26:33 | 0:26:36 | |
Granted, at £325,000 this generous property does tip over Norma's budget, | 0:26:39 | 0:26:44 | |
however, as the owners are open to a conversation, a lesser offer could well bring it within reach. | 0:26:44 | 0:26:50 | |
It provides her with a large reception area with log burner, | 0:26:50 | 0:26:54 | |
a kitchen big enough for her sofa, | 0:26:54 | 0:26:57 | |
three bedrooms one of which she could use as a study, | 0:26:57 | 0:27:00 | |
and beautifully landscaped gardens. | 0:27:00 | 0:27:02 | |
My impression of this house is that it's got a fantastic downstairs, it's got a really good flow. | 0:27:04 | 0:27:10 | |
-I think it's very charming. -I was very surprised when Alistair took us | 0:27:10 | 0:27:14 | |
across the road at the size of the property. | 0:27:14 | 0:27:17 | |
I thought, "Is this the first part? Oh, no, it's the whole thing!" That really took me by surprise. | 0:27:17 | 0:27:22 | |
And then when the door opened into the dining room and lounge, | 0:27:22 | 0:27:25 | |
it took my breath away. | 0:27:25 | 0:27:27 | |
The garden in the front is a beautiful garden, | 0:27:27 | 0:27:30 | |
not useful for me with the dog, it would need to be dog-proofed. | 0:27:30 | 0:27:34 | |
But nonetheless very, very pretty. | 0:27:34 | 0:27:37 | |
Ah! It's turned out a nice day, but it's the end of the day. | 0:27:37 | 0:27:41 | |
-Indeed. -We've seen two properties today and we've got one more tomorrow. -Terrific! -Let's rest. | 0:27:41 | 0:27:47 | |
As the sun sets over the beautiful Warwickshire countryside, | 0:28:00 | 0:28:03 | |
it marks the end of a very exciting and enthusiastic day of house hunting. | 0:28:03 | 0:28:08 | |
With a budget of £300,000, recently retired Norma | 0:28:14 | 0:28:18 | |
has decided to make a move from the London commuter belt to the piece of the Warwickshire countryside. | 0:28:18 | 0:28:23 | |
And she's brought along her friend Maggie to help her judge the houses we're showing her. | 0:28:23 | 0:28:28 | |
So far they've been in raptures over a thatched Elizabethan property | 0:28:28 | 0:28:32 | |
and impressed with the size of the rooms in a house with rather less outside space. | 0:28:32 | 0:28:37 | |
But coming up, Norma's looking on the bright side at the mystery house. | 0:28:37 | 0:28:41 | |
-Yes, plenty big enough for me. Oh, yes. -Good. | 0:28:41 | 0:28:45 | |
Yes, cos there's a pub across the road where I can go and dine. | 0:28:45 | 0:28:48 | |
And I find out more about a heritage seed project that we can all get involved in. | 0:28:48 | 0:28:53 | |
Day two. And usually at this point I'm filled with joy that we've picked the right mystery house. | 0:28:54 | 0:29:00 | |
However, with Norma, she is a lady who knows her mind. | 0:29:00 | 0:29:04 | |
And yesterday afternoon she was very clear that she didn't want to live opposite a pub | 0:29:04 | 0:29:08 | |
and she wasn't going to settle for a small garden for more space. | 0:29:08 | 0:29:12 | |
Now, the mystery house might be quite close to a pub, | 0:29:13 | 0:29:17 | |
and actually might give her lots of liveability with less garden. | 0:29:17 | 0:29:21 | |
So I'm hoping that the goodness of her heart will give us... the benefit of the doubt. | 0:29:21 | 0:29:28 | |
Our mystery property lies nine miles south of Leamington Spa | 0:29:30 | 0:29:34 | |
in the village of Lighthorne. | 0:29:34 | 0:29:36 | |
Set in a valley this community has a Grade II listed church with an 18th-century tower | 0:29:36 | 0:29:41 | |
and a good pub which serves traditional food. | 0:29:41 | 0:29:44 | |
The pretty village green is a focus for local life | 0:29:44 | 0:29:47 | |
where Norma could walk her dog and have an impromptu chat with her neighbours. | 0:29:47 | 0:29:52 | |
The pub is, for better or worse, opposite our mystery property, | 0:29:52 | 0:29:56 | |
a Cotswold stone-build dating back for the most part to the 1700s. | 0:29:56 | 0:30:00 | |
And originally a cowshed to which a storey was added in the 19th century. | 0:30:00 | 0:30:05 | |
While it looks large from the outside, | 0:30:05 | 0:30:08 | |
there's a certain amount of compromise in the land that comes with it. | 0:30:08 | 0:30:12 | |
And the mystery house, quite controversially, is this one here. | 0:30:12 | 0:30:18 | |
-Oh! -OK. -It looks big. -It's big. | 0:30:18 | 0:30:22 | |
-Wow! -It's big and controversially it's right opposite the pub. | 0:30:22 | 0:30:26 | |
-A pub. -A pub. -Yeah, a different kind of pub perhaps. | 0:30:26 | 0:30:30 | |
-I'm liking the way you say that, because we didn't know that you were quite so averse to pubs. -No. | 0:30:30 | 0:30:35 | |
Concentrating on the house, this is, I think, a great property for you. | 0:30:35 | 0:30:38 | |
-It's a good mystery house. But what do you think of the house from the outside? -I like it. | 0:30:38 | 0:30:44 | |
-I like it, too. -There's character. I like the colour of the window frames. | 0:30:44 | 0:30:47 | |
That green is attractive. Yeah. The sturdiness. | 0:30:47 | 0:30:51 | |
-What do you think, Maggie? -I think it's lovely, actually. | 0:30:51 | 0:30:53 | |
-I really like it. -I like the stone. Shall we look inside? -Sure. | 0:30:53 | 0:30:57 | |
There's a super atmosphere to this little area. | 0:30:57 | 0:30:59 | |
-It's got a good feel. -A beautiful feel. -I like it. | 0:30:59 | 0:31:01 | |
-Let's look inside. -Great. | 0:31:01 | 0:31:03 | |
Thankfully, Norma doesn't seem concerned about the proximity of a pub. | 0:31:03 | 0:31:08 | |
And as we step through the front door into the hall-come-dining area, | 0:31:08 | 0:31:12 | |
I think she and Maggie ill like the atmosphere inside the house too. | 0:31:12 | 0:31:15 | |
-It's very tasteful. -What are your first impressions? | 0:31:16 | 0:31:19 | |
Yeah. And the beams...original. | 0:31:19 | 0:31:24 | |
-I love it. -You love it? -You love it, Maggie? -I do. I love it. | 0:31:24 | 0:31:28 | |
I think what's nice about this house, | 0:31:28 | 0:31:30 | |
there are lots of nice things about this house, is that it's a bit bigger. | 0:31:30 | 0:31:34 | |
-Than it looks on the outside. -And it's got three very good, usable spaces. | 0:31:34 | 0:31:38 | |
Through here... a lovely big sunny sitting room. | 0:31:38 | 0:31:44 | |
-Oh, it's lovely. -Oh, it's delightful! -It is lovely, isn't it. | 0:31:44 | 0:31:47 | |
-Unusual shape, it's a sort of triangular room. -Attractive. | 0:31:47 | 0:31:50 | |
But around this lovely big hearth with a working fireplace. | 0:31:50 | 0:31:54 | |
So we're also dealing with much higher ceilings. | 0:31:54 | 0:31:57 | |
This is a Victorian 19th-century addition. | 0:31:57 | 0:31:59 | |
So you've got a picture around, higher ceilings, bigger windows. | 0:31:59 | 0:32:02 | |
Yes I like the picture rail effect. I grew up with a picture rail. It's nice to have something familiar. | 0:32:02 | 0:32:07 | |
-Right, well, this is the sitting room. -Yes. | 0:32:07 | 0:32:10 | |
-We've still got the kitchen to look at. -Great. Thank you. -Thank you. | 0:32:10 | 0:32:14 | |
So far the original features and fireplace are giving Norma and Maggie a warm glow. | 0:32:14 | 0:32:20 | |
The kitchen, however, won't fit a sofa, as Norma would like. | 0:32:20 | 0:32:23 | |
But it does have many other redeeming elements. | 0:32:23 | 0:32:27 | |
-Lovely wooden lintel. -Isn't it lovely? -Then step down into this... | 0:32:27 | 0:32:31 | |
-Beautiful floor. -Nice black slate. | 0:32:31 | 0:32:34 | |
So this is the one thing that the present owner has put in. | 0:32:34 | 0:32:37 | |
-He's done a big revamp of the kitchen. -Yes. | 0:32:37 | 0:32:40 | |
-He's done almost exactly what I've done in my kitchen. -Ah, great. | 0:32:40 | 0:32:43 | |
Lovely. I love the two windows. | 0:32:43 | 0:32:46 | |
-Is it big enough? -Yes, plenty big enough for me. Yes. | 0:32:46 | 0:32:49 | |
Yes, because there's a pub across the road where I can go and dine. | 0:32:49 | 0:32:53 | |
-So that's everything downstairs. -Yes. | 0:32:53 | 0:32:56 | |
-Upstairs we have three bedrooms. -Wooh! | 0:32:56 | 0:32:59 | |
-Mm, let's have a look. -Golly! | 0:32:59 | 0:33:02 | |
-I do like this kitchen, my dear. -Yes, I do. | 0:33:02 | 0:33:05 | |
So far, so good downstairs. | 0:33:05 | 0:33:07 | |
Nice steady staircase. I like this. | 0:33:07 | 0:33:10 | |
And upstairs should continue the positive theme | 0:33:10 | 0:33:12 | |
as there are three bedrooms - one more than Norma was after. | 0:33:12 | 0:33:16 | |
One bedroom is reasonably sized. | 0:33:16 | 0:33:18 | |
And another is currently set up as a convenient office. | 0:33:18 | 0:33:22 | |
And they all share a modern tiled family bathroom. | 0:33:22 | 0:33:26 | |
But I'm going to show them where Norma could be sleeping. | 0:33:26 | 0:33:30 | |
Right at the top of the stairs you've got the master bedroom. | 0:33:30 | 0:33:34 | |
Right. Pretty colour on the walls. | 0:33:34 | 0:33:37 | |
-It's nice. -Fabulous window. -Isn't it lovely? -They're wonderful. | 0:33:37 | 0:33:42 | |
-You could move into those cupboards! -You could. | 0:33:42 | 0:33:44 | |
There's room for a small family. | 0:33:44 | 0:33:47 | |
The compromise is the outside space. | 0:33:47 | 0:33:50 | |
-You've already guessed that. -Yeah. -Yeah. | 0:33:50 | 0:33:53 | |
-So let's go and deal with that. -OK, let's have a look. Break my heart. -After you. | 0:33:53 | 0:33:57 | |
I hope that the garden here isn't going to be a deal-breaker, let alone a heartbreaker. | 0:33:57 | 0:34:01 | |
But it will take a bit of work for it to be made dog friendly. | 0:34:01 | 0:34:05 | |
The compromise, as I'm sure you've guessed, | 0:34:05 | 0:34:07 | |
-is that this is your garden. -Mm, yeah. | 0:34:07 | 0:34:11 | |
There's a very small little garden at the front. | 0:34:11 | 0:34:14 | |
-Is that a dealbreaker? -For me, it's a lack of safety for the dog. | 0:34:14 | 0:34:18 | |
-Well, the mystery house is always a bit of a gamble. -Mm. | 0:34:18 | 0:34:21 | |
But I suppose we do need to know how much it costs. | 0:34:21 | 0:34:24 | |
Maggie, what do you think it's on the market for? | 0:34:24 | 0:34:26 | |
Well, I've been low in the last two houses, so I'm going to up my price. | 0:34:26 | 0:34:31 | |
-And I think it's worth 315,000. -Really? Wow! | 0:34:31 | 0:34:37 | |
I'd come in at the 293,500. | 0:34:37 | 0:34:41 | |
I love the precision of your guesses. | 0:34:41 | 0:34:43 | |
-So very precise. But so very wrong. -Aw! | 0:34:43 | 0:34:48 | |
-Both of us? -Maggie, you are absolutely on the money. | 0:34:48 | 0:34:51 | |
-It's on the market at £315,000. -Get you, girl! -Mm. | 0:34:51 | 0:34:57 | |
So, do have a look inside. Have a look round and I'll see you at front. | 0:34:57 | 0:35:00 | |
OK, Maggie, let's have a look. | 0:35:00 | 0:35:02 | |
Priced at £315,000, | 0:35:02 | 0:35:06 | |
our well-situated mystery house nudges over Norma's budget. | 0:35:06 | 0:35:10 | |
But as it is currently a buyers' market, | 0:35:10 | 0:35:12 | |
she's in a strong position to make a competitive offer. | 0:35:12 | 0:35:15 | |
It has a cosy reception room with period features, | 0:35:15 | 0:35:18 | |
a large modern kitchen, three bedrooms, one set up as a study. | 0:35:18 | 0:35:22 | |
And although the garden is small, | 0:35:22 | 0:35:25 | |
the village green is just a stone's throw away. | 0:35:25 | 0:35:29 | |
I thought it was really lovely. I really liked it. | 0:35:29 | 0:35:31 | |
I like the village it's in. You can walk in and it feels as though there's a good flow to it. | 0:35:31 | 0:35:35 | |
And there's lots of windows. You've got good views. | 0:35:35 | 0:35:39 | |
There's a wonderful ambience in here. There's a familiarity. | 0:35:39 | 0:35:42 | |
Um, it's charming. The interior of this house, | 0:35:42 | 0:35:47 | |
there's nothing to complain about. | 0:35:47 | 0:35:49 | |
But the garden would take a little bit of work to dog proof. | 0:35:49 | 0:35:54 | |
-It's a glorious door. -Lovely door. | 0:35:54 | 0:35:56 | |
If you can shut it behind you, that would be great. | 0:35:56 | 0:35:59 | |
-Time for us to regroup. You seen all your houses. Time to think. -Indeed. | 0:35:59 | 0:36:04 | |
In a leafy part of Warwickshire not far from the city of Coventry | 0:36:12 | 0:36:15 | |
lie 10 acres of display gardens, | 0:36:15 | 0:36:18 | |
which are all managed entirely organically, | 0:36:18 | 0:36:21 | |
the headquarters of the National Charity for Organic Growing, | 0:36:21 | 0:36:25 | |
which opened its Ryton Gardens site back in 1986, | 0:36:25 | 0:36:30 | |
to advise visitors on every aspect of organic horticulture. | 0:36:30 | 0:36:33 | |
It's also the home of a project that's proving vital | 0:36:33 | 0:36:36 | |
in preserving our vegetable heritage. | 0:36:36 | 0:36:40 | |
It's thought that since the 1970s, | 0:36:40 | 0:36:42 | |
some 2,000 varieties of vegetable have been lost here in the UK, | 0:36:42 | 0:36:47 | |
mainly due to the standardisation of our vegetable types by supermarkets, | 0:36:47 | 0:36:51 | |
seed companies and the EU. | 0:36:51 | 0:36:53 | |
Since 1991, the Heritage Seed Library has been amassing | 0:36:53 | 0:36:58 | |
the seeds of around 800 rare and endangered vegetable varieties | 0:36:58 | 0:37:02 | |
that would otherwise have been lost for ever. | 0:37:02 | 0:37:05 | |
I've come to meet Chief Horticultural Officer Bob Sherman, | 0:37:05 | 0:37:08 | |
who's going to show me some of the preservation in action. | 0:37:08 | 0:37:13 | |
I can see here these are all run to seed. | 0:37:13 | 0:37:15 | |
Usually in a garden we would have deadheaded all these. | 0:37:15 | 0:37:17 | |
Yes, or eaten them, preferably, if they're vegetables. | 0:37:17 | 0:37:20 | |
But we want to show people in this display | 0:37:20 | 0:37:24 | |
just what seeding vegetables might look like. | 0:37:24 | 0:37:27 | |
You've got a whole variety of things. You've got carrots in the foreground. | 0:37:27 | 0:37:31 | |
-These are carrots? -These are carrots here. | 0:37:31 | 0:37:33 | |
And then the bigger, taller things in the back, those are parsnips. | 0:37:33 | 0:37:36 | |
-It's amazing. You would never let them go to seed. -You wouldn't. | 0:37:36 | 0:37:41 | |
And some of them, it's extraordinary. | 0:37:41 | 0:37:43 | |
-The flowers of beetroot smell like sweet peas. -Really? | 0:37:43 | 0:37:46 | |
That's extraordinary. I suppose because we're so used to thinking they just come in packet. | 0:37:46 | 0:37:50 | |
Yes. This is growing it yourself. This is nature in the raw. | 0:37:50 | 0:37:55 | |
Back in the heyday, just imagine the golden era of gardening, | 0:37:55 | 0:37:59 | |
would people have let things go to seed | 0:37:59 | 0:38:02 | |
and then collect the seeds and then planted them again? | 0:38:02 | 0:38:05 | |
At one time it was the only way to get seeds. | 0:38:05 | 0:38:07 | |
Seed companies are a modern invention, | 0:38:07 | 0:38:09 | |
relative to the history of agriculture. | 0:38:09 | 0:38:12 | |
Seed companies only start to appear really in the 18th century | 0:38:13 | 0:38:16 | |
and reach their peak in the 19th century when they were just loads! | 0:38:16 | 0:38:20 | |
What has happened is, of course, that commerce has meant | 0:38:20 | 0:38:22 | |
that everything has shrunk down to the biggest, most successful players, | 0:38:22 | 0:38:27 | |
and there are far fewer seed companies than there used to be. | 0:38:27 | 0:38:30 | |
As the charity can't physically grow every type of vegetable, | 0:38:30 | 0:38:34 | |
they also rely on people they call seed guardians - | 0:38:34 | 0:38:37 | |
a network of around 200 volunteers, | 0:38:37 | 0:38:40 | |
who take on the responsibility of producing the seeds for them. | 0:38:40 | 0:38:45 | |
And it's also volunteers like Rob here who sort the 40,000 packets of seeds | 0:38:45 | 0:38:50 | |
that are annually distributed to the charity's 8,000 members. | 0:38:50 | 0:38:54 | |
Over the decades, many varieties have been dropped from popular seed catalogues. | 0:38:54 | 0:38:59 | |
The seed library collection contains many of these - | 0:38:59 | 0:39:02 | |
but also a large number of family heirloom varieties. | 0:39:02 | 0:39:05 | |
I went to sample one such variety with the help of a volunteer, Sally. | 0:39:07 | 0:39:11 | |
This is Mr Gupta's Mustard. | 0:39:11 | 0:39:13 | |
-It's a traditional... -Indian? -Yes. -I'm guessing, by "Mr Gupta". -Yes. | 0:39:13 | 0:39:18 | |
It's used in Punjabi recipes. A very traditional thing. | 0:39:18 | 0:39:22 | |
Now is it called Mr Gupta's because Mr Gupta sent it in? | 0:39:22 | 0:39:26 | |
-Yes, he gave it us. -Ah. | 0:39:26 | 0:39:28 | |
That's great. | 0:39:28 | 0:39:29 | |
So, say I've got Mr Gupta's delicious mustard... | 0:39:29 | 0:39:35 | |
What do we do? What's the procedure? | 0:39:35 | 0:39:37 | |
I harvest a bit, dry them, and then send them in to you? | 0:39:37 | 0:39:40 | |
If you think you've got something interesting that we may not have, | 0:39:40 | 0:39:44 | |
then send them in as clean and as dry as you can. | 0:39:44 | 0:39:47 | |
We will then check them out, grow them to see what they're like, | 0:39:47 | 0:39:50 | |
and see that they're truly different, and interesting, | 0:39:50 | 0:39:54 | |
and we want the back-story if we can get it, too, | 0:39:54 | 0:39:56 | |
because that's all part of the history and heritage. | 0:39:56 | 0:39:59 | |
And then we will make them available to other people. | 0:39:59 | 0:40:01 | |
-And so the library goes on. -Does! | 0:40:01 | 0:40:03 | |
What's great about this scheme is that it directly involves | 0:40:03 | 0:40:07 | |
our nation of gardeners in nurturing and sharing rare vegetable varieties, | 0:40:07 | 0:40:11 | |
ensuring they remain part of our country's horticultural heritage. | 0:40:11 | 0:40:15 | |
I'm sorry to have to leave, but I have to find my home-buyer | 0:40:15 | 0:40:17 | |
and find out what she's been thinking. But it's been a great day. | 0:40:17 | 0:40:20 | |
It's been great to have you here. | 0:40:20 | 0:40:22 | |
Norma and Maggie, it's been a joy showing you around Warwickshire. | 0:40:26 | 0:40:30 | |
A joy. And I think we've showed you some nice houses. | 0:40:30 | 0:40:34 | |
-Very nice houses. -They've all been exceptional. | 0:40:34 | 0:40:37 | |
Without fail. All of them. | 0:40:37 | 0:40:39 | |
Let's spin back the clock and look at the houses one by one. | 0:40:39 | 0:40:42 | |
-Yes. -The first house - yesterday morning - | 0:40:42 | 0:40:44 | |
-that was the thatched cottage. -Yes. Simply beautiful. | 0:40:44 | 0:40:48 | |
-Absolutely what I ordered. -Chocolate box. Very English. | 0:40:48 | 0:40:51 | |
Delightful. | 0:40:51 | 0:40:52 | |
And what about the rooms inside? | 0:40:52 | 0:40:55 | |
I found them very charming. Slightly larger than I expected. | 0:40:56 | 0:40:59 | |
-I did think they'd be more closed in. -What about the garden? | 0:40:59 | 0:41:03 | |
Well, the garden is the thing that made the house, I think. | 0:41:03 | 0:41:06 | |
I feel that if the garden hadn't been so spectacular, | 0:41:06 | 0:41:10 | |
it might not have rated quite as highly. | 0:41:10 | 0:41:13 | |
-The house was superb, but the garden topped it off. -Yes. -Delightful. | 0:41:13 | 0:41:18 | |
So for the second house - we took you to another very nice village. | 0:41:18 | 0:41:21 | |
You had reservations about the location. | 0:41:21 | 0:41:24 | |
I did. In terms of approaching the house, | 0:41:24 | 0:41:26 | |
I was pleasantly pleased with the expanse of it. | 0:41:26 | 0:41:29 | |
Very sweet garden, everything was great. | 0:41:29 | 0:41:32 | |
But the fact it was situated directly across from a pub... | 0:41:32 | 0:41:36 | |
It concerned me a little bit... Noise-factor. | 0:41:36 | 0:41:38 | |
What about the inside of the property? | 0:41:38 | 0:41:41 | |
Because it seemed a different layout from the first one. | 0:41:41 | 0:41:44 | |
More spacious in some areas - very beautiful, very attractive. | 0:41:44 | 0:41:48 | |
-Very attractive. Very sunny. -Yes. | 0:41:48 | 0:41:51 | |
But I did find, again, the ceilings very low. | 0:41:51 | 0:41:54 | |
-So the mystery house had high ceilings. -Yes. | 0:41:54 | 0:41:57 | |
-Which pleased you. -It did. I really liked the atmosphere in that house. | 0:41:57 | 0:42:01 | |
I felt that I could live in that house. | 0:42:01 | 0:42:04 | |
-From a personal point of view. -Sure. | 0:42:04 | 0:42:06 | |
-But I knew that the garden was going to be a...a no-no. -A deal-breaker. | 0:42:06 | 0:42:11 | |
It was very welcoming, | 0:42:11 | 0:42:13 | |
and felt very much immediately like a family home, which it is. | 0:42:13 | 0:42:16 | |
And the interior - fantastic - really nice. | 0:42:16 | 0:42:19 | |
Looking at all three properties, what have you taken from the week? | 0:42:19 | 0:42:23 | |
Well, I will revisit that first house. | 0:42:23 | 0:42:26 | |
-So the first house you might act on? -I'll take SOME action. | 0:42:26 | 0:42:29 | |
I've got to find out how much it would cost to re-thatch it, | 0:42:29 | 0:42:32 | |
and based on that being manageable over the years, | 0:42:32 | 0:42:35 | |
I'm arranging a re-visit. | 0:42:35 | 0:42:37 | |
Well, I wish you all the best, it has been a real pleasure, | 0:42:37 | 0:42:39 | |
because you've both got lots to say about all the properties | 0:42:39 | 0:42:42 | |
and it's been really interesting taking you to these villages, | 0:42:42 | 0:42:45 | |
which are new to you. And I hope you move in soon! | 0:42:45 | 0:42:48 | |
Big thanks to you and the team. | 0:42:48 | 0:42:49 | |
Yes, it's been great, thank you. | 0:42:49 | 0:42:51 | |
Well, I have to say Norma kept us on our toes this week. | 0:42:55 | 0:42:58 | |
Because although she had a healthy budget - | 0:42:58 | 0:43:01 | |
£300,000 is a lot of money - | 0:43:01 | 0:43:02 | |
it does get stretched when you get close to Leamington Spa. | 0:43:02 | 0:43:06 | |
So I'm quite proud that we managed to find her that thatched cottage, | 0:43:06 | 0:43:09 | |
that I think will be a dream property. | 0:43:09 | 0:43:11 | |
If you've enjoyed our escapades here in rural Warwickshire, | 0:43:11 | 0:43:14 | |
then do join us next time for more Escape to the Country. | 0:43:14 | 0:43:18 | |
If you'd like to escape to the country | 0:43:18 | 0:43:20 | |
in Scotland, Wales, Northern Ireland or England | 0:43:20 | 0:43:22 | |
and need our help, please apply online at: | 0:43:22 | 0:43:26 | |
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