Browse content similar to Somerset. Check below for episodes and series from the same categories and more!
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Nearly 200 years ago, this towering achievement was built by a gentleman | 0:00:02 | 0:00:05 | |
who lay claim to being the richest man in Europe. | 0:00:05 | 0:00:08 | |
Find out what it was used for and where I am in just a moment. | 0:00:08 | 0:00:12 | |
Today's search takes our house hunters on a journey | 0:00:30 | 0:00:32 | |
that reveals more than just properties. | 0:00:32 | 0:00:35 | |
Goodness! You're welling up! | 0:00:35 | 0:00:36 | |
-It means that much, doesn't it? -Yeah, it does. It's beautiful. | 0:00:36 | 0:00:39 | |
And I have some surprises with my quirky cottages. | 0:00:39 | 0:00:42 | |
-This house keeps on giving. -It does, doesn't it? | 0:00:42 | 0:00:44 | |
You don't realise this is here. | 0:00:44 | 0:00:46 | |
Today, I'm in Somerset | 0:00:48 | 0:00:49 | |
and this is Beckford's Tower in the northeast of the county. | 0:00:49 | 0:00:53 | |
Named after its wealthy owner, William Beckford, | 0:00:53 | 0:00:55 | |
it was built in 1826 | 0:00:55 | 0:00:57 | |
as a place to house his rare art collection and library. | 0:00:57 | 0:01:02 | |
Later on in life, he became embroiled in a number of scandals | 0:01:02 | 0:01:06 | |
and it was here he regularly retreated to. | 0:01:06 | 0:01:09 | |
Today, it's used as a museum, | 0:01:09 | 0:01:11 | |
but here in the garden lies Beckford's marble tomb. | 0:01:11 | 0:01:14 | |
As imposing as the character he was rumoured to be. | 0:01:14 | 0:01:17 | |
Indeed, looking around this fine county, | 0:01:17 | 0:01:20 | |
it's just one of a mini list of great historic landmarks. | 0:01:20 | 0:01:24 | |
Set in the south-west of England, | 0:01:28 | 0:01:29 | |
the county of Somerset is bordered by Wiltshire to the east, | 0:01:29 | 0:01:33 | |
Dorset to the south-east and Devon to the south-west. | 0:01:33 | 0:01:36 | |
The rolling landscape of this rural region | 0:01:37 | 0:01:40 | |
is accentuated by the ranges of hills, including the Mendips, | 0:01:40 | 0:01:43 | |
which run east to west for almost 80 miles. | 0:01:43 | 0:01:47 | |
From Weston-super-Mare on the coast to Frome inland. | 0:01:47 | 0:01:50 | |
Over the last few centuries, stone quarried from these hills | 0:01:50 | 0:01:54 | |
has built many Somerset towns | 0:01:54 | 0:01:56 | |
and the great, imposing cities of Bristol and Bath. | 0:01:56 | 0:01:59 | |
Bath's impressive Georgian architecture of crescents | 0:02:01 | 0:02:04 | |
and squares, along with its unique Roman baths, | 0:02:04 | 0:02:07 | |
which are amongst the most important Roman remains north of the Alps, | 0:02:07 | 0:02:11 | |
has earned it the status of being a World Heritage site. | 0:02:11 | 0:02:15 | |
Heading south in the county, there are charming towns, like Axbridge, | 0:02:15 | 0:02:19 | |
full of historic buildings. | 0:02:19 | 0:02:20 | |
King John's Hunting Lodge is an early Tudor manor house | 0:02:20 | 0:02:24 | |
that has now been transformed into a museum. | 0:02:24 | 0:02:27 | |
But outside the citizen towns, this county is full of rural communities | 0:02:27 | 0:02:32 | |
living in the most idyllic of pastoral landscapes. | 0:02:32 | 0:02:35 | |
It is easy to see why it is an area worth escaping to. | 0:02:35 | 0:02:39 | |
The average price of a detached property here in Somerset | 0:02:42 | 0:02:45 | |
is just over £265,000. | 0:02:45 | 0:02:49 | |
Around £7,000 more than the national average. | 0:02:49 | 0:02:53 | |
However, that amount increases dramatically | 0:02:53 | 0:02:56 | |
if you head north-eastwards towards Bath, | 0:02:56 | 0:02:59 | |
where the figure jumps to almost £355,000. | 0:02:59 | 0:03:04 | |
If that 30% premium seems just that little bit too steep, | 0:03:04 | 0:03:08 | |
it would be worth looking slightly further afield, | 0:03:08 | 0:03:11 | |
around Frome and the surrounding areas. | 0:03:11 | 0:03:14 | |
With that in mind, let's meet today's buyers | 0:03:14 | 0:03:17 | |
and find out where they want to escape to. | 0:03:17 | 0:03:21 | |
Our house-hunters currently live on a housing estate in Peterborough. | 0:03:21 | 0:03:26 | |
Michelle and Sian have been together for five years | 0:03:26 | 0:03:29 | |
and are engaged to be married. | 0:03:29 | 0:03:31 | |
Our family consists of us two, | 0:03:31 | 0:03:34 | |
our daughter, Ellie, who's 12, | 0:03:34 | 0:03:35 | |
and then our two dogs, Bentley and Ruby. | 0:03:35 | 0:03:38 | |
So we are very tight in our unit. | 0:03:38 | 0:03:42 | |
Sian works locally as a teaching assistant, | 0:03:42 | 0:03:44 | |
but Michelle works in the finance industry | 0:03:44 | 0:03:47 | |
and commutes each day to central London. | 0:03:47 | 0:03:49 | |
I leave the house at 6am, | 0:03:49 | 0:03:51 | |
so the guys are still in bed, it's still dark. | 0:03:51 | 0:03:55 | |
And then I come home at 8-9pm, | 0:03:55 | 0:03:58 | |
and again, it is dark and Ellie is in bed. | 0:03:58 | 0:04:01 | |
Within that time, you have run around and gone to work, | 0:04:01 | 0:04:06 | |
sorted Ellie out, made the dinner, | 0:04:06 | 0:04:08 | |
put something aside for me | 0:04:08 | 0:04:10 | |
so that I can have something to eat, and it is nonstop. | 0:04:10 | 0:04:14 | |
At weekends, we are sorting ourselves out ready for the next week. | 0:04:14 | 0:04:18 | |
It is like Groundhog Day. | 0:04:18 | 0:04:19 | |
For me personally, it is quality of time at home | 0:04:19 | 0:04:22 | |
and just being able to be here, | 0:04:22 | 0:04:24 | |
be home by 6pm or 7pm, rather than at 9pm. | 0:04:24 | 0:04:27 | |
It is a key thing for me. | 0:04:27 | 0:04:30 | |
And Michelle has already started to make changes. | 0:04:30 | 0:04:33 | |
Where I work at the moment in London, | 0:04:33 | 0:04:35 | |
and we've got another office down in Bristol, | 0:04:35 | 0:04:38 | |
and there is an opportunity that potentially, | 0:04:38 | 0:04:41 | |
I could go down and work there and do the same job. | 0:04:41 | 0:04:44 | |
It is ideal. | 0:04:44 | 0:04:46 | |
Michelle was born in Somerset and moving closer to her family | 0:04:46 | 0:04:50 | |
is another driving factor in the move. | 0:04:50 | 0:04:53 | |
About three months ago, we had a family crisis with my stepmum. | 0:04:53 | 0:05:00 | |
I think it's just made me realise I need to be closer to my family. | 0:05:00 | 0:05:03 | |
For me, it's like going home, even though it is Michelle's home. | 0:05:03 | 0:05:06 | |
It's just... I don't know, it's just so right. I can't explain it. | 0:05:06 | 0:05:11 | |
Getting out of the suburban hubbub | 0:05:11 | 0:05:13 | |
and embracing country life can't come soon enough. | 0:05:13 | 0:05:16 | |
The house we live in at the minute, it works for us, | 0:05:16 | 0:05:19 | |
it's big enough, but it's not what we dream of. | 0:05:19 | 0:05:22 | |
-We both have the same dreams, don't we? -Yeah. | 0:05:22 | 0:05:24 | |
We want a cottagey feel. | 0:05:24 | 0:05:26 | |
We want to be able to have those smells. | 0:05:26 | 0:05:30 | |
We love walks with the dogs. | 0:05:30 | 0:05:32 | |
We would love to be part of a small community in a village. | 0:05:32 | 0:05:35 | |
We're village people. | 0:05:35 | 0:05:37 | |
They need to sell their current house for the move, | 0:05:37 | 0:05:40 | |
but have they figure for their new home in mind. | 0:05:40 | 0:05:43 | |
The budget for the move would be £300-400,000. | 0:05:43 | 0:05:46 | |
To get Michelle and Sian the rural setting they want, | 0:05:51 | 0:05:54 | |
but with a manageable commute to Bristol, | 0:05:54 | 0:05:56 | |
we're looking at villages no more than an hour from the centre | 0:05:56 | 0:06:00 | |
that are also a convenient distance from Michelle's family in Frome. | 0:06:00 | 0:06:03 | |
But I need to find out what else they are looking for. | 0:06:03 | 0:06:06 | |
Welcome to a very brisk Somerset today. | 0:06:06 | 0:06:10 | |
-Yes, very much so. -It looks absolutely beautiful, | 0:06:10 | 0:06:13 | |
but I think we are going to be fighting the rain most of today. | 0:06:13 | 0:06:17 | |
-It is not going to put us off, is it? -No. -No. | 0:06:17 | 0:06:19 | |
Tell me, why Somerset? | 0:06:19 | 0:06:21 | |
Well, you can see exactly why Somerset, really. | 0:06:21 | 0:06:24 | |
It is just absolutely beautiful. | 0:06:24 | 0:06:26 | |
The setting, the lifestyle, everything. | 0:06:26 | 0:06:28 | |
It's just a very calming place to be. | 0:06:28 | 0:06:31 | |
Tell me about this horrendous commute every day. | 0:06:31 | 0:06:34 | |
Yeah. Two hours each way. | 0:06:34 | 0:06:36 | |
-So four hours a day! -Four hours a day, yep. | 0:06:36 | 0:06:39 | |
I'm hoping to reduce that down somewhat, if we can. | 0:06:39 | 0:06:41 | |
My goodness! So constantly juggling life and work | 0:06:41 | 0:06:45 | |
and also finding time for your daughter, Ellie. | 0:06:45 | 0:06:47 | |
I don't see her most days. She's in bed by the time I get home. | 0:06:47 | 0:06:50 | |
So to be able to get home at a more reasonable time | 0:06:50 | 0:06:52 | |
and see her before she goes to bed would be really great. | 0:06:52 | 0:06:55 | |
Gosh, that is going to make a huge difference. | 0:06:55 | 0:06:57 | |
Not only to your lives, but to Ellie's as well. | 0:06:57 | 0:06:59 | |
-Yeah, majorly. -Completely. | 0:06:59 | 0:07:01 | |
Now, you currently live in a modern house. | 0:07:01 | 0:07:03 | |
What are you looking for with this move? | 0:07:03 | 0:07:05 | |
We are looking for something a little bit more villagey, | 0:07:05 | 0:07:08 | |
warm, homely kind of country feel to it. | 0:07:08 | 0:07:11 | |
-You want some fire or something. -Yeah, I want a fire. Just a fire. | 0:07:11 | 0:07:16 | |
Just a fire? Sian, you and I are going to get on. | 0:07:16 | 0:07:19 | |
-She's going to buy this house, the fire is good. -Just a fire. | 0:07:19 | 0:07:23 | |
Tell me more about this house. How many bedrooms? | 0:07:23 | 0:07:26 | |
A minimum of three so that we can have | 0:07:26 | 0:07:28 | |
people stay over and things from back up north. | 0:07:28 | 0:07:32 | |
Not too worried about the size, really. | 0:07:32 | 0:07:35 | |
Just a minimum of three bedrooms. | 0:07:35 | 0:07:37 | |
Some garden, possibly, for the dogs. | 0:07:37 | 0:07:40 | |
What about location? You mentioned about a community. | 0:07:40 | 0:07:43 | |
-Obviously, your daughter is 12? -Ellie is 12. | 0:07:43 | 0:07:45 | |
So it needs to have good schooling nearby | 0:07:45 | 0:07:48 | |
in, obviously, distance for her to travel | 0:07:48 | 0:07:51 | |
and also, obviously, distance for me to get to work in Bristol. | 0:07:51 | 0:07:55 | |
So tell me about your budget. | 0:07:55 | 0:07:56 | |
OK. Within the region of about £350,000. | 0:07:56 | 0:08:01 | |
Obviously, that can go up. Depends on the kind of house we see | 0:08:01 | 0:08:06 | |
and if it's something we fall in love with, | 0:08:06 | 0:08:08 | |
then obviously, we could look to go a bit further if we need to. | 0:08:08 | 0:08:11 | |
Give me that top budget if we find you something perfect. | 0:08:11 | 0:08:13 | |
-Top budget, 400,000. -400,000. | 0:08:13 | 0:08:16 | |
-Tell me, do you always agree on everything? -BOTH: No. | 0:08:16 | 0:08:19 | |
-That was quite definite, wasn't it? -Yes. | 0:08:19 | 0:08:21 | |
-We agree on agreeing that we don't agree. -Yeah. | 0:08:21 | 0:08:24 | |
So we have got three splendid properties to show you. | 0:08:24 | 0:08:27 | |
The landscape's disappeared behind us. | 0:08:27 | 0:08:30 | |
I think that rain's coming in, so on that note, shall we get started? | 0:08:30 | 0:08:33 | |
Definitely. Yes, let's go. | 0:08:33 | 0:08:35 | |
So for a maximum budget of £400,000, | 0:08:35 | 0:08:38 | |
they're looking for a characterful country home | 0:08:38 | 0:08:40 | |
with a minimum of three bedrooms, a real fire for Sian | 0:08:40 | 0:08:45 | |
and in a rural setting no more than an hour from Bristol. | 0:08:45 | 0:08:48 | |
And we've got three fantastic houses that | 0:08:48 | 0:08:51 | |
I know will deliver on their country dream, but I won't be letting | 0:08:51 | 0:08:55 | |
them in on the price until they've had a guess first. | 0:08:55 | 0:08:58 | |
And then there's the Mystery House, | 0:08:58 | 0:09:00 | |
which this week is a heavenly proposition. | 0:09:00 | 0:09:03 | |
Our search today kicks off in the hamlet of Yarley Hill, | 0:09:06 | 0:09:10 | |
just 15 minutes from the centre of Bristol, | 0:09:10 | 0:09:12 | |
but in the heart of the Mendips. | 0:09:12 | 0:09:14 | |
Consisting of just a few houses, the nearest village is Wookey. | 0:09:14 | 0:09:19 | |
Surrounded by farmland, | 0:09:19 | 0:09:20 | |
the village is built up around the now Grade I listed | 0:09:20 | 0:09:23 | |
12th-century church and the River Axe, | 0:09:23 | 0:09:25 | |
which runs right through its centre. | 0:09:25 | 0:09:27 | |
Mostly residential, there are around 1,200 inhabitants | 0:09:27 | 0:09:31 | |
which are served by a couple of classic country pubs. | 0:09:31 | 0:09:35 | |
A five-minute drive out of the village up a quiet | 0:09:35 | 0:09:37 | |
and narrow country lane is property number one. | 0:09:37 | 0:09:40 | |
So I've brought you to a beautiful hamlet for your first property. | 0:09:40 | 0:09:45 | |
Tell me what you think. | 0:09:45 | 0:09:46 | |
-Amazing. -Beautiful. -Yeah. I do like the stone. | 0:09:46 | 0:09:49 | |
-It's really... It's what we're looking for, isn't it? -Yeah. | 0:09:49 | 0:09:52 | |
It used to be part of a blacksmith's forge, all these buildings. | 0:09:52 | 0:09:56 | |
And looking at it, you can probably see | 0:09:56 | 0:09:59 | |
it was three separate properties. | 0:09:59 | 0:10:02 | |
-Oh, yes, you can. -It looks large, doesn't it? -Yeah? -Mm. It looks big. | 0:10:02 | 0:10:06 | |
How different is it from the house you have already? | 0:10:06 | 0:10:09 | |
Couldn't be any more different, really. | 0:10:09 | 0:10:11 | |
-LAUGHTER -Completely. | 0:10:11 | 0:10:13 | |
You're the country girl, Sian, | 0:10:13 | 0:10:15 | |
-you're the one who's craving to come here. -Has it got a fire? | 0:10:15 | 0:10:17 | |
-Has it got a fire? Has it got more than one fire? -Ooh! | 0:10:17 | 0:10:21 | |
-That's what you've got to ask me. -I'm interested. -Yeah? -Definitely. | 0:10:21 | 0:10:25 | |
Come on, let's have a look. | 0:10:25 | 0:10:26 | |
Dating back to around 1780, | 0:10:29 | 0:10:31 | |
this stone cottage has bags of character | 0:10:31 | 0:10:34 | |
and I think the features inside | 0:10:34 | 0:10:35 | |
will be just what Sian and Michelle are looking for. | 0:10:35 | 0:10:38 | |
Come on in, ladies, out of that rain. | 0:10:38 | 0:10:42 | |
So the door opens straight into the sitting room. | 0:10:43 | 0:10:47 | |
-Sian, what can you see in front of you? -A fire. It's beautiful. | 0:10:47 | 0:10:51 | |
-Does it make you happy? -Yeah, it does. It's amazing. | 0:10:51 | 0:10:54 | |
-I just feel really emotional. -Do you? Already? -Yeah. | 0:10:54 | 0:10:57 | |
Oh, my goodness, you're welling up! It means that much, doesn't it? | 0:10:57 | 0:11:00 | |
-Yeah, it does. It's beautiful. -Well, that's good. | 0:11:00 | 0:11:02 | |
It shows this is what you're after. | 0:11:02 | 0:11:05 | |
-This is why people want to move, isn't it? -Definitely. Really nice. | 0:11:05 | 0:11:09 | |
Complete opposite of what we've got at home. Complete opposite. | 0:11:09 | 0:11:12 | |
If you'd like to follow me, I'm going to take us | 0:11:12 | 0:11:15 | |
through into the dining room and kitchen. | 0:11:15 | 0:11:17 | |
The original inglenook fireplace was discovered | 0:11:17 | 0:11:20 | |
by the owners during their renovations over the last 10 years | 0:11:20 | 0:11:23 | |
and it has clearly struck a chord with Sian. | 0:11:23 | 0:11:25 | |
This part of the property has been divided up. | 0:11:25 | 0:11:28 | |
-You've got more of a snug or dining area here. -Yeah. | 0:11:28 | 0:11:31 | |
And then you've got your country kitchen there. | 0:11:31 | 0:11:34 | |
I just worry that it's too small in terms of the storage. | 0:11:34 | 0:11:37 | |
The size of the kitchen is great. It's just the storage. | 0:11:37 | 0:11:40 | |
How about opening this up and making it a kitchen/diner? | 0:11:40 | 0:11:44 | |
-We could do, yeah. -You wouldn't even need to take down any walls. | 0:11:44 | 0:11:47 | |
You wouldn't want to take the walls down | 0:11:47 | 0:11:49 | |
because it's part of the character. | 0:11:49 | 0:11:51 | |
-I love this, as well, with the fire. -It's absolutely amazing. | 0:11:51 | 0:11:53 | |
On the ground floor, is this enough space for the three of you with the dogs? | 0:11:53 | 0:11:57 | |
-I think so, yeah. This is about the right size, as well. -Great. | 0:11:57 | 0:12:00 | |
Would it be a problem if I gave you a little bit more space downstairs? | 0:12:00 | 0:12:05 | |
-No. -No, that would be good. -Yeah? OK. Let's see what's down here. | 0:12:05 | 0:12:09 | |
The corridor off the kitchen | 0:12:11 | 0:12:12 | |
and living room leads down to a further, larger living space. | 0:12:12 | 0:12:15 | |
-Wow! -An additional little sitting room. -Wow! | 0:12:17 | 0:12:21 | |
-Oh, it's amazing! -It's not that little, actually, is it? | 0:12:21 | 0:12:24 | |
No, it's not at all. Complete surprise. | 0:12:24 | 0:12:26 | |
-I didn't expect to see this bit here. -Yeah, it's incredible. -Yes? | 0:12:26 | 0:12:29 | |
-I love it. -Do you? -I absolutely love it. | 0:12:29 | 0:12:32 | |
I can see myself living here. | 0:12:32 | 0:12:34 | |
Well, let's hope you feel the same about upstairs, with the bedrooms. | 0:12:34 | 0:12:38 | |
Michelle, if you want to lead the way. Thank you. | 0:12:38 | 0:12:41 | |
A study and cloakroom round off the downstairs rooms. | 0:12:42 | 0:12:46 | |
Upstairs, there is one family bathroom | 0:12:46 | 0:12:48 | |
which serves all four bedrooms. | 0:12:48 | 0:12:51 | |
Of which there are two doubles | 0:12:51 | 0:12:53 | |
and a single before getting to the master. | 0:12:53 | 0:12:58 | |
So right at the end of the hallway upstairs... | 0:12:58 | 0:13:02 | |
-you have the master bedroom. -Oh, wow! -It's big. -That's very big. | 0:13:02 | 0:13:05 | |
-It's bigger than the one we've got now. It's amazing. -Yeah, it is. | 0:13:05 | 0:13:09 | |
-I like the brickwork. -The brickwork's great. | 0:13:09 | 0:13:12 | |
-So, is that the chimney to downstairs? -Yeah. -Right, OK. | 0:13:12 | 0:13:16 | |
And there is a fireplace. Although the one in the bedroom isn't working, | 0:13:16 | 0:13:19 | |
if you wanted to reactivate it, you easily could. | 0:13:19 | 0:13:21 | |
-The flue's there, it's just been closed off. -Right, OK. -Ooh! | 0:13:21 | 0:13:25 | |
-Fire in the bedroom. -Oh, no! | 0:13:25 | 0:13:27 | |
-How many fires do we want? -As many as I can! | 0:13:27 | 0:13:30 | |
-Would you have them in every room? -Yeah. | 0:13:30 | 0:13:32 | |
-You're serious, too, aren't you? -She is. | 0:13:32 | 0:13:35 | |
We know this cottage is quite quirky. | 0:13:35 | 0:13:37 | |
It continues with the garden. | 0:13:37 | 0:13:39 | |
It's not at the back, it's at the front of the property, | 0:13:39 | 0:13:41 | |
the other side of that lovely lane. | 0:13:41 | 0:13:43 | |
I'm going to ask you to take a stab at the price, as well. | 0:13:43 | 0:13:47 | |
With no garden to the rear, the land that comes with the house | 0:13:49 | 0:13:52 | |
is across the road and is terraced up the bank. | 0:13:52 | 0:13:55 | |
So the cottage has had a very favourable reception. | 0:13:58 | 0:14:01 | |
Bringing you across that little babbling brook with the bridge, | 0:14:01 | 0:14:04 | |
this actually is your garden. Now, how do you feel with the dogs? | 0:14:04 | 0:14:07 | |
-Because you do have two dogs. -That's my only reservation. | 0:14:07 | 0:14:10 | |
-To make it secure and... -Well, let's see how you feel about the price. | 0:14:10 | 0:14:15 | |
-Yes. -Who wants to guess the price first? | 0:14:15 | 0:14:17 | |
I'll go first. I would say it is about top end, about 390,000. | 0:14:17 | 0:14:24 | |
Right. Sian? | 0:14:24 | 0:14:27 | |
I'd go similar to that | 0:14:27 | 0:14:28 | |
because it's ticked practically every single box, so 395. | 0:14:28 | 0:14:32 | |
It is over your budget. | 0:14:32 | 0:14:34 | |
-The asking price is £425,000. -OK. | 0:14:34 | 0:14:39 | |
Now, outside of the major cities and towns, | 0:14:39 | 0:14:43 | |
we know properties aren't flying. | 0:14:43 | 0:14:44 | |
They know what your budget is | 0:14:44 | 0:14:46 | |
and they are happy to have a conversation with you. | 0:14:46 | 0:14:48 | |
Oh, right, OK. | 0:14:48 | 0:14:49 | |
I think go back inside, have another look on your own, | 0:14:49 | 0:14:53 | |
-take your time and I'll come and find you. -Brilliant. -Thanks. | 0:14:53 | 0:14:55 | |
-All right, thank you. -Careful as you go. | 0:14:55 | 0:14:57 | |
It's all a bit slippy. | 0:14:59 | 0:15:01 | |
Well, what a brilliant start. This is only our first house. | 0:15:01 | 0:15:05 | |
It is unusual, the garden, the layout is very quirky. | 0:15:05 | 0:15:09 | |
But on first reactions, they were very, very impressed. | 0:15:09 | 0:15:13 | |
Priced at £425,000, | 0:15:15 | 0:15:18 | |
this house is the classic picture-postcard stone cottage. | 0:15:18 | 0:15:22 | |
It has four bedrooms, two large living rooms, fireplaces | 0:15:22 | 0:15:27 | |
and original features throughout and a garden across the lane. | 0:15:27 | 0:15:31 | |
-It's a nice room. -Oh, this is a lovely room. This is Ellie's room. | 0:15:32 | 0:15:35 | |
It's gorgeous. Oh, how pretty! | 0:15:35 | 0:15:38 | |
When I first saw the house, I thought it was absolutely amazing. | 0:15:38 | 0:15:42 | |
Countrified, all the fires. | 0:15:42 | 0:15:45 | |
Just a very, very warm feel about it. | 0:15:45 | 0:15:47 | |
I think the garden for me, I'm a little bit wavering on the fact | 0:15:47 | 0:15:51 | |
that it's across the other side of the road and we've got dogs. | 0:15:51 | 0:15:53 | |
That worries me a little bit. That's my sticking point at the moment. | 0:15:53 | 0:15:56 | |
When I first walked into the property, | 0:15:56 | 0:15:58 | |
I had an overwhelming feeling. | 0:15:58 | 0:16:00 | |
I got quite emotional with the smells, the fires. | 0:16:00 | 0:16:03 | |
I just thought it was absolutely incredible. | 0:16:03 | 0:16:06 | |
I can already see myself being here. It's like a dream house for me. | 0:16:06 | 0:16:10 | |
I asked for an open fire or a log burner. | 0:16:10 | 0:16:13 | |
I've ended up getting four. | 0:16:13 | 0:16:15 | |
So I think I've been spoilt for the first house. | 0:16:15 | 0:16:21 | |
Right, you two, how do you feel we've done with our first property? | 0:16:23 | 0:16:26 | |
-Really well. -Yeah? -Really like it. | 0:16:26 | 0:16:28 | |
Yeah. It's got enough fires for me, four. | 0:16:28 | 0:16:31 | |
I knew you'd love it! | 0:16:31 | 0:16:34 | |
-And that is only our first house, as well. -I know, yeah. | 0:16:34 | 0:16:36 | |
-Still got so much more to show you, so we'll keep going. -Brilliant. | 0:16:36 | 0:16:39 | |
Somerset is home to many thriving artists | 0:16:44 | 0:16:47 | |
who are drawn to the county by its pastoral backdrop. | 0:16:47 | 0:16:51 | |
Sian and Michelle are keen to try something new and creative | 0:16:51 | 0:16:54 | |
when they move to Somerset. | 0:16:54 | 0:16:56 | |
So we sent them to meet Paul Jessop, | 0:16:56 | 0:16:58 | |
a potter who set up his workshop | 0:16:58 | 0:17:00 | |
seven years ago in an unique location. | 0:17:00 | 0:17:02 | |
The grounds of a Tudor manor house, Barrington Court. | 0:17:02 | 0:17:06 | |
What a great setting for a business. | 0:17:06 | 0:17:08 | |
It's a beautiful location, isn't it? Absolutely beautiful. | 0:17:08 | 0:17:11 | |
It's the first property the National Trust ever got their hands on. | 0:17:11 | 0:17:15 | |
-Oh, really? -Yeah. So that's pretty much where it all started. | 0:17:15 | 0:17:18 | |
So, what made you set up a business in an area like this? | 0:17:18 | 0:17:21 | |
I'd got made redundant and it was the one chance I had. | 0:17:21 | 0:17:25 | |
Once you get made redundant, you take the chance while it's there. | 0:17:25 | 0:17:28 | |
We used to see the farm buildings sat there empty, | 0:17:28 | 0:17:31 | |
so we just wrote to the National Trust and said, | 0:17:31 | 0:17:33 | |
"Would you consider renting a space to a potter?" | 0:17:33 | 0:17:37 | |
And they came back and said, "Yeah, come and have a look." | 0:17:37 | 0:17:40 | |
Paul specialises in producing simple, | 0:17:40 | 0:17:42 | |
elegant and practical pots and jugs. | 0:17:42 | 0:17:45 | |
He is one of the few people in the country who make pancheons, | 0:17:45 | 0:17:49 | |
a very old form of pottery, which is a bowl with a glazed inside. | 0:17:49 | 0:17:53 | |
And it's what Sian and Michelle are going to attempt to make. | 0:17:53 | 0:17:56 | |
This is six pounds of clay. There you go. There's your starting point. | 0:17:58 | 0:18:01 | |
Plenty of water on your hands. | 0:18:03 | 0:18:05 | |
-Oh! -That's fine, that's fine. | 0:18:05 | 0:18:07 | |
Now, cup your hands around the side of the pot | 0:18:07 | 0:18:10 | |
and you need to start kicking at this point to get it to do anything. | 0:18:10 | 0:18:13 | |
Paul still uses the old-fashioned kick wheel. | 0:18:13 | 0:18:18 | |
-The traditional way to make pots. -What is a pancheon? | 0:18:18 | 0:18:22 | |
They were used predominantly in the old farmhouses back in the 18th century. | 0:18:22 | 0:18:25 | |
When they milked the cows or goats, | 0:18:25 | 0:18:28 | |
they would put the milk in there, leave it to settle overnight | 0:18:28 | 0:18:32 | |
and it would settle down and then they would pour off the excess. | 0:18:32 | 0:18:35 | |
-Ah, OK. -So sometimes you see these with a lip on them. | 0:18:35 | 0:18:37 | |
Hang on a minute, you're going too far out. | 0:18:37 | 0:18:40 | |
-You're making a roulette wheel now. -Sorry! | 0:18:40 | 0:18:43 | |
How are we going to get that back? | 0:18:43 | 0:18:44 | |
Making the pot rise on the wheel is done by pushing the clay | 0:18:44 | 0:18:47 | |
between the hands and moving them up the side. | 0:18:47 | 0:18:50 | |
But it's a skilled job. | 0:18:50 | 0:18:52 | |
That's excellent. You've done all right with that. | 0:18:52 | 0:18:55 | |
Let's go and do the next phase, which is slipping, | 0:18:55 | 0:18:57 | |
putting the slip decoration on the pots. | 0:18:57 | 0:18:59 | |
-So if you follow me. -Brilliant. | 0:18:59 | 0:19:01 | |
The inside of the pots are covered in what's known as slip, | 0:19:01 | 0:19:05 | |
a fine powdered clay which is watered down and used as decoration. | 0:19:05 | 0:19:09 | |
Just pour it in. | 0:19:09 | 0:19:11 | |
Don't be afraid of it. Just pour it in nicely. | 0:19:11 | 0:19:14 | |
The slip goes on to be glazed | 0:19:15 | 0:19:17 | |
and essentially creates a layer that makes the pottery waterproof. | 0:19:17 | 0:19:21 | |
So now, if you can stop the wheel, grab it underneath. That's right. | 0:19:21 | 0:19:25 | |
Bring it around to here. | 0:19:25 | 0:19:26 | |
And then just try and turn it as you're pouring that slip out | 0:19:26 | 0:19:29 | |
so it covers around the ridge. That's it. | 0:19:29 | 0:19:31 | |
There is a knack to this, isn't there? | 0:19:31 | 0:19:33 | |
There is a knack to it, but it just comes with time. So just... | 0:19:33 | 0:19:35 | |
-That's it. -Got it! -That's it. And now back on the banding wheel. | 0:19:35 | 0:19:40 | |
And now spin it around | 0:19:42 | 0:19:43 | |
and then just use the finger to give that swipey line. | 0:19:43 | 0:19:46 | |
That's it, there. That's it. That's all it needs. | 0:19:46 | 0:19:49 | |
And then on the outside, do the same again around there. | 0:19:49 | 0:19:54 | |
Brilliant. There we go. | 0:19:54 | 0:19:55 | |
And because each one is handmade, | 0:19:55 | 0:19:57 | |
the drips and smudges are what make these pots unique. | 0:19:57 | 0:20:00 | |
But thankfully, Paul's are made with a touch more skill. | 0:20:00 | 0:20:04 | |
For our second property offering, | 0:20:07 | 0:20:09 | |
we're driving half an hour east to the village of Leigh-on-Mendip. | 0:20:09 | 0:20:13 | |
Just 45 minutes from Bristol city centre, | 0:20:13 | 0:20:16 | |
this small village feels a world away with a local church, | 0:20:16 | 0:20:19 | |
village hall and a pub as the community hubs. | 0:20:19 | 0:20:23 | |
Right in the centre of the village, but set back from the road | 0:20:23 | 0:20:26 | |
with a gravelled driveway is property number two. | 0:20:26 | 0:20:29 | |
So I've brought you to the village of Leigh-on-Mendip. | 0:20:31 | 0:20:34 | |
We're surrounded by the Mendip hills, to show you this cottage. | 0:20:34 | 0:20:38 | |
-It's beautiful. -Absolutely lovely. -Yeah, it's lovely. | 0:20:38 | 0:20:41 | |
The country life, the perfect country life. | 0:20:41 | 0:20:44 | |
We even have horses behind us. | 0:20:44 | 0:20:46 | |
-You don't see that in Peterborough, do you? -No. -There you go. | 0:20:46 | 0:20:49 | |
-What do you think of the actual house itself? -Really quaint. | 0:20:49 | 0:20:53 | |
It looks really quaint and rustic. I think it's really pretty. | 0:20:53 | 0:20:57 | |
-First impressions are good. -Yeah, very positive. | 0:20:57 | 0:20:59 | |
This double-fronted stone cottage is Grade II listed | 0:21:00 | 0:21:04 | |
and retains all the character Sian and Michelle are looking for. | 0:21:04 | 0:21:07 | |
The first room on entering the house is currently used as a dining room. | 0:21:07 | 0:21:11 | |
-So you have a small porch that leads us into the house. -Oh, wow! | 0:21:11 | 0:21:16 | |
-Beams! -Very old beams. -It's lovely. | 0:21:16 | 0:21:20 | |
-Really nice. -Lots of character. -Yes. | 0:21:20 | 0:21:24 | |
Now, I do know with this house move, we are fire obsessed. | 0:21:24 | 0:21:27 | |
I don't know why I'm looking at you, Michelle, because this is the one. | 0:21:27 | 0:21:31 | |
-Sian, tell me, how do we rate that fire? -Yeah, it's amazing. | 0:21:31 | 0:21:34 | |
It's bigger and... | 0:21:34 | 0:21:36 | |
-It's a great open space. -It's a real feature of the room, isn't it? | 0:21:36 | 0:21:39 | |
-It's really lovely. -Let's see what you make of the rest. -OK. | 0:21:39 | 0:21:42 | |
To the right of the dining room is a modestly-sized living room, | 0:21:44 | 0:21:47 | |
which is equally characterful. | 0:21:47 | 0:21:49 | |
Lovely beams again. | 0:21:49 | 0:21:51 | |
And you might notice just through there, there is a conservatory. | 0:21:51 | 0:21:54 | |
-OK, yeah. -OK. -Yeah, so that's a bonus. | 0:21:54 | 0:21:58 | |
Because it's not huge, this sitting room, is it? | 0:21:58 | 0:22:01 | |
-But enough room for you? -I think so. -I think so. | 0:22:01 | 0:22:03 | |
-Yeah, more than enough for the three of us and the two dogs. -Yeah? | 0:22:03 | 0:22:07 | |
We've still got the room next door as well, so there is still room. | 0:22:07 | 0:22:10 | |
So far, we had such a thumbs-up with our first property, | 0:22:10 | 0:22:13 | |
are you getting a good feeling with this? | 0:22:13 | 0:22:15 | |
I've kind of got a better feeling about this one. | 0:22:15 | 0:22:18 | |
We know the kitchen is a really important room for the two of you, | 0:22:18 | 0:22:21 | |
so let's see what you think of this. | 0:22:21 | 0:22:25 | |
At the back of the property is an extension which houses | 0:22:25 | 0:22:28 | |
a spectacular kitchen/diner. | 0:22:28 | 0:22:29 | |
-So tell me what you think of this room. -Wow! | 0:22:29 | 0:22:34 | |
-Incredible. -Really nice. | 0:22:34 | 0:22:36 | |
-Surprised? -Yeah, very. | 0:22:36 | 0:22:39 | |
From the front of the house, I didn't expect this. | 0:22:39 | 0:22:42 | |
-Look at the door. -Oh! -What did you say...? | 0:22:42 | 0:22:45 | |
-I always wanted a farmhouse door for the dogs. -Did you? | 0:22:45 | 0:22:48 | |
So you can keep an eye on them in the garden. | 0:22:48 | 0:22:51 | |
There's one thing missing, Sian. Can you live without a fire? | 0:22:51 | 0:22:54 | |
Yeah, we'll put this on full blast and you'll be toasty warm. | 0:22:54 | 0:22:57 | |
-Good compromise? -Yeah, OK, I'll compromise a little bit. | 0:22:57 | 0:23:01 | |
OK. Well, let's see what you make of upstairs. | 0:23:01 | 0:23:03 | |
A study which leads to the outside could work as a boot room | 0:23:05 | 0:23:08 | |
and is the final room on the ground floor. | 0:23:08 | 0:23:11 | |
Upstairs on the first floor are two bedrooms. | 0:23:11 | 0:23:15 | |
Both doubles and a generous bathroom. | 0:23:15 | 0:23:19 | |
That's not all. | 0:23:20 | 0:23:21 | |
This house has a second floor and a bit of a surprise. | 0:23:21 | 0:23:25 | |
-We come up here... -That's incredible! | 0:23:25 | 0:23:27 | |
..and we have the master. | 0:23:27 | 0:23:29 | |
-Oh, that's gorgeous! -Oh, wow! | 0:23:29 | 0:23:31 | |
There we are. See, this house keeps on giving. | 0:23:31 | 0:23:34 | |
-It does, doesn't it? -You don't realise this is here. | 0:23:34 | 0:23:37 | |
It's got a real modern theme about it, but still old. | 0:23:37 | 0:23:40 | |
So, have they got the balance right? Character, charm...? | 0:23:40 | 0:23:43 | |
-Yeah, definitely. -Still got the character, | 0:23:43 | 0:23:45 | |
-but it's just got that modern edge about it. -Yes. | 0:23:45 | 0:23:48 | |
I'm going to take you back downstairs and outside. | 0:23:48 | 0:23:52 | |
-OK, brilliant. -Thank you. | 0:23:52 | 0:23:54 | |
As well as the large driveway out the front, | 0:23:55 | 0:23:57 | |
there is a south-facing garden to the rear and a patio area. | 0:23:57 | 0:24:01 | |
-So...we've actually got an enclosed garden here. -Yep. | 0:24:03 | 0:24:08 | |
-Mindful of the dogs. -Yeah, which is great. | 0:24:08 | 0:24:10 | |
-Enough of a garden for you both? -I think so. | 0:24:10 | 0:24:13 | |
It's bigger than where we are and the setting, | 0:24:13 | 0:24:15 | |
we don't really need a huge garden, to be fair. | 0:24:15 | 0:24:17 | |
-We can go out and go on walks and do things we might want to do. -Yeah. | 0:24:17 | 0:24:20 | |
I've now got to ask you how much is it on the market for? | 0:24:20 | 0:24:24 | |
I think over budget, but I'd like it to come in at 375 if possible. | 0:24:24 | 0:24:30 | |
OK. Michelle? | 0:24:30 | 0:24:32 | |
I think it's definitely going to be over our budget, unfortunately. | 0:24:32 | 0:24:35 | |
I'd like it to be about 375. | 0:24:35 | 0:24:38 | |
Are your fingers crossed in those pockets? Completely crossed. | 0:24:38 | 0:24:41 | |
I could see your face when you said it, you slightly grimaced. | 0:24:41 | 0:24:43 | |
Well, you are both right, it is over budget. | 0:24:43 | 0:24:47 | |
The asking price is £425,000. | 0:24:47 | 0:24:52 | |
It's worth it, definitely. | 0:24:52 | 0:24:53 | |
It's a lovely house. Really lovely house. | 0:24:53 | 0:24:57 | |
-The owners are happy to have a discussion with you. -Right, OK. | 0:24:57 | 0:25:00 | |
-They will look at some offers. -Right, OK. -Good. | 0:25:00 | 0:25:03 | |
-I love the house. -Fancy another look around? | 0:25:03 | 0:25:05 | |
-Yes, please. -Go on, then. Please do. | 0:25:05 | 0:25:07 | |
For a negotiable £425,000 price tag, | 0:25:09 | 0:25:13 | |
this is a classic stone country cottage, | 0:25:13 | 0:25:16 | |
which has a great combination of characterful living rooms | 0:25:16 | 0:25:19 | |
with a contemporary kitchen/diner. | 0:25:19 | 0:25:22 | |
There are three bedrooms, including a delightful master suite, | 0:25:22 | 0:25:25 | |
and an enclosed rear garden suitable for the dogs. | 0:25:25 | 0:25:29 | |
-It's another good-sized bedroom. -It's a good-sized room, actually. | 0:25:29 | 0:25:32 | |
-I expected it to be smaller. -It could be a guest bedroom. -Definitely. | 0:25:32 | 0:25:36 | |
-You could still fit a double bed in here. -Yeah, you would. | 0:25:36 | 0:25:38 | |
When I saw the house outside for the first time, I thought | 0:25:38 | 0:25:41 | |
it was absolutely amazing. It looked like a proper little cottage. | 0:25:41 | 0:25:44 | |
What was the wow factor with us was the master bedroom | 0:25:44 | 0:25:47 | |
being upstairs in the attic. | 0:25:47 | 0:25:48 | |
It was amazing. | 0:25:48 | 0:25:50 | |
It's not something we'd probably have looked at, | 0:25:50 | 0:25:53 | |
but now we've come inside and saw it, | 0:25:53 | 0:25:54 | |
I've just fallen in love with it. | 0:25:54 | 0:25:56 | |
I can understand why it is at the price that it is. | 0:25:56 | 0:25:59 | |
It's definitely worth the money. | 0:25:59 | 0:26:01 | |
I just hope that we can take it forward possibly | 0:26:01 | 0:26:03 | |
and do some negotiating. | 0:26:03 | 0:26:05 | |
Today has gone so well. | 0:26:05 | 0:26:08 | |
-All right? -Yeah. -Look at you. | 0:26:08 | 0:26:12 | |
-You're both still smiling. Have you enjoyed it? -Yeah, brilliant. -Lovely. | 0:26:12 | 0:26:16 | |
Good. I'm so pleased. Come on. | 0:26:16 | 0:26:19 | |
It's the second day of our emotional house-hunt, | 0:26:24 | 0:26:27 | |
where Sian and Michelle look to move from the city of Peterborough | 0:26:27 | 0:26:30 | |
to Somerset, with a maximum budget of £400,000. | 0:26:30 | 0:26:34 | |
Coming up, it looks like it could be love at first sight. | 0:26:35 | 0:26:39 | |
This is our dream home. Already. I've not even walked through the door. | 0:26:39 | 0:26:42 | |
And I investigate some unusual excavations. | 0:26:42 | 0:26:45 | |
So what's actually happened to the bodies, shall we say? | 0:26:45 | 0:26:49 | |
Yesterday, we showed Sian and Michelle here in Somerset | 0:26:50 | 0:26:54 | |
two cosy cottages and got two wonderful reactions, | 0:26:54 | 0:26:57 | |
but not being one to rest on our laurels, today, well, | 0:26:57 | 0:27:01 | |
the mystery house has got a lot to live up to, | 0:27:01 | 0:27:04 | |
and I'm hoping for a real divine reaction. | 0:27:04 | 0:27:07 | |
-So yesterday went rather well, didn't it? -It did, yes. | 0:27:10 | 0:27:14 | |
Very emotional. | 0:27:14 | 0:27:15 | |
So inside, Sian, cos on the outside, we've got | 0:27:15 | 0:27:18 | |
this exterior that's not giving too much away, | 0:27:18 | 0:27:21 | |
but go on, share with us what's going on inside. | 0:27:21 | 0:27:24 | |
There's loads going on, seeing what I could potentially have, | 0:27:24 | 0:27:27 | |
and I know what I want, and it's just out of that reach | 0:27:27 | 0:27:30 | |
where I can't get it at the minute and it's frustrating. | 0:27:30 | 0:27:33 | |
I think with the house being on the market at home, | 0:27:33 | 0:27:36 | |
we haven't sold it as yet, | 0:27:36 | 0:27:38 | |
so we're kind of in limbo land and we want to be down here now. | 0:27:38 | 0:27:42 | |
-Too impatient. -Yeah. Too impatient. -Both of us are, really. | 0:27:42 | 0:27:46 | |
For our mystery house, I'm taking Michelle | 0:27:50 | 0:27:52 | |
and Sian three miles north to the small village of Holcombe. | 0:27:52 | 0:27:57 | |
With a 40-minute commute, Holcombe is the closest of all locations to | 0:27:57 | 0:28:01 | |
Bristol, but far enough away to be set in a beautiful rural landscape. | 0:28:01 | 0:28:06 | |
With a couple of pubs, a small village shop | 0:28:06 | 0:28:08 | |
and good schools nearby, | 0:28:08 | 0:28:10 | |
there is a community to tap into straightaway. | 0:28:10 | 0:28:13 | |
The village also boasts four churches, | 0:28:13 | 0:28:16 | |
of which just two are still in use as religious buildings. | 0:28:16 | 0:28:19 | |
And that's a clue for our mystery house, which is | 0:28:19 | 0:28:22 | |
located in the heart of the village. | 0:28:22 | 0:28:24 | |
Michelle and Sian, can I introduce you to your mystery house? | 0:28:25 | 0:28:29 | |
I feel like you're trying to kill me with a heart attack. | 0:28:29 | 0:28:32 | |
In a good way, I hope? Really? | 0:28:32 | 0:28:34 | |
-Yeah, goose pimples up and down my spine. -It's emotional. | 0:28:34 | 0:28:39 | |
Completely speechless. | 0:28:39 | 0:28:42 | |
Oh, Michelle, you've gone as well. | 0:28:42 | 0:28:45 | |
The reason we've picked it as our mystery | 0:28:45 | 0:28:47 | |
is you live in a modern property at the moment, very contemporary. | 0:28:47 | 0:28:51 | |
This dates back to 1890, so it has charisma, it's got charm, | 0:28:51 | 0:28:56 | |
it's got the original features, but it's very contemporary inside. | 0:28:56 | 0:29:00 | |
It's beautiful, absolutely beautiful. | 0:29:00 | 0:29:04 | |
-So I'm guessing you'd like to take a look inside. -Kind of. -Come on. | 0:29:04 | 0:29:08 | |
Let's see what you think. | 0:29:08 | 0:29:10 | |
Converted in 2003, | 0:29:10 | 0:29:12 | |
this Methodist chapel has been divided into three homes. | 0:29:12 | 0:29:16 | |
Our property occupies the whole front end of the building. | 0:29:16 | 0:29:20 | |
So... | 0:29:22 | 0:29:23 | |
-What are you thinking? -I'm not going any further. This is our dream home. | 0:29:29 | 0:29:34 | |
Already. I've not even walked through the door. | 0:29:34 | 0:29:37 | |
Well, let's hold judgment, just in case, but I think you're right. | 0:29:37 | 0:29:42 | |
I don't think you're going to be disappointed. | 0:29:42 | 0:29:43 | |
Let's start off with the sitting room. | 0:29:43 | 0:29:46 | |
This 21-foot reception room continues the mix of heritage | 0:29:46 | 0:29:50 | |
and contemporary interior styling. | 0:29:50 | 0:29:52 | |
Just the light that comes straight through those windows! | 0:29:53 | 0:29:58 | |
-Wow! -It's breathtaking. | 0:29:58 | 0:29:59 | |
-It's us, isn't it? -Yeah. -Yeah. Does the fire work? | 0:30:02 | 0:30:06 | |
The fire does work, yes, but it's not a traditional wood burner. | 0:30:06 | 0:30:10 | |
-It's a contemporary burner. -Lovely burner. -I could compensate for that. | 0:30:10 | 0:30:15 | |
Michelle, how do you feel as you walk through the door? | 0:30:15 | 0:30:19 | |
Exactly how I thought it was going to be inside. | 0:30:19 | 0:30:22 | |
-Are you scared you might have lost your heart? -Yes, and I have a bit. | 0:30:22 | 0:30:27 | |
Amazing. | 0:30:27 | 0:30:28 | |
It's interesting standing next to you, | 0:30:28 | 0:30:31 | |
because although you're not saying much... | 0:30:31 | 0:30:33 | |
There's loads going on in my head. | 0:30:33 | 0:30:35 | |
I can see that, yeah. Both of you are just taking it all in. | 0:30:35 | 0:30:39 | |
-Lost for words, that's a rare thing with you, isn't it? -A little bit. | 0:30:39 | 0:30:44 | |
-Would you like to see a bit more? -Yes, please. -Definitely. -OK. | 0:30:44 | 0:30:47 | |
Across the hallway is the kitchen. | 0:30:49 | 0:30:51 | |
Now, I know you love contemporary modern kitchens. | 0:30:54 | 0:30:59 | |
-Lovely. -Incredible. | 0:30:59 | 0:31:02 | |
-Really nice. -Really spacious. And bright. | 0:31:02 | 0:31:06 | |
-You really do love this house, don't you? -Yeah. It's incredible. | 0:31:06 | 0:31:10 | |
Upstairs, there are four bedrooms in total. | 0:31:10 | 0:31:14 | |
Two good-sized doubles, which Ellie could choose from, a single, | 0:31:14 | 0:31:19 | |
which is currently used as a study, as well as a family bathroom | 0:31:19 | 0:31:23 | |
-and the main bedroom. This is the master. -It's lovely. | 0:31:23 | 0:31:28 | |
-Really spacious, and with the window... Really bright. -Airy. | 0:31:28 | 0:31:33 | |
-Still the character because of the ceiling. -Yes. -Really lovely. | 0:31:33 | 0:31:39 | |
-This is exactly what we would do. -So we've already done it for you. | 0:31:39 | 0:31:44 | |
-Yeah. -Yeah. | 0:31:44 | 0:31:46 | |
Any more thoughts on the house before I take you back outside? | 0:31:46 | 0:31:50 | |
-Can we stay here? -Yeah, we'll stay here now. -Do you love it? | 0:31:50 | 0:31:55 | |
I do, absolutely. It's us to a T. | 0:31:55 | 0:31:59 | |
Oh, it's a lot to take on board, isn't it? | 0:31:59 | 0:32:01 | |
-OK, we're going to head back downstairs, girls. -No problem. | 0:32:01 | 0:32:05 | |
Outside, the garden extends out to the front only. | 0:32:06 | 0:32:09 | |
-And you have your garden right here. -OK, so no back garden? -There's not. | 0:32:11 | 0:32:15 | |
I know it's hard to believe when you're walking around | 0:32:15 | 0:32:18 | |
because it's such a large house, but the chapel itself is | 0:32:18 | 0:32:20 | |
-divided into three different properties. -Right, OK. -OK. | 0:32:20 | 0:32:23 | |
So we've got a third of it here. | 0:32:23 | 0:32:24 | |
So if you look to the side, and there's a fence, that's where your land actually finishes. | 0:32:24 | 0:32:28 | |
-We like this property, don't we, girls? -Yeah, too much. | 0:32:28 | 0:32:31 | |
Well, let's see if it is too much, because how much for the final time | 0:32:31 | 0:32:35 | |
is the mystery house on the market for? Guess the price | 0:32:35 | 0:32:38 | |
of the Methodist Chapel. | 0:32:38 | 0:32:40 | |
I reckon it would be over budget compared to yesterday's - 550. | 0:32:40 | 0:32:44 | |
-OK. And your top budget? -Is 400. -Yeah. Michelle? | 0:32:44 | 0:32:48 | |
I'd say exactly the same. I'd go about 440. | 0:32:48 | 0:32:53 | |
Oh, the asking price for the mystery house is... | 0:32:53 | 0:32:58 | |
Don't hate me, will you? | 0:32:58 | 0:32:59 | |
Go on. | 0:32:59 | 0:33:01 | |
£375,000. | 0:33:01 | 0:33:03 | |
-Really? -Yes. -Really? -Yes! | 0:33:03 | 0:33:05 | |
Wow. | 0:33:05 | 0:33:08 | |
-Gosh. Really? -Hm-mm. | 0:33:09 | 0:33:12 | |
-Under budget. -Are you crying? | 0:33:14 | 0:33:18 | |
You're making me well up, just seeing your face. | 0:33:18 | 0:33:22 | |
Where do I sign? | 0:33:23 | 0:33:25 | |
Is it cheque-book time? How do you feel, Michelle? | 0:33:25 | 0:33:29 | |
Oh, overwhelmed, and it's a good price, really good price, so yeah. | 0:33:29 | 0:33:34 | |
I think I know what you two are going to want to do. Go on. | 0:33:34 | 0:33:37 | |
-Explore, on your own. -We will, thank you. | 0:33:37 | 0:33:41 | |
I got a bit emotional then, I don't mind admitting, | 0:33:41 | 0:33:44 | |
because they loved this property from the minute they stood here. | 0:33:44 | 0:33:48 | |
It's got everything that they and Ellie want. I am delighted. | 0:33:48 | 0:33:53 | |
So for 25,000 under budget, | 0:33:55 | 0:33:58 | |
this £375,000 converted Methodist chapel | 0:33:58 | 0:34:02 | |
gives two generous living spaces, four bedrooms, | 0:34:02 | 0:34:06 | |
original Gothic style features mixed with a contemporary finish, | 0:34:06 | 0:34:09 | |
and is right in the heart of a village location. | 0:34:09 | 0:34:14 | |
-Oh, wow. -Oh, wow. -Incredible, isn't it? | 0:34:14 | 0:34:19 | |
Didn't expect that, did you? | 0:34:20 | 0:34:22 | |
-No, not at all. -That is amazing. | 0:34:22 | 0:34:27 | |
-You'd just want to lie in the bath all the time, wouldn't you? -Yeah. | 0:34:27 | 0:34:30 | |
When I saw it was a chapel, it kind of stopped me in my tracks. | 0:34:30 | 0:34:34 | |
I wasn't expecting to see that, but it was a complete surprise | 0:34:34 | 0:34:37 | |
and a good surprise. | 0:34:37 | 0:34:39 | |
When I walked inside, it was just my dream home. | 0:34:39 | 0:34:42 | |
The clean lines, the attention to detail, | 0:34:42 | 0:34:45 | |
all the windows, it's just magnificent. | 0:34:45 | 0:34:48 | |
When I heard the price, I was completely overwhelmed. | 0:34:48 | 0:34:50 | |
I didn't realise it was going to come in at that price. | 0:34:50 | 0:34:53 | |
I thought it'd be a lot higher, so that was great to hear. | 0:34:53 | 0:34:55 | |
Really, really good. | 0:34:55 | 0:34:57 | |
When I first saw the property, I felt very emotional. | 0:34:57 | 0:35:00 | |
It just felt like home even before I stepped through the front door. | 0:35:00 | 0:35:03 | |
You want to achieve that dream lifestyle, | 0:35:03 | 0:35:06 | |
and this is what it's all about, coming home to something like this. | 0:35:06 | 0:35:11 | |
This house hunting in Somerset has been emotional, hasn't it? | 0:35:11 | 0:35:14 | |
Pure emotion. | 0:35:14 | 0:35:15 | |
-How are you feeling? -Drained and emotional. -Really? | 0:35:15 | 0:35:18 | |
-I've got a headache. -You're confused now! Do you want some time? | 0:35:18 | 0:35:23 | |
Collect your thoughts, have a chat on your own | 0:35:23 | 0:35:26 | |
-and then we'll see what your next step is going to be. -Yeah. | 0:35:26 | 0:35:29 | |
The city of Bath | 0:35:34 | 0:35:35 | |
is known throughout the world for its architectural wonders. | 0:35:35 | 0:35:38 | |
No more so than for its incredibly large parish church, Bath Abbey. | 0:35:38 | 0:35:43 | |
I've come to meet archivist Lucy Rutherford, | 0:35:43 | 0:35:46 | |
to learn more about this site and the intriguing works going on. | 0:35:46 | 0:35:50 | |
Lucy, thank you for inviting us to Bath Abbey. | 0:35:51 | 0:35:54 | |
It's a treat to be here. The most beautiful building. | 0:35:54 | 0:35:57 | |
But you've also got some serious repair work going on, haven't you? | 0:35:57 | 0:36:01 | |
Yes, we have at the moment. | 0:36:01 | 0:36:02 | |
This is not usual for us to have quite so much building work. | 0:36:02 | 0:36:05 | |
I'm intrigued to know more about that. | 0:36:05 | 0:36:07 | |
First of all, can I ask you about the building itself? | 0:36:07 | 0:36:10 | |
I believe there's been three churches on this site. | 0:36:10 | 0:36:13 | |
-Is that correct? -Yes, that's right. | 0:36:13 | 0:36:15 | |
There have been, in the last thousand years, an Anglo-Saxon abbey, | 0:36:15 | 0:36:18 | |
then a huge Norman cathedral, much bigger than the present church. | 0:36:18 | 0:36:22 | |
-Bigger than this? -Yes. And this building was started in the 1490s. | 0:36:22 | 0:36:27 | |
The abbey, built from Bath stone, | 0:36:27 | 0:36:29 | |
is particularly noted for its intricate ceiling. | 0:36:29 | 0:36:32 | |
-Do we know how high up that ceiling is? -It's about 80 feet or 24 metres. | 0:36:32 | 0:36:37 | |
-It seems higher to me! -It does to me as well! -Yeah. | 0:36:37 | 0:36:40 | |
It is beautiful. | 0:36:40 | 0:36:41 | |
You do have to stand and look up and just admire the work. | 0:36:41 | 0:36:44 | |
This type of fan vaulting is considered to be | 0:36:44 | 0:36:47 | |
one of the finest examples in the country. | 0:36:47 | 0:36:49 | |
Looking around, I've noticed there are so many memorials on the wall. | 0:36:49 | 0:36:54 | |
We're surrounded by them. | 0:36:54 | 0:36:56 | |
They are absolutely everywhere in this building. | 0:36:56 | 0:36:59 | |
Only Westminster Abbey has more memorials than we do here. | 0:36:59 | 0:37:02 | |
These memorials, they're closely linked with this building work? | 0:37:02 | 0:37:05 | |
-Something different is going on here? -They are indeed. | 0:37:05 | 0:37:08 | |
-Is it possible to see some of it? -Yes, it is. | 0:37:08 | 0:37:10 | |
-We can go and see it now. -Thank you. | 0:37:10 | 0:37:12 | |
For more than 300 years, both the landed gentry | 0:37:14 | 0:37:17 | |
and ordinary townspeople have been interned in the abbey. | 0:37:17 | 0:37:21 | |
Lucy, I understand that people are buried under these stones. | 0:37:21 | 0:37:25 | |
Do we know how many there are? | 0:37:25 | 0:37:26 | |
We've had a lot of estimates | 0:37:26 | 0:37:27 | |
about how many burials there are under the floor. | 0:37:27 | 0:37:30 | |
We think somewhere between 4,000 and 6,000 burials, approximately. | 0:37:30 | 0:37:34 | |
Oh, my goodness! | 0:37:34 | 0:37:35 | |
I thought you were going to say 20 or 30 people in total. | 0:37:35 | 0:37:38 | |
That's one of the reasons you're doing the building work, isn't it? | 0:37:38 | 0:37:41 | |
It is, yes. | 0:37:41 | 0:37:42 | |
Because there have been so many burials under the floor, | 0:37:42 | 0:37:45 | |
this has caused a certain amount of...settlement. | 0:37:45 | 0:37:48 | |
That's a nice word! | 0:37:48 | 0:37:51 | |
This means that there have been large voids left under the floor, | 0:37:51 | 0:37:54 | |
which is causing it to gradually subside. | 0:37:54 | 0:37:57 | |
If we don't take the opportunity in the medium term to put this right, | 0:37:57 | 0:38:01 | |
the floor is in danger of collapsing. | 0:38:01 | 0:38:03 | |
As it is a unique and unprecedented project, | 0:38:04 | 0:38:07 | |
they're currently working on a test section of the floor. | 0:38:07 | 0:38:11 | |
The stones are being removed | 0:38:11 | 0:38:12 | |
and they are digging down to fill in the air pockets, | 0:38:12 | 0:38:15 | |
which should stabilise the floor before the stones are replaced. | 0:38:15 | 0:38:19 | |
What's actually happened to the bodies, shall we say? | 0:38:19 | 0:38:23 | |
We knew that we would find human remains | 0:38:23 | 0:38:25 | |
because we were aware of so many burials under the floor. | 0:38:25 | 0:38:28 | |
We've been very careful, as we've been doing this work, | 0:38:28 | 0:38:31 | |
to carefully store them. | 0:38:31 | 0:38:33 | |
They will be reinterred under the floor with a service. | 0:38:33 | 0:38:36 | |
Whilst they are doing this essential work, | 0:38:36 | 0:38:39 | |
they are adding some modern comforts. | 0:38:39 | 0:38:41 | |
At the moment we are heated with a very antiquated Victorian system, | 0:38:41 | 0:38:45 | |
which costs us a great deal of money to run. | 0:38:45 | 0:38:48 | |
Because we are taking up the floor, this gives us | 0:38:48 | 0:38:50 | |
a unique opportunity to put in underfloor heating | 0:38:50 | 0:38:53 | |
in a partnership to use the energy from the hot water springs | 0:38:53 | 0:38:57 | |
in the Roman baths next door to the abbey. | 0:38:57 | 0:38:59 | |
What a difference it's going to make. | 0:38:59 | 0:39:01 | |
It will make a huge difference. | 0:39:01 | 0:39:03 | |
The abbey will be much more hospitable and warm in the winter | 0:39:03 | 0:39:06 | |
and it will be a sustainable, environmentally-friendly way | 0:39:06 | 0:39:09 | |
of heating this building. | 0:39:09 | 0:39:11 | |
It is absolutely stunning. | 0:39:11 | 0:39:13 | |
Hopefully, generations will be able to enjoy it as well. | 0:39:13 | 0:39:17 | |
-Lucy, thank you very much indeed. -Thank you. | 0:39:17 | 0:39:19 | |
That has to be one of the most pleasurable house hunts ever | 0:39:28 | 0:39:32 | |
here in Somerset. | 0:39:32 | 0:39:33 | |
Michelle and Sian loved all three of our properties. | 0:39:33 | 0:39:37 | |
But are they in a position to put an offer on any of them? | 0:39:37 | 0:39:40 | |
Shall we go and find out? | 0:39:40 | 0:39:41 | |
Michelle and Sian, I must admit, when we started this tour | 0:39:46 | 0:39:49 | |
of Somerset, | 0:39:49 | 0:39:50 | |
I didn't realise quite how emotional it was going to be. | 0:39:50 | 0:39:52 | |
-Did you? -No. -Not at all. It's been such an amazing experience. | 0:39:52 | 0:39:57 | |
We've learnt loads. | 0:39:57 | 0:39:59 | |
Let's talk about the properties that we've seen. | 0:39:59 | 0:40:01 | |
With you two, all three properties got such great ratings, didn't they? | 0:40:01 | 0:40:06 | |
They all gave us something that we were looking for. | 0:40:06 | 0:40:09 | |
They all had the fires, the quirkiness, | 0:40:09 | 0:40:12 | |
the picture postcard kind of setting. | 0:40:12 | 0:40:14 | |
But with that last house, it was just so overwhelming. | 0:40:14 | 0:40:17 | |
With the final property, the mystery house, | 0:40:17 | 0:40:20 | |
both of you literally dissolved in tears looking at the chapel. | 0:40:20 | 0:40:24 | |
Completely. We both felt exactly the same way about it. | 0:40:24 | 0:40:28 | |
You said you weren't going to agree. You've agreed the whole way! | 0:40:28 | 0:40:32 | |
We scare ourselves, I think. We do have the same tastes. | 0:40:33 | 0:40:36 | |
As you both lost your head and your hearts to the mystery house, | 0:40:36 | 0:40:39 | |
what is the logical next step? | 0:40:39 | 0:40:41 | |
Our next step would be to involve Ellie | 0:40:41 | 0:40:44 | |
because she is the most important person in our lives, | 0:40:44 | 0:40:47 | |
contact the vendors and speak to them | 0:40:47 | 0:40:50 | |
and bring Ellie over and see the property with us. | 0:40:50 | 0:40:52 | |
-That's great. -See if she loves it as much as we do. | 0:40:52 | 0:40:55 | |
You're both in that place where you're desperate to find a house. | 0:40:55 | 0:40:59 | |
-We are, yeah. -We really want to get down here as quick as we can. | 0:40:59 | 0:41:03 | |
But no different than any other person. We've got to sell | 0:41:03 | 0:41:07 | |
-the house first, which is always the frustration of it all. -Yes. | 0:41:07 | 0:41:10 | |
The only blot on the Somerset landscape is your property | 0:41:10 | 0:41:14 | |
-back in Peterborough, isn't it? -Yes. That's the only frustrating thing. | 0:41:14 | 0:41:18 | |
It's been on the market just over a month now. | 0:41:18 | 0:41:21 | |
We'd like to go back home and start to think about what we can do, | 0:41:21 | 0:41:25 | |
with trying to sell the house, maybe approach the owners | 0:41:25 | 0:41:29 | |
and see if we can come up with some form of negotiations. | 0:41:29 | 0:41:34 | |
If you had sold your property, what would you be doing today? | 0:41:34 | 0:41:38 | |
-I would like to think we would be exchanging. -Really? | 0:41:38 | 0:41:41 | |
-So you are that desperate to move?! -Without a shadow of a doubt. | 0:41:41 | 0:41:46 | |
It's worth speaking to the owners of the mystery house. | 0:41:46 | 0:41:49 | |
Just giving them that intent, telling them | 0:41:49 | 0:41:51 | |
how serious you are and see if they will hang on a little for you. | 0:41:51 | 0:41:54 | |
-I'm thrilled we've been able to help... -Thank you. | 0:41:54 | 0:41:57 | |
..thrilled to have found you a fabulous property | 0:41:57 | 0:41:59 | |
close to the family but, most importantly, | 0:41:59 | 0:42:02 | |
right for the three of you. | 0:42:02 | 0:42:04 | |
I can't tell you how much I'm going to keep everything crossed | 0:42:04 | 0:42:07 | |
that you get that property and you sell your house in Peterborough. | 0:42:07 | 0:42:10 | |
-Thank you so much, girls. It's been an absolute pleasure. -Thank you. | 0:42:10 | 0:42:13 | |
We've had tears and laughter, a great recipe for a house search. | 0:42:15 | 0:42:19 | |
Having found Sian and Michelle that perfect property, the girls | 0:42:19 | 0:42:24 | |
are now more desperate than ever to sell their home in Peterborough. | 0:42:24 | 0:42:27 | |
Let's hope they find a buyer soon | 0:42:27 | 0:42:29 | |
so they can complete on their escape to Somerset, together as a family. | 0:42:29 | 0:42:35 | |
We wish them all the best. See you next time. | 0:42:35 | 0:42:37 | |
Sian and Michelle returned to the mystery house | 0:42:39 | 0:42:41 | |
with their daughter, who loves it as much as they do. | 0:42:41 | 0:42:44 | |
Their property in Peterborough is still unsold, | 0:42:44 | 0:42:47 | |
which is holding them back. | 0:42:47 | 0:42:48 | |
But with buyers booked in for a second viewing, | 0:42:48 | 0:42:51 | |
they are hoping that is a situation that will change soon. | 0:42:51 | 0:42:55 |