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This grand 18th-century country house is believed to be | 0:00:02 | 0:00:04 | |
the largest privately owned home in the UK, | 0:00:04 | 0:00:06 | |
bigger than Buckingham and even Blenheim Palace. | 0:00:06 | 0:00:09 | |
But whereabouts in the country is it? | 0:00:09 | 0:00:11 | |
Find out in just a moment. | 0:00:11 | 0:00:12 | |
On today's house hunt, I'm helping some university sweethearts, | 0:00:31 | 0:00:35 | |
recently reunited, looking to buy their first home together. | 0:00:35 | 0:00:38 | |
Our search brings out some differing opinions. | 0:00:38 | 0:00:41 | |
Well, the first house, done in a very much old style out of oak. | 0:00:41 | 0:00:44 | |
This is more contemporary, isn't it? | 0:00:44 | 0:00:45 | |
-Yes, I like it better. -Do you? | 0:00:45 | 0:00:47 | |
Ah, I like the oak! | 0:00:47 | 0:00:49 | |
Oh, do you? | 0:00:49 | 0:00:50 | |
And some rather unusual offerings. | 0:00:50 | 0:00:53 | |
A cross between a medieval castle and the Arabian Nights, isn't it? | 0:00:53 | 0:00:57 | |
Yes. It kind of is, isn't it? | 0:00:57 | 0:00:59 | |
Today, I'm in Yorkshire and this is the colossal Grade I-listed | 0:01:00 | 0:01:05 | |
Wentworth Woodhouse, whose buildings alone cover around three acres. | 0:01:05 | 0:01:09 | |
Now, it was built in the early 18th century under the instruction | 0:01:09 | 0:01:13 | |
of Thomas Watson Wentworth, the Marquis of Rockingham. | 0:01:13 | 0:01:16 | |
Now, these six columns here form the centrepiece of the impressive | 0:01:16 | 0:01:20 | |
facade, which when spanning over 600 feet, is thought to be | 0:01:20 | 0:01:24 | |
the longest facade of any privately owned home in all of Europe. | 0:01:24 | 0:01:28 | |
Since 1999, it's been in the hands of the Newbold family, | 0:01:28 | 0:01:31 | |
who are in the process of restoring this beautiful building | 0:01:31 | 0:01:34 | |
to its former glory, a mammoth and expensive task that I'll be | 0:01:34 | 0:01:38 | |
finding out more about later on in the show. | 0:01:38 | 0:01:40 | |
The Yorkshire region is made up of four counties, including | 0:01:42 | 0:01:45 | |
North Yorkshire, where today's search is based. | 0:01:45 | 0:01:49 | |
Around 40% of the county is covered by national park, including | 0:01:49 | 0:01:53 | |
the North York Moors, home to 44,000 acres of stunning moorland | 0:01:53 | 0:01:58 | |
and the greatest concentration of ancient trees in northern England. | 0:01:58 | 0:02:02 | |
The national park also extends east to where the Cleveland Hills | 0:02:02 | 0:02:05 | |
meet the sea and the area has been designated as a Heritage Coast. | 0:02:05 | 0:02:09 | |
At over 200 meters above sea level, the Jurassic Era cliffs at | 0:02:09 | 0:02:13 | |
Boulby are the highest on the entire east coast. | 0:02:13 | 0:02:16 | |
Further south and roughly equidistant between London | 0:02:16 | 0:02:19 | |
and Edinburgh, well-heeled Harrogate has been popular as a spa | 0:02:19 | 0:02:23 | |
town since the 16th century. | 0:02:23 | 0:02:25 | |
The first mineral waters were discovered here in 1571 | 0:02:25 | 0:02:29 | |
by William Slingsby at Tewit Well. | 0:02:29 | 0:02:32 | |
In 1842, the Pump Room was opened to shelter the town's wealthy | 0:02:32 | 0:02:36 | |
visitors as they took the waters. | 0:02:36 | 0:02:38 | |
At the height of their popularity, they were attracting over | 0:02:38 | 0:02:41 | |
15,000 people a year. | 0:02:41 | 0:02:44 | |
Today, the world-famous Betty's Tearooms continues to bring | 0:02:44 | 0:02:47 | |
tourists to the area, while agriculture and hill farming | 0:02:47 | 0:02:50 | |
are also mainstays of the region's economy. | 0:02:50 | 0:02:53 | |
Despite its stunning countryside, | 0:02:56 | 0:02:58 | |
the average price of a detached house in North Yorkshire is | 0:02:58 | 0:03:01 | |
only £1,000 above the national figure at £269,000. | 0:03:01 | 0:03:06 | |
However, the area between Harrogate, Leeds | 0:03:06 | 0:03:08 | |
and York often referred to as the Golden Triangle, can attract a | 0:03:08 | 0:03:12 | |
hefty premium, basically reflecting the fact that buyers get a slice of | 0:03:12 | 0:03:15 | |
country life yet still good access back into the towns and cities. | 0:03:15 | 0:03:20 | |
So what's attracting today's buyer to this beautiful part of the world? | 0:03:20 | 0:03:23 | |
Well, let's meet them and find out. | 0:03:23 | 0:03:25 | |
Today's house hunters are long-distance partners Kevin, | 0:03:25 | 0:03:28 | |
a pharmaceutical engineer, and Amanda, a GP | 0:03:28 | 0:03:31 | |
They've been together for five years, | 0:03:31 | 0:03:33 | |
but have known each other for over 40. | 0:03:33 | 0:03:36 | |
We were at university together in the early '70s | 0:03:36 | 0:03:39 | |
and we did date then, didn't we? | 0:03:39 | 0:03:40 | |
-We did. -We drifted apart. | 0:03:40 | 0:03:42 | |
We kept in touch over the years because we are both from up north. | 0:03:42 | 0:03:47 | |
-I was at his first wedding, his 40th birthday party. -You were. | 0:03:47 | 0:03:52 | |
But it wasn't until years later, whilst Kevin was living and | 0:03:52 | 0:03:55 | |
working abroad, that they rekindled their relationship after the | 0:03:55 | 0:03:59 | |
death of a mutual friend prompted them to get back in touch. | 0:03:59 | 0:04:02 | |
He was saying, "Well, I wouldn't be able to come to the funeral | 0:04:02 | 0:04:05 | |
"living out in Holland. | 0:04:05 | 0:04:06 | |
"Would I like to go out for a weekend?" | 0:04:06 | 0:04:08 | |
So I did and the rest is history! | 0:04:08 | 0:04:11 | |
Or will be when we get married very shortly. | 0:04:11 | 0:04:13 | |
Kevin now lives in Farnborough, Hampshire, and fiancee Amanda | 0:04:14 | 0:04:17 | |
in Leeds, West Yorkshire. | 0:04:17 | 0:04:19 | |
With over 200 miles between them and both busy with jobs they | 0:04:19 | 0:04:22 | |
love, quality time together has been a rare thing. | 0:04:22 | 0:04:26 | |
Up to now, we've only been together at weekends and on holidays. | 0:04:26 | 0:04:29 | |
Amanda didn't want to leave her patients which she's | 0:04:29 | 0:04:33 | |
known for over 20 years, some of them, | 0:04:33 | 0:04:35 | |
and I'm in my employment more or less tied to Heathrow and | 0:04:35 | 0:04:39 | |
Gatwick, so I had to be really based down here to have the air links. | 0:04:39 | 0:04:44 | |
The problem with the long-distance | 0:04:44 | 0:04:45 | |
relationships really is the travelling | 0:04:45 | 0:04:48 | |
because even on a good day, it can take four hours. | 0:04:48 | 0:04:51 | |
So we're finally, both of us are just about retirement age, | 0:04:51 | 0:04:55 | |
so we're going to both retire in the summer and then get married | 0:04:55 | 0:04:59 | |
and then we can finally be together. | 0:04:59 | 0:05:01 | |
Both Yorkshire born and bred, they've decided God's Country | 0:05:01 | 0:05:04 | |
is the perfect place to finally set up home. | 0:05:04 | 0:05:07 | |
North Yorkshire, really. I mean, it's wild and wonderful. | 0:05:07 | 0:05:10 | |
Some say you may have to be born there to enjoy it, | 0:05:10 | 0:05:13 | |
but I just love it, the stone walls, the open spaces, the moors, | 0:05:13 | 0:05:17 | |
everything like that. | 0:05:17 | 0:05:19 | |
I've always known that | 0:05:19 | 0:05:20 | |
when I've retired I'm going to go back to my roots anyway, | 0:05:20 | 0:05:23 | |
so that was the game plan, and the fact that Amanda was in the game! | 0:05:23 | 0:05:28 | |
-Came along. -Came along. -Conveniently. | 0:05:28 | 0:05:30 | |
Just strengthened the game plan, really. | 0:05:30 | 0:05:33 | |
With that plan now including a wedding and a new house | 0:05:33 | 0:05:36 | |
purchase, there's a big year ahead. | 0:05:36 | 0:05:38 | |
Not to mention the fact they've never lived together before. | 0:05:38 | 0:05:41 | |
But the happy couple aren't phased. | 0:05:41 | 0:05:43 | |
I think we know each other well | 0:05:43 | 0:05:44 | |
-enough to know that there will be difficulties. -No. | 0:05:44 | 0:05:48 | |
-And we may get on each other's nerves. -No! | 0:05:48 | 0:05:50 | |
But... | 0:05:50 | 0:05:52 | |
Yeah, and we do marvel sometimes at how long we've been together | 0:05:52 | 0:05:54 | |
-and not really ever had a... -A barney. -A major row. | 0:05:54 | 0:05:57 | |
Not a major one. | 0:05:57 | 0:05:58 | |
-Obviously, we have a little tiff. -No, we don't! | 0:05:58 | 0:06:01 | |
Very funny! | 0:06:02 | 0:06:03 | |
Retirement will not only mean more time to spend together, but | 0:06:04 | 0:06:07 | |
for Kevin, more time to pursue other interests. | 0:06:07 | 0:06:11 | |
I've been playing with cars for as long as I can remember, really. | 0:06:11 | 0:06:15 | |
He has promised to rebuild me a Mini at some point. | 0:06:15 | 0:06:18 | |
I rather foolishly promised that. Minis are Amanda size. | 0:06:18 | 0:06:21 | |
She's always loved them. | 0:06:21 | 0:06:24 | |
These two might have more life experience under their belt than the | 0:06:24 | 0:06:27 | |
average newly weds, but this series of firsts is no less exciting. | 0:06:27 | 0:06:31 | |
It's going to be a huge change, really, in that I'll no longer | 0:06:31 | 0:06:34 | |
be working, I'll be married for the first time, we'll be together | 0:06:34 | 0:06:38 | |
instead of having to just spend weekends with each other. | 0:06:38 | 0:06:41 | |
It's going to be a really exciting time. | 0:06:41 | 0:06:44 | |
I'm just looking forward to living with Amanda. That's it. | 0:06:44 | 0:06:47 | |
There's nothing more. | 0:06:47 | 0:06:49 | |
Our buyers are looking for a rural | 0:06:53 | 0:06:55 | |
spot in North Yorkshire with | 0:06:55 | 0:06:57 | |
good access to the open spaces | 0:06:57 | 0:06:59 | |
of the Dales, the North York Moors | 0:06:59 | 0:07:00 | |
and the coast. | 0:07:00 | 0:07:02 | |
But with Kevin's family in Bradford, | 0:07:02 | 0:07:04 | |
his children down south and | 0:07:04 | 0:07:05 | |
Amanda's friends in Leeds, | 0:07:05 | 0:07:07 | |
they want to be on the A1 corridor for access to the M1. | 0:07:07 | 0:07:11 | |
I'm catching up with them to see what's on their property wish list. | 0:07:11 | 0:07:14 | |
Well, you've picked a beautiful county, haven't you? Welcome back. | 0:07:14 | 0:07:17 | |
Thank you. | 0:07:17 | 0:07:19 | |
You're already living in Yorkshire. | 0:07:19 | 0:07:20 | |
You're travelling massive distances up here. | 0:07:20 | 0:07:25 | |
Well, we share it. We do it alternate. | 0:07:25 | 0:07:27 | |
You're both on the cusp of retirement. How far away? | 0:07:27 | 0:07:30 | |
Nine working days for me. Not that I'm counting. | 0:07:30 | 0:07:33 | |
How about you? | 0:07:33 | 0:07:34 | |
About 20 days. | 0:07:34 | 0:07:35 | |
So let's try and find you a home where you can start your new | 0:07:35 | 0:07:38 | |
lives here in Yorkshire together. | 0:07:38 | 0:07:40 | |
What does this house look like in your mind's eye then? | 0:07:40 | 0:07:43 | |
Built of Yorkshire stone. | 0:07:43 | 0:07:44 | |
Built of Yorkshire stone, OK. | 0:07:44 | 0:07:46 | |
-At least three bedrooms. -Right. | 0:07:46 | 0:07:49 | |
We want a big double study. | 0:07:49 | 0:07:52 | |
Now, that could be a converted bedroom. | 0:07:52 | 0:07:54 | |
That's so we don't get on each other's nerves. | 0:07:54 | 0:07:56 | |
Is it? What else? | 0:07:56 | 0:07:58 | |
-A nice... -Big kitchen. -Big kitchen. | 0:07:58 | 0:07:59 | |
He took the words out of my mouth. | 0:07:59 | 0:08:01 | |
-Who's...? -We're both cooks, yeah. We both like to cook. | 0:08:01 | 0:08:04 | |
Outside? | 0:08:04 | 0:08:05 | |
Yeah, reasonably-sized garden. | 0:08:05 | 0:08:07 | |
Enough so that we can grown our own veg. | 0:08:07 | 0:08:10 | |
Is it character you're focused on or can we show you something modern? | 0:08:10 | 0:08:13 | |
-I'd rather it had character. -I agree. | 0:08:13 | 0:08:15 | |
How rural can you go? How can I push you there? | 0:08:15 | 0:08:18 | |
-I think... -I wouldn't want to be too remote. | 0:08:19 | 0:08:21 | |
I think I'm more relaxed about being remote than Amanda is. | 0:08:21 | 0:08:25 | |
-Difference of opinion straight away. -That's right, yeah. | 0:08:25 | 0:08:27 | |
Let's talk budget. Remind me of what we're looking up to. | 0:08:27 | 0:08:30 | |
Up to £650,000. | 0:08:30 | 0:08:33 | |
That's a good amount of money, but I'm confident we can get you | 0:08:33 | 0:08:36 | |
something you can get both excited about. | 0:08:36 | 0:08:37 | |
-I'm sure you will. -Are you ready to go? -Absolutely. | 0:08:37 | 0:08:40 | |
-This way. -Let's go. | 0:08:40 | 0:08:41 | |
Kevin and Amanda have a healthy budget of £650,000 | 0:08:43 | 0:08:47 | |
and are hoping for a character property ideally built of Yorkshire | 0:08:47 | 0:08:50 | |
stone with a large kitchen, at least three bedrooms, meaning | 0:08:50 | 0:08:53 | |
friends and relatives can come to stay, and at least one study area. | 0:08:53 | 0:08:57 | |
They'd also like a large garden | 0:08:57 | 0:08:59 | |
with space to grow some veg. | 0:08:59 | 0:09:01 | |
With the three properties we've got | 0:09:01 | 0:09:03 | |
lined up, I'm feeling hopeful we'll find our couple what they're after. | 0:09:03 | 0:09:06 | |
Three very different propositions, but the one thing they all | 0:09:06 | 0:09:09 | |
have in common is character. | 0:09:09 | 0:09:11 | |
I'll be asking Kevin and Amanda to guess the price of each | 0:09:11 | 0:09:14 | |
property at the end of the tour. | 0:09:14 | 0:09:16 | |
The last will be the mystery house, which is designed to challenge | 0:09:16 | 0:09:19 | |
their wish list. | 0:09:19 | 0:09:20 | |
I've got a feeling they won't have seen | 0:09:20 | 0:09:22 | |
anything quite like this one before. | 0:09:22 | 0:09:24 | |
Buy a house, retire, move in with | 0:09:27 | 0:09:30 | |
each other for the first time, get married. | 0:09:30 | 0:09:32 | |
You're doing so much in one short space of time. | 0:09:32 | 0:09:35 | |
It's a recipe for disaster, really, isn't it? | 0:09:35 | 0:09:37 | |
It's all of the high-stress things, you know - retiring, | 0:09:37 | 0:09:39 | |
changing house, getting married. | 0:09:39 | 0:09:41 | |
-All at once. Do it all, get rid of it. -I mean, slow it down! | 0:09:41 | 0:09:45 | |
Our search begins south of | 0:09:48 | 0:09:50 | |
the North York Moors, six miles from | 0:09:50 | 0:09:52 | |
the medieval city of York | 0:09:52 | 0:09:53 | |
in Shipton by Beningborough. | 0:09:53 | 0:09:56 | |
Traditionally a farming village, Shipton is in a popular position for | 0:09:56 | 0:10:00 | |
buyers, half an hour from the North York Moors, but with city access. | 0:10:00 | 0:10:04 | |
The locality includes a lively village pub, a shop and | 0:10:04 | 0:10:08 | |
active community centre with sporting facilities, so | 0:10:08 | 0:10:11 | |
plenty for retirees Kevin and Amanda to get involved with. | 0:10:11 | 0:10:15 | |
Just over a mile from the village centre on a country lane is | 0:10:15 | 0:10:18 | |
our first property, set around its own private courtyard. | 0:10:18 | 0:10:22 | |
So house number one. | 0:10:23 | 0:10:24 | |
Always a bit of a litmus test to your reactions, so here we are! | 0:10:24 | 0:10:27 | |
-Wow. -Big. | 0:10:27 | 0:10:29 | |
-Big is good, though, isn't it? -It's excellent. -Big is excellent. | 0:10:29 | 0:10:32 | |
It's not Yorkshire stone, but it does look attractive. | 0:10:32 | 0:10:34 | |
It looks like a converted animal stable or something like that. | 0:10:34 | 0:10:37 | |
Spot on. Obviously you've got a car port there | 0:10:37 | 0:10:40 | |
and, for the man that wants to start whittling away with his tools | 0:10:40 | 0:10:43 | |
and building cars and what have you, a double garage there with power. | 0:10:43 | 0:10:46 | |
I had already spotted that! | 0:10:46 | 0:10:48 | |
-Excellent, yeah. -Good news? -Excellent. -Sounds good to me. | 0:10:48 | 0:10:50 | |
Let's go inside. | 0:10:50 | 0:10:52 | |
It may not be made of Yorkshire stone, but this four-bed barn | 0:10:52 | 0:10:55 | |
conversion does have heaps of internal character. | 0:10:55 | 0:10:58 | |
Right then, this is where we get to find out if you guys like open plan. | 0:11:00 | 0:11:04 | |
I love the big windows. | 0:11:05 | 0:11:07 | |
I'm not so sure about the open plan all the way through. | 0:11:07 | 0:11:09 | |
It's a huge space, though. | 0:11:09 | 0:11:11 | |
Well, let's focus on the individual rooms first, then. Now, kitchen. | 0:11:11 | 0:11:15 | |
Lovely. My thing. | 0:11:15 | 0:11:17 | |
-You're not so sure? -No, that works, that works. | 0:11:17 | 0:11:19 | |
If you don't like the idea of having all your living space in one | 0:11:19 | 0:11:25 | |
room, there is an option and I will show you that now. Follow me. | 0:11:25 | 0:11:28 | |
The living space could be partitioned off to create | 0:11:30 | 0:11:33 | |
separate areas, but I think it would be a shame to break up such a | 0:11:33 | 0:11:36 | |
fabulous space. | 0:11:36 | 0:11:37 | |
From the kitchen then, there's a corridor leading to a utility | 0:11:37 | 0:11:40 | |
room, downstairs cloakroom, a good-sized guest bedroom with | 0:11:40 | 0:11:43 | |
en-suite as well as another reception room. | 0:11:43 | 0:11:46 | |
Now then, you tell me if you could have this as a snug? | 0:11:47 | 0:11:52 | |
-Or a dining room. -You could. -It's lovely. | 0:11:52 | 0:11:55 | |
If you did want a separate room, this is it. | 0:11:55 | 0:11:59 | |
Equally, this could be an office. | 0:11:59 | 0:12:01 | |
Yes. I would normally say it could be an office. | 0:12:01 | 0:12:04 | |
You got two other offices to choose from here, | 0:12:04 | 0:12:06 | |
you got a ground floor office the other end of the building. | 0:12:06 | 0:12:09 | |
Let's walk back through and go upstairs to the bedrooms. | 0:12:09 | 0:12:13 | |
OK. | 0:12:13 | 0:12:14 | |
Back past the living room, beside the dining area is a | 0:12:15 | 0:12:18 | |
magnificent oak carved staircase leading to the other three | 0:12:18 | 0:12:21 | |
bedrooms on the first floor. | 0:12:21 | 0:12:23 | |
Now, I just want to pop in here briefly | 0:12:24 | 0:12:26 | |
because there's a fantastic bit of detail to this house. | 0:12:26 | 0:12:29 | |
-Look at this! -Ho, ho, ho! -Oh! | 0:12:29 | 0:12:32 | |
Children that used to live on the farm | 0:12:32 | 0:12:34 | |
here during the Second World War used to come up here and play. | 0:12:34 | 0:12:36 | |
-Right. -And so this is a wall they drew on and you can see how the war | 0:12:36 | 0:12:41 | |
has influenced them here, as you can see. | 0:12:41 | 0:12:42 | |
Amazing. Yes, yes. | 0:12:42 | 0:12:44 | |
And Charlie Chaplin. | 0:12:44 | 0:12:45 | |
Amazing, it is, yeah. | 0:12:45 | 0:12:47 | |
Would you keep it? | 0:12:47 | 0:12:48 | |
I think I would, actually. I think I would. | 0:12:48 | 0:12:50 | |
I think the great thing about this is there's three bedrooms up | 0:12:50 | 0:12:53 | |
here, so this would always only ever be a guest suite, | 0:12:53 | 0:12:56 | |
so it's kind of a nice, it's a nice feature for your guests to enjoy. | 0:12:56 | 0:12:59 | |
Yes, a feature, yeah. | 0:12:59 | 0:13:00 | |
And you said you wanted character, lots of character. | 0:13:00 | 0:13:02 | |
That's certainly character. | 0:13:02 | 0:13:04 | |
The two guest bedrooms, both good-sized doubles, share a | 0:13:04 | 0:13:07 | |
fantastic Victorian-styled family bathroom, complete with roll-topped | 0:13:07 | 0:13:12 | |
bath and attractive exposed brickwork. | 0:13:12 | 0:13:14 | |
Right then, the master suite. | 0:13:16 | 0:13:18 | |
It looks a little bit small at first glance. | 0:13:20 | 0:13:24 | |
And the first thing you notice is there's no wardrobes. | 0:13:24 | 0:13:28 | |
That's because, walk-in wardrobe area over there. | 0:13:28 | 0:13:32 | |
-Fantastic. -Very nice, yeah. | 0:13:32 | 0:13:33 | |
-That's something I've always dreamed of. -Now, you get an en-suite there. | 0:13:33 | 0:13:37 | |
Just have a quick peek at that actually. | 0:13:37 | 0:13:38 | |
So what do you think? You said you wanted character, Amanda. | 0:13:38 | 0:13:41 | |
Are you getting character in this property? | 0:13:41 | 0:13:43 | |
-Yes and no. Yes and no. -Right, what's the yes? | 0:13:43 | 0:13:46 | |
The yes is there are beams, | 0:13:46 | 0:13:48 | |
there's those beautiful big windows downstairs. | 0:13:48 | 0:13:51 | |
The no? | 0:13:51 | 0:13:52 | |
But the no is it does still feel a bit kind of | 0:13:52 | 0:13:55 | |
modern conversion looking. | 0:13:55 | 0:13:57 | |
Does it? You want genuine old character, is that what it is? | 0:13:57 | 0:14:01 | |
I think I do. I certainly do. | 0:14:01 | 0:14:03 | |
Let's go outside and have a look at the outside space, | 0:14:03 | 0:14:05 | |
but also start thinking about the price. | 0:14:05 | 0:14:08 | |
How much is this house on the market for? All right. | 0:14:08 | 0:14:11 | |
Outside, the property sits on a plot of just under half an acre. | 0:14:13 | 0:14:17 | |
There's a large patio area with doors leading off from the | 0:14:17 | 0:14:19 | |
living space and a generous lawned garden. | 0:14:19 | 0:14:24 | |
-Now, you don't see a veggie patch here, do you? -We don't. | 0:14:24 | 0:14:27 | |
But you could have one. South is thataway. | 0:14:27 | 0:14:30 | |
So I'm thinking maybe vegetable plot there. | 0:14:30 | 0:14:32 | |
It seems such a shame to dig up this lovely lawn. | 0:14:32 | 0:14:37 | |
If you want to eat veg, you've got to break some ground. | 0:14:37 | 0:14:39 | |
-No pain, no gain. -You got it. | 0:14:39 | 0:14:42 | |
Now, there's some other land beyond that post and rail fence, | 0:14:42 | 0:14:45 | |
that driveway. | 0:14:45 | 0:14:46 | |
I spoke to the farmer and he said he would consider selling it off, | 0:14:46 | 0:14:50 | |
the paddock, if you couldn't bear to see marrows being | 0:14:50 | 0:14:53 | |
grown on your lovely bowling green. | 0:14:53 | 0:14:55 | |
There is an opportunity to maybe have a veggie patch somewhere else. | 0:14:55 | 0:14:58 | |
OK. | 0:14:58 | 0:14:59 | |
How much do you think this place is on the market for? | 0:14:59 | 0:15:02 | |
I would say about £625,000. | 0:15:02 | 0:15:04 | |
I don't think it's going to be that much. | 0:15:04 | 0:15:06 | |
Maybe £580,000, £590,000, something like that. | 0:15:06 | 0:15:10 | |
All right. This place... | 0:15:10 | 0:15:13 | |
is on the market for offers around | 0:15:13 | 0:15:15 | |
£550,000. | 0:15:15 | 0:15:17 | |
-Ooh! -Wow! | 0:15:17 | 0:15:18 | |
Walking round the place, you've not been overjoyed by this house. | 0:15:18 | 0:15:23 | |
I think the main thing's the open plan. | 0:15:23 | 0:15:26 | |
And the fact that it doesn't have | 0:15:26 | 0:15:28 | |
the character that I would want. | 0:15:28 | 0:15:31 | |
Well, I tell you what, go back into the house, | 0:15:31 | 0:15:33 | |
look at the other rooms you haven't seen, | 0:15:33 | 0:15:35 | |
look at the garages and stuff like that | 0:15:35 | 0:15:36 | |
-and I'll meet you out the front whenever you've finished. -OK. -OK. | 0:15:36 | 0:15:39 | |
Coming in well under budget, this recent barn conversion | 0:15:41 | 0:15:44 | |
wasn't an instant hit with Kevin | 0:15:44 | 0:15:45 | |
and Amanda, but considering they can | 0:15:45 | 0:15:47 | |
make a saving of around £100,000, | 0:15:47 | 0:15:50 | |
it's definitely food for thought. | 0:15:50 | 0:15:52 | |
It's not made of Yorkshire stone, | 0:15:52 | 0:15:54 | |
but the inside has a wealth | 0:15:54 | 0:15:55 | |
of character features, with four | 0:15:55 | 0:15:57 | |
bedrooms, a large kitchen | 0:15:57 | 0:15:58 | |
area and a separate study. | 0:15:58 | 0:16:01 | |
The garden is extensive and has the | 0:16:01 | 0:16:02 | |
potential to create the | 0:16:02 | 0:16:04 | |
veggie patch they want, plus car-nut | 0:16:04 | 0:16:06 | |
Kevin would have a double | 0:16:06 | 0:16:07 | |
garage for all his tools. | 0:16:07 | 0:16:09 | |
Ah-ha! This is what we want. | 0:16:09 | 0:16:13 | |
Yes, this is what you'd like, isn't it? | 0:16:13 | 0:16:16 | |
Yeah. Work bench, Mini, perfect. | 0:16:16 | 0:16:20 | |
-All your tools. -I can do that. | 0:16:20 | 0:16:22 | |
It's a very interesting house. | 0:16:22 | 0:16:24 | |
The negative is the large open-plan area. | 0:16:24 | 0:16:29 | |
Having said that, the rest of it is done in a very nice standard. | 0:16:29 | 0:16:33 | |
I had originally thought that I would quite like a barn conversion. | 0:16:33 | 0:16:36 | |
I think I'm looking for something a lot more traditional. | 0:16:36 | 0:16:39 | |
Very nice house for someone else, but not for me. | 0:16:39 | 0:16:42 | |
So all done inside? | 0:16:43 | 0:16:44 | |
-Yeah. -Yeah. -Had a good look around everywhere? | 0:16:44 | 0:16:47 | |
-We have. -Did you fall in love with the garage? | 0:16:47 | 0:16:49 | |
-The garage was fantastic. Perfect. -I knew you'd like that. | 0:16:49 | 0:16:51 | |
-OK, that's one down. Two more to go. -OK. | 0:16:51 | 0:16:54 | |
The great oak trees that dominate the woodlands of the UK have | 0:17:01 | 0:17:04 | |
become a national symbol for strength and endurance. | 0:17:04 | 0:17:07 | |
Whilst Yorkshire's majestic oaks stand mighty on the local | 0:17:07 | 0:17:10 | |
landscapes, they also hold great cultural significance, | 0:17:10 | 0:17:13 | |
particularly in the village of Kilburn. | 0:17:13 | 0:17:16 | |
It was here on the edge of the North York Moors that Robert Thompson | 0:17:16 | 0:17:20 | |
began his career as a furniture maker in the early 20th century. | 0:17:20 | 0:17:24 | |
Thompson's skills with oak earned him a notable reputation, | 0:17:24 | 0:17:27 | |
whilst his signature carved mouse earned him the moniker, Mouseman. | 0:17:27 | 0:17:32 | |
We sent Amanda and keen hobbyist Kevin to meet Thompson's | 0:17:32 | 0:17:35 | |
great-great-grandson, Simon Cartwright Thompson at the Mouseman | 0:17:35 | 0:17:39 | |
Visitor Centre to learn more about one of Yorkshire's famous sons. | 0:17:39 | 0:17:43 | |
-Look at this! -Wow! -Wow! | 0:17:44 | 0:17:46 | |
Good morning, well, this is where Robert Thompson's story begins. | 0:17:46 | 0:17:50 | |
Do you have any Mouseman items yourself? | 0:17:50 | 0:17:53 | |
I've got some, just two little mice. | 0:17:53 | 0:17:55 | |
Yeah, well, those very earlier | 0:17:55 | 0:17:57 | |
pieces are sort of quite highly collectible. | 0:17:57 | 0:18:00 | |
There's a story behind the mouse, as well, that's quite nice. | 0:18:00 | 0:18:03 | |
Robert had a commission to repair a church roof. | 0:18:03 | 0:18:06 | |
He was chatting amongst his apprentices. | 0:18:06 | 0:18:09 | |
His apprentices were saying to him, "We're as poor as church mice." | 0:18:09 | 0:18:12 | |
And while they were having their lunch, | 0:18:12 | 0:18:14 | |
he decided to carve a mouse on one of the church beams. | 0:18:14 | 0:18:16 | |
Oh, fantastic! | 0:18:16 | 0:18:17 | |
And, I think that sort of set the seed for using it as a trademark. | 0:18:17 | 0:18:21 | |
The furniture designed and made by Mouseman was born out of the | 0:18:21 | 0:18:25 | |
Arts and Crafts movement that began in 1880 | 0:18:25 | 0:18:28 | |
and continued to have influence into the 1930s. | 0:18:28 | 0:18:31 | |
Today, antique Mouseman pieces are highly collectible. | 0:18:31 | 0:18:35 | |
OK, so we're into our workshop | 0:18:35 | 0:18:37 | |
and here we can see two chairs that we're working on at the moment. | 0:18:37 | 0:18:41 | |
This one is practically finished | 0:18:41 | 0:18:43 | |
and this one we're about to start refurbing it. | 0:18:43 | 0:18:46 | |
They're pretty similar. Are they the same age? | 0:18:46 | 0:18:48 | |
This one here is from the '30s and this one we believe | 0:18:48 | 0:18:52 | |
is from the '60s, but you can see on this mouse here, it's very narrow on | 0:18:52 | 0:19:00 | |
the neck, whereas on the '60s chair they went to a slightly wider neck. | 0:19:00 | 0:19:05 | |
We were finding the ears were getting knocked off, | 0:19:05 | 0:19:08 | |
so it was an advantage to have them slightly chubbier. | 0:19:08 | 0:19:11 | |
So how would you go about restoring this chair? | 0:19:11 | 0:19:14 | |
First off, I would chemically strip it, | 0:19:14 | 0:19:16 | |
then I would neutralise it with methylated spirits. | 0:19:16 | 0:19:19 | |
It's actually the joints are loose on this, | 0:19:19 | 0:19:21 | |
so it'd go into the workshop, we'd knock it to bits | 0:19:21 | 0:19:23 | |
and then we'd re-pin it with new dowels and modern glue. | 0:19:23 | 0:19:27 | |
Upstairs, we've got guys making new pieces of furniture. | 0:19:27 | 0:19:32 | |
So, I mean, would you like to go and have a look at those? | 0:19:32 | 0:19:34 | |
-Yes, please. -Absolutely. | 0:19:34 | 0:19:35 | |
-OK, well, follow me then and we'll go upstairs. -Thank you. | 0:19:35 | 0:19:38 | |
The Mouseman philosophy today is still devoted to handcrafting | 0:19:40 | 0:19:43 | |
simple, solid and functional oak pieces for the home following | 0:19:43 | 0:19:47 | |
the Arts and Crafts ethos that places value on high-grade, | 0:19:47 | 0:19:49 | |
handmade design, rather than poorer quality mass production. | 0:19:49 | 0:19:54 | |
Well, I'm working on a cheese board here. | 0:19:54 | 0:19:56 | |
I've just adzed it | 0:19:56 | 0:19:58 | |
and you can see the undulations in the top. | 0:19:58 | 0:20:01 | |
If you just run your hand over that, you can actually feel it. | 0:20:01 | 0:20:03 | |
And then once we've adzed the top, | 0:20:03 | 0:20:05 | |
we'll use a cabinet scraper, which is this item here. | 0:20:05 | 0:20:09 | |
And what we do, we go with the grain and we take out any steps | 0:20:09 | 0:20:16 | |
and tears that may be in the timber. | 0:20:16 | 0:20:18 | |
-Would you like to have a go? -Thank you. | 0:20:18 | 0:20:20 | |
-That's it. -So can I just ask you | 0:20:23 | 0:20:25 | |
about the mouse itself? | 0:20:25 | 0:20:26 | |
Is it carved separately and then added afterwards? | 0:20:26 | 0:20:29 | |
You can see a cheese board that I haven't started here. | 0:20:29 | 0:20:32 | |
There's the bit left on for the mouse. | 0:20:32 | 0:20:34 | |
So that's where the mouse will get carved. | 0:20:34 | 0:20:36 | |
OK, is that anything like? | 0:20:36 | 0:20:38 | |
-Yeah, I think you'd make a good apprentice. -Thank you! | 0:20:38 | 0:20:41 | |
So, after we've scraped it, we're going to sand, | 0:20:41 | 0:20:45 | |
put sand paper on and, again, we're going to rub with the grain. | 0:20:45 | 0:20:48 | |
With the board almost complete, the edges are softened with a | 0:20:50 | 0:20:53 | |
bevel edge chisel before smoothing with a spokeshave | 0:20:53 | 0:20:56 | |
to prevent splinters and then given a final sand. | 0:20:56 | 0:21:00 | |
So with the possibility of a new hobby on the horizon for | 0:21:00 | 0:21:02 | |
Kevin, it looks like he'll be needing that workshop even more. | 0:21:02 | 0:21:06 | |
Our second property takes us 30 | 0:21:11 | 0:21:12 | |
miles north towards the Yorkshire | 0:21:12 | 0:21:14 | |
Dales and the village of | 0:21:14 | 0:21:16 | |
Well, conveniently positioned | 0:21:16 | 0:21:17 | |
10 minutes from the A1. | 0:21:17 | 0:21:19 | |
The village takes its name from St Michael's Well, one of the | 0:21:19 | 0:21:22 | |
many springs feeding the river beck which runs through it. | 0:21:22 | 0:21:26 | |
This ancient settlement has several historic buildings including the | 0:21:26 | 0:21:30 | |
14th-century church and a row of alms houses and chapel dating | 0:21:30 | 0:21:34 | |
back to 1758. | 0:21:34 | 0:21:36 | |
Our second property is on the edge of the village, down the road | 0:21:36 | 0:21:39 | |
from the church behind a low stone wall. | 0:21:39 | 0:21:42 | |
Now then, here we come to another conversion. | 0:21:43 | 0:21:47 | |
What do we think? First impressions. | 0:21:48 | 0:21:50 | |
I know what you're going to say. Go on. | 0:21:50 | 0:21:53 | |
-Yorkshire stone. -Yes! -Wonderful. | 0:21:53 | 0:21:55 | |
-Yorkshire stone. -We got it. -It's fantastic. | 0:21:55 | 0:21:57 | |
It's absolutely wonderful. | 0:21:57 | 0:21:58 | |
Well, it's a converted schoolhouse, OK, and it's been done fairly | 0:21:58 | 0:22:03 | |
recently but it's, again, very different in layout. | 0:22:03 | 0:22:06 | |
-So let's see what you make of the inside. -OK. -OK. | 0:22:06 | 0:22:09 | |
Built in the 18th century, this former school was closed in the | 0:22:11 | 0:22:15 | |
1950s and has been sympathetically and skilfully converted into | 0:22:15 | 0:22:18 | |
a two-storey house. | 0:22:18 | 0:22:20 | |
-Wow! -Look at this! | 0:22:21 | 0:22:23 | |
-Like it? -Yes. -Yes. | 0:22:25 | 0:22:27 | |
I'm going to allay any fears you may have. | 0:22:27 | 0:22:29 | |
You have a separate living room. | 0:22:29 | 0:22:30 | |
-Right. -So this is just for your cooking and dining. | 0:22:30 | 0:22:34 | |
Which is a much nicer arrangement to me. | 0:22:34 | 0:22:37 | |
Well, the first house was done in a very much traditional old | 0:22:37 | 0:22:39 | |
style out of oak. | 0:22:39 | 0:22:41 | |
This, more contemporary, isn't it? What do you think? | 0:22:41 | 0:22:43 | |
-It is, yes. I like it better. -Do you? | 0:22:43 | 0:22:45 | |
-Ah, I like the oak! -Oh, do you? | 0:22:45 | 0:22:47 | |
Well, you're going to have different tastes, aren't you? | 0:22:47 | 0:22:49 | |
-Of course you are, yeah. -You can just see the doorway | 0:22:49 | 0:22:52 | |
going out there to the garden. | 0:22:52 | 0:22:53 | |
-There's planning consent there for a conservatory. -Ah-ha. | 0:22:53 | 0:22:56 | |
Which would make a great dining area and would also, | 0:22:56 | 0:22:59 | |
I mean, you've got another separate room off the kitchen. | 0:22:59 | 0:23:01 | |
First impressions, kitchen versus kitchen, | 0:23:01 | 0:23:04 | |
first house versus second house. | 0:23:04 | 0:23:06 | |
I love this one. | 0:23:06 | 0:23:08 | |
Yes, oh, definitely second house so far. | 0:23:08 | 0:23:11 | |
Good. OK. | 0:23:11 | 0:23:12 | |
-Let me squeeze past you here and I'll show you the living room. -OK. | 0:23:12 | 0:23:15 | |
Very different again in here. | 0:23:17 | 0:23:19 | |
-Oh, yes! -Very nice. | 0:23:19 | 0:23:22 | |
Now you know you've got separate living areas | 0:23:22 | 0:23:24 | |
with other bits going off it. | 0:23:24 | 0:23:25 | |
Is this more what you had in mind or...? | 0:23:25 | 0:23:27 | |
By a long way. A long, long way. It's lovely. | 0:23:27 | 0:23:31 | |
-It's more cosy, isn't it? -Yeah. | 0:23:31 | 0:23:32 | |
I find that I love having a real fire. | 0:23:32 | 0:23:35 | |
And then you've got a spare bedroom. | 0:23:35 | 0:23:37 | |
-Right. -Uh-huh. | 0:23:37 | 0:23:39 | |
En-suite. And you've got a downstairs office as well. | 0:23:39 | 0:23:42 | |
Oh, wonderful. | 0:23:42 | 0:23:43 | |
On that note, we should keep positive, | 0:23:43 | 0:23:45 | |
onward and upward to the bedrooms. Follow me. | 0:23:45 | 0:23:47 | |
I'm really pleased Kevin and Amanda seem to appreciate this | 0:23:49 | 0:23:52 | |
building's original character and despite the renovation, it | 0:23:52 | 0:23:55 | |
doesn't feel too modern for them. | 0:23:55 | 0:23:57 | |
In the sitting room, there's an open staircase leading to the | 0:23:57 | 0:24:00 | |
upstairs landing where there are three further bedrooms. | 0:24:00 | 0:24:03 | |
Let's start with the master. | 0:24:03 | 0:24:05 | |
You've got a cracking en-suite, separate bath and shower there. | 0:24:05 | 0:24:08 | |
-Oh, yes. -Wonderful, yeah. | 0:24:08 | 0:24:09 | |
Now, I know you like a bit of storage space. | 0:24:09 | 0:24:11 | |
You've got plenty here, haven't you? | 0:24:11 | 0:24:13 | |
-Oh, you certainly have. -You have. And it's got height. | 0:24:13 | 0:24:17 | |
You got three double bedrooms on this level. | 0:24:17 | 0:24:20 | |
The bedroom at the far end, that's en-suite as well. | 0:24:20 | 0:24:24 | |
So the middle bedroom has its own bathroom, essentially. | 0:24:24 | 0:24:27 | |
-Wow! -Very good. | 0:24:27 | 0:24:29 | |
There's nothing to do here at the moment. | 0:24:29 | 0:24:31 | |
It's a canvas. You can put our stamp on it and, yeah, | 0:24:31 | 0:24:34 | |
I like to have a major works, so, yeah. | 0:24:34 | 0:24:36 | |
Well, I tell you what, let's go outside then. | 0:24:36 | 0:24:38 | |
Let's have a look at some of the projects you can get involved in | 0:24:38 | 0:24:41 | |
because, thankfully, it just means that this house stays the same. | 0:24:41 | 0:24:44 | |
-I think you know where I'm going with that. -Absolutely, yeah. | 0:24:44 | 0:24:47 | |
And outside is where he can get his hands dirty. Follow me. | 0:24:47 | 0:24:50 | |
The exterior of the property really is a blank canvas too. | 0:24:51 | 0:24:55 | |
there's a large flat lawned garden, a paved patio for entertaining | 0:24:55 | 0:24:59 | |
and a decked area enjoying views of the surrounding open fields. | 0:24:59 | 0:25:02 | |
For Kevin and his cars, there's a large garage opening to a | 0:25:04 | 0:25:07 | |
covered barn and, of course, the all-important veggie patch. | 0:25:07 | 0:25:12 | |
OK, so let's look back at the house | 0:25:12 | 0:25:13 | |
and see what you might be able to do to it. | 0:25:13 | 0:25:16 | |
Project-wise, conservatory going, | 0:25:16 | 0:25:18 | |
well, from one gable end to the other. | 0:25:18 | 0:25:20 | |
-It's just asking for it, really. -Made for it, isn't it? | 0:25:21 | 0:25:24 | |
Wants it, yeah, definitely. | 0:25:24 | 0:25:25 | |
And you'd have this stone wall on the inside which | 0:25:25 | 0:25:28 | |
I always think looks fabulous. | 0:25:28 | 0:25:30 | |
It would do. It'd look really good, love, it would. | 0:25:30 | 0:25:32 | |
So you tell me, how much do you | 0:25:32 | 0:25:34 | |
think this place is on the market for? | 0:25:34 | 0:25:36 | |
Very difficult. I really don't know. | 0:25:36 | 0:25:39 | |
-£600,000? -Oh, right. | 0:25:39 | 0:25:41 | |
I was going to say about the same but I'll stick my neck out | 0:25:41 | 0:25:45 | |
and say £590,000. | 0:25:45 | 0:25:48 | |
Oh, you went the wrong way. | 0:25:48 | 0:25:50 | |
This place is on the market | 0:25:50 | 0:25:51 | |
for offers around £625,000. | 0:25:51 | 0:25:53 | |
-Right. -OK. | 0:25:53 | 0:25:54 | |
-But it's got all the ingredients, hasn't it? -It has. | 0:25:54 | 0:25:56 | |
-It has got all the ingredients. -Well, it's spitting with rain, | 0:25:56 | 0:25:59 | |
so now is a good time to go back indoors. | 0:25:59 | 0:26:01 | |
Have a look at the other bedrooms, take your time and I'll see you | 0:26:01 | 0:26:03 | |
-whenever you're finished. -OK. -OK. | 0:26:03 | 0:26:05 | |
-See you in a bit. -Thank you. -OK. What's in there? | 0:26:05 | 0:26:07 | |
Have a look! | 0:26:07 | 0:26:09 | |
See. Now, they're coming from very different places. | 0:26:10 | 0:26:13 | |
They've never bought a house together | 0:26:13 | 0:26:15 | |
but the one thing they're agreeing on is everything that's | 0:26:15 | 0:26:18 | |
good about this place - the space and the style. | 0:26:18 | 0:26:21 | |
I'm really glad I brought them here. | 0:26:21 | 0:26:23 | |
At £25,000 under their top budget, this detached former school | 0:26:23 | 0:26:27 | |
building has the four bedrooms Kevin | 0:26:27 | 0:26:29 | |
and Amanda wanted as well as four | 0:26:29 | 0:26:31 | |
bathrooms and a modern kitchen, big | 0:26:31 | 0:26:33 | |
enough for them to cook together. | 0:26:33 | 0:26:35 | |
With a study, a number of separate | 0:26:35 | 0:26:36 | |
reception rooms and the | 0:26:36 | 0:26:38 | |
option of an extension, it could | 0:26:38 | 0:26:39 | |
make the perfect home to | 0:26:39 | 0:26:41 | |
start their married lives together. | 0:26:41 | 0:26:43 | |
Much more positive about this house than the last one. | 0:26:43 | 0:26:47 | |
It feels a lot more like a home, even though it's a | 0:26:47 | 0:26:50 | |
conversion, it still has a lot of character, both in and outside. | 0:26:50 | 0:26:56 | |
It's a lovely property. It's in a lovely area. | 0:26:56 | 0:26:58 | |
It's in the country. | 0:26:58 | 0:27:00 | |
It's got the veg plot, it's got the room to do the cars | 0:27:00 | 0:27:05 | |
and the general work bench. | 0:27:05 | 0:27:06 | |
You know, we love it. | 0:27:06 | 0:27:08 | |
I do have, yeah, a bit of a feeling about it, yeah. | 0:27:08 | 0:27:12 | |
-All done? -Yeah. | 0:27:15 | 0:27:17 | |
Now, is this house a maybe? | 0:27:17 | 0:27:20 | |
-It's fantastic. -It's, yes, very much a maybe. | 0:27:20 | 0:27:22 | |
That's all I want to hear. Let's go. | 0:27:22 | 0:27:24 | |
I'm on the property hunt with soon-to-be-married Kevin and Amanda. | 0:27:33 | 0:27:37 | |
With retirement looming, they're hoping their sizable budget of | 0:27:37 | 0:27:40 | |
£650,000 will get them a rural marital home to be proud of | 0:27:40 | 0:27:45 | |
in their homeland of North Yorkshire. | 0:27:45 | 0:27:47 | |
Still to come, my buyers feel at home in the mystery house. | 0:27:47 | 0:27:51 | |
Could you see yourself entertaining in this house? | 0:27:51 | 0:27:54 | |
-Yes. -Oh, yes, Lord and Lady of the manor! | 0:27:54 | 0:27:57 | |
And I visit the widest property in Europe. | 0:27:57 | 0:28:00 | |
Oh! | 0:28:00 | 0:28:02 | |
Wow! | 0:28:02 | 0:28:03 | |
Well, I think we can be fairly confident that house number | 0:28:05 | 0:28:07 | |
two was the clear winner yesterday. | 0:28:07 | 0:28:09 | |
And today, another beautiful start to the day | 0:28:09 | 0:28:11 | |
and we're off to see the mystery house. | 0:28:11 | 0:28:13 | |
Now, Amanda reckons she likes the idea of character | 0:28:13 | 0:28:16 | |
and that often means your traditional period house. | 0:28:16 | 0:28:20 | |
But that can also be interpreted as quirky | 0:28:20 | 0:28:22 | |
and the mystery property is certainly that. | 0:28:22 | 0:28:25 | |
In fact, if they can get their heads around its rather unique location, | 0:28:25 | 0:28:29 | |
they could potentially be moving to a rather exclusive address. | 0:28:29 | 0:28:33 | |
We're concluding our property hunt further south and closer to | 0:28:35 | 0:28:39 | |
Amanda's current home in Leeds, | 0:28:39 | 0:28:40 | |
in the village of Beckwithshaw, | 0:28:40 | 0:28:42 | |
which is three miles outside the | 0:28:42 | 0:28:44 | |
sought-after spa town of Harrogate. | 0:28:44 | 0:28:46 | |
Originally a hamlet, the village grew when the nearby Moor | 0:28:46 | 0:28:49 | |
Park Estate was built in the 1800s. | 0:28:49 | 0:28:52 | |
Its cottages, farm and workshops meant the village was | 0:28:52 | 0:28:55 | |
developed to service the workings of the estate with additions of | 0:28:55 | 0:28:57 | |
a post office, chapel and school. | 0:28:57 | 0:29:00 | |
Our mystery property is on the Moor Park Estate, surrounded by | 0:29:00 | 0:29:04 | |
200 acres of farmland. | 0:29:04 | 0:29:06 | |
So, a pretty different kind of offering for our mystery house. | 0:29:07 | 0:29:12 | |
-Oh, my! -It certainly is, isn't it? | 0:29:12 | 0:29:14 | |
-Very different. -Very different. | 0:29:14 | 0:29:16 | |
Now, you've been pretty good at guessing their former uses. | 0:29:16 | 0:29:19 | |
Kevin, have a go at this. | 0:29:19 | 0:29:21 | |
Who knows? | 0:29:21 | 0:29:23 | |
Water tower? | 0:29:24 | 0:29:25 | |
THEY LAUGH | 0:29:25 | 0:29:28 | |
It's... Part of it was a dovecote. | 0:29:28 | 0:29:31 | |
-OK. -And they've kept some of the original, well, some | 0:29:31 | 0:29:35 | |
of the original stonework that would have housed where the doves stayed. | 0:29:35 | 0:29:38 | |
Now, first of all, I think we have | 0:29:38 | 0:29:40 | |
to talk about where we are, | 0:29:40 | 0:29:41 | |
this estate. | 0:29:41 | 0:29:42 | |
Pretty different. What do you think? | 0:29:42 | 0:29:44 | |
It's quite different to anything I'd imagined. | 0:29:44 | 0:29:48 | |
I'm just intrigued. | 0:29:48 | 0:29:49 | |
I can't work it out, you know. It just seems very, very, very strange. | 0:29:49 | 0:29:54 | |
-Well, that makes it a true mystery house, doesn't it? -It really is. | 0:29:54 | 0:29:57 | |
Yeah. You've certainly done the job. | 0:29:57 | 0:29:58 | |
-Let's look inside. Follow me. -Sounds good to me. | 0:29:58 | 0:30:01 | |
Restored nearly 15 years ago, the estate, which was once owned | 0:30:01 | 0:30:05 | |
by a single family, now comprises 36 separate dwellings, including | 0:30:05 | 0:30:09 | |
the mansion house, which is divided into eight apartments and a | 0:30:09 | 0:30:12 | |
range of buildings originally built for the workers. | 0:30:12 | 0:30:15 | |
The Grade II-listed dovecot building is in the centre of the | 0:30:15 | 0:30:18 | |
estate, overlooking one of the main courtyards and its tiered fountains. | 0:30:18 | 0:30:22 | |
Now then, just want to briefly pause here | 0:30:22 | 0:30:25 | |
because I think it's worth doing so. | 0:30:25 | 0:30:26 | |
-It's quite impressive, isn't it? -It is. -It is. | 0:30:26 | 0:30:28 | |
This is the first room that your guests would come to. | 0:30:28 | 0:30:31 | |
Let's look at, well, where would you lead your guests? | 0:30:31 | 0:30:34 | |
Would you, let's say, come into the kitchen and have a drink | 0:30:34 | 0:30:37 | |
-or would you take them into the living room? -Depends on the guest. | 0:30:37 | 0:30:39 | |
-What about me? -The kitchen. | 0:30:39 | 0:30:41 | |
Come on then! | 0:30:41 | 0:30:42 | |
The vaulted ceilings and exposed stone wall create a feeling | 0:30:44 | 0:30:48 | |
of grandeur in this reception hall. | 0:30:48 | 0:30:50 | |
Inside, the property is part-furnished. | 0:30:50 | 0:30:52 | |
-Now then, this is not a dining kitchen. -No. | 0:30:54 | 0:30:57 | |
So just for cooking sake, is this decent enough size for you? | 0:30:57 | 0:31:01 | |
It's workable. You've got lots of work surface and storage space. | 0:31:01 | 0:31:05 | |
But then, if this is just for cooking, | 0:31:05 | 0:31:08 | |
well, look at this for a dining room. | 0:31:08 | 0:31:10 | |
It's huge! | 0:31:13 | 0:31:14 | |
Pretty huge, pretty big. Wooden beams. Lovely. | 0:31:14 | 0:31:16 | |
Could you see yourself entertaining in this house? | 0:31:16 | 0:31:19 | |
-Yes. -Oh, yes, Lord and Lady of the manor! | 0:31:19 | 0:31:23 | |
One thing this house surprised me with was its proportions. | 0:31:23 | 0:31:27 | |
It does. It does. Suddenly there's more of it than what you realise. | 0:31:27 | 0:31:30 | |
You've got the hall there, kitchen, dining room | 0:31:30 | 0:31:33 | |
and that flows quite nicely into the living room. | 0:31:33 | 0:31:35 | |
Let's go and have a look now. | 0:31:35 | 0:31:36 | |
Now then, another decent size room. | 0:31:38 | 0:31:41 | |
-Yes. -Yes. | 0:31:41 | 0:31:43 | |
But empty. This house has been rented out. | 0:31:43 | 0:31:47 | |
You don't sound massively enamoured with this place, but let me show | 0:31:49 | 0:31:52 | |
you the bedrooms before you either write this off or fall in love. | 0:31:52 | 0:31:56 | |
-I think you could be the former. Come with me. -OK. | 0:31:56 | 0:32:00 | |
Unfurnished rooms do require buyers to use a bit of imagination, | 0:32:00 | 0:32:04 | |
but after such a great reaction to house number two yesterday, | 0:32:04 | 0:32:07 | |
I'm not getting the same vibe from Kevin and Amanda here today. | 0:32:07 | 0:32:12 | |
So you tell me what you think of this room. | 0:32:12 | 0:32:14 | |
-Oh, my! -Wow! | 0:32:14 | 0:32:16 | |
That's quite... | 0:32:16 | 0:32:17 | |
It's like a cross between a medieval castle | 0:32:17 | 0:32:20 | |
and the Arabian Nights, isn't it? | 0:32:20 | 0:32:22 | |
Yes, it kind of is, isn't it? | 0:32:22 | 0:32:24 | |
-But look at the view out of the window. -That's fantastic. | 0:32:24 | 0:32:26 | |
In the morning, that is great. | 0:32:26 | 0:32:28 | |
You've got a separate bathroom and two other bedrooms on this floor | 0:32:28 | 0:32:32 | |
and upstairs you've got, well, another bedroom or I think it'd make | 0:32:32 | 0:32:36 | |
a fantastic office or study cos that's the dovecot part of it. | 0:32:36 | 0:32:41 | |
-The eagles eyrie. -Yeah, quite, yeah. | 0:32:41 | 0:32:44 | |
You seem to have come alive a bit more up here. | 0:32:44 | 0:32:47 | |
Yeah, it's an exciting room. | 0:32:47 | 0:32:49 | |
Yes, it's like nothing you've ever kind of seen before, so. | 0:32:49 | 0:32:51 | |
It never really occurred to have stone in a bedroom, | 0:32:51 | 0:32:54 | |
but, yes, it really works. | 0:32:54 | 0:32:55 | |
But, being so different probably makes it quite difficult to value. | 0:32:55 | 0:32:59 | |
It does. | 0:33:00 | 0:33:01 | |
Let's go back outside to one of the gardens. | 0:33:01 | 0:33:03 | |
We'll go to the back garden, the more private one. | 0:33:03 | 0:33:06 | |
And then I'll ask you to guess the price. | 0:33:06 | 0:33:08 | |
-OK. -OK. | 0:33:08 | 0:33:09 | |
Outside, the property benefits from two allocated parking spaces | 0:33:10 | 0:33:14 | |
and a garage. | 0:33:14 | 0:33:16 | |
It shares the extensive and well-kept communal gardens for | 0:33:16 | 0:33:19 | |
which there's a service charge of around £135 a month. | 0:33:19 | 0:33:23 | |
But it also has separate private gardens. | 0:33:23 | 0:33:25 | |
So, Amanda, is this garden private enough for you? | 0:33:27 | 0:33:29 | |
-Oh, yes. -Yeah? | 0:33:31 | 0:33:33 | |
Yes, yes, that's nice. | 0:33:33 | 0:33:35 | |
It's not massive. It's clearly the smallest we've seen so far. | 0:33:35 | 0:33:38 | |
I mean, where would you have your veggie patch, do you think? | 0:33:38 | 0:33:41 | |
In that corner or over there. | 0:33:41 | 0:33:44 | |
But how do you price it? | 0:33:44 | 0:33:46 | |
Ooh... | 0:33:46 | 0:33:47 | |
£540,000? | 0:33:47 | 0:33:50 | |
-Amanda? -I'm thinking that this would be more, | 0:33:50 | 0:33:52 | |
near the top of our budget, | 0:33:52 | 0:33:54 | |
so I would say £650,000. | 0:33:54 | 0:33:56 | |
This place is on the market | 0:33:56 | 0:33:58 | |
for offers around £649,999. | 0:33:58 | 0:34:01 | |
-Well done. -Well done. -There you go. | 0:34:01 | 0:34:03 | |
As you valued it at £540,000, Kevin, | 0:34:03 | 0:34:06 | |
that sometimes reflects someone's opinion on the place. | 0:34:06 | 0:34:09 | |
I think you may have a grain of truth in that analysis, yes. | 0:34:09 | 0:34:13 | |
Yes, you're right. | 0:34:13 | 0:34:14 | |
Well, the mystery property's always a gamble. | 0:34:14 | 0:34:16 | |
This one doesn't look like it's paid off, | 0:34:16 | 0:34:18 | |
although you must have a look at that dovecot room because it's | 0:34:18 | 0:34:21 | |
pretty cool and I'll meet you whenever you're finished, all right? | 0:34:21 | 0:34:24 | |
-OK. -OK. -Enjoy it. -Thank you. -See you in a bit. | 0:34:24 | 0:34:26 | |
Just short of their maximum budget, this unique house is in a | 0:34:27 | 0:34:30 | |
sought-after location and would | 0:34:30 | 0:34:32 | |
offer Kevin and Amanda a very | 0:34:32 | 0:34:34 | |
different lifestyle to our | 0:34:34 | 0:34:35 | |
first two properties. | 0:34:35 | 0:34:37 | |
It does have the four bedrooms on | 0:34:37 | 0:34:38 | |
their wish list, living | 0:34:38 | 0:34:40 | |
accommodation including a separate | 0:34:40 | 0:34:42 | |
kitchen and a study and it's | 0:34:42 | 0:34:43 | |
bursting with quirky | 0:34:43 | 0:34:44 | |
character features. | 0:34:44 | 0:34:46 | |
The garden is smaller than at our | 0:34:46 | 0:34:48 | |
first two houses, but there's | 0:34:48 | 0:34:49 | |
enough space for a veggie patch and | 0:34:49 | 0:34:51 | |
they'd also have access to | 0:34:51 | 0:34:52 | |
well-kept communal gardens. | 0:34:52 | 0:34:54 | |
-Wow! -Wow! | 0:34:54 | 0:34:57 | |
That's a bit different! | 0:34:57 | 0:34:58 | |
-That certainly is a bit different, isn't it? -I love that window, yeah. | 0:34:58 | 0:35:01 | |
-Lovely light area. -Isn't it? | 0:35:01 | 0:35:03 | |
I think you could make a bedroom out of it, | 0:35:03 | 0:35:06 | |
but I think it's probably better as an 'our space', you know. | 0:35:06 | 0:35:11 | |
Yes. Well, this is a really, really different house. | 0:35:11 | 0:35:15 | |
I mean, we asked for character | 0:35:15 | 0:35:17 | |
and there's certainly a lot of character. | 0:35:17 | 0:35:20 | |
It's got lots of interesting rooms. It's totally off the wall. | 0:35:20 | 0:35:25 | |
The dovecot room at the top of the house was absolutely fantastic. | 0:35:25 | 0:35:28 | |
That was really the best room in the house. | 0:35:28 | 0:35:30 | |
I don't think we, really, are the type of people to live here. | 0:35:30 | 0:35:33 | |
We're not the Lord and Lady of the manor type. | 0:35:33 | 0:35:35 | |
So I don't think we'd feel comfortable in this setting. | 0:35:35 | 0:35:39 | |
But it was very interesting to have seen it. | 0:35:39 | 0:35:41 | |
Now, you tell me, did this live up | 0:35:43 | 0:35:45 | |
to the expectations of a mystery house? | 0:35:45 | 0:35:47 | |
Very much so. Certainly a mystery. | 0:35:47 | 0:35:49 | |
So let's find you somewhere to have a bit of a conflab | 0:35:49 | 0:35:51 | |
-and then we'll meet up later on. -OK. -Sounds good. | 0:35:51 | 0:35:54 | |
Tucked away in the rural outskirts of Rotherham is a little-known | 0:36:03 | 0:36:06 | |
family home with a large legacy. | 0:36:06 | 0:36:09 | |
Wentworth Woodhouse stands in grounds covering some 85 | 0:36:09 | 0:36:12 | |
acres and boasts the longest country house facade in Europe, at 615 feet. | 0:36:12 | 0:36:18 | |
It's believed that when Thomas Watson Wentworth, the Marquis | 0:36:18 | 0:36:21 | |
of Rockingham, had it built in the 18th century, the grand scale | 0:36:21 | 0:36:24 | |
of the property was all for show, an attempt to impress local | 0:36:24 | 0:36:28 | |
aristocrats and increase his chances of becoming a Member of Parliament. | 0:36:28 | 0:36:33 | |
After generations in the family, the cost of running the property | 0:36:33 | 0:36:36 | |
after the Second World War became so costly that the house slowly | 0:36:36 | 0:36:39 | |
went into decline. | 0:36:39 | 0:36:41 | |
Tenanted for years and eventually sold, architect Clifford | 0:36:41 | 0:36:45 | |
Newbold has been restoring it for the last 15 years. | 0:36:45 | 0:36:49 | |
I'm meeting Estate Manager Tom McWilliams to find out the | 0:36:49 | 0:36:52 | |
plans for this magnificent property. | 0:36:52 | 0:36:54 | |
-Tom, good morning. How are you? -Hello, Jon. Thank you. | 0:36:54 | 0:36:57 | |
What an amazing building. | 0:36:57 | 0:36:59 | |
I'm told this is the widest facade of a residential building in Europe. | 0:36:59 | 0:37:03 | |
-In Europe. -That's quite some accolade, isn't it? | 0:37:03 | 0:37:05 | |
Yeah. This actually is the back of the house. | 0:37:05 | 0:37:08 | |
The other side, the Baroque side is all built of brick. | 0:37:08 | 0:37:10 | |
totally, totally different. | 0:37:10 | 0:37:12 | |
So why have you got two different styles, | 0:37:12 | 0:37:14 | |
the front and the back, Baroque and Palladian style? | 0:37:14 | 0:37:16 | |
Well, the Baroque style was built by one of the Earls | 0:37:16 | 0:37:19 | |
and when he died, he hadn't finished it, the next Earl decided he would | 0:37:19 | 0:37:23 | |
build, put his stamp on it, if you like, and decided to build something | 0:37:23 | 0:37:26 | |
grander, and that's when he put this style on it, the Palladian style. | 0:37:26 | 0:37:30 | |
So taking over from their forbears, | 0:37:30 | 0:37:32 | |
he just decided to completely change it, really build it back to front. | 0:37:32 | 0:37:35 | |
-Yeah, that's right. -Well, I'm dying to get inside. | 0:37:35 | 0:37:37 | |
-Can we go have a look? -Yeah, sure. -Lead the way, sir. | 0:37:37 | 0:37:40 | |
In the mid 18th century, the Marquis employed over 100 | 0:37:40 | 0:37:43 | |
servants and staff to run the house alone. | 0:37:43 | 0:37:46 | |
There are a staggering 365 rooms, | 0:37:46 | 0:37:49 | |
one for each day of the year, as well as 1,000 feet of corridors, | 0:37:49 | 0:37:53 | |
some so vast they could be considered rooms in their own right. | 0:37:53 | 0:37:57 | |
Ooh! | 0:37:57 | 0:37:58 | |
Wow! What do you call this room? | 0:38:00 | 0:38:02 | |
-Marble Saloon. -The Marble Saloon. | 0:38:02 | 0:38:05 | |
-This is majorly impressive, isn't it? -Grand, isn't it? | 0:38:05 | 0:38:08 | |
-So this is where you'd receive guests for maybe... -Yes, that's it. | 0:38:08 | 0:38:11 | |
-..a ball or something like that. -Ballroom. | 0:38:11 | 0:38:13 | |
Yes, we used to hold balls here, yeah. | 0:38:13 | 0:38:14 | |
-It looks in a remarkably good shape here. -It is. | 0:38:14 | 0:38:17 | |
-Has it been renovated at all? -No. This is originally as it was. | 0:38:17 | 0:38:20 | |
It's not been touched at all. | 0:38:20 | 0:38:21 | |
What about its ownership over the years? | 0:38:21 | 0:38:24 | |
It's not always been in family hands. | 0:38:24 | 0:38:25 | |
During the war, the army did take over the house. | 0:38:25 | 0:38:28 | |
I think in the early '60s and '70s | 0:38:28 | 0:38:30 | |
the council took it over as a teacher training college | 0:38:30 | 0:38:33 | |
for girls and actually this room was covered over in wood, so | 0:38:33 | 0:38:38 | |
it wasn't seen, this floor. | 0:38:38 | 0:38:39 | |
The girls used to play badminton in here. | 0:38:39 | 0:38:41 | |
With such a huge building, | 0:38:41 | 0:38:42 | |
I imagine there's projects that you've done that are going on. | 0:38:42 | 0:38:45 | |
Have you completed anything that you're particularly happy with? | 0:38:45 | 0:38:48 | |
We've done one big room, the Long Gallery, | 0:38:48 | 0:38:50 | |
which has taken two years to do one room. | 0:38:50 | 0:38:53 | |
In the early 1900s, the Watsons, who had over the generations | 0:38:53 | 0:38:56 | |
become the Fitzwilliams, were thought to be the 6th | 0:38:56 | 0:38:58 | |
wealthiest landowners in the country. | 0:38:58 | 0:39:01 | |
They had a room for everything - one for the family barber, an | 0:39:01 | 0:39:04 | |
upholstery room, a bakery, and even a room for candles. | 0:39:04 | 0:39:08 | |
They also played host to some rather notable guests. In 1912, | 0:39:08 | 0:39:12 | |
King George V and Queen Mary came to stay, requiring rooms for | 0:39:12 | 0:39:15 | |
their total of 76 guests. | 0:39:15 | 0:39:19 | |
If they were invited for a pre-dinner drink, they would | 0:39:19 | 0:39:21 | |
have gathered in the Long Gallery. | 0:39:21 | 0:39:24 | |
This is beautiful. How long is it? | 0:39:24 | 0:39:28 | |
-165 feet long. -Goodness me! Really? | 0:39:28 | 0:39:32 | |
I mean, these rooms back in the day, they were for sort of walking | 0:39:32 | 0:39:37 | |
up and down, weren't they? Parading up and down? | 0:39:37 | 0:39:39 | |
Yeah, everybody used to meet in the Long Room Gallery. | 0:39:39 | 0:39:41 | |
They'd sit here during the day. | 0:39:41 | 0:39:43 | |
You think two years in one room, that's a long time, but this is... | 0:39:43 | 0:39:47 | |
It's a row of terraced houses. | 0:39:47 | 0:39:48 | |
Well, yeah, got to say, this is a row of terraced houses! | 0:39:48 | 0:39:51 | |
It's a good way of looking at it. Yeah, it's massive. | 0:39:51 | 0:39:53 | |
The floor had to be re-sanded. | 0:39:53 | 0:39:56 | |
It was black with the wax over the years. | 0:39:56 | 0:39:59 | |
So it all had to be stripped down. | 0:39:59 | 0:40:00 | |
It's a Grade I-listed house and we have to work with English Heritage, | 0:40:00 | 0:40:05 | |
even down to the colours, has to be done traditional with the brush. | 0:40:05 | 0:40:08 | |
English Heritage have to oversee it. | 0:40:08 | 0:40:11 | |
Well, hopefully with this amazing work going on here, Tom, the public | 0:40:11 | 0:40:14 | |
will get to enjoy it and it will become more popular as years go by. | 0:40:14 | 0:40:17 | |
-I wish you the best of luck, Tom. Thank you very much. -Thank you. | 0:40:17 | 0:40:20 | |
The renovation of the property is currently on hold due to subsidence. | 0:40:21 | 0:40:25 | |
But with work hopefully resuming soon, plans include a museum | 0:40:25 | 0:40:29 | |
and a hotel in the South Wing. | 0:40:29 | 0:40:31 | |
It's a colossal task but Newbold and his team are determined not | 0:40:31 | 0:40:35 | |
only to make it a viable home again, but to make it accessible for | 0:40:35 | 0:40:38 | |
the local community, letting visitors share in its beauty. | 0:40:38 | 0:40:42 | |
Well, I'm pretty sure that house number two is the only | 0:40:46 | 0:40:48 | |
property still in the running, but is it good enough to become | 0:40:48 | 0:40:51 | |
Kevin and Amanda's first marital home? | 0:40:51 | 0:40:54 | |
Let's find out. | 0:40:54 | 0:40:55 | |
We've had a good time here, haven't we? | 0:40:59 | 0:41:01 | |
-We have. -We have. | 0:41:01 | 0:41:02 | |
And I'm pretty confident I know your favourite house. | 0:41:02 | 0:41:05 | |
The second property, right? | 0:41:05 | 0:41:06 | |
-Correct, yes. -But how much do you like it? | 0:41:06 | 0:41:08 | |
Quite a lot. | 0:41:08 | 0:41:10 | |
I think we'd like to have a second look. | 0:41:10 | 0:41:12 | |
What do you hope to accomplish at the second viewing? | 0:41:12 | 0:41:14 | |
Well, we want to find out a bit more about the planning permissions | 0:41:14 | 0:41:19 | |
for the conservatory, maybe find out how much that might cost. | 0:41:19 | 0:41:24 | |
We just need to have another little look, another poke around. | 0:41:24 | 0:41:28 | |
You've embarked on an amazing journey, haven't you? | 0:41:28 | 0:41:30 | |
You're finally getting together properly. | 0:41:30 | 0:41:32 | |
You're buying your first house together. | 0:41:32 | 0:41:34 | |
How will this house fit into that? | 0:41:34 | 0:41:36 | |
I mean, could house number two be that house that you do all this in? | 0:41:36 | 0:41:39 | |
It's possible. | 0:41:39 | 0:41:40 | |
-It would be good if it could. -Wouldn't it just? | 0:41:40 | 0:41:43 | |
Yeah. One step at a time, we'll get there. | 0:41:43 | 0:41:45 | |
Hopefully it'll be dotting I's and crossing T's, | 0:41:45 | 0:41:47 | |
but whatever happens, make sure you tell me. | 0:41:47 | 0:41:49 | |
-We will. -Let us know, won't you? | 0:41:49 | 0:41:51 | |
-We will, definitely. -We will do, definitely. | 0:41:51 | 0:41:53 | |
Good luck in your retirement, your wedding and your new house. | 0:41:53 | 0:41:55 | |
-Thank you very much. -Thank you very, very much. Thank you. | 0:41:55 | 0:41:58 | |
Well, I note a bit of caution creeping in there, | 0:42:04 | 0:42:07 | |
but it's understandable, isn't it? | 0:42:07 | 0:42:08 | |
Let's face it, it's a lot of money | 0:42:08 | 0:42:10 | |
and it's the first house that Kevin and Amanda are buying together. | 0:42:10 | 0:42:14 | |
But the good news is they want to go back for a second | 0:42:14 | 0:42:16 | |
viewing at property number two. | 0:42:16 | 0:42:18 | |
And in a year that they're not only looking to retire, | 0:42:18 | 0:42:20 | |
but they're also looking to get married, | 0:42:20 | 0:42:23 | |
well, buying a property here amongst this beautiful Yorkshire | 0:42:23 | 0:42:26 | |
countryside literally could be the cherry on top of the wedding cake. | 0:42:26 | 0:42:30 | |
See you next time. | 0:42:30 | 0:42:32 | |
Kevin and Amanda went back for another visit to property two, | 0:42:32 | 0:42:36 | |
but still undecided, they resolved to keep looking. | 0:42:36 | 0:42:39 | |
However, with Kevin now retired, he's moved in with Amanda. | 0:42:39 | 0:42:42 | |
Finally sharing a home, they're at least one step closer to | 0:42:42 | 0:42:46 | |
starting their new lives together. | 0:42:46 | 0:42:48 | |
I hope the perfect property is just around the corner. | 0:42:48 | 0:42:51 | |
If you'd like to Escape to the Country in Wales, Scotland, Northern | 0:42:51 | 0:42:55 | |
Ireland, England, or perhaps further afield to the Continent, and | 0:42:55 | 0:42:58 | |
need our help, please apply online at - | 0:42:58 | 0:43:04 |