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500 years ago, the Lord Chamberlain handed over the London villages | 0:00:02 | 0:00:06 | |
of Paddington and Chelsea to his king | 0:00:06 | 0:00:08 | |
in exchange for this country estate. | 0:00:08 | 0:00:11 | |
Find out in which county he happily set up his new home | 0:00:11 | 0:00:15 | |
in just a few moments. | 0:00:15 | 0:00:17 | |
Space is the theme of today's show, | 0:00:35 | 0:00:37 | |
as we help a couple escape the claustrophobic commuter belt | 0:00:37 | 0:00:40 | |
for the vast expanse of the countryside. | 0:00:40 | 0:00:43 | |
One of our properties fails to hit the mark... | 0:00:43 | 0:00:46 | |
-It's a little smaller than I was expecting. -Yes. | 0:00:46 | 0:00:49 | |
..but they're impressed by another. | 0:00:49 | 0:00:51 | |
You both look a little overwhelmed. | 0:00:51 | 0:00:52 | |
-Is that fair to say? -Overwhelmed is a good word, yes. | 0:00:52 | 0:00:55 | |
It's very difficult to take it all in. | 0:00:55 | 0:00:56 | |
Today, I'm in Hampshire and this is Mottisfont Abbey, | 0:00:59 | 0:01:02 | |
originally a 12th-century Augustinian priory | 0:01:02 | 0:01:06 | |
which Henry VIII gifted to Lord William Sandys | 0:01:06 | 0:01:09 | |
when he abolished the monasteries in the 1530s. | 0:01:09 | 0:01:12 | |
Lord Sandys, like many other noble beneficiaries, | 0:01:12 | 0:01:15 | |
then transformed his religious property into lavish dwellings | 0:01:15 | 0:01:20 | |
and actually incorporated the nave | 0:01:20 | 0:01:22 | |
and the church tower into his conversion. | 0:01:22 | 0:01:25 | |
With the River Test running through the grounds, | 0:01:25 | 0:01:28 | |
he certainly created a stunning rural retreat, | 0:01:28 | 0:01:31 | |
which today remains a real gem in this county. | 0:01:31 | 0:01:35 | |
Hampshire is situated on the south coast of England | 0:01:37 | 0:01:40 | |
and is surrounded by five counties, including Dorset and Wiltshire | 0:01:40 | 0:01:44 | |
and West Sussex and Surrey. | 0:01:44 | 0:01:46 | |
The county capital is the historic cathedral city of Winchester, | 0:01:49 | 0:01:52 | |
which is packed with awe-inspiring architecture | 0:01:52 | 0:01:55 | |
and is home to Winchester College, | 0:01:55 | 0:01:57 | |
which claims to be the oldest continuously running school | 0:01:57 | 0:02:00 | |
in the country. | 0:02:00 | 0:02:02 | |
The countryside offers a variety of landscapes, | 0:02:02 | 0:02:05 | |
from hilly downland to coastal heath. | 0:02:05 | 0:02:08 | |
Hampshire boasts two national parks, | 0:02:09 | 0:02:11 | |
one of which is the New Forest. | 0:02:11 | 0:02:13 | |
Established as a royal hunting ground | 0:02:13 | 0:02:15 | |
by William the Conqueror in the 11th century, | 0:02:15 | 0:02:18 | |
it's famous for its own indigenous breed of pony. | 0:02:18 | 0:02:21 | |
On the southern edge of the New Forest | 0:02:22 | 0:02:25 | |
is the costal market town of Lymington, | 0:02:25 | 0:02:27 | |
well-known as a sailing resort, with two large marinas. | 0:02:27 | 0:02:30 | |
The town itself is characterised by narrow cobbled streets | 0:02:30 | 0:02:34 | |
and a range of Georgian buildings. | 0:02:34 | 0:02:37 | |
It's this enchanting blend of coast and countryside | 0:02:37 | 0:02:40 | |
that makes Hampshire an appealing destination | 0:02:40 | 0:02:42 | |
for those looking for rural beauty in their surroundings. | 0:02:42 | 0:02:46 | |
House buying in Hampshire comes at a price. | 0:02:51 | 0:02:53 | |
The average cost of a detached property here | 0:02:53 | 0:02:56 | |
is just shy of £350,000. | 0:02:56 | 0:03:00 | |
That's around 90,000 above the national figure. | 0:03:00 | 0:03:05 | |
There are more affordable options if you look beyond Winchester | 0:03:05 | 0:03:09 | |
and New Forest locations, like Lymington or Lyndhurst. | 0:03:09 | 0:03:12 | |
With that in mind, let's meet today's buyers. | 0:03:12 | 0:03:15 | |
Chris and Gillian currently live in a four-bedroom new build | 0:03:17 | 0:03:20 | |
in Chalfont St Peter, | 0:03:20 | 0:03:22 | |
in the heart of the London commuter belt in Buckinghamshire. | 0:03:22 | 0:03:26 | |
Chris has lived in the village all his life | 0:03:26 | 0:03:28 | |
and Gillian for the last 20 years. | 0:03:28 | 0:03:30 | |
But over that time, they've noticed a change. | 0:03:30 | 0:03:33 | |
The area's becoming busier and busier | 0:03:33 | 0:03:36 | |
and it's very easy to look back with rose-tinted glasses | 0:03:36 | 0:03:39 | |
of how it was when I was a child, | 0:03:39 | 0:03:40 | |
but it's not the village that I would like to be living in | 0:03:40 | 0:03:43 | |
in the future. | 0:03:43 | 0:03:45 | |
We've found that in commuter land, | 0:03:45 | 0:03:46 | |
there's much, much more traffic now than there used to be, | 0:03:46 | 0:03:49 | |
there's more people around. | 0:03:49 | 0:03:51 | |
Getting an appointment at the doctor | 0:03:51 | 0:03:53 | |
is much more difficult than it used to be. | 0:03:53 | 0:03:55 | |
So I think we're just looking forward to being more relaxed | 0:03:55 | 0:03:58 | |
and living a slower pace of life | 0:03:58 | 0:04:00 | |
which we're both ready for at this stage. | 0:04:00 | 0:04:03 | |
They've been together for seven years | 0:04:03 | 0:04:05 | |
and have two children each from previous relationships. | 0:04:05 | 0:04:08 | |
With Chris having taken voluntary redundancy from his job | 0:04:08 | 0:04:12 | |
as a financial services manager in London | 0:04:12 | 0:04:14 | |
and Gillian's youngest daughter off to university, | 0:04:14 | 0:04:16 | |
it's a chance to realise their dream. | 0:04:16 | 0:04:18 | |
I think ever since we've known each other, | 0:04:18 | 0:04:20 | |
we've known that we would like to go and live in the country. | 0:04:20 | 0:04:23 | |
I was certainly brought up in the country | 0:04:23 | 0:04:24 | |
and have always wanted to go there | 0:04:24 | 0:04:26 | |
but it's not been practical with family commitments | 0:04:26 | 0:04:29 | |
and work commitments, but now is our opportunity. | 0:04:29 | 0:04:31 | |
Chris and Gillian previously owned a second home together | 0:04:31 | 0:04:34 | |
on the Isle of Wight, which they've now sold | 0:04:34 | 0:04:36 | |
to help finance this move | 0:04:36 | 0:04:38 | |
and it's given them a taste of the country. | 0:04:38 | 0:04:41 | |
When you look back at the TV programme The Good Life, | 0:04:41 | 0:04:43 | |
we can see something in that, with growing our own things, | 0:04:43 | 0:04:47 | |
chickens and I know somebody would like some other animals as well. | 0:04:47 | 0:04:52 | |
But it would be very much home alone and self-sufficient. | 0:04:53 | 0:04:57 | |
They've set their sights on Hampshire | 0:04:57 | 0:04:59 | |
to begin this new chapter in their lives. | 0:04:59 | 0:05:02 | |
Hampshire's a very beautiful countryside, with the New Forest. | 0:05:02 | 0:05:05 | |
We've got Border collies and we do a lot of walking | 0:05:05 | 0:05:08 | |
and I like the idea of being in a small village | 0:05:08 | 0:05:12 | |
because they're very, very pretty | 0:05:12 | 0:05:14 | |
and also it's accessible to the coast | 0:05:14 | 0:05:16 | |
so, to me, Hampshire's got everything. | 0:05:16 | 0:05:19 | |
Gillian is a freelance musician | 0:05:19 | 0:05:21 | |
and is keen to get involved in the local community. | 0:05:21 | 0:05:24 | |
I play the piano and the cello and I accompany choirs, | 0:05:24 | 0:05:29 | |
musical theatre companies, | 0:05:29 | 0:05:31 | |
I play the cello in amateur dramatics. | 0:05:31 | 0:05:34 | |
I'd like to do more of that, I've found that I've done less recently. | 0:05:34 | 0:05:39 | |
Chris also has a range of hobbies that he wants to pursue, | 0:05:39 | 0:05:42 | |
which includes gardening. | 0:05:42 | 0:05:45 | |
Photography is another one of my hobbies | 0:05:45 | 0:05:47 | |
and I think I could enhance my skills and interest in it by, | 0:05:47 | 0:05:51 | |
for example, joining a local camera club that I haven't been able to do | 0:05:51 | 0:05:54 | |
while splitting time between two houses. | 0:05:54 | 0:05:57 | |
But having divided their time between their main residence | 0:05:57 | 0:06:00 | |
and their holiday home, this move is really a chance | 0:06:00 | 0:06:03 | |
to bring everything together under one roof. | 0:06:03 | 0:06:06 | |
Our budget for the move is £800,000 | 0:06:06 | 0:06:08 | |
but we are willing to go a little above it | 0:06:08 | 0:06:11 | |
if we find the perfect house. | 0:06:11 | 0:06:13 | |
Our buyers would like us to focus our property search | 0:06:17 | 0:06:20 | |
in the southwest of the county, around the New Forest, | 0:06:20 | 0:06:23 | |
so I'm joining them in Hampshire to go over the finer details | 0:06:23 | 0:06:26 | |
of their proposed move. | 0:06:26 | 0:06:28 | |
-Hello, Gillian and Chris. -Hi. -Hello. Nice to meet you. | 0:06:28 | 0:06:31 | |
-Welcome to sunny Hampshire. -Thank you. -Lovely to meet you. | 0:06:31 | 0:06:34 | |
Thank you very much. | 0:06:34 | 0:06:35 | |
How are you going to approach finding this property? | 0:06:35 | 0:06:38 | |
Are you going to be very practical or do you want to go in | 0:06:38 | 0:06:41 | |
and get a feeling about the place? | 0:06:41 | 0:06:43 | |
We're quite chilled about what it looks like, | 0:06:43 | 0:06:48 | |
it doesn't have to have character or special features. | 0:06:48 | 0:06:51 | |
It has to have space around it | 0:06:51 | 0:06:54 | |
and we don't need to be in commuter land any more | 0:06:54 | 0:06:57 | |
so that's really the drive of the countryside | 0:06:57 | 0:07:00 | |
and having air around it. | 0:07:00 | 0:07:02 | |
Are there any deal breakers? | 0:07:02 | 0:07:04 | |
-Yes, it's got to be detached. -OK. | 0:07:04 | 0:07:07 | |
We would very much like a view. That's almost a deal breaker. | 0:07:07 | 0:07:10 | |
We would like a big reception room, big master bedroom, en-suite. | 0:07:10 | 0:07:15 | |
We have four daughters between us, | 0:07:15 | 0:07:18 | |
all of whom have their own cars, so when they all descend upon us, | 0:07:18 | 0:07:22 | |
there needs to be some parking space for them. | 0:07:22 | 0:07:24 | |
-So it must have sort of the four bedrooms... -Yes. | 0:07:24 | 0:07:28 | |
-..and some outside space. -Yes. | 0:07:28 | 0:07:30 | |
-Are you both on the same page? -I think so, yes. -I think so. | 0:07:30 | 0:07:33 | |
I don't think there's any major differences and I think, yeah, | 0:07:33 | 0:07:36 | |
we've very much in tune on what we're after. | 0:07:36 | 0:07:38 | |
Remind us of your budget. | 0:07:38 | 0:07:41 | |
Up to £800,000. | 0:07:41 | 0:07:43 | |
However, if something ticked all of the boxes, | 0:07:43 | 0:07:46 | |
-we could probably find another pound or two. -Just a pound of two? | 0:07:46 | 0:07:50 | |
-Maybe up to another 50,000 on top of that. -OK. | 0:07:50 | 0:07:54 | |
Well, we have chosen three lovely properties to show you. | 0:07:54 | 0:07:57 | |
-Let's get on with starting your new life. -Good. -Thank you. | 0:07:57 | 0:08:00 | |
For a maximum budget of £850,000, | 0:08:03 | 0:08:06 | |
Chris and Gillian would like a detached property | 0:08:06 | 0:08:09 | |
with lots of space, both inside and out. | 0:08:09 | 0:08:11 | |
It should have large reception rooms, | 0:08:11 | 0:08:13 | |
four bedrooms for when the children come to stay | 0:08:13 | 0:08:16 | |
and a large driveway to accommodate all their cars. | 0:08:16 | 0:08:19 | |
They're not too fussy about age or style but would like a view, | 0:08:19 | 0:08:22 | |
if possible. | 0:08:22 | 0:08:23 | |
We've lined up a selection of stunning homes here in Hampshire | 0:08:24 | 0:08:28 | |
for Chris and Gillian to view and at each one, | 0:08:28 | 0:08:30 | |
I'll be asking them to guess the price at the end of the tour. | 0:08:30 | 0:08:34 | |
And then there's our mystery house, which could give them | 0:08:34 | 0:08:36 | |
a little bit more than they bargained for. | 0:08:36 | 0:08:39 | |
Are there any compromises that either of you are making | 0:08:42 | 0:08:45 | |
for the other person? | 0:08:45 | 0:08:46 | |
I don't think they're really compromises, things have changed. | 0:08:46 | 0:08:49 | |
I was very much wanting a house with a sea view | 0:08:49 | 0:08:53 | |
which is what we got with the Isle of Wight | 0:08:53 | 0:08:55 | |
so I'm prepared now to say I've been there, done that | 0:08:55 | 0:08:59 | |
and now want something with a more rural setting and view. | 0:08:59 | 0:09:03 | |
I think buying any house probably involves a level of compromise | 0:09:03 | 0:09:07 | |
but we've very open-minded about this. | 0:09:07 | 0:09:10 | |
-Maybe ask us at the end of the day. -THEY LAUGH | 0:09:10 | 0:09:13 | |
For our first property, we're travelling to the village of Wellow | 0:09:16 | 0:09:20 | |
on the edge of the New Forest. | 0:09:20 | 0:09:21 | |
Some people refer to East and West Wellow, | 0:09:22 | 0:09:25 | |
but officially, it's just one village. | 0:09:25 | 0:09:27 | |
Services found here include a post office, a greengrocer | 0:09:27 | 0:09:31 | |
and a butcher. | 0:09:31 | 0:09:32 | |
Our first house is a five-minute drive from the village, | 0:09:32 | 0:09:35 | |
just inside the boundary of the New Forest National Park. | 0:09:35 | 0:09:38 | |
-So this is your house number one. -Great, it's really pretty, isn't it? | 0:09:40 | 0:09:44 | |
-Yeah, very nice. -And it's in a lovely spot. | 0:09:44 | 0:09:47 | |
-Lots of open spaces around you here. -Brilliant. | 0:09:47 | 0:09:49 | |
-And look at your driveway. -Well, that will take some cars, won't it? | 0:09:49 | 0:09:53 | |
-Yeah. And detached for you, of course. -Thank you. | 0:09:53 | 0:09:56 | |
What are your first impressions? | 0:09:56 | 0:09:58 | |
Very nice. Nice setting, very quiet. | 0:09:58 | 0:10:01 | |
Does this feel rural enough for you? | 0:10:01 | 0:10:04 | |
Is this what you had in mind? | 0:10:04 | 0:10:05 | |
Yeah, I think so. It's... Yeah. | 0:10:05 | 0:10:09 | |
Nice and open, airy, fields, quiet. | 0:10:09 | 0:10:12 | |
-Yeah. -Lots of open spaces. -Yeah. | 0:10:12 | 0:10:14 | |
There's actually plenty to see inside. Let's get going. | 0:10:14 | 0:10:17 | |
-Excellent. -Thank you. | 0:10:17 | 0:10:19 | |
The setting of our first property gets the thumbs up. | 0:10:19 | 0:10:22 | |
It's a traditional New Forest brick cottage built in the early 1900s. | 0:10:22 | 0:10:26 | |
And the ground floor should give Chris and Gillian | 0:10:26 | 0:10:29 | |
the inside space they crave. | 0:10:29 | 0:10:30 | |
Wow. | 0:10:33 | 0:10:34 | |
So this is one of two reception areas, | 0:10:37 | 0:10:40 | |
the sitting room and the dining room. | 0:10:40 | 0:10:43 | |
And the other side of the house has another reception room, | 0:10:43 | 0:10:46 | |
again with a fireplace, with a dining area and a sitting area. | 0:10:46 | 0:10:50 | |
And then you've got the conservatory which was put on fairly recently. | 0:10:50 | 0:10:55 | |
Fabulous, it's a really nice room, isn't it? | 0:10:55 | 0:10:57 | |
Yes. It flows very well. It's nice and light. | 0:10:57 | 0:11:00 | |
So is this what you were talking about when you said, | 0:11:00 | 0:11:03 | |
-"We want space inside and outside?" -Yes. Yes. | 0:11:03 | 0:11:05 | |
I actually think it works really well | 0:11:05 | 0:11:08 | |
because each bit of it isn't huge | 0:11:08 | 0:11:10 | |
but it adds up to a really big space, | 0:11:10 | 0:11:13 | |
so it's the kind of place that would accommodate just the two of us | 0:11:13 | 0:11:16 | |
or when the whole family is around, which is seven-plus. | 0:11:16 | 0:11:20 | |
A working fire, I can imagine on a winter's night, | 0:11:20 | 0:11:24 | |
a log roaring away there. | 0:11:24 | 0:11:27 | |
Yeah, very much, it just... | 0:11:27 | 0:11:28 | |
-It just works and it looks nice. -Shall we go and see the kitchen? | 0:11:30 | 0:11:34 | |
Please. | 0:11:34 | 0:11:35 | |
-This would be your kitchen. -Oh, it's got a range. | 0:11:42 | 0:11:45 | |
It's got a range, well spotted. | 0:11:45 | 0:11:47 | |
We've not really talked about what you wanted from a kitchen, | 0:11:47 | 0:11:50 | |
-Gillian, but do tell us. -That would be my dream. | 0:11:50 | 0:11:53 | |
I mean, that is really, really nice. | 0:11:53 | 0:11:54 | |
It's a real cosy sort of country kitchen, isn't it? | 0:11:54 | 0:11:57 | |
If I was to be critical, it's probably slightly smaller | 0:11:57 | 0:12:01 | |
than we would like in an ideal world but it's a lovely kitchen. | 0:12:01 | 0:12:04 | |
It's much, much more spacious than it looks from outside, isn't it? | 0:12:04 | 0:12:07 | |
-The whole house, yes. -Shall we go upstairs? -Please. -Thank you. | 0:12:07 | 0:12:11 | |
I'll let you lead the way. | 0:12:11 | 0:12:13 | |
It's all going well so far and the ground floor also features | 0:12:15 | 0:12:18 | |
a utility room, shower room and a second conservatory. | 0:12:18 | 0:12:23 | |
Whereas downstairs has benefited from a side extension | 0:12:23 | 0:12:26 | |
and those conservatories at the back, the upstairs is more compact. | 0:12:26 | 0:12:30 | |
There are four bedrooms, | 0:12:30 | 0:12:32 | |
two doubles and two smaller singles overlooking the garden. | 0:12:32 | 0:12:36 | |
They're all serviced by one family bathroom. | 0:12:36 | 0:12:39 | |
So this is one of two double bedrooms you would be able to | 0:12:42 | 0:12:46 | |
-choose from to create your master bedroom. -Is there an en-suite? | 0:12:46 | 0:12:50 | |
There is no en-suite. | 0:12:50 | 0:12:51 | |
-Is that something that would be an absolute deal breaker? -Not really. | 0:12:51 | 0:12:55 | |
It'd be great if there was one. | 0:12:57 | 0:12:59 | |
But I think, if there wasn't an en-suite, we'd want | 0:12:59 | 0:13:02 | |
quite a big family bathroom cos there potentially would be a lot of us to use it. | 0:13:02 | 0:13:05 | |
So you've got four bedrooms here, | 0:13:05 | 0:13:07 | |
-which was your minimum requirement... -Yep, that's perfect. | 0:13:07 | 0:13:09 | |
..but are two doubles and two singles enough? | 0:13:09 | 0:13:12 | |
Is that big enough for you? | 0:13:12 | 0:13:14 | |
Putting me on the spot now, I think the upstairs is a bit too small. | 0:13:14 | 0:13:17 | |
-But the downstairs is lovely. -It is absolutely fantastic. | 0:13:17 | 0:13:20 | |
-And that sort of size for downstairs would be... -Would be perfect. | 0:13:20 | 0:13:22 | |
..absolutely ideal. | 0:13:22 | 0:13:24 | |
If the space upstairs is a concern for Chris and Gillian, | 0:13:24 | 0:13:28 | |
there are options outside. | 0:13:28 | 0:13:30 | |
This extensive garage outbuilding also contains a utility room | 0:13:30 | 0:13:34 | |
and office. A man-shed for Chris, perhaps? | 0:13:34 | 0:13:37 | |
In addition to the spacious driveway at the front, | 0:13:37 | 0:13:40 | |
the grounds to the rear include a terraced patio, formal lawn, | 0:13:40 | 0:13:44 | |
a further entertaining space and two paddocks. | 0:13:44 | 0:13:47 | |
-A sizable garden, I think you'd agree. -Yes. | 0:13:49 | 0:13:53 | |
There's quite a lot of bits to it, | 0:13:53 | 0:13:54 | |
so this is obviously the main part of the garden. | 0:13:54 | 0:13:57 | |
The garden goes right to the oak tree at the bottom. | 0:13:57 | 0:14:01 | |
-You're absolutely right. -Wow. Very nice. -I think it's fantastic. | 0:14:01 | 0:14:05 | |
Now it's time for the tough question. | 0:14:05 | 0:14:08 | |
What is it on the market for? | 0:14:08 | 0:14:11 | |
-£775,000. -OK. | 0:14:11 | 0:14:14 | |
-What about you, Gillian? -I think it's a little more than that | 0:14:14 | 0:14:16 | |
cos the location is absolutely fantastic | 0:14:16 | 0:14:18 | |
and the amount of garden... | 0:14:18 | 0:14:21 | |
So I'm going to say 825,000. | 0:14:21 | 0:14:23 | |
What a perfect married couple. | 0:14:23 | 0:14:25 | |
-Smack bang in the middle, this house is on the market for £800,000. -OK. | 0:14:25 | 0:14:32 | |
-That's interesting. -Very interesting. | 0:14:32 | 0:14:34 | |
-What do you think about that? -We weren't a million miles apart. -No. | 0:14:34 | 0:14:38 | |
-You look like you are dying to go and have another look around. -Yes. | 0:14:38 | 0:14:41 | |
You want to see the rest of the garden and the inside. | 0:14:41 | 0:14:43 | |
-Yes. Please. -Thank you. -I'll let you do that and I'll meet you in a bit. | 0:14:43 | 0:14:47 | |
-OK, thank you. -Thank you very much. | 0:14:47 | 0:14:48 | |
On the market at £800,000, our first property is bang on budget. | 0:14:51 | 0:14:56 | |
It's a traditional detached cottage, built from New Forest red brick. | 0:14:56 | 0:15:00 | |
The downstairs accommodation includes spacious entertaining areas | 0:15:00 | 0:15:03 | |
and two conservatories. | 0:15:03 | 0:15:05 | |
It comes with four bedrooms, two of which are doubles, and the | 0:15:05 | 0:15:08 | |
grounds include a spacious driveway, large outbuilding and paddocks. | 0:15:08 | 0:15:13 | |
And it's located close to a popular village | 0:15:13 | 0:15:15 | |
just inside the New Forest National Park. | 0:15:15 | 0:15:18 | |
It's a pretty cottage in a nice setting | 0:15:19 | 0:15:22 | |
and I was very pleased with what we saw. | 0:15:22 | 0:15:24 | |
I think the main issue was that two of the bedrooms were really | 0:15:24 | 0:15:28 | |
just singles and the family bathroom was probably slightly smaller | 0:15:28 | 0:15:32 | |
than we would have wanted. | 0:15:32 | 0:15:33 | |
It's got a really nice flow to it, this house, | 0:15:33 | 0:15:35 | |
and a lovely warm atmosphere. | 0:15:35 | 0:15:38 | |
I think the reception rooms downstairs are really special... | 0:15:38 | 0:15:42 | |
but for me, I want a big bedroom. | 0:15:42 | 0:15:44 | |
-Did you have a good look around? -Thank you, we did, yes. Lovely. | 0:15:47 | 0:15:50 | |
-Did you explore my man-shed idea a bit more? -I did. | 0:15:50 | 0:15:53 | |
-Forget the house, I'll buy the man-shed. Perfect. -Good to hear. | 0:15:53 | 0:15:57 | |
-On to house two. -Thank you. -Thank you very much. | 0:15:57 | 0:15:59 | |
Sitting on the banks of the River Test | 0:16:06 | 0:16:09 | |
in the north of the county is the historic town of Whitchurch. | 0:16:09 | 0:16:13 | |
The river is a clue to the town's industrial past | 0:16:13 | 0:16:16 | |
because Whitchurch is home | 0:16:16 | 0:16:17 | |
to Britain's oldest operational silk mill, | 0:16:17 | 0:16:20 | |
built around the year 1815. | 0:16:20 | 0:16:23 | |
Today, it's a working museum, | 0:16:23 | 0:16:24 | |
weaving bespoke silk products using 19th-century machinery. | 0:16:24 | 0:16:28 | |
Over the years, the mill has supplied a range of products, | 0:16:28 | 0:16:31 | |
from the linings of legal gowns to silk for insulating copper cables | 0:16:31 | 0:16:35 | |
during the Second World War. | 0:16:35 | 0:16:38 | |
Since Chris and Gillian are keen to soak up Hampshire's heritage, | 0:16:38 | 0:16:41 | |
we sent them to try their hand at winding silk the traditional way. | 0:16:41 | 0:16:45 | |
They're meeting Marie Page, | 0:16:45 | 0:16:47 | |
who first started working at the factory when she was 16. | 0:16:47 | 0:16:51 | |
The raw silk is imported from China, just as it was | 0:16:51 | 0:16:54 | |
when the factory first opened. | 0:16:54 | 0:16:56 | |
The skein, or thread of silk, has already been dyed | 0:16:56 | 0:16:59 | |
and is now ready to be wound onto bobbins. | 0:16:59 | 0:17:02 | |
This is a skein of silk. | 0:17:04 | 0:17:05 | |
Is that... How many threads of silk are there? | 0:17:07 | 0:17:10 | |
-This is one continuous length of thread. -It's very soft. | 0:17:10 | 0:17:14 | |
Yes, it is, isn't it? Because it's had the gum taken out, | 0:17:14 | 0:17:19 | |
the natural gum that was in it when it was in a raw state | 0:17:19 | 0:17:22 | |
and it's had the gum... been de-gummed and dyed. | 0:17:22 | 0:17:26 | |
I think I'd like to have hair like this. | 0:17:26 | 0:17:28 | |
Yes, it'd be lovely, wouldn't it? | 0:17:28 | 0:17:30 | |
-And that long. -Yes. | 0:17:32 | 0:17:34 | |
Anyway, what we do is... | 0:17:34 | 0:17:36 | |
This is called a swift | 0:17:36 | 0:17:39 | |
and we put the skein onto the swift, like so. | 0:17:39 | 0:17:43 | |
I've put the skein onto the swift | 0:17:45 | 0:17:48 | |
and the end of the skein | 0:17:48 | 0:17:52 | |
is tied to one of these strings here. | 0:17:52 | 0:17:56 | |
There's the end. | 0:17:56 | 0:17:57 | |
-So that's the end, that's the bit you attach to the bobbin? -Yeah. | 0:17:57 | 0:18:01 | |
And then you wind it round onto the bobbin, over the top... | 0:18:01 | 0:18:04 | |
..so it winds on that way, like so. | 0:18:07 | 0:18:10 | |
Now it's Chris and Gillian's turn to have a go at winding. | 0:18:12 | 0:18:16 | |
What if it goes wrong? | 0:18:16 | 0:18:18 | |
Well, if it goes wrong... | 0:18:18 | 0:18:20 | |
..it could end up like this, but I'm sure it won't. | 0:18:21 | 0:18:24 | |
In the 19th century, at its height, the mill employed around 80 workers. | 0:18:25 | 0:18:30 | |
Some were children as young as 12 and, like mills across the country, | 0:18:30 | 0:18:34 | |
hours were long and working conditions were tough. | 0:18:34 | 0:18:37 | |
Life in the mill is very different today and with Marie's help, | 0:18:39 | 0:18:42 | |
our buyers are finally getting the hang of it. | 0:18:42 | 0:18:46 | |
-Magic. -There we go. | 0:18:46 | 0:18:48 | |
-That's fascinating. -And very difficult. | 0:18:48 | 0:18:50 | |
This winding frame is possibly about 1950s | 0:18:52 | 0:18:56 | |
so it's still been wound like this for, I guess, hundreds of years. | 0:18:56 | 0:19:02 | |
After winding, the threads of the individual bobbins | 0:19:03 | 0:19:06 | |
are arranged lengthways by a machine | 0:19:06 | 0:19:08 | |
and made into a warp in preparation for weaving. | 0:19:08 | 0:19:11 | |
Some of the looms in the weaving shed | 0:19:11 | 0:19:14 | |
are more than 100 years old. | 0:19:14 | 0:19:16 | |
-This is a power loom... -Right. -..which you'll see running today. | 0:19:16 | 0:19:20 | |
So tell us about all these. | 0:19:20 | 0:19:23 | |
Each single warp thread coming off the back of the loom | 0:19:23 | 0:19:28 | |
is threaded through an individual eye | 0:19:28 | 0:19:31 | |
and then it comes through the reed and then it's woven. | 0:19:31 | 0:19:35 | |
If we get our ear defenders on, | 0:19:35 | 0:19:37 | |
I'll put the loom on and you can see it running. | 0:19:37 | 0:19:40 | |
Today, the working museum produces customised fabrics for clients, | 0:19:51 | 0:19:55 | |
including modern fashion designers and historic homes. | 0:19:55 | 0:19:58 | |
Now let's see if we can weave our magic and find Chris and Gillian | 0:19:58 | 0:20:02 | |
a new home in the county. | 0:20:02 | 0:20:03 | |
For the second house of the day, we're travelling to the other side | 0:20:12 | 0:20:15 | |
of the national park and to the hamlet of North Gorley. | 0:20:15 | 0:20:19 | |
The pretty and peaceful New Forest hamlet has a 17th-century inn, | 0:20:19 | 0:20:23 | |
which was once a royal hunting lodge and a popular tearoom. | 0:20:23 | 0:20:27 | |
House number two is situated in a conservation area | 0:20:27 | 0:20:30 | |
on the edge of the hamlet. | 0:20:30 | 0:20:32 | |
-So welcome to house number two. -Great. | 0:20:32 | 0:20:35 | |
Gosh, that's fantastic. | 0:20:35 | 0:20:36 | |
-I like it. -I like it. -THEY LAUGH | 0:20:36 | 0:20:39 | |
-Wow. -That's really nice. -That is very nice. | 0:20:39 | 0:20:43 | |
-Big driveway, Chris. -Loads of cars. -Just as you asked for. -Thank you. | 0:20:43 | 0:20:47 | |
-A double garage. -Absolutely. | 0:20:47 | 0:20:49 | |
So, this much parking is OK for you? | 0:20:49 | 0:20:51 | |
-Yeah, I think this will do. Can we go in? -Go on, then. | 0:20:51 | 0:20:54 | |
Chris is eager to get inside our impressive second property, | 0:20:57 | 0:21:00 | |
which was built in the 1930s and renovated 20 years ago. | 0:21:00 | 0:21:04 | |
So this really would be your main living room, I think. | 0:21:07 | 0:21:11 | |
And what I love about this room | 0:21:11 | 0:21:13 | |
-is the 180-degree views of your outside. -Yep, I like the... | 0:21:13 | 0:21:19 | |
-What do you call that? A triple aspect, I like that. -Perfect. -Yes. | 0:21:19 | 0:21:23 | |
-And a well-used log burning stove. -Yeah. | 0:21:23 | 0:21:27 | |
-It's a little smaller than I was expecting. -Yes. | 0:21:27 | 0:21:30 | |
The house looks so much bigger from outside | 0:21:30 | 0:21:32 | |
but this room is smaller than I expected. | 0:21:32 | 0:21:36 | |
-It's still very nice, it's got a nice homey atmosphere. -Yes. | 0:21:36 | 0:21:38 | |
There are two further reception rooms downstairs, | 0:21:39 | 0:21:42 | |
a formal dining space and a study area | 0:21:42 | 0:21:45 | |
that could make an excellent snug. | 0:21:45 | 0:21:47 | |
While I kind of picture your family chilling out in the living room, | 0:21:49 | 0:21:53 | |
I think this could be the heart of your household, | 0:21:53 | 0:21:57 | |
where everyone gathers. | 0:21:57 | 0:21:58 | |
-This is a nice room, isn't it? -This is what I call a kitchen. | 0:21:58 | 0:22:02 | |
-Now, size-wise, is this a little better for you? -This is great. | 0:22:02 | 0:22:06 | |
This is a really nice size because it's not too big | 0:22:06 | 0:22:08 | |
-but it's certainly not small. -Yes. | 0:22:08 | 0:22:10 | |
And you have a utility room, | 0:22:10 | 0:22:11 | |
quite a sizable utility room just through there. | 0:22:11 | 0:22:14 | |
-I like the island, as well. -Yes. | 0:22:14 | 0:22:16 | |
Yeah, I like islands to chop vegetables and things. | 0:22:16 | 0:22:19 | |
-I've never had one but I think it's something I would like to have. -Yes. | 0:22:19 | 0:22:23 | |
And the size, it doesn't... | 0:22:23 | 0:22:25 | |
Very often, the island will make the rest of the kitchen look small | 0:22:25 | 0:22:27 | |
but this doesn't do it to it, so it's nice. | 0:22:27 | 0:22:29 | |
No, it's a nice sized island. | 0:22:29 | 0:22:31 | |
So do you think the kitchen matches more what you thought | 0:22:31 | 0:22:34 | |
the house might look like from the outside? | 0:22:34 | 0:22:35 | |
Without a shadow of a doubt. | 0:22:35 | 0:22:38 | |
Chris and Gillian thought the upstairs of our first property | 0:22:38 | 0:22:41 | |
was on the small side but this house has four spacious bedrooms. | 0:22:41 | 0:22:45 | |
Two are large doubles and there are two smaller rooms | 0:22:45 | 0:22:48 | |
as well as family bathrooms and a separate shower room | 0:22:48 | 0:22:51 | |
for when they have a full house. | 0:22:51 | 0:22:53 | |
-Oh, this is a nice room. -This is your master bedroom... | 0:22:57 | 0:23:00 | |
..suite, I'm going to call it. | 0:23:01 | 0:23:03 | |
-That's a very nice room, isn't it? -Yes. | 0:23:03 | 0:23:05 | |
Because you have this lovely dressing area here | 0:23:05 | 0:23:09 | |
and an en-suite, Gillian, as you requested. | 0:23:09 | 0:23:11 | |
-Thank you, yes. -Wow, this is nice. | 0:23:11 | 0:23:13 | |
This is the sort of size room, again, that we would be looking for. | 0:23:14 | 0:23:18 | |
A bit more what you had in mind? | 0:23:18 | 0:23:21 | |
Totally what we had in mind. | 0:23:21 | 0:23:23 | |
That's good, I love that word, totally. | 0:23:23 | 0:23:25 | |
-I love the size of that grin, too. -Yeah. No, this is... | 0:23:25 | 0:23:29 | |
What's the saying? Light and airy. | 0:23:29 | 0:23:31 | |
-Yes, it is. -Well, let's go show you that garden that you want to see. | 0:23:31 | 0:23:34 | |
-OK. -Thank you. | 0:23:34 | 0:23:36 | |
The back garden has been terraced and is mainly laid to lawn, | 0:23:39 | 0:23:42 | |
with plenty of trees and shrubs. | 0:23:42 | 0:23:44 | |
And finally, we have the garden. | 0:23:46 | 0:23:48 | |
Very nice. | 0:23:48 | 0:23:50 | |
With your beautiful views out onto the New Forest. | 0:23:50 | 0:23:53 | |
-Fantastic views from here. -They are nice, aren't they? | 0:23:53 | 0:23:55 | |
Like the fruit trees. | 0:23:55 | 0:23:58 | |
On a slope but manageable. | 0:23:58 | 0:24:00 | |
How much is the house and garden on the market for? | 0:24:00 | 0:24:05 | |
-Gillian, I'm going to come to you first. -I thought it might be me. | 0:24:05 | 0:24:08 | |
I think 735,000. | 0:24:08 | 0:24:12 | |
What about you, Chris? | 0:24:12 | 0:24:14 | |
£700,000, exactly. | 0:24:14 | 0:24:16 | |
I wonder whether those guesses reflect how you feel | 0:24:18 | 0:24:22 | |
about the property, I'm not quite sure as yet. | 0:24:22 | 0:24:25 | |
The house is actually on the market for £815,000. | 0:24:25 | 0:24:29 | |
Gosh. | 0:24:30 | 0:24:32 | |
So, you're both a little out, I'd say. | 0:24:32 | 0:24:35 | |
Which I was going to say leaves you spare change | 0:24:36 | 0:24:39 | |
to put your own stamp on it, | 0:24:39 | 0:24:41 | |
make all the changes that you might want, to make it your own. | 0:24:41 | 0:24:44 | |
Yes, that's a big surprise. | 0:24:45 | 0:24:49 | |
I think, to put our own stamp on it would cost quite a lot of money | 0:24:49 | 0:24:55 | |
and I think there's work to do in the garden | 0:24:55 | 0:24:58 | |
to clear the back bit here. | 0:24:58 | 0:25:00 | |
But I think probably where we've gone wrong is the location. | 0:25:00 | 0:25:04 | |
I wasn't quite sure what the impact of the different side | 0:25:04 | 0:25:06 | |
of the New Forest made. | 0:25:06 | 0:25:08 | |
-Do you want to have another look around? -Yes, please. | 0:25:08 | 0:25:10 | |
Thank you, that'd be lovely. | 0:25:10 | 0:25:12 | |
Priced at £815,000, | 0:25:15 | 0:25:18 | |
our second house is still within Chris and Gillian's maximum budget. | 0:25:18 | 0:25:22 | |
It's an impressive 1930s family home with four large bedrooms. | 0:25:22 | 0:25:26 | |
Downstairs there are three reception rooms as well as a spacious kitchen. | 0:25:26 | 0:25:30 | |
It has a large driveway and a sloped garden | 0:25:30 | 0:25:33 | |
with views of the New Forest. | 0:25:33 | 0:25:35 | |
This has to be the his and hers office. | 0:25:38 | 0:25:40 | |
The piano wouldn't work in here | 0:25:40 | 0:25:41 | |
-because of the log burner making it too hot. -Yeah. | 0:25:41 | 0:25:44 | |
-But there's plenty of room for two desks. -Definitely. | 0:25:44 | 0:25:47 | |
And views over the garden. | 0:25:47 | 0:25:48 | |
I think, coming into the house, | 0:25:48 | 0:25:50 | |
I was surprised at the size of the main sitting room, the living room. | 0:25:50 | 0:25:55 | |
It was much smaller than I anticipated it would be, | 0:25:55 | 0:25:58 | |
given the external size of the house. | 0:25:58 | 0:26:01 | |
The sitting room is a little smaller than I was looking for, | 0:26:01 | 0:26:05 | |
but I think the house has the most enormous potential. | 0:26:05 | 0:26:09 | |
Upstairs, the master bedroom and en-suite | 0:26:09 | 0:26:11 | |
are just the size we've been looking for, so really impressed with that | 0:26:11 | 0:26:15 | |
and all the other rooms seem to be big, as well. | 0:26:15 | 0:26:17 | |
It's one that I feel I definitely need to sleep on. | 0:26:17 | 0:26:20 | |
I am still shocked at the huge gap between their guesses | 0:26:20 | 0:26:23 | |
and the actual price of this house. | 0:26:23 | 0:26:26 | |
-Hello, guys. -Hi. | 0:26:26 | 0:26:27 | |
-Did you have a good look around? -We did, thank you very much. | 0:26:27 | 0:26:30 | |
-Shall we go and digest what we've seen today? -Right. | 0:26:30 | 0:26:32 | |
It's the second day of our property search here in Hampshire | 0:26:45 | 0:26:48 | |
and on a maximum budget of £850,000, | 0:26:48 | 0:26:51 | |
we're helping Chris and Gillian swap the commuter belt of Buckinghamshire | 0:26:51 | 0:26:55 | |
for the peace of the south coast. | 0:26:55 | 0:26:57 | |
Coming up, our mystery house leaves them struggling for words... | 0:26:57 | 0:27:01 | |
-It's just stunning. It really is. -It's difficult to take it all in. | 0:27:01 | 0:27:04 | |
This is fantastic. | 0:27:04 | 0:27:06 | |
..and I help rein in some of the county's much-loved locals. | 0:27:06 | 0:27:10 | |
I think yesterday was a real eye-opener. | 0:27:12 | 0:27:15 | |
As well as giving Chris and Gillian a reality check | 0:27:15 | 0:27:18 | |
about how much a property can cost in Hampshire, | 0:27:18 | 0:27:21 | |
it also allowed us to fully understand what they're after. | 0:27:21 | 0:27:25 | |
They like the downstairs of house number one | 0:27:25 | 0:27:28 | |
and the upstairs of house number two. | 0:27:28 | 0:27:31 | |
So, will the mystery house provide them | 0:27:31 | 0:27:33 | |
with the perfect all-round package? | 0:27:33 | 0:27:35 | |
Well, on paper, it could just tick all their boxes, even though I think | 0:27:35 | 0:27:41 | |
it's a property they would have never considered all on their own. | 0:27:41 | 0:27:45 | |
Our mystery property is a hop over the border into Dorset | 0:27:47 | 0:27:50 | |
and to the small village of Woodlands. | 0:27:50 | 0:27:53 | |
Nearby Cranborne is the best bet for shops and services | 0:27:53 | 0:27:56 | |
and was known as Chaseborough in the novels of Thomas Hardy. | 0:27:56 | 0:28:00 | |
The village has two pubs, a local store and a post office. | 0:28:00 | 0:28:05 | |
Before we reach our mystery house, | 0:28:05 | 0:28:06 | |
we're making a stop at one of Dorset's most unusual structures | 0:28:06 | 0:28:10 | |
to get a better sense of our surroundings. | 0:28:10 | 0:28:12 | |
So I don't know whether you've noticed, | 0:28:14 | 0:28:16 | |
but we've actually crossed the border into Dorset. | 0:28:16 | 0:28:19 | |
We are half an hour away from the New Forest, where we were yesterday. | 0:28:19 | 0:28:23 | |
The reason why I've brought you here, | 0:28:23 | 0:28:26 | |
this tower, Horton Tower, it's a classic example of a folly. | 0:28:26 | 0:28:30 | |
It was once said to be the tallest non-religious building in Britain. | 0:28:30 | 0:28:35 | |
Apparently, from the top you can see the Isle of Wight. | 0:28:35 | 0:28:40 | |
How ironic. | 0:28:40 | 0:28:42 | |
And also, we can see the mystery house, | 0:28:42 | 0:28:45 | |
which I'm very, very keen to show you. | 0:28:45 | 0:28:47 | |
-So let's go. -OK. -Looking forward to it. | 0:28:47 | 0:28:50 | |
And our mystery house is just a five-minute drive away, | 0:28:50 | 0:28:53 | |
located on quiet country lane. | 0:28:53 | 0:28:56 | |
Chris and Gillian wanted space, and lots of it. | 0:28:56 | 0:28:58 | |
Heading over the border into East Dorset, | 0:28:58 | 0:29:01 | |
where average detached prices are lower than in the New Forest, | 0:29:01 | 0:29:04 | |
should give them more house for their money. | 0:29:04 | 0:29:07 | |
But the question remains | 0:29:07 | 0:29:08 | |
whether our mystery property might be just a bit too much for them. | 0:29:08 | 0:29:12 | |
-My goodness. -Oh, wow. | 0:29:12 | 0:29:14 | |
Is it all of that? | 0:29:16 | 0:29:18 | |
-This is your mystery house. -Gosh. | 0:29:18 | 0:29:21 | |
It looks stunning. | 0:29:21 | 0:29:22 | |
It's a bit greedy, isn't it? | 0:29:23 | 0:29:25 | |
Well, this is the reason it's a mystery. | 0:29:26 | 0:29:30 | |
I know for most of the year it's just going to be the two of you. | 0:29:30 | 0:29:33 | |
Yeah. | 0:29:33 | 0:29:34 | |
And that's why I'm not sure that you would have ever considered this, | 0:29:34 | 0:29:37 | |
because, in fact, this property is double the size of house number two. | 0:29:37 | 0:29:43 | |
-My word. -Well, we can cope with that. | 0:29:44 | 0:29:47 | |
-THEY LAUGH -You were converted quick! | 0:29:47 | 0:29:51 | |
It's actually... They used to be stables belonging to the | 0:29:51 | 0:29:54 | |
Earl of Shaftesbury. They were built in the mid 19th century. | 0:29:54 | 0:29:57 | |
-Let's go and see this huge space. -Thank you. | 0:29:57 | 0:30:02 | |
Our enormous mystery house | 0:30:02 | 0:30:04 | |
has made a good first impression on our buyers, | 0:30:04 | 0:30:06 | |
but the property may require a bit of work, to the exterior at least. | 0:30:06 | 0:30:11 | |
You get an immediate sense of its size from the grand entrance hall. | 0:30:11 | 0:30:15 | |
In total, there's 3,000 square feet of living space on offer here. | 0:30:15 | 0:30:19 | |
Unlike our first two houses, the interior of this one is open-plan. | 0:30:19 | 0:30:24 | |
And this, really, I think, would be your main hub, | 0:30:24 | 0:30:28 | |
your main living area. | 0:30:28 | 0:30:30 | |
It's massive, isn't it? | 0:30:30 | 0:30:32 | |
-I think you're going to be saying that a lot. -Am I? OK. | 0:30:32 | 0:30:35 | |
-I'll find a different word. -No, no, no. | 0:30:35 | 0:30:38 | |
It is really, really open-plan living down here. | 0:30:38 | 0:30:41 | |
Basically the whole downstairs is pretty open, not many doors. | 0:30:41 | 0:30:46 | |
But if you did need a private area, just to the end there, | 0:30:46 | 0:30:49 | |
there is a room with a door that you could use as a study. | 0:30:49 | 0:30:52 | |
The current tenants are using it as a bedroom | 0:30:52 | 0:30:55 | |
but it would, I think, make the perfect study area for you. | 0:30:55 | 0:30:58 | |
Might get lost on the way. | 0:30:58 | 0:31:00 | |
But how do you feel about this kind of living? | 0:31:01 | 0:31:05 | |
Well...just, yeah, brilliant. | 0:31:05 | 0:31:08 | |
I can't take it in. It's light, it's airy, it's the space we want. | 0:31:08 | 0:31:11 | |
-Gillian, can you see yourself in here? -Oh, yes, I can. | 0:31:11 | 0:31:14 | |
I've never seen anything like it. I think it's wonderful. | 0:31:14 | 0:31:17 | |
-And I know you've already spotted... -I have. | 0:31:17 | 0:31:19 | |
..that kitchen. Shall we go and soak it all up? | 0:31:19 | 0:31:21 | |
Oh, I do hope this isn't too small for you(!) | 0:31:29 | 0:31:31 | |
-I think we might be able to fit in it. -I think it's wonderful. | 0:31:31 | 0:31:36 | |
-It's rare I'm silenced. -A huge country kitchen. | 0:31:38 | 0:31:42 | |
It's fantastic, I could absolutely see us in here. | 0:31:42 | 0:31:46 | |
Even though it's very big and you can't hide that, it's not | 0:31:46 | 0:31:50 | |
such a size that two people would rattle around and get lost in it. | 0:31:50 | 0:31:54 | |
Shall we see what the upstairs has to offer? | 0:31:54 | 0:31:56 | |
Yes. | 0:31:56 | 0:31:57 | |
The house has four double bedrooms. | 0:32:00 | 0:32:02 | |
One of those is being used as a study and another | 0:32:02 | 0:32:05 | |
has a quirky add-on, a roll top bath actually in the bedroom itself. | 0:32:05 | 0:32:10 | |
There's also a good-sized family bathroom. | 0:32:10 | 0:32:13 | |
And finally, the master suite. | 0:32:13 | 0:32:15 | |
-Oh, that's lovely, isn't it? -Oh, wow. | 0:32:19 | 0:32:23 | |
-That's really special, isn't it? -Yes. Fantastic. | 0:32:23 | 0:32:27 | |
-This is actually one of four double bedrooms in the property. -OK. | 0:32:27 | 0:32:31 | |
The one that we've just passed, which is just next door, | 0:32:31 | 0:32:34 | |
if you didn't need it all year round for guests, I really think would | 0:32:34 | 0:32:38 | |
make a fantastic sort of separate walk-in wardrobe dressing area. | 0:32:38 | 0:32:42 | |
How do you feel about the beam and the character of this room? | 0:32:42 | 0:32:46 | |
-It's just stunning. It really is. -It's difficult to take it all in. | 0:32:46 | 0:32:49 | |
This is fantastic. | 0:32:49 | 0:32:51 | |
The master also has the all-important en-suite for Gillian, | 0:32:51 | 0:32:55 | |
but this one is a little unusual. | 0:32:55 | 0:32:57 | |
Oh, my word! | 0:33:00 | 0:33:02 | |
-That's...different. -Different. | 0:33:04 | 0:33:06 | |
-Well... -That's really fun, isn't it? | 0:33:06 | 0:33:09 | |
-His and hers bath. -Yes, that's fun. | 0:33:09 | 0:33:12 | |
-I like that very much. -It's brilliant. | 0:33:12 | 0:33:15 | |
You both look a little overwhelmed. Is that fair to say? | 0:33:15 | 0:33:18 | |
I think that's a good word, yes. | 0:33:18 | 0:33:19 | |
It's very difficult to take it all in. | 0:33:19 | 0:33:21 | |
I was worried we'd given Chris and Gillian too much house, | 0:33:23 | 0:33:26 | |
but they seem more than comfortable with the idea | 0:33:26 | 0:33:29 | |
and the whole space theme continues outside in the garden, | 0:33:29 | 0:33:32 | |
which is enclosed and largely laid to lawn. | 0:33:32 | 0:33:35 | |
There's also a detached six-car garage block at the front. | 0:33:35 | 0:33:41 | |
The whole plot, actually, is just over an acre, | 0:33:41 | 0:33:44 | |
so that's how much land you would have. | 0:33:44 | 0:33:45 | |
There's room for chickens, as well. | 0:33:45 | 0:33:47 | |
So you've seen the mystery house. How do you feel about it? | 0:33:48 | 0:33:52 | |
It's the closest thing to perfection. | 0:33:52 | 0:33:54 | |
I think certainly far better for us | 0:33:54 | 0:33:57 | |
than the other two houses you showed us. | 0:33:57 | 0:33:59 | |
Gillian, how much do you think this property is on the market for? | 0:34:00 | 0:34:04 | |
Well, I think it's over budget. I think it's on at £860,000. | 0:34:04 | 0:34:09 | |
I think, actually, fractionally under budget. | 0:34:09 | 0:34:12 | |
-OK. -£835,000. | 0:34:12 | 0:34:15 | |
It's actually... | 0:34:15 | 0:34:18 | |
somewhere in the middle. | 0:34:18 | 0:34:20 | |
This house is on the market for £849,950. | 0:34:20 | 0:34:25 | |
-So that's very interesting, isn't it? -Yes. That's food for thought. | 0:34:25 | 0:34:30 | |
Would you like some time to walk around and I'll come and meet you in a bit? | 0:34:30 | 0:34:34 | |
-Take your time, of course. -Thank you. -Will do. | 0:34:34 | 0:34:37 | |
On the market at just shy of £850,000, | 0:34:41 | 0:34:45 | |
our mystery house is at the top end of Chris and Gillian's budget. | 0:34:45 | 0:34:49 | |
It's a large barn-style home, formally a stable block, | 0:34:49 | 0:34:52 | |
built in the 19th century. | 0:34:52 | 0:34:54 | |
The house has four double bedrooms and an en-suite | 0:34:54 | 0:34:57 | |
with a his and her bath. | 0:34:57 | 0:34:58 | |
Downstairs, there are three large reception rooms, | 0:34:58 | 0:35:01 | |
including a grand entrance hall. | 0:35:01 | 0:35:03 | |
There's also a spacious kitchen and breakfast room | 0:35:03 | 0:35:06 | |
and a six-car garage block in the grounds. | 0:35:06 | 0:35:08 | |
There were a number of winning features, | 0:35:08 | 0:35:10 | |
but I guess if I were to put it down to two winning features, | 0:35:10 | 0:35:13 | |
it's the size of the downstairs sitting rooms, | 0:35:13 | 0:35:15 | |
and we always said we wanted a nice large sitting room, | 0:35:15 | 0:35:20 | |
and the size of the master bedroom, with a very interesting en-suite. | 0:35:20 | 0:35:25 | |
The biggest positive for me is the kitchen and the main sitting room. | 0:35:25 | 0:35:29 | |
I think that area works really well. | 0:35:29 | 0:35:31 | |
I think there's lots of work that needs doing. | 0:35:31 | 0:35:34 | |
I think the windows, a lot of them are single-glazed | 0:35:34 | 0:35:37 | |
so they would need to be replaced. | 0:35:37 | 0:35:40 | |
I think Gillian's on a very similar page to me. | 0:35:40 | 0:35:43 | |
She's probably going to be slightly more cautious | 0:35:43 | 0:35:45 | |
about the amount of money it's going to take to do things, | 0:35:45 | 0:35:48 | |
but I think this has got under her skin as well. | 0:35:48 | 0:35:51 | |
-Excited? -Very excited. -So am I. | 0:35:54 | 0:35:57 | |
I definitely want to hear more of your thoughts, but not here. | 0:35:57 | 0:36:00 | |
-Come with me. -OK. | 0:36:00 | 0:36:01 | |
One of Hampshire's biggest draws is the New Forest National Park. | 0:36:09 | 0:36:13 | |
Over 500 square kilometres of heathland and ancient woodland. | 0:36:13 | 0:36:17 | |
One of its most iconic residents is an indigenous breed of pony, | 0:36:17 | 0:36:22 | |
aptly named the New Forest pony | 0:36:22 | 0:36:24 | |
and today, there are around 4,000 of them. | 0:36:24 | 0:36:27 | |
Although they're free to roam, these ponies are owned by Commoners, | 0:36:27 | 0:36:31 | |
people who have a centuries-old right to put them out to graze | 0:36:31 | 0:36:34 | |
in return for a fee. | 0:36:34 | 0:36:36 | |
I've come to meet one of these Commoners, whose family have been | 0:36:37 | 0:36:40 | |
breeding New Forest ponies for generations, farmer James Young. | 0:36:40 | 0:36:44 | |
-James, hello. -Hi, nice to meet you. | 0:36:47 | 0:36:49 | |
Nice to meet you. | 0:36:49 | 0:36:50 | |
Tell us about the ponies. | 0:36:50 | 0:36:52 | |
The New Forest ponies have been around in the forest, | 0:36:52 | 0:36:55 | |
they're mentioned in the Domesday Book. | 0:36:55 | 0:36:57 | |
My family ran the oldest established herd in the forest. | 0:36:57 | 0:37:00 | |
My great-great-great-grandmother brought eight mares with her | 0:37:00 | 0:37:04 | |
as a dowry, as a wedding dowry, and our current ponies descend | 0:37:04 | 0:37:08 | |
directly from those ponies that came all those years ago. | 0:37:08 | 0:37:11 | |
And tell us more about being part of a Commoning family, | 0:37:11 | 0:37:15 | |
what that entails. | 0:37:15 | 0:37:16 | |
Well, I think any job working with animals is very much a 24-7. | 0:37:16 | 0:37:21 | |
You tend to live by the seasons. | 0:37:21 | 0:37:23 | |
We're getting to the time of year now, in the autumn, | 0:37:23 | 0:37:26 | |
where we have the annual round-ups | 0:37:26 | 0:37:27 | |
and the foals are got in and some are kept and some are sold. | 0:37:27 | 0:37:31 | |
There's a lot of management issues with the ponies, worming them, | 0:37:31 | 0:37:34 | |
putting collars on, just general tending to them | 0:37:34 | 0:37:37 | |
and care and management. | 0:37:37 | 0:37:39 | |
The round-up is known as a drift and James and his colleagues | 0:37:40 | 0:37:43 | |
are in the process of gathering their herd for the annual check-up. | 0:37:43 | 0:37:47 | |
Over the centuries, | 0:37:49 | 0:37:50 | |
the New Forest pony has adapted to life in this unique environment. | 0:37:50 | 0:37:54 | |
It's light and sure-footed so it can move through the scrub | 0:37:54 | 0:37:57 | |
and it's hardy to cope with the tough winter. | 0:37:57 | 0:38:00 | |
Although they appear quiet, the ponies are semi-feral | 0:38:00 | 0:38:04 | |
and rounding them up requires skill and years of practice. | 0:38:04 | 0:38:08 | |
-If you could pass me the collar, that would be great, please. -OK. | 0:38:08 | 0:38:12 | |
So what's the collar for? | 0:38:12 | 0:38:14 | |
It's a luminous collar and the aim of it is to prevent, | 0:38:14 | 0:38:17 | |
or reduce, anyway, road accidents. | 0:38:17 | 0:38:19 | |
The idea being that, particularly with a pony | 0:38:19 | 0:38:23 | |
that's a single whole black colour like this, | 0:38:23 | 0:38:25 | |
motorists will see the collar and avoid hitting the pony, | 0:38:25 | 0:38:30 | |
because that's one of the worst problems with ponies on the forest, | 0:38:30 | 0:38:35 | |
are the accidents. | 0:38:35 | 0:38:36 | |
So tell us what else you do on these health checks. | 0:38:36 | 0:38:39 | |
Well, really you're just wanting to make sure that the pony is OK | 0:38:39 | 0:38:42 | |
to survive the next 12 months, particularly the winter. | 0:38:42 | 0:38:45 | |
In this mare's case, she's in good condition. | 0:38:45 | 0:38:47 | |
We're going to wean the foal shortly before she goes back to forest | 0:38:47 | 0:38:50 | |
because she isn't going to be able to maintain bodily condition | 0:38:50 | 0:38:54 | |
-while suckling a foal during the winter. -Right. | 0:38:54 | 0:38:56 | |
So the foal is going to be weaned and we'll need to get that in | 0:38:56 | 0:39:00 | |
and look after it for this first winter | 0:39:00 | 0:39:03 | |
because the first winter is the most important for them. | 0:39:03 | 0:39:06 | |
The ponies provide a natural cutting function | 0:39:06 | 0:39:08 | |
and are vital in maintaining the balance in the forest, | 0:39:08 | 0:39:11 | |
feeding on the brambles and gorse | 0:39:11 | 0:39:13 | |
that would otherwise become overgrown. | 0:39:13 | 0:39:15 | |
Approaching the ponies isn't encouraged. | 0:39:15 | 0:39:18 | |
Do people know how to deal with them? | 0:39:18 | 0:39:20 | |
Because, of course, they are wild. | 0:39:20 | 0:39:22 | |
Well, sadly, they don't and some misguided people tend to feed | 0:39:22 | 0:39:25 | |
the ponies and then the ponies get to expect food so that | 0:39:25 | 0:39:28 | |
when the next lot come along and don't feed them, | 0:39:28 | 0:39:31 | |
it can cause problems, which is why we're so particular | 0:39:31 | 0:39:33 | |
about asking visitors and tourists to the forest not to feed the ponies. | 0:39:33 | 0:39:37 | |
-I'm going to let you finish off your health check. -Thank you very much. | 0:39:37 | 0:39:40 | |
Thank you so much, it's been an absolute pleasure to meet you | 0:39:40 | 0:39:42 | |
and your ponies. | 0:39:42 | 0:39:44 | |
Thank you very much. | 0:39:44 | 0:39:46 | |
Whilst it no longer provides a living, | 0:39:46 | 0:39:47 | |
the right to graze ponies is still being practised by people, | 0:39:47 | 0:39:50 | |
like James, because it's a traditional way of life. | 0:39:50 | 0:39:53 | |
Without it, the forest would be a very different place. | 0:39:53 | 0:39:57 | |
When we left the mystery house, I think it's safe to say | 0:40:01 | 0:40:04 | |
Chris was very much sold on the property. | 0:40:04 | 0:40:06 | |
It's time to find out | 0:40:06 | 0:40:08 | |
if a more cautious Gillian is now ready to take the big leap, too. | 0:40:08 | 0:40:12 | |
So, Gillian and Chris, after two days of house hunting with us, | 0:40:19 | 0:40:23 | |
what next? | 0:40:23 | 0:40:25 | |
Well, I think it's fairly easy that we, with regrets, | 0:40:25 | 0:40:31 | |
have to dismiss the first two houses. | 0:40:31 | 0:40:33 | |
They both had lots of things we liked but not enough for us | 0:40:33 | 0:40:37 | |
to take it to the next stage. | 0:40:37 | 0:40:39 | |
However, I think we're fairly agreed that today, the third house, | 0:40:39 | 0:40:44 | |
the mystery house, has a lot of mileage | 0:40:44 | 0:40:47 | |
and needs some more investigation. | 0:40:47 | 0:40:49 | |
Yes, I could see my family enjoying Christmas there. | 0:40:49 | 0:40:52 | |
I think I've already put the Christmas tree in place. | 0:40:52 | 0:40:54 | |
-Let me guess, in the hallway? -That's it. | 0:40:54 | 0:40:56 | |
So I think we'd like to do a second viewing | 0:40:56 | 0:40:58 | |
and perhaps take it from there. | 0:40:58 | 0:41:00 | |
Do you think you've had a bit of a reality check about how far | 0:41:00 | 0:41:04 | |
your money would go in a county like Hampshire? | 0:41:04 | 0:41:07 | |
Yes, I think it was clear yesterday, | 0:41:07 | 0:41:09 | |
when we were in and around the New Forest that whilst our budget, | 0:41:09 | 0:41:12 | |
in our view, is very healthy, it was probably not quite enough | 0:41:12 | 0:41:16 | |
to achieve what we want, whereas moving out of the area | 0:41:16 | 0:41:19 | |
only by a small margin, we get much more for our money. | 0:41:19 | 0:41:24 | |
It's very, very beautiful around here as well, | 0:41:24 | 0:41:26 | |
so it doesn't even feel like a compromise. | 0:41:26 | 0:41:28 | |
Would you consider an offer on the mystery house? | 0:41:28 | 0:41:31 | |
Subject to a second look around and another look at the area, | 0:41:32 | 0:41:36 | |
yes, I would like to think we'd put an offer in on that house. | 0:41:36 | 0:41:38 | |
-Would you be comfortable with that, Gillian? -Yes, I would. Yes. | 0:41:38 | 0:41:41 | |
So you both are still on the same page. | 0:41:41 | 0:41:44 | |
-We said that from the beginning! -Yeah, absolutely. -Very much so. | 0:41:44 | 0:41:47 | |
-Yeah. -And will you let us know how that all goes? -Of course. | 0:41:47 | 0:41:51 | |
You've been brilliant company. | 0:41:51 | 0:41:52 | |
We've had great fun, thank you very much indeed. | 0:41:52 | 0:41:55 | |
I'm so pleased that Chris and Gillian are seriously considering | 0:42:02 | 0:42:06 | |
an offer on the mystery house. | 0:42:06 | 0:42:09 | |
Truth be told, I would have been a little disappointed | 0:42:09 | 0:42:11 | |
if they hadn't, because I honestly believe it has everything | 0:42:11 | 0:42:14 | |
they say they want, and that's why I'm genuinely intrigued | 0:42:14 | 0:42:18 | |
about where their next move will take them. | 0:42:18 | 0:42:21 | |
If they do end up in Hampshire, | 0:42:21 | 0:42:23 | |
they may have to reassess their wish list. | 0:42:23 | 0:42:27 | |
Until next time, goodbye. | 0:42:27 | 0:42:29 | |
Reluctantly, Chris and Gillian decided that the mystery house | 0:42:31 | 0:42:34 | |
was going to be too much of a project for them, but they are now | 0:42:34 | 0:42:38 | |
looking at properties in Dorset. | 0:42:38 | 0:42:41 |