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Welcome to Escape To The Country. | 0:00:02 | 0:00:04 | |
Now, today I'm in a county that's home to over 650 historic churches. | 0:00:04 | 0:00:09 | |
That's thought to be the highest concentration anywhere in Europe. | 0:00:09 | 0:00:13 | |
But which county are we in? | 0:00:13 | 0:00:14 | |
Well, join us in just a few moments and I'll tell you. | 0:00:14 | 0:00:17 | |
On today's show, | 0:00:35 | 0:00:36 | |
our two house hunters are craving long-awaited rural retirement. | 0:00:36 | 0:00:41 | |
And I'll be showing them some tantalising options... | 0:00:41 | 0:00:44 | |
-Is it you? -I think it could be. I think it could be. | 0:00:44 | 0:00:48 | |
..as the dream moves closer to reality. | 0:00:48 | 0:00:51 | |
Oh, I'm loving this. | 0:00:51 | 0:00:53 | |
-Yeah, I'm loving this. -Absolutely. -Yeah? -Yeah. | 0:00:53 | 0:00:55 | |
Well, today we're in Norfolk, | 0:00:58 | 0:01:00 | |
and this is the parish church in the village of Hemblington. | 0:01:00 | 0:01:04 | |
Now, you can notice that distinctive round tower. | 0:01:04 | 0:01:07 | |
It's a unique architectural feature | 0:01:07 | 0:01:09 | |
of up to 125 of the churches up here, | 0:01:09 | 0:01:12 | |
many of which, it's thought, date back to the Saxon period. | 0:01:12 | 0:01:15 | |
These, and the much later and more elegant medieval churches | 0:01:15 | 0:01:19 | |
built on the back of the once-thriving war trade, | 0:01:19 | 0:01:21 | |
offer a fascinating picture into life here over the centuries, | 0:01:21 | 0:01:25 | |
something I'll be taking a much closer look at | 0:01:25 | 0:01:28 | |
later in the programme. | 0:01:28 | 0:01:30 | |
For me, it is buildings like this that make Norfolk | 0:01:30 | 0:01:32 | |
and its landscape so distinctive. | 0:01:32 | 0:01:35 | |
Low-levelled Norfolk is the largest county in East Anglia, | 0:01:39 | 0:01:43 | |
with Lincolnshire bordering it to the west, | 0:01:43 | 0:01:45 | |
Cambridgeshire to the southwest and Suffolk to the south. | 0:01:45 | 0:01:49 | |
It is the fifth largest county in the UK | 0:01:49 | 0:01:52 | |
and also lays claim to being the driest. | 0:01:52 | 0:01:54 | |
It is home to the UK's most easterly city, Norwich, where the magnificent | 0:01:54 | 0:01:59 | |
Norman cathedral has dominated the skyline for more than 900 years. | 0:01:59 | 0:02:04 | |
The Norfolk coastline stretches for nearly 100 miles, | 0:02:04 | 0:02:07 | |
from Hopton-on-Sea to The Wash. | 0:02:07 | 0:02:10 | |
But the unmistakable feature of the county's landscape are the Broads - | 0:02:10 | 0:02:14 | |
flooded medieval peat excavations which today provide | 0:02:14 | 0:02:18 | |
a series of navigable waterways and lakes. | 0:02:18 | 0:02:22 | |
With 40% of the county's population living in the urban centres | 0:02:22 | 0:02:25 | |
of Norwich, Great Yarmouth, King's Lynn and Thetford, | 0:02:25 | 0:02:28 | |
the countryside is sparsely populated | 0:02:28 | 0:02:31 | |
and provides rich pickings for aspiring escapees. | 0:02:31 | 0:02:34 | |
Now, I grew up in East Anglia, | 0:02:36 | 0:02:38 | |
and I've always had a soft spot for it, in particular for Norfolk. | 0:02:38 | 0:02:42 | |
But recent improvements in the rail line between Norwich | 0:02:42 | 0:02:45 | |
and London have made it popular with commuters, | 0:02:45 | 0:02:47 | |
which you might think would have an adverse effect on property prices, | 0:02:47 | 0:02:51 | |
but there is some good news. | 0:02:51 | 0:02:53 | |
At £215,000, the price of your average detached house here | 0:02:53 | 0:02:58 | |
is still some £40,000 below the comparable national figure. | 0:02:58 | 0:03:02 | |
Now, in general terms, the farther north in the county you go, | 0:03:02 | 0:03:05 | |
the more expensive it gets, thanks to the draw of the coast | 0:03:05 | 0:03:09 | |
and hotspots like Cromer and, of course, the Norfolk Broads. | 0:03:09 | 0:03:12 | |
But take it from me, there are some stunning homes here | 0:03:12 | 0:03:15 | |
set within its famously broad landscape. | 0:03:15 | 0:03:18 | |
And as for today's buyers, well, | 0:03:18 | 0:03:19 | |
they have been thinking of moving here for a very, very long time. | 0:03:19 | 0:03:23 | |
Jean and Mike have lived in their four-bedroom house just | 0:03:25 | 0:03:27 | |
outside of Northampton, in the East Midlands, since 1986. | 0:03:27 | 0:03:31 | |
They met almost 30 years ago | 0:03:31 | 0:03:33 | |
while both working for a musical instrument company. | 0:03:33 | 0:03:37 | |
I first met Jean when she applied for a job with the company | 0:03:37 | 0:03:41 | |
I was working for. She eventually came to work for me. | 0:03:41 | 0:03:44 | |
We became a little bit more than just a boss-worker relationship. | 0:03:44 | 0:03:49 | |
And we fell in love and got married. | 0:03:49 | 0:03:52 | |
After having two children, they began another love affair, | 0:03:52 | 0:03:55 | |
this time with the County of Norfolk. | 0:03:55 | 0:03:58 | |
We had our first experience of life on the water | 0:03:58 | 0:04:03 | |
in Norfolk 20 years ago. | 0:04:03 | 0:04:04 | |
-On the Norfolk Broads. -On the Norfolk Broads. | 0:04:04 | 0:04:07 | |
We went backwards and forwards to Norfolk every year, | 0:04:07 | 0:04:09 | |
just spending a glorious week over there looking at the wildlife, | 0:04:09 | 0:04:13 | |
fishing and just totally chilling out. | 0:04:13 | 0:04:16 | |
After Mike retired earlier this year, they were at last free | 0:04:17 | 0:04:21 | |
to follow their dream, which they have a rather unique approach to. | 0:04:21 | 0:04:25 | |
Working for a Japanese company, | 0:04:25 | 0:04:26 | |
they have a philosophy, which is called third life. | 0:04:26 | 0:04:30 | |
The Japanese actually have this phrase when people retire. | 0:04:30 | 0:04:34 | |
It's a new life. | 0:04:34 | 0:04:35 | |
We look upon this as our opportunity to do all the things that we | 0:04:35 | 0:04:40 | |
have wanted to do just between the two of us. | 0:04:40 | 0:04:42 | |
One of their interests will dictate the kind of house they moved to. | 0:04:44 | 0:04:48 | |
Our biggest passion in life is music. | 0:04:48 | 0:04:51 | |
That's how we met, that's what brought us together | 0:04:51 | 0:04:54 | |
all those years ago. | 0:04:54 | 0:04:55 | |
I used to be a professional musician, | 0:04:55 | 0:04:57 | |
oh, from about the age of 18 - | 0:04:57 | 0:05:00 | |
played in the German bases for American troops, | 0:05:00 | 0:05:03 | |
then became more of a cabaret act. | 0:05:03 | 0:05:06 | |
From the age of 14, I joined a band, we made a record. | 0:05:06 | 0:05:09 | |
We went to Thank Your Lucky Stars on TV, and then I turned pro. | 0:05:09 | 0:05:13 | |
And backed a guy called Beau Brummell. | 0:05:13 | 0:05:15 | |
We had a record at number 23 on the charts. | 0:05:15 | 0:05:17 | |
And I did that for six or seven years. | 0:05:17 | 0:05:20 | |
Over the years, we've kept on playing music | 0:05:20 | 0:05:23 | |
and collecting instruments. | 0:05:23 | 0:05:25 | |
So in our new house we have to have a music room. | 0:05:25 | 0:05:30 | |
And they have a good pot of money to finance their dream. | 0:05:30 | 0:05:34 | |
The budget for the move is £425,000. | 0:05:34 | 0:05:37 | |
As the Norfolk Broads are undoubtedly the draw for Jean | 0:05:43 | 0:05:46 | |
and Mike, we're concentrating our search on the area | 0:05:46 | 0:05:49 | |
between Norwich and the coast, | 0:05:49 | 0:05:51 | |
where these waterways are located. | 0:05:51 | 0:05:53 | |
And I'm meeting them there to establish more about their plans. | 0:05:53 | 0:05:57 | |
-Well, good morning! -BOTH: Good morning. | 0:05:57 | 0:05:59 | |
-Very nice to see you both. -And you, too, Jules. | 0:05:59 | 0:06:01 | |
Welcome, well, back to Norfolk, I suppose, | 0:06:01 | 0:06:04 | |
because actually this is a long-held ambition, isn't it? | 0:06:04 | 0:06:06 | |
Well, it is. We've been 20 years in the making. | 0:06:06 | 0:06:09 | |
The kind of property you're after interests me | 0:06:09 | 0:06:12 | |
because, unusually, you have specified single-storey. | 0:06:12 | 0:06:16 | |
I had a bungalow before we moved into the house. I loved it. | 0:06:16 | 0:06:20 | |
Having everything accessible on the ground floor is wonderful. | 0:06:20 | 0:06:24 | |
But it also means that as you get older and the knees start... | 0:06:24 | 0:06:29 | |
Well, we're thinking about the knees, really. | 0:06:29 | 0:06:32 | |
No stairs. | 0:06:32 | 0:06:34 | |
You are looking ahead to this being your ultimate move, I suppose. | 0:06:34 | 0:06:37 | |
Yeah, this is our final... | 0:06:37 | 0:06:38 | |
This is where we want to be and it's going to be the last move | 0:06:38 | 0:06:42 | |
we want to make, so it's got to be right. | 0:06:42 | 0:06:44 | |
-One of the criteria is having a music room. -Yeah. | 0:06:44 | 0:06:47 | |
Which is kind of crucial for us. | 0:06:47 | 0:06:49 | |
So I think, on a single-storey, that's much more possible. | 0:06:49 | 0:06:53 | |
Would you be prepared to build something bespoke, say, | 0:06:53 | 0:06:55 | |
in the garden if the property didn't have the space. | 0:06:55 | 0:06:59 | |
If there's no room that could be adapted, | 0:06:59 | 0:07:02 | |
then I researched | 0:07:02 | 0:07:03 | |
and I found that there is a company | 0:07:03 | 0:07:06 | |
that will make a purpose-built studio | 0:07:06 | 0:07:08 | |
that you can actually put in your garden. | 0:07:08 | 0:07:11 | |
-And how much would that cost you? -About 25 grand. -OK. | 0:07:11 | 0:07:13 | |
Well, that's a figure worth bearing in mind as we go | 0:07:13 | 0:07:16 | |
through our properties. | 0:07:16 | 0:07:17 | |
What else does it need to have, this new dream home, Mike? | 0:07:17 | 0:07:20 | |
I want three... At least two other bedrooms besides the main bedroom. | 0:07:20 | 0:07:25 | |
A nice kitchen-diner. | 0:07:25 | 0:07:27 | |
How much do we want to spend? | 0:07:27 | 0:07:29 | |
-Well, if everything was there... -Yep. -£425,000. | 0:07:29 | 0:07:33 | |
OK. We're not short of pretty properties in Norfolk. | 0:07:33 | 0:07:36 | |
We have, however, got three very viable options for you, | 0:07:36 | 0:07:38 | |
-so we should get out there, see if we can sell you one. -Fantastic. | 0:07:38 | 0:07:41 | |
For a maximum budget of £425,000, Mike and Jean would like their | 0:07:44 | 0:07:50 | |
long-dreamed-of Norfolk home to be single-storey, | 0:07:50 | 0:07:53 | |
with three bedrooms, a large kitchen-diner, | 0:07:53 | 0:07:56 | |
an all-important music room and, ideally, | 0:07:56 | 0:07:59 | |
it should be located within a 15-minute drive of water. | 0:07:59 | 0:08:03 | |
We've got some intriguing properties to reveal to our house hunters, | 0:08:03 | 0:08:07 | |
but we won't be revealing the price tags | 0:08:07 | 0:08:09 | |
until they've guessed at the value first. | 0:08:09 | 0:08:11 | |
And our third and final mystery house might just challenge | 0:08:11 | 0:08:14 | |
everything they thought they wanted. | 0:08:14 | 0:08:16 | |
To start our search, we're travelling | 0:08:24 | 0:08:26 | |
right to the heart of the Norfolk Broads in the village of Horning. | 0:08:26 | 0:08:30 | |
One of the prettiest and best known villages in the Norfolk Broads | 0:08:31 | 0:08:34 | |
National Park, Horning lies on the north bank of the River Bure. | 0:08:34 | 0:08:39 | |
Because of its great access to the water, it's a | 0:08:39 | 0:08:42 | |
popular location for boating and is a busy tourist centre. | 0:08:42 | 0:08:46 | |
But it's not just a seasonal town. With pubs, | 0:08:46 | 0:08:49 | |
shops and other amenities, it's a good place to live all year round. | 0:08:49 | 0:08:53 | |
And ten minutes' drive away in Smallburgh is our first property. | 0:08:53 | 0:08:56 | |
-This is quite ancient, isn't it? -Wow, it is! -Incredible. -Yeah. | 0:08:57 | 0:09:01 | |
-You get all this, the drive and the grass either side of it. -Wow. | 0:09:01 | 0:09:05 | |
-Gracious. -And it's the approach to property number one. | 0:09:05 | 0:09:09 | |
Which is that. | 0:09:09 | 0:09:11 | |
-Wow. -Gracious me. | 0:09:11 | 0:09:14 | |
-Single-storey. -Sure. Yeah, yeah. | 0:09:14 | 0:09:17 | |
And I know you wanted a sense of rural life, obviously, | 0:09:17 | 0:09:20 | |
-but you didn't want to be isolated. -Yeah, absolutely. | 0:09:20 | 0:09:23 | |
So, we've got other buildings around us. | 0:09:23 | 0:09:25 | |
There are six other properties in this sort of complex, as it were. | 0:09:25 | 0:09:28 | |
You also get the view of the duck pond, | 0:09:28 | 0:09:29 | |
but you don't have to look after it, which is even better. | 0:09:29 | 0:09:32 | |
And you get the property here. | 0:09:32 | 0:09:34 | |
I mean, if you saw this in an estate agent's window, | 0:09:34 | 0:09:37 | |
would it peak your interest? | 0:09:37 | 0:09:39 | |
If you just showed that little bit, you'd probably think..."mm-mm". | 0:09:39 | 0:09:43 | |
-But because of what I can now see... -The whole location. -Yeah. | 0:09:43 | 0:09:48 | |
-And you know this area quite well, don't you? -Yeah. | 0:09:48 | 0:09:50 | |
But we've never been to this area, this particular spot. | 0:09:50 | 0:09:53 | |
-So it's really interesting. -Well, it's a day of firsts, isn't it? | 0:09:53 | 0:09:56 | |
It is. It is, absolutely. | 0:09:56 | 0:09:58 | |
-Let's have a look and see what you think of the inside. -OK. | 0:09:58 | 0:10:02 | |
This 19th-century barn was converted into a four-bedroom home in 1985. | 0:10:02 | 0:10:07 | |
As it seems Mike and Jean wouldn't have picked this out themselves, | 0:10:07 | 0:10:11 | |
I'm pleased we're here, or they would be missing a treat. | 0:10:11 | 0:10:15 | |
Well, there is only one place, really, I think | 0:10:15 | 0:10:18 | |
to start in this property. | 0:10:18 | 0:10:19 | |
-And it is here. -Oh, wow! -Wow. | 0:10:19 | 0:10:22 | |
-Yeah? -Oh, yeah. | 0:10:22 | 0:10:24 | |
It's much bigger and brighter than I thought it was going to be. | 0:10:24 | 0:10:28 | |
-We just didn't expect this. -It's very funky. I love it. | 0:10:28 | 0:10:31 | |
There's lots of exposed wood. | 0:10:31 | 0:10:32 | |
And it all goes through to a very nice | 0:10:32 | 0:10:35 | |
conservatory-cum-dining area as well. | 0:10:35 | 0:10:37 | |
But styling wise, is this the sort of thing you would go for? | 0:10:37 | 0:10:40 | |
I think, to be honest with you, | 0:10:40 | 0:10:43 | |
this would not have been on our first criteria, | 0:10:43 | 0:10:46 | |
but actually now we're here and we're looking at it, | 0:10:46 | 0:10:49 | |
looking at the ceiling, the beams, | 0:10:49 | 0:10:52 | |
the exposed wood, we love it. | 0:10:52 | 0:10:54 | |
That's our first reaction. | 0:10:54 | 0:10:55 | |
-Let's go through to the kitchen, see what you think of this. -OK. | 0:10:55 | 0:10:59 | |
-And there is the kitchen. -Oh, look at that. -Wow. | 0:11:03 | 0:11:07 | |
-That is a country kitchen. -Didn't expect that either. -No. | 0:11:07 | 0:11:11 | |
The way they have set it up really suits | 0:11:11 | 0:11:14 | |
the feel of the place and the aged feel without... | 0:11:14 | 0:11:19 | |
without giving you an old-fashioned look. | 0:11:19 | 0:11:22 | |
-It just works, feels like it has always been here. -Absolutely. | 0:11:22 | 0:11:25 | |
-Yeah, it has a very natural feel. -Sure. | 0:11:25 | 0:11:28 | |
-Is it you? -Yeah. | 0:11:28 | 0:11:31 | |
I think it could be. I think it could be. | 0:11:31 | 0:11:33 | |
The living rooms are one side of the property, | 0:11:35 | 0:11:38 | |
with the bedrooms on the other. | 0:11:38 | 0:11:40 | |
Of the three guest rooms, there is one box room | 0:11:40 | 0:11:43 | |
and one which is already being used as a music room. | 0:11:43 | 0:11:46 | |
And then there is the master suite. | 0:11:46 | 0:11:49 | |
Now, this is yours. | 0:11:49 | 0:11:51 | |
-Oh, wow. -Wow. | 0:11:51 | 0:11:53 | |
Oh, look at that. And a bath in an en-suite, you don't often get that. | 0:11:53 | 0:11:57 | |
-Yeah. -Yeah. -Look at the wall. Brick. -Nice, isn't it? | 0:11:57 | 0:12:01 | |
-Again, this theme of textures kind of coming through every room. -It is. | 0:12:01 | 0:12:05 | |
Big enough for you, then? | 0:12:05 | 0:12:07 | |
-Oh, yes. -Yes. -Well, let's go and have a look in the garden, | 0:12:07 | 0:12:09 | |
because there we have got you a fabulous studio, which you could | 0:12:09 | 0:12:13 | |
certainly embellish, improve or just use as maybe your music room. | 0:12:13 | 0:12:18 | |
Well, you know, one of the things he wanted to do when he retired | 0:12:18 | 0:12:21 | |
was to take back doing watercolours and stuff, so there you are. | 0:12:21 | 0:12:25 | |
-Here's some inspiration for you. Come and look at this. -OK. | 0:12:25 | 0:12:29 | |
The house is set in three quarters of an acre, | 0:12:32 | 0:12:35 | |
comprising the driveway approach at the front and a large lawned garden | 0:12:35 | 0:12:38 | |
to the rear, where the potential studio is located. | 0:12:38 | 0:12:41 | |
So, the garden. | 0:12:43 | 0:12:45 | |
Well, ALMOST what you can see is what you get. | 0:12:45 | 0:12:47 | |
There is a bit more, too, beyond that rose arch. | 0:12:47 | 0:12:50 | |
A bonfire area and so on. | 0:12:50 | 0:12:52 | |
But the key thing to consider is that building over there. | 0:12:52 | 0:12:55 | |
-Yeah. -Fantastic. -Currently the artist's studio. -Yeah. | 0:12:55 | 0:13:00 | |
It's on quite a big plot, as you can see. | 0:13:00 | 0:13:02 | |
It could do with a bit of updating, if we're honest. | 0:13:02 | 0:13:05 | |
But you had already considered spending up to 25 grand | 0:13:05 | 0:13:09 | |
on a bespoke music room. | 0:13:09 | 0:13:11 | |
-We had. -We might think about that sum of 25 grand | 0:13:11 | 0:13:14 | |
when we talk about the price, which we will do now. | 0:13:14 | 0:13:18 | |
Now, you've already mentioned | 0:13:18 | 0:13:20 | |
about us having 25 grand in the budget to perhaps sort a studio, | 0:13:20 | 0:13:25 | |
so that makes me think that this won't be at the top of our budget. | 0:13:25 | 0:13:29 | |
So, I would say £375,000. | 0:13:29 | 0:13:32 | |
375, yeah. Mike? | 0:13:32 | 0:13:34 | |
I think a little bit more. I think 390. | 0:13:35 | 0:13:37 | |
Now, I would have said 390, | 0:13:37 | 0:13:40 | |
but I and you both... | 0:13:40 | 0:13:41 | |
would have been wrong. | 0:13:41 | 0:13:43 | |
-Oh! -Because this is on the market | 0:13:43 | 0:13:45 | |
-at £365,000. -Wow! | 0:13:45 | 0:13:49 | |
-Really? -Yes. How about that? | 0:13:49 | 0:13:52 | |
Which would bring it to 390 if you built the new studio. | 0:13:52 | 0:13:56 | |
-Wow. -Mm. | 0:13:56 | 0:13:59 | |
Very interesting, Jules. | 0:13:59 | 0:14:01 | |
-That is really interesting. -I thought it might be. | 0:14:01 | 0:14:04 | |
It really is. It really is. | 0:14:04 | 0:14:05 | |
Go in there, explore the studio-cum-music room or den, | 0:14:05 | 0:14:09 | |
whatever it is going to be, and I will catch up with you later. | 0:14:09 | 0:14:11 | |
-Thank you. -Thank you. | 0:14:11 | 0:14:13 | |
For £365,000, Mike and Jean get a single-storey | 0:14:17 | 0:14:22 | |
barn conversion with four bedrooms, two large, airy living rooms | 0:14:22 | 0:14:27 | |
and an artist's studio, | 0:14:27 | 0:14:28 | |
all set in three quarters of an acre of mature grounds. | 0:14:28 | 0:14:32 | |
And it leaves plenty of cash left over for a brand-new music studio. | 0:14:32 | 0:14:37 | |
-Oh, this is an interesting space, isn't it? -Yes, it is. | 0:14:37 | 0:14:40 | |
I don't think it would do as a music room, | 0:14:40 | 0:14:42 | |
but I certainly wouldn't remove it or anything. | 0:14:42 | 0:14:45 | |
-This has a great feeling, like, atmosphere. -Yeah. | 0:14:45 | 0:14:48 | |
-We could keep this...should keep it as it is. -Yeah. | 0:14:48 | 0:14:51 | |
-And put the music room somewhere else. -Yeah. This was a big surprise. | 0:14:51 | 0:14:56 | |
Didn't expect something that looked like this does. | 0:14:56 | 0:15:01 | |
But when I came inside, I was really pleasantly surprised. | 0:15:01 | 0:15:04 | |
It's airy, it's light, it feels nice and cosy, | 0:15:04 | 0:15:08 | |
but not confined in any way. | 0:15:08 | 0:15:10 | |
We stepped in and straight away we felt space. | 0:15:10 | 0:15:13 | |
Moving into the kitchen, there was a very nice, | 0:15:13 | 0:15:15 | |
natural feeling with the wood, that feeling that this, yeah, | 0:15:15 | 0:15:18 | |
was a barn once, but now it has been converted into a home. | 0:15:18 | 0:15:22 | |
-After you, madam. -Thank you. | 0:15:22 | 0:15:24 | |
Well, I'm rather pleased. | 0:15:26 | 0:15:28 | |
I think, as property searches go, | 0:15:28 | 0:15:30 | |
they don't start much better than this one. | 0:15:30 | 0:15:33 | |
-Great start, Jules. Really good start. -Can we better it? | 0:15:33 | 0:15:37 | |
Our buyers are not the first people to fall in love with | 0:15:47 | 0:15:50 | |
Norfolk's waterside lifestyle. | 0:15:50 | 0:15:52 | |
The Broads have been a popular boating holiday destination | 0:15:52 | 0:15:55 | |
since the late 19th century, | 0:15:55 | 0:15:57 | |
when the first small yachts were made available to hire. | 0:15:57 | 0:16:00 | |
The waterways are now flooded with all manner of modern craft, | 0:16:00 | 0:16:04 | |
but there is one group of enthusiasts committed to | 0:16:04 | 0:16:07 | |
preserving boats which hark back to a bygone era. | 0:16:07 | 0:16:11 | |
We've arranged for Mike and Jean to meet senior boat builder | 0:16:11 | 0:16:14 | |
John Franks of the Norfolk Heritage Fleet Trust. | 0:16:14 | 0:16:18 | |
They maintain a unique fleet of historic Broadland boats still | 0:16:18 | 0:16:22 | |
going strong more than 80 years after they were first built. | 0:16:22 | 0:16:25 | |
The yard was established in 1932, | 0:16:29 | 0:16:32 | |
by Percy Hunter and his two sons. | 0:16:32 | 0:16:34 | |
They actually bought the site | 0:16:34 | 0:16:37 | |
and constructed all the wooden boats that you see around here, | 0:16:37 | 0:16:40 | |
within these two sheds. So it is still all the original buildings. | 0:16:40 | 0:16:44 | |
The 1930s was the real heyday of sailing on the Broads. | 0:16:44 | 0:16:48 | |
And there were a lot of very rich people in the area. | 0:16:48 | 0:16:52 | |
They would hire a crew to do the sailing regattas. | 0:16:52 | 0:16:56 | |
It was very prestigious. | 0:16:56 | 0:16:57 | |
So, would you say that these boats are | 0:16:57 | 0:17:00 | |
-specifically designed for use on the Broads? -Absolutely. | 0:17:00 | 0:17:03 | |
These boats are built for purpose, that is to sail on narrow waterways | 0:17:03 | 0:17:08 | |
and to traverse through the narrow bridges that we have on the Broads. | 0:17:08 | 0:17:12 | |
There is not really a waterway within the river system | 0:17:12 | 0:17:15 | |
that these boats cannot get into. If you'd like to come this way, | 0:17:15 | 0:17:18 | |
I'll show you a boat that we have in the shed at the moment | 0:17:18 | 0:17:20 | |
that we're doing some repairs on. So if you'd like to follow me... | 0:17:20 | 0:17:24 | |
These magnificent cabin yachts have remained virtually unchanged | 0:17:24 | 0:17:29 | |
since they were first built in the 1930s, | 0:17:29 | 0:17:31 | |
including the fact that they have no power or electricity onboard. | 0:17:31 | 0:17:36 | |
Inside the boat sheds of Hunter's yard, work is under way to ensure | 0:17:36 | 0:17:41 | |
the preservation of these noble ladies of the Broads. | 0:17:41 | 0:17:44 | |
Here we have Hostler 1, which is out for repair. | 0:17:46 | 0:17:49 | |
The boats are mahogany on oak frame. | 0:17:49 | 0:17:52 | |
And for 1936 she's not doing too bad. | 0:17:52 | 0:17:55 | |
In the winter, what do you do with the boats? | 0:17:55 | 0:17:57 | |
Do they all have to come out? Do they all come in to the sheds? | 0:17:57 | 0:18:00 | |
Yes, we bring them in from the dyke. We will strip them completely down. | 0:18:00 | 0:18:03 | |
The sails will be dried, which they | 0:18:03 | 0:18:06 | |
are currently being done at the moment. | 0:18:06 | 0:18:08 | |
And all the boats are then lined up in the area here, | 0:18:08 | 0:18:12 | |
so both sheds will be completely full of boats. | 0:18:12 | 0:18:16 | |
They're all snug away in the winter. | 0:18:16 | 0:18:17 | |
It's during the winter months that the real repairs get under way | 0:18:17 | 0:18:22 | |
to ensure these boats can continue to be enjoyed out on the water. | 0:18:22 | 0:18:26 | |
Martin and Jean are going out on one of the half-deckers, | 0:18:29 | 0:18:32 | |
a day boat with no berth. | 0:18:32 | 0:18:34 | |
Ready about. | 0:18:36 | 0:18:37 | |
Skipper Martin Calley might have a job on his hands to keep this one | 0:18:42 | 0:18:45 | |
out of the repair shed. | 0:18:45 | 0:18:47 | |
-Whoa! -Wow! | 0:18:48 | 0:18:52 | |
Let's hope it's plane sailing for Mike and Jean's future life | 0:18:52 | 0:18:55 | |
on the Broads. | 0:18:55 | 0:18:56 | |
For our second property, | 0:19:02 | 0:19:04 | |
I'm taking Mike and Jean further north to the village | 0:19:04 | 0:19:06 | |
of Swanton Abbott, | 0:19:06 | 0:19:08 | |
which would offer them access to water within ten minutes. | 0:19:08 | 0:19:13 | |
The nearest town is North Walsham, which offers plenty of shops | 0:19:13 | 0:19:17 | |
and amenities. Swanton Abbott is just over three miles away. | 0:19:17 | 0:19:21 | |
It is a pretty village with a charming 14th-century church | 0:19:21 | 0:19:24 | |
and some beautiful rural properties, | 0:19:24 | 0:19:26 | |
and it's here that house number two is located. | 0:19:26 | 0:19:29 | |
OK, you can turn around and have a proper look at it. | 0:19:31 | 0:19:36 | |
-There we are. -Wow. -That's number two. | 0:19:36 | 0:19:39 | |
-Happy? -Look at that, that's amazing. | 0:19:39 | 0:19:41 | |
But you're probably thinking, "But, Jules, it's not a bungalow." | 0:19:41 | 0:19:44 | |
-No, it's not. -It was originally a kind of two-up, two-down cottage. | 0:19:44 | 0:19:48 | |
But in the last five years, they've added on a huge single-storey | 0:19:48 | 0:19:52 | |
extension, which gives you another further two bedrooms. | 0:19:52 | 0:19:55 | |
-So it's a four-bedroom property. -Oh, wow. | 0:19:55 | 0:19:57 | |
So, effectively, | 0:19:57 | 0:20:00 | |
-it's single level. -Sure. -But with a roof. | 0:20:00 | 0:20:02 | |
With a roof, that will do. | 0:20:02 | 0:20:05 | |
-And a thatch. -Yeah. | 0:20:05 | 0:20:07 | |
I didn't think we could really come up here without showing you | 0:20:07 | 0:20:09 | |
a thatch or indeed something that's got a bit of flint in it, | 0:20:09 | 0:20:12 | |
cos that really is Norfolk. | 0:20:12 | 0:20:14 | |
-Yeah, that's Norfolk, the flint. Norfolk flint. -Again, surprised. | 0:20:14 | 0:20:17 | |
And it's something, again, that would not be on our criteria. | 0:20:17 | 0:20:22 | |
Because we're not looking for a thatched cottage, | 0:20:22 | 0:20:26 | |
so I think you have kind of, yeah, taken us by surprise. | 0:20:26 | 0:20:30 | |
-Let's have a look inside. -OK. | 0:20:30 | 0:20:32 | |
With the original cottage over 300 years old, | 0:20:32 | 0:20:35 | |
this is a classic slice of Norfolk heritage. | 0:20:35 | 0:20:38 | |
And the property retains many of its original features. | 0:20:38 | 0:20:42 | |
So, how's this for cosy, then? | 0:20:42 | 0:20:44 | |
Oh, wow, yeah. | 0:20:44 | 0:20:45 | |
-Wow. -Yes? -This is cosy. -This is Norfolk, isn't it? | 0:20:45 | 0:20:49 | |
-This is Norfolk, yeah. -Wow. -Beams. | 0:20:49 | 0:20:52 | |
I mean, that speaks for itself, I think. | 0:20:52 | 0:20:55 | |
-There's another one of these next door. -Ah-ha. | 0:20:55 | 0:20:57 | |
There's a lovely little snug there, actually, | 0:20:57 | 0:20:59 | |
which you could reinstall a fire into. | 0:20:59 | 0:21:04 | |
-But, yeah, I think cosy is the word I would use. -Yeah. -And original. | 0:21:04 | 0:21:08 | |
-Look at the door. -I know. -Yeah, stable door there. | 0:21:08 | 0:21:11 | |
Now, that goes through to part of this new extension, which gives you | 0:21:11 | 0:21:15 | |
what they've got as a sort of study corridor at the moment. | 0:21:15 | 0:21:18 | |
But it also leads into quite an interesting family bathroom - | 0:21:18 | 0:21:22 | |
-roll-top bath, et cetera. -Oh, wow, lovely. | 0:21:22 | 0:21:25 | |
-A surprise, again. -Yeah, a good one? | 0:21:25 | 0:21:28 | |
-Interesting one. Let's say interesting one. -Yes. | 0:21:28 | 0:21:31 | |
Interesting is one of those great words, it's a real caveat for, | 0:21:31 | 0:21:34 | |
-"I'm not really sure." -While sitting on the fence. | 0:21:34 | 0:21:36 | |
I am not really sure. | 0:21:36 | 0:21:39 | |
I hadn't envisaged anything as old as this, | 0:21:39 | 0:21:43 | |
so this is quite different for me. | 0:21:43 | 0:21:45 | |
But like I said, open to all sorts. | 0:21:45 | 0:21:47 | |
The kitchen, which is through there, I think | 0:21:47 | 0:21:50 | |
-is one of the real selling points. -Oh, wow. Let's have a look. | 0:21:50 | 0:21:53 | |
OK, this I love. | 0:21:55 | 0:21:57 | |
-It's this great sense of space that this room gives you. -Oh, wow, yeah. | 0:21:57 | 0:22:02 | |
You come through from the dark, cosy end into this, well, | 0:22:02 | 0:22:05 | |
fabulous kitchen, I think. | 0:22:05 | 0:22:07 | |
-Gracious, it's a real country kitchen, isn't it? -Kitchen-diner. | 0:22:07 | 0:22:10 | |
-The sink, range. Look at that. -This is a good space. | 0:22:10 | 0:22:15 | |
This is good. | 0:22:15 | 0:22:16 | |
-I think when you come into here this house starts to make sense. -It does. | 0:22:16 | 0:22:19 | |
Cos this is a space where you're going to spend an awful lot of time. | 0:22:19 | 0:22:22 | |
-Yeah, you can have a banquet here. -Through here | 0:22:22 | 0:22:24 | |
is the rest of the new extension, which offers you bags of room. | 0:22:24 | 0:22:27 | |
-OK. -Wow. | 0:22:27 | 0:22:29 | |
The extension consists of a kitchen-diner, two bedrooms, | 0:22:31 | 0:22:36 | |
two bathrooms, the study and two utility rooms, | 0:22:36 | 0:22:40 | |
which means, with the living rooms in the cottage, | 0:22:40 | 0:22:42 | |
Jean and Mike would have complete single-storey living. | 0:22:42 | 0:22:46 | |
There are, however, two upstairs bedrooms in the old house, | 0:22:47 | 0:22:50 | |
which could be used for guests. | 0:22:50 | 0:22:52 | |
Up in the eaves, they're accessed by a narrow staircase. | 0:22:52 | 0:22:56 | |
Back down on the ground floor, I'm showing them | 0:22:58 | 0:23:01 | |
one of the other two bedrooms. | 0:23:01 | 0:23:03 | |
I'm wondering if whether this could become something | 0:23:03 | 0:23:06 | |
-of a sort of music room. -Right. | 0:23:06 | 0:23:08 | |
It's certainly big enough | 0:23:08 | 0:23:10 | |
and the shape of the ceiling would give you some good acoustics. | 0:23:10 | 0:23:13 | |
-Yeah? -Yeah. | 0:23:13 | 0:23:14 | |
This is what we are thinking about in terms of internal music room, | 0:23:14 | 0:23:18 | |
but let's have a look at the master bedroom. | 0:23:18 | 0:23:21 | |
-So there we are. -Oh, wow. | 0:23:24 | 0:23:26 | |
Well, that's nice and light and airy, isn't it? | 0:23:26 | 0:23:28 | |
-It's probably the lightest room in the house, actually. -I think so. | 0:23:28 | 0:23:31 | |
With shower room en suite there. Could it work? | 0:23:31 | 0:23:35 | |
-It's a space, it could work, yeah. -Yeah. -OK. How much is it worth? | 0:23:35 | 0:23:41 | |
Let's go to the garden and discuss. Follow me. | 0:23:41 | 0:23:44 | |
The house is set in a third of an acre of mature gardens. | 0:23:48 | 0:23:51 | |
Well, the garden you got a pretty good look at when we first arrived. | 0:23:55 | 0:23:58 | |
-Mm-hm. -It's pretty extensive, it would certainly incorporate | 0:23:58 | 0:24:02 | |
the freestanding, brand-new music room | 0:24:02 | 0:24:04 | |
that we discussed at property number one. | 0:24:04 | 0:24:06 | |
-Plenty big enough. -Very manageable. -Yeah? | 0:24:06 | 0:24:09 | |
-How much is it on the market for, then? -350. | 0:24:09 | 0:24:12 | |
-I would say a bit more. -Yeah? | 0:24:12 | 0:24:14 | |
-I think it is nearer four, so 395. -395. | 0:24:14 | 0:24:19 | |
It is actually on the market at | 0:24:19 | 0:24:21 | |
399,950. | 0:24:21 | 0:24:25 | |
-Not too far out, then. -A very different proposition to number one. | 0:24:25 | 0:24:29 | |
-Mm-hm. -It's more money, but does it give you more house | 0:24:29 | 0:24:32 | |
and more of what you're looking for? That's the big question. | 0:24:32 | 0:24:35 | |
-Go and explore those attic rooms. -OK. | 0:24:35 | 0:24:37 | |
-And I'll catch up with you later on. -Right. -OK. | 0:24:37 | 0:24:40 | |
For just shy of £400,000, this attractive thatched cottage | 0:24:43 | 0:24:48 | |
with a modern extension offers four bedrooms, | 0:24:48 | 0:24:50 | |
with the potential for one to be used as a music room, | 0:24:50 | 0:24:54 | |
two bathrooms, a large kitchen-diner, | 0:24:54 | 0:24:57 | |
as well as a third of an acre of land. | 0:24:57 | 0:24:59 | |
Wow, look at this. | 0:25:01 | 0:25:03 | |
-Oh, this is quaint. -It's very quaint. | 0:25:03 | 0:25:05 | |
Mind you, after a couple of glasses of wine, | 0:25:05 | 0:25:07 | |
I don't know if I could negotiate those stairs. | 0:25:07 | 0:25:09 | |
-Maybe this is the guest room. -I agree. -Guest room. | 0:25:09 | 0:25:13 | |
The first room was a nice snug, obviously very quaint with the beams. | 0:25:13 | 0:25:18 | |
It had that typical cottage feel. | 0:25:18 | 0:25:20 | |
The old part of the house, that was full of character. | 0:25:20 | 0:25:25 | |
And that was the opposite to the new part, which was very extensive. | 0:25:26 | 0:25:31 | |
But I didn't feel there was a good flow. | 0:25:31 | 0:25:33 | |
Thinking about the knees for the future, the practicality of | 0:25:33 | 0:25:36 | |
going up and down the stairs, um, I think | 0:25:36 | 0:25:40 | |
slightly put us off a little. | 0:25:40 | 0:25:42 | |
-Ah! Are we all done? -We are. -We're all done. -Very good. | 0:25:44 | 0:25:48 | |
Well, an interesting way to finish our first day of house hunting. | 0:25:48 | 0:25:51 | |
-Very much so. -One more to come tomorrow, though. -Yeah. | 0:25:51 | 0:25:54 | |
-Ready for the mystery house? -BOTH: Absolutely. | 0:25:54 | 0:25:56 | |
Come on then. | 0:25:56 | 0:25:58 | |
It's the second day of our house hunt in the Norfolk Broads, | 0:26:04 | 0:26:07 | |
where Jean and Mike are escaping suburban Northamptonshire | 0:26:07 | 0:26:11 | |
with a budget of £425,000 to spend on a rural home. | 0:26:11 | 0:26:15 | |
Coming up, is it job done with the mystery house? | 0:26:15 | 0:26:18 | |
-All right, when are we moving in, then? -Well! Are we now? | 0:26:18 | 0:26:22 | |
And I discover some of the county's dark secrets. | 0:26:22 | 0:26:26 | |
-This, we think, is a curse. -A curse? | 0:26:26 | 0:26:28 | |
Well, there is no getting away from the fact that for Mike and Jean | 0:26:31 | 0:26:35 | |
this move has been a long time in the making - 20 years, in fact. | 0:26:35 | 0:26:39 | |
But their sense of passion and urgency to finally get on with | 0:26:39 | 0:26:42 | |
what Mike describes as their third life is clear for all to see. | 0:26:42 | 0:26:46 | |
Now, yesterday went well. | 0:26:46 | 0:26:48 | |
We were certainly onto something with property number one, | 0:26:48 | 0:26:51 | |
but we're really going to push the boat out for our final offering, | 0:26:51 | 0:26:54 | |
our mystery house, for our couple who love water | 0:26:54 | 0:26:56 | |
and the Norfolk Broads in particular. | 0:26:56 | 0:26:58 | |
This one is a cracker. | 0:26:58 | 0:27:00 | |
Now, yesterday I thought was very interesting. | 0:27:07 | 0:27:09 | |
Two very different properties. | 0:27:09 | 0:27:12 | |
Has that provoked a discussion that has gone on into the evening? | 0:27:12 | 0:27:15 | |
Well, it did. | 0:27:15 | 0:27:17 | |
We were very taken with property number one | 0:27:17 | 0:27:20 | |
to the degree that we actually redesigned it over dinner. | 0:27:20 | 0:27:24 | |
We decided where we were going to put the new music room, that would | 0:27:24 | 0:27:28 | |
be right at the back. And even a few changes internally. | 0:27:28 | 0:27:31 | |
So, Mike, what do you think our mystery house might comprise? | 0:27:31 | 0:27:34 | |
We are hoping that we're maybe going to be able to see | 0:27:34 | 0:27:38 | |
water from this mystery house. | 0:27:38 | 0:27:41 | |
Almost. Almost, that's all I'm going to tell you. | 0:27:41 | 0:27:44 | |
But if water is what you want, water is what I'm going to give you. | 0:27:44 | 0:27:48 | |
Thank you. | 0:27:48 | 0:27:49 | |
For today's mystery house, we're going back into the centre | 0:27:52 | 0:27:55 | |
of Norfolk Broad territory to the village of Ranworth. | 0:27:55 | 0:27:58 | |
Situated alongside Malthouse Broad on the River Bure, Ranworth is | 0:27:59 | 0:28:03 | |
a popular place both to live and to take a holiday. | 0:28:03 | 0:28:07 | |
Its impressive 15th-century church, St Helens, | 0:28:07 | 0:28:10 | |
is known as the Cathedral of the Broads. | 0:28:10 | 0:28:12 | |
The village is also home to a unique wood-and-thatch village hall. | 0:28:12 | 0:28:16 | |
And just ten minutes' drive away, | 0:28:16 | 0:28:18 | |
we're getting closer to the mystery house. | 0:28:18 | 0:28:20 | |
Well, you wanted a taste of the Broads. Look at where we are. | 0:28:22 | 0:28:26 | |
This is Upton Dyke, and it leads up there about a half mile | 0:28:26 | 0:28:30 | |
to the River Bure, which I think you know quite well. | 0:28:30 | 0:28:33 | |
-Mm-hm. -We do. We've motored the river many times. | 0:28:33 | 0:28:36 | |
We've gone past the dyke many times, | 0:28:36 | 0:28:38 | |
but we've never actually come down here. | 0:28:38 | 0:28:41 | |
So it's really nice to come here and see the yachts. | 0:28:41 | 0:28:44 | |
The reason we are here | 0:28:44 | 0:28:45 | |
is to tease you with our mystery house, | 0:28:45 | 0:28:48 | |
because we love this place and it really sets the scene for what | 0:28:48 | 0:28:51 | |
might be your future, cos our mystery house is just down the road. | 0:28:51 | 0:28:54 | |
-Wow. -Wow. -Shall we? -Let's. | 0:28:54 | 0:28:56 | |
And as ever, today's is a wildcard, and something I know | 0:28:58 | 0:29:02 | |
Mike and Jean would never have considered themselves. | 0:29:02 | 0:29:05 | |
Can I look? | 0:29:05 | 0:29:06 | |
You can look. You can look that way. | 0:29:08 | 0:29:11 | |
Good grief! | 0:29:11 | 0:29:12 | |
We are in classic mystery house territory here with our chapel. | 0:29:12 | 0:29:16 | |
Very much. | 0:29:16 | 0:29:17 | |
-Look at that! -Didn't know we were going to church, did you? -No, dear. | 0:29:17 | 0:29:22 | |
-Wow! -Wow. | 0:29:22 | 0:29:24 | |
The only compromise with this one is that it is not a bungalow, | 0:29:24 | 0:29:27 | |
obviously. | 0:29:27 | 0:29:28 | |
It is this cavernous chapel, which has been beautifully converted. | 0:29:29 | 0:29:33 | |
I love the outside, Jules. That is captivating, it really is. | 0:29:34 | 0:29:38 | |
We always said that we were open to all suggestions, | 0:29:38 | 0:29:41 | |
and I don't think we expected this, but it's not a problem. | 0:29:41 | 0:29:48 | |
-Just now really eager to see inside. -Well, there's an awful lot of it. | 0:29:48 | 0:29:52 | |
Come and have a look. | 0:29:52 | 0:29:55 | |
Well, their interest is definitely piqued with | 0:29:55 | 0:29:57 | |
the exterior of this 1874 Methodist chapel, and I think | 0:29:57 | 0:30:02 | |
their desire for space and character will be rewarded on the inside. | 0:30:02 | 0:30:06 | |
Do you see what I mean? | 0:30:06 | 0:30:07 | |
Gracious me! | 0:30:08 | 0:30:10 | |
I am speechless. | 0:30:13 | 0:30:15 | |
-Look at the fireplace. -I know. | 0:30:15 | 0:30:18 | |
Now, the fireplace is really clever. | 0:30:18 | 0:30:19 | |
What they've done in dividing it up is to create the fireplace there, | 0:30:19 | 0:30:23 | |
which obviously is off-centre and at an angle, | 0:30:23 | 0:30:26 | |
and then behind that is a separate snug or music room. | 0:30:26 | 0:30:30 | |
-Oh, my! -It breaks up the box, and it's really clever. | 0:30:30 | 0:30:33 | |
-I love these iron pillars. -So do I. | 0:30:33 | 0:30:36 | |
-Staircase. -I know, I'm just looking. -Spiral staircase. -Glorious. | 0:30:36 | 0:30:40 | |
I think it's absolutely beautiful. | 0:30:40 | 0:30:42 | |
You could have lovely recitals in here. | 0:30:42 | 0:30:44 | |
Quite, because of the space and the height of the ceiling. | 0:30:44 | 0:30:47 | |
-Think of the parties! -The acoustic in here would be good, I think. | 0:30:47 | 0:30:51 | |
Oh, yeah. Very much so. | 0:30:51 | 0:30:54 | |
-I'm loving this. Yeah, I'm loving this. -Absolutely. -Yeah? -Yeah. | 0:30:54 | 0:30:57 | |
Great. Let's have a look at the kitchen, then. | 0:30:57 | 0:31:00 | |
The chapel was converted six years ago | 0:31:00 | 0:31:02 | |
and has kept the large dimensions Mike and Jean are after. | 0:31:02 | 0:31:06 | |
Look at this one. | 0:31:06 | 0:31:08 | |
Oh! | 0:31:10 | 0:31:12 | |
It's a cracker. | 0:31:12 | 0:31:13 | |
-Isn't it just? -I love it. -This is incredible. | 0:31:13 | 0:31:16 | |
-Right, when are we moving in, then? -Well... Are we now? | 0:31:17 | 0:31:20 | |
Yeah, it's a beautiful house. | 0:31:20 | 0:31:23 | |
It's a really good option for the both of you. | 0:31:23 | 0:31:25 | |
Behind me in here, quite a generous study. | 0:31:25 | 0:31:29 | |
-Oh! -Wow. -Could be a music room again, if you wanted it to be, | 0:31:29 | 0:31:32 | |
whatever, or another snug. | 0:31:32 | 0:31:34 | |
Yeah. I really, really love it. | 0:31:34 | 0:31:36 | |
Now, as I said on the outside, the only compromise is that it's not | 0:31:36 | 0:31:39 | |
-a bungalow, but I don't think we care any more. -No. -No. | 0:31:39 | 0:31:42 | |
-Absolutely not. -Shall we use the stairs, then? | 0:31:42 | 0:31:44 | |
OK. After you. | 0:31:44 | 0:31:45 | |
A downstairs wet room | 0:31:48 | 0:31:49 | |
and a generous utility room make up the rest of the ground-floor layout. | 0:31:49 | 0:31:53 | |
Upstairs, there is another large bathroom | 0:31:55 | 0:31:58 | |
and two double guest rooms, in addition to the main suite. | 0:31:58 | 0:32:02 | |
So, this is your bedroom. | 0:32:05 | 0:32:07 | |
-Aren't they lovely, these beams? -Beautiful. -Really... | 0:32:08 | 0:32:11 | |
And they've retained them, that's the main thing. Really lovely. | 0:32:11 | 0:32:14 | |
You've also got a really nice en-suite through there. | 0:32:14 | 0:32:18 | |
-Oh, does it? -I think we are on to a bit of a winner with this one. | 0:32:18 | 0:32:22 | |
I think you could well be. | 0:32:22 | 0:32:24 | |
-You've really, really taken us by surprise on this one. -Uh-huh. | 0:32:24 | 0:32:27 | |
And we don't care about bungalows any more. | 0:32:27 | 0:32:30 | |
-No. -Bungalows, what are they? | 0:32:30 | 0:32:32 | |
You see? I thought that might disappear. Excellent. | 0:32:32 | 0:32:35 | |
Their enthusiasm is music to my ears, | 0:32:36 | 0:32:40 | |
but we have yet to discuss the price tag. | 0:32:40 | 0:32:42 | |
-A little bit of deck, as you can see. -Mm-hm. | 0:32:44 | 0:32:47 | |
Not a huge garden, | 0:32:47 | 0:32:48 | |
but I'm thinking you're going to be busy out on the water. | 0:32:48 | 0:32:51 | |
-Absolutely. -This is plenty. -This is lovely, look at that. | 0:32:51 | 0:32:54 | |
-Just enough. -The way they've done that. It's enough. Wonderful. | 0:32:54 | 0:32:58 | |
How much do you like it? You know what's coming now, don't you? | 0:32:58 | 0:33:00 | |
I know, I know! | 0:33:00 | 0:33:03 | |
OK, Jean, short and sweet, | 0:33:03 | 0:33:05 | |
-make me an offer for our mystery chapel. -Right. | 0:33:05 | 0:33:09 | |
-425 grand. -425. | 0:33:09 | 0:33:12 | |
-Mike. -450. -450. | 0:33:12 | 0:33:15 | |
-435. -Oh, really?! | 0:33:15 | 0:33:18 | |
-Really? -Oh, wow! -It's 435. | 0:33:18 | 0:33:21 | |
Now, of course, it's technically over your budget of 425, | 0:33:21 | 0:33:24 | |
but I think it's a stretch worth making. | 0:33:24 | 0:33:27 | |
I should also tell you that they have had an offer on it, | 0:33:27 | 0:33:32 | |
but it has been rejected. | 0:33:32 | 0:33:34 | |
So, if this is for you, you may need to think and act fairly... | 0:33:34 | 0:33:39 | |
-Quickly. -..swiftly, yeah. | 0:33:39 | 0:33:41 | |
I hadn't expected anything like this. | 0:33:41 | 0:33:44 | |
You really surprised us, but you really pulled it out of the bag. | 0:33:44 | 0:33:47 | |
-Well done. -Absolutely. | 0:33:47 | 0:33:48 | |
Well, look, this is clearly a building you have enjoyed. | 0:33:48 | 0:33:50 | |
Go and spend some time and indulge it to your hearts' content. | 0:33:50 | 0:33:54 | |
-Thank you, we will. -Off you go. -Thanks. -Brilliant. | 0:33:54 | 0:33:57 | |
Well, there we are, our mystery chapel is everything they wanted, | 0:33:57 | 0:34:01 | |
but everything they weren't expecting | 0:34:01 | 0:34:03 | |
Sometimes with mystery houses that's just the way it goes. | 0:34:03 | 0:34:07 | |
So, at 10,000 over budget, at £435,000, | 0:34:09 | 0:34:14 | |
Mike and Jean would get an impressive converted chapel | 0:34:14 | 0:34:18 | |
with three to four bedrooms, three downstairs living rooms, | 0:34:18 | 0:34:21 | |
one of which would make a perfect music room, | 0:34:21 | 0:34:23 | |
and all located just five minutes from the water. | 0:34:23 | 0:34:26 | |
The minute I got inside, I felt at home. I thought, "This is me." | 0:34:27 | 0:34:31 | |
This is so homely, yet elegant. | 0:34:31 | 0:34:35 | |
The character feel is here. | 0:34:35 | 0:34:38 | |
And the open space, the light... I could go on forever. | 0:34:38 | 0:34:42 | |
But I really, really like it. | 0:34:42 | 0:34:43 | |
Walking into the lounge area, it was just a real, real pleasure. | 0:34:43 | 0:34:49 | |
The height of the ceiling and an amazing fireplace. | 0:34:49 | 0:34:52 | |
I think the highlight for me | 0:34:52 | 0:34:53 | |
is I could never, ever have imagined living in a chapel. | 0:34:53 | 0:34:58 | |
I can't find anything wrong, and I'm being totally honest there. | 0:34:58 | 0:35:03 | |
There's nothing that I would change. | 0:35:03 | 0:35:04 | |
-After you, Mike. -Thank you. -After you, Jean. | 0:35:04 | 0:35:09 | |
Well, our chapel seems to have stolen your hearts, hasn't it? | 0:35:09 | 0:35:11 | |
-Absolutely. -Yeah. | 0:35:11 | 0:35:13 | |
But we have given you in total three fantastic options, | 0:35:13 | 0:35:16 | |
each of which deserve your full consideration, so | 0:35:16 | 0:35:19 | |
-let's go think, shall we? -Yeah, let's do that. | 0:35:19 | 0:35:21 | |
The old chapel isn't the only religious building causing | 0:35:32 | 0:35:35 | |
excitement in the county. | 0:35:35 | 0:35:37 | |
I'm visiting Norwich's spectacular cathedral to learn about a revealing | 0:35:37 | 0:35:41 | |
graffiti project that is shedding new light on medieval society. | 0:35:41 | 0:35:46 | |
The project archaeologist is Matthew Champion. | 0:35:46 | 0:35:48 | |
-Matthew. -Jules. -Nice to see you. -Pleasure. | 0:35:48 | 0:35:52 | |
Now, you're running this graffiti survey, which is | 0:35:52 | 0:35:55 | |
an odd thing in many respects, | 0:35:55 | 0:35:56 | |
cos I suppose today we take a fairly dim view of graffiti, | 0:35:56 | 0:36:00 | |
but for you, it has really given us a whole new window on the past. | 0:36:00 | 0:36:04 | |
What we've been doing is looking at pre-Reformation | 0:36:04 | 0:36:06 | |
and medieval graffiti, and it has given us a whole new understanding | 0:36:06 | 0:36:10 | |
of what was going on with the medieval parish. | 0:36:10 | 0:36:12 | |
The Norfolk Medieval Graffiti Survey began in 2010. | 0:36:12 | 0:36:17 | |
Since then, its volunteers have been uncovering | 0:36:17 | 0:36:19 | |
thousands of fascinating inscriptions. | 0:36:19 | 0:36:22 | |
Here's a really good place to start looking. | 0:36:22 | 0:36:25 | |
If you stand back and look at a wall like this | 0:36:25 | 0:36:28 | |
with our natural daylight on it, you can't really see a great deal. | 0:36:28 | 0:36:32 | |
-Just a few scratches. -Absolutely. | 0:36:32 | 0:36:34 | |
However, if you get in close and if you start using one of these, | 0:36:34 | 0:36:37 | |
suddenly it all changes. | 0:36:37 | 0:36:39 | |
Here we go. | 0:36:39 | 0:36:40 | |
Ah! Yeah. Isn't it amazing? Just the simple addition of light... | 0:36:40 | 0:36:44 | |
-Absolutely. -..but it picks it out a treat. | 0:36:44 | 0:36:46 | |
It's what we call a raking light survey. | 0:36:46 | 0:36:47 | |
The first thing you can see here, | 0:36:47 | 0:36:49 | |
and the most obvious thing on this particular pier, is this ship. | 0:36:49 | 0:36:52 | |
-Yeah. -And it dates back to about 1450. -But why ships in a cathedral? | 0:36:52 | 0:36:57 | |
The idea was, we'd find a lot of these by the coasts, | 0:36:57 | 0:36:59 | |
however we are now finding them as far inland as Leicestershire. | 0:36:59 | 0:37:02 | |
We think these are devotional in nature, | 0:37:02 | 0:37:05 | |
whether they were thanks for a voyage safely undertaken or | 0:37:05 | 0:37:08 | |
whether they were asking for a safe passage yet to come. | 0:37:08 | 0:37:11 | |
But what fascinates me is here we are, let's face it, | 0:37:11 | 0:37:13 | |
in an elite building - | 0:37:13 | 0:37:15 | |
how did people get away with this? | 0:37:15 | 0:37:17 | |
Back then, I think we have to assume it was both accepted and acceptable. | 0:37:17 | 0:37:21 | |
In the Middle Ages, just about every inch of this cathedral | 0:37:21 | 0:37:24 | |
would have been painted. | 0:37:24 | 0:37:25 | |
So, far from being hidden away and hard to see, it would have been one | 0:37:25 | 0:37:28 | |
of the most obvious things you saw as you walked into this cathedral. | 0:37:28 | 0:37:31 | |
Matthew's team have created reconstructions of what | 0:37:31 | 0:37:34 | |
they believe that churches | 0:37:34 | 0:37:36 | |
and these inscriptions would have looked like when they were made. | 0:37:36 | 0:37:40 | |
Now, one thing that I see a lot of in historic buildings, particularly | 0:37:40 | 0:37:43 | |
in beams above fireplaces, are what we would call witches' marks. | 0:37:43 | 0:37:47 | |
Presumably, the cathedral has got a few of those. | 0:37:47 | 0:37:49 | |
Absolutely. And it has probably got some of the finest ones | 0:37:49 | 0:37:52 | |
we have ever come across in the country. | 0:37:52 | 0:37:54 | |
-In fact, I can show you one of the best I've ever found. -Right. | 0:37:54 | 0:37:57 | |
Go on, let's have a look. | 0:37:57 | 0:37:58 | |
In Norwich Cathedral alone, there are thought to be between 2,000 | 0:38:00 | 0:38:04 | |
and 5,000 inscriptions, and some have a darker side. | 0:38:04 | 0:38:08 | |
Take a seat, Jules, and we have got a very special piece just here. | 0:38:12 | 0:38:15 | |
Now, if I run that light across the surface, you can see in here, | 0:38:15 | 0:38:19 | |
we've suddenly very clearly got a medieval text. | 0:38:19 | 0:38:22 | |
It's quite difficult to read, and that's because it's upside down. | 0:38:22 | 0:38:25 | |
-I was going to say, it's back to front. -It is. | 0:38:25 | 0:38:27 | |
It's not back to front, but it has been inverted. | 0:38:27 | 0:38:30 | |
And just below it, you can just make out this other symbol here. | 0:38:30 | 0:38:33 | |
This is an astrological symbol | 0:38:33 | 0:38:35 | |
and it's a symbol associated with the moon. | 0:38:35 | 0:38:37 | |
Now, when you were talking about your witch marks | 0:38:37 | 0:38:39 | |
and your protection marks, | 0:38:39 | 0:38:41 | |
I think what we've got here is one step beyond. | 0:38:41 | 0:38:43 | |
This, we think, is a curse. | 0:38:43 | 0:38:45 | |
-A curse? -This is a late medieval curse. | 0:38:45 | 0:38:47 | |
-Directed at somebody or something specific? -Very specific. | 0:38:47 | 0:38:51 | |
In this case, if you can read the text backwards, | 0:38:51 | 0:38:53 | |
we have got the letters K-A-Y-N-F-F-O-R-D. | 0:38:53 | 0:38:56 | |
But it is clearly produced | 0:38:56 | 0:38:57 | |
by somebody who is literate in a time when not everybody was. | 0:38:57 | 0:39:00 | |
There is a suspicion that these were actually produced | 0:39:00 | 0:39:02 | |
by members of the clergy, clerics. | 0:39:02 | 0:39:04 | |
So you could effectively order a curse upon somebody | 0:39:04 | 0:39:07 | |
by having a chat with the clergy. | 0:39:07 | 0:39:09 | |
You have to remember, the medieval church was | 0:39:09 | 0:39:11 | |
quite into cursing. Many of their services involved curses. | 0:39:11 | 0:39:15 | |
"Cursed be he who moves his neighbour's boundary stone." | 0:39:15 | 0:39:18 | |
So, it is only a very short step away in the medieval mind | 0:39:18 | 0:39:21 | |
from actually bringing down God's wrath and God's curse on something. | 0:39:21 | 0:39:25 | |
So actually being able to bring a specific wrath on a specific person. | 0:39:25 | 0:39:29 | |
But why is it upside down? | 0:39:29 | 0:39:31 | |
It's this idea that it is something that is broken and inverted. | 0:39:31 | 0:39:34 | |
So, where your wonderful witch marks | 0:39:34 | 0:39:36 | |
and protection marks were the right way up, when you invert it, | 0:39:36 | 0:39:39 | |
it brings down the opposite effect. | 0:39:39 | 0:39:41 | |
Absolutely fascinating. | 0:39:41 | 0:39:42 | |
A genuinely unique window on the medieval past here. | 0:39:42 | 0:39:47 | |
A genuinely unique window on the medieval mind. | 0:39:47 | 0:39:50 | |
-CHURCH BELLS RING -Matthew, I could spend all day here. And on cue, the bells. | 0:39:50 | 0:39:53 | |
It certainly is a project that has sparked my imagination. | 0:39:55 | 0:39:58 | |
And with another 400 medieval churches in Norfolk still | 0:39:58 | 0:40:02 | |
to survey, who knows what else will be found? | 0:40:02 | 0:40:05 | |
Well, it is of course now decision time for our musical duo | 0:40:07 | 0:40:10 | |
of Jean and Mike, and they are so obviously | 0:40:10 | 0:40:13 | |
excited about trying to turn their future dreams into some | 0:40:13 | 0:40:17 | |
sort of reality that I can't wait to hear what happens next. | 0:40:17 | 0:40:21 | |
Well, what a fun time we have had. | 0:40:26 | 0:40:28 | |
I've really enjoyed showing you two around Norfolk | 0:40:28 | 0:40:31 | |
and I have learned a lot about Norfolk from you two as well. | 0:40:31 | 0:40:34 | |
It has been tremendous, Jules, I can't tell you. | 0:40:34 | 0:40:37 | |
I mean, we never expected to see what we have seen. | 0:40:37 | 0:40:40 | |
We started with a property which remained | 0:40:40 | 0:40:43 | |
a front-runner for most of our search. | 0:40:43 | 0:40:45 | |
Our second property... | 0:40:45 | 0:40:47 | |
-Didn't quite do it for it you, did it? Our thatch. -No. -Not really. | 0:40:47 | 0:40:51 | |
Not really, and I was frightened to death of the stairs. | 0:40:51 | 0:40:53 | |
-Were you? -Yeah, I've got this thing about stairs, you see. | 0:40:53 | 0:40:56 | |
Well, stairs were the moot point | 0:40:56 | 0:40:58 | |
because you did say endlessly how much you wanted a bungalow. | 0:40:58 | 0:41:02 | |
-I know. -And then we went to our mystery house. | 0:41:02 | 0:41:04 | |
-Which had a spiral stair. -Yeah. | 0:41:04 | 0:41:07 | |
But all objections flew out the window with that one. | 0:41:07 | 0:41:10 | |
They certainly did. You captured us totally. | 0:41:10 | 0:41:14 | |
The minute I walked in, that was it. | 0:41:14 | 0:41:16 | |
I just felt, "I'm at home, this is it." | 0:41:16 | 0:41:19 | |
We didn't expect to see a chapel. | 0:41:19 | 0:41:22 | |
I mean, a chapel was not on the radar at all. | 0:41:22 | 0:41:24 | |
And it has got everything. | 0:41:24 | 0:41:26 | |
We can make a music room inside, | 0:41:26 | 0:41:28 | |
-we don't need to put a music room outside. -Yep. | 0:41:28 | 0:41:30 | |
But of course, it is challenging your budget somewhat at 435. | 0:41:30 | 0:41:33 | |
Can you do it? | 0:41:33 | 0:41:34 | |
Well, I think what we would probably like to do, Jules, is go in | 0:41:34 | 0:41:38 | |
with an offer and see how we go from there. | 0:41:38 | 0:41:40 | |
Fabulous. Guys, I wish you all the very best of luck. | 0:41:40 | 0:41:43 | |
I do hope to hear in the not too distant future that you have | 0:41:43 | 0:41:47 | |
-done it and you have moved in. -Thank you, Jules. | 0:41:47 | 0:41:49 | |
We have had a great time, thank you. | 0:41:49 | 0:41:51 | |
You know, people often ask me to describe what it's like | 0:41:57 | 0:42:00 | |
house hunting on Escape To The Country, | 0:42:00 | 0:42:02 | |
and I suppose, in many ways, I'd liken it to the Grand National. | 0:42:02 | 0:42:06 | |
But of course, in our case, it is | 0:42:06 | 0:42:08 | |
only ever going to be a three-horse race. | 0:42:08 | 0:42:10 | |
Occasionally, nobody reaches the finish line. | 0:42:10 | 0:42:13 | |
Sometimes it's a photo finish between two or indeed all of them. | 0:42:13 | 0:42:17 | |
And every now and then there is of course a clear winner. | 0:42:17 | 0:42:20 | |
And that is what has happened this week. | 0:42:20 | 0:42:22 | |
In the final furlong, | 0:42:22 | 0:42:24 | |
our mystery house has come storming up the outside to take the prize. | 0:42:24 | 0:42:28 | |
And now with any luck, and very soon, | 0:42:28 | 0:42:31 | |
Mike and Jean will be calling it home. | 0:42:31 | 0:42:33 | |
So that's it from me, from the Norfolk Broads and the rain. | 0:42:33 | 0:42:38 | |
I'll see you next time. | 0:42:38 | 0:42:39 | |
And I'm happy to say that Mike and Jeanne have made | 0:42:41 | 0:42:44 | |
an offer on the mystery house which has been accepted. | 0:42:44 | 0:42:47 | |
So I'm hoping it won't be too long | 0:42:47 | 0:42:48 | |
until they're making music in their new chapel home. | 0:42:48 | 0:42:52 |