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Welcome to Escape To The Country. At 1,425 feet above sea level, | 0:00:02 | 0:00:06 | |
that isolated building behind me | 0:00:06 | 0:00:09 | |
is said to be the highest public house in the south of England. | 0:00:09 | 0:00:12 | |
It's also claimed to be the third highest in Britain. | 0:00:12 | 0:00:15 | |
So where have we come today to quench our thirst? | 0:00:15 | 0:00:18 | |
Well, join me in just a moment and I'll tell you. | 0:00:18 | 0:00:20 | |
Today our house-hunting couple is waving goodbye to a lifetime | 0:00:39 | 0:00:42 | |
spent in Essex and following family ties to a new life in the country. | 0:00:42 | 0:00:47 | |
That is certainly a farmhouse kitchen. | 0:00:47 | 0:00:49 | |
There are smiles here. | 0:00:49 | 0:00:51 | |
I love the range, that's lovely. | 0:00:51 | 0:00:53 | |
And there are surprises around every corner. | 0:00:53 | 0:00:55 | |
It's very quirky. | 0:00:55 | 0:00:57 | |
-Yeah, it's lovely. -A bit like us, really. | 0:00:57 | 0:00:59 | |
Well, today we are in Devon, right on top of Dartmoor. | 0:01:01 | 0:01:05 | |
And this is the remote Warren House Inn. | 0:01:05 | 0:01:07 | |
It was built in 1845 | 0:01:13 | 0:01:16 | |
and it's said that | 0:01:16 | 0:01:18 | |
a fire has been burning in this grate, continuously, ever since. | 0:01:18 | 0:01:22 | |
Now, originally the pub catered for many of the local tin mining villages, | 0:01:22 | 0:01:26 | |
but since the last mine closed in 1930, | 0:01:26 | 0:01:28 | |
it's survived on passing trade and tourism - a business which | 0:01:28 | 0:01:32 | |
brings in some three million visitors to Dartmoor itself every year. | 0:01:32 | 0:01:36 | |
But, take it from me - if you are in this part of the world, | 0:01:36 | 0:01:39 | |
it makes a very welcome rest for many a weary walker. | 0:01:39 | 0:01:43 | |
The third largest county in England, Devon | 0:01:45 | 0:01:48 | |
sits in the south-west of England and is bordered by Cornwall to the | 0:01:48 | 0:01:51 | |
west and Somerset and Dorset to the east. | 0:01:51 | 0:01:55 | |
The county is home to some of Britain's most beautiful | 0:01:55 | 0:01:58 | |
and dramatic countryside. | 0:01:58 | 0:02:00 | |
Inland, the Exmoor and Dartmoor national parks are bound with | 0:02:00 | 0:02:03 | |
stunning rolling moorland, dense woodland and patchwork fields | 0:02:03 | 0:02:07 | |
with sensational high points overlooking the open sea beyond. | 0:02:07 | 0:02:11 | |
The coast near the village of Combe Martin | 0:02:12 | 0:02:15 | |
is equally breathtaking, with a beautiful secluded bay sheltering | 0:02:15 | 0:02:19 | |
a green, clear ocean, overlooked by dramatic tree-topped rocks. | 0:02:19 | 0:02:23 | |
And agriculture provides an eclectic Devon canvas, | 0:02:24 | 0:02:27 | |
with a landscape of farmer's stripes and sandy hay bales, | 0:02:27 | 0:02:31 | |
contrasting with the land's vibrant greens and bright blue sky. | 0:02:31 | 0:02:35 | |
And with villages like Croyde near the coast, where flowers | 0:02:35 | 0:02:39 | |
and shrubs frame thatched cottages, | 0:02:39 | 0:02:41 | |
and where tiled roofs are a feature too, | 0:02:41 | 0:02:44 | |
it's easy to see why Devon has an appeal to those escaping city life. | 0:02:44 | 0:02:48 | |
Now, at £297,000, | 0:02:51 | 0:02:53 | |
the cost of your average detached property here in Devon is | 0:02:53 | 0:02:57 | |
some 30,000 above the national figure. | 0:02:57 | 0:02:59 | |
And that can dramatically increase, | 0:02:59 | 0:03:01 | |
particularly around the coastal hot spots of Dartmouth and | 0:03:01 | 0:03:04 | |
Salcombe, where houses regularly go for twice the national figure. | 0:03:04 | 0:03:09 | |
But don't be put off - you'll certainly get a lot more | 0:03:09 | 0:03:11 | |
value for money up in the north-west and over towards the east of the county. | 0:03:11 | 0:03:15 | |
So, let's now meet today's buyers | 0:03:15 | 0:03:17 | |
and find out why they think Devon could be their new home. | 0:03:17 | 0:03:20 | |
Retirees Lorna and Nigel have lived in Rayleigh, Essex for 39 years, | 0:03:21 | 0:03:26 | |
and they've been in their current home - | 0:03:26 | 0:03:28 | |
a three-bedroom detached house with their two sons - for 29 of those. | 0:03:28 | 0:03:33 | |
But it was delightful Devon that brought them | 0:03:33 | 0:03:35 | |
together almost half a century ago, | 0:03:35 | 0:03:37 | |
where Nigel was working as an apprentice carpenter and joiner. | 0:03:37 | 0:03:41 | |
We've been married 45 years, this year. | 0:03:41 | 0:03:45 | |
We've been together 47. | 0:03:45 | 0:03:47 | |
We met in Torquay - I lived there and Lorna came down on holiday. | 0:03:47 | 0:03:52 | |
And realised that we wanted to be together, | 0:03:52 | 0:03:54 | |
and after that I moved down, that was in the July, wasn't it? | 0:03:54 | 0:03:56 | |
That was in the July. | 0:03:56 | 0:03:58 | |
I moved down to Torquay in the November, | 0:03:58 | 0:04:00 | |
and it was a holiday romance that lasted. | 0:04:00 | 0:04:03 | |
They've never forgotten the beautiful county, | 0:04:04 | 0:04:07 | |
and since Lorna and Nigel both still have family there, they've decided | 0:04:07 | 0:04:11 | |
that now they've retired, Devon is where they want to be. | 0:04:11 | 0:04:14 | |
I think the main reason I want to move to Devon is | 0:04:14 | 0:04:17 | |
because of my family ties. | 0:04:17 | 0:04:18 | |
What I call home is where I was born, in Devon. | 0:04:18 | 0:04:22 | |
North Devon, I find, is a very rustic, | 0:04:22 | 0:04:24 | |
unspoiled part of the country. | 0:04:24 | 0:04:27 | |
There's some lovely coastal walkways | 0:04:27 | 0:04:29 | |
and paths that we love walking on, | 0:04:29 | 0:04:33 | |
even in the winter. | 0:04:33 | 0:04:35 | |
It's just really picturesque and peaceful. | 0:04:35 | 0:04:39 | |
Essex has been good to them, but after a recent loss | 0:04:39 | 0:04:41 | |
in the family, they feel the time is right to move on to pastures new. | 0:04:41 | 0:04:46 | |
The right time for us to move now is | 0:04:46 | 0:04:48 | |
because your mother is no longer with us and... | 0:04:48 | 0:04:51 | |
-Yeah, and she was the one thing that kept us here, really. -..that was the tie. | 0:04:51 | 0:04:55 | |
So we've both got leisure time on our hands. | 0:04:55 | 0:04:58 | |
We've stopped work and we can take up some other activities that | 0:04:58 | 0:05:03 | |
we've not been able to do here. | 0:05:03 | 0:05:06 | |
And with a host of hobbies already keeping them busy, | 0:05:06 | 0:05:08 | |
they're both looking forward to making the most of their free time | 0:05:08 | 0:05:11 | |
together as a couple. | 0:05:11 | 0:05:13 | |
We definitely need to spend more time doing things | 0:05:13 | 0:05:16 | |
together, as well as our current list of hobbies. | 0:05:16 | 0:05:19 | |
As our own hobbies, yeah. | 0:05:19 | 0:05:20 | |
So that's something that's important - that we can actually do things and share. | 0:05:20 | 0:05:24 | |
We love walking, so what we're expecting to get from moving | 0:05:24 | 0:05:28 | |
to Devon is we'll live in an environment that we can actually | 0:05:28 | 0:05:31 | |
leave the house and go out on the walks. | 0:05:31 | 0:05:34 | |
-That's important to us. -Yeah. | 0:05:34 | 0:05:37 | |
Nice long walks. | 0:05:37 | 0:05:38 | |
My other hobby is golf, which takes up three days, at the moment, | 0:05:38 | 0:05:42 | |
of my life. | 0:05:42 | 0:05:44 | |
-Sometimes four. -Yep. | 0:05:44 | 0:05:46 | |
Their son Greg will be upping sticks too and joining them | 0:05:46 | 0:05:49 | |
in their move to Devon. | 0:05:49 | 0:05:51 | |
So, with their house on the market, there's nothing stopping | 0:05:51 | 0:05:54 | |
Lorna and Nigel returning to the county where they first met. | 0:05:54 | 0:05:57 | |
I'm excited about moving to Devon. | 0:05:57 | 0:06:00 | |
I'm looking at it as a new challenge and something different | 0:06:00 | 0:06:04 | |
in the rest of our life together. | 0:06:04 | 0:06:06 | |
Yes, a new fresh start, | 0:06:06 | 0:06:08 | |
I think that'll be excellent and I think that's what we both need. | 0:06:08 | 0:06:11 | |
-The next chapter of our life. -Yes. | 0:06:11 | 0:06:13 | |
Lorna and Nigel have asked us to concentrate our property | 0:06:18 | 0:06:21 | |
search near Barnstaple in north Devon, where Nigel's mother was born. | 0:06:21 | 0:06:25 | |
They'd ideally like to be within ten miles to the south of the town, | 0:06:25 | 0:06:28 | |
but are happy to consider moving slightly further afield | 0:06:28 | 0:06:31 | |
if the house is right. | 0:06:31 | 0:06:33 | |
But before we start our search for the property that's going to | 0:06:33 | 0:06:36 | |
bring Nigel back to his roots, I'm meeting them in the county, | 0:06:36 | 0:06:39 | |
to get to grips with the detail of their property desires. | 0:06:39 | 0:06:43 | |
Well, Lorna and Nigel, welcome. | 0:06:43 | 0:06:45 | |
Here we are, back in Devon, mate. | 0:06:45 | 0:06:48 | |
-Yes, home at last. -Home at last. | 0:06:48 | 0:06:50 | |
I knew I would come back sometime, but it was whether I can | 0:06:50 | 0:06:53 | |
win Lorna round to agree to it. | 0:06:53 | 0:06:55 | |
-Well, look at Devon, Lorna, I mean, it's... -I know. | 0:06:55 | 0:06:58 | |
How could you not like this? | 0:06:58 | 0:06:59 | |
It's a new beginning for us, that's the way we're looking at it. | 0:06:59 | 0:07:02 | |
A new beginning, and a new beginning also for one of your sons, Greg. | 0:07:02 | 0:07:04 | |
He's going to come with you and start over here in Devon. | 0:07:04 | 0:07:07 | |
-He is, yes. -He's going to start his life down here as well. | 0:07:07 | 0:07:10 | |
What kind of a property have you been lusting after, | 0:07:10 | 0:07:13 | |
dreaming about all these years then? | 0:07:13 | 0:07:15 | |
Definitely a detached property. | 0:07:15 | 0:07:18 | |
Ideally, four bedrooms with a lovely kitchen/diner | 0:07:18 | 0:07:23 | |
and, ideally, I'd like somewhere for my art because I love my art. | 0:07:23 | 0:07:26 | |
And you, sir, were a carpenter, joiner. | 0:07:26 | 0:07:29 | |
Carpenter and joiner, yes. | 0:07:29 | 0:07:31 | |
So you still want somewhere to have a little tinker, don't you? | 0:07:31 | 0:07:34 | |
Yes, things need doing and I need space. | 0:07:34 | 0:07:37 | |
What about the style though? | 0:07:37 | 0:07:38 | |
Well, we like the older properties, | 0:07:38 | 0:07:41 | |
but I much prefer a more contemporary, modern interior. | 0:07:41 | 0:07:45 | |
-Something that's been refurbed. really, would be ideal. -OK. | 0:07:45 | 0:07:48 | |
So, for all of this then, how much have we got to spend? | 0:07:48 | 0:07:51 | |
-425,000. -£425,000. | 0:07:51 | 0:07:54 | |
That should go quite a long way here. | 0:07:54 | 0:07:56 | |
-We're hoping it will. -We hope so. | 0:07:56 | 0:07:57 | |
We've whittled down our initial shortlist to just three | 0:07:57 | 0:08:01 | |
properties to show you, including, of course, our mystery house. | 0:08:01 | 0:08:05 | |
So, let's see. | 0:08:05 | 0:08:06 | |
We've got two days to help you find your new home | 0:08:06 | 0:08:09 | |
and to indulge this glorious county on a glorious day such as this. | 0:08:09 | 0:08:13 | |
-Right then, come on. -Lovely, thank you. | 0:08:13 | 0:08:15 | |
Lorna and Nigel have a decent budget for North Devon, and their wish list | 0:08:17 | 0:08:21 | |
does seem realistic for the cash they've got to play with. | 0:08:21 | 0:08:24 | |
They'd like a detached house with four bedrooms. | 0:08:24 | 0:08:27 | |
And while there're happy with a period exterior, they'd like | 0:08:27 | 0:08:30 | |
the inside to be bright and modern, | 0:08:30 | 0:08:32 | |
with a good sized kitchen/diner. | 0:08:32 | 0:08:34 | |
They'd also love a space for Lorna to use as an art room | 0:08:34 | 0:08:37 | |
and another for former carpenter and joiner Nigel to pursue his hobby. | 0:08:37 | 0:08:41 | |
And as son Greg will be joining them | 0:08:41 | 0:08:43 | |
to begin with, there'll | 0:08:43 | 0:08:44 | |
need to be room for him too. | 0:08:44 | 0:08:46 | |
Lorna and Nigel are looking forward to returning to the place | 0:08:46 | 0:08:50 | |
they first met, and we've chosen three completely contrasting | 0:08:50 | 0:08:53 | |
properties for them to peruse. | 0:08:53 | 0:08:55 | |
And only after they've inspected each house will they find out its price tag. | 0:08:55 | 0:08:59 | |
Their last stop will be our mystery house, which may, at first glance, | 0:09:00 | 0:09:04 | |
seem to veer off track from their wish list, | 0:09:04 | 0:09:07 | |
but I'm hoping that it will be a welcome diversion. | 0:09:07 | 0:09:09 | |
The thing I love about Devon are these deep lanes | 0:09:12 | 0:09:15 | |
-and these steep wooded valleys... -Yes. | 0:09:15 | 0:09:18 | |
..and these wonderful little villages tucked away in the bottom. | 0:09:18 | 0:09:21 | |
-It really is kind of otherworldly. -It is. | 0:09:21 | 0:09:24 | |
-It's a big wrench for you, isn't it? -It is, it is a big wrench. | 0:09:24 | 0:09:27 | |
I mean, I love Devon because I've lived in Devon when | 0:09:27 | 0:09:30 | |
we first got married and also when the children were born down here. | 0:09:30 | 0:09:34 | |
So I've got a strong affinity with Devon, | 0:09:34 | 0:09:37 | |
so, in a way, it's sort of like coming semi-home to me as well. | 0:09:37 | 0:09:39 | |
We're kicking off our Devon property search | 0:09:41 | 0:09:43 | |
in the north of the county in the village of Stoke Rivers, | 0:09:43 | 0:09:47 | |
just over six miles north-east of Barnstaple | 0:09:47 | 0:09:49 | |
and just over four miles south of the village of Bratton Fleming. | 0:09:49 | 0:09:54 | |
Bratton Fleming itself runs along one street, | 0:09:54 | 0:09:56 | |
with a store and a traditional, friendly pub. | 0:09:56 | 0:09:59 | |
Plus, there's also a village hall where newcomers can | 0:09:59 | 0:10:01 | |
get to know the locals, and there's also a sports club. | 0:10:01 | 0:10:05 | |
Just under a 10-minute drive | 0:10:05 | 0:10:07 | |
and we're in Stoke Rivers at our first property. | 0:10:07 | 0:10:10 | |
There we are. | 0:10:10 | 0:10:12 | |
-Property number one. -That looks nice. | 0:10:12 | 0:10:13 | |
-It does, doesn't it? -Yeah. Big. | 0:10:13 | 0:10:16 | |
It is actually very big and we're in this lovely little hamlet. | 0:10:16 | 0:10:20 | |
It's so quiet here. | 0:10:20 | 0:10:22 | |
There's a really vibrant community. | 0:10:22 | 0:10:24 | |
-Every month in the village hall there's an art club. -Oh, really? | 0:10:24 | 0:10:27 | |
And the next-door neighbour is an art teacher. | 0:10:27 | 0:10:29 | |
-Wow. -How about that? -That sounds good. | 0:10:29 | 0:10:32 | |
But this, I think, is really interesting. | 0:10:32 | 0:10:34 | |
It's only 10 or 11 years old. | 0:10:34 | 0:10:35 | |
-I was going to say, it doesn't look very old. -But it's all done. | 0:10:35 | 0:10:38 | |
-Right, lovely. -And it also comes with that feature alongside it. | 0:10:38 | 0:10:42 | |
That's interesting. | 0:10:42 | 0:10:43 | |
Now, down below you've got a garage/workshop, | 0:10:43 | 0:10:46 | |
and above it an amazing one-bedroom studio. | 0:10:46 | 0:10:51 | |
Oh, wow. I can't wait to see. | 0:10:51 | 0:10:53 | |
The studio will have to wait, as we're heading | 0:10:53 | 0:10:56 | |
straight for the main house. | 0:10:56 | 0:10:58 | |
We're going to the back of the property and across a raised | 0:10:58 | 0:11:00 | |
veranda, which leads to a large, bright entrance hall. | 0:11:00 | 0:11:03 | |
Right, in you come. This is a nice kind of welcome, isn't it? | 0:11:04 | 0:11:08 | |
-It is, it's lovely. -Let's go into the living room, first of all. | 0:11:08 | 0:11:11 | |
-That's a nice size lounge, isn't it? -Yes, isn't it? | 0:11:11 | 0:11:14 | |
Leading onto that sunroom, garden room, and then that way, a study. | 0:11:14 | 0:11:19 | |
-Oh, OK. -I can see you're scanning it all with the craftsman's eye. | 0:11:19 | 0:11:24 | |
I'm looking at all the building bits and, yes, it's good. | 0:11:24 | 0:11:28 | |
-Does it meet with your approval, sir? -Yes. -Excellent, hurrah. | 0:11:28 | 0:11:32 | |
But back across the hallway, we've got | 0:11:32 | 0:11:34 | |
you... | 0:11:34 | 0:11:35 | |
separate dining room in there, | 0:11:35 | 0:11:38 | |
but it all flows into the kitchen. | 0:11:38 | 0:11:42 | |
Yeah, that's quite a nice sized kitchen, isn't it? | 0:11:42 | 0:11:46 | |
It's probably not as modern as I would actually like. | 0:11:46 | 0:11:50 | |
Really? OK. | 0:11:50 | 0:11:51 | |
I do like the white, sleek cupboards and more granite work surfaces. | 0:11:51 | 0:11:57 | |
-It's very nice. -It's lovely. | 0:11:57 | 0:11:59 | |
This is a nice kitchen. | 0:11:59 | 0:12:00 | |
Just next to the kitchen is a utility room, | 0:12:00 | 0:12:03 | |
accessed from the front of the house, and a cloakroom. | 0:12:03 | 0:12:07 | |
But next, we're headed upstairs, where there's a family bathroom | 0:12:07 | 0:12:10 | |
and four bedrooms - | 0:12:10 | 0:12:12 | |
one in each corner of the house with a master at the back overlooking | 0:12:12 | 0:12:15 | |
-the garden. -That's a nice size room. | 0:12:15 | 0:12:18 | |
-That's a nice room, isn't it? -With those lovely views. | 0:12:18 | 0:12:21 | |
-The views are stunning, aren't they? -Yeah, they're beautiful. | 0:12:21 | 0:12:24 | |
And there's your en-suite. | 0:12:24 | 0:12:26 | |
-Right. -A little shower room. | 0:12:26 | 0:12:28 | |
-Oh, yeah, that's nice, isn't it? -It is, isn't it? | 0:12:28 | 0:12:30 | |
I want to finish up by taking you next door into this | 0:12:30 | 0:12:33 | |
studio, which is fabulous. | 0:12:33 | 0:12:36 | |
-OK. -Come on, let's have a look. | 0:12:36 | 0:12:38 | |
The studio above the garage has a seating area, a bed, | 0:12:41 | 0:12:45 | |
a kitchenette and a shower room, and it's currently used | 0:12:45 | 0:12:48 | |
as a holiday let, but it would be perfect as an art space for Lorna. | 0:12:48 | 0:12:53 | |
Now, how about that then, Lorna? Come on. | 0:12:53 | 0:12:55 | |
-Oh, wow. That is amazing. -Yeah? -Yeah. | 0:12:55 | 0:12:59 | |
I think the whole glass just opens up the vista completely, doesn't it? | 0:12:59 | 0:13:03 | |
You haven't come to Devon looking for a business, | 0:13:03 | 0:13:06 | |
but this is a bonus. | 0:13:06 | 0:13:08 | |
Do you think about keeping this as a little bit | 0:13:08 | 0:13:12 | |
of income on the side or do you say, "No, this is my art studio?" | 0:13:12 | 0:13:17 | |
Well, I'd be torn, I must admit, | 0:13:17 | 0:13:19 | |
because it would make a lovely art studio, but I think we'd be | 0:13:19 | 0:13:22 | |
silly to disclaim it when you could have a slight income from it. | 0:13:22 | 0:13:26 | |
Well, you're going to have to fight to keep Greg out of here | 0:13:26 | 0:13:29 | |
because he's not going to want to leave home, is he? | 0:13:29 | 0:13:31 | |
Well, he couldn't come in because he never would leave. | 0:13:31 | 0:13:34 | |
There's certainly a lot to think about as we head to the back of the | 0:13:36 | 0:13:40 | |
house to the attractive garden, with its flowerbeds, shrubs and trees. | 0:13:40 | 0:13:45 | |
We haven't really had a chance to consider what the back of this property looks like. | 0:13:45 | 0:13:49 | |
No. | 0:13:49 | 0:13:50 | |
But there it is, with this lovely veranda, the wisteria there. | 0:13:50 | 0:13:53 | |
And there's that fabulous picture window above in the studio. | 0:13:53 | 0:13:56 | |
-Yes, that is amazing. -It's beautiful, isn't it? | 0:13:56 | 0:13:58 | |
So, come on then, Lorna. What's it worth, property one? | 0:13:58 | 0:14:02 | |
I would go for 405,000. | 0:14:02 | 0:14:04 | |
Oh, very clear. | 0:14:04 | 0:14:06 | |
A very definite 405. Nigel? | 0:14:06 | 0:14:08 | |
I'm going to be cheeky and go 395. | 0:14:08 | 0:14:11 | |
395. An optimistic 395 from Nigel. | 0:14:11 | 0:14:14 | |
Well, here's the thing. | 0:14:14 | 0:14:15 | |
-It's on the market at £400,000. -Oh, right. -Wow. | 0:14:15 | 0:14:18 | |
Now, there is one bit that I really do want you to explore | 0:14:18 | 0:14:21 | |
and I know you're itching to have a look at, | 0:14:21 | 0:14:23 | |
and that is the workshop and the garage area below the studio. | 0:14:23 | 0:14:26 | |
And then the house is yours. | 0:14:26 | 0:14:28 | |
-Roam around and I'll catch up with you a little bit later. -Smashing. | 0:14:28 | 0:14:31 | |
-Thanks, Jules. -Go on, then. Off you go. | 0:14:31 | 0:14:33 | |
This detached house has the modern interior Lorna | 0:14:35 | 0:14:38 | |
and Nigel like, plus the number of bedrooms they're looking for. | 0:14:38 | 0:14:42 | |
There's the bonus of a stand-alone garage | 0:14:42 | 0:14:44 | |
and studio, which could provide a welcome income as a holiday let, | 0:14:44 | 0:14:48 | |
as well as giving Nigel a workshop and Lorna an art space. | 0:14:48 | 0:14:51 | |
And there are attractive grounds with stunning views. | 0:14:51 | 0:14:55 | |
So this is the garage. | 0:14:59 | 0:15:00 | |
This actually could be... | 0:15:00 | 0:15:03 | |
used as a workshop or an art studio for you. | 0:15:03 | 0:15:06 | |
Cos all I need is a small space. | 0:15:06 | 0:15:09 | |
-You could have one end and I could have this end as a studio. -Yeah. | 0:15:09 | 0:15:12 | |
-Yeah, that would be... -That would work, wouldn't it? -Yeah. | 0:15:12 | 0:15:15 | |
It's very nice. I was surprised at how modern it was. | 0:15:15 | 0:15:19 | |
I liked the galleried landing as we walked in. | 0:15:19 | 0:15:23 | |
And all the rooms are a nice size, the lounge is a nice size | 0:15:23 | 0:15:27 | |
and the master bedroom. | 0:15:27 | 0:15:28 | |
And the bonus, obviously, is the holiday let which is amazing, | 0:15:28 | 0:15:32 | |
really, and I think would have to be kept as a holiday let. | 0:15:32 | 0:15:35 | |
It's too nice... Although I'd like to use it myself. | 0:15:35 | 0:15:38 | |
The workshop area, for me, I think the garage would possibly be | 0:15:38 | 0:15:43 | |
converted into that and possibly an art studio for Lorna by putting | 0:15:43 | 0:15:47 | |
a big window in the back, get more light in. | 0:15:47 | 0:15:50 | |
Well, that's it from property one. We've got two more to come | 0:15:50 | 0:15:53 | |
but in the meantime we might treat you to some lunch. | 0:15:53 | 0:15:56 | |
That sounds good. | 0:15:56 | 0:15:57 | |
Artist Lorna and former carpenter Nigel are both looking forward | 0:16:07 | 0:16:11 | |
to bringing their hobbies with them to Devon. | 0:16:11 | 0:16:14 | |
And to give them some inspiration, we've arranged for them | 0:16:14 | 0:16:16 | |
to meet Merlyn Chesterman, | 0:16:16 | 0:16:18 | |
a local artist who uses the Chinese art form of woodcut printing, | 0:16:18 | 0:16:22 | |
dating back to 5 AD, to produce prints | 0:16:22 | 0:16:25 | |
inspired by the landscape around her. | 0:16:25 | 0:16:28 | |
They're meeting at the splendid Hartland Quay, | 0:16:28 | 0:16:30 | |
somewhere Merlyn loves to use as a backdrop to her artwork. | 0:16:30 | 0:16:34 | |
-Well, welcome to Hartland Quay. -Thank you. -Thank you. | 0:16:34 | 0:16:37 | |
I brought some wood blocks. | 0:16:37 | 0:16:39 | |
I'm a wood block print maker and you're going to have a go. | 0:16:39 | 0:16:42 | |
What does that actually involve? | 0:16:42 | 0:16:43 | |
One cuts into a block of wood and then we'll ink up the block | 0:16:43 | 0:16:48 | |
and put paper on top | 0:16:48 | 0:16:50 | |
and apply pressure either with a press or by hand. | 0:16:50 | 0:16:53 | |
And how does the Devon coastline affect your work? | 0:16:53 | 0:16:55 | |
It's a great place to live and work. | 0:16:55 | 0:16:58 | |
You've got these wonderful chevron folds. | 0:16:58 | 0:17:01 | |
I mean, I understand that these are the greatest chevron folds | 0:17:01 | 0:17:04 | |
-in the world. -Oh, really? -I mean, they are amazing, aren't they? | 0:17:04 | 0:17:07 | |
-They certainly are. -Let's go and find somewhere to sit and work. | 0:17:07 | 0:17:10 | |
OK, lovely. | 0:17:10 | 0:17:11 | |
The first stage in woodcut printing is to sketch a design onto a wooden board. | 0:17:11 | 0:17:16 | |
Merlyn, Lorna and Nigel are using the dramatic scenery | 0:17:16 | 0:17:19 | |
before them as their inspiration. | 0:17:19 | 0:17:21 | |
-I want you to choose something that interests you. -Right. | 0:17:21 | 0:17:25 | |
Sketch it out quickly and roughly. | 0:17:25 | 0:17:28 | |
Merlyn believes that speed is key because she thinks that | 0:17:30 | 0:17:33 | |
when you're under pressure you often produce your best work. | 0:17:33 | 0:17:36 | |
-That is an extraordinary landscape, isn't it? -Is certainly is. | 0:17:38 | 0:17:41 | |
-These are looking really great. -Oh, thank you. -Lots of detail. | 0:17:43 | 0:17:47 | |
-Certainly is. -So, I think we ought to go back to the studio | 0:17:47 | 0:17:50 | |
-and get cutting. -OK, sounds good. | 0:17:50 | 0:17:53 | |
Merlyn exhibits her work locally in her studio | 0:17:55 | 0:17:58 | |
but also in some of the biggest galleries in the country | 0:17:58 | 0:18:00 | |
including the Victoria and Albert Museum. | 0:18:00 | 0:18:03 | |
Here, at an art centre in the village of Hartland, | 0:18:04 | 0:18:07 | |
Lorna and Nigel will bring their work to life. | 0:18:07 | 0:18:10 | |
They'll use different size tools to cut their designs onto | 0:18:10 | 0:18:12 | |
the wooden blocks. | 0:18:12 | 0:18:14 | |
OK. So, I think we're ready to go. Work as fast as you can. | 0:18:14 | 0:18:17 | |
It takes Lorna and Nigel around an hour to carefully cut | 0:18:20 | 0:18:24 | |
their images of the rugged coastline they sketched at Hartland Quay. | 0:18:24 | 0:18:27 | |
Great. I love these diagonal lines. | 0:18:29 | 0:18:31 | |
I think that's going to print out really nicely. Let's go and print. | 0:18:31 | 0:18:34 | |
OK. | 0:18:34 | 0:18:35 | |
The wooden block is sanded down before oil-based black ink is | 0:18:38 | 0:18:41 | |
applied to the design with a roller. | 0:18:41 | 0:18:44 | |
More experienced artist can also experiment with colour. | 0:18:44 | 0:18:48 | |
Then paper, with the smooth side down, is laid on top of the ink. | 0:18:48 | 0:18:51 | |
This is called a baren. And it's Japanese, it's a bamboo leaf. | 0:18:53 | 0:18:57 | |
And it's for burnishing. | 0:18:57 | 0:18:59 | |
Burnishing is the process of rubbing the paper | 0:18:59 | 0:19:02 | |
so the ink image is transferred from the wooden block. | 0:19:02 | 0:19:06 | |
And burnish really hard and if you've inked it well, | 0:19:06 | 0:19:10 | |
you don't need to burnish for very long. | 0:19:10 | 0:19:12 | |
So... The big moment. | 0:19:12 | 0:19:14 | |
-Wow. -Wow. | 0:19:15 | 0:19:16 | |
-That's brilliant, isn't it? -OK, so it's your turn now. | 0:19:18 | 0:19:21 | |
Yeah, that's right. Keep lifting it. And... Small and often is best. | 0:19:21 | 0:19:27 | |
Just cover it. | 0:19:27 | 0:19:29 | |
And then reload until it's a solid black. | 0:19:29 | 0:19:33 | |
So, make sure it's stuck. | 0:19:35 | 0:19:37 | |
Round and round. That's good. | 0:19:41 | 0:19:42 | |
The reveal. | 0:19:47 | 0:19:48 | |
Put it down, let's have a look. | 0:19:51 | 0:19:53 | |
-It's lively, isn't it? -It is lively. | 0:19:53 | 0:19:56 | |
Yeah. And I love the clouds. | 0:19:56 | 0:19:59 | |
Some more ink and a good rub | 0:19:59 | 0:20:01 | |
and it's Nigel's turn to transfer his design. | 0:20:01 | 0:20:04 | |
It is interesting that you haven't cut as deeply. | 0:20:04 | 0:20:08 | |
Yes, I was going for the soft effect. | 0:20:08 | 0:20:10 | |
SHE LAUGHS | 0:20:10 | 0:20:12 | |
It is easier to get a bit of welly on that. | 0:20:12 | 0:20:14 | |
-Wow. -That's different. -That's really | 0:20:21 | 0:20:25 | |
-a strong cutting. I like it. -Do you? | 0:20:25 | 0:20:28 | |
-Yes. -It is nice. -Yeah. -I'm glad you said that. | 0:20:28 | 0:20:30 | |
-I think it is a great first proof. Yeah. -And I really enjoyed it. | 0:20:30 | 0:20:34 | |
I did find the cutting the hardest part. | 0:20:34 | 0:20:36 | |
-For me, the drawing I found easier. -It is not obvious. | 0:20:36 | 0:20:39 | |
SHE LAUGHS | 0:20:39 | 0:20:40 | |
But, yes, it is certainly something I'd like to do again, | 0:20:40 | 0:20:43 | |
and I definitely think I will try it at home. | 0:20:43 | 0:20:46 | |
For our next visit we are travelling just under 15 miles | 0:20:53 | 0:20:56 | |
south-east to the village of Bishops Nympton, which is around 16 miles | 0:20:56 | 0:21:00 | |
south-east of Barnstaple, and an eight-minute drive from South Molton. | 0:21:00 | 0:21:04 | |
South Molton itself is an attractive market town with | 0:21:04 | 0:21:07 | |
a good selection of artisan shops and local food producers. | 0:21:07 | 0:21:11 | |
Plus there's the added attraction of the Quince Honey Farm, | 0:21:11 | 0:21:14 | |
where the world's largest exhibition of honeybees is housed. | 0:21:14 | 0:21:18 | |
A journey of just under four miles takes us to the | 0:21:18 | 0:21:20 | |
edge of Bishops Nympton and our second property. | 0:21:20 | 0:21:24 | |
-That is property number two. -Right. | 0:21:24 | 0:21:27 | |
That looks big. SHE LAUGHS | 0:21:27 | 0:21:29 | |
-It is very long. -It is actually an old farmhouse. | 0:21:29 | 0:21:31 | |
-Oh, right, OK. -What do you think, Nigel? | 0:21:31 | 0:21:33 | |
It is very different, the setting of it. | 0:21:33 | 0:21:35 | |
But it's got all those lovely old farmhouse proportions. | 0:21:35 | 0:21:39 | |
And lots of character that's still in there. | 0:21:39 | 0:21:41 | |
I'm very conscious of the fact that the challenge you face isn't | 0:21:41 | 0:21:44 | |
just a practical one...in terms of moving here, it is an emotional one. | 0:21:44 | 0:21:48 | |
-Yes. -From leaving behind all that's been familiar for the last 30, | 0:21:48 | 0:21:53 | |
40 years or so. But I think this is an interesting idea. | 0:21:53 | 0:21:57 | |
No, it certainly... Certainly interested to go in and see. | 0:21:57 | 0:22:00 | |
-See more inside. -Have you ever been in a building like this before? -No. | 0:22:00 | 0:22:03 | |
-No. -Ah. | 0:22:03 | 0:22:04 | |
Well, there we are, you see, that might | 0:22:04 | 0:22:06 | |
-be where we are going to make some headway. Come on. -OK. | 0:22:06 | 0:22:09 | |
'This period farmhouse is thought to be over 250 years old. | 0:22:10 | 0:22:14 | |
'It's pretty eco-friendly, too, | 0:22:14 | 0:22:16 | |
'with solar roof panels which help save on bills.' | 0:22:16 | 0:22:20 | |
The traditional way of entering a farmhouse. | 0:22:20 | 0:22:23 | |
Into the kitchen first. | 0:22:23 | 0:22:24 | |
-That is certainly a farmhouse kitchen. -Isn't it? -Yes. | 0:22:24 | 0:22:28 | |
That is. | 0:22:28 | 0:22:29 | |
-Oh, there are smiles here. -I love the range, that's lovely. | 0:22:29 | 0:22:33 | |
-What are you thinking, Nigel? -It is a lovely... | 0:22:33 | 0:22:36 | |
a lovely space, isn't it? | 0:22:36 | 0:22:38 | |
Yes, a very nice space. You've got the new and the old together. | 0:22:38 | 0:22:41 | |
-That's it, yes. -Keen to see more. -Yeah, come look at this. | 0:22:41 | 0:22:44 | |
This is the dining room in here. | 0:22:44 | 0:22:46 | |
-That's a nice dining room. -It is. -A lovely size. -How about that? | 0:22:49 | 0:22:52 | |
-You haven't spotted that yet. -Oh, wow, yes. -Yes, look at that. | 0:22:52 | 0:22:57 | |
'And the farmhouse character continues | 0:22:57 | 0:22:59 | |
'just across the hall in the sitting room.' | 0:22:59 | 0:23:02 | |
That's nice. | 0:23:02 | 0:23:03 | |
It's not as big as I'd imagined it to be, but it is very cosy. | 0:23:03 | 0:23:07 | |
-Mm-hm. -Yes. I was going to say snug. | 0:23:07 | 0:23:09 | |
Snug in a nice way, not snug, it's small, | 0:23:09 | 0:23:11 | |
but it is cosy and a warm feeling. | 0:23:11 | 0:23:13 | |
-Should we go upstairs? -Yes. -Let's have a look at this. | 0:23:13 | 0:23:16 | |
'A small doorway takes us to the | 0:23:18 | 0:23:20 | |
'first floor, where there is a family bathroom, a shower room, | 0:23:20 | 0:23:24 | |
'a single bedroom, a double bedroom, | 0:23:24 | 0:23:27 | |
'a bedroom cum study | 0:23:27 | 0:23:29 | |
'and sandwiched in between them all is the master.' | 0:23:29 | 0:23:33 | |
-The views are lovely from here. -How's the upstairs doing, Nigel, | 0:23:33 | 0:23:36 | |
because it was all going quite well downstairs? | 0:23:36 | 0:23:38 | |
-Doesn't flow up here as well as the downstairs. Downstairs was lovely. -Yeah. | 0:23:38 | 0:23:43 | |
Up here I'm churning things over in my head at the moment, | 0:23:43 | 0:23:46 | |
trying to work out how we could, how it could work for us. | 0:23:46 | 0:23:49 | |
Yes, I must admit I much preferred downstairs than upstairs. | 0:23:49 | 0:23:52 | |
And our happy meter has dropped off a bit as we've come upstairs, | 0:23:52 | 0:23:56 | |
-is that right? -Yes, it has a bit, I think. | 0:23:56 | 0:23:58 | |
-But there have been smiles here... -Oh, yes. -..which is good. | 0:23:58 | 0:24:01 | |
Better than I thought it was going to be, I must admit. | 0:24:01 | 0:24:03 | |
-Should we go talk about the price, then? -Yes. -Let's go back out there. | 0:24:03 | 0:24:07 | |
'On paper this old farmhouse gives Lorna | 0:24:09 | 0:24:11 | |
'and Nigel the space they need in a home, | 0:24:11 | 0:24:13 | |
'but it seems something is stopping them feeling that it's right for them. | 0:24:13 | 0:24:17 | |
'Maybe they will have a change of heart when they see the delightful gardens with a large patio, | 0:24:17 | 0:24:22 | |
'fruit trees and stunning views to boot.' | 0:24:22 | 0:24:25 | |
Garden-wise, what you see is pretty much what you get. | 0:24:26 | 0:24:29 | |
There is an area of hard standing around the corner there, | 0:24:29 | 0:24:32 | |
which might allow you to put up a freestanding timber workshop. | 0:24:32 | 0:24:36 | |
-Yes. -But there's no garage...as such. | 0:24:36 | 0:24:40 | |
So, let's talk about the price then, Nigel. | 0:24:40 | 0:24:44 | |
I'd say 420. | 0:24:44 | 0:24:45 | |
I'm going to be silly and say just under the 400,000. | 0:24:45 | 0:24:48 | |
-This is on the market at 450. -Oh. | 0:24:48 | 0:24:52 | |
-Right. -But open to offers. -OK. | 0:24:52 | 0:24:56 | |
-But there is a lot to think about. -There is, yes. | 0:24:56 | 0:24:58 | |
I think it is the maintenance side of it, that worries us slightly. | 0:24:58 | 0:25:01 | |
-Have another look around. -OK. -Go on, off you go. | 0:25:01 | 0:25:04 | |
This character farmhouse is £25,000 over Lorna and Nigel's budget, | 0:25:07 | 0:25:12 | |
but the vendors are open to offers and it does have a lot going for it. | 0:25:12 | 0:25:16 | |
There's a great kitchen diner, | 0:25:16 | 0:25:18 | |
plus there are just the number of bedrooms they are after. | 0:25:18 | 0:25:20 | |
With one perfect as a study for Nigel. | 0:25:20 | 0:25:23 | |
It may not offer an obvious workshop or art room, | 0:25:23 | 0:25:26 | |
but the house is spacious | 0:25:26 | 0:25:28 | |
and there are definitely rooms that could be given a new purpose. | 0:25:28 | 0:25:31 | |
The gardens and views really make the most of the Devon | 0:25:31 | 0:25:34 | |
countryside, and there's easy access to the amenities in the village. | 0:25:34 | 0:25:37 | |
When we actually came into the house, erm, there was | 0:25:39 | 0:25:42 | |
quite a big wow factor coming into the kitchen. | 0:25:42 | 0:25:45 | |
It's a very nice kitchen, the way it's laid out. | 0:25:45 | 0:25:48 | |
I was a little bit worried at the... | 0:25:48 | 0:25:50 | |
the age of it and thinking about the maintenance side | 0:25:50 | 0:25:53 | |
was the first thing I thought of. I was surprised at the size of it. | 0:25:53 | 0:25:57 | |
-It looked very big. -We looked upstairs and... | 0:25:57 | 0:26:00 | |
My mood changed slightly when we went up there | 0:26:00 | 0:26:04 | |
because of the spaces and the sizes of the rooms. | 0:26:04 | 0:26:08 | |
I think the one thing that struck me as well | 0:26:08 | 0:26:10 | |
is I couldn't see where I could have an art room. | 0:26:10 | 0:26:13 | |
-Here you are. All done? -Yes, all done. | 0:26:13 | 0:26:16 | |
Ready for a nice cold pint of the local? | 0:26:16 | 0:26:18 | |
-That sounds a really good idea. -Definitely. -Come on then, let's go. -OK. | 0:26:18 | 0:26:21 | |
BIRDSONG | 0:26:25 | 0:26:27 | |
It's the second leg of our trip around Devon, looking | 0:26:30 | 0:26:34 | |
for a new place for Lorna and Nigel, from Rayleigh in Essex, to call home. | 0:26:34 | 0:26:39 | |
And with a healthy £425,000 to spend on a detached house, | 0:26:39 | 0:26:43 | |
they're looking forward to returning to the county where Nigel grew up. | 0:26:43 | 0:26:47 | |
And where he first met Lorna, almost 50 years ago. | 0:26:47 | 0:26:50 | |
'Coming up - I'll be throwing a cat amongst the pigeons | 0:26:50 | 0:26:53 | |
with our mystery house.' | 0:26:53 | 0:26:55 | |
-Are we happy, Nigel? -Yes. Yeah, very happy. I like it. | 0:26:55 | 0:26:58 | |
-Absolutely, yeah. -Very much. -Certainly is a mystery house. | 0:26:58 | 0:27:01 | |
-10 out of 10. -10 out of 10? | 0:27:01 | 0:27:04 | |
'And I'll be getting down and dirty with some Devon locals.' | 0:27:04 | 0:27:09 | |
Well, I think, as we've discovered so far, | 0:27:09 | 0:27:11 | |
the business of moving for Nigel and Lorna isn't just | 0:27:11 | 0:27:14 | |
a physical process of getting themselves from Essex to Devon. | 0:27:14 | 0:27:18 | |
It also involves an enormous emotional component as well. | 0:27:18 | 0:27:21 | |
And in my experience, the best way to overcome that is just to keep looking. | 0:27:21 | 0:27:25 | |
To keep going through the door of as many properties as you can. | 0:27:25 | 0:27:29 | |
So, that is a theme we're going to continue with. One more to come. | 0:27:29 | 0:27:32 | |
It's mystery house time. | 0:27:32 | 0:27:34 | |
Well, I think the field's still wide open. | 0:27:36 | 0:27:39 | |
-I think you're still waiting for a property to come and grab you. -Yes. | 0:27:39 | 0:27:42 | |
-In a way that perhaps you didn't expect it to. -Yes, possibly. | 0:27:42 | 0:27:46 | |
I'm just waiting for that... | 0:27:46 | 0:27:48 | |
That feeling you get that you know this is the one. | 0:27:48 | 0:27:51 | |
Which we got with the house we are currently in and that's | 0:27:51 | 0:27:53 | |
what I guess... I'm hoping that I'll get that feeling again. | 0:27:53 | 0:27:56 | |
-You never know, maybe the mystery house might do it. -Well, we can hope! -We hope so. | 0:27:56 | 0:28:00 | |
A 35-minute journey West takes us to our final | 0:28:01 | 0:28:05 | |
destination in the village of Alverdiscott, around 20 minutes | 0:28:05 | 0:28:08 | |
south of Barnstaple and five miles from the town of Great Torrington. | 0:28:08 | 0:28:12 | |
Great Torrington sits in the middle of beautiful | 0:28:12 | 0:28:15 | |
North Devon countryside. | 0:28:15 | 0:28:17 | |
The setting for the 1920s novel, Tarka The Otter. | 0:28:17 | 0:28:21 | |
The town has plenty of shops and eateries lining its pretty streets. | 0:28:21 | 0:28:25 | |
Plus, most exciting of all for Nigel, there's a golf club just over | 0:28:25 | 0:28:29 | |
10 minutes away from our third and final property, the mystery house. | 0:28:29 | 0:28:32 | |
-So, this is our mystery house. -He-he! That's different. | 0:28:35 | 0:28:39 | |
-It is very different. There is a complex of converted properties here in this old farmyard. -Right. | 0:28:39 | 0:28:45 | |
Erm, the one I want you to think about is that yellow rendered chunk. | 0:28:45 | 0:28:50 | |
-Right. -It is by far the biggest. -I was going to say, it looks enormous. | 0:28:50 | 0:28:54 | |
-It all goes sort of that way. -Wow. | 0:28:54 | 0:28:57 | |
Again, we've stepped back in time, | 0:28:57 | 0:28:58 | |
-in terms of the structure of the property. -Mm. | 0:28:58 | 0:29:01 | |
-But inside, it's absolutely brand-new. -Oh, brilliant. -OK. -Sounds good. -Yeah? | 0:29:01 | 0:29:06 | |
-Can't wait to see. -Are you happy? -BOTH: Yes. -Absolutely. | 0:29:06 | 0:29:10 | |
-Is this a mystery house worth taking a closer look at? -Oh, definitely. | 0:29:10 | 0:29:13 | |
-Definitely. -Right, come on then. | 0:29:13 | 0:29:14 | |
'This interesting property is one of five here. | 0:29:16 | 0:29:18 | |
'It was converted 24 years ago and is actually two homes knocked into one. | 0:29:18 | 0:29:23 | |
'It may not be the detached home Lorna and Nigel are hoping for | 0:29:23 | 0:29:26 | |
'but our mystery house is sure to deliver on many other levels.' | 0:29:26 | 0:29:30 | |
-Come into our mystery house. That's the dining room. -Oh, yeah. Lovely. | 0:29:30 | 0:29:35 | |
-All right? -OK. -But it all flows through to the kitchen. -Ah! Wow! | 0:29:35 | 0:29:41 | |
-Wow. -That is lovely. -Lovely. -Definitely up my street. -I thought it might be. | 0:29:41 | 0:29:46 | |
I mean, when it was two properties, this was the dividing line. | 0:29:46 | 0:29:49 | |
-Oh, I see. -So, in making it all one, they've pushed through. | 0:29:49 | 0:29:52 | |
-It's very quirky. -Yeah. It's lovely. -A bit like us, really! | 0:29:52 | 0:29:56 | |
THEY LAUGH | 0:29:56 | 0:29:58 | |
It's just laid out exactly as I would have it done myself. | 0:29:58 | 0:30:01 | |
And through that door there is the utility room, downstairs loo | 0:30:01 | 0:30:04 | |
-and all the rest of it. -No, it's all been done beautifully. | 0:30:04 | 0:30:07 | |
-It's lovely, isn't it? -It's really lovely. I want to see more now. | 0:30:07 | 0:30:10 | |
There's plenty of it! Come and have a look at this. | 0:30:10 | 0:30:13 | |
'Across the hallway is the sitting room. | 0:30:13 | 0:30:15 | |
'Once a round barn, it has a small mezzanine floor above it | 0:30:15 | 0:30:18 | |
'and a conservatory to the back.' | 0:30:18 | 0:30:21 | |
-Wow! -NIGEL LAUGHS -It's different again, isn't it? | 0:30:21 | 0:30:25 | |
-I am gobsmacked. -What a space! -It's beautiful. Really lovely. | 0:30:25 | 0:30:28 | |
It's just been done so tastefully. | 0:30:28 | 0:30:30 | |
-Sort of Christmassy, you can imagine, everybody being here for Christmas, couldn't you? -Yeah. | 0:30:30 | 0:30:34 | |
-Are we happy, Nigel? -Yes. Yeah, very happy. I like it. -Absolutely, yeah. | 0:30:34 | 0:30:38 | |
-Very much. -Certainly is a mystery house. 10 out of 10. -10 out of 10? | 0:30:38 | 0:30:42 | |
Oh, excellent! Right. Well, there's plenty more to spoil you with. | 0:30:42 | 0:30:45 | |
Come this way. | 0:30:45 | 0:30:46 | |
'Lorna and Nigel's reaction to this unusual conversion | 0:30:47 | 0:30:51 | |
'is just what I've been waiting for. It has so many surprises all under one roof. | 0:30:51 | 0:30:55 | |
'And just across the hallway is a cosy snug.' | 0:30:55 | 0:30:58 | |
And it's got this lovely great big window above there, | 0:30:58 | 0:31:00 | |
pouring light into it. So, maybe that's where you do the art? | 0:31:00 | 0:31:05 | |
Oh, it's a lovely room. I think it's far too nice to do art in there. | 0:31:05 | 0:31:09 | |
I wouldn't want to spoil it. I think it's lovely as it is, to be honest. | 0:31:09 | 0:31:12 | |
Well, my dad uses their conservatory for his artwork. | 0:31:12 | 0:31:15 | |
Maybe you could do the same with this one. | 0:31:15 | 0:31:18 | |
The light is amazing here. And you've got the views as well, which could inspire. | 0:31:18 | 0:31:22 | |
Yeah, I think this is where the art would be. | 0:31:22 | 0:31:24 | |
'Not only does the ground floor contain the impressive rooms | 0:31:24 | 0:31:27 | |
'we've seen but there's also a self-contained annexe. | 0:31:27 | 0:31:31 | |
'It has a living area and shower room. | 0:31:31 | 0:31:33 | |
'And upstairs, an en-suite bedroom, which would be just the ticket | 0:31:33 | 0:31:37 | |
'for Lorna and Nigel's son, Greg, while he finds his feet here in Devon. | 0:31:37 | 0:31:40 | |
And as we move upstairs, in the main house, there is | 0:31:40 | 0:31:43 | |
also a family bathroom and four bedrooms. | 0:31:43 | 0:31:46 | |
There are two singles, with a shared en-suite, another single and a large master. | 0:31:46 | 0:31:51 | |
-Ah, that's a lovely size, isn't it? -Yes. -Yeah. | 0:31:51 | 0:31:54 | |
-Now, it's not en-suite but the bathroom is right next door. -Yes. | 0:31:54 | 0:31:58 | |
-So, if you shifted the door... -Yes. | 0:31:58 | 0:31:59 | |
..down the corridor, you could make it that way. | 0:31:59 | 0:32:02 | |
-But, to be honest, you wouldn't need to. -It's not a problem, is it? | 0:32:02 | 0:32:06 | |
-It's just there. -An en-suite is not a big issue, is it? -No. | 0:32:06 | 0:32:09 | |
Are we still on a magical 10? | 0:32:09 | 0:32:12 | |
Erm, I think I'd give 10 downstairs probably 9 upstairs. | 0:32:12 | 0:32:16 | |
But again, it's just the sizes of the other bedrooms, | 0:32:16 | 0:32:19 | |
-I think is making that just go down a little bit. -Yeah. | 0:32:19 | 0:32:22 | |
I'm still happy with a generous nine | 0:32:22 | 0:32:24 | |
and, hopefully, the score will increase | 0:32:24 | 0:32:26 | |
when Lorna and Nigel have seen outside. | 0:32:26 | 0:32:29 | |
A beautiful landscaped garden, | 0:32:29 | 0:32:30 | |
with a contemporary deck terrace and panoramic views. | 0:32:30 | 0:32:34 | |
It's really nice, yeah. | 0:32:34 | 0:32:36 | |
And it's a lovely garden and it's level, which is | 0:32:36 | 0:32:39 | |
-a bonus for a garden in Devon. -Yeah. | 0:32:39 | 0:32:41 | |
Would this keep you busy enough, Nigel? | 0:32:41 | 0:32:44 | |
It's a size that I won't be out here very long. | 0:32:44 | 0:32:47 | |
You're going to be out playing golf, aren't you? | 0:32:47 | 0:32:49 | |
-Yeah, that's right. -That's what it is. Yeah. | 0:32:49 | 0:32:51 | |
Let's get down to the nitty-gritty. | 0:32:51 | 0:32:53 | |
It's difficult, because it's so beautiful, | 0:32:53 | 0:32:56 | |
-but, bearing in mind it's not detached... -Yep. -Erm... | 0:32:56 | 0:32:59 | |
-Bang on the budget of 425. -425, yeah, Nigel? | 0:32:59 | 0:33:02 | |
Yeah, I think it might be slightly more. | 0:33:04 | 0:33:07 | |
So we'll go... | 0:33:07 | 0:33:09 | |
440,000. | 0:33:09 | 0:33:10 | |
I think your instincts are right. But the reality is quite different. | 0:33:10 | 0:33:15 | |
This is on the market | 0:33:15 | 0:33:16 | |
-for £350,000. -You're joking? | 0:33:16 | 0:33:20 | |
-Wow. -How about that? -Well! -Yeah. | 0:33:20 | 0:33:23 | |
Yeah! Does that make your mind up? | 0:33:23 | 0:33:24 | |
LORNA LAUGHS It certainly helps. | 0:33:24 | 0:33:27 | |
Go and have a look. Go and see what you're going to do | 0:33:27 | 0:33:29 | |
-with all that space. -OK. -OK. -And I will catch up with you a bit later. | 0:33:29 | 0:33:31 | |
Well, there we go. Our magical mystery tour has ended | 0:33:31 | 0:33:34 | |
with yet another magical mystery house. | 0:33:34 | 0:33:37 | |
I do love it when a plan comes together. | 0:33:37 | 0:33:39 | |
This rather stunning barn conversion | 0:33:41 | 0:33:43 | |
is an unbelievable £75,000 under Lorna and Nigel's budget, | 0:33:43 | 0:33:48 | |
which would give them a fabulous amount of pocket money | 0:33:48 | 0:33:50 | |
to spend well into their retirement. | 0:33:50 | 0:33:53 | |
As our mystery house, it might not be detached, but its exterior | 0:33:53 | 0:33:56 | |
is full of character and the interior is completely modernised. | 0:33:56 | 0:34:00 | |
The space it offers them means there's enough rooms | 0:34:00 | 0:34:02 | |
to pursue their hobbies. | 0:34:02 | 0:34:04 | |
The manicured gardens are just perfect to take in | 0:34:04 | 0:34:07 | |
the splendid views and the annexe would give their son, Greg, | 0:34:07 | 0:34:10 | |
his own space and privacy. | 0:34:10 | 0:34:12 | |
-Oh, this is nice, isn't it? -Yeah. | 0:34:12 | 0:34:14 | |
That would make a lovely erm... | 0:34:14 | 0:34:16 | |
-..lounge. -..lounge. -Or even another bedroom. -Yes, that's true. | 0:34:16 | 0:34:20 | |
-Because there's another en-suite through there, as well. -Yeah. | 0:34:20 | 0:34:23 | |
-Yeah, that would work really well. -Yeah. | 0:34:23 | 0:34:25 | |
It's something totally different. | 0:34:25 | 0:34:26 | |
It's outside of my comfort zone, initially. | 0:34:26 | 0:34:29 | |
But it works well. | 0:34:29 | 0:34:31 | |
A real wow factor when we first walked in. | 0:34:31 | 0:34:34 | |
Everything's done... I mean, the kitchen is amazing. | 0:34:34 | 0:34:37 | |
Just the sort of kitchen I would really love. | 0:34:37 | 0:34:39 | |
It had so many possibilities. | 0:34:39 | 0:34:41 | |
Plenty of room for everybody, | 0:34:41 | 0:34:44 | |
even if we had, you know, a load of friends arrive at the same time. | 0:34:44 | 0:34:48 | |
There's somewhere for everybody to go. | 0:34:48 | 0:34:51 | |
The actual layout of this and the size of it | 0:34:51 | 0:34:53 | |
is a lot larger than I was thinking. | 0:34:53 | 0:34:56 | |
But it is so beautiful. I think it's certainly a strong contender. | 0:34:56 | 0:35:00 | |
-Well, you were hoping for a property that would grab you. -Yeah. -Yeah. | 0:35:02 | 0:35:06 | |
-This one certainly has. -Hasn't it just? -Definitely. | 0:35:06 | 0:35:09 | |
And, I'll be honest, I was a bit nervous with only one to go. | 0:35:09 | 0:35:11 | |
Would we do it, but... | 0:35:11 | 0:35:13 | |
-maybe our mystery house is the one. -Yeah. | 0:35:13 | 0:35:15 | |
It's certainly given us lots to think about. | 0:35:15 | 0:35:17 | |
-Yeah, we need to go away and think and... -Yeah. | 0:35:17 | 0:35:19 | |
Do a lot of thinking and a bit more research | 0:35:19 | 0:35:22 | |
and get a few questions answered, don't we? | 0:35:22 | 0:35:24 | |
-Yeah. I think so. -Yeah. Come on then. | 0:35:24 | 0:35:25 | |
Devon is the textbook retreat in the summer months | 0:35:36 | 0:35:39 | |
and the waft of barbecue smoke, fuelled by charcoal, | 0:35:39 | 0:35:42 | |
often fills the air. | 0:35:42 | 0:35:44 | |
In the UK, we buy around 60,000 tonnes of the black fuel each year. | 0:35:44 | 0:35:49 | |
But around 98% of it comes from overseas. | 0:35:49 | 0:35:52 | |
Here, near Rackenford in rural Devon, Anna and Pete Grugeon | 0:35:52 | 0:35:57 | |
traded in city life for the good life six years ago | 0:35:57 | 0:36:00 | |
and produce about 3,000 bags of charcoal a year | 0:36:00 | 0:36:03 | |
from wood felled on or near their 12½ acre smallholding. | 0:36:03 | 0:36:07 | |
-Nice to see you. -I'm glad you got this up. | 0:36:07 | 0:36:09 | |
-It's pouring down out there. -That's typical, yeah. | 0:36:09 | 0:36:12 | |
Such is the life of a pair of charcoal makers. | 0:36:12 | 0:36:15 | |
It can't be barbecue weather every day. | 0:36:15 | 0:36:18 | |
So what got you into charcoal making? | 0:36:18 | 0:36:20 | |
Well, we wanted to buy our own bit of land. | 0:36:20 | 0:36:22 | |
This bit of land, it lends itself to charcoal production. | 0:36:22 | 0:36:25 | |
We've got overgrown hedges, so, by managing the land, | 0:36:25 | 0:36:28 | |
we can take uncommercially viable wood, turn it into charcoal. | 0:36:28 | 0:36:32 | |
But for anybody not in the know, | 0:36:32 | 0:36:34 | |
what is charcoal? | 0:36:34 | 0:36:36 | |
Charcoal's basically carbonised wood. | 0:36:36 | 0:36:39 | |
You... | 0:36:39 | 0:36:40 | |
..take a piece of wood and, in effect, you burn it. | 0:36:41 | 0:36:45 | |
It removes all the water, it removes the volatile chemicals | 0:36:45 | 0:36:48 | |
and you're left with what is reasonably close to pure carbon. | 0:36:48 | 0:36:52 | |
It's amazing, isn't it? And it's always incredibly light, | 0:36:52 | 0:36:55 | |
that's what I find amazing. | 0:36:55 | 0:36:56 | |
So I suppose the great thing is you're using every component | 0:36:56 | 0:36:59 | |
that a felled tree could possibly offer you. | 0:36:59 | 0:37:01 | |
Yes, so it does make it very cost-effective | 0:37:01 | 0:37:04 | |
and environmentally sustainable. | 0:37:04 | 0:37:07 | |
Well, I'm fascinated to see how you do it. | 0:37:07 | 0:37:09 | |
To turn rough wood into a product that you can now sell sustainably. | 0:37:09 | 0:37:13 | |
I think that's brilliant. | 0:37:13 | 0:37:14 | |
The wood Anna and Pete use is hardwood. | 0:37:14 | 0:37:17 | |
Ash, beech, oak and birch and it's felled at least six months | 0:37:17 | 0:37:20 | |
before it's turned into charcoal, to let it season or dry out. | 0:37:20 | 0:37:24 | |
It's a great way of using these old hedgerows, isn't it? Cos you've got | 0:37:26 | 0:37:30 | |
-to thin them out. -Yeah. -And most of the time, this would just be chipped | 0:37:30 | 0:37:33 | |
-on the side of the road, wouldn't it? -Absolutely. | 0:37:33 | 0:37:36 | |
Or just piled up and burned, if it's in the woods. | 0:37:36 | 0:37:39 | |
-But you're using all of yours? -We are. | 0:37:39 | 0:37:42 | |
-Not a lot goes to waste. -No. | 0:37:42 | 0:37:45 | |
The wood's taken back to the barn, | 0:37:45 | 0:37:47 | |
where it's split with an axe to make smaller pieces | 0:37:47 | 0:37:49 | |
and then stored before being transferred to the kiln. | 0:37:49 | 0:37:53 | |
Do you just chuck it in or is there some system? | 0:37:53 | 0:37:56 | |
There is. We have the larger bits in the middle, | 0:37:56 | 0:37:58 | |
cos that's the hottest part of the kiln. | 0:37:58 | 0:38:00 | |
And then working our way to smaller bits towards the edge. | 0:38:00 | 0:38:04 | |
The kiln is a bottomless cylinder of steel. | 0:38:04 | 0:38:07 | |
It needs to be full to the top for the dried out wood | 0:38:07 | 0:38:09 | |
and Anna and Pete burn around 45 kiln-loads of wood a year. | 0:38:09 | 0:38:14 | |
The charcoal it produces is sold locally to farm shops, | 0:38:14 | 0:38:16 | |
campsites and butchers. | 0:38:16 | 0:38:18 | |
They also make charcoal for artists. | 0:38:18 | 0:38:21 | |
It takes around two hours to fill the kiln to the top. | 0:38:21 | 0:38:24 | |
The smell here is fabulous. | 0:38:25 | 0:38:28 | |
-This lovely wood smoke smell. -Yeah. | 0:38:28 | 0:38:30 | |
And I always thought that if you could bottle it and put it in a can | 0:38:30 | 0:38:33 | |
and spray it around any house, you'd sell them all. | 0:38:33 | 0:38:37 | |
-Maybe that could be your next business venture? -OK. -Maybe. | 0:38:37 | 0:38:40 | |
-It would be less effort than charcoal. -Wood smoke in a bottle. | 0:38:40 | 0:38:43 | |
-So the next step is the lid then? -Indeed. -It is, yes. | 0:38:51 | 0:38:55 | |
'The lid is also made from steel and it controls the fire, | 0:38:56 | 0:38:59 | |
'preventing the wood just burning to ash. | 0:38:59 | 0:39:02 | |
'There are eight vents around the bottom of the kiln. | 0:39:02 | 0:39:04 | |
'Chimneys are placed in four and four are air inlets. | 0:39:04 | 0:39:08 | |
'These vents allow the air to travel in and out of the kiln, | 0:39:08 | 0:39:11 | |
'slowly burning the wood.' | 0:39:11 | 0:39:13 | |
So, at this stage, we're going to be lighting it | 0:39:13 | 0:39:16 | |
and we need to get as much air going through to get it going as possible. | 0:39:16 | 0:39:19 | |
So we've got the lids up at an angle, | 0:39:19 | 0:39:22 | |
we've got the gaps in between the inlets and outlets all open, so... | 0:39:22 | 0:39:26 | |
-Crudely industrial, I love it. -Yeah. -Yeah. | 0:39:26 | 0:39:28 | |
-ANNA LAUGHS -Go on, then. Fire it up. | 0:39:28 | 0:39:29 | |
-Let's see it go. -OK. | 0:39:29 | 0:39:32 | |
Anna lights a rag doused in vegetable oil, which is placed | 0:39:32 | 0:39:35 | |
through one of the vents into the centre of the kiln | 0:39:35 | 0:39:37 | |
to ignite the fire. | 0:39:37 | 0:39:38 | |
Well, guys. It certainly seems to be working. | 0:39:41 | 0:39:44 | |
-Yep, it is. -Certainly alight. | 0:39:44 | 0:39:47 | |
-So how long now till it's done? -We've got 18 hours. | 0:39:47 | 0:39:51 | |
That's 18 hours of temperatures up to 800 degrees Centigrade | 0:39:51 | 0:39:55 | |
to transform the dry wood into energy-giving charcoal | 0:39:55 | 0:39:58 | |
and then another 24 hours to cool down and it's ready to be bagged. | 0:39:58 | 0:40:02 | |
It has been a wonderful insight | 0:40:02 | 0:40:04 | |
into one very unique couple's escape to the country. | 0:40:04 | 0:40:08 | |
Devon's charcoal makers. Here's to you. I love it. | 0:40:08 | 0:40:11 | |
-Thanks. -Thanks. -Best of luck. | 0:40:11 | 0:40:13 | |
Well, when we left the mystery house, you may recall that | 0:40:18 | 0:40:20 | |
Nigel and Lorna said they needed to discuss | 0:40:20 | 0:40:22 | |
all that we had shown them so far. | 0:40:22 | 0:40:24 | |
But I'm afraid the time for talk is now over. | 0:40:24 | 0:40:27 | |
It's decision time. | 0:40:27 | 0:40:28 | |
Well, Lorna and Nigel. This has been quite an eventful week, I think. | 0:40:33 | 0:40:37 | |
-One way and another. -It certainly has. -Yes. -But very enjoyable. | 0:40:37 | 0:40:40 | |
Well, I have to confess, I wasn't sure if we were going to find | 0:40:40 | 0:40:43 | |
that elusive feeling that you've been looking for, of home. | 0:40:43 | 0:40:46 | |
But then we took you to our mystery house, | 0:40:46 | 0:40:49 | |
converted barn conversion, and, Lorna, | 0:40:49 | 0:40:51 | |
your face just lit up when we got inside. | 0:40:51 | 0:40:53 | |
It was. It was a real wow factor, that house. It was... | 0:40:53 | 0:40:57 | |
When I looked outside, I thought... | 0:40:57 | 0:40:59 | |
And you said it was modern inside, | 0:40:59 | 0:41:01 | |
I couldn't imagine it as lovely as it was. | 0:41:01 | 0:41:03 | |
It was beautiful inside. | 0:41:03 | 0:41:05 | |
-It was to die for, really, wasn't it? -Yeah. It was lovely. | 0:41:05 | 0:41:08 | |
-The shape of that ceiling, the roof. -And the lovely fireplace. | 0:41:08 | 0:41:11 | |
And, of course, the separate wing, as it were, | 0:41:11 | 0:41:14 | |
-that offered you potentially two en-suite bedrooms. -Yes. -Yeah. | 0:41:14 | 0:41:18 | |
So ideal for guests, but, in the meantime, perhaps for Greg? | 0:41:18 | 0:41:21 | |
Yes, I think he would love it. | 0:41:21 | 0:41:23 | |
He would have the same feelings that we had with it. | 0:41:23 | 0:41:26 | |
Well, this is all very exciting, guys. | 0:41:26 | 0:41:28 | |
Is there now a greater sense of urgency | 0:41:28 | 0:41:30 | |
in getting this move underway? | 0:41:30 | 0:41:32 | |
Yeah. I think now we need to go home, | 0:41:32 | 0:41:34 | |
give it some serious thought and see where we go from there. | 0:41:34 | 0:41:38 | |
As ever, let us know how you get on. | 0:41:38 | 0:41:39 | |
-OK, we'll certainly keep you posted. -Thanks for all your help, Jules. | 0:41:39 | 0:41:43 | |
-Yeah. -It's been an absolute pleasure. | 0:41:43 | 0:41:44 | |
-Best of luck to the pair of you. -BOTH: -Thank you. | 0:41:44 | 0:41:47 | |
You know, feeling at home in a new home can be harder | 0:41:51 | 0:41:55 | |
than it might sound, particularly for a couple like Lorna and Nigel, | 0:41:55 | 0:41:58 | |
who are making a move that means they've got to leave behind | 0:41:58 | 0:42:01 | |
all that's been familiar for decades. | 0:42:01 | 0:42:04 | |
And I have to confess, when we started out, | 0:42:04 | 0:42:05 | |
I wasn't sure if, this week, our buyers would find that elusive | 0:42:05 | 0:42:10 | |
feel-good factor that every successful house hunt needs. | 0:42:10 | 0:42:13 | |
But, once again, it seems we have managed to save the best till last | 0:42:13 | 0:42:17 | |
in our beautiful mystery barn conversion. | 0:42:17 | 0:42:20 | |
Now, there's still a long way to go before they're able to get it, | 0:42:20 | 0:42:23 | |
but if they do have to keep searching, | 0:42:23 | 0:42:25 | |
I'm confident that one thing is for sure - | 0:42:25 | 0:42:28 | |
at least now, they should know what they're looking for. | 0:42:28 | 0:42:31 | |
I'll see you next time. | 0:42:31 | 0:42:32 | |
Lorna and Nigel decided not to revisit the mystery house, | 0:42:34 | 0:42:37 | |
but it did open their eyes to a different way of living | 0:42:37 | 0:42:39 | |
and they've now had an offer accepted | 0:42:39 | 0:42:41 | |
on another Devon barn conversion. | 0:42:41 | 0:42:45 | |
If you'd like to escape to the country in Northern Ireland, | 0:42:45 | 0:42:47 | |
Scotland, Wales, England or perhaps even further afield | 0:42:47 | 0:42:50 | |
to the Continent, and would like our help, | 0:42:50 | 0:42:53 | |
then please apply online. | 0:42:53 | 0:42:54 |