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These atmospheric ruins have particular significance for democracy in our country. | 0:00:02 | 0:00:05 | |
Find out where I am and why these old stones mean | 0:00:05 | 0:00:09 | |
so much for Britain in just a moment. | 0:00:09 | 0:00:11 | |
Today, our house-hunting pair are in search of a new rural home | 0:00:29 | 0:00:33 | |
and a new venture to keep them busy in retirement. | 0:00:33 | 0:00:36 | |
-OK! -Wow. | 0:00:36 | 0:00:37 | |
-Very different offering. -Mind-blowing. -It is a totally different offering. -Yeah. | 0:00:39 | 0:00:43 | |
And our property hunt gets rather magical. | 0:00:43 | 0:00:46 | |
You've gone off with the fairies, Martin. | 0:00:46 | 0:00:47 | |
Are you dreaming about waking up here or are you worried about woodworm? | 0:00:47 | 0:00:50 | |
-No, no. -Woodworm! | 0:00:50 | 0:00:52 | |
Today, we're in Shropshire, and this is Acton Burnell. | 0:00:55 | 0:00:57 | |
And these two red sandstone gables are all that | 0:00:57 | 0:01:00 | |
remain of the Parliament Barn, | 0:01:00 | 0:01:03 | |
so called because it was here in the late 13th century that | 0:01:03 | 0:01:06 | |
Edward I called a very special parliament. | 0:01:06 | 0:01:09 | |
It was the first time that the commoners | 0:01:09 | 0:01:12 | |
and the nobility came together to discuss and make decisions. | 0:01:12 | 0:01:15 | |
So, in many ways, although it is a ruin, | 0:01:15 | 0:01:18 | |
the meeting that happened here 700 years ago was a turning point | 0:01:18 | 0:01:22 | |
in British parliamentary history and the birth of the House of Commons. | 0:01:22 | 0:01:26 | |
But the birth of democracy is not the only good thing about Shropshire. | 0:01:26 | 0:01:30 | |
The county of Shropshire sits in the West Midlands and is bordered by | 0:01:32 | 0:01:36 | |
five counties, including Cheshire, Staffordshire and Worcestershire. | 0:01:36 | 0:01:41 | |
One of England's most rural and sparsely populated regions, | 0:01:41 | 0:01:44 | |
it has Britain's longest river, the River Severn, | 0:01:44 | 0:01:47 | |
running through its crop-filled landscape. | 0:01:47 | 0:01:50 | |
The striking Shropshire Hills to the south of the county have been | 0:01:50 | 0:01:54 | |
designated an Area of Outstanding Natural Beauty, with their | 0:01:54 | 0:01:58 | |
rocky hills forming gentle peaks and troughs of beige and green. | 0:01:58 | 0:02:02 | |
Nine miles from the Welsh border, the busy county town of Shrewsbury, | 0:02:03 | 0:02:06 | |
in the centre of the region, features an appealing | 0:02:06 | 0:02:08 | |
display of red brick and stone buildings lining medieval streets. | 0:02:08 | 0:02:13 | |
Its Grade II listed arched viaduct, the English Bridge, | 0:02:13 | 0:02:17 | |
is a splendid feature across the River Severn. | 0:02:17 | 0:02:20 | |
First completed in 1774, the current bridge was | 0:02:20 | 0:02:23 | |
rebuilt in 1926 at a cost of £86,000, using the original masonry. | 0:02:23 | 0:02:29 | |
It was opened the following year by Queen Mary. | 0:02:29 | 0:02:31 | |
With its convenient central location, beautiful scenery | 0:02:33 | 0:02:36 | |
and historic towns and villages, | 0:02:36 | 0:02:38 | |
Shropshire is a region that really does have it all on a plate. | 0:02:38 | 0:02:41 | |
As well as all those wonderful things, | 0:02:44 | 0:02:45 | |
Shropshire also has reasonable house prices. | 0:02:45 | 0:02:48 | |
The average price for a detached property here is £242,000, | 0:02:48 | 0:02:53 | |
which is £30,000 less than the national figure. | 0:02:53 | 0:02:56 | |
And where in other counties prices are creeping up, | 0:02:56 | 0:02:59 | |
here they still stay well below their 2007 peak price. | 0:02:59 | 0:03:04 | |
So what is it that has drawn today's buyers to this lovely county? | 0:03:04 | 0:03:07 | |
Let's meet them and find out. | 0:03:07 | 0:03:09 | |
Retired planning manager Martin and his curtain-maker wife | 0:03:10 | 0:03:13 | |
Jacqueline live in this four-bedroom detached house | 0:03:13 | 0:03:16 | |
in Rufford, west Lancashire, and have been married for 26 years. | 0:03:16 | 0:03:21 | |
When they met 30 years ago, it brightened up their working day. | 0:03:21 | 0:03:24 | |
It was a work relationship, and Jacqueline is going to tell me | 0:03:24 | 0:03:29 | |
she courted her boss, because I was her boss at the time. | 0:03:29 | 0:03:32 | |
But last year, 57-year-old Martin swapped the daily | 0:03:34 | 0:03:37 | |
grind for a more relaxed pace of life. | 0:03:37 | 0:03:39 | |
It's coming up to 16, 16 months now I've been retired. | 0:03:39 | 0:03:43 | |
I must admit, I have found it difficult adjusting to not working. | 0:03:43 | 0:03:46 | |
Throughout my life, I've been a very corporate man. | 0:03:46 | 0:03:49 | |
I've always worked for companies, | 0:03:49 | 0:03:51 | |
and it is quite a challenge doing something for yourself. | 0:03:51 | 0:03:55 | |
I want to fill my time a bit more and I think a project would | 0:03:55 | 0:03:59 | |
really give me something to really get my teeth stuck into. | 0:03:59 | 0:04:02 | |
We're looking at a new adventure together, really. | 0:04:02 | 0:04:05 | |
Possibly looking at running a bed and breakfast. | 0:04:05 | 0:04:07 | |
We're just looking for some extra income as well, plus, you know, | 0:04:07 | 0:04:10 | |
to give us the flexibility of the lifestyle. | 0:04:10 | 0:04:13 | |
And they've got their eye on central England for their country escape. | 0:04:13 | 0:04:16 | |
We're looking to move to Shropshire because we visited it several times, | 0:04:16 | 0:04:21 | |
we love the location. It's very quiet compared to where we live now. | 0:04:21 | 0:04:27 | |
It's not just the peace that's attracting them to the countryside. | 0:04:27 | 0:04:30 | |
Where we live now, it's very, very flat. | 0:04:30 | 0:04:33 | |
I'm a keen cyclist and I'm looking more to the undulating countryside. | 0:04:33 | 0:04:37 | |
Whenever we go to somewhere new, we always... | 0:04:37 | 0:04:39 | |
The first thing I do is send away or pick up cycling leaflets to | 0:04:39 | 0:04:42 | |
look for new routes. | 0:04:42 | 0:04:44 | |
Yeah, we do a lot of cycling holidays as well together | 0:04:44 | 0:04:47 | |
and then we do lots of short breaks within the UK with our bikes as well. | 0:04:47 | 0:04:51 | |
And now their son has left home, | 0:04:51 | 0:04:53 | |
they're free to follow their dreams. | 0:04:53 | 0:04:55 | |
Calvin is 21 this year. | 0:04:55 | 0:04:57 | |
He has decided to stay in Leeds as he graduates this year. | 0:04:57 | 0:05:01 | |
Erm, so, really, | 0:05:01 | 0:05:03 | |
that has been the trigger for us to do something for ourselves. | 0:05:03 | 0:05:06 | |
We just feel like we're ready for the next step in our lives. | 0:05:06 | 0:05:10 | |
And with their house on the market, the time has come to find | 0:05:10 | 0:05:13 | |
a new home that can double up as an exciting new business. | 0:05:13 | 0:05:17 | |
Jacqueline's hoping to offer sewing lessons to the guests and Martin | 0:05:17 | 0:05:21 | |
is sure he has also got the skills to make the B&B a roaring success. | 0:05:21 | 0:05:25 | |
I've always been told I can do a very good poached egg. | 0:05:25 | 0:05:28 | |
Jacqueline and Martin don't want to be too far away from their son | 0:05:35 | 0:05:38 | |
in Leeds, friends in Lancashire and family in South Wales, | 0:05:38 | 0:05:42 | |
so have decided to move somewhere around the Shrewsbury area, | 0:05:42 | 0:05:46 | |
but will consider moving further afield if the house is right. | 0:05:46 | 0:05:50 | |
'And before we kick off our search for a dual-purpose property, | 0:05:50 | 0:05:53 | |
'I am meeting them in the county to make sure | 0:05:53 | 0:05:55 | |
'I know exactly what it is they're looking for.' | 0:05:55 | 0:05:58 | |
Welcome to Shropshire, you two. Thanks for bringing me here. It's a lovely county. | 0:05:58 | 0:06:01 | |
-Thank you. -A glorious day as well. -I know. | 0:06:01 | 0:06:04 | |
And tell me exactly your dream home. | 0:06:04 | 0:06:06 | |
Well, we're looking for a detached house | 0:06:06 | 0:06:08 | |
and we're looking for a property with potential for a bed and breakfast. | 0:06:08 | 0:06:12 | |
-Ahh! -So, about four to five rooms. | 0:06:12 | 0:06:14 | |
Have you done anything like that before? | 0:06:14 | 0:06:17 | |
No, it's a completely new thing. We thought it would suit our lifestyle. | 0:06:17 | 0:06:21 | |
Something that the two of us can be involved in. | 0:06:21 | 0:06:23 | |
And we're also looking for a room for me | 0:06:23 | 0:06:26 | |
-to carry on my sewing business. -Yeah. | 0:06:26 | 0:06:28 | |
What about you, Martin? In terms of the outside, are you a gardener? | 0:06:28 | 0:06:31 | |
I'm becoming more of a gardener now I have more time on my hands, | 0:06:31 | 0:06:33 | |
Alistair. Nothing too large. I don't want it too daunting. | 0:06:33 | 0:06:36 | |
Maybe up to three quarters of an acre. | 0:06:36 | 0:06:38 | |
Do you need to be in a community or do you want to be in the sticks? | 0:06:38 | 0:06:41 | |
We'd like to be near amenities. You know, not too remote. | 0:06:41 | 0:06:45 | |
Not too far away from anywhere. | 0:06:45 | 0:06:47 | |
In terms of the bed and breakfast, are you looking for sort of a... | 0:06:47 | 0:06:50 | |
one of these ones where it is all separate or are you wanting them | 0:06:50 | 0:06:53 | |
to kind of eat with you and live with you? | 0:06:53 | 0:06:55 | |
We are really open on that. | 0:06:55 | 0:06:57 | |
Ideally, it would be nice if it's separate, but if it is | 0:06:57 | 0:07:01 | |
integrated in some way, we're quite happy to work around that, yeah. | 0:07:01 | 0:07:04 | |
Remind me of your budget. How much have we got to play with? | 0:07:04 | 0:07:07 | |
-Our budget is £500,000 and we don't mind doing some work, as well, within that budget. -Great. | 0:07:07 | 0:07:13 | |
-That's a good, healthy budget, here in Shropshire. -Yes, it is. | 0:07:13 | 0:07:15 | |
-Hopefully. -Hopefully, we won't disappoint. | 0:07:15 | 0:07:18 | |
-Let's go and look, cos the houses are ready and waiting. Follow me. -Thank you. | 0:07:18 | 0:07:21 | |
Jacqueline and Martin's budget may be pretty generous for this | 0:07:21 | 0:07:25 | |
part of England, but they are looking for a two-in-one, | 0:07:25 | 0:07:27 | |
which presents a bit more of a challenge. | 0:07:27 | 0:07:30 | |
They want a detached property with four to five bedrooms | 0:07:30 | 0:07:33 | |
so two or three can be part of a new bed and breakfast business. | 0:07:33 | 0:07:37 | |
Jacqueline would also like a room to hold sewing classes | 0:07:37 | 0:07:40 | |
and Martin would love to get stuck into a good-sized garden. | 0:07:40 | 0:07:43 | |
And they'd like to be within arm's reach of local facilities. | 0:07:43 | 0:07:47 | |
To get Jacqueline and Martin one step closer to realising | 0:07:47 | 0:07:50 | |
their dream, we will be taking them to see three contrasting properties. | 0:07:50 | 0:07:54 | |
And once they've toured each one, we'll let them know its cost. | 0:07:54 | 0:07:58 | |
Their final tour will be around the Mystery House, | 0:07:58 | 0:08:01 | |
a property whose exterior hides what lies within and, | 0:08:01 | 0:08:04 | |
after more than 25 years of marriage, | 0:08:04 | 0:08:06 | |
could see our duo taking another trip down the aisle. | 0:08:06 | 0:08:09 | |
Our first property is located near the village of Maesbrook, | 0:08:16 | 0:08:19 | |
just outside the larger village of Knockin. | 0:08:19 | 0:08:22 | |
It's 12 miles north-west of Shrewsbury | 0:08:22 | 0:08:24 | |
and five miles from the Welsh border. | 0:08:24 | 0:08:27 | |
Knockin is a pretty village, much of which was once | 0:08:27 | 0:08:30 | |
owned by the Earl of Bradford, whose family name is still evident. | 0:08:30 | 0:08:34 | |
There are many handsome and historic buildings, | 0:08:34 | 0:08:36 | |
plus the essential amenities to hand, | 0:08:36 | 0:08:39 | |
situated in a striking rural setting. | 0:08:39 | 0:08:42 | |
The beautiful location already attracts visitors wanting to | 0:08:42 | 0:08:45 | |
stay the night and explore the area. | 0:08:45 | 0:08:47 | |
Just under two miles away, back on the outskirts of Maesbrook, | 0:08:47 | 0:08:50 | |
is our first property. | 0:08:50 | 0:08:52 | |
This imposing period house was once a timber-framed hall where | 0:08:52 | 0:08:55 | |
locals lived at one end and their animals at the other. | 0:08:55 | 0:08:58 | |
Come to the lawn and you can see the full splendour of house number one. | 0:08:58 | 0:09:02 | |
-Wow! -Ta-da! | 0:09:03 | 0:09:05 | |
-Fabulous. Looks lovely. -Certainly characterful. | 0:09:05 | 0:09:07 | |
-Isn't it just? -Yes. | 0:09:07 | 0:09:08 | |
And this is a classic. You know, of course, these black-and-white houses all through Shropshire. | 0:09:08 | 0:09:13 | |
-But this is a very historic one. It goes back to 1485. -Oh, my God! | 0:09:13 | 0:09:17 | |
That's history. | 0:09:17 | 0:09:18 | |
A lot of extensions in the 17th century | 0:09:18 | 0:09:20 | |
and in the 20th century again, and then in 2008, completely modernised. | 0:09:20 | 0:09:24 | |
-What do you think? -Beautiful. | 0:09:24 | 0:09:26 | |
-Really nice. -Yes, it's got a hell of a history, hasn't it? | 0:09:26 | 0:09:30 | |
This 15th-century house has seen many changes over the past 500 years | 0:09:31 | 0:09:36 | |
and is a real mix of old meets new. | 0:09:36 | 0:09:39 | |
We're heading to the back door, which would be the guest entrance | 0:09:39 | 0:09:42 | |
if this property became a B&B. | 0:09:42 | 0:09:44 | |
We're starting off in the large open-plan kitchen/diner. | 0:09:44 | 0:09:49 | |
-Come on inside. Now you get an idea of the inside space. -Wow, beautiful. | 0:09:49 | 0:09:54 | |
Very light and airy. | 0:09:54 | 0:09:55 | |
So you can see the periodness. | 0:09:55 | 0:09:57 | |
These are all original beams, probably from the 15th century. | 0:09:57 | 0:10:01 | |
Beautiful. | 0:10:01 | 0:10:03 | |
You've got the kitchen, open-plan kitchen. Light on both sides. | 0:10:03 | 0:10:06 | |
And you've got a little breakfast niche here, and then round there, you've got the dining room. | 0:10:06 | 0:10:10 | |
It is a great area for a bed and breakfast, I think, as well. | 0:10:10 | 0:10:14 | |
What do you think of the facilities? Is this what you were thinking of? | 0:10:14 | 0:10:17 | |
-Yes. -Yes, it is. I just love the open-plan, | 0:10:17 | 0:10:19 | |
the fact that you've got the dining area in the same place. | 0:10:19 | 0:10:22 | |
And also the sitting area, with the wood-burner. It feels homely. | 0:10:22 | 0:10:27 | |
'Moving through a dining room in the middle of the house, | 0:10:27 | 0:10:29 | |
'we find ourselves in a large sitting room.' | 0:10:29 | 0:10:32 | |
-More beams. -A really good size as well. -It is, isn't it? | 0:10:33 | 0:10:37 | |
And this would be also perhaps quite nice as a sort of guest room, | 0:10:37 | 0:10:41 | |
-if you wanted to have a separate room for your... -Yes. | 0:10:41 | 0:10:44 | |
-..for your B&B guests. -That's right, yes. | 0:10:44 | 0:10:46 | |
I like the way they've kept everything so light, you know, | 0:10:46 | 0:10:49 | |
the walls and the colourings, it's just... Even though | 0:10:49 | 0:10:52 | |
you've got the wood panelling in the ceilings, it's light. | 0:10:52 | 0:10:56 | |
Through here, there's a little study room | 0:10:56 | 0:10:58 | |
which has another door out into the garden. | 0:10:58 | 0:11:01 | |
We thought that could be a sewing room. You can explore that later on. | 0:11:01 | 0:11:04 | |
But I want to show you upstairs, because that's where you'd be putting your guests and yourself. | 0:11:04 | 0:11:08 | |
'On the first floor, there are three double bedrooms... | 0:11:10 | 0:11:13 | |
'..a single... | 0:11:14 | 0:11:16 | |
'a family bathroom... | 0:11:16 | 0:11:17 | |
'a shower room... | 0:11:17 | 0:11:19 | |
'and at the front of the house, above the kitchen, | 0:11:19 | 0:11:22 | |
'is the largest of the five bedrooms.' | 0:11:22 | 0:11:24 | |
-This is the master bedroom. -Beautiful. Mm. | 0:11:24 | 0:11:27 | |
-And it has got an en-suite. -It's got an en-suite. -Which is good. | 0:11:27 | 0:11:30 | |
-Martin, what are your thoughts? You've gone all quiet. -No, I just... | 0:11:30 | 0:11:34 | |
I'm amazed at how light and airy it is again upstairs. Love the ceiling. | 0:11:34 | 0:11:38 | |
Mm. And it's nice having the double windows either side. | 0:11:38 | 0:11:42 | |
Plenty of light coming in. | 0:11:42 | 0:11:43 | |
-What's interesting here is you can see this is the cruck construction. You see this big curved beam. -Yeah. | 0:11:43 | 0:11:48 | |
This is what makes the house historically interesting, because it is actually a fork cruck. | 0:11:48 | 0:11:51 | |
So, crucks are when you have the bent oak | 0:11:51 | 0:11:53 | |
and sort of beams that meet in the middle. | 0:11:53 | 0:11:56 | |
-So, quite unusual. -Very good. | 0:11:56 | 0:11:58 | |
You've gone off with the fairies, Martin. | 0:11:59 | 0:12:01 | |
Are you dreaming about waking up here or are you worried about woodworm? | 0:12:01 | 0:12:05 | |
-No, no! -Woodworm! | 0:12:05 | 0:12:07 | |
It's just so peaceful. I think that's what I'm finding. It's just so quiet. | 0:12:08 | 0:12:12 | |
You wanted something nice, light and airy. | 0:12:12 | 0:12:14 | |
You can't beat anything more than this, can you? | 0:12:14 | 0:12:17 | |
'This centuries-old house seems to have taken Jacqueline | 0:12:17 | 0:12:20 | |
'and Martin's breath away and it has real B&B potential. | 0:12:20 | 0:12:24 | |
'Martin is determined to keep busy during his early retirement, | 0:12:24 | 0:12:28 | |
'and if running a guesthouse isn't enough, I think the extensive | 0:12:28 | 0:12:31 | |
'gardens, with mature shrubs and two orchards, would do just that.' | 0:12:31 | 0:12:35 | |
-Beautiful views all over the Shropshire Hills. -Fabulous. | 0:12:37 | 0:12:40 | |
So the garden is a good size. They say three quarters of an acre. | 0:12:40 | 0:12:44 | |
-Right. -Got a big veggie patch over there, lovely kind of... | 0:12:44 | 0:12:47 | |
Oh, look forward to seeing that. | 0:12:47 | 0:12:49 | |
-Double garages here, which could be your sewing studio. -OK. | 0:12:49 | 0:12:52 | |
And then the other side here, | 0:12:52 | 0:12:54 | |
-you've got a separate garden which you could have for your guests. -Mm. | 0:12:54 | 0:12:57 | |
And you can really see the wonderful character of the house. | 0:12:57 | 0:13:00 | |
I think it shows up more from the back than the front, | 0:13:00 | 0:13:02 | |
doesn't it, the character? | 0:13:02 | 0:13:04 | |
What do you think this is on the market for? That's the key issue. | 0:13:04 | 0:13:08 | |
-I'd say 495. -Mm-hm. Martin? | 0:13:08 | 0:13:11 | |
-I'd possibly go 475. -475. | 0:13:11 | 0:13:14 | |
In this instance, Martin, you should listen to your wife. | 0:13:14 | 0:13:16 | |
-Because she is EXACTLY on the money. -Is she? -Really? | 0:13:16 | 0:13:19 | |
-It's on the market for 495. -Oh, really? There you go. | 0:13:19 | 0:13:22 | |
So perhaps if you go back inside, and when you've had a good old | 0:13:22 | 0:13:25 | |
-nosy round, we'll meet at the front and go on to the next house. -OK. | 0:13:25 | 0:13:29 | |
-Thank you. -Head on back in. -OK. | 0:13:29 | 0:13:30 | |
This detached house is full of character | 0:13:32 | 0:13:34 | |
and is on the market just under Jacqueline and Martin's budget. | 0:13:34 | 0:13:37 | |
It would give them £5,000 change. | 0:13:37 | 0:13:40 | |
It's got exactly the number of bedrooms they're after | 0:13:41 | 0:13:44 | |
for themselves and guests, plus a study and a garage with a workshop, | 0:13:44 | 0:13:48 | |
either of which would be perfect for a sewing room for Jacqueline. | 0:13:48 | 0:13:52 | |
The beautiful gardens would be a pleasure to look after | 0:13:52 | 0:13:54 | |
and the property's location is rural but still close to amenities. | 0:13:54 | 0:13:58 | |
I love the house. It is picture-postcard perfect. | 0:14:00 | 0:14:04 | |
The negative points, really, for us would be the upstairs, | 0:14:04 | 0:14:07 | |
from the bed and breakfast point of view. | 0:14:07 | 0:14:10 | |
The rooms are quite small, apart from the main bedroom, | 0:14:10 | 0:14:12 | |
which is very large. | 0:14:12 | 0:14:14 | |
But the four bedrooms, the other four, are quite small, | 0:14:14 | 0:14:17 | |
and I don't see an awful lot of scope to make them bigger or to put en-suites in, | 0:14:17 | 0:14:21 | |
which is what people want these days when they go to a bed and breakfast. | 0:14:21 | 0:14:24 | |
They've created the downstairs into a large open-plan | 0:14:24 | 0:14:28 | |
kitchen-cum-dining area, and it really is spacious. | 0:14:28 | 0:14:33 | |
It was very, very impressive. | 0:14:33 | 0:14:35 | |
And then I was very surprised to be led through | 0:14:36 | 0:14:39 | |
into an equally impressive lounge, which was quite large as well. | 0:14:39 | 0:14:43 | |
So the downstairs area was absolutely...really spot-on. | 0:14:43 | 0:14:48 | |
-OK, guys. Are you all done? -Yes. | 0:14:50 | 0:14:53 | |
Well, even if you're not all done, you'll have to leave, because that's our time over here. | 0:14:53 | 0:14:57 | |
-And we've got another house to visit. -OK. -Great. -Follow me. | 0:14:57 | 0:15:00 | |
Jacqueline and Martin love cycling, | 0:15:10 | 0:15:12 | |
and what better way to appreciate the scenic Shropshire countryside, | 0:15:12 | 0:15:15 | |
with its plentiful river valleys and hills, than on two wheels? | 0:15:15 | 0:15:20 | |
The National Cycle Network has 14,700 miles of cycle routes | 0:15:20 | 0:15:25 | |
which run the length and breadth of Britain, | 0:15:25 | 0:15:27 | |
with one pretty spectacular path winding through this lush county. | 0:15:27 | 0:15:31 | |
Jacqueline and Martin have come to Hampton Loade railway station | 0:15:32 | 0:15:36 | |
near Bridgnorth, which has the bike path running alongside it. | 0:15:36 | 0:15:40 | |
They're meeting local cycle guide Chris Dartnell, who has been | 0:15:40 | 0:15:43 | |
cycling in the area for the past 25 years. | 0:15:43 | 0:15:46 | |
-This is one of the first stops on the Mercian Cycle Way. -OK. | 0:15:46 | 0:15:50 | |
It's route 45, and it goes from here all the way up to Chester. | 0:15:50 | 0:15:54 | |
And it's 200 miles. We're not going to cycle all 200 miles today. | 0:15:54 | 0:15:58 | |
-OK. -Five miles for you. | 0:15:58 | 0:15:59 | |
And the terrain, is it good? | 0:15:59 | 0:16:01 | |
Well, around here there's a really nice family track. | 0:16:01 | 0:16:04 | |
-It runs down to the country park. -Right. -And just past that, | 0:16:04 | 0:16:07 | |
-there's a forest. -OK. -So it suits lots of different people. | 0:16:07 | 0:16:10 | |
Then after this it's more undulating. | 0:16:10 | 0:16:12 | |
-Sounds good. -So it suits everybody. -Excellent. | 0:16:12 | 0:16:14 | |
OK, undulating and not too hilly. | 0:16:14 | 0:16:16 | |
-No, not too hilly! But... -Right. | 0:16:16 | 0:16:19 | |
-But there are hills in it so we better crack on, do you think? -OK. | 0:16:19 | 0:16:22 | |
-OK. -That's fine. -Let's go. | 0:16:22 | 0:16:24 | |
The Mercian Way gets its name | 0:16:25 | 0:16:27 | |
as it meanders through the ancient kingdom of Mercia, | 0:16:27 | 0:16:30 | |
which was once ruled by King Offa, the first king of England, in 757. | 0:16:30 | 0:16:35 | |
The trio are travelling two miles south before their first stop, | 0:16:36 | 0:16:40 | |
the Severn Valley Country Park. | 0:16:40 | 0:16:42 | |
This area used to be prime coal mining territory | 0:16:43 | 0:16:46 | |
until 1969, when mining ceased, | 0:16:46 | 0:16:49 | |
and the park was opened in 1992. | 0:16:49 | 0:16:52 | |
-What do you think of the cycling so far? -Excellent. | 0:16:52 | 0:16:55 | |
-Really, really scenic. -Beautiful. | 0:16:55 | 0:16:57 | |
I found that quite tough. | 0:16:57 | 0:16:59 | |
-Cos it's so flat where we live and the hills are quite difficult. -Yes. | 0:16:59 | 0:17:03 | |
It's only a very short hill coming up to here, though. | 0:17:03 | 0:17:06 | |
After stopping to appreciate | 0:17:06 | 0:17:07 | |
the breathtaking views across the valley of the River Severn, | 0:17:07 | 0:17:10 | |
it's back in the saddle to cycle a further three miles south | 0:17:10 | 0:17:13 | |
to the Arley Arboretum, | 0:17:13 | 0:17:15 | |
which is part of the 1,600-acre Arley Estate. | 0:17:15 | 0:17:19 | |
The 19th-century walled garden | 0:17:19 | 0:17:21 | |
is considered one of the world's finest tree collections | 0:17:21 | 0:17:24 | |
and includes rare and exotic tropical plants, | 0:17:24 | 0:17:27 | |
some dating back to the mid-1800s. | 0:17:27 | 0:17:30 | |
A more recent addition to this 200-year-old attraction | 0:17:30 | 0:17:33 | |
is Arleyensis, which is Latin for "of Arley". | 0:17:33 | 0:17:36 | |
It's a miniature historical replica of the Arley Estate in the 1820s. | 0:17:36 | 0:17:40 | |
The project began four years ago and is ongoing. | 0:17:42 | 0:17:44 | |
It's always looking for volunteers so could well be something | 0:17:44 | 0:17:47 | |
that green-fingered Martin could get involved in | 0:17:47 | 0:17:50 | |
to keep himself busy during his retirement. | 0:17:50 | 0:17:53 | |
He and Jacqueline are meeting the project's curator, | 0:17:53 | 0:17:55 | |
Peter Howells. | 0:17:55 | 0:17:57 | |
This is our first building. | 0:17:57 | 0:17:58 | |
It was built by my son. | 0:17:58 | 0:18:00 | |
It's going to look like this for evermore, believe it or not. | 0:18:00 | 0:18:03 | |
There's going to be little figures hammering the floorboards down | 0:18:03 | 0:18:08 | |
and actually involved in the building, the construction, here. | 0:18:08 | 0:18:11 | |
-So what inspired you to build this? -A man called Roland Callingham. | 0:18:11 | 0:18:15 | |
He is the founder of Bekonscot, | 0:18:15 | 0:18:18 | |
the oldest model village in the country. | 0:18:18 | 0:18:20 | |
How many models do you plan to...? | 0:18:20 | 0:18:22 | |
Right, well, this whole area, | 0:18:22 | 0:18:25 | |
it is actually a volunteers' project | 0:18:25 | 0:18:27 | |
where we're hoping to get grandmas and grandads interested enough | 0:18:27 | 0:18:30 | |
to come and build us these models. | 0:18:30 | 0:18:32 | |
We've got a castle going up on the top, there. | 0:18:32 | 0:18:35 | |
We've got a windmill, | 0:18:35 | 0:18:36 | |
a replica of the church that we have on the grounds, here... | 0:18:36 | 0:18:38 | |
When it's complete, this eco-friendly tiny village | 0:18:40 | 0:18:43 | |
will feature over 500 miniature trees and plants | 0:18:43 | 0:18:46 | |
from all over the world. | 0:18:46 | 0:18:47 | |
Peter is hoping his vision | 0:18:47 | 0:18:48 | |
will preserve the estate's history for generations to come. | 0:18:48 | 0:18:52 | |
Travelling just over 35 miles south takes us to our second property, | 0:19:00 | 0:19:03 | |
in the village of Clunton. | 0:19:03 | 0:19:05 | |
It's almost 28 miles south-west of Shrewsbury | 0:19:05 | 0:19:08 | |
and about a mile east of the town of Clun. | 0:19:08 | 0:19:11 | |
Clun is a small town which takes its name | 0:19:13 | 0:19:14 | |
from the river that runs through it | 0:19:14 | 0:19:16 | |
and it's said to be one of the most tranquil spots in England. | 0:19:16 | 0:19:20 | |
Situated in the Shropshire Hills Area of Outstanding Natural Beauty, | 0:19:20 | 0:19:23 | |
it boasts stunning vistas, | 0:19:23 | 0:19:25 | |
especially from the ruins of the Norman Clun Castle. | 0:19:25 | 0:19:29 | |
And it has a pretty town centre with an attractive mix of houses | 0:19:29 | 0:19:32 | |
and there's a traditional pub. | 0:19:32 | 0:19:35 | |
A three-minute drive and we're in Clunton, | 0:19:35 | 0:19:37 | |
at our second property, | 0:19:37 | 0:19:39 | |
which stands in the Arvon Centre - | 0:19:39 | 0:19:41 | |
26 acres of woodland once home to the late playwright John Osborne | 0:19:41 | 0:19:45 | |
and now a retreat for writers. | 0:19:45 | 0:19:48 | |
Down a long, windy road, or rather up a long, windy road | 0:19:48 | 0:19:51 | |
-into the hills and the forest to this. -Wow, OK! | 0:19:51 | 0:19:55 | |
-Very different offering. -Mind-blowing! | 0:19:58 | 0:19:59 | |
-It is totally different. -It is. | 0:19:59 | 0:20:01 | |
It was an old coach house. | 0:20:01 | 0:20:02 | |
You can see the arches where they would drive the coaches in | 0:20:02 | 0:20:04 | |
-and also the stable. -Yeah. | 0:20:04 | 0:20:06 | |
So it's been converted by the present owners. | 0:20:06 | 0:20:08 | |
And unlike the one this morning, this is being run as a B&B. | 0:20:08 | 0:20:12 | |
-Is it? -Oh, right. That's interesting. | 0:20:12 | 0:20:14 | |
So what are your impressions of the actual building? | 0:20:14 | 0:20:18 | |
Fantastic. | 0:20:18 | 0:20:19 | |
-Very beautiful. -So this is a big forest. | 0:20:19 | 0:20:22 | |
It's about a 100-acre forest and you have right to roam round it | 0:20:22 | 0:20:24 | |
-as a resident. -Right, OK. | 0:20:24 | 0:20:26 | |
So from the aspect, | 0:20:26 | 0:20:27 | |
-do you think it's somewhere you could imagine living? -Yeah, | 0:20:27 | 0:20:29 | |
I can imagine it would make a great bed and breakfast. | 0:20:29 | 0:20:32 | |
'But before we roam around the outside, | 0:20:32 | 0:20:35 | |
'I want to show Jacqueline and Martin the inside | 0:20:35 | 0:20:38 | |
'of what could be their new home and new venture. | 0:20:38 | 0:20:41 | |
'And we're starting off our tour in the rather large sitting room, | 0:20:42 | 0:20:46 | |
'with its fantastic views across the valley.' | 0:20:46 | 0:20:48 | |
What is your vibe as you walk in? | 0:20:49 | 0:20:52 | |
Great size. | 0:20:52 | 0:20:53 | |
-Just the sort of thing we're looking for in a lounge. -It's cosy. | 0:20:53 | 0:20:56 | |
And unlike the other property, | 0:20:56 | 0:20:58 | |
this has a separate sitting room for your guests. | 0:20:58 | 0:21:00 | |
-Right. -So this would be your family space. -OK, OK. | 0:21:00 | 0:21:04 | |
'Just behind the sitting room, in the main body of the house, | 0:21:05 | 0:21:08 | |
'is the kitchen.' | 0:21:08 | 0:21:10 | |
So, a smaller offering than the last. | 0:21:10 | 0:21:12 | |
-Yes, it is a bit. -It's very dark and small. | 0:21:12 | 0:21:17 | |
Small. | 0:21:17 | 0:21:18 | |
-It feels a bit more oppressive in here, doesn't it? -It does. | 0:21:18 | 0:21:21 | |
That's the only feeling. | 0:21:21 | 0:21:22 | |
It's more, sort of, segregated | 0:21:22 | 0:21:24 | |
in the sense that this would be your kitchen, where you cook, | 0:21:24 | 0:21:26 | |
-and your guests would be at the other end of the house. -OK, | 0:21:26 | 0:21:29 | |
-that's a positive thing. -Yeah, yeah. | 0:21:29 | 0:21:32 | |
But part of the reason we want to bring you here is to show you | 0:21:32 | 0:21:34 | |
-the B&B set-up upstairs... -Yes. OK. | 0:21:34 | 0:21:36 | |
-..which I think is more what you're looking for. -All right. | 0:21:36 | 0:21:40 | |
'On one side of the kitchen there's a utility room | 0:21:41 | 0:21:44 | |
'and on the other, the guest dining room. | 0:21:44 | 0:21:46 | |
'I can see Jacqueline and Martin taking it all in. | 0:21:46 | 0:21:49 | |
'There's a lot to consider | 0:21:49 | 0:21:50 | |
'when you're searching not only for a family home | 0:21:50 | 0:21:52 | |
'but also somewhere suitable to put up your guests. | 0:21:52 | 0:21:55 | |
'Maybe upstairs will help them see things more clearly. | 0:21:55 | 0:21:59 | |
'There's a family bathroom, | 0:21:59 | 0:22:01 | |
'a double bedroom which is used by the owner as the master, | 0:22:01 | 0:22:04 | |
'two smaller rooms, | 0:22:04 | 0:22:07 | |
'and the next room along is a guest sitting room, | 0:22:07 | 0:22:10 | |
'with a rather attractive arched window.' | 0:22:10 | 0:22:12 | |
-Fabulous, yeah. I like that! -All right. | 0:22:12 | 0:22:14 | |
-This is a lovely, sunny aspect. -Yes, I love it. Very nice. | 0:22:14 | 0:22:19 | |
This is currently what they use for the guests | 0:22:19 | 0:22:21 | |
and then through here is one of the guest rooms. | 0:22:21 | 0:22:24 | |
So there's a child's bedroom there | 0:22:27 | 0:22:30 | |
-and then this is the en-suite... -OK. -..top-dollar guest room. -OK. | 0:22:30 | 0:22:36 | |
-Lovely view. -Yeah, it is. -Yeah, terrific views again. | 0:22:36 | 0:22:39 | |
You've got two windows. | 0:22:39 | 0:22:40 | |
It shows great self-sacrifice on the present owners' part | 0:22:40 | 0:22:42 | |
-to give this to the guests! -Yes! | 0:22:42 | 0:22:44 | |
-Well, let's go and have a look at the outside space... -OK. -Yeah. | 0:22:44 | 0:22:48 | |
..find out the price | 0:22:48 | 0:22:49 | |
-and then you can balance it all up. -All right. | 0:22:49 | 0:22:51 | |
'Well, there's no doubting the fact | 0:22:53 | 0:22:54 | |
'that this property is set up perfectly as a B&B. | 0:22:54 | 0:22:57 | |
'Let's see how the outside space fares. | 0:22:57 | 0:23:00 | |
'The double garage is currently being used as a games room | 0:23:00 | 0:23:03 | |
'but there's scope to develop it into more guest rooms | 0:23:03 | 0:23:06 | |
'or a sewing room. | 0:23:06 | 0:23:08 | |
'We're going to the patio garden at the rear of the house.' | 0:23:08 | 0:23:12 | |
-Oh, it's such a lovely spot! -Yes. -Very tranquil. | 0:23:12 | 0:23:15 | |
It's not a huge garden. | 0:23:15 | 0:23:17 | |
It's actually just up to this wall | 0:23:17 | 0:23:18 | |
so it's really a small terraced garden, | 0:23:18 | 0:23:20 | |
and the land out the front, there, | 0:23:20 | 0:23:23 | |
-slopes down to the view over the valley. -Yeah. -OK. | 0:23:23 | 0:23:25 | |
-So very manageable. -Very easy to maintain. | 0:23:25 | 0:23:28 | |
It's like a wooded valley, isn't it? | 0:23:28 | 0:23:30 | |
It's like you're surrounded by... | 0:23:30 | 0:23:33 | |
forest, really. | 0:23:33 | 0:23:34 | |
Looking at the outside, I think it would be a possibility | 0:23:34 | 0:23:37 | |
that you could put an extension on | 0:23:37 | 0:23:39 | |
-which would totally transform it. -Absolutely. | 0:23:39 | 0:23:42 | |
In that case, we need to talk about budget. | 0:23:42 | 0:23:44 | |
Would you have the money to do that? | 0:23:44 | 0:23:46 | |
How much do you think this property is on the market for? | 0:23:46 | 0:23:48 | |
I would say 460. | 0:23:48 | 0:23:50 | |
I'd say...435. | 0:23:50 | 0:23:53 | |
-Well, in this instance you're both wrong. -OK! | 0:23:53 | 0:23:55 | |
It is actually on at 470. | 0:23:55 | 0:23:57 | |
-Oh, OK. Oh, right. -Really? | 0:23:57 | 0:23:59 | |
-So a little bit over what you thought. -Yes. -Mm. | 0:23:59 | 0:24:02 | |
-You need to make sure it's something you could do something with. -Yeah. | 0:24:02 | 0:24:05 | |
So have a wander around, and you know the drill, | 0:24:05 | 0:24:07 | |
-I'll see you at the front. -OK. -OK, thank you. | 0:24:07 | 0:24:10 | |
This Grade II listed coach house | 0:24:12 | 0:24:14 | |
is on the market at £30,000 under Jacqueline and Martin's budget | 0:24:14 | 0:24:18 | |
and it's all set up and ready to go as a B&B. | 0:24:18 | 0:24:21 | |
There are three guest bedrooms, and the layout downstairs | 0:24:21 | 0:24:24 | |
means privacy for the owners when welcoming guests. | 0:24:24 | 0:24:27 | |
And although the garden isn't as big as they'd like, | 0:24:27 | 0:24:29 | |
the house is set in a stunning estate with fabulous views. | 0:24:29 | 0:24:33 | |
OK. | 0:24:34 | 0:24:36 | |
-This is the owners' bedroom. -Right, this is the master, is it? | 0:24:36 | 0:24:39 | |
-OK. -Very small. | 0:24:39 | 0:24:41 | |
-Small and it's not very light. -No. | 0:24:41 | 0:24:44 | |
Well, obviously the guest room might take priority. | 0:24:44 | 0:24:47 | |
-You had the two windows in the guest room, didn't you? -Mm. | 0:24:47 | 0:24:50 | |
'My initial reaction when we approached it... | 0:24:50 | 0:24:52 | |
'It's a wooded valley | 0:24:52 | 0:24:54 | |
'so it's a lot more secluded and darker than the other place. | 0:24:54 | 0:24:58 | |
'But the view is absolutely stunning.' | 0:24:58 | 0:25:00 | |
First impression coming up the drive... | 0:25:00 | 0:25:02 | |
As soon as we saw the property, I thought it looked lovely. | 0:25:02 | 0:25:05 | |
It looked nice and spacious. Fantastic view across the valley. | 0:25:05 | 0:25:08 | |
I think also the small lounge upstairs, beautiful room. | 0:25:08 | 0:25:11 | |
Probably the best room in the house. | 0:25:11 | 0:25:13 | |
But looking around all of the rooms, I just thought it was very dark. | 0:25:13 | 0:25:16 | |
I think we... | 0:25:16 | 0:25:18 | |
If we took a property like this, | 0:25:18 | 0:25:19 | |
we'd want to adjust quite a few things on it. | 0:25:19 | 0:25:21 | |
I think it would work very well as a bed and breakfast | 0:25:21 | 0:25:24 | |
but I don't think that it's a good home for us. | 0:25:24 | 0:25:28 | |
Just taking in the tranquillity of the place. | 0:25:28 | 0:25:30 | |
-It's gorgeous. -Beautiful. -Very peaceful. | 0:25:30 | 0:25:32 | |
-Have you seen everything you need to see? -Think we have, yeah. | 0:25:32 | 0:25:35 | |
-Yes. -It's been a long day. Let's find a place to relax | 0:25:35 | 0:25:38 | |
-and mull over what you've seen. -OK. -Why not? | 0:25:38 | 0:25:40 | |
It's the second day of our jaunt around Shropshire, | 0:25:50 | 0:25:52 | |
looking for a country home | 0:25:52 | 0:25:54 | |
for Jacqueline and Martin from Rufford, west Lancashire. | 0:25:54 | 0:25:57 | |
Armed with a generous budget of half a million pounds, | 0:25:57 | 0:25:59 | |
they are looking for a country abode that doubles up as a B&B. | 0:25:59 | 0:26:03 | |
Coming up, our Mystery House will be revealed | 0:26:04 | 0:26:07 | |
and I just PRAY it goes down well. | 0:26:07 | 0:26:09 | |
I can see it on the front of your flyers for your B&B. | 0:26:10 | 0:26:13 | |
-Well, it's certainly an unusual... -It would certainly attract people. | 0:26:13 | 0:26:17 | |
And I will be having a day on the tiles. | 0:26:17 | 0:26:19 | |
-That's not bad. -Don't sound so surprised, Jennifer! | 0:26:19 | 0:26:23 | |
It would take me weeks to do this! | 0:26:23 | 0:26:25 | |
One thing became clear to me yesterday | 0:26:27 | 0:26:29 | |
and that's how important this B&B business is, for Martin, particularly. | 0:26:29 | 0:26:33 | |
I think Jacqueline would be happy doing her curtains | 0:26:33 | 0:26:36 | |
in the first house, for example, but I think Martin is struggling | 0:26:36 | 0:26:39 | |
a little bit with knowing what to do with himself in his retirement, | 0:26:39 | 0:26:43 | |
so having a good project to get his teeth into could be crucial, | 0:26:43 | 0:26:46 | |
so the Mystery House offers them a lot of character, | 0:26:46 | 0:26:49 | |
but also lots of B&B potential. Let's hope they like it. | 0:26:49 | 0:26:53 | |
-How are you feeling today? -Very excited. | 0:26:58 | 0:27:01 | |
-Excited about the Mystery House? -Yes, very excited. | 0:27:01 | 0:27:04 | |
-What do you think we might be showing you? -I really don't know. | 0:27:04 | 0:27:10 | |
But I just hope it's not going to be a property that has got small | 0:27:10 | 0:27:14 | |
rooms and very dark rooms. | 0:27:14 | 0:27:16 | |
The Mystery House usually tends to be an unusual building, | 0:27:16 | 0:27:20 | |
-a conversion, like, maybe a church. -You're expecting a conversion? | 0:27:20 | 0:27:24 | |
Of something unusual. | 0:27:24 | 0:27:27 | |
Our final visit takes us 44 miles north-east to the town of Newport, | 0:27:27 | 0:27:31 | |
a 40-minute drive from Shrewsbury | 0:27:31 | 0:27:33 | |
and close to the Staffordshire border. | 0:27:33 | 0:27:35 | |
'Newport is a Britain In Bloom finalist | 0:27:36 | 0:27:39 | |
'and its centre offers locals a good selection of shops and eateries. | 0:27:39 | 0:27:43 | |
'A striking blend of architecture lines the streets, with some | 0:27:43 | 0:27:46 | |
'Norman buildings still evident. | 0:27:46 | 0:27:49 | |
'Only the Guildhall and Smallwood Lodge remain after a fire | 0:27:49 | 0:27:52 | |
'swept through the high street in 1665. | 0:27:52 | 0:27:56 | |
'Just on the outskirts of town and down a tree-lined drive | 0:27:56 | 0:27:59 | |
'is our third and final house. | 0:27:59 | 0:28:01 | |
'The mystery is revealed at first sight.' | 0:28:01 | 0:28:04 | |
Well, I have to say, Martin, you were very accurate. | 0:28:04 | 0:28:09 | |
It's like you have second sight. The Mystery House is a church. | 0:28:10 | 0:28:15 | |
-It is. -This, next door, is the old church, | 0:28:15 | 0:28:18 | |
-which was knocked down to build this one. -Oh, right, looks very pretty. | 0:28:18 | 0:28:21 | |
Character, isn't it? | 0:28:21 | 0:28:22 | |
That's what screams at you when you first see it. I like the stone. | 0:28:22 | 0:28:26 | |
Yes, this beautiful red sandstone that you see all around Shropshire. | 0:28:26 | 0:28:29 | |
-Yeah. -And I can see it on the front of your flyers for your B&B. | 0:28:29 | 0:28:32 | |
-It's certainly an unusual... -It will certainly attract people. | 0:28:32 | 0:28:36 | |
-Let's look inside. -OK. | 0:28:36 | 0:28:37 | |
'This striking Grade II listed church dates back to 1800 | 0:28:39 | 0:28:44 | |
'and was converted from a derelict shell, | 0:28:44 | 0:28:46 | |
'making use of many reclaimed materials. | 0:28:46 | 0:28:50 | |
'The ground floor is laid out in a rectangle, with an octagonal | 0:28:50 | 0:28:53 | |
'room at the back and a tower at the front, which is where we are | 0:28:53 | 0:28:56 | |
'entering the building and heading straight for the kitchen-diner.' | 0:28:56 | 0:28:59 | |
-It looks a labour of love, doesn't it? -I like it. | 0:29:02 | 0:29:05 | |
It is very nice, very unusual. | 0:29:05 | 0:29:07 | |
There's some scope to make more use of the space, I think. | 0:29:07 | 0:29:11 | |
And there is a utility room and larder and pantry through there. | 0:29:11 | 0:29:15 | |
-So more storage, all your white goods. -That's very handy. | 0:29:15 | 0:29:19 | |
Remember, of course, obviously the original church didn't have | 0:29:19 | 0:29:22 | |
any interior walls, so you could of course move things around. | 0:29:22 | 0:29:26 | |
-Let's head towards the altar. -OK. | 0:29:26 | 0:29:27 | |
'Moving on from the kitchen of this beautiful church, there is | 0:29:28 | 0:29:32 | |
'a small bedroom-cum-study and a shower room on the opposite | 0:29:32 | 0:29:35 | |
'side of the house and we are entering the open-plan living area, | 0:29:35 | 0:29:38 | |
'which takes up the rest of the ground floor.' | 0:29:38 | 0:29:41 | |
-I love this room. -Oh, wow. -Oh! | 0:29:41 | 0:29:43 | |
This is the centrepiece of the house, you can guess. | 0:29:44 | 0:29:47 | |
-It is absolutely stunning. -So this would have been the altar. | 0:29:47 | 0:29:52 | |
When you sit in a church, the windows are high, | 0:29:52 | 0:29:54 | |
so you can't see out of them, so the problem with that, of course, | 0:29:54 | 0:29:58 | |
if you're living here, you don't get any views. So they stepped it up. | 0:29:58 | 0:30:02 | |
You can look out of these beautiful vaulted windows. | 0:30:02 | 0:30:06 | |
Making the most of the view. Wow, it's just really impressive. | 0:30:06 | 0:30:10 | |
-Absolutely stunning. -So what is the vibe you get? -It's really positive. | 0:30:10 | 0:30:15 | |
-Yes, very much so. -It's just so different. | 0:30:15 | 0:30:20 | |
But homely as well. | 0:30:20 | 0:30:22 | |
-So the decision you have to make is how to make it work as a B&B. -Yes. | 0:30:22 | 0:30:28 | |
'This beautiful conversion gives Jacqueline | 0:30:28 | 0:30:30 | |
'and Martin the freedom to decide how they want to divide it as a B&B. | 0:30:30 | 0:30:35 | |
'The first floor is smaller than the ground, as it's square. | 0:30:35 | 0:30:39 | |
'There is a family bathroom with a feature window | 0:30:39 | 0:30:42 | |
'and a further three bedrooms - one single, | 0:30:42 | 0:30:45 | |
'and an en-suite double. | 0:30:45 | 0:30:47 | |
'And at the front of the house is the master bedroom.' | 0:30:47 | 0:30:50 | |
-It's lovely. Beautiful. -Big and spacious. -It is, yeah. | 0:30:52 | 0:30:57 | |
Window, fabulous. | 0:30:57 | 0:30:59 | |
-South-facing window and it has an en-suite which is in the tower. -Oh. | 0:30:59 | 0:31:03 | |
-Lovely feel. -It's wonderfully done. | 0:31:03 | 0:31:05 | |
So is this a bit more what you are looking for in terms of a B&B room? | 0:31:05 | 0:31:09 | |
-Yes, very much so. -Yes, in terms of the standard. | 0:31:09 | 0:31:13 | |
'I think it would be hard not to be wowed by this property | 0:31:14 | 0:31:17 | |
'and I'm sure it would hold great appeal for guests. | 0:31:17 | 0:31:20 | |
'Outside, the landscaped gardens are a striking contrast to the | 0:31:20 | 0:31:23 | |
'imposing red sandstone of the church.' | 0:31:23 | 0:31:26 | |
What do you think? | 0:31:26 | 0:31:27 | |
-Very nice layout, it's very tasteful. -It's beautifully kept. | 0:31:27 | 0:31:32 | |
-Beautifully kept. -Very, very private. | 0:31:32 | 0:31:35 | |
-You do have wonderful countryside all around. -And it's very quiet. | 0:31:35 | 0:31:39 | |
-No traffic. -No. | 0:31:39 | 0:31:41 | |
There's also this very big garage space here, which is huge | 0:31:41 | 0:31:44 | |
and it could easily be turned into a workroom for you, or even converted. | 0:31:44 | 0:31:49 | |
-OK. -So, a good vibe? -It's lovely. -A very good vibe. | 0:31:49 | 0:31:54 | |
I'm just a bit lost for words. | 0:31:54 | 0:31:56 | |
Can I drag a few more words about the price out of you? | 0:31:56 | 0:32:00 | |
-I'm going to go for 495, Alistair. -A little bit below at 485. | 0:32:00 | 0:32:04 | |
Well, it is actually right at the top of your budget, | 0:32:04 | 0:32:07 | |
RIGHT at the top of your budget, it is | 0:32:07 | 0:32:09 | |
five pounds short of half a million, it's at 499,995. | 0:32:09 | 0:32:14 | |
-OK. -So there's obviously space for a bit of negotiation. | 0:32:14 | 0:32:17 | |
I think that sounds reasonable. | 0:32:17 | 0:32:19 | |
-For a B&B, there's plenty to market, isn't there? -It's so unique. | 0:32:19 | 0:32:22 | |
Definitely. Why don't you have a look around, have a look upstairs | 0:32:22 | 0:32:26 | |
-and check out those bedrooms, see if it's going to work? -OK. | 0:32:26 | 0:32:30 | |
Churches are always so risky, but I think this is a beautiful conversion | 0:32:35 | 0:32:39 | |
and it seems to have cast a spell, if churches are allowed to do that. | 0:32:39 | 0:32:44 | |
This listed converted church is only five pounds under Jacqueline | 0:32:46 | 0:32:50 | |
and Martin's budget, but there's always room for negotiation and it | 0:32:50 | 0:32:53 | |
would make a great marketing tool to attract guests if it became a B&B. | 0:32:53 | 0:32:57 | |
It has just enough bedrooms for them and guests | 0:32:58 | 0:33:01 | |
and a garage that would be the perfect space | 0:33:01 | 0:33:03 | |
for Jacqueline's sewing room. | 0:33:03 | 0:33:05 | |
And the gardens may not be extensive, | 0:33:05 | 0:33:06 | |
but they are striking and easy to look after. | 0:33:06 | 0:33:09 | |
-Oh, wow. -That's an interesting space. -It's very, very big. -It is. | 0:33:13 | 0:33:18 | |
-Could convert it into a sewing room. -I know that's what you're after. | 0:33:19 | 0:33:23 | |
It's a really good size. | 0:33:23 | 0:33:25 | |
When I first saw the house, | 0:33:25 | 0:33:26 | |
I was quite taken aback at how beautiful it is. | 0:33:26 | 0:33:29 | |
The garden is immaculate. | 0:33:29 | 0:33:31 | |
Certainly, when we walked into the driveway, | 0:33:31 | 0:33:35 | |
I was quite lost for words, really. It is just unique. | 0:33:35 | 0:33:39 | |
It has been very, very tastefully renovated, and the exterior, | 0:33:40 | 0:33:44 | |
even though the gardens are not very large, it is lovely, very nice. | 0:33:44 | 0:33:48 | |
It is very different to everything we've seen so far. | 0:33:48 | 0:33:51 | |
I think it would make a great bed and breakfast, very unusual inside. | 0:33:51 | 0:33:58 | |
It's been converted really, really well | 0:33:58 | 0:34:00 | |
and I think it will attract a lot of people. | 0:34:00 | 0:34:03 | |
I just think it's such a unique opportunity to move outside | 0:34:03 | 0:34:08 | |
-the box, it's just unbelievable. -OK, so that's the Mystery House done. | 0:34:08 | 0:34:12 | |
-All three properties seen. -OK. | 0:34:12 | 0:34:13 | |
So let's go and find a place to have a cup of tea | 0:34:13 | 0:34:16 | |
and then we can pick your brains about how it's been for you. | 0:34:16 | 0:34:19 | |
-Sounds great. -Plenty of food for thought. | 0:34:19 | 0:34:21 | |
'Jacqueline and Martin are attracted to Shropshire's gorgeous | 0:34:27 | 0:34:30 | |
'countryside, but the county is also proud of its industrial | 0:34:30 | 0:34:33 | |
'and cultural background. | 0:34:33 | 0:34:35 | |
'There are historical sites all over the region | 0:34:35 | 0:34:37 | |
'and over a century ago, it was known for its production of ceramics, | 0:34:37 | 0:34:41 | |
'due to its proximity to clay deposits. | 0:34:41 | 0:34:43 | |
'In 1872, the Craven Dunnill Jackfield works | 0:34:44 | 0:34:48 | |
'were founded in the Ironbridge Gorge, a World Heritage Site | 0:34:48 | 0:34:52 | |
'and home to the world's first arched iron bridge. | 0:34:52 | 0:34:56 | |
'The factory produced ceramic wall and floor tiles, | 0:34:56 | 0:34:59 | |
'which are still made here today. | 0:34:59 | 0:35:01 | |
'The site is the oldest surviving purpose-built tile factory | 0:35:01 | 0:35:04 | |
'in the world and it is now also a museum. | 0:35:04 | 0:35:07 | |
'I've come to meet curator Matt Thompson to find out a bit | 0:35:07 | 0:35:09 | |
'more about its colourful history.' | 0:35:09 | 0:35:12 | |
I don't think I've ever been to a tile museum before. | 0:35:12 | 0:35:15 | |
There's not many of them around, to be fair. | 0:35:15 | 0:35:17 | |
But what you've got here is a preserved example | 0:35:17 | 0:35:20 | |
of a real model factory. | 0:35:20 | 0:35:21 | |
The classic phrase they used was "from dust to dispatch". | 0:35:21 | 0:35:24 | |
They made a lot of the tiles out of dust, they pressed them | 0:35:24 | 0:35:27 | |
under hydraulic pressure, brought them in at one end of the factory, | 0:35:27 | 0:35:30 | |
went through all the different processes | 0:35:30 | 0:35:32 | |
and finally get to the saleroom just here at this side. | 0:35:32 | 0:35:35 | |
Ceramics were always really important. | 0:35:35 | 0:35:36 | |
Way back into the 1600s, | 0:35:36 | 0:35:38 | |
they were making clay tobacco pipes | 0:35:38 | 0:35:39 | |
and ceramics really started to pick up | 0:35:39 | 0:35:41 | |
towards the back end of the 19th century. | 0:35:41 | 0:35:43 | |
-Would you like to have a look inside? -Of course. | 0:35:43 | 0:35:46 | |
'The factory was built alongside the Severn Valley Railway, | 0:35:46 | 0:35:49 | |
'which was an ideal spot to transport raw materials in | 0:35:49 | 0:35:52 | |
'and ship the finished goods out. | 0:35:52 | 0:35:55 | |
'In its heyday at the turn of the 20th century, | 0:35:55 | 0:35:57 | |
'the factory was producing around 20 million tiles a year. | 0:35:57 | 0:36:02 | |
'The finely crafted ceramics would end up everywhere | 0:36:02 | 0:36:05 | |
'from humble terraced houses to the Houses of Parliament | 0:36:05 | 0:36:08 | |
'or a maharajah's palace.' | 0:36:08 | 0:36:10 | |
What we've got here is an example of just | 0:36:10 | 0:36:12 | |
some of the tiles that they produced at the factory here. | 0:36:12 | 0:36:15 | |
We like to think that there were... | 0:36:15 | 0:36:17 | |
some of the best-quality material was produced from this area. | 0:36:17 | 0:36:19 | |
I'm struck by the incredible kind of beauty of the patterns. | 0:36:19 | 0:36:23 | |
What we've got here are encaustic floor tiles. | 0:36:23 | 0:36:26 | |
It's a very old method of production where the pattern isn't just | 0:36:26 | 0:36:30 | |
on the surface, the pattern is actually within the body of the tile | 0:36:30 | 0:36:34 | |
itself, so it's very hard-wearing, it's perfect for floors. | 0:36:34 | 0:36:37 | |
So floor tiles, but then there was also | 0:36:37 | 0:36:39 | |
that great explosion of wall tiles. | 0:36:39 | 0:36:41 | |
Yeah, certainly. Over there, the ones with the sort of | 0:36:41 | 0:36:45 | |
more highly finished, glazed surfaces, | 0:36:45 | 0:36:47 | |
they can't take the kind of punishment that you'd have for | 0:36:47 | 0:36:50 | |
floor tiles, but it does mean that they can be slightly more decorative | 0:36:50 | 0:36:53 | |
than perhaps these bold, simple designs that we've got here. | 0:36:53 | 0:36:56 | |
You're still producing tiles here? | 0:36:56 | 0:36:58 | |
We're really pleased that within the building that we've restored, | 0:36:58 | 0:37:01 | |
er, we've got the tile company that originally built this factory. | 0:37:01 | 0:37:05 | |
They've come back and continued to produce tiles | 0:37:05 | 0:37:08 | |
actually within the site itself. | 0:37:08 | 0:37:10 | |
'Currently there are 25 members of staff here | 0:37:10 | 0:37:13 | |
'working in tile production, | 0:37:13 | 0:37:14 | |
'and they produce around 1,000 tiles a day. | 0:37:14 | 0:37:17 | |
'Each one is handmade to order, and they're also sold worldwide. | 0:37:17 | 0:37:21 | |
'Jennifer Keller has been with the factory for 13 years, | 0:37:22 | 0:37:25 | |
'and is going to show me how it's done.' | 0:37:25 | 0:37:28 | |
This is the dust bit, is it? | 0:37:28 | 0:37:29 | |
Absolutely, this has been dust pressed | 0:37:29 | 0:37:31 | |
-on the original Victorian machines. -Amazing. | 0:37:31 | 0:37:33 | |
And you can see here the pattern that's been put on, | 0:37:33 | 0:37:35 | |
which shows the back stamp where the tile was made. | 0:37:35 | 0:37:37 | |
So the smooth side, erm, when they've been fired, | 0:37:37 | 0:37:40 | |
is brought into this area and we're going to decorate it. | 0:37:40 | 0:37:42 | |
And these are the things that you actually sell from the factory? | 0:37:42 | 0:37:46 | |
Yeah, this is the kind of thing that we do within the Art Nouveau range. | 0:37:46 | 0:37:49 | |
How long would it take you to do this design? | 0:37:49 | 0:37:51 | |
-Me? -You. -Couple of minutes. -Couple of minutes? -Yeah, absolutely. | 0:37:51 | 0:37:55 | |
My gosh, that's really... | 0:37:55 | 0:37:56 | |
-We can do about 100 a day. -Wow. | 0:37:56 | 0:37:58 | |
I'd probably be lucky if I could do one a day. | 0:37:58 | 0:38:00 | |
'After the tile is made, an image is transferred onto it using charcoal.' | 0:38:00 | 0:38:05 | |
-It's like dot to dot. -It is like a little dot to dot design, | 0:38:05 | 0:38:07 | |
and then the idea is that | 0:38:07 | 0:38:09 | |
we're going to follow those lines with the clay slip. | 0:38:09 | 0:38:12 | |
'The slip is liquid clay, which provides an outer wall | 0:38:12 | 0:38:15 | |
'for the design to stop colours running together.' | 0:38:15 | 0:38:18 | |
The idea is that you don't touch the tile, keep it lifted up in the air, | 0:38:18 | 0:38:23 | |
guide with one hand, squeeze with the other hand. | 0:38:23 | 0:38:26 | |
'It's not the easiest thing I've ever witnessed, | 0:38:26 | 0:38:29 | |
'but I'm a willing apprentice and I'm going to give it a go.' | 0:38:29 | 0:38:32 | |
I've got to join up? | 0:38:32 | 0:38:33 | |
Absolutely, try not to leave any gaps, and squeeze much harder. | 0:38:33 | 0:38:37 | |
-Harder, my gosh. -That's it, no, you're fine, you're fine. | 0:38:37 | 0:38:40 | |
-That's not bad. That's great. -You sound so surprised, Jennifer. | 0:38:40 | 0:38:42 | |
Normally you'd practise for about six months before you did them | 0:38:42 | 0:38:45 | |
commercially, so you'd have a bit of time to get... | 0:38:45 | 0:38:48 | |
-As opposed to six seconds! -..to get on top of it. | 0:38:48 | 0:38:50 | |
No, that's pretty good. | 0:38:50 | 0:38:51 | |
How long...? It would take me weeks to do this. | 0:38:51 | 0:38:54 | |
-I'm going to let you finish it off. -OK, that's fine. | 0:38:54 | 0:38:57 | |
-You did really well. -Thank you very much. | 0:38:57 | 0:39:00 | |
The speed is incredible at which you do this. | 0:39:00 | 0:39:02 | |
'Once the outline of the design has dried, the colours are applied. | 0:39:02 | 0:39:06 | |
'They look very different to the finished product. | 0:39:06 | 0:39:09 | |
'The liquid glaze is made from powdered glass mixed with | 0:39:09 | 0:39:12 | |
'metal oxides which give the colour, which are suspended in water. | 0:39:12 | 0:39:16 | |
'Copper oxide will turn green, | 0:39:16 | 0:39:18 | |
'and red iron oxide, or yellow ochre oxide, yellow.' | 0:39:18 | 0:39:21 | |
-So the colours are put into the different areas. -It's so drab. | 0:39:21 | 0:39:24 | |
It is very different before and after it's fired in the kiln. | 0:39:24 | 0:39:27 | |
So, er, there's just these small sections here left to do. | 0:39:27 | 0:39:30 | |
So this is, presumably, it glazes, | 0:39:30 | 0:39:32 | |
it turns into those beautiful kind of translucent... | 0:39:32 | 0:39:34 | |
Absolutely, these sections here are all yellow, | 0:39:34 | 0:39:37 | |
and these are actually a lovely green. | 0:39:37 | 0:39:38 | |
-Basically it's dot to dot and colouring in. -Yep. | 0:39:38 | 0:39:42 | |
'When the design is complete, the tile is fired in the kiln | 0:39:42 | 0:39:46 | |
'for two days at a temperature of 1,040 degrees. | 0:39:46 | 0:39:49 | |
'This melts the powdered glass and creates a chemical reaction with | 0:39:49 | 0:39:53 | |
'the metals in the dyes, | 0:39:53 | 0:39:54 | |
'and the dull hues transform into vibrant shades.' | 0:39:54 | 0:39:58 | |
Oh, look how much prettier they look! | 0:39:58 | 0:40:00 | |
These are some of the Art Nouveau designs, | 0:40:00 | 0:40:02 | |
and as you can see this one here is very similar... | 0:40:02 | 0:40:05 | |
-It's like magic. -Absolutely, all the colours are exactly the same. | 0:40:05 | 0:40:09 | |
And this one here, as you can see, is going to become that one there. | 0:40:09 | 0:40:16 | |
It is like alchemy, isn't it? | 0:40:16 | 0:40:18 | |
Something that looks a little like a school child's drawing | 0:40:18 | 0:40:21 | |
comes out looking very professional. | 0:40:21 | 0:40:23 | |
Absolutely, the kiln does marvellous things. | 0:40:23 | 0:40:25 | |
Mm-hm, I'm not sure mine will look quite so beautiful. | 0:40:25 | 0:40:27 | |
Well, I'm sure you'll be pleased with it when you get it. | 0:40:27 | 0:40:29 | |
Thank you so much! It's amazing, it's a real pleasure, | 0:40:29 | 0:40:32 | |
and I'm sure I'll be spotting tiles everywhere I look | 0:40:32 | 0:40:34 | |
-for the next few days. -Oh, I hope so. | 0:40:34 | 0:40:36 | |
Because converted churches are always a bit of a dark horse, | 0:40:40 | 0:40:44 | |
my money was actually on the first house. | 0:40:44 | 0:40:46 | |
But I think I may have been proved wrong. Let's go and find out. | 0:40:46 | 0:40:49 | |
Let's cut to the chase. | 0:40:54 | 0:40:56 | |
I want to know which of the houses is a contender. | 0:40:56 | 0:40:59 | |
Well, every house was such a contrast. | 0:41:00 | 0:41:02 | |
I think the last one is the most impressionable. For me, anyway. | 0:41:02 | 0:41:06 | |
Yes, it was the Mystery House. Definitely. | 0:41:06 | 0:41:09 | |
Ah. What was it that finally swayed you on that? | 0:41:09 | 0:41:11 | |
I was overwhelmed by, obviously, such the uniqueness of it, | 0:41:11 | 0:41:15 | |
and I just feel what a unique opportunity to live in such a... | 0:41:15 | 0:41:20 | |
you know, stunning environment, really. | 0:41:20 | 0:41:22 | |
I think from our project of a B&B, which is obviously what started this | 0:41:22 | 0:41:27 | |
whole process, I think it has a USP, | 0:41:27 | 0:41:30 | |
the unique selling point, of a church. | 0:41:30 | 0:41:32 | |
I think it would be a very attractive marketing thing, that would. | 0:41:32 | 0:41:36 | |
I think it'll be great for a bed and breakfast. | 0:41:36 | 0:41:39 | |
That's music to our ears. | 0:41:39 | 0:41:40 | |
Have you found the whole experience has sort of geed you up? | 0:41:40 | 0:41:43 | |
-Definitely. -Very much so. | 0:41:43 | 0:41:45 | |
I mean, I'm fired up now to start planning | 0:41:45 | 0:41:48 | |
what I would do, potentially, if we did put a bid in for that property, | 0:41:48 | 0:41:53 | |
what rooms we could do and what we could utilise the space for. | 0:41:53 | 0:41:57 | |
So it's given me a feeling like I'm excited that way to start a project. | 0:41:57 | 0:42:01 | |
Well, I really hope that Shropshire provides pastures fresh for you. | 0:42:01 | 0:42:05 | |
I hope so as well. | 0:42:05 | 0:42:06 | |
And great if it was the Mystery House, but do keep us in the loop. | 0:42:06 | 0:42:09 | |
We will. We really enjoyed it. It's been a really good experience. | 0:42:09 | 0:42:13 | |
-Likewise. -Yes. -Good luck. -OK, thank you very much. -Thank you. | 0:42:13 | 0:42:16 | |
If they go and explore the countryside around | 0:42:20 | 0:42:23 | |
the Mystery House, Martin and Jacqueline will discover that it's | 0:42:23 | 0:42:25 | |
not a million miles away from the stunning Ironbridge Gorge, which is | 0:42:25 | 0:42:29 | |
a complete magnet for B&B guests, and even if they don't | 0:42:29 | 0:42:33 | |
go for our property, I think we've given them the Shropshire bug. | 0:42:33 | 0:42:37 | |
So join us next time on Escape To The Country for more | 0:42:37 | 0:42:39 | |
beautiful British countryside. | 0:42:39 | 0:42:41 | |
Jacqueline and Martin have indeed decided that this area of | 0:42:43 | 0:42:46 | |
Shropshire is where they want to make their move, | 0:42:46 | 0:42:48 | |
but they've put their house hunt on hold | 0:42:48 | 0:42:51 | |
until they've sold their Lancashire home. | 0:42:51 | 0:42:54 | |
If you would like to escape to the country | 0:42:54 | 0:42:55 | |
in Northern Ireland, Scotland, Wales or England | 0:42:55 | 0:42:58 | |
and you need our help, why not apply online at... | 0:42:58 | 0:43:01 |