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The county I'm in today is home to around 40,000 buildings like these made simply from mud. | 0:00:02 | 0:00:06 | |
Find out how they've weathered the test of time in just a few moments. | 0:00:06 | 0:00:10 | |
'On today's show, I'm accompanying a novelist and her daughter | 0:00:40 | 0:00:44 | |
'who've always lived in rented accommodation | 0:00:44 | 0:00:46 | |
'to buy their first house, a dream home in the country. | 0:00:46 | 0:00:50 | |
'Along the way, we find them the ideal place for family celebrations.' | 0:00:50 | 0:00:55 | |
-Oh, I can imagine Christmas here. Can you? -Yeah. -THEY LAUGH | 0:00:55 | 0:01:00 | |
'But later, it becomes a battle of the bedrooms.' | 0:01:00 | 0:01:03 | |
-This is mine. -Oh! -You can go and find your own room. | 0:01:03 | 0:01:08 | |
Today I'm in Devon, and here in the village of Drewsteignton | 0:01:10 | 0:01:13 | |
are some fantastic examples of properties dating as far back as the 15th century | 0:01:13 | 0:01:18 | |
made simply out of straw and soil, known as cob. | 0:01:18 | 0:01:22 | |
The clay-like soil found in this area had the ideal qualities for cob construction, | 0:01:22 | 0:01:27 | |
which is why so much of this type of architecture | 0:01:27 | 0:01:30 | |
can be found right across the county. | 0:01:30 | 0:01:32 | |
You may be thinking that using earth for building is a little primitive. | 0:01:32 | 0:01:36 | |
But because the materials are relatively cheap and eco-friendly, | 0:01:36 | 0:01:40 | |
cob construction methods can still be found in the county today. | 0:01:40 | 0:01:44 | |
And I'll be finding out what's involved in that process later in the programme. | 0:01:44 | 0:01:47 | |
But first, let's take a look at the county's other enduring features. | 0:01:47 | 0:01:51 | |
'Lying in southwest England, | 0:01:51 | 0:01:54 | |
'Devon is the only county with two separate coastlines. | 0:01:54 | 0:01:58 | |
'The North Atlantic coast is popular with surfers | 0:01:58 | 0:02:01 | |
'and is home to some of the finest beaches in England. | 0:02:01 | 0:02:04 | |
'The sandy expanse of shoreline in Croyde attracts sea-loving visitors, | 0:02:04 | 0:02:08 | |
'while the village itself, which lies within the North Devon area of outstanding natural beauty, | 0:02:08 | 0:02:12 | |
'exudes gentrified charm. | 0:02:12 | 0:02:15 | |
'Devon's landscape has provided the inspiration for many literary greats. | 0:02:15 | 0:02:20 | |
'Sir Arthur Conan Doyle, the creator of Sherlock Holmes, | 0:02:20 | 0:02:23 | |
'used the wild, windswept southern landscape of Dartmoor | 0:02:23 | 0:02:27 | |
'as the backdrop for his most famous tale, The Hound Of The Baskervilles. | 0:02:27 | 0:02:31 | |
'The dramatic countryside around Exmoor inspired author RD Blackmore to set Lorna Doone there. | 0:02:31 | 0:02:38 | |
'Westward Ho!, the Victorian resort on the north Devon coast, | 0:02:38 | 0:02:41 | |
'was named after Charles Kingsley's novel from 1855. | 0:02:41 | 0:02:46 | |
'In the book he describes nearby Appledore | 0:02:46 | 0:02:48 | |
'as a little, white fishing village. | 0:02:48 | 0:02:50 | |
'In fact, this quayside community was the largest importer of tobacco in Elizabethan times | 0:02:50 | 0:02:56 | |
'and has been a thriving fishing port since the 14th century.' | 0:02:56 | 0:03:00 | |
Devon's popularity is reflected in its house prices. | 0:03:01 | 0:03:04 | |
The average cost of a detached property here is around £290,000. | 0:03:04 | 0:03:09 | |
That's around £35,000 above the national figure. | 0:03:09 | 0:03:13 | |
Now, generally speaking, your money stretches further in the north of the county. | 0:03:13 | 0:03:17 | |
So try out villages like South Molton and Bampton, | 0:03:17 | 0:03:20 | |
which will also get you closer to Exmoor National Park. | 0:03:20 | 0:03:23 | |
This, however, is in stark contrast | 0:03:23 | 0:03:25 | |
to the costly hotspots on the south coast, such as Salcombe and Dartmouth, | 0:03:25 | 0:03:29 | |
which seem to be perennially popular with the sailing fraternity. | 0:03:29 | 0:03:33 | |
But if you fancy heading inland | 0:03:33 | 0:03:35 | |
and sampling some of Devon's lush countryside, | 0:03:35 | 0:03:37 | |
try heading to central villages like Hatherleigh, | 0:03:37 | 0:03:39 | |
where you'll also get generally more value for money. | 0:03:39 | 0:03:42 | |
But no matter where you look in this fantastic county, | 0:03:42 | 0:03:44 | |
I think it's pretty fair to say there is a greater range of properties on offer. | 0:03:44 | 0:03:48 | |
'If there's one architectural style that typifies Devon, it has to be cob housing. | 0:03:50 | 0:03:55 | |
'Used since the 13th century, it involves the use of local earth materials | 0:03:55 | 0:03:59 | |
'such as straw, soil and water. | 0:03:59 | 0:04:02 | |
'And it's enjoying something of a revival here. | 0:04:02 | 0:04:04 | |
'In the attractive west Devon village of Drewsteignton, this Grade II end-of-terrace cottage | 0:04:04 | 0:04:09 | |
'with a thatched roof and two beds is priced at £275,000. | 0:04:09 | 0:04:14 | |
'And thatched properties are also a recurring theme | 0:04:14 | 0:04:17 | |
'in the pretty villages and hamlets across the county. | 0:04:17 | 0:04:20 | |
'Despite being a natural material, | 0:04:20 | 0:04:22 | |
'each straw thatch has a lifespan of around 25 years. | 0:04:22 | 0:04:27 | |
'This traditional whitewash property in the north Devon village of Chittlehampton is Grade II listed. | 0:04:27 | 0:04:32 | |
'It comes with three bedrooms, along with an attached barn, | 0:04:32 | 0:04:35 | |
'and is on the market for £385,000.' | 0:04:35 | 0:04:39 | |
Well, such a range of houses should certainly be of interest to today's buyers. Let's meet them. | 0:04:41 | 0:04:47 | |
'In today's house-hunting tale, | 0:04:48 | 0:04:50 | |
'Helen, an author of swashbuckling historical novels, | 0:04:50 | 0:04:53 | |
'is on a quest to find a country home with daughter Cathy. | 0:04:53 | 0:04:56 | |
'After living with Helen's husband, Ron, in their rented East London home for the past 17 years, | 0:04:56 | 0:05:01 | |
'good fortune has smiled on the family. | 0:05:01 | 0:05:05 | |
'Out of the blue, their dream of an escape to the country has turned into a reality.' | 0:05:05 | 0:05:10 | |
The reason why we want to move is we unexpectedly had a little bit of a windfall | 0:05:10 | 0:05:15 | |
which has given as the financial opportunity to move away. | 0:05:15 | 0:05:19 | |
-We want to move yesterday. -SHE LAUGHS | 0:05:19 | 0:05:22 | |
It would be just so nice to get away from London, | 0:05:22 | 0:05:25 | |
take the chance to slow down a little bit, | 0:05:25 | 0:05:28 | |
appreciate the countryside, | 0:05:28 | 0:05:30 | |
-and the opportunity has arisen, and we're going to take it, aren't we? -Yeah. | 0:05:30 | 0:05:35 | |
'It's Cathy's passion for horses that is really driving the family's enthusiasm for a change of scenery.' | 0:05:35 | 0:05:41 | |
I've got two horses at the moment, Lexi and Jasper. | 0:05:41 | 0:05:45 | |
We've always really wanted to move out cos of having the horses, | 0:05:45 | 0:05:49 | |
it's not practical, really, for where we are. | 0:05:49 | 0:05:51 | |
So finding somewhere with stables and land | 0:05:51 | 0:05:55 | |
would be a good move. | 0:05:55 | 0:05:57 | |
'So for Ron, Helen and Cathy's first house purchase they're off to Devon, | 0:05:57 | 0:06:02 | |
'which has served as an inspiration for Helen's latest pirate adventure novels.' | 0:06:02 | 0:06:06 | |
I think we were just talking one day and I said, "What about Devon?" | 0:06:07 | 0:06:11 | |
And both you and Dad went, "Oh, yeah, Devon would be nice." | 0:06:11 | 0:06:14 | |
-And that was it. -Mm. -Devon it is. | 0:06:14 | 0:06:19 | |
'While Cathy's fantasy is setting up livery stables | 0:06:19 | 0:06:21 | |
'and retiree Ron is in the garden tending to his pigeons, | 0:06:21 | 0:06:25 | |
'Helen will be getting stuck into her writing work.' | 0:06:25 | 0:06:27 | |
I'm not sure what I'm going to do for my next project. | 0:06:27 | 0:06:30 | |
It'll probably be another serious historical fiction. I've got a couple of ideas. | 0:06:30 | 0:06:34 | |
I'm just waiting for the inspiration of the view from my new study. | 0:06:34 | 0:06:39 | |
'So with a study and stables top of the wish list, | 0:06:40 | 0:06:42 | |
'there's one more thing Helen would really like from her new home.' | 0:06:42 | 0:06:46 | |
Somewhere we can move straight into. That is, I think, another priority. | 0:06:46 | 0:06:50 | |
Ron is a lot older than me. He doesn't really want to do work there. | 0:06:50 | 0:06:54 | |
He wants to go and enjoy his retirement. | 0:06:54 | 0:06:56 | |
'And husband Ron is very much taking a back seat in the property search.' | 0:06:56 | 0:07:00 | |
Helen knows what I want. I've told her. | 0:07:00 | 0:07:04 | |
And I trust them wholly to get it right first time | 0:07:04 | 0:07:09 | |
and sort it out in one go. I don't want to be mucked about. | 0:07:09 | 0:07:13 | |
'Being cash buyers will certainly help them move quickly.' | 0:07:13 | 0:07:18 | |
The maximum for our budget would be £620,000. | 0:07:18 | 0:07:22 | |
'North and central Devon are Helen and Cathy's preferred areas, | 0:07:28 | 0:07:31 | |
'ideally close to South Molton | 0:07:31 | 0:07:33 | |
'or the region Helen has written about in her latest novel, | 0:07:33 | 0:07:36 | |
'which includes the town of Bideford. | 0:07:36 | 0:07:39 | |
'They came to Devon to tell me more about their fantasy future home.' | 0:07:39 | 0:07:42 | |
Well, ladies, welcome to a Devonshire morning, | 0:07:42 | 0:07:45 | |
-quite a departure from Walthamstow, I'd have thought. -It is a little bit. Yes. | 0:07:45 | 0:07:49 | |
-What are the must haves, then? Cathy, for you? -Erm, it's mainly the stables, | 0:07:49 | 0:07:53 | |
-in that sense, because they are my main thing. -OK. | 0:07:53 | 0:07:57 | |
Well, I suppose my must have would be I need somewhere where I can write. | 0:07:57 | 0:08:03 | |
What kind of house are we looking for? I take it it's going to be a smallholding of some sort, is it? | 0:08:03 | 0:08:08 | |
Well, something with stables and land, | 0:08:08 | 0:08:10 | |
-and we want somewhere where Cathy can have your own bedroom, sitting room. -Space, yeah. | 0:08:10 | 0:08:16 | |
Somewhere where we can be together as a family, but where Cathy can have her independence. | 0:08:16 | 0:08:20 | |
We're looking for a lot of property all of a sudden. | 0:08:20 | 0:08:23 | |
-Yeah, it's quite a bit, isn't it, really? -Yeah. | 0:08:23 | 0:08:26 | |
I think basically a house with four bedrooms. | 0:08:26 | 0:08:28 | |
-OK. -A couple of reception rooms. | 0:08:28 | 0:08:31 | |
An annexe would be nice, but then you're looking price-wise, as well. | 0:08:31 | 0:08:35 | |
How soon can you move? Do you need to borrow any money? | 0:08:35 | 0:08:38 | |
-No, we're cash buyers. -So you can do the deal. -We can move in tomorrow. | 0:08:38 | 0:08:42 | |
-This is exciting, isn't it? -It certainly is, yes. | 0:08:42 | 0:08:45 | |
Hugely exciting. Let's not pause any longer. | 0:08:45 | 0:08:48 | |
Let's get on with it. This way. | 0:08:48 | 0:08:51 | |
'Helen and Cathy have a specific list of what they hope to find | 0:08:52 | 0:08:55 | |
'for their budget of £620,000. | 0:08:55 | 0:08:58 | |
'First off, it has to be a character property with a study for Helen, | 0:08:58 | 0:09:02 | |
'a minimum of four bedrooms, | 0:09:02 | 0:09:04 | |
'and have a separate area or annexe for Cathy if possible. | 0:09:04 | 0:09:08 | |
'Outside they're after stables | 0:09:08 | 0:09:11 | |
'and at least eight acres of land for the horses to graze on. | 0:09:11 | 0:09:14 | |
'I'll be showing them three properties that we hope will inspire them. | 0:09:14 | 0:09:18 | |
'At each one, we'll be playing a price-guessing game after we've had a look around. | 0:09:18 | 0:09:22 | |
'Last up will be our mystery house, which could offer them everything | 0:09:22 | 0:09:26 | |
'as long as they're prepared to work for it. | 0:09:26 | 0:09:29 | |
'But let's head off to house number one.' | 0:09:29 | 0:09:32 | |
One practical thing that comes across my mind is the fact that | 0:09:35 | 0:09:39 | |
you're moving to a very rural environment | 0:09:39 | 0:09:43 | |
and neither of you drive. How are you going to get about? | 0:09:43 | 0:09:46 | |
-Well, Cathy is going to learn to drive. -Yeah. | 0:09:46 | 0:09:49 | |
-And we might get a pony and trap, might we? -Yeah. | 0:09:49 | 0:09:52 | |
Really? It's like going back in time, isn't it? | 0:09:52 | 0:09:55 | |
Yeah. Why not? | 0:09:55 | 0:09:57 | |
-I write historical fiction. It's good for research. -There you go. | 0:09:57 | 0:10:01 | |
'Mindful of the preferred location, | 0:10:04 | 0:10:06 | |
'we've travelled around six and a half miles from South Molton to Chittlehamholt. | 0:10:06 | 0:10:11 | |
'Situated in the Taw Valley, this pretty village is full of history and character, | 0:10:11 | 0:10:15 | |
'with a thatched traditional coaching inn dating back to the 16th century | 0:10:15 | 0:10:19 | |
'and a community hall which hosts a variety of activities. | 0:10:19 | 0:10:23 | |
'Our first property continues the historic theme. | 0:10:23 | 0:10:27 | |
'Dating back in parts to the late 1700s, | 0:10:27 | 0:10:30 | |
'it was once a dairy farm and it provides the peaceful rural setting | 0:10:30 | 0:10:34 | |
'along with all the outbuildings and acreage.' | 0:10:34 | 0:10:37 | |
I want you to start here, really, cos this is where you get the best view of the house itself. | 0:10:38 | 0:10:44 | |
-Ooh, this is nice. -Isn't it just? | 0:10:44 | 0:10:46 | |
Ooh, yes. | 0:10:46 | 0:10:48 | |
-And lovely and quiet. -Well, listen, there's... | 0:10:48 | 0:10:50 | |
-..nothing to hear. -Lovely! -Nothing at all. | 0:10:51 | 0:10:54 | |
There's a lot of history in this house. | 0:10:54 | 0:10:57 | |
-You said you wanted character, didn't you? -Yes. | 0:10:57 | 0:11:00 | |
Yeah, it looks a nice old cottage. | 0:11:00 | 0:11:02 | |
-Yeah, we'll see what it's got inside and see what size it is. -Yeah. | 0:11:02 | 0:11:06 | |
OK. Let's go inside. This way. | 0:11:06 | 0:11:09 | |
'So the period charm of this stone property | 0:11:11 | 0:11:14 | |
'is working its magic so far. And as we walk around to the back door, | 0:11:14 | 0:11:17 | |
'in typical farmhouse fashion, | 0:11:17 | 0:11:19 | |
'I'm hoping they'll be impressed with what they find inside.' | 0:11:19 | 0:11:22 | |
Now then, I'm not sure just how important the kitchen is to you ladies, | 0:11:22 | 0:11:27 | |
but I thought this was rather lovely. | 0:11:27 | 0:11:29 | |
-Yes. It is quite a nice size, actually, isn't it? -It's a proper farm kitchen, isn't it? | 0:11:29 | 0:11:33 | |
Just through there, there's a little dining room with patio doors | 0:11:33 | 0:11:36 | |
-going out to a sun terrace, cos south is that way. -Right. | 0:11:36 | 0:11:40 | |
Do you like... How is it... | 0:11:40 | 0:11:43 | |
A lot of people talk about this fuzzy feeling that they get when they walk into a home. | 0:11:43 | 0:11:46 | |
Certainly you spend a lot more time in the house because you work from here, don't you? | 0:11:46 | 0:11:50 | |
-Yes. -If I can squeeze past you, Cathy, let's go to the living room next. | 0:11:50 | 0:11:53 | |
'I know Helen needs somewhere to write and she'll find it just off the main reception area, | 0:11:53 | 0:11:57 | |
'which is wonderfully atmospheric and brimming with period detail.' | 0:11:57 | 0:12:01 | |
This is where you're starting to feel the real age of the property and character that you're after. | 0:12:01 | 0:12:06 | |
Oh, this is nice. Oh! | 0:12:06 | 0:12:09 | |
-I can imagine Christmas here, can't you? -Yeah. | 0:12:09 | 0:12:12 | |
Is this is the sort of thing you like, as well, Cathy? | 0:12:12 | 0:12:15 | |
-Yeah, I like the all the old things and everything. -Yeah. OK. | 0:12:15 | 0:12:19 | |
-You did say you wanted to work from home. -Yeah. -And I was thinking, | 0:12:19 | 0:12:23 | |
the study for you could be just through here. Let's have a look. | 0:12:23 | 0:12:27 | |
Now, Helen, do mind your step. | 0:12:27 | 0:12:29 | |
Is this big enough for a writing room or a study? | 0:12:29 | 0:12:33 | |
Yes. Yes. And it's nice and light and airy and I've got a view. | 0:12:33 | 0:12:37 | |
It could be nice and quiet. | 0:12:38 | 0:12:40 | |
-This is not going to be my study or my office, this would be my snug. -Oh, right! | 0:12:40 | 0:12:45 | |
Somehow, I think writing books has taken a back seat, all of a sudden. | 0:12:45 | 0:12:49 | |
-Yes, I'm not going to get any work done. -Oh. | 0:12:49 | 0:12:52 | |
-All right. -Great! -Perfect. If you're happy, I'm happy. -Yes. | 0:12:52 | 0:12:57 | |
'Helen seems so smitten by this house, she's thinking of giving up the day job. | 0:12:58 | 0:13:03 | |
'Now we're going to head upstairs, which certainly delivers, as there are four bedrooms in all. | 0:13:03 | 0:13:08 | |
'Two good size doubles with exposed beams, | 0:13:08 | 0:13:10 | |
'one which also has a cast iron fireplace, | 0:13:10 | 0:13:13 | |
'and a further double in the newer, 19th-century part of the house. | 0:13:13 | 0:13:17 | |
'But we're heading for the largest one.' | 0:13:17 | 0:13:20 | |
This, I think, is the master bedroom out of four bedrooms you have. | 0:13:20 | 0:13:25 | |
Oh, nice. | 0:13:25 | 0:13:27 | |
Four bedrooms, one bathroom, a really lovely family bathroom. | 0:13:27 | 0:13:30 | |
But I know you said ideally you would like to have your own bathrooms. | 0:13:30 | 0:13:33 | |
You don't have that here. OK? So this is a compromise. | 0:13:33 | 0:13:37 | |
Well, Helen, if we've got you onboard with the house, | 0:13:37 | 0:13:40 | |
-we need to get you, Cathy, on board with the land and the stables. -Yeah. | 0:13:40 | 0:13:43 | |
I think you might be, anyway. Let's hope so. | 0:13:43 | 0:13:46 | |
-Just through here. -Let's go see. | 0:13:46 | 0:13:48 | |
'Outside there are two good-size outbuildings, a cow shed and a dairy, | 0:13:49 | 0:13:53 | |
'which offers great conversion potential for that independent living space for Cathy, | 0:13:53 | 0:13:58 | |
'with the right permissions in place, of course. | 0:13:58 | 0:14:00 | |
'There's also some up and running equestrian facilities for her future riding business.' | 0:14:00 | 0:14:05 | |
Stables you wanted. Stables you have. | 0:14:05 | 0:14:09 | |
-Right. -Ooh! -Four boxes. -Yeah. -They look all right. | 0:14:09 | 0:14:13 | |
-Right at the end of the garden. -Yeah. -Yeah. | 0:14:13 | 0:14:17 | |
-Are these the sort of things you had in mind? -Yeah, similar. | 0:14:17 | 0:14:20 | |
It'd be nice maybe to have a few more to branch out into a livery, | 0:14:20 | 0:14:24 | |
but I don't know what field space there is. | 0:14:24 | 0:14:27 | |
-The only thing you haven't looked at yet is the land. -Yep. | 0:14:27 | 0:14:29 | |
-And there's loads of that. Come with me. -Brilliant. | 0:14:29 | 0:14:32 | |
'So, along with the stables, Cathy was hoping for around eight acres of land. | 0:14:33 | 0:14:38 | |
'And with this property, we've more than delivered, | 0:14:38 | 0:14:41 | |
'as she's got two paddocks here, | 0:14:41 | 0:14:43 | |
'along with the top field which is the same size as the paddocks together.' | 0:14:43 | 0:14:46 | |
How much land is here? | 0:14:46 | 0:14:48 | |
-13 acres. -Right. | 0:14:48 | 0:14:51 | |
-I think that's enough, don't you? -I hope so. | 0:14:51 | 0:14:54 | |
-You've got the stable yard to yourself. -Yeah. | 0:14:54 | 0:14:56 | |
How much do you think this house is on the market for? With all of its land? | 0:14:56 | 0:14:59 | |
-I'd say, what, 600? -OK. Cathy? -What do you reckon? | 0:14:59 | 0:15:04 | |
I think maybe a little bit more, maybe, like, 615. | 0:15:04 | 0:15:07 | |
You'll be pleasantly surprised to hear that this place is on the market for offers around £575,000. | 0:15:07 | 0:15:13 | |
-Oh, right. That's quite a bit lower. -OK. Definitely sold. | 0:15:13 | 0:15:18 | |
Yeah. I think first off, go back and look at the stables, | 0:15:18 | 0:15:20 | |
then go into the house, have a good look around the house itself. | 0:15:20 | 0:15:24 | |
And then, whenever you're finished, we'll go on to the next property. | 0:15:24 | 0:15:28 | |
-OK. -OK. -All right? -Yep. -Go and have another look. | 0:15:28 | 0:15:30 | |
-Away you go. Good luck. -Thank you. | 0:15:30 | 0:15:34 | |
'At £575,000, the price is a nice twist in the tale, | 0:15:34 | 0:15:38 | |
'as this house comes in well under budget | 0:15:38 | 0:15:40 | |
'and addresses all the elements they asked for. | 0:15:40 | 0:15:43 | |
'Helen gets her study-cum-snug, | 0:15:43 | 0:15:46 | |
'a characterful sitting room and four bedrooms. | 0:15:46 | 0:15:49 | |
'Outside, the horses are well-catered for, with four stables. | 0:15:49 | 0:15:53 | |
'And there's an outbuilding which Cathy could develop for herself. | 0:15:53 | 0:15:56 | |
'All set in 13 acres of paddocks and fields.' | 0:15:56 | 0:15:59 | |
They're good-sized stables. There's only four of them | 0:16:00 | 0:16:03 | |
so one would obviously have to be for tack and feed. | 0:16:03 | 0:16:06 | |
It's mainly the space in the house, I think, | 0:16:06 | 0:16:09 | |
more than the actual land and the stables. | 0:16:09 | 0:16:11 | |
So there's another bedroom. But you could have that as your bedroom | 0:16:14 | 0:16:19 | |
and this could be the sitting room, cos you've got a nice fire there. | 0:16:19 | 0:16:22 | |
It could make a nice little cosy sitting room for you. | 0:16:22 | 0:16:25 | |
I love the house. It's just the right sort of period. | 0:16:25 | 0:16:29 | |
I can feel there's such an atmosphere in there. | 0:16:29 | 0:16:32 | |
I know I can sit and write in that place. | 0:16:32 | 0:16:34 | |
-When can we move in? -SHE LAUGHS | 0:16:34 | 0:16:37 | |
-I don't want to go home! -SHE LAUGHS | 0:16:37 | 0:16:41 | |
There's so much to look at. | 0:16:42 | 0:16:45 | |
-Hopefully you've seen it all, have you? -I think so, yes. | 0:16:45 | 0:16:47 | |
Well, I have to rush you on because we have another property. | 0:16:47 | 0:16:50 | |
-Hopefully a bit of land to look round again. So let's go. -OK. | 0:16:50 | 0:16:54 | |
'North Devon is dotted with pretty historic villages and market towns | 0:17:05 | 0:17:09 | |
'set in the midst of unspoiled green countryside. | 0:17:09 | 0:17:13 | |
'Great Torrington must be one of the most spectacular | 0:17:13 | 0:17:16 | |
'due to its cliff-top position above the River Torridge. | 0:17:16 | 0:17:20 | |
'Known as the cavalier town, it played a significant role in the English Civil War, | 0:17:20 | 0:17:25 | |
'the battle here marking the end of the Royalist resistance in the West Country. | 0:17:25 | 0:17:29 | |
'The surrounding landscape has remained practically unchanged | 0:17:29 | 0:17:32 | |
'since the 1920s, when Henry Williamson wrote his novel, Tarka The Otter. | 0:17:32 | 0:17:38 | |
'And these days, it's a popular place with walkers, cyclists and horse riders alike. | 0:17:38 | 0:17:43 | |
'As both Helen and Cathy, an expert rider, share an interest in all things equestrian, | 0:17:43 | 0:17:48 | |
'we arranged for them to visit a riding school in nearby Petrockstowe | 0:17:48 | 0:17:52 | |
'to find out more about a traditional mode of transport from its owner, Gail Palmer. | 0:17:52 | 0:17:56 | |
'The 19th century was the golden age of carriage driving, | 0:17:56 | 0:18:00 | |
'when horsepower was the main form of transport.' | 0:18:00 | 0:18:04 | |
The West Country is a good place to do carriage driving | 0:18:04 | 0:18:07 | |
because it's... the roads here are less busy. | 0:18:07 | 0:18:11 | |
And there's more off-road driving you can do, anyway. | 0:18:11 | 0:18:15 | |
There are qualifications that you can take, | 0:18:15 | 0:18:18 | |
such as the Competency Test, | 0:18:18 | 0:18:21 | |
which is something the Great Western Harness Club expect you to have achieved | 0:18:21 | 0:18:26 | |
before you can attend a public event with your own horse. | 0:18:26 | 0:18:31 | |
And then there's the BDS Road Assessment Test, | 0:18:31 | 0:18:34 | |
which speaks for itself, | 0:18:34 | 0:18:36 | |
which is qualifications on how to handle your driving horse on the road. | 0:18:36 | 0:18:42 | |
So how practical would driving a carriage be to, let's say, | 0:18:42 | 0:18:45 | |
going backwards and forwards to the shops and things? | 0:18:45 | 0:18:48 | |
A lot of people now are going back to the old thing now | 0:18:48 | 0:18:52 | |
where they do use carriage and horse for transport, | 0:18:52 | 0:18:55 | |
which would include going to the shops. | 0:18:55 | 0:18:58 | |
'As neither Helen or Cathy drive a car, | 0:18:59 | 0:19:01 | |
'this could be both a very useful and nostalgic way for them to travel | 0:19:01 | 0:19:05 | |
'once they've completed their British Driving Society training. | 0:19:05 | 0:19:09 | |
'One of the skills they would learn would be to harness the horse correctly. | 0:19:09 | 0:19:13 | |
'A key piece of equipment is the breeching, which is worn around the horse's hindquarters.' | 0:19:13 | 0:19:17 | |
But it's this breeching that we need to make sure is correctly fitted, | 0:19:18 | 0:19:23 | |
not too high, not to low, on his hindquarters | 0:19:23 | 0:19:27 | |
cos that's what he stops the carriage with as he's coming downhill. | 0:19:27 | 0:19:31 | |
'Once they've harnessed up, it's time for Helen and Cathy | 0:19:33 | 0:19:35 | |
'to get their protective gear on, too, as the carriage is readied for the off, | 0:19:35 | 0:19:39 | |
'a process that needs an extra pair of hands from assistant Abby. | 0:19:39 | 0:19:42 | |
'Then there's a quick lesson about holding the reins for Cathy, who's going to share the driving.' | 0:19:42 | 0:19:48 | |
This is how you hold the reins in traditional driving. | 0:19:48 | 0:19:53 | |
And your left rein is coming over your index finger | 0:19:53 | 0:19:57 | |
and your right rein is going in the middle of your four fingers. | 0:19:57 | 0:20:00 | |
'The British Driving Society has a Devon branch | 0:20:02 | 0:20:04 | |
'which runs events in the county throughout the year. | 0:20:04 | 0:20:07 | |
'A great way for Cathy and Helen to meet like-minded people.' | 0:20:07 | 0:20:10 | |
That's good. Good boy, Bruno. | 0:20:10 | 0:20:14 | |
-How you feeling? -Yep. | 0:20:18 | 0:20:21 | |
-I can feel his mouth, so... -Yeah, that's good. | 0:20:21 | 0:20:25 | |
'Now they've enjoyed a ride through the Devon countryside, | 0:20:27 | 0:20:30 | |
'let's hope we can steer Helen and Cathy in the right direction | 0:20:30 | 0:20:34 | |
'as our house-hunt continues.' | 0:20:34 | 0:20:36 | |
'Chapter two on our journey takes us close to the village of Bishops Nympton, | 0:20:41 | 0:20:45 | |
'which lies about three miles from South Molton. | 0:20:45 | 0:20:49 | |
'Once an estate of the Bishop of Exeter, | 0:20:49 | 0:20:51 | |
'it's a charming community in a valley setting | 0:20:51 | 0:20:53 | |
'and home to a whole host of well-preserved buildings. | 0:20:53 | 0:20:57 | |
'The 15th century church tower is a local landmark, | 0:20:57 | 0:21:00 | |
'and along with a shop for everyday necessities, | 0:21:00 | 0:21:02 | |
'there's a very characterful inn where the residents gather and can play a traditional game of skittles. | 0:21:02 | 0:21:07 | |
'Our second property lies around two miles away in the hamlet of Mariansleigh, | 0:21:07 | 0:21:12 | |
'a small cluster of houses on a high exposed ridge. | 0:21:12 | 0:21:16 | |
'This is an entirely different proposition to our first home | 0:21:16 | 0:21:19 | |
'as they'll need to think more laterally about the land, | 0:21:19 | 0:21:21 | |
'while the property itself needs no work at all.' | 0:21:21 | 0:21:24 | |
Well, then, here's the second house. | 0:21:26 | 0:21:30 | |
-Looks nice. -More modern looking, isn't it? -Yes. | 0:21:30 | 0:21:33 | |
-Yeah, by a couple of hundred years, I think. -THEY LAUGH | 0:21:33 | 0:21:36 | |
-This place is just over four years old. -Right. OK. | 0:21:36 | 0:21:40 | |
-What's your first impressions of it? -First impression is it looks very plain and ordinary. | 0:21:40 | 0:21:45 | |
OK. | 0:21:45 | 0:21:47 | |
But I think it could be looks are deceptive, maybe. | 0:21:47 | 0:21:51 | |
-Good. Well, keep an open mind. -Yep. -Let's see what you think of the inside. Let's go. | 0:21:51 | 0:21:55 | |
'I'm glad they're giving this property a chance, because the interior does have character, | 0:21:55 | 0:22:00 | |
'it's just more contemporary, and includes bespoke features such as the staircase, | 0:22:00 | 0:22:04 | |
'which is the first thing that greets us as we step through the door.' | 0:22:04 | 0:22:08 | |
This is a house that you very much use the front door, | 0:22:08 | 0:22:11 | |
-because you want to make use of this wonderful entrance hall. -This is nice. -Very different. -OK. | 0:22:11 | 0:22:16 | |
-And the kitchen is different again. Follow me. -OK. | 0:22:16 | 0:22:18 | |
I know neither of you are particularly keen cooks. | 0:22:18 | 0:22:21 | |
-Ooh! -But I think you might have to learn. -Yes, quite a big kitchen. | 0:22:21 | 0:22:25 | |
-This is a nice big kitchen, yes. -Yes, it's a bigger kitchen than in the other house. | 0:22:25 | 0:22:30 | |
-I would probably use the range. You won't. -No. | 0:22:30 | 0:22:34 | |
I'll use the table. I'll sit in here, though. | 0:22:34 | 0:22:37 | |
-Sit there, cup of tea, looking out the window. Yeah, I would do that. -It's a stunning view, isn't it? | 0:22:37 | 0:22:42 | |
'Towards the back of the house, there's a small study or snug which might work for Helen. | 0:22:42 | 0:22:46 | |
'But we're going to take a look at the main living room.' | 0:22:46 | 0:22:49 | |
So the other side of the house... | 0:22:49 | 0:22:51 | |
..another south-facing reception room. | 0:22:52 | 0:22:54 | |
Another nice room. It's a nice size. | 0:22:54 | 0:22:57 | |
My feel is that it's not a home yet because it's new. | 0:22:57 | 0:23:01 | |
There's no sense of the past and of people who lived here before that. | 0:23:01 | 0:23:06 | |
-But then, you make it a home, don't you? -Yeah. | 0:23:06 | 0:23:09 | |
We're talking about land and stables, but you spend a lot of time inside, working and relaxing, | 0:23:09 | 0:23:14 | |
-so let's keep thinking about that. -Yep. | 0:23:14 | 0:23:17 | |
-Let's go upstairs to the bedrooms and see how those might work for you. -Yep. -OK. | 0:23:17 | 0:23:22 | |
'Upstairs in this immaculate home, there are four bedrooms in total, | 0:23:24 | 0:23:27 | |
'all of them a very good size, | 0:23:27 | 0:23:30 | |
'with one ready to use as an office if Helen prefers to work upstairs. | 0:23:30 | 0:23:35 | |
'They stand alongside a generous and stylish family bathroom. | 0:23:35 | 0:23:38 | |
'The third bedroom, however, comes with its own en suite shower room | 0:23:39 | 0:23:42 | |
'which will be good news for them, as we take a look at the master.' | 0:23:42 | 0:23:45 | |
Now, Cathy, you'll be rather pleased to hear that there are two bedrooms of this size. | 0:23:45 | 0:23:51 | |
-Right. -Oh, right. -Both of which are en suite. | 0:23:51 | 0:23:54 | |
-Oh. -OK. That's you sorted for that, then. | 0:23:54 | 0:23:58 | |
-This is a nice size. -Mm. | 0:23:58 | 0:24:00 | |
-At least you get your own space then, don't you? -Yeah. | 0:24:00 | 0:24:04 | |
Yeah, unlike the first one, which didn't really have any space at all. | 0:24:04 | 0:24:08 | |
It's a shame, that. | 0:24:08 | 0:24:10 | |
It still all depends on what's on the outside. | 0:24:10 | 0:24:13 | |
-And that is, in some ways, even more important than the house for us, isn't it? -Yeah. | 0:24:13 | 0:24:17 | |
-Right, OK. Well, let's go outside. -Let's go and have a look. | 0:24:17 | 0:24:20 | |
-But think laterally. You might need to use your imagination with this one, OK? -Yep. | 0:24:20 | 0:24:24 | |
All right. Let me just squeeze past there. | 0:24:24 | 0:24:27 | |
-I'm an author. I can do that. -Good! | 0:24:27 | 0:24:29 | |
-Don't put any pirates anywhere. -THEY LAUGH | 0:24:29 | 0:24:33 | |
'While the house works perfectly for them in terms of layout, | 0:24:35 | 0:24:38 | |
'the land does need careful planning to give them the stables and space they're after. | 0:24:38 | 0:24:43 | |
'With a total of four and a half acres, | 0:24:43 | 0:24:46 | |
'there's plenty of paddock at the back of the house which would need fencing. | 0:24:46 | 0:24:49 | |
'There's also a choice of adaptable outbuildings, | 0:24:49 | 0:24:52 | |
'including a store shed and two large barns, | 0:24:52 | 0:24:55 | |
'which give Cathy great potential to develop into stabling in the future.' | 0:24:55 | 0:25:00 | |
Loads of outbuildings, land that needs a bit of thinking, | 0:25:00 | 0:25:03 | |
maybe some attention to make it horse-ready, I would've thought. | 0:25:03 | 0:25:07 | |
But, yeah, in the long run, | 0:25:07 | 0:25:11 | |
you could probably make something of it if you wanted to. | 0:25:11 | 0:25:13 | |
-So, you know what's coming. -Yeah. -THEY LAUGH | 0:25:13 | 0:25:17 | |
-Ooh, this is going to be hard. -I think maybe around 590. -590, all right. | 0:25:17 | 0:25:23 | |
I was going to go maybe a bit more. I think 615. | 0:25:23 | 0:25:27 | |
Right. Well, this is on the market for offers around £650,000. | 0:25:27 | 0:25:32 | |
-That is high. -That is high. -I thought it would be higher. | 0:25:32 | 0:25:35 | |
I think it's really interesting what you said about, | 0:25:35 | 0:25:38 | |
"It's practical, we just don't think it's a home yet. | 0:25:38 | 0:25:41 | |
"Maybe we could make it a home." Maybe revisit that conversation. | 0:25:41 | 0:25:45 | |
-Yes. -Yeah. -Let's go and have a look. -OK. | 0:25:45 | 0:25:47 | |
Away you go. I'll see you whenever you're ready. | 0:25:47 | 0:25:51 | |
'So, this stunning property may be priced over their budget at £650,000 | 0:25:51 | 0:25:57 | |
'but as cash buyers, they're in a great position to negotiate. | 0:25:57 | 0:26:01 | |
'It offers a fantastic bespoke interior | 0:26:01 | 0:26:03 | |
'with a light, spacious kitchen/diner, | 0:26:03 | 0:26:06 | |
'a choice of study spaces for Helen | 0:26:06 | 0:26:08 | |
'and four bedrooms, two of which are en suite. | 0:26:08 | 0:26:11 | |
'Outside is bursting with potential with its many outbuildings | 0:26:11 | 0:26:15 | |
'and provides four and a half acres of land.' | 0:26:15 | 0:26:18 | |
The land is smaller, so it'll be easier to manage. | 0:26:18 | 0:26:22 | |
It's nice that there's a barn, but again, it's having to put stables in. | 0:26:22 | 0:26:25 | |
But it's a good possibility to think about having larger stables | 0:26:25 | 0:26:29 | |
rather than the smaller ones in the first property. | 0:26:29 | 0:26:31 | |
I did like it. I just feel with this, it needs a little bit more past life to it. | 0:26:31 | 0:26:38 | |
This is a blank page. | 0:26:38 | 0:26:41 | |
You've got to write your own story onto this house. | 0:26:41 | 0:26:43 | |
I was just thinking, pity we didn't get better weather, cos there's a fantastic view here, isn't there? | 0:26:46 | 0:26:50 | |
This would be stunning of an evening, sitting here. | 0:26:50 | 0:26:53 | |
-Wouldn't it just? -Yeah. -Now, two completely different houses. | 0:26:53 | 0:26:59 | |
-Hopefully something to compare against each other. -Yes. | 0:26:59 | 0:27:02 | |
-That's it for today, so let's go back. -OK. -Right. | 0:27:02 | 0:27:05 | |
'So, as dusk falls over the dramatic Devon landscape, | 0:27:20 | 0:27:24 | |
'it marks the end of a tale of two very different houses | 0:27:24 | 0:27:27 | |
'in our property search. | 0:27:27 | 0:27:29 | |
'Author Helen, who specialises in swashbuckling historical novels, | 0:27:35 | 0:27:38 | |
'has had an unexpected windfall. | 0:27:38 | 0:27:41 | |
'So together with daughter Cathy and husband Ron, she can leave her rented London maisonette behind | 0:27:41 | 0:27:47 | |
'and with £620,000, | 0:27:47 | 0:27:49 | |
'buy a dream home in the Devon countryside. | 0:27:49 | 0:27:52 | |
'She loved the historic bones of our first property, | 0:27:52 | 0:27:55 | |
'while our stunning second house fell short of giving them a warm, homely feeling. | 0:27:55 | 0:28:00 | |
'But coming up, the mystery property proves that truth is stranger than fiction.' | 0:28:00 | 0:28:05 | |
It reminds me of an inn off of one of the old films, | 0:28:05 | 0:28:08 | |
like, fantasy films. | 0:28:08 | 0:28:10 | |
'And I get back to basics and try my hand at building a cob wall.' | 0:28:10 | 0:28:15 | |
So of the two properties we saw yesterday, | 0:28:17 | 0:28:19 | |
I'm pretty sure it was the character of the first that appealed to Helen's love of history. | 0:28:19 | 0:28:24 | |
Even though, in house terms, maybe the second property was the most practical option. | 0:28:24 | 0:28:28 | |
But one thing they haven't yet seen is a house with the land and stables | 0:28:28 | 0:28:31 | |
but also access to a community. | 0:28:31 | 0:28:34 | |
Let's face it, neither of the ladies drive. | 0:28:34 | 0:28:36 | |
So if they're going to get that, as you can imagine, there may well be a compromise somewhere. | 0:28:36 | 0:28:41 | |
But that's where the mystery house comes in. | 0:28:41 | 0:28:43 | |
It's here to challenge the expectations of our buyers. | 0:28:43 | 0:28:46 | |
It asks them to use their imagination, | 0:28:46 | 0:28:48 | |
which is something I'm hoping novelist Helen will have little problem with. | 0:28:48 | 0:28:53 | |
'For the final chapter of our property story, | 0:28:57 | 0:29:00 | |
'we've taken the road to the village of Weare Giffard, | 0:29:00 | 0:29:02 | |
'around four miles from Bideford. | 0:29:02 | 0:29:04 | |
'It sits on the east bank of the River Torridge, | 0:29:04 | 0:29:07 | |
'with all the necessary day-to-day amenities and surrounded by walking country. | 0:29:07 | 0:29:11 | |
'In the 13th century, it was part of the estate of the Giffard family, | 0:29:11 | 0:29:16 | |
'and the Weare part of the name can be traced back to the tradition of salmon fishing here, | 0:29:16 | 0:29:20 | |
'as mentioned in the Doomsday Book. | 0:29:20 | 0:29:22 | |
'Within striking distant of the village and on a useful bus route | 0:29:22 | 0:29:26 | |
'for our non-driving buyers, the mystery property dates back to the 16th century. | 0:29:26 | 0:29:31 | |
'Yes, it offers fantastic potential for the livery business | 0:29:31 | 0:29:34 | |
'as well as offering Cathy more independence. | 0:29:34 | 0:29:37 | |
'But it throws down the gauntlet of having to do some work to give them all of that, | 0:29:37 | 0:29:41 | |
'and I know that was something they wanted to avoid.' | 0:29:41 | 0:29:44 | |
So, as you can see, right on the edge of the village, | 0:29:44 | 0:29:46 | |
-the last house in the village... -Yep. -..is the mystery house. | 0:29:46 | 0:29:51 | |
-This is nice. -It reminds me of an inn off of one of the old films. | 0:29:52 | 0:29:56 | |
Like, fantasy films. | 0:29:56 | 0:29:59 | |
-Right. Or maybe a fantasy novel. -Yes! | 0:29:59 | 0:30:01 | |
Inspiration maybe for the next one. | 0:30:01 | 0:30:03 | |
OK, well, good first impressions. Let's get inside. | 0:30:03 | 0:30:06 | |
'Our mystery property certainly delivers on the charm as well as fantastic views. | 0:30:09 | 0:30:14 | |
'And I know they'll love the inside, too, so we're starting | 0:30:14 | 0:30:17 | |
'by heading for the side door into the kitchen, which was added in the 1980s.' | 0:30:17 | 0:30:21 | |
Straight into the kitchen. | 0:30:21 | 0:30:24 | |
-You wouldn't normally use this entrance. -Yeah. | 0:30:24 | 0:30:27 | |
-What do you think? -I think this is a nice compromise size kitchen. | 0:30:29 | 0:30:32 | |
-It's not too big. -Yeah. | 0:30:32 | 0:30:35 | |
-It's a bit more, erm, modern. -But there's enough room to move around here. | 0:30:35 | 0:30:39 | |
Well, I learnt that kitchens aren't hugely important to you. | 0:30:39 | 0:30:43 | |
You're not particularly keen cooks. You're out busy with the horses and you're busy writing. | 0:30:43 | 0:30:48 | |
-It's nice and light and airy. Yeah, I like this. -Good. All right. | 0:30:48 | 0:30:51 | |
'With the kitchen passing the test, we're heading for the sitting room, | 0:30:51 | 0:30:54 | |
'which I think will be to Helen's liking.' | 0:30:54 | 0:30:57 | |
Right, then. Something a bit different, I think. | 0:30:57 | 0:31:00 | |
-Come right in. -Oh, yeah, I like this. | 0:31:00 | 0:31:03 | |
-Nice fireplace. Nice and cosy. -It's got a fireplace both ends. | 0:31:03 | 0:31:06 | |
Yeah. Going back to what you said you wanted, | 0:31:06 | 0:31:10 | |
you could imagine yourself in an older building with an open fire. | 0:31:10 | 0:31:13 | |
Well, you've got your choice of which one to use. | 0:31:13 | 0:31:16 | |
One for me, one for Ron or one for you. | 0:31:16 | 0:31:19 | |
Let's go upstairs now. We'll talk about some options | 0:31:19 | 0:31:22 | |
-and then... Don't worry, I'll let you outside. All right? -Yes! -Let's go. | 0:31:22 | 0:31:26 | |
'So far in our property search, we haven't managed to completely crack | 0:31:26 | 0:31:30 | |
'giving Cathy an independent area to call her own. | 0:31:30 | 0:31:33 | |
'But this property definitely comes the closest.' | 0:31:33 | 0:31:35 | |
Right, let's start with the master bedroom. | 0:31:36 | 0:31:39 | |
-Oh, this is nice! -Yeah, quite big. -Yes. | 0:31:39 | 0:31:42 | |
-Look, you want the independence, don't you? -Yeah. -This has a fantastic en suite at the end. | 0:31:42 | 0:31:47 | |
-Yeah. -You've got another double bedroom next door. | 0:31:47 | 0:31:50 | |
And then at the back end of the house, you've got a double bedroom | 0:31:50 | 0:31:53 | |
-with an office next door which you can knock through to if you want and another bathroom. -OK. Good. | 0:31:53 | 0:31:58 | |
-You have complete separation if you want. -Right. -That sounds good. -Mm. | 0:31:58 | 0:32:02 | |
I will be fighting Cathy, because look at that view out there. | 0:32:02 | 0:32:05 | |
-I like that. This is mine. -Ohh! -You can go and find your own room. | 0:32:06 | 0:32:10 | |
'Upstairs may be where Cathy could sleep to start with, | 0:32:10 | 0:32:14 | |
'but I've got a real treat up my sleeve for her, | 0:32:14 | 0:32:17 | |
'as we head outside to the detached garage. | 0:32:17 | 0:32:20 | |
'This could be converted into two large stables for her horses. | 0:32:20 | 0:32:24 | |
'But it's upstairs that could be her domain, | 0:32:24 | 0:32:26 | |
'as there's planning permission for accommodation and work has already begun.' | 0:32:26 | 0:32:31 | |
-So, above the stables... -Uh-huh. | 0:32:31 | 0:32:34 | |
..is current planning consent | 0:32:36 | 0:32:39 | |
-for a one-bed apartment. -Oh, yeah! -Oh, right, OK. | 0:32:39 | 0:32:44 | |
-Well, this'd been all right, wouldn't it? -It's quite large, actually. | 0:32:44 | 0:32:47 | |
But for you, I thought it was ideal. You've got independence, nearby though. | 0:32:47 | 0:32:51 | |
Yeah, that is a lot easier, in that sense of that independence, yeah. | 0:32:51 | 0:32:55 | |
So, the only thing we haven't seen is some land. | 0:32:55 | 0:32:58 | |
Yeah, that's the other thing now that's going to worry us. | 0:32:58 | 0:33:01 | |
'For the all-important horses, we've already seen two potential stables. | 0:33:01 | 0:33:05 | |
'And there's the opportunity of having more on the other side of the house, | 0:33:05 | 0:33:09 | |
'where there's an old granary currently with permissions granted to convert to a two-bed holiday let. | 0:33:09 | 0:33:14 | |
'The grazing land is across a pretty wooden bridge | 0:33:14 | 0:33:17 | |
'and the land stretches all the way down to a boundary fence, | 0:33:17 | 0:33:20 | |
'giving them plenty of acreage to play with.' | 0:33:20 | 0:33:23 | |
-So all in all, you've got comfortably over six acres here. -Mm-hm. | 0:33:24 | 0:33:27 | |
OK? Of usable land. | 0:33:27 | 0:33:29 | |
Now, you do need to bear in mind, there is a covenant on this land, | 0:33:29 | 0:33:32 | |
-which means you can't build on it. -Right. -Right. | 0:33:32 | 0:33:34 | |
So any potential stabling you might want to build extra to what we've seen | 0:33:34 | 0:33:39 | |
-has to be done that side of the water. -OK. -Right. | 0:33:39 | 0:33:42 | |
-So... -Ooh, dear. -..land for your horses. | 0:33:42 | 0:33:45 | |
You've got a lovely house with potential for your own accommodation | 0:33:45 | 0:33:48 | |
next door above the garage, which could be stabling. | 0:33:48 | 0:33:52 | |
-You know where I'm going. -Yes! We've now got to make a guess. | 0:33:52 | 0:33:56 | |
I'm going to go over-budget, 650. | 0:33:56 | 0:33:58 | |
-OK. Cathy? -Yeah, I think a bit less. I'm going to go for about 600. | 0:33:58 | 0:34:03 | |
Good guess. Offers around 599,999. | 0:34:03 | 0:34:09 | |
-Right. -Just recently reduced from around 625. | 0:34:09 | 0:34:12 | |
So that's well within budget | 0:34:12 | 0:34:15 | |
-and even does allow us enough for doing that conversion, as well. -Yeah. | 0:34:15 | 0:34:19 | |
Go back into all the accommodation you haven't yet seen. | 0:34:19 | 0:34:21 | |
-All right? -OK. -OK. -I'll meet you whenever you're finished. -OK! -See you in a mo. -OK. | 0:34:21 | 0:34:26 | |
'Priced just shy of £600,000, | 0:34:26 | 0:34:30 | |
'there's money left over to complete that conversion of Cathy's accommodation. | 0:34:30 | 0:34:34 | |
'Overall, the mystery house is a compelling package, | 0:34:34 | 0:34:37 | |
'providing a characterful sitting room, | 0:34:37 | 0:34:40 | |
'four bedrooms, two with en suite, | 0:34:40 | 0:34:42 | |
'while outside there's a garage ripe for conversion to stables | 0:34:42 | 0:34:46 | |
'with a work-in-progress living space for Cathy upstairs. | 0:34:46 | 0:34:49 | |
'There's also the bonus of a further outbuilding, | 0:34:49 | 0:34:52 | |
'all wrapped up in six acres of land | 0:34:52 | 0:34:54 | |
'with village amenities right on their doorstep.' | 0:34:54 | 0:34:57 | |
Nice house, got a nice atmosphere, very welcoming. | 0:34:57 | 0:35:00 | |
Being on the edge of the village makes sense. | 0:35:00 | 0:35:03 | |
This is far more practical, really, for what we should be looking for. | 0:35:03 | 0:35:08 | |
Yeah, it's got potential for changing the block into stables and accommodation above. | 0:35:08 | 0:35:13 | |
The nice flat land, the downside to it is you can't build on it. | 0:35:13 | 0:35:18 | |
Now, then. Have you sorted out who goes where? | 0:35:21 | 0:35:25 | |
Yeah, I think... it's got possibilities upstairs, hasn't it? | 0:35:25 | 0:35:30 | |
-Yeah. I think there's still a lot to think about. -Very much. | 0:35:30 | 0:35:33 | |
Let's find you somewhere to do that thinking and have a chat afterwards. | 0:35:33 | 0:35:36 | |
-OK. -OK. -Just this way. Mind your step. | 0:35:36 | 0:35:38 | |
'Throughout the Devon countryside, traditional cob buildings are a familiar sight. | 0:35:49 | 0:35:54 | |
'These thick-walled structures built from soil, straw and water | 0:35:54 | 0:35:58 | |
'are common in southwest England where the subsoil is a sandy clay | 0:35:58 | 0:36:01 | |
'and where other building materials like wood and stone were once rare. | 0:36:01 | 0:36:05 | |
'Thought to date back to the 13th century, | 0:36:05 | 0:36:08 | |
'this sustainable building style is making a comeback today | 0:36:08 | 0:36:11 | |
'after falling out of fashion with the advent of commercial brick-making in the 18th century. | 0:36:11 | 0:36:17 | |
'On the edge of Dartmoor, the heritage of this traditional building material | 0:36:17 | 0:36:20 | |
'is being kept alive by Jackie Abey and Jill Smallcombe, | 0:36:20 | 0:36:24 | |
'two artists who specialise in the use of cob in art and architecture. | 0:36:24 | 0:36:29 | |
'I went to meet them at Jackie's cob farmhouse in Drewsteignton.' | 0:36:29 | 0:36:33 | |
Well, thank you very much for seeing me today, ladies. | 0:36:33 | 0:36:35 | |
-I understand, Jackie, you're the owner of this fine-looking structure behind us. -I live here, yes. | 0:36:35 | 0:36:39 | |
-This is a typical Devon long house. -Right. | 0:36:39 | 0:36:43 | |
-Quite a few, obviously, in Devon. -Yeah. -Made out of cob. | 0:36:43 | 0:36:47 | |
You know all the thatched cottages with whitewashed walls, they're mostly made of cob. | 0:36:47 | 0:36:53 | |
Because most of the cob houses are listed, | 0:36:53 | 0:36:56 | |
-you have to repair like for like. -Yes. | 0:36:56 | 0:36:59 | |
So that has been very good for keeping the traditional method. | 0:36:59 | 0:37:03 | |
-So the listing has safeguarded the technique as much as anything else. -I think it really has. | 0:37:03 | 0:37:08 | |
And what's been fantastic in the last ten years | 0:37:08 | 0:37:10 | |
is that architects, surveyors, planners, | 0:37:10 | 0:37:12 | |
are really getting on board with that and it's the vernacular of Devon. | 0:37:12 | 0:37:16 | |
'Cob is actually an English term for mud-building, | 0:37:17 | 0:37:20 | |
'which uses no form, bricks or wooden structures, | 0:37:20 | 0:37:23 | |
'just whatever local materials are available. | 0:37:23 | 0:37:26 | |
'Jill and Jackie are going to take me through the process of making it.' | 0:37:26 | 0:37:30 | |
Now, everybody goes, "What's the mixture? What quantities?" | 0:37:30 | 0:37:34 | |
And we reckon it's about a small bale to a ton of subsoil. | 0:37:34 | 0:37:39 | |
Then people say, "How much water?" | 0:37:39 | 0:37:42 | |
Well, it depends how dry your subsoil is. | 0:37:42 | 0:37:45 | |
So the answer to all those questions is, "Until it's about right." THEY LAUGH | 0:37:45 | 0:37:50 | |
It's easy to teach in that it's a very simple process, | 0:37:50 | 0:37:54 | |
but it's very hard to have hard and fast rules about it. | 0:37:54 | 0:37:57 | |
'So we're adding wet soil onto this straw until it looks about right, | 0:37:59 | 0:38:03 | |
'and after that, the process of mixing the two together | 0:38:03 | 0:38:05 | |
'is done rather in the manner of treading grapes, | 0:38:05 | 0:38:08 | |
'simply by jumping up and down to break down the soil and work it into the straw. | 0:38:08 | 0:38:13 | |
'I'm glad I've got my wellies on for this bit. | 0:38:13 | 0:38:15 | |
'The next stage is then turning the mixture with a spade. | 0:38:15 | 0:38:18 | |
'Once it's ready, I'm all set to try my hand at building a cob wall | 0:38:18 | 0:38:22 | |
'with the help of a rather unexpected implement.' | 0:38:22 | 0:38:25 | |
If you leap up on there, we'll show you how it's done. | 0:38:25 | 0:38:27 | |
And also, before you get on, quickly, | 0:38:27 | 0:38:31 | |
you always pare back, or cut back, | 0:38:31 | 0:38:34 | |
your lift, your previous lift. | 0:38:34 | 0:38:37 | |
So all this has been cut back with a mattock first. | 0:38:37 | 0:38:40 | |
But also, it cuts the straw, so it cuts the straw and pulls it downwards. | 0:38:40 | 0:38:45 | |
-So when you've got rain, it runs off the wall. -Oh, clever! Yes, of course! | 0:38:45 | 0:38:50 | |
-So if you want to jump up. -Right. -There's a cricket bat. | 0:38:50 | 0:38:53 | |
Of course. Why wouldn't there be? | 0:38:53 | 0:38:56 | |
-And what we're going to do is just place it with the pitch fork, the mud. -Yes. | 0:38:56 | 0:39:00 | |
You've then got to stand on it and hit it on the sides | 0:39:00 | 0:39:04 | |
-because cob works by being compressed. -Right, OK. | 0:39:04 | 0:39:08 | |
'The most effective way to build a cob wall is with a team of two people on the ground | 0:39:08 | 0:39:12 | |
'loading the mixture onto the wall, while another two are on the top trampling it down.' | 0:39:12 | 0:39:16 | |
So you stand on it... | 0:39:16 | 0:39:18 | |
-That's it. Squidge it out. -Brilliant. | 0:39:19 | 0:39:22 | |
Whack it with your cricket bat. No, come on, with a bit of... | 0:39:22 | 0:39:26 | |
-Oh, really? I can have a good go at it, can I? -That's it. | 0:39:26 | 0:39:30 | |
-This is where you get rid of the tensions of the day, is it? -Therapy, yeah. | 0:39:30 | 0:39:33 | |
And then turn round and do the other side, cos it all falls off otherwise. That's it. | 0:39:33 | 0:39:37 | |
-Oh, so I'm making sure everything on here... -Stays there. -..is staying on there. | 0:39:37 | 0:39:42 | |
'So, a very simple but it appears very effective method, | 0:39:44 | 0:39:48 | |
'as Devon has around 40,000 cob buildings in all.' | 0:39:48 | 0:39:52 | |
Well, it's great to see a traditional process that, just like these buildings behind me, | 0:39:55 | 0:39:59 | |
has stood the test of time. Now let's catch up with our buyers | 0:39:59 | 0:40:02 | |
to see if they've been tempted by any of the properties we've shown them. | 0:40:02 | 0:40:06 | |
So let's start at the beginning. The first property. | 0:40:09 | 0:40:13 | |
-I really liked that little house. -You did, didn't you? | 0:40:14 | 0:40:17 | |
I really did like that little house. And the field space and the stables were already there for us. | 0:40:17 | 0:40:22 | |
Yeah. There was a lot of land there | 0:40:22 | 0:40:24 | |
and the stables are already there and set, | 0:40:24 | 0:40:27 | |
it'd just be a case of looking into whether that building could be converted into a small cottage. | 0:40:27 | 0:40:32 | |
The view across that valley was stunning. | 0:40:32 | 0:40:35 | |
I would've moved in there that morning. | 0:40:35 | 0:40:37 | |
OK. So you did have to leave there, unfortunately, Helen. | 0:40:37 | 0:40:40 | |
What about the second property in the afternoon? | 0:40:40 | 0:40:42 | |
It was very interesting looking at a modern build. | 0:40:42 | 0:40:45 | |
-Yeah, it was quite clean and sleek in that sense. -Yes. | 0:40:45 | 0:40:48 | |
It just didn't feel like a home. | 0:40:48 | 0:40:50 | |
And I think because the land needed so much to do with it... | 0:40:50 | 0:40:54 | |
The land needed a lot of attention. | 0:40:54 | 0:40:56 | |
The barns were nice. It'd be nice to have barns. | 0:40:56 | 0:40:59 | |
But the land did need a lot of work. | 0:40:59 | 0:41:01 | |
-All in all, it just wasn't quite right for us. -No. | 0:41:01 | 0:41:06 | |
OK. So the land needed some work. | 0:41:06 | 0:41:08 | |
So this morning, I took you to the mystery property, which... | 0:41:08 | 0:41:12 | |
I wanted you to see something which I thought should be important to you | 0:41:12 | 0:41:15 | |
and that was to have a community nearby, but it also had pretty much everything you asked for. | 0:41:15 | 0:41:19 | |
Nice-looking cottage and everything. The buildings are quite nice. | 0:41:19 | 0:41:22 | |
Nice flat ground. I'm just sort of looking into it closer, | 0:41:22 | 0:41:27 | |
not having the building facilities to put a manege in is the downside. | 0:41:27 | 0:41:31 | |
It gave you, unlike the first two properties, | 0:41:31 | 0:41:34 | |
some independence accommodation-wise, didn't it? | 0:41:34 | 0:41:36 | |
-You could have your own space, which I thought... -Yeah, that was quite nice. | 0:41:36 | 0:41:41 | |
And the fact that it's got the planning permission already | 0:41:41 | 0:41:44 | |
means it's something we haven't got to worry about, we just go ahead and do it. | 0:41:44 | 0:41:47 | |
-I like the third place because it is near the village. -Yep. | 0:41:47 | 0:41:51 | |
But I did like that cottage garden at the first one. | 0:41:51 | 0:41:55 | |
I think property one is possibly the best in the long run, | 0:41:55 | 0:41:58 | |
cos it is only one thing that needs to be done, to try to get accommodation. | 0:41:58 | 0:42:01 | |
-So what's the next step for you? -I think I would like to come back | 0:42:01 | 0:42:05 | |
to look and number one and possibly the mystery house again. | 0:42:05 | 0:42:09 | |
Well, if I was a betting man, | 0:42:09 | 0:42:12 | |
I would probably put my money on the first property, | 0:42:12 | 0:42:15 | |
just because of especially you, Helen, the way you reacted to the character. | 0:42:15 | 0:42:19 | |
-I did like that character place. -But no matter that you do | 0:42:19 | 0:42:21 | |
-and when you do it, please let us know what your next step is. -Yeah. | 0:42:21 | 0:42:26 | |
-Good luck. -Thank you. -Thanks. | 0:42:26 | 0:42:28 | |
Well, if you excuse the pun, I'm not sure it is a two-horse race | 0:42:32 | 0:42:36 | |
between the mystery property and property number one, | 0:42:36 | 0:42:38 | |
especially when you consider just how well Helen reacted | 0:42:38 | 0:42:42 | |
when she saw that first property. It had everything, didn't it? | 0:42:42 | 0:42:45 | |
It had the land, the character building, | 0:42:45 | 0:42:48 | |
but it didn't have one thing and that was for Cathy, | 0:42:48 | 0:42:50 | |
that independent living accommodation. | 0:42:50 | 0:42:52 | |
But when they come back down here to Devon and do their second viewings, | 0:42:52 | 0:42:56 | |
I think if they can satisfy themselves | 0:42:56 | 0:42:58 | |
that they can convert that separate building at property number one | 0:42:58 | 0:43:01 | |
into ancillary accommodation for Cathy, | 0:43:01 | 0:43:03 | |
I'm pretty sure that'll come out on top. See you next time. | 0:43:03 | 0:43:08 | |
'Well, my bet would have paid off, | 0:43:09 | 0:43:11 | |
'as Helen and Cathy went back to see house one | 0:43:11 | 0:43:13 | |
'and had their offer accepted. | 0:43:13 | 0:43:16 | |
'So they and Ron should be moving in very soon. | 0:43:16 | 0:43:19 | |
'It looks like happily ever after for all of them. | 0:43:19 | 0:43:23 | |
'If you'd like to escape to the country in Scotland, Wales, | 0:43:23 | 0:43:26 | |
'Northern Ireland or England and need our help, | 0:43:26 | 0:43:29 | |
'please apply online at: | 0:43:29 | 0:43:34 | |
Subtitles by Red Bee Media Ltd | 0:43:34 | 0:43:38 | |
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