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In the late 19th century, this magnificent manor house | 0:00:02 | 0:00:05 | |
was home to one of Britain's most famous designers. | 0:00:05 | 0:00:08 | |
He called this place heaven on Earth. | 0:00:08 | 0:00:10 | |
Find out where I am, and who was so inspired by this lovely setting, | 0:00:10 | 0:00:15 | |
in a few moments. | 0:00:15 | 0:00:17 | |
On today's show, we're helping a British expat to find a home | 0:00:34 | 0:00:38 | |
back in the motherland, after more than 30 years away. | 0:00:38 | 0:00:41 | |
It's a big step. | 0:00:41 | 0:00:43 | |
I think it could work for me, | 0:00:43 | 0:00:45 | |
but I'd need a bit more time to think about it. | 0:00:45 | 0:00:47 | |
-But she seems ready to make the leap. -Ooh! -That... -Jump up and down! | 0:00:47 | 0:00:51 | |
Today, I'm in Oxfordshire and this is Kelmscott Manor, | 0:00:53 | 0:00:56 | |
where William Morris, founder of the Arts and Crafts movement, | 0:00:56 | 0:01:00 | |
spent his summers from 1871 until his death in 1896. | 0:01:00 | 0:01:07 | |
Later on in the show, I'll be back to take a tour of the house, | 0:01:07 | 0:01:10 | |
but in the meantime, | 0:01:10 | 0:01:11 | |
here's what else this wonderful county has to offer. | 0:01:11 | 0:01:14 | |
Oxfordshire, in the south of England, shares its borders | 0:01:18 | 0:01:21 | |
with counties including Wiltshire, Berkshire and Buckinghamshire | 0:01:21 | 0:01:25 | |
It's a peaceful landscape of wooded hills and green fields, | 0:01:25 | 0:01:29 | |
with the River Thames a dominant presence | 0:01:29 | 0:01:31 | |
in the southern half of the county. | 0:01:31 | 0:01:33 | |
Here you'll find the riverside market town of Henley-on-Thames, | 0:01:33 | 0:01:37 | |
with its string of pretty Georgian buildings lining the High Street. | 0:01:37 | 0:01:42 | |
The town has a strong boating and rowing tradition, | 0:01:42 | 0:01:44 | |
and the Royal Regatta is held here every July. | 0:01:44 | 0:01:49 | |
The county's capital is Oxford - the city of dreaming spires. | 0:01:49 | 0:01:53 | |
A phrase coined by the 19th-century poet, Matthew Arnold, | 0:01:53 | 0:01:56 | |
to describe the architecture of the university buildings, | 0:01:56 | 0:01:59 | |
many of which are around 700 years old. | 0:01:59 | 0:02:02 | |
Equally impressive is the county's most famous stately home, | 0:02:04 | 0:02:08 | |
Blenheim Palace, seat of the Duke of Marlborough | 0:02:08 | 0:02:10 | |
and the birthplace of Sir Winston Churchill. | 0:02:10 | 0:02:14 | |
With its diverse mix of rural beauty and peaceful market towns, | 0:02:14 | 0:02:18 | |
Oxfordshire is a county that offers something for everyone. | 0:02:18 | 0:02:21 | |
Property shopping in Oxfordshire can be very expensive. | 0:02:25 | 0:02:30 | |
The average price of a detached house tips over £390,000. | 0:02:30 | 0:02:35 | |
That's 30% more than the national average. And here's why - | 0:02:35 | 0:02:39 | |
not only are there great road and rail links into London, | 0:02:39 | 0:02:43 | |
but the area also takes in the desirable Cotswolds region, | 0:02:43 | 0:02:47 | |
making it commuters' rural paradise. | 0:02:47 | 0:02:50 | |
For more affordable property, I think heading out west is best. | 0:02:50 | 0:02:54 | |
For instance, a house in Farringdon could cost 20% less | 0:02:54 | 0:02:58 | |
than something similar in Henley, in the east of the county. | 0:02:58 | 0:03:02 | |
Worth bearing in mind as we meet today's buyer. | 0:03:02 | 0:03:05 | |
Leslie is returning to Britain | 0:03:06 | 0:03:08 | |
after spending the last three decades living all over the world, | 0:03:08 | 0:03:11 | |
most recently in Dubai. | 0:03:11 | 0:03:14 | |
'Joining her on the house hunt is her friend and fellow expat, Jenny.' | 0:03:14 | 0:03:18 | |
I left here in 1981 and I went to work, just for two years in Dubai, | 0:03:18 | 0:03:24 | |
and I met my husband and he was already on his journey going | 0:03:24 | 0:03:28 | |
round the world. So, really, I never came home. I intended to but I never came home. | 0:03:28 | 0:03:32 | |
So we married and had three children and we lived in the States. | 0:03:32 | 0:03:37 | |
We've lived in Hong Kong twice, Dubai twice, Holland. | 0:03:37 | 0:03:42 | |
And then we ended up, in '95, in Dubai and that's where we decided to stay. | 0:03:42 | 0:03:48 | |
Sadly, Leslie's husband died eight years ago. | 0:03:49 | 0:03:52 | |
She carried on living in Dubai because her three children were settled at school. | 0:03:52 | 0:03:56 | |
But now they are grown up and have flown the nest, | 0:03:56 | 0:03:58 | |
it's time for a change. | 0:03:58 | 0:04:00 | |
I'm a widow now. Getting... | 0:04:00 | 0:04:04 | |
knocking on the door of retirement, let's put it that way! | 0:04:04 | 0:04:07 | |
And um... I've done Dubai now, | 0:04:07 | 0:04:11 | |
I need to move on and I want to come home. | 0:04:11 | 0:04:14 | |
Leslie met Jenny in the early 1990s | 0:04:15 | 0:04:18 | |
when they were both living in Hong Kong. | 0:04:18 | 0:04:20 | |
Jenny has already moved back to the UK, and so has experience | 0:04:20 | 0:04:24 | |
of making the transition. | 0:04:24 | 0:04:26 | |
I have the feeling for what it is like to be back. | 0:04:26 | 0:04:30 | |
She knows how much I like properties and I've moved so many times. | 0:04:30 | 0:04:34 | |
Maybe I can really help her with that. | 0:04:34 | 0:04:37 | |
And I think that, um, you know, | 0:04:37 | 0:04:40 | |
together we could really be a good team... | 0:04:40 | 0:04:43 | |
And as we're friends, | 0:04:43 | 0:04:45 | |
she will know very well what suits me, as well. | 0:04:45 | 0:04:48 | |
Leslie has her heart set on finding a home in South Oxfordshire. | 0:04:48 | 0:04:53 | |
I need to be within striking distance of London... | 0:04:53 | 0:04:55 | |
fairly easy access, but also to my elderly parents in Surrey, | 0:04:55 | 0:05:00 | |
Heathrow, but also I have friends in the city of Oxford as well. | 0:05:00 | 0:05:04 | |
So if I position myself there, I think I'm getting | 0:05:04 | 0:05:07 | |
what I want in an area because it is rural, semi-rural | 0:05:07 | 0:05:12 | |
and partly urban as well. So... | 0:05:12 | 0:05:15 | |
it covers all the bases. | 0:05:15 | 0:05:16 | |
But as well as location, it's that unique country lifestyle | 0:05:16 | 0:05:20 | |
that Leslie really wants to find again. | 0:05:20 | 0:05:23 | |
It's funny because I came home two years ago to a spring | 0:05:23 | 0:05:27 | |
and I had forgotten what crocuses and daffodils and all of those things | 0:05:27 | 0:05:31 | |
were like at springtime. | 0:05:31 | 0:05:33 | |
And it was just so magical, so I do miss the seasons. | 0:05:33 | 0:05:36 | |
It will be lovely to have that again. | 0:05:36 | 0:05:39 | |
Also, I've always had this hankering for living | 0:05:39 | 0:05:41 | |
in a village community where you've got a country pub and you've got the Post Office. | 0:05:41 | 0:05:46 | |
You know, chocolate box, that kind of thing. | 0:05:46 | 0:05:49 | |
It might not be the reality that I end up with, | 0:05:49 | 0:05:51 | |
but that's the image that I have in my head. | 0:05:51 | 0:05:53 | |
And I've missed it. | 0:05:53 | 0:05:55 | |
And she wants a place that's big enough for the family, | 0:05:55 | 0:05:58 | |
as well as a possible business. | 0:05:58 | 0:05:59 | |
I have this vision of everybody coming to me for Christmas | 0:05:59 | 0:06:03 | |
and I want to have the room for it. | 0:06:03 | 0:06:04 | |
But also, the other thing that I'd like to think about is | 0:06:04 | 0:06:07 | |
having possibly a B&B business. | 0:06:07 | 0:06:10 | |
All that's left is to find out how much is in the pot | 0:06:10 | 0:06:13 | |
for Leslie's great British homecoming. | 0:06:13 | 0:06:16 | |
The budget that I'm looking at for the house that I want is | 0:06:16 | 0:06:19 | |
between £600,000 and £700,000. | 0:06:19 | 0:06:22 | |
Leslie has mentioned Henley-on-Thames as the town | 0:06:27 | 0:06:30 | |
she would like to be close to. | 0:06:30 | 0:06:31 | |
So we're concentrating our property search in the south of the county. | 0:06:31 | 0:06:36 | |
I'm meeting up with her and Jenny to go over the details | 0:06:36 | 0:06:39 | |
of her dream move. | 0:06:39 | 0:06:40 | |
-Leslie, Jenny, hello. -Hello. -Lovely to meet you both. -You too. | 0:06:42 | 0:06:45 | |
-This is quite a change from Dubai. -It is, it's a big change. | 0:06:45 | 0:06:49 | |
Although the sun is out for us today. So that's nice. | 0:06:49 | 0:06:52 | |
-A little reminder of where you've come from. -Yes, just a little one. | 0:06:52 | 0:06:55 | |
Life in the British countryside is quite different from a life in Dubai... | 0:06:55 | 0:06:59 | |
-It is. -..or Hong Kong. How are you feeling about that change? | 0:06:59 | 0:07:02 | |
Well, I've always lived in quite a major city, really. | 0:07:02 | 0:07:06 | |
And I think I will actually quite like a bit of peace and quiet, | 0:07:06 | 0:07:10 | |
but as long as I have a car and I can get to places fairly easily, | 0:07:10 | 0:07:14 | |
Henley or wherever. So I think it'll be fine. | 0:07:14 | 0:07:18 | |
-Leslie, you both met, of course, in Hong Kong. -Mm-hmm. -Yes. | 0:07:18 | 0:07:21 | |
But you made this move yourself a few years ago. | 0:07:21 | 0:07:24 | |
-Yes, about 18 years ago. Yeah. -How did you find it? | 0:07:24 | 0:07:28 | |
Well, I was so delighted to come back home after 24 years abroad. | 0:07:28 | 0:07:32 | |
I came back with my children and husband who'd never lived here, | 0:07:32 | 0:07:37 | |
so I had a lot of convincing to make them love it as much as me. | 0:07:37 | 0:07:41 | |
But they eventually did. | 0:07:41 | 0:07:43 | |
Leslie, paint us a picture of the actual house. | 0:07:43 | 0:07:47 | |
Well, I do want character. I'm sorry, I know it sounds like a cliche, | 0:07:47 | 0:07:50 | |
but I don't want to live in a square box. I want a house that has | 0:07:50 | 0:07:54 | |
a flow to it, has an atmosphere to it | 0:07:54 | 0:07:56 | |
and I really want, really, really want a fireplace. Really. | 0:07:56 | 0:08:01 | |
And a great kitchen and I want to be able to come in the front door | 0:08:01 | 0:08:04 | |
and say, "This is mine, this is home." | 0:08:04 | 0:08:06 | |
-Well, remind us of your budget. -It's £600,000-£700,000. | 0:08:06 | 0:08:12 | |
-And you want at least three bedrooms. -Yes, I do. Yes. | 0:08:12 | 0:08:15 | |
-Well, we've got three houses that we want to show you. -Great. | 0:08:15 | 0:08:18 | |
-Lots to get on with. -Great. -So let's get started. -Thank you. | 0:08:18 | 0:08:23 | |
For a budget of £600,000-£700,000, | 0:08:23 | 0:08:26 | |
Leslie is after a house with character and atmosphere. | 0:08:26 | 0:08:29 | |
She'd like at least one original fireplace | 0:08:29 | 0:08:32 | |
and a spacious kitchen. | 0:08:32 | 0:08:33 | |
It should have three bedrooms for when her children visit. | 0:08:33 | 0:08:36 | |
Leslie has also mentioned the possibility of developing | 0:08:36 | 0:08:39 | |
a bed and breakfast business at some point in the future | 0:08:39 | 0:08:42 | |
so the arrangement of the house should take account of this. | 0:08:42 | 0:08:45 | |
Finally, she'd prefer not to be too isolated | 0:08:45 | 0:08:48 | |
and wants to be close to a large village or market town. | 0:08:48 | 0:08:51 | |
We've found three delightful homes for Leslie and Jenny to view. | 0:08:53 | 0:08:57 | |
I'll be asking her to guess the price at the end of each house tour. | 0:08:57 | 0:09:01 | |
Our mystery property could give Leslie much more than just | 0:09:01 | 0:09:04 | |
somewhere to live when she returns to the UK. | 0:09:04 | 0:09:07 | |
What things are you most looking forward to about living in Britain? | 0:09:13 | 0:09:17 | |
Well, I'm looking forward to having my own house because where | 0:09:17 | 0:09:20 | |
I've lived abroad, it's always been rented accommodation. | 0:09:20 | 0:09:23 | |
-Will you get a dog? -I might. | 0:09:23 | 0:09:25 | |
I might, yes, I've been thinking about that. | 0:09:25 | 0:09:27 | |
But first things first, I've got to decorate a house first. | 0:09:27 | 0:09:31 | |
And that'll take a while. | 0:09:31 | 0:09:33 | |
For our first property, | 0:09:38 | 0:09:40 | |
we're heading to the small settlement of Winterbrook, | 0:09:40 | 0:09:42 | |
around 20 minutes' drive from Henley-on-Thames. | 0:09:42 | 0:09:46 | |
It's just outside Wallingford, | 0:09:46 | 0:09:48 | |
which also sits on the banks of the Thames. | 0:09:48 | 0:09:50 | |
This historic market town has a variety of shops and cafes arranged | 0:09:50 | 0:09:54 | |
around a large open square and along numerous paved alleyways. | 0:09:54 | 0:09:59 | |
House number one is set in a peaceful rural location on | 0:09:59 | 0:10:03 | |
a popular lane just a mile outside of the town. | 0:10:03 | 0:10:07 | |
So, ladies, may I present to you your very first house. | 0:10:07 | 0:10:11 | |
-Very nice, yes. It looks lovely. -Very nice. -Isn't it cute? | 0:10:11 | 0:10:14 | |
-I like the lane as well. -So pretty. | 0:10:14 | 0:10:16 | |
It's a very, very desirable road. | 0:10:16 | 0:10:19 | |
It's only the second house that's gone on the market | 0:10:19 | 0:10:22 | |
-on this road in the last decade. -That says it all, doesn't it? | 0:10:22 | 0:10:25 | |
So this is a real opportunity. | 0:10:25 | 0:10:27 | |
-The house itself - late 19th century... -Mm-hmm. | 0:10:27 | 0:10:30 | |
-..but of course, as you can see, semi-detached. -Yes. | 0:10:30 | 0:10:34 | |
-How do you feel about that? -OK, I think. It depends what's inside. | 0:10:34 | 0:10:37 | |
I think I could live with that. | 0:10:37 | 0:10:40 | |
I think you're going to like a lot of the features we're going to show you inside. | 0:10:40 | 0:10:44 | |
-I hope so. -Let go. | 0:10:44 | 0:10:45 | |
A nice positive start to our first house tour. | 0:10:46 | 0:10:49 | |
And I'm hopeful Leslie and Jenny will also like the interior, | 0:10:49 | 0:10:52 | |
which has had extensive work done to it. | 0:10:52 | 0:10:55 | |
We're heading to the kitchen and dining area first. | 0:10:55 | 0:10:57 | |
-So through the formal hallway... -Wow, look at this! | 0:10:59 | 0:11:02 | |
..is what I think will be the heart of the household. | 0:11:02 | 0:11:04 | |
Yes, I think so too. This is lovely. | 0:11:04 | 0:11:07 | |
Charming. That's a word I could say, charming. | 0:11:07 | 0:11:11 | |
-I think this is a great entertaining space. -Yes, I think so too. | 0:11:11 | 0:11:16 | |
-Do you do a lot of entertaining? -I will do. Well, I used to. | 0:11:16 | 0:11:20 | |
I haven't for a while, but I intend to. | 0:11:20 | 0:11:22 | |
-Yes, this would be perfect, wouldn't it? -It's lovely. Really. | 0:11:22 | 0:11:26 | |
-Let's go see the garden room. -OK. -Can't wait. | 0:11:26 | 0:11:29 | |
I think you're going to like it. | 0:11:29 | 0:11:31 | |
-Oh, wow, look at this. -That's lovely. | 0:11:31 | 0:11:34 | |
I don't think you would ever leave this room, would you? | 0:11:34 | 0:11:36 | |
Right through to the cold weather, you'd have those doors open. | 0:11:36 | 0:11:39 | |
I think the thing is if you have lived in a hot climate, | 0:11:39 | 0:11:42 | |
-you are used to in-out living. -Yes. | 0:11:42 | 0:11:45 | |
This is what we've done, we've put on a conservatory | 0:11:45 | 0:11:47 | |
and tried to live outside as much as we can. | 0:11:47 | 0:11:50 | |
There is another sitting room, the old sitting room. | 0:11:50 | 0:11:53 | |
-I want to show you that. -OK. -It has a very special feature. | 0:11:53 | 0:11:57 | |
-Oh, look how cute this is. -Oh, this is lovely. -I love the fireplace. | 0:11:59 | 0:12:04 | |
-I've got a thing about fireplaces, haven't I? -I love that window. | 0:12:04 | 0:12:07 | |
-It's a beautiful little bay window, isn't it? -It's charming. | 0:12:07 | 0:12:10 | |
-I wouldn't change anything with this. It's just too cute. -It is, really. | 0:12:10 | 0:12:15 | |
Well, at the moment, they use it as a study. | 0:12:15 | 0:12:18 | |
I think it could also be your winter sitting room, | 0:12:18 | 0:12:21 | |
just as the conservatory is the summer sitting room. | 0:12:21 | 0:12:25 | |
What would you use it as? | 0:12:25 | 0:12:26 | |
A place where I would curl up with a book. | 0:12:28 | 0:12:30 | |
So that's the downstairs done. Let's go upstairs. | 0:12:30 | 0:12:33 | |
The downstairs also features a handy shower and cloakroom | 0:12:35 | 0:12:38 | |
off the entrance hall. | 0:12:38 | 0:12:39 | |
And to the side of the property, a garage which could be converted | 0:12:39 | 0:12:42 | |
to a further reception room, subject to planning permission. | 0:12:42 | 0:12:46 | |
Upstairs, there are three good-sized double bedrooms, | 0:12:46 | 0:12:48 | |
two of which overlook the back garden, | 0:12:48 | 0:12:51 | |
as well as a spacious half-tiled family bathroom. | 0:12:51 | 0:12:54 | |
But I want to show Leslie and Jenny the largest of the three bedrooms. | 0:12:54 | 0:12:58 | |
-Wow. -So Leslie this would be your master bedroom. -Very nice. | 0:13:00 | 0:13:04 | |
A nice size, isn't it? It's an L-shape, I like that. | 0:13:04 | 0:13:06 | |
And there's an en-suite bathroom which you can explore later. | 0:13:06 | 0:13:09 | |
-OK. -Just through there. -OK. | 0:13:09 | 0:13:11 | |
-Very, very nice. -And it's a very nice aspect too. Look at that. -Yeah. | 0:13:11 | 0:13:14 | |
So would you be happy with something this size? | 0:13:14 | 0:13:17 | |
Well, yes, because again there's quite big furniture. | 0:13:17 | 0:13:19 | |
I probably wouldn't have another wardrobe as big as that. | 0:13:19 | 0:13:23 | |
I think it could work for me... | 0:13:23 | 0:13:24 | |
but I'd need a bit more time to think about it. But, yes, | 0:13:24 | 0:13:27 | |
initial impression is good. | 0:13:27 | 0:13:28 | |
And, of course, you have two other good-sized bedrooms, so you could | 0:13:28 | 0:13:32 | |
-put clothes and shoes and handbags and... -Oh, I'm already there! | 0:13:32 | 0:13:37 | |
I'm already there, it's OK. | 0:13:37 | 0:13:38 | |
What do you think about the size of the house? | 0:13:38 | 0:13:41 | |
No, it's very compact. They've made really good use of the space. | 0:13:41 | 0:13:45 | |
It's got all the things that I've asked for. | 0:13:45 | 0:13:48 | |
-So that's the inside of the house done. -Mm-hmm. | 0:13:48 | 0:13:50 | |
-Thumbs up so far? -Yes. -Yes. -Definitely. | 0:13:50 | 0:13:53 | |
Let's go into the garden, and I want you ladies to start thinking about | 0:13:53 | 0:13:56 | |
how much you think the house is on offer for, | 0:13:56 | 0:13:58 | |
-because that's what I'm about to ask you. Follow me. -OK. | 0:13:58 | 0:14:01 | |
The garden is secluded and largely laid to lawn, | 0:14:01 | 0:14:04 | |
but there's also a good-sized terrace for entertaining. | 0:14:04 | 0:14:08 | |
At the end of the garden, there's an old walnut tree | 0:14:08 | 0:14:10 | |
and, beyond that, great views of the surrounding countryside. | 0:14:10 | 0:14:14 | |
A fairly low-maintenance English country garden, I would say. | 0:14:15 | 0:14:19 | |
-Yes, it is. Yes. -Is this what you had in mind, Leslie? -I did, yes. | 0:14:19 | 0:14:23 | |
-Yes, it's perfect. -Lots of positive vibes from you. -Mm-hmm. Yes. | 0:14:23 | 0:14:27 | |
-Are you going to love the price? -I don't know. | 0:14:27 | 0:14:30 | |
Jenny, what do you think this property is on the market for? | 0:14:30 | 0:14:35 | |
I think it's on the market for £695,000. | 0:14:35 | 0:14:40 | |
-So you think it's at the top... -I do... -..of Leslie's budget. | 0:14:40 | 0:14:43 | |
..because you've given her everything she asked for. | 0:14:43 | 0:14:46 | |
-Leslie? -Lucky me? -Yes. | 0:14:48 | 0:14:50 | |
Well, this is really difficult but I'm going to go with £665,000. | 0:14:50 | 0:14:55 | |
OK. | 0:14:55 | 0:14:56 | |
Well, I'm very sorry to tell you that... | 0:14:56 | 0:15:00 | |
you're going to have a lot of spare change. | 0:15:00 | 0:15:02 | |
The house is on the market for offers in excess of £600,000. | 0:15:02 | 0:15:06 | |
-No. -Ooh! -That... -Jump up and down! -Well! | 0:15:06 | 0:15:10 | |
-Are you kidding? -Go on, more jumping. I want more jumping. | 0:15:10 | 0:15:12 | |
If you don't buy it, I will. That truly is amazing. | 0:15:12 | 0:15:17 | |
-Well, while you take in the price and reflect in that joy... -Yes. | 0:15:19 | 0:15:24 | |
..of the price, I'll let you explore | 0:15:24 | 0:15:26 | |
-the two other bedrooms upstairs. -Yes. | 0:15:26 | 0:15:28 | |
Jenny, I'm sure you want to go and pick out your bedroom | 0:15:28 | 0:15:31 | |
-for when you come and stay. -Absolutely. | 0:15:31 | 0:15:33 | |
-And I'll see you in a little bit. -Yes, OK then, thank you. -Thank you. | 0:15:33 | 0:15:36 | |
Well, what a reaction. Not bad for a first house. | 0:15:37 | 0:15:42 | |
What a fantastic start. | 0:15:42 | 0:15:43 | |
On the market for offers over £600,000, | 0:15:46 | 0:15:49 | |
our first property is at the lower end of Leslie's budget. | 0:15:49 | 0:15:52 | |
It's a 19th-century, semi-detached family home | 0:15:52 | 0:15:56 | |
located on a pretty lane close to a popular market town. | 0:15:56 | 0:15:59 | |
The interior has been remodelled and extended | 0:15:59 | 0:16:02 | |
and includes a spacious kitchen/diner and garden room. | 0:16:02 | 0:16:06 | |
There are three double bedrooms upstairs, | 0:16:06 | 0:16:08 | |
including one with an en-suite bathroom. | 0:16:08 | 0:16:11 | |
The garden is low maintenance and extensive, | 0:16:11 | 0:16:14 | |
offering excellent views | 0:16:14 | 0:16:15 | |
of the surrounding countryside. | 0:16:15 | 0:16:17 | |
I really think that this house does have Leslie's name | 0:16:18 | 0:16:21 | |
written all over it, and I think that she would be very, very happy here. | 0:16:21 | 0:16:24 | |
I think location-wise, the size of the house | 0:16:24 | 0:16:28 | |
and I think she could manage this very well. | 0:16:28 | 0:16:31 | |
This house is very warm, welcoming, light. | 0:16:31 | 0:16:35 | |
It just has a good feel for it. And, yes, I can see myself being in it | 0:16:35 | 0:16:38 | |
and being happy. And that's the most important thing. | 0:16:38 | 0:16:41 | |
The only possible caveat, I would say, is that I did think about | 0:16:41 | 0:16:45 | |
possibly doing a B&B later on. | 0:16:45 | 0:16:48 | |
I don't think I'd do that here. I think it's just enough for me | 0:16:48 | 0:16:51 | |
and the family. I don't think I'd do that. That's not a deal-breaker, | 0:16:51 | 0:16:54 | |
but it's just something I hadn't thought of and I need to think | 0:16:54 | 0:16:57 | |
about that. But it is a contender, yes. | 0:16:57 | 0:16:59 | |
-OK, that's house one done. -Mm-hmm. | 0:17:01 | 0:17:03 | |
-Does house number two have a lot to live up to? -It does, yes. | 0:17:03 | 0:17:07 | |
-That did have a lot of the good things... -Me too! | 0:17:07 | 0:17:09 | |
-..that I wanted, yes. -It was lovely. | 0:17:09 | 0:17:12 | |
Let's hope it matches your expectations then. Let's explore. | 0:17:12 | 0:17:15 | |
Thank you. | 0:17:15 | 0:17:17 | |
Although Leslie is keen to adopt a rural way of life, | 0:17:23 | 0:17:26 | |
she wants to be close to a town or large village, | 0:17:26 | 0:17:29 | |
and Oxfordshire's green and pleasant land is dotted with some | 0:17:29 | 0:17:32 | |
stunning examples of the classic English market town. | 0:17:32 | 0:17:35 | |
One of those is Wallingford, close to the location of our first house. | 0:17:35 | 0:17:40 | |
The town grew up around an important crossing point along | 0:17:40 | 0:17:42 | |
the River Thames, and has a recorded history going back over 1,000 years. | 0:17:42 | 0:17:48 | |
Since Leslie is returning to the UK | 0:17:48 | 0:17:49 | |
after nearly three decades living abroad, | 0:17:49 | 0:17:52 | |
we sent both her and Jenny to find out more | 0:17:52 | 0:17:55 | |
about Wallingford's past from tourist guide, Jennifer. | 0:17:55 | 0:17:59 | |
-Welcome to Wallingford. -Thank you. | 0:17:59 | 0:18:01 | |
-And you can see what a beautiful, idyllic place it is. -Yes. | 0:18:01 | 0:18:04 | |
It dates way back to the Saxon times. In fact, we do know | 0:18:04 | 0:18:08 | |
there were settlements long before that in the Bronze and Iron ages. | 0:18:08 | 0:18:11 | |
But in the Saxon era, it was as important as Winchester. | 0:18:11 | 0:18:16 | |
It was a fortified town. | 0:18:16 | 0:18:18 | |
And it maintained that importance through the Middle Ages. | 0:18:18 | 0:18:24 | |
It got its own charter in the 1100s from Henry II. | 0:18:24 | 0:18:28 | |
So in the middle of the 1100s, it had a charter, which made it very important. | 0:18:28 | 0:18:32 | |
So important, in fact, that in 1215 it was one of only four towns | 0:18:32 | 0:18:38 | |
mentioned in the Magna Carta. | 0:18:38 | 0:18:40 | |
Wallingford prospered during the Middle Ages, thanks largely | 0:18:41 | 0:18:45 | |
to the Thames, which was an important transport route, | 0:18:45 | 0:18:47 | |
and the town became a vital trading centre | 0:18:47 | 0:18:50 | |
in the 17th and 18th centuries. | 0:18:50 | 0:18:53 | |
Many of the buildings which line the pretty market square | 0:18:53 | 0:18:55 | |
date back to that time. | 0:18:55 | 0:18:57 | |
So what type of industry was Wallingford involved in at the time? | 0:18:57 | 0:19:02 | |
Well, remember, Wallingford is in an agricultural setting. | 0:19:02 | 0:19:06 | |
So it was important to have agricultural tools, machinery. | 0:19:06 | 0:19:10 | |
So there was a large iron foundry here. | 0:19:10 | 0:19:13 | |
Other industries, breweries, of course. Maltings. | 0:19:13 | 0:19:18 | |
The market, which took place here, | 0:19:18 | 0:19:21 | |
was incredibly busy with butchers, bakers, brewers. | 0:19:21 | 0:19:26 | |
People would come here because it was a market town, and they would | 0:19:26 | 0:19:30 | |
sell their goods here on Fridays. | 0:19:30 | 0:19:32 | |
As well as being an industrial centre, over the years | 0:19:34 | 0:19:37 | |
Wallingford has been home to some notable people. | 0:19:37 | 0:19:40 | |
But perhaps its most famous resident is buried, | 0:19:40 | 0:19:43 | |
along with her husband, | 0:19:43 | 0:19:44 | |
in this churchyard in the village of Cholsey, | 0:19:44 | 0:19:46 | |
just outside the town. | 0:19:46 | 0:19:49 | |
Here we are standing in front of the gravestone of the queen of crime, | 0:19:49 | 0:19:55 | |
Agatha Christie. | 0:19:55 | 0:19:57 | |
Wallingford is actually mentioned, certainly in a couple of her novels. | 0:19:57 | 0:20:01 | |
House Of Cards and Dumb Witness both feature the town. | 0:20:01 | 0:20:06 | |
Can you tell us why she wrote under Agatha Christie, her maiden name, | 0:20:06 | 0:20:11 | |
and not under her married name of Mallowan? | 0:20:11 | 0:20:15 | |
She had started writing before her marriage to Max and had achieved | 0:20:15 | 0:20:20 | |
a certain fame, so the name was well known. | 0:20:20 | 0:20:22 | |
But also, I think, because she was a very private person. | 0:20:22 | 0:20:26 | |
With a tour of Wallingford's historic highlights, hopefully | 0:20:26 | 0:20:29 | |
we've given Leslie a hint of what a life in Oxfordshire could offer her. | 0:20:29 | 0:20:33 | |
Now it's time to turn house detective again | 0:20:33 | 0:20:36 | |
as we return to the property hunt. | 0:20:36 | 0:20:38 | |
For our second offering, we're hopping over the border | 0:20:40 | 0:20:43 | |
into Berkshire and to the village of Brightwalton. | 0:20:43 | 0:20:46 | |
Although we've crossed into a different county, | 0:20:46 | 0:20:49 | |
we're still around 30 miles from Henley-on-Thames. | 0:20:49 | 0:20:52 | |
The closest village for amenities is Great Shefford. | 0:20:52 | 0:20:55 | |
Located on the River Lambourn, there's a parish church, | 0:20:55 | 0:20:59 | |
local shop and a range of historic buildings. | 0:20:59 | 0:21:01 | |
The second property is a ten-minute drive away, | 0:21:03 | 0:21:06 | |
on the edge of the smaller village of Brightwalton. | 0:21:06 | 0:21:08 | |
Now, as you can see, house number two is a very different proposition. | 0:21:12 | 0:21:17 | |
That is something. It's so unusual. | 0:21:17 | 0:21:22 | |
-I mean, it's quaint, it's chocolate box. -And quite different. | 0:21:22 | 0:21:25 | |
-Which is what you asked for. -I think I used that term, didn't I? | 0:21:25 | 0:21:28 | |
They're both very different, aren't they? And normally I like things | 0:21:28 | 0:21:31 | |
to be more symmetrical. Is that the term I want to use? | 0:21:31 | 0:21:34 | |
So you've got a 17th-century, classic English countryside, | 0:21:34 | 0:21:38 | |
-thatched-roof cottage... -It is cute, isn't it? -..on this side. | 0:21:38 | 0:21:42 | |
-It's very cute. -Yes. | 0:21:42 | 0:21:43 | |
And the extension that you can see over there was built nine years ago. | 0:21:43 | 0:21:48 | |
-Shall we see what inside has to offer? -Yes! -I would like to, yes. | 0:21:48 | 0:21:51 | |
I would like to very much, thank you. | 0:21:51 | 0:21:54 | |
We're going to start with the older, thatched part of the house. | 0:21:54 | 0:21:57 | |
This is where you'll find two reception rooms, one of which | 0:21:57 | 0:22:01 | |
is this cosy sitting room with a multi-fuel burner. | 0:22:01 | 0:22:04 | |
-So this is the dining room. -That's the dining room. | 0:22:06 | 0:22:10 | |
-And is that a range? -It is, good spot. | 0:22:10 | 0:22:13 | |
This used to be the kitchen before the extension. | 0:22:13 | 0:22:16 | |
So the range isn't working, at the moment, but it wouldn't take | 0:22:16 | 0:22:19 | |
much to get something like that up and running, I'm sure. | 0:22:19 | 0:22:21 | |
-OK, all right. -And obviously here you have the... -Oh, look at that. | 0:22:21 | 0:22:24 | |
-..brickwork. -Gorgeous. -I like it. Really great natural features. | 0:22:24 | 0:22:30 | |
-So, very different from the first house. -Yes, it is. | 0:22:30 | 0:22:33 | |
How are you feeling about it, Leslie? | 0:22:33 | 0:22:35 | |
I don't know. I don't know. | 0:22:35 | 0:22:38 | |
-Ask me in ten minutes. I've got to think about this. -OK. | 0:22:38 | 0:22:41 | |
-You need to see more of the property. -I think I do. Yes. | 0:22:41 | 0:22:43 | |
OK, shall we go over to the modern part? | 0:22:43 | 0:22:45 | |
-The kitchen is in the modern part. Let's do that. -Mm-hmm. | 0:22:45 | 0:22:49 | |
Oh, Jenny, look at this. Look at this! | 0:22:49 | 0:22:52 | |
That is something. | 0:22:52 | 0:22:55 | |
-I love the oohs and ahhs. Keep going! -It's really beautiful. | 0:22:55 | 0:23:00 | |
It's almost like a church with all the... | 0:23:00 | 0:23:02 | |
This is like a whole other house. | 0:23:02 | 0:23:04 | |
It's another area where you're going to spend your daytime. | 0:23:04 | 0:23:07 | |
This is where I think, Leslie, you would spend most of your time. | 0:23:07 | 0:23:10 | |
Which is why the other side now makes sense | 0:23:10 | 0:23:13 | |
because that's sort of the cosy, evening, winter...and this is... | 0:23:13 | 0:23:16 | |
-This is the action in the daytime, probably. -It's lovely. | 0:23:16 | 0:23:19 | |
-It's really lovely. -So you've got your kitchen, | 0:23:19 | 0:23:22 | |
-a little breakfast area, a little lounge area. -Sitting area. Yeah. | 0:23:22 | 0:23:26 | |
-Could you entertain here? -Well, yes, you could, yes. You definitely could. | 0:23:26 | 0:23:32 | |
But you've got informal there and you have formal in there, | 0:23:32 | 0:23:34 | |
-so you have a choice here. -Mm-hmm. | 0:23:34 | 0:23:37 | |
-Let's go and see what could be your master bedroom. -OK. | 0:23:37 | 0:23:40 | |
Better reactions to the extended wing of the house, | 0:23:42 | 0:23:45 | |
although I'm still not sure it's grabbing Leslie. | 0:23:45 | 0:23:48 | |
The downstairs of the thatched part includes a generous bathroom. | 0:23:48 | 0:23:52 | |
Upstairs is also divided with two separate staircases. | 0:23:52 | 0:23:57 | |
In the newer section, you'll find two of the four bedrooms, | 0:23:57 | 0:24:00 | |
both with built-in cupboards and exposed beams | 0:24:00 | 0:24:03 | |
and they share another bathroom. | 0:24:03 | 0:24:06 | |
The older wing is home to another double bedroom and the master. | 0:24:06 | 0:24:10 | |
Welcome to the master bedroom suite, I think we can call it. | 0:24:11 | 0:24:16 | |
That is a very big bed, isn't it? | 0:24:16 | 0:24:19 | |
-And just to your left there... -Oh! -..is an open plan en-suite. | 0:24:19 | 0:24:24 | |
-Very nice. -Mm-hmm. | 0:24:24 | 0:24:26 | |
What I think you should do is take out all the clothes rails | 0:24:26 | 0:24:28 | |
and the shoes from here, and actually turn the second bedroom | 0:24:28 | 0:24:31 | |
up here into your dressing room. So this whole part of the house... | 0:24:31 | 0:24:34 | |
-Now we're talking. -Now we're talking, yes! -See, I know what you want! | 0:24:34 | 0:24:37 | |
I know what a woman wants when it comes to dressing rooms! | 0:24:37 | 0:24:40 | |
-It's a brilliant idea. -Yes, I like that idea. | 0:24:40 | 0:24:43 | |
-Shall we go out into the back garden? -Yes, I'd like to see that. | 0:24:43 | 0:24:46 | |
Outside, the house is surrounded by a secluded garden which is | 0:24:47 | 0:24:50 | |
laid to lawn and enclosed by mature hedging. | 0:24:50 | 0:24:53 | |
There's also a timber shed - handy for storage. | 0:24:53 | 0:24:56 | |
How much do you think this house is on the market for? | 0:24:59 | 0:25:02 | |
Jenny, you went first last time. So, Leslie? | 0:25:02 | 0:25:05 | |
This is a real flyer, but I actually think it would go for | 0:25:07 | 0:25:10 | |
something like £575,000. | 0:25:10 | 0:25:12 | |
OK. | 0:25:12 | 0:25:13 | |
Interesting. | 0:25:15 | 0:25:17 | |
Jenny? Um... | 0:25:17 | 0:25:18 | |
-Maybe I would say £640,000. -£640,000? -Yes. | 0:25:18 | 0:25:24 | |
Well, this time Jenny is much closer to the mark. | 0:25:25 | 0:25:27 | |
They want offers in excess of £650,000. | 0:25:27 | 0:25:32 | |
-No! I did say that I wanted chocolate box... -You did. | 0:25:32 | 0:25:36 | |
..but I think this is a little bit too much for me. | 0:25:36 | 0:25:39 | |
Whist I can see the advantage of having the house divided like that, | 0:25:39 | 0:25:43 | |
I'm finding it a bit too bitty. | 0:25:43 | 0:25:45 | |
Does that make sense? It doesn't flow right for me. | 0:25:45 | 0:25:48 | |
-Do you want to have another look? -I can go and have a look, sure. | 0:25:48 | 0:25:51 | |
Go and do that and I'll see you in a bit. | 0:25:51 | 0:25:54 | |
At offers in excess of £650,000, | 0:25:54 | 0:25:57 | |
our second house is priced at £50,000 more than our first. | 0:25:57 | 0:26:01 | |
It's a thatched, English country cottage | 0:26:01 | 0:26:04 | |
which has been extended and modernised. | 0:26:04 | 0:26:06 | |
The accommodation includes a cosy sitting room | 0:26:06 | 0:26:09 | |
and a large open plan kitchen and breakfast room. | 0:26:09 | 0:26:11 | |
It comes with four bedrooms, two in each wing of the property | 0:26:11 | 0:26:15 | |
and a private lawned garden. | 0:26:15 | 0:26:19 | |
The plot size is great. It looks like a really nice community. | 0:26:19 | 0:26:23 | |
Lovely garden. | 0:26:23 | 0:26:25 | |
But I think really as you go from room to room, you just get a feeling | 0:26:25 | 0:26:29 | |
and it just wasn't really there for me. | 0:26:29 | 0:26:31 | |
I'm actually quite surprised about how definite an answer we got today. | 0:26:33 | 0:26:37 | |
I thought the house tour was going really rather well, | 0:26:37 | 0:26:40 | |
but that's how things go. | 0:26:40 | 0:26:42 | |
That's the end of day one, ladies. | 0:26:42 | 0:26:45 | |
-Let's go. -OK. | 0:26:45 | 0:26:46 | |
It's the second day of our property search in Oxfordshire, | 0:27:02 | 0:27:05 | |
and on a maximum budget of £700,000, we're helping expat Leslie find a country pad back in Britain. | 0:27:05 | 0:27:12 | |
Still to come, size is everything at the mystery house. | 0:27:12 | 0:27:16 | |
-Oh, my goodness. This is space, I love it. -Huge. -It's a proper kitchen. | 0:27:16 | 0:27:22 | |
And I visit the house that inspired | 0:27:22 | 0:27:24 | |
one of Britain's greatest designers. | 0:27:24 | 0:27:26 | |
I was expecting it to be...fussier. | 0:27:26 | 0:27:29 | |
Now, Leslie has mentioned a couple of times the possibility | 0:27:32 | 0:27:36 | |
of running a B&B, and the mystery house could provide that option. | 0:27:36 | 0:27:40 | |
It has plenty of other possibilities too, | 0:27:40 | 0:27:43 | |
but let's not get ahead of ourselves. | 0:27:43 | 0:27:45 | |
First, she has to fall in love with it as a home. | 0:27:45 | 0:27:50 | |
For our final property, we're heading back into Oxfordshire | 0:27:50 | 0:27:53 | |
and to the village of Northmoor. | 0:27:53 | 0:27:55 | |
Although we're now half an hour away from Henley-on-Thames, | 0:27:55 | 0:27:58 | |
the west of the county offers a bit more value for money. | 0:27:58 | 0:28:02 | |
Northmoor is a peaceful village, but one with an active community, | 0:28:02 | 0:28:05 | |
and there's plenty to enjoy here, including a village pub, | 0:28:05 | 0:28:08 | |
a farm shop selling local produce and a church with a dedicated choir. | 0:28:08 | 0:28:13 | |
Our mystery house is situated in the heart of the village, | 0:28:13 | 0:28:17 | |
and is well placed for a bed-and-breakfast business. | 0:28:17 | 0:28:20 | |
But I'm keen to see if Leslie is up for that challenge. | 0:28:20 | 0:28:24 | |
Come on through to your mystery house. Mind your heads here though. | 0:28:24 | 0:28:28 | |
Oh, good Lord. Look at this! | 0:28:28 | 0:28:31 | |
-Oh, my goodness. -This is your 18th-century country cottage. | 0:28:32 | 0:28:38 | |
-OK. -It's listed and this is the new part of the building - | 0:28:38 | 0:28:42 | |
it was built 25 years ago. | 0:28:42 | 0:28:44 | |
The reason this is a mystery house is, you've mentioned a few times | 0:28:44 | 0:28:48 | |
-about the possibility of setting up a B&B. -A B&B, yes. | 0:28:48 | 0:28:52 | |
-That's right. -This house really does give you that possibility... | 0:28:52 | 0:28:56 | |
-Great. -..and there are lots of other options as well. -OK. | 0:28:56 | 0:29:00 | |
Real opportunities to put your own stamp on this property. | 0:29:00 | 0:29:04 | |
-I'm actually bursting with ideas... -Good. | 0:29:04 | 0:29:06 | |
-..so I want to get you in there. -Fantastic. | 0:29:06 | 0:29:09 | |
In many ways, our mystery house has a similar set-up to | 0:29:11 | 0:29:13 | |
yesterday's second property. | 0:29:13 | 0:29:15 | |
An old cottage with a modern extension attached. So I'm still | 0:29:15 | 0:29:19 | |
a little nervous that it might be a bit too traditional for Leslie. | 0:29:19 | 0:29:23 | |
We're heading to the older part of the house first. | 0:29:23 | 0:29:26 | |
-Oh, my fireplace. -That is a beauty. | 0:29:26 | 0:29:31 | |
This is actually one of two reception rooms | 0:29:31 | 0:29:33 | |
-like this in this part of the house. -OK. | 0:29:33 | 0:29:38 | |
The old part of the house. | 0:29:38 | 0:29:40 | |
And the B&B idea, the guesthouse idea is that you could | 0:29:40 | 0:29:44 | |
completely shut off that part of the house. | 0:29:44 | 0:29:47 | |
The entrance that we came through could be a completely | 0:29:47 | 0:29:50 | |
separate entrance for guests, for your B&B, | 0:29:50 | 0:29:55 | |
because there is also a separate staircase there. | 0:29:55 | 0:29:58 | |
So what you would have is a living room and there are two bedrooms | 0:29:58 | 0:30:02 | |
-and a family bathroom upstairs. -All right, that sounds good. | 0:30:02 | 0:30:05 | |
-You could keep this and then there's lots more... -Right, OK. | 0:30:05 | 0:30:10 | |
..in the new part of the house. So how are you feeling about that idea? | 0:30:10 | 0:30:14 | |
I like the idea, yes. | 0:30:14 | 0:30:15 | |
Very much, yes, if it can be closed off, I think | 0:30:15 | 0:30:18 | |
that would be a lot better. | 0:30:18 | 0:30:20 | |
I'm so glad that Leslie's open to the idea of giving over | 0:30:21 | 0:30:24 | |
the other downstairs reception rooms to guests, | 0:30:24 | 0:30:27 | |
along with two of the upstairs bedrooms and a bathroom. | 0:30:27 | 0:30:31 | |
But that's not the only option with this property. | 0:30:31 | 0:30:35 | |
Welcome to the kitchen. I think you're going to like its size. | 0:30:35 | 0:30:39 | |
-Oh, my goodness. Yes, this is space. -Huge. -I love it, yeah. | 0:30:39 | 0:30:44 | |
-That's a kitchen. -It's a proper kitchen. | 0:30:44 | 0:30:47 | |
And it's very rare to get a kitchen of this size | 0:30:47 | 0:30:50 | |
-in a property like this. Of this style. -Yes. | 0:30:50 | 0:30:53 | |
And the thing is, if you have a B&B, you need a bigger kitchen | 0:30:53 | 0:30:56 | |
in which to work as well. So it's lovely. I like it. | 0:30:56 | 0:31:00 | |
And look - the French door onto the garden. Oh, golly. | 0:31:00 | 0:31:03 | |
Well, this is the other surprise. | 0:31:03 | 0:31:05 | |
This is the other part of the mystery. | 0:31:05 | 0:31:08 | |
So you would have a sizeable kitchen, obviously. | 0:31:08 | 0:31:10 | |
But there is already planning permission, which lasts for | 0:31:10 | 0:31:13 | |
another year, for a garden room that would go up to that step over there. | 0:31:13 | 0:31:16 | |
-OK. -So you would have your cosy fireplace in your sort of | 0:31:16 | 0:31:20 | |
-winter room and then you could build... -Yes. | 0:31:20 | 0:31:23 | |
Somehow that works better than what we've seen before. | 0:31:23 | 0:31:26 | |
You know what I mean? The last house had the same elements | 0:31:26 | 0:31:30 | |
-but because the flow is somehow different, it works better. -Yeah. | 0:31:30 | 0:31:33 | |
And this has the option of the extra garden room. | 0:31:33 | 0:31:38 | |
In addition to the two bedrooms earmarked for the B&B guests | 0:31:38 | 0:31:41 | |
in the older part of the house, there are two further bedrooms | 0:31:41 | 0:31:44 | |
upstairs in the modern extension. | 0:31:44 | 0:31:46 | |
One is a single and the other would be Leslie's bedroom. | 0:31:46 | 0:31:49 | |
This is the master bedroom. | 0:31:51 | 0:31:53 | |
-Right, OK. -I liked your reaction in the second house when we mentioned | 0:31:53 | 0:31:57 | |
-walk-in wardrobes. -Yes. -A girl after my own heart. | 0:31:57 | 0:32:01 | |
And this is quite small, isn't it? | 0:32:01 | 0:32:03 | |
And this is not a grand master, but what you could do is either | 0:32:03 | 0:32:06 | |
knock through a little doorway into the single bedroom, | 0:32:06 | 0:32:10 | |
-or just use that as a walk-in wardrobe... -Yes. -..and just go out | 0:32:10 | 0:32:14 | |
-through as normal. -That's possible. -So it becomes a whole end as... | 0:32:14 | 0:32:17 | |
It would be a very substantial walk-in wardrobe. | 0:32:17 | 0:32:20 | |
-So you could just move the clothes out here... -That's what I need! | 0:32:20 | 0:32:23 | |
Absolutely. There's an en-suite shower room here, | 0:32:23 | 0:32:26 | |
so you really wouldn't need anything else apart from this, | 0:32:26 | 0:32:29 | |
-your walk-in wardrobe, your en-suite shower room. -Very nice. | 0:32:29 | 0:32:32 | |
I really like the idea of creating my own space. | 0:32:32 | 0:32:35 | |
There's plenty of room to do it. | 0:32:35 | 0:32:38 | |
And also making your mark. When you see something like this, | 0:32:38 | 0:32:41 | |
it's beautiful, but there's lots of options. | 0:32:41 | 0:32:43 | |
It gives you that opportunity to put your own stamp on it. | 0:32:43 | 0:32:46 | |
And I would, I would do that. | 0:32:46 | 0:32:49 | |
The mystery house gets the seal of approval from Jenny too, | 0:32:49 | 0:32:52 | |
but there's still the outside space to see. | 0:32:52 | 0:32:55 | |
As well as the strip of front garden, | 0:32:55 | 0:32:57 | |
round the back of the property, | 0:32:57 | 0:32:58 | |
there's an enclosed substantial patch of lawn | 0:32:58 | 0:33:01 | |
surrounded by shrubs and apple trees, as well as a big garage | 0:33:01 | 0:33:05 | |
offering plenty of storage options. | 0:33:05 | 0:33:07 | |
-So the question you're anticipating... -Yes. | 0:33:09 | 0:33:12 | |
-Now's the time to ask it. -Oooh. | 0:33:12 | 0:33:14 | |
How much is this property on the market for? | 0:33:14 | 0:33:18 | |
I'll start with you, Jenny. | 0:33:18 | 0:33:20 | |
-I would say £685,000. -OK. | 0:33:20 | 0:33:23 | |
I think £690,000. | 0:33:25 | 0:33:26 | |
-You both are a little off, actually. -Uh-oh. | 0:33:26 | 0:33:29 | |
But you'll be pleased about it. | 0:33:29 | 0:33:31 | |
It's on the market for £625,000. | 0:33:31 | 0:33:34 | |
Leaving you £75,000 to build that garden room, | 0:33:34 | 0:33:39 | |
make it your own, make any changes you want to make. | 0:33:39 | 0:33:42 | |
-So it does leave you with lots of change. -Very interesting. -Yes. | 0:33:42 | 0:33:46 | |
There's a lot to think about there. A lot. | 0:33:46 | 0:33:48 | |
I know, and that's why I think you should go back into the house, | 0:33:48 | 0:33:51 | |
have a look at all those bedrooms, figure out what you might | 0:33:51 | 0:33:55 | |
want to do with them, because I know I've given you lots of ideas. | 0:33:55 | 0:33:59 | |
-Yes, you have. -And there are endless possibilities, I think. | 0:33:59 | 0:34:03 | |
Take as long as you want and I'll meet you back out here | 0:34:03 | 0:34:05 | |
-in the garden. -OK, thanks. -All right, thank you. -Thank you. | 0:34:05 | 0:34:08 | |
Priced at £625,000, | 0:34:11 | 0:34:14 | |
our mystery house is well within budget. | 0:34:14 | 0:34:17 | |
It's a Grade II listed, 18th-century cottage | 0:34:17 | 0:34:20 | |
with a modern extension. | 0:34:20 | 0:34:22 | |
The accommodation includes two cosy reception rooms, | 0:34:22 | 0:34:25 | |
and a large country kitchen. | 0:34:25 | 0:34:27 | |
There are four bedrooms in total, with the option of using two | 0:34:27 | 0:34:30 | |
as part of a separate space for bed-and-breakfast guests. | 0:34:30 | 0:34:32 | |
There's planning permission in place to build a garden room | 0:34:32 | 0:34:35 | |
and the garden itself | 0:34:35 | 0:34:38 | |
is large and secluded. | 0:34:38 | 0:34:41 | |
I could actually see my family coming to stay here | 0:34:41 | 0:34:43 | |
and I think they would love it, | 0:34:43 | 0:34:45 | |
especially if there are grandchildren in the offing. | 0:34:45 | 0:34:47 | |
They would love that garden. | 0:34:47 | 0:34:49 | |
And if you had the extension, as well, it would be a real family room, I think. | 0:34:49 | 0:34:54 | |
I think, personally, that this house would suit Leslie very well. | 0:34:54 | 0:34:58 | |
And I do think it would give her that project that would | 0:34:58 | 0:35:02 | |
-pull her into England... -The community. -..in a very positive way. | 0:35:02 | 0:35:06 | |
-Yeah. -And not miss that exciting life she had in Dubai. | 0:35:06 | 0:35:10 | |
Because I do think that the change is going to be great for you. | 0:35:10 | 0:35:14 | |
It will be, yes, and maybe I need to be busy. | 0:35:14 | 0:35:17 | |
-I think it's an amazing garden. -I know and I love that, I really do. | 0:35:20 | 0:35:23 | |
-You could use a lot of things for that. -Well, it could take the bikes | 0:35:23 | 0:35:27 | |
and it could become a sort of an afternoon...when it's a bit rainy | 0:35:27 | 0:35:30 | |
-or misty... -A cup of tea. -..a covered spot. | 0:35:30 | 0:35:32 | |
-I'm so sorry to interrupt... -Oh! -..but I am going to have to... | 0:35:32 | 0:35:35 | |
-We have to redesign the garden! -..drag you away from the garden | 0:35:35 | 0:35:39 | |
that you so obviously love. We can't move in just yet. | 0:35:39 | 0:35:42 | |
-No. -All right. -Let's go and find somewhere to sit down | 0:35:42 | 0:35:44 | |
-and digest everything that we've seen over the last two days. -Yes. There's a lot to digest. -OK. | 0:35:44 | 0:35:48 | |
-There is a lot. Let's go. -OK. -All right. | 0:35:48 | 0:35:50 | |
In the heart of the Oxfordshire countryside, | 0:35:56 | 0:35:58 | |
close to the River Thames is Kelmscott Manor. | 0:35:58 | 0:36:01 | |
In the late 19th century, the manor had a major influence on one of | 0:36:01 | 0:36:04 | |
Britain's leading designers, William Morris, who came here with his family. | 0:36:04 | 0:36:09 | |
Morris was a key figure in the Arts and Crafts movement, | 0:36:09 | 0:36:12 | |
which sought to revive the notion of craftsmanship in an age | 0:36:12 | 0:36:15 | |
of increasing mechanisation. | 0:36:15 | 0:36:18 | |
Today, the manor stands as testament to those principles. | 0:36:18 | 0:36:21 | |
I've come to Kelmscott to find out more about its enduring legacy. | 0:36:21 | 0:36:25 | |
I'm meeting the curator, Sarah Parker. | 0:36:25 | 0:36:27 | |
Sarah, tell me, what attracted William Morris to Kelmscott? | 0:36:29 | 0:36:34 | |
Well, he was looking for his summer retreat away from the smog | 0:36:34 | 0:36:37 | |
and pressures of London, and he wanted a really beautiful place | 0:36:37 | 0:36:40 | |
in the countryside and, believe it or not, he actually saw this place in a dream. | 0:36:40 | 0:36:44 | |
So that when he actually came to visit it, he just couldn't | 0:36:44 | 0:36:47 | |
believe it. This was his heaven on Earth. Morris loved the house. | 0:36:47 | 0:36:50 | |
It was on the river, it's in the Cotswolds and, of course, | 0:36:50 | 0:36:53 | |
he felt it was growing organically, literally out of the ground. | 0:36:53 | 0:36:56 | |
It was made by local craftsmen, using local materials. | 0:36:56 | 0:36:59 | |
So, really, really important principles for him. | 0:36:59 | 0:37:02 | |
And that local craftsmanship, that's a founding principle of | 0:37:02 | 0:37:06 | |
-the Arts and Crafts movement. -Definitely. | 0:37:06 | 0:37:09 | |
Kelmscott Manor and its garden inspired Morris' later work, | 0:37:09 | 0:37:12 | |
including some of his most famous wallpaper and textile designs. | 0:37:12 | 0:37:16 | |
Some of those influences can be seen inside. | 0:37:16 | 0:37:20 | |
So this is the oldest part of the house. This was the family dining room. | 0:37:20 | 0:37:24 | |
I was expecting it to be fussier. | 0:37:24 | 0:37:28 | |
It's funny you should say that because many of our visitors | 0:37:28 | 0:37:31 | |
expect a typical Victorian interior, really cluttered. | 0:37:31 | 0:37:34 | |
But Morris liked plain, simple lines. He liked, for instance, the original | 0:37:34 | 0:37:38 | |
Tudor furniture that you've got here, very simple, very honest furniture. | 0:37:38 | 0:37:43 | |
There might not be any wallpaper but these wall-hangings are very recognisable. | 0:37:43 | 0:37:48 | |
Yes, they are much-loved by many of our visitors. | 0:37:48 | 0:37:51 | |
They're called Strawberry Thief. | 0:37:51 | 0:37:53 | |
In fact, they were hung in 1883. Very reminiscent | 0:37:53 | 0:37:56 | |
of Morris, quite cheeky. The thrush stealing the strawberry, inspired by | 0:37:56 | 0:38:01 | |
the garden, the kitchen gardens here. We've actually got his very first embroidery | 0:38:01 | 0:38:05 | |
that he did himself in the house. So, shall I show you? | 0:38:05 | 0:38:08 | |
I want to see that. | 0:38:08 | 0:38:09 | |
So here we are, Sonali. This was the very first attempt by Morris | 0:38:11 | 0:38:15 | |
at textile design. You can see, here is his motto, "If I Can," which is | 0:38:15 | 0:38:21 | |
reminiscent of a famous Flemish 14th-century artist called van Eyck. | 0:38:21 | 0:38:26 | |
He took that from there to mean, well, I've tried my best. | 0:38:26 | 0:38:29 | |
If I can, anyone can. | 0:38:29 | 0:38:31 | |
I actually really like it because it isn't fussy. You feel like this | 0:38:31 | 0:38:35 | |
could be hung in a school, it's a school motto, isn't it? | 0:38:35 | 0:38:37 | |
-If I Can. -That's very true. | 0:38:37 | 0:38:41 | |
William's wife Jane and daughter May Morris were skilled textile designers | 0:38:41 | 0:38:44 | |
in their own right. The manor house contains many | 0:38:44 | 0:38:47 | |
of their original works, | 0:38:47 | 0:38:48 | |
including this decorative bedspread in the master bedroom. | 0:38:48 | 0:38:52 | |
This room really follows the simplicity of the whole house. | 0:38:54 | 0:38:58 | |
Everything is simple yet elegant. | 0:38:58 | 0:39:00 | |
That's very true and that's very in line with William Morris' quote, | 0:39:00 | 0:39:04 | |
when he said, "Have nothing in your houses which you do not | 0:39:04 | 0:39:07 | |
"know to be useful or believe to be beautiful." | 0:39:07 | 0:39:10 | |
The Morris designs are still much-loved around the world, | 0:39:12 | 0:39:14 | |
and have inspired many of today's designers and architects. | 0:39:14 | 0:39:18 | |
Kelmscott has changed little since Morris' day, and is a fitting | 0:39:18 | 0:39:22 | |
tribute to one of Britain's most influential craftsmen. | 0:39:22 | 0:39:25 | |
Well, we've now shown Leslie and Jenny all three houses on offer, | 0:39:31 | 0:39:34 | |
and I'm so, so pleased that we got positive reactions for two of them. | 0:39:34 | 0:39:39 | |
But what is Leslie going to do next? She's waiting inside. | 0:39:39 | 0:39:43 | |
We know how you feel about house number two, so you are only | 0:39:45 | 0:39:49 | |
-considering number one and the mystery house. -Not number two, that's right. Yes. | 0:39:49 | 0:39:54 | |
The two houses are so different that I have to consider... It's really | 0:39:54 | 0:39:58 | |
a choice with lifestyle. Do I want more of a lock and leave, much more | 0:39:58 | 0:40:02 | |
compact house, which was very exciting when I first saw it. | 0:40:02 | 0:40:06 | |
Especially when you revealed the price! | 0:40:06 | 0:40:08 | |
And then the third one, I really loved in a totally different way. | 0:40:08 | 0:40:11 | |
I mean, I really could run a B&B from that. | 0:40:11 | 0:40:14 | |
The garden is fantastic, the kitchen is to die for, and if I could build | 0:40:14 | 0:40:19 | |
an extension, I really can see me living in that area | 0:40:19 | 0:40:22 | |
and I'd be very happy. | 0:40:22 | 0:40:24 | |
So there is a dilemma there that I'd have to think about. | 0:40:24 | 0:40:28 | |
In a way then, it's not really between house one and the mystery house. | 0:40:28 | 0:40:32 | |
-It's between a simpler life... -Lifestyle. -..and a B&B life. | 0:40:32 | 0:40:36 | |
-Yes, that's right. -And that's really what you need to decide before you decide on the house. | 0:40:36 | 0:40:40 | |
Yes. I think I have to decide what I'm ready for, because when I looked | 0:40:40 | 0:40:43 | |
at house three, I thought, "Am I ready for this yet?" That was quite | 0:40:43 | 0:40:46 | |
revealing, actually, that I had to go through this journey | 0:40:46 | 0:40:49 | |
to find that out. But it's also very tempting to do now, | 0:40:49 | 0:40:53 | |
to sort of jump in with both feet and just do it. | 0:40:53 | 0:40:56 | |
Personally, I really think that Leslie would be happy | 0:40:56 | 0:41:00 | |
-in that first house, because I think it was a beautiful house... -It was. | 0:41:00 | 0:41:05 | |
I think it was a fantastic location and, as Leslie said, | 0:41:05 | 0:41:08 | |
-it is a perfect lock-up house. But... -I want both. | 0:41:08 | 0:41:12 | |
After saying that, the mystery house has got the potential | 0:41:12 | 0:41:16 | |
for a lifestyle that I think Leslie could handle. | 0:41:16 | 0:41:18 | |
-Double the budget and you can have both! -Thank you! | 0:41:18 | 0:41:22 | |
So what happens next, Leslie? How do you make this decision? | 0:41:22 | 0:41:24 | |
-A big decision, we know. -Yes, well that's a good question. | 0:41:24 | 0:41:27 | |
Jenny and I were talking about this and we think, first of all, | 0:41:27 | 0:41:30 | |
that we really do need to go back and look at house one | 0:41:30 | 0:41:33 | |
and the mystery house again. We really would like to do that. | 0:41:33 | 0:41:36 | |
You know I'm going to be mean. I know you are not ready to make | 0:41:36 | 0:41:39 | |
a quick decision. But if you had to put in an offer today, which one? | 0:41:39 | 0:41:45 | |
House one or the mystery house? | 0:41:45 | 0:41:46 | |
If you're going to put me on the spot, I'll say mystery house. | 0:41:46 | 0:41:50 | |
-Really? Why's that? -I don't know. | 0:41:50 | 0:41:53 | |
That shows that you are gutsy, that shows that you do have the energy for that adventure. | 0:41:53 | 0:41:57 | |
I did say that it's a choice between your head and your heart. | 0:41:57 | 0:42:02 | |
That's from my heart - my head says the other house. | 0:42:02 | 0:42:06 | |
But I could enjoy that house as well, the number one. I could enjoy that too. | 0:42:06 | 0:42:10 | |
-Will you let us know how you get on? -Absolutely, of course I will, yes. | 0:42:10 | 0:42:14 | |
-Thank you so much. -Thank you. -Thank you. -It's been an absolute pleasure. | 0:42:14 | 0:42:17 | |
-You too. Thank you. -Thank you. | 0:42:17 | 0:42:19 | |
It's not surprising that Leslie wants more time to consider | 0:42:22 | 0:42:25 | |
her options and the houses that we've shown her. | 0:42:25 | 0:42:28 | |
After all, she's spent more than three decades living | 0:42:28 | 0:42:31 | |
abroad in bustling places like Dubai and Hong Kong. | 0:42:31 | 0:42:36 | |
She now has to decide how she wants to live her new life, | 0:42:36 | 0:42:39 | |
not only back in Britain, but in the countryside too. | 0:42:39 | 0:42:43 | |
I am pretty confident that the past two days | 0:42:43 | 0:42:46 | |
have focused her thoughts, and with a bit more help from Jenny, her other friends | 0:42:46 | 0:42:51 | |
and family, it won't be too long before Leslie has made up her mind. | 0:42:51 | 0:42:55 | |
I'll see you next time. | 0:42:55 | 0:42:57 |