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Welcome to Escape To The Country. | 0:00:02 | 0:00:04 | |
Carbon dated no less to 1325, this enormous barn behind me | 0:00:04 | 0:00:08 | |
represents one of the finest examples of medieval timber | 0:00:08 | 0:00:11 | |
construction anywhere in the UK. | 0:00:11 | 0:00:14 | |
But where have we come to to find this 14th century gem? | 0:00:14 | 0:00:17 | |
Well, join me in just a moment and I'll tell you. | 0:00:17 | 0:00:20 | |
On today's show, our buyers are getting ahead of themselves. | 0:00:37 | 0:00:41 | |
My first impression is Christmas tree. I do love Christmas. | 0:00:41 | 0:00:44 | |
You're moving in already! | 0:00:44 | 0:00:46 | |
'And they get distracted by the local landscape.' | 0:00:46 | 0:00:49 | |
I don't believe it. Are you two still here? | 0:00:49 | 0:00:52 | |
-Yes. -Did you actually go and have another look? -No. | 0:00:52 | 0:00:55 | |
-No! -HE LAUGHS | 0:00:55 | 0:00:58 | |
Well, today we are in Worcestershire and this is Lyde Court Barn, | 0:00:58 | 0:01:02 | |
one of the finest examples of cruck construction | 0:01:02 | 0:01:06 | |
anywhere in the country. | 0:01:06 | 0:01:07 | |
Well, how about this? What an amazing space. | 0:01:11 | 0:01:15 | |
It's 140ft long and this enormous roof is supported by no less | 0:01:15 | 0:01:19 | |
than nine of these fabulous cruck frames. | 0:01:19 | 0:01:23 | |
Each one of these outer timbers was fashioned from the trunk | 0:01:23 | 0:01:27 | |
of a single oak tree. | 0:01:27 | 0:01:29 | |
Buildings like this were designed to house the harvest, | 0:01:29 | 0:01:32 | |
but they also had another purpose as well. | 0:01:32 | 0:01:35 | |
When it was built originally, | 0:01:35 | 0:01:37 | |
the walls would have been in-filled with wattle panels, | 0:01:37 | 0:01:41 | |
much like those, and with these two carriageways incorporating | 0:01:41 | 0:01:44 | |
four sets of double doors, the idea was simple - the breeze | 0:01:44 | 0:01:47 | |
and the air flowing through would separate | 0:01:47 | 0:01:50 | |
the wheat from the chaff, a process known then and now as winnowing. | 0:01:50 | 0:01:55 | |
As somebody who does love a medieval building, take it from me, | 0:01:55 | 0:01:58 | |
this one is an absolute treat. It's arguably the best I have ever seen. | 0:01:58 | 0:02:03 | |
But, as you might imagine, | 0:02:03 | 0:02:05 | |
there's more to Worcestershire than just the architecture. | 0:02:05 | 0:02:08 | |
Landlocked Worcestershire is | 0:02:10 | 0:02:12 | |
bordered by Herefordshire to the west, the West Midlands to the | 0:02:12 | 0:02:15 | |
north, and Gloucestershire to the south and east. | 0:02:15 | 0:02:19 | |
On the western fringes of the county sit the Malvern Hills, | 0:02:19 | 0:02:22 | |
which are believed to be the inspiration for the Shire | 0:02:22 | 0:02:25 | |
region of JRR Tolkien's Middle Earth, | 0:02:25 | 0:02:29 | |
described in The Hobbit and The Lord Of The Rings. | 0:02:29 | 0:02:31 | |
The hills are ever popular with walkers and from the top, there | 0:02:31 | 0:02:35 | |
are impressive views across the Vale of Evesham towards the Cotswolds. | 0:02:35 | 0:02:40 | |
To the east of the county, | 0:02:40 | 0:02:41 | |
the Cotswold hills rise up from the Vale of Evesham | 0:02:41 | 0:02:44 | |
and feature the village of Broadway, which is | 0:02:44 | 0:02:46 | |
regarded as one of England's prettiest. | 0:02:46 | 0:02:49 | |
Over the years, the timeless beauty of the stone houses, | 0:02:49 | 0:02:52 | |
perfectly positioned within the surrounding countryside, | 0:02:52 | 0:02:55 | |
has been a real attraction. | 0:02:55 | 0:02:57 | |
In the hills above Broadway stands Broadway Tower, | 0:02:57 | 0:03:00 | |
a Romanesque style folly. | 0:03:00 | 0:03:03 | |
Built in the late 1790s, it stands on the western | 0:03:03 | 0:03:06 | |
edge of the Cotswolds and offers a magnificent vista across the county. | 0:03:06 | 0:03:10 | |
With Worcestershire offering such a rich variety of countryside | 0:03:10 | 0:03:14 | |
and architectural heritage, | 0:03:14 | 0:03:16 | |
it's not hard to see why this region is such a draw. | 0:03:16 | 0:03:20 | |
Now, if you fancy a slice of rural living, | 0:03:25 | 0:03:28 | |
but don't want to be too isolated, | 0:03:28 | 0:03:30 | |
then Worcestershire really does deserve some careful consideration | 0:03:30 | 0:03:34 | |
and the reason is simple - glorious countryside | 0:03:34 | 0:03:37 | |
and some really enticing prices to match. | 0:03:37 | 0:03:40 | |
The cost of your average detached property here is | 0:03:40 | 0:03:44 | |
currently around about £275,000. | 0:03:44 | 0:03:46 | |
That's just £5,000 above the national figure, | 0:03:46 | 0:03:50 | |
which isn't bad when you consider that just over the border | 0:03:50 | 0:03:53 | |
into Gloucestershire, you could pay 10% for exactly the same thing. | 0:03:53 | 0:03:57 | |
So, time now to meet today's buyers | 0:03:57 | 0:03:59 | |
and find out where in this gorgeous county they want to be. | 0:03:59 | 0:04:04 | |
In stark contrast to Worcestershire's rural | 0:04:04 | 0:04:06 | |
landscape is the commuter town of Hornchurch in Essex, which is | 0:04:06 | 0:04:10 | |
where retired couple Jean and Michael have lived in a | 0:04:10 | 0:04:13 | |
two bedroom first floor maisonette for the last 20 years. | 0:04:13 | 0:04:17 | |
Jean is a former police officer | 0:04:17 | 0:04:19 | |
and Michael was a civilian driver for the Metropolitan Police. | 0:04:19 | 0:04:22 | |
They've been married for 23 years. | 0:04:22 | 0:04:25 | |
I first met Michael when we were working together | 0:04:26 | 0:04:29 | |
and I quite fancied him. | 0:04:29 | 0:04:31 | |
-And so I pursued him relentlessly until he finally caught me! -MICHAEL CHUCKLES | 0:04:31 | 0:04:37 | |
I was very flattered, I must say. Never been chased before! | 0:04:37 | 0:04:41 | |
Now retired, they're free to make the break from Hornchurch, | 0:04:41 | 0:04:45 | |
an area Jean has lived in for 30 years. | 0:04:45 | 0:04:48 | |
Hornchurch has changed a lot since I first moved here. | 0:04:48 | 0:04:51 | |
It was almost villagey. | 0:04:51 | 0:04:54 | |
Lots of little shops and unfortunately, | 0:04:54 | 0:04:56 | |
in recent years, there's more bars, clubs opening up. | 0:04:56 | 0:05:00 | |
We used to walk down to the town on a Saturday night | 0:05:00 | 0:05:03 | |
and go for a meal and then come out and walk back feeling quite safe. | 0:05:03 | 0:05:06 | |
I'm not saying that it isn't safe, | 0:05:06 | 0:05:08 | |
but as you get older, you don't feel so secure. | 0:05:08 | 0:05:11 | |
So we tend not to go out in the evenings any more. | 0:05:11 | 0:05:14 | |
It's not just the town that no longer serves their needs. | 0:05:14 | 0:05:17 | |
Their current home also has its drawbacks. | 0:05:17 | 0:05:20 | |
I love the flat, but the stairs are getting us down now. | 0:05:20 | 0:05:24 | |
The garden's far too big for us to look after. | 0:05:24 | 0:05:26 | |
It's not impossible now cos we're still reasonably fit, but we do | 0:05:26 | 0:05:30 | |
know that in a few years' time, that's not going to be so easy. | 0:05:30 | 0:05:34 | |
So, that's really why we want to move. | 0:05:34 | 0:05:38 | |
They've chosen Worcestershire | 0:05:38 | 0:05:40 | |
as Jean remembers it fondly from her childhood. | 0:05:40 | 0:05:42 | |
I can remember going camping there when I was a little girl, | 0:05:42 | 0:05:46 | |
with the Girl Guides. | 0:05:46 | 0:05:47 | |
And it's a beautiful county, it really is. | 0:05:47 | 0:05:50 | |
But after spending most of their lives in an urban setting, | 0:05:50 | 0:05:53 | |
they're under no illusions as to what's at stake. | 0:05:53 | 0:05:56 | |
The move is going to be quite challenging really. | 0:05:56 | 0:05:59 | |
I'm excited, but I'm also very, very nervous. I've been here 30 years. | 0:05:59 | 0:06:03 | |
I do think it's got to be better for us, I really do. | 0:06:03 | 0:06:06 | |
Jean and Michael are open-minded about where | 0:06:09 | 0:06:11 | |
they want their new house to be, so to make their budget go that | 0:06:11 | 0:06:14 | |
bit further, we'll widen our search into neighbouring Herefordshire. | 0:06:14 | 0:06:18 | |
But I'm meeting up with them in Worcestershire | 0:06:18 | 0:06:20 | |
to go over their property wish list. | 0:06:20 | 0:06:22 | |
Well, Jean, Michael, welcome to Worcestershire. | 0:06:22 | 0:06:24 | |
This is a big move for you. | 0:06:24 | 0:06:26 | |
-It is indeed. -All the way from Essex. I'm an Essex boy. | 0:06:26 | 0:06:30 | |
-I didn't realise. -So I can appreciate the distances | 0:06:30 | 0:06:32 | |
and the change that's going to be involved. Why now, Michael? | 0:06:32 | 0:06:37 | |
Well, we're not getting any younger | 0:06:37 | 0:06:40 | |
and where we're living in a first floor flat, it's the stairs. | 0:06:40 | 0:06:45 | |
So, we want somewhere that isn't reliant on stairs, | 0:06:45 | 0:06:48 | |
but obviously lots of properties have a second floor. | 0:06:48 | 0:06:50 | |
Would that in itself be OK? | 0:06:50 | 0:06:52 | |
No, as long as there was a downstairs cloakroom, | 0:06:52 | 0:06:54 | |
so we wasn't constantly down the stairs, then that would be fine. | 0:06:54 | 0:06:58 | |
Now, in terms of space, | 0:06:58 | 0:06:59 | |
what does your new home need to have in it, Jean? | 0:06:59 | 0:07:02 | |
We certainly don't want anything less than what we've already got. | 0:07:02 | 0:07:05 | |
At the moment, we've got two double bedrooms, | 0:07:05 | 0:07:07 | |
both with built-in wardrobes, so there's a good amount of storage. | 0:07:07 | 0:07:11 | |
We've got a lounge and a separate dining room, but we'd be prepared to give up the dining room, | 0:07:11 | 0:07:16 | |
if the kitchen was large enough to have a table and chairs in there. | 0:07:16 | 0:07:20 | |
And with regards to outside space, we'd love to be able to open | 0:07:20 | 0:07:23 | |
the kitchen door or dining room doors out onto a patio. | 0:07:23 | 0:07:27 | |
We are prepared... | 0:07:27 | 0:07:28 | |
We would like a smaller garden really, cos what we've got | 0:07:28 | 0:07:31 | |
at the moment is getting too much for us to handle. | 0:07:31 | 0:07:34 | |
I'm very touched as well by the fact that poor old Michael here, | 0:07:34 | 0:07:38 | |
who loves a bath, doesn't have a bath any more. | 0:07:38 | 0:07:41 | |
The bathroom is so small, it's about 6ft square, and we thought, | 0:07:41 | 0:07:45 | |
if we take the bath out and put a shower in... | 0:07:45 | 0:07:48 | |
But you don't realise how much you miss a bath | 0:07:48 | 0:07:50 | |
until you haven't got one. | 0:07:50 | 0:07:52 | |
-All those aches and pains to soak away. -Yeah, that's right. | 0:07:52 | 0:07:55 | |
But what are we after in terms of style? | 0:07:55 | 0:07:57 | |
I don't think we've got a specific idea of what we do want - it's more what we don't want. | 0:07:57 | 0:08:02 | |
We don't want a project and we don't want the chocolate box thatch, | 0:08:02 | 0:08:05 | |
-we don't want the beams and small rooms. -Michael? | 0:08:05 | 0:08:10 | |
Something a little newer, I think. | 0:08:10 | 0:08:12 | |
And how much are we planning to spend, Michael? | 0:08:12 | 0:08:14 | |
Well, we've got £350,000. | 0:08:14 | 0:08:17 | |
I'm pretty optimistic about your 350,000 for your two bed, | 0:08:17 | 0:08:21 | |
-maybe three, rural dream. -Good. | 0:08:21 | 0:08:24 | |
It certainly is more than the average figure here, which is | 0:08:24 | 0:08:28 | |
-currently £275,000, so we have got a bit of wiggle room. -Good. | 0:08:28 | 0:08:31 | |
We've got three to show you this week, including the mystery house, so let's get going. | 0:08:31 | 0:08:36 | |
-OK. -Shall we? Follow me. -Right. | 0:08:36 | 0:08:38 | |
Jean and Michael have £350,000 to spend on their new country home. | 0:08:41 | 0:08:45 | |
They would like a house with a kitchen/diner, | 0:08:45 | 0:08:48 | |
not too many stairs, a minimum of two double bedrooms | 0:08:48 | 0:08:51 | |
and a bathroom, so Michael can at last enjoy a bath. | 0:08:51 | 0:08:54 | |
They need a downstairs cloakroom, and as they enjoy the fresh air, | 0:08:54 | 0:08:58 | |
would like a small garden with a patio for entertaining friends. | 0:08:58 | 0:09:02 | |
We've lined up three interesting properties to show them. | 0:09:02 | 0:09:05 | |
They won't know the price tag of each until after each house tour. | 0:09:05 | 0:09:08 | |
But I'm hoping our last offering, our mystery house, | 0:09:08 | 0:09:11 | |
will really challenge their thinking. | 0:09:11 | 0:09:14 | |
Time to hit the road. | 0:09:14 | 0:09:16 | |
Would you say your retirement's busy, Michael? | 0:09:16 | 0:09:20 | |
I try not to be busy, but she keeps me on the go most of the time! JULES CHUCKLES | 0:09:20 | 0:09:24 | |
-I knew he'd say that! -There's always something to do. -Yeah. | 0:09:24 | 0:09:27 | |
-You're the chauffeur. -Yeah. -Well, I know what that feels like! | 0:09:27 | 0:09:32 | |
THEY LAUGH | 0:09:32 | 0:09:35 | |
We're starting our property search in the hamlet of Acton Green, | 0:09:35 | 0:09:38 | |
which is just over the border into Herefordshire. | 0:09:38 | 0:09:41 | |
Bishops Frome is one of the closest villages for amenities. | 0:09:41 | 0:09:45 | |
With a strong sense of community, the village is served by two well | 0:09:45 | 0:09:49 | |
regarded pubs, a local butchers and its own out-of-town shopping | 0:09:49 | 0:09:53 | |
centre, hosting a number of independent stores. | 0:09:53 | 0:09:56 | |
The hamlet of Acton Green is a ten minute drive away. | 0:09:56 | 0:09:59 | |
Surrounded by small coppices and farmland is our first offering. | 0:09:59 | 0:10:04 | |
So, this is it. Property number one. | 0:10:04 | 0:10:07 | |
-There you go. Michael? -Yes, it's very nice. | 0:10:07 | 0:10:11 | |
-It's quite...pretty, really, isn't it? -It's very pretty! | 0:10:11 | 0:10:16 | |
It's got this lovely mixture of stone | 0:10:16 | 0:10:19 | |
and classic oak timber framing, as you can see. | 0:10:19 | 0:10:21 | |
Very much what houses in this part of the world are known for. | 0:10:21 | 0:10:25 | |
-It dates from about 1600, this one. -That IS old! | 0:10:25 | 0:10:28 | |
-So, it's had some history and it's had some lives lived in it. -Yeah. | 0:10:28 | 0:10:31 | |
We just need to add another chapter to its story, really. | 0:10:31 | 0:10:35 | |
-Let's see. -Maybe it's you two! Come and have a look then. | 0:10:35 | 0:10:39 | |
'Although it dates back 400 years, | 0:10:39 | 0:10:41 | |
'the inside of what was once an old schoolhouse has been | 0:10:41 | 0:10:44 | |
'renovated recently, so it should give our buyers that modern | 0:10:44 | 0:10:47 | |
'with character feel they're after.' | 0:10:47 | 0:10:50 | |
-Come in, Jean. -Thank you. -Mike, if you can grab the door. | 0:10:50 | 0:10:54 | |
-Now, what do you think, Michael? -It's very small, at first thought. | 0:10:54 | 0:10:58 | |
-Jean? -Yes, it is very small, compared to what we've got. | 0:10:58 | 0:11:04 | |
But it depends what else there is. | 0:11:04 | 0:11:06 | |
I mean, this is really you being cosy, the pair of you. | 0:11:06 | 0:11:09 | |
At the moment, the property's not really lived in. | 0:11:09 | 0:11:12 | |
It's part-furnished, so you have to imagine it with a bit more | 0:11:12 | 0:11:15 | |
dressing and a bit more homeliness, I suppose. | 0:11:15 | 0:11:19 | |
-Happy? -Yes. -Yes. -Yes. I can see there's a slight... -We have reservations. | 0:11:19 | 0:11:22 | |
I've still got to see what else there is before you can say. | 0:11:22 | 0:11:26 | |
Come on, then. This is the kitchen/diner, | 0:11:26 | 0:11:29 | |
which hopefully will allay any worries you have. | 0:11:29 | 0:11:34 | |
-It's still quite compact, isn't it? -It's a bit small. | 0:11:34 | 0:11:37 | |
I mean, it's got a lot of stuff in it, to be fair. | 0:11:37 | 0:11:39 | |
That dresser is soaking up space and light. | 0:11:39 | 0:11:42 | |
-If you had a more oblong table... -That might work better. | 0:11:42 | 0:11:45 | |
..running that way, it would give you that sense of separation | 0:11:45 | 0:11:48 | |
and a bit more working space over there perhaps. | 0:11:48 | 0:11:51 | |
-Oh, dear. So, space... -Yes. -..is a thing. | 0:11:51 | 0:11:54 | |
Yes. | 0:11:54 | 0:11:56 | |
'The size of this charming cottage might be a concern, | 0:11:56 | 0:11:59 | |
'but it does benefit from a more modern extension beyond the kitchen, | 0:11:59 | 0:12:03 | |
'which features a generous utility area and a downstairs guest | 0:12:03 | 0:12:06 | |
'suite, adding more space to the original fabric of the building.' | 0:12:06 | 0:12:11 | |
-So, shower room in there. -All right, OK. | 0:12:11 | 0:12:15 | |
-That's a nice little sink. -And then, this is the extension. -Ah. | 0:12:15 | 0:12:18 | |
-You'd get a double bed in, wouldn't you? -I think so. | 0:12:18 | 0:12:21 | |
-I think for visiting guests... -Yeah. It's a nice little room. | 0:12:21 | 0:12:24 | |
And if you did want it as a separate kind of study area, | 0:12:24 | 0:12:28 | |
if you weren't that fussed about having it as a bedroom, again | 0:12:28 | 0:12:31 | |
it sort of takes the pressure off what you use the other rooms for. | 0:12:31 | 0:12:35 | |
-Yeah. -The kitchen and the living room. So, yeah, lots of options. | 0:12:35 | 0:12:38 | |
-And then upstairs, two bedrooms. -OK. | 0:12:38 | 0:12:42 | |
-Shall we have a look at those? -Yes. | 0:12:42 | 0:12:44 | |
'And those upstairs bedrooms are also both good sized spaces, | 0:12:44 | 0:12:49 | |
'with the added bonus of exposed beams. | 0:12:49 | 0:12:52 | |
'Plus, there's a three piece, half-tiled, family bathroom.' | 0:12:52 | 0:12:56 | |
And then, finally, this is yours. | 0:12:56 | 0:13:00 | |
-Oh, it's a little bigger, isn't it? -Yeah, biggest of the lot. | 0:13:00 | 0:13:05 | |
-You've got this lovely vaulted ceiling. -Mm. | 0:13:05 | 0:13:07 | |
-Dual aspect. -No, it's...not what I'm looking for. | 0:13:07 | 0:13:12 | |
-It's too small. -Yeah. -Too small? -Yeah. I think so. | 0:13:12 | 0:13:16 | |
Perhaps the next thing is to really talk about the price then | 0:13:16 | 0:13:19 | |
because that may have a bearing on it. | 0:13:19 | 0:13:21 | |
-It would certainly give you an idea of what's on offer here. -OK. | 0:13:21 | 0:13:24 | |
And I think that's what could be exciting. | 0:13:24 | 0:13:27 | |
So, let's go down to the garden, get some fresh air, | 0:13:27 | 0:13:29 | |
-and talk about the numbers. -OK. -OK. | 0:13:29 | 0:13:32 | |
In the garden, there's a pretty patio and seated area to the front | 0:13:34 | 0:13:38 | |
of the property, which is enclosed by mature shrubs and hedging. | 0:13:38 | 0:13:42 | |
But directly opposite the house, over the driveway, | 0:13:42 | 0:13:45 | |
is more outside space, with a vegetable patch. | 0:13:45 | 0:13:48 | |
-Oh, look! Sunnier now! -Yes. -This is all good. -Much nicer! | 0:13:48 | 0:13:52 | |
LAUGHTER | 0:13:52 | 0:13:54 | |
You see, I'm hoping that the sunshine is going to help | 0:13:54 | 0:13:58 | |
-the feeling about what we have about this place. -Do you think? | 0:13:58 | 0:14:02 | |
You never know. The price might. | 0:14:02 | 0:14:04 | |
-£350,000 is your maximum spend, including everything. -Yeah. | 0:14:04 | 0:14:09 | |
So, Michael? What's property one on the market for? | 0:14:09 | 0:14:13 | |
-I think it's about £280,000. -280. Jean? | 0:14:13 | 0:14:19 | |
I think it's a little bit more. 300? | 0:14:19 | 0:14:23 | |
300, yeah. | 0:14:23 | 0:14:24 | |
Well, given that you don't want to spend everything, | 0:14:26 | 0:14:31 | |
the fact that this is on the market for £289,950...means I think | 0:14:31 | 0:14:39 | |
it's worth looking at, certainly. | 0:14:39 | 0:14:41 | |
Mm-hm. It is a beautiful property. It's absolutely stunning. | 0:14:41 | 0:14:47 | |
-But I'm not sure... -You're not sure. -..it's for us. | 0:14:47 | 0:14:50 | |
-Michael? -Not the inside. -I think it's too small. -Too small. | 0:14:50 | 0:14:53 | |
We haven't spent all of your money yet. | 0:14:53 | 0:14:56 | |
We've still got a bit left, up to 350, for our final two properties, | 0:14:56 | 0:15:00 | |
but I think this is a really interesting start, gives you | 0:15:00 | 0:15:03 | |
an idea of what you can achieve if you want to go in at a lower sum. | 0:15:03 | 0:15:06 | |
-Yeah. -Well, there is one bit you haven't seen and that is the garden across there. | 0:15:06 | 0:15:10 | |
-Go and have a look at that and I will catch up with you a little bit later. -OK. -Off you go. -Thank you. | 0:15:10 | 0:15:15 | |
Under budget by £60,000, our first property is a characterful | 0:15:17 | 0:15:23 | |
country cottage, which has been | 0:15:23 | 0:15:24 | |
sensitively renovated and extended. | 0:15:24 | 0:15:26 | |
It gives Michael and Jean | 0:15:26 | 0:15:28 | |
one more bedroom than they asked for | 0:15:28 | 0:15:30 | |
and a downstairs bathroom. | 0:15:30 | 0:15:32 | |
And what's more, | 0:15:32 | 0:15:33 | |
the garden I slow maintenance | 0:15:33 | 0:15:34 | |
and offers a patio for entertaining. | 0:15:34 | 0:15:37 | |
-I think the location is very nice. Nice and quiet. -Beautiful, isn't it? | 0:15:37 | 0:15:40 | |
-So peaceful. -It's lovely, in the country. | 0:15:40 | 0:15:43 | |
And this little bit, even though it's separated, | 0:15:43 | 0:15:45 | |
-it's ideal for the barbecue. -And no stairs. -No, no stairs. | 0:15:45 | 0:15:49 | |
-But I think the house itself is just too small for us. -Yeah. | 0:15:49 | 0:15:53 | |
Although we live in a flat at the moment, a maisonette, | 0:15:53 | 0:15:58 | |
it's quite a lot bigger than the whole cottage. | 0:15:58 | 0:16:02 | |
But the bathroom was bigger and it had a bath, so that was good. | 0:16:02 | 0:16:06 | |
If we could pay a little more for slightly larger in size, | 0:16:06 | 0:16:11 | |
it would be a lot better, I think. | 0:16:11 | 0:16:14 | |
Looking at the property from the outside, | 0:16:14 | 0:16:17 | |
it really is beautiful, but even from the initial approach, | 0:16:17 | 0:16:20 | |
I was concerned about what the size might be inside. | 0:16:20 | 0:16:23 | |
I mean, it's beautifully done and I guess it's right for somebody, | 0:16:23 | 0:16:26 | |
but I don't think it's right for us. | 0:16:26 | 0:16:29 | |
-Hello, Jean. -Hello. -How are we doing, Michael? -Yeah, we're fine. | 0:16:29 | 0:16:34 | |
You see, we tried to get you a bit of change with this one, | 0:16:34 | 0:16:37 | |
but I suspect we may need to change what we're looking for. | 0:16:37 | 0:16:41 | |
-I think so. -Come on. Let's go. -OK. | 0:16:41 | 0:16:43 | |
When our buyers finally move to the West Midlands countryside, | 0:16:47 | 0:16:51 | |
Jean is keen to reignite her passion for nature, first sparked | 0:16:51 | 0:16:55 | |
when she was a child in the Girl Guides. | 0:16:55 | 0:16:58 | |
Worcestershire is home to one of the country's oldest | 0:16:58 | 0:17:01 | |
and largest centres for birds of prey. | 0:17:01 | 0:17:03 | |
The Falconry Centre in Hagley is home to around 80 birds, | 0:17:03 | 0:17:07 | |
both native species and some from overseas. The centre has an active breeding programme | 0:17:07 | 0:17:12 | |
and helps rehabilitate British birds of prey injured in the wild. | 0:17:12 | 0:17:15 | |
We sent our couple to meet volunteer Abbie Watson to meet | 0:17:15 | 0:17:19 | |
-some of the current residents. -This is Mr Jangles, our spectacle owl. | 0:17:19 | 0:17:22 | |
Hello, Mr Jangles! | 0:17:22 | 0:17:24 | |
-Isn't he nice? -He's beautiful. | 0:17:24 | 0:17:26 | |
Apart from Mr Jangles, what other sorts of birds do you have here? | 0:17:26 | 0:17:30 | |
We have a large variety of birds here, | 0:17:30 | 0:17:32 | |
from the UK and across the world. | 0:17:32 | 0:17:35 | |
We have hawks, owls, vultures, falcons, kites, eagles. | 0:17:35 | 0:17:38 | |
We have a large variety of different birds. | 0:17:38 | 0:17:40 | |
I noticed that Mr Jangles is doing a lot of head bobbing. | 0:17:40 | 0:17:45 | |
-Yes, this is him trying to focus. -Right. -He's only young. | 0:17:45 | 0:17:48 | |
That's him focusing on all the different things that are going on. | 0:17:48 | 0:17:51 | |
-How old is he? -He's about 12 weeks old now. -Oh, really? That is young. -Yeah. | 0:17:51 | 0:17:56 | |
Birds of prey, or raptors, rapidly declined in numbers during the | 0:17:56 | 0:18:00 | |
Victorian period due to excessive hunting | 0:18:00 | 0:18:02 | |
and then pesticide poisoning in the mid-20th century. | 0:18:02 | 0:18:06 | |
But laws introduced to protect birds of prey, along with a greater public | 0:18:06 | 0:18:09 | |
understanding of their plight, have helped halt the decline. | 0:18:09 | 0:18:13 | |
So, these are our public display birds. | 0:18:13 | 0:18:16 | |
So, we do have lots of conservation here, from breeding to rehabilitation. | 0:18:16 | 0:18:20 | |
So, Noodles, that Harris hawk there, he's one of the birds that we bred here last year. | 0:18:20 | 0:18:25 | |
So, you say that you do a lot of rehabilitation. | 0:18:25 | 0:18:27 | |
What sort of typical injuries do you find? | 0:18:27 | 0:18:30 | |
The injuries we tend to get the most are when they've been hit by cars. | 0:18:30 | 0:18:33 | |
And do you get the majority back out into the wild? | 0:18:33 | 0:18:35 | |
The majority, yeah, we do manage to get back. | 0:18:35 | 0:18:37 | |
I understand that you do a lot of public displays. How does that fit in with the centre? | 0:18:37 | 0:18:42 | |
We try and use conservation through education, so if we can educate the public about the problems that | 0:18:42 | 0:18:46 | |
some of the birds are facing, they'll learn a bit more. | 0:18:46 | 0:18:49 | |
-So, would you like to come and fly one of our birds now? -I'd love to. | 0:18:49 | 0:18:52 | |
Nothing would make me happier. | 0:18:52 | 0:18:54 | |
The centre has two Bateleur Eagles that they fly | 0:18:54 | 0:18:57 | |
regularly for displays. The Bateleur is a medium-size colourful | 0:18:57 | 0:19:01 | |
eagle found all over Africa, south of the Sahara and even into Arabia. | 0:19:01 | 0:19:07 | |
In 2009, they were placed on the endangered list, due to the loss of habitat, | 0:19:07 | 0:19:11 | |
and so any conservation efforts to help them are really worthwhile. | 0:19:11 | 0:19:15 | |
The centre plan to breed with their two birds in the next few years. | 0:19:15 | 0:19:19 | |
The eagles spend eight to nine hours a day looking for food. | 0:19:19 | 0:19:22 | |
In the wild, they eat live and dead animals, such as mice, lizards | 0:19:22 | 0:19:26 | |
and birds, but here, the centre bring in dead chicks to feed them. | 0:19:26 | 0:19:30 | |
If the bird knows the handler has food, they'll always fly to them. | 0:19:30 | 0:19:33 | |
Nugget! | 0:19:33 | 0:19:35 | |
Good girl! | 0:19:41 | 0:19:42 | |
-SHE CHUCKLES -She's beautiful! | 0:19:46 | 0:19:51 | |
-Well, that flight was absolutely amazing. -Brilliant. | 0:19:51 | 0:19:54 | |
-I'm glad you've enjoyed it. -We've had a really good day. | 0:19:54 | 0:19:57 | |
-Thank you very much. -Thank you. | 0:19:57 | 0:19:59 | |
-Good luck with the move. -Thank you very much. -Thank you. -Bye-bye. | 0:19:59 | 0:20:02 | |
For our second property, | 0:20:05 | 0:20:08 | |
we're heading to the village of Ribbesford. | 0:20:08 | 0:20:10 | |
Bewdley is the closest town for shops and services, two miles away. | 0:20:10 | 0:20:14 | |
Nestling on the banks of the River Severn, it is | 0:20:14 | 0:20:17 | |
one of Worcestershire's most historic and scenic places. | 0:20:17 | 0:20:20 | |
Bewdley has long been an important river crossing and by the 18th | 0:20:20 | 0:20:24 | |
century, it had become a thriving inland port, | 0:20:24 | 0:20:27 | |
with goods arriving from all over the world. | 0:20:27 | 0:20:30 | |
Today, it offers a range of independent shops | 0:20:30 | 0:20:32 | |
and is famed for its fine Georgian architecture. | 0:20:32 | 0:20:36 | |
Our second house is a few minutes' drive away. | 0:20:36 | 0:20:38 | |
Surrounded by beautiful and unspoilt countryside, | 0:20:38 | 0:20:41 | |
it's part of a small development of former farm buildings. | 0:20:41 | 0:20:45 | |
-That is property number two. -OK. -What do you think? -A lot better. | 0:20:46 | 0:20:51 | |
-A lot better! Why a lot better? -I don't know. -Michael? | 0:20:51 | 0:20:55 | |
-It looks bigger. It looks a lot nicer. -It is a little bit bigger. | 0:20:55 | 0:20:59 | |
I wouldn't say it was twice the size at all. It is beautifully finished. | 0:20:59 | 0:21:04 | |
It's one of half a dozen properties in this renovated farm complex, | 0:21:04 | 0:21:08 | |
so you've got six properties here. | 0:21:08 | 0:21:09 | |
So, you've got neighbours, you've got a community, which is great. | 0:21:09 | 0:21:13 | |
-Yeah. -And you've got some amazing views... -I just sneaked a peek. | 0:21:13 | 0:21:16 | |
You can just glimpse through there and there's a real | 0:21:16 | 0:21:18 | |
treat in the garden, which makes best use of those. | 0:21:18 | 0:21:21 | |
But, yeah, this is interesting. | 0:21:21 | 0:21:24 | |
My very first impression is very nice. | 0:21:24 | 0:21:27 | |
-And I'll let you into another little secret, Michael... -Yeah. -It's got a bath. | 0:21:27 | 0:21:31 | |
-A real bath you can have all to yourself. -Thanks very much. | 0:21:31 | 0:21:34 | |
-LAUGHTER -Good. Come on. Let's have a look. | 0:21:34 | 0:21:37 | |
OK. People will think he hasn't had a bath for years! | 0:21:37 | 0:21:41 | |
'Well, that's a better reaction to our second property, | 0:21:41 | 0:21:45 | |
'our semidetached barn conversion. I'm confident Jean | 0:21:45 | 0:21:48 | |
'and Michael will be equally impressed with the interior.' | 0:21:48 | 0:21:52 | |
Come on, let's start in here. This is the living room. | 0:21:52 | 0:21:55 | |
-Oh, this is lovely! -Isn't it? -Very nice. -Yeah. | 0:21:55 | 0:21:58 | |
Oak flooring, you've got the beams, but of course | 0:21:58 | 0:22:00 | |
they're nice and high. | 0:22:00 | 0:22:02 | |
The fireplace over there, with wood-burner, | 0:22:02 | 0:22:05 | |
so nice and cosy in the winter again. | 0:22:05 | 0:22:08 | |
Do you know? My first impression is Christmas tree. | 0:22:08 | 0:22:11 | |
-I do love Christmas. -You're moving in already! | 0:22:11 | 0:22:14 | |
Right then, kitchen. Come on. Follow me. | 0:22:14 | 0:22:16 | |
'The living room also takes advantage of the impressive | 0:22:18 | 0:22:21 | |
'views, with French doors leading out to a garden patio.' | 0:22:21 | 0:22:24 | |
So, across the hallway, up these two steps, you've got the kitchen... | 0:22:26 | 0:22:31 | |
-Well, kitchen/diner really. -That's a lot bigger as well, isn't it? | 0:22:31 | 0:22:35 | |
-Yeah, it's very nice. -Got a nice little bit of storage space over there, with that | 0:22:35 | 0:22:40 | |
freestanding unit and again, double doors out to the terrace beyond. | 0:22:40 | 0:22:43 | |
-Very nice. -Very nice indeed. | 0:22:43 | 0:22:45 | |
I mean, it's virtually a brand-new house, let's face it. | 0:22:45 | 0:22:49 | |
But with some lovely touches. The stone coming through there, these stone coins, | 0:22:49 | 0:22:53 | |
as they're called, round the door reveal, the oak doors, | 0:22:53 | 0:22:57 | |
the old beams and so forth... | 0:22:57 | 0:22:58 | |
It's a lovely mixture. And the slate floor is just brilliant. | 0:22:58 | 0:23:01 | |
-It's been really well done. -It has, yeah. | 0:23:01 | 0:23:04 | |
It's not massive down here. This is it for the ground floor, | 0:23:04 | 0:23:07 | |
but would this space be enough to keep you occupied day-to-day? | 0:23:07 | 0:23:11 | |
-I think so. -Yeah. | 0:23:11 | 0:23:13 | |
'That wraps up our tour of the ground floor, | 0:23:13 | 0:23:16 | |
'although let's not forget the all-important downstairs cloakroom. | 0:23:16 | 0:23:20 | |
'Upstairs, there are three bedrooms. | 0:23:20 | 0:23:22 | |
'Two have their own dressing or study areas, one room is being | 0:23:22 | 0:23:25 | |
'used as a nursery, and the other could make a good guest option. | 0:23:25 | 0:23:29 | |
'There's also a family bathroom, complete with roll top bath, | 0:23:29 | 0:23:33 | |
'something Michael should be happy soaking in.' | 0:23:33 | 0:23:36 | |
And this is your bit. | 0:23:36 | 0:23:39 | |
That's quite a nice size as well. | 0:23:39 | 0:23:40 | |
I mean, there's no built-in, as such, but I think plenty of room | 0:23:40 | 0:23:44 | |
-for a bit of freestanding, which is obviously what they've got there. -Yeah. | 0:23:44 | 0:23:47 | |
And of course, with those other slightly quirkier bedrooms, | 0:23:47 | 0:23:50 | |
you might allow yourself a bit of a dressing room... | 0:23:50 | 0:23:53 | |
I think we probably would do, yeah. | 0:23:53 | 0:23:54 | |
So, property number two is scoring a little more highly than | 0:23:54 | 0:23:58 | |
-property number one. -Yes. Definitely. -Oh, yeah. | 0:23:58 | 0:24:01 | |
-Could you see yourselves living in this place? -I could, yeah. -Good. | 0:24:01 | 0:24:04 | |
I like it very much. | 0:24:04 | 0:24:06 | |
So the interior of the house gets the thumbs up, | 0:24:06 | 0:24:09 | |
but I think I've saved the best bit till last - | 0:24:09 | 0:24:12 | |
the landscaped garden that extends to the rear of the property. | 0:24:12 | 0:24:16 | |
From this elevated position, the views are simply breathtaking. | 0:24:16 | 0:24:20 | |
And the owners have built a superb decking area to make | 0:24:20 | 0:24:23 | |
the most of the surrounding countryside. | 0:24:23 | 0:24:26 | |
-Now, this is a remarkable structure. -This is just fabulous, isn't it? | 0:24:26 | 0:24:31 | |
-Isn't it? -Absolutely. | 0:24:31 | 0:24:33 | |
And ahead of you is Ribbesford Wood, it's a | 0:24:33 | 0:24:36 | |
nice swathe of ancient woodland. | 0:24:36 | 0:24:39 | |
I just can't believe the view. It's to die for. | 0:24:39 | 0:24:41 | |
-This thing really makes the best of it. -It does. | 0:24:41 | 0:24:44 | |
But look back at the house. That's the thing that we're really buying. | 0:24:44 | 0:24:48 | |
-The view is a bonus. -It certainly is! | 0:24:48 | 0:24:51 | |
-It's almost picture perfect. -Perfect, says your wife, sir. | 0:24:51 | 0:24:55 | |
I think it's perfect as well. | 0:24:55 | 0:24:57 | |
So, then. What's the damage? What is property two on the market for? | 0:24:57 | 0:25:02 | |
I think it's going to be near the top of our budget. But I'm hoping... | 0:25:02 | 0:25:07 | |
I'm going to be optimistic and say £340,000. | 0:25:07 | 0:25:10 | |
340,000, yeah. | 0:25:10 | 0:25:13 | |
I think it's going to be 350. It's going to be on the budget. | 0:25:13 | 0:25:17 | |
-If it were 350, you could do it, if you chopped in everything. -Yes. | 0:25:17 | 0:25:21 | |
But if we could save you a bit of money too, | 0:25:21 | 0:25:24 | |
-that would be all right, wouldn't it? -It would be quite... | 0:25:24 | 0:25:27 | |
Particularly if property two was on the market for £329,000. | 0:25:27 | 0:25:31 | |
-Wow! -Even better. -That's fabulous. | 0:25:31 | 0:25:34 | |
Look, I am going to give you as much time as you like to explore this | 0:25:34 | 0:25:37 | |
and make sure it is everything you hope it will be. | 0:25:37 | 0:25:41 | |
-Mm-hm. -Off you go. -I'm going to stay here and watch the view. -Are you now? | 0:25:41 | 0:25:45 | |
-All right, then! -We'll catch up with you later. -I'm sure you will! | 0:25:45 | 0:25:48 | |
-Come on then, enjoy those views! -Thank you. | 0:25:48 | 0:25:50 | |
Well, there you are. That's told me. | 0:25:50 | 0:25:53 | |
Below budget by £21,000, | 0:25:53 | 0:25:55 | |
this beautifully finished barn | 0:25:55 | 0:25:58 | |
conversion has charmed our buyers. | 0:25:58 | 0:26:00 | |
It provides Jean with | 0:26:00 | 0:26:01 | |
the kitchen/diner she wanted, | 0:26:01 | 0:26:03 | |
Michael gets his bathtub | 0:26:03 | 0:26:04 | |
and it comes with three bedrooms, | 0:26:04 | 0:26:06 | |
one more than they have | 0:26:06 | 0:26:07 | |
at the moment. | 0:26:07 | 0:26:08 | |
The garden is manageable, | 0:26:08 | 0:26:10 | |
with magnificent views | 0:26:10 | 0:26:11 | |
of the Worcestershire countryside. | 0:26:11 | 0:26:14 | |
I thought it was stunning. | 0:26:14 | 0:26:16 | |
I like the idea of it, it is actually a little complex, | 0:26:16 | 0:26:19 | |
cos I think one of the things we do worry about is | 0:26:19 | 0:26:22 | |
if something happens to one of us, I don't want to be in bed for days | 0:26:22 | 0:26:25 | |
and no-one notices that I haven't got up! | 0:26:25 | 0:26:28 | |
I love it. I really love it. | 0:26:28 | 0:26:30 | |
I think it's a very good prospect for us, very good prospect indeed. | 0:26:30 | 0:26:35 | |
Especially with a little bit of cash in our pockets at the end of it. | 0:26:35 | 0:26:39 | |
It's a fabulous house. | 0:26:39 | 0:26:41 | |
The upstairs, the main bedroom is all the room we could want, really. | 0:26:41 | 0:26:46 | |
The bathroom's very nice. Got a shower and a bath. | 0:26:46 | 0:26:48 | |
And the little room, I think it's ideal for guests and the little | 0:26:48 | 0:26:52 | |
tiny room would make a reasonable study and craft room for Jean. | 0:26:52 | 0:26:56 | |
So, I think the whole house is ideal. | 0:26:56 | 0:26:59 | |
-It is amazing. -I don't believe it! Are you two still here? | 0:26:59 | 0:27:03 | |
-Yes. -Did you actually go and have another look? -No. | 0:27:03 | 0:27:06 | |
-No! -HE LAUGHS | 0:27:06 | 0:27:08 | |
Although we loved the house, I think | 0:27:08 | 0:27:11 | |
-it's the views that have sold it to us. -Well, what a day, Michael! -Yeah. | 0:27:11 | 0:27:15 | |
-Maybe we should go and celebrate. -I think we should. | 0:27:15 | 0:27:18 | |
-Shall I cancel the mystery house? -No. -Oh, no! -No. | 0:27:18 | 0:27:20 | |
-HE CHUCKLES -Come on, then. | 0:27:20 | 0:27:23 | |
'It's the second day of our property search with Jean | 0:27:32 | 0:27:35 | |
'and Michael from Essex. | 0:27:35 | 0:27:37 | |
'They're keen to move from their maisonette in Hornchurch to | 0:27:37 | 0:27:40 | |
'a rural home in Worcestershire and they have a budget of £350,000. | 0:27:40 | 0:27:45 | |
'Still to come, our final house intrigues.' | 0:27:45 | 0:27:48 | |
Wow! | 0:27:48 | 0:27:50 | |
It's certainly a mystery! | 0:27:50 | 0:27:52 | |
'And I go foraging in the Cotswolds.' | 0:27:52 | 0:27:54 | |
This is the Pershore Yellow Egg... | 0:27:54 | 0:27:57 | |
-Beautiful! -It's probably the only time of year when you can actually eat it. | 0:27:57 | 0:28:02 | |
Well, yesterday certainly finished on a high, | 0:28:02 | 0:28:04 | |
but today has started, as you can probably tell, in the rain, but that doesn't matter | 0:28:04 | 0:28:09 | |
because today it's all about the mystery house and what | 0:28:09 | 0:28:12 | |
we have in mind for Michael and Jean will, I think, knock them sideways. | 0:28:12 | 0:28:16 | |
Well, how are we feeling on this wet day? | 0:28:20 | 0:28:23 | |
-Very optimistic. -I mean, yesterday was good. -It was good, yes. | 0:28:23 | 0:28:28 | |
-We've got a lot to beat, Michael, with property two, I think. -We have. | 0:28:28 | 0:28:31 | |
The only thing that was a downside is the garden, the sloping lawn. | 0:28:31 | 0:28:37 | |
It's OK at the moment, but how will it be when I'm 70 and pushing 80? | 0:28:37 | 0:28:43 | |
-Hire a gardener. -Hire a man in. | 0:28:43 | 0:28:46 | |
-About 21. -THEY LAUGH | 0:28:46 | 0:28:49 | |
I knew that was coming, Jean! | 0:28:49 | 0:28:51 | |
-That would be nice. -A nice young man to help out in the garden, Jean. | 0:28:51 | 0:28:55 | |
-You can sit there and watch him all day long. -Yes! | 0:28:55 | 0:28:58 | |
-Sorry, Michael. -That's all right. THEY LAUGH | 0:28:58 | 0:29:01 | |
That's all right. | 0:29:01 | 0:29:03 | |
Our mystery house is in the village of Whitbourne, | 0:29:03 | 0:29:06 | |
on the county border about five miles from the town of Bromyard. | 0:29:06 | 0:29:10 | |
Bromyard is an attractive town with a number of half timbered buildings. | 0:29:10 | 0:29:15 | |
Founded in the 12th century, | 0:29:15 | 0:29:16 | |
for many years it was a market town and today, it's still | 0:29:16 | 0:29:19 | |
a centre for growing hops, cider apples, pears and soft fruit. | 0:29:19 | 0:29:24 | |
It also boasts a number of shops, many of them historic. | 0:29:24 | 0:29:28 | |
And just down the road is Whitbourne, where we | 0:29:28 | 0:29:31 | |
find our final property. | 0:29:31 | 0:29:33 | |
Come in to our mystery house. | 0:29:35 | 0:29:37 | |
Up you come, Jean. | 0:29:39 | 0:29:42 | |
-It's certainly a mystery! -It's different. -Yes. | 0:29:42 | 0:29:45 | |
This is very, very different. | 0:29:45 | 0:29:47 | |
It is a 16th century cider barn, evidence of which is inside. | 0:29:47 | 0:29:51 | |
That's all I'm saying for now. | 0:29:51 | 0:29:54 | |
But a remarkable property and the only way to understand this | 0:29:54 | 0:29:58 | |
-one is to approach it not expecting anything that's conventional. -OK. | 0:29:58 | 0:30:04 | |
It's as quirky as you like. Come on. | 0:30:04 | 0:30:08 | |
'Our mystery house is a Grade-II listed 17th-century cider barn. | 0:30:08 | 0:30:13 | |
'As well as incorporating modern elements, it makes ingenious | 0:30:13 | 0:30:16 | |
'use of the building's historic agricultural heritage.' | 0:30:16 | 0:30:20 | |
-There. -Oh. -HE LAUGHS | 0:30:20 | 0:30:22 | |
-What do you reckon? -King Arthur comes to mind. -Doesn't it? | 0:30:22 | 0:30:26 | |
There is something of the Round Table and Camelot about it, | 0:30:26 | 0:30:29 | |
definitely. Actually, that's the cider press. | 0:30:29 | 0:30:31 | |
That is amazing isn't it? As tables go, it's... | 0:30:31 | 0:30:35 | |
-Do you know, I don't think I've got that many friends. -THEY LAUGH | 0:30:35 | 0:30:39 | |
I think it's amazing, you've got a huge wood burner over there, | 0:30:39 | 0:30:43 | |
lovely stone floor, as you can see. Very, very quirky. | 0:30:43 | 0:30:46 | |
And they've really exposed the bones of the building. The oak beams have | 0:30:46 | 0:30:50 | |
been kind of revealed and opened up to create all these amazing spaces. | 0:30:50 | 0:30:55 | |
Yeah. | 0:30:55 | 0:30:56 | |
'Dominated by that amazing cider-press table, | 0:30:57 | 0:31:00 | |
'I don't think Jean and Michael really know what to make of it all. | 0:31:00 | 0:31:03 | |
'But the kitchen is a little more conventional.' | 0:31:03 | 0:31:05 | |
I mean, it is something of a sort of kitchenette | 0:31:05 | 0:31:07 | |
because you've got that huge space through there | 0:31:07 | 0:31:10 | |
but they've removed the fill of these panels. | 0:31:10 | 0:31:13 | |
These would have been wattle and daub panels originally so... | 0:31:13 | 0:31:16 | |
But they've opened it up, which is rather nice. | 0:31:16 | 0:31:18 | |
It's big enough really, yes. | 0:31:18 | 0:31:20 | |
-It's big enough to cook in, yeah. -Big enough to cook in. | 0:31:20 | 0:31:22 | |
I bet you never expected to see this on your travels this week. | 0:31:22 | 0:31:25 | |
-Certainly not in my dining room! -JULES LAUGHS | 0:31:25 | 0:31:30 | |
-But are you liking it? -Yes, I think it's lovely. | 0:31:30 | 0:31:32 | |
It's very nice. | 0:31:32 | 0:31:33 | |
Can you imagine living here, more to the point? | 0:31:33 | 0:31:36 | |
-Possibly. -It's sort of taken us aback. -Yeah. | 0:31:36 | 0:31:39 | |
Well, you have got three bedrooms here. | 0:31:39 | 0:31:41 | |
Oh, right, that's good. | 0:31:41 | 0:31:42 | |
One of them's on the ground floor, it's through here. | 0:31:42 | 0:31:45 | |
You've got this kind of central hallway, as it were. | 0:31:45 | 0:31:48 | |
There's a loo there. | 0:31:48 | 0:31:49 | |
Quite an interesting sort of wet room in there. | 0:31:49 | 0:31:52 | |
Oh, that's mine. | 0:31:52 | 0:31:54 | |
Yeah? Ideal, isn't it? You're the shower, aren't you? | 0:31:54 | 0:31:57 | |
-Yeah. -And he's the bath. | 0:31:57 | 0:31:58 | |
-But there is a bath here, don't worry. -Is there? -Yeah, upstairs. | 0:31:58 | 0:32:02 | |
-And next door, they've got it currently set up as a twin. -OK. | 0:32:02 | 0:32:05 | |
But it could easily be a double. | 0:32:05 | 0:32:07 | |
And you've got two staircases. | 0:32:07 | 0:32:09 | |
-This spiral, which gets you up to the master. -Mm-hm. -And the other | 0:32:09 | 0:32:13 | |
staircase there, which gets you up to another lavish guest room. | 0:32:13 | 0:32:16 | |
I'm going to let you explore the other bedroom | 0:32:16 | 0:32:18 | |
when we finish the tour, but let's have a look at the master bedroom. | 0:32:18 | 0:32:22 | |
OK. | 0:32:22 | 0:32:23 | |
'The master suite is located at the top of the spiral staircase | 0:32:24 | 0:32:28 | |
'on a galleried level which overlooks the ground floor. | 0:32:28 | 0:32:31 | |
Now, as master bedrooms go, what do you reckon to this then, Jean? | 0:32:31 | 0:32:35 | |
Erm... | 0:32:35 | 0:32:37 | |
-Bit open for my liking. -A bit open? -Yeah. -In what sense? | 0:32:37 | 0:32:41 | |
-That you're straight up the stairs and into the bedroom. -Yeah. | 0:32:41 | 0:32:44 | |
There's no sort of privacy. | 0:32:44 | 0:32:46 | |
As a room, as a space, again very different. | 0:32:46 | 0:32:49 | |
Yes, very different. | 0:32:49 | 0:32:51 | |
And in there, Michael, your bath. | 0:32:51 | 0:32:54 | |
-Ah. -Open the door. There you are. | 0:32:54 | 0:32:57 | |
-Oh, superb. -Yeah? Really, the bedrooms are interchangeable. | 0:32:57 | 0:33:00 | |
We've given you this as the master because it's got a bath. | 0:33:00 | 0:33:03 | |
-Yeah, thank you. -THEY LAUGH | 0:33:03 | 0:33:06 | |
The other one has a shower. | 0:33:06 | 0:33:08 | |
But what's it worth, our mystery house, do you think? | 0:33:08 | 0:33:11 | |
-Oh... -Where do we begin with this one? | 0:33:11 | 0:33:13 | |
Come on, let's go down. | 0:33:13 | 0:33:15 | |
'I think the open-plan nature of the suggested master has cast | 0:33:16 | 0:33:20 | |
'doubt in Jean's mind, but they could certainly use the other | 0:33:20 | 0:33:23 | |
'upstairs bedroom as their space | 0:33:23 | 0:33:25 | |
'which is more private, but lacks a bath. | 0:33:25 | 0:33:28 | |
'Outside, as well as the paved courtyard at the front | 0:33:28 | 0:33:31 | |
'of the property, there's also a pretty medieval-style walled garden | 0:33:31 | 0:33:34 | |
'with box hedges and a variety of herbs.' | 0:33:34 | 0:33:37 | |
So, the price. Final price guess of the week, folks. | 0:33:38 | 0:33:44 | |
Who's going to go first? Go on, Jean. | 0:33:44 | 0:33:47 | |
I think 335. | 0:33:47 | 0:33:50 | |
£335,000, yeah. Michael? | 0:33:50 | 0:33:53 | |
345, I think. | 0:33:53 | 0:33:55 | |
£345,000. He's trumped you by 10, look, you see? | 0:33:55 | 0:33:59 | |
Well, here's the truth of it. | 0:33:59 | 0:34:01 | |
The exciting thing, I think, is that this is on the market | 0:34:01 | 0:34:04 | |
for £295,000. | 0:34:04 | 0:34:08 | |
-Wow. -Good grief. | 0:34:08 | 0:34:09 | |
That does shed a different light on things, doesn't it? | 0:34:09 | 0:34:12 | |
I thought it might, yeah. Well, there is | 0:34:12 | 0:34:14 | |
a lot to consider with this one, so go and have a look around. | 0:34:14 | 0:34:17 | |
-In particular, have a look at that second bedroom upstairs. -OK. | 0:34:17 | 0:34:19 | |
-And I will catch up with you later. -OK. | 0:34:19 | 0:34:22 | |
Brilliant. | 0:34:22 | 0:34:23 | |
Well, there we go, we do love our mystery houses | 0:34:23 | 0:34:25 | |
on Escape To The Country, and with good reason. | 0:34:25 | 0:34:28 | |
When you find ones like this, | 0:34:28 | 0:34:29 | |
it is an absolute treat showing our buyers around. | 0:34:29 | 0:34:32 | |
And when it comes to value for money, character, charm | 0:34:32 | 0:34:35 | |
and quirkiness, frankly this one really does take some beating. | 0:34:35 | 0:34:39 | |
Under budget by a generous £55,000, | 0:34:41 | 0:34:43 | |
our mystery house is a former 17th-century cider mill | 0:34:43 | 0:34:46 | |
which has been transformed into a stunning three-bedroom property. | 0:34:46 | 0:34:51 | |
It comes with a wealth of original features, | 0:34:51 | 0:34:53 | |
but its focal point is that wonderful cider-press dining table | 0:34:53 | 0:34:56 | |
There's also a downstairs cloakroom, | 0:34:56 | 0:34:58 | |
and the garden is largely paved, so low-maintenance. | 0:34:58 | 0:35:01 | |
Oh. | 0:35:03 | 0:35:05 | |
This is better. | 0:35:05 | 0:35:06 | |
I think I'd rather have this as the master. | 0:35:06 | 0:35:08 | |
Yeah, I think I would. | 0:35:08 | 0:35:10 | |
It'd make a better master, I think, for us. | 0:35:10 | 0:35:13 | |
Blown away. I mean, the mill, the table, the press. I love it. | 0:35:13 | 0:35:18 | |
I really love it. | 0:35:18 | 0:35:19 | |
The rest of the downstairs, I'm not sure that it really works for us. | 0:35:19 | 0:35:23 | |
One of the reasons we want to move is that we're getting older | 0:35:23 | 0:35:27 | |
and stairs are becoming more and more difficult. | 0:35:27 | 0:35:29 | |
And those spiral staircases frighten the life out of me. | 0:35:29 | 0:35:34 | |
When we stepped inside, it sort of took my breath away, really. | 0:35:34 | 0:35:37 | |
The press done as a round table, it's just not me. | 0:35:37 | 0:35:42 | |
It's a fabulous property for someone, | 0:35:42 | 0:35:47 | |
but I don't think it's quite for us. | 0:35:47 | 0:35:49 | |
HE LAUGHS | 0:35:50 | 0:35:52 | |
Well, our quirky mystery house has certainly given you | 0:35:52 | 0:35:54 | |
-lots to consider. -It certainly has. | 0:35:54 | 0:35:57 | |
-And, of course, our other two properties... -Yeah. -..as well, so... | 0:35:57 | 0:36:01 | |
-A lot of thinking to do. -Right then, let's go. -OK. | 0:36:01 | 0:36:05 | |
Oh, better shut the door. | 0:36:05 | 0:36:06 | |
Between the Malvern and the Cotswold Hills lies the Vale of Evesham. | 0:36:16 | 0:36:20 | |
A vast area of sheltered, fertile flatland known as | 0:36:20 | 0:36:24 | |
the fruit basket of England | 0:36:24 | 0:36:25 | |
because of the wide variety of fruit it grows. | 0:36:25 | 0:36:28 | |
Since Victorian times, the town of Pershore has produced | 0:36:28 | 0:36:31 | |
plums by the tonne and today it celebrates the plum harvest | 0:36:31 | 0:36:34 | |
with a festival throughout the month of August. | 0:36:34 | 0:36:38 | |
I've come to meet local horticultural expert | 0:36:38 | 0:36:40 | |
John Edgeley to find out more about the heritage of the humble plum. | 0:36:40 | 0:36:44 | |
Now, John - the Vale of Evesham is famous for many things, | 0:36:47 | 0:36:50 | |
I had no idea that the plum had its home here, | 0:36:50 | 0:36:53 | |
in particular in Pershore. How did that come about? | 0:36:53 | 0:36:56 | |
It all came about with the discovery of the Pershore Yellow Egg | 0:36:56 | 0:36:59 | |
in a local wood, Tiddesley Wood, in 1827. | 0:36:59 | 0:37:02 | |
It was very suited for jam making, bottling, canning, | 0:37:02 | 0:37:06 | |
which, of course, there was no refrigeration then. | 0:37:06 | 0:37:08 | |
But how did the plum establish itself here in Pershore? | 0:37:08 | 0:37:11 | |
What gave rise to its popularity? | 0:37:11 | 0:37:13 | |
Well, you've got a very good climate | 0:37:13 | 0:37:15 | |
cos you've got the Cotswolds, you've got the Malvern Hills, | 0:37:15 | 0:37:17 | |
and you've got this lovely climate in between. | 0:37:17 | 0:37:19 | |
Particularly south Worcestershire is quite warm | 0:37:19 | 0:37:22 | |
compared to other areas round about. | 0:37:22 | 0:37:23 | |
Now, you've managed to galvanise the history of the plum, and its | 0:37:23 | 0:37:26 | |
now increasing popularity, into the Pershore Plum Festival. | 0:37:26 | 0:37:31 | |
-When did that start? -It started in 1996. | 0:37:31 | 0:37:34 | |
Four of us locally started it going on August bank holiday Monday, | 0:37:34 | 0:37:38 | |
and then in 2006 we expanded it to the whole of August. | 0:37:38 | 0:37:41 | |
And so, basically, August, the whole of Pershore goes purple. | 0:37:41 | 0:37:45 | |
Around the town are many orchards which still produce a large | 0:37:45 | 0:37:48 | |
variety of native plums. | 0:37:48 | 0:37:50 | |
With the harvest in full swing, I've timed my visit well | 0:37:50 | 0:37:54 | |
as the Pershore Yellow Egg plum | 0:37:54 | 0:37:56 | |
has a rather narrow window for ripening. | 0:37:56 | 0:37:58 | |
It's probably the only time of year when you can actually eat it. | 0:37:58 | 0:38:01 | |
Are you making that up? | 0:38:01 | 0:38:02 | |
I'm not making it up, as you'll find out. | 0:38:02 | 0:38:04 | |
You can try that and see what it's like. | 0:38:04 | 0:38:08 | |
Mm, gosh, that's very nice. And it really is just today? | 0:38:10 | 0:38:14 | |
Before today it would have been too hard and not very flavoursome, | 0:38:14 | 0:38:17 | |
tomorrow it's probably very mealy | 0:38:17 | 0:38:19 | |
and is only good for making into jam. | 0:38:19 | 0:38:21 | |
Well, it tastes absolutely fabulous today. | 0:38:21 | 0:38:23 | |
But I noticed throughout this beautiful orchard, | 0:38:23 | 0:38:26 | |
there are, of course, boughs full of Purple Pershore. | 0:38:26 | 0:38:29 | |
Are they also edible today? | 0:38:29 | 0:38:31 | |
Yes, we can try those. So we can go across and have a look. | 0:38:31 | 0:38:35 | |
Well, I would go for one of these here, perhaps. | 0:38:35 | 0:38:37 | |
-How's that one? -That should be OK. -A fine example. | 0:38:37 | 0:38:40 | |
Which are the most popular, then, | 0:38:40 | 0:38:42 | |
between the Yellow Egg and the Purple? | 0:38:42 | 0:38:43 | |
Probably, for eating, now, it's got to be the Purple Pershore. | 0:38:43 | 0:38:46 | |
It's got a fantastic flavour, and, certainly when we're | 0:38:46 | 0:38:49 | |
selling them in Pershore, this is the one that sells the most. | 0:38:49 | 0:38:51 | |
During the festival month, many of these historic plum | 0:38:53 | 0:38:55 | |
varieties are being used by local food producers in all | 0:38:55 | 0:38:59 | |
types of local delicacies to show how diverse the plum can be. | 0:38:59 | 0:39:03 | |
John wants me to sample some of their wares and is taking me | 0:39:03 | 0:39:06 | |
to a local cafe. | 0:39:06 | 0:39:07 | |
-Hello. -This is Natalie. -Hello, Natalie, very nice to see you. | 0:39:08 | 0:39:11 | |
-Hello, nice to meet you. -What a fabulous spread. -Thank you. | 0:39:11 | 0:39:14 | |
This is what everybody's tucking into in Pershore, these days? | 0:39:14 | 0:39:17 | |
They are. They certainly are. | 0:39:17 | 0:39:19 | |
We've used all the local produce and the Vale plums, | 0:39:19 | 0:39:22 | |
and incorporated something a bit different with our own | 0:39:22 | 0:39:24 | |
favourite classics, and created this lovely selection. | 0:39:24 | 0:39:27 | |
You have made a version of everything I really enjoy. | 0:39:27 | 0:39:31 | |
It's got to be done hasn't it? | 0:39:32 | 0:39:34 | |
I can't look at this any longer. | 0:39:34 | 0:39:36 | |
Mm. Mmm! | 0:39:40 | 0:39:42 | |
Wow, absolutely gorgeous. | 0:39:42 | 0:39:45 | |
And are you using the purple plums? | 0:39:45 | 0:39:47 | |
Mainly, yes, with the purple plums. | 0:39:47 | 0:39:49 | |
It gives it that nice colour to our products. | 0:39:49 | 0:39:51 | |
What's really surprised me is how the fruit adds a real richness | 0:39:51 | 0:39:55 | |
and a depth of flavour. | 0:39:55 | 0:39:57 | |
So what did you start with? | 0:39:57 | 0:39:59 | |
The plum sausage. | 0:39:59 | 0:40:00 | |
That was where it kind of all began for us. | 0:40:00 | 0:40:03 | |
-Is this it here? -Yes, yes. | 0:40:03 | 0:40:05 | |
Let me try a bit of the sausage. | 0:40:05 | 0:40:07 | |
Mm. Oh, absolutely brilliant, Natalie. | 0:40:09 | 0:40:11 | |
I could be here for a very long time, I suspect. | 0:40:11 | 0:40:13 | |
But thank you very much indeed, both of you... | 0:40:13 | 0:40:16 | |
-Thank you. -..for my introduction to plums from Pershore. | 0:40:16 | 0:40:19 | |
-What a way to finish. -You're more than welcome. -Enjoy. | 0:40:19 | 0:40:23 | |
Well, I don't know about you, but I do feel we have been able to | 0:40:24 | 0:40:26 | |
spoil Michael and Jean this week with our properties. | 0:40:26 | 0:40:30 | |
So I thought we'd continue the theme and have our final | 0:40:30 | 0:40:32 | |
chat in the surroundings of this glorious neoclassical mansion. | 0:40:32 | 0:40:37 | |
They have a big decision to make, let's see if they've made it. | 0:40:37 | 0:40:40 | |
Well, Jean and Michael, | 0:40:46 | 0:40:47 | |
-this has been quite an interesting week, I think. -It has. | 0:40:47 | 0:40:50 | |
We have explored huge tracts of Worcestershire's countryside | 0:40:50 | 0:40:53 | |
and seen some fabulous properties to boot, | 0:40:53 | 0:40:55 | |
but have we managed to find you your new home? | 0:40:55 | 0:40:59 | |
-Maybe, yes, maybe. -Maybe? | 0:40:59 | 0:41:00 | |
With a clear winner, which is, of course, property number two? | 0:41:00 | 0:41:03 | |
It certainly was. | 0:41:03 | 0:41:05 | |
So, let's hear it. Your thoughts on that one? | 0:41:05 | 0:41:08 | |
It was just amazing. | 0:41:08 | 0:41:10 | |
The views from the garden were stunning, to die for. | 0:41:10 | 0:41:15 | |
I just loved it. My heart went. | 0:41:15 | 0:41:17 | |
Everything was perfect. | 0:41:17 | 0:41:18 | |
You see, Michael, I was a bit worried about property two | 0:41:18 | 0:41:21 | |
because you were worried that property one was so small. | 0:41:21 | 0:41:23 | |
I wasn't convinced that our lovely barn conversion would be | 0:41:23 | 0:41:26 | |
that much bigger. | 0:41:26 | 0:41:28 | |
Well, it is slightly smaller, | 0:41:28 | 0:41:30 | |
because we've got a dining room at home and there isn't a dining | 0:41:30 | 0:41:33 | |
room there, but the house is so perfect, the garden's perfect, | 0:41:33 | 0:41:37 | |
the views are perfect, it's just ideal for what we're looking for. | 0:41:37 | 0:41:41 | |
So I think we're going to have to give way on | 0:41:41 | 0:41:44 | |
some part of our present life, really. | 0:41:44 | 0:41:47 | |
So what, if anything, is going to happen next? | 0:41:47 | 0:41:49 | |
You said it's perfect, you said it's ideal, | 0:41:49 | 0:41:51 | |
but is it good enough to want to move to? | 0:41:51 | 0:41:53 | |
We've arranged to stay on in the area for another three days, | 0:41:53 | 0:41:58 | |
so what we're going to do is maybe contact the agents | 0:41:58 | 0:42:02 | |
and ask for a second viewing so that we can have a real good look | 0:42:02 | 0:42:05 | |
and talk to the owner, get a feeling for the area. | 0:42:05 | 0:42:08 | |
We want to travel around the area and see where the doctors are | 0:42:08 | 0:42:12 | |
and the shops, you know, just get a feel for the area. | 0:42:12 | 0:42:15 | |
And if all that stacks up, then hopefully that's the one to go for? | 0:42:15 | 0:42:19 | |
-I think so. -I think it will be, cos those views were just stunning. | 0:42:19 | 0:42:23 | |
And you could comfortably afford it at, what? 329? | 0:42:23 | 0:42:28 | |
-We could, yeah. -Brilliant. Guys, well, | 0:42:28 | 0:42:30 | |
it's been an absolute pleasure, | 0:42:30 | 0:42:31 | |
I have very much enjoyed this week with the pair of you. | 0:42:31 | 0:42:34 | |
We've had a good laugh, I think, along the way. | 0:42:34 | 0:42:36 | |
-We certainly have! -So let us know how you get on. | 0:42:36 | 0:42:39 | |
-We will do. -We will do, yeah. | 0:42:39 | 0:42:41 | |
-But best of luck. -Thank you very much. | 0:42:41 | 0:42:44 | |
Jean and Michael did go back to house number two for another | 0:42:44 | 0:42:47 | |
viewing, but decided it was just too remote. | 0:42:47 | 0:42:50 | |
They're now widening their search area. | 0:42:50 | 0:42:52 | |
If you'd like to escape to the country | 0:42:52 | 0:42:54 | |
in England, Northern Ireland, Wales or Scotland, and need our help, | 0:42:54 | 0:42:58 | |
you can apply online at... | 0:42:58 | 0:43:04 |