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Welcome to Escape To The Country. | 0:00:02 | 0:00:03 | |
Now, we're starting out right in the heart of one of the finest | 0:00:03 | 0:00:06 | |
medieval castles anywhere in the country, one that in more recent | 0:00:06 | 0:00:10 | |
years was used to imprison soldiers who were morally opposed to war. | 0:00:10 | 0:00:15 | |
So, where have we come for this step back in time? | 0:00:15 | 0:00:18 | |
Well, join me in just a moment and I'll tell you. | 0:00:18 | 0:00:20 | |
'On today's house hunt, a mother and daughter duo are looking for | 0:00:36 | 0:00:40 | |
'a property to entertain in.' | 0:00:40 | 0:00:41 | |
What a family space. | 0:00:41 | 0:00:43 | |
It's beautiful. It's a very sociable area, isn't it? | 0:00:43 | 0:00:45 | |
Yeah. | 0:00:45 | 0:00:47 | |
'And one of our offerings seems to hit the mark.' | 0:00:47 | 0:00:49 | |
Whoa-ho-ho-ho! | 0:00:49 | 0:00:51 | |
Ha-hah! I think we've hit the nail on the head! | 0:00:51 | 0:00:53 | |
I'm feeling a bit tearful! | 0:00:53 | 0:00:54 | |
Well, today we are in North Yorkshire | 0:00:56 | 0:00:58 | |
and this is the imposing keep of Richmond Castle. | 0:00:58 | 0:01:02 | |
Now, the Normans started building the fortress here just | 0:01:02 | 0:01:04 | |
after their victory at the Battle of Hastings, | 0:01:04 | 0:01:07 | |
and it was an important point in William's consolidation | 0:01:07 | 0:01:10 | |
of his hold over the northern part of his territories. | 0:01:10 | 0:01:13 | |
And, over the centuries that followed, | 0:01:13 | 0:01:15 | |
the market town of Richmond itself grew up around it, | 0:01:15 | 0:01:18 | |
and in many ways it's now regarded | 0:01:18 | 0:01:20 | |
as a model of medieval town planning. | 0:01:20 | 0:01:22 | |
But fast forward to the early 20th century | 0:01:22 | 0:01:24 | |
and the castle took on a completely different role. | 0:01:24 | 0:01:27 | |
It was used to house a number of conscientious objectors, | 0:01:27 | 0:01:31 | |
men who refused to fight in the First World War on political, | 0:01:31 | 0:01:34 | |
moral and religious grounds. | 0:01:34 | 0:01:36 | |
Now, later on in the show, I'll be back here exploring | 0:01:36 | 0:01:39 | |
the castle fully and taking a closer look at the story behind those | 0:01:39 | 0:01:42 | |
men who were imprisoned here. | 0:01:42 | 0:01:44 | |
But, take it from me, the view from the top of that keep | 0:01:44 | 0:01:47 | |
of the surrounding landscape really is one of Yorkshire's finest. | 0:01:47 | 0:01:51 | |
Yorkshire is a historic county in the north of England, | 0:01:53 | 0:01:56 | |
the largest in the UK. | 0:01:56 | 0:01:58 | |
Today, the county of North Yorkshire covers over 3,000 square miles | 0:01:58 | 0:02:02 | |
and is one of the most rural and attractive parts of the country. | 0:02:02 | 0:02:05 | |
This region is home to two National Parks - the Yorkshire Dales to the | 0:02:05 | 0:02:10 | |
west and the rugged and windswept North York Moors to the east. | 0:02:10 | 0:02:13 | |
The Dales has been a National Park since 1954, and is characterised | 0:02:14 | 0:02:18 | |
by a collection of river valleys and gentle rolling hills | 0:02:18 | 0:02:22 | |
dotted with pretty stone villages which retain a timeless feel. | 0:02:22 | 0:02:26 | |
The valley of Wensleydale displays spectacular scenery | 0:02:26 | 0:02:30 | |
in villages such as Aysgarth, | 0:02:30 | 0:02:32 | |
with its famous flight of waterfalls. | 0:02:32 | 0:02:35 | |
The region's long history of livestock farming has given | 0:02:35 | 0:02:38 | |
rise to distinct sheep breeds and its tradition of cheese making. | 0:02:38 | 0:02:42 | |
The market town of Hawes is home | 0:02:42 | 0:02:44 | |
to the famous crumbly Wensleydale variety. | 0:02:44 | 0:02:48 | |
The fields around have remained all but untouched by modern | 0:02:48 | 0:02:51 | |
intensive farming techniques and many of them still retain their | 0:02:51 | 0:02:55 | |
original dry stone walls, which characterise this part of the world. | 0:02:55 | 0:02:59 | |
Geographically, the county has much to offer, | 0:02:59 | 0:03:02 | |
so it's perhaps not surprising that the region has become | 0:03:02 | 0:03:05 | |
a popular option for those seeking a slower, more rural existence. | 0:03:05 | 0:03:09 | |
Now, look at any map and you'll realise that Yorkshire is | 0:03:11 | 0:03:15 | |
an enormous county when taken as a whole, and when you | 0:03:15 | 0:03:18 | |
think that it accounts for some 10% of England's landmass | 0:03:18 | 0:03:22 | |
you can appreciate that house prices across it can vary hugely. | 0:03:22 | 0:03:26 | |
If you go to the south of the county, there your average detached | 0:03:26 | 0:03:30 | |
will set you back around about £180,000, | 0:03:30 | 0:03:33 | |
but if you head further north, well, there you could expect to pay | 0:03:33 | 0:03:37 | |
another 90,000 on top of that, and the reason is simple - | 0:03:37 | 0:03:40 | |
up north is where you find the Moors and the Dales, | 0:03:40 | 0:03:43 | |
beautiful properties set in stunning landscapes. | 0:03:43 | 0:03:47 | |
A wonderful draw for locals and visitors alike. | 0:03:47 | 0:03:50 | |
So, let's now meet today's buyers | 0:03:50 | 0:03:51 | |
and find out which bit of the county they think is for them. | 0:03:51 | 0:03:55 | |
Today's house hunters are mother and daughter Mel and Holly, | 0:03:55 | 0:03:58 | |
who live in Worcester Park, Surrey. | 0:03:58 | 0:04:01 | |
Mel, originally from North Yorkshire, is recently divorced | 0:04:01 | 0:04:04 | |
and works as a speech therapy assistant. | 0:04:04 | 0:04:06 | |
She has two daughters - | 0:04:06 | 0:04:08 | |
Lily, who is about to go off to university, | 0:04:08 | 0:04:10 | |
and Holly, who has just finished at sixth form college. | 0:04:10 | 0:04:13 | |
They've decided that now is the time to make their move to the country. | 0:04:13 | 0:04:18 | |
I lived here nearly eight years, | 0:04:18 | 0:04:22 | |
and the area is quite busy and congested | 0:04:22 | 0:04:26 | |
and we'd like to escape that. | 0:04:26 | 0:04:30 | |
Mel's been itching to get back to her roots in North Yorkshire. | 0:04:30 | 0:04:34 | |
I've been thinking about moving to the countryside | 0:04:34 | 0:04:37 | |
and especially to move back to the northeast for about 13 years, | 0:04:37 | 0:04:42 | |
but it's been put on the back burner. | 0:04:42 | 0:04:45 | |
So, now I've got an opportunity, through getting divorced | 0:04:45 | 0:04:49 | |
and selling this house, and now I can fulfil my dream. | 0:04:49 | 0:04:53 | |
And Holly is a keen amateur photographer. | 0:04:55 | 0:04:57 | |
I've just finished sixth form and I'm in a temporary job | 0:04:57 | 0:05:00 | |
at the minute, so I have no real ties here, | 0:05:00 | 0:05:02 | |
so, yeah, it will be nice for a change, | 0:05:02 | 0:05:04 | |
-maybe pursue my photography passion. -Yeah. | 0:05:04 | 0:05:07 | |
-I've got quite a few connections up north anyway so... -Mm-hm. | 0:05:07 | 0:05:09 | |
-..that'll be nice. -Yeah. | 0:05:09 | 0:05:11 | |
But Mel has really missed the northeast | 0:05:11 | 0:05:13 | |
during her time down south. | 0:05:13 | 0:05:15 | |
I love everything about North Yorkshire. | 0:05:15 | 0:05:17 | |
-I love the dales, I love the moors, the villages... -Yeah. | 0:05:17 | 0:05:21 | |
-Ah, villages. -Quaint houses and things. Chocolate box. | 0:05:21 | 0:05:24 | |
Yeah, chocolate box. | 0:05:24 | 0:05:26 | |
And mainly because of the people. | 0:05:26 | 0:05:29 | |
Mel and Holly have had their fill of suburban life. | 0:05:29 | 0:05:32 | |
We'd like to be in a village. | 0:05:32 | 0:05:34 | |
And maybe on the outskirts rather than being right in the centre. | 0:05:34 | 0:05:37 | |
-Yeah. Somewhere where there's quite a community. -Yeah. | 0:05:37 | 0:05:40 | |
And they do seem to be clear about what they want in their new house. | 0:05:40 | 0:05:44 | |
We are looking for something with character. | 0:05:44 | 0:05:47 | |
-Yeah, beams. -An Aga. | 0:05:47 | 0:05:49 | |
An Aga, wood burning stove. | 0:05:49 | 0:05:52 | |
-Yeah. Lots of... -Fireplaces. -Yeah. | 0:05:52 | 0:05:54 | |
Kitchen-diner. | 0:05:54 | 0:05:56 | |
-Three bedrooms would be great. -Yeah. | 0:05:56 | 0:05:58 | |
We would quite like to have something like holiday lets to have | 0:05:58 | 0:06:02 | |
something where there's potential of some business and income. | 0:06:02 | 0:06:05 | |
Life in North Yorkshire will be very different | 0:06:05 | 0:06:08 | |
to living in the southeast. | 0:06:08 | 0:06:09 | |
A bit nervous. Obviously it's a big change and I'll be moving away | 0:06:09 | 0:06:13 | |
from half my family, some friends and things, but it'll be... | 0:06:13 | 0:06:16 | |
-But I'm very excited about it. -Yes. No, I'm very excited. | 0:06:16 | 0:06:19 | |
-Because I'll be with my family... -Yeah. | 0:06:19 | 0:06:22 | |
..for the first time in 26 years. | 0:06:22 | 0:06:23 | |
Yeah, and there'll be a lot of opportunities | 0:06:23 | 0:06:26 | |
-and things for us up there. -Yeah. -Yeah. | 0:06:26 | 0:06:28 | |
Mel and Holly are keen to move to a village property | 0:06:31 | 0:06:33 | |
within easy reach of family in Darlington. | 0:06:33 | 0:06:36 | |
But, before our search begins, I'm meeting them to learn more | 0:06:36 | 0:06:40 | |
about their proposed rural move. | 0:06:40 | 0:06:42 | |
Well, Holly, Mel, welcome to Yorkshire. | 0:06:42 | 0:06:44 | |
-Welcome back to Yorkshire for you, Mel. -Mmm hmm. | 0:06:44 | 0:06:47 | |
-This is home, isn't it? -Yes, it is. Yeah. | 0:06:47 | 0:06:49 | |
-Now, it's obviously your idea to come back up here. -Mm-hm. | 0:06:49 | 0:06:51 | |
Did you take much persuading? | 0:06:51 | 0:06:53 | |
Erm, no, not really. | 0:06:53 | 0:06:54 | |
I'm in-between jobs at the minute so I'm easy, I'm happy to move. | 0:06:54 | 0:06:59 | |
Be a new chapter for me and open some new opportunities for me, so... | 0:06:59 | 0:07:02 | |
What are you going to do with your spare time, because | 0:07:02 | 0:07:05 | |
there's so much on offer up here? | 0:07:05 | 0:07:06 | |
Yeah. We want to do a lot of walking, don't we? | 0:07:06 | 0:07:08 | |
-Yeah, we do. -Maybe get some dogs. -And photography. | 0:07:08 | 0:07:11 | |
Yeah, and then I'd like to shadow | 0:07:11 | 0:07:13 | |
a professional photographer here and... | 0:07:13 | 0:07:15 | |
So, give us an idea of the sort of property that you've pictured, | 0:07:15 | 0:07:19 | |
Mel, for your return to this part of the world. | 0:07:19 | 0:07:22 | |
It's got to have character, definitely, | 0:07:22 | 0:07:24 | |
-cos we live in quite a new house, don't we? -Yeah. | 0:07:24 | 0:07:26 | |
So, it's got to have character. | 0:07:26 | 0:07:28 | |
And are there any real no-nos in your wish list? | 0:07:28 | 0:07:31 | |
-No new builds. -Yeah. -No bungalows. | 0:07:31 | 0:07:33 | |
-No bungalows. -I'm too young. -Yeah. | 0:07:33 | 0:07:35 | |
THEY LAUGH | 0:07:35 | 0:07:37 | |
So, something nice and pretty - that, I think, is a given. | 0:07:37 | 0:07:40 | |
But what does it need to have? | 0:07:40 | 0:07:42 | |
How many bedrooms do you need, for example? | 0:07:42 | 0:07:44 | |
Well, it needs to have three, three bedrooms and possibly four. | 0:07:44 | 0:07:47 | |
-But we're quite relaxed on that, so... -Yeah. | 0:07:47 | 0:07:50 | |
And what about outside space, Holly? | 0:07:50 | 0:07:53 | |
We'd possibly like a potential to maybe have holiday lets or | 0:07:53 | 0:07:57 | |
extra space maybe to put up yurts or something in a garden | 0:07:57 | 0:07:59 | |
-if we've got a big bit of land. -Ooh, a bit of glamping maybe! | 0:07:59 | 0:08:02 | |
-A bit of glamping. -Yeah! Let's talk about the budget then. | 0:08:02 | 0:08:05 | |
How much do you want to spend on this whole move? | 0:08:05 | 0:08:07 | |
375,000. | 0:08:07 | 0:08:09 | |
If you take £375,000 all the way up from Surrey | 0:08:09 | 0:08:13 | |
-the horizon does get much broader. -Yeah. -Yeah, it does. | 0:08:13 | 0:08:16 | |
-And much prettier. -Yeah. -Yes. | 0:08:16 | 0:08:17 | |
And that's the really exciting thing. | 0:08:17 | 0:08:19 | |
We've got three really interesting properties to show you, | 0:08:19 | 0:08:22 | |
-one of which is our Mystery House. -Mm-hm! -Yeah. | 0:08:22 | 0:08:24 | |
-Yeah. -So, it'll be interesting to see what you make of it. | 0:08:24 | 0:08:26 | |
Right then, let's go. Come on. | 0:08:26 | 0:08:28 | |
Mel and Holly have £375,000 to spend on their new home. | 0:08:31 | 0:08:36 | |
They'd like to be in a village setting within easy reach | 0:08:36 | 0:08:38 | |
of family in Darlington. | 0:08:38 | 0:08:40 | |
They're after a three-bedroomed house, | 0:08:40 | 0:08:42 | |
with a large kitchen/diner and a garden. | 0:08:42 | 0:08:45 | |
Although the house is their main consideration, if it did offer | 0:08:45 | 0:08:48 | |
a business opportunity in the form of land or outbuildings that would | 0:08:48 | 0:08:52 | |
be a plus, although that might be tricky to achieve within the budget. | 0:08:52 | 0:08:56 | |
We've lined up three varied properties to show them over | 0:08:56 | 0:08:59 | |
the next couple of days, but I won't be revealing the price tags | 0:08:59 | 0:09:02 | |
until the end of each house tour. | 0:09:02 | 0:09:04 | |
Finally, our mystery house will challenge what they think | 0:09:04 | 0:09:07 | |
they want and test how much vision they have. | 0:09:07 | 0:09:11 | |
-I want to wake up to that view every morning. -Yeah. Me too. | 0:09:11 | 0:09:14 | |
Well, everywhere you look you are just spoilt for views. | 0:09:14 | 0:09:16 | |
But what about your long-term future, Holly? | 0:09:16 | 0:09:18 | |
Are you thinking that you might be buying a home of your own up here | 0:09:18 | 0:09:21 | |
in a few years' time? | 0:09:21 | 0:09:22 | |
Depends on when I leave the...the family home. | 0:09:22 | 0:09:25 | |
Well! Yeah, what do you think, Mum? | 0:09:25 | 0:09:28 | |
She did say she was going to live with me till she's 36. | 0:09:28 | 0:09:31 | |
-Wow! -Wow. -So you've got another 16 years! | 0:09:31 | 0:09:34 | |
THEY LAUGH | 0:09:34 | 0:09:36 | |
I don't think I can manage that! | 0:09:36 | 0:09:37 | |
Our first property is in the village of Melsonby, six miles from | 0:09:42 | 0:09:46 | |
Darlington, so convenient for visiting Mel's family. | 0:09:46 | 0:09:50 | |
It's an attractive village with a green at its centre and a brook. | 0:09:50 | 0:09:54 | |
There's a selection of old cottages and the property we're showing | 0:09:54 | 0:09:57 | |
them is right in the heart of things. | 0:09:57 | 0:09:59 | |
It's an old stone barn, once a cow shed, that was converted | 0:09:59 | 0:10:03 | |
into a home 28 years ago. | 0:10:03 | 0:10:05 | |
It's been completely refurbished and restyled by its current owners. | 0:10:05 | 0:10:09 | |
OK, ladies, come on in to property number one! What do you reckon? | 0:10:10 | 0:10:15 | |
-Lovely. Absolutely lovely. -Yeah? -Yeah, it's really nice actually. | 0:10:15 | 0:10:18 | |
Very pretty. | 0:10:18 | 0:10:20 | |
I suppose the obvious thing to say is that it is, technically... | 0:10:20 | 0:10:24 | |
Single storey. | 0:10:24 | 0:10:26 | |
..a bungalow. | 0:10:26 | 0:10:28 | |
THEY LAUGH | 0:10:28 | 0:10:30 | |
If you think of it in terms of being a single-storey barn conversion | 0:10:30 | 0:10:34 | |
-it takes on a completely different meaning. -Yeah. -Yeah. | 0:10:34 | 0:10:37 | |
-All right? -Yeah. | 0:10:37 | 0:10:39 | |
-Yes! We'll all positive, right. -Yeah. Yes! -Yes. -Yes! | 0:10:39 | 0:10:41 | |
Come on, let's have a look inside. | 0:10:41 | 0:10:43 | |
'Sadly, it doesn't offer business potential either.' | 0:10:43 | 0:10:47 | |
Come in, Holly. There we are! | 0:10:47 | 0:10:49 | |
What do you reckon then? | 0:10:49 | 0:10:51 | |
-Yeah, really nice. -Yeah. -It's lovely. | 0:10:51 | 0:10:54 | |
-Yeah. -Quite modern, isn't it? -Yeah. | 0:10:54 | 0:10:56 | |
It's very modern, but it does have this nice country feel, | 0:10:56 | 0:10:59 | |
the way the units are finished, this nice duck egg blue. | 0:10:59 | 0:11:02 | |
Through there is a utility room, boiler and so on | 0:11:02 | 0:11:05 | |
and access to the courtyard, so all the white goods are tucked away. | 0:11:05 | 0:11:09 | |
-Yes, very nice. -Yeah. | 0:11:09 | 0:11:10 | |
Now how's the bungalow thing going with you? | 0:11:10 | 0:11:13 | |
Erm... Yeah, it's all right. | 0:11:13 | 0:11:15 | |
It's not bothering me too much at the minute. | 0:11:15 | 0:11:17 | |
Yeah, I think we need to see the rest of it | 0:11:17 | 0:11:19 | |
-and see what we think. -Yeah, and make a decision. | 0:11:19 | 0:11:21 | |
Yeah. Come and have a look at this. | 0:11:21 | 0:11:23 | |
Now, I can quite see you two... | 0:11:27 | 0:11:30 | |
cosied up in here. | 0:11:30 | 0:11:32 | |
-Yeah. -Yeah. I love... | 0:11:32 | 0:11:34 | |
-I love the ceiling, love the beams. -Yeah. -Yep. | 0:11:34 | 0:11:36 | |
And I think it's rather nice, | 0:11:36 | 0:11:38 | |
-cos you come from the kitchen into this space. -Yeah. -Yeah. | 0:11:38 | 0:11:41 | |
-And it opens up, doesn't it? -Yeah. | 0:11:41 | 0:11:43 | |
It's not huge but it feels spacious. | 0:11:43 | 0:11:45 | |
And for family gatherings, just imagine Christmas! | 0:11:45 | 0:11:48 | |
-Yeah, you can actually. -Yeah! -Yeah. | 0:11:48 | 0:11:51 | |
-Ooh, you see? -I really like it. | 0:11:51 | 0:11:54 | |
Well, let's go upstairs. | 0:11:54 | 0:11:55 | |
Oh, no, let's not go upstairs! Let's go and look at the bedrooms! | 0:11:55 | 0:11:59 | |
Ha-ha, you see? | 0:11:59 | 0:12:00 | |
Ah, nearly got you going! | 0:12:00 | 0:12:01 | |
Yes, there's no upstairs. | 0:12:01 | 0:12:03 | |
Back through the kitchen to the other end of the house, | 0:12:06 | 0:12:09 | |
there are three bedrooms - | 0:12:09 | 0:12:11 | |
a cosy double, | 0:12:11 | 0:12:13 | |
another double currently being used as a child's room, | 0:12:13 | 0:12:16 | |
and also a neutrally decorated bathroom. | 0:12:16 | 0:12:19 | |
But I'm taking them to the master bedroom. | 0:12:19 | 0:12:22 | |
Now, I'm wondering if this is your room, Holly. | 0:12:23 | 0:12:26 | |
-What, the master bedroom? -Cos it's got the en-suite, yeah. | 0:12:26 | 0:12:28 | |
No, I think I'll have to give that to Mum, yeah. | 0:12:28 | 0:12:32 | |
I could see that coming, yeah. | 0:12:32 | 0:12:34 | |
-It's not a bad size. -It's the biggest of the three. -Yeah. | 0:12:34 | 0:12:37 | |
The others are all doubles, so I guess you'd get first pick. | 0:12:37 | 0:12:39 | |
-Yeah, and then Lily can have.. -Lily'll get what's left. | 0:12:39 | 0:12:42 | |
Is our bungalow moving you at all? | 0:12:42 | 0:12:44 | |
LAUGHTER | 0:12:44 | 0:12:46 | |
-I think it's really beautiful. -Yeah. | 0:12:46 | 0:12:48 | |
I think the decorating, the taste is really nice, it's really good. | 0:12:48 | 0:12:53 | |
-Yeah. It's quite similar to what we...we have. -Yeah. | 0:12:53 | 0:12:56 | |
Well, let's go outside and think about the price | 0:12:56 | 0:12:58 | |
-and show you that courtyard. -Yeah. -OK. | 0:12:58 | 0:13:00 | |
Maybe that will be the icing on the cake. Go on, after you. | 0:13:00 | 0:13:03 | |
Outside, there's double-gated access to the walled front garden | 0:13:05 | 0:13:09 | |
which is grassed with a raised patio area. | 0:13:09 | 0:13:11 | |
At the back is a long, narrow paved garden with a well-planted border, | 0:13:11 | 0:13:16 | |
and it's all pretty low-maintenance. | 0:13:16 | 0:13:19 | |
-This is a perfect size... -Yeah. -..maintenance-wise. | 0:13:19 | 0:13:23 | |
OK, so, how much is property number one on the market for? | 0:13:23 | 0:13:28 | |
I think it's on for 345. | 0:13:28 | 0:13:31 | |
345? Yeah. Holly? | 0:13:31 | 0:13:34 | |
I was going to actually go a bit lower, say about 330. | 0:13:34 | 0:13:37 | |
You have clearly done it before cos it is on the market... | 0:13:37 | 0:13:40 | |
-Is it? -..for £345,000, yeah! | 0:13:40 | 0:13:42 | |
-Ah-ha! -How about that! -1-0 to you. -Yeah, 1-0. | 0:13:42 | 0:13:45 | |
Yeah. But, you know, it's your first go, Holly, | 0:13:45 | 0:13:47 | |
so I think that's fair enough. | 0:13:47 | 0:13:49 | |
-And I like your optimism... -Yeah. -..coming in a little bit under that. | 0:13:49 | 0:13:52 | |
-345, oh! -Yeah. OK, go and have an explore, | 0:13:52 | 0:13:55 | |
and I will catch up with you a little bit later. | 0:13:55 | 0:13:57 | |
-OK. Mmm. -Off you go. -Thanks. | 0:13:57 | 0:13:59 | |
For £30,000 under their maximum budget, | 0:14:03 | 0:14:06 | |
this single storey stone barn conversion | 0:14:06 | 0:14:09 | |
provides an enormous open plan kitchen-dining room, | 0:14:09 | 0:14:12 | |
an impressive sitting room with vaulted ceiling, | 0:14:12 | 0:14:15 | |
and three bedrooms, with the master being en suite, | 0:14:15 | 0:14:17 | |
and outside there are low-maintenance gardens. | 0:14:17 | 0:14:20 | |
This is a lovely room. | 0:14:21 | 0:14:23 | |
Yeah, nice high, vaulted ceilings. | 0:14:23 | 0:14:26 | |
-Yeah, I could really imagine having Christmas in here. -Yeah. -Yeah. | 0:14:26 | 0:14:28 | |
-With a Christmas tree. -Yeah. | 0:14:28 | 0:14:31 | |
I think my favourite room in house one is the kitchen. | 0:14:31 | 0:14:36 | |
I like the open plan space. | 0:14:36 | 0:14:39 | |
And secondly I think probably the lounge | 0:14:39 | 0:14:42 | |
because of the high ceilings and the beams. | 0:14:42 | 0:14:47 | |
I think the problem with house number one is that it's one storey. | 0:14:47 | 0:14:50 | |
Obviously at home I'm used to having two storeys | 0:14:50 | 0:14:52 | |
so it's something that I'd have to get used to if we were to move here. | 0:14:52 | 0:14:55 | |
My overall thought on property one is it's a beautiful house, | 0:14:55 | 0:15:01 | |
it's in a beautiful location, | 0:15:01 | 0:15:03 | |
I think I just would struggle with the one level. | 0:15:03 | 0:15:06 | |
Well, that's it. One down, two to go. | 0:15:08 | 0:15:13 | |
Yeah. | 0:15:13 | 0:15:15 | |
Is it a contender? | 0:15:15 | 0:15:17 | |
-We need to see the others, don't we, first? -Yeah. | 0:15:17 | 0:15:20 | |
That's what everybody says. Come on. | 0:15:20 | 0:15:22 | |
Mel is a keen gardener and loves attracting wildlife, | 0:15:28 | 0:15:31 | |
which keen photographer Holly likes to capture on film, | 0:15:31 | 0:15:35 | |
so we've arranged for them to visit Harlow Carr Gardens in Harrogate. | 0:15:35 | 0:15:39 | |
They're meeting nursery manager Andrew Wilcox. | 0:15:39 | 0:15:42 | |
-Hi, I'm Holly. -Hello Holly. -Hi. -Hi, I'm Mel. | 0:15:43 | 0:15:45 | |
Hello, Mel. Welcome to Harlow Carr! | 0:15:45 | 0:15:47 | |
What part of the gardens are we in now? | 0:15:47 | 0:15:50 | |
We are on what has been known for years here as the Broadwalk, | 0:15:50 | 0:15:53 | |
which is the herbaceous borders, and we've put in a wide | 0:15:53 | 0:15:56 | |
and varied range of plants which provides a longer period | 0:15:56 | 0:15:59 | |
of time for the insects, particularly bees and butterflies, | 0:15:59 | 0:16:02 | |
to gather more pollen and nectar from as early as April | 0:16:02 | 0:16:05 | |
right through until October. | 0:16:05 | 0:16:07 | |
We'd like to really encourage wildlife in our new garden | 0:16:07 | 0:16:10 | |
and our new home, so what sort of plants | 0:16:10 | 0:16:12 | |
would encourage bees and butterflies? | 0:16:12 | 0:16:15 | |
Generally, you're looking for plants that are bright and vibrant, | 0:16:15 | 0:16:18 | |
in particular the Salvia sylvestris, which is excellent for honeybees. | 0:16:18 | 0:16:21 | |
Lavenders are excellent as well, particularly for bumblebees. | 0:16:21 | 0:16:25 | |
There's another part of the garden, the wild flower garden, | 0:16:25 | 0:16:28 | |
which is built up of native flowers, | 0:16:28 | 0:16:30 | |
things like ox-eye daisies and ragged robin, | 0:16:30 | 0:16:33 | |
which are excellent pollinators for our bees and butterflies. | 0:16:33 | 0:16:36 | |
And also in that meadow there's a lot of grass, | 0:16:36 | 0:16:38 | |
which looks like an untidy mess, | 0:16:38 | 0:16:40 | |
but it provides an excellent food source | 0:16:40 | 0:16:42 | |
for the butterfly caterpillars so that they can actually produce | 0:16:42 | 0:16:45 | |
the full life cycle in their own sort of nature reserve, if you like. | 0:16:45 | 0:16:49 | |
Armed with top gardening tips, Holly and Mel are now meeting | 0:16:49 | 0:16:53 | |
wildlife photographer Simon Roy. | 0:16:53 | 0:16:55 | |
What do you find is the easiest to take pictures of in wildlife? | 0:16:55 | 0:16:58 | |
Well, probably garden birds because you can get them | 0:16:58 | 0:17:00 | |
in the garden using feeders, especially in winter and spring. | 0:17:00 | 0:17:04 | |
So, what's the best weather conditions? | 0:17:04 | 0:17:06 | |
Probably the best weather conditions is like today, | 0:17:06 | 0:17:08 | |
sunshine through white cloud. | 0:17:08 | 0:17:09 | |
If it's too sunny, it can ruin your photography, | 0:17:09 | 0:17:13 | |
especially white flowers cos the exposure's too difficult. | 0:17:13 | 0:17:16 | |
So, what are you photographing now? | 0:17:16 | 0:17:17 | |
I'm just trying to shoot through the yellow flowers | 0:17:17 | 0:17:20 | |
-and the white flowers and, see that red flower there? -Yeah. | 0:17:20 | 0:17:22 | |
I'm trying to use the rules of composition | 0:17:22 | 0:17:24 | |
and I'm just trying to blur the foreground | 0:17:24 | 0:17:26 | |
and background foliage to try and isolate the subject. | 0:17:26 | 0:17:29 | |
-Can I have a go? -Yeah, of course, yeah. | 0:17:29 | 0:17:30 | |
That's lovely. You see and what you should do, really, | 0:17:35 | 0:17:38 | |
you should imagine that the scene is split into a grid. | 0:17:38 | 0:17:40 | |
-Right. -And then put your subject on about the third way in like this so. | 0:17:40 | 0:17:44 | |
-Oh, really? -And everything else sort of blurred out | 0:17:44 | 0:17:47 | |
and you've got that one nicely isolated. | 0:17:47 | 0:17:49 | |
-Rather than in the centre? -Yeah. Well, you can do it in the centre, | 0:17:49 | 0:17:51 | |
but it's more dynamic if you do it to one side. That's a lovely shot. | 0:17:51 | 0:17:54 | |
I'm really interested in being a wildlife photographer. | 0:17:54 | 0:17:57 | |
What sort of tips would you have? | 0:17:57 | 0:17:58 | |
I think the biggest thing is patience, cos wildlife's | 0:17:58 | 0:18:01 | |
really unpredictable and you just have to be patient and | 0:18:01 | 0:18:03 | |
sometimes wait for a long time, you know, for your subject to come in. | 0:18:03 | 0:18:06 | |
-Yeah. -And subject knowledge. | 0:18:06 | 0:18:08 | |
Understanding your subject will give you a better chance | 0:18:08 | 0:18:11 | |
-of capturing wildlife. -Thank you so much for all the tips. | 0:18:11 | 0:18:14 | |
-Thank you very much. Nice to meet you. -Nice to meet you. | 0:18:14 | 0:18:16 | |
Good luck with your house hunting and wildlife photography. | 0:18:16 | 0:18:19 | |
-Thank you. -Thank you. -Bye. -Bye | 0:18:19 | 0:18:21 | |
It's the second day of our property search | 0:18:31 | 0:18:33 | |
and, on a budget of £375,000, we're in North Yorkshire | 0:18:33 | 0:18:37 | |
seeking a rural retreat for Mel and Holly | 0:18:37 | 0:18:40 | |
from Worcester Park, Surrey. | 0:18:40 | 0:18:42 | |
Coming up, our mystery house gives them food for thought. | 0:18:42 | 0:18:45 | |
I am...keeping an open mind. | 0:18:45 | 0:18:48 | |
'And I'm back at Richmond Castle...' | 0:18:48 | 0:18:50 | |
What a fascinating place! | 0:18:50 | 0:18:52 | |
'..to uncover its wartime secrets.' | 0:18:52 | 0:18:54 | |
I mean, these walls really do talk, don't they? | 0:18:54 | 0:18:57 | |
They speak volumes. | 0:18:57 | 0:18:58 | |
Look at that, the Dales bathed in glorious sunshine. | 0:19:00 | 0:19:04 | |
What a way to start our final day of house hunting, | 0:19:04 | 0:19:07 | |
which is all set to be a particularly busy one | 0:19:07 | 0:19:10 | |
because we have not one but two properties to see | 0:19:10 | 0:19:13 | |
including, of course, our Mystery House. | 0:19:13 | 0:19:16 | |
Now. yesterday I thought went reasonably well | 0:19:16 | 0:19:18 | |
but, despite the obvious charm and beauty of our barn conversion, | 0:19:18 | 0:19:22 | |
it does seem to lack that second floor | 0:19:22 | 0:19:24 | |
that both Mel and Holly are determined to have. | 0:19:24 | 0:19:27 | |
So, two properties to come, each, I'm pleased to say, | 0:19:27 | 0:19:30 | |
with two storeys I suspect in more ways than one. | 0:19:30 | 0:19:34 | |
Our second property is in the village of Scruton, | 0:19:36 | 0:19:39 | |
half an hour's drive from Darlington. | 0:19:39 | 0:19:41 | |
Scruton is a lively, social village with a church, | 0:19:43 | 0:19:46 | |
a pub, and a village hall. | 0:19:46 | 0:19:48 | |
The property we're showing Mel and Holly is an impressive stone | 0:19:48 | 0:19:51 | |
cottage in the heart of the village. | 0:19:51 | 0:19:53 | |
Well, here we are then. | 0:19:55 | 0:19:56 | |
What do you reckon to this little gem? | 0:19:56 | 0:19:58 | |
-It's gorgeous! It's really quaint. -It's beautiful. | 0:19:58 | 0:20:02 | |
-Isn't it? -Yeah. -It's really sweet. | 0:20:02 | 0:20:04 | |
-Looks like a chocolate box. -Yeah. -It's nice. | 0:20:04 | 0:20:06 | |
It is and it's all just been done and renovated to a really, | 0:20:06 | 0:20:11 | |
-really high standard. It's Grade II listed... -OK. | 0:20:11 | 0:20:14 | |
..but that doesn't need to worry you because it's all | 0:20:14 | 0:20:17 | |
been sorted out. There's nothing you'd need to do here. | 0:20:17 | 0:20:19 | |
I don't even think you need to paint it, to be perfectly frank. | 0:20:19 | 0:20:22 | |
I mean, the finish is lovely. | 0:20:22 | 0:20:24 | |
-Happy? -Yeah, very. -Yeah. Excited. -Right then, let's have a look! | 0:20:24 | 0:20:27 | |
'While there's no obvious business opportunity here, | 0:20:28 | 0:20:31 | |
'I think this house will really wow them.' | 0:20:31 | 0:20:34 | |
Right, look at this. | 0:20:34 | 0:20:36 | |
Ah-ha! Lots to tempt you with. | 0:20:36 | 0:20:39 | |
Let's start in here. | 0:20:39 | 0:20:41 | |
Oh, wow. I love this. | 0:20:41 | 0:20:43 | |
-Yeah? -Yeah. Love it. | 0:20:43 | 0:20:46 | |
This is the living room. | 0:20:46 | 0:20:47 | |
It's not the only reception space you've got, | 0:20:47 | 0:20:50 | |
it's mirrored by the dining room, which is across the hallway. | 0:20:50 | 0:20:52 | |
Similar sort of size, similar spec, they've both got fireplaces. | 0:20:52 | 0:20:56 | |
All the fireplaces here work, which is really nice, | 0:20:56 | 0:20:59 | |
and I think this is a great indication of the sort of finish | 0:20:59 | 0:21:02 | |
we can expect around the rest of the property. | 0:21:02 | 0:21:04 | |
Yeah. It is lovely. | 0:21:04 | 0:21:06 | |
Yeah, I love the beam. | 0:21:06 | 0:21:07 | |
Holly? | 0:21:07 | 0:21:09 | |
Yeah, I'm a bit speechless. I love the beam, yeah. | 0:21:09 | 0:21:11 | |
It feels nice. It feels... | 0:21:11 | 0:21:13 | |
Yeah, it's got a lovely feeling to it. It's very homely. | 0:21:13 | 0:21:16 | |
-Now, the kitchen is through here. -OK. | 0:21:16 | 0:21:18 | |
It has something in you are going to really love. | 0:21:18 | 0:21:21 | |
Come and have a look at this. | 0:21:21 | 0:21:22 | |
There you go, Mel. Didn't you want one of those? | 0:21:25 | 0:21:28 | |
Oh, my goodness. Yes, I wanted a range. | 0:21:28 | 0:21:32 | |
-That's lovely. -Yeah? -Mmm. | 0:21:32 | 0:21:34 | |
A gorgeous fitted kitchen. And this is lovely - | 0:21:34 | 0:21:37 | |
how about that for a larder? | 0:21:37 | 0:21:39 | |
Oh, very nice. That is very nice. | 0:21:39 | 0:21:40 | |
That's nice and big. | 0:21:40 | 0:21:42 | |
-It's gorgeous, isn't it? -Yeah. | 0:21:42 | 0:21:44 | |
It's not the huge kitchen-diner, but I don't think it matters. | 0:21:44 | 0:21:47 | |
No. I don't think it would do the house justice | 0:21:47 | 0:21:49 | |
if it was a big kitchen-diner. | 0:21:49 | 0:21:50 | |
No. Yeah, it's very fitting. | 0:21:50 | 0:21:52 | |
I don't think I would change it actually. No, lovely. | 0:21:52 | 0:21:54 | |
Great. Come through here. Have a look at this. | 0:21:54 | 0:21:57 | |
Now this, to me, | 0:22:00 | 0:22:02 | |
is one of the really clever bits in this renovation. | 0:22:02 | 0:22:05 | |
You've got the old house behind us, you've got the old outhouse | 0:22:05 | 0:22:09 | |
and garage, and they've linked the whole thing with this... | 0:22:09 | 0:22:12 | |
well, amazing garden room. | 0:22:12 | 0:22:14 | |
What a family space. | 0:22:14 | 0:22:16 | |
Oh, it's beautiful. | 0:22:16 | 0:22:17 | |
And then, through there, a really well-equipped utility room. | 0:22:17 | 0:22:21 | |
Fridge-freezer is out there and then a door through to a garage, | 0:22:21 | 0:22:24 | |
so you've also got off-street parking if you need it. | 0:22:24 | 0:22:27 | |
-That's good, isn't it? -Yeah. | 0:22:27 | 0:22:29 | |
It's beautiful. What a lovely addition. | 0:22:29 | 0:22:31 | |
-It's a very sociable area, isn't it? -Yeah. | 0:22:31 | 0:22:32 | |
-Happy, Holly? -Yeah. I really like it, yeah. | 0:22:32 | 0:22:35 | |
Come on, let's get upstairs | 0:22:35 | 0:22:36 | |
because there is an upstairs, you'll be pleased to know. | 0:22:36 | 0:22:39 | |
Through the garden room, there's a study | 0:22:40 | 0:22:42 | |
and next to it a cloakroom with shower. | 0:22:42 | 0:22:45 | |
We need to go up here. | 0:22:46 | 0:22:48 | |
-OK. -Oh. | 0:22:48 | 0:22:49 | |
The cottage has a steep staircase leading to three bedrooms - | 0:22:52 | 0:22:55 | |
a large double with a hand basin, | 0:22:55 | 0:22:57 | |
a smaller double being used as a dressing room | 0:22:57 | 0:23:01 | |
and it has a beautifully fitted bathroom with another shower. | 0:23:01 | 0:23:04 | |
And then finally, Mel, this is yours. | 0:23:07 | 0:23:10 | |
-Oh, my gosh! -Wow. | 0:23:10 | 0:23:11 | |
Oh, this is lovely! | 0:23:11 | 0:23:13 | |
-Yeah? -Yeah. | 0:23:13 | 0:23:15 | |
And your room is not a lot smaller than this next door, really. | 0:23:15 | 0:23:17 | |
-No, it's not. It's not. -No. This is beautiful. It's lovely. | 0:23:17 | 0:23:21 | |
-Isn't it? -Yeah. -Whoa-ho-ho! | 0:23:21 | 0:23:24 | |
I think we've hit the nail on the head! | 0:23:24 | 0:23:26 | |
I'm feeling a bit tearful! | 0:23:26 | 0:23:28 | |
-Yeah? -Yeah. -You can see yourselves in here, then? | 0:23:28 | 0:23:31 | |
I really, really do like this, yeah. | 0:23:31 | 0:23:33 | |
Let's go down to the garden and get some fresh air, | 0:23:33 | 0:23:35 | |
talk about the price. Go on, Holly, | 0:23:35 | 0:23:37 | |
open that door. | 0:23:37 | 0:23:39 | |
'So, this place has hit the mark, but what will they make | 0:23:40 | 0:23:43 | |
'of the outdoor space?' | 0:23:43 | 0:23:44 | |
The cottage has a formal front garden enclosed by hedging | 0:23:46 | 0:23:49 | |
and at the back is a private garden with patio area. | 0:23:49 | 0:23:52 | |
Come on, then, let's have a sit down | 0:23:54 | 0:23:57 | |
and relax a while. | 0:23:57 | 0:23:59 | |
Back garden, obviously. | 0:23:59 | 0:24:00 | |
Nice and secluded, as you can see, | 0:24:00 | 0:24:02 | |
but I think it just kind of complements a really nice package. | 0:24:02 | 0:24:05 | |
-It does. -Yeah. | 0:24:05 | 0:24:07 | |
So, Holly, I'm going to get you to guess the price first. | 0:24:07 | 0:24:10 | |
Where is property two on the scale of things? | 0:24:10 | 0:24:13 | |
Erm... | 0:24:13 | 0:24:15 | |
I think it's at our top end of our budget. 375, I'm going to guess. | 0:24:15 | 0:24:18 | |
-Yeah, top end. -Yeah, I was going to say that. | 0:24:18 | 0:24:21 | |
-You can, you can agree. -I think I'll be a bit different. | 0:24:21 | 0:24:24 | |
I think it is... | 0:24:24 | 0:24:27 | |
365. | 0:24:27 | 0:24:29 | |
I hate you. You get it right all the time! | 0:24:31 | 0:24:34 | |
No! Did I? | 0:24:34 | 0:24:36 | |
-You did! You did, yeah. -I'm too good. | 0:24:36 | 0:24:39 | |
£365,000. | 0:24:39 | 0:24:42 | |
-And it really is 365? -It really is. It really is. | 0:24:42 | 0:24:44 | |
-I'm really good at this. -I'm impressed. | 0:24:44 | 0:24:46 | |
So it's just under budget, but nothing to do. | 0:24:46 | 0:24:50 | |
-No. -Nothing to do. You could literally move in. | 0:24:50 | 0:24:54 | |
Nothing, just put your furniture in. | 0:24:54 | 0:24:56 | |
-Why don't you? -Yeah. | 0:24:56 | 0:24:58 | |
Go and have an explore and see where it might all go. | 0:24:58 | 0:25:00 | |
-Thank you. -And I'll catch up with you later. | 0:25:00 | 0:25:03 | |
I think I might just stay here and cool down because, | 0:25:03 | 0:25:07 | |
believe you me, our house tours really are hotting up. | 0:25:07 | 0:25:11 | |
This Grade II listed stone cottage | 0:25:12 | 0:25:15 | |
is priced £10,000 under their maximum budget | 0:25:15 | 0:25:18 | |
and is in mint condition. | 0:25:18 | 0:25:20 | |
It has a beautiful country kitchen with range, | 0:25:20 | 0:25:22 | |
a bespoke conservatory, and three bedrooms. | 0:25:22 | 0:25:26 | |
There are private gardens front and rear, as well as a garage. | 0:25:26 | 0:25:29 | |
-I love this room. -Yeah, it's a lovely room. | 0:25:31 | 0:25:33 | |
I don't think I'd have it as a dining room, I think | 0:25:33 | 0:25:35 | |
I would probably have it like another snug | 0:25:35 | 0:25:37 | |
and have a sofa bed, like, if people wanted to come and stay. | 0:25:37 | 0:25:41 | |
-Yeah. -And I'd have a big TV on the back wall. | 0:25:41 | 0:25:45 | |
Yeah. | 0:25:45 | 0:25:46 | |
I love house two. | 0:25:46 | 0:25:48 | |
It doesn't need anything doing to it, you can move straight in. | 0:25:48 | 0:25:51 | |
Love the kitchen, the conservatory is fantastic... | 0:25:51 | 0:25:56 | |
I love all of it, really. | 0:25:56 | 0:25:57 | |
I could really see house number two as a contender. | 0:25:57 | 0:26:00 | |
I think me, Mum and Lils would be really happy here. | 0:26:00 | 0:26:03 | |
So, that's it, then, property two is done and dusted. | 0:26:03 | 0:26:06 | |
An absolute gem. | 0:26:06 | 0:26:08 | |
Clearly top of the list at the moment. | 0:26:08 | 0:26:10 | |
-Yeah, beautiful. -Yeah, definitely. | 0:26:10 | 0:26:12 | |
So our Mystery House has got some competition. | 0:26:12 | 0:26:14 | |
-It has. -Let's go and see it. | 0:26:14 | 0:26:16 | |
Well, property two went well! | 0:26:25 | 0:26:28 | |
Didn't it just? | 0:26:28 | 0:26:31 | |
-Yes! -Got a bit emotional. | 0:26:31 | 0:26:32 | |
Are you going to get the chequebook out? | 0:26:32 | 0:26:35 | |
-Ah... -That would make me emotional. | 0:26:35 | 0:26:37 | |
-Yeah. -And me. | 0:26:37 | 0:26:40 | |
Well, our last property is just down the road | 0:26:40 | 0:26:43 | |
and we're going to head more into the heart of the Dales for this one. | 0:26:43 | 0:26:46 | |
Oh, OK! | 0:26:46 | 0:26:48 | |
It is the Mystery House, after all, so something a little bit different. | 0:26:48 | 0:26:52 | |
Our final property, the Mystery House, is in the village | 0:26:56 | 0:26:59 | |
of Carperby, which is situated 30 miles from Darlington, | 0:26:59 | 0:27:03 | |
so quite a bit further than the other two houses | 0:27:03 | 0:27:06 | |
for access to family. | 0:27:06 | 0:27:07 | |
Carperby is a small village in the Dales with a well-known hotel, | 0:27:07 | 0:27:11 | |
The Wheatsheaf, where author James Herriot and his bride | 0:27:11 | 0:27:13 | |
spent their honeymoon. | 0:27:13 | 0:27:15 | |
In the heart of the village, a high-stepped cross dated 1674 | 0:27:15 | 0:27:19 | |
tells of the time when there was a regular market here. | 0:27:19 | 0:27:23 | |
Our house is stone built and sits in the centre of the village. | 0:27:23 | 0:27:27 | |
It's very different from the other two houses as it offers | 0:27:27 | 0:27:30 | |
a separate annexe which could offer real business potential, | 0:27:30 | 0:27:33 | |
but this house does require some imagination. | 0:27:33 | 0:27:36 | |
Right then, here we are, Mystery House. | 0:27:38 | 0:27:40 | |
Hmm. | 0:27:40 | 0:27:41 | |
Now, it used to be a bungalow... | 0:27:41 | 0:27:43 | |
..but it's not any more. | 0:27:45 | 0:27:47 | |
20 years ago, they put a second floor on. | 0:27:47 | 0:27:50 | |
But, importantly, this one comes with a completely detached annexe. | 0:27:50 | 0:27:55 | |
Now, I know it wasn't something you had to have, | 0:27:55 | 0:27:58 | |
-but we are thinking ahead about what business may come your way. -Yeah. | 0:27:58 | 0:28:02 | |
So we're thinking, if you do want a holiday let business, | 0:28:02 | 0:28:04 | |
then it's got to be in a holiday area, and this is it. | 0:28:04 | 0:28:07 | |
Now, structurally it's all there, | 0:28:07 | 0:28:08 | |
but it is going to need a bit of TLC in terms of its decor. | 0:28:08 | 0:28:14 | |
-OK. -Because property two is the challenger at the moment | 0:28:14 | 0:28:17 | |
that this, our Mystery, has to compete with. | 0:28:17 | 0:28:20 | |
Come on, let's see what you think. | 0:28:20 | 0:28:22 | |
They do seem a bit quiet, but I'm hoping they will see | 0:28:23 | 0:28:26 | |
the potential with this place. | 0:28:26 | 0:28:28 | |
There. | 0:28:29 | 0:28:31 | |
-Slightly different from house two. -Yeah. | 0:28:31 | 0:28:33 | |
Very different from house two | 0:28:33 | 0:28:35 | |
-and I'm very conscious of the fact that we are... -Compact. | 0:28:35 | 0:28:38 | |
..trying to compare one with another. | 0:28:38 | 0:28:41 | |
What this one lacks in terms of decor and finish it makes up for | 0:28:41 | 0:28:45 | |
in extra space because of the annexe next-door, and the views, obviously. | 0:28:45 | 0:28:49 | |
-Yeah. -I think we've spoilt you in number two! | 0:28:49 | 0:28:52 | |
I am keeping an open mind. | 0:28:54 | 0:28:57 | |
-Yeah, the fireplace is nice. -Yeah. | 0:28:57 | 0:29:00 | |
The stone wall's nice. OK, we need to see a bit more. | 0:29:00 | 0:29:03 | |
-Yeah? -Yeah. -Let's continue. | 0:29:03 | 0:29:04 | |
Have a look in here. This is the kitchen. | 0:29:04 | 0:29:06 | |
There we go. | 0:29:07 | 0:29:09 | |
Again, I mean, this does need some updating. | 0:29:09 | 0:29:12 | |
-Yes. -Yeah. | 0:29:12 | 0:29:13 | |
It's all very functional, it's all very clean, it's all working. | 0:29:13 | 0:29:16 | |
So, come on then, Holly, don't bottle it up, what are you thinking? | 0:29:16 | 0:29:19 | |
There's no cosy, warm feeling | 0:29:19 | 0:29:21 | |
and obviously things aren't quite to our taste. | 0:29:21 | 0:29:24 | |
You're struggling with this because you've never really had | 0:29:24 | 0:29:26 | |
to consider what to do with a property before, have you? | 0:29:26 | 0:29:29 | |
No. No, I haven't, so it's quite difficult | 0:29:29 | 0:29:32 | |
to see past the current decor, I think. | 0:29:32 | 0:29:34 | |
Well, there's lots to see here. | 0:29:34 | 0:29:36 | |
Let's go upstairs and then we'll go out to the annexe. | 0:29:36 | 0:29:38 | |
So, they're not taken with it so far, but I'm really keen that they | 0:29:40 | 0:29:44 | |
remain open-minded as there is so much more to see. | 0:29:44 | 0:29:47 | |
Downstairs, the house also has a dining room | 0:29:47 | 0:29:50 | |
as well as a fourth bedroom. | 0:29:50 | 0:29:52 | |
Upstairs, there are three bedrooms - | 0:29:52 | 0:29:54 | |
a double being used as a single, | 0:29:54 | 0:29:57 | |
a good-sized double, and a large family bathroom with corner bath. | 0:29:57 | 0:30:00 | |
And then this is the master, Mel. | 0:30:01 | 0:30:04 | |
-Yeah. Yeah, this is nice. A good size. -Yeah? -Yeah. | 0:30:05 | 0:30:09 | |
It has an en-suite shower room and, of course, those views. | 0:30:09 | 0:30:13 | |
-The views are beautiful. -Yeah. | 0:30:13 | 0:30:15 | |
The main property itself is, frankly, | 0:30:15 | 0:30:19 | |
almost as big as the annexe. | 0:30:19 | 0:30:21 | |
-Right. -So, actually, you could pick and choose | 0:30:21 | 0:30:24 | |
as to which one becomes the main house. | 0:30:24 | 0:30:26 | |
-I don't know, it's maybe a thought to have. -Yeah. -Yeah. | 0:30:26 | 0:30:29 | |
So let's go and have a look at that and then we'll enjoy those views | 0:30:29 | 0:30:32 | |
and talk about the money, yeah? | 0:30:32 | 0:30:34 | |
'I'm hoping that they'll like the annexe. | 0:30:34 | 0:30:37 | |
'It's currently used as a workshop, but it could easily | 0:30:37 | 0:30:40 | |
'be subdivided and let out to provide income.' | 0:30:40 | 0:30:43 | |
There. | 0:30:43 | 0:30:44 | |
-Wow! -It's huge inside. | 0:30:44 | 0:30:46 | |
So it's arranged over two levels. | 0:30:51 | 0:30:53 | |
We're going to start with this one, though. | 0:30:53 | 0:30:56 | |
What do you think of this? | 0:30:56 | 0:30:58 | |
Wow. | 0:30:58 | 0:30:59 | |
You see what I mean? The footprint of this annexe is huge. | 0:30:59 | 0:31:03 | |
Yeah, it is huge. This is a massive space. | 0:31:03 | 0:31:06 | |
That door through there is a separate storeroom. | 0:31:06 | 0:31:09 | |
That could become, for example, a bathroom, | 0:31:09 | 0:31:11 | |
-if it needed to be. -Yes, it could. | 0:31:11 | 0:31:14 | |
And upstairs you've got, already, | 0:31:14 | 0:31:17 | |
a kitchenette, a living room | 0:31:17 | 0:31:19 | |
and a double bedroom. | 0:31:19 | 0:31:21 | |
So this is just waiting for somebody to kind of take it on. | 0:31:21 | 0:31:25 | |
-You could make this a fantastic kitchen-diner. -Yeah. | 0:31:25 | 0:31:27 | |
-Yeah. -It's a blank canvas, isn't it? -Yeah. | 0:31:27 | 0:31:29 | |
It's a bit more inspiring here. | 0:31:29 | 0:31:32 | |
Yeah, definitely could use this space. | 0:31:32 | 0:31:35 | |
Right then, money. | 0:31:35 | 0:31:36 | |
-Let's go and talk about it in the garden. -OK. -Come on. | 0:31:36 | 0:31:39 | |
'Outside, the property has a rear south-facing garden | 0:31:41 | 0:31:44 | |
'with amazing views over the Dales.' | 0:31:44 | 0:31:47 | |
There we go. | 0:31:47 | 0:31:48 | |
Now the view that we keep talking about is of Penhill, there it is, | 0:31:48 | 0:31:52 | |
and Wensleydale. It is gorgeous. | 0:31:52 | 0:31:55 | |
And there, our Mystery Property - | 0:31:55 | 0:31:57 | |
maybe two properties, for the price of one. Who knows? | 0:31:57 | 0:32:00 | |
So let's think about the price, then, of our Mystery House. | 0:32:00 | 0:32:03 | |
I think... | 0:32:03 | 0:32:05 | |
-285. -285. -Mm-hmm. | 0:32:05 | 0:32:08 | |
Holly? | 0:32:08 | 0:32:09 | |
I was going to go a little bit higher... | 0:32:09 | 0:32:12 | |
320. | 0:32:12 | 0:32:13 | |
It's not 320, I'm afraid. | 0:32:13 | 0:32:15 | |
It's on at 370. | 0:32:15 | 0:32:18 | |
Oh... | 0:32:18 | 0:32:20 | |
And that is the draw of that, | 0:32:20 | 0:32:22 | |
and this part of the world. | 0:32:22 | 0:32:24 | |
I was really out. | 0:32:24 | 0:32:25 | |
-You were well out! I was surprised, actually. -Yeah! | 0:32:25 | 0:32:28 | |
-But hey, you were there, you were closest. -I was the closest. | 0:32:28 | 0:32:32 | |
Let's not rush off just yet. | 0:32:32 | 0:32:34 | |
Go and have another look around and I'll come and find you a bit later. | 0:32:34 | 0:32:37 | |
-OK. -Off you go. | 0:32:37 | 0:32:39 | |
This property is priced £5,000 less than their top budget | 0:32:43 | 0:32:46 | |
and would offer them a detached stone house | 0:32:46 | 0:32:49 | |
with superb views over the Dales. | 0:32:49 | 0:32:51 | |
There are four bedrooms | 0:32:51 | 0:32:52 | |
with an en-suite master. | 0:32:52 | 0:32:54 | |
Next to the house is the annexe | 0:32:54 | 0:32:55 | |
with a generous downstairs room | 0:32:55 | 0:32:57 | |
with upstairs living accommodation. | 0:32:57 | 0:32:59 | |
And outside there are south-facing gardens | 0:32:59 | 0:33:02 | |
and also a garage. | 0:33:02 | 0:33:04 | |
Oh, this is a great area, Holly. | 0:33:04 | 0:33:06 | |
Yeah, it's a nice space. | 0:33:06 | 0:33:08 | |
This would be brilliant for you, actually. | 0:33:08 | 0:33:10 | |
-Yeah. Friends and stuff in here. -Mmm. | 0:33:10 | 0:33:12 | |
I really like the view at the Mystery House. | 0:33:12 | 0:33:14 | |
It's not something that was offered to us in the first two houses | 0:33:14 | 0:33:17 | |
and I like that there's potential for a holiday let business here. | 0:33:17 | 0:33:20 | |
The price for the Mystery House was really high. | 0:33:20 | 0:33:25 | |
I got a bit of a shock, but then it does have the holiday let potential, | 0:33:25 | 0:33:31 | |
so it's actually two houses. | 0:33:31 | 0:33:34 | |
But there's so much work to be done. | 0:33:34 | 0:33:37 | |
Look at that - a lovely Dales scene. | 0:33:37 | 0:33:40 | |
All our house tours are over. | 0:33:40 | 0:33:42 | |
We need to sit you down and get you to think about | 0:33:42 | 0:33:45 | |
all the options we've given you. | 0:33:45 | 0:33:47 | |
-Happy so far? -Yeah. -Yeah. -Very happy. | 0:33:47 | 0:33:50 | |
-Ready for a drink? -Yes, please. -Yeah. | 0:33:50 | 0:33:52 | |
Come on, then. | 0:33:52 | 0:33:53 | |
Richmond Castle is one of the finest and best-preserved | 0:33:57 | 0:34:01 | |
Norman castles in Britain. | 0:34:01 | 0:34:03 | |
After the Norman Conquest in 1066, | 0:34:03 | 0:34:05 | |
William The Conqueror built castles across the North of England | 0:34:05 | 0:34:09 | |
in an effort to control what he considered | 0:34:09 | 0:34:11 | |
the unruly population of the North. | 0:34:11 | 0:34:14 | |
I've come to meet curator Kevin Booth from English Heritage | 0:34:14 | 0:34:16 | |
for a history lesson. | 0:34:16 | 0:34:18 | |
-Kevin. -Jules, nice to meet you. | 0:34:19 | 0:34:21 | |
Very nice to see you, Sir! This is gorgeous, isn't it? | 0:34:21 | 0:34:23 | |
What a beautiful and slightly romantic place. | 0:34:23 | 0:34:26 | |
There's something about these medieval castle ruins | 0:34:26 | 0:34:28 | |
that have a bit of romance about them, | 0:34:28 | 0:34:30 | |
but this was never intended to be a romantic place. | 0:34:30 | 0:34:33 | |
Why was the castle sited here in Richmond? | 0:34:33 | 0:34:35 | |
Richmond Castle is a point of force | 0:34:35 | 0:34:37 | |
and it's sitting on a promontory on the River Swale. | 0:34:37 | 0:34:40 | |
It's got views both ways down the river | 0:34:40 | 0:34:42 | |
and this is a point of control over the north of England. | 0:34:42 | 0:34:46 | |
But it's one of the very first fortresses like this that's | 0:34:46 | 0:34:49 | |
built up here after William wins the Battle of Hastings. | 0:34:49 | 0:34:51 | |
Yeah, I mean, it's only four, five years | 0:34:51 | 0:34:54 | |
after William comes through the south of England. | 0:34:54 | 0:34:57 | |
So, what was the idea? | 0:34:57 | 0:34:58 | |
It's control. | 0:34:58 | 0:35:00 | |
It's a Northern population that haven't yet bowed | 0:35:00 | 0:35:04 | |
to the rule of the Normans. | 0:35:04 | 0:35:06 | |
Now, the earlier Anglo-Saxon kings and lords | 0:35:06 | 0:35:08 | |
weren't really known for their castle-building exploits. | 0:35:08 | 0:35:12 | |
I mean, for the local population to see this rise | 0:35:12 | 0:35:14 | |
out of the ground, it must have been, well, astonishing, really. | 0:35:14 | 0:35:17 | |
This is Norman architecture being imported with the conquerors - | 0:35:17 | 0:35:21 | |
bewildering, presumably to the local Saxons. | 0:35:21 | 0:35:23 | |
In terms of what we can see around us, Kevin, | 0:35:23 | 0:35:25 | |
which were the first bits to be built? | 0:35:25 | 0:35:27 | |
I think we need to look up at that, that fantastic tower there, really. | 0:35:27 | 0:35:30 | |
A classic piece of Norman design. | 0:35:30 | 0:35:32 | |
It's quite small, it's quite compact, | 0:35:32 | 0:35:34 | |
but it's a wonderfully complete surviving example. | 0:35:34 | 0:35:36 | |
Now, Kevin, I am assured that the view from the top of the keep | 0:35:36 | 0:35:39 | |
-is absolutely fantastic. -139 steps to the top. | 0:35:39 | 0:35:42 | |
Yeah, we'll start counting, shall we? | 0:35:42 | 0:35:44 | |
The keep is 100 foot high | 0:35:45 | 0:35:47 | |
and was built from sandstone in the 12th century. | 0:35:47 | 0:35:51 | |
From the top on a clear day you can see for over 40 miles, | 0:35:51 | 0:35:54 | |
so advancing opponents could easily be spotted. | 0:35:54 | 0:35:58 | |
There's your view, Jules. | 0:35:58 | 0:35:59 | |
Wow, look at that! Fabulous! | 0:35:59 | 0:36:02 | |
You can absolutely see how the town has grown up around this place. | 0:36:02 | 0:36:06 | |
The castle is pulling in people, it's pulling in skills, | 0:36:06 | 0:36:10 | |
it's a centre for money, for law and order, for justice, | 0:36:10 | 0:36:13 | |
and it needs that town to support it and the town requires the castle. | 0:36:13 | 0:36:17 | |
The military importance of the castle in this area | 0:36:17 | 0:36:20 | |
lasted around 300 years. | 0:36:20 | 0:36:22 | |
But by the 15th century, there was a lack of investment | 0:36:22 | 0:36:25 | |
and it started to fall into decline. | 0:36:25 | 0:36:28 | |
But the castle's history doesn't end just because it becomes a ruin. | 0:36:28 | 0:36:31 | |
No, and certainly in the 19th century there was a great | 0:36:31 | 0:36:33 | |
resurgence of its fortunes with the military adopting it - | 0:36:33 | 0:36:36 | |
the local regiment's based here. | 0:36:36 | 0:36:38 | |
But, as you get to the 20th century, there's a story with a very | 0:36:38 | 0:36:41 | |
different slant, which perhaps we can go and see now. | 0:36:41 | 0:36:43 | |
Absolutely. Yeah, I'm going to follow you. | 0:36:43 | 0:36:46 | |
'During the First World War, although millions of men went | 0:36:46 | 0:36:49 | |
'to the front line, there were those who refused to fight | 0:36:49 | 0:36:52 | |
'on moral grounds and they were called conscientious objectors. | 0:36:52 | 0:36:57 | |
'These men were given non-combative duties, but some had even | 0:36:57 | 0:37:01 | |
'stronger objections and ended up incarcerated here.' | 0:37:01 | 0:37:05 | |
Oh! | 0:37:05 | 0:37:06 | |
Now, this is an atmospheric place. | 0:37:06 | 0:37:09 | |
The centre of every castle should have its dungeon. | 0:37:09 | 0:37:12 | |
Well, this one has a range of eight prison cells. | 0:37:12 | 0:37:14 | |
But absolutely covered in graffiti! | 0:37:14 | 0:37:17 | |
Pre-First World War up to the 1950s, but focusing, | 0:37:17 | 0:37:20 | |
especially for my interest, | 0:37:20 | 0:37:22 | |
on the work of the 16 absolutist conscientious objectors. | 0:37:22 | 0:37:26 | |
These men were known as absolutists because, | 0:37:27 | 0:37:30 | |
unlike conscientious objectors, | 0:37:30 | 0:37:32 | |
they refused any duties connected to the war effort. | 0:37:32 | 0:37:35 | |
In 1916, they were held here and became known as the Richmond 16. | 0:37:35 | 0:37:40 | |
So, eight cells on two levels, | 0:37:42 | 0:37:44 | |
and if we go upstairs we'll see the best examples of the Richmond 16. | 0:37:44 | 0:37:49 | |
Yeah. What a fascinating place. | 0:37:49 | 0:37:51 | |
So, here we are, Jules, in one of these tiny little cells | 0:37:54 | 0:37:59 | |
and this one probably has some | 0:37:59 | 0:38:01 | |
of the most poignant material inscribed. | 0:38:01 | 0:38:04 | |
They're so austere. | 0:38:04 | 0:38:06 | |
So it's just lime wash and pencil annotation over the top | 0:38:06 | 0:38:09 | |
and a whole series of messages from the religious, the personal, | 0:38:09 | 0:38:14 | |
to quite bold and blatant political statements as well. | 0:38:14 | 0:38:17 | |
That's interesting, | 0:38:17 | 0:38:19 | |
"The only war which is worth fighting is the class war. | 0:38:19 | 0:38:22 | |
"If the workers of all countries united and refused to fight, | 0:38:22 | 0:38:26 | |
"there would be no war." | 0:38:26 | 0:38:28 | |
Isn't that incredible? | 0:38:28 | 0:38:29 | |
It's a record not just of those 16 but actually of a whole | 0:38:29 | 0:38:32 | |
series of people across 40 years who've ended up in these cells | 0:38:32 | 0:38:35 | |
for some way disobeying their army orders. | 0:38:35 | 0:38:38 | |
The government and the military were terrified of what the actions | 0:38:38 | 0:38:42 | |
of a group of people like this could do for the morale | 0:38:42 | 0:38:45 | |
and the capacity of the country to fight the war. | 0:38:45 | 0:38:48 | |
How do we square their story with the role | 0:38:48 | 0:38:51 | |
this part of the world has played in a military narrative? | 0:38:51 | 0:38:55 | |
I see the absolutists as having made their own choice for free speech, | 0:38:55 | 0:38:59 | |
their own statement about the ability, | 0:38:59 | 0:39:01 | |
the rights of man, to make those choices. | 0:39:01 | 0:39:05 | |
Clearly, conserving these buildings is a challenge. | 0:39:05 | 0:39:09 | |
We don't open it to the public but we are doing all we can to monitor, | 0:39:09 | 0:39:13 | |
to understand the conditions that affect it and then to rectify it. | 0:39:13 | 0:39:16 | |
Well, Kevin, thank you very much for this rather privileged | 0:39:16 | 0:39:20 | |
and brief look into this story. | 0:39:20 | 0:39:23 | |
It is a fascinating footnote to the story of the First World War. | 0:39:23 | 0:39:27 | |
You're very welcome, Jules. | 0:39:27 | 0:39:28 | |
Let's leave it to its damp past. | 0:39:28 | 0:39:30 | |
Well, we've now reached that part of the show when we like | 0:39:42 | 0:39:45 | |
to sit our buyers down and find out what is going to happen next. | 0:39:45 | 0:39:48 | |
Now, sometimes it can be quite a complicated | 0:39:48 | 0:39:51 | |
and quite a long conversation, but today... | 0:39:51 | 0:39:54 | |
Well, I think it's going to be rather short | 0:39:54 | 0:39:56 | |
and hopefully rather sweet. | 0:39:56 | 0:39:58 | |
Ah, look at you enjoying the evening sunshine. | 0:40:02 | 0:40:06 | |
-Well, girls, how are we doing? -Good. -Really well. | 0:40:07 | 0:40:10 | |
-Have you enjoyed the last few days? -Yes. -Yeah, thank you. | 0:40:10 | 0:40:13 | |
We gave you three properties to consider. | 0:40:13 | 0:40:16 | |
Let me have a stab at where we're at. | 0:40:16 | 0:40:20 | |
Property number one, our gorgeous barn conversion, | 0:40:20 | 0:40:23 | |
was certainly affordable | 0:40:23 | 0:40:25 | |
but, at the end of the day, you still thought it was a bungalow. | 0:40:25 | 0:40:27 | |
-Yes. -Yeah. -Single storey. | 0:40:27 | 0:40:29 | |
JULES LAUGHS | 0:40:29 | 0:40:31 | |
Our Mystery House had in the past been a bungalow | 0:40:31 | 0:40:35 | |
and then had been much extended | 0:40:35 | 0:40:37 | |
but, despite all of that, it still wasn't gorgeous enough. | 0:40:37 | 0:40:40 | |
No. | 0:40:40 | 0:40:41 | |
Which leaves property number two, | 0:40:41 | 0:40:44 | |
which I think you rather fell in love with. | 0:40:44 | 0:40:46 | |
-Yeah. We loved it. -Yeah, we really did. | 0:40:46 | 0:40:49 | |
Beautiful. | 0:40:49 | 0:40:50 | |
So what happens next, then? | 0:40:50 | 0:40:52 | |
Well, we've had a think | 0:40:52 | 0:40:55 | |
and I think the next step is that we need to get Lily involved. | 0:40:55 | 0:40:59 | |
We'd really like Lily to see it, wouldn't we? | 0:40:59 | 0:41:02 | |
Yeah. I think she'll feel quite similar to how we feel. | 0:41:02 | 0:41:04 | |
I think she'll really like it. | 0:41:04 | 0:41:06 | |
-She's got quite a level head, hasn't she? -Yes. | 0:41:06 | 0:41:08 | |
It is a beautiful house, | 0:41:08 | 0:41:10 | |
but I have to tell you that we have heard | 0:41:10 | 0:41:12 | |
that the owners are today considering an offer that has | 0:41:12 | 0:41:16 | |
just come in, so you are going to have to be pretty quick about it. | 0:41:16 | 0:41:20 | |
I don't know how fast you can get Lily up here, | 0:41:20 | 0:41:23 | |
but I suggest you make a phone call and get her on a train right now, | 0:41:23 | 0:41:26 | |
because it probably is a matter of a day or two | 0:41:26 | 0:41:29 | |
before they accept that offer. | 0:41:29 | 0:41:32 | |
But you're well within striking distance of bettering it... | 0:41:32 | 0:41:36 | |
-Yeah, OK. -..I would think. | 0:41:36 | 0:41:38 | |
-I think it's a cracking house. -It is. -Yeah. Yeah. | 0:41:38 | 0:41:41 | |
I think it really does represent a completely different way of life | 0:41:41 | 0:41:44 | |
from what you've known in Surrey. | 0:41:44 | 0:41:47 | |
I mean, that's been all of your life, hasn't it, Holly, down south? | 0:41:47 | 0:41:50 | |
And for you, a chance to come home again, Mel. | 0:41:50 | 0:41:52 | |
It is, and a new life. | 0:41:52 | 0:41:55 | |
Well, it has been a huge amount of fun having you on the show | 0:41:55 | 0:41:58 | |
up here in Yorkshire, so all that remains is for me | 0:41:58 | 0:42:00 | |
to wish you all the very best of luck, offer you a toast... | 0:42:00 | 0:42:04 | |
Thank you! | 0:42:04 | 0:42:05 | |
..and perhaps remind you, if you do want property two, | 0:42:05 | 0:42:08 | |
get your skates on. | 0:42:08 | 0:42:10 | |
-Cheers! -Cheers! | 0:42:10 | 0:42:12 | |
You know, over the last few days, many a friendly local has tried | 0:42:16 | 0:42:19 | |
to reassure me that the sun always shines on Yorkshire | 0:42:19 | 0:42:23 | |
and, as you can see, it's certainly shone on us today | 0:42:23 | 0:42:27 | |
and what a day to fall in love with your dream home. | 0:42:27 | 0:42:30 | |
That, of course, is exactly what Holly and Mel have managed to do. | 0:42:30 | 0:42:34 | |
So, hopefully, if they are able to get it any time soon, | 0:42:34 | 0:42:38 | |
their dream of a new life here in the Dales should come true. | 0:42:38 | 0:42:41 | |
I'll see you next time. | 0:42:41 | 0:42:43 | |
If you'd like to escape to the country | 0:42:44 | 0:42:47 | |
in England, Northern Ireland, Wales or Scotland | 0:42:47 | 0:42:49 | |
and need our help, you can apply online at... | 0:42:49 | 0:42:55 |