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Today, I'm in a county that first inspired millions of Britons | 0:00:02 | 0:00:04 | |
to grab a bucket and spade and escape to the seaside. | 0:00:04 | 0:00:08 | |
Find out where I am in just a moment. | 0:00:08 | 0:00:10 | |
'Today, a father-and-daughter team is searching for a shared home | 0:00:27 | 0:00:31 | |
'for their two families.' | 0:00:31 | 0:00:32 | |
Jenny would love it. | 0:00:32 | 0:00:34 | |
-Really? -Yeah, she would, she'd love it. | 0:00:34 | 0:00:36 | |
'And I've certainly got my work cut out.' | 0:00:36 | 0:00:38 | |
-No, sorry. -No? -It's not me. | 0:00:38 | 0:00:41 | |
Today, you'll find me in the county of North Yorkshire, | 0:00:43 | 0:00:46 | |
and this is the UK's first-ever funicular, or cliff railway, | 0:00:46 | 0:00:51 | |
Scarborough's famous Spa Cliff Lift. | 0:00:51 | 0:00:54 | |
Now, it was constructed in 1873 for a cost of £800 | 0:00:54 | 0:00:59 | |
and the tracks run more than 80 metres up this very steep gradient. | 0:00:59 | 0:01:04 | |
Originally powered by hydraulics using seawater, | 0:01:04 | 0:01:07 | |
the lift was designed to connect the South Cliff Prom | 0:01:07 | 0:01:11 | |
with Scarborough Spa, | 0:01:11 | 0:01:12 | |
whose mineral-rich waters established this town | 0:01:12 | 0:01:15 | |
as the original seaside resort in the UK. | 0:01:15 | 0:01:19 | |
Now, this lift certainly demonstrates | 0:01:19 | 0:01:21 | |
man's ability to overcome a problem, | 0:01:21 | 0:01:24 | |
while the North Yorkshire countryside reveals | 0:01:24 | 0:01:26 | |
the full and spectacular wonder of Mother Nature. | 0:01:26 | 0:01:29 | |
North Yorkshire is located in the North of England. | 0:01:32 | 0:01:34 | |
It's bordered by six other counties, | 0:01:34 | 0:01:37 | |
including West Yorkshire, South Yorkshire | 0:01:37 | 0:01:40 | |
and East Riding Of Yorkshire, | 0:01:40 | 0:01:41 | |
and the North Sea runs along its eastern edge. | 0:01:41 | 0:01:44 | |
Around 40% of the region is taken up by national parks, | 0:01:44 | 0:01:48 | |
offering dramatic moorland and a spectacular rugged coastline. | 0:01:48 | 0:01:53 | |
The remarkable North York Moors National Park | 0:01:53 | 0:01:55 | |
envelopes 554 square miles, | 0:01:55 | 0:01:58 | |
with panoramic vistas erupting | 0:01:58 | 0:02:00 | |
with great expanses of vivid purple heather. | 0:02:00 | 0:02:02 | |
But it's not all about the striking scenery. | 0:02:04 | 0:02:07 | |
North Yorkshire also boasts exquisite architecture, | 0:02:07 | 0:02:10 | |
such as York Minster, the Medieval cathedral | 0:02:10 | 0:02:13 | |
with its spectacular gothic-style exterior | 0:02:13 | 0:02:16 | |
and vibrant stained-glass windows. | 0:02:16 | 0:02:18 | |
So, with this gift from Mother Nature | 0:02:20 | 0:02:22 | |
coupled with villages packed with gorgeous stone houses, | 0:02:22 | 0:02:25 | |
North Yorkshire is an idyllic destination | 0:02:25 | 0:02:28 | |
for an escape from city life. | 0:02:28 | 0:02:29 | |
Despite a beautiful and impressive backdrop, | 0:02:33 | 0:02:36 | |
property prices here in North Yorkshire | 0:02:36 | 0:02:38 | |
command quite a reasonable price tag, | 0:02:38 | 0:02:41 | |
as the cost of an average detached home in the county | 0:02:41 | 0:02:44 | |
comes in at just over £269,000. | 0:02:44 | 0:02:49 | |
Now, that's just a few hundred pounds above the national average, | 0:02:49 | 0:02:53 | |
but, as the largest county in the UK, | 0:02:53 | 0:02:56 | |
prices can vary considerably throughout the region. | 0:02:56 | 0:02:59 | |
And I'm sure it'll come as no surprise that | 0:02:59 | 0:03:02 | |
the striking North York Moors and the Yorkshire Dales | 0:03:02 | 0:03:05 | |
draw the highest premiums. | 0:03:05 | 0:03:08 | |
So, let's find out what attracts today's buyers | 0:03:08 | 0:03:10 | |
to this particularly picturesque part of the UK. | 0:03:10 | 0:03:13 | |
Secretary Penny and her retired father, Richard, | 0:03:15 | 0:03:18 | |
have lived in Ipswich all their lives. | 0:03:18 | 0:03:21 | |
Together, they've taken on the tall task of finding | 0:03:21 | 0:03:23 | |
a shared new home for themselves, | 0:03:23 | 0:03:25 | |
plus Penny's husband, Mark, and her mother, Jenny. | 0:03:25 | 0:03:28 | |
We share the same interests, we really get on together. | 0:03:29 | 0:03:33 | |
We do have a laugh and we do enjoy each other's company. | 0:03:33 | 0:03:37 | |
The idea would be to live in separate accommodation, | 0:03:37 | 0:03:40 | |
-cos, obviously, we all need our own space. -Own space. | 0:03:40 | 0:03:43 | |
Yeah... | 0:03:43 | 0:03:44 | |
But there for each other if we're required, | 0:03:44 | 0:03:46 | |
which is basically what we've got now, really, isn't it? | 0:03:46 | 0:03:49 | |
-Yeah. -Yeah. | 0:03:49 | 0:03:50 | |
Richard and Jenny currently live in a bungalow | 0:03:51 | 0:03:53 | |
on the outskirts of Ipswich, | 0:03:53 | 0:03:55 | |
and Penny and Mark four miles away in this detached house. | 0:03:55 | 0:03:58 | |
But they've decided that the time has come | 0:03:58 | 0:04:00 | |
to follow their country dream. | 0:04:00 | 0:04:02 | |
Well, Ipswich... | 0:04:03 | 0:04:05 | |
I was born and bred here, | 0:04:05 | 0:04:07 | |
and never five miles from the town centre. | 0:04:07 | 0:04:09 | |
But I remember it as a market town, | 0:04:09 | 0:04:12 | |
but now it's become more urbanised | 0:04:12 | 0:04:14 | |
and more congested. | 0:04:14 | 0:04:17 | |
So, it doesn't sort of live for a pleasant life, | 0:04:17 | 0:04:21 | |
as I saw it as a boy. | 0:04:21 | 0:04:23 | |
And it's North Yorkshire, | 0:04:23 | 0:04:25 | |
somewhere they've enjoyed visiting over many years, | 0:04:25 | 0:04:27 | |
that they've decided they want to call home. | 0:04:27 | 0:04:30 | |
When you go to places like Yorkshire, | 0:04:30 | 0:04:33 | |
you really see that it's not as built up, | 0:04:33 | 0:04:36 | |
there's more open space | 0:04:36 | 0:04:37 | |
and, to me, it's wilder. | 0:04:37 | 0:04:40 | |
And they're very, very friendly people. | 0:04:40 | 0:04:42 | |
They've got a lovely community spirit. | 0:04:42 | 0:04:44 | |
North Yorkshire, yeah, fantastic. | 0:04:44 | 0:04:46 | |
And the scenic North Yorkshire countryside | 0:04:47 | 0:04:49 | |
is perfect for the hobbies the two couples share. | 0:04:49 | 0:04:52 | |
We love walking together, bird watching, | 0:04:53 | 0:04:56 | |
anything to do with wildlife. | 0:04:56 | 0:04:59 | |
We get out and enjoy the country air... | 0:04:59 | 0:05:01 | |
..cos it's what we enjoy together. | 0:05:02 | 0:05:04 | |
But it's not just going to be about leisure time. | 0:05:04 | 0:05:07 | |
The two families are hoping to start up a new business | 0:05:07 | 0:05:10 | |
from their new home. | 0:05:10 | 0:05:11 | |
Hope the business side of things | 0:05:12 | 0:05:14 | |
will either have enough land to do glamping, | 0:05:14 | 0:05:16 | |
which is, basically, a glorified tent with a wood burner. | 0:05:16 | 0:05:20 | |
It's just a bit more glamorous than the average tent. | 0:05:20 | 0:05:24 | |
And, if we haven't got the land to do that, | 0:05:25 | 0:05:28 | |
hopefully, we might already have cottages that are already there. | 0:05:28 | 0:05:32 | |
And whether it's work or play, | 0:05:34 | 0:05:35 | |
both Penny, Richard and their families | 0:05:35 | 0:05:38 | |
are looking forward to a completely new start. | 0:05:38 | 0:05:41 | |
When we move to Yorkshire, I speak on behalf of all of us, | 0:05:42 | 0:05:45 | |
that we feel the pace of life will be slower. | 0:05:45 | 0:05:50 | |
I think I'm most excited about being in the countryside. | 0:05:50 | 0:05:54 | |
You know, just looking out your windows, seeing the countryside... | 0:05:54 | 0:05:58 | |
instead of being on a housing estate. | 0:05:58 | 0:06:03 | |
And, hopefully, peace and quiet and just wildlife around you. | 0:06:03 | 0:06:07 | |
It's time to move on, I think, | 0:06:07 | 0:06:09 | |
before it's too old, for me, anyway. | 0:06:09 | 0:06:11 | |
Penny and Richard love all that North Yorkshire has to offer | 0:06:17 | 0:06:20 | |
and are hoping to find a new family home close to the magnificent moors. | 0:06:20 | 0:06:24 | |
So, before we begin our search | 0:06:24 | 0:06:26 | |
for a slice of some of the most beguiling countryside | 0:06:26 | 0:06:29 | |
England has to offer, | 0:06:29 | 0:06:30 | |
I'm meeting them in the northerly county | 0:06:30 | 0:06:32 | |
to discover exactly what it is they're looking for. | 0:06:32 | 0:06:36 | |
Well, Richard and Penny, why did you pick this county? | 0:06:36 | 0:06:39 | |
Well, years ago, we used to motorhome, caravanning, | 0:06:39 | 0:06:43 | |
and we settled up here near Whitby. | 0:06:43 | 0:06:46 | |
And we had a fantastic time | 0:06:46 | 0:06:47 | |
and we do a lot of walking and we'd come across the moors. | 0:06:47 | 0:06:50 | |
So, we thought, "Oh, a nice place to set up a new ambitious dream | 0:06:50 | 0:06:54 | |
"of...either holiday lets or something similar." | 0:06:54 | 0:06:59 | |
Have you ever done anything like this before? | 0:06:59 | 0:07:01 | |
-No. -No? | 0:07:01 | 0:07:03 | |
No. But then, new challenge. | 0:07:03 | 0:07:05 | |
We thought, "Well, why not have a go?" | 0:07:05 | 0:07:07 | |
Have you done any business plans, any research? | 0:07:07 | 0:07:09 | |
No business plan, I'm afraid. | 0:07:09 | 0:07:11 | |
The dream of the business is cottages, holiday lets, glamping. | 0:07:11 | 0:07:17 | |
Yeah, if we could, if we got the land. | 0:07:17 | 0:07:19 | |
So, in a way, for you, Penny, | 0:07:19 | 0:07:20 | |
would I be right in thinking the business is the most important? | 0:07:20 | 0:07:23 | |
Yeah, I think so, cos we've got to have some income. | 0:07:23 | 0:07:26 | |
Richard, for you and your wife? | 0:07:26 | 0:07:27 | |
-The house. -The house. | 0:07:27 | 0:07:29 | |
But obviously, we'd chip in with the business. | 0:07:29 | 0:07:31 | |
We could be slightly pulling in different directions. | 0:07:31 | 0:07:34 | |
What are you looking for in this new home? | 0:07:34 | 0:07:37 | |
Traditional build would be nice | 0:07:37 | 0:07:39 | |
and a lovely surrounding area. | 0:07:39 | 0:07:41 | |
And what about you, Penny? What do you want? | 0:07:41 | 0:07:43 | |
I'd really like something that's not particularly modern, | 0:07:43 | 0:07:46 | |
with all this...a lot of properties now have a lot of glass in them. | 0:07:46 | 0:07:49 | |
-And in a nice area. You know, a lot of countryside round it. -Yeah. | 0:07:49 | 0:07:52 | |
How many bedrooms? | 0:07:52 | 0:07:53 | |
Be happy with two, don't want particularly loads. | 0:07:53 | 0:07:56 | |
-Separate kitchen? -Separate kitchen. -Separate bathroom? -Yeah. | 0:07:56 | 0:07:59 | |
-Separate lounge? -Yeah. -NICKI AND PENNY LAUGH | 0:07:59 | 0:08:01 | |
Huge house for you! | 0:08:01 | 0:08:03 | |
Absolutely, absolutely. | 0:08:03 | 0:08:04 | |
Remind us again of your budget. | 0:08:04 | 0:08:07 | |
£550,000. | 0:08:07 | 0:08:09 | |
And is there any flexibility on that if it needs doing up? | 0:08:09 | 0:08:12 | |
Are you happy to take on a project? | 0:08:12 | 0:08:14 | |
-Yeah, that's fine. -Yeah? -Yeah. | 0:08:14 | 0:08:15 | |
How much have we got left to do a little bit of a project? | 0:08:15 | 0:08:18 | |
I would say about 50. | 0:08:18 | 0:08:19 | |
OK, so, ideally the property's 550 | 0:08:19 | 0:08:21 | |
-and, then, if we need to, we can dip in an extra 50. -Yeah. | 0:08:21 | 0:08:24 | |
We are in the most beautiful part of the world. | 0:08:24 | 0:08:26 | |
There is so much here in North Yorkshire to see, | 0:08:26 | 0:08:28 | |
-so I think we should get started, don't you? -Yeah, great. | 0:08:28 | 0:08:31 | |
-Come on then, follow me. -OK. | 0:08:31 | 0:08:33 | |
With the proceeds from two house sales, | 0:08:33 | 0:08:35 | |
Penny and Richard will have a pretty generous budget, | 0:08:35 | 0:08:38 | |
with a little extra if needs be | 0:08:38 | 0:08:40 | |
to spend on their rural idyll. | 0:08:40 | 0:08:41 | |
But they're slightly at odds with what each family is looking for. | 0:08:41 | 0:08:46 | |
They're hoping that we can open their eyes | 0:08:46 | 0:08:48 | |
to different possibilities on offer. | 0:08:48 | 0:08:50 | |
What they do know is that they want two separate living quarters, | 0:08:50 | 0:08:54 | |
for Penny and her husband Mark, | 0:08:54 | 0:08:55 | |
and Richard and his wife Jenny. | 0:08:55 | 0:08:57 | |
and they want somewhere on site | 0:08:57 | 0:08:59 | |
that can be utilised as a holiday let, | 0:08:59 | 0:09:01 | |
or enough land to offer upmarket camping. | 0:09:01 | 0:09:04 | |
They're also hoping for somewhere rural, but not too remote. | 0:09:04 | 0:09:08 | |
I'll be taking them to visit three contrasting properties, | 0:09:08 | 0:09:12 | |
all offering them totally different living and business options | 0:09:12 | 0:09:16 | |
and once they've had a good look around each house, | 0:09:16 | 0:09:18 | |
its cost will be divulged. | 0:09:18 | 0:09:20 | |
The final visit will be to the mystery house, | 0:09:20 | 0:09:22 | |
which will open the doors to far-off memories | 0:09:22 | 0:09:25 | |
for both father and daughter. | 0:09:25 | 0:09:27 | |
We're kicking off our property hunt with our first house, | 0:09:32 | 0:09:36 | |
situated on the outskirts of the ancient market town of Pickering. | 0:09:36 | 0:09:39 | |
It's just under 50 minutes north-east of York | 0:09:39 | 0:09:42 | |
and on the border of the North York Moors National Park. | 0:09:42 | 0:09:45 | |
Pickering has the waterway, Pickering Beck, running through it, | 0:09:47 | 0:09:50 | |
and is also home to a splendid 13th-century castle. | 0:09:50 | 0:09:54 | |
There's plenty for visitors and locals to see and do, | 0:09:54 | 0:09:57 | |
with the steam railway a fabulous attraction, | 0:09:57 | 0:09:59 | |
and a great selection of quaint shops and cafes. | 0:09:59 | 0:10:03 | |
A one-and-a-quarter-mile journey from town, | 0:10:03 | 0:10:05 | |
and we've arrived at our first property. | 0:10:05 | 0:10:07 | |
Quite impressive. | 0:10:08 | 0:10:10 | |
Nice Yorkshire stone. | 0:10:10 | 0:10:11 | |
Yeah, traditional. | 0:10:11 | 0:10:13 | |
So, a converted barn. | 0:10:13 | 0:10:14 | |
-Do you like what you see? -Yeah. -I do. | 0:10:14 | 0:10:16 | |
I don't dislike it. | 0:10:16 | 0:10:18 | |
-Don't dislike it? -No. | 0:10:18 | 0:10:20 | |
No-one's jumping up and down though, are they? | 0:10:20 | 0:10:22 | |
-But, as first impressions go? -First impression's good. | 0:10:22 | 0:10:26 | |
-Let's step inside the barn. -OK. | 0:10:26 | 0:10:28 | |
Lovely, thank you. | 0:10:28 | 0:10:29 | |
This handsome stone barn, with its pantiled roof, | 0:10:31 | 0:10:34 | |
is around a century old | 0:10:34 | 0:10:36 | |
and was converted almost 20 years ago | 0:10:36 | 0:10:38 | |
into a bright and spacious family home. | 0:10:38 | 0:10:41 | |
And I've got a surprise up my sleeve which is hidden from view, | 0:10:41 | 0:10:44 | |
but I'll let Penny and Richard in on the secret later. | 0:10:44 | 0:10:47 | |
So... | 0:10:47 | 0:10:49 | |
starting off with... | 0:10:49 | 0:10:51 | |
..pretty large dining room, in my book. | 0:10:52 | 0:10:54 | |
Nice high ceilings. My husband's tall. | 0:10:54 | 0:10:57 | |
Jenny would love it. | 0:10:57 | 0:10:59 | |
-Really? -Yeah, she would. She'd love it. | 0:10:59 | 0:11:01 | |
-We've got to keep the missus happy, haven't we, Richard? -Yeah, yeah. | 0:11:01 | 0:11:05 | |
Better inside than actually out. | 0:11:05 | 0:11:07 | |
It's how you might live life as two families here... | 0:11:07 | 0:11:10 | |
-Bear in mind. -..potentially. | 0:11:10 | 0:11:11 | |
Food for thought. | 0:11:11 | 0:11:13 | |
Behind us, by the back door, there's a cloakroom, | 0:11:14 | 0:11:17 | |
and also, on the ground floor, is a utility room, a sunroom, | 0:11:17 | 0:11:20 | |
and a sitting room. | 0:11:20 | 0:11:22 | |
And leading off from the dining room is a kitchen diner | 0:11:23 | 0:11:25 | |
which opens onto the south-facing garden. | 0:11:25 | 0:11:28 | |
First impression for me, | 0:11:29 | 0:11:31 | |
the kitchen space is not very big. | 0:11:31 | 0:11:34 | |
The space is big, but the kitchen area... | 0:11:34 | 0:11:36 | |
-It's a kitchen-cum-diner, isn't it? -Yeah, it's not... | 0:11:36 | 0:11:38 | |
Then again, you could do away with the dining area, | 0:11:38 | 0:11:40 | |
-cos you've got a dining area in there. -Yeah. | 0:11:40 | 0:11:42 | |
You have to compromise, don't you? Not bad so far. | 0:11:42 | 0:11:44 | |
Good start then. We're doing well on the ground floor. | 0:11:44 | 0:11:47 | |
-Let's see how you feel about upstairs. -OK. | 0:11:47 | 0:11:49 | |
'And we're headed straight for the master bedroom.' | 0:11:52 | 0:11:54 | |
That'd be ours. | 0:11:56 | 0:11:57 | |
THEY LAUGH Well, obviously, obviously. | 0:11:57 | 0:12:00 | |
I was going to say, "Who's going to have the master?" | 0:12:00 | 0:12:03 | |
Because it does have a very nice en suite behind, as well. | 0:12:03 | 0:12:05 | |
Oh, right, yeah. | 0:12:05 | 0:12:07 | |
-Do you like it? -Mmm. -I can't comment, cos it's not my room. | 0:12:07 | 0:12:10 | |
You've been told, Richard. | 0:12:10 | 0:12:11 | |
I've been told, so I'll be kept quiet. | 0:12:11 | 0:12:13 | |
Well, the barn has three bedrooms. | 0:12:13 | 0:12:17 | |
-It has the family bathroom. -Mm-hm. | 0:12:17 | 0:12:20 | |
I don't know about you, but... | 0:12:20 | 0:12:22 | |
I think I'd find it quite difficult to cut it in half. | 0:12:22 | 0:12:25 | |
Definitely. | 0:12:25 | 0:12:27 | |
Would you want to live in this barn? | 0:12:27 | 0:12:29 | |
Individually, yes. | 0:12:29 | 0:12:30 | |
But as a family, no. | 0:12:30 | 0:12:33 | |
-Look at the view. -That's what you want every day, isn't it? | 0:12:33 | 0:12:36 | |
To wake up to that. | 0:12:36 | 0:12:37 | |
Only one family can really live in this barn, I think. | 0:12:37 | 0:12:40 | |
I know, so what have you got | 0:12:40 | 0:12:42 | |
as the annexe then? THEY LAUGH | 0:12:42 | 0:12:44 | |
'Well, that's what Penny and Richard are about to find out. | 0:12:44 | 0:12:47 | |
'Outside and opposite the barn is a converted garage block.' | 0:12:47 | 0:12:51 | |
What you've got here is two large double garages, | 0:12:52 | 0:12:56 | |
plus this office area, | 0:12:56 | 0:12:58 | |
and a mezzanine floor upstairs. | 0:12:58 | 0:13:00 | |
Right. | 0:13:00 | 0:13:01 | |
But you've got so much space, | 0:13:01 | 0:13:03 | |
if you converted here and next door, | 0:13:03 | 0:13:05 | |
you could easily have a second home here. | 0:13:05 | 0:13:08 | |
Or, you convert this into a holiday let | 0:13:08 | 0:13:11 | |
and both families live in the big house. | 0:13:11 | 0:13:13 | |
-The potential's there, isn't it? -Yeah. | 0:13:13 | 0:13:15 | |
-We've got you thinking, haven't we? -Certainly have. -Yeah. | 0:13:15 | 0:13:18 | |
-Didn't expect to think. -THEY LAUGH | 0:13:18 | 0:13:21 | |
This beautiful stone barn with its additional buildings | 0:13:21 | 0:13:24 | |
sits in stunning North Yorkshire countryside. | 0:13:24 | 0:13:27 | |
We've seen there's the potential for two dwellings, | 0:13:27 | 0:13:29 | |
but how about space for paying guests? | 0:13:29 | 0:13:32 | |
Now, you wanted quite a bit of land to go with the business, didn't you? | 0:13:34 | 0:13:38 | |
It's about one and a half acres. | 0:13:38 | 0:13:41 | |
So, I'm thinking glamping, | 0:13:41 | 0:13:44 | |
I'm thinking yurts. You do have the space, | 0:13:44 | 0:13:47 | |
but you've also got a private garden, which is enormous. | 0:13:47 | 0:13:50 | |
It's lovely. Not too much looking after. | 0:13:50 | 0:13:52 | |
Let's see if you can afford it. | 0:13:52 | 0:13:54 | |
I really haven't got any clue, | 0:13:54 | 0:13:55 | |
but I would imagine, | 0:13:55 | 0:13:57 | |
it most probably is just under our budget. | 0:13:57 | 0:14:01 | |
Maybe at £549,950. | 0:14:01 | 0:14:04 | |
I would say just over budget. | 0:14:04 | 0:14:07 | |
575. | 0:14:07 | 0:14:08 | |
The original asking price, cos it has just come down, was 575. | 0:14:08 | 0:14:13 | |
-The good news for you two... -Oh, really? -Was it really? | 0:14:13 | 0:14:15 | |
..it's £550,000. | 0:14:15 | 0:14:17 | |
-Spot on. -Ooh! | 0:14:17 | 0:14:18 | |
You haven't explored it all yet, | 0:14:18 | 0:14:20 | |
-so why don't you take a second look... -Yeah. | 0:14:20 | 0:14:22 | |
..and then, when you're ready, come and find me. | 0:14:22 | 0:14:25 | |
-OK. -That's right. -Thanks very much. | 0:14:25 | 0:14:26 | |
-Have a wander on your own. -Thank you. -Thank you. | 0:14:26 | 0:14:28 | |
This tastefully-converted barn is on the market | 0:14:33 | 0:14:36 | |
bang on Penny and Richard's budget, | 0:14:36 | 0:14:38 | |
leaving them no change, | 0:14:38 | 0:14:40 | |
but they do have a pot put aside | 0:14:40 | 0:14:41 | |
which they could dip into | 0:14:41 | 0:14:43 | |
if needs be. | 0:14:43 | 0:14:44 | |
They love the traditional property, | 0:14:44 | 0:14:46 | |
and there's potential to create | 0:14:46 | 0:14:48 | |
a separate abode, | 0:14:48 | 0:14:49 | |
if the garage and office block | 0:14:49 | 0:14:50 | |
were turned into a second home. | 0:14:50 | 0:14:52 | |
And with around two acres of land, | 0:14:52 | 0:14:54 | |
an acre and a half of that | 0:14:54 | 0:14:56 | |
a paddock, | 0:14:56 | 0:14:57 | |
they're glamping business | 0:14:57 | 0:14:58 | |
would be ready to go. | 0:14:58 | 0:14:59 | |
I was pleasantly surprised... | 0:15:00 | 0:15:03 | |
which was a bit of a shock. | 0:15:03 | 0:15:06 | |
I really, really quite like the inside, | 0:15:06 | 0:15:09 | |
more than I thought I would. | 0:15:09 | 0:15:11 | |
I personally could see myself living here. | 0:15:11 | 0:15:13 | |
The vibes from this house are quite good, actually. | 0:15:13 | 0:15:16 | |
First impressions, excellent. | 0:15:16 | 0:15:18 | |
Not quite sure about the annexe capabilities, | 0:15:18 | 0:15:22 | |
but the potential's there. | 0:15:22 | 0:15:25 | |
-Given us a bit of a problem, Nicki. -Go on. | 0:15:25 | 0:15:27 | |
-We both love the barn... -Do you? -..so there'll be arguments. | 0:15:27 | 0:15:31 | |
But the annexe, it showed potential. | 0:15:31 | 0:15:33 | |
It does. I'm glad you can see that. | 0:15:33 | 0:15:35 | |
We wanted you to think with this first property. | 0:15:35 | 0:15:37 | |
-I think we've managed that. -Absolutely. | 0:15:37 | 0:15:39 | |
But I've got more to show you, so let's go. | 0:15:39 | 0:15:42 | |
There's no denying North Yorkshire is brimming | 0:15:51 | 0:15:53 | |
with gorgeous countryside, | 0:15:53 | 0:15:55 | |
and a large amount of that is shrouded under | 0:15:55 | 0:15:57 | |
a dense canopy of trees. | 0:15:57 | 0:16:00 | |
Hundreds of years ago, | 0:16:00 | 0:16:01 | |
warriors would use local wood to create handcrafted weapons. | 0:16:01 | 0:16:05 | |
Penny and Richard both love nature, | 0:16:05 | 0:16:07 | |
so we've arranged for them to meet Ben Chester, | 0:16:07 | 0:16:09 | |
who makes the most of what the natural environment | 0:16:09 | 0:16:12 | |
has given the region. | 0:16:12 | 0:16:13 | |
He runs courses teaching traditional rural crafts | 0:16:13 | 0:16:16 | |
in Sessay in the Vale of York. | 0:16:16 | 0:16:18 | |
So I'm making an old English longbow. | 0:16:19 | 0:16:22 | |
-This is a... -Fantastic. | 0:16:22 | 0:16:24 | |
..a piece of ash that we've selected out | 0:16:24 | 0:16:26 | |
to make a bow that is similar to that they used in Agincourt | 0:16:26 | 0:16:30 | |
and that they found on the Mary Rose, | 0:16:30 | 0:16:32 | |
so it's a very traditional type of bow. | 0:16:32 | 0:16:34 | |
Can you tell me, Ben, why you make them | 0:16:34 | 0:16:36 | |
and what the purpose is of them? | 0:16:36 | 0:16:38 | |
We make the longbows | 0:16:38 | 0:16:39 | |
because it's trying to keep the traditional skills alive. | 0:16:39 | 0:16:42 | |
After Ben has used an axe to cut the bow to the size he wants, | 0:16:43 | 0:16:47 | |
it's time to shape it using a double-handled knife. | 0:16:47 | 0:16:50 | |
He uses a wooden contraption called a shave horse | 0:16:50 | 0:16:53 | |
to hold the bow in place. | 0:16:53 | 0:16:55 | |
So, we use the draw knife, | 0:16:55 | 0:16:57 | |
with nice, long, even strokes | 0:16:57 | 0:16:59 | |
to take off small amounts of material, | 0:16:59 | 0:17:01 | |
to shave it down to the right size. | 0:17:01 | 0:17:03 | |
So, how long would it take to actually work your way down | 0:17:04 | 0:17:07 | |
to the...the lines of the bow? | 0:17:07 | 0:17:09 | |
It'll take two or three hours. | 0:17:09 | 0:17:11 | |
-Would you guys like to have a go? -Yeah, sure. | 0:17:11 | 0:17:13 | |
-Give it a whirl. -Take a seat. | 0:17:13 | 0:17:15 | |
That's great. | 0:17:19 | 0:17:20 | |
-You make it look easier. -THEY LAUGH | 0:17:20 | 0:17:23 | |
It's only easy once you've been doing it for 12 years. | 0:17:23 | 0:17:26 | |
-Yeah. -12 years? | 0:17:26 | 0:17:27 | |
I think when you've done it a little while, | 0:17:27 | 0:17:29 | |
it's a lot easier to get it smoother. | 0:17:29 | 0:17:31 | |
It's all about technique, really, isn't it? | 0:17:31 | 0:17:33 | |
It's all about technique and getting everything set up | 0:17:33 | 0:17:36 | |
that is right for yourself. | 0:17:36 | 0:17:37 | |
Making a traditional longbow is a skilled and lengthy process, | 0:17:37 | 0:17:41 | |
and after the bow's been shaped, | 0:17:41 | 0:17:43 | |
the next stage is the tillering process, | 0:17:43 | 0:17:45 | |
which puts the curve into the bow. | 0:17:45 | 0:17:47 | |
If you were to just make a bow, put a string on it, and pull it, | 0:17:47 | 0:17:51 | |
it would just snap straight in half. | 0:17:51 | 0:17:53 | |
So, this is a process where we're going to teach it to bend. | 0:17:53 | 0:17:55 | |
Teach it, want to move, | 0:17:55 | 0:17:56 | |
so we're going to stress the fibres a little bit, | 0:17:56 | 0:17:58 | |
and then stress it a little bit more, a little bit more, | 0:17:58 | 0:18:01 | |
so we actually get it so it'll pull | 0:18:01 | 0:18:02 | |
right the way back to your draw length, | 0:18:02 | 0:18:04 | |
which is how far you'll draw a bow. | 0:18:04 | 0:18:06 | |
So, what we're going to do is to bend the bow. | 0:18:06 | 0:18:09 | |
So, with the bow mounted in the tillering post, | 0:18:10 | 0:18:12 | |
we can pull down... | 0:18:12 | 0:18:14 | |
and we slowly work the bow. | 0:18:14 | 0:18:16 | |
So, over time, | 0:18:16 | 0:18:18 | |
we'll slowly be able to draw it further and further down | 0:18:18 | 0:18:20 | |
as the fibres in the bow give a little bit. | 0:18:20 | 0:18:23 | |
You'll probably end up doing this 1,500 to 2,000 times. | 0:18:25 | 0:18:28 | |
This is one of the most critical parts of bow making, | 0:18:28 | 0:18:31 | |
is the tillering process. | 0:18:31 | 0:18:32 | |
It can take three days to make a longbow, | 0:18:33 | 0:18:36 | |
and even a trained craftsmen can take a day and a half | 0:18:36 | 0:18:39 | |
before it's ready to be shot. | 0:18:39 | 0:18:41 | |
-This is a finished longbow. -Right. | 0:18:42 | 0:18:44 | |
So, as you can see, it's about six-foot long. | 0:18:44 | 0:18:46 | |
This has a draw weight of about 60lbs, so it's not too heavy, | 0:18:47 | 0:18:51 | |
-and should fire about 140 yards. -Gosh. | 0:18:51 | 0:18:54 | |
So, that is the same sort of bow they'd use in the medieval times? | 0:18:54 | 0:18:56 | |
Yes, yeah. It's a very faithful replica. | 0:18:56 | 0:18:59 | |
Right then. So, firing a longbow. | 0:18:59 | 0:19:02 | |
Face the target. | 0:19:02 | 0:19:03 | |
Drawing right back, firing. | 0:19:04 | 0:19:06 | |
So, you fire almost immediately! | 0:19:06 | 0:19:08 | |
You fire immediately, yes. | 0:19:08 | 0:19:10 | |
We have no sights or anything like that. | 0:19:10 | 0:19:12 | |
So, you have to feel for how you fire. | 0:19:12 | 0:19:14 | |
Penny and Richard have taken it all in, | 0:19:14 | 0:19:17 | |
now it's their turn to take a step back in time. | 0:19:17 | 0:19:20 | |
-Ooh... -Fantastic. -Got it in. -Well done. | 0:19:21 | 0:19:25 | |
Fantastic, second one in. | 0:19:25 | 0:19:26 | |
-Yay! Well done, Penny. -Fantastic, well done. -Brilliant. | 0:19:30 | 0:19:33 | |
Your go. | 0:19:33 | 0:19:34 | |
Nice and gently, yeah. | 0:19:34 | 0:19:35 | |
-Almost. -Try another one. | 0:19:37 | 0:19:38 | |
Not as easy as it looks, is it? | 0:19:38 | 0:19:40 | |
Draw back, a little be higher. | 0:19:43 | 0:19:45 | |
Fantastic. Almost a bull's-eye. | 0:19:45 | 0:19:48 | |
-Fantastic, that's really, really good. -Well done. | 0:19:48 | 0:19:50 | |
-Thank you very much. -Thank you very much. | 0:19:50 | 0:19:52 | |
Hope you really enjoyed your day. | 0:19:52 | 0:19:54 | |
-Three inches from bull. -Almost. -Can't be bad. -Not bad at all. | 0:19:54 | 0:19:56 | |
-Well done. -Thank you. | 0:19:56 | 0:19:57 | |
Travelling 50 miles north takes us to our second property | 0:20:04 | 0:20:07 | |
in the village of Goathland, | 0:20:07 | 0:20:08 | |
right in the middle of the North York Moors National Park. | 0:20:08 | 0:20:12 | |
Goathland forms part of the Duchy of Lancaster's private estate, | 0:20:12 | 0:20:16 | |
owned by Her Majesty, The Queen. | 0:20:16 | 0:20:18 | |
Here, sheep have grazing rights and roam freely. | 0:20:18 | 0:20:21 | |
This pretty village is quite the tourist attraction, | 0:20:21 | 0:20:24 | |
with the TV series Heartbeat having been filmed here, | 0:20:24 | 0:20:27 | |
plus Harry Potter at Goathland Station. | 0:20:27 | 0:20:29 | |
On the outskirts of the village is our second property, | 0:20:30 | 0:20:34 | |
a statuesque semi-detached house, | 0:20:34 | 0:20:36 | |
which will ask Penny and Richard to think outside the box. | 0:20:36 | 0:20:40 | |
So, this time we've brought you into the actual national park. | 0:20:40 | 0:20:43 | |
You've been to Goathland before? | 0:20:43 | 0:20:45 | |
-Yeah, we all have. -Have you?! -Yeah. -Several times. | 0:20:45 | 0:20:48 | |
Driving through, you probably noticed | 0:20:48 | 0:20:50 | |
just how many tourists there are here. | 0:20:50 | 0:20:52 | |
When me and Mark came and we visited the church, | 0:20:52 | 0:20:55 | |
we actually walked past this property, | 0:20:55 | 0:20:58 | |
and sort of said, "Ooh, I don't reckon they're short of visitors." | 0:20:58 | 0:21:02 | |
-No?! -So, it's a bit deja vu. | 0:21:02 | 0:21:04 | |
So it is a very successful B&B business. | 0:21:04 | 0:21:07 | |
It's got a great reputation, lots of returning customers. | 0:21:07 | 0:21:10 | |
How would you think about running it? | 0:21:10 | 0:21:12 | |
Two families side by side? | 0:21:12 | 0:21:14 | |
Yeah, it's something we've spoken about, | 0:21:15 | 0:21:17 | |
but not in great depth. | 0:21:17 | 0:21:19 | |
Erm... We were more swayed towards the holiday lets and the glamping, | 0:21:19 | 0:21:25 | |
but doesn't hurt to look at all your options. | 0:21:25 | 0:21:27 | |
Absolutely. Shall we step inside? | 0:21:27 | 0:21:29 | |
-Yes. -Let's step inside. -Thank you. | 0:21:29 | 0:21:31 | |
'This stone property is thought to date back to the 1800s, | 0:21:33 | 0:21:36 | |
'and has had a complete internal overhaul in recent years. | 0:21:36 | 0:21:40 | |
'Its impressive interior is apparent | 0:21:40 | 0:21:42 | |
'the second you step through the door. | 0:21:42 | 0:21:44 | |
'But with no separate living quarters for the two families, | 0:21:44 | 0:21:47 | |
'it will require looking at things in a different light.' | 0:21:47 | 0:21:50 | |
So, this is, one - a very large house, | 0:21:50 | 0:21:54 | |
and two - there's quite a lot to explain. | 0:21:54 | 0:21:57 | |
-But this is the private part of the house. -BOTH: Right. | 0:21:57 | 0:22:00 | |
So, this would be the first sitting room that we're going to show you, | 0:22:00 | 0:22:03 | |
and then I'll explain more as we go on. | 0:22:03 | 0:22:06 | |
Reserve judgment. | 0:22:06 | 0:22:08 | |
I'm not getting the same expression as I had with the first property. | 0:22:08 | 0:22:11 | |
I know, cos you've spoiled us with the first property, | 0:22:11 | 0:22:13 | |
and this is completely different. | 0:22:13 | 0:22:15 | |
Well, it is, cos this is a business. | 0:22:15 | 0:22:18 | |
Roughly, how much do you think you could make a year? | 0:22:18 | 0:22:21 | |
-I wouldn't have a clue. -Around £50,000 a year. | 0:22:21 | 0:22:24 | |
-Really? -Is it really? -Gosh. | 0:22:24 | 0:22:26 | |
-That's not bad income, is it? -Not bad. | 0:22:26 | 0:22:28 | |
And this is one of the most successful B&Bs in this area. | 0:22:28 | 0:22:32 | |
That's what you're buying into. | 0:22:32 | 0:22:33 | |
But let's keep going, because Richard's not so keen on this room. | 0:22:33 | 0:22:36 | |
'As we move through this colourful sitting room | 0:22:38 | 0:22:40 | |
'in this dual-purpose home, | 0:22:40 | 0:22:41 | |
'we find ourselves in an equally vibrant kitchen. | 0:22:41 | 0:22:44 | |
'but will this room be to Richard's taste?' | 0:22:44 | 0:22:47 | |
-No, sorry. -No? -That's not me. | 0:22:47 | 0:22:49 | |
-Things can be changed if it's not... -Of course. -..quite right for you. | 0:22:49 | 0:22:53 | |
'In addition to the bold kitchen, | 0:22:53 | 0:22:55 | |
'there's a utility room and a private dining room. | 0:22:55 | 0:22:58 | |
'There's also one guest bedroom, a guest dining room | 0:22:58 | 0:23:01 | |
'and a further room in an extension. | 0:23:01 | 0:23:03 | |
'Moving upstairs to the first floor, | 0:23:04 | 0:23:06 | |
'there's another three guest bedrooms, | 0:23:06 | 0:23:08 | |
'each with an en-suite and each with a statement to make.' | 0:23:08 | 0:23:12 | |
So, this B&B has four different themed rooms. | 0:23:13 | 0:23:17 | |
I guess this is the black-and-white theme. | 0:23:17 | 0:23:20 | |
THEY LAUGH My goodness. | 0:23:20 | 0:23:23 | |
A bit overpowering for me, that one. | 0:23:23 | 0:23:25 | |
But, standing here, seeing how well this B&B's been done, | 0:23:25 | 0:23:29 | |
are you tempted? | 0:23:29 | 0:23:30 | |
I've always thought about it. | 0:23:30 | 0:23:33 | |
And it's always been my husband that has... "It's hard work." | 0:23:33 | 0:23:36 | |
'Running a B&B is hard work, | 0:23:37 | 0:23:39 | |
'but the rewards of working from home can be very beneficial. | 0:23:39 | 0:23:42 | |
'In this house, the owner's private living quarters | 0:23:42 | 0:23:45 | |
'are on the second floor. | 0:23:45 | 0:23:47 | |
'There's a family bathroom and three bold double bedrooms.' | 0:23:47 | 0:23:50 | |
I normally say, you know, "Would you change anything?" | 0:23:51 | 0:23:55 | |
-I don't think I need to ask that question. -Everything! | 0:23:55 | 0:23:58 | |
Definitely the decor. | 0:23:58 | 0:24:00 | |
Decor for the private area? | 0:24:00 | 0:24:02 | |
Yeah. | 0:24:02 | 0:24:03 | |
Cos if you changed every room in this house, | 0:24:03 | 0:24:05 | |
-my goodness, it'd be an awful lot of work. -Wow. | 0:24:05 | 0:24:08 | |
'There's certainly a lot of house here, | 0:24:08 | 0:24:11 | |
'and it's set in a stunning location too, | 0:24:11 | 0:24:14 | |
'which can be seen in all its glory as we step outside.' | 0:24:14 | 0:24:17 | |
So, this is your land, | 0:24:19 | 0:24:20 | |
and that's moorland, just there. | 0:24:20 | 0:24:22 | |
-Right. -Quite close then. | 0:24:22 | 0:24:24 | |
It's got to be right from the business point of view, | 0:24:24 | 0:24:26 | |
but, I appreciate, it's also got to be right as a home. | 0:24:26 | 0:24:29 | |
So, let's see if the price makes any difference. | 0:24:29 | 0:24:33 | |
I think it's going to be considerably over our budget. | 0:24:33 | 0:24:35 | |
-Are you going to give me a price? -I am... | 0:24:35 | 0:24:37 | |
585. | 0:24:37 | 0:24:39 | |
OK. | 0:24:39 | 0:24:41 | |
425. | 0:24:41 | 0:24:42 | |
Oh, my goodness! | 0:24:42 | 0:24:43 | |
I'm sorry, that'd be what it would be worth to me. | 0:24:43 | 0:24:46 | |
-Gosh. -Who is closest? That's the question. | 0:24:46 | 0:24:48 | |
And it's going to be... | 0:24:48 | 0:24:50 | |
-Richard. -Really? -Yeah. | 0:24:50 | 0:24:52 | |
Asking price is £450,000. | 0:24:52 | 0:24:55 | |
-Gosh. -Is it really? | 0:24:55 | 0:24:57 | |
I'm totally shocked. | 0:24:57 | 0:24:59 | |
-Look, your dad's even broken into a smile. -I have, haven't I? | 0:24:59 | 0:25:02 | |
-That's a good sign. -Yeah. | 0:25:02 | 0:25:04 | |
Why don't you take another look around? | 0:25:04 | 0:25:06 | |
-There's an awful lot of rooms to get though. -There's more? | 0:25:06 | 0:25:09 | |
-Thank you very much. -See you in a minute. | 0:25:09 | 0:25:11 | |
-Thank you. -Have another look. | 0:25:11 | 0:25:12 | |
This semi-detached stone house | 0:25:13 | 0:25:15 | |
is a cool £100,000 | 0:25:15 | 0:25:17 | |
under Penny and Richard's budget, | 0:25:17 | 0:25:19 | |
which would leave them | 0:25:19 | 0:25:20 | |
plenty of cash to give it | 0:25:20 | 0:25:22 | |
a makeover to suit their tastes. | 0:25:22 | 0:25:24 | |
And, as an existing | 0:25:24 | 0:25:25 | |
bed and breakfast, | 0:25:25 | 0:25:26 | |
if they choose it as their new home, | 0:25:26 | 0:25:28 | |
it would make them money too. | 0:25:28 | 0:25:30 | |
It's got enough bedrooms for them, | 0:25:30 | 0:25:32 | |
plus guests | 0:25:32 | 0:25:33 | |
and private living quarters. | 0:25:33 | 0:25:35 | |
And its location | 0:25:35 | 0:25:36 | |
couldn't be closer to nature. | 0:25:36 | 0:25:38 | |
Perfect for long family walks, | 0:25:38 | 0:25:40 | |
but not too far | 0:25:40 | 0:25:41 | |
from civilisation either. | 0:25:41 | 0:25:43 | |
This must be the dining room. | 0:25:44 | 0:25:45 | |
Not particularly my taste, but serves its purpose, doesn't it? | 0:25:45 | 0:25:49 | |
I may have to fight the corner for house two... | 0:25:49 | 0:25:53 | |
It's something for me to consider | 0:25:55 | 0:25:57 | |
and maybe talk to the others about. | 0:25:57 | 0:26:00 | |
But for me, I can really see the business potential. | 0:26:00 | 0:26:03 | |
My feelings about house two are very disappointing after house one... | 0:26:03 | 0:26:08 | |
..because, as a home, | 0:26:09 | 0:26:11 | |
it's going to be a no-no for Jenny and myself. | 0:26:11 | 0:26:13 | |
But as a business for Penny and Mark... | 0:26:13 | 0:26:16 | |
fantastic. | 0:26:16 | 0:26:18 | |
For me...it's a bit claustrophobic | 0:26:18 | 0:26:21 | |
to think that the four of us have got to live in here with the guests. | 0:26:21 | 0:26:24 | |
-It's impressive, isn't it? -Yeah. | 0:26:26 | 0:26:27 | |
The location's brilliant, | 0:26:27 | 0:26:29 | |
but residential, for myself and my wife, no-no. | 0:26:29 | 0:26:32 | |
No? Not a home? | 0:26:32 | 0:26:34 | |
Aw, still got some work to do, haven't I? | 0:26:34 | 0:26:36 | |
-You have, I'm afraid. -OK, let's go. -Thanks. | 0:26:36 | 0:26:39 | |
It's the second day of our search | 0:26:48 | 0:26:49 | |
for a multi-purpose home in North Yorkshire, | 0:26:49 | 0:26:51 | |
for Penny and her father Richard, from Ipswich. | 0:26:51 | 0:26:54 | |
They've got a healthy £550,000 between them to spend | 0:26:54 | 0:26:58 | |
and are hoping to find somewhere for them and their families | 0:26:58 | 0:27:01 | |
where they can start up a new business, | 0:27:01 | 0:27:03 | |
either holiday lets or on-site glamorous camping, called glamping. | 0:27:03 | 0:27:08 | |
Coming up, I'll be bringing back memories with our mystery house. | 0:27:08 | 0:27:12 | |
Oh, my goodness. That is what I think. | 0:27:12 | 0:27:15 | |
Totally shocked. | 0:27:15 | 0:27:17 | |
And I'll be learning | 0:27:17 | 0:27:19 | |
how technicoloured stained-glass windows are made, | 0:27:19 | 0:27:21 | |
in all their glory. | 0:27:21 | 0:27:22 | |
Wow, it's fascinating. | 0:27:22 | 0:27:23 | |
Yesterday was the story of two halves. | 0:27:26 | 0:27:29 | |
Two homes, two families, tied together with one budget. | 0:27:29 | 0:27:34 | |
And I'm now really struggling to work out | 0:27:34 | 0:27:36 | |
where their priorities actually lie. | 0:27:36 | 0:27:38 | |
Because, well, for Penny, it's all about the business. | 0:27:38 | 0:27:42 | |
But, for Richard, it's certainly about the home. | 0:27:42 | 0:27:45 | |
Today, we're going to show them a different proposition, | 0:27:45 | 0:27:48 | |
and I'm really hoping they can see past | 0:27:48 | 0:27:50 | |
the quirkiness of our mystery house, | 0:27:50 | 0:27:53 | |
because then they may find a home that suits all their needs. | 0:27:53 | 0:27:57 | |
For our third and final visit, | 0:28:00 | 0:28:02 | |
we're travelling just under 11 miles north-east | 0:28:02 | 0:28:04 | |
to the village of Hawsker, | 0:28:04 | 0:28:06 | |
just south of Whitby, | 0:28:06 | 0:28:07 | |
and also part of the North York Moors National Park. | 0:28:07 | 0:28:10 | |
The traditional maritime town of Whitby, | 0:28:10 | 0:28:13 | |
where Captain James Cook supposedly trained as a seaman in the 1700s | 0:28:13 | 0:28:17 | |
has a busy harbour at its centre. | 0:28:17 | 0:28:20 | |
There's a welcoming sandy beach flanked by tall houses | 0:28:20 | 0:28:23 | |
sitting on the lap of a steep grassy cliff, | 0:28:23 | 0:28:26 | |
overlooked by the 13th-century Whitby Abbey, | 0:28:26 | 0:28:29 | |
all a great draw for tourists. | 0:28:29 | 0:28:32 | |
A seven-minute drive away, outside the village of Hawsker | 0:28:32 | 0:28:35 | |
is our last property, | 0:28:35 | 0:28:36 | |
in the shadow of a fully functional lighthouse. | 0:28:36 | 0:28:39 | |
So, I think when it comes to mystery properties... | 0:28:41 | 0:28:44 | |
Well, this one is in a league of its own, | 0:28:45 | 0:28:47 | |
because...it is a fog horn station. | 0:28:47 | 0:28:51 | |
Ever been to one before? | 0:28:51 | 0:28:53 | |
-Walked right passed that from Whitby. -Have you really? | 0:28:53 | 0:28:57 | |
-Can't believe it. -Yeah. | 0:28:57 | 0:28:59 | |
-What do you think? -"Oh, my goodness!" That is what I think. | 0:28:59 | 0:29:02 | |
Totally shocked. | 0:29:02 | 0:29:04 | |
Have we really surprised you? | 0:29:04 | 0:29:06 | |
-Well, me, yeah. -Really have. | 0:29:06 | 0:29:08 | |
And the good news is - this is a home... | 0:29:08 | 0:29:11 | |
-but it's also a business. -Is it really? -Yeah. | 0:29:11 | 0:29:13 | |
So, built about 1850. | 0:29:13 | 0:29:15 | |
Originally, it was a lighthouse, believe it or not. | 0:29:15 | 0:29:17 | |
Then it became a horn-blower cottage, | 0:29:17 | 0:29:20 | |
and that really ran until 1988. | 0:29:20 | 0:29:22 | |
'The fog horn used to sound four times every minute and a half, | 0:29:24 | 0:29:27 | |
'working alongside the lighthouse in stormy conditions, | 0:29:27 | 0:29:30 | |
'to warn passing boats of the cliffs below.' | 0:29:30 | 0:29:33 | |
Did you ever hear it in action? | 0:29:33 | 0:29:35 | |
1979. | 0:29:35 | 0:29:37 | |
-Did you? -We'd B&B'd in Whitby and it was booming when the fog came in. | 0:29:37 | 0:29:41 | |
-So, yeah... -So, you've actually heard it? | 0:29:41 | 0:29:44 | |
We actually heard it all night long. | 0:29:44 | 0:29:46 | |
Well, you both said that you like traditional homes. | 0:29:46 | 0:29:49 | |
Well, you know, with our mystery, | 0:29:49 | 0:29:50 | |
we're going to do something a little bit different. | 0:29:50 | 0:29:52 | |
And it is quirky, | 0:29:52 | 0:29:54 | |
but if you can see past the quirkiness, | 0:29:54 | 0:29:57 | |
then, well, you might realise there's full potential here. | 0:29:57 | 0:30:01 | |
'Part of this unique property is divided into two cottages, | 0:30:01 | 0:30:04 | |
'and we're entering the smaller of the two through a side door, | 0:30:04 | 0:30:08 | |
'leading straight into a dining area. | 0:30:08 | 0:30:10 | |
'I've got this cottage earmarked as Richard and his wife Jenny's.' | 0:30:10 | 0:30:14 | |
So, I'm going to start off, I think, with... | 0:30:15 | 0:30:17 | |
We'll make sure that Richard's happy with his part of the property. | 0:30:17 | 0:30:20 | |
This is your kitchen. | 0:30:20 | 0:30:22 | |
-Hmm... -Different. | 0:30:22 | 0:30:23 | |
Now, you've been in this building. | 0:30:23 | 0:30:25 | |
Yeah, when it's been decommissioned. | 0:30:25 | 0:30:27 | |
So, it's going to be interesting to see the changes. | 0:30:27 | 0:30:29 | |
How well do you remember walking round? | 0:30:29 | 0:30:31 | |
Well, it was just a concrete floor... | 0:30:31 | 0:30:33 | |
-plaster... everything completely empty. -Right. | 0:30:33 | 0:30:36 | |
It's nice. Quite surprising. | 0:30:36 | 0:30:39 | |
'This property is all on one floor, | 0:30:39 | 0:30:41 | |
'but the room next door to the kitchen | 0:30:41 | 0:30:43 | |
'is on a slightly higher level.' | 0:30:43 | 0:30:45 | |
So, just up a few stairs... | 0:30:45 | 0:30:47 | |
-and it leads us to an open-plan living space. -Oh... -Gosh. -Lovely. | 0:30:47 | 0:30:52 | |
'This side of the old fog horn station | 0:30:52 | 0:30:54 | |
'is currently used as a holiday let, | 0:30:54 | 0:30:56 | |
'and included in the living room are the sleeping quarters, | 0:30:56 | 0:30:59 | |
'which could be partitioned off for added privacy.' | 0:30:59 | 0:31:02 | |
And then, behind us, | 0:31:02 | 0:31:04 | |
you've got a really beautifully-appointed bathroom. | 0:31:04 | 0:31:07 | |
Quite good, isn't it? It works, doesn't it, | 0:31:07 | 0:31:10 | |
for the style of the house? | 0:31:10 | 0:31:11 | |
Penny? | 0:31:11 | 0:31:13 | |
Totally different. Not at all what I expected. | 0:31:13 | 0:31:15 | |
Very light, airy... | 0:31:15 | 0:31:17 | |
..and spacious. | 0:31:18 | 0:31:19 | |
'So, we've seen just a small part of what's on offer here, | 0:31:20 | 0:31:23 | |
'and next door is another cottage, | 0:31:23 | 0:31:25 | |
'accessed through the first property's kitchen, | 0:31:25 | 0:31:27 | |
'or through an outside door. | 0:31:27 | 0:31:29 | |
'And down a long corridor is a large kitchen diner.' | 0:31:29 | 0:31:33 | |
We've divided up this property | 0:31:33 | 0:31:35 | |
with you being one side and Penny being this, | 0:31:35 | 0:31:37 | |
but you can fight amongst yourselves, | 0:31:37 | 0:31:39 | |
because this is much larger. | 0:31:39 | 0:31:42 | |
It's not terrible. It's not to my standard... | 0:31:42 | 0:31:45 | |
But...the space... | 0:31:45 | 0:31:47 | |
That's what you have to look at, isn't it? | 0:31:47 | 0:31:49 | |
Cos you can change everything else. | 0:31:49 | 0:31:51 | |
'Beyond the kitchen is a small sitting room, | 0:31:52 | 0:31:54 | |
'and beyond that, there are three bedrooms, | 0:31:54 | 0:31:57 | |
'all doubles, | 0:31:57 | 0:31:59 | |
'and the largest is dual-aspect with its own en suite.' | 0:31:59 | 0:32:02 | |
So, this is the master bedroom. | 0:32:05 | 0:32:06 | |
Mm-hm. | 0:32:06 | 0:32:08 | |
Nice size...nice light. | 0:32:08 | 0:32:10 | |
Lovely view of the lighthouse, and the sea, together. | 0:32:10 | 0:32:14 | |
-Wouldn't it be great to wake up to that? -Very nice. | 0:32:14 | 0:32:17 | |
'So far, I've shown Penny and Richard a cottage | 0:32:17 | 0:32:20 | |
'for each of them and their partners, | 0:32:20 | 0:32:22 | |
'and the last stop is a third small annexe. | 0:32:22 | 0:32:24 | |
'Attached to the rest of the property, | 0:32:27 | 0:32:28 | |
'but with its own front door, | 0:32:28 | 0:32:30 | |
'it could work for their new business venture.' | 0:32:30 | 0:32:32 | |
This is a self-contained holiday let. | 0:32:33 | 0:32:37 | |
-Ah. -Right, it goes on, doesn't it? | 0:32:37 | 0:32:39 | |
Double bedroom, bathroom | 0:32:39 | 0:32:41 | |
and then, sort of, kitchenette, | 0:32:41 | 0:32:44 | |
plus, sort of, sitting area. | 0:32:44 | 0:32:45 | |
First impression, a bit pokey. | 0:32:45 | 0:32:47 | |
First response, you're not living here. | 0:32:47 | 0:32:49 | |
True... No, it's a week, isn't it? | 0:32:49 | 0:32:52 | |
Also, you do have about an acre of land, | 0:32:52 | 0:32:55 | |
so if you still had the dream for glamping and your own yurt, | 0:32:55 | 0:32:59 | |
you could get a yurt there. | 0:32:59 | 0:33:00 | |
That's your land. | 0:33:00 | 0:33:01 | |
-A lot to think about. -Yeah. | 0:33:01 | 0:33:04 | |
From what we've seen, | 0:33:04 | 0:33:05 | |
this one-off home with its spectacular views | 0:33:05 | 0:33:07 | |
is offering Penny and Richard everything they've asked for. | 0:33:07 | 0:33:11 | |
Plus, outside, there's also a shed, a garage and an outbuilding. | 0:33:11 | 0:33:16 | |
Now I want to show them the full extent of its unusual exterior | 0:33:16 | 0:33:19 | |
and its clifftop location. | 0:33:19 | 0:33:21 | |
So...standing here, you really can see the whole of the property. | 0:33:21 | 0:33:26 | |
-And, you can see, it's actually quite wide, isn't it? -Yeah. -It is. | 0:33:26 | 0:33:30 | |
-Let's put a price on this thing, shall we? -Oh, my goodness! | 0:33:30 | 0:33:34 | |
Very difficult, but I'm just going to say 485. | 0:33:34 | 0:33:38 | |
Come on, Daddy, what do you reckon? | 0:33:39 | 0:33:41 | |
600. | 0:33:41 | 0:33:42 | |
Who is closest? | 0:33:42 | 0:33:44 | |
Asking price... | 0:33:44 | 0:33:46 | |
£525,000. | 0:33:46 | 0:33:48 | |
Oh! So I was nearest. | 0:33:48 | 0:33:49 | |
You were closest. | 0:33:49 | 0:33:51 | |
Well, take another look. | 0:33:51 | 0:33:53 | |
OK, thank you. | 0:33:53 | 0:33:54 | |
This extraordinary converted fog horn station is £25,000 | 0:33:57 | 0:34:01 | |
under Penny and Richard's budget, | 0:34:01 | 0:34:03 | |
and offers them | 0:34:03 | 0:34:04 | |
two adjoining properties | 0:34:04 | 0:34:05 | |
for them and their partners, | 0:34:05 | 0:34:07 | |
plus a third, | 0:34:07 | 0:34:08 | |
perfect as a holiday let | 0:34:08 | 0:34:09 | |
with good earning potential. | 0:34:09 | 0:34:11 | |
It's set in around an acre of land | 0:34:11 | 0:34:13 | |
which could easily accommodate yurts, | 0:34:13 | 0:34:15 | |
and there are spectacular views | 0:34:15 | 0:34:17 | |
out to sea. | 0:34:17 | 0:34:19 | |
The property's in a quiet location, | 0:34:19 | 0:34:21 | |
a walker's paradise, | 0:34:21 | 0:34:22 | |
but not far from | 0:34:22 | 0:34:24 | |
the local village and town. | 0:34:24 | 0:34:26 | |
The mystery house to me is a complete shock, complete surprise. | 0:34:26 | 0:34:31 | |
Never in a million years would I ever have thought | 0:34:31 | 0:34:33 | |
you'd have brought me somewhere like this. | 0:34:33 | 0:34:36 | |
Well, the mystery house was a very, very pleasant surprise actually, | 0:34:36 | 0:34:39 | |
because I know the history of it, which is ironical. | 0:34:39 | 0:34:43 | |
When I first came, I said I didn't want anything quirky, | 0:34:43 | 0:34:47 | |
but now you've shown me something quirky... | 0:34:47 | 0:34:50 | |
I think I'm a bit more open minded, | 0:34:50 | 0:34:53 | |
cos it's totally and utterly different | 0:34:53 | 0:34:55 | |
to anything I would ever think of looking at. | 0:34:55 | 0:34:58 | |
The potential's there... | 0:34:58 | 0:35:00 | |
and...just got to go away and think about it. | 0:35:00 | 0:35:04 | |
This mystery house has certainly put the cat amongst the pigeons. | 0:35:04 | 0:35:08 | |
-Right. -Hmm. | 0:35:08 | 0:35:09 | |
How are we feeling? | 0:35:09 | 0:35:11 | |
-Puzzled. -Yeah? | 0:35:11 | 0:35:13 | |
-Exhausted. -Yeah? -THEY LAUGH | 0:35:13 | 0:35:16 | |
Takes it out of you, all this house hunting, | 0:35:16 | 0:35:18 | |
but, hopefully... we might have got close. | 0:35:18 | 0:35:20 | |
So, let's go somewhere quiet, sit down have a chat | 0:35:20 | 0:35:24 | |
-and work out what your next step's going to be. -OK. -Yeah, OK. | 0:35:24 | 0:35:27 | |
North Yorkshire is home to beautiful churches and cathedrals, | 0:35:31 | 0:35:34 | |
with exquisite stained glass gracing many a window. | 0:35:34 | 0:35:38 | |
St Mary's church in Everstone, towards the east of the region | 0:35:38 | 0:35:41 | |
has wonderful examples from the 19th century. | 0:35:41 | 0:35:44 | |
It's stained-glass artist Val Green's job | 0:35:44 | 0:35:47 | |
to keep them looking just as they did when they were first put in, | 0:35:47 | 0:35:50 | |
almost 150 years ago. | 0:35:50 | 0:35:53 | |
Now, this is a very unusual skill, isn't it? | 0:35:53 | 0:35:57 | |
Sort of working and replacing stained-glass windows. | 0:35:57 | 0:36:00 | |
Is this is something that's been in your family for a long time? | 0:36:00 | 0:36:03 | |
It goes back to great-grandfather, | 0:36:03 | 0:36:05 | |
-so that's 1884... -My goodness. | 0:36:05 | 0:36:07 | |
..which is about the age of some of the windows in the church. | 0:36:07 | 0:36:11 | |
'And over 1,000 years ago, at the birth of stained glass, | 0:36:13 | 0:36:16 | |
'the intricately-designed windows weren't just there to look pretty.' | 0:36:16 | 0:36:20 | |
The people who came to church, they couldn't speak Latin, | 0:36:20 | 0:36:24 | |
so they couldn't understand the services. | 0:36:24 | 0:36:26 | |
So, they would gaze at the windows, | 0:36:26 | 0:36:28 | |
and the windows were the Bible of the poor. | 0:36:28 | 0:36:31 | |
So, they used them as a teaching tool, if you like. | 0:36:31 | 0:36:34 | |
'The beautiful windows in this church have stood the test of time, | 0:36:36 | 0:36:39 | |
'but not without a little help.' | 0:36:39 | 0:36:42 | |
Every, maybe 100, 150 years, | 0:36:42 | 0:36:45 | |
the windows have got to be taken out, | 0:36:45 | 0:36:48 | |
stripped down, the glass is cleaned. | 0:36:48 | 0:36:51 | |
Any broken pieces are replaced and then re-leaded. | 0:36:51 | 0:36:55 | |
So, this is where we come in with our workshop. | 0:36:55 | 0:36:58 | |
'Val has been repairing and restoring stained glass | 0:36:58 | 0:37:01 | |
'for the past 35 years, | 0:37:01 | 0:37:03 | |
'and she works closely with Andy Brepi, | 0:37:03 | 0:37:05 | |
'who removes the delicate glass, before either he or Val repairs it.' | 0:37:05 | 0:37:09 | |
We're removing the round piece at the top. | 0:37:11 | 0:37:13 | |
'Andy uses a hacking knife | 0:37:13 | 0:37:15 | |
'to carefully chip away at the surrounding cement, | 0:37:15 | 0:37:18 | |
'gently releasing the pane of glass which has a large hole in it.' | 0:37:18 | 0:37:22 | |
I mean, now, with it being so close to us, | 0:37:22 | 0:37:24 | |
you can really see the damage. | 0:37:24 | 0:37:25 | |
So, Val's going to be ready, is she? | 0:37:25 | 0:37:27 | |
Yes, so, if you could take that back for me, that'd be super. | 0:37:27 | 0:37:29 | |
-OK, I'll be the custodian. -Yes, please. | 0:37:29 | 0:37:32 | |
'Val's workshop is 15 miles away in Cayton, | 0:37:35 | 0:37:37 | |
'where she repairs and restores | 0:37:37 | 0:37:39 | |
'around 20 churches' stained-glass windows a year.' | 0:37:39 | 0:37:42 | |
-So, Val... -Hello. | 0:37:43 | 0:37:45 | |
Safely transported to your workshop. | 0:37:45 | 0:37:48 | |
-Oh, just look at that face. -Yeah. -That's beautiful. | 0:37:48 | 0:37:51 | |
It is a work of art. | 0:37:51 | 0:37:53 | |
'Val will use a sheet of antique glass | 0:37:53 | 0:37:55 | |
'to repair the hole in the window.' | 0:37:55 | 0:37:57 | |
It's called antique glass because it's made to the same recipe | 0:37:57 | 0:38:01 | |
as glass was made 1,000 years ago. | 0:38:01 | 0:38:03 | |
And if we don't do exactly what the original artist did, | 0:38:03 | 0:38:06 | |
we're not going to get a good copy, so this is our job today. | 0:38:06 | 0:38:10 | |
So, once we've got the glass and we've cut it to shape, | 0:38:10 | 0:38:13 | |
then we start painting. | 0:38:13 | 0:38:15 | |
And glass paint is powdered glass, | 0:38:15 | 0:38:19 | |
and it's just mixed with a pigment, it's either brown or black. | 0:38:19 | 0:38:23 | |
'The powdered glass is mixed with gum arabic, | 0:38:24 | 0:38:26 | |
'a natural glue, to help it stick, | 0:38:26 | 0:38:29 | |
and then, water is added to make the paint. | 0:38:29 | 0:38:31 | |
'And to create the effect of shading, | 0:38:31 | 0:38:33 | |
'the glass is covered in the paint, | 0:38:33 | 0:38:35 | |
'and when it's dry, the design is scratched off.' | 0:38:35 | 0:38:38 | |
So, Nicki, can you match that pattern on here? | 0:38:38 | 0:38:43 | |
Oh, my goodness, right, here we go. | 0:38:43 | 0:38:45 | |
So, and I can use my quill? | 0:38:45 | 0:38:47 | |
-You can try it with the quill. -I love the fact I can use this, | 0:38:47 | 0:38:50 | |
OK, so... | 0:38:50 | 0:38:51 | |
I'm not too sure about the nib. | 0:38:53 | 0:38:55 | |
Try that, maybe that would be better. | 0:38:55 | 0:38:57 | |
Try that one then. OK, let's have a little go. | 0:38:57 | 0:38:59 | |
What you're doing is controlling the amount of light | 0:38:59 | 0:39:02 | |
that comes through that piece of glass. | 0:39:02 | 0:39:05 | |
So, it's not important the amount of paint you put on, | 0:39:05 | 0:39:08 | |
it's important the amount that you take off. | 0:39:08 | 0:39:11 | |
So, Val, I've got to take this opportunity to ask you, | 0:39:11 | 0:39:14 | |
just to show me how it should be done. | 0:39:14 | 0:39:17 | |
I think you've done very well, Nicki. | 0:39:17 | 0:39:19 | |
Here, they've taken all the paint off, | 0:39:19 | 0:39:22 | |
so I would... scratch away at the edges. | 0:39:22 | 0:39:25 | |
And maybe...a brush. | 0:39:26 | 0:39:29 | |
So, you can use all these different things | 0:39:29 | 0:39:31 | |
to get the effect that you want. | 0:39:31 | 0:39:33 | |
It's very painstaking. | 0:39:33 | 0:39:35 | |
It's not something you can rush, really. | 0:39:35 | 0:39:37 | |
But the glass, you can see, is already coming alive. | 0:39:37 | 0:39:40 | |
Yes, it's three dimensions. | 0:39:40 | 0:39:42 | |
It's adding another dimension to the glass. | 0:39:42 | 0:39:44 | |
How wonderful, and also rewarding, that everything that you do | 0:39:44 | 0:39:48 | |
is going to be around, not just for 150 years, | 0:39:48 | 0:39:51 | |
but a lot longer than that as well. | 0:39:51 | 0:39:53 | |
It is nice to be able to look at restored work and think, | 0:39:53 | 0:39:58 | |
-"Nobody knows it's been broken." -Yes. | 0:39:58 | 0:40:00 | |
-That's the ideal, really. -Yes. | 0:40:00 | 0:40:02 | |
I suppose that's the perfect compliment, | 0:40:02 | 0:40:04 | |
-if you can't see the join. -Yes. | 0:40:04 | 0:40:06 | |
Yeah, wow, it's fascinating. Val, thank you so much. | 0:40:06 | 0:40:08 | |
It's been a pleasure. | 0:40:08 | 0:40:10 | |
Three different homes and three very different business ideas. | 0:40:15 | 0:40:19 | |
But what really shocked me was Penny and Richard's reaction | 0:40:19 | 0:40:22 | |
to our mystery house. | 0:40:22 | 0:40:24 | |
They certainly made the right noises. | 0:40:24 | 0:40:26 | |
Let's find out a little bit more. | 0:40:26 | 0:40:28 | |
You set us quite a challenge, | 0:40:33 | 0:40:36 | |
but have we challenged you over the last few days? | 0:40:36 | 0:40:40 | |
-You certainly have. -Well, that leads us then to, you know, | 0:40:40 | 0:40:42 | |
what is the next move going to be? | 0:40:42 | 0:40:45 | |
With the last surprise one, | 0:40:45 | 0:40:47 | |
a possibility that we need to go back to our partners and say, | 0:40:47 | 0:40:53 | |
"We need to have a look at that one," | 0:40:53 | 0:40:55 | |
and see what comes of it, because the potential's there. | 0:40:55 | 0:40:58 | |
We just don't know if all the figures will add up | 0:40:58 | 0:41:01 | |
to what...the dream we will achieve. | 0:41:01 | 0:41:03 | |
So, it does sound like, with the mystery house, | 0:41:03 | 0:41:05 | |
we've got tantalisingly close. | 0:41:05 | 0:41:07 | |
I would say so, | 0:41:07 | 0:41:09 | |
cos you've got the business, you've got the two houses, | 0:41:09 | 0:41:12 | |
you've got a lot of options. | 0:41:12 | 0:41:13 | |
We're thrilled that we have got as close as we can, | 0:41:13 | 0:41:17 | |
and there is a chance that that mystery house might work, | 0:41:17 | 0:41:20 | |
mightn't it? | 0:41:20 | 0:41:21 | |
If that doesn't happen, what are you going to do? | 0:41:21 | 0:41:24 | |
I'm thinking more me and Mark, maybe going it alone. | 0:41:24 | 0:41:30 | |
Maybe to do bed and breakfast. | 0:41:30 | 0:41:31 | |
So, Richard, how would you feel about that? | 0:41:31 | 0:41:33 | |
We're flexible, so... | 0:41:33 | 0:41:35 | |
-You wouldn't mind? -I wouldn't mind. | 0:41:35 | 0:41:37 | |
-No... -Not at all. -No. | 0:41:37 | 0:41:39 | |
Well, listen, we wish you well. I'm not quite sure | 0:41:39 | 0:41:42 | |
which direction your lives are going to take is the honest truth. | 0:41:42 | 0:41:45 | |
It's been a really big thinking process, hasn't it? | 0:41:45 | 0:41:48 | |
-It has, for all of us. -Yeah. -Nicki LAUGHS | 0:41:48 | 0:41:51 | |
We started this house search with Richard and Penny | 0:41:54 | 0:41:56 | |
with a certain air of uncertainty, | 0:41:56 | 0:41:59 | |
and after two solid days house hunting here in North Yorkshire, | 0:41:59 | 0:42:03 | |
well, I don't think we're any further down the road. | 0:42:03 | 0:42:05 | |
However, what I hope we've done is shown them some possibilities | 0:42:05 | 0:42:09 | |
that they may not have considered before. | 0:42:09 | 0:42:11 | |
Now, I truly think the time is right for them to return to their partners | 0:42:11 | 0:42:15 | |
and seriously discuss what the best move is for the whole family. | 0:42:15 | 0:42:20 | |
Wherever they decide to live, either together or apart, | 0:42:20 | 0:42:23 | |
we wish them all the very best. | 0:42:23 | 0:42:25 | |
I'll see you again on Escape To The Country. | 0:42:25 | 0:42:28 | |
Penny and Richard and their families are thinking of | 0:42:30 | 0:42:32 | |
staying in the holiday let at the mystery house, | 0:42:32 | 0:42:35 | |
to get first-hand experience of what it's like | 0:42:35 | 0:42:37 | |
before they decide if they want to take it on | 0:42:37 | 0:42:39 | |
as their new shared home and new family business. | 0:42:39 | 0:42:43 | |
If you would like to escape to the country | 0:42:43 | 0:42:46 | |
in England, Northern Ireland, Wales or Scotland | 0:42:46 | 0:42:48 | |
and need our help, you can apply online at... | 0:42:48 | 0:42:52 |