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Welcome to Escape To The Country. Now, if like me, you're a fan | 0:00:02 | 0:00:04 | |
of the history of the Industrial Revolution | 0:00:04 | 0:00:06 | |
and in particular our canals, this is a place you have to visit. | 0:00:06 | 0:00:10 | |
The flight of locks behind me represents, | 0:00:10 | 0:00:13 | |
arguably, one of the most impressive parts of the canal network | 0:00:13 | 0:00:16 | |
anywhere in the UK. | 0:00:16 | 0:00:17 | |
Find out where in just a moment. | 0:00:17 | 0:00:20 | |
Today's house-hunting couple are heading to the countryside | 0:00:37 | 0:00:40 | |
to be closer to their son, | 0:00:40 | 0:00:42 | |
and they're not afraid of a property project... | 0:00:42 | 0:00:45 | |
And I might even add a little utility room out there. | 0:00:45 | 0:00:49 | |
..as long as we get the colour right. | 0:00:49 | 0:00:51 | |
I don't like yellow houses. | 0:00:51 | 0:00:52 | |
-THEY LAUGH Paint works, David. -I know. | 0:00:52 | 0:00:55 | |
Well, today we are in Wiltshire | 0:00:58 | 0:00:59 | |
and these are the Caen Hill Locks just outside Devizes, | 0:00:59 | 0:01:04 | |
the jewel in the crown, if you like, of the Kennet and Avon Canal. | 0:01:04 | 0:01:08 | |
Built some 200 years ago, | 0:01:08 | 0:01:10 | |
they were the brainchild of one John Rennie. | 0:01:10 | 0:01:12 | |
Now, he was the man tasked with directing the canal | 0:01:12 | 0:01:15 | |
over the shortest route possible, | 0:01:15 | 0:01:17 | |
and here the solution was to send it uphill. | 0:01:17 | 0:01:20 | |
And the way he did it - | 0:01:20 | 0:01:21 | |
he built 16 locks in close succession to one another. | 0:01:21 | 0:01:25 | |
But here's the really clever bit. | 0:01:25 | 0:01:27 | |
In order to keep enough water in the system, | 0:01:27 | 0:01:29 | |
he also built this series of ponds, | 0:01:29 | 0:01:31 | |
each one of which contains the same amount of water | 0:01:31 | 0:01:34 | |
as two Olympic-size swimming pools. | 0:01:34 | 0:01:37 | |
It is a fantastic feat of industrial engineering. | 0:01:37 | 0:01:41 | |
And just goes to remind us | 0:01:41 | 0:01:42 | |
that Wiltshire is a county brimming with history. | 0:01:42 | 0:01:45 | |
Known as the gateway to the West Country, | 0:01:48 | 0:01:50 | |
landlocked Wiltshire is bordered by six counties, | 0:01:50 | 0:01:53 | |
including Somerset to the west and Berkshire and Hampshire to the east. | 0:01:53 | 0:01:57 | |
It's a picturesque county of rolling, chalky downland. | 0:01:58 | 0:02:01 | |
Historic attractions include Salisbury Cathedral, | 0:02:01 | 0:02:04 | |
with its 13th century spire, the highest in England, | 0:02:04 | 0:02:07 | |
and the world-famous Stonehenge. | 0:02:07 | 0:02:09 | |
Wiltshire's earliest inhabitants have left an extraordinary | 0:02:11 | 0:02:14 | |
and sometimes mysterious archaeological footprint, | 0:02:14 | 0:02:17 | |
from stone circles including Avebury to prehistoric burial mounds. | 0:02:17 | 0:02:23 | |
Wiltshire also has its fair share of pretty villages | 0:02:23 | 0:02:26 | |
and attractive market towns. | 0:02:26 | 0:02:28 | |
Marlborough, with its wide high street, | 0:02:28 | 0:02:30 | |
is lined with fine, old buildings that make it a property hotspot. | 0:02:30 | 0:02:34 | |
With a wealth of awe-inspiring architecture | 0:02:34 | 0:02:36 | |
set in a timeless landscape, | 0:02:36 | 0:02:37 | |
it's easy to see why people are attracted to this rural county. | 0:02:37 | 0:02:42 | |
But what is it about Wiltshire that's attracted today's buyers? | 0:02:42 | 0:02:45 | |
Well, time now to meet them and find out. | 0:02:45 | 0:02:48 | |
Jackie and David have been married for 30 years. | 0:02:49 | 0:02:52 | |
Jackie, who's originally from New Jersey in the US, | 0:02:52 | 0:02:55 | |
met David when he was holidaying in Manhattan. | 0:02:55 | 0:02:58 | |
It was because of the rain. | 0:02:58 | 0:03:00 | |
Dave was in a place and didn't leave because of the rain | 0:03:00 | 0:03:04 | |
and I ran in with friends of mine because it was raining. | 0:03:04 | 0:03:08 | |
And we wound up talking, and the rest is history. | 0:03:08 | 0:03:12 | |
They're currently living in a three-bedroom rented property | 0:03:12 | 0:03:15 | |
in Oxfordshire, having recently sold their Canterbury town house | 0:03:15 | 0:03:19 | |
of six years. | 0:03:19 | 0:03:20 | |
We put the house on the market and it sold extremely quickly. | 0:03:20 | 0:03:24 | |
The people who bought wanted to be in the house | 0:03:24 | 0:03:27 | |
within five, six weeks of the offer. | 0:03:27 | 0:03:29 | |
For many years, David worked as a systems analyst in Brussels | 0:03:31 | 0:03:34 | |
and commuted from Canterbury. | 0:03:34 | 0:03:36 | |
Jackie was a primary school teacher. | 0:03:36 | 0:03:38 | |
But having both recently retired, | 0:03:38 | 0:03:40 | |
they're now free of work constraints. | 0:03:40 | 0:03:42 | |
We've always wanted to be west of London. | 0:03:42 | 0:03:46 | |
This is our opportunity to do it. | 0:03:46 | 0:03:48 | |
The main reason for David and Jackie's move | 0:03:48 | 0:03:50 | |
to the Wiltshire countryside is their 30-year-old son, Nicholas. | 0:03:50 | 0:03:54 | |
He's a captain in the Signals | 0:03:54 | 0:03:56 | |
and has recently returned from his second tour of duty in Afghanistan. | 0:03:56 | 0:03:59 | |
He's in the military | 0:03:59 | 0:04:00 | |
and he's going to be based out towards Salisbury Plain, | 0:04:00 | 0:04:05 | |
and we didn't want to be that far away from him, | 0:04:05 | 0:04:08 | |
so that we can see him and his partner. | 0:04:08 | 0:04:11 | |
The garden is key in what they want from their new home. | 0:04:12 | 0:04:16 | |
And Jackie must have somewhere to grow her own produce. | 0:04:16 | 0:04:19 | |
I grew up in an Italian-American family | 0:04:19 | 0:04:22 | |
and everybody gardened in the family. | 0:04:22 | 0:04:25 | |
So, it was something that I grew up with. | 0:04:25 | 0:04:28 | |
I'm happiest when I'm in the garden - digging, planting, cropping... | 0:04:28 | 0:04:33 | |
As well as gardening, the Wiltshire countryside will give Jackie | 0:04:33 | 0:04:37 | |
and David the opportunity to indulge their other hobbies. | 0:04:37 | 0:04:40 | |
I think that we'll be out walking and enjoying the countryside | 0:04:40 | 0:04:44 | |
a lot more than we were able to in Canterbury. | 0:04:44 | 0:04:47 | |
Yes, definitely. That would be nice. | 0:04:47 | 0:04:49 | |
Our buyers have mentioned Marlborough | 0:04:52 | 0:04:54 | |
as a town they'd like to be close to, | 0:04:54 | 0:04:56 | |
so we are concentrating our search with that in mind. | 0:04:56 | 0:04:59 | |
I'm meeting up with them in the attractive village of All Cannings, | 0:04:59 | 0:05:03 | |
around ten miles from Marlborough itself. | 0:05:03 | 0:05:05 | |
-Well, David and Jackie, welcome to Wiltshire. -Well, thank you. | 0:05:07 | 0:05:10 | |
-Very exciting to us. -It's a big adventure, yes. | 0:05:10 | 0:05:12 | |
It is a big adventure. Well, it's a big county to explore, too. | 0:05:12 | 0:05:15 | |
This is the village of All Cannings. Have you ever been here before? | 0:05:15 | 0:05:18 | |
-We haven't been here before, no. -No. | 0:05:18 | 0:05:21 | |
But, very excitingly, your search is off to a flying start | 0:05:21 | 0:05:23 | |
because you sold your house in Canterbury in record time. | 0:05:23 | 0:05:26 | |
How long does it take? | 0:05:26 | 0:05:27 | |
Erm... Less than one day, actually. | 0:05:27 | 0:05:30 | |
How many people watching this | 0:05:30 | 0:05:32 | |
are wishing they could sell their house in a day? | 0:05:32 | 0:05:34 | |
-So, the pressure is on to find you something... -Yes. | 0:05:34 | 0:05:37 | |
-..to get this dream under way. -Absolutely. | 0:05:37 | 0:05:39 | |
Now, the budget it has given you is what? | 0:05:39 | 0:05:43 | |
300,000 to 400,000, yeah. | 0:05:43 | 0:05:45 | |
So, would you take on something that needs a bit of work, | 0:05:45 | 0:05:48 | |
then, at the lower end of the 300s? | 0:05:48 | 0:05:51 | |
-Yes. -We...we would love a project, yes. | 0:05:51 | 0:05:53 | |
Well, let's think about the kind of property that you are after. | 0:05:53 | 0:05:56 | |
Just describe it to me. | 0:05:56 | 0:05:58 | |
Probably three bedrooms, a decent kitchen, a garden. | 0:05:58 | 0:06:02 | |
The garden is the most important thing to me. | 0:06:02 | 0:06:05 | |
A garage, if possible. Maybe, an outside workshop. | 0:06:05 | 0:06:10 | |
But you're also very keen on securing somewhere | 0:06:10 | 0:06:13 | |
with a real sense of community about it, aren't you? | 0:06:13 | 0:06:15 | |
Yes. Very important to us to be in a very active type of village, | 0:06:15 | 0:06:20 | |
so that we can be involved with our neighbours, yeah. | 0:06:20 | 0:06:24 | |
Well, here's the thing. | 0:06:24 | 0:06:25 | |
We've got the properties to show you, | 0:06:25 | 0:06:27 | |
but our first one... | 0:06:27 | 0:06:29 | |
is just down the road. | 0:06:29 | 0:06:30 | |
This could be your village green. | 0:06:30 | 0:06:32 | |
-Oh! -It's beautiful. -Yeah? -It's gorgeous, this. | 0:06:32 | 0:06:34 | |
Come and have a look at this. | 0:06:34 | 0:06:36 | |
For a top budget of £400,000, | 0:06:37 | 0:06:40 | |
David and Jackie are seeking a property with character, | 0:06:40 | 0:06:43 | |
three bedrooms and a decent kitchen. | 0:06:43 | 0:06:45 | |
They would happily take on a project | 0:06:45 | 0:06:47 | |
and Jackie is after a garden with a vegetable patch | 0:06:47 | 0:06:50 | |
while David would like a garage or workshop. | 0:06:50 | 0:06:52 | |
They're keen to throw themselves into the local community | 0:06:52 | 0:06:55 | |
and want to be positioned in or close to a dynamic village. | 0:06:55 | 0:06:58 | |
We've uncovered an assortment of wonderful Wiltshire houses | 0:06:59 | 0:07:03 | |
with which to woo our buyers, | 0:07:03 | 0:07:04 | |
but I won't be revealing the price tags until the end of each tour. | 0:07:04 | 0:07:08 | |
Our final offering, the mystery house, is awash with history, | 0:07:08 | 0:07:12 | |
but does come with a big challenge. | 0:07:12 | 0:07:14 | |
So, our first houses in the village of All Cannings. | 0:07:15 | 0:07:18 | |
Lying at the base of the chalky Pewsey Downs, | 0:07:18 | 0:07:21 | |
the award-winning village is centred on the Hall, | 0:07:21 | 0:07:24 | |
which hosts a monthly garden club. | 0:07:24 | 0:07:26 | |
This is what we want to tempt you with - | 0:07:27 | 0:07:29 | |
our first offering in All Cannings. What do you think? | 0:07:29 | 0:07:32 | |
-Oh, it's beautiful. -It's incredible. -Yeah? -It's nice. Yeah. | 0:07:32 | 0:07:35 | |
Now, in terms of its style, | 0:07:35 | 0:07:36 | |
it's built in 1912, very much in the Edwardian mode, I would suggest. | 0:07:36 | 0:07:40 | |
Now, you don't get all of it. | 0:07:40 | 0:07:42 | |
You get this bit with the blue door. | 0:07:42 | 0:07:45 | |
-Now, in terms of workshop space, David, a garage here. -Uh-huh. | 0:07:45 | 0:07:48 | |
-Yeah. -It's probably got your plans written all over it. | 0:07:48 | 0:07:51 | |
I saw that first. | 0:07:51 | 0:07:53 | |
To give you an idea of just how popular this village is, | 0:07:53 | 0:07:55 | |
this has only just come on the market | 0:07:55 | 0:07:57 | |
and they are considering two offers at the moment. | 0:07:57 | 0:08:00 | |
I think this could be an absolute dream. | 0:08:00 | 0:08:02 | |
-I do too. -It looks very interesting. Yes. -Yeah? -I do. Yes. | 0:08:02 | 0:08:06 | |
-So, let's see what you think of the inside. -OK. -Yeah? | 0:08:06 | 0:08:09 | |
Well, great reactions to the location | 0:08:09 | 0:08:11 | |
and appearance of our first property - | 0:08:11 | 0:08:13 | |
an extended Edwardian semi-detached cottage, | 0:08:13 | 0:08:16 | |
which is packed with character inside. | 0:08:16 | 0:08:18 | |
Well, let's start with the main living area. | 0:08:18 | 0:08:21 | |
-Oh! -There's good space. | 0:08:21 | 0:08:23 | |
I love these high ceilings. I think that really makes it. | 0:08:23 | 0:08:25 | |
And these lovely big windows. | 0:08:25 | 0:08:27 | |
You've got some really lovely features here. | 0:08:27 | 0:08:29 | |
-The parquet floor. -Look at this floor! | 0:08:29 | 0:08:31 | |
Parquet floor. Yeah, that's beautiful. | 0:08:31 | 0:08:33 | |
-This is a really good size. It really is. -So far, I'm impressed. -Yeah. | 0:08:33 | 0:08:37 | |
Good! Well, let's go through to the dining room and the kitchen. | 0:08:37 | 0:08:40 | |
-See what you think of this. Just across the hallway. -OK. | 0:08:40 | 0:08:42 | |
There you go. | 0:08:44 | 0:08:45 | |
Ooh, OK. | 0:08:45 | 0:08:46 | |
-Another great big, tall room, which I love. -Yes. | 0:08:46 | 0:08:49 | |
-It's a good space. -Yeah. -Nice and bright, too. -Yeah. | 0:08:49 | 0:08:51 | |
-And is that a range I see? -It is indeed a range, yeah. | 0:08:51 | 0:08:55 | |
Oil-fired range for you. | 0:08:55 | 0:08:57 | |
Alluding to the kitchen behind this wall. | 0:08:57 | 0:09:00 | |
Now, the wall, itself, is obviously doing a job | 0:09:00 | 0:09:02 | |
in supporting what's above it, | 0:09:02 | 0:09:03 | |
but it wouldn't be a great job to remove that wall | 0:09:03 | 0:09:06 | |
-and give you an enormous kitchen-diner. -Yes. | 0:09:06 | 0:09:10 | |
-Family space. -I think so, yeah. | 0:09:10 | 0:09:12 | |
-Can we... -Absolutely. -..see around the wall? -You get the idea. -Yes. | 0:09:12 | 0:09:16 | |
And then this is the kitchen. | 0:09:16 | 0:09:18 | |
Functional, not massive, but again, you get the idea. | 0:09:18 | 0:09:20 | |
If that wall wasn't there... | 0:09:20 | 0:09:22 | |
-How much...? -We could transform this. | 0:09:22 | 0:09:24 | |
Could be beautiful. | 0:09:24 | 0:09:26 | |
And I might even add a little utility room out there. | 0:09:26 | 0:09:30 | |
But you could also pinch a bit of the garage. | 0:09:30 | 0:09:33 | |
-Of course. -Erm... We'll have to talk about this. | 0:09:33 | 0:09:35 | |
No, you couldn't! No, you couldn't! It's a workshop. | 0:09:35 | 0:09:37 | |
So, we're OK on character and downstairs space | 0:09:40 | 0:09:43 | |
and both David and Jackie can see the potential this property offers. | 0:09:43 | 0:09:48 | |
Upstairs, there's a period-style family bathroom | 0:09:48 | 0:09:50 | |
with roll-top bath, four good-sized bedrooms, | 0:09:50 | 0:09:53 | |
three of which could make excellent guest rooms. | 0:09:53 | 0:09:56 | |
But we're heading to the master. | 0:09:56 | 0:09:59 | |
Oh, this is nice. | 0:09:59 | 0:10:00 | |
I mean, we're calling this the master. | 0:10:00 | 0:10:02 | |
I mean, to be honest, you could sort of take your pick, really, | 0:10:02 | 0:10:05 | |
out of almost any of them. | 0:10:05 | 0:10:07 | |
-But look at the view! Oh, it's beautiful. -Yeah. | 0:10:07 | 0:10:11 | |
I think this is a really good, viable option for you. | 0:10:11 | 0:10:13 | |
It is, of course, going to depend on two things. | 0:10:13 | 0:10:17 | |
One, what you think of the garden and two, what you think it's worth. | 0:10:17 | 0:10:21 | |
-Price, yes. -OK. -Let's go and find some outdoor space. -OK. | 0:10:21 | 0:10:25 | |
So, the house gets a thumbs-up, | 0:10:27 | 0:10:29 | |
but Jackie also wanted a garden she could make her own. | 0:10:29 | 0:10:32 | |
This house gives her a front lawn and a good size, mature garden | 0:10:32 | 0:10:36 | |
at the back of the property with lots of potential. | 0:10:36 | 0:10:39 | |
Oh! | 0:10:39 | 0:10:41 | |
Vegetable patch out there. | 0:10:41 | 0:10:43 | |
That's what they've got at the moment. | 0:10:43 | 0:10:44 | |
You've got these old hurdles here, which are kind of delineating that. | 0:10:44 | 0:10:47 | |
The interesting thing is you also get a chunk of that red building over there. | 0:10:47 | 0:10:51 | |
There is one final question I have to ask you, | 0:10:51 | 0:10:53 | |
and that is, what do you think it's worth? | 0:10:53 | 0:10:56 | |
-I'm thinking about 355. -Yeah. | 0:10:56 | 0:10:59 | |
Erm... | 0:10:59 | 0:11:01 | |
-I'm going to say about 360. -360? | 0:11:01 | 0:11:04 | |
Yeah, I'm going to say about 360. | 0:11:04 | 0:11:06 | |
Well, I think 355, 360 would be fair enough, | 0:11:06 | 0:11:10 | |
but the welcoming news is that this place is on the market | 0:11:10 | 0:11:15 | |
for offers in excess of 3... | 0:11:15 | 0:11:17 | |
25. | 0:11:17 | 0:11:19 | |
-Wow! -Ooh! -Room to improve. -Oh, yeah! | 0:11:19 | 0:11:22 | |
-This one offers you lots to think about. -It sure does. -Yes. | 0:11:22 | 0:11:26 | |
Under their maximum budget by £75,000, | 0:11:28 | 0:11:31 | |
this characterful, semidetached Edwardian property gives our buyers | 0:11:31 | 0:11:35 | |
one more bedroom than they've asked for, | 0:11:35 | 0:11:37 | |
a garage workshop for David | 0:11:37 | 0:11:39 | |
and a garden for Jackie to put her stamp on | 0:11:39 | 0:11:42 | |
and it's situated in the heart of a thriving | 0:11:42 | 0:11:44 | |
and popular Wiltshire village. | 0:11:44 | 0:11:46 | |
Right. Out you come. | 0:11:50 | 0:11:52 | |
-Allow me, madam. There we are. -Thank you. | 0:11:52 | 0:11:54 | |
Well, I think that was rather exciting. | 0:11:54 | 0:11:56 | |
-It really was. -It was very interesting. | 0:11:56 | 0:11:58 | |
-You've really taken to this house and the village. -Yes. | 0:11:58 | 0:12:00 | |
-The village is beautiful. -Hm. | 0:12:00 | 0:12:02 | |
Of the many prehistoric monuments in Wiltshire, | 0:12:10 | 0:12:13 | |
there are none as numerous as the various burial mounds, | 0:12:13 | 0:12:16 | |
which scatter the chalky hills. | 0:12:16 | 0:12:19 | |
One of the best preserved is the West Kennet Long Barrow, | 0:12:19 | 0:12:22 | |
built around 1,000 years before Stonehenge | 0:12:22 | 0:12:25 | |
and which, at one time, contained the remains of up to 50 people. | 0:12:25 | 0:12:28 | |
Mass burial may have fallen out of favour for a while, | 0:12:28 | 0:12:32 | |
but now one Wiltshire farmer is building the first new long barrow | 0:12:32 | 0:12:35 | |
for thousands of years. | 0:12:35 | 0:12:37 | |
I've come to the farm on the Marlborough Downs | 0:12:38 | 0:12:40 | |
to meet owner Tim Daw to find out more about his tomb with a view. | 0:12:40 | 0:12:45 | |
What gave you the idea to create a long barrow | 0:12:47 | 0:12:50 | |
4,000 years after the last one was probably built? | 0:12:50 | 0:12:53 | |
One of those pub conversations. | 0:12:53 | 0:12:55 | |
"Wouldn't it be lovely if we could rebuild something Neolithic | 0:12:55 | 0:12:58 | |
"and somewhere where we could put our remains?" | 0:12:58 | 0:13:00 | |
And what is it about Wiltshire, Tim, | 0:13:00 | 0:13:02 | |
that's left us with this fantastic legacy of prehistoric archaeology? | 0:13:02 | 0:13:06 | |
A lot of the land has not been touched. | 0:13:06 | 0:13:08 | |
A lot of the original downland hasn't been ploughed up | 0:13:08 | 0:13:11 | |
and it's been protected for various reasons. | 0:13:11 | 0:13:13 | |
Well, I can hear the masons in there working away. | 0:13:13 | 0:13:16 | |
-Can we go inside and see where they're up to? -Absolutely. Let's go. | 0:13:16 | 0:13:18 | |
Once finished, the barrow will contain several circular chambers | 0:13:20 | 0:13:23 | |
lined with niches for the storing of pots of ashes. | 0:13:23 | 0:13:26 | |
The chambers are being constructed | 0:13:27 | 0:13:29 | |
using traditional dry stonewalling techniques. | 0:13:29 | 0:13:32 | |
Geraint Davies is the head stonemason. | 0:13:32 | 0:13:36 | |
-Geraint, nice to see you. -Hello there. | 0:13:36 | 0:13:38 | |
How's life in the Neolithic, then? | 0:13:38 | 0:13:40 | |
Quite exciting, yes. Yes, quite exciting. | 0:13:40 | 0:13:42 | |
This is extraordinary. So, this is one of the chambers. | 0:13:42 | 0:13:45 | |
How many are you making here? | 0:13:45 | 0:13:46 | |
We're going to have seven chambers off the central passageway. | 0:13:46 | 0:13:49 | |
This is three down this side, three down that side | 0:13:49 | 0:13:51 | |
and one at the far end, where that little post is over there. | 0:13:51 | 0:13:54 | |
But what have been the real challenges with this? | 0:13:54 | 0:13:56 | |
Erm, well, just to make it work in | 0:13:56 | 0:14:00 | |
naturally bedded stone. | 0:14:00 | 0:14:02 | |
Maybe, it's not exactly the same as what they'd have done, | 0:14:02 | 0:14:06 | |
but it's just nodding to their... | 0:14:06 | 0:14:09 | |
what they had to work with and everything else, really. | 0:14:09 | 0:14:11 | |
And how many people have signed up already | 0:14:11 | 0:14:13 | |
to have their remains interred here? | 0:14:13 | 0:14:15 | |
A couple dozen people have actually bought niches | 0:14:15 | 0:14:18 | |
and are all very, very interested in it. | 0:14:18 | 0:14:20 | |
And where's yours going to be? | 0:14:20 | 0:14:21 | |
I've bagged the one in the far chamber, | 0:14:21 | 0:14:23 | |
which is at the end of the corridor. | 0:14:23 | 0:14:25 | |
So, hopefully, the sun will shine on my niche. | 0:14:25 | 0:14:27 | |
Well, I wish you all the very best of luck. | 0:14:27 | 0:14:29 | |
If it keeps shining like it is now, it'll be a fantastic day | 0:14:29 | 0:14:32 | |
when you're first midwinter occurs here | 0:14:32 | 0:14:34 | |
and the whole thing is finished in, we hope, what, six months or so? | 0:14:34 | 0:14:39 | |
It's thought that most Neolithic barrows were traditionally reserved | 0:14:39 | 0:14:43 | |
for royalty and the social elite. | 0:14:43 | 0:14:45 | |
But Tim's long barrow is open to anyone | 0:14:45 | 0:14:48 | |
and, when full, will house the remains of up to 2,000 people | 0:14:48 | 0:14:51 | |
in this peaceful setting in the heart of the Wiltshire countryside. | 0:14:51 | 0:14:55 | |
For our second property, we're travelling around 30 miles south | 0:14:59 | 0:15:02 | |
to the village of Winterslow in the southern half of the county. | 0:15:02 | 0:15:07 | |
About nine miles from Salisbury, | 0:15:07 | 0:15:09 | |
Winterslow is a substantial village with a population of around 2,000 | 0:15:09 | 0:15:13 | |
that benefits from a range of different housing styles. | 0:15:13 | 0:15:17 | |
House number two is situated on a country lane | 0:15:17 | 0:15:19 | |
on the boundary of the village. | 0:15:19 | 0:15:22 | |
-Oh, wow! -That's property number two. -That's amazing. | 0:15:22 | 0:15:25 | |
Every American's dream. | 0:15:25 | 0:15:26 | |
THEY LAUGH Oh, wow! | 0:15:26 | 0:15:29 | |
This bit is about late 1600s, early 1700s. | 0:15:29 | 0:15:32 | |
That's a newer extension. | 0:15:32 | 0:15:34 | |
I say extension loosely | 0:15:34 | 0:15:35 | |
because really it's doubled the size of the thing. | 0:15:35 | 0:15:37 | |
And that was done in the '70s, but as you can see, | 0:15:37 | 0:15:40 | |
-very sympathetically with another thatched roof. -Beautiful. | 0:15:40 | 0:15:42 | |
I...I don't like yellow houses. | 0:15:42 | 0:15:45 | |
This is...this is gorgeous. | 0:15:45 | 0:15:48 | |
-Paint works, David. -I know. This is gorgeous. | 0:15:48 | 0:15:50 | |
It's only paint. | 0:15:50 | 0:15:52 | |
I have to see inside, yes. | 0:15:52 | 0:15:54 | |
-All right, then. -Oh, good. | 0:15:54 | 0:15:56 | |
Our second property is an altogether different proposition | 0:15:57 | 0:16:01 | |
for David and Jackie as this 300-year-old thatched cottage | 0:16:01 | 0:16:04 | |
is the finished article, having been completely remodelled inside. | 0:16:04 | 0:16:09 | |
Step down into here. We'll start with the dining room. | 0:16:09 | 0:16:12 | |
It's beautiful. Look at that fireplace! | 0:16:12 | 0:16:15 | |
-And you get the idea about the finishing here. -Yeah. | 0:16:15 | 0:16:17 | |
And of course, we are not far from Salisbury, | 0:16:17 | 0:16:19 | |
so, you know, you've got a great, great city on your doorstep. | 0:16:19 | 0:16:22 | |
Oh, yes. I need to see more. | 0:16:22 | 0:16:24 | |
Well, the kitchen is right through here, | 0:16:24 | 0:16:26 | |
-and it sort of pops out through that little bar area. -Oh, OK. | 0:16:26 | 0:16:30 | |
There you are. | 0:16:30 | 0:16:31 | |
-Oh, this is good. -Oh, this is nice. | 0:16:31 | 0:16:33 | |
Ah! There's another fireplace. | 0:16:33 | 0:16:35 | |
-With a fridge in it. -With a fridge. Well, that's OK. | 0:16:35 | 0:16:37 | |
That's OK. Yeah, it's good. | 0:16:37 | 0:16:39 | |
But it's got a nice butler sink. | 0:16:39 | 0:16:41 | |
Good cupboards. They look good. | 0:16:41 | 0:16:43 | |
-It doesn't look like it needs any work at the moment. -No. Not really. | 0:16:43 | 0:16:46 | |
-No. -This is the late 1600s, early 1700s chunk, | 0:16:46 | 0:16:50 | |
but the rest of it is all through there, in the modern extension. | 0:16:50 | 0:16:55 | |
-OK, let's go. -I say modern, you know? It's all relative. | 0:16:55 | 0:16:58 | |
This is your living room. | 0:17:00 | 0:17:02 | |
I wasn't expecting this. | 0:17:02 | 0:17:03 | |
-Oh, this is very pretty. -This is really nice. -Yeah. | 0:17:03 | 0:17:06 | |
Even though it's new, we've got beams here. | 0:17:06 | 0:17:09 | |
Yeah, exactly, I mean, it's well spotted that, | 0:17:09 | 0:17:11 | |
because back in the '70s, not everybody was into using old stuff, | 0:17:11 | 0:17:15 | |
but they've brought that in from somewhere, reclaimed. | 0:17:15 | 0:17:18 | |
And it's really just helped give it a sense of pedigree, | 0:17:18 | 0:17:21 | |
to join the whole property together. | 0:17:21 | 0:17:23 | |
And beautiful view outside both ways, because you're looking at a garden. | 0:17:23 | 0:17:27 | |
We'll get to the garden a bit later, but first, | 0:17:29 | 0:17:31 | |
I want Jackie and David to see the upstairs, | 0:17:31 | 0:17:33 | |
which benefits from that modern extension, | 0:17:33 | 0:17:35 | |
where there are three decent sized bedrooms. | 0:17:35 | 0:17:38 | |
One of the doubles would make a nice guest room | 0:17:38 | 0:17:40 | |
and another is being used as a study. | 0:17:40 | 0:17:43 | |
There's also a large family bathroom. | 0:17:43 | 0:17:45 | |
And the master is back in the older wing of the house. | 0:17:45 | 0:17:48 | |
And then this is yours, we think. | 0:17:50 | 0:17:52 | |
-Oh, this is very nice. -Yeah? -Yeah. | 0:17:52 | 0:17:55 | |
-Very nice. -It's really nice. | 0:17:55 | 0:17:57 | |
Well, we've step back into the late 1600s, early 1700s | 0:17:57 | 0:18:00 | |
at this end of the house. This is the old bit. | 0:18:00 | 0:18:02 | |
So far, there's not much I would really want to change about this one. | 0:18:02 | 0:18:06 | |
So...it's ready-made for us. | 0:18:06 | 0:18:10 | |
-Come on let's finish off in the garden. -See the rest of it, OK. | 0:18:10 | 0:18:12 | |
The only thing that might be a challenge in this property | 0:18:14 | 0:18:17 | |
is the outside space. | 0:18:17 | 0:18:19 | |
Well, Jackie, this is the bit that I've been sort of dreading | 0:18:19 | 0:18:22 | |
because the garden is not as big as we had in property one. | 0:18:22 | 0:18:25 | |
The whole plot probably isn't far off it, | 0:18:25 | 0:18:27 | |
but a lot of it is laid to patio over there. | 0:18:27 | 0:18:30 | |
And of course, you've got the wood store and the workshop. | 0:18:30 | 0:18:33 | |
Right. Yeah. | 0:18:33 | 0:18:34 | |
But what we have identified are the village allotments, | 0:18:34 | 0:18:38 | |
-which are just a couple hundred yards that way. -OK. -Oh! | 0:18:38 | 0:18:42 | |
-And a very vibrant village horticultural society. -Oh! | 0:18:42 | 0:18:46 | |
And we are assured that an allotment would be available shortly. | 0:18:46 | 0:18:51 | |
Oh, that's good. | 0:18:51 | 0:18:52 | |
-So, that's the compromise. -Yeah. -I guess. | 0:18:52 | 0:18:56 | |
So, what do you think property number two is on the market for? | 0:18:56 | 0:19:00 | |
I think it's going to be upper end. | 0:19:00 | 0:19:03 | |
I think it's going to be closer to four. | 0:19:03 | 0:19:06 | |
-David? -Everything is really well done in there. | 0:19:06 | 0:19:09 | |
-I think 425. -425? -Yes. | 0:19:09 | 0:19:13 | |
Wow! | 0:19:13 | 0:19:15 | |
He's right. | 0:19:15 | 0:19:16 | |
THEY LAUGH | 0:19:16 | 0:19:18 | |
That doesn't happen very often. | 0:19:18 | 0:19:20 | |
He is absolutely on the money. | 0:19:20 | 0:19:22 | |
425,000, but they're aware of your budget and they want to sell. | 0:19:22 | 0:19:27 | |
Over budget by £25,000, | 0:19:27 | 0:19:29 | |
the owners of this beautiful thatched cottage are open to offers | 0:19:29 | 0:19:33 | |
and it's the finished article. | 0:19:33 | 0:19:35 | |
The house offers David and Jackie the character they wanted, | 0:19:35 | 0:19:38 | |
three bedrooms and the village location. | 0:19:38 | 0:19:41 | |
And although the garden doesn't have a vegetable plot, | 0:19:41 | 0:19:44 | |
there is a nearby allotment. | 0:19:44 | 0:19:45 | |
So, how are we all feeling then | 0:19:46 | 0:19:48 | |
about our first day of house-hunting? | 0:19:48 | 0:19:51 | |
-Confused. -Really? -Yes. | 0:19:51 | 0:19:53 | |
-I don't think it's fair. -Why? | 0:19:53 | 0:19:56 | |
Because you've shown us two beautiful houses in one day. | 0:19:56 | 0:19:59 | |
That's what you've let yourself in for on Escape To The Country. | 0:19:59 | 0:20:02 | |
Good, well, a bit of confusion is all right. | 0:20:02 | 0:20:04 | |
And we've got one more to come tomorrow, the mystery house. | 0:20:04 | 0:20:07 | |
Ah...I know! I don't think I'm going to sleep tonight. | 0:20:07 | 0:20:09 | |
-Glass of wine will see that right. Come on. -OK. | 0:20:09 | 0:20:12 | |
Yesterday left David and Jackie in a bit of a quandary. | 0:20:15 | 0:20:18 | |
They loved the potential of house number one | 0:20:18 | 0:20:20 | |
and they certainly responded to the fact | 0:20:20 | 0:20:22 | |
that house number two was kind of all done, | 0:20:22 | 0:20:24 | |
but of course, it didn't have that all-important garden. | 0:20:24 | 0:20:28 | |
But one thing, I think, is becoming clear, | 0:20:28 | 0:20:30 | |
they are prepared to pay a bit less for a property | 0:20:30 | 0:20:33 | |
provided they can do some work on it | 0:20:33 | 0:20:35 | |
and make it exactly what they want it to be. | 0:20:35 | 0:20:37 | |
So, that's what we're going with our mystery house. | 0:20:37 | 0:20:39 | |
But when it comes to garden projects, | 0:20:39 | 0:20:41 | |
well, this one really is at the top of the list. | 0:20:41 | 0:20:43 | |
For our final offering, | 0:20:45 | 0:20:47 | |
we're travelling to the village of Teffont in the south of the county. | 0:20:47 | 0:20:50 | |
Four-times winner of the Best Kept Village In Wiltshire Award, | 0:20:51 | 0:20:54 | |
Teffont has a strong sense of community. | 0:20:54 | 0:20:57 | |
There's a gardening club for Jackie as well as an annual village show. | 0:20:57 | 0:21:02 | |
And gardening is the theme of our mystery house. | 0:21:02 | 0:21:04 | |
Jackie wanted to get her hands dirty, | 0:21:04 | 0:21:06 | |
but I'm keen to discover just how far she's willing to go. | 0:21:06 | 0:21:09 | |
Here we are. Our mystery house in the lovely village of Teffont. | 0:21:11 | 0:21:14 | |
-Wow. -Wow. -Oh, that's beautiful! Interesting. -It's very interesting. | 0:21:14 | 0:21:19 | |
-It's really interesting. -Yes. | 0:21:19 | 0:21:21 | |
-I think we've all spotted the windows. -Yes. | 0:21:21 | 0:21:24 | |
And probably some of the work that might need to be done here. | 0:21:24 | 0:21:27 | |
Now, you can probably just also make out above that window, | 0:21:27 | 0:21:31 | |
a little inscription that says 1773, I think. | 0:21:31 | 0:21:35 | |
-So, this is one that does need some work. All right? -OK. | 0:21:35 | 0:21:39 | |
-OK, we're not afraid. -Not least in the garden. | 0:21:39 | 0:21:42 | |
So, I think we're going to break the tradition and start there. | 0:21:42 | 0:21:45 | |
-Brilliant! -Yeah? -I can see a lot of green, so... -Let's go. -OK. | 0:21:45 | 0:21:49 | |
This 18th century period cottage built of local weathered stone | 0:21:49 | 0:21:53 | |
has been extended by the current owner. | 0:21:53 | 0:21:55 | |
The sloping garden is to the rear | 0:21:55 | 0:21:57 | |
and offers an excellent view of the surrounding village. | 0:21:57 | 0:22:00 | |
Just sort of how much of a garden project were you after? | 0:22:00 | 0:22:04 | |
-This is good. -Yeah? -This is good, yeah. | 0:22:04 | 0:22:07 | |
-It goes up really to where those trees are up there. -Really? | 0:22:07 | 0:22:10 | |
-And overlooks the churchyard next-door. -Which is fine by me. | 0:22:10 | 0:22:14 | |
-Yeah. -I like those kind of neighbours. | 0:22:14 | 0:22:16 | |
A lot to do, but I think you'd make it your own. | 0:22:16 | 0:22:19 | |
Me and my fork. | 0:22:19 | 0:22:21 | |
No, we could do it, yeah. | 0:22:22 | 0:22:23 | |
-Let's have a look inside. -OK. | 0:22:23 | 0:22:26 | |
Jackie can't wait to roll up her sleeves, | 0:22:26 | 0:22:28 | |
but first we need to see inside, which is packed with history. | 0:22:28 | 0:22:31 | |
-Come in, come in. -OK. | 0:22:31 | 0:22:33 | |
This is a great point to really assess the layout of it. | 0:22:35 | 0:22:37 | |
And I love this one because I think it really flows | 0:22:37 | 0:22:41 | |
off of this central dining hall, as it were. | 0:22:41 | 0:22:43 | |
The kitchen is up there. Up those steps. | 0:22:43 | 0:22:46 | |
It's got a nice feel to it...when you walk in. | 0:22:46 | 0:22:49 | |
It's a lot better inside than out, yes. | 0:22:49 | 0:22:51 | |
-Do you remember yesterday we talked about the beam in that...? -Yes. | 0:22:51 | 0:22:55 | |
Because this one came from Salisbury Cathedral. | 0:22:55 | 0:22:58 | |
-Really? -Yeah. How about that? -That's incredible, isn't it? | 0:22:58 | 0:23:02 | |
Can we see some more, please? | 0:23:02 | 0:23:03 | |
Yeah, let's have a look in here. This is the living room, | 0:23:03 | 0:23:06 | |
-with a whopping great inglenook fireplace. -Oh! I didn't expect that. | 0:23:06 | 0:23:11 | |
-And another beam. -Yes. | 0:23:11 | 0:23:13 | |
-That's not from the cathedral. -Oh, dear! | 0:23:13 | 0:23:16 | |
I'm starting to notice a pattern. | 0:23:16 | 0:23:18 | |
I think so. Yeah. Yeah, on the roof. | 0:23:18 | 0:23:20 | |
This is offering more opportunity for us | 0:23:20 | 0:23:22 | |
because it has a lot more character. | 0:23:22 | 0:23:24 | |
I'm glad David and Jackie can see the potential of this property. | 0:23:24 | 0:23:27 | |
The possibilities continue in the kitchen at the back of the house, | 0:23:27 | 0:23:31 | |
as there's planning permission already in place | 0:23:31 | 0:23:33 | |
to extend this upwards and outwards into the garden. | 0:23:33 | 0:23:36 | |
On the first floor, there's a family bathroom and three bedrooms. | 0:23:36 | 0:23:40 | |
One of the doubles has a lovely stripped wooden floor. | 0:23:40 | 0:23:43 | |
And there's a smaller single as well as the master. | 0:23:43 | 0:23:47 | |
-Oh, this is a nice room. -Isn't it? | 0:23:47 | 0:23:49 | |
It's a good size. It really is. | 0:23:49 | 0:23:50 | |
-It's great. It's really light. -Yeah! | 0:23:50 | 0:23:52 | |
-A surprisingly high ceiling, actually. -It's beautiful. | 0:23:52 | 0:23:55 | |
-I love the big windows, the ledges, the sills. -Yeah. | 0:23:55 | 0:23:58 | |
So, this is the biggest project of the lot. | 0:23:58 | 0:24:01 | |
But now you've seen the inside, how are you feeling about it? | 0:24:02 | 0:24:06 | |
I really like this place. | 0:24:06 | 0:24:08 | |
-Let's go downstairs and talk about the price, shall we? -Price... Oh! | 0:24:08 | 0:24:11 | |
-OK. -This is going to be really interesting, isn't it? | 0:24:11 | 0:24:14 | |
-Yeah. -It is. -Follow me. | 0:24:14 | 0:24:16 | |
Well, our mystery house has worked its magic again, | 0:24:16 | 0:24:19 | |
but it will require some cash to make those alterations. | 0:24:19 | 0:24:23 | |
So, will there be enough left in the kitty? | 0:24:23 | 0:24:25 | |
So, here we are, then, back where we started. We've explored the garden. | 0:24:25 | 0:24:29 | |
We've shown you what this property has to offer, | 0:24:29 | 0:24:32 | |
but is it one that you would want to take on? | 0:24:32 | 0:24:34 | |
What price is it worth to you two, I wonder? | 0:24:34 | 0:24:37 | |
It has work, but it has potential. And I'm going to guess 310. | 0:24:37 | 0:24:42 | |
-310, yeah, David? -I think I'm going to have to go a little higher. | 0:24:42 | 0:24:45 | |
I think we're looking at around 325 for this. | 0:24:45 | 0:24:48 | |
Well, I think you're in the right territory | 0:24:48 | 0:24:50 | |
because this is on the market for offers around £330,000. | 0:24:50 | 0:24:55 | |
Now, saying that, it's been reduced to that figure, | 0:24:55 | 0:24:57 | |
they're keen to sell and this isn't going to be for everybody. | 0:24:57 | 0:25:00 | |
So, I think, you know, you're in the right area. | 0:25:00 | 0:25:03 | |
-It's a definite, I think. -We are going to look at the maths. | 0:25:03 | 0:25:06 | |
-Do the maths and get creative. -Yes. | 0:25:06 | 0:25:09 | |
Under their top budget by £70,000 | 0:25:09 | 0:25:12 | |
and with the owner also open to offers, | 0:25:12 | 0:25:14 | |
this detached period cottage gives David and Jackie | 0:25:14 | 0:25:17 | |
a character property in the heart of a popular village. | 0:25:17 | 0:25:20 | |
A spacious hallway-cum-dining room, three bedrooms, | 0:25:20 | 0:25:24 | |
a challenging garden project and the chance to put their stamp on a home. | 0:25:24 | 0:25:28 | |
I think this has perhaps put the cat among the pigeons, has it? | 0:25:28 | 0:25:33 | |
It has. | 0:25:33 | 0:25:34 | |
-Lots of food for thought. -Lots of redesigning going on. -Lots of work. | 0:25:34 | 0:25:38 | |
I think it's really exciting, then. That's the key thing. | 0:25:38 | 0:25:41 | |
So, we've given you three options. | 0:25:41 | 0:25:43 | |
Time to make your considerations and your deliberations. | 0:25:43 | 0:25:46 | |
-I'm ready. -Come on then. | 0:25:46 | 0:25:49 | |
Here we are at the end of the process. How are you feeling? | 0:25:53 | 0:25:56 | |
-Tired. -Happy, though. | 0:25:56 | 0:25:59 | |
-Good. Well, let's go with the happy. -OK. | 0:25:59 | 0:26:01 | |
What have you really taken away from it? | 0:26:01 | 0:26:03 | |
We've seen three very, very good houses. | 0:26:03 | 0:26:05 | |
-The last one we think was pretty exciting. -The mystery house? | 0:26:05 | 0:26:09 | |
-The mystery house. -OK. -Yes. | 0:26:09 | 0:26:11 | |
Lots of potential there | 0:26:11 | 0:26:13 | |
and we've spent a lot of time talking about it. | 0:26:13 | 0:26:16 | |
When we got to the mystery house, I was really excited about it. | 0:26:16 | 0:26:19 | |
Now, in many instances, that would have been a very, very hard sell. | 0:26:19 | 0:26:22 | |
-Yes. -You absolutely picked up the ball and ran with it straightaway. | 0:26:22 | 0:26:27 | |
I did because it's a blank canvas to me. | 0:26:27 | 0:26:30 | |
If we do get this house, I plan on making terraces | 0:26:30 | 0:26:35 | |
and doing something with the borders and something with the stone. | 0:26:35 | 0:26:39 | |
Wow! Wow! Really ambitious plans. | 0:26:39 | 0:26:42 | |
Yeah, we could see the potential there. | 0:26:42 | 0:26:45 | |
It sounds like you've bought it. | 0:26:45 | 0:26:47 | |
THEY LAUGH | 0:26:47 | 0:26:49 | |
-But not yet. -No, we have to do our homework on it. | 0:26:49 | 0:26:52 | |
So, are we going to hopefully hear that you might have put an offer in? | 0:26:52 | 0:26:56 | |
-That's quite possible. -Yes. | 0:26:56 | 0:26:57 | |
Erm, because we're probably going to go in | 0:26:57 | 0:27:01 | |
and do some talking to people today. | 0:27:01 | 0:27:03 | |
-Really? -Yes. Yeah. -Well, we better not keep you here any longer. -No. | 0:27:03 | 0:27:07 | |
No, we have work to do. | 0:27:07 | 0:27:10 | |
-And a deal to be struck. -Yeah. -Well, this is very exciting. | 0:27:10 | 0:27:13 | |
Well, it's been a real pleasure, both of you, | 0:27:13 | 0:27:15 | |
having you on Escape To The Country. | 0:27:15 | 0:27:17 | |
We wish you all the very best of luck. | 0:27:17 | 0:27:19 | |
Thank you, Jules, it's been a real pleasure for us, too. It really has. | 0:27:19 | 0:27:23 | |
-It's been fantastic. Thanks a lot. -Here's to you. Best of luck. | 0:27:23 | 0:27:26 | |
Well, throughout this house search, | 0:27:30 | 0:27:31 | |
I don't think David or Jackie have really shied away | 0:27:31 | 0:27:34 | |
from the challenges that they've given us. | 0:27:34 | 0:27:37 | |
Yes, we had a very generous £400,000, | 0:27:37 | 0:27:39 | |
but we were pitching it into a not inexpensive | 0:27:39 | 0:27:43 | |
and very popular local housing market. | 0:27:43 | 0:27:46 | |
But I think they found that in taking the long view | 0:27:46 | 0:27:49 | |
and deciding to renovate by spending that little bit less, | 0:27:49 | 0:27:52 | |
they will ultimately get an awful lot more - | 0:27:52 | 0:27:55 | |
a home they can really make their own. | 0:27:55 | 0:27:58 | |
I'll see you next time. | 0:27:58 | 0:27:59 | |
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