Browse content similar to North Yorkshire. Check below for episodes and series from the same categories and more!
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This stunning stone relic behind me | 0:00:02 | 0:00:03 | |
brought some 12th century French elegance | 0:00:03 | 0:00:05 | |
to the wild and windswept landscape of medieval England. | 0:00:05 | 0:00:09 | |
But where in the country am I? | 0:00:09 | 0:00:11 | |
We'll find out in just a moment. | 0:00:11 | 0:00:13 | |
Today's house-hunting couple are history lovers | 0:00:31 | 0:00:33 | |
who want to put down roots for the future. | 0:00:33 | 0:00:36 | |
And our properties have quite a story to tell... | 0:00:36 | 0:00:39 | |
-Oh, gosh. -It looks incredibly original. | 0:00:39 | 0:00:42 | |
..giving them lots of ideas! | 0:00:42 | 0:00:45 | |
That was like pressing a switch! | 0:00:45 | 0:00:47 | |
Did you see her face? | 0:00:47 | 0:00:49 | |
In which direction - up or down?! | 0:00:49 | 0:00:51 | |
Today I'm in North Yorkshire | 0:00:52 | 0:00:54 | |
and these are the ruins of Rievaulx Abbey | 0:00:54 | 0:00:57 | |
in the stunning North York Moors. | 0:00:57 | 0:00:59 | |
Built by Cistercian monks, | 0:00:59 | 0:01:01 | |
construction of the abbey started in the early 1100s | 0:01:01 | 0:01:05 | |
and it went on to become one of the wealthiest monasteries | 0:01:05 | 0:01:08 | |
in all of medieval England. | 0:01:08 | 0:01:10 | |
This setting is timeless, | 0:01:12 | 0:01:15 | |
for the moors have always been a highly desirable place | 0:01:15 | 0:01:18 | |
to set down roots, | 0:01:18 | 0:01:20 | |
as they were over 1,000 years ago. | 0:01:20 | 0:01:22 | |
The largest county in England, | 0:01:26 | 0:01:28 | |
North Yorkshire covers over 3,000 square miles | 0:01:28 | 0:01:31 | |
and is one of the most rural in the country. | 0:01:31 | 0:01:34 | |
The region boasts two national parks, | 0:01:34 | 0:01:36 | |
the Yorkshire Dales in the west, | 0:01:36 | 0:01:38 | |
and the rugged, windswept North York Moors - | 0:01:38 | 0:01:41 | |
both have inspired authors and artists throughout the ages. | 0:01:41 | 0:01:45 | |
On the edge of the Moors National Park, | 0:01:45 | 0:01:47 | |
the vista from Sutton Bank overlooking the Vale of Mowbray | 0:01:47 | 0:01:51 | |
has been described by author and vet James Herriot | 0:01:51 | 0:01:54 | |
as "England's finest view". | 0:01:54 | 0:01:56 | |
North Yorkshire has its fair share of historic towns and villages. | 0:01:56 | 0:01:59 | |
The market town of Helmsley received its charter in the 12th century | 0:01:59 | 0:02:04 | |
and today the streets retain much of that medieval feel. | 0:02:04 | 0:02:08 | |
This idyllic county is perhaps more affordable than you may think, | 0:02:10 | 0:02:15 | |
as prices here reflect the national average | 0:02:15 | 0:02:18 | |
and come in around £267,000 for a detached home. | 0:02:18 | 0:02:23 | |
But if you want to get your hands on a slice of the dales | 0:02:23 | 0:02:26 | |
or the North York Moors, | 0:02:26 | 0:02:28 | |
then expect to pay a premium of up to 20% | 0:02:28 | 0:02:31 | |
for a house within the boundaries of the national park. | 0:02:31 | 0:02:35 | |
Although with views like this, you could argue | 0:02:35 | 0:02:37 | |
that they're worth every penny. | 0:02:37 | 0:02:39 | |
And that's why today's buyers have set their sights | 0:02:39 | 0:02:42 | |
on finding a home here. | 0:02:42 | 0:02:44 | |
University lecturer Hugh and carer Ruth | 0:02:46 | 0:02:49 | |
met through an internet dating site almost two years ago. | 0:02:49 | 0:02:52 | |
At the moment they both live separately - | 0:02:52 | 0:02:54 | |
Hugh in the town of Kirkby Lonsdale in Cumbria, | 0:02:54 | 0:02:57 | |
and Ruth in a semidetached property | 0:02:57 | 0:02:59 | |
on the outskirts of the city of York. | 0:02:59 | 0:03:01 | |
But tiring of the 75-mile journey that separates them, | 0:03:03 | 0:03:06 | |
they're ready to take the plunge | 0:03:06 | 0:03:09 | |
and buy their first shared house together. | 0:03:09 | 0:03:11 | |
But it isn't just Hugh and Ruth to consider. | 0:03:11 | 0:03:13 | |
Between us... Well, I have six children | 0:03:13 | 0:03:16 | |
and Hugh has three children. | 0:03:16 | 0:03:18 | |
We're not sure how many of our children | 0:03:18 | 0:03:20 | |
will actually be living with us, | 0:03:20 | 0:03:22 | |
but it could be at least three or four. | 0:03:22 | 0:03:27 | |
Before they met, Hugh had been widowed for eight years, | 0:03:27 | 0:03:30 | |
and Ruth was bringing up her children on her own. | 0:03:30 | 0:03:32 | |
The two single parents quickly realised they had a lot in common, | 0:03:32 | 0:03:36 | |
not least a love of the countryside. | 0:03:36 | 0:03:38 | |
I really like being out in the open. | 0:03:40 | 0:03:43 | |
I love, particularly, hills. | 0:03:43 | 0:03:45 | |
And I love climbing and walking. | 0:03:47 | 0:03:48 | |
You love keeping animals, don't you? | 0:03:48 | 0:03:51 | |
And chickens. | 0:03:51 | 0:03:53 | |
And so, open space, green space, trees... | 0:03:53 | 0:03:56 | |
And their decision to move to North Yorkshire | 0:03:56 | 0:03:59 | |
is the perfect compromise. | 0:03:59 | 0:04:01 | |
To me, as a Yorkshire lass... | 0:04:02 | 0:04:05 | |
there's no finer county than Yorkshire. | 0:04:05 | 0:04:08 | |
We've decided we need to live within an hour of York, | 0:04:08 | 0:04:11 | |
and so the only viable option is the North York Moors. | 0:04:11 | 0:04:16 | |
As well as an affection for all things rural, | 0:04:19 | 0:04:22 | |
Hugh and Ruth share a love of the past | 0:04:22 | 0:04:24 | |
and between them have amassed a sizeable collection | 0:04:24 | 0:04:26 | |
of historical artefacts, and now they have ambitions | 0:04:26 | 0:04:30 | |
to turn their passion into an income generator. | 0:04:30 | 0:04:32 | |
We want to have a business based | 0:04:32 | 0:04:35 | |
on those artefacts, | 0:04:35 | 0:04:36 | |
where people come in to the museum | 0:04:36 | 0:04:38 | |
and they take part in activities which are related to history. | 0:04:38 | 0:04:43 | |
But, just what form this heritage business might take | 0:04:43 | 0:04:46 | |
will depend on the kind of property we're able to find them. | 0:04:46 | 0:04:50 | |
It could be that we run history weekends. | 0:04:50 | 0:04:52 | |
It could be that it suits more sort of, erm, tearoom... | 0:04:52 | 0:04:56 | |
With plans to marry soon and a new home and business on the horizon, | 0:04:57 | 0:05:01 | |
our quirky couple are excited about their next chapter. | 0:05:01 | 0:05:04 | |
This is the beginning of a new life for us, isn't it? | 0:05:04 | 0:05:07 | |
-For both of us. -It's very exciting. | 0:05:07 | 0:05:10 | |
Hugh and Ruth would like to be in or close to | 0:05:10 | 0:05:12 | |
the North York Moors National Park, | 0:05:12 | 0:05:15 | |
but within an hour's drive of York for Ruth's work | 0:05:15 | 0:05:17 | |
and for visiting her elderly mother. | 0:05:17 | 0:05:20 | |
So we're concentrating our search with that travel time in mind. | 0:05:20 | 0:05:23 | |
I met up with our couple in God's own country | 0:05:23 | 0:05:26 | |
to discuss the detail of their proposed move. | 0:05:26 | 0:05:28 | |
Hugh and Ruth, welcome to the North York Moors. | 0:05:29 | 0:05:32 | |
Tell me, why do you want to buy a house in this part of the county? | 0:05:32 | 0:05:36 | |
I can't think of anywhere I'd rather live, really. | 0:05:36 | 0:05:39 | |
But it's not just the two of you, with this move. | 0:05:39 | 0:05:42 | |
How many people are in this family? | 0:05:42 | 0:05:44 | |
Nine children between us. | 0:05:44 | 0:05:46 | |
So we're looking after... We've got to think of 11 people. | 0:05:46 | 0:05:49 | |
-Yeah. -Because you've got all these wonderful business ideas | 0:05:49 | 0:05:51 | |
going round, I'm taking there's going to be a degree of flexibility. | 0:05:51 | 0:05:54 | |
You're going to be looking at perhaps finished houses, | 0:05:54 | 0:05:57 | |
but also houses with potential to adapt it for what you're after? | 0:05:57 | 0:06:00 | |
-The word potential is a very good word for us. -Mm. | 0:06:00 | 0:06:03 | |
We'd like to excavate, uncover, develop, | 0:06:03 | 0:06:08 | |
-rebuild... -So, we don't want a new-build? | 0:06:08 | 0:06:11 | |
No. | 0:06:11 | 0:06:12 | |
Probably wanting a house with lots of character and charm. | 0:06:12 | 0:06:15 | |
-Yes! -Potential is the big word. The P-word. -Yeah. | 0:06:15 | 0:06:18 | |
-A castle? -That would do nicely! | 0:06:18 | 0:06:21 | |
OK, then. Remind me again of your budget, please, you two...?! | 0:06:21 | 0:06:25 | |
Erm... | 0:06:25 | 0:06:26 | |
580,000, thereabouts. | 0:06:26 | 0:06:29 | |
-OK. -A bit of flexibility. | 0:06:29 | 0:06:31 | |
We're a bit flexible either way. | 0:06:31 | 0:06:33 | |
Am I going to find you a castle within the national park | 0:06:33 | 0:06:36 | |
-for that amount of money? -We can live in hope. | 0:06:36 | 0:06:39 | |
You're meant to say "no"! | 0:06:39 | 0:06:41 | |
Follow me, and we'll get started. | 0:06:42 | 0:06:45 | |
Hugh and Ruth have a maximum budget of £580,000 | 0:06:45 | 0:06:49 | |
but, ideally, they'd like to spend much less, | 0:06:49 | 0:06:51 | |
leaving room to make improvements | 0:06:51 | 0:06:53 | |
and to fund the business. | 0:06:53 | 0:06:55 | |
They'd like at least three bedrooms, | 0:06:55 | 0:06:57 | |
preferably with the potential to extend to give them space | 0:06:57 | 0:07:00 | |
for their older children to stay during the holidays. | 0:07:00 | 0:07:03 | |
For Ruth, outside space is important to accommodate chickens | 0:07:03 | 0:07:06 | |
and her smallholding ambitions. | 0:07:06 | 0:07:08 | |
And, finally, the two history fans | 0:07:08 | 0:07:11 | |
would like an older property with character. | 0:07:11 | 0:07:14 | |
We've selected three distinctive | 0:07:14 | 0:07:16 | |
vintage properties for them to view | 0:07:16 | 0:07:18 | |
which will indulge Hugh and Ruth's love of history. | 0:07:18 | 0:07:20 | |
Each offers plenty of options | 0:07:20 | 0:07:22 | |
to develop the home and business. | 0:07:22 | 0:07:24 | |
The final property, | 0:07:24 | 0:07:26 | |
the Mystery House, | 0:07:26 | 0:07:28 | |
could provide the ticket to a brighter future. | 0:07:28 | 0:07:30 | |
Our first house is in the village of Appleton Le Moors, | 0:07:35 | 0:07:38 | |
just within the North York Moors National Park. | 0:07:38 | 0:07:42 | |
The village has a thriving community and social scene, | 0:07:42 | 0:07:45 | |
centred on a well-regarded pub and village hall. | 0:07:45 | 0:07:47 | |
So we're starting off actually IN the national park - | 0:07:50 | 0:07:53 | |
we've just crossed the boundary, | 0:07:53 | 0:07:55 | |
this will be the first village as you go across - | 0:07:55 | 0:07:57 | |
to bring you house number one. | 0:07:57 | 0:08:00 | |
Gosh, it's unusual. | 0:08:00 | 0:08:01 | |
It's like a coaching building. | 0:08:01 | 0:08:03 | |
Well, I think you're very close. | 0:08:03 | 0:08:05 | |
Because the original building | 0:08:05 | 0:08:07 | |
dates back to around 1750 and it was a stable block. | 0:08:07 | 0:08:10 | |
That's why you have those wonderful | 0:08:10 | 0:08:12 | |
sandstone and limestone arches there. | 0:08:12 | 0:08:15 | |
This is the land. | 0:08:15 | 0:08:17 | |
There aren't acres behind us, | 0:08:17 | 0:08:18 | |
because you've actually got a farm behind and to the side of us. | 0:08:18 | 0:08:21 | |
And I think on that note, we should start looking at the house. | 0:08:21 | 0:08:24 | |
-I'd love to. -Yeah. | 0:08:24 | 0:08:25 | |
This stone-built, arch-windowed stable block | 0:08:25 | 0:08:29 | |
has been extended to the left-hand side. | 0:08:29 | 0:08:31 | |
The property has an unusual layout, | 0:08:31 | 0:08:33 | |
but scope to provide accommodation for a themed holiday business. | 0:08:33 | 0:08:37 | |
It's quite an unusual start with our first property. | 0:08:37 | 0:08:41 | |
I've brought you through the kitchen-dining area, | 0:08:41 | 0:08:43 | |
because this side of the property | 0:08:43 | 0:08:45 | |
is holiday-let potential. | 0:08:45 | 0:08:48 | |
-Right, OK. -Yeah, yeah. | 0:08:48 | 0:08:49 | |
There's also, next-door, a sitting room, if you wanted that. | 0:08:49 | 0:08:52 | |
Or you could make that another bedroom. | 0:08:52 | 0:08:54 | |
-Yes. -So you've got potential. | 0:08:54 | 0:08:57 | |
And the remainder of the house, where Hugh and Ruth would live, | 0:08:57 | 0:09:00 | |
is back through the small kitchen | 0:09:00 | 0:09:02 | |
and the sitting room looking out to the front. | 0:09:02 | 0:09:04 | |
So I'm going to call this part "your house", | 0:09:04 | 0:09:07 | |
because we know that could be the business. | 0:09:07 | 0:09:09 | |
This is lovely, light and spacious. | 0:09:09 | 0:09:12 | |
I like the fireplace. | 0:09:12 | 0:09:13 | |
-You've got to have a burner, haven't you? -Mm... -You have. | 0:09:13 | 0:09:16 | |
Still more to show you. | 0:09:16 | 0:09:18 | |
A slightly larger kitchen than the other one. | 0:09:20 | 0:09:23 | |
-You can sit in here. -Not too bad. | 0:09:23 | 0:09:25 | |
I'm not sure that we'd get our big table in here. | 0:09:25 | 0:09:29 | |
If Ruth is worried about the lack of kitchen space, | 0:09:29 | 0:09:32 | |
there is a generous utility room | 0:09:32 | 0:09:35 | |
which could be knocked through to, | 0:09:35 | 0:09:36 | |
along with a family bathroom on the ground floor. | 0:09:36 | 0:09:39 | |
But we're heading upstairs to find, | 0:09:39 | 0:09:41 | |
once again, an unusual layout of rooms. | 0:09:41 | 0:09:45 | |
There's a mezzanine bedroom above the kitchen and, beyond that, | 0:09:45 | 0:09:47 | |
a loft bedroom with restricted headroom. | 0:09:47 | 0:09:50 | |
The master is accessed via the mezzanine bedroom. | 0:09:50 | 0:09:54 | |
So, in a way, this is the modern part of the property. | 0:09:55 | 0:09:58 | |
-Right. -Quite small. | 0:09:58 | 0:10:00 | |
It is. Now, they did have permission to take it | 0:10:00 | 0:10:03 | |
to the boundary edge. | 0:10:03 | 0:10:04 | |
I would extend out. | 0:10:04 | 0:10:06 | |
I'd reapply for that permission. | 0:10:06 | 0:10:08 | |
You could do quite a lot with that end of the house, I think. | 0:10:08 | 0:10:11 | |
Yeah. | 0:10:11 | 0:10:12 | |
So, Hugh and Ruth could create a double-storey extension | 0:10:12 | 0:10:15 | |
up to the fence, offering, subject to planning permission, | 0:10:15 | 0:10:18 | |
a larger master and further bedroom accommodation below. | 0:10:18 | 0:10:22 | |
The house sits in a quarter of an acre of land. | 0:10:22 | 0:10:24 | |
There's a substantial garden | 0:10:24 | 0:10:26 | |
at the front of the property, offering space to keep chickens, | 0:10:26 | 0:10:29 | |
along with a large garage workshop. | 0:10:29 | 0:10:32 | |
But Hugh and Ruth are keeping their cards close to their chest, | 0:10:32 | 0:10:35 | |
and I'm keen to see what they really think | 0:10:35 | 0:10:38 | |
of this converted stable block. | 0:10:38 | 0:10:40 | |
Very interesting. There's a lot of features in there. | 0:10:40 | 0:10:43 | |
There's a lot more work that could be done on it. | 0:10:43 | 0:10:45 | |
-I do like it. -Yeah, I like it. | 0:10:45 | 0:10:48 | |
I'm not sure it's big enough. | 0:10:48 | 0:10:51 | |
Well, shall we see if you've any money left over in the pot | 0:10:51 | 0:10:54 | |
to perhaps make it perfect for you? | 0:10:54 | 0:10:56 | |
Shall we see? Who wants to go first? | 0:10:58 | 0:10:59 | |
-I'm going to ask you. -I hate this part. | 0:10:59 | 0:11:02 | |
Got to put a price on this property. | 0:11:02 | 0:11:04 | |
I think around about... | 0:11:04 | 0:11:07 | |
400,000. | 0:11:07 | 0:11:08 | |
I think, because of where it is... | 0:11:08 | 0:11:11 | |
In the national park. | 0:11:11 | 0:11:12 | |
..in the national park and in a village...five. | 0:11:12 | 0:11:15 | |
500. | 0:11:15 | 0:11:17 | |
The asking price is... | 0:11:17 | 0:11:20 | |
£360,000. | 0:11:20 | 0:11:22 | |
-Wow. -Gosh. | 0:11:22 | 0:11:24 | |
A lot less than what I thought. | 0:11:24 | 0:11:26 | |
-Well, we could build a separate museum. -Yeah. There you go. | 0:11:26 | 0:11:29 | |
I want you to start thinking about this, cos you haven't decided | 0:11:29 | 0:11:32 | |
-exactly what the business is going to be. -No. | 0:11:32 | 0:11:35 | |
Our first property comes in under budget, | 0:11:35 | 0:11:37 | |
giving Hugh and Ruth over £200,000 | 0:11:37 | 0:11:40 | |
left over to develop the house | 0:11:40 | 0:11:42 | |
and historical holiday business. | 0:11:42 | 0:11:44 | |
It's a former 18th century stable block, | 0:11:44 | 0:11:47 | |
offering a separate holiday let, | 0:11:47 | 0:11:49 | |
four potential bedrooms, | 0:11:49 | 0:11:50 | |
but it lacks the land for Ruth's smallholding plans. | 0:11:50 | 0:11:53 | |
Oh, you've finished. You've seen enough. | 0:11:55 | 0:11:58 | |
Have we got close? That's my question. | 0:11:58 | 0:12:00 | |
Mm... | 0:12:00 | 0:12:01 | |
-Interesting. -Yeah? | 0:12:01 | 0:12:03 | |
-Yeah. -Good idea. | 0:12:03 | 0:12:04 | |
It's nice. I'm not sure about the lack of land. | 0:12:04 | 0:12:07 | |
No. You're being polite now, aren't you? | 0:12:07 | 0:12:10 | |
You're disappointed. | 0:12:10 | 0:12:11 | |
Well, let's see how I get on with the next house with you two. | 0:12:11 | 0:12:14 | |
Right. | 0:12:14 | 0:12:15 | |
The county's two national parks | 0:12:22 | 0:12:24 | |
offer up some of our most treasured scenery, | 0:12:24 | 0:12:26 | |
and every year over six million visitors | 0:12:26 | 0:12:30 | |
are attracted to the North York Moors National Park. | 0:12:30 | 0:12:33 | |
But the vital skills and rural crafts required | 0:12:34 | 0:12:37 | |
to maintain these cherished landscapes are under threat, | 0:12:37 | 0:12:40 | |
as there's a shortage of new blood ready to take up the reins. | 0:12:40 | 0:12:43 | |
In 2002, the Moors Park Authority | 0:12:45 | 0:12:48 | |
began a unique apprenticeship scheme | 0:12:48 | 0:12:50 | |
to train the park rangers and farmers of the future. | 0:12:50 | 0:12:53 | |
I've come to Sutton Bank to meet some of them. | 0:12:53 | 0:12:56 | |
The supervisor is Steve Young. | 0:12:56 | 0:12:58 | |
Steve, good to meet you. | 0:12:58 | 0:13:00 | |
You've brought me to the most spectacular part of the world. | 0:13:00 | 0:13:03 | |
Beautiful, isn't it? Yeah. | 0:13:03 | 0:13:04 | |
So what sort of apprentices do you have? | 0:13:04 | 0:13:07 | |
We were running out of people with the traditional skills we needed. | 0:13:07 | 0:13:09 | |
We need dry stone walls, we need fences, | 0:13:09 | 0:13:12 | |
we need people who can look after habitats, | 0:13:12 | 0:13:13 | |
and we were struggling to find them. | 0:13:13 | 0:13:15 | |
So what we decided was, in 2002, | 0:13:15 | 0:13:17 | |
let's train our own. | 0:13:17 | 0:13:18 | |
The course is open to 16 to 24-year-olds | 0:13:20 | 0:13:22 | |
and runs for 15 months. | 0:13:22 | 0:13:25 | |
There are currently between 5 and 14 apprentices on the scheme | 0:13:25 | 0:13:28 | |
who make up a seventh of the authority's total workforce. | 0:13:28 | 0:13:31 | |
This group of apprentices is working on building a bike trail | 0:13:33 | 0:13:36 | |
on the top of Sutton Bank, | 0:13:36 | 0:13:38 | |
using a limestone aggregate | 0:13:38 | 0:13:40 | |
in keeping with the natural environment. | 0:13:40 | 0:13:42 | |
-Hi, guys. -Hi. | 0:13:44 | 0:13:46 | |
Here's some of our current apprentices - we've got Harry, | 0:13:46 | 0:13:48 | |
Calum, Annabel and Laura. | 0:13:48 | 0:13:50 | |
So what are your dreams, your aspirations | 0:13:50 | 0:13:51 | |
when you finish this course? | 0:13:51 | 0:13:53 | |
Staying in this sort of work is something I want to do. | 0:13:53 | 0:13:55 | |
Erm... Whether it will be working for the parks or with someone else, | 0:13:55 | 0:13:59 | |
I'm not sure yet. | 0:13:59 | 0:14:01 | |
And, Laura, what about you? | 0:14:01 | 0:14:02 | |
-I want to farm. -Do you? | 0:14:02 | 0:14:04 | |
What's the best part of being an apprentice? | 0:14:04 | 0:14:07 | |
The best part of the job? | 0:14:07 | 0:14:08 | |
-Working as part of a team's quite good. -Is it? -Yeah. | 0:14:08 | 0:14:10 | |
We get to have a laugh and stuff, whilst we're at work. | 0:14:10 | 0:14:13 | |
Well, listen, thank you so much. | 0:14:13 | 0:14:14 | |
I know you haven't got long to qualify, so I hope it all goes well, | 0:14:14 | 0:14:17 | |
and whatever you choose to do afterwards, | 0:14:17 | 0:14:19 | |
that this has been a really good experience. Thanks very much. | 0:14:19 | 0:14:22 | |
-ALL: -Thank you. | 0:14:22 | 0:14:23 | |
For our second offering, it's a short hop to the village of Cropton | 0:14:36 | 0:14:39 | |
which lies on the border of the national park. | 0:14:39 | 0:14:42 | |
Cropton is a quiet settlement dotted with attractive stone cottages. | 0:14:44 | 0:14:47 | |
Although the national park boundary divides the village, | 0:14:47 | 0:14:50 | |
our second property is just outside the park | 0:14:50 | 0:14:53 | |
and therefore not subject to its stringent building regulations. | 0:14:53 | 0:14:58 | |
House two is situated on the high street in the heart of the village | 0:14:58 | 0:15:01 | |
and is another property with a rich heritage. | 0:15:01 | 0:15:04 | |
Ruth, you're looking puzzled. | 0:15:04 | 0:15:07 | |
I'm trying to figure out which it is. Whether it's... | 0:15:07 | 0:15:11 | |
the chapel or the house. | 0:15:11 | 0:15:14 | |
-Which would you like it to be? -The first looked very interesting. | 0:15:14 | 0:15:17 | |
Yeah, I'm not sure whether I like the church or the house. | 0:15:17 | 0:15:21 | |
-What if I told you they actually come together? -Wow. -Gosh, yeah. | 0:15:21 | 0:15:27 | |
-This is the old schoolhouse. -So, that is a school? -Ah! | 0:15:27 | 0:15:32 | |
-Not a chapel. -It does look like a church or a chapel. | 0:15:32 | 0:15:35 | |
Both of them built around the mid-19th century. | 0:15:35 | 0:15:37 | |
That's why they're so close together. | 0:15:37 | 0:15:40 | |
Right, let's start with the school, then. | 0:15:40 | 0:15:42 | |
Cropton's former village school dates back to 1874 | 0:15:42 | 0:15:46 | |
and retains many original features, including an arched mullion window. | 0:15:46 | 0:15:50 | |
It's in need of restoration but this building could make | 0:15:50 | 0:15:53 | |
an excellent venue for Hugh and Ruth's planned business. | 0:15:53 | 0:15:57 | |
So, I can see you're itching to get in here. | 0:15:58 | 0:16:01 | |
Wow. | 0:16:03 | 0:16:04 | |
So, you've got a little ante-room in there. | 0:16:04 | 0:16:07 | |
You've got this enormous space to work with. | 0:16:07 | 0:16:11 | |
There's an additional room at the front. You access it to the left. | 0:16:11 | 0:16:14 | |
-Really? -Yeah. -Good gracious me. It looks incredibly original. | 0:16:14 | 0:16:19 | |
-Look at those doors. -I know. Look at the fireplace. | 0:16:19 | 0:16:23 | |
Beautiful renovation project. | 0:16:23 | 0:16:25 | |
Furthermore, planning permission has already been granted to | 0:16:25 | 0:16:29 | |
convert the former classrooms into a residential dwelling | 0:16:29 | 0:16:32 | |
with three bedrooms. | 0:16:32 | 0:16:33 | |
So, Hugh and Ruth could simply begin the renovation project | 0:16:33 | 0:16:36 | |
or apply to change the use of the building to a business. | 0:16:36 | 0:16:40 | |
The schoolhouse is a detached stone and pantile roof building | 0:16:40 | 0:16:43 | |
which has been tastefully modernised in recent years. | 0:16:43 | 0:16:46 | |
So, just off this hallway leads to a sitting room. | 0:16:48 | 0:16:52 | |
Now, you're going to gather straightaway | 0:16:53 | 0:16:56 | |
that this house isn't enormous. | 0:16:56 | 0:16:59 | |
-But what you DO get is wonderful high ceilings. Do you like it? -I do. | 0:16:59 | 0:17:04 | |
-I do, actually. -It's small. -Cosy. -It's pretty perfect. | 0:17:04 | 0:17:08 | |
I'll take "pretty perfect". | 0:17:10 | 0:17:12 | |
The downstairs layout also features a dining room with another | 0:17:12 | 0:17:15 | |
Victorian-style fireplace and a utility room. | 0:17:15 | 0:17:18 | |
So, down this corridor... | 0:17:20 | 0:17:22 | |
..you have your kitchen. | 0:17:23 | 0:17:24 | |
A country kitchen, I think I'm going to call it. | 0:17:24 | 0:17:27 | |
This is...this is fantastic. | 0:17:27 | 0:17:29 | |
Smaller and darker than perhaps I'd like. | 0:17:29 | 0:17:33 | |
What I haven't mentioned is that neither property | 0:17:33 | 0:17:36 | |
is listed. | 0:17:36 | 0:17:38 | |
Ah. | 0:17:38 | 0:17:39 | |
-Conservatory. -Oh, yes! | 0:17:41 | 0:17:43 | |
-Your face... -You could just... -..lit up! | 0:17:44 | 0:17:47 | |
-..extend the kitchen. -Yes, you could push out. | 0:17:47 | 0:17:49 | |
Although planning permission would be needed, there is scope to | 0:17:51 | 0:17:55 | |
extend the schoolhouse as there are no national park restrictions. | 0:17:55 | 0:17:59 | |
Upstairs, the schoolhouse offers up three bedrooms, | 0:17:59 | 0:18:02 | |
two doubles and a good-sized single, | 0:18:02 | 0:18:04 | |
as well as a large family bathroom with freestanding bath. | 0:18:04 | 0:18:09 | |
We're heading to the master, which is at the front of the house. | 0:18:09 | 0:18:12 | |
-Oh, this is nice. -This is the master bedroom. -I like this. | 0:18:13 | 0:18:17 | |
-It looks like a very fine bedroom. -Now, the view is of your school... | 0:18:17 | 0:18:22 | |
..or museum. I'm going to keep calling it the museum now, | 0:18:23 | 0:18:26 | |
-that business idea. -Yeah. | 0:18:26 | 0:18:28 | |
I think the character of the school | 0:18:30 | 0:18:31 | |
and schoolhouse has really captured the hearts of Hugh and Ruth. | 0:18:31 | 0:18:35 | |
Outside, there's a gorgeous walled garden which they could | 0:18:37 | 0:18:40 | |
extend into, and a gated paddock, ideal for grazing livestock. | 0:18:40 | 0:18:44 | |
Come and take a look at your paddock. | 0:18:46 | 0:18:48 | |
A nice, square paddock, with some beautiful old trees. | 0:18:49 | 0:18:53 | |
How much for this second property? | 0:18:53 | 0:18:55 | |
560-570, personally. | 0:18:56 | 0:18:59 | |
-550? -OK. | 0:19:02 | 0:19:04 | |
Asking price... | 0:19:06 | 0:19:08 | |
£498,000. | 0:19:08 | 0:19:11 | |
-Really? -Really. -Wow. | 0:19:11 | 0:19:14 | |
That's good. I like that. | 0:19:14 | 0:19:16 | |
Under budget, our second property is a unique find. | 0:19:16 | 0:19:20 | |
A 19th-century former school and schoolhouse. | 0:19:20 | 0:19:23 | |
The school itself requires renovation | 0:19:23 | 0:19:26 | |
but, with over £80,000 left in their pocket, | 0:19:26 | 0:19:29 | |
it could make an excellent space to develop their business, | 0:19:29 | 0:19:32 | |
or serve as more bedroom accommodation | 0:19:32 | 0:19:34 | |
for the older children when they visit. | 0:19:34 | 0:19:37 | |
The house has three bedrooms and the land includes a large paddock. | 0:19:37 | 0:19:41 | |
Quite exciting. Given us lots of food for thought. | 0:19:41 | 0:19:44 | |
Good, that's what we were hoping for. Happy, Hugh? | 0:19:44 | 0:19:47 | |
I'm very happy, yes. | 0:19:47 | 0:19:49 | |
There is so much here for me to get excited about. | 0:19:49 | 0:19:52 | |
Well, that's brilliant. What a way to end our day. Guess what? | 0:19:52 | 0:19:55 | |
We've got the Mystery House lined up for tomorrow. | 0:19:55 | 0:19:58 | |
This morning, we're going to be showing them our mystery property. | 0:20:01 | 0:20:04 | |
And our two, with their love of the unusual, | 0:20:04 | 0:20:07 | |
are quite difficult to surprise. | 0:20:07 | 0:20:09 | |
But, with this house, I really think we're on the right track. | 0:20:09 | 0:20:12 | |
For our third property, we're heading back into the national park | 0:20:17 | 0:20:20 | |
and to the village of Glaisdale, | 0:20:20 | 0:20:22 | |
which is a journey time of an hour and a quarter back to York. | 0:20:22 | 0:20:25 | |
The hillside village lies on the banks of the River Esk, | 0:20:25 | 0:20:28 | |
and is famous for Beggar's Bridge, | 0:20:28 | 0:20:30 | |
a packhorse river crossing built by Thomas Ferris in 1619. | 0:20:30 | 0:20:35 | |
The village also has a station, | 0:20:35 | 0:20:38 | |
which is on the Middlesbrough to Whitby line with four trains a day. | 0:20:38 | 0:20:42 | |
So, I've brought us to the village of Glaisdale. | 0:20:42 | 0:20:45 | |
Your Mystery House is around here. | 0:20:45 | 0:20:48 | |
-So, how would you both feel living near a train station? -Excited. | 0:20:48 | 0:20:52 | |
-I like trains. -What about you, Hugh? | 0:20:52 | 0:20:54 | |
I had a student house next to the railway line, | 0:20:54 | 0:20:57 | |
-as close as that house behind us. -Really? | 0:20:57 | 0:21:00 | |
-That is the property we've lined up for you to see. -Really? | 0:21:00 | 0:21:04 | |
-That is the Mystery House. -Oh, my goodness. | 0:21:04 | 0:21:08 | |
So, our Mystery House, built in 1867, | 0:21:08 | 0:21:12 | |
was at one time the ticket office | 0:21:12 | 0:21:14 | |
and, upstairs, the stationmaster's quarters. | 0:21:14 | 0:21:17 | |
So, you've seen the Mystery House from one side of the platform. | 0:21:17 | 0:21:21 | |
Let me show it to you from the other. | 0:21:21 | 0:21:23 | |
It is quite a handsome building. | 0:21:23 | 0:21:25 | |
-Yes. -It looks robust, doesn't it? | 0:21:25 | 0:21:26 | |
Well, I think we should start inside, | 0:21:26 | 0:21:29 | |
and then we'll talk about the land afterwards. | 0:21:29 | 0:21:32 | |
I thought our railway themed mystery property would appeal | 0:21:32 | 0:21:35 | |
to our two history buffs, but this property doesn't just offer | 0:21:35 | 0:21:39 | |
Hugh and Ruth an idyllic, if unusual, place to live, | 0:21:39 | 0:21:42 | |
but also the opportunity to take on an up-and-running business. | 0:21:42 | 0:21:46 | |
But, first, let's deal with the living space. | 0:21:46 | 0:21:49 | |
So, let's bring you into the stationmaster's house. | 0:21:49 | 0:21:52 | |
This is where they would have sold the tickets. | 0:21:52 | 0:21:54 | |
But it's been adapted into the family home. | 0:21:54 | 0:21:57 | |
And here's your kitchen, but also a very large dining area. | 0:21:57 | 0:22:02 | |
I like this. | 0:22:02 | 0:22:04 | |
It's a very nice kitchen. | 0:22:04 | 0:22:05 | |
I just want to mention - you can see the conservatory, the owners | 0:22:05 | 0:22:09 | |
have a licence, and they've been serving afternoon tea, lunches. | 0:22:09 | 0:22:14 | |
It's been extremely popular with the walkers, the hikers, | 0:22:14 | 0:22:19 | |
-the tourists. -I can imagine, yes. | 0:22:19 | 0:22:20 | |
As well as the kitchen-diner, | 0:22:20 | 0:22:22 | |
there are two further reception rooms on the ground floor. | 0:22:22 | 0:22:25 | |
-Pleasantly surprised. -Absolutely beautiful room. | 0:22:25 | 0:22:29 | |
Next door, you've got a large study/office. | 0:22:29 | 0:22:33 | |
Now, that originally was a bedroom | 0:22:33 | 0:22:34 | |
but, for business reasons, they've changed it. | 0:22:34 | 0:22:37 | |
You could convert that back into a bedroom if you wanted to. | 0:22:37 | 0:22:40 | |
I think we'd probably have to. | 0:22:40 | 0:22:42 | |
Upstairs has two bedrooms, both doubles, | 0:22:43 | 0:22:46 | |
and converting the downstairs study back to a bedroom | 0:22:46 | 0:22:49 | |
gives Hugh and Ruth the three they requested. | 0:22:49 | 0:22:52 | |
Now, this is where I do have my work cut out for me. | 0:22:54 | 0:22:58 | |
This is the master bedroom. | 0:22:58 | 0:22:59 | |
It's a good size, double aspect, but there's only two bedrooms. | 0:22:59 | 0:23:04 | |
It's not the biggest room I've ever seen. | 0:23:04 | 0:23:06 | |
No, I'm not sure... I might just fit my clothes in here. | 0:23:06 | 0:23:09 | |
I don't think there'd be room for yours. | 0:23:09 | 0:23:11 | |
I'll tell you what you would get here - | 0:23:11 | 0:23:14 | |
if you fancied a lie-in in the morning, | 0:23:14 | 0:23:17 | |
you could see your train going past. | 0:23:17 | 0:23:19 | |
As well as having excellent transport links, | 0:23:20 | 0:23:23 | |
the property could be extended as, despite being in the national park, | 0:23:23 | 0:23:27 | |
there are nearby dwellings with recent additions. | 0:23:27 | 0:23:30 | |
At the rear of the house, | 0:23:30 | 0:23:31 | |
the land extends to around a third of an acre, | 0:23:31 | 0:23:34 | |
offering development potential, | 0:23:34 | 0:23:36 | |
and includes a large vegetable patch and lawn. | 0:23:36 | 0:23:39 | |
I've really picked up that you love this property. | 0:23:39 | 0:23:42 | |
You love the Mystery House, but it's the size, isn't it? | 0:23:42 | 0:23:44 | |
-It's getting the whole family here. -It is a problem. | 0:23:44 | 0:23:48 | |
-We can't... We can't get around it. -Or can you? | 0:23:48 | 0:23:51 | |
How about getting permission | 0:23:51 | 0:23:54 | |
and putting in a railway carriage somewhere in the garden? | 0:23:54 | 0:23:58 | |
All those train enthusiasts, | 0:23:59 | 0:24:01 | |
not only could they come for meals, | 0:24:01 | 0:24:03 | |
but you could actually offer a B&B facility as well. | 0:24:03 | 0:24:08 | |
And when the family came to stay, | 0:24:08 | 0:24:10 | |
they could stay in the railway carriage. | 0:24:10 | 0:24:12 | |
That was like pressing a switch. Did you see her face? | 0:24:12 | 0:24:15 | |
In which direction? Up or down? | 0:24:15 | 0:24:18 | |
Oh, just, like, "Whoa! I like that idea!" | 0:24:18 | 0:24:21 | |
I like that idea, a lot. | 0:24:21 | 0:24:23 | |
I want you to guess the price of the Mystery House, please. | 0:24:23 | 0:24:26 | |
I think around about 500,000 mark. | 0:24:26 | 0:24:29 | |
-450-475. -Asking price is... | 0:24:30 | 0:24:34 | |
..£380,000. | 0:24:35 | 0:24:37 | |
-Right. -Ruth, speak to me. I've got a grin, but speak to me. Come on. | 0:24:39 | 0:24:44 | |
I'm thinking railway carriages. | 0:24:44 | 0:24:46 | |
LAUGHTER | 0:24:46 | 0:24:48 | |
Our final property comes in under budget, | 0:24:48 | 0:24:51 | |
giving Hugh and Ruth £200,000 to extend and develop the business. | 0:24:51 | 0:24:56 | |
The former ticket office and stationmaster's house is | 0:24:56 | 0:24:59 | |
the character property with a sense of history they were after. | 0:24:59 | 0:25:02 | |
It offers them the chance to take on an existing tearoom, | 0:25:02 | 0:25:06 | |
three possible bedrooms and plenty of potential outside. | 0:25:06 | 0:25:10 | |
Well, that's it. | 0:25:10 | 0:25:12 | |
-You've seen all our properties. -Three mystery properties, I think. | 0:25:12 | 0:25:16 | |
They're all unusual, aren't they? But, then, I think | 0:25:16 | 0:25:19 | |
-you're quite an unusual couple. -So we're told. | 0:25:19 | 0:25:22 | |
-You wouldn't be the first person to say that. -We love you for it. | 0:25:22 | 0:25:26 | |
So, we're going to go somewhere quiet, let's have a chat | 0:25:26 | 0:25:28 | |
cos I can't wait to find out what your next move is going to be. | 0:25:28 | 0:25:32 | |
One lovely couple, nine children between them, | 0:25:39 | 0:25:42 | |
and we've shown them three properties. | 0:25:42 | 0:25:44 | |
But have any of them come close? Let's find out. | 0:25:44 | 0:25:47 | |
So, Hugh and Ruth, we started off with an idea that we were | 0:25:50 | 0:25:55 | |
going to find you the perfect property. | 0:25:55 | 0:25:58 | |
-Have we got close? -You've done something very good. | 0:25:58 | 0:26:01 | |
You've come in below budget on every single one, which surprised me. | 0:26:01 | 0:26:05 | |
And you've given us two properties which are very interesting to us. | 0:26:05 | 0:26:11 | |
I think I know which two houses you're referring to | 0:26:11 | 0:26:14 | |
-but, go on, remind me, just in case. -Property two and property three. | 0:26:14 | 0:26:18 | |
So, what is it about those properties | 0:26:18 | 0:26:20 | |
that really appeal to you both? | 0:26:20 | 0:26:22 | |
They've got business potential. | 0:26:22 | 0:26:25 | |
They're both intensely historical. | 0:26:25 | 0:26:28 | |
So, out of the two properties... which do you prefer, Ruth? | 0:26:28 | 0:26:32 | |
Probably second, at the moment, despite my love of trains. | 0:26:32 | 0:26:37 | |
The school is pulling me in more. | 0:26:37 | 0:26:40 | |
I do feel that the family, you keep telling me, are the priority. | 0:26:40 | 0:26:43 | |
So, for me, I would look at that second property | 0:26:43 | 0:26:47 | |
because you can convert the school into additional rooms, | 0:26:47 | 0:26:50 | |
but you're also in a wonderful position, perhaps, | 0:26:50 | 0:26:53 | |
two or three years down the line when they're not coming home quite | 0:26:53 | 0:26:56 | |
so frequently, that you could rent it out or have it to hold events. | 0:26:56 | 0:27:00 | |
And I think that's what's going through our minds, | 0:27:00 | 0:27:02 | |
is this balance of what's going to work out best overall. | 0:27:02 | 0:27:06 | |
Please let us know how you get on, if you put an offer in on either | 0:27:06 | 0:27:09 | |
-of those properties, cos we'd love to hear from you. -We will. | 0:27:09 | 0:27:13 | |
-We will. -I've so enjoyed it, thank you both very much. | 0:27:13 | 0:27:15 | |
-Thank you. -Thank you. | 0:27:15 | 0:27:17 | |
For Hugh and Ruth, this move isn't just about a house. | 0:27:20 | 0:27:24 | |
It's not just about a business. It's a balance between the two. | 0:27:24 | 0:27:28 | |
And I really think our school and schoolhouse | 0:27:28 | 0:27:31 | |
will give them just that. | 0:27:31 | 0:27:33 | |
I hope that next viewing goes really well, and the two families | 0:27:33 | 0:27:37 | |
will finally be together under one roof here in North Yorkshire. | 0:27:37 | 0:27:41 | |
We do wish them all the best for the future. I'll see you next time. | 0:27:41 | 0:27:46 | |
Hugh and Ruth eventually ruled out the Mystery House | 0:27:47 | 0:27:50 | |
because of its distance from York, | 0:27:50 | 0:27:52 | |
but they did go back to see house number two and are just waiting | 0:27:52 | 0:27:55 | |
for a sale on Hugh's house before they can proceed with an offer. | 0:27:55 | 0:27:59 | |
So, fingers crossed. | 0:27:59 | 0:28:01 | |
If you would like to escape to the country | 0:28:01 | 0:28:03 | |
in England, Northern Ireland, Wales or Scotland, | 0:28:03 | 0:28:06 | |
and need our help, please apply online at... | 0:28:06 | 0:28:12 |